RADIO PLAY: The History

I posted this in the comment room, but Todd suggested I repost it here...

RADIO PLAYS...

Sometimes I just don't have anything Gargoyles for us to do. And I'm not sure if just doing old episodes is all that interesting. And the other things have been fun... at least it seemed that way to me.

Here's a history of the works of the GATHERING PLAYERS...

1998 - RAIN OF THE GHOSTS (an unproduced pilot I wrote)
1999 - THE ROSWELL CONSPIRACIES (a rejected pilot I wrote)
2000 - ROUGHNECKS: THE STARSHIP TROOPERS CHRONICLES (the last arc of the series, which I story edited, half of which was unproduced. Written by me, Jon Weisman Lydia Marano, Cary Bates and Michael Reaves.)
2001 - GARGOYLES: "Hunter's Moon, Part Three" (Note: this was the first time that we actually did something gargoyles related for the radio play. This included scenes that were cut for time from the original. Written by Michael Reaves.)
2002 - TEAM ATLANTIS: "The Last" (Unproduced episode featuring Demona and Fiona Canmore, written by me)
2003 - GARGOYLES: "The Reckoning" (Performed in honor of Gary Sperling, who co-wrote the script with Lydia.)
2004 - GARGOYLES: "The Journey" (my uncut version of the script)
2005 - DOC SHAKESPEARE (An unproduced pilot written by myself and Sam Bernstein)
2006 - GARGOYLES: "The Mirror" (written by Lydia Marano and Brynne Chandler Reaves)
2007 - GARGOYLES: "Clan Building, Chapters III, IV & V: Invitation Only, Masque & Bash" - (from the comic, premeiring chapter V before it was published. Written by me...)
2008 - Geez, I should probably figure this out soon...

Anyway, you can see that traditionally, we've only done something gargish about half the time. For me it's fun to get to see my unproduced work performed, and it does give the fans a little insight into the biz. In any case, I've never heard any complaints from the folks who attended.
Greg Weisman
OFF TO CHICAGO... ON A WING AND A PRAYER...

GATHERING 2001 DIARY: Part Five

Monday, June 25, 2001

Once more, Kathy knocked on my door to wake me for the staff breakfast.
Once more, I ignored the first knock.
Once more, she didn't give up.
Once more, I got up and answered the door, telling Kathy I wouldn't make it to the breakfast.
Once more, I did get down there in time to catch the tail end of the breakfast and get some juice.

I checked out of the hotel and put my stuff in my car.

The first panel of the day was for Roughnecks: The Starship Trooper Chronicles. This was actually the panel I had been most nervous about. The reason? Well, we had gathered an impressive list of guests: David DeLuise, Jamie Haines, Alex Polinsky, Rino Romano, Steve Staley, James Horan, Jason Marsden, Sue Blu, Wayne Boon, Vince Edwards, Russ Isler, Joe Lawson, Dave Hartman, Lydia Marano, Jay Oliva and Tom Pugsley. But the panel was scheduled for 10am on Monday the night after the Masquerade. I was afraid that our panelists would outnumber the attendees. Fortunately, that wasn't the case. I played an episode from the series: "Funeral for a Friend". Mostly because it's my personal favorite. Yes, I wrote it. But I just love how it turned out, particularly the epilogue funeral itself. Then we gathered for the Q&A, which was fun. A lot of these guys hadn't seen each other for awhile. Then a short signing. Finally, I had to clear the room for the next panel.

3x3 Eyes. Guests included Thom, Jonathan Klein, Taliesin Jaffe, Mia Korf and Susan Chesler. This was a nice little panel too.

Then a short break and closing ceremonies. Lots of people getting thanked....

I hung out downstairs for awhile, then Brynne and Russ and I meandered up to the con suite. The Dead Dog Party took a while to get started. But we shared a pizza with the constaff. And then I had to take off. (My family missed me.)

And that, was the con.

But once again, I'd just like to thank everyone involved. Jen and the whole constaff, in particular. But also the guests and supporting members. And especially the fans who shelled out and showed up. It was great meeting you/seeing you again, etc. It makes my year. I'm already psyched about Virinia Beach in August, 2002. And, although, I wouldn't wish the workload on any of my friends on the G2001 staff again, I do hope that sometime we have the chance to do the con in L.A. once more. In terms of Gathering the cast and crew that worked on the show, you just can't beat proximity to where they all live. You guys always treat me wonderfully, but it was also very gratifying to see everyone else on the show get a chance to share in your respect and appreciation. GARGOYLES was never a one man operation, and I'm glad you all got the chance to meet each other.

I'd also like to point out, what I'm sure you're all very aware of -- how feeble my Gathering diary is. I have no defense. Except that I'm a fiction writer not a journalist. I've been lurking around though, and diaries by Christine, Lexy, Aaron, BrooklynX, Greg Bishansky, Shan, etc. have really put mine to shame.

