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Rewatched "M.I.A." today. One detail stood out to me this time; the human Londoners grouped in the background at the very end are the same ones we saw in Act I staring at the gargoyles in shock and alarm, when Leo and Una are confronting Goliath outside their shop. It made a pleasant touch, I thought, to see that those people have now recognized (judging from the way they were shown at the conclusion) that they didn't need to be scared of the gargoyles.
Yep.
Rewatched "Monsters" on DVD today. (Appropriate timing, I thought, since November 30 is St. Andrew's Day, dedicated to the patron saint of Scotland - and on that day, I was watching Scottish gargoyles encountering Scotland's most famous monster.) A few fresh thoughts on it.
When Elisa describes herself to the man at the souvenir stall as "not really the adventuring type", I found myself thinking of her statement in "High Noon", "I'm no hero; I just do my job". Certainly, whatever her incliations, she's had plenty of adventures.
I wondered whether Elisa's remark about theme parks doing "robot Nessie-type" stunts five times a day was Disney poking a bit of fun at itself - we'd see something similar in "Bushido".
And when Elisa says at the end how some legends need to stay that way, she looks in Goliath's direction as she speaks, making me wonder if it was just the Loch Ness Monster she was talking about. Certainly Elisa's been zealous about preserving the gargoyles' secrecy - maybe too zealous, in light of "Revelations" and "Mark of the Panther".
She wasn't just talking about Nessie.
A postscript thought I had on "Shadows of the Past". Both it and "Future Tense" - the first and last episodes in the Avalon World Tour respectively - have Goliath being beset by terrifying magical illusions, but at last realizing that they're not real and confronting the person or people behind the illusion. I don't know if this was intentional or not, but I think it gives a great element of symmetry to the World Tour.
It was indeed intentional.
Rewatched the "Avalon" triptych on DVD today. A few new observations.
The Magus's lyre in the "flashback on Avalon" scene looks a lot like Merlin's lyre in "A Lighthouse in the Sea of Time". Obviously not the same one, but evidently both wizards share a common taste in musical instruments.
Princess Katharine and the Magus's telling Elisa "Little is known of the Sleeping King" struck me as all the more appropriate since in 995, nearly all the major works on King Arthur had yet to be written (Geoffrey of Monmouth's "History of the Kings of Britain", the oldest extant start-to-finish account of Arthur's life, wouldn't be written for over a hundred years). There were one or two, like Nennius's "Historia Brittonum", but that was about it.
A detail that I hadn't spotted before: a couple of gargoyle-like sculptures were "guarding" the bridge leading to Arthur's resting-place within the Hollow Hill.
King Arthur and Goliath have both used a mace while fighting Macbeth (Goliath did so in "Enter Macbeth") - one of a few points in common they share (others are awakening in the modern world from a long enchanted sleep, and having scheming illegitimate sons).
The Archmage's boast that he could destroy Goliath with "just a word" struck me as apt, since all the "enhanced Archmage"'s spells were one-word ones ("Vessel", "Revert", "Ice", etc.).
It's difficult not to smile at Elisa's "Souvenirs" question after Season One of "Young Justice". Fortunately, she was asking it in a lighthearted tone.
Certain elements run through my work, I suppose...
This is less a question than a comment, since I know you won't give out spoilers. :)
I've noticed that a lot of writers, especially in TV shows, either can't or don't want to write established relationships - either the courtship is dragged out until the final episode, or the couple gets together mid-series only to fall into an endless cycle of break ups and make ups. And while Gargoyles is one of the few TV series that I think had legitimately good reasons both for the long courtship and for the breakup in the comics, which both made sense with the characters and were compatible with them having a long-term healthy relationship... I also really hope that this won't become a recurring phenomenon, and that their relationship will continue to progress, however slowly. While I know that no relationship lasts forever, if nothing else because no one lives forever, I really really hope that Elisa and Goliath will have many long years ahead of them to function as a healthy couple, and that we the audience will get to see at least some of it. *crosses fingers for Gargoyles coming back in some form*
I don't disagree with you.
Why are Goliath and his took brothers so much bigger than the next generation of gargoyles
They're older? (I assume you meant "rookery" brothers.)
My thoughts on rewatching "Outfoxed".
Not much new to say about it, but I spotted two things. First, just after Goliath heads off in pursuit of Fortress-Two, we get a shot of it flying towards the Twin Towers. From a hindsight perspective, an unsettling moment.
I noticed, also (continuing my examination of the "monster/beast/creature" terminology used by humans towards gargoyles during this rewatch) that both Renard and Vogel call Goliath "creature". Renard, of course, soon recognizes that Goliath's a sentient being, capable of understanding him when he speaks about the importance of taking responsibility for your actions. I'm not so sure whether Vogel came to the same realization, though.
Ultimately, I think he did.
Rewatched "Vows" today. A few new things that came to me.
I was hesitant about mentioning this, in case it comes across as an idea, but - from the way Goliath addressed Demona as "my angel of the night" at Prince Malcolm's wedding, I wondered if this was the first time he'd called her that.
When Xanatos referred to his getting the old coin that was the foundation of his fortune as "ancient history", I thought, "well, medieval history, to be precise".
I wonder how Prince Malcolm and his court must have perceived the Norman Ambassador's departure - he rides off just before the wedding, not staying to see Princess Elena, whom he'd escorted to the castle, wedded (even though he'd presumably be the closest thing to a representative of her father there). At least it doesn't appear to have caused a diplomatic incident between Scotland and Normandy.
The Archmage addresses Demona as "you stupid beast", continuing the pattern of unfriendly humans using such terms for gargoyles, that I've been paying close attention to this time around.
Brooklyn is the one most vocal about going to Goliath's rescue at the end; I wonder if Demona's involvement and his feelings about her had a lot to do about that.
I still think it's a pity that the original ending got onto the DVD; I hope that the Disney + version uses the corrected ending. (That's the main thing I miss from my old "Gargoyles" tapes.)
<sigh> That damn ending...
Rewatched my DVD of "Eye of the Beholder" today. I didn't find as much new to notice with this one, unfortunately, though I was delighted to note the moment where Xanatos placed his hand on Goliath's shoulder while pleading for his help at the castle - meaning that he had an opportunity (which he used, obviously) to plant that tracking device on him. I'm glad that the episode played fair with that.
Brooklyn's eyepatch as part of his pirate costume seems all the more appropriate after the ending of "Clan-Building".
Goliath echoes "Re-Awakening" when he speaks of Manhattan as "my castle, my city".
Lots of echoes in this one - backwards and forwards...
New thoughts on "Re-Awakening", after my rewatch.
I don't know whether this was intentional or not, but when Goliath and Elisa were having their conversation about the shopkeeper and why he doesn't leave the neighborhood, I found myself thinking of "Othello"'s suggestion, in the flashback, of abandoning the castle and letting the Vikings have it, and Hudson's response. I don't know if you intended those moments to be thematically connected, but they did feel that way to me this time.
It still strikes me that the fact that the gargoyles' resolution to protect the city and its inhabitants comes at the end of the first season says a lot about how different "Gargoyles" was from most super-hero series; the gargoyles are able to have plenty of adventures and experiences - thirteen episodes' worth of them - before making that vow. The series was rooted in their being gargoyles - ancient "mythical" beings with their own culture and world-view - re-awakened in the modern world, trying to make sense of it - and often making mistakes in the course of their attempts - rather than just crime-fighters.
That was all intentional.
Rewatched "Enter Macbeth" today.
I can't help womdering what must be going through Hudson's head as he watches a Donald Duck cartoon, thoughtfully stroking his beard. The spectacle of a duck grown to human size, wearing clothes and speaking (kind of) could be an even bigger argument for not believing everything you see on television than the revelation of the Pack's true nature.
U remember in your ramble on "Enter Macbeth", your daughter spotted what looked like the Mona Lisa in Macbeth's mansion. This time around, I noticed a portrait of a man apparently in 18th century attire, who reminded me of portraits I'd seen of Bonnie Prince Charlie.
The doors to Macbeth get it both coming and going; they first get broken down when Bronx escapes, and when he returns with Goliath, they demolish a second pair of doors. (Of course, it becomes academic after the whole mansion gets burned down.)
Lexington talks about getting the clock working again; I wonder if he ever succeeded before the Canmores blew the place up.
1. Donald is a mystery to us all... ;)
2. I think Macbeth owned a lot of expensive art.
3. Yeah, so much destruction.
4. He never did.
I also rewatched "The Thrill of the Hunt" and "Temptation" today. Things I noted this time in "The Thrill of the Hunt".
1. Lexington, angered about the Pack's treachery, cries that they're like animals. I thought that appropriate, given the Pack's "animal names".
2. The Pack continue the "referring to the gargoyles as beasts" practice from "Awakening" and even speak of hunting them, such as Wolf's cry "Let the hunt begin!" - the talk about hunting them also made me think of the Hunters (though they wouldn't be introduced until Season Two, of course).
3. When Brooklyn and Broadway arrive at the end to tell Goliath and Lexington how they'd seen a report on the news about Fox and Wolf's arrest, they come gliding in from outside the castle - so apparently they weren't watching television with Hudson when they found out, but somewhere else. (I won't ask where, but this detail struck me for the first time.)
4. Dingo's cry of "Stone me!" upon seeing the photographs of Goliath felt like a particularly appropriate response to a gargoyle.
1. Yep.
2. Common themes running through the series, I think.
3. Or they were watching t.v. earlier.
4. :)
To celebrate the 25th anniversary of "Gargoyles", I watched "Awakening" (all five episodes) on DVD yesterday, and thought I'd share a few things I hadn't noticed before (or hadn't noticed enough) that struck my fancy.
1. When Goliath sends the trio and Bronx to the rookery, Bronx looks ashamed of himself - in a way that reminds me of times when dogs I'd known looked guilty over something.
2. When Xanatos tells Owen "Make the offer now" at the ruins of Castle Wyvern, I suddenly wondered whom he bought Castle Wyvern from. I won't ask here - it's obviously a "No spoilers" answer - but I was struck by the fact that this was the first time I wondered that.
3. I spotted what looked like a "foliate head" (or "Green Man"-type head) carved over the archway the gargoyles are standing beneath when the Commandos showed up in the courtyard, and a couple of winged figures on one of the tapestries. (I'll have to check for other unusual and remarkable features of the castle in later episodes, as well.)
4. Many of the human characters repeatedly call the gargoyles "beasts", both in the medieval scenes and the modern (Princess Katharine's protest at allowing beasts in the dining hall, Mary calling the gargoyles beasts, Bruno asking "Where's the beast?" while pursuing Goliath and Elisa).
5. Goliath asks Elisa, when they first meet, "What were you doing in my castle?" Despite Xanatos having bought it, he clearly thinks of it as still his - as if laying pipe for the arc about the gargoyles having to leave the castle and Goliath resisting it.
1. The dogs I've had get that shamed look based on my reprimanding tone more than based on what they've done. As opposed to the cats I've had (and have), who at best stare at me as if to ask, "Are you talking to me?"
2. An interesting question.
3. Art Direction was pretty awesome on the show.
4. All very intentional.
5. We tried to keep each character's POV clear.
I also recently read the "Oral History of Gargoyles" online, and enjoyed it. My favorite part was when you mentioned how "Gargoyles" was initially inspired by "Adventures of the Gummi Bears", only instead of "cute, cuddly multi-colored bears" it would have "cute, cuddly multi-colored gargoyles". I know you were talking about the original comedy development take on the gargoyles, but I laughed aloud at the "cute, cuddly" part - they're definitely not the adjectives I'd use for describing Goliath. "Majestic", yes, "awe-inspiring", yes, but not "cute" or "cuddly".
Goliath wasn't in the comedy development so... cute and cuddly wasn't a job requirement for him.
Am I missing anyone or adding someone incorrectly? So far Sevarius has the DNA of the following?
Goliath, Brooklyn, Angela, Broadway, Bronx, Lexington, Eliza, Hudson, Yama, Robyn Canmore, Dingo, Talon, Maggie, Fang, Claw, Wolf, Demona, Nessie, Deiliah (Mix)?
It's been a while since I saw the episodes. I guess he has Delilah, but then if you're including her, he'd also have Thailog, Burbank, Hollywood, Brentwood and Malibu. I guess he probably has Maggie, Fang, Claw and Wolf. But then I imagine he has Erin, Benny, Thug and Tasha, too.
Hi,
My last question was probably already ignored, but if not I apologize for it...after extensive digging through the archives I think it was answered.
But Iâm pretty sure this was never addressed....You kind of seemed to suggest that Elisa fell for Goliath spiritually and physically earlier than he fell for her. How is it then that she never seemed to be jealous of Demona? At least she never showed herself to be. Like in vows...I know she didnât know the details of what transpired there, but wasnât she ever worried that Goliath May eventually succeed in bringing Demona to the light and reunite with his mate?
Or was her willful desire to avoid the topic of their romantic linking overpowering any other feelings of insecurity or jealousy she may have felt vis a vis Goliath? Or was her guarded nature so tight that these secret fears never showed on her?
I just wanted to also say thank you for bringing us a love story for the ages...I think Goliath and Elisa are the most heart wrenching couple to ever grace the world of fiction. Thinking about these two tears my heart up in the best way possible. Watching Elisa as a little girl made such a huge positive impact on the person I am today...I love her so much that Iâm willing to relinquish the hold I wish I had on Goliath (if thereâs a straight woman out there who wouldnât melt all over this guy...I havenât met her yet).
And Iâm sure Iâm not the only one. I think you may have saved hundreds, thousands of 90s young women from our lesser selves with this beautiful, positive role model. There hasnât ever been another like her.
Elisa recognized her feelings long before Goliath (at least in my mind), but she also refused to acknowledge those feelings as connecting to a real possibility of a relationship for way longer than Goliath. And she wanted the best for Goliath, so if Demona could be turned around (during this period) she logically felt that would be a good thing.
Having said that, I do think Elisa shows signs of jealousy throughout. Little things. Rewatch. I think you'll see them.
I'm glad you loved Elisa as much as we did/do.
Hi Greg,
I searched the archives a little and I did not see this answered specifically...(if Iâm wrong please link me)
When in the tv series did Goliath realize he had feelings for Elisa? I know he was always gradually falling for her (unbeknownst to him for not) since he first met her...but what do you think?
I always imagined it was well before he realized the physical connection in the mirror...maybe by deadly force when he realized he might lose her and lost his mind about Dracon.
Thanks for this amazing show and for your answer!
I don't think he realized he had romantic feelings for her until "The Mirror".
1. So I get the qualities Thailog inherited from Goliath and Xanatos but what do you think he got from Sevarius? Sorry if this is obvious but I just don't see it, is that why he might hold Sevarius in less regard than he does his other "fathers"?
2. Do you think Thailog holds Brentwood in more regard because he joined him of his own free will? Will he grant him more responsibilities like Xanatos does with Owen or will he get someone else to fulfill that role?
3. What does Thailog think about immortality? On the one hand I could see him being like Xanatos on the other I could see him adopt Nightstone Unlimited as a pseudo clan and achieve immortality that way maybe both? Great villain by the way so much like Xanatos and Goliath and yet so different at the same time.
1. He's a performer, but, yes, I think he holds Sevarius in less regard than his other fathers.
2. Shari fulfills the Owen role for Thailog. But we'll have to wait and see how Brentwood fares with him.
3. Not sure I'm following your reasoning here.
Hi Greg,
Thank you for your work and Gargoyles, it gave a mature 13-year old kid a great show to watch and escape with when his world around him was falling apart.
I wanted to ask you about Goliath and his character ARC. he's such a complex character who spends so much time in grief and, carrying burdens from his past balancing good and evil, broken hearts and forbidden romances, an evolution of "Clan" and family.
Season three opened all of these new possibilities with new clans popping up all over the world after Avalon, and so my Question is, What would it take for Goliath to get his happy ending? Was there ever a plan to really wrap up Gargoyles, because the universe really is so deep and expansive everyone could have gotten 10 episodes plus about their own struggles and triumphs.
I even got to read Brooklyn's Comic Arc from "Clan Building" by Greg Weisman, and had even more love for what could have been! Thank you for answering if you get the chance!
I think you're referring to Season Two having "opened all of these new possibilities with new clans popping up all over the world".
There is no plan to wrap Gargoyles forever. I don't do final endings. But that doesn't mean I don't have an end to Goliath's story in mind. But revealing whether it's a happy ending or not, would a spoiler.
Glad you liked the show and the companion comic!
Hi Greg. I just wanted to tell you that I loved your story on the Gargoyles, especially the story between Elisa and Goliah (I have always loved the story of Beauty and the Beast). Probably they are not the first nor the last to ask you this question, but I hope with all my heart that sooner or later the stories, even comic books, continue. You had so many ideas that I wanted to see them realized. I hope a day not far away will happen ...
Me too.
Hi Greg big fan, especially of Demona
I remember reading she was basically a military adviser to Macbeth, in your own words Secretary of defense.
So here are my questions
1. Where does her combat skills rank? Example is she more skilled then Goliath, below him etc, or how would she compare to Young Justice Characters in combat training
2. She has taken on Goliath once in awhile. Is she as strong as him, or slightly below.
3. Same question but this time for speed. Is she just as fast or faster?
4. How powerful is the Particle Canon she uses? Like could it Destroy a tank?
Anyways, thanks for this Greg, cant wait to see what you have planned
1. As always, I'm not big on ranking. Demona is a badass warrior. She can go toe-to-toe with Goliath. He has the advantage of size and strength, but she's more vicious and dangerous. As for comparing her to YJ characters... where would I start? She's a threat to anyone. Nuff said.
2. She's not as strong.
3. Shrug. Might be a bit faster.
4. It depends how you define "destroy". It would disable a tank.
I've recently rewatched Awakening, and the scene where Goliath tells Demona that she can't kill an enemy unless it is "in the heat of battle" sparked a question in me: as of Phoenix, which members of the Manhattan Clan have actually killed someone?
Most have, in battle, in the tenth century. Angela hasn't. Egwardo hasn't. Nashville hasn't. Maybe Lex & Broadway haven't. But that seems unlikely/unrealistic.
Oh, and if you're counting her, Elisa hasn't.
In "Vows" When Goliath told to the young Demona about doing nothing to prevent The Wyvern Castle Massacre.To not let the petty jealousies that prey upon her heart.To fortify herself with love.Was he really hoping to prevent the future and was it his last attempt to reason her?
Yes, hopefully if forlornly.
I had a random question based on a question I saw about the Goliath/Demona/Angela parentage issue in "Sanctuary."
I just thought of this theory that maybe part of the reason why Goliath was resistant to telling Angela about Demona was because he was hurt over the end of his relationship with her, and having seen how she changed. So, he may, at least somewhere in his mind, have wanted to forget about her.
Do you think that may have been the case, not just his "Gargoyle Way" position?
If that works for you, I'm not going to object.
I remember your mentioning that in the proposed "Weird Macbeth" story, you'd cast Goliath as Macduff. It recently occurred to me that that would fit the "none of woman born" element (as with Demona earlier) - if in a different manner than the Macduff of the original play.
I don't know if that was one of the reasons you'd cast Goliath for that role, but I thought I'd mention it.
It's all in there.
