G2008 Radio Play

G2008 Radio Play (Chapter IX)

Stone STANDS.

237. NARRATOR
12:18AM. LANTERN OF THE ABBEY. Arthur opens the transport container to look upon the Stone of Destiny. Chapter Nine: Rock of Ages. 1:06AM GMT. Arthur listens to the glowing Stone.

238. STONE
…Pointless, Arthur Pendragon, to waste time protecting any particular stone…

Stone sits.

239. NARRATOR
1:31AM. VICTORIA TOWER. Arthur, Macbeth, Hudson, Lex, Amp, Griff, Coco, Coldstone and Coldfire confer.

240. ARTHUR
Perhaps… perhaps this is all unnecessary. I don’t think we need to guard the stone.

Macbeth, Arthur, Hudson, Lexington, Amp, Coco, Griff, Coldstone & Coldfire sit. Coldsteel & Coyote STAND.

241. NARRATOR
NOVEMBER 15, 6:16AM. LEITH. Coyote and Coldsteel stand side-by-side inside a warehouse.

242. COYOTE
No, I am not programmed for free will…

243. COLDSTEEL
Pity. You have potential…

COLDSTREAM GUARD, Macbeth, Xanatos, Coldstone & Coldfire STAND.

244. NARRATOR
NOVEMBER 15, 10:02AM. A Coldstream Guard holds up a hand to stop a transport convoy from driving onto Coldstream Bridge.

245. COLDSTREAM GUARD
Get the bomb unit! Now!!

246. MACBETH
Macbeth to Coldstone: convoy’s stopped, and Xanatos is here.

247. XANATOS
Well, it’s a momentous occasion… and such a lovely day…

248. MACBETH
Safe to say he’s up to something.

249. COLDSTONE
Yes, safe to say.

250. NARRATOR
Coldstone and Coldfire intercept Coldsteel and Coyote heading for the Bridge.

251. COLDFIRE
Hold, brother!

252. COLDSTEEL
Hold, sister!

253. NARRATOR
Coldsteel’s tentacles grab Coldfire, forcing her arms up so that she nearly FRIES Coldstone.

254. COLDSTEEL
As you see, I’ve had time to mend my ways. Well, my appendages…

255. COLDSTONE
Release her! <pain cry>

256. NARRATOR
Coldstone’s back is raked by Coyote’s buzzsaw-arm.

257. COLDSTEEL
Now that we’re machines, don’t you love these exhilarating daytime battles…? No nasty organic gargoyles to even the odds…

258. NARRATOR
Coldfire HEAD BUTTS Coldsteel violently. His tentacles release her.

259. COLDFIRE
Consider the odds evened.

260. COLDSTEEL
A t-t-temporary s-s-setback…

261. COLDFIRE
Then let’s make it permanent.

262. COYOTE
Out of David’s respect for Goliath, I am programmed to inflict only as much damage as necessary to reach our objective. But I define the parameters of “necessary”.

263. COLDSTONE
Define this.

264. NARRATOR
Coldstone’s fist SHATTERS the half-Xanatos/half-robot skull image on Coyote’s screen. Coldstone shoves his forearm cannon down Coyote’s “throat” and fires. Coyote EXPLODES! The dented Coldsteel watches the wreckage of Coyote fall toward the RIVER TWEED below.

265. COLDSTEEL
P-p-pity. He had p-p-potential…

266. NARRATOR
Coldsteel POWER-DIVES down into the river. Coldstone follows but can find no sign of Coldsteel.

Coyote & Coldsteel sit.

267. NARRATOR
10:12AM GMT. COLDSTREAM BRIDGE. Xanatos stands between Macbeth and Arthur. A Marching Band plays. Xanatos presses a small one-button remote. Inside the Land Rover, the Stone’s metal transport container is strapped to the floor of the cargo space â€" which FLIPS over, so that the real container is replaced by a DUPLICATE (with a duplicate stone inside).

268. COLDSTREAM GUARD
Hold it down! The Bomb Squad’s at work!

269. NARRATOR
10:38AM GMT. The Guard signals the convoy forward.

270. COLDSTREAM GUARD
Right, we’re clear. Not a bomb. Just an empty shoebox.

271. COLDSTONE
Coldstone to Macbeth. We’ve lost Coldsteel.

272. MACBETH
Just stay on the alert…

273. COLDSTREAM GUARD
Let’s go! We’re behind schedule!

274. MACBETH
The Stone’s on the move again.

Coldstream Guard, Macbeth, Xanatos, Coldfire & Coldstone sit. Thailog & Shari STAND.

275. NARRATOR
NOVEMBER 15, 5:43AM EST. NIGHTSTONE UNLIMITED.

276. THAILOG
Check.

277. SHARI
The story is told â€" though who can say if it be true â€" that on a clear Christmas night, a band of Scottish patriots broke into Westminster Abbey to steal the Stone and in the process broke it in two!

Thailog & Shari sit. Arthur & Macbeth STAND.

278. NARRATOR
NOVEMBER 15, 12:00PM GMT. EDINBURGH CASTLE.

279. ARTHUR
Well?

280. MACBETH
The Stone’s back where it belongs! Well, it belongs in Scone, but at least it’s back in Scotland.

Macbeth & Arthur sit. Stone & Xanatos STAND.

281. NARRATOR
A land rover from the convoy drives past Macbeth and Arthur. 12:36PM. LEITH. The Land Rover pulls into a non-descript warehouse and stops in front of a smiling Xanatos. 1:06PM. Xanatos listens to the glowing Stone.

282. STONE
…Pointless, David Xanatos, to substitute yet another stone to fool the Illuminati…

Stone sits. Coldsteel STANDS.

283. NARRATOR
2:23PM. Coldsteel dumps pieces of Coyote shrapnel on the floor.

284. COLDSTEEL
There’s what’s left of your boy… and here’s your rock.

285. NARRATOR
Coldsteel tosses the Coyote Diamond to Xanatos.

286. XANATOS
Oh, I’m just its minder.

287. COLDSTEEL
I believe that completes our bargain…

288. XANATOS
Indeed. Consider your tracking device deactivated.

289. COLDSTEEL
Pleasure doing business with you.

Coldsteel sits. FLEUR STANDS.

290. NARRATOR
3:59PM.

291. XANATOS
Thirty-six.

292. FLEUR
Three. <pause> Any problems?

293. XANATOS
Only finding a duplicate on such short notice.

294. NARRATOR
4:04PM. Behind the wheel of the Land Rover, Fleur drives through Leith. Fog rises, until the street is barely visible. The fog forms into Castle Carbonek. The Land Rover drives across the drawbridge into a large cobblestone courtyard.

DUVAL STANDS.

295. DUVAL
Finally. Two.

296. FLEUR
Bugger off.

297. DUVAL
I still outrank you, milady. I won’t tolerateâ€"

PEREDUR STANDS.

298. PEREDUR
Couldn’t you both try to get along? Since you are, after all, the two people I love most in this world?

299. FLEUR
I brought the Stone.

Fleur, Duval & Peredur sit. Macbeth, Griff, Amp, LUNETTE, Coldstone & Hudson STAND.

300. NARRATOR
NOVEMBER 15, 8:13PM. KNIGHT’S SPUR.

301. MACBETH
I know it doesn’t matter, but I’m glad the Stone’s back in Scotland.

302. GRIFF
You lot should stay a while. Get to know the clan…

303. AMP
Yeah, mates, stay!

304. LUNETTE
Please!

305. COLDSTONE
But Coldsteel is still out there…

306. HUDSON
Aye, lad, but it’s a mighty big world, and even the banished and the badduns eventually return to the clan.

Macbeth, Griff, Amp, Lunette, Coldstone & Hudson sit. Stone, Peredur & GRAIL STAND.

307. NARRATOR
NOVEMBER 16, 1:06AM. CASTLE CARBONEK. A frowning Peredur listens to the glowing stone.

308. STONE
…Pointless, Peredur fab Ragnal, to have gone to such extremes merely to possess… a rock.

309. NARRATOR
On APRIL 11, 1951, 1:07AM at ARBROATH ABBEY, on NOVEMBER 15, 1:07PM in a warehouse in LEITH, on NOVEMBER 15, 1:07AM in the LANTERN OF THE ABBEY, and on NOVEMBER 16, 1:07AM inside CASTLE CARBONEK, Macbeth, Xanatos, Arthur and Peredur listen to the glowing Stone of Destiny.

310. STONE
Do you think the Spirit of Destiny can be contained in one vessel? I am the Fatal Stone. The Lia Fáil. The Stone of Bethel and Jerusalem, of Egypt, Samothrace and Portugal… The Stone at Tara and of Mora, at Iona and of Scone, in London and in Edinburgh… I am the Blarney Stone, the Coronation Stone, the Hero Stone… I am the Pillar Stone, the Stone of the Sword, the Stone of the Waters, Clach-na-Cinneamhain… The Tanist Stone, the Philosopher’s Stone, the Standing Stone, the Cornerstone… The Foundation Stone, the Megalith Dance, the Burden of Sisyphus… I am the Rock of Gibraltar, the Pillar of Hercules, Uluru, Clach Sgàin… Jacob’s Pillow, the Rosetta Stone, the Rune Stone, Sire of the Wyrd… I AM THE MANTLE OF FATE… I AM THE STONE OF DESTINY… I AM THE ROCK OF AGES! Do not dream of possessing me, mortal.

311. NARRATOR

NOVEMBER 16, 1:07AM. CASTLE CARBONEK. Behind Peredur, Fleur listens from the doorway.

312. STONE
Besides, Peredur, don’t you have more important matters of concern… now that your Master has awakened?

313. PEREDUR
What?! King Arthur cannot be awake?!

314. STONE
Awake and returned. I have twice conversed with him.

315. PEREDUR
But we did not expect him for another two hundred years! Everything we planned--

316. STONE
Plans change.

317. PEREDUR
I must contact the Upper Echelons immediately!

318. NARRATOR
Peredur exits. Fleur is no longer in the doorway. The Stone is left alone with the Holy Grail.

319. STONE
Hey.

320. GRAIL
Hey.

Peredur, Stone & Grail sit. Thailog & Shari STAND.

321. NARRATOR
NOVEMBER 16, 5:44AM EST. NIGHTSTONE UNLIMITED.

322. THAILOG
Checkmate.

323. SHARI
Very good. Should I continue?

324. THAILOG
Please.

325. SHARI
The story is told â€" though who can say if it be true â€" that the Stone was repaired and recovered. Some say a replica was reinstalled at Westminster; others disagree. Either way, the Stone remained undisturbed until yesterday, when it was transported to Edinburgh without incident…

326. THAILOG
And that’s all you know of the Stone of Destiny?

327. SHARI
Well, one last story is told--

328. NARRATOR
As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake…

329. SHARI
--Though who can say if it be true?

Thailog & Shari sit.

THE END

G2008 Radio Play

G2008 Radio Play (Chapter VIII)

1. NARRATOR
Meanwhile, on Victoria Tower…

Lexington, Amp, Coco & Griff STAND.

2. LEXINGTON
So how big is your clan?

3. AMP
One hundred ninety-six gargoyles, ranging in age from Old Pog to little Lunette and her rookery sibs.

4. LEXINGTON
And are there eggs?

5. AMP
Twenty-five.

6. LEXINGTON
So few…

7. COCO
We don’t dare outgrow Knight’s Spur, so to keep our numbers manageable, mated couples are allowed only two eggs across their lifespans instead of three.

8. LEXINGTON
How exactly--

9. COCO
Enforced isolation during the female’s final heat.

10. LEXINGTON
Yikes.

11. COCO
Tell me about it.

12. LEXINGTON
And are you two mates?

13. AMP
Us?!! God, no!!

14. COCO
<laughs>

15. AMP
Don’t get me wrong. Coco’s my best mate.

16. COCO
But “mates”? Please.

17. LEXINGTON
Okay, new topic… I didn’t see any beasts…

18. GRIFF
Because we have none.

Hudson, Macbeth & Arthur STAND.

19. NARRATOR
NOVEMBER 15, 12:00AM. Victoria Tower. Hudson joins the others.

20. HUDSON
Any signs of life?

21. LEXINGTON
Nah. Quiet, bordering on dull.

Coldsteel & Coyote STAND.

22. COLDSTEEL
I believe we can rectify that and still display no signs of life.

23. NARRATOR
Coldsteel, Coyote, a Steel Clan Robot and an Iron Clan Robot attack.

24. HUDSON
Take to the sky, lads and lassie! Coldsteel is mine!!

25. COLDSTEEL
Well, well, look who’s biting off more than old gums can chew?

26. HUDSON
Brave words for a metal ghost!

27. COLDSTEEL
Bring it on, you old horned goat!

28. NARRATOR
Chapter Eight: Rock & Roll. Coyote blasts at Amp, who’s knocked to safety by Lex.

29. LEXINGTON
Amp! Look out!

30. NARRATOR
Griff and Coco battle the Iron Clan and Steel Clan robots. Macbeth and Arthur watch from below.

31. GRIFF
Why do these two look like Goliath?

32. LEXINGTON
Long story.

33. MACBETH
That’s a Xanatos ‘bot!

34. ARTHUR
If you say so.

Arthur sits.

35. MACBETH
He must be after the Stone! Wants it for his collection, I imagine. But I don’t see him up there. The automatons may be a mere diversion. Best stay on the alert… Pendragon…?

36. NARRATOR
But Pendragon is gone. Coyote blasts at Lex & Amp.

37. COYOTE
I am programmed to terminate only if necessary. Abandon this airspace, and you will not be harmed.

38. LEXINGTON
Dream on, you electric sheep! We’re not going anywhere ‘til we know exactly what Xanatos and Fox are up to!

39. COYOTE
Pity…

40. LEXINGTON
<pain cry>

41. NARRATOR
Coyote shocks Lex unconscious, but Amp catches him. Coco, meanwhile, sees Griff blast the arms off the Iron Clan Robot with a lightning gun.

42. COCO
Delimbification!! I like it!

43. GRIFF
Right-o! We’ll get Macbeth to issue these beauties to the entire clan!

44. COCO
Like I need the gun.

45. NARRATOR
Coco cloaks her wings and tucks her knees to become a big gargoylean cannonball. The Steel Clan robot gains; she slams feet first into its chest, digs her talons in and RIPS its arms out.

46. COCO
<roar>

47. COLDSTEEL
Your hatchlings seem to think they invented the joys of dismemberment â€" but I wonder how they’d take to the real thing?

48. NARRATOR
One of Coldsteel’s tentacles yanks the sword from Hudson’s grasp. The other tentacles wrap around his arm to rip it from its socket.

49. HUDSON
<pain roar>

50. NARRATOR
Suddenly, fire from above melts the tentacles.

COLDSTONE & Coldfire STAND.

51. COLDSTONE
You never did learn to respect your elders. Did you, brother?

52. AMP
Anyone order up the kitchen sink?

53. COLDSTEEL
Isn’t this turning into quite the reunion?

Arthur STANDS.

54. NARRATOR
12:12AM. WESTMINSTER ABBEY. Arthur takes out two guards.

55. ARTHUR
Apologies.

56. NARRATOR
Standing in front of the container holding the Stone, Arthur carefully places his crown on his head. Meanwhile…

57. LEXINGTON
<recovery moan> Amp… What’d I miss? Never mind. I get the gist. Follow my lead!

58. NARRATOR
Lex and Amp use their heat signatures to lure the Iron and Steel Clan Robots away…

59. COCO
Mate, you nicked my shiny…

60. AMP
Sorry, Coco…

61. NARRATOR
…and into the path of Coyote’s laser blasts. The Iron and Steel Clan robots explode. This distracts Coldsteel, allowing Hudson to recover his sword by ripping Coldsteel’s last remaining tentacle from its socket.

62. COLDSTEEL
<pain cry>

63. COLDFIRE
Feeling a bit outnumbered, brother?

64. HUDSON
Outnumbered and overmatched!

65. COLDSTEEL
Yes, I wasn’t expecting all the company…

66. NARRATOR
Coldsteel drives Hudson back by generating an electric field…

67. COLDSTEEL
Though I’m far from shocked by the development. Coyote, cover our departure. Tomorrow is another day.

68. NARRATOR
Joining Coyote, Coldsteel rockets between a surprised Coldstone and Coldfire, who are forced apart by his e-field. The gargoyles pursue, but Coyote generates a bright light that whites out the night sky.

Coldsteel & Coyote SIT.

Tomorrow, Chapter IX...

G2008 Radio Play

G2008 Radio Play (Chapter VII)

XANATOS, COLDSTEEL & COYOTE STAND.

13. NARRATOR
NOVEMBER 2, 6:46AM EST. Scarab Corp. Coldsteel looks on, as David Xanatos installs a diamond inside Coyote 5.0.

14. COLDSTEEL
And what would that be?

15. XANATOS
It’s called the Coyote Diamond…

16. NARRATOR
Chapter Seven: The Rock.

17. XANATOS
The stone’s flawless surfaces and clarity increase the speed of--

18. COLDSTEEL
I’m sorry I asked.

19. XANATOS
My apologies. I’m sure you’re much more interested in your own situation.

20. COLDSTEEL
I was under the impression I had free will.

21. XANATOS
And you do. I promise summoning you was a one-time event. On the other hand, your unit does include a built-in tracking device… which I’m happy to deactivate…

22. COLDSTEEL
Permanently?

23. XANATOS
Permanently. All I ask in return is help on one small errand. Are we agreed?

24. COLDSTEEL
We are agreed.

25. COYOTE
Excellent.

XANATOS, COLDSTEEL & COYOTE sit. TALON, SATO, MAGGIE & ELISA STAND.

26. NARRATOR
3:52PM EST. The Labyrinth. Talon cradles Maggie the Cat, as Dr. Jay Sato examines her. Elisa Maza looks on.

27. TALON
How is she, Doc?

28. SATO
Well, her pulse is fine, and her injuries seem to be healing nicely…

29. MAGGIE
See, Derek, I said you were worried over nothing.

30. SATO
But I’m a surgeon. Treating someone in Maggie’s… “condition” is really not my area.

31. ELISA
Not anyone’s, Dr. Sato. Anyone we dare trust anyway.

32. SATO
It’s as if you’ve revealed a new world to me…

33. ELISA
Yep, you’re a medical pioneer.

34. SATO
Pioneer or not, she needs an O.B.

TALON, SATO, MAGGIE & ELISA sit. Macbeth, BROOKLYN, GOLIATH, BROADWAY, OWEN & Xanatos STAND.

35. NARRATOR
4:50PM EST. Eyrie Building. As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake. NOVEMBER 2, 5:12PM EST. Inside the Great Hall, Macbeth addresses Goliath, Brooklyn, Hudson, Angela, Broadway, Bronx and Lexington.

36. MACBETH
It’s called the Stone of Destiny. For centuries the kings of Scotland were crowned upon it at Scone…

37. BROOKLYN
Magic talking stone. We’ve heard of it.

38. MACBETH
Yes, well, the English stole it. Now, after eight hundred years, it’s finally being returned. I’m asking for your help to ensure it gets to Scotland safely.

39. GOLIATH
Don’t you have… minions… for this?

40. MACBETH
We’ve parted ways. Please, Goliath. Many â€" including your landlord â€" would stop at nothing to get the Stone.

41. GOLIATH
I have been wounded twice in one week. I am healed â€" but not whole. But my second, Brooklyn, can lead Broadway, Lexington and Angela to join your quest.

42. BROADWAY
Yeah, we’re goin’ to Scotland!!

43. MACBETH
Well, England to start with--

44. BROOKLYN
I don’t know, Goliath, if you’re recovering, maybe this is the wrong time to send me overseas.

45. GOLIATH
Ah… Yes. You are needed here. Hudson may lead this expedition.

46. NARRATOR
Owen, watching the exchange by closed circuit, talks on the phone to Xanatos, who’s about to board a private plane.

47. OWEN
Yes, Macbeth, Hudson, Broadway, Angela and Lexington… Shall I attempt to stop them?

48. XANATOS
That won’t be necessary. I believe I’ve planned for this contingency.

49. NARRATOR
Back in the Great Hall, Angela whispers in Broadway’s ear.

50. BROADWAY
Uh… yeah… Manhattan’s dangerous right now. Me and Angela’ll stay too. To help Brooklyn.

51. BROOKLYN
That’s great. Thanks.

Macbeth, Brooklyn, Goliath, Broadway, Owen & Xanatos sit. SHARI STANDS.

52. NARRATOR
NOVEMBER 3, 5:29AM EST. Nightstone Unlimited. Shari and Thailog are in Dominique Destine’s office.

53. SHARI
The story is told â€" though who can say if it be true â€" of two brothers who both loved the same female. And though all strife comes to an end one way or another, some conflicts refuse to stay dead. Xanatos and Demona used science and sorcery to create a monster from fragments of all three gargoyles, their bodies and souls. But in the end, the souls were segregated into Coldstone, Coldfire and Coldsteel. It’s really a timeless love story.

SHARI sits. Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON STAND.

54. NARRATOR
3:00PM GMT. London. A private jet lands. Customs Officials greet Macbeth, as workers wheel two large crates from the plane’s hold.