And I'm also sorry that I missed a few things at the con. I was so busy, I didn't ever get to see Crispin's mythology seminar. I spent almost no time in the video room and it would have been fun to watch some of the shows with you guys. And although, I did get to the art room, I never had time to just hang there and really absorb everything (I never had time to vote, for example), and I somehow completely missed seeing the MAP that won the big prize. If it's scanned online and there's a link, I'd sure appreciate someone sending the link my way.

Thanks, gang. You rock. (Pun intended.)

Greg

GATHERING 2001 DIARY: CHAPTER FOUR

Well, again, I've completely mixed things up. I'm too lazy to start over so I'll just keep correcting myself after the fact.

Saturday night, after the dinner at CityWalk and a little con suite fun, we all headed up to check out the Rooftop Garden Ballroom. This is the room where the "Better than Barney" story actually took place all those years ago. But I'd never been up there at night before. It was gorgeous. I pointed out all sorts of random stuff. Where 3x3 Eyes was recorded. Where Disney TV Animation used to be housed. Where we used to sneak into the Texaco Commissary. Where Gargoyles was On-Lined. Etc. Then we just hung out for awhile. Talking quietly. It was calm and nice. This kind of stuff is actually my favorite part of the con.

SUNDAY, JUNE 24, 2001
Kathy knocked on my door to see if I was coming to breakfast. I said no, though I managed to get down there for the tail end and grab a glass of juice.

Then it was time for my mug-a-guest. Got some interesting questions. Hope I gave interesting answers.

It ended in time for me to participate in the tail end of the Design and Direction panel with Bob Kline, Doug Murphy, Frank Paur, Dennis Woodyard and Bob Schaefer. Frank (or someone) had brought a ton of development and pre-production and production art and spread it out on the long table. My sister Robyn arrived. And then my folks. And then my wife and kids. It was kinda cool.

That panel segued right into the massive Series Production panel. All of the above were there, plus Bob Birchard, Denise Byrne, Craig Kemplin, Brynne Chandler, Ray Leonard, Marc Perlman, Laurel Whitcomb, Paca Thomas, Jamie Thomason, Mark Von der Heide and Thom Adcox (and again I apologize if here or anywhere I've left someone out). It was great to see such a big turn out both on the panel and in the audience. Jay Fukuto, one of my old bosses on Gargoyles and currently Vice President of Creative Affairs at Disney TV Animation, came in just a bit late. I think Jay was really impressed with the con. He's currently talking to people around the company about exploiting the property a bit. Specifically, he's asking about DVD production, so the Convention's Job One was a success.

My family took off. And the actors began to arrive. Thom Adcox and Crispin Freeman, of course. But we also had Jeff Bennett, Neil Dickson, Elisa Gabrielli, Gregg Rainwater, Cree Summer and Keith David. Cree came despite the fact that she had a sinus infection. Keith brought his son Owen, who was also feeling under the weather. It was really gratifying that they all came.

The Q&A was terrific. I tried to moderate and otherwise keep my mouth shut as much as possible so that you guys could here them talk. Then there was the cast autograph session... the line was literally out the door. Way out the door. Cree was feeling awful and had to take off. And Keith too eventually. I'm sorry if anyone missed them, but it was great that they came at all.

The auction started, while the crew guests signed stuff. I think I signed fewer autographs this year than at any previous con. Finally, you guys are getting your fill of me.

My shrinky-dink Brooklyn necklace sold to Aaron for $65. Beth and I were arguing what it would go for. I guessed twenty. She guessed forty. Greg Bishansky bought the signed copy of "The Journey." Though I'm not sure what he paid. I don't know what the Roswell script went for or who it went to. But I gather the auction was a success. Major kudos to Kathy, Patrick, Myhrr and Draconis.

We had some time off before the Banquet up in the Rooftop Garden. Beth came back to join me for dinner. We wound up sitting with Todd Jensen, Tigris, Kelly and her fiance, and a couple more people that I'm blanking on, unfortunately (sorry). Beth did most of the talking. It may come as a surprise, since I seem to be such a big mouth, but in our house, Beth is the talker.

After dinner came the Masquerade. We had about a million judges, which was unwieldy but fun. There were, as usual, some great costumes and some fun Cosplay. Slash came out and played his guitar. It was fun, but at the end of the night it started to go on a touch too long. People wanted to get to the awards and Dreamie and Demona May came out to hook him. We gave a joke award to the ladies for that, and I'm afraid that Slash might have misinterpreted that. Slash, it was great of you to get up there. Sorry if there were any hurt feelings.

As usual, we gave out the Gorebash Memorial Award. Of course, Gorebash isn't actually dead. He's just been seemingly M.I.A. for a bit. He's firmly back now. Just check out his comment room. Anyway, that award went to Mara and Aaron for their cross-dressing Xanatoses. Thom got to drop his pants. Thom and Crisping made out repeatedly. Myhr was his usual amazing self. It was a blast.

