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I wrote this whole thing up yesterday, before I realized that the server (or whatever) was down... So I'll try to recreate it now. I hate recreating things that I write. You can take for granted it was much better written yesterday. *Anyway, that's my story, and I'm sticking to it.*
On Sunday, I went to the unveiling of Gary Sperling's grave marker. It's nearly impossible for me to believe that he's been gone an entire year.
The day, the weather, was very reminiscent of the day of his funeral, i.e. hot, hot, hot. Gary's family seems to be doing well, to have found some equilibrium. They miss him, but it's also clear that he is an ongoing and wonderful presence in their lives.
I still catch myself, have to remind myself that he's gone.
Spent some time with some old Disney buddies. We talked about Gary. Talked about Disney (then & now). It was really kind of great. But many of them I hadn't seen since his funeral, and it's a bit appalling that we haven't gotten together for a year, and that the only thing that brings us in contact is another bittersweet occasion.
I ask myself what I've done with this year. What Gary might have done with another year. I don't really feel like I've achieved much, have much to show for being on this planet for twelve months longer than my friend. Except for this: I got to spend that time with my kids. Not that I'm that spectacular a father, but I think my mere presence (fairly active presence) in their lives has to be a good thing. I'm guessing if Gary ever envied me anything (cuz that wasn't his nature at all), he'd envy me that. It's damn hard not to conclude therefore that I am one lucky sonovabitch.
And that conclusion, I think, is worth the price of admission right there. Another thing to thank Gary for, I guess.
What was the "horror story" involving Team Atlantis and the Loch Ness Monster?
In Team Atlantis, the Loch Ness Monster was actually a series of monsters. And these monsters were actually human beings transformed by an ancient Atlantean magic/tech chamber.
In the story we worked on, a little girl found her way into the chamber and was transformed. Her father mistakenly assumed that the monster had eaten his daughter and set out to hunt the thing down.
That was version one.
Then execs stepped in and made us change the little girl into a teen-age boy.
Then, believe it or not, different execs stepped in and killed the story.
Then, as you know, different execs stepped in and killed the entire series.
Hey Greg, I was just wondering, if you had the opportunity to start up Gargs again would you start it from the end of the Goliath Chronicles or from the end of Hunters Moon III
I've answered this MANY times before. But the short answer is: it would depend on the circumstances and requirements of the renewal. How we were developing the restart.
The Archives will have a more complete answer.
In "Bad Guys", would the Matrix have been "powered down", so to speak, i.e. portrayed as less powerful than he was in "Walkabout"? In "Walkabout", he was capable of covering the entire world with his nanites, and was unstoppable by force (Goliath and Dingo were only able to prevent him from reformatting the Earth by reasoning with him); obviously, if he was still on that level in "Bad Guys", it would make things too easy for the Redemption Squad.
Matrix's potential would have been one of the major issues of the series...
But it wouldn't have necessarily made the Squad's life any easier. His power to destroy and refashion was unlimited in Walkabout. His ability to save something... not so much.
I've just finished reading your "Roswell Conspiracies" bible, there are some really great ideas in it. The ban on faster than light travel is somewhat revolutionary and unique in a show like this. It's a shame that it didn't work out but it did get me thinking about outer space and aliens in the Gargoyles universe so…
1) Do the "Greymen" exist in the Gargoyle universe?
2) Did the "roswell incident" or some version of it occur in the Gargoyle universe?
All things are true. One way or another.
1. Why does Siobhan try to kill Markus and betray the Alliance?
2. How was the alliance to defeat the agenda and the uber-villains?
3. Why does Markus become the final night officer? What happens to Hawking? What about the alliance?
Well, I remember more of this stuff, at least. But I'm still not going to answer. I may some day canabalize some of this stuff and use it.
And in any case, you're talking about material that would have covered episodes and episodes. This isn't the format for novel-length responses.
1) Have the Nosferatu discovered the secret of faster than light space travel? Is there an armada on the way?
You get that they didn't end up using my development to make the show, right?
I had some notions, but I never got the opportunity to work them all out -- and clearly the notions I had haven't stuck in my memory, BECAUSE I never got the opportunity to work it all out.
1.Why is Apollo working for the Skray? Is Niko also working for them? If so why?
2.Who was going to be replaced with a Vampyr?
3.Who was going to betray all that the Alliance stands for?
4.Who was going to be revealed as a Lycanth?
I'm not even sure all of the premises for your questions are correct. And I don't think I remember all the answers either.
AVALON PART TWO
Ah, the Archmage's ep. David Warner is another actor whose name and/or voice instantly catch my attention. He really does fantastic work in any of his roles (his turn as The Lobe on FREAKAZOID! always makes me smile), and this episode is no exception.
But I'm getting a little ahead of myself.
When Angela showed up, I can't quite remember what my exact thoughts were. I think I may have been pleasantly surprised that here was a *good* female gargoyle, who was also *alive*. I'm pretty sure that within the first few seconds of seeing her, I recognized her coloring pattern, and determined who she was. I thought it neat that she was named Angela (the opposite of Demona, and fitting, I thought, with the mindsets of her human parents). Gabriel's parentage took a bit longer for me. I think, some weeks later, I was trying to envision Gabriel in my head and Coldstone's face kept popping up (or was it the other way around?). Anyway, at that moment, I pretty much recieved a lightning bolt to the brain and realized Gaberiel's lineage.
The beach fight. I thought it was very well done (and am a little surprised that it wasn't in there originally), with the Archmage making good use of the material. I enjoyed the lines, too (especially Tom's idea that the air might attack them). In fact, when I showed this episode to my mother, she got a great kick out of "You beat up a beach." Just the way David Warner says it is great, too.
I had never picked up on Elisa's jelousy over the idea that Goliath and Demona were actually parents. It's a nice touch, a great character bit, and I wish I was more aware of it the first time.
Seeing Katharine and The Magus as older was a neat thing for me. I liked their new designs. And Kath Soucie and Jeff Bennett did good work aging their voices (although when old Magus speaks for the first time, Jeff Bennett seems to sound slightly different than he does for the rest of the three-parter).
I liked Goliath's reaction to seeing "laser burns." I don't know why, exactly. It just struck me.
I got the Archmage's Time Loop right off the bat. I liked it a lot--to me it was (at the time) a different approach to the whole "time travel" business. This sort of "you do what you always did" thing was touched on in VOWS, but here it's really exploited for all its worth. And I think it works well.
Now back to David Warner. I still find it hard to believe that he did both versions of the Archmage during the same session. He's able to invest each with particular mannerisms and yet keep the idea that they're basically the same guy. His line readings are great, too. You've already mentioned most of them, Greg, but the "No, no," and "Nine-hundred and seventy-five YEARS??!!" bear repeating.
The Archmage's plan was also pretty cool to watch. The picture of the happenings in Demona and Macbeth's life began to be completed, and (as cliched as he may have been) the Archmage took on a somewhat more majestic tone with the revelation that he had orchestrated so much (with a little help from the timestream/Luna--man, that girl can be subtle). I would have loved to have seen the rest of his planned time stops in there, but what we got was still pretty good.
As for the Weird Sisters...I think I was more disappointed than angry when I saw their "Fury" aspect dominant in these eps. It seemed to diminish their majesty and mystique when they revealed how much "vengence" had motivated them to do. (Hmmm, actually that could be another "lesson against vengence" there, Greg--it diminishes the respect one has in the eyes of others...or something like that, I guess).
BTW, in later airings, older Demona's model was fixed some. At least her hair's red, now.
The Archmage's intial attack on the palace was well choreographed (funny thing--even with the gargoyles as flesh, if he kept up like he did, he would have won; pity he didn't think about that). One thing that really struck me during the battle was Ophelia (of course, until ILL MET BY MOONLIGHT, I just knew her as "that female gargoyle with the triceratops plate"). Her design was that striking, probably because of her unique forehead. I think I was one of the ones who kind of thought there might have been something going on between Angela and Gabriel (they had always been seen together up until now, and, like I said, expectations of "animated relationships" kind of led me down that path). Even then, I had always found the scene with Gabriel and Ophelia here one that gave me pause. I really wish enough screentime remained to get a sort of stronger "nod" to the fact that THEY were the item (and for the rest of the Archmage+'s travels--they made his plan seem even bigger, and gave a better explanation of his knowledge of Goliath's being alive). But, "what you gonna do?"
The "caption countdown" was something I don't think I noticed, at least not consiously (sp?), the first time around. But it was pretty neat.