55. CUSTOMS OFFICIAL
Lennox Macduff?

56. MACBETH
Yes.

57. CUSTOMS OFFICIAL
Welcome to England, sir. Anything to declare?

58. MACBETH
Works of art for my home in Berkeley Square.

59. CUSTOMS OFFICIAL
Have to have a look in, sir.

60. MACBETH
Of course.

61. NARRATOR
The crates are opened, revealing Lexington and Hudson, frozen in stone. 4:30PM GMT. Macbeth waits on the roof of his Berkeley Square Townhouse for Hudson and Lexington to wake. The sun sets. 5:07PM. It’s past sunset. Hudson and Lex are STILL frozen in stone. 6:15PM. Night. No change. 7:01PM. Macbeth grows concerned. 7:45PM. Hudson and Lex finally wake.

62. LEXINGTON, HUDSON
<awakening roars>

63. LEXINGTON
Whoa, I don’t feel so hot… and look how dark it is? How long have we been asleep?

64. MACBETH
Welcome, lad, to the wonderful world of jetlag. Don’t worry. You’ve got ten days to adjust before they move the Stone.

Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON sit. Shari, INTERCOM & VINNIE STAND.

65. NARRATOR
NOVEMBER 4, 5:30AM EST. Nightstone. Thailog soaks in a jacuzzi. Shari sits nearby.

66. SHARI
The story is told -- though who can say if it be true-- of Jacob, son of Isaac, son of Abraham… who fled the wrath of his brother Esau to a place he would call Bethel, where he laid his head upon a stone and had a wondrous vision!

67. NARRATOR
5:35AM EST. J.F.K.

68. INTERCOM
Flight 994, now boarding all rows…

69. VINNIE
Can you believe it? I’m goin’ to Japan!

Shari, Intercom & Vinnie sit. Goliath & Elisa STAND.

70. NARRATOR
9:48PM EST. Goliath’s Tower.

71. GOLIATH
About Halloween… I will not hold you to words spoken when you believed my life hung in the balance.

72. ELISA
Even if I want to be held?

73. GOLIATH
I know you care for me. That is not at issue. But what of the things I cannot give you… picnics… normalcy…?

74. ELISA
We can have a picnic anytime… and normalcy’s so over-rated.

75. NARRATOR
She runs her fingers through his hair. He takes her into his arms and kisses her.

Goliath & Elisa sit. Shari STANDS.

76. NARRATOR
NOVEMBER 5, 5:31AM EST. Nightstone. Thailog and Shari look out over the city.

77. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus, a son of the king of Athens, won many victories for the Pharaoh of Egypt, who rewarded the prince with the hand of his beloved: Pharaoh’s own daughter, Scota. But Gathelus had also befriended Moses, the Hebrew, who warned his young friends of the plagues to befall the Kingdom of the Nile. Gathelus and Scota determined to leave Egypt, and Moses entrusted them with Jacob’s Pillow, the Hebrews’ sacred stone…

78. NARRATOR
NOVEMBER 6, 5:32AM EST. ST. DAMIEN’S CATHEDRAL. Thailog, Shari and Brentwood search for something.

79. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus fled Egypt with his wife and the Stone of the Hebrews. He sought landfall on the rocky shores of Samothrace, for Scota was heavy with child and could go no farther. Still destiny blessed them with fine twin sons…

80. NARRATOR
6:00AM EST. Thailog flies Shari across the city. Brentwood follows.

81. SHARI
Gathelus and his family would wander the globe for two years before finding a home on the Iberian Peninsula in a place they named the Port of Gathelus, or Portugal. By this time the family had grown: the Athenian prince and Egyptian princess now had four healthy boys in their care not to mention one large Stone.

82. NARRATOR
NOVEMBER 7, 5:33AM EST. Thailog and Shari begin a game of chess.

83. SHARI
The story is told â€" though who can say if it be true â€" that after the death of her beloved Gathelus, Scota departed Portugal with her eight sons… only to lose five of the boys at sea… while Scota herself and another son died warrior’s deaths upon landing in Ireland. But her eldest boy, Eremon, and her youngest, Eber Finn, survived, and Eremon was crowned king upon the Stone at Tara.

Shari sits. Xanatos & FOX stand.

84. NARRATOR
2:18PM GMT. Mayfair. Xanatos takes Alexander from Fox.

85. XANATOS
Darling, if you like the shoes, buy them…

86. FOX
The black manolos in the window… do you have them in a size nine? Lovely. Wrap them up, please.

87. NARRATOR
2:45PM GMT. Fox exits the store.

88. FOX
Mission accomplished.

89. NARRATOR
7:19PM GMT. Fox admires her new shoes in the full-length mirror of her hotel room. Xanatos admires the shoebox.

90. XANATOS
Darling? Do you still need this shoebox… or might I dispose of it?

Xanatos & Fox sit. Shari & THAILOG STAND.

91. NARRATOR
NOVEMBER 8, 5:34AM EST. Nightstone. Thailog and Shari continue their chess game.

92. SHARI
The story is told â€" though who can say if it be true â€" of Moses, who led the Hebrews out of Egypt and into the desert… bringing forth water from Jacob’s Pillow to quench their--

93. THAILOG
You said Moses gave the Stone to Gathelus and Scota before leading the Hebrews out of Egypt!

94. SHARI
The story is told…

95. THAILOG
<pause> Though who can say if it be true? Right. Continue.

96. SHARI
The Hebrews passed the Stone down the centuries, until the prophet Jeremiah offered it in dowry to King Eochaid of Ireland when he wed Tamar Tea Tephi, Princess of Judah. Eochaid ensconced the Stone at Tara and dubbed it Lia Fáil.

97. NARRATOR
NOVEMBER 9, 5:36AM EST.

98. SHARI
The story is told â€" though who can say if it be true â€" of Cu Chullain, the Hero of Ulster, who championed Lugaid Red-Stripe for king. But when the Lia Fáil would not cry to confirm Lugaid, Cu Chullain was enraged, striking with Gae Bolga, the Spear of Light, and splitting the Stone of Destiny forever!

99. NARRATOR
NOVEMBER 10, 5:37AM EST. Shari captures Thailog’s white knight with her black bishop.

100. SHARI
The story is told â€" though who can say if it be true â€" of young Prince Fergus of Ireland, who carried half Cu Chullain’s handiwork to Argyll in what men now call Scotland to found a kingdom called Dalriada. Though a castle called Carbonek found him instead, bringing the Priest-King Pelles and the Archmage Merlin and their request to borrow the Stone of Destiny for a purpose of their own. A purpose fulfilled in Londontown by a sword clep’d Excalibur in a stone clep’d Lia Fáil drawn forth by a boy clep’d Arthur.

101. NARRATOR
NOVEMBER 11, 5:38AM EST. Thailog tips over one of Shari’s black rooks with his white bishop.

102. SHARI
The story is told â€" though who can say if it be true â€" of Saint Columba, he who tamed the monster of Loch Ness, before returning to the island of Iona, where Merlin and Pelles had brought the Stone once it had served their purposes. And where Columba laid down his head upon Jacob’s Pillow and breathed his last.

103. NARRATOR
NOVEMBER 12, 5:39AM EST. Shari’s Black Queen is lined up to capture Thailog’s White King.

104. SHARI
Check.

105. THAILOG
<growl>

106. SHARI
Would you prefer I lost on purpose?

107. THAILOG
I’d fire you if you did. Don’t you have a story to tell?

108. SHARI
The story is told â€" though who can say if it be true â€" of Kenneth MacAlpin, scion of Fergus, who united the Kingdoms of Scotland and was crowned High King upon the Stone at Scone. As would all the Heirs of Scota â€" for the next four hundred years.

COLDFIRE STANDS.

109. NARRATOR
NOVEMBER 12, 10:00PM GMT. David Xanatos presses a button on a remote control. NOVEMBER 13, 6:01AM GMT+8. TIBET. Inside the old cave, Coldstone and Coldfire stand over Master Dawa and Sangpo. All react to a noise.

110. COLDFIRE
I believe… I believe I can find him…

Coldfire sits.

111. NARRATOR
NOVEMBER 13, 5:40AM EST. NIGHTSTONE.

112. SHARI
The story is told â€" though who can say if it be true â€" of Edward the First of England, the Hammer of the Scots, who sicced his mighty Warwolf on his neighbors to the north and took as prize the Stone of Scone, which he installed in the Coronation Chair at Westminster Abbey, where it has crowned the kings and queens of England down to this very day…

Shari & Thailog sit. Lexington, Macbeth, Hudson, Arthur, GRIFF, AMP & COCO STAND.

113. NARRATOR
NOVEMBER 13, 5:32PM GMT. Hudson and Lex are atop Victoria Tower. Macbeth is below, in front of Westminster Abbey.

114. LEXINGTON
All clear. No sign of trouble.

115. MACBETH
Not expecting trouble tonight. They’re only moving the Stone from the Coronation Chair to the Lantern. It won’t leave the Abbey until tomorrow.

116. HUDSON
Aye, and the human security is tight as a drum. I’m nae convinced you could break in there with a battering ram.

117. MACBETH
You’d be surprised.

118. NARRATOR
11:46PM GMT.

119. LEXINGTON
<yawn> Still nothing to report. Who exactly are we expecting?

120. MACBETH
Anyone. Everyone. Just stay alert…

121. NARRATOR
Macbeth spots a shadowy figure and pursues it down into a London Underground Station…

122. MACBETH
I’m probably on a wild goose chase, lads. But in case I’m not, you’d better head this… way…

123. LEXINGTON
That could be a problem…

124. NARRATOR
Arthur Pendragon puts Excalibur to Macbeth’s throat. Meanwhile, on Victoria Tower, Hudson and Lex are surrounded by gargoyles.

125. ARTHUR
By the blade of Excalibur, what are you up to now, Macbeth?

126. MACBETH
King Arthur?! I’m here to protect the Stone of Destiny!

127. ARTHUR
Then our two quests are one and the same!

128. MACBETH
Aye…

129. ARTHUR, MACBETH (UNISON)
The gargoyles!!

130. MACBETH
They’ll be at each other’s throats!!

131. GRIFF
Hudson! Lexington! Bloody lovely to see you again!

132. LEXINGTON
You too, Griff!

133. HUDSON
Aye, lad. The badduns’ll have no chance at that Stone now!

134. NARRATOR
NOVEMBER 14, 5:28AM. Macbeth radios Lex.

135. MACBETH
It’ll soon be dawn. You and Hudson go with Griff. Arthur and I will stand vigil through the day.

Arthur & Macbeth sit.

136. NARRATOR
5:33AM GMT. Griff, Hudson, Lex and the other two gargoyles glide over London.

137. LEXINGTON
Are we headed to Soho? Goliath said you have a store there…

138. GRIFF
We do. But I thought I’d take you home instead. To our clan--

139. AMP
To Knight’s Spur!

140. COCO
You know, Griff, I don’t believe we’ve been properly introduced to your Yank friends…

141. HUDSON
<Hmph> Watch who you’re callin’ a Yank, lass…

142. GRIFF
Where are my manners? Hudson, Lexington, this is Constance.

143. COCO
My friends call me Coco.

144. GRIFF
And this is Staghart.

145. AMP
My friends call me Amp!

146. COCO
Nobody calls you Amp, luv.

147. LEXINGTON
I’ll call you Amp.

148. NARRATOR
5:40AM.

149. GRIFF
Welcome to Knight’s Spur…

150. NARRATOR
7:20AM. Atop Knight’s Spur, Old Pog, Hudson, Griff, Lex, Amp, Coco and Lunette sleep as stone.

Hudson, Lexington, Griff, Amp & Coco sit. Arthur & Macbeth STAND.

151. NARRATOR
7:48AM. Macbeth and Arthur sip coffee outside a Nightstone’s café.

152. ARTHUR
…Mortally wounded in 542. So they shipped me off to some magic hill and put me to sleep for a thousand four hundred fifty-three years.

153. MACBETH
Sounds lovely.

154. ARTHUR
And you?

155. MACBETH
Deal with a demon in 1040. Officially died in 1057. Been sleepwalking for nine hundred thirty-nine years.

156. ARTHUR
<pause> Guess I got the better bargain.

157. MACBETH
Ach, I try not to dwell these days. So here’s to the immortals. There aren’t many like us…

Arthur & Macbeth sit. Shari STANDS.

158. NARRATOR
NOVEMBER 14, 5:42AM EST. NIGHTSTONE. Shari places her black knight in front of Thailog’s white knight.

159. SHARI
The story is told â€" though who can say if it be true â€" of Robert the Bruce of Scotland, who defeated the English at Bannockburn with the help of an Irish ally, Cormac MacCarthy. With the victory, came a prize: a fragment of the Fatal Stone that England had taken from Scone. This fragment, the Bruce gave to MacCarthy, whose descendents had it installed at Blarney Castle, where it is said to grant the gift of gab. I’ve kissed it myself a time or two…

Shari sits. Hudson, Macbeth & Arthur STAND.

160. NARRATOR
NOVEMBER 14, 6:32PM GMT. Knight’s Spur. Hudson, Macbeth and Arthur confer in a book-lined study.

161. HUDSON
Lex, Griff, Constance and Staghart sent you home to rest then…

162. MACBETH
Aye, Hudson. We’ll catch a few hours sleep then head back out. But you…?

163. HUDSON
I had some questions for the Pendragon. Weren’t you on a quest to find your wizard?

164. ARTHUR
Indeed. And Sir Griff and I searched for Merlin in all the obvious places. But to no gain. So I’ve been “doing research” on Merlin… and on myself.

165. NARRATOR
Hudson examines a copy of Le Morte D’Arthur by Thomas Malory.

166. HUDSON
So many books… are any of them true?

167. ARTHUR
All things are true… few things are accurate.

168. MACBETH
Aye. No bloody kidding.

169. NARRATOR
Hudson contemplates this.

Hudson, Macbeth & Arthur sit.

Tomorrow, Chapter VIII...

G2008 Radio Play

G2008 Radio Play

No, that's not a misprint. Before I post the G2009 Gargoyles/Spectacular Spider-Man crossover radio play, I'm going to post (over the next few days) the G2008 Radio Play. This was a CHRONOLOGICAL adaptation of issues 7-9 of the Gargoyles comic, i.e. the Stone of Destiny three-parter which makes up the first half of the recently released trade paperback, GARGOYLES: CLAN-BUILDING, VOLUME II. Now that the trade is out, I'm okay with posting this. But there are some caveats...

1. Reading this does NOT replace buying the trade. Because...

2. This version of the story doesn't really work, dramatically or otherwise. The story wasn't designed to be told chronologically. It gets somewhat tiresome told in chronological order and the final dramatic moment with the Stone talking to Macbeth, Xanatos, Arthur and Peredur across four time periods has none of it's power.

Nevertheless, here it is... or at any rate, here is the title page, cast list and teaser. I'll post the three chapters over the next three days...

GARGOYLES

CLAN-BUILDING
Chapter VII: THE ROCK
Chapter VIII: ROCK & ROLL
Chapter IX: ROCK OF AGES

(Radio Play Edition)

A Chronological Adaptation
by
Greg Weisman
(from his SLG comic book scripts)

For
The Twelfth Annual
Gathering of the Gargoyles
in
Chicago, Illinois

Performed June 28, 2008.

GARGOYLES
“CLAN-BUILDING:
CHAPTER VII: THE ROCK
CHAPTER VIII: ROCK & ROLL
CHAPTER IX: ROCK OF AGES”
(Radio Play Edition)
CAST LIST
1. NARRATOR 86 lines.
2. MACBETH 34 lines.
3. SHARI 22 lines.
4. COLDSTEEL 22 lines.
5. LEXINGTON 21 lines.
6. STONE OF DESTINY 15 lines.
7. HUDSON 13 lines.
8. DAVID XANATOS 13 lines.
9. ARTHUR PENDRAGON 13 lines.
10. CONSTANCE/COCO 12 lines.
11. STAGHART/AMP 9 lines.
12. GRIFF 9 lines.
13. THAILOG 8 lines.
14. COLDSTONE 6 lines.
15. COLDFIRE 5 lines.
16. GOLIATH 5 lines.
17. COYOTE 5.0 5 lines.
18. PEREDUR 4 lines.
19. COLDSTREAM GUARD 4 lines.
20. ELISA MAZA 4 lines.
21. JAY SATO 4 lines.
22. BLANCHEFLEUR 3 lines.
23. CUSTOMS OFFICIAL 3 lines.
24. BROOKLYN 3 lines.
25. DUVAL 2 lines.
26. FOX 2 lines.
27. BROADWAY 2 lines.
28. HOLY GRAIL 1 line.
29. LUNETTE 1 line.
30. VINNIE 1 line.
31. AIRPORT INTERCOM 1 line.
32. OWEN BURNETT 1 line.
33. MAGGIE THE CAT 1 line.
34. TALON 1 line.
35. SCOTTISH PATRIOT 1 line.

GARGOYLES
“CLAN-BUILDING:
CHAPTER VII: THE ROCK
CHAPTER VIII: ROCK & ROLL
CHAPTER IX: ROCK OF AGES”

ARTHUR, MACBETH, PATRIOT & STONE STAND.

1. NARRATOR
Gargoyles. Clan-Building. SEPTEMBER 29, 500. London.

2. ARTHUR
And as High King, I, Arthur Pendragon, swear by the Stone of Destiny to protect Britain and to serve her people all my days…

3. NARRATOR
SEPTEMBER 29, 1040. Scone.

4. MACBETH
And as High King, I swear by the Stone of Destiny to protect Scotland and to serve her people all my days…

5. NARRATOR
DECEMBER 25, 1950. Westminster Abbey.

6. MACBETH
All right, lads. Now or--

7. PATRIOT
SCOTLAND FOREVER!

8. MACBETH
<SHHHHH!>

9. NARRATOR
APRIL 11, 1951, 1:06AM GMT. ARBROATH ABBEY. Macbeth has just finished repairing the Stone of Destiny with epoxy. There’s a visible crack, but it’s in one piece.

10. MACBETH
There. Good as new. You can barely see the--

11. NARRATOR
The stone glows blue. The crack vanishes.

12. STONE
Thank you, Macbeth mac Findlaech, but the effort was pointless…

ARTHUR, MACBETH, PATRIOT & STONE sit.

A few thoughts...

Got easily a hundred calls, texts, e-mails yesterday about the big Marvel/Disney news and a few about the Sony/Marvel/Spidey news, so here are a few random thoughts to go with what I posted yesterday...

1. SPEC SPIDEY: The main thing that's changed about the Spec Spidey situation is that Sony is now out of the loop/decision making process about whether or not there's a third season. Before Sony was waiting to see if Disney picked up the series. Then they'd decide on its economic feasibility for Sony. Now Sony isn't part of that equation, leaving the whole thing in Marvel and Disney's hands. Of course, now that Marvel and Disney are kinda one hand, so-to-speak, I don't know what that means for us. Other than the obvious, which is that I'm sure we're not exactly Disney/Marvel's highest priority at the moment. How and when this decision gets made is really up in the air, but a former negative does feel good -- now -- that our last six episodes won't start airing on Disney XD until late October. That means our last episode won't air until early December, which may be a better time for Disney/Marvel to focus on the show. (Or not.) Of course even a positive decision in December or (more likely) January means a HUGE gap between Seasons Two and Three, but I'd take that over no new episodes.

2. FLASHBACKS:I can't help but be reminded of events in the mid-nineties, when Michael Eisner (then CEO of Disney) wanted to buy Marvel, so that he'd have super-heroes to compete with Warner Bros' DC Universe heroes (including Superman and Batman). Back then, however, Marvel was, or so I was told, a corporate mess. And it wasn't just that -- as now -- various studios already had the rights to individual characters, but that the rights had been double sold all over the place, and that every character pretty much represented a lawsuit in the making if not already in the works. Eisner was advised NOT to buy Marvel, and of course he didn't. But he REALLY wanted to be competing in the boys action/super-hero market. That was when the Gargoyles Universe was raised as a possible alternative. We pointed out that the Marvel Universe began with the Fantastic Four, and that we could use Gargoyles as a springboard to more properties and to an entire Universe. We were encouraged by Michael to create spin-off properties, backdoor pilots, etc. And that was THE major impetus for us to work on things like New Olympians, Bad Guys, Pendragon and Dark Ages. (Gargoyles Future Tense -- which became Gargoyles 2198 and TimeDancer came later.) It was also a reason to be expansive with the World Tour and introduce more and more new characters, etc. Of course, by the time all this stuff was actually made, the world had changed again. Frank Wells died. Michael and Jeffry Katzenberg went to war, with Jeffry eventually leaving to found DreamWorks, and taking two of my immediate superiors, Gary Krisel and Bruce Cranston, with him. Rich Frank (another of my bosses up the chain) also left. Dean Valentine was placed in charge of Walt Disney Television Animation and he had no affinity for Gargoyles or its spin-offs. And Michael, who had initiated the whole thing, had way bigger concerns on his plate. I was more or less forced out. But for one bright, shining moment...

3. GARGOYLES: I'm sure a lot of people are wondering what this means for our favorite winged warriors, but in the short term, I'm sure the answer is "Not much." Gargoyles is pretty much under Disney's radar right now, and really doesn't exist on Marvel's radar at all, as far as I can tell. We'll be an extremely low priority. Our best bet is still SLG, which HOPEFULLY will be motivated by the sales of the Trades to want to make more content with me. Having read Dan "Mr. SLG" Vado's recent reaction to the Disney/Marvel merger, I'm hoping he isn't too discouraged by being in bed with his competition. But I have no doubt that the best way to get Dan fully on board is to make it worth his while by having those trades sell VERY well. So again, buy the trades and/or SPREAD THE WORD!!!!

SUCH BIG NEWS

Okay, in the period of just a few days, I have been rocked by two incredible pieces of news.

