A Station Eight Fan Web Site
All these questions are related to food.
1. In comics it said that superman dosent require food as he can live off entirely on solar energy. Is this same case for Earth 16 Superman and to an extent Superboy?
2. Do Maritians need food? I'd imagine that on mars, their diets would probaley be different than humans, but do their shapeshifting powers allow to them compensate for lack of nutrition?
3. In the series, Wally's suit had a pocket where he kept emergency food. Now first I have to say that's a pretty clever way to deal with Wally's speedy metabolism weakness. I also assume that Flash and Impulse have a food rations on them as well in case of emergencies, so what exactly is the food they eat? I can't imagine it being anything gourmet or something that could easily get destroyed or cause a mess. I (personally) would probably think of it as similar to the rations they give in the military.
4. Do other heroes like Batman or Green arrow keep emergency food rations as well? I mean in most versions, Batman tends to keep himself pretty busy with both his hero and wayne industry work, so he dosnet get that much sleep. So I suppose if he's on some long mission, he probaley would need stop and eat something at one point. The thought occurs to me when I think of the Batman Arkham game series, where Batman is trapped inside Arkham Asylum for at least 10 hours and dosnet eat anything. Now obviously that's just a game dynamic so its not a big deal, but considering how well written Young Justice is I would wonder when and how the heros get a chance to eat and basically recover some energy.
5. I lied. This last question isn't about food. After the events of Misplaced, was the Zeta Tube computer updated to recognise Billy Baston?
1. No. Not for either of them. They could probably go longer without food than a human. But they still have digestive tracks, etc., and if they didn't eat and take in nutrients, those systems would atrophy, and long-term, they'd die.
2. No. Again, I'm not saying they need to eat on the same schedule humans do, but they must eat.
3. Barry and Bart don't have the same metabolism issues that Wally has. Which is not to say they don't eat a lot. But they don't need to keep food on them.
4. I haven't thought about this. But Batman seems like the kind of guy who's prepared for everything. And Green Arrow seems like the kind of guy who isn't prepared for much.
I'm starting a comic on my own with a superhero plot I want to know what does these comic publishing companies look for
They're all different. The best way to analyze each company is to read what they're already putting out.
But frankly, for an original property, I think I'd recommend self-publishing online first.
5. It seems like you say books and TV sort of go atop everything else as far as entertainment goes. I'm sure it's been asked before, but I'm interested in what you're watching right now (or when I wrote this), specifically within the realm of animation. The animation I'm watching right now would be Korra, Gravity Falls, and, well Star Wars Rebels. Do you have any interest or attachment to any of these (aside from SWR of course)? I'm particularly interested in your thoughts on Avatar because I connected to it hugely when I must have been only seven or eight so I have a huge attachment to it. But I would be interested to hear about what TV you watch in general, at the time I wrote this, or when you answer this, whichever you want to answer. Perhaps just from recent months?
Thanks a bunch, I'm really interested to hear your responses to these questions.
I loved Avatar, The Last Airbender. Watched it with my son. I want to see Korra, but my son is now in college, so it'll have to wait until his vacations.
I keep up with Star Wars Rebels, and I still love the series, even though I have nothing to do with the second season.
I still watch the Simpsons.
I'm watching the first season of Shimmer & Shine, though I'm only working on Season Two. But I want to see what they did.
And that's pretty much it, animation-wise. I think because I work in animation all day, every day, I'm a bit burned out on it. So I'm mostly watching only live action stuff.
4. I was looking at the TV Tropes 'What Could Have Been' page after someone on Ask Greg mentioned it and I stumbled across this snippet about The Spectacular Spider-Man (SPOILERS for the end of second season pretty much go without saying after all of these years but whatever): "It was planned for a five-season run (ending with Peter's graduation from High School) - the timing of the Disney/Marvel buyout would have limited it to only three seasons, but because the show also switched networks, it only got two. And because of that, we wind up ending with the revelation that all of Peter's friends save Mary Jane are alienated from him, Harry hates Spider-Man, Gwen remains his girfriend after some emotional blackmail from Harry, and Peter didn't even stop the bad guy." Now I'm not interested if a longer run would have resulted in a happier ending because that seems like the kind of thing that you would interpret as SPOILERS. I know this is just a fan run site with no sources and It seems it makes a couple of assumptions right off the bat because it wasn't so much planned for a five-season run as much as there was a long term plan that could have spanned five seasons ideally. But I'm interested in if what it was saying about the switching of the networks limiting the show's run from three to two seasons holds any shred of truth.
No. What limited us to two seasons was the fact that Marvel got the animation rights to Spider-Man back from Sony, but Sony still held the rights to "The Spectacular Spider-Man" work product. Sony couldn't make more seasons of Spectacular, because they no longer had the animation rights. Marvel couldn't make more seasons of Spectacular because they didn't have the rights to that version of the character.
It had nothing to do with the network switch between seasons one and two. And it had nothing to do with Disney buying Marvel either.
