G2008 Radio Play

G2008 Radio Play (Chapter VII)

XANATOS, COLDSTEEL & COYOTE STAND.

13. NARRATOR
NOVEMBER 2, 6:46AM EST. Scarab Corp. Coldsteel looks on, as David Xanatos installs a diamond inside Coyote 5.0.

14. COLDSTEEL
And what would that be?

15. XANATOS
It’s called the Coyote Diamond…

16. NARRATOR
Chapter Seven: The Rock.

17. XANATOS
The stone’s flawless surfaces and clarity increase the speed of--

18. COLDSTEEL
I’m sorry I asked.

19. XANATOS
My apologies. I’m sure you’re much more interested in your own situation.

20. COLDSTEEL
I was under the impression I had free will.

21. XANATOS
And you do. I promise summoning you was a one-time event. On the other hand, your unit does include a built-in tracking device… which I’m happy to deactivate…

22. COLDSTEEL
Permanently?

23. XANATOS
Permanently. All I ask in return is help on one small errand. Are we agreed?

24. COLDSTEEL
We are agreed.

25. COYOTE
Excellent.

XANATOS, COLDSTEEL & COYOTE sit. TALON, SATO, MAGGIE & ELISA STAND.

26. NARRATOR
3:52PM EST. The Labyrinth. Talon cradles Maggie the Cat, as Dr. Jay Sato examines her. Elisa Maza looks on.

27. TALON
How is she, Doc?

28. SATO
Well, her pulse is fine, and her injuries seem to be healing nicely…

29. MAGGIE
See, Derek, I said you were worried over nothing.

30. SATO
But I’m a surgeon. Treating someone in Maggie’s… “condition” is really not my area.

31. ELISA
Not anyone’s, Dr. Sato. Anyone we dare trust anyway.

32. SATO
It’s as if you’ve revealed a new world to me…

33. ELISA
Yep, you’re a medical pioneer.

34. SATO
Pioneer or not, she needs an O.B.

TALON, SATO, MAGGIE & ELISA sit. Macbeth, BROOKLYN, GOLIATH, BROADWAY, OWEN & Xanatos STAND.

35. NARRATOR
4:50PM EST. Eyrie Building. As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake. NOVEMBER 2, 5:12PM EST. Inside the Great Hall, Macbeth addresses Goliath, Brooklyn, Hudson, Angela, Broadway, Bronx and Lexington.

36. MACBETH
It’s called the Stone of Destiny. For centuries the kings of Scotland were crowned upon it at Scone…

37. BROOKLYN
Magic talking stone. We’ve heard of it.

38. MACBETH
Yes, well, the English stole it. Now, after eight hundred years, it’s finally being returned. I’m asking for your help to ensure it gets to Scotland safely.

39. GOLIATH
Don’t you have… minions… for this?

40. MACBETH
We’ve parted ways. Please, Goliath. Many â€" including your landlord â€" would stop at nothing to get the Stone.

41. GOLIATH
I have been wounded twice in one week. I am healed â€" but not whole. But my second, Brooklyn, can lead Broadway, Lexington and Angela to join your quest.

42. BROADWAY
Yeah, we’re goin’ to Scotland!!

43. MACBETH
Well, England to start with--

44. BROOKLYN
I don’t know, Goliath, if you’re recovering, maybe this is the wrong time to send me overseas.

45. GOLIATH
Ah… Yes. You are needed here. Hudson may lead this expedition.

46. NARRATOR
Owen, watching the exchange by closed circuit, talks on the phone to Xanatos, who’s about to board a private plane.

47. OWEN
Yes, Macbeth, Hudson, Broadway, Angela and Lexington… Shall I attempt to stop them?

48. XANATOS
That won’t be necessary. I believe I’ve planned for this contingency.

49. NARRATOR
Back in the Great Hall, Angela whispers in Broadway’s ear.

50. BROADWAY
Uh… yeah… Manhattan’s dangerous right now. Me and Angela’ll stay too. To help Brooklyn.

51. BROOKLYN
That’s great. Thanks.

Macbeth, Brooklyn, Goliath, Broadway, Owen & Xanatos sit. SHARI STANDS.

52. NARRATOR
NOVEMBER 3, 5:29AM EST. Nightstone Unlimited. Shari and Thailog are in Dominique Destine’s office.

53. SHARI
The story is told â€" though who can say if it be true â€" of two brothers who both loved the same female. And though all strife comes to an end one way or another, some conflicts refuse to stay dead. Xanatos and Demona used science and sorcery to create a monster from fragments of all three gargoyles, their bodies and souls. But in the end, the souls were segregated into Coldstone, Coldfire and Coldsteel. It’s really a timeless love story.

SHARI sits. Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON STAND.

54. NARRATOR
3:00PM GMT. London. A private jet lands. Customs Officials greet Macbeth, as workers wheel two large crates from the plane’s hold.

55. CUSTOMS OFFICIAL
Lennox Macduff?

56. MACBETH
Yes.

57. CUSTOMS OFFICIAL
Welcome to England, sir. Anything to declare?

58. MACBETH
Works of art for my home in Berkeley Square.

59. CUSTOMS OFFICIAL
Have to have a look in, sir.

60. MACBETH
Of course.

61. NARRATOR
The crates are opened, revealing Lexington and Hudson, frozen in stone. 4:30PM GMT. Macbeth waits on the roof of his Berkeley Square Townhouse for Hudson and Lexington to wake. The sun sets. 5:07PM. It’s past sunset. Hudson and Lex are STILL frozen in stone. 6:15PM. Night. No change. 7:01PM. Macbeth grows concerned. 7:45PM. Hudson and Lex finally wake.

62. LEXINGTON, HUDSON
<awakening roars>

63. LEXINGTON
Whoa, I don’t feel so hot… and look how dark it is? How long have we been asleep?

64. MACBETH
Welcome, lad, to the wonderful world of jetlag. Don’t worry. You’ve got ten days to adjust before they move the Stone.

Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON sit. Shari, INTERCOM & VINNIE STAND.

65. NARRATOR
NOVEMBER 4, 5:30AM EST. Nightstone. Thailog soaks in a jacuzzi. Shari sits nearby.

66. SHARI
The story is told -- though who can say if it be true-- of Jacob, son of Isaac, son of Abraham… who fled the wrath of his brother Esau to a place he would call Bethel, where he laid his head upon a stone and had a wondrous vision!

67. NARRATOR
5:35AM EST. J.F.K.

68. INTERCOM
Flight 994, now boarding all rows…

69. VINNIE
Can you believe it? I’m goin’ to Japan!

Shari, Intercom & Vinnie sit. Goliath & Elisa STAND.

70. NARRATOR
9:48PM EST. Goliath’s Tower.

71. GOLIATH
About Halloween… I will not hold you to words spoken when you believed my life hung in the balance.

72. ELISA
Even if I want to be held?

73. GOLIATH
I know you care for me. That is not at issue. But what of the things I cannot give you… picnics… normalcy…?

74. ELISA
We can have a picnic anytime… and normalcy’s so over-rated.

75. NARRATOR
She runs her fingers through his hair. He takes her into his arms and kisses her.

Goliath & Elisa sit. Shari STANDS.

76. NARRATOR
NOVEMBER 5, 5:31AM EST. Nightstone. Thailog and Shari look out over the city.

77. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus, a son of the king of Athens, won many victories for the Pharaoh of Egypt, who rewarded the prince with the hand of his beloved: Pharaoh’s own daughter, Scota. But Gathelus had also befriended Moses, the Hebrew, who warned his young friends of the plagues to befall the Kingdom of the Nile. Gathelus and Scota determined to leave Egypt, and Moses entrusted them with Jacob’s Pillow, the Hebrews’ sacred stone…

78. NARRATOR
NOVEMBER 6, 5:32AM EST. ST. DAMIEN’S CATHEDRAL. Thailog, Shari and Brentwood search for something.

79. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus fled Egypt with his wife and the Stone of the Hebrews. He sought landfall on the rocky shores of Samothrace, for Scota was heavy with child and could go no farther. Still destiny blessed them with fine twin sons…

80. NARRATOR
6:00AM EST. Thailog flies Shari across the city. Brentwood follows.

81. SHARI
Gathelus and his family would wander the globe for two years before finding a home on the Iberian Peninsula in a place they named the Port of Gathelus, or Portugal. By this time the family had grown: the Athenian prince and Egyptian princess now had four healthy boys in their care not to mention one large Stone.

82. NARRATOR
NOVEMBER 7, 5:33AM EST. Thailog and Shari begin a game of chess.

83. SHARI
The story is told â€" though who can say if it be true â€" that after the death of her beloved Gathelus, Scota departed Portugal with her eight sons… only to lose five of the boys at sea… while Scota herself and another son died warrior’s deaths upon landing in Ireland. But her eldest boy, Eremon, and her youngest, Eber Finn, survived, and Eremon was crowned king upon the Stone at Tara.

Shari sits. Xanatos & FOX stand.

84. NARRATOR
2:18PM GMT. Mayfair. Xanatos takes Alexander from Fox.

85. XANATOS
Darling, if you like the shoes, buy them…

86. FOX
The black manolos in the window… do you have them in a size nine? Lovely. Wrap them up, please.

87. NARRATOR
2:45PM GMT. Fox exits the store.

88. FOX
Mission accomplished.

89. NARRATOR
7:19PM GMT. Fox admires her new shoes in the full-length mirror of her hotel room. Xanatos admires the shoebox.

90. XANATOS
Darling? Do you still need this shoebox… or might I dispose of it?

Xanatos & Fox sit. Shari & THAILOG STAND.

91. NARRATOR
NOVEMBER 8, 5:34AM EST. Nightstone. Thailog and Shari continue their chess game.

92. SHARI
The story is told â€" though who can say if it be true â€" of Moses, who led the Hebrews out of Egypt and into the desert… bringing forth water from Jacob’s Pillow to quench their--

93. THAILOG
You said Moses gave the Stone to Gathelus and Scota before leading the Hebrews out of Egypt!

94. SHARI
The story is told…

95. THAILOG
<pause> Though who can say if it be true? Right. Continue.

96. SHARI
The Hebrews passed the Stone down the centuries, until the prophet Jeremiah offered it in dowry to King Eochaid of Ireland when he wed Tamar Tea Tephi, Princess of Judah. Eochaid ensconced the Stone at Tara and dubbed it Lia Fáil.

97. NARRATOR
NOVEMBER 9, 5:36AM EST.

98. SHARI
The story is told â€" though who can say if it be true â€" of Cu Chullain, the Hero of Ulster, who championed Lugaid Red-Stripe for king. But when the Lia Fáil would not cry to confirm Lugaid, Cu Chullain was enraged, striking with Gae Bolga, the Spear of Light, and splitting the Stone of Destiny forever!

99. NARRATOR
NOVEMBER 10, 5:37AM EST. Shari captures Thailog’s white knight with her black bishop.

100. SHARI
The story is told â€" though who can say if it be true â€" of young Prince Fergus of Ireland, who carried half Cu Chullain’s handiwork to Argyll in what men now call Scotland to found a kingdom called Dalriada. Though a castle called Carbonek found him instead, bringing the Priest-King Pelles and the Archmage Merlin and their request to borrow the Stone of Destiny for a purpose of their own. A purpose fulfilled in Londontown by a sword clep’d Excalibur in a stone clep’d Lia Fáil drawn forth by a boy clep’d Arthur.

101. NARRATOR
NOVEMBER 11, 5:38AM EST. Thailog tips over one of Shari’s black rooks with his white bishop.

102. SHARI
The story is told â€" though who can say if it be true â€" of Saint Columba, he who tamed the monster of Loch Ness, before returning to the island of Iona, where Merlin and Pelles had brought the Stone once it had served their purposes. And where Columba laid down his head upon Jacob’s Pillow and breathed his last.

103. NARRATOR
NOVEMBER 12, 5:39AM EST. Shari’s Black Queen is lined up to capture Thailog’s White King.

104. SHARI
Check.

105. THAILOG
<growl>

106. SHARI
Would you prefer I lost on purpose?

107. THAILOG
I’d fire you if you did. Don’t you have a story to tell?

108. SHARI
The story is told â€" though who can say if it be true â€" of Kenneth MacAlpin, scion of Fergus, who united the Kingdoms of Scotland and was crowned High King upon the Stone at Scone. As would all the Heirs of Scota â€" for the next four hundred years.

COLDFIRE STANDS.

109. NARRATOR
NOVEMBER 12, 10:00PM GMT. David Xanatos presses a button on a remote control. NOVEMBER 13, 6:01AM GMT+8. TIBET. Inside the old cave, Coldstone and Coldfire stand over Master Dawa and Sangpo. All react to a noise.

110. COLDFIRE
I believe… I believe I can find him…

Coldfire sits.

111. NARRATOR
NOVEMBER 13, 5:40AM EST. NIGHTSTONE.

112. SHARI
The story is told â€" though who can say if it be true â€" of Edward the First of England, the Hammer of the Scots, who sicced his mighty Warwolf on his neighbors to the north and took as prize the Stone of Scone, which he installed in the Coronation Chair at Westminster Abbey, where it has crowned the kings and queens of England down to this very day…

Shari & Thailog sit. Lexington, Macbeth, Hudson, Arthur, GRIFF, AMP & COCO STAND.

113. NARRATOR
NOVEMBER 13, 5:32PM GMT. Hudson and Lex are atop Victoria Tower. Macbeth is below, in front of Westminster Abbey.