The hotel shut down the DJ a touch early. But frankly that worked for me fine. Again, I got to spend time in the dark and quiet rooftop garden with a bunch of you guys. Including people who have become good friends. Jennifer, Steph, Seth, Patrick, Kathy, etc. I'd have probably stayed there all night, but I started on a coughing jag -- left over from my pneumonia, and I just couldn't stop it. So I called it a night, went downstairs and took some cough medicine.

One day left...

Stay tuned.

GATHERING 2001 DIARY: PART THREE

First, standard disclaimer. I apologize in advance if I leave people out. Sorry.

Second, an invitation. I'd love to hear others' responses to the Gathering. Feel free to post them here.

Third, a correction. I got confused writing Part Two of my Gathering Diary. That dinner I described at the Japanese Restaurant at CityWalk actually took place on Saturday, June 23rd. Here's what we did Friday night...

After opening ceremonies, we had a staff meeting over dinner at the restaurant in the Hotel. Jordan, Carol, Patrick, Jennifer, Kathy, Cindy, Kenna, Meredith and Thom Adcox and myself. (Am I leaving anyone out?)

When that dinner was over, I strolled over to the next table where Frank Paur, Dennis Woodyard, Bob Birchard and Loren McLaughlin were eating. Joined them and we talked and bitched and told stories for a while longer.

Then I wandered back to our main rooms, where the MST session was in progress. I stayed for all of "The Gathering, Part One". It was fun, but so many people were talking, it was a little hard to hear each individual joke. I left after that. Later, I was told that people were afraid I was offended. I absolutely WAS NOT. Just tired.

Anyway...

SATURDAY, JUNE 23, 2001
I got up in time for the Staff Breakfast in Performers. A nice calm before the storm. After, I took a quick peak into the art room again. Then my brother showed up. He and I went upstairs to get the stuff I needed for my various panels.

Then I had my first Q&A. Series Develoment. I was on a panel with:
Greg Guler - Development Artist and Character Designer
Bob Kline - Development Art Director and Producer/Director
Dave Schwartz - Development Art Director
Tad Stones - Producer of multiple other animated tv series.

Tad was the star of this panel. He told the story of how he basically gave me the idea of Goliath, but his story took him off on a bunch of fascinating tangents. He also talked quite a bit about Team Atlantis. This sort of surprised me. I had been under the impression that he wanted to keep mum on that subject. But it was nice of him to reveal what he did.

After that, I had a Voice Acting Technique Seminar. Originally, I had been scheduled to be in the "Writing for TV Animation Seminar" that was going on at the same time. But I switched over for a couple reasons.

1. I did that seminar last year in Florida. Don't have much new to say.

2. I've been doing much more voice directing these days then writing. It seemed more honest in a way.

So the voice seminar was a blast. Morgan Sheppard was on the panel. And Crispin Freeman and Jonathan Klein and Taliesin Jaffe. They had all just finished a Voice Acting Technique Q&A minutes before, so we made ours into more of a workshop.

I had brought some sides. Morgan read Petros Xanatos with a couple of different attendees trying their mouths as David Xanatos. Then Crispin took on the roll of Griff with two casts of Leos, Unas and Goliaths.

We auditioned people for various rolls from Gargoyles, just to give them an understanding of the audition process.

Then Crispin set up his computer and monitor so that people could try their hands at dubbing some anime. By this time, my wife Beth and our kids Erin and Ben had arrived. (Their first day at the con.) Erin wanted to try her hand at ADRing. She did pretty good, but I think she realized that it's harder than it looks.

Taliesin then set up his own little anime dubbing exercise. It was all fun and I gave away the sides at the end.

From there, I headed over to the "Writing for Gargoyles" Q&A. This panel consisted of myself and...
Brynne Chandler - Writer/Story Editor
Gary Sperling - Writer/Story Editor
Lydia Marano - Writer
Tuppence Macintyre - Researcher (and a Los Angeles Deputy District Attorney)
Monique Beatty - Currently a producer in her own right, but on Gargoyles she was my assistant.

This was another fun panel with a lot of good questions asked and some fun stories. Todd Jensen, I believe, was in the audience, though I didn't yet know who he was. He and I had a little bit of time to talk later, though less than I would have liked. (I was too crazed, and I think he was too respectful to be pushy.)

My various family members took off, as I headed into the Radio Play rehearsal. (I listed the cast in the last part. I won't repeat it here.) The rehearsal went fast and easy, and because this year's radio play was shorter than previous, we had time to run things twice. And we still finished with time to spare.

Again, I ran around a bit. Checking out the dealer's room and art show. Then I joined Jordan Mann and Morgan Sheppard for an extremely late lunch. Morgan told us some great stories. It was fun. (Everything was fun.)