Since Goliath and Demona are the same age roughly in 994 what would happen when Goliath became to old to lead the clan and stepped down? Wouldn't Demona also be too old?
Yes, it would have been a concern eventually. But they were both young at that stage, and the bigger concern at that time was death by violence, not by old age.
Hi, Greg! It's been several years since I've posted, but these questions came to me while I was getting ready for work this morning and I wasn't sure if you'd ever commented on them before. In Eye of the Beholder, Goliath says that he has no love for Fox. Does this feeling change at all upon him learning that Fox is Halcyon Rendard's daughter? I'm not saying that I think this would make Goliath start liking her more, but I would think there might be a change of feeling/heart since Goliath regards Renard as a close friend (so instead of seeing Fox as someone he doesn't care about at all, he might see her in a different light due to Renard being her father). So this leads me to the following two questions:
1) If there was a change of feeling, what was that change? (How does he feel about her once he learns she is Rendard's daughter?)
2) If his new feelings were more positive towards Fox (if his feelings did change), then did those positive feelings have anything to do with Goliath's decision to stay at the Eyrie Building? Of course when Xanatos offered Goliath and his clan a ride back to the Eyrie Building to get away from the police, he took the ride to save the clan. But when they got to the Eyrie Building he had to make the decision of whether to stay there or not. I'm sure there were several reasons for them to stay, but was Fox having Renard as her father one of those reasons?
Thank you for your answer and your time, I know it's precious.
-Charisma82
I think you're overthinking Goliath's statement about Fox in Eye of the Beholder. Taking it too literally. But...
1. More than anything, it's probably just a reminder to him that life is full of nuances. There's very little black and white.
2. No.
Do you think Keith David could voice any other of your characters? If so, which ones?
P.S
I am still a fan of the show and totally used jump off of an ironing board trying to fly when I watched Gargoyles as a kid.
I don't understand what you mean. Keith is amazing, and has done a voice for me on nearly every series I've produced. The list includes Goliath (Gargoyles), Officer Morgan (Gargoyles), Thailog (Gargoyles), Mama (3x3 Eyes), Hades (Kidd/Hero), The Big Man (The Spectacular Spider-Man) and Mongul (Young Justice: Invasion).
Hi Greg!
I suppose this is a bit of a nitpick about 20 years too late, but while rewatching the pilot of Gargoyles for the millionth time, I couldn't help but question how Goliath managed to carry all of the Gargoyles from the battle to Castle Wyvern.
One at a time.
What was Xanatos' contingency plan in case Goliath threw him off the edge of the Eyrie Building at the end of "Awakening, Part Five"?
Don't know.
How do you feel about the next DEATH BATTLE episode with X-Men's Beast and Goliath? Who do you think would win?
I can't figure out why they would fight.
1a) Would The Eye of Odin have eventually killed Goliath? (It appeared to have been killing Fox.)
1b) (It seems that Avatars to Death Gods tend to die, like The Emir.) Would Jackal have eventually died as a result of being an Avatar?
1a. Hard to say.
1b. Harder to say.
Hey, did you take note that in a recent episode of Once Upon A Time, the Chernabog appeared, and actually looked quite a bit like Goliath?
No, I missed that. I assume he looked more like Chernabog than Goliath, since Goliath looks a bit like Chernabog (who was one of Goliath's visual inspirations).
I've read the synopsis of the radio play crossover you made for "Gargoyles", "The Spectacular Spider-Man", and "Young Justice" (it'd be neat if you could put up the script for it at "Ask Greg" as you did for "Religious Studies 101", and noted that, near the end, you had Batman asking Goliath to join the Justice League. Now, the obvious reason why you had Batman be the one approaching Goliath was for the joke about Xanatos trying to get both Batman and Iron Man to join his club for rich guys with fancy equipment. But I remember how, back when you were making "Gargoyles", you were concerned that people might see it as a rip-off of "Batman: TAS" (to the point where you even drew up a list of differences between the two series); did you choose Batman for that role as a sort of callback to that?
Not consciously.
In "Revelations," Martin Hacker told Matt "Your job was to get him (Goliath) there (to the Hotel Cabal). It's not your fault if old Mace couldn't hold him." In fact, since Matt gave Goliath the key and physically stopped Mace from shooting Goliath, it was indeed Matt's fault that old Mace couldn't hold him.
Was Martin unaware of Matt's involvement in Goliath's breakout, or was he deliberately lying to Matt?
For now, that's up to your interpretation. Matt assumes that no one but Goliath knows about Matt's complicity. Is he right?
NO SPOILERS.
Hello, Mr. Weisman. Back again.
Something that bugged me a little when I was watching "High Noon" and "The Price"; in both episodes, Goliath wonders how Macbeth could have escaped from the Weird Sisters (of course, Macbeth didn't actually escape, but that's neither here nor there with regards to my point).
Anyway, my question is this: did it never occur to Goliath that the Weird Sisters might have just let Macbeth go? After all, he doesn't really know anything about the Sisters at this point; they're almost entirely an unknown quantity. Did he think that they'd keep Macbeth and Demona prisoner indefinitely (that isn't rhetorical; I really do want to know)?
Thank you for your time, sir. Have a nice day.
I don't know about indefinitely, but the Sisters didn't take them casually, hence Goliath's response.
Hello Greg, Big fan of your work. Met you at last week's Long Beach Comic Con. I have all the Gargoyles dvds and I still have a question about Demona. Hopefully you havent already answered this question.
But what is it specifically that causes Demona to betray her clan? Did Xanatos already influence that decision prior to her being revealed to the clan or was it the fact that Goliath didnt wish to kill anyone on Reinard's ship during their mission together? It would seem that Demona was taken back by Goliath's change in behavior. He wasnt the same gargoyle she knew in 994. Thank you for your time.
Actually, Goliath WAS fundamentally the same gargoyle she knew in 994. She had changed and changed so much, it colored her memories of him. She thought he would follow her lead, be as hateful toward the humans as she was. When he wasn't - and furthermore when he went to see a human instead of staying with her, especially after their less than in-synch mission on Fortress-1 - she decided that Goliath was the problem and needed to be convinced - or eliminated - at gunpoint.
Find it here: http://blacknerdproblems.com/i-knew-it-was-something-special-an-exclusive-interview-with-gargoyles-creator-greg-weisman/
There has been a lot of talk over the years about why Demona told Goliath about the Praying Gargoyle during her gloating in "Hunter's Moon Part Three".
1. The gloating was exactly that, gloating. Like most villains, she had to have a "my brilliant plan" speech.
2. Subconsciously, she wants to be defeated because without humanity around, she'll lose her scapegoat and because she subconsciously knows she needs to be stopped, so she subconsciously handed Goliath the tools to stop her master plan.
3. And this is my interpretation, she actually believed Goliath would let her. After what happened on board the Hunter's airship in "Hunter's Moon Part Two", saying Goliath is thinking like a true gargoyle as he openly demands vengeance, seemingly killing two Hunters with Goliath, and Goliath himself not disagreeing when she says that perhaps they're not so different; she believed he was finally, finally seeing the light, finally coming over to her way of thinking, and... well, since gargoyles mate for life, thinking she might finally have her man back and a human free Earth.
Or maybe it was all of the above or none of the above.
All of the above. And more. She's a bit of a complicated mess, huh?
This a question about the Weird Sisters. In "City of Stone", they appeared differently to whomever was looking at them. Macbeth saw three crones, Demona saw three gargoyles, Goliath saw three children, Xanatos saw three fashion models, etc...
Was this the case in later episodes. Come "Avalon" and "Ill Met By Moonlight", was Goliath still seeing three children even if we in the audience were not?
Probably. Although at that point it might not have been necessary.
Hello Greg,
I have a question about the Avalon Clan and their biological relationships to the Manhattan Clan. I am going to use the "placeholder names" for those Gargs that don't have given names in cannon.
Can we assume that Hudson does not have any biological children there because Hyppolyta, Broadway, and True are his only three offspring?
You've mentioned before that Angela is the only biological child of Goliath's, and she is no longer there, so none for him either.
Brooklyn had at least one brother, Brooksbro...was he and older or younger brother? If older, then there is a potential for him to have a biological sibling on Avelon...is that the case?
Does Lexington have a younger biological sibling on Avelon?
Does Bronx?
1. Yes.
2. Yep.
3. Brooksbro is older. (But Brooklyn had MANY brothers and sisters. Stop thinking like a human.)
4. No comment on whether or not Brooklyn has a younger biological sibling among the Avalon clan.
5. No comment.
6. No comment.
Have you already chosen dates for the following events in the Gargoyles Universe (and of course, if the answer is yes, I'm not asking you to reveal them)?
1)Goliath's death.
2)Elisa's death.
3)Demona's epiphany.
For all three "events," I have not locked down specific dates, but I know generally where each takes place in the timeline.
Titania has clearly gone out of her way to help Goliath and his clan on more than one occasion (i.e. helping him in Ill Met By Moonlight, and then getting his clan reinstated to their home in The Gathering). The only reason she has given so far is to repay a favor rendered, that is, to repay Goliath for his assistance in stopping the Matrix in Walkabout. But this seems a bit much to do to repay a favor. But it seems to me that her motivation is a bit more.
1. Would you say Titania likes Goliath/has a lot of respect for him?
2. If yes, would you say the reason is more because of what she has witnessed of his character firsthand, or because of what Fox has told her about him?
3. Is Titania trying to make up for some of the things Fox and David have done to Goliath and his clan?
4. Would you say Titania's motivations for reinstating Goliath's clan to their ancestral home are more to repay a favor, more because she genuinely likes/respects Goliath, more to make up for what Fox and David have done to his clan, more to establish a good protector for Fox and Alexander, or some combination of the above?
5. You've said that you don't plan to reveal what Titania whispered to Fox because the fan community has built it up so much, that what you had planned would be, in your words, anticlimatic. But wouldn't the fact that you have no plans to use it be a reason to reveal it, since you have no use for it in future stories anyway? I kind of get the impression that the reason you're so steadfast in not revealing it is because you still have plans to use it in some way. Care to give any input?
Thanks for your time.
1. Likes him, yes. Has respect for him, yes. A LOT of respect for him... well...
2. Neither, really.
3. No.
4. You're leaving out a major factor.
5. No Spoilers.
my question must have gotten deleted last time i asked this, because i cant find it anywhere. it was part of a post with a bunch of questions, but this one is the only one i really want to know about, so i hope this one wasnt the one that made it not go through
after his journey through time, does Brooklyn still consider himself a rookery brother to Lexington and Broadway?
also, since he is a generation older than Goliath, does he still consider himself his rookery son?
would he now technically be a rookery uncle to any or all three of them, and Angela?
if so, how does he view his relationship to Hudson, since they cant technically be rookery brothers? (like cousins mabey?)
1. Yes.
2. He never did, so no.
3. No.
4. He still sees Hudson as a mentor/father/grandfatherly figure.
I rewatched "Sanctuary" recently, and I have a little doubt. When Goliath sees Thailog, he doesn't seem really surprised (I mean, he is suprised to see him there, but he doesn't seem suprised to see him alive): did Xanatos alert him, somewhere between "Double Jeopardy" and "Avalon Part 1", that their "child" was probably still alive?
No.
After the Wyvern massacre, Goliath sees the remains of a gargoyle on the place where Demona usually perched and thinks its hers. Did another gargoyle take the place she usually took?
Looks like it.
Greg Weisman: "I'd like to see a music video from Goliath's POV -- but featuring Elisa -- of "Amazing".
As per request:
http://www.youtube.com/watch?v=c6roY5udD8c&feature=c4-overview&list=UURD-80g-99JdhBskN6OXGGg
I hope it's the right "Amazing." Thank you for your time and the suggestion.
WOW!
I'll be honest, I don't actually remember asking for this, so I'm not sure if it's the "Amazing" I was thinking of, but boy it's perfect, isn't it? Anyway, whether or not I was smart to suggest it, you did a fantastic job.
Hi Greg!
I am a long time Gargoyles fan. I grew up with it actually. I've always loved it's depth, characters, story, and emotions. Honestly? Cartoons now-a-days don't even compare.
Anyway, I digress;
I was re-watching the show the other day and a question struck me... Can Goliath and Elisa have kids? I mean, Goliath is humanoid right? So, is it possible?
I hope it is because Goliath has gone through too much tragedy in his life to not be able to have a family with his soul mate I think.
That said, I haven't read the comic but I heard someone say that they break up in it... Is this true?? If it is, I just might cry....
Anyway, even though the series is long over, I still want to compliment you on such a fantastic masterpiece. It is a classic that will endure for a loooonnnggg time. :)
Thanks for your time! I know you are very busy.
ASKED AND ANSWERED. Check the archives and/or ask the fans at http://www.s8.org/gargoyles/comment/index.php to point you in the right direction. And by all means, check out the trade paperbacks from SLG. I think you'll truly enjoy them.
Thanks for your kind words.
So in my car, I've been listening to the audio book of Michael Chabon's novel: TELEGRAPH AVENUE, read by the amazing Clarke Peters (of THE WIRE and TREME). I'm a little over halfway through the book, which is set (largely) in a used record store in Oakland in 2008 and revolves around a diverse cast of characters. It's full of all sorts of pop cutlure references, but I was still pretty stunned when suddenly the narrator starts talking about GARGOYLES. Not generic gargoyles, but our GARGOYLES televsion series.
I was going to try to cut and paste the section here, but Amazon won't allow that. So you can check it out yourself here: http://www.amazon.com/Telegraph-Avenue-Novel-Michael-Chabon/dp/006149335X/ref=pd_sim_sbs_b_1?ie=UTF8&refRID=09RDPEC6XPYS8K9E3CQR
Or better yet, buy the book. I haven't finished listening to it yet, but so far it's definitely worth the price of admission.
The GARGOYLES' references begin on or about p. 293. (At least on the Amazon Look Inside function.) It's all pretty cool, and very specific. Though Keith David isn't mentioned by name, Goliath is, and his amazing voice is referenced, along with Goliath's backstory, etc. The character seems to have been part of a significant moment in the life of Julie Jaffe, one of the many protagonists of Chabon's book.
Chabon's written many books, including two particular favorites of mine: THE AMAZING ADVENTURES OF KAVALIER & CLAY and THE YIDDISH POLICEMEN'S UNION. So the fact that our little series registers with him is fairly gratifying.
You have said before that humans and gargoyles are incapable of reproducing together, which I must add is a nice touch. Many xeno-based series throw biology to the wind.
But despite the fact that they couldn't be fertile, do you think that Goliath and Elisa ever got together, just for the heck of it?
If you're asking if they are or will ever be intimate, I think either (a) I'll leave that to your imagination or (b) SPOILER REQUEST. NO COMMENT.
Hi Greg. Thanks for giving us this great series, and for all you do to help keep it alive. Here's my question:
I've always felt that "Hunter's Moon" was a much darker storyline than any of the other Gargoyles episodes we've seen. I don't know if it's the way all three episodes open with a flashback that involves someone seeking vengeance, or the fact that this is the first time we actually see Goliath wanting to commit premeditated murder (not just "murder in the heat of battle" like before), or the fact that we almost lose two regular cast members (Angela and then Elisa), or the theme of hatred being passed on from parent to child for a thousand years. Maybe it's just that there's hardly any comic relief in these episodes, as almost every scene seems to involve one of our regular cast members going through emotional turmoil in some way.
Anyway, I was just wondering if you were deliberately trying to set a darker tone for these episodes, or if this is just how I perceived them myself. And if it was deliberate on your part, just wondering what your motivation was for that, because these episodes really do stand out to me as the darkest episodes in the series. And if it wasn't deliberate, then is there anything which in hindsight might have contributed to these stories coming out this way?
Also, why is it that you chose for the series finale to be so dark? I'm not criticizing, because I love these episodes and I love Gargoyles, but it just seems unusual (not in a bad way) that in a show where you've said yourself that you wanted Goliath's basic optimism to shine through, the way you chose to write the finale was by telling a story where we see his most vengeful side coming out. Just interested in understanding what your motivation for that was, story-wise.
Thanks for taking the time to read this question, and for all you do.
It was a BIG story. But to me it seems of a piece with what came before (and even what came after in the comic). I'm not sure - though it was long ago - that we set out to make it darker, though we did set out for it to culminate much of what came before and to resonate with much of what came before too.
In any case, I think the ending of the thing is VERY optimistic. The fact that we put Goliath through the mill - and had him react realistically to that mill - during the three-parter doesn't change that. By the end, Goliath reaffirms his principles.
Hi Greg,
I had a quick question. The gargoyles in your gargoyles universe go to sleep during the day and have no control over it. I've learned that Elisa and Goliath become an official couple, but I am curious about the couple seeing much of each other.
If Goliath is "forced" to sleep during the day and Elisa works most nights. When does the couple get to spend time when they are not on duty protecting the world? Wouldn't this put a strain on the relationship emotionally?
I didn't see this question anywhere. Forgive me if it has been asked.
Keep in mind, Elisa sleeps during the day too. Granted, she has more flexibility, but how is this really any different from any two people working the nightshift. For that matter, how is it that different from any two people who both have dayshift jobs. I'm not staying there's no stress or strain involved, only that it doesn't seem that atypical. There's plenty of stuff that DOES make Elisa and Goliath's relationship atypical, but this seems like the least of their worries.
I mean I would think it would be harder for a couple when one works dayshift and one works nightshift. Then it REALLY seems to me like they'd never see each other.
I was having a religeous debate at work today with a staunch Christian. Long story short, she got to "Remember David Versus Goliath?" and I said to her, "Hold it. I know full well about them but the only Goliath I care about is eight feet tall and lavender."
And then it hit me: David V. Golaith. I never, ever thought of that connection before... so I check the Archive and sure enough I was right. It was intention, you said.
I get their relationship now on a different level... Very clever! :)
Thanks.
1 - Were Angela and Broadway still virgins by the time of "Phoenix?"
2 - Goliath and Demona became mates during "Vows", did they lose their virginity that night?
1. No.
2. Yes.
(Both of these are canon-in-training answers, of course.)
Hi Greg, thanks for taking the time to answer questions! :-)
In your gargs timeline, who dies first, Goliath or Elisa? And are they still a couple until then? Lastly, will you give a clue about what you had in mind for their deaths?
(Sounds macabre, but I was curious... ;-P)
Thanks!
MASSIVE SPOILER REQUEST. NO COMMENT.
Would you be offended if I gave a tattoo of Goliath to a client of mine as long as I post the tat when its done
Go for it!
Mr. Weismen, I want to first thank you for creating quality programming that I grew up with and for creating Elisa, a strong female figure that matched my own background in terms of race.
1.Would you say that Aqualad is a younger non gargoyle version of Goliath in terms of personality?
2.You revealed Flashâs, Batmanâs and Supermanâs ages, would it be okay to ask how old is Aquaman and Mera?
Thank you for looking over my questions and I wish you all the luck with current and future projects.
1. Uh... not really.
2. Aquaman is 29; Mera, 27.
Hi Greg,
I'm from Ireland, huge fan..
Just want to say, thanks for a large part of my childhood in the form of Gargoyles.
I have a picture of Goliath tatooed on my arm with 3 crows over his shoulder representing myself, my dad and younger brother as we used to watch it togeather, everyday after school..Thanks alot. And just out of interest, any idea where I could get Season 2 part 2 on dvd, video, anything..??