Hi Greg, I wrote many months ago about the correct episode order for Gargoyles. I actually live in Australia so getting Gargoyles Season 2 Vol. 2 is hard and because I know I won't be able to finish it, I haven't watched all of what I have of Gargoyles yet. That information wasn't really needed but I figured I would put it there as a precursor to saying I'm practically obsessive about The Spectacular Spider-Man, (as a Spider-Man fan like yourself, albeit a much narrower breadth of knowledge as I am only a teenager) love Young Justice, particularly the second season, and am enjoying Gargoyles (I think I'm only just past City of Stone, which was epic in the literal sense) and Star Wars Rebels, that twist in 'Rise of the Old Masters' in particular was really well crafted, which as I write this is six episodes or seven episodes in, I'm slightly behind.
Before I get started, I want to make it clear that whatever I say in my first question, I have no intention to argue with you about what you put in the show as others have been about Wally West at the time I write this. I actually have a few different questions on Young Justice, one on The Spectacular Spider-Man and one about you which are split up and these two paragraphs sort of serve as an introduction to all of it.
1. I'm fairly certain there's an undeniable change of pacing and generally a slight tinkering in the type of storytelling from the first season of Young Justice to the second. In the first season the episodes were relatively self contained episodes that contributed to larger character arcs but in the second season almost every episode, if not every episode, contributed to a constant driving narrative. I've noticed something like this in all of your shows, between their first and second seasons before they all were sadly cancelled. Gargoyles felt like its first season set up the character dynamics and world before the second season expanded its universe, probably due to such a large episode order. And The Spectacular Spider-Man felt like it just grew more confident and ambitious. If you don't think these assessments are correct I'd be very different to hear why your shows evolved. I believe Young Justice evolved the most though. Was that planned from the start or was the show readjusted due to what direction you and the rest thought the show could best move in? Or was it some external factor like a change in writing staff, or a smaller amount of episode? In conclusion, why was the show's overall pacing changed? And if you think I've answered my own question can you elaborate?
2. Was there any break in production? I know there wasn't much space between the airing of Young Justice's first season and its second, but did you have any break between seasons?
3. I'm not sure if this has been asked before, and it seems like a fairly obvious question so I apologize if it has been, but how far into production of season 2 of Young Justice, if at all, did you know it was your last season and how sure were you? When I say you I mean everyone who worked on the show.
1. I think much of what you says feels right. But that's a key distinction. It "feels" right. It isn't objectively correct. I do think that on YJ, the second season was without a doubt more driven by narrative than by character, as the first season was. This was in part intentional. We didn't need to intro concepts. But you may be overstating it a bit as well, since every episode was still designed to stand alone and tell a great story that could hook new viewers. One other factor, as you noted, that definitely contributed to this sense of momentum was the fact that we only got 20 episodes for the second season. That forced us to dedicate more episodes (and storylines within episodes) to the main "novel" we were crafting. With a larger order, we'd have had more plotlines that weren't directly tied to the main throughline, and the feel would have been more like Season One.
2. A short break. Nothing significant.
3. I don't remember exactly, but it was before we completed production. I think maybe even before we had completed the final script.
Hello Mr. Weisman,
I have some questions about creating teams and the personalities of its members.
1. When creating a team how do you decide what will be the personalities of characters in the group? I've read elsewhere that the best way to create a group is to make each member of the group have the opposite personality of another member. Is this the method you use?
2. How did you decide what personalities to use in the Manhattan clan in Gargoyles?
Thank you for taking the time out of your busy schedule to answer my questions.
1. No. Nothing quite that didactic. I do look for a mix. But I'd say my process is more organic and holistic than what you're describing. It also depends a LOT on whether I'm adapting an existing property or creating something original.
2. I'm not sure I remember. But if you look at the ASK GREG archive's "Original Development File," you can see how the characters evolved over time.
On November 13, 2014, you said you had been working on 4 projects on was a Star Wars Rebels: Kanan comic. You declined to name the other three, but you said one was definitely happening, one might happen, and one was postponed indefinitely. If any of these haven't happened yet, will you name them now?
If they haven't happened, no.
In Captain Atom #1, Megala explains the Quantum Field, and equates it to Chi.
Does that mean Asami's power is tied to the Quantum Field somehow?
1.How physically strong are martians in the earth-16 universe?
2.Can they pick up cars or trucks?
3.Can they reverse their density-shifting to make them stronger and more durable?
-Great show by the way :D
1. It depends on their density.
2. Trucks, no. A small car, perhaps, depending on his or her density.
3. Yes. But they'd get physically smaller in volume. You see this in our companion comics when Miss Martian visits Atlantis.
Here's my schedule for this weekend's Long Beach Comic Expo at the Long Beach Convention Center:
SATURDAY, FEBRUARY 20, 2016
11:30am - 12:30pm
DOWN TO NERD: INVADER ZIM AND GARGOYLES: CONQUEROR VS PROTECTOR
Thunderdome (Seaside Pre-Function) w/RuthAnn Thompson (moderator), Dave Crosland, Greg Weisman.
