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Hello. I'm a first time poster on this site, though I've been browsing it for months, reading the archives so I don't ask an already answered question. I had seen sporadic episodes of Gargoyles when I was much younger, and so I never got to enjoy the benefits of the continuing and developing storylines. It wasn't until I actually watched the entire Gargoyle series over the summer on DVR on Disney that I got finally understood my sister's pure delight in the fantastic franchise. When looking for more information on Gargoyles, I came across this place. My question really pertains to characterization of a few characters, though Iâll submit the other questions separately so this isnât constrewed as posting one question with separate topics.
One aspect of the Gargoyles series that really stands out is the diversity of the characters in terms of ethnicity. One of the main characters, Eliza, is of African American and Native American descent. I think that was one of the factors that made the series so good. The show was definitely progressive in that aspect.
1. I was wondering if there were any challenges in pitching a show whose main human character was of color?
2. Were there certain things that you werenât allowed to do, or topics that were generally avoided, such as active discrimination and racism against Eliza or any of the other characters of color on the show?
3. Was there any doubt amongst yourself or perhaps the channel executives that Caucasian viewers would be unable to relate to a protagonist of color?
I understand the question might come off as offensive, but I do ask out of genuine interest.
Thank you for your time, Mr. Weisman.
1. Nope. No problem. When we pitched the series, Elisa was Elisa Chavez and Hispanic. Then we cast Salli Richardson and altered her ethnicity to match Salli's. But there were never any challenges about either Elisa Chavez or Elisa Maza.
2. Nope. Though we preferred to address those things metaphorically, i.e. from the Gargoyles/Humans perspective, as opposed to Black/White or whatever.
3. Nope. Never crossed my mind.
Did Matt ever tell Elisa that he was a member of the Illuminate? I ask because in the episode Revelations Matt says that it didnât pay to keep Elisa in the dark about things (speaking about the incident with the Dracons in The Silver Falcon). After going on and on about how they should trust each other in the episode Revelations, it would seem contradictory of what Matt had just been through to not tell Elisa. But then, maybe he has his reasons to keep it a secret. Care to shed some light on the subject?
Thank you for your time and all that you do,
-Charisma82
I do not care to shed light on the subject.
Hi Greg, this is a rather silly question...
I was watching the "Avalon" trilogy the other day, and it came to the part where King Arthur, Elisa, and the Magus arrived at Oberon's Palace after Arthur is awakened. Elisa introduces Arthur to Goliath and the others, and Arthur comments that he needs someone to tell him "what is going on".
So, here's the thing...I find it hard to believe that neither Elisa nor the Magus gave Arthur any background info on the walk back from the Hollow Hill. Were they talking at all? ( I know if I were personally taking a hike with King Arthur, I would be embarassed to say anything dumb and would just cast sidelong glances at him awkwardly lol).
I imagine Arthur was largely still in recovery mode from a LONG sleep.
There may have also been some delaying tactics on the part of Elisa and the Magus as they struggled to figure out exactly how to explain everything.
Mostly, my answer is "Use your imagination!" ;)
Hey again Greg,
This question kinda came to me out of nowhere earlier and I tried searching the archives to see if it had already been touched on. To my suprise it doesn't seem to have come up so I'll ask it here. Did Elisa ever have a partner before Matt and if so, whatever happened to him/her?
I'm sure she had at least a couple of partners over the years. But she was definitely a solo act when we first met her.
Elisa's backstory is definitely worth exploring, but I'm not going to do it here at Ask Greg.
Hi Greg I'm sure you've heard this plenty of times but I am a huge fan of the gargoyles!! One day I'm hoping to become a film editor in the future, maybe even own my own movie set! So if your ever looking for an editor sometime in the future look me up, I would love to work with you! Also I been searching and I wasn't able to find this question so I hope you haven't been asked this yet. But I've always wondered I know it obvious that Elisa and Goliath will end up being together some how, but how does Angela feel about Elisa as possibly becoming a future step mom? Would she see her in that way?
I have answered this before, so you might check the archives for more detail, but basically Angela views Elisa as an older sister. That wouldn't change. But if you've read the comics, you know Angela ALREADY considers Elisa to be Goliath's mate (more or less).