We return, finally, to "NOW" and the good guys as they start to come up with a plan. I liked the little moment between the Magus and Katharine after M has his bout of self-pity and K tries to snap him out of it. One wonders if they've had this conversation before. Goliath takes Angela and Gabriel with him for a strike on the Archmage, and suggests to Elisa that she come up with a contingency plan (I'm not sure, but I think my mother may have said, "Smart Goliath."). I like the look on Elisa's face here--the phrase "in case this doesn't work," is never really good, but it has the potential to be very bad.
Then she asks about "the Sleeping King" (and I *know* my mother said, "OOoo, smart Elisa!"). Now, I will admit my ignorance and say that at the time I watched this, my knowledge of Arthurian Legend encompassed only the Disney movie "The Sword in the Stone," a few episodes of the Family Channel's "Prince Valiant," and various pop-culture references. As such, I had no idea about Arthur's connection with Avalon, and in fact had never even heard of Avalon before this (I just liked the sound of the name). So the revelation of who "the Sleeping King" was turned out to be quite a nice surprise for me. (As for my mother...I'm pretty sure she knew who they were talking about--she had read ONCE AND FUTURE KING).
And then the Archmage sees his would-be attackers, and laughs...and quickly vanishes for "To be concluded." I liked that phrase here, actually. It begged the question of how they were going to get out of this mess in so little time.
A cool episode, it served as the centerpiece of the "triptych" (sp?) quite well.
I'm glad you liked it. Clearly it was one of our most challenging. One that I got a lot of heat for actually at Disney (and at first among the fandom). People seemed disappointed by Avalon relative, I think, to the heavy cohesiveness of "City of Stone", but we were trying to do something different.
Avalon-2 was experimental. But then again, so was "The Mirror" when we were working on that, and it turned out all right.
I still think it's fun, but I also think that Frank was right, and it was a good thing that we Beat Up That Beach at the beginning.
Looking for a website that will give me a list of all the title names of the action figures of "maxsteel".We have about 8 of them.Example:"wave flier","samurri warrior",etc. Trying to collect for my son.Any help?Thanks
Sorry, aside from the time displacement that's unfortunately typical of ASK GREG, I didn't even know the answer to this back in 2002.
My ramble on "Avalon Part Two".
I really liked this episode (and never had any confusion with the time loop, since I've done similar things in my own fiction, conceived years before "Gargoyles" ever came out; indeed, a certain time loop that I've planned in the book that I'm currently writing - although I can't say anything more about it than that - fits beautifully the part where the Archmages say to each other "You're sure you know what to do?" "Of course. I've watched you do it.")
The introduction of Angela and Gabriel's names (alongside the whole "gargoyles being given names" process that you referred to) illustrates nicely just how Princess Katharine and the Magus's attitudes towards gargoyles have changed since "Awakening Part One". Now, they're naming gargoyles after angels rather than villainous giants. (Although, regarding Boudicca's name, as we agreed earlier, they couldn't have been too familiar with the original Boudicca's career when they named the gargoyle beast.)
I picked up easily enough on Angela's parentage (especially because of that article that I mentioned in the "Double Jeopardy" ramble); I never even suspected that Gabriel might be Othello and Desdemona's biological offspring until I discovered Gargoyles fandom on the Internet, though.
I definitely guessed from the start who the Sleeping King was (of course, from the moment that Avalon got into the story, I was hoping that Arthur would show up - and was mentally jumping up and down in excitement when Elisa actually asked about him at the end of Part Two). It's interesting to note that, judging from the Archmage's response, even by the late 10th century in the Gargoyles Universe, Arthur had faded into the mists of legend (of course, the same thing must have been true of him in the real world, judging from what I've read about early mentions of him in medieval writings predating Geoffrey of Monmouth).
About the Weird Sisters: I was more bothered over the Grace vs. Vengeance conflict than the Fate vs. Vengeance one, for my part. I was having a very difficult time reconciling their desire for blood and vengeance with all their talk in "City of Stone" about every life being precious and vengeance being wrong. (It actually made them seem worse than the Archmage, in fact; he, at least, was introduced in the series as a villain from the start, while the Sisters started off appearing to be benevolent. Truth to tell, my response to their behavior in "Avalon" was probably not too different from how Lexington felt in "The Thrill of the Hunt" when he discovered that the Pack weren't quite so heroic as they'd seemed to be).
I agree with you on David Warner's voice; it's great. Definitely justified bringing the Archmage back. (I'm actually reminded of an episode of "Batman Beyond" that I once saw. In it, Bruce Wayne had a reunion with Talia, only to discover that she'd been "taken over" by Reis el-Ghul following his final defeat by Batman (off-stage, some years previous), who'd somehow transferred his consciousness into her body. During the latter part of the episode - after the truth was revealed - Talia spoke in Reis's voice, done by David Warner as per "Batman: TAS". Although I knew that that was scientifically impossible - a mere mind-transplant couldn't have altered her voice - I didn't protest because David Warner did such a great job that he simply had to be in that episode. Leaving him out of the voice actor roster for the story would have been unthinkable.)
And I agree with you that, despite all his power, the Archmage ultimately comes across as not all that bright. (My favorite part is where he has to admit that, although he's spent all that time seeking to unite all three magical objects into one big Triad of Power, he hasn't even decided what he's going to do with it. And he even has to be nudged by his future self into picking the obvious goal for a cliched villain: Taking Over the World.) I LOL when you mentioned that the real reason why the two Archmages can't work together for long was because of their utter arrogance.
The scene where he becomes the "enhanced Archmage", as I call him, was very effective - and the bit where he eats the Grimorum definitely jolted me. It'd been around from the very start of the series, and so it shook me up a bit to see it go. (I know that the book's real end is in Part Three, but for me, the bit where the Archmage eats it is where it exits the series). And I also really liked the "caption countdown". It gave a feel of approaching ominousness and tension.
I'm eagerly awaiting your Part Three ramble now.
Re: Boudicca. I dunno. A Celtic heroine and martyr? I'd guess they knew that.
1) The eye of Odin awake the possessor's hidden personality?
2) Does Goliath when putting on it become an abatar, but that it would pass Lexinton, Broadway, Hudson or Brooklin if they put it to him? Would it pass them the same thing or another thing?
Please give me your opinion Greg.
I hope you understand me because my English is not very perfect because I am Spanish.
Thank you for your attention.
1. It emphasizes it, brings it to the surface, etc.
2. I'm sorry, but I really don't understand what you are trying to ask. Are you asking if the others would manifest the exact same thing as Goliath did? If so, the answer is no. Everyone is unique.
Dear Greg, In the Hunter`s moon3 when Golith said the hi=unter`s will pay after blowing up the clock tower. The repoter`s had the footage of him saying that ( I think )How ( they even did ) get that footage of him saying that when they where down on the ground and the gargoyles were on the clock tower?
Well, I haven't watched it in a while, but I'm fairly certain that you are incorrect, or at least confused. The reporter (jon) definitely did NOT have the footage of Goliath speaking. Only footage of the clan flying away from the ruined tower.
Here's a quote:
have jade and turquesa returned to guatemala from avalon yet? did they go on adventures wherever avalon sent them?
So here's my follow-up questions:
1)when did Jade and Turquesa make it back to Guatamela?
2)how hard was it to get those transplanted plants from Guatamela to grow on Avalon?
1. Not saying.
2. Not very.
Hello Greg my name is Pete and I'v been trying to find a site to send some of my fan based art work to. So if you know please tell me. I'd tel you what I'v done but bon't want to masquerd anything I'm not sure if telling you what i'v done but there cool I thing so please let me now where I can put my gargoyles art work thank you for your time.
I have no idea. Sorry.
Although I don't really have time to rewatch and ramble to most of the episodes as you do them (at least, not right now), I wanted to respond to one of the questions you posed in your "AVALON PART ONE" ramble.
With regard to denoting 'parts' on continued episodes, I'm massively in favour of it. The conventional wisdom you mention, for me at least, is completely wrong: "part one" tells me that there's something worth watching, or at least more likely to be worth watching, particularly as it's such a rare thing in cartoons, and many television programmes.
Although they were titled separately as I recall, I loved the multi-part stories that Disney did for 'Ducktales' with Gizmoduck and Bubba. I love continuity, and particularly given that the last 'Gargoyles' multi-part outing was 'CITY OF STONE'... well, it was a good move to mark the 'part one' at the beginning.
Actually, the last one was "Hunter's Moon". But I'm glad you agree with me. I feel, if nothing else, it's more honest. Not sure why that matters to me in this context, as I certainly am not shy about trying to mislead viewers with Red Herrings, etc. within a story, but at least there's no false advertising going on -- on my part anyway.
