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The Spectacular Spider-Man #108

___________________________________________________________________________

The Spectacular Spider-Man
Ep 108: "Reaction"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
RANDY JANDT

Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

STEVE BLUM as GREEN GOBLIN, SEYMOUR O'REILLY, DILBERT TRILBY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL
JOHN DIMAGGIO as HAMMERHEAD
ANDREW KISHINO as NED LEE
CLYDE KUSATSU as TED TWAKI
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON

_______________________________________________________________________
Card #8
Also Starring

JOSHUA LEBAR as FLASH THOMPSON
PETER MACNICOL as OTTO OCTAVIUS / DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
NATHAN CHEW
NATE CLESOWICH
JENNIFER COYLE
KI HYUN RYU
DAVE SCHWARTZ
SCOOTER TIDWELL

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
PATRICK GLEESON
BRIAN HOGAN
JUNG JA KIM WOLF
RANDY LUDENSKY

Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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Algernon writes...

Finally got to see the latest episode of Spectacular Spider-Man so here are my semi organised thoughts...

S
P
O
I
L
E
R
S

A
H
O
Y

COMPETITION
Funny thing about me, as much as I like to see superheroes struggling with real life problems, I could never really stand the kind of Dawson Creek High School Drama that so many shows featuring teen superheroes seem hell-bent on ramming down our throats. It's one of the main reasons never really got into X-Men: Evolution and probably why despite seeing a couple of episodes of Smallville and thinking it was kinda okay, I could never maintain any prolonged interest in it. Even Batman Beyond which I did enjoy down to the ground left me kinda cold when they focused to much on that side of Terry's life (beside wasn't grouchy old man Bruce the real star of that show?)

So it has come as pleasant surprise to me to find that I'm greatly enjoying the Midtown centric subplots particularly in how they tend to parallel Pete's adventures as Spidey. It just validates my own belief that weather a character is fifteen or fifty, single or married doesn't mean a damn thing if he doesn't have a quality writer backing him up, but that's a rant for another day.

It seems Harry has taken his dad's advice to heart. Now that he's one of the in-crowd I suspect that he may start drifting away from Peter and Gwen. It's also neat to see said in-crowd being injected with a little much needed depth via Kong and Gloria.

You know for such a science wizz, Pete isn't the most observant guy. Poor Gwen is practically throwing herself at the dumb git and he barley realises she's there, funny, funny stuff.

Moving on to the darker end of the Spidey-spectrum we see a lot going on with the rogues' gallery. Sandman is comes across quite nicely here played with great panache by John "bite my shiny metal ass" DiMaggio. The animation on Sandman's transformations is both fluid and creative; I especially liked him morphing his whole body into one giant fist. Speaking of which; the Spider-Man vs. Sandman battle's were pretty brutal weren't they? (At least by the standards of a Saturday morning cartoon). I don't think I've seen such cringe inducing action in a mainstream superhero cartoon outside of Bruce Timm's DCAU. Not that I'm complaining mind you, after the weak pallid affairs that the 90's Spidey-toon euphemistically termed "fight scenes" its a welcome change of pace.

Norman is of course in top form, exuding an almost reptilian calm and utter callousness; it's going to be interesting watching him make the leap to cackling madman. Walloping websnappers, is that Emily Osborn? It's a pretty radical departure from Spider-lore but I have faith that you wouldn't have made such a drastic change unless you were going somewhere cool with it.

The Big Man has apparently been reading the Super-Villain Handbook as revised by David Xanatos. Using super powered thugs to keep Spidey distracted from his real operations is just the kinda scheme to make old Mr. X proud. Also we get our first real taste of Dr. Otto Octavius. This timid and rather meek portrayal is certainly a far cry from the egomaniacal mad scientist we all know and love.

Last we come to the little people, those seemingly inconsequential bit players whose 'blink and you'll miss it' screen time belies their hidden potential. One of the many joys of this series for me as a Spidey-fan is wondering which obscure figure of spider-lore you're going to sneak in this week. It's fast getting to the point where I'm going to have to start freeze framing crowd scenes just to see if that tiny blob in the bottom left hand corner is supposed to be Cletus Cassidy (though frankly, a two second walk on cameo is probably more then he deserves). This episode marks the low key debut of Hobie Brown and judging from what I've heard about the rest of the season we're going to see a lot more of him in the not to distant future.

There are also a couple of nice moments from Tom Wilson's Stan Carter, did anyone else pick up a hint of barely concealed frustration and contempt as he was forced to let Marko and O'Hirn go. Also Carter's comments later in the episode seem to mark him as a Spidey sympathiser, which will be interesting down the road.