114. LEXINGTON
All clear. No sign of trouble.

115. MACBETH
Not expecting trouble tonight. They’re only moving the Stone from the Coronation Chair to the Lantern. It won’t leave the Abbey until tomorrow.

116. HUDSON
Aye, and the human security is tight as a drum. I’m nae convinced you could break in there with a battering ram.

117. MACBETH
You’d be surprised.

118. NARRATOR
11:46PM GMT.

119. LEXINGTON
<yawn> Still nothing to report. Who exactly are we expecting?

120. MACBETH
Anyone. Everyone. Just stay alert…

121. NARRATOR
Macbeth spots a shadowy figure and pursues it down into a London Underground Station…

122. MACBETH
I’m probably on a wild goose chase, lads. But in case I’m not, you’d better head this… way…

123. LEXINGTON
That could be a problem…

124. NARRATOR
Arthur Pendragon puts Excalibur to Macbeth’s throat. Meanwhile, on Victoria Tower, Hudson and Lex are surrounded by gargoyles.

125. ARTHUR
By the blade of Excalibur, what are you up to now, Macbeth?

126. MACBETH
King Arthur?! I’m here to protect the Stone of Destiny!

127. ARTHUR
Then our two quests are one and the same!

128. MACBETH
Aye…

129. ARTHUR, MACBETH (UNISON)
The gargoyles!!

130. MACBETH
They’ll be at each other’s throats!!

131. GRIFF
Hudson! Lexington! Bloody lovely to see you again!

132. LEXINGTON
You too, Griff!

133. HUDSON
Aye, lad. The badduns’ll have no chance at that Stone now!

134. NARRATOR
NOVEMBER 14, 5:28AM. Macbeth radios Lex.

135. MACBETH
It’ll soon be dawn. You and Hudson go with Griff. Arthur and I will stand vigil through the day.

Arthur & Macbeth sit.

136. NARRATOR
5:33AM GMT. Griff, Hudson, Lex and the other two gargoyles glide over London.

137. LEXINGTON
Are we headed to Soho? Goliath said you have a store there…

138. GRIFF
We do. But I thought I’d take you home instead. To our clan--

139. AMP
To Knight’s Spur!

140. COCO
You know, Griff, I don’t believe we’ve been properly introduced to your Yank friends…

141. HUDSON
<Hmph> Watch who you’re callin’ a Yank, lass…

142. GRIFF
Where are my manners? Hudson, Lexington, this is Constance.

143. COCO
My friends call me Coco.

144. GRIFF
And this is Staghart.

145. AMP
My friends call me Amp!

146. COCO
Nobody calls you Amp, luv.

147. LEXINGTON
I’ll call you Amp.

148. NARRATOR
5:40AM.

149. GRIFF
Welcome to Knight’s Spur…

150. NARRATOR
7:20AM. Atop Knight’s Spur, Old Pog, Hudson, Griff, Lex, Amp, Coco and Lunette sleep as stone.

Hudson, Lexington, Griff, Amp & Coco sit. Arthur & Macbeth STAND.

151. NARRATOR
7:48AM. Macbeth and Arthur sip coffee outside a Nightstone’s café.

152. ARTHUR
…Mortally wounded in 542. So they shipped me off to some magic hill and put me to sleep for a thousand four hundred fifty-three years.

153. MACBETH
Sounds lovely.

154. ARTHUR
And you?

155. MACBETH
Deal with a demon in 1040. Officially died in 1057. Been sleepwalking for nine hundred thirty-nine years.

156. ARTHUR
<pause> Guess I got the better bargain.

157. MACBETH
Ach, I try not to dwell these days. So here’s to the immortals. There aren’t many like us…

Arthur & Macbeth sit. Shari STANDS.

158. NARRATOR
NOVEMBER 14, 5:42AM EST. NIGHTSTONE. Shari places her black knight in front of Thailog’s white knight.

159. SHARI
The story is told â€" though who can say if it be true â€" of Robert the Bruce of Scotland, who defeated the English at Bannockburn with the help of an Irish ally, Cormac MacCarthy. With the victory, came a prize: a fragment of the Fatal Stone that England had taken from Scone. This fragment, the Bruce gave to MacCarthy, whose descendents had it installed at Blarney Castle, where it is said to grant the gift of gab. I’ve kissed it myself a time or two…

Shari sits. Hudson, Macbeth & Arthur STAND.

160. NARRATOR
NOVEMBER 14, 6:32PM GMT. Knight’s Spur. Hudson, Macbeth and Arthur confer in a book-lined study.

161. HUDSON
Lex, Griff, Constance and Staghart sent you home to rest then…

162. MACBETH
Aye, Hudson. We’ll catch a few hours sleep then head back out. But you…?

163. HUDSON
I had some questions for the Pendragon. Weren’t you on a quest to find your wizard?

164. ARTHUR
Indeed. And Sir Griff and I searched for Merlin in all the obvious places. But to no gain. So I’ve been “doing research” on Merlin… and on myself.

165. NARRATOR
Hudson examines a copy of Le Morte D’Arthur by Thomas Malory.

166. HUDSON
So many books… are any of them true?

167. ARTHUR
All things are true… few things are accurate.

168. MACBETH
Aye. No bloody kidding.

169. NARRATOR
Hudson contemplates this.

Hudson, Macbeth & Arthur sit.

Tomorrow, Chapter VIII...

JANUARY 12

This day in Gargoyles' Universe History....

January 12th...

1995
Owen Burnett defeats David Xanatos in a judo match, causing Xanatos to fear he is losing his edge. Xanatos first meets with the Emir is that afternoon. That evening on Elisa Maza's first night back on the job, she is assigned a new partner: Matt Bluestone. She brings a television set up to the gargoyles, who are now ensconced in their new home in the Clock Tower above the 23rd Precinct House. Meanwhile, Xanatos donates the Eye of Odin to the Museum of Modern Art and is interviewed on television by Travis Marshall. Later that night, Xanatos - dressed in Gargoyle Battle Armor - steals the Eye back for his private collection. Simultaneously, two Steel Clan Robots are seen at other locations in the city, leading people to believe that gargoyles are on the loose.

JANUARY 5

This day in Gargoyles' Universe History....

January 5th...

1996
Convinced that David Xanatos is responsible for Elisa Maza's disappearance, Talon leads the Trio in an attack on the Eyrie Building. Xanatos and Owen Burnett test out their new (Thailog motivated) security system and Owen's new stone fist. Ultimately, however, they allow the foursome to fruitlessly search the place once Xanatos discovers that Goliath and the others are missing. Meanwhile, Fang has staged a coup down in the Labyrinth. He takes Talon prisoner upon his return. Maggie the Cat, however, escapes with Claw's aid and seeks help at the Clock Tower. After sundown, Brooklyn leads the gargoyles and Maggie against Fang and his minions. Talon is freed and Fang is captured.

1997
Dingo, Matrix, Hunter, Yama and Fang are approaching an island when their battle-copter Redemption is blown out of the sky.

JANUARY 4

This day in Gargoyles' Universe History....

January 4th...

1066
Edward the Confessor dies of natural causes. His brother-in-law, Harold Godwinson, succeeds him.

1995
Goliath, Lexington, Bronx and Brooklyn return to Castle Wyvern atop the Eyrie Building but are intercepted by Elisa Maza, Hudson and Broadway, who finally manage to convince Goliath to follow Elisa to their new home at the Clock Tower above the 23rd Precinct -- but not before Goliath warns Owen Burnett that the clan will some day return. David Xanatos is finally released from jail that morning and returns to the castle. He starts serving his probation. Later that day, Xanatos goes to Gen-U-Tech Systems to observe Anton Sevarius' progress. Sevarius has successfully cloned Goliath and begins to accelerate the growth of "Thailog".

1996
Hudson and the Trio have been searching for Goliath and Bronx to no avail. Broadway, realizing that Elisa Maza is missing too, brings her cat Cagney back to the Clock Tower. Brooklyn resists taking the reins of leadership, but he does go to visit Talon and Maggie the Cat in the Labyrinth, where homeless humans like Al, Chaz and Lou have joined the Mutates in what is supposed to be a free society of outcasts. Broadway visits Matt Bluestone next, but Matt is equally in the dark over his partner's disappearance. Lex eavesdrops on Elisa's parents and learns they are also worried. Meanwhile on Queen Florence Island, Elisa and the gargoyles find each other again, and then find Grandmother as she transforms into the Thunderbird. Grandmother later admits that she was undergoing these transformations to convince Natsilane to take up arms against Raven to save the island. When Natsilane meets the gargoyles, he is convinced. The gargoyles and Natsilane battle Raven and drive him away. With Raven gone, Grandmother is able to heal the island. The travelers again return to Avalon, where it is six in the morning, causing Goliath, Angela and Bronx to turn to stone.

JANUARY 3

This day in Gargoyles' Universe History....

January 3rd...

1995
Macbeth attacks the gargoyles at the Eyrie Building, capturing Lexington, Brooklyn and Bronx. Elisa Maza, who is largely recovered but still on crutches from being shot, again tries to convince Goliath to leave the castle. He won't listen, but after Goliath departs to find the others, she manages to convince Hudson and Broadway that the castle is no longer their home. They take the Grimorum Arcanorum from Owen Burnett and leave the castle. Meanwhile, Bronx escapes and leads Goliath back to Macbeth's mansion. Macbeth and Goliath battle, Macbeth revealing that his true target is Demona. Macbeth's mansion is damaged by fire, and the gargoyles escape.

1996
The travelers depart Avalon again, arriving on Queen Florence Island off the west coast of Canada, where they immediately encounter Grandmother in the form of a Sea Monster. Elisa is separated from the others and washes ashore, where she is found by Grandmother and Natsilane, the chief of the local Haida band. Elisa is alive, but gravely ill. Grandmother helps heal her. That night, Goliath, Angela and Bronx encounter Raven posing as a gargoyle.

DECEMBER 23

This day in Gargoyles' Universe History....

December 23rd...

1995
Broadway and Brooklyn manage to lead "Macbeth" away from "Hudson", but Broadway is caught mid-air when sunrise causes him to turn to stone. Elisa Maza barely manages to save him. After the sun sets again, "Macbeth" destroys "Hudson", and a grief-stricken Goliath destroys what is revealed to be a Macbeth robot. Back at the castle, the real Hudson escapes David Xanatos on his own and is reunited with his clan. Owen Burnett tests the Cauldron of Life, which turns one of his hands permanently to stone.

NOVEMBER 28

This day in Gargoyles' Universe History....

November 28th...

1995
Elisa Maza, Broadway and Lexington are lured to Long Island after midnight by a false tip. They are assaulted by a creature that appears to be Goliath. That morning, mercenaries hired by Anton Sevarius steal a stone Thailog from David Xanatos. After sunset, they deliver their prize to Sevarius on an oil rig just off the coast of Long Island. Not long after, Elisa, Goliath, Broadway and Lex return to Long Island to investigate Goliath's mysterious look-alike. They find a Gen-U-Tech Systems tracking device. Meanwhile, Xanatos receives a ransom call demanding twenty million dollars in exchange for the creature. He and Owen Burnett quickly deduce that Sevarius is behind the gargoyle-napping. At Gen-U-Tech, Lexington and Broadway discover the truth about Goliath's clone Thailog. Meanwhile, in Scotland, Xanatos' security team begins searching for the Loch Ness Monster.

NOVEMBER 18

This day in Gargoyles' Universe History....

November 17th...

1994
Tony Dracon steals hi-tech weapon prototypes from Xanatos Enterprises. Elisa is put on the case and confronts Dracon, who later orders Glasses to sell a few of the weapons on the street. Broadway rushes off to see the movie Showdown again and then goes to Elisa's loft for a bite to eat. He accidentally shoots her with her own gun and rushes her to Manhattan General Hospital. He does not return to the castle.

1995
At the behest of Fox, the cybots are reprogrammed by Preston Vogel to sabotage Fortress-2. Goliath and Renard join forces to defeat them and save the ship. In the end, Vogel has a change of heart and assists. Early that morning, Fox confronts Renard, informing her father of her pregnancy. Owen learns from Xanatos that Fox is pregnant and begins making preparations for a possible attack from the Children of Oberon.

NOVEMBER 15

This day in Gargoyles' Universe History....

November 15th...

1994
While Elisa again tries to convince Goliath to abandon the castle, they are attacked by a Steel Clan Robot. Goliath destroys it, but Owen uses the opportunity to acquire some of Goliath's genetic material.

1995
The Pack attempts to rob a bank. The gargoyles try to stop them. Goliath is badly injured - allowing the Pack to escape. Hudson informs Goliath that he needs to choose one of the Trio to be his Second-in-Command.

1996
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NOVEMBER 11

This day in Gargoyles' Universe History....

November 11th...

1994
Lex finishes fixing the motorcycle, and Brooklyn takes it for a ride. He is attacked by a motorcycle gang that destroys the bike. Demona comes to his aid and convinces him that humans are a danger to the clan. He agrees to help her make Goliath see the truth through magic. Xanatos' jail sentence is officially recorded. It immediately becomes clear to Elisa that he will only have to serve half of his sentence, after time off for good behavior. Elisa finds a good home for the gargoyles in the Clock Tower above her precinct house.