I loved your episode of Video wars for the jem series, I was wondering how you and cary bates came up with the storyline, and why you only seem to have written 1 episode for the show? You and Cary also seem to have done a lot together. Will you two be working on future shows? and personally, I think you both rock! :-) Stnp@yahoo.com
Thanks. Cary & I were writing partners for years, mostly at DC Comics. Nowadays, we still like working together, so I made him a story editor on Gargoyles. And I've had him write scripts for me on that show, plus Starship Troopers & Max Steel.
Basically, if I ever get another show, we'll wind up working together again, most likely.
I'm glad you liked the Jem episode. We only did one, because we were only offered one. I'd have been happy to do more. I'm not too clear (as it's been over 15 years) how we came up with that particular storyline, but I think it was suggested by the bible. Not the premise per se, but it felt like a natural.
Who is puck? What kind of craeture is he?
He's a member of the so-called "Third Race" a.k.a. "Oberon's Children" a.k.a. "The Children of Oberon" a.k.a. "The Fair Folk" a.k.a. "Dark Elves", etc.
FIREFLY THE SERIES ON DVD
I watched it over the last week, and it's so great. Most of you know, I'm a big Joss Whedon fan anyway. But seeing all 15 hours of Firefly in order was just great.
I despair for television when a series like that doesn't find an audience. It's easy to blame Fox for the haphazard way they aired the eps. No surprise, the series is MUCH stronger aired in order. But I watched it when it was on (missing only one episode) and even out of order, the series was so amazingly great.
Where was the audience?
The good news is that Joss is making "Serenity", a movie that picks up 6 months after the last episode of Firefly with all of the original cast.
I don't know how they justify making this movie, if they couldn't justify giving the series a chance, but I'm not complaining.
Still, I wonder: WHERE WAS THE AUDIENCE?
The funny thing about the first time I saw the Avalon trilogy is that I knew next to nothing about Arthurian legend. The name Avalon meant nothing to me and that the "sleeping king" was Arthur came as quite a surprise. And then maybe a month later my high school enlgish class began doing Arthurian legend. When we got to his death a big light went on in my head as everything finally connected. I even asked the teacher if the island of Avalon had any other special significance, half expecting her to say it was the kingdom of Oberon and the fairies.
Heh. That reminds me. Earlier that year we read MacBeth, and since City of Stone had already been on I didn't enjoy the play one bit. Mac as the villian just seemed wrong. Even so, it was the voice of John Rhys-Davies in my head as I read. That classroom had a big poster on one wall displaying the family tree of British royalty through the centuries, and as you might expect I went looking and indeed found MacBeth, Gruoch, Luoch, Gillecomgain, Duncan, and Canmore back in 11th century Scotland.
That was some of the fun stuff for us too. Weaving all this in. Arthuriana and Shakespeareana are two of my favorite Ana's.
Such a vivid imagination you have, question is, ....would you be willing to make comic books forever? ill pay!
Thanks for the compliment. And... well, Yes. I would be willing.
So... You'll pay me for my time? And you'll pay the artists? And the publication costs for the comic?
Or did you mean that you'd pay a couple bucks to buy the issue?
Have you ever watched the cartoon show "X-Men: Evolution?" If so, did you know that your old pal, Frank Paur, works as a director and story-board artist for the show? Has he ever offered you a job as a writer for the show?
I've seen one or two eps of X-Men: Evolution. I knew Frank worked on the show, but he's not the story editor and is hardly in a position to offer me writing work.
Umm, kinda a dumb question but... I was wondering if there were detailed blueprints or floorplans of Castle Wyvern.. I'm kinda peeked in the interest of making a modle of the castle and I'm really not at all pleased with the results of having to use my eyes and imagination to fill in the blanks of what's not seen on tv.. Is there anything available for Download.. I heard there was something like that around on a site a long time ago, but it appears to be long gone. Thanks
I don't know of any blueprints available for download. In fact, I don't recall any DETAILED blueprints existing. I have a vague memory of something akin to a general layout of the place, but I haven't seen it in years -- assuming I'm even remembering correctly.
Well I don't really have a question my sister MaryMack has been here a couple of times and says that you were making references to how many licks does it takes to get to the center of a tootsieroll pop, well I know. The number is 1478 approx.
Discovered how exactly?
I just saw wecently wed Wesley & Willow walking arm-in-arm down Wittle Santa Monica Blvd. It was pretty cute...
Have I mentioned this before?:
I think one (though certainly not the only) visceral appeals of the E-Street Band is its archetypal relationship to Robin Hood & his Merry Men.
Bruce Springsteen = Robin Hood (complete with a "rob-from-the-rich-and-give-to-the-poor" mentality)
Miami Steve Van Zandt = Will Scarlett
Max Weinberg = Friar Tuck
Patti Scialfa = Maid Marion
and of course
The Big Man, Clarence Clemons = Little John
I'm not sure which of the following is Alan a Dale...
Garry Tallent, Roy Bittan, Danny Federici or Nils Lofgren.
(The truth is Bruce/Robin is his own Alan, I guess.)
When it comes down to it, I don't know the names of enough Merry Men to make every parallel work. But I'm sure you can see the connections.
I just looked at some episodes recently and something funny struck me. The Eyrie Building's. Its main gate's castle was wide open even though we were many hundreds of meters.
Do you suppose Xanatos should have closed that gate or did he found a practical use for it?
I'm not sure I understand your question...
You're saying that up at the top of the Eyrie, Wyvern's gate is open?
I honestly never noticed.
Maybe he was trying to create a welcoming environment.
I'm pretty sure this hasn't been asked, but if it has, sorry. Before Demona was affected by Puck's spell, she turned to stone during the day - as an immortal, she shouldn't have been able to die except by Macbeth's hands, so 1) Could Demona have died if someone had shattered her stone form during the day?
Sigh... I don't know whether this specific question has been asked before, but a hundred like it have, i.e. "What if something definitive happened to Demona (decapitation is the usual favorite) that normally she couldn't possibly survive?"
The answer is "It hasn't though, has it?" Or some variation of the same.
Hi, I know this question was asked in forum but I don't know how long ago so maybe now it is available.
where can I get the soundtrack for Gargoyles?
Some of the music is available for free at:
But there's no soundtrack on the market.
AVALON PART ONE
I liked having the "Part 1" addendum to the title. It whetted (sp?) my appetite for a longer and more involved story than usual. Plus, the "To be continued" at the end didn't piss me off nearly so much since I knew it was coming and had mentally prepared for it.
There's so much cool stuff in this episode, I hardly know where to begin. Well, I might as well start at the beginning.
The clan goes out on patrol, minus Bronx, as per usual, and Goliath--a bit of a surprise that. But then, the big G does seem like the type to want to finish book when he gets to the good part. I wonder what exactly it was he was reading (and how miffed was he when it turned out it would be months before he could get back to it?).
Bronx's saddness at not going with the others helped to underline this particular instance. You know, I guess it says something that I never realized how often Bronx was left behind. Well, this time pooch is getting exposure.
The Guardian. I knew it had to be Tom for the same reason I knew Brooklyn was going to be Second-in-Command--Disney Adventures (an article this time, as oppossed to a comic). The article also said that the show would feature gargoyles native to other parts of the world, including (fanfare, please) Avalon! So I had some idea of what to expect there as well. But I will say that Tom the Guardian's entrance was quite impressive. I love his armor, and the way he refers to the lead ruffian as "sirrah."
Laws of TV and movies at work: within about two seconds of the breaking of the store window, the police show up. Two patrol cars, and 2-3 cops on foot (including Morgan). Talk about being in the right place at the right time.
Morgan's interaction with the Guardian is great. Tom's initial accusation of them being lawless undercut by Morgan's identifying himself, and Tom's rather knightly way of submitting to the law. A nice dignified bit until Morgan drops the sword.
Morgan talks to Elisa, and I like the way he describes the Guardian as "differnt, good somehow." Morgan definitely has a rather insightful and perceptive quality to him.
I didn't pick up on the meeting by Belvedere castle as a clue of any kind, unfortunately. Nor did I believe that when Tom was referring to the "eggs" he meant it in the literal sense of the term (after all, gargoyle eggs hatch after ten years (this was in the article, too) so they must have grown at least a little bit).
Let me just finish with the article now--the revelation that gargoyles existed in other parts of the world really excited me. Now the characters were no longer "the last of their kind," so this was something of a new approach in a series for me (I hadn't gotten to see that much of the GUMMI BEARS). This turning upside down of what my expectations had been at the beginning of the series was really fun.