Kind regards,
Sam
Wow. Tattoos are quite the commitment.
Sorry, no new news on the DVD front.
Hi Greg, thank you for connecting to everyone. Fifteen years later, I'm sure questions about "The Kiss" never end, so who am I to part with tradition?
>It is my understanding that, for soap operas and/or ongoing series, actors do get sprung some story-surprises in their scripts. Although it was likely 1 to 2 pages of script, was "The Kiss" that kind of surprise for Salli Richardson and Keith David?
>Did they record their dialogue together? because it was extraordinarily acted.
Honestly, I can't remember. Wish I could.
Love this series, it was the best Cartoon show of my childhood and now, almost 30 I am revisiting the series and am finding ALOT of adult humor, situations and no little amount of (sexual) tension between carachters.
I could babble on but I honestly don't have the time to do it now, so I shall ask away...
At what point in Awakening do Goliath and Demona "break-up".
Yes I understand that he figured her dead for 1000 years but once he saw her, wouldn't he feel the same about her?
Look forward to hearing from you, and again, thanks for bestowing the awesomeness that is Gargolyes into our lives!!!!
There's no one moment, though when she tries to kill him, the relationship really starts to go south.
Why does Goliath have a mullet? It's the least coolest haircut in the world. If you had to do it over again, would you pick a better haircut?
I don't see it as a mullet. Just as long hair tucked behind his ears.
And, no, I wouldn't change it.
Hey Greg,
I always thought that in "Future Tense" Goliath sent the Phoenix Gate to the distant past, thus closing the loop and the gate restarting its journey from scratch. Of course this was not the case, otherwise the "Timedancer" events couldn't/wouldn't have taken place. But can you at least give a hint of when did Goliath send the gate to at the end of "Future Tense"?
He didn't pick a specific time or place, hoping that would prevent the Gate from landing anywhere and keeping it out of nefarious hands for eternity.
who is your favorite character on Gargoyles mine is a tie between Goliath and Hudson and i didn't know you was working on Young Justice no wonder why it's already awesome and it only has 4 episodes so far
Thanks.
I don't have a single favorite Gargoyles character, though of course Goliath is the prism through which we view all the others, making him the most essential.
Thirty minutes left until the reairing of the Young Justice premiere, so I thought I'd pass the time asking a completely unrelated question.
I saw your recent response about zombies, and how you like the old-fashioned "voodoo zombies" but not the modern, post-Romero zombies. I at least partly disagree, as I feel the best zombie movies can be good vehicles for social commentary (for instance, I thought the recent Land of the Dead was a brilliant metaphor for war profiteering- on the other hand, Dawn of the Dead was probably pretty clever at the time, but criticism of shopping malls now seems hopelessly dated). But that's just a difference of opinion. I was more interested in seeing how zombies might show up in your work.
1. Did you think of Goliath in "Temptation" as a zombie? Was that intentional on your part?
2. Do you think zombies may make a more formal appearance in Gargoyles, or have you covered that ground in "Temptation?"
Thanks for reading. I'll probably write up a ramble on YJ sometime this weekend, once I've seen it.
1. Loosely, I guess.
2. At the moment I have no plans, but...
Soo... did the group dynamics of young justice resemble gargoyles by accident like maybe you didn't realize you were writing them that way. I mean robin is cleary the lexington of the group the smallest and the smartest, and aqualad has goliaths role as the mature leader. And the boys reaction to seeing miss martian for the first time was pretty much the same as the trios to meeting Angela. (who was also new to the city the same way miss martian is new to the planet.)
Uh... gee, when you put it that way, it all seems pretty unoriginal. But I don't actually think your parallels go much beyond the few surface characteristics you've listed. (I mean is Kid Flash supposed to be in any real way like Broadway because they both like food?)
Keep watching and let me know...
Oh, and no, no parallelism was intended.
Hello Mr. Weisman,
I have a question regarding the relationship between Elisa and Goliath:
1. Did you always have in mind for them to be a couple or is this something that just came up as you kept writing?
2. Did you find it strange for a 7 ft mythological creature to fall in love with a human?
3. What does Goliath think of Elisa?
4. What does Elisa think of Goliath?
1. Uh... pretty much always, if we're talking about Elisa and Goliath and not some of the development precursors.
2. Sure. But isn't love always strange? (I'm sensing a theme tonight.)
3. If that's not clear from the source materials, I have nothing to add.
4. Ditto.
Dear Greg,
Recently watched "Long Way Til Morning"
And this is hopefully the first question that leads to what I hope to complete soon as a long essay on how fascinating Demona is as a character as well as her impact on her estranged clan "family".
In this we see three characters. All with relatively strong familial bonds. First we have the Father, Hudson. Then of course the rookery children Goliath and Demona.
My actual question is this:
What had to be going through Hudson's mind during all of this? I know he acknowledged the two as a mated pair, but in essence he had to save his son from his daughter. That could not have made him all too plussed.
Secondly, the dialogue in this last scene really shows how even now, they still have latent feelings of being family...
Hudson: "Give it up girl, you can't win.." Which even as a boy, first watching this I always received as a Father being parental in some way to his daughter.
Then there is Demona, who is as bananas as it gets. She, even in her tirade tips her hand. She, through raw, volatile emotion expresses she still has love for Hudson.
"I would have ended this quickly! Your pride will cost you your life!" Even though I know at this point in her life she is past redemption, I still feel that the way she exclaims these sentiments is a tell she doesn't want to HAVE to say them. She loves her rookery father. And in a way, still NEEDS him. As all grown children do once we reach adulthood. But nothing can stand in the way of her vengeance. The vengeance for her murdered family. Not even surviving FAMILY.
All too fascinating Greg, and thank you!
Justin
You're welcome...
Did Hudson influence Goliathâs decision at all as to who shouldâve been Goliathâs second in command?
If something had happened to Goliath before he had chosen a second in command, I would assume that Hudson wouldâve become leader at first, but then would choose someone else to lead since heâs older and believes that a younger leader would be best (which is indicated in the episode Upgrade). If this was the case, who would Hudson have considered becoming the new leader of the clan? Would he have based his decision along the same lines as Goliath, or would he have looked for other qualifications?
Thank you for your time and all that you do,
-Charisma82
Hudson and Goliath are two different guys... but I still think Hudson would have ended up choosing Brooklyn.
In Outfoxed, who was Mr. Vogel going to blame for sabotaging the robots on the ship before Goliath showed up?
Thank you for your time and all that you do,
-Charisma82
He'd have come up with something.
This discussion has been had in Station Eight a few times, and I thought I would bring it up here. It seems to me like one could make a case that Demona is the lead character in the greater story of the GARGOYLES UNIVERSE.
If one looks at "Dark Ages," "Gargoyles," and "Gargoyles 2198" as a three act story, Demona's story is the one story arc that really plays out through the entire timeline. She is there for all three acts.
Yes, Goliath is the lead in "Gargoyles" and Samson is the lead in "Gargoyles 2198." I think Hudson is the lead in "Dark Ages," but I might be wrong. And they all play huge roles, crucial roles. But Goliath and Hudson are not in Act Three, and Samson is not in the first two acts.
Demona, without being the lead in any of the acts, is the constant presence. Sure, she may not appear in "Pendragon," "New Olympians," Heroes of Ulster," and may only have a small role in "TimeDancer" and "Bad Guys." But if "Gargoyles" is the center of the universe here, and "Dark Ages" and "2198" are both acts in that story, it almost makes me wonder if this is really her story. You've got her youth, her fall from grace, her time as the main antagonist (or one of them), and then her eventual redemption.
Not to take anything away from Goliath, because I definitely agree that "Gargoyles" is his story and that he is the most pivotal character in that series. But is his story a large piece of her story?
I'm not saying it's all about her, because it's not. I don't think that or feel that, because this is all one huge ensemble piece made up of many stories, but like I said, she seems to be the most constant character out of all of them in the Big Picture. And all without ever being THE LEAD in any of the "three acts."
It's definitely an interesting theory.
Of course, I don't actually view the Gargoyles' Universe as any one character's story, including Goliath. To me it's a tapestry with many threads...
But I'm not disagreeing per se.
At the Gathering in Chicago, during the Blue Mug a Guest, you and Keith David were asked if Goliath and Demona had sex during Awakening 4. After the scene where they reunited in the Great Hall it fades to black. Then we see them on the turret with the rest of the gargoyles.
When you both got asked at the Gathering about this, Keith said something like "what couple in their right mind would meet again after a thousand years and go see the kids first?"
I don't remember if you answered. So, did they?
Honestly, I'd have to view the episode again to see whether it plays as if there's time. But I don't rule out the possibility at all. Especially since technically the trio weren't their rookery children anyway. More like rookery cousins.
And now I have a question on Goliath and religion.
In the VHS version of "Awakening" as the trio glide off to steal the disc, Goliath says "godspeed lads. They'd better not be harmed." In the TV version he just says "They'd better not be harmed."
Since you edited the VHS release, I have to ask. Would Goliath say "godspeed?" Considering what you have since revealed about gargoyle religious beliefs, I was wondering. In your mind, did he say it?
And while I'm here, what's the canon status of the VHS version of "Awakening?" There is some material in it that wasn't in the TV and later DVD version?
1. Yes. But as a colloquialism.
2. It's mooshy, since in my brain elements of both versions are mooshed together.
Hi Greg I'm sure you've heard this plenty of times but I am a huge fan of the gargoyles!! One day I'm hoping to become a film editor in the future, maybe even own my own movie set! So if your ever looking for an editor sometime in the future look me up, I would love to work with you! Also I been searching and I wasn't able to find this question so I hope you haven't been asked this yet. But I've always wondered I know it obvious that Elisa and Goliath will end up being together some how, but how does Angela feel about Elisa as possibly becoming a future step mom? Would she see her in that way?
I have answered this before, so you might check the archives for more detail, but basically Angela views Elisa as an older sister. That wouldn't change. But if you've read the comics, you know Angela ALREADY considers Elisa to be Goliath's mate (more or less).
I am very curious about this one: According to GargWiki, it is said that Goliath died between 2008-2188, and I was wondering if it's true that he had died. If so, what year did he died and what was the cause of hid death?
Goliath, like any mortal, does die eventually. But I have no intention of revealing how or when at this time.
Hi Greg, new fan here. Before I ask my questions, I want to thank you very much for what you've done with the Gargoyles franchise. The stories are amazing and continue to captivate me. I will do my best to help by spreading the word and supporting the franchise.
1. Does Goliath's experience in Future Tense effect how he sees and trusts Lexington, especially considering recent predictions being so close to whatâs been happening? Even though he never really saw Lexâs costume, would other things such as Brooklynâs Timedancer costume being very similar and the police station blowing up cause Goliath to be more wary of Lex?
2. Also, is there some kind of inside joke or reason behind knocking Lexington unconscious so much? It might be just me and I understand that heâs not the best fighter, but it seems to happen a lot.
1. No comment beyond what can already be found on this subject in the archives.
2. No more, to my thinking, than any of the others.
We've seen biological relations for all the members of the cast(Brooklyn(Brooksbro), Lexington(Kermit), Hudson and Broadway(True), Bronx(Chomp and Chaw)) except Demona and Goliath among the Wyvern Clan, is there a reason for this.
The premise of this question is not necessarily correct.
Another question...
When Elisa told (or admitted, however you want to look at it) Angela that it was true that Demona was her mother at the end of Sanctuary, was Goliath angry with her? Did they discuss it at all later or did he just let it go? Was he actually relieved to not have to be the one to tell Angela?
I'm sure he was angry, but she probably convinced him of the obvious: (a) it was obvious and (b) it would have come out eventually and it was better coming from them then from Demona herself. Goliath would have grumbled at first, but known she was right.
Greg
I was wondering about the backstory of Iago's deception to Othello. Could you elaborate on it? (i.e. what circumstance did he make Othello believe Goliath and Desdemona were betraying him, like did he show them kissing or something--I know gargs don't kiss, just a for instance...) Also, how did the situation get reconciled, I mean how did Goliath and Desdemona prove themselves or disprove Iago to Othello? I just wanted to know the story (or as much of it as you'd tell ;)).
Pretty Pretty Pretty Please?
With a cherry on top?
Yeah... no. Sorry, but that's a story I'd like to tell some day, so I'm gonna save the details, though if you rewatch "Legion" you can glean the gist of what happened.
I know that you wont answer questions that are suggetions for the future or if they try to pry the future out of you so I'm trying very hard to make this neither.
Has Goliath told anyone the entire story behind future tense or has he kept the details to himself? Would the rest of the Manhatan clan know about it?
I've already answered this one. Please check the archives.
I'm curious if Goliath ever told the others in the clan besides Elisa and Angela about what happened in "Future Tense", considering that Brooklyn returned wearing EXACTLY the same armor. This was one of the most interesting revelatins from CBII. Throughly enjoyed everything you've done and looking very forward to more.
I don't think he did tell much. And certainly not in the kind of detail that would allow Brooklyn to model his armor off of Goliath's story, if that's what you mean.
I was wondering something, and I know you don't like hypotheticals, but I wondered if you gave this any thought: Had Goliath and Demona stayed together in the 20th century, would he have still fallen in love with Elisa? Or would his love for Demona overshadow anything he could have felt for Elisa? I ask this because I wonder if Goliath and Elisa are a meant-to-be kind of thing (in your Gargs universe), and their love was inevitible, or was it only relative to Goliath not having someone (i.e. Demona)? Here's another way of looking at it as well: would he have fallen in love with someone else had he not met Elisa and things still went bad between him and Demona? Thanks for your time, and can't wait to hear your thoughts on the matter...I'm kinda hoping for a rant! :D But I totally understand if this is too hypothetical...I guess I just wondered if you ever thought about it. Thanks a lot!
I don't know about "meant to be" but I don't think it was inevitable that Goliath would fall in love with SOMEBODY given the deterioration of his relationship with Demona. Gargoyles mate for life, and Goliath's love for Elisa is a rare exception. I do think of it as something special. Not simply a result of her filling a slot. As for your initial question, it's largely too broad a hypothetical for me. But if Goliath and Demona were happy, and she wasn't trying to kill the human race, then no, I doubt Goliath would have ended up with Elisa.
Is golaith and ilsisa ever goig to be together.
Aren't they now?
One last question before bed....
From what little we've seen, it seems that Brooklyn and Katana are parents, not just rookery parents. (All those years with just each other would make it seem inevitable. There are no rookery siblings or other parents.) You wrote that Broadway and Angela ~choose~ to raise their children in the gargoyle style. So...
1. Are there currently any clans who have adopted human parenting, like they adopted human naming? Will there be by the future series?
2. Even those choosing to raise children collectively, are their strong human influences to that thought? (For instance, noting a rookery child looks like you.)
3. Am I correct in my assumption that Brooklyn and Katana are more like human parents in that respect?
4. It has been strongly implied that Elisa and Goliath will in some way adopt. Should they raise a child, would it be as individual or collective parents?
More later, (when I can hopefully decipher my handwriting).
1. We'll have to wait and see.
2. See above.
3. See above.
4. See above.
Greg,
I always enjoyed the relationship of MacBeth and Demona on the show for its intensity and sorrow, as well as Xanatos and Fox with their unique understanding of companionship and love. And it makes me think...
With all the love triangles, the magical bonds, the promises, oaths, or senses of duty to consider, which relationship between any set characters of the series were you most passionate about writing and why? What do you think drove that relationship? And do you think it is the simplicity or the strife of that Character Relationship that makes it more appealing to you as a writer and does that opinion change as a viewer?
I suppose the top relationship in my mind is probably Goliath-Elisa, but truly I'm interested in all of them. And a lot. They're all fascinating to me, for a variety of reasons. Basically, I don't have a standard answer to your questions.
Dear Mr. Weisman,
After Goliath falls in love with Elisa, would her menstrual cycles have any biological effect on him? Yes, I know...that's a very ODD question, to say the least. Thank you, regardless.
Why would it?
These couple of questions I'm asking pertain to Goliath's reaction to why Avalon sent them to Manhattan:
1. As of the end of Golem, was it Goliath's intention to stay in Manhattan whether Avalon released them from their journey or not?
2. When Goliath states that Avalon sent them to Manhatten because of the present danger, was that scene suppose to give the audience the impression that Goliath, Angela, Elisa and Bronx would resume their travel?
1. I don't think it occurred to him not to stay at first. Then after the crisis emerged he realized that they had been sent to Manhattan or a reason, not because they'd been "released".
2. No.
Hello!
Greg,
Since we now call them "Beasts," if you could, would you change the line in "Awakening 1" from "I see you've met our Watch-dog..." to something like "I see you've met our Beast..." ?
No. To Goliath, it is -- and always was -- a metaphor.
in Goliath and Elisa's relationship can Hummans mate with Gargoyles.has it done so in the past?
It depends what you mean by mate. Check the archives for a fuller answer.
Gargoyles and Politics
I know that you generally like to keep politics out of this site, which is why I hope that this question isn't too out-of-line. All the same, I'm very interested in the role that politics plays in the "Gargoyles" universe.
What, generally, are Elisa's political views? Does she belong to a particular political party? And does she discuss politics with the Manhattan Clan at all?
For that matter, how politically literate are the various members of the Manhattan Clan, particularly Goliath and Lexington? Do they read any political texts? For that matter, does Hudson ever catch "60 Minutes" or any similar shows on television? How much do Elisa's political views (assuming that she shares them with the Clan at all) color their political viewpoints?
I'd also be greatly interested in any information you would be willing to share regarding the politics of other human characters in the series, most particularly Xanatos, Fox, Matt, Renard, and especially Macbeth. For that matter, what does Demona think of human politics (I expect that I can guess the answer to this one, but still)? :)
If you can't tell, this is coming from a prospective Politics major who to some degree or another views all things through a political lens. If you wish to leave these things up to the viewer then I would completely understand, but any information at all would be tremendously appreciated.
Thank you very much for your time, and I eagerly await the widespread release of the two remaining Trade Paperbacks. I've been trying to spread word of them (and of the DVDs) in the Comments section of Gargoyles-related YouTube videos; every little bit helps, I hope.
Based purely on stereotypes of ethnicity and labor and location, I'd guess Elisa's a democrat.
I don't think politics is something that would attract Lex's attention much. I would think that Hudson, who prefers Celebrity Hockey to 60 Minutes, would feel lost rather quickly in political discussions. Goliath is all about the classics. I don't think Elisa's proselytizing much.
Xanatos seems like a likely Republican. At least fiscally. (Don't really see him or Fox as social conservatives.) Matt must be a Dem. Renard is probably a Republican. Macbeth... I don't think he's an American citizen. Demona... come on.
You stated that, when in response to Elisa and Goliath having kids, "Elisa could never be pregnant with Goliath's child without assistance from science or magic. I've already stated that I don't see them going that way."
I was wondering, what makes you think Elisa wouldn't want to use magic or science to carry Goliath's child?
Elisa seemed happy and esily adjusted to her as a gargoyle during "The Mirror". She even hinted this at the ending of the very episode, thus you can see my confusion.
I don't think that's what she was hinting.