1995
Everyone converges at PackMedia Studios. Xanatos puts an end to the broadcast, but the spell is still in force. Macbeth attacks Demona, but she escapes. Goliath and Xanatos agree to team up to defeat Demona and end the spell. At dawn, the gargoyles all turn to stone. At the same time, the transformed humans become flesh again, without any memory of what had happened to them. Owen informs Xanatos that they need to set the sky on fire to break the spell. They begin preparations to do just that. When Elisa learns that the broadcast originated at the Xanatos-owned PackMedia Studios, she confronts Owen at the Eyrie Building. Both turn to stone at sundown. Shortly thereafter, the gargoyles arrive.

1996
5:38am EST - [withheld]

NOVEMBER 10

This day in Gargoyles' Universe History....

November 10th...

1995
Macbeth sees enough of the broadcast to realize what Demona is up to. Elisa goes to the Clock Tower to wait for the gargoyles to awaken. At sundown, Owen, Fox and Elisa (as well as most of the humans in Manhattan) turn to stone. The gargoyles awaken at sundown and discover Elisa and the other stone humans. (Thailog also awakens at sundown. With no one at the castle to warn him, he watches Demona's spell on television and immediately turns to stone. He will remain stone in the television room, 24 hours a day until the spell is broken. But he has had his first exposure to Demona.) The gargoyles stop at Robbins' house. Being blind, he was unaffected by Demona's spell. They begin to search the city for Demona, who's on a killing spree, destroying stone humans in the streets. Separately, Macbeth and Xanatos also seek Demona.

1996
5:37am EST - [withheld]

NOVEMBER 9

This day in Gargoyles' Universe History....

November 9th...

1995
The city honors Peter Choy and Rosaria Sanchez. Terrorists take hostages (including Brendan & Margot) at a bank. The gargoyles intervene and have their first encounter with the Weird Sisters. Wolf sees television coverage of the bank robbery and decides that he and the Pack are going to turn to a life of crime. Meanwhile, Demona and Xanatos initiate their plan to secure immortality by stealing a minute of life from everyone who watches their hijacked broadcast. However, Demona was fooling Xanatos, and actually succeeds in using the broadcast to turn everyone who watches into stone at night. Owen, Fox, Elisa and most of the humans in Manhattan see the broadcast. Xanatos does not watch.

1996
5:36am EST - [withheld]

NOVEMBER 6

This day in Gargoyles' Universe History....

November 5th...

1994
Owen tells Xanatos the results of his Gargoyles vs. The Pack experiment. With Fox and Wolf under arrest, The Pack television series is quickly cancelled. Dingo flees to Europe.

1995
Fox arrives at the Eyrie with Xanatos' father, Petros. That night, Goliath decides to attend the wedding. He brings his half of the Phoenix Gate along. Fox and David are married. Demona tricks Goliath into giving her his half of the Gate. She then uses it to travel back in time to the year 975. Goliath, David, Fox and Petros Xanatos go too. Seconds later, they return, having fulfilled their roles in the time-stream. That same night, Thailog, who had intentionally been kept hidden from Goliath, initiates his plan to steal $20 million from Xanatos.

1996
5:32am EST - [withheld]

6:00am EST - [withheld]

OCTOBER 17

This day in Gargoyles' Universe History....

October 16th...

1996
When the real Hudson and Goliath return to the Clock Tower, they find Coldstone and are soon convinced that Othello controls his body. They follow Coldstone back to the Eyrie. Minutes later, Iago, Othello and Desdemona return to the Tower in their appropriated bodies. They free Lex, who surmises that Iago must now be in control of Coldstone and has tricked Goliath and Hudson into declaring war on Xanatos. The real Iago, still posing as Brooklyn, suggests that they destroy the Coldstone body once and for all. Othello agrees, despite (or perhaps because of) the fact that this action would strand the various souls in their new bodies. At the Eyrie, Puck uses the Coldsteel and Coldfire robots to capture Goliath and Hudson. The others arrive soon after. Iago knocks Lex unconscious to take him out of the action, but when Lex recovers, the spirit of Alexander enters his body. Puck, meanwhile, uses Coldstone's body to take down Angela/Desdemona and Broadway/Othello. Brooklyn/Iago tries to make off with Desdemona, but Puck uses Coldsteel and Coldfire to stop him. After some further conflict, Lex/Alex transfers Iago, Othello and Desdemona into Coldsteel, Coldstone and Coldfire, respectively. Coldsteel flees, and Coldstone and Coldfire take off in pursuit. Puck returns Alexander to the nursery and transforms back into Owen just before Xanatos and Fox return.

OCTOBER 16

This day in Gargoyles' Universe History....

October 16th...

1996
Xanatos and Owen make a third attempt to transfer the souls of Iago and Desdemona into independent robot bodies. It too fails. Later, David and Fox go out for the evening, leaving Alexander in Owen's care. Owen decides to teach Alexander his first lesson in magic. Owen transforms into Puck, then glamours himself and Alexander into dead-ringers for Goliath and Hudson. They "liberate" Coldstone from the Eyrie and take him to the Clock Tower. There, "Goliath" convinces Angela and Broadway to allow the souls of Desdemona and Othello to take up temporary residence inside their bodies. Coldstone is emptied of all three souls, and the Iago soul secretly enters Brooklyn. "Goliath" and "Hudson" then depart, leaving "Brooklyn" in charge. Iago convinces Othello and Desdemona to try out their new bodies. He then follows them to the Statue of Liberty, where he hints that they might keep Broadway and Angela's bodies for themselves. Meanwhile, Puck and Alexander enter Coldstone's body; they grab Lex, tie him up in a corner and gag him.

OCTOBER 5

This day in Gargoyles' Universe History....

October 5th...

1994
Elisa investigates, encountering first Owen, then Xanatos, then Bronx and finally Goliath. Frightened at seeing a live gargoyle for the first time, she backs away and falls off the building. Goliath saves her life, introduces her to the rest of the clan and agrees to meet her the next night. Early that morning, Xanatos asks Goliath's help to get his disks back. Goliath is reluctant to help. And unbeknownst to him, Xanatos and Demona are planning something. That night, the Trio leaves the castle to explore the city and accidentally trashes the motorcycle of a man named Vinnie. Goliath and Hudson keep the rendezvous with Elisa, who more or less gives Hudson his name. Hudson retreats to the castle with Bronx - where they discover television and lounge chairs. Meanwhile, Goliath and Elisa rescue an ungrateful Margot Yale and Brendan Quarters from muggers, before being attacked in Central Park by the Commandos from the night before.

SEPTEMBER 28

This day in Gargoyles' Universe History....

September 28th...

994
Tom, Mary and other refugees are given shelter from rampaging Vikings at Castle Wyvern.

995
Michaelmas Eve. Tom and the Magus get the eggs out of Edinburgh Castle. Finella drugs Constantine so that Katharine can escape, and flees with the Princess, Tom, Mary, the Magus and the eggs. The Magus brings them all to the mystic island of Avalon. He is forced to battle the Weird Sisters to achieve the island. He turns them into owls but is unable to take the Grimorum with him. Finella and Mary agree to take the book and keep it safe from Constantine. They depart. Katharine, Tom and the Magus land on Avalon with the eggs. The two time-traveling Archmages witness all this and rescue the Weird Sisters from their owl-state. The Archmages and the Sisters form an alliance. They agree to meet again in the year 1020.

1963
Vinnie Grigori is born in New York.

1980
In Paris, Demona steals the Praying Gargoyle statue from Notre Dame Cathedral. Confronted by Charles Canmore, the Hunter, she kills him and escapes. Canmore's children, Jason, Robyn and Jon swear vengeance.

1995
At midnight, Demona uses Titania's Mirror to summon Puck. They turn Elisa and all the humans in Manhattan into gargoyles and vice versa. The situation is soon reversed, but Puck arranges it so that Demona is human during the day and a gargoyle at night. Fox contacts Preston Vogel, inducing him to betray her father Halcyon Renard.

1996
Xanatos and his robots track Coldstone down in the Himalayas and disable him.

SEPTEMBER 7

This day in Gargoyles' Universe History....

September 7th...

1995
Lydia Duane and Arthur Morwood-Smyth discover The Scrolls of Merlin in Wales. Elisa confronts Derek about missing the previous Sunday's family dinner. He promises to contact her if he has any trouble with Xanatos. That night, Maggie the Cat is allowed to "escape" from Gen-U-Tech Systems. Brooklyn & Broadway find her and try to help, but she is more frightened of the gargoyles than her pursuers. She is recaptured and taken back to Gen-U-Tech. Owen later informs Xanatos and Derek of unusual expense reports coming out of Gen-U-Tech.

1996
The Illuminati make contact with the Canmore family of Hunters, seeking an alliance. Jason turns them down.

JULY 9

This day in Gargoyles' Universe History....

July 9th...

1996
The Gathering is nearly complete, bringing Odin, Raven, Anubis, the Lady of the Lake, Anansi, Grandmother, Coyote and Nought (among others) back to Avalon. The Weird Sisters drag the Banshee before Oberon, who punishes her for her pride by silencing her voice. Only Titania and Puck remain absent. Oberon decides to seek out Puck himself, and takes Boudicca along to help with the hunt. In Manhattan, Fox gives birth to Alexander Fox Xanatos. The baby is introduced to his grandparents, Petros Xanatos, Halcyon Renard and Anastasia Renard (and also to Halcyon's assistant Preston Vogel). Owen reacts strangely to the news that Anastasia has remarried her first husband. Not long after, Oberon arrives, searching for Puck. But instead he finds Anastasia and reveals that she is in fact Queen Titania. Titania convinces Oberon that Alexander must be taken away to Avalon in order to nurture his magical potential. Xanatos protests - violently - but to no avail. Oberon gives Fox and David an hour to say goodbye to their son. Xanatos confers with Owen, who reveals security measures against Oberon that he has already put into place. Owen then abandons Xanatos without explanation. At the Clock Tower, Hudson, the Trio and Cagney learn about Alexander's birth, and then happily welcome home Bronx, Elisa and Goliath before being introduced to Angela. All three of the Trio are immediately smitten with her. Goliath brings Cagney and Elisa to their loft. When he returns to the Clock Tower, Anastasia is there. She reveals herself as Titania and asks him to help with the peaceful removal of Alexander. Goliath refuses to cooperate with the abduction of Xanatos' son. The hour having expired, Oberon returns to the Eyrie Building to claim Alexander. With amusement, he watches the evacuation of the building's employees. But he's furious when he realizes that Xanatos has activated Owen's force field to keep him out. He puts every mortal in Manhattan (including Elisa, Cagney, Morgan, Travis, Brendan and Margot) into a deep magical sleep. But the energy field protects the Xanatos family inside the Eyrie, and Goliath's clan is immune, thanks to Oberon's promise back on Avalon. Oberon then uses his magic to increase his size until he is literally as tall as the Eyrie itself. David and Petros Xanatos, the Gargoyles, Owen's Iron Clan Robots, Preston Vogel, Halcyon Renard and his cybots all attempt to prevent Oberon from getting to the child. They wound and weaken the giant, reducing him back to normal size, but are unable to stop him. And Renard's Fortress-2 crashes into Central Park.

[Woof! Big day, huh?]

JULY 8

This day in Gargoyles' Universe History....

July 8th...

1996
Goliath, Angela, Elisa and Bronx depart Avalon. While aboard the skiff and en route to their next destination, Goliath collapses. In what seems to him like hours, but actually lasts mere seconds, Goliath sees a nightmarish vision of the year 2036 generated by Puck in order to trick Goliath into turning over the Phoenix Gate. Goliath tosses the Gate into the time-stream to prevent Puck - or anyone else - from getting it.

APRIL 30

This day in Gargoyles' Universe History....

April 30th...

1804
Philibert Aspairt's body is found in the Paris catacombs, very close to an exit.

1996
Per Owen's instructions, Iron Clan Robots are stored at strategic locations near the Eyrie Building.

APRIL 29

This day in Gargoyles' Universe History....

April 29th...

1996
Per Owen's instructions, a working force field is installed at the Eyrie Building.

Chapter XXII: "City of Stone, Part One"

Time to Ramble on "City of Stone, Part One", which I watched the other night with my family....

Story Editor: Michael Reaves
Story: Michael Reaves
Teleplay: Brynne Chandler Reaves & Lydia Marano

Well, over a year had passed since we had revealed in "Enter Macbeth" that Macbeth had named Demona. Now we were gearing up to explain that little tidbit of info. I'm curious to know how many people were still focused on that before the "PREVIOUSLY ON GARGOYLES..." reprised it.

City of Stone was a story I had conceived originally (but briefly) as a Direct to Video movie. My boss Gary Krisel rejected it. He felt that a movie featuring the Gargoyles needed to feature our heroes a LOT MORE than this story did. Nevertheless, he liked the concept of the HUNTER a lot. So I got him to agree to let us do City of Stone as a multi-parter for the series. And I promised that Michael and I would come up with a new Hunter story that focused more on our heroes. Thus Hunter's Moon was born -- as a Home Video, originally, and we had an ending to shoot at for the entire second season.

Meanwhile, I couldn't actually disagree with Gary too much. This was Demona and Macbeth's story. The origin of two of our major villains. We had some great animation on this from Koko in Korea. Not as strong as our WDTVJapan stuff, but still very good.

What was the terrorists' cause, you might ask? I'm not telling. At the time, I had no answer. We were vague on purpose. Since then, I've come up with an answer. Now I'm being evasive on purpose.

I love Matt as a hostage negotiator.

But not as much as I love Brendan & Margot as hostages. They're a hoot.