We gathered in the main room to set up for the Radio Play. Minor crisis involved the little stage the hotel had put up for us. Not big enough for everyone. But too big to move. I had to quickly rethink where everyone sat. (This is only a problem because I'm so anal.) Anyway, there were a few nervous moments as neither Nicole or Rebecca had gotten the message to show up early. I thought for a second we'd be subbing in two more of our understudies. But they both showed just before the show.

We put the cast in our "Green Room". Actually out a door that led outside. Brought in the fans. I intro'd the cast one by one, ending with our ringers, ending with Thom who was playing Lexington of course.

We then performed the thing. It has some sequences you never saw on tv, including a nice little chase through the Paris catacombs and a sweet scene between Jason and Elisa at the ruined clock tower. But I think the single line that got the best response was Charles Canmore saying, "We can no more stop hunting the Demons than breathing the air." Or something like this.

This year, I had/took the time to cut the narration way down before hand. WAY DOWN. But during the performance, I kept noticing other things I should have cut. Hopefully next year I'll do better.

Still, people seemed to enjoy it. And I had a blast. Jen was a very fun Demona. Zehra's Elisa was terrific. The audience went nuts for Brooklyn and Bronx and all the minor rolls. And especially for Thom as Lex and Crispin as a very Faggerbakke-esque Broadway.

When that was over, we went to dinner up at CityWalk. But I accidentally wrote about that in the last entry, so that's it for now.

Stay tuned for PART FOUR: Sunday.

GATHERING 2001 DIARY: PART TWO

Friday, June 22nd, 2001

[Assume the usual caveats. I'm bound to forget someone or many. I apologize in advance. Also, I'd love to see other peoples Gathering diaries. Feel free to post them here.]

Well, I got up Friday morning at home. Packed a small duffle and my box of Gathering crap and headed to Universal City.

I checked in, but my room wasn't ready. An obvious question is why was I staying at the hotel when I live about twenty minutes away.

The answer begins with the Gathering Staff's generosity. But I hope they got their money's worth. By staying at the hotel, it allowed me to be at the con both earlier in the morning and later (much, much later) at night. My kids missed me. But my family's very understanding, thankfully.

Anyway, after checking in, I dropped my Gathering box off at the con suite and then went back downstairs to look around and see if I could help in any way. All day Friday and Saturday I wore the Shrinky-Dink Brooklyn necklace that I made with my kids. It seemed like wearing it around the con might just up its price at the auction. You'll have to ask Aaron if that ploy worked.

I gave Cindy and Jules the two pieces of artwork that my daughter Erin drew. One was "Gargoyle Babe", which she did herself. The other was "Daddy and Daughter's Night Out". A picture of Goliath and Angela disco dancing which she and I drew together. Erin eventually decided to put both pictures up for sale for charity. I think Dreamie bought "Babe". And Jules bought "Night Out". In turn, Erin wound up buying a piece from Dreamie and a bunch of stuff from David Wong. My son Ben bought a piece from Kelly and a Goliath yoyo. But I'm getting ahead of myself.

I gave Kenna some Roughneck video tapes that Sony had donated. Over the last couple months, I had already loaned Jen all my Gargoyles episode tapes for her to copy. (She still has all of season two and "The Journey".) So we had plenty to keep the video room busy.

I put some things in for the auction. Some more Sony donations. A signed copy of my original script for "The Journey". And a signed copy of my original pilot script for "Roswell Conspiracies". (You know, the one we did as a Radio Play in Dallas.)

And speaking of Radio Plays, it was time for auditions. I met up with Thom Adcox and Jordan Mann and we began the process. As usual it was a lot of fun. Because I knew we were going to be doing "Hunter's Moon, Part Three", but the auditioners didn't, I got to here a lot of Scottish accents, and I got to ask everyone to bark like a dog (for Bronx).

We got a fairly good turnout. Better than last year in Orlando, when we had to beg people to participate. Still not as good as in Dallas or New York, when we were so overwhelmed by the numbers of those auditioning that the whole rest of the day ran late. It helped, I think to hold auditions Friday when the show was Saturday.

We powered through the auditions, taking a few breaks. Seth, who's easily distracted, was in line to audition. Took off while we were on break, and came back too late to audition. He tried to wheedle his way into the show later. And it was tempting, since he's been a member in good standing of the Gathering Players (he was our male lead in New York and Orlando). But the show was cast. Too late, Seth. Sorry. ;P

Most everyone who auditioned was pretty good. Casting was difficult, because we hated to leave anyone out. But I think we came up with a good mix of the old guard, new blood and RINGERS.

We had Lanny back. As usual, in the auditions, I offer people a choice of reading whichever original Gargoyle "side" they feel like reading. Lanny chose Goliath, and I told him I was hoping he'd pick that. He didn't know what I meant until that night when he found out he'd actually be playing Goliath. And we had Jen and Jordan and Alex and Sara and Heather back in the show again. It's great to have some continuity.