MI PREGUNTA ES LA SIGUENTE: HUBIERA SIDO POSIBLE QUE GOLIATH SE TRANSFORMARA EN HUMANO PARA ASI CASARSE CON ELISA Y ASI HACERSE REALIDAD SU SUEÃ'O COMO EN EL CAPITULO "PODRIA SER REALIDAD"? GRACIAS
My high school Spanish is pretty rusty...
"My question is the [?]: [??] posible that Goliath will be transformed to human for [??] with Elisa and [??] reality... ugh, I give up.
I'm afraid I can't be sure enough of your question to answer it well...
I reading a question someone asked you about if demona and goliath would ever be a couple again and you said no. I was some what unhappy about that development as I was always had hope they would be a couple again at some point. I also find Elisa to be a some what uninteresting character to be honest compared with demona. I know many shows will take into consideration input from the fanbase and bring certain characters back to life,give popular characters with a small amount of screen time more time and so one. I was wondering if you basically have a vision set in stone for your characters or do you ever make any changes in gargoyles or any other show based on fan feed back? I hope this questions does not violate your rules for answering questions,but I was really wondering about what level you take fan input into consideration regarding existing characters and events? Great show and keep up the good work. I'm kind of burnt out on spiderman to be honest,but now that I know you're involved in it I guess I'll have to buy the box sets and check it out.
Hmmm... I really don't change stories based on fan desires. First off, fans don't all agree on what they want (for example a lot of folks think Elisa is great), and sometimes (like Demona getting back together with Goliath) they want things that just don't make any story sense and would be bad for the property.
On the other hand, I do respond to what the fans respond to. Brooklyn's popularity was probably one of the things that lead me to the creation of TimeDancer.
G2009 Radio Play - Act Three
672. NARRATOR
Act Three.
673. DEMONA
Norman Osborn was a fool. So obsessed with the power of science, he kept the Crown of Thorns in this vault as if it was just another souvenir â" albeit an expensive one â" to hang upon his wall. But with the Crown and the Spear of Destiny together, I now have the power to force all of humanity to its knees.
674. GOLIATH
These are Christian icons, Demona. Not every human being is a Christian.
675. DEMONA
Not every human being speaks Latin, but that didnât stop me from using a Latin spell to turn a city-full of humans to stone. The magic I wield is potent beyond measure. Mine is the Kingdom and the Power and the Glory. No human may resist. No human will be spared. None will be spared who oppose me. Just look at this foolâ¦
676. GOLIATH
Her name is Obsidiana.
677. DEMONA
Of course it is. For she wears the mystic Obsidian pendant fashioned by human sorcerers. Even that is enough to put her in my thrall. She has relinquished her gargoyle birthright.
678. GOLIATH
I have relinquished nothing.
679. NARRATOR
Demona waves the Spear of Destiny, and Electro rises and blasts Goliath back into the wall.
680. GOLIATH
<impact>
681. DEMONA
Yes, Iâm surprised youâre unaffected⦠since you reek of humanity. The stink of your human whore is in your hair, on your lips, everywhere. And nothing in this world will give me more pleasure, Goliath, than watching your detective on her knees to me, as she draws her service revolver and thanks me with tears of joy in her eyes⦠before gratefully blowing out her own brains.
682. GOLIATH
(coldly furious)
That will never be.
683. DEMONA
No? My power expands with every second. I doubt sheâs far away.
684. GOLIATH
You will not harm Elisa.
685. NARRATOR
Goliath advances on Demona. Electro blasts away, but Goliath will not be stoppedâ¦
686. DEMONA
No one ever said you werenât persistent, Goliath. But what do you hope to gain?
687. GOLIATH
(through gritted teeth)
I will turn these forces back upon you.
688. DEMONA
Impossible. I am the last true gargoyle left on this world. The Crownâs magicks cannot touch me.
689. GOLIATH
So you believe. But I am not the only one who reeks of humanity. Am I⦠Dominique?!
690. NARRATOR
Goliath grasps the crown. The thorns bite into his hands, drawing blood. They struggle for control of the immense powerâ¦
691. GOLIATH, DEMONA
<roaring to the heavens>
692. SPIDER-MAN
<moan>
693. NARRATOR
Goliathâs intervention â" and his complete immunity to the Crownâs effects â" creates the smallest of fluctuation in Demonaâs control. In a haze, Spider-Man lifts his armâ¦
694. SPIDER-MAN
Thwip.
695. NARRATOR
He shoots off a web, yanking the bloody crown from Demonaâs head.
696. DEMONA
Noooooo!!!!
697. NARRATOR
There is a massive explosion of mystic energy and light! Demona, Goliath and Electro collapse.
698. GOLIATH
<moan>
699. SPIDER-MAN
Goliathâ¦
700. GOLIATH
The Spear⦠the Crownâ¦
701. SPIDER-MAN
Gone. I think they⦠blew up. Calypsoâs gone too. But Iâm betting thatâs just a talent of hers. And Iâd guess sheâs taken Kraven and the pussycat with her.
702. DEMONA
<unconscious moan>
703. SPIDER-MAN
But the Big Badâs still hereâ¦
704. GOLIATH
(sadly)
Leaving behind, as always, nothing but a handful of thornsâ¦
Goliath, Spider-Man and Demona sit. Jonah, Elisa, Matt and George STAND.
705. NARRATOR
While Goliath helps Obsidiana, Spidey webs up Demona, Electro and Ock. In the outer vault, Zafiro and the Trio recover, finding only an unconscious and de-venomed Eddie Brock. Outside, the bad guys have all been beaten. Goblin and Vulture, their tech badly damaged, barely manage to fly away. Carnage and Jupiter are once again Cletus and John.
706. JONAH
Iâm here, Johnny. Your old Popâs hereâ¦
707. ELISA
Mattâ¦
708. MATT
Call an ambulance, Elisa. Old Man Dracon said something about seeing a light. Then he collapsed. A stroke or something. Iâve been giving him C.P.R.
709. ELISA
Matt⦠Matt! You can stop. Stop. Heâs gone.
710. GEORGE
Youâre gargoyles are flying off, Detective.
711. MATT
(breathing hard)
Really? Not sure I see âem myself. But is that Spidey web-slinging away?
712. GEORGE
You think? I must have missed him?
Margot STANDS.
713. MARGOT
Are you all blind?! Theyâre right over there!
714. GEORGE, MATT, ELISA (UNISON)
Oh, give it a rest, Margotâ¦
Elisa, Matt, George, Margot and Jonah sit. Peter, May, Harry and Gwen STAND.
715. NARRATOR
Back at the busâ¦
716. PETER
Iâm back. And not a single decent picture to show for my efforts.
717. MAY
Well, you tried your best, Peter. Iâm sure Mr. Jameson will appreciate that.
718. PETER
Oh, yeah. Heâs a sweetheart that way.
719. NARRATOR
Emily Osborn watches as her son finally emerges from the bathroom.
720. GWEN
Harry?
721. HARRY
Hey, Gwen. I feel much better.
Harry, Gwen, Peter and May sit. Jonah and Robbie STAND.
722. NARRATOR
Later that night, at The Bugleâ¦
723. JONAH
Whaddayou mean I canât publish it?! How else can I make them all pay for what they did to Johnny!
724. ROBBIE
You canât publish because the authorities refuse to comment. We have no pictures or statements to corroborate a story that includes gargoyles, a dead Green Goblin and everything except the kitchen sink. No one will believe it. I was there, and I donât believe it! Print this, Jonah, and The Bugle becomes the next Daily Tattler.
725. JONAH
Ms. Brant, call the bomb squad. BECAUSE IâM ABOUT TO EXPLODE!!
Jonah and Robbie sit. Gwen, Peter, Kong, Curt, Harry, EMILY OSBORN and Mary Jane STAND.
726. NARRATOR
Later still, aboard OsCorpâs private jet en route to Miamiâ¦
727. GWEN
I still canât believe we ran into you in the airport parking lot, Doctor Connors.
728. PETER
Yeah, and weâre so sorry you got mugged.
729. KONG
Dude, they took your shoes?! Thatâs hilarious! <laughs>
730. CURT
Yes, well, I just really appreciate the ride back to Floridaâ¦
731. HARRY
Anytime, Doctor C. Anytime.
732. EMILY
Harry, could I have a moment⦠in your fatherâs office?
733. HARRY
Uh, sure, Mom.
Curt, Kong and Gwen sit.
734. MARY JANE
Pete, help.
735. PETER
Whatâs wrong?
736. MARY JANE
Tiny. Cute enough, but itâs like talking to a tree stump.
737. PETER
Tried to warn you.
738. MARY JANE
Just say weâll spend the week as a threesome, okay, Tiger.
739. PETER
Sure!
740. MARY JANE
Not that kind of threesome.
Mary Jane and Peter sit.
741. NARRATOR
Meanwhile, Harry follows his mother Emily into the jetâs private office.
742. EMILY
I know you were playing at being the Goblin, Harry.
743. HARRY
What?! Mom, thatâs crazy! I was in the bathroomâ¦
744. EMILY
Donât lie to me, baby. You hired the worst chauffer in the city to delay our progress. You had a secret hatch installed in the bus bathroom, so you could slip in and out undetected. And you left a pre-recorded âvomit tapeâ with voice recognition software. All very impressive for a sixteen-year-old. But you need to understand⦠the Green Goblin is not what your father wanted for you.
745. HARRY
I have no idea what Dad wanted for meâ¦
746. EMILY
Then let him tell youâ¦
747. NARRATOR
She slips a DVD into the computer and Norman Osborn appears on screenâ¦
NORMAN OSBORN STANDS.
748. NORMAN
Harry, my son. If you are watching this, then I am dead. And I have instructionsâ¦
Norman, Emily and Harry sit. Big Man, Blackie and SHARI STAND.
749. NARRATOR
Meanwhile at the Big Manâs office, he and Blackie Gaxton are visited by Shari, a young woman wearing a pendant depicting an eye atop a pyramidâ¦
750. BIG MAN
Thirty-six.
751. BLACKIE
Thirty-five.
752. SHARI
Nine. Any problems?
753. BIG MAN
Not particularly. Ms. Destine was ready to believe I could find Dracon and the others useful.
754. BLACKIE
And that faux Goblin was happy to believe Iâd been fooled into thinking he was the real thing.
755. NARRATOR
Blackie removes his false face, revealing that he is actually the Chameleon in disguise.
756. CHAMELEON
Just as he was happy to believe I was the real Blackie Gaxton. But Iâm still not sure why the Society wanted all thisâ¦?
757. SHARI
Isnât it enough to know the Illuminati appreciates your efforts?
CHAMELEON and Big Man sit. THAILOG, BRENTWOOD, Homunculus #1, Homunculus #2 And Homunculus #3 STAND.
758. NARRATOR
Shari leaves Lincolnâs office and pulls out her cellphoneâ¦
759. SHARI
Dial Nightstone Unlimited.
760. THAILOG
Alexander Thailog.
761. SHARI
The Spear? The Crown?
762. THAILOG
Waiting for you to send to Duval.
763. BRENTWOOD
Brentwood capture little robot. Use it to control other little robots. When bright light shine, robots take spear and crown.
764. SHARI
Lovely.
765. THAILOG
What should we do with the Homunculi?
766. SHARI
Set them free. Maybe theyâll get their own series some day.
767. HOMUNCULUS #1
Free, free, set them freeâ¦
768. HOMUNCULUS #2
On basic cable and DVDâ¦
769. HOMUNCULUS #3
Jazz hands!
Homunculus #3, Homunculus #2, Homunculus #1, Shari, Thailog and Brentwood sit. Elisa and Goliath STAND.
770. NARRATOR
At the castle, Elisaâs cell rings.
771. ELISA
Maza⦠Yeah, Captain Stacy said you might call. Sure, heâs right here.
772. NARRATOR
She hands the phone to Goliath, who doesnât quite know how to hold it. She takes it back and puts the call on speaker.
773. GOLIATH
Hello�
Spider-Man STANDS.
774. SPIDER-MAN
Hey, Goliath. Itâs your Friendly Neighborhood Spider-Man.
775. GOLIATH
You protect your⦠neighborhood.
776. SPIDER-MAN
Just like you do the super-hero thing without the tights.
777. GOLIATH
Spider-Man, I think this is the beginning of a beautiful friendship.
778. SPIDER-MAN
Hey, I was just gonna say that. You saw that movie too?
779. GOLIATH
Movie?
780. ELISA
God, I love you⦠<kiss>
Elisa, Goliath and Spider-Man sit. Kafka STANDS.
781. NARRATOR
And finally â" yes, finally â" we end where we began. In the offices of Dr. Ashley Kafka at Ravencroft. Sheâs on the phone to her Board of Directors.
782. KAFKA
After all that tsuris, little has changed. Otto and Eddie are still disassociative. Max still needs a cure, and John still wants power. Cletus? He just keeps repeating, âI got a taste now,â over and over. Yes, we lost Dominic, Iâm afraid. But we do have a new patientâ¦
Dominique STANDS.
783. KAFKA (CONT)
â¦Dominique Destine.
784. DOMINIQUE
Just wait until the sun goes downâ¦
Dominique and Kafka sit.
785. NARRATOR
The End.
THE END
NEXT: I finally get back to answering questions...
G2009 Radio Play - Act Two
BIG MAN STANDS.
247. NARRATOR
Act Two. The Big Man of Crime enters his offices, but finds heâs not aloneâ¦
248. BIG MAN
You spend so much time here, Iâll need to buy you your own chair. So youâll stay out of mine.
Green Goblin STANDS.
249. GREEN GOBLIN
Surprised to see me?
250. BIG MAN
Not particularly.
251. GREEN GOBLIN
Then you wonât be surprised to learn Iâm still running thingsâ¦
252. BIG MAN
If you can run them from a hospital bedâ¦
253. NARRATOR
Catching Gobby off guard, Lincoln punches him right through the windowâ¦
254. GREEN GOBLIN
<impact grunt>
255. NARRATOR
The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.
PUMPKIN BOMB STANDS.
256. GREEN GOBLIN
Ever the gracious host. And ever the gracious guest, the Goblin must show his appreciation. Here. I brought a gift.
257. NARRATOR
Gobby throws his âgiftâ, but Goliath swoops in, catches it and throws it back.
Goliath and Spider-Man STAND.
258. PUMPKIN BOMB
<shriek>
259. GREEN GOBLIN
<impact>
260. NARRATOR
Not far awayâ¦
261. SPIDER-MAN
No, no, no, no, no⦠I was hoping Iâd never hear that trademark Pumpkin Bomb shriek againâ¦
262. NARRATOR
Spidey swings in to find Goliath and a recovering Gobby togetherâ¦
263. SPIDER-MAN
So thatâs what these gargoyles are⦠more of the Goblinâs Halloween creationsâ¦
264. NARRATOR
Spidey swings into action against Goliath.
265. GOLIATH, SPIDER-MAN
<ad-lib battle sounds>
266. GOLIATH
The Bugle was right about you: you are a threat and a menace!
267. SPIDER-MAN
Wait, you can talk? And read?! And what you read is the Jolly Oneâs editorials?!
268. GREEN GOBLIN
I know I should assassinate Mr. Lincoln. But Iâm so enjoying the show. Really, someone should make more Gargoyles. I know: Iâll call Walt Disney.
Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.
269. NARRATOR
Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklynâs son Nashvilleâ¦
270. ANGELA
Thatâs great, Nashville. This time try the axeâ¦
271. BROADWAY
Wow, Angela looks so adorable playing with Gnash. I mean, Gnash is cute tooâ¦
272. BROOKLYN
Thanks. I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardoâs Rookery parentsâ¦
273. BROADWAY
Weâd be honoredâ¦
274. LEXINGTON
I still canât quite take it all in. I go to Britain for a few weeks, and everything changesâ¦
275. BROADWAY
At least you were gone for weeks. Try adjusting in forty seconds.
276. BROOKLYN
Hey, I had forty years to get ready for this, and itâs still strangeâ¦
277. LEXINGTON
But, dude. Youâre so⦠old.
278. BROOKLYN
Thanks.
279. LEXINGTON
Older than Goliath.
280. BROOKLYN
Yeah.
281. LEXINGTON
Almost Hudsonâs age.
282. BROOKLYN
I get it. Iâm old.
283. LEXINGTON
Itâs not that. Everything about you is different.
284. BROOKLYN
Oh, come onâ¦
285. BROADWAY
No, heâs right. The way you talk. The way you move. All those weapons you carry now. Itâs like youâve outgrown us.
286. BROOKLYN
Thatâs not fair. I canât tell you how much I missed you both.
287. LEXINGTON
We get that. And weâre not mad. Butâ¦
288. BROOKLYN
Look, this isnât all on me. As I recall, things were already changing. Broadway spent all his time with Angela.
289. BROADWAY
Not all my time.
290. LEXINGTON
Uh⦠pretty much.
291. BROADWAY
Yeah, well, youâre practically on the internet non-stop.
292. LEXINGTON
Itâs addictive! Do you know they have porn on that thing? Thereâs this one website, Blue Mug Prodâ"
293. BROOKLYN
I donât wanna know. The point is weâve all gone through some changes. Thatâs just life.
294. BROADWAY
I guess our Three Musketeer days are overâ¦
295. LEXINGTON
Yeahâ¦
Zafiro and Obsidiana STAND.
296. ZAFIRO
Gargoyles of Manhattan!
297. OBSIDIANA
We need youâre help!
298. NARRATOR
At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone. Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.
299. ZAFIRO
Mierda.
300. OBSIDIANA
Nuestro cronometraje apesta hoy.
Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.
301. NARRATOR
Across town, Goliath also turns to stone.
302. SPIDER-MAN
What the heck?!
303. GREEN GOBLIN
Well, that was⦠unexpected.
304. SPIDER-MAN
All right, thatâs enough. I know youâre not the real Gobby.
305. GREEN GOBLIN
Yes, yes, âItâs not the voice; itâs the words. Not the tech, but the moves.â Iâve heard it all beforeâ¦
306. SPIDER-MAN
Then I know exactly who you really are: Chameleon!
307. GREEN GOBLIN
That would ease your conscience, wouldnât it? To think Iâm Chameleon â" and not the ghost of the man you killed!
308. SPIDER-MAN
I donât believe in ghosts.
309. GREEN GOBLIN
Then maybe youâd prefer I was the Spawn of Goblin.
310. SPIDER-MAN
Oh, youâd just love to shift the blame to Harry. Sorry, Gobby â" I mean, Chammy â" but weâve been there, done that. Besides, no matter who you are, there hasnât been time for the Globulin Green to kick in and truly Goblify you. So Iâm gonna take you down now while youâre still just a cheap imitation.
311. GREEN GOBLIN
You could do that⦠or you could save stoneface over there.
312. NARRATOR
Gobby throws a pumpkin bomb at Goliath. Instinctively, Spidey webs it awayâ¦
313. PUMPKIN BOMB
<shriek>
Pumpkin Bomb and Green Goblin sit.
314. NARRATOR
By which time, the Goblin is gone, leaving a confused Spidey perched on Goliathâs headâ¦
315. SPIDER-MAN
So in hindsight, Iâm thinking maybe you werenât part of the Gob-Squad, right?
(beat)
Fine. Stonewall me.
May STANDS.
316. NARRATOR
That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.
317. MAY
Peter, are you awake.
318. PETER
Uh, sure Aunt May. Just getting dressed.