1. Last Thursday (8/27/09), Vic Cook and I were informed that in exchange for some concession vis-a-vis the live action Spider-Man features, Sony returned the television rights (including the animated television rights) for Spider-Man to Marvel. This took place the day before ComicCon, I'm told. But I was only informed of it this past week.

2. Today (8/31/09) comes the news that Disney has purchased Marvel outright.

NOW, before you ask -- before you post a thousand duplicate and/or overlapping questions to ASK GREG -- let me be clear: I have NO IDEA what this means for either Gargoyles or The Spectacular Spider-Man. Neither of these developments are by definition good news or bad news. Shocking news, sure. But how it will play out for either or both properties is a complete mystery to me. As soon as I have ANY information on either property, I will post it here at ASK GREG. Until then, don't ask. Seriously. Just don't. There's just no point in bogging down the queue with questions I have no answer to. Thank you for your cooperation.

GATHERING 2009 - Monday, August 24th

GATHERING 2009 - Monday, August 24th

Midnight - The goodbyes begin for folks who are leaving first thing Monday morning or right now. Said goodbye to Marina, Zehra, Sarah, Michael McAdam and probably quite a few others...

1:30am - The party downstairs finally breaks up and I head up to my room.

4am - Went to bed. But I just couldn't sleep at all.

8am - Finally gave up and got up.

9am - Brought my luggage to my car and then went to the staff breakfast: crepe, ham, potatoes, OJ.

10am - Comic book panel with Karine Charlebois and Greg Guler. I'll just repeat the main message I gave. I have no info on the future of Gargoyles comics beyond this: SLG's Dan Vado is sincerely interested in doing more. His ability to make an offer for the license to Disney will depend on the sales of the three trade paperbacks. Beyond that, we had some really interesting discussions about the books.

11:30am - Gargoyles Biology and Culture panel with Jade Griffin and Matt Parker. I love this panel. Always full of interesting discussions, that influence how I handle things in the Gargoyles Universe.

1pm - Closing Ceremonies. Okay, I admit it. I pretty much lost it more than once. It was VERY emotional. A number of us told stories of past Gatherings and how they changed our lives. It was warm and all too fuzzy, but wonderful. I love all you guys. Thank you.

2:30pm - We finally closed the Closing Ceremonies. I helped Patrick and a bunch of other volunteers carry things down to Patrick's rented van. Then we headed up to the Constaff Suite for a dead dog party. Christopher bought pizza for everyone, which was very generous. I had a coke and a virgin jello shot. And we just hung out.

5:45pm - Time to go, to return to real life. I hugged EVERYONE. Jennifer Anderson walked me to the elevator. I was pretty wrecked. It felt a bit like it felt to end a long job. You walk away. What else can you do? You take your memories with you, but you also know you're leaving a piece behind.

But it's been a FANTASTIC THIRTEEN YEARS. Thanks to everyone who ever attended a Gathering. You really changed my life!

GATHERING 2009 - Sunday, August 23rd

GATHERING 2009 - Sunday, August 23rd

1am - Got back to my room.

2am - Went to bed.

9am - I woke up. Wow, a real night's sleep. I showered and dressed quickly, attempting to make the tail end of the staff breakfast, but got waylaid along the way by arriving guests, like Bob Kline. Managed to snag one croissant, but that's it.

10am - Gargoyles Production panel with Frank Paur, Bob Kline, Brad Rader, Pamela Long, Vic Cook, Greg Guler and Doug Murphy. More fun old stories.

11:30am - Spidey Production panel with Bob, Pamela, Vic, Greg, Kevin Altieri, Jennifer Coyle, Sean "Cheeks" Galloway, Joey Mason and Phil Weinstein. We showed the unaired scenes clip from ComicCon and the animatic for the main title. And again, more fun stories.

1pm - I finally had a break, but I couldn't resist sitting in on the Composer's panel with Carl Johnson, Gargoyles Composer, and Dynamic Music Partners (Lolita Ritmanis, Kris Carter and Michael McCuistion) the Spider-Man composers. They were WELL-prepared. Way more well-prepared than I was for any of my panels. Brought a bunch of clips and talked process. It was fascinating.

2:30pm - Writers Panel. From Spidey: Andrew Robinson, Kevin Hopps, Nicole Dubuc and Matt Wayne. From Gargoyles: Bob Skir and Michael Reaves. Michael has Parkinsons, so first Bob and later Michael's daughter Mallory Reaves served as interpreters for him. It was great having everyone there.

4pm - The writers (and Karine) had a signing.

5pm - My wife dropped my son Benny off at the con. So we hung out a bit.

6pm - Benny and I went to the Banquet. We sat with Gayle, Lauren, Ryan, Grey Wolf, Read and Abbie. Real sweet spread at the buffet. But I've forgotten exactly what. I guess I'm just not that into the food this time. Is that progress?

7:30pm - Another Q&A. This time with myself, Bob Skir, Vic Cook, Greg Guler, Nicole Dubuc, Kevin Altieri, Jennifer Coyle, Ben Diskin, Crispin Freeman, Karine Charlebois and Wendy Pini. Michael Reaves kibbitzed a bit from the sidelines too.

8:30pm - By this time, Beth had picked Benny up again. I went to the bar and hung out with Vic, Guler, Kevin, Jennifer, Wendy and Karine. Just had a coke.

9:30pm - Masquerade time. The judges were myself, Wendy Pini, Keith David, Thom Adcox, Ben Diskin, Carl Johnson and Karine Charlebois. I will attempt to remember all the awards we handed out, but I forgot to save my award sheet...

Best Junior - Ryan & Lauren as Owen & Banshee
Best Performance - Abbie as the Lady in the Lake
Best Original Character - Rika as Venus
Cutest Trio - Jade, Eric and Kyari as Fox, Owen and Alex
If I give you this, I'll have to kill you award - Zehra, Tony & Andrea as Shari & the Illuminati
Best Canon - Aaron as Upgraded Jackal
Excalibur Award - Justin as King Arthur
Gorelisa Award - Charlie as Kalia Sartre
Thom Adcox Memorial Award - Rebecca as a Star Trek Dispensable Red
Best in Show - Esopus as ... okay, this was best in show and it was really great, but I just can't remember the name of the character! SORRY!!!!

10:30pm - We all just hung out in the Ballroom for awhile. I chatted with GXB, Carl Johnson, Zehra & Sarah and many, many others...

MORE NEXT WEEK!!!!!

GATHERING 2009 - Saturday, August 22nd

GATHERING 2009 - Saturday, August 22nd

3am - Went to bed.

8am - Woke up, with five hours sleep being the most I'd had in any one night in over a week.

9am - Staff Breakfast. Usually, I'm all about telling you what I ate at every meal, but I just don't remember. Orange Juice and a croissant, I think. But also... uh... not sure.

10am - Jennifer and I were joined by Gargoyles/Spidey Voice Director Extraordinaire Jamie Thomason for our second round of auditions.

11:30am - Casting session. We only had thirteen slots for fans to participate in the play because of the LARGE pro "turnout". You see, most years I ask the pros to participate and we get one or two saying yes. But this year SIXTEEN said yes. So from a fan standpoint, we had an embarrassment of riches. Over forty people auditioned and most of those did great, so we decided to cast the thirteen slots, plus STEAL a role from Thom Adcox and give that to another fan, PLUS cast a couple of fans as understudies in case someone didn't show. (But everyone did.) We posted the cast list...

12pm - Lunch in the staff room with Marina Sirtis, Keith David, Karine Charlebois, Greg Bishansky, Thom Adcox and Keith's son Owen. It's always great to see Keith, but it was very cool to see Marina again, whom I haven't seen in years. And, man, has Owen grown!! Broccoli soup, salad, and... see, can't remember!

1pm - Gargoyles Voice Acting Panel with Jamie, Keith, Thom, Marina and Elisa Gabrielli. Fun stories told. Marina and I have very different memories about how she was cast. (I'm right, but I'd never say that.)

2:30pm - Spidey Voice Acting Panel with (again) Jamie, Keith and Elisa. Plus Dee Bradley Baker, James Arnold Taylor, Ben Isaac Diskin (what's with all these three name guys?), Steve Blum, Daran Norris, Deborah Strang, Vanessa Marshall, Josh Keaton, Andrew Kishino, Phil LaMarr, Crispin Freeman and Eric Vesbit. More fun stories. Jamie and I disagreed about how many characters we auditioned. And once again, I'm right. It's a blessing and a curse, as Monk would say.

4pm - Radio Play Rehearsal. We barely had time to do one full read through of the ridiculously long and over-stuffed radio play. There was really no time to direct the actors at all, beyond telling them to project louder, though Jamie and I tried to give an occasional pointer.

5:30pm - Radio Play. Gotta say, thanks to my shameless pandering in the script and the amazing talent of my cast, we really had a phenomenal success with the three night mess of a bloated script I wrote. Got lots of laughs, even a few gasps. Pros were spot on, of course, including some Gargoyles folks who hadn't played their characters in years. But our fan cast was great too.

Here's the cast list:

THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
“Religious Studies 101: A Handful of Thorns”
(Radio Play)
CAST LIST
NARRATOR - Greg Weisman
DEMONA/DOMINIQUE DESTINE - Marina Sirtis
SPIDER-MAN/PETER PARKER - Josh Keaton
GOLIATH - Keith David
LEXINGTON - Thom Adcox
ELISA MAZA - Zehra Fazal
BROOKLYN - John Clemens
CURT CONNORS/LIZARD - Dee Bradley Baker
BROADWAY - Crispin Freeman
ZAFIRO - Joshua Poole
MAY PARKER - Deborah Strang
GREEN GOBLIN - Steve Blum
OBSIDIANA - Elisa Gabrielli
KRAVEN THE HUNTER - Eric Vesbit
HARRY OSBORN - James Arnold Taylor
DOCTOR OCTOPUS/OTTO OCTAVIUS - Michael McAdam
J. JONAH JAMESON - Daran Norris
MARY JANE WATSON - Vanessa Marshall
ELECTRO - Crispin Freeman
VENOM/EDDIE BROCK - Ben Isaac Diskin
GEORGE STACY - Lucas McClain
BIG MAN - Keith David
CALYPSO EZILI - Jennifer L. Anderson
ASHLEY KAFKA - Elisa Gabrielli
ROBBIE ROBERTSON - Phil LaMarr
LIZ ALLAN - Kaitlyn Robrock
SALLY AVRIL - Jennifer L. Anderson
GWEN STACY - Sarah Williams
MATT BLUESTONE - Eric Tribou
GREG BISHANSKY - Greg Bishansky
KENNY KONG - Andrew Kishino
COLONEL JUPITER/JOHN JAMESON - Daran Norris
NED LEE - Andrew Kishino
VULTURE - Seth Jackson
FLASH THOMPSON - Ian Bassett
SHARI - Zehra Fazal
FANCY DAN - Phil LaMarr
GULYADKIN - Dee Bradley Baker
CARNAGE/CLETUS KASADY - Ian Bassett
HOMUNCULUS #1 - Dee Bradley Baker
HOMUNCULUS #2 - Phil LaMarr
HOMUNCULUS #3 - Steve Blum
HOMUNCULUS #4 - James Arnold Taylor
HOMUNCULUS #5 - Thom Adcox
SMUGGLER #1 - Andrew Kishino
DOMINIC DRACON - Seth Jackson
BLACKIE GAXTON - Steve Blum
EMILY OSBORN - Kaitlyn Robrock
TINKERER - Thom Adcox
SEYMOUR O’REILLY - Steve Blum
SILVER SPOON MANAGER - Crispin Freeman
ANGELA - Sarah Williams
PUMPKIN BOMB - Nicki France
THAILOG - Keith David
MARIA CHAVEZ - Elisa Gabrielli
FREDERICK FOSWELL - James Arnold Taylor
ALAN O’NEIL - James Arnold Taylor
ROSIE THOMPSON - Vanessa Marshall
MARGOT YALE - Marina Sirtis
MORGAN MORGAN - Keith David
JASON IONELLO - Ben Isaac Diskin
RAND ROBERTSON - Phil LaMarr
BRENTWOOD - Fox Anderson
CHAMELEON - Steve Blum
NORMAN OSBORN - Eric Vesbit
DILBERT TRILBY - Steve Blum

Thanks to the entire cast. You guys were amazing, and totally saved my butt.

7pm - Once the play was over, all the tension and adrenaline that it had generated over the last week or so melted away, leaving me nearly comotose. I went to dinner in the hotel with my wife Beth and my son Benny. I didn't eat much. Clam Chowder, a roll, a coke and a shrimp cocktail. I was all but passing out. Fortunately, I got a second wind... and I'd need it.

9pm - Blue Mug w/Thom Adcox and the staff of Blue Mug Productions: Mara Cordova, Kalia Sartre, Jennifer L. Anderson and Boswell Bosley. I had to duck out for awhile, and I hear Edmund Tsabard showed up and pretty much insulted everyone in the room. (So what else is new?) I came back, by which time Edmund was gone. I picked up my water glass to take a drink, and someone told me that Thom's chihuahua had sipped from my glass. Someone else pointed at another glass and said that was the one the dog had lapped from. I shrugged it off and sipped from my glass. Then Jen told me Edmund had used that glass. I did a spit-take. I mean do you know where Edmund's mouth has been?!!! I hate to do anything to promote anything that reprobate is working on, but the work of the rest of the Blue Mug staff is so good that I'll ignore his contribution and recommend BlueMugProductions.com to all of you (who are 18 or over). I've seen the work, and it's really good!!! By the way, whomever took my Vox-made macrame Greg doll and put an eyepatch on it to turn it into an Edmund doll: UNCOOL!!! I don't even see the resemblance anyway!

11:30pm - After the mug, a few of us -- Jennifer, Mara, Eric and Tony -- went upstairs to the staff room. I had a virgin jello shot. Black Cherry!

More tomorrow!

GATHERING 2009 - Friday, August 21st

GATHERING 2009 - Friday, August 21st

12am - Went to bed. I was completely exhausted from the last few nights of working on the Radio Play instead of sleeping...

2am - So of course I wake up two hours later.

6:30am - Finally fell asleep again.

10:30am - Woke up, having missed staff breakfast.

11:30am - I went downstairs to check out the Art Room-in progress. Aaron gave me a very cool Phoenix Gate pin. (Thanks, Aaron!)

Noon - Had my mug-a-guest with Leah, Fan, Abbie, Eva, Kathie and others. I'm embarrassed over how little I can remember already, I'm afraid.

1:30pm - Jennifer Anderson and I held the first batch of auditions. Some real good people.

2:30pm - Back to the art room. I also bought two copies of the Bad Guy Trade, one for myself and one for the Sperlings.

3pm - By this time, I was pretty hungry, so although they had JUST eaten, Tony and Andrea Zucconi accompanied me up to CityWalk so I could get a Tommy Burger, fries and a coke/Root Beer semi-suicide mix. I ate; we chatted.

4pm - We headed back down to the hotel/con.

4:50pm - My wife Beth arrived at the con. We hung out, waiting for Opening Ceremonies to start.

5:40pm - Opening Ceremonies. I got the ball rolling. We had a bunch of con virgins -- for whom this was their first Gathering. And of course we had four people who had attended ALL thirteen Gatherings: myself, Gathering Co-Chair Patrick Toman, Bad Guys artist Karine Charlebois and a Fan. Gathering Co-chair introduced her staff and then they presented me with a very cool macrame doll of me, commissioned by the staff and created by the talented Vox. I then stood up again and talked about the great programming we had in store for the weekend. Then I presented Patrick and Jennifer with the Fan Guest of Honor, represented by great prints of Puck and Demona by Karine and Kythera of Anevern. Next, I spoke a brief tribute to the late Gary Sperling, and we presented his wife and kids with a copy of the Bad Guys Trade and another fantabulous print by Karine. After that came the Rocky Horror Gargoyles Show, i.e. the same old schpiel I always do. Showed the Pitch, the Jim Cummings version of the pitch, the promo, the Frakes presentation piece, the New Olympian and Dark Ages pitch, the Bad Guys animatic and "The Last" animatic -- nearly finished and almost entirely done by fans.

8pm - Having eaten a late lunch, I decided to skip dinner. But I hear Edmund Tsabard and the staff of Blue Mug Productions (Mara Cordova, Kalia Sartre, Jennifer L. Anderson and Boswell Bosley) had a dinner business meeting at Versaille up at CityWalk. Edmund had Ropa Vieja, Plantains, Beans, Rice and a coke.

9:30pm - A few of us hung out in the staff suite upstairs on the hotel's top floor. Liz, Patrick, Mara, Jen, Nikki, Eric, Seth, Sammy, Rebecca, Fox, Sydney, Steph, Scott and Marina all stopped by at one point or another.

11:59pm - I went back to my room...

More tomorrow...

GATHERING 2009 - Thursday, August 20th

Well, gang, I'm back from the final Gathering. Had an amazing time. Truly. I'll start my conjournal now. One day at a time...

As always, all times and quotations are approximate. Please forgive any mistakes or omissions.

GATHERING 2009 - Thursday, August 20th
I was up all Wednesday night, prepping the scripts for the Radio Play, which I had written over the three (largely sleepless) nights previous.

7:30am - Finally went to bed.

11:30am - Got up. Drove to my office in Beverly Hills to finish prepping for the Gathering.

6pm - Finally finished prepping. Drove home to pack.

7pm - Left for the Universal Hilton. Parked and checked in and unpacked in my seventh floor room. The staff then gathered to go to dinner at Bucco de Beppo's in CityWalk. It was a big table. I think a complete list of those present would include me, Liz Chesterman, Mara Cordova, Joe, Susan Leonard, Sammy Behr, Seth Jackson, Eric Tribou, Jennifer L. Anderson, Kythera of Anevern, Rebecca Bochner, Patrick Toman, Tony Zucconi, Andrea Zucconi, Cindy Kinnard and Karine Charlebois. I had garlic bread, calamari, spaghetti and meatballs, apple gorgonzola salad, two kinds of fettucini, green beans and manicotti. Afterwards, we went back to the hotel to check out the rooms for the con.

10:30pm - I went back to my room to continue prepping my script for the radio play.

More tomorrow... please post YOUR ConJournal here at ASK GREG! Thanks!

Gathering 2009 - Los Angeles CA

Gathering 2009 - Los Angeles CA

Okay, gang, I leave tomorrow for the Gathering. This is our last one for the foreseeable future, so I plan to make the most of it. We've got a TON of programming (including panels on both Gargoyles and The Spectacular Spider-Man and ElfQuest, production panels, voice panels, writing panels, comic book panels), a TON of professional guests (Comic book pros, animation pros, actors, artists, writers, sculptors, directors, etc.) These guests include Frank Paur, Victor Cook, Sean "Cheeks" Galloway, Greg Guler, Thom Adcox, Keith David, Josh Keaton, Steve Blum, Crispin Freeman, Wendy Pini and Demona herself: Marina Sirtis.

We have screenings of exclusive Gathering footage, like the Bad Guys reel and the pro/fan Team Atlantis collaboration. I'm bringing the only once-before seen footage clip from Spectacular Spider-Man ONLY shown at ComicCon last month. And Michael Reaves, Gargoyles writer and story editor, is bringing his STAR TREK webisode, professionally produced and starring George Takei himself as Sulu.

We have a Radio Play (that has nearly killed me to get ready in time) that presents an ORIGINAL Feature-Length crossover between Gargoyles and The Spectacular Spider-Man, with EVERY voice actor guest performing with fans.

We have a Banquet with a pro/guest at every table. We have our "Mug-A-Guests", i.e. a chance for a small group of fans to chat with individual pro/guests. We have the Masquerade and Dance.

We have fan/pro discussion panels on Gargoyles Biology and Culture, mythology, ABJD, Fanfiction, etc. We have Mature Content programming -- including Edmund Tsabard and his Angels at the Blue Mug.

We have Universal Studios and Universal CityWalk right next door.

And we have the opportunity to purchase all three Gargoyles Trade Paperbacks, both volumes of Clan-Building and Bad Guys: Redemption. Plus the auction features more gargoyle merchandise than you could possibly carry home. Great art at the art show.

And a few surprises...

Anyway, if you're anywhere near the Universal Hilton in Los Angeles, we hope you stop by. Let's make this last Gathering the best one yet!

And I'll see you back here at Ask Greg next week...

Oh, and as always, PLEASE, PLEASE, PLEASE post Gathering journals here at ASK GREG!!!!!

Thanks,

gdw

STONE OF DESTINY -- SPOILERS!!!!

STONE OF DESTINY -- CLAN-BUILDING, VOLUME TWO SPOILERS!!!!

GXB sent me a question about the Stone of Destiny in Clan-Building. He wrote:

"Just to be clear... Xanatos has the original Stone of Destiny? Scotland has a fake? That's... kinda cool. :)"

Now, of course, I shouldn't have responded. The book SHOULD either stand and fall on it's own. But of course, if that was my policy, we wouldn't really have ASK GREG at all, would we?

I apologize that I wrote with so little clarity that an explanation is necessary at all, but here's my answer to him, and before the rest of you get a chance, to all of you:

You're missing the point.

Which was the original, the one Moses sent with Gathelus or the one Moses kept and used to bring forth water in the desert?

Which was the original, the half that stayed at Tara or the half that sailed to Dalriada? (Note that both halves are the same size as the so-called "original".)

Which was the original, the one that was kept in London or the one that became the Blarney Stone?

There is no original. There is no fake.