Plus we had Thom playing Lex of course. With Morgan Sheppard (the voice of Petros Xanatos) playing Hudson and Crispin Freeman doing his dead-on Broadway imitation. (It SO cracked us up in our auditions, Jordan, Thom and I KNEW we had to cast him as Broadway.) Elisa Gabrielli was supposed to play Maria Chavez (as she had in "Revelations"). But there was a miscommunication and she didn't make it Saturday. (Fortunately, she came Sunday, which is when we really needed her.) The good news is we had three understudies this year. Last year, we lost a cast member at the last minute. Jesse was forced to play two rolls. This year we were ready, and Jennifer Mallon jumped in to take Elisa's place.

And we had some great new finds. Zehra just blew us away with her Elisa audition. She was great. And Nicole was a fine Scottish Canmore. Actually, everyone did great.

Here's the full cast:

ELISA MAZA... Zehra Q. Fazal
GOLIATH... Lanny Fields
LEXINGTON... Thom Adcox
BROADWAY... Crispin Freeman
BROOKLYN... Sara Hutchinson
ANGELA... Batya Wittenberg
HUDSON... W. Morgan Sheppard
BRONX... Rebecca Gold
JASON CANMORE... Jordan Mann
JON CANMORE... T.J. Ferraro
ROBYN CANMORE... Nicole Dubuc
CHARLES CANMORE... Chris Rogers
DEMONA... Jennifer Anderson
DAVID XANATOS... Johnney Muije
FOX... Kelly Creighton
OWEN BURNETT... Kevin de Caccia
MATT BLUESTONE... Joshua Poole
MARIA CHAVEZ... Jennifer Mallon
MORGAN... Loren G. McLaughlin
PILOT... Alisa Christopher
MARGOT YALE... Heather E. Rice
BRENDAN... Rahsaan Footman
VINNIE... Alex Wittenberg
TRAVIS MARSHALL... Kristen de Caccia

UNDERSTUDIES... Sean Camanyag and Gabriel Guerrero

I'd like to give a special thank you to both Thom and Jordan for being my partners in crime on the auditions.

Anyway, casting done, we got back downstairs just as various guests began to arrive. I saw Michael Reaves for about a second before he took off. But I got to spend a bit of time with Dennis Woodyard, Bob Birchard, Frank Paur, Tuppence Macintyre, Brynne Chandler, etc.

I'd like to extend another special thank you, this time to Carol Wagner, who did such an amazing job at guest wrangling both in the weeks before the con and during. Also to Patrick for making registration for the guests such a smooth and generally painless process.

I checked into my room. Just down the hall from the Con Suite and the staff room. I saw a bunch of familiar faces. Leva. Greg Bishansky. Aaron and Mara. Hudson. Kythera (who also helped out at Auditions with Johnney). Saw Vash in here somewhere. Demona May. Noel. Ah, I know I'm forgetting people. Sorry. Or mentioning them on the wrong day. I ran into Ashley at one point. It was great to see her again.

Bill Faggerbakke arrived, and folks almost literally lined up around the block for his autograph. It delayed opening ceremonies a bit. But not too badly -- not relative to the Gathering's track record, anyway. Jamie Murray got things rolling, introducing the staff, etc. I won't repeat the con virgin joke. Other people have mentioned it, and the truth is I didn't hear it at the time. I was antsy. Getting up and sitting down and getting up again.

As you all may have gathered, I rather like speaking in public. (I'm lousy at small talk and shy in social situations with people I don't know VERY well, but I'm a decent public speaker. Go figure.) But I generally get pretty wired just before I'm about to go "on".

Anyway, Jamie intro'd me. I intro'd our guests. Ending with Thom. (I just want to say that Thom and I always got along well during production of the show. But it's during the last few years since he came to the Dallas Gathering that he and I have really become close friends. He's such a great guy. I'm not sure how we made it through the first two NYC Gatherings without him.) Thom intro'd Lexy and gave her her FAN GUEST OF HONOR AWARD. This was a complete surprise to her. Something the staff agreed on secretly to thank Lexy for her amazing recruitment work. She seemed genuinely touched. It was pretty cool.

Then I began my schpiel. Considering you have heard and I have told ALL these stories about a THOUSAND times, I thought that this time I was amazingly scatter-brained. You'd think I'd have them down to memory. But I kept forgetting things. Remembering them later. Telling things out of order, etc. I belatedly remembered that I had a letter from Ed Asner to read to all attending, and then couldn't find the letter. It must have taken me forever to realize I was holding the letter in my hand. I had folded it up and had written a note to myself on it. D'Oh.