319. MAY
Well, hurry up. Iâm⦠âconferencingâ with all the other parents.
Robbie, ROSIE THOMPSON and George STAND.
320. ROBBIE
Are you sure you donât mind, Mrs. Parker? Cuz I gotta say, what youâre proposing would be my worst nightmare.
321. MAY
<laughs> Oh, I donât believe that for a minute, Mr. Robertson. Itâs a joy to be around Peter and his friends. And I wonât be alone. Anna Watson and Mrs. Osborn will be with me.
322. ROSIE
Emily? Sheâs so⦠odd. I donât think sheâs ever said one word to meâ¦
323. MAY
Well, I donât know her very well, Rosie, but Harry is Peterâs best friend â" no offense to your Eugene â" so she must be doing something right.
324. ROSIE
May, you never change. Always seeing the best in people.
325. MAY
Iâll take that as a compliment, dear girl.
326. GEORGE
In any case, Iâm glad to get Gwen out of Manhattan for a few days. The streets are looking pretty grim right about now.
327. MAY
Oh, Iâm sure your officers will have things under control in no time.
328. PETER
Aunt May, whatâs going on?
329. MAY
Oh, didnât I tell you, Peter. Iâm chaperoning your trip to Miami Beach!
330. PETER
Wow. Great.
Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.
331. NARRATOR
Meanwhile, back at L. Thompson Lincolnâs officeâ¦
332. BIG MAN
And how can I be of help, Ms. Destine.
333. DOMINIQUE
I think I can help you, Mr. Lincoln.
334. BIG MAN
What makes you think I need any help?
335. DOMINIQUE
Oh, little things. The shattered window, that unusual statue on the ledge outsideâ¦
336. BIG MAN
Point taken. How about you cut to the chase?
337. DOMINIQUE
Fine. Tony Dracon. Tomas Brod. Silvio Manfredi. All in jail. Hammerhead. Sable Manfredi. On the run. This gives you a unique opportunity to reclaim what was lost.
338. BIG MAN
Iâm sure L. Thompson Lincoln has no idea what youâre talking about. But go onâ¦
339. DOMINIQUE
You have three problems. Green Goblin, Doctor Octopus and the government watching your every move.
340. BIG MAN
And you have the solutionâ¦
341. DOMINIQUE
I have the manpower. Three⦠âsuper-villainsâ to take down the competition and Dominic Dracon to use as a figurehead.
342. BIG MAN
The old man? I heard he was shy a few brain cells.
343. DOMINIQUE
Itâs easy enough to spread the word he was faking insanity to avoid prosecution. And easy enough to assign him a keeper. Meanwhile, heâs a Dracon. And that name still carries weight, I believe.
344. BIG MAN
It does. But what would you want in exchange?
345. DOMINIQUE
Nothing extraordinary. Just the services of the Tinkerer.
346. BIG MAN
I believe that can be arranged.
347. DOMINIQUE
Lovely. But letâs not allow the moss to gather. Youâll want to move fast. Before the Octopus retrieves his armsâ¦
Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.
348. NARRATOR
The weather has turned cold. At the Silver Spoon, three men in trench coats and hats wait for their coffee.
349. SILVER SPOON MANAGER
Sixty-nine!
350. VULTURE
Yes. Here.
351. NARRATOR
Vulture sits down with Electro and Doctor Octopus.
352. DOCTOR OCTOPUS
Thank you, Adrian. Now. My arms?
353. VULTURE
In an OsCorp vault.
354. ELECTRO
At Rykers?!
355. VULTURE
<shhhhh> Not THE Vault. A vault. Still very high security, and the police are bound to expect our arrival, butâ¦
356. DOCTOR OCTOPUS
Indeed. <sigh> OsCorp. Even in death, Norman Osborn torments me. But it cannot be helped. I must have my arms. We go in under cover of darkness tonight.
Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.
357. NARRATOR
The three men exit through one door. Two teenagers enter through another.
358. SILVER SPOON MANAGER
Seventy!
359. MARY JANE
Try to understand, Tiger. I just canât do that to Gwen. Sheâs really become my best friend at Midtown.
360. PETER
But itâs not like weâd be making out or anything, right? Uh, right?
361. MARY JANE
Right.
362. PETER
Right, right. Weâd be going as friends. Hanging out when the couples were ⦠you know, coupling.
363. MARY JANE
And that would be great. But look at it from her point of view. She took all the risks, and you still wound up with Liz. Thereâs no way, sheâd see me as anything but a threat. Wait, that sounded really conceited.
364. PETER
Have you looked in a mirror? Not conceited. Just fact.
365. MARY JANE
Ooh, nice one. Such a player.
366. PETER
Yeah, right. The worldâs loneliest player.
367. MARY JANE
Stop it. I know you donât want to hurt Gwen either. Not after all the two of you have been through.
368. PETER
Yeah⦠I wonder if Ms. Brant likes Miami. Kidding, kidding⦠Wow, pretty good. That was practically the Look.
369. SILVER SPOON MANAGER
Seventy-One!
SEYMOUR OâREILLY stands.
370. PETER
So youâre just not going?
371. MARY JANE
Oh, Iâm going. Itâs 48 degrees outside and 82 in Miami. I asked Tiny to be my plus one.
372. PETER
Tiny?! Tiny McKeever?! The guyâs got the brain of an amoeba. He makes King Kong look like a genius. Hell, he makes Flash look like Stephen Hawking!
373. MARY JANE
(shrugs)
Heâs cute.
374. PETER
<argggh> I just wish I could skip the whole thing. But Aunt Mayâs going, and after her heart attack, I really think she could use some fun in the sun--
375. SEYMOUR
Sorry to interrupt. Couldnât help overhearing.
376. PETER
Oh, hey, Seymour.
377. SEYMOUR
Just wanted to let you know Harry invited me too. And Iâm totally going stag. I mean who wants a ball and chain when Miami Beach is full of hotties, right?
378. PETER
Uhâ¦
379. SEYMOUR
Just donât expect to hang out, okay. Youâd fully cramp my style.
380. PETER
Of course I wouldâ¦
381. SILVER SPOON MANAGER
Seventy-two!!
Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.
382. NARRATOR
Meanwhile, the Tinkerer arrives at the Destine Mansionâ¦
383. DOMINIQUE
You have the devices?
384. TINKERER
Five was all I could put together on short notice. Unless you want to bring Mysterio in�
385. DOMINIQUE
Our stage is crowded enough. And five should do quite nicely.
Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.
386. NARRATOR
Later that afternoon, Harryâs rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway. A very prepared May Parker has a clipboardâ¦
387. MAY
All right, we have three adults and sixteen children â" sorry, sixteen teenagers. Thatâs nineteen sojourners bound for Florida. So why did my headcount come to twenty?
388. MARY JANE
I think you counted the bus driver, Mrs. Parker.
389. MAY
Oh, that I did.
390. BISHANSKY
Hey, twist my arm! Iâll go to Miami with you guys!!
391. SALLY
Was anyone talking to you?
392. BISHANSKY
Uh⦠no.
393. SALLY
Then eyes front.
394. BISHANSKY
Eyes front.
395. GWEN
Harry, are you all right?
396. HARRY
I dunno. All this stopping and starting. My stomachâs a little queasyâ¦
397. KONG
Dude. Does this bus rock or what?!
398. RAND
âScool.
399. FLASH
Damn right itâs cool. Wouldnât mind taking this baby all the way to Florida.
400. SALLY
Excuse me?! Itâs a bus.
401. LIZ
Sallyâs right. Weâre not ditching the private jet for a bus. Right, Jason?
402. JASON
Uhâ¦
403. SALLY
Right.
404. PETER
It really is a very nice bus though.
405. BISHANSKY
Hey, Iâm not offended. I still canât believe the Osborns hired me again. The last time, I got in two-- <impact grunt>
406. SEYMOUR
Dude, you totally rear-ended that guy at the tollbooth!
407. BISHANSKY
Not againâ¦
408. SALLY
Wonderful. Now, weâll be stuck here forever!
409. MAY
Everybody stay calm.
410. HARRY
Ah, man, gotta use the johnâ¦
411. KONG
<laughs> I think Osbornâs gonna hurl!
412. SALLY
Oh. My. God! If my hair starts smelling like vomit, Iâll sue you for bus-driver malpractice!!
413. BISHANSKY
Sorry, sorryâ¦
Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.
414. NARRATOR
The sun sets. At the castle, the gargoyles awakenâ¦
415. BROOKLYN, BROADWAY, LEXINGTON
<awakening roars>
416. BROOKLYN
You must be Zafiro.
417. ZAFIRO
How did you know?
418. BROOKLYN
Strong family resemblance.
419. ZAFIRO
¿Perdón?
420. BROOKLYN
Long story. Time travel. The future. A whole other spin-off. Two actuallyâ¦
421. OBSIDIANA
We donât have time for your âspin-offsâ. ¿Donde esta Goliath?
422. BROADWAY
He didnât sleep here.
423. LEXINGTON
But Iâm sure heâll be back soon.
Elisa STANDS.
424. ELISA
Heâd better. We have trouble. Demona trouble.
425. OBSIDIANA
Elisa!
426. ELISA
Hi, Obsidiana. Iâm betting you have trouble tooâ¦
Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.
427. NARRATOR
And while the clan awaits Goliathâs returnâ¦
428. KRAVEN
It is time, Calypso.
429. CALYPSO
Yes. The forces gather. We can make this one our own.
430. CURT
I demand you let me go!
431. KRAVEN
Hold your tongue, American dog. Or Gulyadkin will hold it for you.
432. GULYADKIN
<low lion growl>
433. CALYPSO
Calm yourself⦠This change will not be difficult. The primitive bound within is barely skin-deepâ¦
434. CURT
I-- I donât know what youâre talking about.
435. CALYPSO
I think you do. You see my companion. The details may have been created in a laboratoryâ¦
436. KRAVEN
But the soul of the Hunter â" the beast inside â" was always my own.
437. CURT
What are doing with that doll?
438. CALYPSO
Turning it inside out.
439. CURT
Listen to me, please. Even if you can release the âbeast insideâ, you donât want to! It canât be controlled.
440. KRAVEN
<laughs> Nyet. Not by you perhaps. But my Calypso is not so easily trifled with.
441. CALYPSO
It is timeâ¦
442. CURT
Noooo!!!! <transformation scream>
443. NARRATOR
Curt Connors is transformed by Calypsoâs magic into the Lizard.
444. LIZARD
<roar>
445. KRAVEN
Now⦠to the Hunt!
Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.
446. NARRATOR
Back at the Castle, Goliath has returned, and the entire clan has gathered. Elisaâs revealed what she knows about Demona. Now, itâs Obsidianaâs turnâ¦
447. OBSIDIANA
It came from somewhere further south. Two human smugglers carrying an object of great power through the Greenâ¦
448. ZAFIRO
My mate is sensitive to these things. We tracked them, but they boarded a jet airplane and were soon out of our reach.
449. OBSIDIANA
Pero still I could sense great forces gathering. I asked Jade and Turquesa to teach us the way to Avalonâ¦
450. ZAFIRO
Gabriel says hello, by the way.
451. ANGELA
Oh, I miss him. How is he?
452. ELISA
Angela, honey, letâs stay on point. I take it Avalon sent you here.
453. OBSIDIANA
Yes. We nearly achieved the totem, but a ridiculous human dressed in red and blueâ"
454. ELISA, GOLIATH (UNISON)
Spider-Manâ¦
455. OBSIDIANA
He did spin webs like a spider. Though from his hands, not hisâ"
456. ZAFIRO
Focus, mi amor.
457. OBSIDIANA
Lo siento. This Man-Spider, he interfered. The smugglers escaped again. Now, power builds on power, rising to a crescendo.
458. BROADWAY
And thatâs bad, right?
459. NARRATOR
Elisaâs cellphone rings.
Matt STANDS.
460. ELISA
Maza.
461. MATT
Itâs Matt. Somethingâs going down at the OsCorp vault off the Expressway. Most of the Taskforce is already here. Stacy and his men too. But Iâm thinking we might need⦠âback-upâ. Lots and lots of back-up.
462. ELISA
Weâre on our way. Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?
463. BROOKLYN
Of course.
464. ELISA
Good. Because otherwise itâs all hands on deck.
Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and OâNeil STAND.
465. MATT
Okay, Captain. The rest of the Taskforce is on its way.
466. GEORGE
My men are deployed.
467. OâNEIL
And just in time! Cuz we got Gobby and his Pumpkin-Heads at 12 oâclock!
Green Goblin and Pumpkin Bomb STAND.
468. GREEN GOBLIN
Playtime!
469. PUMPKIN BOMB
<shriek>
470. MORGAN
And a gargoyle at 3 oâclock!
471. GEORGE
Thatâs not a gargoyle. Thatâs the Vulture!
Vulture STANDS.
472. VULTURE
You were right, Otto. The police were waiting. And the Goblin is here too. You donât think it could actually be Osborn, still alive, do you?
Doctor Octopus and Electro STAND.
473. DOCTOR OCTOPUS
Do not get distracted by old grudges, Adrian. It hardly matters who wears the Green. His intent is still to prevent me from regaining my arms. You must keep the Goblin and the authorities occupied.
474. VULTURE
Of course.
475. DOCTOR OCTOPUS
Now, Electro. Open the vault.
476. ELECTRO
Roger that, Doc!
477. NARRATOR
Electro, already inside, short-circuits the vaultâs electro-magnetic lock.
Tinkerer and Demona STAND.
478. TINKERER
Electroâs breached the vault.
479. DEMONA
So predictable. Send in your operatives.
480. NARRATOR
Tinkerer opens a burlap sack, releasing his five âoperativesâ.
HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.
481. HOMUNCULUS #1
Homunculi to the rescue!
482. HOMUNCULUS #2
Dirty work to be done!
483. HOMUNCULUS #3
Peach Cobbler!
484. HOMUNCULUS #4
Uh oh, somebodyâs language systemâs off-line again.
485. HOMUNCULUS #5
You know it, girlfriend!
Calypso, Kraven and Lizard STAND.
486. NARRATOR
And down in the sewerâ¦
487. CALYPSO
It is right above us, my love. The Power and the Glory. The very keys to the Kingdom.
488. KRAVEN
And Kraven will lay them all at your feet.
489. LIZARD
<lizard roar>
490. NARRATOR
Up top, a stretch limo skids to a stop outside the vault. Dominic Dracon and Fancy Dan emerge.
Dracon and FANCY DAN STAND.
491. DRACON
All right, boys. Get me those jewels!
492. FANCY DAN
I think what the boss means is⦠Destroy the competition!
Carnage, Colonel Jupiter and Venom STAND.
493. CARNAGE
<evil chuckle> Carnage time?
494. FANCY DAN
Yeah. Go. Kill. Whatever.
495. COLONEL JUPITER
Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!
496. FANCY DAN
Knock yourself out. But what are you waiting for?
497. VENOM
Someone worthy of our hate. But we have faith⦠Heâll comeâ¦
498. GREEN GOBLIN
My, my, the fieldâs getting crowded. Letâs thin the herd. Pumpkin-Heads, release the hounds! <ahem> That was a metaphor. Throw your pumpkin bombs already!
499. PUMPKIN BOMB
<multiple shrieks>
Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, OâNeil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.
500. MAY
Goodness, what was that?
501. PETER
Something The Bugle will want pictures of. Open the door.
502. BISHANSKY
Uhâ¦
503. MAY
Peter Parker, I am not letting you off this bus in the middle of the expressway.
504. PETER
Aunt May weâre at a complete standstill. And you donât have to worry. Iâll use my telephoto lens. I wonât be anywhere near the action.
505. MAY
I suppose it is your job⦠Open the door.
506. BISHANSKY
Yes, maâam.
507. PETER
Thanks, Aunt May. You rock!
508. FLASH
If Puny Parkerâs going, Iâm going too!
509. MAY
Eugene Thompson, you sit your backside down in that seat right this minute.
510. FLASH
Yes, maâam.
511. KONG
<laughs>
512. SALLY
Whatâs he going to take pictures with? I saw his camera get blown up two months ago.
513. MARY JANE
Peteâs a professional photographer, Sally. Iâm sure he has more than one camera.
514. GWEN
Harry⦠Are you all right in there?
515. HARRY
<vomit noise> Ugh, donât come in. It really isnât pretty.
Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.
516. NARRATOR
The clan alights on a rise overlooking the battlefield.
517. BROADWAY
Whoa, what a messâ¦
518. GOLIATH
We will split our forces. Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.
519. BROOKLYN
Shouldnât I lead the other contingent?
520. GOLIATH
I need your experience and your weapons at my side.
521. ANGELA
Donât worry, Brooklyn, weâve got it covered.
522. NARRATOR
Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.
523. BROOKLYN, BROADWAY (UNISON)
Be careful!
Angela sits.
524. ELISA
You know Iâm going with you.
525. GOLIATH
Not this time, Elisa. You must join your fellow officersâ¦
526. ELISA
Butâ"
527. GOLIATH
When all is settled, we shall need your help to cover our retreat from this conflagration⦠You know this is true.
528. ELISA
(defeated)
Yes.
Elisa sits. Spider-Man STANDS.
529. NARRATOR
Elisa makes her way down the hill. Goliath and the others glide to the Vaultâs roof. Spider-Man lands there at the same time.
530. SPIDER-MAN, ZAFIRO (UNISON)
You again!
531. GOLIATH
Hold, Spider-Man. I have a friend who knows your Captain Stacy.
532. SPIDER-MAN
Really?
533. GOLIATH
This policeman believes in you. So I choose to believe in you as well.
534. SPIDER-MAN
Says the eight-foot tall medieval monster. But I get it. Weâre on the same side. So letâs go kick some Pumpkin-Butt!
535. ZAFIRO
¡Idiota! That battle is a mere distraction.
536. OBSIDIANA
The true danger lies withinâ¦
537. SPIDER-MAN
All right, all right, you had me at âIdiotaâ.
538. NARRATOR
The gargoyles rip open the rooftop. The seven heroes descend, but someone watchesâ¦
Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.
539. VENOM
And there goes our Broâ¦
540. FANCY DAN
You going in? That wasnât the plan!
541. VENOM
And how do intend to stop us?
542. FANCY DAN
Fine, go. But if you see my Ricochet suit, bring it out!
Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.
543. FOSWELL
See, J.J. The tip from Draconâs old chauffer was right on the money.
544. JONAH
Whaddaya want, a fershlugginer medal?! Letâs get in there!
545. ROBBIE
Slow down, Jonah. I promised Joan I wouldnât let you lose your head, figuratively or literally.
546. JONAH
Forget my head! Who cares about my head?! My boy needs me!
Ned and Colonel Jupiter STAND.
547. NED
Looks to me like your boyâs doing pretty well, Chief!
548. COLONEL JUPITER
Take that, miscreants!
549. ROBBIE
Ned, how did youâ"
550. NED
Tip from one of the pumpkin-heads. Foswellâs not the only one with sources.
551. JONAH
You two can naked mud-wrestle over whoâs the biggest brown-noser later. For now, Robbie, if you donât let go of me in zero-point-zero seconds, Iâll dropkick you to next Season! And thereâs no guarantee thereâll be a next Season!
552. NARRATOR
Jonah breaks away from Robbie, but his path is blockedâ¦
Elisa STANDS.