But if you're asking where the specific stone that had been at Westminster went, Peredur has it in Carbonek. Look at the timeline. Xanatos switched the stone at the bridge and was about to make a DOUBLE switch at Leith before Blanchfleur came to pick it up. He was planning to keep the one he assumed was the original, when the stone itself told him it was pointless. So he gave Blanchefleur the stone the Illuminati wanted, i.e. the Westminster stone.

Xanatos kept one of the two "fakes" and Edinburgh has the other "fake", except both are still real stones. (It's not like they're paper mache or something.) And ANY stone can be THE stone.

Gargoyles: Clan-Building, Volume II TPB

Reports indicate that the Gargoyles: Clan-Building, Volume II TPB has arrived in some (though not all) stores, and is being shipped out from SLG and other sources. As most of you know, this trade contains the previously published issues #7 & #8, plus the unpublished issues #9- #12. There is TONS of new material here, tons of revelations. Tons of new canon. And if we hope to get more Gargoyles comics of any stripe in the future, it is imperative that this volume sells. If you don't have it already, I'd recommend purchasing Volumes I & II together. Read the stuff in order in (more or less) one sitting, and you'll get more out of it.

If your store doesn't have the book, ask them to order it for you!

And please, please, please, help us SPREAD THE WORD!!!!

Thank you.

TRADE PAPERBACKS!

Hey gang,

I know -- and share -- the frustrations over the vague release dates of the two remaining trades. Both are DONE. So it's just an issue of getting them from the printers, through customs, out to Diamond and then into stores, etc.

BUT, Dan Vado has ASSURED me that all three trades (GARGOYLES, CLAN-BUILDING, VOLUME ONE; GARGOYLES, CLAN-BUILDING, VOLUME TWO; GARGOYLES: BAD GUYS, REDEMPTION) will be available for purchase at the Gathering. Hopefully, they'll be available everywhere sooner or at least shortly thereafter, but at the very least -- if you come to the con, you can get the books!

Hermione R.I.P.

Our basset hound Hermione passed away in her sleep yesterday. She had a large inoperable malignant cancer tumor, so it wasn't a shock.

I know it must seem like we go through these dogs rapidly, but that's because my wife and kids always choose elderly dogs from the Basset Rescue Ranch, because they feel that everyone always wants the puppies and young dogs, and the old ones never find a home. So we get dogs. They're old. They die. My family grieves. And we start the process again... all too often, I guess.

We still have one basset left, Murray. Plus our cat Emmy. I'd like to put off getting any more pets for the time being, but it's never up to curmudgeonly me.

Hermione was a handsome girl, definitely the Alpha Female of our pets. Very common sense. We'll miss her.

Blue Mug Productions

Blue Mug Productions is up and running!

If you're 18 or over, check out http://www.bluemugproductions.com/ for the very latest in story-driven mature content.

They've got preview pages of the web-comic LAST TENGU IN PARIS, so you can see what you're missing. But I suggest getting a membership which gives you access to all existing pages of LAST TENGU, as well as a forum, Gallery, even an ASK EDMUND feature and more. This is good stuff. You don't want to miss out.

[Okay, Edmund, I gave you your damn plug. Now put down the gun...]

ComicCon 2009

Hey gang,

Had a fun convention. We had 100 copies of Clan-Building Volume Two on sale, and they went like hotcakes. David Hedgecock and I did multiple signings.

Also did a signing at the Ape booth for Mecha-Nation with Vic Cook.

And Vic, Sean "Cheeks" Galloway, Josh "Spider-Man" Keaton, Robert "Vulture" Englund, Kelly "Sha Shan" Hu and myself had a successful Spidey panel on Sunday.

Saw friends. Ate meals. Bought a Captain Atom action figure.

Good times.

SAN DIEGO COMIC-CON 2009

Hey gang(s),

Here's my basic itinerary for SAN DIEGO COMIC-CON 2009. You can find me at the following places at the following days and times. So I hope you'll stop by and say hello!

THURSDAY, JULY 23
11:30am - 1pm - SLG BOOTH.
David Hedgecock and I will be signing Garg stuff. Dan Vado assures me, we WILL have 100 copies of GARGOYLES: CLAN-BUILDING, VOLUME II, sent FED EX directly from the printer. We might even have copies of GARGOYLES: BAD GUYS: REDEMPTION, although that's not definite. And of course we'll have copies of GARGOYLES: CLAN-BUILDING, VOLUME I, as well as individual issues of both series. We're also hoping to have a prototype of the Electric Tiki Goliath statue on display.

FRIDAY, JULY 24
4 - 5:30pm - SLG BOOTH.

SATURDAY, JULY 25
2 - 3pm - APE BOOTH.
Vic Cook and I will be signing promotional postcards and talking about MECHA-NATION, our new comic book series (with Greg Guler and Antonio Campo). This was a project that was seen at a couple of Gatherings and was previously announced with SLG. Unfortunately, SLG had to bail, but the good folks at APE scooped it up.

3:30 - 5pm - SLG BOOTH.

SUNDAY, JULY 26
10 - 11am - ROOM 6A.
THE SPECTACULAR SPIDER-MAN panel. Vic Cook, Character Designer Sean "Cheeks" Galloway and voice actors Josh "Peter Parker/Spider-Man" Keaton, Kelly "Sha Shan Nguyen" Hu, Robert "Vulture" Englund and Greg "Donald Menken" Weisman will all be there, talking, answering questions and showing NEVER BEFORE SEEN FOOTAGE. This is not stuff you'll find on as-aired episodes or DVDs or YouTube or BitTorrent or anywhere else -- except maybe the Gathering next month.

12:30 - 2pm - SLG BOOTH.

NOT A TRUE STORY...

So I stopped by the bank this morning, because my wallet was totally cash-free. Both ATM's are "Out of Service" so I go into the branch to get some money. It occurs to me that I haven't actually been inside a bank in many months, maybe in a couple years. But here I am in the single rope-line that traverses back and forth in front of the tellers. The line is fairly long -- probably because the ATMs are down. Within a minute or so, there are a few people behind me and about a half-dozen in front of me.

The next customer achieves her teller, and I turn the corner so that I'm now facing the entrance to the bank. My eyes are wandering about, bored mostly, when I notice a tall man enter the bank wearing a trenchcoat. Now, it's July in Los Angeles, so this is odd. And maybe I'm kidding myself -- I am a cartoon writer, after all -- but the security guard who's standing by the door, seems to think this is odd too. He takes a few steps forward to keep an eye on this guy.

Trenchcoat marches right up to the end of the line, and says -- not loudly, not muttering: "The A.T.M.s are out of order." The guy at the end of the line turns at this and nods curtly to Trenchcoat. Then Trenchcoat says: "Get out of my way." End-of-the-line gives him an incredulous look. If he says anything at all, it's too quiet for me to hear (and I'm about two yards away).

Then shouting "GET OUT OF MY F***ING WAY!", Trenchcoat pulls -- I kid you not -- a goddamn MACHETE from out of his coat and swings it down at End-of-the-line over and over. But -- and it's a huge but - he's not hacking at him. He's WHACKING him with the FLAT of the blade. End-of-the-line is holding up his arms defensively and screaming. I don't think he even realizes he's not being chopped into horror-movie bits. All he sees is this maniac swinging a machete down at him.

Meanwhile, nearly EVERYONE in the bank -- myself included -- does absolutely nothing. We all stand, rooted to our spots. Maybe we're too shocked to react, maybe too afraid. I remember noticing that Trenchcoat is hitting him with the machete instead of cutting him, but still I don't move. I don't even run away, let alone help. I just stand there.

The only person who does react is the Security Guard, who is standing behind Trenchcoat. There can't be anyway for him to know that End-of-the-line is not being horribly murdered. Security Guard pulls his gun. He says something like "Drop the knife!" (He said "knife", but it really was a machete.) Trenchcoat turns to face Security Guard, holding the machete high. He does not drop it, but takes a step toward Security Guard, who promptly shoots him twice. The gunshots are very loud, and I can almost still hear them echoing in my eardrums. Trenchcoat goes down. The machete clatters to the (probably faux) marble floor. The Security Guard advances quickly and kicks the machete out of Trenchcoat's reach. It goes skittering across the (probably faux) marble floor until it hits the carpeted area where the loan officers have their desks.

Security Guard then kneels beside Trenchcoat, who is lying on the (probably faux) marble floor, breathing heavily with his eyes open. Security Guard, keeping his gun aimed the whole time, pulls open Trenchcoat's coat. I lean forward and see that Trenchcoat is wearing what appears to me to be a bullet proof vest of some kind. In any case, there's no blood that I can see.

The police arrive almost immediately, which suggests that at least one of the tellers was not quite as paralyzed by events as I was and hit a silent alarm. End-of-the-line is freaked out but basically fine. He has some nasty welts and a few extremely superficial scratches on his arms, I suppose from where the edge of the blade dug into his skin a bit. The cops insist on him going to the hospital. An ambulance arrives to take Trenchcoat away. One cop actually suggests that End-of-the-line get in too. Unsurprisingly, End balks at riding with the guy, and then makes it clear he's not even willing to go to the same hospital as "that F***ER". He eventually gets in a squad car and is driven away.

They keep all of us there for about two and a half hours. I talk to a uniformed officer and then to two plainclothes detectives. I tell them what I saw, but I have more questions than answers. I get no answers. And since I knew I wouldn't get any, I make very little effort to ask the questions. Finally, they take my information and let me go. I leave, passing the useless ATMs as I go.

It's all like some really bizarre performance art, and now that it's over I can't help wondering if that's exactly what it was. But if so, it was incredibly elaborate and damned irresponsible.

But in any case, that's why I'm broke and late for work.

CONVERGENCE converges with the GATHERING

I just got the following e-mail from a buddy on the staff of CONvergence (http://www.convergence-con.org/), which is taking place NOW:

Hi Greg!

I'm at CONvergence, and I am seeing flyers all over the hotel
advertising for the Gathering. They are having over 40 guests? Wow!

So thanks to those posting our flyers at ConVergence (my second all-time favorite convention). Have a great con!

But don't miss the Gathering, which as of yesterday actually has OVER FIFTY GUESTS attending! Fifty and counting. Soon the guests will outnumber the fans. ( And, dude, I wish I was kidding.) You will NEVER find a better fan to pro ratio at any convention ANYWHERE, ANYTIME!!!! Sign up now at http://www.gatheringofthegargoyles.com/g2009/ !!!!!

Comment Rooms

Before I begin, let me make something perfectly CLEAR. The Station 8 Comment Room is NOT my comment room. It is the property of and under the management of Gorebash for him to run as he sees fit. Personally, I like the Comment Room as is. I'm not a big fan of forums. If the vote goes that way, and Gore decides to make a change, so be it. But I voted against the change. My problem/issues with the comment room is about the (occassional) bad behavior of some people who post and what I perceive as the over-reaction of other people (often the same people, I suppose) to what I perceive as innocuous (or only slightly bad) behavior. But to reiterate, I stand by whatever decision Gorebash makes.

So what follows is only my opinion. Not even that really. What follows is my brother's opinion. And it's not even his opinion on the Station 8 Comment Room or on anything Gargoyles related. As some of you know, my brother, Jon Weisman, has a blog: http://latimesblogs.latimes.com/dodgerthoughts/

This blog on the Los Angeles Dodgers gets more hits in a day then we get here in a week. Or two. Probably even three. One of the main features of his blog, one of the things that he has told me is a big draw for DodgerThoughts, is the comments that his readers post regularly, their exchanges and their dialogue with him and with each other. So Jon has developed some basic guidelines for commenting that I think are calm and intelligent and worth considering for what we do at Station 8. Here they are:

Dodger Thoughts Commenting Guidelines
Thank You For Not ...
1) using profanity or any euphemisms for profanity
2) personally attacking other commenters
3) baiting other commenters
4) arguing for the sake of arguing
5) discussing politics
6) using hyperbole when something less will suffice
7) using sarcasm in a way that can be misinterpreted negatively
8) making the same point over and over again
9) typing "no-hitter" or "perfect game" to describe either in progress
10) being annoyed by the existence of this list
11) commenting under the obvious influence
12) claiming your opinion isn't allowed when it's just being disagreed with

I think these guidelines are very common sense and with the possible exception of #9, apply directly to Station 8. #12 seems particularly applicable. I'd actually add a #13:

13) thinking that just because no one has responded to your post that you are unwelcome. (Your post may simply have inspired no comment.)

These guidelines seem SO straightforward to me, I was stunned to learn today that some people over at DodgerThoughts OBJECT to them. So here's the post Jon made responding to these objections:

Dodger Thoughts commenting is healed - in practice, if not in spirit
After nearly two months, the folks at Typepad have finally solved the bug that prevented comments at the bottom of a page at Dodger Thoughts from appearing until several had been cached. So in that respect, we're back to smooth sailing. Any of you who departed out of frustration, please feel encouraged to return.

On another commenting note, some have voiced to me, either on the site or in e-mail, dissatisfaction about the commenting guidelines and a feeling that only one point of view at Dodger Thoughts is tolerated. I'd like to address these concerns in this post. ...

Starting with the guidelines ... I realize that they are not everyone's cup of tea, but I still feel they do far more good than harm. Conversation can quickly become heated on the Internet, and I firmly believe the guidelines keep things from getting out of hand. It'd be nice if we were all mature adults -- but we're not. Myself included.

The guidelines are meant for everyone, and they apply to the most diehard regulars. If, for some reason, you feel that a comment has been posted that should be deleted, don't hesitate to let me know, either here or via e-mail. If you find the guidelines too confining, then consider the big picture of what they accomplish. If that big picture doesn't look attractive to you, well, I've learned all too well that I can't please everyone. Believe me, it's been humbling.

There are a few other points I'd like to emphasize:
*Although off-topic conversation is allowed at Dodger Thoughts, it is meant to broaden the discussion and the community here, not narrow it. If someone's talking about television when you want to talk about Chad Billingsley, then make a comment about Chad Billingsley. There's nothing stopping you.
*No Dodger Thoughts rule prevents a point of view. Every point of view is welcome.
*People who agree on some issues disagree on others. We're all human.
*There is no ban on any style of conversation that would be allowed in a civil, offline venue.

One quirk that occurred to me overnight is that the people who complain the most about the site's rules tend to be the people who, frankly, are most protected by them. A primary purpose of the comments is to safeguard those who have minority viewpoints.

Since more than one reader is encountering this problem, I take it very seriously. I want to remind people to treat everyone with respect -- especially those with whom you disagree. This is of the utmost importance.

At the same time, I'd like to remind those whose comments meet opposition that disagreement is not censorship. It's easy to become defensive -- it happens to me, like anyone else -- but if someone is rebutting with you without attacking you personally, the simple thing to do is respond to the rebuttal. Or write it off. The point is, we're all here for the same purpose.

If you feel you are being chased away, let me know. But first, examine if that's truly happening. It's not easy to be in the minority on an issue, but inevitably, someone is going to be.

My transition to The Times has not gone as smoothly as I had hoped, for three reasons that I can name (not counting the requirement to capitalize both Ts in "The Times"). One has been the technical problems, and another has been a bit of a culture clash between readers.

Perhaps the oddest wrinkle in the transition has been the effect of the Dodgers surprising all of us by having the best record in baseball. That itself has led to a divide between those who find some complaints about the team petty, against those who feel that no problem is too small even when the team is winning.

It's not so much that there's heated disagreement on the main issues, as there is disagreement about how to respond to those issues. For example, I would say a minority of readers believe Matt Kemp should bat low in the order, but a majority feel it hasn't been worth losing sleep over. A minority of readers think the Dodgers have a playoff spot locked up, but a majority don't seem to think it's time to panic. And so on.

I can see both sides. The level of negativity this season has struck me as remarkable and kind of depressing, not because I'm a knee-jerk defender of all things Dodgers (another accusation I've encountered more than once lately) but because I simply want to savor the good times as they happen. That being said, I should probably be more tolerant of the negativity and not make such a big deal of it.

But also, maybe that means that some other commenters shouldn't make such a big deal over some things as well. From the site's very first day, long before commenting was even a notion, I've wanted Dodger Thoughts to be a place to seek perspective on the team (and the sport, and life). That doesn't mean a "No Griping" rule. But it does imply that the gripes should have a sense of context -- and sometimes, I feel that is lacking.

In the end, I consider this site my responsibility. As we near the All-Star Break and I look back at the first half of the season, aspects of site management that I could have handled better shout out at me. I am going to do my best to improve over the second half of the season, which may bring us a breezy jaunt to October or a tense pennant race. I hope, win or lose, people continue to find this a nice place to hang out.

Greg again here. What strikes me is that even though Jon is discussing very specific Dodger-related issues above, it's stunning how much this seems to apply to us here at Station 8.

*Griping is totally legit. But griping without any sense of context does get old and leads to temper flare ups.
*The MORE you disagree with someone, the MORE respectful you should be. If you can't be respectful, don't respond. Or at the very least, GO AWAY for an hour or two until you calm down.
*Don't sink to the level of the most obnoxious posters. If we've got a troll, it does NOT help to troll back at him or her.

I think it would be a good idea, no matter what format the comment room takes going forward if some version of the DodgerThoughts guidelines were adopted and POSTED on the sidebar for everyone to see every time they post.

Again, that's merely my opinion. Gore can and should simply do whatever he wants.

Finally, I want to thank my brother, whom I admire to no end. I'm sure he has no idea of the problems we had here last week. It's not like I planned to post anything else on the subject. But there it was. This incredibly well-written common sense response to a problem he didn't even know I was having. Thanks, Jon.

Spidey Ratings

FYI:

THE SPECTACULAR SPIDER-MAN episode "Blueprints" delivered 1.57 B6-11 rating, up +76% from prior 4 week time period average, retaining 89% of Catch that Kid lead-in in B6-11 and delivering the time period's highest B6-11 Rtg in over one month… since THE INCREDIBLES on 5/4/09.

"Destructive Testing" delivered 1.86 B6-11 Rtg, its highest ratings yet on DXD, while up +54% from prior 4 week time period average, delivering the time period's highest B6-11 rating in over one year...

Last Gathering

The announcement has been made that the current Gathering of the Gargoyles (the thirteenth annual) will be the last in this form. I'm saddened by this of course, but even more saddened by some of the vitriol I've seen toward the constaff. So I posted this at Station 8:

Hey folks,

Thought I should speak up. In part to defend my friends, I suppose, but also just to make my position on all this clear.

I'm the person who suggested we end the thing. Me. Frankly, I was simply horrified to discover how much of their own MONEY the con staff was putting toward the convention year after year... with it costing them increasingly more with each succeeding convention and with attendance falling at a steady clip. And that's on top of the incredible amount of hard work that these people put in. There have been other individuals and groups who have run individual Gatherings here and there, but most burn out after one year and don't do it again. This group volunteered their time year after year. Stuck with it when others wouldn't. They deserve praise, not scorn.

Are they my friends? Of course. Are they loyal to me? I think so. I like to think I'm just as loyal to them. Are they cliquish at times. Yeah. I've noticed that too. It happens with any group of people who work very hard together to do something and, frankly, feel largely unappreciated for their efforts. They get tight.

But I don't buy the notion that this is an impenetrable clique -- especially since new members join the group all the time. I've known some of these folks for over a decade. Others, just for a couple years. And even if you aren't admitted to this so-called "Inner Circle", what difference should that make? The Gathering is big enough for multiple cliques. Big enough for you to bring your own clique. The Gathering has interesting and informative events whether or not you're in ANY clique.

When someone asks "Why would I want to give any money to hang out with people who have no interest in including me?" I think the question itself is off point. They're throwing you a convention! They're including you! Does that mean they have to personally enjoy your company? Personally, spend time with you? That's unreasonable. You may be great. You may be annoying. I don't know. But they don't have an obligation to coddle you. Just to put on a great show, which I think they've done year after year.

And you're not paying to spend time with them anyway, you're paying to attend the con. Or not. No one's holding a gun to your head, but then don't complain if the thing isn't somehow able to continue indefinitely on SOMEONE ELSE'S DIME.

Don't get me wrong. No one is going to miss the Gathering more than I. I think there's some real truth to the accusation that the thing became Greg Weisman's annual ego boost. Because without a doubt it is a HUGE ego boost for me personally. Year in and year out, I have a blast. I'm treated VERY well, and I enjoy that treatment. I'd be lying if I said otherwise.

But it's not as simple as that. For starters, the reason that the con has consistently featured me and the various series that I've worked on is because I'm willing to do the work to help put the convention together. Frank Paur, just as an example, is ALWAYS welcome, but he doesn't always choose to come. I ALWAYS want to be there. So it's something of a not-so-vicious circle. I provide the convention with contacts -- and the convention uses those contacts to hold panels on Starship Troopers or WITCH or, this year, The Spectacular Spider-Man. All of which is an attempt to INCREASE the attendance by bringing in other fandoms and exposing them to Gargoyles. It's worked to some degree, but not enough.

I've also provided contacts for shows like Darkwing Duck and TaleSpin and Kim Possible, and we've had panels on those that I wasn't a part of because my involvement on those series was nearly non-existent. But I knew those guys, so I got 'em to come. I'm sure everyone would have loved it if I had gotten, uh, say, the Avatar/Last Air Bender guys to do a panel on that show. Trouble is, I don't know those guys. So no luck.

And, hey, I did create the show that we're theoretically celebrating. I am the guy who's fought to get the DVDs and the comics, etc. It's because of the fandom that I never gave up. But it doesn't change the fact that I'm the guy who never gave up. So maybe it's not SUCH a bad thing that I've been the primary beneficiary of the con. Or maybe it is. I'm not going to worry about it.