Anyway, it was fun to tell the "Better than Barney" story in the Hotel where it originally took place, with Bill F. there. I'm not sure whether he remembers saying that. Perhaps I made the whole thing up. (And my garage band will be playing at the Whiskey this week-end.)

I showed the pitch, the promo. The New Olympian and Dark Ages development. The Bad Guys reel. It was terrific to have that video projector. Finally people could get a decent look at what I was showing them.

I rambled forever. Then finally relinquished the floor.

Afterwards, a bunch of us went up to CityWalk for Sushi and a staff dinner. Crzy's husband Alan Anderson was there (with Kathy Pogge as his date). My date was Jen. *Yes we're a strange bunch, and I'm happy to include myself in that assessment.*

Meredith was there. Patrick. Crispin and Izobel. Cindy? Kenna? The Morgans? Carol? I can't remember, I'm sorry. Dinner was the typical "Hey, it's CityWalk, expect to wait forever!" marathon. But the food was good. And so was the company.

We headed back to the con suite, where Aimee and Steph (Hi, Pickles!) began decorating me with post-it notes depicting various characters from the show. I've kept them all. Except for that nasty one of me. [Wait, did this happen Friday night or Saturday? My memory is just a blur.]

I called it a night relatively early (for me). I was still a bit nervous about a pneumonia relapse. Walked down the hall to my hotel room. Watched some TV and then crashed.

Stay tuned for Part Three...

GREG'S GATHERING REPORT: PART ONE

[Disclaimer: It is the nature of these things to forget more than one remembers. The feelings remain. The details are fuzzy. I apologize in advance if I get something wrong or leave something out.]

Thursday, June 21st, 2001

Yeah, I know, the Gathering 2001 didn't start until Friday, but for me it started last August in Orlando. I'd been working pretty closely with this year's staff to help them gather special guests. At G2000, I rashly promised over twenty guests would attend. By June 14th, 2001 we had over 50. And then I got pneumonia and it looked like I'd be the one guest who wasn't going to make it.

Fortunately, my doctor got me on antibiotics immediately. Within 48 hours I was feeling about 90% better. I was even able to go to a Team Atlantis recording session on Wednesday the 20th. Good thing to, because that was the day I secured Cree "Hyena/Kida" Summer to attend our little party.

Anyway, by Thursday the 21st, I was feeling world's better, and I attended the pre-con dinner at Camacho's at CityWalk. Carol Wagner, a former student of mine and our phenomenal guest liaison (who absolutely picked up tons of last minute slack in handling detail work on most of the guests), was the first to join me at the restaurant. But soon, Jennifer Anderson arrived with most of the gang, including Patrick, Kathy, Meredith, Kenna, (Cindy were you there?) and the Morgans. Tim had to take off with Becca, but Christine stuck around. Jen introduced me to Crispin Freeman and his girlfriend, the lovely and talented Izobel. Dinner was fine -- though the service was SLOW!

Then we hiked down to the hotel to get a tour of where everything was going to be. Thursday night it all seemed TOO spread out to me. But by Friday, I realized it was all close enough together. We elevated up to the con suite and sat around a bit. But I didn't want to stay up to late Thursday, so I took off at a semi-reasonable hour. Carol and I hiked back up to CityWalk. I drove home. Very excited. Like a kid, it was hard to sleep.

MARINA SIRTIS

I'd just like to point out that I'm a man of my word. At the 2000 Gathering in Orlando, I vowed that the 2001 Gathering in L.A. would have a MINIMUM of 20 special guests. As of today, we officially have 21. And we're not done by a long shot.

Of course, the big news is MARINA SIRTIS, the voice of Demona, will be attending.

Here's the official announcement reprinted by permission of the G2001 staff:

The Fifth Annual Gathering of the Gargoyles
The Gathering 2001: City of Angels
June 22-25, 2001 -- Los Angeles, CA

UPDATES!

The staff of The Gathering 2001 is pleased and excited to announce the addition of SIX NEW GUESTS. We're most excited because the list of new
additions starts with the voice of Demona herself, MARINA SIRTIS! Also well known for her role as Counselor Deanna Troi in the "Star Trek: The Next
Generation" television series and films, Ms. Sirtis joins the voice of Lexington, Thom Adcox-Hernandez, on the sure to be growing list of "Gargoyles"
voice actors and actresses who will be in attendance at The Gathering 2001.

But wait, that's not all! We also have five new names joining our guest roster from the "Gargoyles" staff and production crew: Lisa Salamone, Jamie
Thomason, Karen Peterson, Dave Schwartz, and Julie Morgavi. Many said it couldn't be done when we promised at least 20 guests - more than every
previous Gathering combined - but our complete list is now up to 21! And even more are sure to be added in the future!