553. ELISA
Get back! You want to wind up street pizza!
554. JONAH
But thatâs my son up there.
555. ELISA
Yeah, well, at least heâs fighting on the right side.
556. COLONEL JUPITER
Nothing stands against the might of Colonel Jupiter!
557. ELISA
Does he always talk like that?
558. ROBBIE
Bombasticism runs in the family.
Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.
559. NARRATOR
Jupiter takes down Pumpkin-Heads right and left. Hudson squares off against Vulture.
560. VULTURE
Why do I get the old guy?
561. NARRATOR
Youâre old. Heâs old. Itâs parallelism. Get over it.
(beat)
Coldstone and Coldfire isolate Carnage.
562. CARNAGE
No fair! These two donât spatter at all!
563. NARRATOR
Angela and Katana take on the Goblin.
564. GREEN GOBLIN
Oh, goody. Gobby likes getting down and dirty with the hotties.
565. ANGELA
Oh, you did not just say that.
566. NARRATOR
And little Gnash goes after Fancy Dan.
567. FANCY DAN
Admit it, you gave me the kid because Iâm short?
568. NARRATOR
Even Detective Bluestone gets into the act.
569. MATT
Freeze, Dracon!
570. DRACON
Youâre confused. Iâm G.F. Benton, a certified public accountant. I think Iâll be going nowâ¦
571. MATT
Yeah. Back to Ravencroft, you old nutter!
572. NARRATOR
But inside, things are a bit more seriousâ¦
Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.
573. ELECTRO
Got your arms, Doc!
574. DOCTOR OCTOPUS
And my Megalo-Pack?
575. ELECTRO
Youâre Mega-what now?
576. DOCTOR OCTOPUS
My power-source, Maxwell.
577. ELECTRO
Right, right. No. Thatâs not here.
578. DOCTOR OCTOPUS
What?!
Homunculus #1, Homunculus #2 and Homunculus #3 STAND.
579. HOMUNCULUS #1
Gotta get the true treasure!
580. HOMUNCULUS #2
Bring it back to the big Smurfette!
581. HOMUNCULUS #3
Blunk hates getting wet!
582. NARRATOR
Three Homunculi fly deeper into the vault to retrieve Demonaâs prize.
Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.
583. ZAFIRO
What are those things?!
584. SPIDER-MAN, LEXINGTON (UNISON)
Robots!
585. LEXINGTON
And I got one!
586. HOMUNCULUS #5
Leggo, you big bully!
587. LEXINGTON
<ugh> What an annoying voiceâ¦
588. HOMUNCULUS #5
(aside to audience)
Look whoâs talking.
589. LEXINGTON
â¦But I might be able to use it to take control of the others.
590. SPIDER-MAN
I think I can help.
Venom STANDS.
591. VENOM
Youâll be a little too busy for that, Bro.
592. GOLIATH
Friend of yours?
593. SPIDER-MAN
Once upon a time. Not so much now.
594. VENOM
Die, Spider-Man!
595. VENOM, SPIDER-MAN
<add-lib battle sounds>
596. SPIDER-MAN
A little help?
597. NARRATOR
Brooklyn blasts Venom, who collapses.
598. VENOM
<vibrating scream>
Venom sits.
599. BROOKLYN
Sonic Cannon. Circa 2198. Guess my weapons do come in handy.
600. LEXINGTON
Just cover me until I can get this workingâ¦
Demona and Tinkerer STAND.
601. DEMONA
Whatâs wrong, Tinkerer? Why havenât they returned?
602. TINKERER
Someoneâs trying to counter their programming. He wonât succeed.
603. DEMONA
He had better not.
604. LEXINGTON
My hackâs being hacked!
605. TINKERER
Heâs overriding my override!
Homunculus #4 STANDS.
606. HOMUNCULUS #4
Go right. Go left. Go right. Go left. Blow up!
607. NARRATOR
Homunculus #4 blows up. But so does Homunculus #5 in Lexingtonâs hands!
608. LEXINGTON
<pain cry>
609. BROADWAY
Lexington!
Homunculus #4 and Homunculus #5 sit.
610. DOCTOR OCTOPUS
This is madness! Grab my arms and get me out of here!
611. ELECTRO
Workinâ on it!
612. NARRATOR
Electro blasts away, until he and Doc Ock are blindsided byâ¦
Kraven, Gulyadkin, Lizard and Calypso STAND.
613. ELECTRO, DOCTOR OCTOPUS
<impacts>
614. BROADWAY
Look, itâs Claw.
615. KRAVEN
<roar>
616. BROOKLYN
Thatâs not Claw.
617. BROADWAY
Well, itâs sure not Maggie.
618. GULYADKIN
<lion roar>
619. LEXINGTON
(recovering)
Is that an actual lion?
620. LIZARD
<lizard roar>
621. SPIDER-MAN
Lizard, too? Seriously, this is way over the top.
Homunculus #1 and Homunculus #2 STAND.
622. HOMUNCULUS #1
Got the gizmo!
623. HOMUNCULUS #2
Homunculi never fail!
624. NARRATOR
Two homunculi fly past, carrying a sealed container down a dark corridor.
625. CALYPSO, OBSIDIANA (UNISON)
The totem!
(pointing at each other)
Donât let her near it!
626. KRAVEN
Go, Calypso! Leave them to us!
627. ZAFIRO
¡Vaya, mi amor!
628. BROOKLYN
We got your back, Goliath! Go!
629. SPIDER-MAN
Think Iâll tag along tooâ¦
Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.
630. NARRATOR
Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.
631. KRAVEN
Lizard, take the reptile!
632. ZAFIRO
¡No soy ningún reptil! ¡Soy un Gárgolo!
633. ZAFIRO, LIZARD
<ad-lib battle sounds>
634. KRAVEN
Gulyadkin attack!
635. GULYADKIN
<pounce roar>
636. NARRATOR
Gulyadkin and Kraven attack Lex and Broadway!
637. LEXINGTON
Hey, get him off me!
638. BROADWAY
Kinda busy at the moment!
639. GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
<ad-lib struggles>
640. NARRATOR
Brooklyn steps in and pulls both cats off his rookery brothers. They turn on him.
641. BROOKLYN
Uh oh.
642. BROADWAY, LEXINGTON (UNISON)
All for one!
643. NARRATOR
The two gargoyles return the favor, knocking Kraven and Gulyadkin aside. Then Brooklyn blasts them both.
644. BROOKLYN
And one for all!
645. KRAVEN, GULYADKIN
<blast impacts>
646. LEXINGTON
Some things never change.
647. NARRATOR
Zafiro throws Lizardâs unconscious body on top of Kravenâ¦
648. KRAVEN, LIZARD
<oofs>
649. ZAFIRO
We should follow Obsidianaâ¦
650. ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
<electrocution scream>
651. NARRATOR
The four gargoyles are dropped by Electroâs blast.
652. ELECTRO
Still want out?
653. DOCTOR OCTOPUS
Indeed not. My curiosity is piqued. Letâs see where this leadsâ¦
Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.
654. NARRATOR
Electro and Octopus head down the corridor⦠In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container. Inside⦠is a crown of thorns.
655. DEMONA
The Crown of Thorns!
656. NARRATOR
Demona removes her tiara.
657. DEMONA
Place it on my headâ¦
658. HOMUNCULUS #1
Placing, placingâ¦
659. HOMUNCULUS #2
Homunculi aim to please!
660. NARRATOR
The Homunculi gently lower the crown onto Demonaâs head before disappearing back into the darkness. The thorns bite into her brow, drawing blood. Calypso, Obsidiana, Goliath and Spidey come rushing in.
Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.
661. DEMONA
My Kingdom come. My Will be doneâ¦
662. SPIDER-MAN
Friend of yours?
663. GOLIATH
Once upon a time. Not so much now.
664. DEMONA
On Earth as it is in Heavenâ¦
665. CALYPSO
Too lateâ¦
666. OBSIDIANA
Too lateâ¦
667. DEMONA
For MINE is the Kingdom and the Power and the Glory for ever and everâ¦
668. CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
Amenâ¦
669. NARRATOR
Light radiates outward from the Spear. Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona. Octopus and Electro enter and likewise fall to their knees. The light reaches the outer vault. Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees. And still the light advancesâ¦
Obsidiana and Calypso sit.
670. GOLIATH
What sorcery is this?!
671. DEMONA
The most powerful human sorcery ever created, Goliath. This is humanityâs Armageddon. Their entire raceâs final act.
END ACT TWO
NEXT: ACT THREE...
G2009 Radio Play - Act One
4. NARRATOR
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS. Act One. Late that night atop the Eyrie Buildingâ¦
Dominique and Kafka sit. GOLIATH and ELISA MAZA STAND and KISS.
5. GOLIATH, ELISA
<kiss>
6. GOLIATH
There are some human customs I will never get used to Elisa. <kisses her again> This is not one of them.
7. ELISA
Youâre in a good mood.
8. GOLIATH
I am. Hudson and Lexington are back from Europe, bringing Coldstone and Coldfire with them.
9. ELISA
<chuckle> Not to mention Brooklyn returning from forty years of TimeDancing with a mate, a son, a beast and an egg.
10. GOLIATH
The clan has doubled in size. What challenge can the Fates throw at us now that we cannotâ"
11. NARRATOR
The sun rises. Goliath turns to stone.
12. ELISA
<groan> You just had to say that out loud, didnât you?
Elisa and Goliath sit. MAY PARKER and PETER PARKER STAND.
13. NARRATOR
Meanwhile, in Forest Hillsâ¦
14. MAY
Peter, what are you doing up?
15. PETER
Studying for todayâs English final. Itâs on Midsummer Nightâs Dream. And I missed seeing the Cliff Notes version.
16. MAY
Which may explain why you and Miss Allan are no longer a couple.
17. PETER
Aunt May, you know we didnât break up because I missed her play.
18. MAY
Youâre right; I shouldnât be glib. I suppose thereâs no chance that you and Gwenâ¦
19. PETER
I donât know. Not now anyway. Not when Harryâs hurting so much from the death of his father.
20. MAY
It hardly seems possible that Norman Osborn is gone. The Bugle says he was the Green Goblin, but Iâm not sure I can believe that.
21. PETER
Sometimes, Aunt May⦠itâs, okay, to believe everything you readâ¦
May and Peter sit. GREEN GOBLIN and BLACKIE GAXTON STAND.
22. NARRATOR
At a dive bar downtown, the Green Goblin BURSTS in on his gliderâ¦
23. GREEN GOBLIN
<tsk, tsk, tsk> Blackie. This place is scummy even by your pond-scum standards. Quite a comedown from your last gigâ¦
24. BLACKIE
Tell that to the whacko who set a flaming super-villain loose in The Big Sky. Oh, wait. That was you.
25. GREEN GOBLIN
Yes. Yes, it was. <maniacal laugh>
26. BLACKIE
Werenât you supposed to be dead?
27. GREEN GOBLIN
I was also supposed to be Osborn, but you didnât buy that, did you? Just one of the many little tricks I keep up my sleeve. Nothingâs changed, Blackie. The Goblinâs still in charge.
28. BLACKIE
You hear me arguing?
29. GREEN GOBLIN
No. Now, gather my Pumpkin-Headsâ¦
Blackie and Goblin sit. Kafka and Dominique STAND.
30. NARRATOR
At Ravencroft, Dominique Destine and Dr. Kafka supervises six inmates who work to excavate a sub-basement.
31. KAFKA
I still donât understand what you expect to find down here.
32. DOMINIQUE
Vertros Ravencroft, the founder of this Institute, was a quirky soul. An intimate friend of Freud and Conan Doyle, he was a true believer in both psychotherapy and spiritualism.
33. KAFKA
You speak as if you knew him.
34. DOMINIQUE
Now how would that be possible?
35. KAFKA
It couldnât, of course⦠But the dig?
36. DOMINIQUE
Yes. Ravencroft was also a collector. I have reason to believe he buried certain items of his collection here. Now, Doctor, didnât you say you had meetings scheduledâ¦
37. KAFKA
Youâll be all right down here alone?
38. DOMINIQUE
Your orderlies are in the hallway. And Iâm quite self-sufficient. So run along.
Kafka sits. OTTO OCTAVIUS STANDS.
39. DOMINIQUE
Excellent work, Doctor Octavius. Very precise.
40. OTTO
Thank you. I appreciate having something to occupy my handsâ¦
41. DOMINIQUE
Your hands? Not⦠your arms?
42. OTTO
Arms? I⦠I hope youâre not referring to my unfortunate⦠b-b-breakdown.
43. DOMINIQUE
What would be the point? Believe me, Doctor, no one better understands the advantage of creating a false front.
ELECTRO STANDS.
44. ELECTRO
Iâve blasted away another section of cement.
45. DOMINIQUE
Thank you, Maxwell.
46. ELECTRO
Donât. Call. Me. That.
47. DOMINIQUE
Donât. Tell. Me. What to do⦠Electro.
48. ELECTRO
Uh⦠okay.
(asides to Otto)
Sheâs a little scary.
49. OTTO
Indeed.
Otto and Electro sit. DOMINIC DRACON, JOHN JAMESON, EDDIE BROCK and CLETUS KASSADY STAND.
50. DRACON
I blame Mace. When that crook cheated me, I lost face. But when I get the jewels back, theyâll respect me again. Did Mace bury the jewels here?
51. DOMINIQUE
Maybe he did, Dominic. Keep working.
52. JOHN
Whatâs the point? How is tearing up a basement supposed to bring me Colonel Jupiterâs power?!
53. EDDIE
Shut up and dig.
54. JOHN
You like doing this?!
55. EDDIE
I hate it. But I need that hate. I need to keep the hate alive.
56. DOMINIQUE
Such an interesting crew. And what do you want out of life, Cletusâ¦
57. CLETUS
Nothing too fancy. <chuckles> Just a little carnage.
Cletus, Dominique, Eddie, John and Dracon sit. GWEN STACY and Peter STAND.
58. NARRATOR
That afternoon, at Midtown Highâ¦
59. GWEN
Hey, Pete. Howâd you do?
60. PETER
Ugh, horrible, probably. I mean you know English is like my worst subject. Itâs all so subjective andâ"
61. GWEN
Peter.
62. PETER
Okay, okay⦠not the look! I probably aced it. Happy?
63. GWEN
That you did well. Always.
64. PETER
Thanks. Look, Gwen, I--
HARRY OSBORN STANDS.
65. HARRY
Well, what have we here? My best friend and girlfriend conferring in a corner. Planning a surprise party for me?
66. PETER
Uh, itâs not your birthday, Harr.
67. HARRY
I thought maybe it was a thank you bash. For giving you both theseâ¦
68. GWEN
(reading)
âYou are cordially invited to spend Spring Break traveling by private jet to Miami, where youâll stay, all-expenses-paid, at the Osborn Winter Compound on the Beachâ¦"
69. PETER
Youâre inviting the three of us to spend a week together in Florida?
70. HARRY
Not just the three of usâ¦
KENNY KONG, FLASH THOMPSON and MARY JANE WATSON stand.
71. KONG
Osborn, dude! You rock!
72. FLASH
Seven days in the sun and surf.
73. KONG
All you can eat!
74. FLASH
Girls in bikinis!
75. FLASH, KONG (UNISON)
Score! <laughter>
76. MARY JANE
Hi, Sha Shan. Hi, Glory.
77. FLASH
Sha Shan⦠uh⦠So⦠how much of that did you hear?
78. KONG
Look, Glory, you know I meant you, right? I mean who else would I want to see in a bikini. Uh, youâre not gonna break up with me again, are you?
Kong and Flash sit. SALLY AVRIL, RAND ROBERTSON, LIZ ALLAN and JASON IONELLO STAND.
79. SALLY
Oh. My. God. Harry, I just found the invitation in my locker. And all I have to say is that you can be my super-dweeb sugar-daddy anytime you want!
80. HARRY
You okay with that Rand?
81. RAND
âScool. You can be my super-dweeb sugar-daddy too.
82. PETER
Exactly how many people did you invite to this thing?
83. HARRY
A handful. Kenny and Glory. Flash and Sha Shan. Rand and Sally. Hobie and Mindy. M.J. Gwen. Oh, and you and Liz, of course.
84. GWEN
Harry⦠Liz and Peter broke up.
85. HARRY
You did?! Wow. I had no idea. Guess Iâve just been so focused on my own problems. My Dad dying and everything. Thatâs why I need this trip. Gotta clear my head, you know? But maybe you two could reconcileâ¦
86. SALLY
I donât think so!
87. LIZ
Itâs too late for that Harry. Iâm with Jason now. We totally fell in love doing the play together.
88. JASON
We did?
89. SALLY / LIZ (UNISON)
Yes, you did. / Yes, we did.
90. LIZ
You donât mind if I bring Jason instead of Petey, do you.
91. HARRY
The more the merrier.
92. LIZ
Thanks, Harry. Youâre a doll. Kisses!
Liz, Sally, Jason and Rand sit.
93. HARRY
Pete, youâre still invited too. Course, itâs more of a coupleâs thing. But M.J.âs guy is in prisonâ¦
94. MARY JANE
Thank you, Harry. Hadnât been reminded of that in the last five minutes.
95. HARRY
Sorry, sorry. Itâs just that I canât help remembering the Fall Formal. You two made such a great pair! Donât you think so, Gwen?
96. GWEN
Great.
97. PETER
I⦠suppose we could go⦠as friends. Just as friends.
98. MARY JANE
Weâll talk later, Tiger.
Mary Jane, Peter, Gwen and Harry sit. Kafka and CURT CONNORS STAND.
99. NARRATOR
Late that afternoon in Dr. Kafkaâs officeâ¦
100. KAFKA
Doctor Connors, itâs good to see you. Iâd heard you moved to Florida.
101. CURT
I did. But I never stopped working on a cure for Max Dillon. I think Iâve made some real progress.
102. KAFKA
Thatâs wonderful news. Max is downstairs⦠doing âwork-therapyâ. Iâll take you to himâ¦
Kafka and Curt sit. Otto, Dominique, Electro, Dracon, John, Eddie and Cletus STAND.
103. ELECTRO
Ms. Destine. I think I found something.
104. DRACON
Is it my jewels?
105. OTTO
It⦠it appears to be a spearhead. It looks quite old.
106. DOMINIQUE
Give it to me.
107. ELECTRO
Sure, sure.
108. DOMINIQUE
Yes. This is it. I think weâre done, boys.
109. OTTO
Indeed. And just as the dig brought us right up against Ravencroftâs outer wall.
110. ELECTRO
You mean this wall?!
111. NARRATOR
Electro blasts a huge hole in the wall. When the smoke clears, the Vulture is waiting. He grabs Octavius.
VULTURE STANDS.
112. VULTURE
Youâre coming with me, Otto.
113. OTTO
No, no, stop. I donât want this life anymore⦠Iâm trying to get better!! Let me go!!
114. ELECTRO
Shut it, Doc! Itâs for your own good!
115. OTTO
Nooooooo!!!!
Otto, Electro and Vulture sit.
116. NARRATOR
Vulture and Electro leave with Octavius. Dominique watches them go.