Back to the show, the Guardian eventually mentions the Archmage. This was a complete and total surprise to me. He was dead! How could he come back like this? If I hadn't been hooked already (and I was) this would have clinched it.
The flashback starts. It's interesting to contrast Tom's traveling in the back of the cart with the eggs here to Demona's memory of him sitting up front (aah, it's probably just two different animation studios/storyboards, but I like the idea of a POV prism). Tom's solemnity (sp?) about his vow is rather touching in its way.
I liked the little scene with Tom and the Magus pushing the cart through the rain. They were becoming friends as well, it seems.
First impressions at the dinner: The King was a nice enough gentleman (voiced by Morgan Shepard), while Constantine's brief appearance here was not enough for me to form any opinions about him yet. Finella aroused some distrust in me for some reason...maybe her hollowed cheeks (that's how they looked to me), or the hint of insincerity in her voice when she spoke to the king, OR the scowl she gave when Constantine proposed the toast to Katharine. Anyway, next to her there was Maol Chalvim--who definitely looked more than a little sinister to me. This might have something to do with his sour expression, hollowed face, stylized eyebrows and Xanatosian beard. Suffice to say, their turning out to be "good guys" in this episode surprised me a bit (but the knowledge that Maol Chalvim would kill his cousin and take the throne did not surprise me at all).
I liked that people (at least Maol Chalvim) tended to look askance at Katharine's care for the gargoyle eggs. And Maol Chalvim already suspected Constantine's treachery ("they can smell their own" sort of thing I guess). I liked Constantine's scowl after Maol's thinly veiled insult.
Details. You just gotta love details. The Magus is writing in the Grimorum (the story of his cursing the gargoyles, perhaps?) and stops to look up when Constantine enters. Then he remains in the background while the future-usurper talks with Katharine. He senses the same thing Finella does (not that Constantine does much to hide it).
I love how when Finella mentions the King's proposal of marriage to her, Constantine seems somewhat incredulous that she has not accepted. A telling bit of character that.
Then Constantine murders Kenneth (who saw that coming? *countless hands raise into the air*). I liked how Finella turned out to be a more sympathetic figure here, through her devestation at this turn of events. And Tom (details--the tears down his cheeks) sees it all. I know kids had to grow up more quickly then, but MAN! Seeing that has got to affect a kid, no matter what era.
Scenes of the usurpation occur, and of course show what a jerk Constantine is. Maol Chalvim kills a guard (off-screen, but it doesn't take a genius to figure out what happened), and tries to get Katharine to flee. You're right, Greg, he is rather heroic here actually. I didn't see any smile though, after Katharine tells him to go for the last time. His face registers more a shocked expression. It's still an awkward transistion (especially because you only see it for half a second), but better than a smile.
Constantine tries to force Katharine into marriage, and it's only Mary and Tom that keep the Magus from rushing him (details again, yay!) while Finella runs away in, what seemed to me, a rather embarrassed fasion (one wonders if she, *ahem* gave more to Constantine than that one kiss).
About this scene, where Constantine is crowned, I find a contrast between this and Macbeth's back in CITY OF STONE. When Macbeth did it, I really believed that he meant those words. With Constantine, it seemed more of a PR thing. That could be just because we already knew what those characters were like before they took the oath, but I also think that Ian Buchanan just does good voice work here (and throughout the episode).
RE: The amount of broken crockery. Maybe Tom went and broke it for the plan to work. Or, hey, maybe Constantine and his boys are just a rowdy lot who like to break things (now THAT would be ironic). I like how the "magical glow" begins and ends with the eggs and their dopplegangers.
I loved the romantic moment between the Magus and Katharine in the next scene where he promises to take her beyond the ends of the earth. I did expect them to wind up together. Actually, I kind of expected it from AWAKENING PART 5--his anger there seemed very much like that of a man who lost his love.
Finella shows up and offers her help in the matter. I like her admission that she does it "more to hurt Constantine." True to the character, and a nice moment in an animated series.
Then the Magus tells us the "spiked-cider" plan. Actually, the Magus really gets to shine as a hero in this episode. He comes up with the plan to get the eggs to safety, and then, once Finella is brought in, comes up with the method to get Katharine out of the castle. Throughout all this, he has planned to take them all to Avalon, and when the Weird Sisters block their path, he is able to defeat them, not just with magic, but by skillfully weilding the steering pole as well. And then, for love, he gives up his magic book. It really isn't surprising that a fair number of fans really like this guy. Once he got past that "bigot" problem, he could be quite dashing and romantic (then again, since some folks take the same view of Brooklyn, maybe it's got something to do with Jeff Bennett).
I liked how Finella offered to take the book. This was a surprisingly noble gesture on her part. And not one that I expected. And then Mary offers to stay with her. I love her line, "One woman alone could get into trouble. TWO women can cause plenty of it." Mary is an interesting character. Like Katharine, once she got past the "bigot" problem she was quite a good judge of character. Also quite daring in her own right. I hadn't even noticed Kath Soucie voiced Mary until...I want to say the credits, but when Mary said "I'll stay with Finella" I half-thought that came from Katharine (leaving me very confused), until Mary's image popped up on the screen again. So that was how I figured they were both voiced by the same woman. Still, excellent work otherwise. Kind of sad that Mary and Tom had to separate, but then too, boys tended to become men much earlier in those days.
Back in the present, the Guardian spells out the time difference (fair enough) and Goliath asks about the Archmage, mentioning how that cad died before Tom was even born (a nod to continuity I was grateful for). Then we get to Avalon, and get our first glimpse of the new clan. I think I only recognized that we had a female, a male, and a beast, before Goliath's surprised face filled the screen. And excellent little cliffhanger that left me eager for the next episode as well.
Glad you liked it. I wonder if that Disney Adventures article enhanced or detracted from your appreciation of the actual episode.
It of course goes without saying that Jeff Bennett and Kath Soucie were invaluable to us. Jeff is so charismatic, no matter who he's playing. And so versatile. In that episode alone, he's Brooklyn, the Magus & Maol Chalvim. Kath is Katharine, Mary and all three Weird Sisters. (She got paid twice, in case anyone's wondering.) We were blessed with a stunning cast in general, but Jeff & Kath were two of our absolute rocks.
Hey again Greg, I was just watching the ep. Sentinel and I was just wondering if the sentinel (whatever his name is) will or would be included in Gargoyles 2098 if they ever came out with the series?
Nokkar. And yes.
Who exactly were the uber-villains going to be for Roswell Conspiracies?
Do the Greys actually exist?
What does Trish Ainsely know that the rest don't?
I just don't have these answers fresh in my mind. Sorry.
Hey Greg, its me again, I got a question for you I keep forgeting to ask. (Hope you can answer it)
the Gargoyles were completly devistaded by the loss of there clan in 994, so why didnt they try to go back in time and try to erase that event once they obtained the phenox gate?
I know the past is hard to change but it is possible (they did it with Griff)
Well, i was just courious thanx for trying to answer
They didn't change the past with Griff, they played into it. Griff didn't die in WWII, he disappeared. So Goliath disappeared him to the present.
The gargs in 994 were massacred. Goliath learned he could NOT change the past.
I was wondering does Golith have a grandson ? Did I hear right or am I just making it up?
He will someday.
Concerning the VAMPYRU why aren't they afraid of sunlight like traditional vampires?
I don't remember, off the top of my head, either...
a) whether what you've stated is true or
b) if it is true, why.
Fact is, it's been a long time on a show I did NOT end up doing.
AVALON, PART ONE
I agree with Todd that, in principle, I like that you identified the multi-parters as such. Looking back, it feels more honest and manageable that way. But I gotta admit, upon the FIRST viewing, the labeling always made "Part One" stick out. Once you knew it was a multi-parter, you set yourself up for something big, so it was less fluid. For instance, in "Avolon, Part One," I knew it was a multi-parter, so when they arrive at the shore of Avalon and glimpse the "eggs" I don't blow soda out of my nose, but rather say, "Oh, so they're finally getting around to tieing up that loose-end about the Wyvern eggs. Cool." For me, at least, the honesty of telling the viewer ahead of time that it is going to be a multi-parter "spoiled" me, so that I expected something big, rather than getting it rewarded to me.
So, basically, you're saying 6 of one, 1/2 dozen of the other?
did Gargoyles ever play music or are they uninterested in it?
1.Are the NOSFERATU suppose to be the inspiration for the nagas of Indian and Japanese legends? If not what legends were they suppose to be the inspiration for?
2.And the skray are they suppose to be the inspiration for the mermaids of legend?