For the complete guest list and most recent info, visit:
http://gathering.gargoyles-fans.org/guests.htm

With such a terrific guest list and so many exciting events planned, it's a sure bet that The Gathering 2001 is going to be THE place to be for "Gargoyles"
fans next June. Our goal is to have 500 people or more in attendance at what will be the BIGGEST and BEST Gathering yet, and only YOU can make it
happen. If you have already registered and purchased your membership, we thank you! But if you haven't, please don't wait too much longer! The
early-bird membership rate of $30.00 for adults ($15.00 for children ages 10 to 14) will only last until December 31, 2000! Don't lose out on what could
be as much as a 50% discount! The rate goes up to $40.00 for adults ($20.00 for children) as of January 1, 2001, and the adult membership rate at the
door will $60.00.

And while you're signing up for your membership, don't forget to reserve a place at the Gala Awards Banquet! Many of our special guests - including
Marina Sirtis, Thom Adcox-Hernandez, and Greg Weisman - are scheduled to be in attendance at this special event, and we hope to see YOU there, as
well. Tickets are only $60.00 per person and they are going fast! Seating is limited, so don't delay!

For more information about the convention, visit us on the web at:
http://gathering.gargoyles-fans.org/

Or contact us by e-mail at gathering2001@art-chicks.com

We hope to see YOU in Los Angeles next June!

MUSINGS

Had a good time at the Gargoyles Adult Chatroom the other day, and it got me thinking. Someone named VP (or VJ?) made the point that everything I've done after, well, "The Journey" I guess, is fanfiction. At first, I misunderstood him. For example, I thought he was confusing Katana with Sata. But he made it clear, that he meant the quote-unquote Master Plan. My initial reaction was to balk.

But I think he's got a point.

Some of this stuff was completed while I was still on the Disney Payroll in late '95, early '96, but none of it's canon in my mind. Canon, as far as I'm concerned only includes the 66 episodes running from "Awakening, Part One" through "The Journey". The other 12 Goliath Chronicles are debatable. Because the show ISN'T on the air, I think I personally am free NOT to regard them as canon. If and/or when the show does get going again in some shape or form, then a more definitive decision will have to be made at that point about those additional 12 stories.

But putting Goliath Chronicles (and Marvel Comics and Disney Adventures, etc.) aside for the moment, that still leaves us with what to do about things like:

--"Once Upon a Time There Were Three Brothers..."
--Various ASK GREG and other revelations.
--The Spin-Offs: DARK AGES, GARGOYLES 2158, TIMEDANCER, PENDRAGON, THE NEW OLYMPIANS, BAD GUYS
--My further plans for the GARGOYLES main series itself.

Calling the work I've done on any of the above "fanfic" rankles at first, but that's largely a problem of semantics. It certainly isn't canon. At this point, legally, I have no more connection to the GARGOYLES property than any of you do. Plus, as I've said many times before, I won't be held to any of it. Hell, for all you know everything I've revealed is just one big snow-job to keep you from guessing my real plans. (It's not, but it might have been smarter of me if it was.)

I do think I'm something of an authority on the subject of Gargoyles. And I also think that if the show is ever brought back, the PTB at Disney would be likely (at least given current management) to come to me first to try and revive it. Plus I'm actively working on getting the show revived, again "in some shape or form".

But that doesn't change anything regarding the question of canon.

As many of you know, I've been working on a major revision of 2158. This is taking me longer than I thought, because -- and I shouldn't have been surprised by this, but -- it's effecting the ENTIRE chronology of the series. In addition to changing the year (and thus the title) of GARGOYLES 2158, I've already been forced to go back and make adjustments to both DARK AGES and "Once Upon A Time...Three Brothers". I now know that the last posted chapter of three brothers wound up being the last chapter of that little story period. Because "3Bros" really wound up being just a prologue to DARK AGES. And where "3Bros" leaves off is in fact right at the beginning of where DARK AGES begins.

The 2158 revamp has also necessitated minor changes in TimeDancer. And has clarified my thinking on Pendragon and Bad Guys as well.

[Thankfully, none of it has effected the Clan Contest. We should still be able to put that monster to bed soon.]

All this flux has made it difficult for me to keep certain details clear in my head. For example, at that Friday 9/1/00 chat, I revealed that Hudson had two biological children, Hyppolyta and Broadway. That was an error. Hudson had THREE biological children. (I got my dates mixed up.)

I'm hoping that the work I'm doing now will clean a lot of stuff up. I'm hoping that clarity (and my personal certainty) will return. But this flux isn't necessarily a bad thing. I know I screwed up at least a few times (Garg Universe-wise) within the 66 episodes. I tried to keep those mistakes to a minimum, but they happened. I'd like to avoid making more mistakes, even here at ASK GREG. I definitely feel like I'm getting closer to the "true" Gargoyles Universe, if that's possible and/or makes any sense.

Updates on all this should come over the next ten months. But I'm targeting Gathering 2001 for completion. I'm hoping to be able to make some big announcements there. So bear with me.