Hey greg, what race is Elisa's family? I mean seriously, this is bothering me in the worse way. Her mother seems..black, her brother is definitely black, her father is Native American(?), and Elisa herself seems Hispanic! What's going on here? Their last name is 'Maza', and that sounds awfully Hispanic, but I just don't know....
care to shine some light?
Elisa's mother Diane is African-American (which most likely means she has some Caucasian in her as well).
Her father Peter is Native American.
She is, therefore, a mix of all of the above.
She's not Hispanic per se, and the name Maza is Native American. It may not be from the correct tribe, but it is at least Native American.
All too often in cartoons (specifically nowadays) female characters fall into the role of giggling love interest, counterpart to a male character to eliminate homosexual themes or are just there to fill a demographic. Writers don't seem to know what to do with them after that.
That is why I would like to sincerely thank you for your part in fostering strong female characters like Elisa, Demona and Fox.
Also, what influenced you to write those characters the way you did? Did you have specific females from your past in mind or did you choose character traits from literature and sort of mesh them for a well rounded feel?
Thank you.
I honestly don't know. I've always liked writing female characters. Two of my first (unfortunately unpublished) projects for DC Comics were Black Canary and Supergirl.
I just try to write honestly for them -- removing as many of my biases as possible -- just as I would for any male character. And the result -- for better or for worse -- is what you have seen...
Another question...
When Elisa told (or admitted, however you want to look at it) Angela that it was true that Demona was her mother at the end of Sanctuary, was Goliath angry with her? Did they discuss it at all later or did he just let it go? Was he actually relieved to not have to be the one to tell Angela?
I'm sure he was angry, but she probably convinced him of the obvious: (a) it was obvious and (b) it would have come out eventually and it was better coming from them then from Demona herself. Goliath would have grumbled at first, but known she was right.
Tana writes...
You Asked:
"Does anyone know if "Maza" means "iron" in any Native American language or dialect?"
According to my book of names (it's got like 20,000 names and their meanings, which is totally cool, especially the Athurian names) Maza blaska, which is a Dakota name means "flat iron." So if it's one of those languages where the adjective comes after the subject, then Maza does infact mean Iron in Dakota. Which interestingly enough adds more irony since Dakota was an early choice for Demona's name. ^_^
And you know that J.R.R. Tolkien claimed that all of his novels were fact...you seen to have the same symptom with the Gargoyles.
Greg responds...
I'm not claiming they're fact so much as acknowledging that sometimes storytelling on this show just seems to click with history, existing legend and with dramatic necessity. It's a rare feeling, and I'm humbled by it. All I'm saying is it sometimes feels like the stories are true somehow somewhere, and all I'm doing is (imperfectly) tapping into them.
But I'm not actually delusional.
Ok, this is TZ now......
I was looking over the archives and was simply amazed by this response of yours, Greg. I have always felt that art (in all forms, from literature to sculptures to music) is discovered, not created. I subscribe to that theory because there are such famous examples of great work that endure for years, sometimes even centuries. Why would something like Michelangelo's David or Beethoven's 9th remain so popular through the ages? I think it's because those pieces already existed and were "discovered" by those artists, because certain works like theirs touch us so deeply. When one of us "finds" that piece of art, and shares it, it seems to strike something in all of us. I think creativity is God's alone, but I think He gives some of us a gift to find or tap into (as you've put it) something He's already created that reveals a great truth or lesson or feeling. Anyway, just a ramble of mine to share based on something I was amazed to see here. I'm not sure if I got my point across to others (I found it really hard to put this into words) but I think you get it. Thanks for "discovering" more great art for us all!
You're welcome. Glad you get what I'm getting at, more or less.
Pardon me if this question has been asked before. I've checked the archives and haven't seen it asked,but I could have missed it due to their being a lot of material to go over. In a Long Way To Morning" Demona attacks Elisa in her apartment If I remember correctly. I was wondering how she knew were Elisa lived? If she found out that she was still alive in city of stone why she didn't try to attack her again at her apartment or would you have had her try to assault her again at her apartment,but never got the chance because of what happened with season 3?
Finding out where someone lives isn't really that difficult. In fact, it's so easy, I'm not that interested in how Demona found out.