117. DOMINIQUE
Well, that was diverting. And such excellent timing as well: itâs sunset. <transformation scream>
118. NARRATOR
With the setting of the sun, Dominique Destine transforms into a gargoyle⦠just as Kafka and Connors enterâ¦
Kafka and Curt STAND.
119. KAFKA / CURT
Oh my god⦠/ What in the world?!
120. NARRATOR
Demona effortlessly slams them both against a wall and turns to the remaining inmatesâ¦
121. CURT, KAFKA
<impacts, moans>
122. DEMONA
Listen carefully, humans. For I have listened to you. I can make all your petty little dreams come true. Dominic demands respect.
123. DRACON
Yes.
124. DEMONA
John craves power.
125. JOHN
Yes!
126. DEMONA
Eddie needs hate.
127. EDDIE
YES!
128. DEMONA
And all Cletus desires is a little carnage.
129. CLETUS
Or a lot. Iâm not picky.
130. DEMONA
Then stick with me, boys. Respect, power, hatred, carnage. These are things I knowâ¦
DEMONA, Cletus, Eddie, John and Dracon sit. ALAN OâNEIL and GEORGE STACY STAND.
131. NARRATOR
Later, the police arrive to investigateâ¦
132. OâNEIL
And you never met this broad before in your lifeâ¦
133. KAFKA
She had excellent references, Officer OâNeil. Itâs not like I grant just anyone access to my patientsâ¦
134. OâNEIL
And you wonder why people think they belong at Rykers.
135. GEORGE
Thereâs nothing else you can tell me, Doctor?
136. CURT
Iâm sorry, Captain Stacy, but no. It was a creature.
137. GEORGE
Like that Lizard-thing from last fall?
138. CURT
No! No. Nothing like that. More like⦠like those things on the news that blew up the clock tower.
139. GEORGE
You mean the 23rd Precinct.
140. CURT
Yes.
141. GEORGE
Youâre saying a gargoyle kidnapped those men.
142. CURT
Yes. No. I donât know. Can I leave now?
George, OâNeil and Kafka sit. DILBERT TRILBY and NED LEE stand.
143. NARRATOR
But outsideâ¦
144. TRILBY
Doctor Connors! Dilbert Trilby, Action News. What can you tell our audience about the escape?
145. CURT
Nothing. No comment.
146. NED
Hey, Doc. Remember me? Ned Lee from The Bugle. Can you just tell me who escaped? Doc Ock? Electro? Colonel Jupiter â" I mean, Colonel Jameson?
147. CURT
Iâm sure the police will issue a statement. Now, I have to go.
Trilby sits. CALYPSO EZILI, KRAVEN THE HUNTER and GULYADKIN STAND.
148. NARRATOR
Connors hurries away down the street, as a limousine with dark-tinted windows pulls up in front of Ravencroft.
149. CALYPSO
We are too late, my love. The Christian Totem is gone.
150. KRAVEN
Gulyadkin and I will track it for you.
151. GULYADKIN
<low lion growl>
152. CALYPSO
Iâm afraid that is beyond even your impressive abilities, Sergei, my love. But I have my own ways, as you well knowâ¦
153. KRAVEN
Of course, Calypso.
154. CALYPSO
Who is that? That man trying to hail a cab?
155. KRAVEN
He is a stranger to my eyes. Yet his scent is familiar.
156. CALYPSO
His aura glows with primal energies and may be of use to us.
(to Curt)
You need a ride.
157. CURT
What? No. No, thank you. Iâll get a cab.
158. KRAVEN
She wasnât asking.
159. CURT
<scream>
160. NARRATOR
Kraven drags Connors into the limo, which quickly drives awayâ¦
Curt, Kraven, Calypso and Gulyadkin sit.
161. NED
Hello, Robbie? Iâve got something.
J. JONAH JAMESON, JOE âROBBIEâ ROBERTSON and FREDERICK FOSWELL STAND.
162. JONAH
Is that Lee? Put him on speaker.
163. ROBBIE
Now, Jonah, stay calmâ¦
164. JONAH
Donât you tell me to stay calm, Joe Robertson. Itâs not your son at risk. Lee, you there?! Iâll give you exactly three-point-seven seconds to tell me Johnâs all right!
165. NED
Wish I could, Chief. But he disappeared with the rest. There are six inmaâ" uh, patients missing. Itâs not clear if they busted out or were kidnapped.
166. JONAH
Well, of course John was kidnapped. You think my son would--
167. ROBBIE
Ned, give me the whole list.
168. JONAH
Who cares about the listâ"
169. ROBBIE
It could provide a lead to John.
170. NED
Doc Ock. Electro. John. Uh⦠letâs see. Edward Brock Jr., Cletus Kasady and Dominic Dracon.
171. FOSWELL
Dominic Dracon? The old mob boss? Thereâs a name I havenât heard in a while.
172. JONAH
Foswell, you know that world! Find out where Dracon might have gone!
173. FOSWELL
You got it, J.J.
174. JONAH
Lee, you stick to the damn super-villain angle! Ock, Electro. Whatâs their next move?!
175. NED
Right, boss!
176. JONAH
Robbie, I want every available man on this. No, damnit, I want every man, woman and child on this, available or not. Call Parker. Put Benny the copyboy on it. But Ms. Brant on it. I want John Jameson safely back in his motherâs arms in six-point⦠six-pointâ¦
177. ROBBIE
Itâs okay, Jonah. Weâre on it.
178. JONAH
Good. Good. Iâll⦠Iâll hit the streets myself. Iâm still the best damn reporter in New York City! Just have to make a call first. Well, what are you all waiting for, get out! Out!
Robbie, Ned and Foswell sit.
179. JONAH (CONT)
Hello, is this WVRN? Travis Marshall, please. Travis? Itâs Jonah. I got a lead for you on the Ravencroft thing.
(pauses, listening)
Whaddayou care why Iâm helping the competition?! I know I hate television! You donât have to tell me that! Iâm not trying to sandbag you, damnit, I⦠Iâm just trying to find my son⦠any way I can.
Jonah sits. SPIDER-MAN STANDS.
180. NARRATOR
That night finds Spider-Man swinging through the cityâ¦
181. PETER (VO)
If I didnât know better, Iâd think Harry was trying to torture me and Gwen. Then again, M.J. is quite the consolation prize. Ah, man, what am I saying? Iâm in love with Gwen. Gwen. Gwendolyn Stacy. Just have to get through the next few weeks and then Harryâll be in a better place, and she and I--
182. NARRATOR
Peteâs ringtone plays Itsy-Bitsy Spider.
183. SPIDER-MAN
Hello?
Robbie STANDS.
184. ROBBIE
Pete. Joe Robertson. Thereâs been an incident at Ravencroft.
Robbie sits.
185. SPIDER-MAN
Uh huh⦠uh huh⦠Wait, whoâs missing? Uh oh. Him too? Oh, crap. Sorry, I mean-- What?! Seriously?! Uh, right. Yeah, Iâll keep my eyes open. Camera lens at the ready. Thanks for the heads up. Bye.
(to himself)
Whoa. At least this day canât get any worse!
SMUGGLER #1 stands.
186. SMUGGLER #1
What the hell are those things?!
187. SPIDER-MAN
When am I gonna learn not to say that out loud?
188. NARRATOR
Spidey swings down to find two men in a van being attacked by two gargoyles, Obsidiana and Zafiroâ¦
ZAFIRO and OBSIDIANA STAND.
189. SPIDER-MAN
Hi there. Hate to interrupt, but this lady-esque-blue-creature-thing matches the description of another lady-esque-blue-creature-thing who just busted some folks out of Ravenâ"
190. ZAFIRO
What is he babbling about?
191. OBSIDIANA
I have no idea. I sense no connection between him and the source of the disturbance. But these twoâ¦
192. SMUGGLER #1
Keep her away from us!!
193. SPIDER-MAN
You see, now Iâm on the horns of a dilemma⦠Uh, no offense. Itâs just an expression; I wasnât referring to your rather striking⦠Never mind. See in this particular Spider-Manâs experience, when genetic misfits attack ordinary human beings, Iâm gonna have to side with the humans.
194. ZAFIRO
Qué sorpresa. A human with no knowledge of the situation leaping to defend one of his own.
195. NARRATOR
Zafiro attacks Spidey.
196. ZAFIRO, SPIDER-MAN
<ad lib battle efforts, impacts>
197. NARRATOR
Obsidiana rips open the top of the van.
198. OBSIDIANA
<rip effort>
199. SMUGGLER #1
Stay back!
200. NARRATOR
The two humans open fire on her, forcing her to leap away⦠The van peels out. Obsidiana tries to follow, but Spidey webs her wings together.
Smuggler #1 sits.
201. OBSIDIANA
Por favor! You donât understand the powers that are gathering!!
202. SPIDER-MAN
And youâre the one doing the Gathering, I take it!
203. OBSIDIANA
No!
204. ZAFIRO
Enough!
205. SPIDER-MAN
<impact grunt>
206. NARRATOR
Zafiro slams Spidey into a wall. By the time the web-slinger recovers, the gargoyles are goneâ¦
Zafiro and Obsidiana sit.
207. SPIDER-MAN
<groan> For a guy with no legs, that snake-thing can moveâ¦
Spider-Man sits. George and MARIA CHAVEZ STAND.
208. NARRATOR
Not far awayâ¦
209. GEORGE
Captain Chavez.
210. CHAVEZ
Captain Stacy. What brings you to whatâs left of the 23rd?
211. GEORGE
Itâs the Ravencroft thing. Iâve got corroborating witnesses telling me a gargoyle was involved.
212. CHAVEZ
<sigh> I miss the days when being a cop didnât involve a working knowledge of The Twilight Zone.
213. GEORGE
Welcome to the Freak Show.
214. CHAVEZ
Anyway, as it happens, the Gargoyle Taskforce is meeting right now. First trailer on the right. Ask for Bluestone.
Chavez sits. MATT BLUESTONE, MORGAN MORGAN, MARGOT YALE and Elisa STAND.
215. NARRATOR
Minutes laterâ¦
216. GEORGE
And thatâs all I knowâ¦
217. MATT
Well, that is interesting, or, you know⦠really, really scary.
218. MORGAN
Iâll say, Detective. With or without a gargoyle, Iâve heard Ock and Electro are bad news. And that Cletus Kasady: he killed five people before--
219. MARGOT
Forget Kasady. Any idiot can bring a serial killer down. Itâs the gargoyle we should be concerned with. Itâs what Iâve been saying all along! Those monsters are dangerous!
220. MATT
I think what A.D.A. Yale is saying, Captain, is that the Taskforce is on it. Weâll let you know if we hear anything. And weâll be checking in with all our sources, wonât we, Detective?
221. ELISA
And fast.
Elisa, Matt, Margot, Morgan and George sit. Smuggler #1 and Demona STAND.
222. NARRATOR
Meanwhile, a van with a torn up roof pulls up to a Gramercy Park Mansion⦠The driver speaks into the intercomâ¦
223. SMUGGLER #1
Longinus sent me.
224. DEMONA
Leave the package. Then take your money and go. While you still can.
225. SMUGGLER #1
Geez, who lives here? Draculaâs daughter?
Smuggler #1 sits. Eddie, John and Cletus STAND.
226. NARRATOR
Demona collects her package.
227. EDDIE
The old guyâs asleep. Whatâs that?
228. DEMONA
A simple wooden shaft. The prize of Adolph Hitlerâs personal collection. After his⦠demise, his remaining followers smuggled it to Brazil. I paid handsomely to have it smuggled to me.
229. EDDIE
Why? I mean sure, itâs the shaft of a spear. Completes the set with that arrowhead you took from Ravencroft. But why do we care?
230. DEMONA
Hereâs why.
231. NARRATOR
Demona joins the spear and spearhead together. Instantly, it radiates incredible power.
232. DEMONA
The Holy Lance. The Spear of Destiny. The weapon that pierced the side of the Christ. Do you still want power, John? This is power.
233. JOHN
Give it to me. Give it!
234. DEMONA
No. This power is mine. But I will use it to give you back your ownâ¦
235. NARRATOR
She points the Spear at John Jameson. The magic surrounds him and transforms him into Colonel Jupiter!
236. COLONEL JUPITER
<transformation scream> Yes! The power is mine! I am Colonel Jupiter!
237. DEMONA
For what thatâs worth⦠Now for Eddie.
238. VENOM
<transformation scream>
239. DEMONA
Happy now?
240. VENOM
Extremely. We are Venom again.
241. DEMONA
And what about you, Cletus?
242. CLETUS
(pointing at Venom)
Iâll have what heâs havingâ¦
243. DEMONA
As you wish⦠Carnage.
244. CARNAGE
<transformation scream>
245. VENOM
All right, Demona. Youâre the Mirror Universe Wizard of Oz. But what now?
246. DEMONA
Mine is the Power. But I still require the Kingdom and the Glory. This is only the first act, humans⦠or whatever you are now. The main event is still to comeâ¦
Demona, VENOM, CARNAGE and COLONEL JUPITER sit.
END ACT ONE
TOMORROW: ACT TWO...
G2008 Radio Play (Chapter VII)
XANATOS, COLDSTEEL & COYOTE STAND.
13. NARRATOR
NOVEMBER 2, 6:46AM EST. Scarab Corp. Coldsteel looks on, as David Xanatos installs a diamond inside Coyote 5.0.
14. COLDSTEEL
And what would that be?
15. XANATOS
Itâs called the Coyote Diamondâ¦
16. NARRATOR
Chapter Seven: The Rock.
17. XANATOS
The stoneâs flawless surfaces and clarity increase the speed of--
18. COLDSTEEL
Iâm sorry I asked.
19. XANATOS
My apologies. Iâm sure youâre much more interested in your own situation.
20. COLDSTEEL
I was under the impression I had free will.
21. XANATOS
And you do. I promise summoning you was a one-time event. On the other hand, your unit does include a built-in tracking device⦠which Iâm happy to deactivateâ¦
22. COLDSTEEL
Permanently?
23. XANATOS
Permanently. All I ask in return is help on one small errand. Are we agreed?
24. COLDSTEEL
We are agreed.
25. COYOTE
Excellent.
XANATOS, COLDSTEEL & COYOTE sit. TALON, SATO, MAGGIE & ELISA STAND.
26. NARRATOR
3:52PM EST. The Labyrinth. Talon cradles Maggie the Cat, as Dr. Jay Sato examines her. Elisa Maza looks on.
27. TALON
How is she, Doc?
28. SATO
Well, her pulse is fine, and her injuries seem to be healing nicelyâ¦
29. MAGGIE
See, Derek, I said you were worried over nothing.
30. SATO
But Iâm a surgeon. Treating someone in Maggieâs⦠âconditionâ is really not my area.
31. ELISA
Not anyoneâs, Dr. Sato. Anyone we dare trust anyway.
32. SATO
Itâs as if youâve revealed a new world to meâ¦
33. ELISA
Yep, youâre a medical pioneer.
34. SATO
Pioneer or not, she needs an O.B.
TALON, SATO, MAGGIE & ELISA sit. Macbeth, BROOKLYN, GOLIATH, BROADWAY, OWEN & Xanatos STAND.
35. NARRATOR
4:50PM EST. Eyrie Building. As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake. NOVEMBER 2, 5:12PM EST. Inside the Great Hall, Macbeth addresses Goliath, Brooklyn, Hudson, Angela, Broadway, Bronx and Lexington.
36. MACBETH
Itâs called the Stone of Destiny. For centuries the kings of Scotland were crowned upon it at Sconeâ¦
37. BROOKLYN
Magic talking stone. Weâve heard of it.
38. MACBETH
Yes, well, the English stole it. Now, after eight hundred years, itâs finally being returned. Iâm asking for your help to ensure it gets to Scotland safely.
39. GOLIATH
Donât you have⦠minions⦠for this?
40. MACBETH
Weâve parted ways. Please, Goliath. Many â" including your landlord â" would stop at nothing to get the Stone.
41. GOLIATH
I have been wounded twice in one week. I am healed â" but not whole. But my second, Brooklyn, can lead Broadway, Lexington and Angela to join your quest.
42. BROADWAY
Yeah, weâre goinâ to Scotland!!
43. MACBETH
Well, England to start with--
44. BROOKLYN
I donât know, Goliath, if youâre recovering, maybe this is the wrong time to send me overseas.
45. GOLIATH
Ah⦠Yes. You are needed here. Hudson may lead this expedition.
46. NARRATOR
Owen, watching the exchange by closed circuit, talks on the phone to Xanatos, whoâs about to board a private plane.
47. OWEN
Yes, Macbeth, Hudson, Broadway, Angela and Lexington⦠Shall I attempt to stop them?
48. XANATOS
That wonât be necessary. I believe Iâve planned for this contingency.
49. NARRATOR
Back in the Great Hall, Angela whispers in Broadwayâs ear.
50. BROADWAY
Uh⦠yeah⦠Manhattanâs dangerous right now. Me and Angelaâll stay too. To help Brooklyn.
51. BROOKLYN
Thatâs great. Thanks.
Macbeth, Brooklyn, Goliath, Broadway, Owen & Xanatos sit. SHARI STANDS.
52. NARRATOR
NOVEMBER 3, 5:29AM EST. Nightstone Unlimited. Shari and Thailog are in Dominique Destineâs office.
53. SHARI
The story is told â" though who can say if it be true â" of two brothers who both loved the same female. And though all strife comes to an end one way or another, some conflicts refuse to stay dead. Xanatos and Demona used science and sorcery to create a monster from fragments of all three gargoyles, their bodies and souls. But in the end, the souls were segregated into Coldstone, Coldfire and Coldsteel. Itâs really a timeless love story.
SHARI sits. Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON STAND.
54. NARRATOR
3:00PM GMT. London. A private jet lands. Customs Officials greet Macbeth, as workers wheel two large crates from the planeâs hold.
55. CUSTOMS OFFICIAL
Lennox Macduff?
56. MACBETH
Yes.
57. CUSTOMS OFFICIAL
Welcome to England, sir. Anything to declare?
58. MACBETH
Works of art for my home in Berkeley Square.
59. CUSTOMS OFFICIAL
Have to have a look in, sir.
60. MACBETH
Of course.
61. NARRATOR
The crates are opened, revealing Lexington and Hudson, frozen in stone. 4:30PM GMT. Macbeth waits on the roof of his Berkeley Square Townhouse for Hudson and Lexington to wake. The sun sets. 5:07PM. Itâs past sunset. Hudson and Lex are STILL frozen in stone. 6:15PM. Night. No change. 7:01PM. Macbeth grows concerned. 7:45PM. Hudson and Lex finally wake.
62. LEXINGTON, HUDSON
<awakening roars>
63. LEXINGTON
Whoa, I donât feel so hot⦠and look how dark it is? How long have we been asleep?
64. MACBETH
Welcome, lad, to the wonderful world of jetlag. Donât worry. Youâve got ten days to adjust before they move the Stone.
Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON sit. Shari, INTERCOM & VINNIE STAND.
65. NARRATOR
NOVEMBER 4, 5:30AM EST. Nightstone. Thailog soaks in a jacuzzi. Shari sits nearby.
66. SHARI
The story is told -- though who can say if it be true-- of Jacob, son of Isaac, son of Abraham⦠who fled the wrath of his brother Esau to a place he would call Bethel, where he laid his head upon a stone and had a wondrous vision!