This was yet another solid episode that builds on what came before while laying the groundwork for future stories. I can't wait till this comes out on DVD in the form of a season one box set so I can see the grand tapestry as a whole.

P.S. Was Osborn's female Chauffeur a supposed to be an homage the Mercy Graves from Superman TAS?

Greg responds...

That was Hammerhead's chauffeur. You'll be seeing more of her. She's a production favorite.

Response recorded on May 03, 2008

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Jesse Betteridge writes...

Hey Greg,

I'm a huge fan of Spectacular Spider-Man so far, and I have to admit am a bit concerned about the show's future after the demise of Kids WB. I know there are a lot of options for where the series may move to and a lot of factors determining what decision is made. However, given that there has been some confusion about the HD broadcast status of the show through KidsWB, I thought it might be appropriate to ask if that may be a determining factor of where the show goes? As far as I know, Cartoon Network is the only option that will offer a feed that will guarantee an HD broadcast for the series, so that may be the ideal option.

Also in regards to the series' longevity: I know you want to keep Spidey in high school for 65 episodes (ie: what will likely be the show's full run), but is there any chance that we may see some sort of college-based continuation of the series, should it continue to remain successful?

Greg responds...

I would hope so. My plan -- just mine, not a business plan -- or rather hope is that we do 65 episodes that take Pete through his high school graduation. And that after that we continue to do DVDs telling stories of his college years.

Response recorded on May 03, 2008

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The One Known As Mochi writes...

Wow... So many people have posted questions and comments for you. By the time you get around to my post I'll probably have Gargoyles #8 and the trade paperback (I hope...). Normally, I would have a question for you, but it seems I found the answer in the archives. The question I would've asked was in regards to the episode 'High Noon'. I wondered how Macbeth wasn't being knocked around when Demona (in human form) and Elisa were fighting. Someone had already asked and you responded, so I don't have to worry about that.

What I really wanted to do is comment on Spidey. I've managed to watch all the episodes so far and I have to say it's very well done! I seem to think that there's an intensity present that doesn't let up when it comes to the story and the action taking place. Spidey's quips reminded me of the cartoon from the 90s, though I only vaguely remember watching it at the time (I was preoccupied with a lot of other cartoons...even Gargoyles ;) ). I really like the character designs and the animation is very fluid. Overall, I can tell this Spidey series is going very far and I can't wait to see what you and Victor Cook have planned for all the characters.

I have to admit it's been a long time since I've had to wake up early to watch a Saturday morning cartoon that's this good.

Thank you for such awesome work on Spidey and keeping Gargoyles alive!

Greg responds...

You're very welcome.

Response recorded on May 03, 2008

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The Spectacular Spider-Man #107

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "Catalysts"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
ANDREW ROBINSON

Card #5
Directed By
VICTOR COOK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

STEVE BLUM as GREEN GOBLIN
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, BETTY BRANT
ANDREW KISHINO as KENNY KONG, NED LEE
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

PETER MACNICOL as OTTO OCTAVIUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON, JOHN JAMESON
KEVIN MICHAEL RICHARDSON as TOMBSTONE, PRINCIPAL DAVIS
CREE SUMMER as GLORY GRANT
JAMES ARNOLD TAYLOR as HARRY OSBORN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KEVIN ALTIERI
DAN FAUSETT
DAVE PRINCE
ROBERT SOUZA

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RANDY LUDENSKY
SWINTON SCOTT

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


Bookmark Link

The Spectacular Spider-Man #106

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "The Invisible Hand"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
MATT WAYNE

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

IRENE BEDARD as JEAN DEWOLFF
CLANCY BROWN as ALEX O'HIRN / RHINO, GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as HAMMERHEAD
BEN DISKIN as EDDIE BROCK
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

PETER MACNICOL as OTTO OCTAVIUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as BIG MAN /TOMBSTONE / L. THOMPSON LINCOLN
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL

__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KALVIN LEE
IRINEO MARAMBA JR.
ADAM VAN WYK
RICK MORALES

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
JUNGJA KIM WOLF
RANDY LUDENSKY

Animation Checker
GLORIA PALTER
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH
MYRA OWYANG

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
DONGWOO ANIMATION CO. LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


Bookmark Link

Jeff writes...