How fast was everyone on the uptake with the Weird Sisters? Those three little girls. Even before the gargs showed, one was saying something like: "Don't worry, it'll be over soon." Did you think they were odd then? Did you notice them?

I like Brooklyn's "Don't gush" line.

When the Weird Sisters tell Goliath they weren't talking about THAT terrorist, my six year old daughter Erin said: "I think they were talking about Demona." For Chanukah, I gave Erin a Kenner Brooklyn, Broadway and Hard-Wire Goliath (which I told her was a Goliath robot). My three year old son Benny got Goliath, Lex and Xanatos. So for the first time, while they watched they could play with the toys.

It's interesting to watch the first flashback SET. All sorts of old footage from Awakening Part One, mixed with new footage. It's all very seemless thanks to great editing by Bob Birchard. And it wasn't easy. Because there was considerable confusion overseas throughout City of Stone, in terms of which model of Demona to animate. We had her standard model. Plus one that was slightly older, for the second set of flashbacks in this episode. They were constantly mixing the models up. We'd call retakes whenever we could, but sometimes we decided just to make due. So you have the flashback from Awakenings, where Goliath tells Demona to stay behind. That's followed by us finally seeing what Demona and the Captain said to each other after Goliath left. No great revelation in that scene, but we figured it would be nice to finally reveal it. Plus we wanted to clarify things from Demona's point of view. But in some of those shots, Demona appears to have aged a bit.

We see Othello & Desdemona. We are allowed to do something in this episode that we couldn't really do for S&P reasons in Awakening. To personalize the victims of the massacre a bit. In Awakening, we only got to meet the survivors. Finally we meet the victims. Of course, we're still cheating a bit, since my excuse to S&P was that our audience already knew (1) that these two died and that (2) they survived in a sense in Coldstone. But it did, independent of previous episodes, allow the startling moment when Demona picks up a fragment of Othello's face. Of course, I tried to get tha fragment -- and all those fragments in the immediate vicinity -- to be the pieces that survived into Coldstone. I think that was semi-successful.

Demona's cowardice overwhelms the courage of her strongly held convictions. She flees. Benny: "The sun's gonna come up." Yep. She turns to stone, shedding a tear. That "TEARS OF STONE" image was so effective that I allowed it to repeat in the episode. Later, her tear drops onto the stone Goliath and seems to be coming from his eye. A nice visual variation on a theme.

Demona: "It worked! At last my clan is free of human rule!"
Erin: "No. It didn't work."

Later Erin sees Demona watching Goliath holding some smashed gargoyles' remains and crying "my angel of the night". Erin says: "He thinks that was her [Demona]." Now you may be wondering why I'm reprinting such obvious responses here. But they interest me. It really struck me this viewing that in this episode, despite the "Previously" segment and all the flashbacks, that you really would be lost if you were a new viewer. Is there anyone out there for whom City of Stone was your first Gargoyle experience? If so, I'd love to hear from you. Did you have a clue as to what was going on?

Demona's classic neurotic short-circuit: "What have I -- What have THEY done to you?" The motivation that writer's live for.

And a little hint of Avalon things to come, as we see Tom, Princess K and Magus depart with the eggs. How many people had given the eggs any thought since Xanatos told the gargs back in Awakening Two that they were the last of their kind? And did this little tidbit whet the appetite, or did you forget about it immediately? I was already planning the Avalon/Archmage/World Tour/Angela stuff.

Benny (out of nowhere) asks: "What happens if someone is frozen in the sky?" We discussed various possibilities. But we're still weeks away from getting around to seeing "The Price". So I didn't want to spoil that one for him.

The intro of Gillecomgain. Erin (who has seen these before once, long ago) suddenly remembers: "His face is gonna get scratched."

Now, back in the 20th century, Owen points out that Xanatos' tv override works for "Cable, as well." I always liked that.

I also like Demona's VERY convincing lie. At this point, we don't know how she's survived through the centuries. Maybe she did do it by stealing minutes of life from thousands of people. And maybe now, she and Xanatos will do the same on a citywide scale. I always thought it was a very elegant lie. What did you guys think? Did you buy it?

The "Watch or Listen but not both" stuff regarding the magic, wasn't just a convenient excuse to give us a Robbins expository scene later. I always felt that the magic our various sorcerors did couldn't be as simple as it seemed. Anyone who reads the spell out loud can do it? No. There are complex inflections, movements, etc. involved. Study and willpower, etc. This was an attempt on my part to demonstrate that it was about more than just being in range with someone who has a copy of a Grimorum page.

On the other hand, I do think we cheated a bit to trap Owen. That spell she reads is the City of Stone spell. Yet it seems to put Owen, of all people, into a trance. We talked about her nailing him some other way first. But it was too clumsy and time consuming, so we just cheated.

Gathering Clue: Demona to Owen: "You are the tricky one." And she wraps him up in iron cable.

Elisa's watching Casablanca. Great movie.

Phoebe is looking at Seline when she speaks to Luna. Like Demona aging, we had a hell of a time getting the overseas studio to keep the three sisters straight. I began to insist that each of their appearances on the storyboard was accompanied by a hair color chart. And once more, it's black for Seline, blonde for Phoebe and silver for Luna.

We also made a real effort to put subtle character distinctions between the three sisters. Seline is the hard case. Phoebe is the gentle one. Luna is the mystic. It was part of hinting that the Sisters would serve multiple purposes in the series. Some of which I still have not revealed.

Back to the past. The guard says "Maybe they won't come." Erin asks: "Maybe who won't come?" And then the gargoyles come. The guards are taken down, and Demona raises her mace into the air. Erin asks: "Are they dead?" And dad... equivocates.

I like that gargoyle (Demona's second) with the breast plate. John Rhys-Davies did his voice.

At this stage, Demona believes that these scattered gargoyles are all that are left in the world. A second later, three gargoyles she's never met show up. (Now, true, they're the Sisters. But I was trying to make a general point, hinting that sometimes characters make absolute statements when they flat out don't know what they're talking about. Audience members beware.)

Benny immediately figured out that the three old gargoyle females were the weird sisters, or as he put it: "They're the humans. The one's that disappeared." I.e. the kids that disappeared in the first sequence of the episode. That made me feel a little better. People are always telling me that I write stuff that is too adult for kids to get. I tell them that I try to write on multiple levels. So that the kids get what they need to get and that adults, etc. get more. But it's nice to get confirmation that the kids do get it on occasion. Particularly in an ep as complicated as this one.

Intro Findlaech, Gruoch, Bodhe and young Macbeth. I like how quickly they are all characterized in that scene. F is loyal. B is equivocal at best. Bodhe is already thinking about how to marry G off to advantage. "What about Macbeth? Is he a match for the lass?" Yeah, sure he's talking about chess. I came to have a great deal of contempt for the character of Bodhe. (Too be fair, I have no idea what the historical Bodhe's character was like.) And yet, almost simultaneously, I became fond of him too. He was SO human. SO flawed. SO afraid of the world. And yet SO desperate to tread water in it.

We also establish the "SIGIL OF MORAY" which will become an important prop throughout.

I like that little blushing moment of G & Mac's. But mostly, I like it because of B & F's reactions. Bodhe is suddenly nervous that Gruoch might, shall we say, lose something with Macbeth prematurely. Though he pushed them together, he now rushes to separate them. But it's too late. The connection has already been made. F just laughs.

Now... Enter the HUNTER. The Hunter got a sort of Steve Canyon intro. That is, he's been talked about by various people for the last few minutes, though we haven't gotten a look at him. (This was the technique used when Steve Canyon was first introduced in the comic strips.) Now he shows up, and I trust he isn't disappointing. Benny immediately says: "THat's the one that got scratched." Sharp boy. (Keep in mind, that we haven't yet seen the adult Gille, so we haven't seen his scarred face yet.)

I love this sequence. It's a great fight, full of great little touches, flourishes, etc. Great storyboarding work here.

Again, characters are revealed in a nutshell. Gruoch's already loyal. Bodhe's revealed to be a coward. Even when his daughter rushes downstairs, he stays above.

Findlaech dies. It's a classic Disney fall-to-one's-death death. But there is a difference. F is the good guy. Usually, that's done with the villain. Was anyone shocked?

I love how at this point, Macbeth is nothing but an annoyance to both Demona and the Hunter. I also love how complex Demona is. Under it all, she's really something of a romantic. She rescues the young lovers. Then can't believe she did it. She's trying to will herself to be cold. So that she won't feel anything. But it isn't natural. She's not a cold woman, though her plans often are. It's that divide that's generally gonna screw her up everytime.

When the Hunter first enters on Prince Duncan, we were supposed to (BRIEFLY) think he was there to attack the Prince as well. But I don't think that comes off even slightly.

And o.k., yes, Gillecomgain has a face to match the Hunter's mask. It's worse than Clark Kent and those glasses. Does Scotland really not know it's him? Believe it or not, that never even occured to me initially. (Yes, I'm a dope.) Now, I'll chalk it up to the notion that everyone figures he's TOO obvious a suspect. You can almost here the water cooler talk:

MacMorris: "Hey, MacTavish, have you ever noticed that that Gillecomgain guy has scars across his face just like the red marks on the Hunter's mask?"
MacTavish: "What are you saying, MacMorris? That Gillecomgain is so stupid, he'd wear a mask and then put his scars ON the mask? Not much of a disguise. Know what I think. I think the Hunter is trying to throw suspicion onto old Gilley."
MacMorris: "Oh, give me a break."
MacTavish: "Hey, pal, it worked with you."

I made a real effort to just have the Weird Sisters EVERYWHERE.

Back to the present. Someone dons a Hunter's Mask. How many knew it was Macbeth right away? I figured at the time that regular viewers would figure that out pretty darn quick. That didn't bother me. For them, I figured the mystery would be "WHY IN THE WORLD WOULD MACBETH DON A HUNTER'S MASK, WHEN THE HUNTER KILLED HIS FATHER?" I thought that mystery was at least as intriguing. Do you guys agree or disagree?

I also liked the variation on the mask. No eyes. Nothing. Modern technology.

Fox. Fox presented an interesting dilemma. What was Xanatos' attitude toward her in this? We already know he loves her. But he doesn't include her in the immortality thing with Demona. Why? Demona won't allow it? Or he thinks Demona won't? Or he doesn't fully trust D and won't risk Fox until he knows the set-up works?

And then he finds out that she did watch the broadcast. He had told her not to, but she did. He doesn't fill her in. (Not that there's much time.) Is he prepared to let her lose a minute from her life (as he believes has happened)? How would he have felt if Demona wasn't lying about that? At the end of her life, would an immortal Xanatos be desperate to give her that one minute back? Of course, given Fox's heritage, which I didn't know yet, it's possible, she'll outlive him by quite a bit. Course, anything's possible.

How's the cliff-hanger? We haven't seen the city yet, but we do get to see Owen, Fox and Elisa all turned to stone. We're so used to the Gargoyles in stone, but not humans. I thought it was sort of chilling. The more chilling, because we know from earlier in this very episode, what can happen when living beings are turned to stone. (The Wyvern Massacre.) Now we've seen this four-parter a bunch of times and we're used to it. But I'm curious as to how you all felt the first time you saw Part One.

Another interesting aspect, is that 3/4 of the threat is to characters that we consider to be villains. Or more than 3/4. In the past, young Macbeth has lost his father and is clearly at risk. And Demona is being hunted. In the present, Fox and Owen are stone. And Xanatos and Fox appear to be falling to their deaths. Sure, the clincher is Elisa. But I think it's a tribute to how well-rounded are villains are that we care what's going to happen to them. Can you imagine most cartoons making the death of the villains a cliff-hanger? People would simply cheer.

One little flaw: Elisa's facing the wrong way. It was easier to board that way, I'm sure. But I can't figure out why she would have been standing and facing that direction at sundown.

Comments welcome, as usual...

Chapter XX: "Eye of the Beholder"

Written by Steve Perry. Story Edited by Michael Reaves.

It's really just a coincidence that we watched this so close to Halloween (11-2-00). I wasn't trying for that. This was just the next episode in the sequence. Still, when I mentioned before we started that this was the Halloween episode of Gargoyles, the kids got very excited. Erin pointed at the framed cell we have in our bedroom which depicts Goliath and La Belle Elisa dancing. She remembered that it came from the episode we were about to watch. Benny then commented that Elisa and Goliath are going to get married. Erin, who has a clearer memory of the last time we completed the 66 episode sequence corrected him. But I said something cryptic, like you never know. Erin said I needed to make more episodes so that we could find out. From her mouth to God's ears.

In general, the kids were very verbal during this episode, or at least Erin was. Benny started out verbal, but fell asleep with his mom rubbing his tummy somewhere during Act One.

In the opener, a classic scene I think, when he first saw Xanatos and Fox together he said: "That was you, Erin. I was him." in reference to the Fox and Xanatos costumes they wore to the Gathering 2000's masquerade.

Erin really bought into the tension of the episode. And it is very tense. Some terrific pacing to this. She remembered this one with much greater clarity than most. "Uh oh. That's not just any necklace." Etc. Personally, I just love Xanatos' pragmatic proposal. The truth is X should have already known that he was truly in love with Fox. I've just done some research into sentencing while working on and reworking my Gargoyle timeline. Fox & Wolf each received a 16 month sentence for briefly holding that model hostage in "Thrill of the Hunt". They had the opportunity to be parolled after eight months. They were rejected. Instead of waiting a mere eight more months for them to be released free and clear, an impatient Xanatos sets up the events in "Leader of the Pack". Is that a man in love or what? Nevertheless, we get his whole "We're genetically compatible and have the same goals" speech. She asks about love, and he feels himself largely incapable of the emotion. He thinks he's too amoral for that. "I think we love each other as much as two people like us can." (Or something like that. I'm approximating all these quotations.) It's fun.