1. Mostly certain vampires.
2. More Creature of the Black Lagoon, in my mind. But I wasn't on the show long enough to work on the designs at all.
3. Couldn't agree more.
I liked your latest instalment of the "Roswell Conspiracy" Bible, with the description of the various alien races. (I got a special chuckle out of the description of the Vinae. I might have known that you'd include something like that in there somewhere).
I also had fun identifying the various "mythical originals" of the alien races. (Most of them did make it into the cartoon that actually aired, based on what I saw of it, though I only saw a few episodes, and so can't be certain that they *all* made it in - the finished product included a few extra ones, such as a voodoo-mythology-related race, and I read that they also included an "Aesiri" race, numbering Odin and Loki among its members, and a "Minotaur" race with "Cerberus" hunting-dogs, though I never saw the episodes that they appeared in).
I'm trying to remember why i called them Vinae. I know I had a reason, but it escapes me at the moment.
My thoughts on "Avalon Part One".
First off, a little about the eggs. I honestly hadn't expected to see anything further with the eggs at this point. The reason was that I'd always assumed that the eggs were indeed all gone, as Xanatos had claimed in "Awakening Part Two", even after we found out what he was really like, for this simple reason: the thousand years between the Wyvern Massacre and the Awakening. Since I didn't think it likely that gargoyles live naturally for a thousand years, my assumption always was that the eggs had hatched long ago and that the gargoyles that had hatched from them had grown up, lived out their lives, and died long before as well. I hadn't taken into account the possibility of a place where time moved slower.
(Of course, thinking over it some more, I should have expected the eggs to return, simply because, if they weren't going to, their inclusion to date would have been almost pointless. After all, they'd had no real impact on the storyline in "Awakening" - the mere fact that the video version was able to edit them out is proof enough of that - so that would have to mean that something further with them would have to be done, or else why include them in "Awakening" at all?)
Regarding your multi-parter comments: I also prefer it when the first episode of a multi-parter clearly labels itself as "Part One". That way, I'm already prepared for the "To Be Continued" part. So I'm glad that you always labeled the multi-parters as such.
I was a bit amused to notice the Brigadoon alternative to Avalon, in light of the fact that you did manage to use Brigadoon as the Avalon-substitute in your "Gargoyles meet Captain Atom" story. And, yep, I was definitely looking out for King Arthur to show up at some point in this story, given that the thing that Avalon is most famous for is being his resting-place. (More about that in my ramble on Part Two when it comes).
Needless to say, I enjoyed the flashback. More 10th century Scotland! And more real Scottish history! In some ways, it was even more fun than the Macbeth backstory in "City of Stone"; after all, I already knew about the historical Macbeth before "Gargoyles" ever came out, but I'd never heard of Kenneth II and Constantine III before. After seeing this episode, I eagerly looked up everything on them that I could at the local library (although I wasn't able to find much, thanks to the scanty records for this part of Scottish history).
Constantine definitely struck me as shrewd when he provided a very convincing "innocent reason" for the secret meeting in the drying-house (the argument that it would be better for Kenneth's dignity to have Finella turn down his suit in private, rather than before his entire court). I thought he made a good antagonist here, even if for only one episode.
(I haven't seen the McKellen "Richard III" movie, by the way, but I do have a book that McKellen wrote about the making of it, including the screenplay, which I found fascinating reading.)
I also liked the mention of Michaelmas, which added to the medieval flavor of the story. (It's things like this that make me regret the fact that you never got to make the "Dark Ages" spin-off. Of course, I suppose that an animated series set entirely in 10th century Scotland wouldn't be all that commercially viable, more's the pity.)
I'm looking forward to your rambles on Part Two and Part Three, as well.
I have that same McKellen book. I've seen the movie of course, but I found the screenplay and his commentary on how and why he made the decisions he made, very informative.
I don't know that Dark Ages wouldn't be commercially viable. I do know it's tough to convince Network Executives that it's commercially viable.
Where can I find free downloads for Gargoyles episodes? And where can I find the compleate history of Goliath?
I give up. Where?
Hi all. Hello Greg.
Nice to see you doing all these rambles, they make some forgotten memories come up to my mind again. I would do some, too, if I got a chance to watch the episodes again. But neither are their re-runs here (I've asked my way through: they want to spend the money on new things, though I always see "Doug", "Darkwing Duck" and so on), nor is my internet connection fast enough to download the episodes (if there are any to download) and a faster connection is by now too expensive. But after all the years without Gargoyles I do still remember some things that I liked or liked not that much.
First the things that I did not like: though there was a continuing plot, sometimes it was all too much the same. In short and very sarcastic: "It was a nice evening. The birds were singing and everyone liked each other. Then suddenly a dark cloud brought evil to our main characters. But after a short and hard fight the evil was defeated and everything got back to normal." That's why I like the "Awakening", "Avalon" or "City of stone" parts. These eps were so interesting because there was enough time to create a very interesting story and a really cool atmosphere - BTW City of stone was my first touch with Gargoyles. I saw the scene where the weird sisters speak as statues of children with Goliath and later crush as Brooklyn touches one of them (I hope I'm not mixing something up). My brother thought it was stupid and switched it off and I pretended that I thought it was stupid, too (Hey, I was just a child which did not want to argue). But I guess I liked the characters and the whole atmosphere. - Of course I don't want to say that the whole series should be one continuing show, but I had liked to see more five-parters.
But of course there are things that I liked very much. Most characters do change during the show and keeps being surprising. Everyone is part of a complex story (sometimes it was too complex for me, but after seeing it the second time I knew what was going on. But unfortunately some eps were mixed up so that suddenly we saw Angela, though the world tour was not even started). One of the things I like most are the fantasy elements (BTW Was the dragon we saw in "Pendragon"(?) a real dragon or just brought to life by magic??) Time travel, magicians, fae and of course the Gargoyles (clear why Fang said "I love this body"!!)
I just hope the new episodes will go on air someday. Maybe until then I can watch a few re-runs.
p.s.: some things might sound meaner than they are meant. I'm not good in being polite when I am writing in a language that I don't use often enough.
And sorry about any mistakes:)
p.p.s. Anything new about the real life movie?
What are you by now working on?
The dragon in "Pendragon" was animated by magic.
The live-action movie has been shelved for the time being.
Right now, I'm working on "The Batman" for Warner Bros.
Oh, yeah, another question:
Whats your favorite EP?
EP means episode, right?
I've discussed this before too. I like them all, especially the multi-parters, but if I had to pick the single episode where I think we fired on ALL cylinders, I'd have to choose: "The Mirror".
I think this post should come out around 2003 ;) Have you ever thought about hiring an assistance for awnsering the questions?
Well, two more hard questions for you:
1. What story part/episode/character etc. would you change if you could remake Gargoyles?
2. Is there an scene/episode, you are really p*ssed off today? (just asking because some people in a gargs chat were cursing about the EP with the alien on the easter-island, don't remember it's name)
So then, greet your familly. May Disney release Gargs on DVD :D
Hiring an assistant isn't necessary. I have plenty of volunteers offering to help.
We just need to change the whole system, and that's up to Gorebash, who owns and operates the site.
I like all the episodes from the first two seasons. I'm okay with "The Journey" from Season 3, though I wish they hadn't re-edited it. I don't like the rest of the Goliath Chronicles.
There are little errors, probably in every episode. A couple of minor story points which I got wrong, I think, but which I've already discussed in some detail.
But overall, I've got no major complaints.
We lost two greats yesterday.
Actually, we lost Spalding Gray over a month ago, we just hadn't confirmed the loss until yesterday.
I was (and continue to be) a huge Spalding Gray fan. His acting was decent, fun. But his monologues were always brilliant. I remember once laughing so hard at "Gray's Anatomy" during the Indian Sweatlodge riff that I thought I was going to die of asphyxiation. Everyone should rent his seminal "Swimming to Cambodia". Everyone. Then move on to "Monster in a Box" or some of his other great filmed monologues. They're amazing. But nothing like seeing him live. He will be missed.
As will Paul Winfield, a truly amazing actor. I met him twice when he came in to perform the roll of blind novelist "Jeffrey MacClain Robbins" on GARGOYLES. It was a joy to watch Paul and Ed Asner play off each other. Winfield brought tremendous dignity and humanity to Robbins. And he helped us tell our tale of literacy without making it too preachy. I still remember fondly the following exchange when Hudson is amazed at how Robbins can find Macbeth's address in the phone book.
Hudson: Magic book.
Robbins: Aren't they all?
Simple, but mighty.