But to be fair to VP, he was right. I wouldn't call what I do "fanfiction". For starters, none of it is in the form of fiction. And so calling it that may be giving it TOO MUCH credit. But at the moment, I have no more claim to canon than anyone.

Rather, I'd say that if you like the stories I did come up with on the original 66, and think you might enjoy what I'd do next -- the way you might enjoy what Christine Morgan or Christi Smith Hayden or TGS does next -- than stay tuned. I've got more to tell you and more to reveal by and by.

GREG WEISMAN: THE RETURN!

He's baaaacckkkkk!!!!

To quote Greg Weisman: "Gathering 2000 kicked ass."

I really want to thank everyone who attended and helped to make it such a success.

First and foremost my thanks go out to the G2K staff, Kellie, Heather, Syrin and most of all, Sara. You guys were just terrific. Thanks.

Also a special thanks to all those people who were so kind to my kids (who had a terrific time by the way).

I'm bound to leave someone out, but...

Kellie, Heather, Syrin, Sara, Jen, Christine, Tim, Karlyn, Lexy, etc.

and of course, Becca -- who deserved to win the juvenal division of the costume contest hands down, but graciously shared the honors with Erin & Benny.

They're still talking about all of you.

Special thanks go out to Thom, Greg and Vic, who were great guests and had a great time (or so they told me). They have already spread the word around Disney. (Brad Rader was very impressed with the $805 sale of the "Mirror" board.) Making it even easier to gather guests for G2001.

Speaking of which, I had a great time with the G2001 staff: Patrick, Kathy, Kenna and of course Jen. (I know I've left some people out, sorry.) To quote Greg Weisman: "2001 is going to kick some major ass." (I'm getting way too fond of saying that.)

Already, however, I'm seeing people apologizing for not being able to make it next year. HEY! THAT'S THE WRONG ATTITUDE!!! It's too soon to decide you can't make it. You've got ten months to figure out a way. I am personally guaranteeing 20 guests from the cast and crew. Panels on writing, acting, character design and storyboards. Separate Q&A panels on Developing the series, Writing, Recording, Art and Producing. Another radio play. More Q&A at the dinner. Etc. Etc. Etc. Our goal is to get 500 people. Yep, you heard me, FIVE HUNDRED people in attendance. If we look like we're closing in on that number, I will invite every applicaple Disney Exec. We'll show them in a concrete way, the bet they are missing by not doing more with the show. If you want to get the show back on the air, there isn't a single thing that you can do that would better our chances than attending G2001 in Los Angeles. We already have SEVENTY-FIVE people attending. Yep. Pre-paid and everything. Don't be left behind.

A website for the con, will be up soon. Keep an eye out. We have tremendous momentum coming out of Orlando. Let's not let it die.

Ahem, back to the thank yous...

Kudos to the "Greg Weisman Players":

Seth, Jen, Thom, Wanderer, Lanny, Mer, Hudson, Durid, Alan, Michelle, Brian, Sara, Pogo, Jessie, Beth, Heather, Amy, Marie Noire, Sarah, Kelley, Ryan, Slash, Bud-Clare and Ann.

You all did great.

It was also great to see and talk to many fans, some who have been to ALL FOUR CONVENTIONS. WOW. I'm bound to forget some, but Hudson, Heather, Amy, Aaron, Kythera, A Fan, Noel, Scott (sorry, I can't make your Hockfest), Lexy, Lanny, Karine, Aimee, Mitch, Duncan, Denis, etc.

And it was nice to meet some new faces: Ashlee, Kelly, Dreamie, Jessie, etc.

And Carol, it was nice to see you there too.

And the costumes... Another WOW.

Anyway, now I'm back. What's up ahead...

Well, G2001, of course. I'm getting even more involved this year than ever before. (See above.)

I'm still over two months behind on ASK GREG. It could take me awhile to catch up, as I may actually be starting a paying job soon. (I'll keep you posted.) But in the coming weeks, look for:

1. My G2K Diary. (Not that I kept one, but I can always make something up.)

2. A new Archive that will be called something like: "Historical Documents". Jordan Mann has scanned a bunch of recently recovered documents into my computer. I'll soon begin reprinting them (mixed in with stuff you've already seen and other documents I already had in my computer) in chronological order. This stuff covers the entire spectrum of the development of the series in prose.

3. The revamped version of GARGOYLES 2158. Which for starters, will be set in the 23rd century at least.

4. More Ramblings on episodes as my family and I watch them at home.

5. Some info on an exciting new project that I'm working on with Gorebash and Doug Murphy (one of our storyboard artists).

6. More G2001 updates

7. And, yes, I'll even be answering your questions. Bear with me.

But finally, thanks to all of you. You always manage to make MY YEAR with this con, and all your kind words at this site. I could never thank you enough. But I'll continue to try.

Greg Weisman