Then comes the sequence in Mr. Jaffe's store. Erin is still very tense: "Uh oh, that's Fox. She's wearing the necklace." and "She wants to stop it [the necklace] with one arm. But she doesn't want to with the other." Here, Erin's hit right on Fox's internal conflict. Part of her is fighting the Eye, but part of her wants to surrender to its power. When X first confronts her in her bedroom, and when the Werefox emerges and attacks, it doesn't shred him. It throws him down on the bed. There's some powerful primal energy swirling 'round that room. Lucky thing Owen is there, or I'm not sure Xanatos escapes with his dignity intact.

Xanatos takes note and activates Plan A, which will be followed by B and C. And a makeshift D. It becomes almost a parody of all his contingencies and "Xanatos Tags" from previous episodes. For once, he's out of control. And he can't bear to admit it. He pretends (even to himself) that he just needs to recover the valuable Eye of Odin, when what he obviously really wants is to save Fox. "...I'd never have just given it away. Ah, well, spilled milk." (I always thought that was a great and yet feeble cover for his real feelings.)

Speaking of the Eye, how many knew back when it was intro'd in "The Edge" that it would be so important? As I think I've mentioned, the Eye was actually the creation of Disney Interactive which was working on a GARGOYLES VIDEO GAME at the time. They told us about the Eye, and I loved the idea and decided to incorporate it into the show. Unfortunately, we didn't use their design, which had this great crow/raven theme to it, appropriate to Odin. Instead, our design always looked vaguely Egyptian to me. I can't remember, but I think that maybe they're design wasn't ready when we needed to complete our model for "The Edge". Or it might have been poor communication. The Eye was designed at Walt Disney Animation - Japan. At any rate, we knew from the gamer folk that the Eye had metamorphic powers. But I wanted to be more specific. Yes, it would grant power, but it had to grant power that suited the legend of Odin's Eye. The Eye traditionally provided Mimir with the gift of sight. That easily translated to "insight" for me. Which is a kind of power in its own right. The Eye in the Gargoyles Universe would externalize and amplify a major trait of the wearer. And, yes, even then I had plans to eventually intro Odin himself and have him stick the thing back in his empty socket.

I think that shot from inside the elevator shaft when Fox smashes her way in is very cool.

Owen with an Elvis tribute: "Fox has left the building."

CONTINUITY
--The Eye of Odin, of course.

--Mr. Jaffe's poor grocery store.

--X's commando squad (including Bruno) is at the ready, yet still unprepared for the Werefox's fury.

--Since "The Mirror", Goliath is more open about his growing feelings for Elisa. She again defuses things by turning his concerns for her into a more objective statement about friendship.

--Goliath is back in the library. This time studying Werewolves. The information won't be useful, but isn't that just like him?

--Elisa immediately jumping to the conclusion that the were-thing is another of Xanatos' mutated victims like her brother.

HALLOWEEN - The trio are very excited to be able to stroll into the open. "No one'll know who we are." Better yet, "No one will know WHAT we are." The taste of conformity they got in "The Mirror" has opened a window on their need to be a part of something larger than the clan.

Another cool visual: Fox and Goliath circling each other, with Fox on all fours.

I love when Goliath tries to reason with Fox. "If Xanatos is your enemy, then believe me, WE are your friends." How little he knows. The Werefox immediately attacks him. Still conflicted. Throughout the story, Fox fights, but the Eye reasserts.

Time for Plan C. But Owen has noticed the flaw in Xanatos' usually stellar power of contingency. X claims that all he cares about is the Eye. But he's only setting things up so that the gargs will get the eye. Subconsciously, all he wants is Fox. But we have Goliath arrive and interrupt just at that moment so that neither X or the audience has time to focus on the contradicition.

X breaks down. Appeals to Goliath. He's out of control. Up to a point. ("Old habits die hard -- he still has the forsight to plant a bug on Goliath ala "Awakening, Part Three".

Gotta love Goliath's line: "Not a good night for you." It's great as a writer when you can legitimately turn the tables and give Goliath a Xanatos line.

HALLOWEEN 2
Broadway REALLY wanted to dress up as a Detective. So he's got a new trenchcoat and hat. Brooklyn, ever the swashbuckler, is a pirate. And Lex... hmm... what should we make Lex. We settled on a pilot, in keeping with his helicopter prowess, I guess. But it was never too clear what Lex would or should be, and I can't help thinking that Lex had trouble deciding on a costume too.

Of course, Goliath doesn't wear a costume.

Vinnie has a line here. Though officially, it's not Vinnie's first appearance, this one line of Jeff Bennett spoken dialogue "A costume over a costume." is the obvious inspiration for all that followed with the Vinster.

And I love Keith as that witch saying "That is a great, great costume." What a great, great line reading.

BEAUTY & THE BEAST. Finally, we get to hit the nail on the head. A moment so romantic (in a very romantic episode) that even the characters take note. Elisa lets her self go for a moment. Goliath just is. The kids are happy for them.

But "Things are not always as they seem". Goliath breaks the moment by attacking a guy in a werewolf costume.

Note: That Goliath now refers to Manhattan as "My castle, my city." A year earlier (more or less) he was calling it Xanatos' city. I love the notion that Goliath sees hope in Xanatos LOVING someone. And of course, he's right. Xanatos' love for Fox (and later Alex) will result in Goliath getting the castle back. Not war, but love.

Brooklyn and Lex finally get to eat pretzyls. Remember that in Awakening, Broadway ate them all. Meanwhile Broadway eat's a hot dog and BELCHES MIGHTILY. This was really more about all of us indulging ourselves in low humor. We put the burp into the script. Bill Fagerbakke burped loudly. But our sound effects guy Paca Thomas, put in the burp to end all burps.

CONTINUITY AGAIN
--Lex gets very intense (briefly) and wants to go after FOX. He still hates anything or anyone connected to his Pack experience.

--The return of Brendan & Margot.

Gotta love Elisa's costume. Holster for a garter belt. Very sexy. Solved our nudity problem with Fox too. I'm amazed we got away with that.

In a larger sense, I'm amazed we got away with the entire episode. I was very nervous that the notion of X and Fox getting engaged would be rejected. But the BIG BOSSES didn't focus on the fact that the engagement might lead to marriage. And fortunately, they weren't paying attention when that engagement led to marriage, pregnancy and a kid. I don't think they would have allowed it.

I could have done without Broadway eating his hat.

Fox's internal conflict is visualized when she sees Elisa as herself and attacks to silence that human voice inside her once and for all.

When, in slow motion, Goliath intercepts Fox and saves Elisa (who's usually fairly self-sufficient) it may be the purest moment of Hero saving damsel we have in the series. The dress helps of course.

A little HIGHLANDER inspiration here with Fox and the exploding sign.

I love that Owen's right there with the helicopter.

X is still trying to interpret things to suit his old (and dated) world view. He thinks Goliath is trading the Eye for Fox, which of course he wasn't. Goliath doesn't think that way.

"Now you know my weakness."
"Only you would consider love a weakness."
"You've never looked more heroic."
"A momentary lapse, I assure you."

All great lines.

Let's go home.

And Owen, who signed on BECAUSE Fox and Xanatos were so interesting to the Puck, SMILES.

And now a word about the episode from Erin Sydney Weisman (she typed this herself):

I am most interested in this episode. And the episode I watched was a spooky episode. And I liked the episode, because it was a very enchanting episode.

Chapter XVIII: "The Mirror"

Story Editor: Brynne Chandler Reaves
Writer: Lydia C. Marano

Arguably the best single episode of the series. The animation is fluid, dynamic and very strong. The writing is sharp, even quite funny over and over. And yet, dramatically the story is still potent. It really advances the Goliath & Elisa romance arc. Changes Demona permanently. And introduces Puck -- and by extension, the entire third race: The Children of Oberon. All in a mere 22 minutes.

It's also very gratifying for me. A bit of a vindication. As you may have seen from the memos I wrote to Brynne & Lydia, there was some considerable resistance to the notion that none of the characters would notice their own personal change from one species to another. Most of my collaborators thought the idea was way too complicated to pull off. I argued that it might seem complex, but in fact it would play cleaner on screen -- and funnier and more directly to theme. In my mind, another title for this episode could have been -- had we already not been using it for our Werefox episode -- "Eye of the Beholder", because all the transformed characters really noticed was when someone else was "OTHER". Being a monster or being "normal" was based on their point of view, not any objective look in the mirror. [As it is, the title is the kind I like. Simple, objective and yet metaphoric. At one point, it was titled: "Mirror, Mirror". But we simplified it even more.]

But anyway, when the human Brooklyn, Lex and Broadway are confronted by "Gargoyles", the scene is an intentional mirror of the scene from AWAKENING, PART ONE where Brooklyn says, "If they think we're beasts and monsters..." Again, this is playing with the idea of "beasts and monsters" being merely in the eye of the beholder. The species have reversed, but the situation is exactly the same simply because the Trio remain in the minority. I suppose that's one thing that X-Men's mutants have in common with the Gargs. Both are a metaphor for being part of a minority. Feared almost automatically.

On the other hand, when Elisa is transformed, she believes that Goliath & Co. have been transformed into something like her. I think her immediate reaction is very telling about how she ALREADY felt about Goliath at that point. She's thrilled. She throws her arms about him. Now they're the same species. There's no impediment to their love. What's interesting is that if you stopped and asked Elisa under normal circumstances whether she would wish for Goliath to be transformed into a human, the answer would most certainly be "No." She knows that being a Gargoyle is fundamental to who he is. You can't change that without changing him -- and yet in that instant, in that unguarded moment, her desire to be with him overwhelms that rational knowledge. She's just happy.

At the museum, Elisa looks at herself in the mirror. She then moves, but the reflection holds. That was the idea of one of our board artists. A little clue that the mirror is magic. (It's not an animation error.)

Family Reactions #1

During that museum chase, my wife wanted to know why no alarms were going off. I figure Demona or the thieves just shut them off.

Erin didn't realize that that was Elisa dressed as a security guard at first. We were trying to withhold that information for a bit.

"Titania's Mirror", "The Children of Oberon", "Oberon sent me." We were laying groundwork to expand the entire series' base. But I don't know if back then I knew that much about what if anything I had planned specifically for Titania & Oberon.

Anymore than I knew then what I'd do with the "Dracula's Daughter" reference. But we try not to waste anything.

Coming up with that "Children of Oberon" name was a struggle. And so many people have asked me since whether or not Oberon is literally everyone's father, I almost regret landing on that choice. Our thought process is largely present in the episode when Goliath et al, go through various noms: Fair Folk, Dark Elves, Changelings, Shape-Shifters. Of course, at the time we were misusing the term Changeling. I think that was Odo's influence frankly, but I should have known better. I suggested "The Oberati". But the Reaves didn't care for that. I think they thought it sounded too much like an Italian sports car.

I do love the moment when Brooklyn cites Shakespeare's play as a sort of reference work on the Children. I hope we sent a few people to the library with that line. Did we?

I also love Hudson's line in response to Elisa's question: Are they real?

Hudson: "As real as I am, if the stories be true." It's full of delicious dramatic irony. If you can suspend belief on a bunch of gargoyles, then this shouldn't be a problem for you. I love things that work on multiple levels.

I also love Hudson's "Be careful what you wish for" line.

We were trying to show a bit here how Demona had managed to operate in the modern world up to this point. One of the thieves has clearly worked for Demona before without ever having laid eyes on her. Of course, showing Demona's M.O. here, was like giving it a swan song. Because after this episode, though she clearly doesn't realize it yet, her life is going to get MUCH easier. Being a human during the day is a great boon to all her scheming. I'm very curious about everyone's reaction to that? Shock? Amusement? I also tried to work very hard so that in that last two minutes of epilogue, everyone would get that she only was human during the day. I was very afraid that the audience would think she was permanently transformed into a human. Was anyone confused? Or was anyone surprised that Puck's revenge/gift STUCK? We wouldn't really explore the change until HIGH NOON. Had you forgotten about it by then?

Family Reactions #2
As Demona's casting the spell that will summon Puck. (Which I always thought was very cool, with the feather and all.)
Benny: "That's a magic mirror. Is Demona going in there?"
Erin: "Puck's gonna come out."

As I've mentioned before, during the writing of this story we figured out that Owen was Puck. So to play fair we dropped a hint here. Demona (who knows) says to Puck: "You serve the human. You can serve me." Puck changes the subject, replying "Humans [note the plural] have a sense of humor, you have none." This was done intentionally to distract the audience away from the hint we had just dropped. But obviously, in hindsight, it's a clear reference to Owen serving Xanatos. Anyone get it right off the bat? Anyone even take note of the line the first time? Originally, the line read, "You serve him, now you can serve me." With the "him" referring to Xanatos. But our S&P executive was afraid the "him" could be taken to mean Satan. I know that seems silly now. But keep in mind, we were very paranoid back then about the show being attacked for promoting devil worship. So we made the change.

Sensitive Broadway: "Maybe even love." It's a nice moment. Wistful.

Puck reminds Demona that the mirror isn't "Aladdin's lamp". At the time, the Aladdin series was still in production at Disney. So that's a bit of an in-joke.