67. NARRATOR
5:35AM EST. J.F.K.
68. INTERCOM
Flight 994, now boarding all rowsâ¦
69. VINNIE
Can you believe it? Iâm goinâ to Japan!
Shari, Intercom & Vinnie sit. Goliath & Elisa STAND.
70. NARRATOR
9:48PM EST. Goliathâs Tower.
71. GOLIATH
About Halloween⦠I will not hold you to words spoken when you believed my life hung in the balance.
72. ELISA
Even if I want to be held?
73. GOLIATH
I know you care for me. That is not at issue. But what of the things I cannot give you⦠picnics⦠normalcy�
74. ELISA
We can have a picnic anytime⦠and normalcyâs so over-rated.
75. NARRATOR
She runs her fingers through his hair. He takes her into his arms and kisses her.
Goliath & Elisa sit. Shari STANDS.
76. NARRATOR
NOVEMBER 5, 5:31AM EST. Nightstone. Thailog and Shari look out over the city.
77. SHARI
The story is told â" though who can say if it be true â" that Gathelus, a son of the king of Athens, won many victories for the Pharaoh of Egypt, who rewarded the prince with the hand of his beloved: Pharaohâs own daughter, Scota. But Gathelus had also befriended Moses, the Hebrew, who warned his young friends of the plagues to befall the Kingdom of the Nile. Gathelus and Scota determined to leave Egypt, and Moses entrusted them with Jacobâs Pillow, the Hebrewsâ sacred stoneâ¦
78. NARRATOR
NOVEMBER 6, 5:32AM EST. ST. DAMIENâS CATHEDRAL. Thailog, Shari and Brentwood search for something.
79. SHARI
The story is told â" though who can say if it be true â" that Gathelus fled Egypt with his wife and the Stone of the Hebrews. He sought landfall on the rocky shores of Samothrace, for Scota was heavy with child and could go no farther. Still destiny blessed them with fine twin sonsâ¦
80. NARRATOR
6:00AM EST. Thailog flies Shari across the city. Brentwood follows.
81. SHARI
Gathelus and his family would wander the globe for two years before finding a home on the Iberian Peninsula in a place they named the Port of Gathelus, or Portugal. By this time the family had grown: the Athenian prince and Egyptian princess now had four healthy boys in their care not to mention one large Stone.
82. NARRATOR
NOVEMBER 7, 5:33AM EST. Thailog and Shari begin a game of chess.
83. SHARI
The story is told â" though who can say if it be true â" that after the death of her beloved Gathelus, Scota departed Portugal with her eight sons⦠only to lose five of the boys at sea⦠while Scota herself and another son died warriorâs deaths upon landing in Ireland. But her eldest boy, Eremon, and her youngest, Eber Finn, survived, and Eremon was crowned king upon the Stone at Tara.
Shari sits. Xanatos & FOX stand.
84. NARRATOR
2:18PM GMT. Mayfair. Xanatos takes Alexander from Fox.
85. XANATOS
Darling, if you like the shoes, buy themâ¦
86. FOX
The black manolos in the window⦠do you have them in a size nine? Lovely. Wrap them up, please.
87. NARRATOR
2:45PM GMT. Fox exits the store.
88. FOX
Mission accomplished.
89. NARRATOR
7:19PM GMT. Fox admires her new shoes in the full-length mirror of her hotel room. Xanatos admires the shoebox.
90. XANATOS
Darling? Do you still need this shoebox⦠or might I dispose of it?
Xanatos & Fox sit. Shari & THAILOG STAND.
91. NARRATOR
NOVEMBER 8, 5:34AM EST. Nightstone. Thailog and Shari continue their chess game.
92. SHARI
The story is told â" though who can say if it be true â" of Moses, who led the Hebrews out of Egypt and into the desert⦠bringing forth water from Jacobâs Pillow to quench their--
93. THAILOG
You said Moses gave the Stone to Gathelus and Scota before leading the Hebrews out of Egypt!
94. SHARI
The story is toldâ¦
95. THAILOG
<pause> Though who can say if it be true? Right. Continue.
96. SHARI
The Hebrews passed the Stone down the centuries, until the prophet Jeremiah offered it in dowry to King Eochaid of Ireland when he wed Tamar Tea Tephi, Princess of Judah. Eochaid ensconced the Stone at Tara and dubbed it Lia Fáil.
97. NARRATOR
NOVEMBER 9, 5:36AM EST.
98. SHARI
The story is told â" though who can say if it be true â" of Cu Chullain, the Hero of Ulster, who championed Lugaid Red-Stripe for king. But when the Lia Fáil would not cry to confirm Lugaid, Cu Chullain was enraged, striking with Gae Bolga, the Spear of Light, and splitting the Stone of Destiny forever!
99. NARRATOR
NOVEMBER 10, 5:37AM EST. Shari captures Thailogâs white knight with her black bishop.
100. SHARI
The story is told â" though who can say if it be true â" of young Prince Fergus of Ireland, who carried half Cu Chullainâs handiwork to Argyll in what men now call Scotland to found a kingdom called Dalriada. Though a castle called Carbonek found him instead, bringing the Priest-King Pelles and the Archmage Merlin and their request to borrow the Stone of Destiny for a purpose of their own. A purpose fulfilled in Londontown by a sword clepâd Excalibur in a stone clepâd Lia Fáil drawn forth by a boy clepâd Arthur.
101. NARRATOR
NOVEMBER 11, 5:38AM EST. Thailog tips over one of Shariâs black rooks with his white bishop.
102. SHARI
The story is told â" though who can say if it be true â" of Saint Columba, he who tamed the monster of Loch Ness, before returning to the island of Iona, where Merlin and Pelles had brought the Stone once it had served their purposes. And where Columba laid down his head upon Jacobâs Pillow and breathed his last.
103. NARRATOR
NOVEMBER 12, 5:39AM EST. Shariâs Black Queen is lined up to capture Thailogâs White King.
104. SHARI
Check.
105. THAILOG
<growl>
106. SHARI
Would you prefer I lost on purpose?
107. THAILOG
Iâd fire you if you did. Donât you have a story to tell?
108. SHARI
The story is told â" though who can say if it be true â" of Kenneth MacAlpin, scion of Fergus, who united the Kingdoms of Scotland and was crowned High King upon the Stone at Scone. As would all the Heirs of Scota â" for the next four hundred years.
COLDFIRE STANDS.
109. NARRATOR
NOVEMBER 12, 10:00PM GMT. David Xanatos presses a button on a remote control. NOVEMBER 13, 6:01AM GMT+8. TIBET. Inside the old cave, Coldstone and Coldfire stand over Master Dawa and Sangpo. All react to a noise.
110. COLDFIRE
I believe⦠I believe I can find himâ¦
Coldfire sits.
111. NARRATOR
NOVEMBER 13, 5:40AM EST. NIGHTSTONE.
112. SHARI
The story is told â" though who can say if it be true â" of Edward the First of England, the Hammer of the Scots, who sicced his mighty Warwolf on his neighbors to the north and took as prize the Stone of Scone, which he installed in the Coronation Chair at Westminster Abbey, where it has crowned the kings and queens of England down to this very dayâ¦
Shari & Thailog sit. Lexington, Macbeth, Hudson, Arthur, GRIFF, AMP & COCO STAND.
113. NARRATOR
NOVEMBER 13, 5:32PM GMT. Hudson and Lex are atop Victoria Tower. Macbeth is below, in front of Westminster Abbey.
114. LEXINGTON
All clear. No sign of trouble.
115. MACBETH
Not expecting trouble tonight. Theyâre only moving the Stone from the Coronation Chair to the Lantern. It wonât leave the Abbey until tomorrow.
116. HUDSON
Aye, and the human security is tight as a drum. Iâm nae convinced you could break in there with a battering ram.
117. MACBETH
Youâd be surprised.
118. NARRATOR
11:46PM GMT.
119. LEXINGTON
<yawn> Still nothing to report. Who exactly are we expecting?
120. MACBETH
Anyone. Everyone. Just stay alertâ¦
121. NARRATOR
Macbeth spots a shadowy figure and pursues it down into a London Underground Stationâ¦
122. MACBETH
Iâm probably on a wild goose chase, lads. But in case Iâm not, youâd better head this⦠wayâ¦
123. LEXINGTON
That could be a problemâ¦
124. NARRATOR
Arthur Pendragon puts Excalibur to Macbethâs throat. Meanwhile, on Victoria Tower, Hudson and Lex are surrounded by gargoyles.
125. ARTHUR
By the blade of Excalibur, what are you up to now, Macbeth?
126. MACBETH
King Arthur?! Iâm here to protect the Stone of Destiny!
127. ARTHUR
Then our two quests are one and the same!
128. MACBETH
Ayeâ¦
129. ARTHUR, MACBETH (UNISON)
The gargoyles!!
130. MACBETH
Theyâll be at each otherâs throats!!
131. GRIFF
Hudson! Lexington! Bloody lovely to see you again!
132. LEXINGTON
You too, Griff!
133. HUDSON
Aye, lad. The baddunsâll have no chance at that Stone now!
134. NARRATOR
NOVEMBER 14, 5:28AM. Macbeth radios Lex.
135. MACBETH
Itâll soon be dawn. You and Hudson go with Griff. Arthur and I will stand vigil through the day.
Arthur & Macbeth sit.
136. NARRATOR
5:33AM GMT. Griff, Hudson, Lex and the other two gargoyles glide over London.
137. LEXINGTON
Are we headed to Soho? Goliath said you have a store thereâ¦
138. GRIFF
We do. But I thought Iâd take you home instead. To our clan--
139. AMP
To Knightâs Spur!
140. COCO
You know, Griff, I donât believe weâve been properly introduced to your Yank friendsâ¦
141. HUDSON
<Hmph> Watch who youâre callinâ a Yank, lassâ¦
142. GRIFF
Where are my manners? Hudson, Lexington, this is Constance.
143. COCO
My friends call me Coco.
144. GRIFF
And this is Staghart.
145. AMP
My friends call me Amp!
146. COCO
Nobody calls you Amp, luv.
147. LEXINGTON
Iâll call you Amp.
148. NARRATOR
5:40AM.
149. GRIFF
Welcome to Knightâs Spurâ¦
150. NARRATOR
7:20AM. Atop Knightâs Spur, Old Pog, Hudson, Griff, Lex, Amp, Coco and Lunette sleep as stone.
Hudson, Lexington, Griff, Amp & Coco sit. Arthur & Macbeth STAND.
151. NARRATOR
7:48AM. Macbeth and Arthur sip coffee outside a Nightstoneâs café.
152. ARTHUR
â¦Mortally wounded in 542. So they shipped me off to some magic hill and put me to sleep for a thousand four hundred fifty-three years.
153. MACBETH
Sounds lovely.
154. ARTHUR
And you?
155. MACBETH
Deal with a demon in 1040. Officially died in 1057. Been sleepwalking for nine hundred thirty-nine years.
156. ARTHUR
<pause> Guess I got the better bargain.
157. MACBETH
Ach, I try not to dwell these days. So hereâs to the immortals. There arenât many like usâ¦
Arthur & Macbeth sit. Shari STANDS.
158. NARRATOR
NOVEMBER 14, 5:42AM EST. NIGHTSTONE. Shari places her black knight in front of Thailogâs white knight.
159. SHARI
The story is told â" though who can say if it be true â" of Robert the Bruce of Scotland, who defeated the English at Bannockburn with the help of an Irish ally, Cormac MacCarthy. With the victory, came a prize: a fragment of the Fatal Stone that England had taken from Scone. This fragment, the Bruce gave to MacCarthy, whose descendents had it installed at Blarney Castle, where it is said to grant the gift of gab. Iâve kissed it myself a time or twoâ¦
Shari sits. Hudson, Macbeth & Arthur STAND.
160. NARRATOR
NOVEMBER 14, 6:32PM GMT. Knightâs Spur. Hudson, Macbeth and Arthur confer in a book-lined study.
161. HUDSON
Lex, Griff, Constance and Staghart sent you home to rest thenâ¦
162. MACBETH
Aye, Hudson. Weâll catch a few hours sleep then head back out. But youâ¦?
163. HUDSON
I had some questions for the Pendragon. Werenât you on a quest to find your wizard?
164. ARTHUR
Indeed. And Sir Griff and I searched for Merlin in all the obvious places. But to no gain. So Iâve been âdoing researchâ on Merlin⦠and on myself.
165. NARRATOR
Hudson examines a copy of Le Morte DâArthur by Thomas Malory.
166. HUDSON
So many books⦠are any of them true?
167. ARTHUR
All things are true⦠few things are accurate.
168. MACBETH
Aye. No bloody kidding.
169. NARRATOR
Hudson contemplates this.
Hudson, Macbeth & Arthur sit.
Tomorrow, Chapter VIII...
I just rewatched "Avalon", and while I didn't have any trouble understanding the time loop, there were several things about the Archmage's behaviour that I began to find slightly confusing, most of them because from the Archmage's perspective, only about one day seems to have passed since he was the "one-shot villain" from "Long Way to Morning". So I'd like to ask these questions:
1. Did the Archmage ever actually find out that the Magus managed to cure Prince Malcolm's poisoning? If so, did he get that information from Demona?
2. Why does the Archmage feel his revenge won't be complete without Goliath? As far as the Archmage seemingly knows, Hudson is the leader of the gargoyles, and Hudson was the one who decided to go after him and get the Grimorum, resulting in his "death". It just seems to me that someone as arrogant as the Archmage would consider Goliath in 984 an unimportant pawn. Did Goliath do something to the Archmage prior to their encounter in "Long Way to Morning" that would make him hate Goliath more than Hudson and Prince Malcolm?
3. Did the Archmage ever find out the details about how Goliath survived into the 20th century?
Of course, I guess NONE of the plotting in "Avalon" was really the Archmage's idea, since he was merely instructed by his future self and probably didn't want to alter the plan by adding Malcolm or Hudson onto his black list.
1. Probably not, but it doesn't matter. As you noted, he was, by this time, following the plan laid out by his empowered self. His vengeance on Malcolm was no longer relevant.
2. Rewatch "Long Way to Morning". Goliath was the IMMEDIATE cause of his "death".
3. Probably not, but it doesn't matter.
Hi Greg,
If I'm remembering correctly, Elisa and Goliath only figure out that Macbeth and Demona were being controlled by the Weird Sisters when they reach Avalon. So after the events of High Noon, what steps were taken to protect the clock tower, as it appeared that now both Macbeth AND Demona knew where they slept, and could come by any time they felt like it and destroy them when the sun was up? Of course with Macbeth and Demona whisked off to Avalon retaining no memory of what they did, the gargoyles were perfectly safe for the time being--but they didn't know that. Being vulnerable to Xanatos in the same way was the main reason Elisa pushed so hard for the Gargoyles to move house. I know not much time passed between the events of High Noon on Nov. 14th and the day Goliath, Bronx and Elisa went with Tom to Avalon, but the repercussions of those events seem too important for the gargoyles to ignore.
Was anything done to protect the police station's entrance to the clock tower where the gargoyles live? Was it discussed at any length? Just very curious to know how Elisa and Goliath adjusted to this (to them, at least) major breach of home safety.
Thanks!
It's a fair question, but I don't have a really cool answer. I just haven't thought about it. I think they know Macbeth well enough at this point to believe he wouldn't attack them while they slept. But they can't have been as sanguine about Demona, though I suppose I can semi-buy the notion that Goliath would feel that Demona might be willing to kill them in a hundred ways BUT NOT by smashing them while they slept. That doesn't mean it's true, just that Goliath could talk himself into believing it's true. And, as we know, he can be stubborn when he gets an idée fixe.
I hope you don't mind a 'Gargoyles' related question. : )
In "Awakening Part Five" Goliath tells Demona: "There is good and bad in all of us. Human and gargoyle alike. You should know that better than anyone."
Now, at this point, Goliath is unaware of Demona's history of the previous 1000 years and believed she was put under the sleep spell shortly after he had been. So, when he says that Demona should know better than anyone about having good and bad in them, what exactly is he talking about? Is he talking about the information regarding her involvement in the betrayal of Castle Wyvern or is he talking about stuff that happened before then (perhaps what we would've seen in 'Dark Ages')?
The reason I ask is because I am curious if Goliath had already become aware of Demona's dark nature before the Wyvern Massacre.
Thanks Greg!
He's pretty much totally talking about the betrayal here, but the revelation of it may have subconsciously revealed things to him that he hadn't up to that point focused on yet.
Greetings from Spain, Greg :)
I've been gliding through the archives in the hopes of finding something, anything, that can help me remember what my absolutely vital question was las time Ask Greg was open (Ask Greg closed before I could submit it). I'm sure it was something super boring about insights and Gargoyle psychology (especially Goliath's, I find him complex and amazing) but well. I'll have to stick to the rant that went with it and spare you the question :D.
You've heard all kinds of praises and ear-candies about you and the show by now, so I really don't want to be boring and repetitive.But the fact is that more than twelve years after the show was first aired here, I'm still as hooked as I ever was. If not more. I was in college then (imagine, I'll love watching cartoons till the last day :D) and I couldn't believe how good that episode of this Gargoyles thing I randomly caught one day was. I ended up rushing out of classes for the rest of the term, not to miss a single episode more.
You've explained before how you really feel that the story it's out there somewhere, and you tapped into it, somehow. I understand what you mean. It feels that way. Exactly that way.
The characters are so dimensional that they make the story so intense and...well, real. To the point that I'm not only positive about it being the best tv show I've ever seen, but also feels like one of the best readings. Your story is better than 80% of the books I've read in the last, say, 12 years. One almost yearns for something like Gargoyles happening to the world, with the same intensity which half the female population around the world dreams of finding Mr. Darcy... And that is something I truly thank you for.
Goliath and Elisa deserve a special mention. I don't think I've fallen so in love with a fictional couple since..well..Mr. Darcy here and Elizabeth (mm..actually I think I might have subconsciously matched the two brooding heros with the two strong-willed women, even though their stories are so different..). No wonder Elisa couldn't get herself off Goliath's hook and viceversa. And by the way, going through the archives, I read something about clan wind ceremonies on Elisa's dying. I'm amazed, I couldn't even picture it. It's so sad, one or the other dying, that even if intellectually it's something obvious, I really don't want to know that far. Pretty childish of me I guess but, well. I want some things eternal :D
For a Gargoyles unconditional, I guess I was born in the wrong country, lol. But one day, who knows! I just hope Gatherings are still happening.
Thank you so much, Greg, for a lot of reasons. Not only for the show and the comics and being here to feed the beasts from time to time, but for your dedication. For not giving up. For believing in what you do, and therefore allowing some of us to go along for the ride, and end up believing in what WE do (doomed-storyteller here :))
Wish you all the best, Greg, and I really hope you can find soon a way to let the story go on. The clan would want you to ;)
BeLa xx
PS: Just so you know, I showed Awakenings to Tania, a dear friend, and she watched the entire show, plus TGC (which she didn't really enjoy as much, by the way) in less than ten days.
PPS: I hope my english was understandable enough, by the way!
Hey, I'll take all the Jane Austen comparisons (particularly favorable ones) that you want to dish. I'm a big fan. And I'm sure she was (at least) an indirect influence on my work.
And your English is just great. Thanks for all the kind words.
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