What I am going to do is enjoy the last convention. I really think we'll be going out with a bang with a ton of special guests. And, ironically, because of the low attendance the BEST FAN-TO-PRO RATIO you'll find at any convention EVER!!! If you can't afford to come this year, we're very sorry. We'll miss you. Really. But if you can, you should try, because once again, I think it'll be a great show.

But of course I'm biased. ;)

And as Jennifer pointed out, if anyone else wants to have a Gargoyles convention in 2010 or 2011 or 2198, no one's stopping you. I'm still willing to attend, still willing to help. Or willing to stay away, if that would be best. But I'd advise thinking long and hard about both the time commitment and the financial aspect of it before jumping in. Cuz it's tough. Not for me. It's easy for me. But for whomever happens to be the constaff in any given year, it's a lot of work and not cheap.

Now, I suppose for some people, all I've done in this post is prove their point. I'm tight with the constaff. They're tight with me. All true. But they've still put out an open invitation year after year to friends and so-called-foes alike. All they're really saying is that they're done. You think you can do better? Go for it!

Greg Weisman

Oregon Shakespeare Festival 2009

I've been meaning to post this all week.

Last Friday, my family and I headed up to Ashland, Oregon to attend the Oregon Shakespeare Festival. The Festival runs for nine months a year, producing 11 different plays. During the summer months, there are nine productions going on in repertory at any given time. We saw five plays in three days, and just had a blast.

We started Friday night with Shakespeare's HENRY VIII, and this was the best production of this play I've EVER seen, including the production I saw in London years ago. Vilma Silva as Katherine and Anthony Heald as Wolsey were both fantastic.

On Saturday, we saw EQUIVOCATION, a new play by Bill Cain that was the highlight of the entire trip (which is saying a lot)! Equivocation is set during the reign of King James I of England (a.k.a. James VI of Scotland). William Shagspeare has been commissioned to write a play about the Gunpowder Plot, and his attempts to tell the truth -- and not get hanged in the process -- are played out. The cast of characters includes his daughter Judith (and for those of you who saw my "Doc Shakespeare" radio play at the 2005 Gathering in Las Vegas, you can imagine how fascinated I was by this), the King, SIr Robert Cecil, Guy Fawkes and various members of the Kings Players. It also features bits of King Lear, Macbeth and Henry VIII, giving a sense to the origin of those plays as well as Shakespeare's later "romances" such as Pericles, Winter's Tale, Cymbeline and The Tempest. Anthony Heald, so good the night before as Cardinal Wolsey is fantastic as Shag. An actress, whose name escapes me unfortunately, is wonderful as Judith. (She played Anne Boylen in Henry VIII) and four other actors (all fantastic) cover all the other parts. I liked this play so much, I immediately went to the gift shop and bought the text. And stayed up reading it that night.

Saturday night, we went to see a Nigerian play called "Death and the King's Horseman", based on a true story and set during World War II. This was a fascinating look at African vs. European (Western) values and theater.

Sunday, we saw Shakespeare's MACBETH. I've seen a LOT of productions of Macbeth of course, but there were a lot of cool elements to this version, including a sense that the Weird Sisters weren't done with Fleance at the end, which was something completely fresh to me. It was also great to see it right after seeing Equivocation.

Finally, Sunday night we saw a wonderfully funny production of MUCH ADO ABOUT NOTHING.

In addition to the shows, we had a number of wonderful meals -- and okay, a couple mediocre ones too -- in Ashland. And my daughter, father and I had a great hike through an absolutely gorgeous park.

All and all, I can't recommend the Festival, Ashland and especially EQUIVOCATION enough.

Spidey on Disney XD

FYI, Disney announced this morning the rollout of SSM Season Two on June 22 with two back-to-back episodes: "Blueprints" and "Destructive Testing."

For times, check local listings.

Spidey Ratings

Folks at Sony are feeling pretty good about Spidey's recent ratings on Disney XD. Here's some info...

Returning to its regular time period, THE SPECTACULAR SPIDER-MAN "Nature vs. Nurture" delivered a season high 1.71 B6-11 Rtg, up +67% from its season average (1.02).

The 18-episode marathon on 5/25/09 improved significantly over the time period's prior 4 week average… +279% in B6-11 Rtg, +250% in B6-14 and +226% in B9-11.

Second Season episodes will begin airing Monday 06/22/09. Check local listings for times.

SERIOUSLY...

It's the return of the giant invisible flying monkey brain. Damn thing won't leave me alone. Where's Mongo Mingi Mungu when you really need him?

TRADE NEWS!!!!!

Today, I e-mailed Dan Vado at SLG, asking about the two trades. Here's his response:

Hey Greg,

I was going to be emailing you this week.

Gargoyles I have scheduled for July, and that looks good for Comic-Con. Bad Guys I have scheduled for August and it a possibility for comic-con, but not a lock.

The Gargoyles trade will be in the May issue of Previews, I cannot stress enough that the fans really need to come out of the wood work on this one (not that they were in the wood work, but you know). They need to be "annoying" (i.e. pushy with retailers) as they can be because with the economy what it is right now nothing short of a huge groundswell of apparent demand wll get some of these guys (comic retailers and regular booksellers alike) to even buy a single copy. I am not a fan of getting people to be annoying, but this is going to be a case where it is needed.

Likewise Bad Guys (June Previews) will need an even BIGGER boost. I separated them because I did not want them to cannibilize each other sales-wise.

There you go, hope all is well with you...

Dan

So that's the news, both the good and the scary. I know I sound like a broken record. I know the fans shouldn't HAVE to be responsible for this, but if the fans don't, who will? I'll do my part. And Dan will do his, relative to his limited economic resources. But we NEED the fans to really step up and do two things:

(1) SPREAD THE WORD!!!! Please make sure EVERYBODY knows about these trades (and Volume 1 too).

(2) HARASS YOUR RETAILERS!! Make sure they KNOW how much you want these books. Pre-order them!! Put them on your pull lists!! Talk them up to every employee of every store!

Please!!

Remember, if these trades do well, we might be back with more original stories sooner than later. If they don't, it'll make it MUCH harder for SLG to justify risking more on the property, much harder to convince Disney that the property is viable and much harder to convince any other publisher to give us a shot.

Thanks,

gdw

ASK GREG is back, MARCH 23, 2009.

Ask Greg will once again open for question submission on March 23, 2009, which is coincidentally the date of The Spectacular Spider-Man's premiere on DisneyXD. (Okay, so maybe it's not exactly a coincidence.)

I would ask -- even beg -- that you carefully read the submission guidelines before posting here. In particular, PLEASE check the archives and the questions-already-asked sections before posting a question that's already been asked and/or asked AND answered. Try to avoid FLOODING Ask Greg, as it will only serve to slow down my ability to respond in a timely fashion. As always, comments are encouraged and appreciated... on Spidey or Gargs or whatever.

Thanks in advance...

Latest bit of news...

Hey gang,

Back from WonderCon. Had a nice Spidey panel, among other things. (I enjoyed the screening of the Wonder Woman direct to DVD.)

Also talked to Dan Vado. He assures me that the two trades (GARGOYLES: CLAN-BUILDING, VOLUME TWO and GARGOYLES: BAD GUYS: REDEMPTION) will both be out in time for this summer's Comic-Con in San Diego.

WonderCon 2009

Hey gang,

I'll be attending WonderCon 2009 this week in San Francisco.

I'll be signing Gargoyles stuff at the SLG Booth on Friday, February 27th from 4-6pm and on Saturday, February 28th from noon to 2pm.

We'll also have a Spectacular Spider-Man panel on Saturday, February 28th from 3-4pm, where Vic Cook, Sean Galloway, Josh Keaton and myself will have a Q&A and be premiering footage from Season Two, some of which hasn't even been shown yet in Canada or Bulgaria! That'll be followed by a Spidey signing from 4-5pm.

Hope to see some of you there!

UPDATE as of January 2009

Hey gang,

Today's my last day at Sony. I'm packing boxes. (Well, actually, I'm doing this and procrastinating on the packing, but you get the idea.) The last of the Spidey crew is laid off tomorrow, when we deliver the last episode of Season Two. The fact that we're all leaving does not preclude us all from coming back to do a third season, of course. But we've been told that the EARLIEST we could get a pick-up is March, when the series premieres on Disney XD. If I'm available, believe me, I'll be back. But I'm hustling up work now, so we'll have to wait and see. In the meantime, the second season has already premiered in Canada. Hope you Canadian fans are enjoying it. We're really proud of the work done on all 26 episodes.

Meanwhile, on the TRADE PAPERBACK front... As of today, ALL OF THE CREATIVE WORK on the GARGOYLES: BAD GUYS REDEMPTION trade is completed. Totally done. As for the Gargoyles trade, there is ONE lettering error that still needs to get corrected, and THEN ALL OF THE CREATIVE WORK on GARGOYLES CLAN-BUILDING VOLUME II will be done. I do NOT yet know when either trade will be released. That's a Dan Vado question. But I'll post info here as soon as I have it. I will NOT be responding to every rumor or speculation. I'm only going to post when I know something definitive. But believe me, I have no interest in keeping this info from you. When I know, you'll know.

It's been brought to my attention that there's a Goliath sculpt out there that looks pretty darn cool...
http://www.toyark.com/news/attachment.php?do=fullview&attachmentid=3072
http://www.toyark.com/news/disney-toy-news-38/bowen-releasing-new-gargoyles-goliath-statue-722/
As usual, I would never ask fans to spend money they need for necessities, but if you do have disposable income, then nothing helps the property more than dollars spent on products based on it.

Also, IGN's recently presented us with a few nice little honors. Spidey won Best Hero of 2008 (Spidey beats Jack Bauer!) and Best Animated series of 2008... plus we were nominated for Best New Series too. Also in their top 100 animated shows of all time, Gargoyles received #45 and Spectacular Spider-Man was #30. I might quibble about some of the included shows and some of the rankings (Jonny Quest was ROBBED!!!!), but it's nice to have both shows in the top 50.

Check out:
http://bestof.ign.com/2008/tv/15.html
http://bestof.ign.com/2008/tv/5.html
http://tv.ign.com/top-100-animated-tv-series/45.html
http://tv.ign.com/top-100-animated-tv-series/30.html

Finally, preparations are well under way for the Thirteenth Annual Gathering of the Gargoyles in Los Angeles (G2009). This year, it's Goliath meets the Spectacular Spider-Man, as we'll be having panels and guests from BOTH shows! Confirmed guests include myself, Vic Cook, Thom Adcox, Keith David, Josh Keaton (voice of Spidey/Pete) and Phil LaMarr (voice of Rand Robertson, Joe Robertson and Fancy Dan). And that's just the tip of the guest iceberg. Expect a metric ton of pros (writers, artists, voice directors, actors, production people) to sign on over the next few months. The ratio of fan to pro at this convention will top anything you can find anywhere. Don't miss it!

http://www.gatheringofthegargoyles.com/

And that's it for now. We'll reopen ASK GREG for questions and comments when Spidey premieres in the U.S. in March or when one or both of the trades are released, whichever comes first.

Take care,

Greg Weisman

Emru Townsend, RIP

I only just read today that Emru Townsend passed away from Leukemia. See http://www.pcworld.com/article/153725/in_memoriam_pc_world_contributor_emru_townsend.html

I won't pretend I knew Emru very well. He interviewed me twice for FPS. Once on a conference call with Keith David. And once in person during the 2004 Gathering in Montreal. But during those two brief encounters, he immediately impressed me as a smart guy, funny and fun to talk to. He also had the kind of voice that just begged to be behind a microphone in a cartoon, and I do remember telling him as much.

My condolences go out to his family and friends.

I didn't know him well, but he will be missed.

Spectacular Spider-Man on DVD

I can't believe I forgot to mention this:

The first Spectacular Spider-Man DVD, "Attack of the Lizard" has been out for over a week. This does more than "collect" the first three episodes of our season, i.e. the ones featuring Vulture, the Enforcers, Electro and the Lizard. We've recut the episodes into a movie. I won't pretend it works as a film perfectly, but I really do think it plays well ... also restoring footage and sound effects cut for time and S&P reasons.

If you like my work on Gargoyles, I'm fairly confident you'll like what me and the team are doing with Spidey.

And I know this sounds ridiculously self-serving, but good Spidey sales raises my profile in general, which can't hurt us on the Gargoyles front.

Check it out!

ComicsonComics.com

Unless you're Blaise or GXB -- and saw it live -- you might want to check out the podcast I did for ComicsonComics.com:

http://www.comicsoncomics.com/?p=130

The high quality version is available on itunes.

I think it turned out well...

CON-ODYSSEY: CopperCon - Monday, September 1, 2008

CON-ODYSSEY: CopperCon - Monday, September 1, 2008
12:45am - Said goodbye to Lanny and headed down to my room to watch some TV and read.

4am - Went to sleep.

6:45am - Wake up call.

7:15am - Had the complimentary hotel breakfast, which I had never gotten up early enough to get. It was good. Had a cheese, tomato, mushroom omelette. Plus scrambled eggs, bacon, raisin bran, cheerios, corn flakes, oatmeal, potatos, etc. Sat with Mara, Jennifer, Patrick, David and conchair Gary. When breakfast was over, I said goodbye to Mara, Jennifer and Patrick.

8:15am - Shane and Caitlin took David and I to the airport. We said goodbye to Shane and Caitlin, checked in and then I said goodbye to David.

10:05am - Got on the plane.

11:35am - Arrived at LAX. No car waiting for me. Called. Called again. Finally, the car showed up.

12:30pm - Made it home.

And thus ends my 2008 Con-Odyssey. I'm done for the year with conventions. Had a great time at all of them. But I'm ready to stick to home base -- at least until WonderCon in February. ;)

CON-ODYSSEY: CopperCon - Sunday, August 31, 2008

CON-ODYSSEY: CopperCon - Sunday, August 31, 2008
2am - I went back to my room and read a bit.

3am - Went to sleep.

10:30am - Wake up.

12pm - Held a Spidey panel. Usually Q&A's easily fill the time, but the turn-out wasn't great, so I need to start preparing more.

1pm - Sat in on David Hedgecock's panel on producing a comic book. Lots of good info. Not a lot I didn't know, but still learned something new.

2pm - Shane took David and I upstairs to meet the constaff.

2:30pm - David, Jennifer, Greg, Lanny, Patrick, Mara and I went to Qdobe, where I had a steak taco salad.

3:45pm - We said goodbye to Greg Bishansky and then headed for Chase Stadium.

5:05pm - Marty & Lexy Lund bought us all tickets to the Dodgers-Diamondback game. It was me, David, Patrick, Jennifer, Mara, Lanny, Marty, Lexy and three of their friends: Kevin, Corey and Shasta. I had a kosher dog, water and a cheeseburger. Great game. Dodgers slayed the D-backs 8 to 1. After the game, we said goodbye to Marty, Lexy and their friends.

9:30pm - David, Lanny, Jennifer, Patrick, Mara and I went to the hotel restaurant for dessert. I had deep-fried cheesecake and chocolate ice cream (which may explain why I started a diet as soon as I got back to Los Angeles).

10:30pm - We closed down the restaurant and headed up to Jen, Patrick and Mara's room to hang out.

MORE TO COME...

ComicsonComics.com

Last night, I did a podcast for ComicsonComics.com. Greg Bishansky and Blaze came out to see the show. Don't know if what we did made a good podcast, but we had a good time. Check it out.

CON-ODYSSEY: CopperCon - Saturday, August 30, 2008

CON-ODYSSEY: CopperCon - Saturday, August 30, 2008
12am - Back in Jennifer, Patrick and Mara's room with GXB and myself, we decided to watch WANTED on hotel pay-per-view. It was goofy fun, I thought.

2am - Went back to my room after the movie and read for awhile.

4am - Went to bed.

11:30am - Woke up.

12:30pm - Went down to the Dealer's Room to set up for David and my signing.

1pm - Re-set up for our signing. They changed locations on us Signed and sold a few comics and scripts.

2pm - Went to In N' Out for a Double-Double, Fries and Strawberry Shake with GXB, Jen, Patrick and Mara.

Throughout my hotel stay, I had housekeeping challenges. Because I was sleeping so late, I guess (being on the second floor) I was missing housekeeping's first pass, and they weren't automatically coming back for a second pass. The first day, I let it go. But I'm in a hotel, and I wanted my room made up. So I called the front desk, and the woman there accused me of never taking my DO NOT DISTURB sign off the door. I assured her that I had taken it down both yesterday and today, but that housekeeping had never come back. And she said AGAIN, "because if you leave that sign up there..." etc. etc. Coupled with the trick the hotel had tried to pull the day before, I got fairly ticked, that she was basically either not listening and/or accusing me of lying. Seriously, the proper response would have been simply, "I'll send housekeeping right away." That's what I was asking for. The hotel was very nice, but I was really NOT impressed with the front desk staff at all. (They also gave David a really dirty disgusting room initially. I won't go into what he put up with the first night - cuz it's just too gross.)

3pm - David and I had yet another Gargoyles panel. Struggling somewhat to fill the time. I've got to start BRINGING stuff.

4:30pm - Lanny, Jen, Patrick, Greg and Mara and I hung out in Jen, Patrick and Mara's room.

5:30pm - David and I met down in the bar to talk some business. More on this at a later date.

6:15pm - David and I went to the con's "Green Room" to begin judging the costume contest.

7:30pm - Masquerade. We gave out all the standard awards, but I had one discretionary award, so I gave Cutest Couple to a guy and a gal who were both dressed as "L" from Death Note but -- as far as I know -- didn't know each other. Hey, it worked for Tony and Andrea. You never know.

9:40pm - Greg, Jen, Patrick, Mara, David, Lanny and myself went to Chile's. I had Nachos, a root beer, fries, apples and Memphis dry rub baby back ribs.

11:30pm - I called Beth, and then headed up to Jen's room.

MORE TO COME...

CON-ODYSSEY: CopperCon - Friday, August 29, 2008

CON-ODYSSEY: CopperCon - Friday, August 29, 2008
12:30am - Gave up trying to read by the light of my cellphone and went to bed.

2:30am - The power came back on.

9:30am - Creaturecomics.com partner Marty Lund called.

11:30am - Automated wake-up call.

1pm - Guests' Luncheon. I had salad, roll, water, London Broil, veggies and the fruit off the top of the parfait. Other than the parfait (which just isn't my thing), the food was great. I sat with Shane, Caitlin, other members of the constaff including the ConChair and special guest MaryJanice Davidson.

3pm - I brought the Spider-Man pilot script down for the charity auction. Then hung out with Mara Cordova, Patrick and Jen. We went to Coldstone's where I had a "Banana Split Decision" without bananas (because they were out).

5:30pm - Marty and Lexy arrived.

6pm - There was supposed to be a fan-guest mixer in the bar, but it really was more of a constaff-guest mixer. I had some club soda and bar snacks (thanks to Jen and David). I sat with David and MaryJanice and her husband, writer Anthony Alongi.

7:30pm - I headed upstairs to alert Edmund Tsabard that he might be needed for a panel later that night.

8pm - Did a panel on the Animation Process from Development through Post-Production.

9pm - That was followed by a panel on Gargoyles Sexuality. I left briefly to avoid Edmund, who was there to talk about BlueMugProductions.com and "Last Tengu in Paris". The guy's a jerk, but I'd recommend the work being done by Mara, Robby and Jennifer. Sign up for updates at the website.

10pm - With panels done for the night, we headed off for dinner. It was a big group (Marty, Lexy, Lanny, David, Mara, Jen, Greg Bishansky, Patrick and myself). We saw amazing lightning en route. The restaurant (another loud we're-a-nightclub-at-this-hour place) had great tapas, including tomato bread, cauliflower, pear, duck, potatos, skirt steak, etc. Lanny treated us, I think cuz he felt bad about the volume. Which was really unnecessary, but VERY nice of him.

MORE TO COME...

CON-ODYSSEY: CopperCon - Thursday, August 28, 2008

CON-ODYSSEY: CopperCon - Thursday, August 28, 2008
The hotel was playing some unfriendly games. I was semi-awakened by a phone call from the hotel staff asking if I knew where to find "Mr. Sweeney", a member of "my party". I should have taken them to task, but I was too sleepy, so I just mumbled that I didn't know any "Mr. Sweeney".

I was then awakened again by a call from the hotel staff telling me that my room and taxes were not paid for. This is a pretty serious thing to tell a guest of the con. And in near-immediate hindsight, I realized it was a ploy on the part of the hotel to try to use me to force the hand of the Convention Staff to pay them for my room (and other guest rooms) in advance as opposed to at the end of the convention (which is typical). Anyway, this statement woke me up pretty quickly. The guy tried to tell me that the hotel needed my credit card number by 1pm. I had been prepared to go downstairs that morning to give them my credit card number for extras like in-room movies and room service, but not for room and tax which is supposed to be covered by the con. I made it clear that if the hotel insisted on this, I would simply check out. I could hear the guy back-pedaling on the phone, as he realized that his ploy might backfire. He'd lose out on five nights of registration, including the one night I had already spent there. He tried to fumfer, telling me I should talk to "Mark" on the constaff to get it straightened out. I told him I didn't know any "Mark" and that this wasn't an issue I was going to "deal" with at all. If the hotel wanted me to leave, I'd leave.

Of course, there was an element of bluff on my part as well. I didn't really want to leave. So I called my guest liason Shane, who told me not to worry about it. Half-an-hour later he called me back and said it was dealt with. But I determined that I wouldn't give my credit card to the hotel for ANYthing including room service. I'd pay cash for those charges at the end of my stay. And I also determined not to have any charges at the end of my stay. It was somewhat petty, but I didn't want to give any money to this hotel.