Description: Some come from another time to protect, another from a different planet to conquer- but both hold a special place in our hearts! Gargoyles VS Invader Zim. We will focus on the first 5 episodes of the TV series Gargoyles with writer/creator Greg Weisman and the first 5 issues of the Invader Zim comic books with Dave Crosland. What are the differences and similarities do these creatures out of space and time have? How will they fit in on modern day earth? Casual Fans and Hard Core Nerds alike join host RuthAnn Thompson and be "Down To Nerd"!
01:00pm - 02:00pm
THE ART OF STAR WARS & THE FANDOM BEHIND IT
Danger Room (S1) w/Ben Paddon (moderator), Terry Dodson, Craig Miller, Cat Staggs, Greg Weisman.
Description: Cat Staggs has been working for the Star Wars / LUCASFILM family since 2004, for which she has illustrated short fiction for starwars.com, produced sketch and trading cards, exclusive prints for Star Wars Celebrations III, IV, Europe, Celebration V, and Celebration VI. Terry Dodson is an American comic book artist who penciled the Dark Force Rising comic series in 1997. He has also provided art for Mark Waid's Princess Leia limited series. Moreover, Dodson has drawn the Books-A-Million variant cover to the first issue of the Shattered Empire miniseries, and the CBLDF variant to Star Wars: Vader Down, Part I. Greg Weisman is the writer for Star Wars Rebels - "The Machine in the Ghost", "Art Attack", "Droids in Distress", "Breaking Ranks", "Gathering Forces" and Star Wars: Kanan: The Last Padawan. Craig Miller was Director of Fan Relations for Lucasfilm from 1977-1980. He created and oversaw the Official Star Wars Fan Club as well as having edited and written virtually all of the first two years of Bantha Tracks. He was the producer of the Star Wars Sesame Street episodes in addition to operating R2-D2's head in the episodes, as well as being Producer for Lucasfilm on commercials such as the ones for licensee Underoos.. He was also responsible for creating the 800-number telephone hotline for The Empire Strikes Back that allowed fans to call up to receive more information about the movies and characters.
02:30pm - 03:30pm
DWAYNE MCDUFFIE AWARDS
Creator's Lab (S5)
Description: Long Beach Comic Con is proud to announce the commencement of the Second Annual Dwayne McDuffie Award. This one of a kind award will be granted on February 20, 2016 to an American comics work, published in print or digitally in 2015, deemed by the Selection Committee to promote diversity. In the spirit of Dwayne McDuffie, "promoting diversity" can be judged as either broadening the range of characters portrayed in comics, or adding to the variety of creators contributing to the medium.
04:00pm - 05:00pm
THE SPECTACULAR SPIDER-MAN PANEL
Danger Room (S1) w/Greg Weisman (moderator), Victor Cook, Kevin Hopps, Kelly Hu, Josh Keaton, Pamela Long.
Description: In 2008, a new version of everybody's favorite friendly neighborhood Web-Slinger - dedicated to recreating the feel of the original Stan Lee & Steve Ditko and Stan Lee & John Romita, Sr. comics - hit the air. Come hear the creative talents behind The Spectacular Spider-Man talk about what went in to making this classic take on a classic character. Panelists include Victor Cook (Director-Producer), Kevin Hopps (Writer), Kelly Hu (voice of Sha Shan Nguyen), Josh Keaton (voice of Peter Parker/The Spectacular Spider-Man), Pamela Long (Color Stylist) and Greg Weisman (Writer-Producer)!
06:00pm - 07:00pm
GETTING ANIMATED WITH TOP ANIMATION EXPERTS
Rumble Room (S4B) w/Ray-Anthony Height (moderator), Chris Copeland, Greg Weisman, Dean Yeagle.
Description: Top animation experts Greg Weisman (Gargoyles, Spectacular Spider-Man), Dean Yeagle (Caged Beagle Productions), and Chris Copeland (Marvel/Disney Animation) discuss how they broke into animation, their work and a Q&A with the audience!
I'll also have a table a on the show floor, specifically table AN-11 in "ANIMATION ISLAND" between Ellen Jin Over and Amy Mebberson, and near Dino Andrade, Michael Bell, Keith Coogan, Chris Copeland, Matt Doherty, Loren Lester, Tiffanie Mang, Joey McCormick, Chuck Patton, Peter Paul, Sara Richards and Aaron Sparrow. I'll be there between panels on Saturday and all Sunday morning until noon. (Not as sure about Sunday afternoon. We'll have to see.)
I'll sign and personalize anything you put in front of me, but I will also be selling copies of my two novels, RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM ($10 each), CD sets of the RAIN OF THE GHOSTS AudioPlay ($30 each) and RAIN OF THE GHOSTS prints, drawn by artist Christopher Jones ($10 each, but free with a purchase of the AudioPlay and/or both RAIN and SPIRITS). In addition, I'll be selling animation scripts from series including GARGOYLES, W.I.T.C.H., THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE, STAR WARS REBELS and others, ($20 each). Finally, I'll be selling script copies of a couple of the special one-off convention radio plays we did, i.e. THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES and GARGOYLES MEETS THE SPECTACULAR SPIDER-MAN MEETS YOUNG JUSTICE ($20 each). All purchases are cash only.
I hope to see you there!