As for why she didn't take further advantage of the info, there are a number of reasons, including other priorities, the fact that it didn't work the first time and... well, I'll stop there.
I was wondering something, and I know you don't like hypotheticals, but I wondered if you gave this any thought: Had Goliath and Demona stayed together in the 20th century, would he have still fallen in love with Elisa? Or would his love for Demona overshadow anything he could have felt for Elisa? I ask this because I wonder if Goliath and Elisa are a meant-to-be kind of thing (in your Gargs universe), and their love was inevitible, or was it only relative to Goliath not having someone (i.e. Demona)? Here's another way of looking at it as well: would he have fallen in love with someone else had he not met Elisa and things still went bad between him and Demona? Thanks for your time, and can't wait to hear your thoughts on the matter...I'm kinda hoping for a rant! :D But I totally understand if this is too hypothetical...I guess I just wondered if you ever thought about it. Thanks a lot!
I don't know about "meant to be" but I don't think it was inevitable that Goliath would fall in love with SOMEBODY given the deterioration of his relationship with Demona. Gargoyles mate for life, and Goliath's love for Elisa is a rare exception. I do think of it as something special. Not simply a result of her filling a slot. As for your initial question, it's largely too broad a hypothetical for me. But if Goliath and Demona were happy, and she wasn't trying to kill the human race, then no, I doubt Goliath would have ended up with Elisa.
Is golaith and ilsisa ever goig to be together.
Aren't they now?
I'm realy nervous to ask you this because I realy dont like showing my perverse side to people I respect, but I've already asked one perverse question so I might as well ask another, even if this one is more blunt then the other.
Is Elisa a virgin?
There I asked it!
No.
Sorry for asking so many questions. I hope you've at least found them interesting. Any way, on to the next one I want to ask you. When Grandmother healed Elisa was that realy just the plants she used that did the trick or was it a little magical intervention supplied by a loophole of some sort?
I think the former.
One last question before bed....
From what little we've seen, it seems that Brooklyn and Katana are parents, not just rookery parents. (All those years with just each other would make it seem inevitable. There are no rookery siblings or other parents.) You wrote that Broadway and Angela ~choose~ to raise their children in the gargoyle style. So...
1. Are there currently any clans who have adopted human parenting, like they adopted human naming? Will there be by the future series?
2. Even those choosing to raise children collectively, are their strong human influences to that thought? (For instance, noting a rookery child looks like you.)
3. Am I correct in my assumption that Brooklyn and Katana are more like human parents in that respect?
4. It has been strongly implied that Elisa and Goliath will in some way adopt. Should they raise a child, would it be as individual or collective parents?
More later, (when I can hopefully decipher my handwriting).
1. We'll have to wait and see.
2. See above.
3. See above.
4. See above.
Greg,
I always enjoyed the relationship of MacBeth and Demona on the show for its intensity and sorrow, as well as Xanatos and Fox with their unique understanding of companionship and love. And it makes me think...
With all the love triangles, the magical bonds, the promises, oaths, or senses of duty to consider, which relationship between any set characters of the series were you most passionate about writing and why? What do you think drove that relationship? And do you think it is the simplicity or the strife of that Character Relationship that makes it more appealing to you as a writer and does that opinion change as a viewer?
I suppose the top relationship in my mind is probably Goliath-Elisa, but truly I'm interested in all of them. And a lot. They're all fascinating to me, for a variety of reasons. Basically, I don't have a standard answer to your questions.
Dear Mr. Weisman,
After Goliath falls in love with Elisa, would her menstrual cycles have any biological effect on him? Yes, I know...that's a very ODD question, to say the least. Thank you, regardless.
Why would it?
in Goliath and Elisa's relationship can Hummans mate with Gargoyles.has it done so in the past?
It depends what you mean by mate. Check the archives for a fuller answer.
Gargoyles and Politics
I know that you generally like to keep politics out of this site, which is why I hope that this question isn't too out-of-line. All the same, I'm very interested in the role that politics plays in the "Gargoyles" universe.
What, generally, are Elisa's political views? Does she belong to a particular political party? And does she discuss politics with the Manhattan Clan at all?