And how about that: Demona is still carrying a torch for Goliath. On some level, she wants him more than almost anything. Yet she continually allows her hatred to get in the way. And the irony is, that at this point, pre-Vows it isn't yet too late for them. But her actions further serve to cement the Goliath/Elisa relationship. More now than ever before.

Puck/Brent Spiner is just fantastic. I love that "charming personality" line. And "You don't know what you're asking, believe me." And "I'll do EXACTLY as you asked." And "My mistake." And "A very long nap." He's just so rich.

Plus the boarding and animation on Puck is just great. As is the sound work that accompanies him zipping around.

I always wanted Puck to be the one character who could break the fourth wall and talk directly to the audience. Every time he appeared, we'd put a line or two in the script that was addressed to the audience. And every time, Frank or Dennis Woodyard would cut it out of the board. They didn't like breaking the fourth wall. (A lot of guys don't. I tried to do that with Max on Max Steel, but Richard Raynis and Jeff Kline wouldn't allow that either.) Oh, well....

Puck also establishes that Oberon's Children generally use rhyming spells instead of Latin or Hebrew or whatever. (Thus making life slightly -- but ONLY slightly -- easier on me and the writers.) But Puck isn't too formal: "Human's love a battle hearty, so does Puck, come on, let's Party!" Fun. (And I like Brooklyn's line, "Party's over." too.)

Family Reactions #3
When Elisa's transformed into a gargoyle.

Erin: "She looks cute." [I very much agree. Though I always wonder where her red jacket goes.]

Ben then asked why she was transformed.

Beth explained that Demona didn't want Elisa to be human anymore.

Erin then corrects my wife and explains that Puck is tricking Demona.

KIDS GET IT! Adults need to pay closer attention!

Goliath suddenly has lust in his heart:
G: "I never realized when you were human just how beautiful you were."
E (with a smile): "You mean you thought I was ugly?"
G: "Uh... careful! Updraft!!"
Man, that guy is smooth.

Anyway, that's one of my all-time favorite exchanges. I think it reveals so much. Somewhere underneath, Goliath has been attracted to who Elisa IS deep-down -- at least since AWAKENING, PART THREE. But he never thought of her as a potential love interest. He wasn't brought up liberally enough to think that way. After all, she has no wings, no tail. And those human shaped feet!

But suddenly, she's revealed as a FEMALE. Now, even when she goes back to being human, his perspective is permanently altered. Hers, however, is not. She's already consciously had those thoughts. Consciously rejected them. So at the end of the episode, he wants to discuss these (for him) new feelings -- but she does not. And the sun helps shut him up.
G: "That's not what I meant."
E: "But that's the way it is."
Another of my all-time favorite exchanges. (I'm really partial to things involving the G/E relationship. I know, I know, I'm a romantic sap.]

I also like the ongoing confusion. Elisa: "Everyone in Manhattan has been turned into... HUMANS!" Goliath: "No, no, no, no, no." And when the Gargoyles are changed into humans, Brooklyn is so sure that they've always been humans, it's funny. Like that moment in CITY OF STONE, when he's convinced that the "statue of Elisa" is a bad likeness of her: "They got the nose wrong."

FYI, there was an honest attempt, within the logical parameters of what our gargs looked like, to make their human versions resemble the actors who played them. Thus Goliath has darker skin than the others, because Keith David is African-American. (Though otherwise Goliath really looks like Conan to me.) The bald Lex has brown hair and the bald Broadway has blond like Thom Adcox and Bill Fagerbakke respectively. Brooklyn resembles Jeff Bennett but with Brooklyn's white hair instead of Jeff's blond. And Hudson looks like Ed Asner with a beard. More or less. Thom Adcox is the one who most looked like the human version of his character.

Cool little touches:

Demona nudges an unconscious Puck with her tail.

She continues to call Hudson, "Old Soldier". Her tenth century "name" for him.

Her line about the "gift of being a gargoyle". I love that superior attitude.

Lexington's "Fun, but weird" line.

Hudson wrapping the sheet over the mirror.

Elisa and Demona have a brief "cat-fight" as Gargoyles. Not quite as diverting as the one they'll have as humans in High Noon. But it was nice to put them on equal physical footing for a change. Let them have it out.

Demona mentions that Puck isn't too tired to make himself "invisible to the crowd". This was us trying to plug a hole in our story. We felt it would undercut the mob's reactions to our newly human heroes if they had the same reaction to seeing Puck. And yet Puck clearly looks more human than Gargoyle. More "other". So we slid that line in to avoid the whole problem.

FAMILY REACTION #4

Beth laughed at Hudson's very Scots reading of "No doubt about it." Which is pronounced more like: "No doot aboot it."

More sappy stuff (which I love):

Goliath's line: "I'll always be there to catch you."

Elisa completely forgetting her fear of flying in order to save the MAN she loves.

That brief moment when both Elisa and Goliath are humans at the same time.

Hudson's wistful line about seeing the sun, just once.

Although it had little to do with the metaphor, we couldn't really resist the notion of showing Bronx transformed into a dog. We picked the biggest dog we could think of, a Wolfhound type, though a bulldog might have been more reminiscent.

In the script, Demona smashes the mirror upon seeing her human reflection in the glass. But somehow the scene never got animated. So we added the sound of the mirror being smashed to the exterior shot at the end. This was important in order to give the story full closure. The initial point of the episode was to prevent Demona from getting Titania's Mirror. Structurally, therefore, I couldn't allow her to keep it.

But no fear, later we introduced Oberon's Mirror (clearly part of a matching set) in THE GATHERING, PART ONE.

I wonder what all those Manhattanites thought when suddenly they realized they were all barefoot.

Another "Mirror" Memo...

Though I think it's one of our most rewarding episodes, it was a tough one to make come together. So after I received the first draft script on "The Mirror", I sent a second memo to Brynne. Here it is, UNEDITED:

WEISMAN 11-13-94

Notes on "The Mirror" Script...

O.k. The problems here seems to be mostly my fault. I haven't been able to make clear to you guys how I want our characters to react when they've been changed. It's been clear in my head. And for me the logic flows backwards from a scene I want to see where an average-human-pedestrian-who-has-been-turned-into-a-gargoyle sees one of our transformed-into-human-heroes and screams: "Look at that monster!! It's like some kind of horrible... HUMAN!!" The key is that the bystander actually uses the word "HUMAN", and that he says it with the same kind of fear and revulsion that we would normally hear (in a more typical episode) being used for the word "GARGOYLE".

In order to get both the revulsion into the word "Human" and a strongly negative reaction to our heroes' new human appearance, the bystander needs to believe that being a gargoyle is the way it's supposed to be. Therefore when the bystander's appearance was changed his mind-set must have been changed as well.

Working backwards from that goal, how would our main characters react to being changed?

THEIR MINDSET WOULD CHANGE SIMULTANEOUSLY WITH THEIR APPEARANCE:
Elisa is the first to be transformed. Thus, ELISA'S REACTION to being changed into A GARGOYLE is the surprising statement:

"Goliath, You've been changed into a gargoyle!"

Reasoning: Goliath &co. were always "the other" to Elisa. But when she was transformed, her mindset changed with her appearance. So she now believes that being a gargoyle is normal. Since, Goliath &co. now look "normal" to her, she figures that they must have been magically changed from being "the other" into being "normal"--i.e. they have been transformed into gargoyles.

[I realize this seems byzantine, but ultimately it'll be the most straightforward reaction on screen, short of having everyone entirely self-aware from the moment they change, (which just isn't as much fun to me). See how it plays out in beat #11. (Also #9, 13, 14 and 21.) If you're still not clear, please don't hesitate to call me.]

TENSION
Despite absurdist moments in this story, we must keep the tension and suspense running high, throughout.
--Don't reveal Elisa's presence at the museum until last possible second. Same with Goliath.
--Don't let Gargoyle's lose track of their objective for more than a line of dialogue here or there.
--Don't let the battle meander from place to place. Keep battle and chase scenes focused and specific.

WHAT THEY'VE BEEN WISHING FOR:
DEMONA'S WISHES
1. Get rid of humans, particularly Elisa.
2. Get rid of Goliath and Co.
3. Stop turning to stone during the day.

GOLIATH & ELISA'S WISH - To be together. (Elisa is slightly more self-aware than Goliath, but neither should specifically wish in dialogue to become the race of the other. It's too on the head.)

TRIO'S WISH - To assimilate.

CLARITY IN SCRIPT
O.K. TO USE: ELISA/GARGOYLE
HUMAN/"GARGOYLES"
GOLIATH/HUMAN
HUDSON/HUMAN
BROOKLYN/HUMAN
BROADWAY/HUMAN
LEXINGTON/HUMAN
OUR HEROES

DON'T USE: HUMAN/GARGOYLES
GARGOYLES/HUMANS
TRIO/HUMANS
Even for me, these were too confusing.

In group scenes, LIST ALL CHARACTERS IF NECESSARY.

BEAT SHEET
ACT ONE
1. Museum.
--Establish two security guards - but don't reveal that one of them is Elisa (or that Goliath is there).
--Demona breaks in and takes out the first guard.
--Second guard turns out to be Elisa, ready and waiting w/Goliath.
--Establish how much Demona hates humans in general, and Elisa specifically.
--Demona never gets as far as laser-grid around mirror.

2. Chase.
--Demona Escapes.
--And while Goliath and Elisa are chasing her...
Maybe inter-cut w/...

3. Museum.
--Thieves get past laser-grid to steal mirror.

4. Ext. Demona's house.
--The two thieves deliver mirror.

5. Int. Demona's house.
--Demona summons Puck.

6. Clock tower.
--Elisa arrives. They were duped. Mirror was stolen.
--Elisa's: So how bad is this? What can D do with that mirror?
--No one knows for sure, but it leads to the discussion of Oberon's Children.
--Refer here to Midsummer Night's Dream.
--Scotsmen called them "Fair Folk".
--Vikings called them "Dark Elves".
--Shape-shifters.
--Trio: Imagine what it would be like to shape-change. Fit in anywhere.
--Hint subtly at Elisa and Goliath's desires.

7. Demona's house.
--Make sure we know Puck's name here.
--Our Demona and Puck wish scene.
--Puck uses a rhyming spell.
--Puck's arms are pinned by chains, so magic energy comes out of his eyes.

8. Clock Tower.
--Elisa: All we can do is wait til Demona makes her move.
--Elisa transforms into a gargoyle.

ACT TWO
9. Clock Tower.
--Everyone including Bronx is pretty stunned by Elisa's change.
--She seems happy though.
-- Elisa: "This is wonderful. Goliath, you've been transformed into a gargoyle!"
--Goliath: "What?!"

10. Demona's House.
--Puck tells her the deed is done.
--Demona wants to escalate. Every human in Manhattan.
--Puck again stresses difficulty of "big wishes".
--Demona yanks chain: "Answer truthfully. Can it be done?"
--Puck: Yes, but not from here.

11. Clock Tower.
--Bronx sniffs at Elisa.
--Goliath: "We've always been gargoyles. You're the one who's been changed."
--Elisa: "I've always been a gargoyle. I think I'd know it if I wasn't."
--Goliath: "How did we first meet?"
--Elisa: "I fell off a skyscraper; you glided down and caught me."
--Goliath: "If you always had wings, why would you need me to catch you."
--Elisa: "I can't glide with these."
--Goliath: "Yes, you can."
--AND OFF THEY GO.
--Hudson and Trio stare at each other for a beat and then follow.
--Bronx is left behind.

12. WORLD TRADE CENTER
--Puck and Demona materialize w/mirror.
--P: This is gonna take a while.
--He begins visually gathering magical energy. Just a little at first.

13. Flight over the city.
--Goliath NEVER LETS GO OF HER HAND, even after it's clear that she's gliding under her own "power", because she's afraid. She doesn't want to lose that contact.
--Goliath can't help staring at her: "I never realized when you were human just how beautiful you are."
--Elisa: "You mean you used to think I was ugly?"
--He doesn't have a good answer to this.
--Fortunately for him, she segues to: "This is so confusing. Have I always been able to glide like this?"
--[She's still hasn't quite grasped the situation.]
--Goliath: "No. No. Try to understand. You've been changed into a gargoyle. Follow me, I'll show you."
--They glides in low over the streets. Elisa sees the humans and freaks!! (Her freaking needs to be ambiguous. Goliath thinks she understands now. She doesn't really.)
--Goliath: "Maybe we should land somewhere and talk."

14. Rooftop.
--Goliath, Elisa, Hudson and Trio come in for a landing.
--(Establish clothes line. Someone has left their laundry, including bedsheets, to dry in the warm night air.)
--Elisa: "Did you see? Everyone in Manhattan's been turned into a HUMAN?!!!"
--G: "...no, no, no..."
--HUDSON: "LOOK!"
--He points at light show that seems to be gathering around one of the towers of the WTC.

15. World Trade Center.
--BIG LIGHT SHOW as Puck glows with magical energy.
--P: "This is really going to wear me out."
--D: "Quit complaining and do it already."
--Puck casts rhyming spell.
--Magical energy shoots from entire body to hit mirror.
--Spell reflects off mirror and hits giant hyperbolic sattelite dish. --Sattelite dish fires magic off across the whole city.
--Puck collapses.

16. Rooftop.
--Goliath & Co. have seen light show from WTC, (but not result).
--Goliath &Co. leave Elisa on the roof and head toward WTC.
--Elisa's not happy about it, but they don't give her a choice.
--And she's still phobic about flying alone, so she can't follow.