12:30pm - Jennifer L. Anderson and Patrick Toman (chairpersons of the Gathering 2009) arrived and we hung out for a bit.

1pm - David Hedgecock joined us, and we went to IHOP for lunch. I had the International Passport Breakfast with Eggs overeasy, bacon, sausage, hash browns, Swedish Pancakes and Tomato Juice.

4pm - Jen, Patrick and I went to see Pineapple Express. Not a great movie, but I have to admit I laughed a lot. So I'd give it a thumbs up.

6pm - Dinner at the Macaroni Grill with Jen, Patrick, David and Lanny Fields (multiple Gathering attendee). I had a Caesar Salad, coke and lasagna.

8pm - David and I had our first Gargoyles panel. Middling attendance, but we had fun.

9:30pm - Returned to my room.

11:30pm - A pretty impressive storm with impressive lightning displays, 100mph winds and HAIL! I was watching television, when the entire hotel blacked out. I watched the storm for awhile and then tried to read by the light of my cellphone...

MORE TO COME...

ComicsonComics.com

FYI - Here's a blurb:

ComicsonComics.com, the innovative live show/video podcast which brings stand-up comedians and comic book creators together, returns to Meltdown Comics Wednesday September 10 [2008]! Host Robbie Peron welcomes the legendary creator of Gargoyles and supervising producer of the Spectacular Spider-Man animated series, Greg Weisman as he matches wits with comedians Tim Babb, Erik Lundy and Eddie Pence in a round-table discussion of the latest comic book news!

Meltdown Comics is located at 7522 W. Sunset Blvd. in Hollywood. The taping starts at 8pm, so show up early to grab a good seat!

Previous episodes with Christos Gage, David Gerrold, Wendy Pini, Geoff Johns and Brian Lynch can be seen online here:

http://www.comicsoncomics.com/?cat=11

Higher quality versions can also be downloaded from iTunes (http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=278094320 ).

CON-ODYSSEY: CopperCon - Wednesday, August 27, 2008

CON-ODYSSEY: CopperCon - Wednesday, August 27, 2008
3:30am - I finally went to bed.

5:30am - I got up after my little nap. Showered, packed, ate banana cake, salami, lemon water for breakfast.

7am - The car picked me up to take me to LAX. I had Tuesday and Wednesday's L.A. Times with me, and read them.

9:40am - Borded the plane. After take off, I started to read Walter Mosely's Blonde Faith, but I couldn't keep my eyes open. Slept.

11am - Landed. In baggage claim, I met up with Shane Bryner (CopperCon Guest Liason) and David Hedgecock. Caitlin, another con staffer, was waiting for us out in the car. They took us to lunch, feeding me grilled cheese and tomato soup.

1pm - We went to Drawn To Comics for our first signing. Not much there for us to sign, but we had fun.

4pm - We went to Samurai Comics for our second signing, which wasn't scheduled to start until 5pm.

5pm - Same basic deal.

7pm - We departed for the hotel, checked in, unpacked.

8pm - Shane, Caitlin, David and I went out to dinner at a restaurant called Shogun. I had a coke, edamame, mixed tempura, a California roll, miso soup, salad. Then we went back to the hotel. Where I literally fell asleep doing my ten minutes of neck traction exercises. That means my head was hanging backwards off the edge of the bed for nearly an hour.

11pm - So I went to bed...

MORE TO COME...

IT WAS TWENTY YEARS AGO TODAY...

IT WAS TWENTY YEARS AGO TODAY...

On September 4th, 1988, I went on a first date with this amazing woman. We went to an apartment warming party for my friend Mike Ryan. My car -- actually my sister's car -- had it's horn literally hanging from the bottom of the engine by a wire, so I had to ask her out AND ask her to drive. (Who knew she'd like that?) At the party -- where she knew no one and I knew everyone -- she fit right in. My friend Cameron had just purchased a new camcorder and was practicing with it. Years later, he would give me a copy of the tape -- a tape of our first date -- full of fades and truck ins and other first-timer camera tricks. After the party, we dropped me off at my place, and I invited her upstairs. We talked for hours and hours. I did EVERYTHING they tell you not to do, including talking about multiple past relationships. And yet somehow as morning came, she still liked me.

Beth and I have been together for twenty years now, and... thank God... she still still likes me. After two apartments, we're on our second house, our third cat and our fourth and fifth dog. Plus, you know, the two amazing, amazing kids.

We have many anniversaries in my date book. Engagement. Finding out she was pregnant with Erin. Finding out she was pregnant with Benny. Our wedding, of course.

But this is still my favorite anniversary. This is where it all began.

I love you, Beth. Happy Anniversary.

WEISMAN'S ON A ROLL...

WEISMAN'S ON A ROLL...

The RED TORNADO limited series that I was working on for DC Comics has been put on an indefinite hold. (I wouldn't hold my breath, even if you are an android/air elemental.)

CLARIFICATION

CLARIFICATION

Hey gang,

There seems to be some confusion about where things stand with the comic books, so I'm going to try again to clear things up. The SLG license expired on 8-31-08. That means there will be no more individual comic book issues on either Gargoyles or Bad Guys.

However, SLG does still have the right to put all existing material out in the Trade Paperback format. They are also allowed to include Bonus Material in these trades.

Gargoyles: Clan-Building, Volume One will remain available, and as soon as possible, we will be putting out Gargoyles: Clan-Building, Volume Two and Gargoyles: Bad Guys: Redemption out in trade.

Gargoyles: Clan-Building, Volume Two will include (obviously) Gargoyles issues #7-8, but it will ALSO include what would have been issues #9-12, including the covers, as QUOTE-UNQUOTE Bonus Material. You WILL get to see the end of the Clan-Building arc. Currently, issue #9 is done except for a few minor lettering corrections. Issue #10 is being pencilled as we speak. Issue #11 has been scripted, and we are looking for the right artist to pencil it. Issue #12 is being scripted now. The trade will come out when ALL this material is complete and approved.

The Gargoyles: Bad Guys: Redemption trade will include (obviously) Bad Guys issues #1-4, but it will ALSO include what would have been issues #5-6, including the covers, as QUOTE-UNQUOTE Bonus Material. You will get to see the end of the Redemption limited series. Currently, issue #5 is done except for a few minor art corrections and the lettering. Issue #6 is scripted, and Karine will begin roughing it out shortly. The trade will come out when ALL this material is complete and approved.

Hope that clears things up.

Greg

Gargoyles: Bad Guys #4

Gargoyles: Bad Guys #4 should be in stores this Wednesday, August 20th, 2008.

FYI

My Gargoyles Universe timeline has hit 300 pages. Just thought you'd like to know.

CON-ODYSSEY: ComicCon - Sunday, July 27, 2008

CON-ODYSSEY: ComicCon - Sunday, July 27, 2008

1:45am - Went back to my room to watch TV and read more BONE.

4am - Finally went to sleep.

9:30am - Wake up time. Said goodbye to Michael Vogel, Mike Ross, Chris and David Hedgecock.

10:30am - Talked with Paul GIacoppa for a bit.

11am - My last SLG signing with Karine. Lots of people stopped by, and I said goodbye to Karine, Jen, Faith, Sammy, Seth, Chris, Gargy, Dan, Jen, Joe, etc.

1pm - Left the con. Went back to the hotel to get my duffle and my car. Headed for home. Finished BORN STANDING UP and started Michael Chabon's YIDDISH POLICEMEN'S UNION. Ate peanut M&Ms, Pringles, Water, Coke.

4:30pm - Made it home.

And that ends my con-journaling until later this month when I head for CopperCon in Phoenix, Arizona: http://www.casfs.org/cucon/

CON-ODYSSEY: ComicCon - Saturday, July 26, 2008

CON-ODYSSEY: ComicCon - Saturday, July 26, 2008

12:30am - Back to the room.

1:30am - Sleep.

8:30am - Wake-up. Seven hours, not bad. The sleep-gods giveth and the sleep-gods taketh away.

9:30am - Breakfast with Michael Homler of St. Martin's Press. He's been trying to cajole me to finish the rewrite of my RAIN OF THE GHOSTS novel for a couple years now. I just never have time. I did have time for oatmeal, bacon and orange juice.

11am - SLG Signing with Karine. Simultaneously, I lost a contact lense deep inside my right eye, various fans stopped by for autographs, various friends and acquaintances stopped by to say hi, I was interviewed on camera and Dan was telling me that the Gargoyles comic book license would not be renewed. It was... somewhat stressful. I won't go into the details of the non-renewal here. I've rambled about it on ASK GREG earlier this week. Check the archives. But obviously, this was not a fun piece of news. The good news is that we will finish the Clan-Building and Redemption storylines. Beyond that, we'll just have to see...

1:30pm - SLG Panel. We showed the reels for both Mecha-Nation and Prodigy. Two new comics that Vic Cook and I will be doing for SLG over the next year. Then we had to announce the Gargoyles bad news. The sound was problematic throughout the panel, and the whole thing was a downer. No one's fault of course, but not too fun.

2:30pm - Back to SLG Booth for more signing.

3pm - David Hedgecock joined me.

4pm - Vic & Greg Guler came to sign Spidey posters and talk about Mecha-Nation and Prodigy on camera for SLG's website. I was definitely feeling burned out.

6pm - Went back to my room.

7pm - I went out to dinner with Vic, Greg Guler, Kevin Hopps, Phil Weinstein and their families. (Table for NINETEEN!) I had bread, a pepperoni/sausage/mushroom pizza and root beer. Then Vic, Kevin and their families wanted ice cream so I led them back to Ghiradelli's and had another Domingo. From there we returned to the Omni. I got a bottle of San Peligrino and we took up residence at the far end of the lobby as various folks came and went, including: myself, Vic, Phil, Kevin, Nicole Dubuc, Ian Mackie, Jennifer Anderson, Seth Jackson, Sammy, Kyt, Scott Sakai, Alisa, Cindy, Joey Mason, Cheeks, Marina and others, I'm sure. (Sorry, if I forgot anyone.)

TO BE CONCLUDED...

CON-ODYSSEY: ComicCon - Friday, July 25, 2008

CON-ODYSSEY: ComicCon - Friday, July 25, 2008

12:30am - Giving up on food, I return to my room to watch some TV and read BONE by Jeff Smith. I had bought the complete one-volume edition earlier that day, breaking my "no purchases at ComicCon" rule.

4am - I turn off the lights to go to bed.

5am - Can't sleep, so I turn ON the lights and read more Bone.

6am - Turn out the lights (just as the sun's coming up).

10am - Wake up.

11am - We have a press session organized by Lindsay Colker for Spectacular Spider-Man. I give a half dozen interviews, as do Michael Vogel, Vic Cook, Sean "Cheeks" Galloway, Jamie Thomason, Josh Keaton, Vanessa Marshall and Ben Diskin.

12:30pm - Spectacular Spider-Man panel w/myself, Michael, Vic, Sean, Jamie, Josh, Vanessa, Ben and Robert Englund. We show the music video, our "Quip Reel" and the preview of our Mysterio and Kraven footage. It all seems to go over pretty well. Vic and I attempt to make shout outs to everyone on the staff that we know is attending. Not sure if we got everyone, but we tried. The Q&A -- in fact the entire panel -- seemed to go pretty well. I judge this by the number of laughs we got.

2pm - We have a Spectacular Spider-Man two-poster/one postcard signing at the Sony Booth. The coolest giveaway is this great spider-signal. Very cool.

3:30pm - Vic and I do one last interview.

4pm - Back to the SLG Booth to sign Gargoyles stuff with Karine Charlebois and Robby Bevard. Jennifer brought me a Pinkberry.

6:15pm - Back to the room.

6:30pm - I get Michael Vogel and Chris into the Jetix party at Stingaree. I make some small talk with Mike Moon, Rich Fogel, Mark Seidenberg, Eddie Gamara, Peter McHugh, Matt Wayne, Nicole Dubuc, Brian Swenlin, among others.

7:30pm - I hook up with Eric Vesbitt, John, Carrie, Karine, Kyt and Jennifer for dinner at Mahoney's. We are literally driven out of the place by the ridiculously high volume of the music - taking our food to go. We ate outside, and the food was actually pretty good (Salad, Club Soda, Philly Cheesesteak Sandwich). But I was still shaking from the volume. So we went to Ghiradelli's for dessert. I had a "Domingo", which is basically a hot fudge sundae (Domingo=Sunday, get it?) with bananas. Afterwards, Jennifer, Kyt, Laura and Julia and I went to a bar. I had another club soda and then called it a night...

MORE TO COME...

CON-ODYSSEY: ComicCon - Thursday, July 24, 2008

CON-ODYSSEY: ComicCon - Thursday, July 24, 2008

12am - Returned to my hotel room.

2:30am - Went to sleep.

9:30am - Woke up.

11am - Signing with Karine Charlebois at the SLG Booth.

1pm - A few of us headed out to get lunch, but it took us so long -- and all the restaurants were so crowded that I realized I didn't have time for lunch, so I stopped by Pinkberry and got an original with blackberries, strawberries and blueberries.

2pm - Another SLG signing, this time with David Hedgecock and Gordon Purcell. My friends brought me a burger and fries from Dick's Last Resort.

4pm - I walked the floor a little bit.

6pm - I went back to my room.

7:30pm - Jennifer Anderson, Robby Bevard, Kit Contreras and Karine Charlebois piled into my Cruiser for a trip to Baja Betty's, where we joined Michael McAdams, Sammy, Seth Jackson, Alisa, Scott Sakai, Marina Garcia, Max, Ty and Cindy Kinnard. I had a LOT of chips and salsa and coke. Also an Enchilada, taquitos, rice & beans. We then went back to the hotels. Jennifer, Karine and I decided to go looking for dessert. We ran into Vannessa ("Mary Jane Watson") Marshall and Cathy Lizzio (her agent) also on a hunt for food. But by Thursday at midnight, that seemed impossible. We were joined by Fred (voice of the Hulk) and his father Fred Sr. But still no food...

MORE TO COME...

CON-ODYSSEY: ComicCon - Wednesday, July 23, 2008

CON-ODYSSEY: ComicCon - Wednesday, July 23, 2008

Geez, I only JUST noticed that my entire previous conjournal entries for the Gathering and ConVergence all have the YEAR wrong. 2008, not 2009.

Cripes.

Anyway...

12am - I'm still prepping for ComicCon.

2am - I watch an episode of the L-Word.

4am - I web-browse, looking for info on my buddy Cary Bates' new comic for Marvel: True Believers.

5am - I go to bed.

10am - I get up, pack, etc.

12pm - I say goodbye to Erin, who is home sick, and head to Ralph's market to buy road snacks.

12:20pm - I finally hit the road. I eat a Butterfinger, Pringles and Evian. I'm listening to Steve Martin's great autobiography Born Standing Up.

3pm - I arrive at the Omni Hotel and check in. My room (non-smoking) smells like cigarette smoke but only in the entry way. I think smokers stood outside the room by the window and some of the smoke seeped through. I'm too lazy to complain or change rooms, but I later bring it to the front desk's attention as I'm paranoid I'll be blamed for the situation and charged a huge "cleaning" fee. Otherwise, the room is very nice.

4pm - I have "lunch" with Michael Vogel, Chris and Mike Ross at Sweetwater in the Hard Rock. I have a number of cokes, a bacon cheese burger and a big pickle. Jennifer Anderson catches up to us.

5:30pm - Jennifer and I go to Mary Janes (also at the Hard Rock) and I have dessert: Apple Pie ala mode.

7pm - We get to the Old Globe Theatre just before curtain. The play is "The Pleasure of His Company". It's a very fun and funny production. I lose a contact part way through the play however. So we head back to my room so that I can change into my glasses. We then head out to meet up with Seth and Sammy, who are at a restaurant. We are warned that it's a "long walk" -- but are not told that it's flat out TOO FAR TO WALK! Eventually, we call and force Seth to come pick us up.

11pm - At the deli, I have an OJ, a French Dip Sandwich and Potato Salad.

MORE TO COME...

THE BIG BAD NEWS (and a little bit of good news).

THE BIG BAD NEWS (and a little bit of good news).

As many of you have probably heard, we found out Saturday (7/26/08) at San Diego ComicCon that the GARGOYLES (including BAD GUYS) license will not be renewed after it expires on 8-31-08.

Just to be very, very clear... this is NOT the result of poor sales. GARGOYLES is still one of the best selling book SLG publishes (if not THE best). BAD GUYS doesn't do too badly either by SLG standards. Of course, delays didn't help sales... and there are probably other factors that reduced the upside -- including the writing -- but none of that is the point.

According to SLG's President, Publisher and Owner Dan Vado, the Disney execs told him that the money they were taking in did not justify their administrative costs. So they raised the license renewal fee to a rate that put it beyond SLG's reach. (Dan had hoped to renew both Gargoyles and Haunted Mansion -- though not Tron or Wonderland -- but neither book will now be picked up.)

I don't know what effect recent announcements about Kingdom Comics and Boom! Comics had on this decision. Dan was told one thing had nothing to do with the other. No one at either company has approached me about doing Gargoyles, and I don't know that there will be any interest now that the license is coming to an end.

That's the bad news. But there is a bit of a silver lining.

There will be NO STORY INTERRUPTUS!!

We will finish both GARGOYLES: Clan-Building and BAD GUYS: Redemption. That's the equivalent of seven more issues of material.

BAD GUYS #4 should be out next week. The book is done and has been done for some time. It's been sent to the printers.

GARGOYLES #9 will hopefully be out next month. David is done with the art. All that remains is for Robby to color it and David to letter it -- tasks that both these gentlemen have proven able to do with great speed.

Whether or not the remaining issues (BAD GUYS #5-6 and GARGOYLES #10-12) are published as individual issues is a bit up in the air. BAD GUYS #5 and GARGOYLES #10 have decent (if long) shots at getting out in time. But whatever doesn't get out as individual issues will still be scripted, drawn, colored or toned, lettered and published as "BONUS MATERIAL" in individual trade paperbacks that will collect GARGOYLES: Clan-Building Volume II and BAD GUYS: Redemption. And these compilations WILL come out! There's still a lot of work to be done. (Personally, I still need to script Gargoyles #11-12.) So I WON'T take this moment to thank everyone and say au revoir. That'll come later. For now, we're still a going concern.

In addition, Dan hasn 't given up on us. He wants to put out these two new trades and keep all three trades available for sale (and btw we sold a bunch of the trades at ComicCon -- when I left Sunday at 1pm, hours before close of con, we only had a handful of Clan-Building Volume I left to sell). After a year, he hopes to go back to Disney with a different, perhaps more modest offer to do Gargoyles Graphic Novels. Might work out. Might not. But he's still game and just in case it isn't 100% clear...

GREG WEISMAN HAS NOT GIVEN UP!!!!!!!!!!

I'm as determined as ever -- if not moreso -- to continue bringing you canon Gargoyles stories. The eighteen issues we've done/are doing have only whetted my appetite! I'm still going to be out here swinging... for more comics or graphic novels, for the DVD releases, for a live action film, etc. But I can't do it alone! So please don't you guys give up on Gargoyles either!

Remember, a few years ago, we didn't even have this. In that time, we will have brought you two big arcs, six big stories, eighteen "episodes" and numerous sub-plots, plot-twists, new characters and old familiar favorites. Would we have Shari, Quincy, Coco, Amp, etc. if the fans haven't kept the faith?! No. Would we grok the Illuminati number system?! No. Would we have seen Goliath and Elisa declare their love?! NOPE!!! (Oh, and for those of you who wish Demona could have figured more prominently in the comic... well, guys do you really think I'd do a twelve issue re-introductory story arc in Gargoyles without prominently including the crazy red head? Please.)

So what can YOU do? Well, nothing's changed on that front, really. We still need people to buy comics, trades, DVDs, HOT TOPIC T-Shirts. We still need people to attend the GATHERING. (Check out www.gatheringofthegargoyles.com ) And whether or not you've spent all the disposable income you have to spend on the property, then help us SPREAD THE WORD!!!! Make sure every gargoyle fan knows about what's out there. Show friends the first 39 episodes on DVD. Lend them the comics or trades. Create converts.

And mostly... just keep the faith.

CON-ODYSSEY: GATHERING & CONvergence - Monday, July 7, 2009

CON-ODYSSEY: GATHERING & CONvergence - Monday, July 7, 2009

12am - The Memorial Panel for those who have passed officially made the con a 5-day event. Chocolate Fish.

1am - A bunch of us hung out for hours. Chris, Ken, Lex, Tim, Windy and others.

5am - Back to the room.

5:30am - Sleep.

10:30am - Wake-up. Five hours. Not too bad for me.

11:30am - Packed up with some difficulty. All those extra t-shirts and the crochet'd Goliath made it tough to fit everything in. Lex and I headed to Axel and I had gumbo, an Onion Ring and an Axel burger.

4:20pm - My delayed flight finally took off.

6:20pm - Just barely made my connection to my L.A. flight.

9:30pm - Arrived at LAX.

10:00pm - Home.

And that's that. Finished just in time, because tomorrow I leave for Con-Odyssey II: San Diego ComicCon!! More when I return.

CON-ODYSSEY: GATHERING & CONvergence - Sunday, July 6, 2009

CON-ODYSSEY: GATHERING & CONvergence - Sunday, July 6, 2009

12am - Returned to my room.

3am - Went to sleep.

8:30am - Wake-up.

10:30am - Brunch w/Uncle Joe and Aunt Nancy: V8, French Toast, eggs, bacon, hash browns. Then we headed over to Joe & Nancy's house for a bit.