For that matter, how politically literate are the various members of the Manhattan Clan, particularly Goliath and Lexington? Do they read any political texts? For that matter, does Hudson ever catch "60 Minutes" or any similar shows on television? How much do Elisa's political views (assuming that she shares them with the Clan at all) color their political viewpoints?
I'd also be greatly interested in any information you would be willing to share regarding the politics of other human characters in the series, most particularly Xanatos, Fox, Matt, Renard, and especially Macbeth. For that matter, what does Demona think of human politics (I expect that I can guess the answer to this one, but still)? :)
If you can't tell, this is coming from a prospective Politics major who to some degree or another views all things through a political lens. If you wish to leave these things up to the viewer then I would completely understand, but any information at all would be tremendously appreciated.
Thank you very much for your time, and I eagerly await the widespread release of the two remaining Trade Paperbacks. I've been trying to spread word of them (and of the DVDs) in the Comments section of Gargoyles-related YouTube videos; every little bit helps, I hope.
Based purely on stereotypes of ethnicity and labor and location, I'd guess Elisa's a democrat.
I don't think politics is something that would attract Lex's attention much. I would think that Hudson, who prefers Celebrity Hockey to 60 Minutes, would feel lost rather quickly in political discussions. Goliath is all about the classics. I don't think Elisa's proselytizing much.
Xanatos seems like a likely Republican. At least fiscally. (Don't really see him or Fox as social conservatives.) Matt must be a Dem. Renard is probably a Republican. Macbeth... I don't think he's an American citizen. Demona... come on.
Is Elisa's hair really blue?
No. It's black. See the archives for a more detailed explanation of why in cartoons and comics we use blue highlights for black hair.
You stated that, when in response to Elisa and Goliath having kids, "Elisa could never be pregnant with Goliath's child without assistance from science or magic. I've already stated that I don't see them going that way."
I was wondering, what makes you think Elisa wouldn't want to use magic or science to carry Goliath's child?
Elisa seemed happy and esily adjusted to her as a gargoyle during "The Mirror". She even hinted this at the ending of the very episode, thus you can see my confusion.
I don't think that's what she was hinting.
MI PREGUNTA ES LA SIGUENTE: HUBIERA SIDO POSIBLE QUE GOLIATH SE TRANSFORMARA EN HUMANO PARA ASI CASARSE CON ELISA Y ASI HACERSE REALIDAD SU SUEÃ'O COMO EN EL CAPITULO "PODRIA SER REALIDAD"? GRACIAS
My high school Spanish is pretty rusty...
"My question is the [?]: [??] posible that Goliath will be transformed to human for [??] with Elisa and [??] reality... ugh, I give up.
I'm afraid I can't be sure enough of your question to answer it well...
Dear Greg,
I was reading through the archives just a moment ago, when a question occured to me about Demona and her actions during "The Reckoning." You stated that the reason Thailog did not clone Angela was that he did not have the opportunity to get her DNA at that point because Demona controlled the release of the mosquito that took the blood samples and when Angela was around, she just didn't release it. But she DID release it when Elisa was around (hence Delilah). My question is: Why did Demona, who despises Elisa, want to steal her DNA and clone her? My understanding is that she didn't know Thailog was creating a female replacement for herself, but was cloning Elisa or making a hybrid human-gargoyle part of the plan Thailog and Demona hatched together? If cloning Elisa was part of their plan, what was the purpose of it? What justification did Thailog give Demona to convince her to capture Elisaâs DNA? If cloning her were not part of their plan, why would Demona snatch a blood sample from Elisa?
Demona controlled the release, but not who the mosquito stung. She released a mosquito once when Elisa AND a few gargoyles were present. She didn't anticipate that Elisa would get bit, nor what Thailog and Sevarius would do with the DNA.
I reading a question someone asked you about if demona and goliath would ever be a couple again and you said no. I was some what unhappy about that development as I was always had hope they would be a couple again at some point. I also find Elisa to be a some what uninteresting character to be honest compared with demona. I know many shows will take into consideration input from the fanbase and bring certain characters back to life,give popular characters with a small amount of screen time more time and so one. I was wondering if you basically have a vision set in stone for your characters or do you ever make any changes in gargoyles or any other show based on fan feed back? I hope this questions does not violate your rules for answering questions,but I was really wondering about what level you take fan input into consideration regarding existing characters and events? Great show and keep up the good work. I'm kind of burnt out on spiderman to be honest,but now that I know you're involved in it I guess I'll have to buy the box sets and check it out.