17. WTC
--Now that the light show has subsided, Demona wants to see her "empty city", but Puck is out of it.
--Goliath and co. attack. She's forced to flee with Puck, but without mirror.
--(Somewhere in here, Demona has to mention Puck's name.)
--To save herself, she tosses it. Hudson saves it.
--Goliath and Trio pursue Demona.

18. Downtown streets/subway/ whatever
--Even though she's being chased and is hampered by the unconscious Puck, Demona still comes in for a landing to see the results of her wish.
--She's furious as she sees the human/"gargoyles" going about their business.
--Use this chase (and this scene) to reveal the extent and absurdity of the change that hasn't really changed anything but the appearance of the people. Take us down into the subway, maybe.
--Demona ultimately uses the situation to get lost in a crowd.
--For the pursuers, Goliath and trio, it's like finding a needle in a haystack.
--Throughout scene, Trio may get wistful and a little distracted about being able to fit in.
--There are female "Gargoyles" walking by, catching trio's eyes.
--They have to remind themselves that this is wrong. And they're not entirely convinced that it is.
--But other "gargoyles" still shy away from trio because of how they are dressed. (Or how little they are dressed.)
--At any rate, the trio don't totally lose track of their objective: Demona.
--But Demona's gone.
--Goliath: Let's go get Elisa and plan our next move.

19. A deserted alley.
--Demona confronts a very worn-out Puck.
--D: I wanted you to destroy the humans, not give them the gift of being a gargoyle!!
--D: "Change the gargoyles back to humans."
--Puck: "O.K., o.k., give me a chance to catch my breath."
--He leans to look at his reflection in the side-view mirror of a car.
--The image in the mirror wavers.

20. Rooftop.
--Goliath, Hudson, Trio and Elisa confer.
--They have the mirror.
--That was definitely one of Oberon's Children with Demona.
--Demona called him Puck.
--Elisa: In Shakespeare, Puck was a harmless trickster.
--Goliath: What's happened below isn't harmless. Come, we must continue to search for Demona and Puck.
--Elisa: "I'll never get the hang of leaping off rooftops."
--Goliath: "I will always be there to catch you."
--She hesitates. He takes off to set an example.
--A bolt of Magic shoots out of the mirror catching Goliath, Hudson and the trio.
--Goliath changes to human and falls.

ACT THREE
21. Rooftop.
--Elisa dives and catches Goliath. Overcoming her fear without thinking about it.
--Meanwhile, Hudson grabs a sheet off the clothesline and covers the mirror: "Don't want anything else jumping out at us from this thing!"
--Goliath doesn't understand why he fell.
--Suddenly he stares at her: "Elisa...You've changed back to normal!!"
--E: No. I haven't changed. You have. You're a human. You fell because, you don't have wings.
--Brooklyn: "We've always been humans."
--Hudson: "And we've never needed wings to glide before."
--Lex (the engineer of the group): "Wait a minute, we must have used wings. How else could we do it?"
--Goliath, sinking in: "Elisa's right. We're supposed to be gargoyles. And we're not. Everyone else should be human. But thanks to Demona and Puck, they're not."

22. Alley & Street.
--Puck is very weary.
--Demona asks if it's done.
--Puck says yes.
--Demona and Puck cautiously exit alley.
--Obviously, all the humans are still "Gargoyles".
--Demona turns on Puck. I told you to turn the gargoyles to humans.
--Puck: "Oh, you meant these gargoyles! I thought you meant Goliath and the gang. My mistake. Sorry."
--Demona: "You turned Goliath into a human?!!"
--She's ready to murdilate Puck. She pulls the chain tighter, crushing him.
--Puck: "Hey, hey, hey, You're missing the big picture, here. This is your big chance to get rid of Goliath. Now, while he's weak as any human."
--She stops, smiles.
--Dissolve.

23. Rockefeller Center. Some time later.
--Bronx runs into shot. [He has not been transformed yet.]
--A human/ "gargoyle" pedestrian bends over to pet the nice doggie and then runs away screaming when he sees the doggie's masters.
--Our "human" heroes now fully clothed (and looking cool) walk with determination right up to the center of Rockefeller Center. Hudson still has the mirror, covered in the bed sheet.
--(Elisa is not in sight.)
--Everywhere, pedestrian/"gargoyles" run screaming: "Ahhh, humans!! Run!!" "Oh, they're so ugly." "Keep away, you...you monster human, you."
--Hudson to Goliath: Are you sure this is a good idea?
--G: Demona must have done all this for a purpose. What else could it be except to leave us vulnerable to her attack. So we'll let her come to us, but we'll pick the place of battle. Here on the ground and in the open where her wings won't help her much.
--They take their stand. Not all the pedestrians have run. Some stop and stare, but they all keep their distance from these human monsters.
--Goliath instructs Hudson to unwrap the mirror.
--The instant he does, Puck and Demona fly out of it.
--BATTLE ROYALE (Needs real choreography.)
--Demona's armed with her plasma rifle.
--Gargoyle's are armed with medieval weapons.
--Battle is largely land bound.
--Puck's having a good time and helps Demona.
--His stunts can be darkly funny, i.e. they can be absurd, as long as they increase the danger to our heroes.
--Puck turns Bronx into a Russian Wolf-hound, just for fun.
--Some brave bystanders see Demona being attacked by all these monsters and run in to help.
--Trio are forced to battle them.
--These human/ "gargoyles" don't know their own strength, so fighting them isn't easy.
--Obviously at some crucial moment, Elisa (their secret weapon) flies in and takes on D.
--Demona should not instantly recognize Elisa.
--But when Demona does, she goes nuts. Elisa's presence (both the fact that she is alive and a gargoyle) is a double-edged sword. The best (psychological) weapon the good guys have, it throws Demona into a rage, which makes her doubly dangerous, but careless.
--Goliath and Elisa stand together to defeat D.
--Trio take on and scare off the "gargoyle" good samaritans.
--With Bronx's help, Hudson bags Puck with metal-mesh trashcan.

24. WTC
--Goliath promises to free Puck if he changes things back to normal.
--Puck complies. He'll start with the biggest job -- getting all the humans back to normal. (Fortunately, changing something back to its normal state is easier for him than the reverse.)
--Using rhyming spell, mirror and sattelite dish, Puck lets the magic fly.
--Elisa is human again.
--Puck needs a moment to recover.
--Elisa and Goliath have a brief moment.
--Elisa (self-depricating): "Well, I guess I'm back to my old ugly human self."
--G: "Never, to these eyes. But I'm curious. Am I handsome to you like this?"
--E: "You've always been handsome to me."
--PUCK: "Allright, enough of the mushy stuff!"
--He zaps Goliath, Hud, Bronx and Trio back into Gargoyles. (Note: he doesn't need the mirror, since they're all standing right in front of him.)
--Goliath frees Puck.
--Puck takes off with Demona through Mirror, taking mirror with.

25. Demona's house.
--Puck's grateful for a good time, enjoyed by all.
--He'll grant Demona her original wish: She won't turn to stone during the day.
--She's suspicious, for obvious reasons.
--He must SPELL OUT that she will still be her normal GARGOYLE self at night. But during the day, she won't have to sleep as stone.
--One last little rhyme spell.
--And he disappears through mirror.

26. Clock Tower.
--Final scene with Bronx, Hud, Trio, Goliath and Elisa. (This was really nice, as written.)

27. Demona's House.
--The sun is rising.
--We can only see Demona in sillouette.
--Until she turns to look at herself in the mirror.
--Which she smashes.

PAGE NOTES
(The script I received had some odd page numbering. The title page was numbered as page one, some pages were skipped and had no numbers, and the last page was numbered 33. So I just renumbered it from the first page of script on through the last [39]. The following notes therefore refer to my numbers. Call me if you have any questions.)

P.2
If Demona never gets the opportunity to destroy or turn off the laser-grid around the mirror, than we can leave it for the thieves to deal with and ditch all this dialogue and action revolving around alarms. Demona's meant to be a diversion.

Please don't refer to the Security Guard as Sarge or Old Soldier. I know it's just character stuff, but we don't have the space to give it context. It winds up confusing us as to who the guard really is.

Remember: Male gargoyle eyes glow white. Only female gargoyle eyes glow red.

Throughout script we use both "rooklings" and "hatchlings". I prefer "hatchlings". That way audience members who have missed the one or two references to the rookery, will still understand.

P.5
Goliath's getting wounded is problematic. We don't deal with it in the story. It's quickly forgotten. We don't want to play fast and loose with something like that.

P.9
Don't forget to give us some description of Puck. (He definitely should have pointed ears, for example. I added pointed ears to the description of the Weird Sisters in their true form.)

P.10
I don't know that we want to refer to all of Oberon's Children as "real mean". Seems blatantly racist.

When Demona summoned Puck earlier, she did it in Latin. So please make sure we name him here in this scene.

P.12
DEMONA
If you cannot rid me of all humans,
then at least rid me of that human --
Elisa Maza!

We need the double entendre of Demona asking Puck to get rid of that
human-Elisa. ("Oh," Puck weasles to himself, "get rid of the human-Elisa. Make her a gargoyle-Elisa instead.")

P.21
Our Gargoyles shouldn't notice that anything has changed among the pedestrians below, until they get close enough to see. (From a practical standpoint, the idea of each person suddenly taking up more room, might be tough to get across in animation.)

Let's show at least one of the Human/"Gargoyles" looking at his or her reflection (in a store window or something) and preening. Totally unaware of the change.

Goliath says, "What sorcery is this?" twice in the episode. Let's skip both. He said this exact line in "Awakening".

P.23
Keep focus and imperative of THIS story. No one has time to stop for hot dogs or to deal with vandals. (So skip both incidents.)

P.25
Puck doesn't have to pretend that he did "exactly" as Demona commanded. He can have more attitude. "Hey, close enough." or "If you're going to split hairs..."

Again, let's not make Hudson an expert on Puck as an individual. We don't need him to identify Puck from tapestries. (And I doubt if his education has progressed to the point where he's read Shakespeare.) Plus, I'm not sure we have to label Puck as the "worst" of Oberon's children, either.

P.34
Gargoyles including Elisa/gargoyle CANNOT hover.

Also don't forget...
--Cast List.
--Latin version of Demona's spell from Grimorum. (It doesn't have to rhyme.)
--Rhyming spell in English for what Puck does to everyone. (Needs to be vague enough so that Demona isn't immediately tipped off.) Doesn't need to be same spell each time.
--Somewhere in here, we need to justify why none of the human/"gargoyle" crowd reacts to Puck. Do they see him as a gargoyle, ala the Weird Sisters? Or is he invisible to them? Or can we get away with them just walking by and ignoring him?
--Make sure final page count will be within our page range (pp. 35-39) after Denise has conformed it.

THANKS. DON'T HESITATE TO CALL WITH ANY QUESTIONS.

"THE MIRROR" Outline memo...

Next up for my Ramblings is "The Mirror". What follows is the UNEDITED memo I sent to story editor Brynne Chandler Reaves regarding the first draft outline for that episode.

This is one I had very specific ideas on, so I may have been even tougher than usual. Oh, well...

WEISMAN 10-30-94

Notes on "The Mirror" Outline...
Brynne, I hope you consider this flattering: I'm gonna be very tough on you here, because I think you can handle it. It's not just because of this outline, but because in general, I want you to be handing me cleaner, more finished pieces. Although the story is full of great ideas, there are logical and structural problems here that need fixing. As I've discussed, I want to be less "hands-on" so that the schedule keeps flowing and we all stay sane, but that means I need you to catch much more of this sort of thing before I ever see it.

One particular concern of mine (and not so incidentally of Gary Krisel's) is padded first acts, where nothing of substance happens until the cliffhanger. Each story dictates its own structure, so I don't want to make any hard and fast rules, but this is one thing you should be thinking about on every episode you edit or write. We can have a prologue scene or two. But we don't want to turn the whole first act into a prologue to events that only begin seconds before the commercial break.

Scene One is a nice prologue. So is Two, if it's brief. Three, Four and Five are padding. Six is good prologue, but by this time it feels like padding. Seven is problematic from a character/logic standpoint. Finally, we get going at Eight.

And opening acts aside, we need to beware of scenes that serve no function in the structure of the story. A real good character moment is worth a detour on occasion. But our stories have to be coming out of character anyway, so nine times out of ten, the detour shouldn't be necessary.

Ever since "Reawakening" we've tried to make the Gargoyles much more pro-active. But even by first season "survival-mode" standards they seem downright slow to act here. In scene Three, they suspect magical bad news is on the way. In scene Six, they confirm Demona's involvement. Yet in scene Ten, they go to the play in the park like nothing was wrong. Worse, in scene Sixteen, when the humans are transformed, the younger gargoyles actually think that the transformation is part of the play? They're more sophisticated than that. And instead of reacting like it's a problem, they just want "contact with their kind". I wouldn't mind a wistful line that summoned up their feelings about how this reminds them of their old lives when there were many gargoyles and/or that it's nice to be able to walk out in the open without everyone running away screaming, but they have to realize that this transformation is bad news. Then in scene TWENTY-TWO (that's the beginning of ACT THREE and a full fourteen scenes after Goliath battled Demona in the museum) they "are certain now that Demona is behind this". Who did they think was behind it for the last act and a half? This is a good sign that we're either short on structure, heavy on padding or both.