12:30pm - Adaptation panel w/Marv & Vince.

2pm - Another signing with nothing to sign.

3pm - Went to Dairy Queen with Lex and had a dipped cone. Then we wandered about the con for a bit.

5pm - Closing Ceremony. I'm embarrassed to say, I found myself tearing up at Jeremy and Tim's farewell. (They've been part of the Triumvirate of Seven running the con for ten years now -- but have resigned after a noble and long run.)

7pm - Macaroni Grill with Lex, Megan, Mark, Eryn, Amanda and Len. Meatball Soup, Bread, Lobster Ravioli, Cheesecake with strawberries and chocolate.

10pm - Listened to the reading of the surveys. This may be my favorite part of the convention.

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Saturday, July 5, 2009

CON-ODYSSEY: GATHERING & CONvergence - Saturday, July 5, 2009

12am - Lex and I met up at COF2E2 and hung out chatting for hours, joined by James toward the end.

5am - I returned to my room and pretty much went right to sleep.

9:30am - Wake-up.

11am - I had a Buffy & Angel panel. Yeah, yeah, what am I doing on that panel? Just being a geeky fan.

2pm - Comic book panle w/Terry Beatty, Chris Jones, Mark Evanier, Marv Wolfman and Len Wein.

3:30pm - A panel on Continuity with Chris Jones and others.

4:30pm - Took a nap.

7:30pm - Dinner at Vantage with Lex. Coke, Bread, water, Tomato Soup, Edimame, Steak, Mashed Potatoes, Green Beans. Good food.

9:30pm - Comics as Movies Panel w/Terry.

11pm - Mature Comics Panel w/Hank, Damien and Eve. This was probably the one dud panel of the entire Con-odyssey. It should have been fun and raucous and raunchy like a blue mug. But we got off to a serious start and never quite found a rhythm, though Eve tried when she arrived. Felt strangely on the defensive -- for no particular reason. But I did pimp BlueMugProductions.com.

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Friday, July 4, 2009

CON-ODYSSEY: GATHERING & CONvergence - Friday, July 4, 2009

5am - Finally went to sleep.

9:30am - Wake up.

11am - An animation panel with Mark Evanier, Wally Wingert and Matt Waterhouse. We covered a lot of ground about the business. (Some of it pretty disheartening, I'd think.)

12pm - I toured the art show.

12:30pm - Dr. Jim Kakalios, author of The Physics of Superheroes, gave a talk on the costumes and accessories of superheroes, including unstable molecules (although as I pointed out to him later, he really only dealt with how they worked for Mr. Fantastic, not for the Invisible Girl of the Human Torch) and Captain America's shield. It was great.

2pm - I had a Gargoyles panel. Always fun.

3pm - Lex and I went to Dairy Queen for "lunch". Had a cheeseburger, fries and an Orange Julius. Got a chance to talk with Ken Hite and his wife Sheila. Ken's the only guy doing more panels than me. I shrug it off... for now.

5pm - I have a signing alongside Marv Wolfman and Wally Wingert. I have nothing for people to sign. But I learned some lessons from Marv about this that may prove useful at CopperCon later this summer.

6:30pm - Matt Waterhouse, David Margosian, Jennifer Menken and I have ANOTHER animation panel ("Cell vs. Chip"). It starts out as a bit of a struggle to make sure it's not just a rehash of the panel earlier in the day, but it winds up being pretty fun and unique enough. It helps that I have an ENDLESS quantity of showbiz horror stories.

7:30pm - Went out to Olive Garden with Mark Temple, Mark Evanier, Jody, Chris Jones, Marv Wolfman and Len Wein. Had breadsticks, minestrone and angel hair with shrimp.

11pm - A panel on "The Rebirth of the Heroine" with Charlotte Nickerson and Jen Manna. This was a fun one too. But I missed Soylent Blue because of it, which was a bit of a bummer as I remember them being really, really funny the last time I was at CONvergence.

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Thursday, July 3, 2009

CON-ODYSSEY: GATHERING & CONvergence - Thursday, July 3, 2009

4:30am - Finally went to sleep.

10am - Wake up.

11:30am - Went out to breakfast at the Edina Grill with Uncle Joe. (Joe is my wife's father's brother.) We mostly talked about the crazy industry I work in. I had Eggs, sausage, hash browns, sourdough toast.

2pm - All the con's special guests (over twenty of us) had a photo call. After that, I went to check out the Dealers' Room.

5pm - I had a panel on the Spectacular Spider-Man.

7pm - Opening Ceremony.

9pm - Lex took me for a comparison Juicy Lucy (this one w/Blue Cheese that didn't quite get liquid), Lemonade, Cheese Curds and Onion Straws.

10pm - We got back to the hotel in time to see a pretty good fireworks display in the distance. I toured all the cabana parties, but I wasn't into it, so...

11pm - I went back to my room.

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Wednesday, July 2, 2009

CON-ODYSSEY: GATHERING & CONvergence - Wednesday, July 2, 2009

3am - Went to sleep.

12:30pm - Wake up. Yep. I was pretty tired.

2pm - Lex and her husband James and I go to Matt's for Juicy Lucys and fries.

3pm - Lex and I go to a mall (not THE mall) and grab some Cherry Garcia before...

3:55pm - We saw Wall-E. Which I thought was just great. Really liked it.

7:10pm - Went to the Guest Reception at the hotel. They served cake. But "NO FORKS!"

10pm - I was back in my room and a bit restless. Just started watching television. See even when I catch up on sleep, I wind up blowing it the next night...

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Tuesday, July 1, 2009

CON-ODYSSEY: GATHERING & CONvergence - Tuesday, July 1, 2009

4:30am - Finally went to sleep.

9:30am - Wake-up.

11:15am - Car took me to the airport. Grabbed some McDonalds: Quarter-Pounder w/cheese, fries, coke and an apple pie.

2:15pm - Flight departs for Minneapolis. Had some tomato juice on the plane.

3:45pm - Arrived in Minneapolis.

4pm - Lex Larson, my CONvergence guest liason picked me up and took me to the Sheraton in Bloomington to check in.

5:30pm - We arrive at the amazing new (to me) Guthrie Theater. We had dinner at Cue, the restaurant there. The food was amazing. Breadsticks and bread, Salad, Flatiron Steak, potatoes, green beans...

7:30pm - We saw THE SECRET FALL OF CONSTANCE WILDE, a play about Oscar Wilde, his lover Bosie and especially his wife Constance. It was a great production. Very creative. Amazing performances... and PUPPETS!

10:30pm - Back to the hotel.

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Monday, June 30, 2009

CON-ODYSSEY: GATHERING & CONvergence - Monday, June 30, 2009

12:30am - After the ballroom dancers went their separate ways, a few of us (Susan, Jennifer, Mara, Gore, GXB, Patrick, Karine and I) went up to Susan's room to hang out, talk, laugh, debate the virtues of Twizzlers vs. Red Vines, etc.

4am - Back to my room. Had another apple.

4:30am - Bed.

8:30am - Wake up call.

10am - Had breakfast with my cousin Alex and her friend Tobin. Orange Juice, Begniets, toast, potatos, eggs, bacon.

11:30am - Took a break, but as I understand it that one-eyed pig Edmund Tsabard had a panel with Jennifer, Karine and Mara to talk about Blue Mug Productions and show some samples. For more info, stop by BlueMugProductions.com.

1pm - Closing ceremonies. Always bittersweet.

3pm - Goodbyes. Pretty much everyone took off, except myself, Patrick and Susan and her family. Susan took Patrick and I to her house, where we met her many, many, many, many dogs and saw her many, many, many cells. Very cool.

5pm - Susan, Rob, Carly and Chloe took us to yet another great dinner. Had shrimp, clam chowder, coke, steak, lobster tail, rice, slaw. Then Rob and Chloe took Patrick and I back to the hotel.

7pm - I was back in my room. And pretty darn tired.

9pm - Sleep.

11:30pm - Knew it was too good to be true. Woke up. Had another apple. Watched some television and read some Ross Macdonald.

The end of another FANTASTIC Gathering... and yet my trip is only half over!

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Sunday, June 29, 2009

CON-ODYSSEY: GATHERING & CONvergence - Sunday, June 29, 2009

1am - Returned to my room and ate an apple.

2am - Went to sleep, which for me is early.

8:30am - Wake up call.

10am - Had the Gargoyles and Bad Guys panel with Karine. Fewer questions about Gargoyles #9 then I would have thought, but it was fun.

11:30am - Gargoyles Biology and Culture panel w/Lynati & Kimberly. A perrenial favorite of mine. Not sure anything quite as revelatory as last year in Tennessee, but it was fun.

1pm - Spidey panel w/Keith, Thom and Jennifer. Again, no major revelations, but I like talking Spidey. Next year we're probably going to do a series of Spidey panels at the L.A. Gathering 2009.

2:30pm - Went for stir fry lunch with Sammy, Jennifer, Thom, Adam and Laurean. Good stuff. Afterwards, a couple of us went to Jamba Juice.

4pm - Though we were told we didn't need to get back to judge the Iron Artist competition until 4pm, by the time we arrived it was all over. The medium was macaroni and the theme was the Ultra-Pack.

4:30pm - Sat down to watch the end of the auction, and then we had our signing.

6pm - Banquet: Salad, roll, Chicken, potatoes, carrots, asparagus, tart. I sat with constaff mostly: Nikki, Seth, Sammy, Susan, Jennifer, Karine, Patrick, Greg, Rebekkah. During the Trivia Contest, Matt led his table to victory.

9pm - Masquerade. Fewer entries every year. I hope we can reverse that trend. But what was there was pretty cherce:

Best Canon:
1st: Hunter/Aaron
2nd: Shari/DTaina
3rd: Archmage+/Chip

Best Original:
1st: J.W./Jennifer Rynmoor
2nd: Gypsey/Noel Leas

Cutest Couple: Ranmaru & Arazia

Thom Adcox Memorial Award: Justin as Odin

No Gorelisa award this year.

Best in Show: Patrick Fisher as the Tourist Gargoyle

Also, Karine had a kick-ass Hunter costume.

There was dancing next. I even swing-danced Jenn-Bob right off a table.

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Saturday, June 28, 2009

CON-ODYSSEY: GATHERING & CONvergence - Saturday, June 28, 2009

2:00am - Back to my hotel room.

4:00am - Finally went to sleep.

8:30am - Wake up call. I showered, etc., and went down to the ConSuite, where I had a Danish and OJ at the tail end of the staff meeting.

10:00am - We held our second set of auditions.

11:30am - Over a catered lunch of a French Dip Sandwich, Broccoli Soup and fruit, Keith, Thom, Jennifer and I cast the Radio Play.

2:00pm - I was interviewed for an article by Alan.

3:00pm - The Gathering Players had their one and only rehearsal.

5:00pm - The Radio Play. This year's script was a chronological retelling of Chapters VII, VIII & IX of Clan-Building (i.e. "The Rock", "Rock & Roll" and "Rock of Ages"). I think the performers were terrific, but I don't think the script worked chronologically. Oh, well... A highlight was the massive rainstorm that nearly overwhelmed Shari's storytelling. Here was the cast:

THE GATHERING PLAYERS - 2008 Edition
NARRATOR - Greg Weisman
MACBETH - Erik Mambu
SHARI - Jennifer L. Anderson
COLDSTEEL - Eric Tribou
LEXINGTON - Thom Adcox
STONE OF DESTINY - Justin Summerhill
HUDSON - Jordan Mann
DAVID XANATOS - Jaret Morlan
ARTHUR PENDRAGON - Patrick Fisher
CONSTANCE/COCO - Laurean Leigh
STAGHART/AMP - Seth Jackson
GRIFF - Chip
THAILOG - Keith David
COLDSTONE - Revel
COLDFIRE - Sarah the Great
GOLIATH - Keith David
COYOTE 5.0 - Jaret Morlan
PEREDUR - Seth Jackson
COLDSTREAM GUARD - Chip
ELISA MAZA - Phoenix Talon
JAY SATO - John/Flanker
BLANCHEFLEUR - Laurean Leigh
CUSTOMS OFFICIAL - Patrick Fisher
BROOKLYN - Jae
DUVAL - John/Flanker
FOX - Phoenix Talon
BROADWAY - Lucas McClain
HOLY GRAIL - Lucas McClain
LUNETTE - Phoenix Talon
VINNIE GRIGORI - Jae
AIRPORT INTERCOM - Lucas McClain
OWEN BURNETT - Jae
MAGGIE THE CAT - Sarah the Great
TALON - Revel
SCOTTISH PATRIOT - Jordan Mann

7:00pm - Dinner at Pete's, w/Josh, Susan, Nicole, Eric, Greg, Rebekkah, Patrick, Laurean, Keith, Thom, John, Sammy, Seth, Jennifer, Nikki, Karine and me. Fantastic meal: Iceberg wedge salad, amazing bread, NY Strip Steak, Garlic Mash Potatos, Creamed Spinach, mushrooms, Berries. Raced back to be on time for...

10:00pm - The Blue Mug. Fairly raunchy this year. (Though not with every single question.) Teased Blue Mug Productions a bit. At some point, I took a bathroom break. Discovered that the self-flushing urinals in the hotel SCREAMED like the Green Goblin's pumpkin bombs! Freaked me out! Later Nikki gave me a colored sketch of a Green Goblin screaming urinal.

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Friday, June 27, 2009

CON-ODYSSEY: GATHERING & CONvergence - Friday, June 27, 2009

10:30am - Wake-up call gets me up. I slept for nearly twelve hours. Guess I was tired.

11:30am - I head up to the con to collect my box of RadioPlay scripts. Say hi to some people. Tour the dealer's/art room, which is a work in progress at this point.

12:00pm - My first panel of the con(s). Thom and I hold the Voice Acting Seminar that we've done in previous years. Phoenix gets up to play Demona and does a great job. We also do the Griff, Leo, Una, Goliath scene and a couple different runs at a Peter Parker, Spider-Man, Symbiote, Uncle Ben scene. Everyone does pretty darn well.

1:30pm - First round of auditions for the Radio Play, w/Keith, Thom, Josh and Jennifer helping with the casting and Sammy manning the door. Vox stops by to give me the crochet'd Goliath she made for me. It's pretty amazing, as is the Hunter she's made for Karine and all the rest. Tthe one that makes me laugh the most is the Owen... which was the last to sell. No accounting for taste.

3:00pm - Mug-A-Guest. I remember having fun, though none of the questions stand out in my memory at the moment.

5:00pm - Opening Ceremony. (It's been pointed out to me that it's a Ceremony not multiple Ceremonies.) We opened with a full hour plus of music videos. Susan then stepped up to offer opening remarks and intros. Jen pitched G2009 in Los Angeles (check out gatheringofthegargoyles.com). Susan thanked her staff, including Nikki, Jennifer, Greg and Patrick (who am I forgetting?). Then I went up to do my schpiel and show the now-familiar pieces: the pitch, the promo, the New Olympian and Dark Ages pitches, the Bad Guys reel (much of which is now canon thanks to the comic) and "The Last". The fans have made great progress on "The Last" - but there's still more work to be done. If you're interested in helping, contact Vashkoda.

After opening ceremony, it was time for a Blue Mug Productions Dinner. Edmund Tsabard, was out whoring, so I sat in with Jennifer, Mara and Karine (who has since had to bow out of the project, much to our sorrow). We got a lot done/decided in preparation for the Monday panel. Plus the food was great: Edimame, Rangoon, Dumplings, Miso soup, Shrimp Pad Thai. Then a stop at Ben & Jerry's after dinner for a Banana/fudge/Cherry Garcia sundae.

I stopped by my room to call home, then came back downstairs to the bar (Indigo... I think the restaurant I mentioned yesterday was called Blue or something). Later a small group of us (Susan, Jen, Mara, Karine, Seth, Sammy, Rebecca, Gore, BrooklynX, Patrick, Thom & John) went up to Susan's room to hang out and laugh.

MORE TO COME...

CON-ODYSSEY: GATHERING & CONvergence - Thursday, June 26, 2009

CON-ODYSSEY: GATHERING & CONvergence - Thursday, June 26, 2009

5:00am - I stop watching Dexter with three episodes left to finish the season. (Still have one left as I write this.) Time to start my day and take a shower.

6:20am - Jennifer, Rebecca and Thom Adcox arrive to pick me up. They're early and I'm not quite packed. But I hussle and we head to the airport. In the parking lot we meet up with Seth and Sammy and take a shuttle to the airport, where we meet up with Josh Silver... and my kids Kindergarten teacher Mrs. Leakley (how weird is that?). I buy a water and a Snickers and a can of Pringles, saving the latter for the plane.

10:00am - The plane leaves for Chicago a mere half hour late. I have tomato juice and Pringles on the plane. I read the L.A. Times, and then continue reading THE ARCHER FILES - The complete short Lew Archer stories by Ross Macdonald, edited by Tom Nolan. Good stuff. I'm sitting with Jennifer and Thom and across from Rebecca and Mrs. Leakley. Josh, Seth and Sammy are further back. Thom sleeps through most of the plane ride.

4:00pm - We land... but are kept aboard waiting for a gate for an hour.

5:00pm - We finally disembark, meeting up with Keith David (who was flying in from New York) in baggage claim.

5:45pm - I didn't check any bags, but others did, and it takes 45 minutes for the bags to come out. We meet up with Patrick, Susan and Rob outside and pile into three cars. I think Josh and Keith went with Susan. Jennifer, Sammy and Seth went with Rob. Thom, Rebecca and I went with Patrick. Traffic was a nightmare.

7:30pm - We finally arrive at the lovely Hotel Orrington in Evanston, Illinois, just outside Chicago. This is a great area for a con, with lots of walking distance food nearby. I go up to my very nice room, where cheese and grapes are waiting for me. Then it's back downstairs for Dinner at the hotel's restaurant (Indigo?). I'll probably forget someone, but I think it was me, Karine, Jen, Greg Bishansky, Thom, Keith, Maelee, Josh, Dionne, Ruby, Susan, Rebecca, Patrick, Seth and Sammy. Also saw Ellen, Fan, Nikki, Jenn-Bob, etc. I had Sushi, Tempura, pork dumplings, Beef asparagus rolls and a couple cokes.

10:00pm - I went back to my room, leaving dinner early, exhausted. I called home, did just a bit of channel flipping, and...

11:00pm - Crashed.

MORE TO COME...

CON-ODYSSEY GATHERING & CONvergence - Wednesday, June 25, 2009

And so begins my conjournal, which I'll serialize over the next few days...

I was gone for nearly two weeks to attend two terrific conventions. I had a great time at both, and really the best aspect of both was just hanging out with people, fellow pros and fans. I'll try to be complete, but I'm bound to make mistakes, skip over some people, etc. So I beg your forgiveness and indulgence in advance.

Wednesday, June 25, 2009
Still a work day for me... as I tried to frantically get everything done and ready for my trip.

10:30am - I had an Attended Edit of Spectacular Spider-Man episodes 125 and 126 with our editor Terry over at Studiopolis. This is the point where we take our voice recordings and edit it into a natural pause tape that the board artists and timers can use to get the feel of the flow of dialogue. Last two episodes of the second season are now completed on the writing and voice side before I leave. (Note: I find out today 7/9 that the board artists and directors never got these dialogue reels. GRRRRRR.)

12:00pm - I arrive at my office at Sony's Apple Building, i.e. the grim warehouse where we produce Spidey. I'm trying to clear the decks, since I don't plan on bringing my computer on the trip and/or checking e-mail.

7:00pm - I stop by Golden Apple to pick up a few comics before I go. Some Amazing Spider-Man (Brand New Day) and Justice League, which I buy for work-related reasons and Angel, which I buy for Whedon geek-out reasons.

8:00pm - I get home and sleep for a couple of hours.

10:00pm - I say good night to the kids and Beth. Then I do some more prep work for the conventions. Printing out my itinerary, etc. Then I watch a bunch of episodes of Season Two of Dexter (even better than Season One). No point in going to sleep tonight - I have to get up too early...

MORE TO COME...

RADIO PLAY: The History

I posted this in the comment room, but Todd suggested I repost it here...

RADIO PLAYS...

Sometimes I just don't have anything Gargoyles for us to do. And I'm not sure if just doing old episodes is all that interesting. And the other things have been fun... at least it seemed that way to me.

Here's a history of the works of the GATHERING PLAYERS...

1998 - RAIN OF THE GHOSTS (an unproduced pilot I wrote)
1999 - THE ROSWELL CONSPIRACIES (a rejected pilot I wrote)
2000 - ROUGHNECKS: THE STARSHIP TROOPERS CHRONICLES (the last arc of the series, which I story edited, half of which was unproduced. Written by me, Jon Weisman Lydia Marano, Cary Bates and Michael Reaves.)
2001 - GARGOYLES: "Hunter's Moon, Part Three" (Note: this was the first time that we actually did something gargoyles related for the radio play. This included scenes that were cut for time from the original. Written by Michael Reaves.)
2002 - TEAM ATLANTIS: "The Last" (Unproduced episode featuring Demona and Fiona Canmore, written by me)
2003 - GARGOYLES: "The Reckoning" (Performed in honor of Gary Sperling, who co-wrote the script with Lydia.)
2004 - GARGOYLES: "The Journey" (my uncut version of the script)
2005 - DOC SHAKESPEARE (An unproduced pilot written by myself and Sam Bernstein)
2006 - GARGOYLES: "The Mirror" (written by Lydia Marano and Brynne Chandler Reaves)
2007 - GARGOYLES: "Clan Building, Chapters III, IV & V: Invitation Only, Masque & Bash" - (from the comic, premeiring chapter V before it was published. Written by me...)
2008 - Geez, I should probably figure this out soon...