Hmmm... I really don't change stories based on fan desires. First off, fans don't all agree on what they want (for example a lot of folks think Elisa is great), and sometimes (like Demona getting back together with Goliath) they want things that just don't make any story sense and would be bad for the property.
On the other hand, I do respond to what the fans respond to. Brooklyn's popularity was probably one of the things that lead me to the creation of TimeDancer.
G2009 Radio Play - Act Three
672. NARRATOR
Act Three.
673. DEMONA
Norman Osborn was a fool. So obsessed with the power of science, he kept the Crown of Thorns in this vault as if it was just another souvenir â" albeit an expensive one â" to hang upon his wall. But with the Crown and the Spear of Destiny together, I now have the power to force all of humanity to its knees.
674. GOLIATH
These are Christian icons, Demona. Not every human being is a Christian.
675. DEMONA
Not every human being speaks Latin, but that didnât stop me from using a Latin spell to turn a city-full of humans to stone. The magic I wield is potent beyond measure. Mine is the Kingdom and the Power and the Glory. No human may resist. No human will be spared. None will be spared who oppose me. Just look at this foolâ¦
676. GOLIATH
Her name is Obsidiana.
677. DEMONA
Of course it is. For she wears the mystic Obsidian pendant fashioned by human sorcerers. Even that is enough to put her in my thrall. She has relinquished her gargoyle birthright.
678. GOLIATH
I have relinquished nothing.
679. NARRATOR
Demona waves the Spear of Destiny, and Electro rises and blasts Goliath back into the wall.
680. GOLIATH
<impact>
681. DEMONA
Yes, Iâm surprised youâre unaffected⦠since you reek of humanity. The stink of your human whore is in your hair, on your lips, everywhere. And nothing in this world will give me more pleasure, Goliath, than watching your detective on her knees to me, as she draws her service revolver and thanks me with tears of joy in her eyes⦠before gratefully blowing out her own brains.
682. GOLIATH
(coldly furious)
That will never be.
683. DEMONA
No? My power expands with every second. I doubt sheâs far away.
684. GOLIATH
You will not harm Elisa.
685. NARRATOR
Goliath advances on Demona. Electro blasts away, but Goliath will not be stoppedâ¦
686. DEMONA
No one ever said you werenât persistent, Goliath. But what do you hope to gain?
687. GOLIATH
(through gritted teeth)
I will turn these forces back upon you.
688. DEMONA
Impossible. I am the last true gargoyle left on this world. The Crownâs magicks cannot touch me.
689. GOLIATH
So you believe. But I am not the only one who reeks of humanity. Am I⦠Dominique?!
690. NARRATOR
Goliath grasps the crown. The thorns bite into his hands, drawing blood. They struggle for control of the immense powerâ¦
691. GOLIATH, DEMONA
<roaring to the heavens>
692. SPIDER-MAN
<moan>
693. NARRATOR
Goliathâs intervention â" and his complete immunity to the Crownâs effects â" creates the smallest of fluctuation in Demonaâs control. In a haze, Spider-Man lifts his armâ¦
694. SPIDER-MAN
Thwip.
695. NARRATOR
He shoots off a web, yanking the bloody crown from Demonaâs head.
696. DEMONA
Noooooo!!!!
697. NARRATOR
There is a massive explosion of mystic energy and light! Demona, Goliath and Electro collapse.
698. GOLIATH
<moan>
699. SPIDER-MAN
Goliathâ¦
700. GOLIATH
The Spear⦠the Crownâ¦
701. SPIDER-MAN
Gone. I think they⦠blew up. Calypsoâs gone too. But Iâm betting thatâs just a talent of hers. And Iâd guess sheâs taken Kraven and the pussycat with her.
702. DEMONA
<unconscious moan>
703. SPIDER-MAN
But the Big Badâs still hereâ¦
704. GOLIATH
(sadly)
Leaving behind, as always, nothing but a handful of thornsâ¦
Goliath, Spider-Man and Demona sit. Jonah, Elisa, Matt and George STAND.