Spalding, man... Paul... You left us too soon.
Where can I find an image of the praying gargoyle?
I give up. Where?
You know, Bronx' eyes have always looked weird to me.
Why are they always white? He's not always angry, I know that.
Just kinda bugged me, thats all.
Get over it. It's the way Garg beasts are.
Hey Greg, I was just wondering. do you have any plans or ideas for trying to bring back Gargoyles?
If so what are they?
Can we help in anyway?
Do you thinks its possible?
Im sorry if my questions seems stupid, but im a big fan of your show and I really want to know if there is anyway to bring it back, and if its possible for us to help.
Thanx for your time.
I'm constantly trying. I haven't given up. I think it's possible, though not likely in the near future.
The three best things that the fans can do to help are:
1. Attend the Gathering, our annual Gargoyles Fan Convention. This year, the Gathering is in Montreal. Check out their website:
2. Buy the DVD when it comes out later this year. Buy many, many copies. Give them as stocking stuffers, etc.
3. Watch Gargoyles on ABC Family's Jetix block. Ratings will definitely help.
woohoo! its my birthday, though by the time you read this it'll probably be either November 22nd, 2002 or January 3rd, 2003... am i close?
some more questions on "The Price":
1. what actually WAS the "magical" powder that the Macbeth robot tossed on Hudson?
2. why did Xanatos only program the MacBeth robot with a few sentences. Coyote can have long conversations, but Macbot (as i've started calling him) only knew a few words? wouldn't programming him with more dialogue made him more believable to the Clan?
3. would Bronx's stone skin worked in the Cauldron spell?
4. besides stone skin and water were there any other ingrediants for the spell? if so, what were they?
5. do you think Goliath and the Clan could've convinced Demona to help them break Hudsons sleep spell had it been real and they had sought her out?
It depends if you consider between 17 and 14 months close.
2. Sure. But resources are more limited than you might imagine.
4. Like I'd tell you.
5. Kinda moot. But it's possible. She hated Macbeth, afterall.
I 2 have a question about the Delilah of 2198. If Delilah is a decendant of the first Delilah.
1. Who was Delilah's mate.
2. How and when did Delilah escape from her stone sleep virus type thingie?
3. Is the original Delilah still around during 2198?
1. Not telling.
2. I don't consider that canon.
OKay, First of all, Vulcan is the Roman God of what?
Please Answer ASAP..
And that's ASAP. Less than two years. Worth the wait?
1.Is it a coincidence that the elder Samson disappeared in ireland in the same year that Siobhan was born?
2.Did Erich die in the same mission where the elder Samson disappeared?
I'm afraid I don't recall. It's been six years on a project I didn't end up working on. It's possible, I never worked out all the details.
I really like this ep. I liked it when I first saw it and I still like it now.
It's nice to have Hudson in the spotlight again, and Xanatos' quest for immortality is expanded upon while, just for good measure, we get a greater glimpse into Owen's character. Yeesh! Quite a lot stuffed into this ep.
I didn't begin to guess that "Macbeth" wasn't the real deal until the second time he appeared. His "Trophies" line, though not in character for the old Scottish noble, as Todd pointed out, seemed to me like it could have just been something of a joke. But when he showed up the second time, and repeated a line he had said before, in the exact same way, I began to figure out he/it was a robot. I did love how it "died"--Goliath punching his arm straight through its gut, and then the eye-pop, as the voice runs down, followed by a final explosion! I loved it.
When "Hudson" didn't wake up along with the other gargoyles, I was completely convinced that we were seeing the real Hudson under another magic spell. I had not read the Disney Adventures comic by Mr. Nordling, and consequently suspected nothing. At the end of Act I, I did indeed see Hudson's appearance in the cage as taking place within his mind. It wasn't until Act II had begun, and I saw the strange floor underneath the cage (not to mention the appearance of Xanatos and Owen), that I realized here was the real Hudson, and the one the other's were looking after was a decoy.
Hudson and Xanatos did have some great interaction here. I don't know about them being better adversaries than Goliath and (David) Xanatos, but there is something there. I think Hudson can figure out what really scares Xanatos because he himself is already there (the possibility that he was the last survivor of his generation even before the massacre leads to a certain viewpoint on the inevitability of death). Also, they throw their own quips and insults back and forth quite a bit.
Then too, there's Hudson's attitude towards Xanatos' plans. When X takes the stone skin, Hudson just asks "So, are ya through with me?" This is interesting because Goliath's most probable reaction, IMHO, would be to ask what game Xanatos was playing now. And at the end, Goliath would have probably destroyed the cauldron to keep Xanatos from any power it might bestow (and possibly just to spite X as well). Hudson, however, doesn't see any point to destroying the cauldron, and just wants to go home. He even shares a profound thought with Xanatos. And Xanatos, for his part, let's Hudson go in a rather honorable fashion. As I said, I don't know if they're "better natural adversaries" than Goliath and David, but Hudson and X do have an undeniable dynamic here.
Somehow, I knew that Goliath would suggest trying to seek out Demona at some point. I mean, she is the only sorceress they know of. I liked how that was worked in--a last resort sort-of thing.
Broadway's turning to stone in mid-air was something I had been waiting for. Well, not Broadway specifically, but one of the gargoyles, of course--it had to happen sooner or later. I kind of figured the box on the crane had something in it to save BW from shattering, but personally, I would have preferred "Extra Comfy-Soft Mattresses" (sp?) to the rolled up Persian rugs. Eh, minor quibble.
I didn't much care that the Hudson statue was blown up because I already knew about Hudson's being alive. I did, however, like the way the various reactions were portrayed. Goliath's rage was awesome. One of his most chilling moments in the series.
The "semi-Wind Ceremony" for Hudson, was nicely done, and nicely undercut by the old codger himself. I also liked his little remark about the head. On that track, I always enjoyed the way Hudson escaped from Xanatos and all ("Swordless maybe, helpless NEVER!"--too cool).
Although I thought Owen was cool, this episode was the one that really impressed me in regards to his character. I was completely stupefied when Owen just went up and dunked his arm into the Cauldron, resulting in it turning to stone. He had been permanently changed. Another one of the cool things about GARGOYLES: changes occur and cannot be reversed. I silently applauded the episode for daring to do this with one of its characters.
Of course, this aired out of order in my area, and although I missed THE CAGE, I saw DOUBLE JEOPARDY after this and noted that Owen's left hand was still flesh. Although I considered this a possible oversight, maybe somewhere at the back of my mind I realized that this just aired early, so I didn't mind too much.
OTHER NOTES: Lot's of fun lines and exchanges here. All those already mentioned, as well as the following between Brooklyn and Lexington:
LEX: "The city sure is different when it snows."
BROOK: "Yeah. It's colder."
I still laugh at that.
When Macbeth's guns were manned by Banquo and Fleance, the old man's mansion got pretty shot up in the ensuing fight. This time however, run by a computer, the mansion did not seem to sustain a single hit. Still, the cannons did shoot each other, so...nevermind.
I don't think I even realized that Brooklyn had said the word "Jalapena" until after I had watched PROTECTION (which had aired after this) and this one a second time. The first time around, I guess I just ignored it because I couldn't really understand it.
When "Macbeth" dies the first time, and Goliath says "I had no choice," Hudson calmly brushes the incident (and some of the dust) off. I like this sort of reasonableness about Hudson. He shows he's defintely more of the "old soldier," the 10th century warrior even, than the younger gargoyles in the clan. Incidentally, I never thought Hudson was going to die in this episode. That might have been me being tv-savvy...or just in denial.
And I thought the animation was spectacular (though the shadows in the beginning did make it look almost as though Goliath had a moustache (sp?).
At any rate, a wonderful episode.
Thanks, Blaise. I'm glad you liked it.
It's always cool to get an in depth read on what individual fans thought of our shows.
Another Roswell Conspiracies question. In your reprints of the series bible that you wrote for it, you described the alien "Yeti" race as being called the "Qua-Yeti". Does the "Qua" part of their name come from "Sasquatch"?
I think so. It's hard to remember for sure now after six years.
Okay, here's a question about Halcyen Renard. In the show you say he was close to 70. Well, today that's not too old, and yet he looked much older and rather crippled and decrepit. Is this due to a disease that he may have, like Multiple Sclerosis? My grandmother died of that recently and the symptoms seemed to be the same. I'm just curious. Thanks a bunch!
As I've said before, I think that Renard had MS, but I never got the chance to do the research. Before I definitively state what he had, I'd want to make sure that the symptoms we depicted and described fit that disease.
And yes, his condition contributed to his appearance.