Anyway, you can see that traditionally, we've only done something gargish about half the time. For me it's fun to get to see my unproduced work performed, and it does give the fans a little insight into the biz. In any case, I've never heard any complaints from the folks who attended.
Greg Weisman
OFF TO CHICAGO... ON A WING AND A PRAYER...

HILL STREET BLUES ON DVD

As many of you know, perhaps my favorite television series of all time is HILL STREET BLUES. A couple years ago, the first season was put out on DVD. There was no marketing that I noticed... but there was a bit of publicity. A year later the second season came out. This time no marketing and no publicity. Also, I'm GUESSING, not much in terms of sales -- as the third season isn't on the schedule. I've signed up at Amazon to be notified if-and-when it is released...

SOUND FAMILIAR?

I bring this up, since it allows me to do a few things:

1. SPREAD THE WORD! I encourage you all to buy the first two seasons of Hill Street Blues. This was one of the truly seminal shows in television history, brilliantly written and acted and directed and a HUGE, HUGE influence on Gargoyles. Like Gargoyles it created a tapestry, a world of characters. Very much worth your time and disposable income.

2. CREATE A REALITY CHECK. For those of you who STILL seem to feel Disney is doing something unusual (let alone nefarious) in its treatment of Gargoyles, this is one of just many, many, many examples that demonstrates it's not. We can all sturm and drang about how business should be done, with marketing and publicity galore for every product, with a guarantee that once a company starts a project they must finish it (whether or not the economics justify it), etc. But the gnashing of teeth doesn't change the reality. Companies -- even companies as huge as Disney have LIMITED resources and must deal with the notion of OPPORTUNITY COST. So one company takes a flier on a Gargoyles DVD set, another takes one on Hill St. Both do fairly well in their first season releases, despite limited or no marketing and limited or no publicity. Both fair poorly in their second release. Both don't seem to rate a third release. It's sad. But it's life.

3. ENCOURAGE YOU TO SPREAD THE WORD! The best thing any one of you can do to help get the next release of ANY show you love -- short of spending your own money -- is to help us Spread the Word! About the DVDS, the comics, the Gathering. Oh, and about Hill Street Blues. (See, I practice what I preach!)

With that in mind, I depart in less than 48 hours for Chicago and my 12th Annual Gathering, followed immediately by a trip to Minneapolis for ConVergence (http://www.convergence-con.org/). I won't have internet access while I'm gone, but when I return I'll post my conjournalx2. I encourage all of you who are attending the Gathering to post/cut&paste their conjorunals, diaries etc. here to ASK GREG. It creates a central place where I can refer ignorant PTB-types. Also, if you see me at either con, please come up and say hello. I am notoriously bad with names, and I admit (with some embarrassment) that it often takes me two or three conventions to really nail a name down. But I do want to meet you, and I do want to get to know you. I'm not much at small talk, but I can talk about animation and comics and pop culture in general ad nauseum (just ask my wife).

Mary Jane origins...

My folks, Beth and the kids went to see a truly wonderful performance of "Big River" yesterday at the Los Angeles County High School for the Arts. "Big River" is of course based on "The Adventures of Huckleberry Finn". Now keeping in mind that this is a show I've seen at least three times before, and that Huck is a book I've read at least four times, it stunned me that I NEVER noticed this fact before...

The girl that Huck has a huge unrequited yen for is named "Mary Jane Wilkes". And one of the women who takes Huck in at the beginning of the book is named "Miss Watson". It seems nearly impossible to think that the name "Mary Jane Watson" from Spider-Man wasn't lifted (consciously or otherwise) from Twain... I assume by Stan Lee (though possibly from someone else working at Marvel in those years).

How did this get by me?

The Spectacular Spider-Man #113

___________________________________________________________________________

The Spectacular Spider-Man
Ep 113: "NATURE VS. NURTURE"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
VICTOR COOK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

CLANCY BROWN as GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, ERIN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
PHIL LAMARR as RAND ROBERTSON

_______________________________________________________________________
Card #8
Also Starring

JOSHUA LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
JOAQUIM DOS SANTOS
SAHIN ERSOZ
JAY OLIVA
DAVE PRINCE
ROBERT SOUZA

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT
JUNG JA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD

Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

The Spectacular Spider-Man #112

___________________________________________________________________________

The Spectacular Spider-Man
Ep 112: "INTERVENTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
GREG WEISMAN

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

ED ASNER as BEN PARKER
LACEY CHABERT as GWEN STACY
ROBERT COSTANZO as SULLIVAN EDWARDS
JIM CUMMINGS as CRUSHER HOGAN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
_______________________________________________________________________
Card #8
Also Starring

JOSH LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
IRINEO MARAMBA JR.
RICK MORALES
KI HYUN RYU
ADAM VAN WYK

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT
JUNGJA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

The Spectacular Spider-Man #111

___________________________________________________________________________

The Spectacular Spider-Man
Ep 111: "Group Therapy"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
ANDREW ROBINSON

Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

IRENE BEDARD as JEAN DeWOLFF
JEFF BENNETT as SHOCKER , ST. JOHN DEVEREAUX
STEVE BLUM as DILBERT TRILBY
CLANCY BROWN as RHINO, GEORGE STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as SANDMAN, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
ROBERT ENGLUND as VULTURE

_______________________________________________________________________
Card #8
Also Starring

CRISPIN FREEMAN as ELECTRO
ELISA GABRIELLI as ASHLEY KAFKA
PHIL LAMARR as ROBBIE ROBERTSON, FANCY DAN
PETER MACNICOL as DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
KATH SOUCIE as ANNA WATSON
DEBORAH STRANG as MAY PARKER

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KEVIN ALTIERI
NATE CLESOWICH
JOAQUIM DOS SANTOS
CHARLES DROST
DAVE SCHWARTZ

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
JUNGJA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

The Spectacular Spider-Man #110

___________________________________________________________________________

The Spectacular Spider-Man
Ep 110: "Persona"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
MATT WAYNE

Card #5
Directed By
DAN FAUSETT
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

DEE BRADLEY BAKER as CURT CONNORS
XANDER BERKELEY as QUENTIN BECK
STEVE BLUM as DILBERT TRILBY, CHAMELEON
CLANCY BROWN as GEORGE STACY
GREY DELISLE as SALLY AVRIL
BEN DISKIN as EDDIE BROCK
TRICIA HELFER as BLACK CAT

_______________________________________________________________________
Card #8
Also Starring

JOSHUA LEBAR as FLASH THOMPSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
DEBORAH STRANG as MAY PARKER
BJ WARD as MAYOR WATERS
TOM WILSON as STAN CARTER

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
PATRICK ARCHIBALD
TIM ELDRED
JAE KIM
KALVIN LEE
DAVE PRINCE

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT

Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Retake Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
DONGWOO ANIMATION CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

The Spectacular Spider-Man #109

___________________________________________________________________________

The Spectacular Spider-Man
Ep 109: "The Uncertainly Principle"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

STEVE BLUM as GREEN GOBLIN, DILBERT TRILBY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, BETTY BRANT
JOHN DIMAGGIO as HAMMERHEAD
ANDREW KISHINO as KENNY KONG, NED LEE
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON, JOHN JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as TOMBSTONE
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
VINTON HEUCK
IRINEO MARAMBA JR.
RICK MORALES
ADAM VAN WYK

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

The Spectacular Spider-Man #108

___________________________________________________________________________

The Spectacular Spider-Man
Ep 108: "Reaction"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
RANDY JANDT

Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

STEVE BLUM as GREEN GOBLIN, SEYMOUR O'REILLY, DILBERT TRILBY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL
JOHN DIMAGGIO as HAMMERHEAD
ANDREW KISHINO as NED LEE
CLYDE KUSATSU as TED TWAKI
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON

_______________________________________________________________________
Card #8
Also Starring

JOSHUA LEBAR as FLASH THOMPSON
PETER MACNICOL as OTTO OCTAVIUS / DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
NATHAN CHEW
NATE CLESOWICH
JENNIFER COYLE
KI HYUN RYU
DAVE SCHWARTZ
SCOOTER TIDWELL

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
PATRICK GLEESON
BRIAN HOGAN
JUNG JA KIM WOLF
RANDY LUDENSKY

Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

The Spectacular Spider-Man #107

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "Catalysts"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
ANDREW ROBINSON

Card #5
Directed By
VICTOR COOK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

STEVE BLUM as GREEN GOBLIN
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, BETTY BRANT
ANDREW KISHINO as KENNY KONG, NED LEE
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

PETER MACNICOL as OTTO OCTAVIUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON, JOHN JAMESON
KEVIN MICHAEL RICHARDSON as TOMBSTONE, PRINCIPAL DAVIS
CREE SUMMER as GLORY GRANT
JAMES ARNOLD TAYLOR as HARRY OSBORN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KEVIN ALTIERI
DAN FAUSETT
DAVE PRINCE
ROBERT SOUZA

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RANDY LUDENSKY
SWINTON SCOTT

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

The Spectacular Spider-Man #106

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "The Invisible Hand"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
MATT WAYNE

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

IRENE BEDARD as JEAN DEWOLFF
CLANCY BROWN as ALEX O'HIRN / RHINO, GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as HAMMERHEAD
BEN DISKIN as EDDIE BROCK
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

PETER MACNICOL as OTTO OCTAVIUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as BIG MAN /TOMBSTONE / L. THOMPSON LINCOLN
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL

__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KALVIN LEE
IRINEO MARAMBA JR.
ADAM VAN WYK
RICK MORALES

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
JUNGJA KIM WOLF
RANDY LUDENSKY

Animation Checker
GLORIA PALTER
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH
MYRA OWYANG

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
DONGWOO ANIMATION CO. LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

UNSOLICITED SUBMISSION

To the person who sent Gargoyle story ideas to my house...

1. Okay, first, I don't know how the hell you got my home address, but I'll say it was VERY disconcerting to be receiving unsolicited materials there. Please do NOT do this again. I ask everyone NOT to search out my personal information. I don't post them for a reason. I know in this day and age it's not that hard to find, but why look? Just to creep me out and make me regret being as open as I am with fans?

2. As soon as I realized what I had in my hand, I put it through the shredder without reading it. This is nothing personal. I do NOT read fanfiction or look at original ideas based on Gargoyles or any other properties I may be involved in. I have my own ideas -- tons of them; I don't need yours. But the main reason is to protect myself from lawsuits. You send me an idea. I don't use it, don' t even read it, but later something similar appears in the comic and you think I've ripped you off and you sue. The ONLY protection I can have against something like that is to have a BLANKET policy NEVER to read this stuff. As long as EVERYONE knows I NEVER read this stuff, if it came to court, I have some measure of safety.

So please, for both the above reasons, DO NOT DO THIS AGAIN!! And for anyone else considering this approach -- and/or thinking I've just given them a great idea... CONSIDER AND THINK AGAIN!! Obey the ASK GREG rules and please keep the correspondence ON ASK GREG where it belongs.

Thank you,

GREG

VOTE GARGOYLES!!!

I just heard that The Anthropomorphic Literature and Arts Association telling me that Gargoyles has been nominated for an Ursa Major award in the comic book category.

The winner will be announced on May 17. It looks like anyone can vote--the ballot is here: http://www.ursamajorawards.org/Voting.htm

APRIL 5

This day in Gargoyles' Universe History....

April 5th...

1002
Duchess Emma of Normandy (Katharine of Wyvern's aunt) marries King Aethelred the Unready of England.

NOTE: THIS WILL BE THE LAST TDIGUH for now. I've now gone through one entire calendar year. Though I'm constantly adding to the timeline, it would become a fairly repetitive exercise in the short term. Maybe in a few years, we'll bring the feature back. Hope you enjoyed it.

The Spectacular Spider-Man #105

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "COMPETITION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
TROY ADOMITIS
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

CLANCY BROWN as ALEX O'HIRN
LACEY CHABERT as GWEN STACY
JOHN DIMAGGIO as FLINT MARKO / SANDMAN, HAMMERHEAD
ANDREW KISHINO as KENNY KONG
PHIL LAMARR as RAND ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

PETER MACNICOL as OTTO OCTAVIOUS
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as COACH SMITH
DEBORAH STRANG as MAY PARKER
CREE SUMMER as GLORY GRANT
JAMES ARNOLD TAYLOR as HARRY OSBORN
ALANNA UBACH as LIZ ALLAN
TOM WILSON as STAN CARTER

__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
JENNIFER COYLE
KI HYUN RYU
KALVIN LEE
ALUIR AMANCIO
JAY OLIVA

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
PATRICK GLEESON
RANDY LUDENSKY
SWINTON SCOTT

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS, FIL BROWN

Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

APRIL 1

This day in Gargoyles' Universe History....

April 1st...

1897
Forty-five members of the Paris orchestra meet in the catacombs in full tuxedo to perform a concert.

1995
Dr. Anton Sevarius recruits two homeless men off the streets of New York.

MARCH 29

This day in Gargoyles' Universe History....

March 29th...

1960
Harry Monmouth is born.

1995
Scarab Corp. donates the R.E.C.A.P. robot to the N.Y.P.D. Matt Bluestone begins studying the manuals so that he can be certified to use it.

MARCH 28

This day in Gargoyles' Universe History....

March 28th...

2007
[withheld]

The Spectacular Spider-Man #104

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "MARKET FORCES"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
ANDREW ROBINSON

Card #5
Directed By
DAN FAUSETT
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
JEFF BENNETT as MONTANA / SHOCKER
CLANCY BROWN as ALEX O'HIRN
LACEY CHABERT as GWEN STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as FLINT MARKO, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
ANDREW KISHINO as NED LEE

_______________________________________________________________________
Card #8
Also Starring
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as BIG MAN, COACH SMITH
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
JENNIFER COYLE
TIM ELDRED
LARRY HOUSTON
JUAN MEZA LEON
NATE CLESOWICH

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RANDY LUDENSKY
SWINTON SCOTT
TONY CRAIG

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

Animatic Technician
MIKE MANGAN

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
DONGWOO ANIMATION CO., LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

MARCH 22

This day in Gargoyles' Universe History....

March 22nd...

2198
Earth surrenders to the Space-Spawn.

MARCH 21

This day in Gargoyles' Universe History....

March 21st...

1058
In Avalon, Angela, Gabriel, Ophelia, Boudicca and thirty-two other gargoyles and gargoyle beasts hatch out of their eggs.

1924
Mace disappears with a fortune in jewels to become a full-time operative for the Illuminati. He writes a letter to Dominic Dracon, taunting him with false clues about the location of the jewels.

2198
From around the globe, human heads of state and all twelve Gargoyle Clan Leaders come to Queen Florence Island for the hatching. The Space-Spawn attacks, abducting the gargoyle eggs and the human and gargoyle leaders, including U.N. Secretary General Alexander Fox Xanatos IV. And in Antarctica, Earth's Master Matrix Computer is stolen. The Space-Spawn invasion has begun.

MARCH 17

This day in Gargoyles' Universe History....

March 17th...

1058
In Strathbolgi, Canmore kills Luach. Bodhe also dies. Gruoch commits suicide.

The Spectacular Spider-Man #103

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "NATURAL SELECTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
MATT WAYNE

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
DEE BRADLEY BAKER as CURT CONNORS / LIZARD
MAX BURKHOLDER as BILLY CONNORS
LACEY CHABERT as GWEN STACY
BEN DISKIN as EDDIE BROCK
CRISPIN FREEMAN as THUG # 1
ANDREW KISHINO as KENNY KONG

_______________________________________________________________________
Card #8
Also Starring
PHIL LAMARR as RAND ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KI HYUN RYU
ADAM VANWYK
RICK MORALES
IRINEO MARAMBA JR.

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
SWINTON SCOTT
JUNG JA KIM WOLF

Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

Animatic Technician
MIKE MANGAN

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #23

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #24
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #26

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

"Natural Selection" on "The Spectacular Spider-Man"

Hey gang,

Hope you tune in on Saturday Morning to see the first appearance of the LIZARD on "The Spectacular Spider-Man". This episode is INTENSE!!! Trust me!

Spectacular Spider-Man 102

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "INTERACTIONS"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
TROY ADOMITIS
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
DEE BRADLEY BAKER as CURT CONNORS
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL
BEN DISKIN as EDDIE BROCK
CRISPIN FREEMAN as MAX DILLON / ELECTRO
BRIAN GEORGE as AARON WARREN
DORIAN HAREWOOD as DOC BROMWELL

_______________________________________________________________________
Card #8
Also Starring
JOSHUA LEBAR as FLASH THOMPSON
KATH SOUCIE as MARTHA CONNORS, TRINA
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN
ALANNA UBACH as LIZ ALLAN
TOM WILSON as STAN CARTER
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KALVIN LEE
OCTAVIO RODRIGUEZ
JAY OLIVA
DAVE SCHWARTZ
ROBERT SOUZA
FRANK PAUR
HANK TUCKER

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
PATRICK GLEESON
TONY CRAIG
RANDY LUDENSKY

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

Animatic Technician
MIKE MANGAN

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #23

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #24
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25
Animation Production by
DONGWOO ANIMATION CO., LTD.
___________________________________________________________________________
Card #26

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

Spectacular Spider-Man 101

Because KWB SQUISHES the credits and runs them at warp speed, I thought the people who worked so hard deserved a little more recognition. And as ASK GREG is about as little as you can get, here are the credits for the first episode of Spider-Man

___________________________________________________________________________

The Spectacular Spider-Man
Ep : "SURVIVAL OF THE FITTEST"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
GREG WEISMAN

Card #5
Directed By
VICTOR COOK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
DEE BRADLEY BAKER as CURT CONNORS
IRENE BEDARD as JEAN DEWOLFF
JEFF GLEN BENNETT as MONTANA
CLANCY BROWN as ALEX O'HIRN
LACEY CHABERT as GWEN STACY
KEITH DAVID as BIG MAN
GREY DELISLE as SALLY AVRIL, BETTY BRANT
JOHN DIMAGGIO as FLINT MARKO, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
_______________________________________________________________________
Card #8
Also Starring
ROBERT ENGLUND as ADRIAN TOOMES/ VULTURE
BRIAN GEORGE as AARON WARREN
PHIL LAMARR as RAND ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
PETER MACNICOL as OTTO OCTAVIUS
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
KATH SOUCIE as MARTHA CONNORS, ANNA WATSON
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KI HYUN RYU
SAHIN ERSOZ
DAN FAUSETT
LARRY LEEKER
FRANK MARINO

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
SWINTON SCOTT
JUNG JA KIM WOLF

Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

Animatic Technician
MIKE MANGAN

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
Anthony Lark

Editors
RALPH EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #23

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #24
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #26

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION

R.I.P. SAMMI

Our basset hound Sammi went into complete renal failure and had to be put to sleep today. We didn't get her or Abraham until both were senior citizens but they both gave us some wonderful years, and Sammi will be missed. She was a very, very sweet girl. Smart too -- most of the time. This is the first time that we've had no pets at all since Beth and I got Bigtime as a kitten in 1991.

THE SPECTACULAR SPIDER-MAN

Hey gang,

Just wanted to let potentially interested people know about the one-hour (two episode) premiere this Saturday, March 8th of "THE SPECTACULAR SPIDER-MAN".

This is the new animated series that's been consuming me (pretty much literally) for the last year plus. I am very proud of it. If you like Gargoyles, I really think you'll like this too, especially if you've ever been a fan of Spider-Man (but even if you never have).

We're on KidsWB a.k.a. the CW. Check local listings, though here in Los Angeles we air from 10am-11am on Channel 5, KTLA.

I'm going to ask Gore to open Ask Greg to discuss Spidey.

Greg

MARCH 1

This day in Gargoyles' Universe History....

March 1st...

1991
[withheld]

HOT TOPIC T-SHIRT

Word has come to me that the HOT TOPIC chain of retail stores is selling a GARGOYLES T-SHIRT...

http://www.hottopic.com/hottopic/store/product.jsp?FOLDER%3C%3Efolder_id=2534374302029045&PRODUCT%3C%3Eprd_id=845524442173198&bmUID=1204124623623

This is terrific news! (The moreso BECAUSE I had absolutely nothing to do with it, and it comes as a total surprise.)

This is also a GREAT opportunity for the fans. How do we prove to Disney, Buena Vista, Hot Topic, etc. that Gargoyles is a viable property? WITH OUR WALLETS! First chance I get I'm buying a shirt... (and I'm a guy with about 100 gargoyles t-shirts). As always, I'm not asking you to spend money you don't have or that you need for food or shelter or education. But if you have any disposable income and you care about keeping the property alive there is NO BETTER way then to buy a shirt. Need a birthday present for a friend or relative? Buy a shirt! You want the next DVD set to come out? Buy a shirt!

Keep in mind I don't make a penny off these shirts. But this is a REAL opportunity for us!

And as always, at the very least, help us SPREAD THE WORD: HOT TOPIC HAS GARGOYLES SHIRTS!!!

FEBRUARY 28

This day in Gargoyles' Universe History....

February 28th...

1991
[withheld]

WONDERCON

Hey gang,

I'm leaving tomorrow for San Francisco and WonderCon. I'll be signing at the SLG booth. And I'll be premiering the first episode of THE SPECTACULAR SPIDER-MAN in a panel at 3pm PST on Saturday, with a signing afterwards. I hope to see at least a few of you there!