705. NARRATOR
While Goliath helps Obsidiana, Spidey webs up Demona, Electro and Ock. In the outer vault, Zafiro and the Trio recover, finding only an unconscious and de-venomed Eddie Brock. Outside, the bad guys have all been beaten. Goblin and Vulture, their tech badly damaged, barely manage to fly away. Carnage and Jupiter are once again Cletus and John.
706. JONAH
Iâm here, Johnny. Your old Popâs hereâ¦
707. ELISA
Mattâ¦
708. MATT
Call an ambulance, Elisa. Old Man Dracon said something about seeing a light. Then he collapsed. A stroke or something. Iâve been giving him C.P.R.
709. ELISA
Matt⦠Matt! You can stop. Stop. Heâs gone.
710. GEORGE
Youâre gargoyles are flying off, Detective.
711. MATT
(breathing hard)
Really? Not sure I see âem myself. But is that Spidey web-slinging away?
712. GEORGE
You think? I must have missed him?
Margot STANDS.
713. MARGOT
Are you all blind?! Theyâre right over there!
714. GEORGE, MATT, ELISA (UNISON)
Oh, give it a rest, Margotâ¦
Elisa, Matt, George, Margot and Jonah sit. Peter, May, Harry and Gwen STAND.
715. NARRATOR
Back at the busâ¦
716. PETER
Iâm back. And not a single decent picture to show for my efforts.
717. MAY
Well, you tried your best, Peter. Iâm sure Mr. Jameson will appreciate that.
718. PETER
Oh, yeah. Heâs a sweetheart that way.
719. NARRATOR
Emily Osborn watches as her son finally emerges from the bathroom.
720. GWEN
Harry?
721. HARRY
Hey, Gwen. I feel much better.
Harry, Gwen, Peter and May sit. Jonah and Robbie STAND.
722. NARRATOR
Later that night, at The Bugleâ¦
723. JONAH
Whaddayou mean I canât publish it?! How else can I make them all pay for what they did to Johnny!
724. ROBBIE
You canât publish because the authorities refuse to comment. We have no pictures or statements to corroborate a story that includes gargoyles, a dead Green Goblin and everything except the kitchen sink. No one will believe it. I was there, and I donât believe it! Print this, Jonah, and The Bugle becomes the next Daily Tattler.
725. JONAH
Ms. Brant, call the bomb squad. BECAUSE IâM ABOUT TO EXPLODE!!
Jonah and Robbie sit. Gwen, Peter, Kong, Curt, Harry, EMILY OSBORN and Mary Jane STAND.
726. NARRATOR
Later still, aboard OsCorpâs private jet en route to Miamiâ¦
727. GWEN
I still canât believe we ran into you in the airport parking lot, Doctor Connors.
728. PETER
Yeah, and weâre so sorry you got mugged.
729. KONG
Dude, they took your shoes?! Thatâs hilarious! <laughs>
730. CURT
Yes, well, I just really appreciate the ride back to Floridaâ¦
731. HARRY
Anytime, Doctor C. Anytime.
732. EMILY
Harry, could I have a moment⦠in your fatherâs office?
733. HARRY
Uh, sure, Mom.
Curt, Kong and Gwen sit.
734. MARY JANE
Pete, help.
735. PETER
Whatâs wrong?
736. MARY JANE
Tiny. Cute enough, but itâs like talking to a tree stump.
737. PETER
Tried to warn you.
738. MARY JANE
Just say weâll spend the week as a threesome, okay, Tiger.
739. PETER
Sure!
740. MARY JANE
Not that kind of threesome.
Mary Jane and Peter sit.
741. NARRATOR
Meanwhile, Harry follows his mother Emily into the jetâs private office.
742. EMILY
I know you were playing at being the Goblin, Harry.
743. HARRY
What?! Mom, thatâs crazy! I was in the bathroomâ¦
744. EMILY
Donât lie to me, baby. You hired the worst chauffer in the city to delay our progress. You had a secret hatch installed in the bus bathroom, so you could slip in and out undetected. And you left a pre-recorded âvomit tapeâ with voice recognition software. All very impressive for a sixteen-year-old. But you need to understand⦠the Green Goblin is not what your father wanted for you.