Well, I'm glad I chose to trust them Angel writers. I thought last night's episode of Angel, with the new Illyria/Fred was another extremely powerful and well done hour of television.
It was a nice variation on a theme in that Illyria ISN'T going to be the big villain for the season. She's now just another lost soul. An ancient demon who has to start over.
I do have a couple quibbles:
I wasn't fond of the artificial way they wrote Lorne out of the episode until the montage at the end. It just seemed like they felt they were too crowded to give his character any screen time.
It bothered me that no one could acknowledge that what was happening to Gun was an exact parallel to what happened to Wes when he stole Connor, because no one remembers Connor. That whole nobody-remembers-Connor thing still strikes me as only a step above the Bobby-Ewing-reappearing-in-the-shower/it-was-all-a-dream ploy on Dallas. But the Connor thing is more a fault of LAST season (which had its share of problems) as opposed to this season.
So I'm very optimistic that Angel will continue to be brilliant throughout its final year.
What is Stargate the hunted? Were you involved in the show's creation?
"Stargate: The Hunted" was an animated spin-off series that I developed for MGM Animation back in the late 90s. We were about to head into pre-production -- and I even took a trip up to Vancouver to meet with the live-action show's Executive Producers (including Richard Dean Anderson) -- when MGM's animation division imploded.
The show never got made. I attempted for years to get people interested in the property. It seemed like a natural, what with how well the live-action version was doing. But no one would bite.
Then one day I found out that DIC had made a deal to produce their own Stargate animated series. Their show was practically on the air before I even heard about it. I've never seen it. (Why torture myself?) They're development, I'm sure, has nothing to do with mine -- other than, I'd imagine, elements that are naturally common to both versions because of the source material.
My own ramble on "The Price".
You mentioned in the course of your ramble a number of misconceptions that first-time viewers of this one could have had; I'll confess that, the first time that I saw "The Price", I fell victim to all of them!
1. I thought at first that Hudson might actually die in this episode, between the name of it and Goliath's line in the "Previously on Gargoyles" section about how Hudson had years ahead of him to live. I was relieved to see that Hudson doesn't actually pay the price (although Owen does, in a different sense, but I'll get to that later).
2. I thought at first that Macbeth really had turned Hudson to stone (and, when you stop to think it over, it probably wasn't too difficult to dupe the audience into believing it, thanks to the fact that we already knew that it was possible to trap a gargoyle in his stone sleep, with the Magus in "Awakening").
3. Since I knew that only Demona could kill Macbeth, I wasn't surprised at all by the fact that Macbeth "returned from the grave", to battle the clan again, and thought that he'd survived because it was Goliath who "slew" him rather than Demona.
4. And when I first saw Hudson in the cage, I thought that it was a metaphor for the spell imprisoning him. Even after Xanatos and Owen showed up, I initially thought that they were just "metaphors", like Xanatos being the shape of the Xanatos Program in "Legion". But I soon understood otherwise.
I did get suspicious about "Macbeth" in this episode, though, not so much from the "only a few lines", as from the fact that he appeared to be acting out-of-character here. I found it hard to believe that Macbeth really would go gargoyle-hunting just for the sake of a few trophies; that motivation was more appropriate to, say, the Pack. I could buy the notion of Macbeth going after the gargoyles again, but for a cause much bigger than just something to have stuffed and mounted. (Especially since, after "City of Stone", I'd become quite fond of him). So the "robot revelation" worked for me.
I also get a kick out of the scene where Xanatos acquired a bit of Hudson's stone skin. Just one of those moments that makes it so hard not to have a sneaking admiration for the man. "There, that wasn't so hard now, was it?"
This is the episode where we learn about Xanatos's desire for immortality, but it occurs to me that we also get a hint of it in "City of Stone", where Demona dupes Xanatos into thinking that the effect of her spell is to steal one minute of life from everybody who watches it, which she can use to augment their life-spans.
I very much enjoyed the interplay between Hudson, Xanatos, and Owen (I honestly hadn't thought that "The Price" helped lead to Puck's use of Xanatos and Hudson slaying each other in "Future Tense" prior to your ramble, I must admit), which certainly had some fine moments there. Like many viewers, I particularly found interesting the fact that Hudson wasn't interested in destroying the Cauldron of Life, but just in regaining his freedom. And also how Xanatos lets him escape from the castle on the grounds of "he's earned it".
Of course, the biggie here is Owen getting his hand turned to stone. That was one bit that definitely got my attention, because of the permanent change to a major character. (Interestingly enough, I didn't pay that much attention to the characters' response to the stone hand, maybe because I was too busy dealing with the mere physical change to pay attention to the fact that Owen was just staring at it. In fact, it wasn't until "The Gathering Part One" that I started to really suspect the truth about Owen, but that's another story.) Still, you've got to admit that it beats being turned into an anthropomorphic aardvark. :)
That's quite true. So Owen gets off easy.
This is one of my all-time favorite episodes. The revelation that Macbeth was an android was done with astounding grace. I didn't realize he was a robot until Goliath's arm literally went through him. And then when I did realize, I didn't feel cheated, because it made sense out of everything (why he would be working for Xanatos, why he kept repeating those same four lines, why he had become such a narrow-minded character all of a sudden).
In general, I watched GARGOYLES with a jaded perspective. I kept waiting for it to become the run-of-the-mill, hackneyed cartoon series. I did this because I was so terrified of the show becoming that. So, when it appeared Macbeth was being used as a stock antagonist, I rolled my eyes. When it looked like we were supposed to be fooled into thinking Macbeth really died and then being surprised when he returned, I rolled my eyes. When it all made sense, it kind of restrengthened my resolve in the show.
I didn't expect Hudsun to leave without doing anything to the Cauldron. That was well-done. I was also left with my mouth hanging open when Owen stonified his arm.
My only complaints about this episode are that I think your original hunches were better on. We should've seen Banquo and Fleance at Macbeth's, and Broadway shouldn't have gotten frozen in stone in mid-air. The rescue was too hard to believe. I noticed and appreciated Elisa not hitting the cable on the first shot, but it was still too convenient, and really, it was a distraction. Hudson was the one in jeopardy this episode, not Broadway.
But none of that matters. Macbeth was a robot. I don't think another scene had me in more shock, short of when Elisa seemed to fall to her death in HUNTER'S MOON.
Well, I can understand the trepidation, though I'm sure you'd have been able to enjoy it more if you could have relaxed and gone with the flow as opposed to constantly being on the alert and waiting for us to screw up.
The Broadway thing is a shrug to me now. We still needed a good act break, and it was a jeaopardy that we hadn't done. It's not our most realistic solution, but I tried taking it out and the episode was missing a jolt of something. So I put it back in and just tried to make the situation as realistic as I could within the context.
I'm glad we shocked you though. Nice when that works.
Last night, I finally got around to watching last week's Death of Fred episode on Angel.
Very powerful, very powerful stuff.
You see, I'm conflicted, because Angel's writers have certainly earned my trust this year with powerful episodes, including:
--The Death of Cordelia (one of the best hours of tv and endings that I've ever seen)
--The lunatic Slayer (another great, great ending)
--Angel's turned into a puppet
But I'm a little tired of the "One of our regulars goes bad" storylines. Hell, Smallville, which I don't watch because it sucks, seems (judging by their commercials) to do this every week.
And Buffy/Angel has had it's fair share of the same thing. Just last season they did evil Cordelia and the return of Angelus. (Plus there's Angelus' original appearance in Buffy Season 2, Dark Willow and various episodic evil versions of everyone from Xander to Anya.)
So I'm just not looking forward to seeing another evil version of one of their characters. Been there. Done that. If this is Angel's last season -- as it reportedly is, then I'd have liked to push a different way. Lyndsay and the Senior Partners, for example.
But on the other hand, how can I not trust Joss and the Angel writing staff. This season has been jam-packed with amazing episodes, and last night was no exception.
So I'll just cross my fingers, and in any case, try not to weep as the last of Joss' amazing series goes off the air.
in A shakespeare's book;
Who murders a king and marries the widow
What is the alternative title of 'Twelfth Night'?
In which play will you find the stage direction 'Exit pursued by bear'?
Who demands a pound of flesh as a guarantee on a loan?
Which play begins with;
'If music be the food of love,play on?'
'Now fair Hippolyta, our nuptial hour/Draws on apace?'
Who is the 'Serpant of old Nile'?
Who attempts to kill himself after the high Roman fashion?
which play has a female character disguises herself as a boy?
Who dies in a vat of malmsy
If the second line of the sonnet is; Thou art more lovely and more temperate what is the next line
Now it's getting more annoying and less amusing.