Hey Greg!
Huge Spider-Man fan here! The episodes keep getting better and better. Any clues as to when the Big MJ reveal will be? In April? I am dying to get this series on DVD! The Sandman episode remains my favorite(so far) but I think I change my mind every Saturday. It had the right amount of crazy battle scenes and down to earth drama. Im not sure if you know this but will the series run through the summer or will they split up the season? In any event, I will be an avid watcher. One more SM question, Any plans for Pete to reveal his identity to anyone? I doubt you'll answer that, but I think it is what makes Ultimate Spider-man so fresh. (Not that I should compare the two, they are seperate but equal as far as Im concerned.) It would be so much easier for Pete to say "dont hate me Gwen/Liz/Harry/Connors/Brock...Im Spider-Man!" Which is the tragic situation and does make it interesting, I cant wait to see where the show goes and Im counting down til next week(6 days!)
I also read your comics, they are great stuff. I missed the cartoon because I havent had Toon Disney until recently(And they show Gargoyles at crazy times) but I am familiar with the story. However, I have never felt confused reading the comics, the characters have been captivating, regardless of their history. Keep up the great work!

Greg responds...

By now, you've met M.J.

The first season will air more or less continuously through the spring through the first 13 episodes, with a few weeks of reruns scattered in to give us some post-production breathing room. Not yet sure when the second season (also 13 episodes) will air, but definitely not this summer. They won't be ready in time.

I'm glad the comics are working for you. But you can also pick up the DVDs.

Response recorded on April 30, 2008

Bookmark Link

Todd Jensen writes...

A few comments on the new Spectacular Spider-Man episode.

I enjoyed this one as well. Parts that especially stood out to me:

Norman Osborn's response to Marko's initial being turned into sand: "We sweep up and try again."
The remark that Marko doesn't need to defeat Spider-Man; he only needs to keep him distracted (very reminiscent of the antagonist strategies in "Gargoyles").
Marko's "Doh!" moment upon realizing that he forgot to take the bank money he just stole with him.
Marko trying to conceal his ignorance about the Big Man.

Dr. Octopus seems Caspar Milquetoastish at the moment; more so than I'd expected (though I don't know that much about him). I look forward to seeing if that changes.

Thanks for another enjoyable episode, Greg.

Greg responds...

It changes.

Response recorded on April 29, 2008

Bookmark Link

Greg Bishansky writes...

Competition

Another sweet episode.

Sandman has never been a favorite of mine, but I enjoyed him here. His transformation sequence was great, and I loved Norman's callous attitude... "we sweep up." Hmm, they were trying to add "silicon armor" to him at first, makes me wonder if they meant for him to be like the Rhino.

Harry seems to be moving into the popular crowd, which is good. To all those who complained about him being too dorky, Greg knows what he's doing.

Speaking of the Osborns, is that Emily Osborn I see? Interesting.

Pete, you're a moron. Gwen digs you. Go for it!

And Hobey Brown... awesome! Wonder if we'll see him doing some prowling in the future.

Good episode, not as good as last week's. But still good.

Greg responds...

Rhino's armor -- as by now you know -- is titanium-resin. (Whatever the hell that means.)

Response recorded on April 29, 2008

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Antiyonder writes...

My first attempt at reviewing The Spectacular Spider-Man (I ask that you don't have any banana creme pies in the room while reading).

Overall, the designs really don't bother me, given that I got use to ones from Teen Titans and Legion Of Super Heroes. Plus as has been said, the designs complement the movement well.

While I enjoy the classic Lee/Ditko run I have to say you've done well to evoke the feeling without it being like a formula. Not to mention that like Gargoyles it is a nice blending of serious storylines and lighthearted moments. Just a few questions and comment for the moment.

1. You mentioned drawing story elements from various continuums rather than just using the version of the character that was introduced in 1962. Are you also using elements from the other Spidey shows (The ones that you've seen of course, cause you mentioned not seeing the MTV series) and movies in your stories?

2. Just a confirmation. Spider-Man's line to the Lizard in Natural Selection "Can you say halitosis? (Lizard growls) I knew that you could." is a reference to Xanatos' line on Hunter's Moon Part 1 isn't it? I think so but several people think it's a common line.

3. Speaking of Gargoyles/Spider-Man, despite the differences between parenting methods brought up I kind of see this Norman to be a cross between Xanatos (reaction to being in danger) and Willaim Dafoe's (praising Peter, lecture/berating Harry) take on Osborn. Would you agree with this?

Keep up the great work.

Greg responds...

1. I'm not that familiar with the Spidey cartoons except for the 60s show, and it's been years since I've seen that. But I'm sure there will be similarities.

2. It's a Mister Rogers type reference. Then again, so was Xanatos' line.

3. That seems overly simplistic to me, but I don't disagree.

Response recorded on April 21, 2008


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