745. HARRY
I have no idea what Dad wanted for meâ¦
746. EMILY
Then let him tell youâ¦
747. NARRATOR
She slips a DVD into the computer and Norman Osborn appears on screenâ¦
NORMAN OSBORN STANDS.
748. NORMAN
Harry, my son. If you are watching this, then I am dead. And I have instructionsâ¦
Norman, Emily and Harry sit. Big Man, Blackie and SHARI STAND.
749. NARRATOR
Meanwhile at the Big Manâs office, he and Blackie Gaxton are visited by Shari, a young woman wearing a pendant depicting an eye atop a pyramidâ¦
750. BIG MAN
Thirty-six.
751. BLACKIE
Thirty-five.
752. SHARI
Nine. Any problems?
753. BIG MAN
Not particularly. Ms. Destine was ready to believe I could find Dracon and the others useful.
754. BLACKIE
And that faux Goblin was happy to believe Iâd been fooled into thinking he was the real thing.
755. NARRATOR
Blackie removes his false face, revealing that he is actually the Chameleon in disguise.
756. CHAMELEON
Just as he was happy to believe I was the real Blackie Gaxton. But Iâm still not sure why the Society wanted all thisâ¦?
757. SHARI
Isnât it enough to know the Illuminati appreciates your efforts?
CHAMELEON and Big Man sit. THAILOG, BRENTWOOD, Homunculus #1, Homunculus #2 And Homunculus #3 STAND.
758. NARRATOR
Shari leaves Lincolnâs office and pulls out her cellphoneâ¦
759. SHARI
Dial Nightstone Unlimited.
760. THAILOG
Alexander Thailog.
761. SHARI
The Spear? The Crown?
762. THAILOG
Waiting for you to send to Duval.
763. BRENTWOOD
Brentwood capture little robot. Use it to control other little robots. When bright light shine, robots take spear and crown.
764. SHARI
Lovely.
765. THAILOG
What should we do with the Homunculi?
766. SHARI
Set them free. Maybe theyâll get their own series some day.
767. HOMUNCULUS #1
Free, free, set them freeâ¦
768. HOMUNCULUS #2
On basic cable and DVDâ¦
769. HOMUNCULUS #3
Jazz hands!
Homunculus #3, Homunculus #2, Homunculus #1, Shari, Thailog and Brentwood sit. Elisa and Goliath STAND.
770. NARRATOR
At the castle, Elisaâs cell rings.
771. ELISA
Maza⦠Yeah, Captain Stacy said you might call. Sure, heâs right here.
772. NARRATOR
She hands the phone to Goliath, who doesnât quite know how to hold it. She takes it back and puts the call on speaker.
773. GOLIATH
Hello�
Spider-Man STANDS.
774. SPIDER-MAN
Hey, Goliath. Itâs your Friendly Neighborhood Spider-Man.
775. GOLIATH
You protect your⦠neighborhood.
776. SPIDER-MAN
Just like you do the super-hero thing without the tights.
777. GOLIATH
Spider-Man, I think this is the beginning of a beautiful friendship.
778. SPIDER-MAN
Hey, I was just gonna say that. You saw that movie too?
779. GOLIATH
Movie?
780. ELISA
God, I love you⦠<kiss>
Elisa, Goliath and Spider-Man sit. Kafka STANDS.
781. NARRATOR
And finally â" yes, finally â" we end where we began. In the offices of Dr. Ashley Kafka at Ravencroft. Sheâs on the phone to her Board of Directors.
782. KAFKA
After all that tsuris, little has changed. Otto and Eddie are still disassociative. Max still needs a cure, and John still wants power. Cletus? He just keeps repeating, âI got a taste now,â over and over. Yes, we lost Dominic, Iâm afraid. But we do have a new patientâ¦
Dominique STANDS.
783. KAFKA (CONT)
â¦Dominique Destine.
784. DOMINIQUE
Just wait until the sun goes downâ¦
Dominique and Kafka sit.
785. NARRATOR
The End.
THE END
NEXT: I finally get back to answering questions...
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