What's the point of this?
which play ends with:
a)We that are young/Shall never see son much nor live so long?
b)So thanks to all at once and to each one,/whom we invite to see us crowned at Scone?
c)Give me your hands, if we be friends,/And Robin shall restore amends?
d)But that's all one, our play is done/and we'll strive to please you everyday?
d. 12th Night
I'm not sure why you're quizzing me. It's both annoying and (admittedly) a bit fun. I didn't look any of them up, but I'm extremely confident of a-c and fairly darn confident of d.
Hey Greg, I was just reading some of the posts about the actors/Actress in Gargoyles and it crossed my mind that no one (from what I read) asked if you knew any of them (the actors) so I thought I would ask.
Do you see them a lot if ever?
Are you good friends with any of them?
If so who do you know the most? see the most and live closest too?
hehe, I know you'll probaly say something like, "there all really great and I can't comment on just one of them." Lol but thats ok I brought that on myself.
Dont add anything if you dont want too (I see why you wouldnt), Im just a curious 16y old who LOVES!!! your show.
PS: Thanx a lot Greg for your time, you truly are a genius, your show is both inspireing and creative, its also Intense yet dramatic, (I could go on) but I really dont want to take to much more of your time. you probably have much more important stuff to do. Well, thanx again for shareing your ideas with the world. you did a really great job.
There are only three of the actors that I really still see at all, outside of the occasional recording for another show.
1. Thom Adcox. One of my best friends. Still don't get to see him as often as I'd like. Interestingly, it wasn't the show that really cemented our friendship, but the Gathering. We really got to know each other in Dallas in '99.
2. Keith David. Don't see him as often, but through Keith, I met Josh Silver, his manager, and Josh and I are now really good friends. Same with our wives and kids. I see Keith once in a while through Josh. But Keith is practically the busiest man in show biz.
3. Jonathan Frakes. For awhile, Jonathan and I were in business together, trying to sell a project. It didn't work out, and he's been pretty busy, so I haven't seen him recently. But he's a good guy too.
There are a few others that I've seen occasionally. Brigitte Bako. Elisa Gabrielli took me to lunch about a year ago. But basically, Thom's the only one I hang with.
Thanks for the kind words.
while watching "The Price" tonight, something struck me for the first time: when Xanatos builds the robot to distract the Clan while he does his thing with Hudson, why does he model the robot after MacBeth? he could've modeled any number of 'villains' or even a new character, so why MacBeth?
I think he felt that Macbeth would be the perfect character for misdirection. Had he chosen Demona, there would have been a greater risk of Goliath et al figuring out that it was a robot, because they know Demona so well. And obviously, he didn't want to chose any villains (Pack members, Thailog) that Goliath would associate with him.
Plus he needed someone that Goliath would believe knew some sorcery -- in order for his con to work.
Obviously, there were other options. But his pick made sense.
Back in January, I listed my choices for the Oscars -- hampered by how few movies I had seen. I made a point of saying that these were preferences, not predictions.
But just for fun, let's you and I revisit my choices and see how I did.
Again, keep in mind that I wouldn't allow myself to pick anything from a film I hadn't seen. And since I hadn't seen MOST of the nominated films, that left me with few choices in many categories.
GW: THE LORD OF THE RINGS: THE RETURN OF THE KING
WINNER: LOTR: ROTK
Comment: No-brainer. I'm 1 for 1.
GW: Johnny Depp
WINNER: Sean Penn
Comment: Didn't see Mystic River. Have no doubt that Penn was probably great. But I still feel that the academy does not appreciate comedy and a win for either Depp or Murray would have been nice to see. I'm 1 for 2.
GW: Keisha Castle-Hughes
WINNER: Charlize Theron
Comment: Everyone tells me she was amazing, but I never saw Monster. In fact, Keisha was the only nominated performance I saw. This is no big surprise. I'm 1 for 3.
GW: Alec Baldwin
Winner: Tim Robbins.
Comment: I liked Robbins speech. Again, I didn't see his performance. I'm sure he was great. But I know Baldwin was great. I'm sinking here at 1 for 4.
GW: No pick.
WINNER: Renée Zellweger
Comment: Didn't see ANY of the nominated performances. I'm 1 for 5.
GW: Peter Jackson
WINNER: Peter Jackson.
Comment: I pretty much stuck with the ROTK horse and scored well, obviously. I'm 2 for 6.
GW: Walsh, Boyens, Jackson
Comment: I'm 3 for 7.
Comment: I'm 4 for 8. Batting 500 now after the acting awards decimated me.
FOREIGN LANGUAGE FILM:
GW: no pick
Winner: The Barbarian Invasions
Comment: I'm 4 for 9.
GW: Finding Nemo
Winner: Finding Nemo
Comment: I'm 5 for 10.
Comment: I'm 6 for 11.
Comment: I'm 7 for 12.
GW: Master & Commander
Comment: Hey I even won in a tech category where ROTK wasn't nominated. I'm 8 for 13.
Comment: Oh, well. I'm 8 for 14.
Comment: Duh. I'm 9 for 15.
GW: Into the West
Winner: Into the West
Comment: Okay, now I've heard all five songs. Sting's song seemed really great. But at the time I'd ONLY heard Into the West. I liked it, so I picked it and it won. I'm 10 for 16.
GW: no pick
Winner: The Fog of War
Comment: I'm 10 for 17.
GW: No pick.
Winner: Cherno0byl Heart.
Comment: I'm 10 for 18.
Comment: I'm 11 for 19.
COmment: I'm 12 for 20.
COMMENT: I'm 13 for 21.
GW: no pick
winner: Harvie Krumpet
Comment: I wonder now if I did see that Ice Age short somewhere. Like on the DVD maybe? Doesn't matter. I know a lot of people were routing for Roy to win. Wonder what he would have said? High road or low road? Anyway, I'm 13 for 22.
LIVE ACTION SHORT:
GW: Two Soldiers
Winner: Two Soldiers
Comment: I think this was the single award that I had the most invested in. Turns out it was favored. I had no idea. It was the only short I had seen, but I went out of my way to see it because "Two Soldiers" by William Faulkner is my all-time favorite short story ever. The movie isn't quite as good as the story, but it definitely does it justice. I was so happy when it won. And I'm 14 for 23.
Comment: Final tally: 15 for 24.
Eleven of those fifteen were the ROTK sweep. The other four were for Two Soldiers, Nemo, Translation's script and M&C's Cinematography.
Of the nine I missed, five were in categories I made no pick whatsoever, per my self-imposed rules. One of those five plus three other misses were in acting categories, where I hadn't seen the winning performances, so couldn't vote for them. That means that the only category where I feel I really "guessed" wrong was in Sound Editing where I went with Pirates over M&C.
Not too shabby.
Thanks for posting more excerpts from your "series bible" for "Roswell Conspiracy".
One question that I have about it: you mentioned in the third section (involving the World War II-era backstory) that the Cadre consisted of four of the alien races on Earth. Do you recall what those four alien races were (assuming that you'd gotten that far in your plans before you got dismissed)?
I think that question was answered by later sections of the bible.
From memory, I beleive the answer was the Lycanth, the Nosferatu, the Chasta-Yeti and the Sidhe.
1.Did you have any villains planned for Tea and Fara Maku?
2.Were they going to be more mundane or more fantastic like Anasi?
1. I didn't have an actual spin-off planned for Tea and Fara.
2. So I didn't have dedicated villains planned for them. At least not at this time.
do you have any pictures of Demona and also picture of Eliza when she was a gargoyle that you could maybe able to send me.
My email address is email@example.com
dear greg, i have oftin wondered if there is a behgining to the end of the real show like right after the last episode i see all these new carectors in the fanfic and am lost is there a begining to all the new carectors? thanx!
I have no knowledge of what's going on in the fan fic, including the fan-driven TGS.
There are 66 quote-unquote canon episodes, including the first two seasons and the first episode of Goliath Chronicles.
Plus there are 12 more Goliath Chronicle episodes that I don't count as canon. There are also 11 issues of a Marvel Comic and a handful of Disney Adventure stories that I also do not consider canon.
There is an unproduced episode of Team Atlantis featuring Demona and a Hunter.
There is a Bad Guys leica reel.
There is a bunch of stuff in the Archives here that I've revealed, including my so-called "Master Plan", "Once Upon a Time There Were Three Brothers..." and "Gargoyles 2198".
Some of the stuff you're seeing may have come from these sources. Other stuff, I assume the fans just made up. Ask in the Comment Room.