THEME
We must have a clear theme that involves at least one of the "good" gargoyles in every episode. We shouldn't have to dig deep for it. It's what focuses the events that dictate our structure. Today's theme is "Be careful what you wish for, you just might get it." It applies to Demona, obviously. But it applies to subconscious desires on the part of Goliath. And wistful, but conscious desires on the part of Elisa. And even (to a small extent) the desire of our young trio to assimilate. Emphasize the theme as much as possible.

GARGOYLES AND MAGIC
Please remember that the gargoyles are largely ignorant of the workings of magic. They have an advantage over humans in that they know magic exists. That's about it. Demona and Macbeth have had centuries to study it. Guys like the Magus and the Archmage dedicated their lives to studying it. Brooklyn, on the other hand, is no expert. I doubt he can even read Latin. And the GRIMORUM is not a textbook that would provide easy answers even if he could read it. It is, in essence, a cookbook. If a recipe is torn out, there's no way to infer very much about it from the remaining pages. Remember, the Magus had the sleep spell he used on the gargoyles, and even with that and all his training, he couldn't wake them up without the specific page that held the counterspell. HOW could Brooklyn find a list (scene 5) that matches Demona's list? WHY would the Grimorum list the items for one specific spell twice? HOW could he know the name (Scene Eight) of the entity being summoned?

Could the Grimorum tell them that Puck's spells must be reversed before dawn? Or how Puck frees himself? Unlikely. (Would Julia Child's cookbook feature recipes by the Frugal Gourmet?) But (if we assume Goliath reads Latin, and could make heads or tails of the Grimorum, without having to sit down and spend an entire week reading the thing cover-to-cover to find a helpful passage in a book which, as you noted, has no index) -- it is possible. We always skate by a few things in every script. But the more we have to skate, the thinner the ice in general. Something that normally would fit neatly beneath our audiences suspension of disbelief, becomes one more contrivance in a story that's got a few too many.

DEMONA'S MOTIVATIONS
First off, she's not looking for an equal partner or ally. She's made that clear enough. That's exactly her problem with Xanatos. He always wants to know what's in it for him. He can't be easily controlled. He's fine if they have a mutual interest (resurrecting Goliath or Coldstone), fine if she can con him into helping her (as she does in "City of Stone"), but the latter isn't easy. Otherwise, they can't work together. They're goals are too diverse.

As for Macbeth, don't even bring him up. This story airs before CITY OF STONE. She hasn't seen Macbeth for decades probably. And it's been centuries since they worked together on anything.

None of this changes the story, but it's important to get her mind-set clear. She isn't summoning Puck as an ally. But as a slave.

And what does she want her slave to do? Basically, this episode is going to underline Demona's truly short-term thinking. She knows she wants humanity eradicated. But not what she'd do if she ever accomplished that goal. She's closed her heart to anything that doesn't serve her immediate short-term plans. (She's really, really screwed up.) At one point, Puck should offer her Goliath. He can make Goliath love her again. But she's so distracted by her hatred for Elisa in particular and humans in general, that she can't keep a positive thought in her head. Her monolithic and myopic fanaticism allow Puck to make a primate out of her, literally and figuratively.

PUCK
First big note from Adrienne and ME: we cannot play this character like he's a demon. His summoning in particular came off as very satanic. Let's try to make it more fanciful and magical. One thing that would help avoid this problem, is to be clear about what Puck is. If we aren't clear, people might think demon or devil. If we are clear, they'll believe us. We've got to establish, not only Puck, but his entire magical race. They are the third sentient group that once populated our planet in addition to humans and gargoyles. We need a name for this race that we can be comfortable with. (We can say at some point that the Scots called them the Fair Folk; the Vikings called them Dark Elves. But neither name is great. There must be something that could work for us. "The Oberati" perhaps, after their king?)

Then we need to set some rules and limits. Particularly given what we know about the Weird Sisters (and about Puck's secret identity). Obviously, not all of these rules need to be spelled out in this script. But let's make sure we know them. Let's begin by saying that the Oberati can all shape-shift. But when they morph into a form, they're stuck with that form's limitations. No magic happening if they pose as human.

In their true forms, they have a lot of magic power, but a rule against the direct use of it in the world of man (witness the Weird Sisters more indirect manipulations). Maybe this is a command from Oberon which they are afraid, but not unable, to break.

An obvious exception to the rule occurs when they are enslaved by someone else who commands them to use their magic. They are off the hook responsibility-wise, so they can go to town. Thus, most cultures have wish-granting legends about Leprechauns or Djinn or whatever.

Conveniently, the Oberati are creatures of pure magical energy. When they cast a spell, the spell doesn't have the limitations imposed on the studied magic of human or gargoyle sorcerers. The subjects of their spells don't have to see and hear them to be affected. It's a more fluid, less structured form of magic. Magic to the Archmage is an art, craft or science to master. Magic to Puck is as natural (or super-natural) as breathing.

But even Puck must have his limits. Even magical energy should be finite. We MUST establish this fact, at least. If Demona asks to get rid of all the humans on the planet, Puck will have to admit that it's too much for him. Would she settle for all the humans on the island?

Did the Gargoyles meet or hear of Puck specifically, back in the tenth century? I doubt it. They lived fairly isolated lives out at Wyvern. And Puck didn't get famous until Shakespeare made him famous quite a few centuries later. Maybe they've heard stories about the Fair Folk, but again, let's resist the temptation to make Goliath or Brooklyn or Hudson experts on the subject. They seem pretty perplexed by the Weird Sisters in "City of Stone". That should define their reaction to Puck, whom they're meeting here prior to that story.

Why does Puck help Goliath turn stuff back to normal at the end? Well, for this episode's purposes, it'll probably work that Goliath holds the chain and issues a command. But Demona held the chain, and Puck always found a way to circumvent her commands. So why doesn't he do the same to Goliath? Two reasons, probably. First, it further annoys Demona, who he's peeved at for enslaving him in the first place. Second, once Puck is free, he can return to his secret identity, where he's been having such a good time. He wants things back to normal himself. Still in future appearances, we need to be sure that Puck doesn't turn into a personification of Deus ex machina.

Use it sparingly, but it's o.k. with me if Puck breaks the third wall and addresses the audience on occasion.

Finally, Puck's name. The Disney execs are of two minds on this. Bruce prefers Goodfellow. His main concern is the constant policing we'd have to do to make sure Puck doesn't ever come out Fuck. Ellen feels that Goodfellow has more association with Satan than Puck does and that Puck is safer on that level. I'm really torn. I tend to agree that Puck is a slightly more recognizable Shakespearean reference than Goodfellow, and thus stonger and safer. I also think the name suits the character. On the other hand, I think Goodfellow is an effectively ironic name for a character who is, for all intents and purposes, a villain. Part of me really wants to use both. Could the spell that enslaves Puck to Demona have something to do with her knowing his true name, Robin Goodfellow? Adrienne, I think, is on the fence with me. But I'm not sure. We should probably discuss this one last time before you go to script.

THE MIRROR
Think of the Wicked Queen's Magic Mirror times ten. It is a window, a doorway, a Peeping Tom.

HUMANS AS "GARGOYLES"
As we discussed, I don't think the humans notice they've been transformed. Some of the ridiculous fun of this episode should be to see them, walking around, going about their normal business, briefcases and subway tokens in hand, with no indication that anything is different. If they looked in a mirror, they'd preen as usual. They wouldn't freak out or recognize the change.

Although they have wings, I don't think it occurs to any of them to start gliding around the city. And if they see (the soon-to-be more self-aware) Elisa flying, it would be shocking: "Look, Mommy, that lady is flying!!" It's not that they'd see her suddenly as a gargoyle. (It'd be like seeing Superman. A normal enough looking person. He just happens to be leaping tall buildings with a single bound, which is, of course, unusual enough.)

When Goliath and clan walk among them as gargoyles, I don't think they see them as unusual. For once, looking like a gargoyle is normal. Like Halloween, in "Eye of the Beholder", it's another rare moment for our guys when they can be out in the open. (This may have been what you had in mind in scene 18. I wasn't clear.)

However, when Goliath and company enter their midst as "Humans", it should scare them. Once again, ugliness is in the eye of the beholder, and the "human" Goliath is still the monster. We should not skip this beat (as you planned to in scene 24). We should play it. It can be bitter, poignant and, yes, funny. (Appealing to Puck's dark sense of humor (and mine too, for that matter).)

ELISA AS A "GARGOYLE"
Like the other transformed humans, Elisa doesn't immediately realize she's been transformed. And looking in the mirror won't clue her in either. (And in any case, Elisa isn't the type to faint dead away.) In fact, she might turn to Goliath and suddenly ask, "Could you remind me why you guys are hiding up here in the clock tower?" Suddenly, they don't look so strange to her. Goliath is going to have to sit her down and talk her through the differences between humans and gargoyles. Her realization should play like a fog lifting.

And we probably should play out Goliath and Elisa both as gargoyles for an act. Maybe he teaches her how to fly. Maybe they're just about to get close enough to do the gargoyle equivalent of an embrace, when he's transformed to human. Get it so that we can all almost taste it. Then yank it away. (I know, I'm a cruel bastard.)

I also want to contrast Goliath's reaction to "gargoyle" Elisa with Elisa's reaction to "human" Goliath. He may say, "Elisa, I never realized how beautiful you are," because he always liked her for her inner beauty but, frankly, never found her physically attractive (no wings, no tail--shudder). And he's always made that mental distinction between the surface and what lies beneath.

Elisa never did. She recognized his inner beauty in episode three or four and ALWAYS thought he was handsome. Even before this episode, I think she's thought about the two of them and come to the inescapable conclusion that romance is impractical. Better keep it platonic. I think he's had those feelings, but has never connected to them mentally. (Look, no matter what the species, or how evolved the individual, he's still a guy. And guys are fundamentally stupid about this stuff.) Until this episode, it never crossed his mind that Elisa could replace Demona in his heart. The fact is she already has. But he never thought about it before now.

OUR GARGOYLES AS "HUMANS"
To be consistent, they shouldn't recognize the change until Elisa points it out to them. Maybe they were about to leap from the clock tower, and Elisa has to stop them and say: "Look, guys, you don't have wings anymore!"

But let's keep in mind that these guys are still heroes. NO WAY are they going to agree to step back because a gargoyle Demona is too tough for them now. Did Elisa ever step back when she was human? For that matter, there have been plenty of humans willing to go toe-to-toe with the gargoyles. Certainly Goliath is as brave as Macbeth or Wolf or Commando #3.

Also, I got confused in scene 29. Goliath has been transformed to human. That means human proportions. Sure, he'd be a big guy, but not as big as he was as a gargoyle. I don't know why armor would fit, say Broadway, and not him.

TONE
In contrast to our typical episodes, I think this one can have a more absurdist tone. Puck should both further the tone with his actions and undercut it with wry asides. Plus there'll be romantic stuff, also undercut, this time by Goliath's reaction to Elisa and the genuine frustration that comes from the situation's mutability.

GOLIATH BLAMES XANATOS...
For everything, it seems. In "Lighthouse" and to a lesser extent in "Leader", we've played the beat of Goliath mistakenly going to the castle to confront Xanatos for something that the latter had nothing to do with. I think by now, Goliath has learned his lesson. Particularly since the going's on here smack much more of Demona or Macbeth than Xanatos.

DEMONA'S HOME BASE
Let's get a clear sense of what this place is like. Particularly, how it is distinct from Macbeth's mansion: we've played his place like Wayne Manor. Dracon has the penthouse at the Park Manor Hotel. And Xanatos has this incredibly cool castle-on-a-skyscraper H.Q. Demona's home needs to be different from all of these and special in its own right. Also give us an at least approximate idea of where this thing is located. Gramercy Park, maybe?

SHAKESPEARE IN THE PARK
This was a great way to ground our Puck in Shakespeare, as opposed to Satan. No doubt about it. And no fault of yours, but I want to save this setting for a story that Michael and I have discussed involving Macbeth and an adaptation of Shakespeare's Macbeth. Plus, in this story, I want to play with Manhattan life going on, business as usual, despite the fact that everyone's been turned into a gargoyle. We can't do that if we limit ourselves to the Park and the closed Museum. I want to get this story out in the open. Have the "gargoyle" humans reacting in panic to the "human" Goliath and clan, the way they'd normally react to them as gargoyles. That's an opportunity we won't get in another story. We must take advantage of it. But having taken the story out of the park, we should work other Midsummer references into the script. Name the mirror after Oberon or Titania, perhaps.

BEAT SHEET
ACT ONE
1. A warm Midsummer's Night. Demona arrives at the museum with grand theft in mind. She's come to steal the Mirror of Oberon (or whatever we ultimately call it) which has just arrived from Ireland (or Italy or wherever). The first museum security guard is no problem. But the second security guard turns out to be Elisa -- undercover, prepared and not without back-up, i.e. Goliath. They suspected that the mirror would be a prize too tempting for Demona to resist. Demona seems particularly furious over Goliath's continued "partnership" with Elisa. SHE HATES HUMANS AND SHE REALLY HATES ELISA!! (Demona knows how Goliath feels about Elisa, even if the big lug hasn't admitted it to himself yet.)

2. Anyway, we get a big action sequence in the museum which leads to a chase outside. Demona gets away from them, but without the mirror. And because our heroes are so thoroughly engaged in these activities...

3. ...They are absent when two high-tech but very human cat burglars show up at the museum, seconds later, to crate up and steal the mirror. (The real security guard is still unconscious and thus unable to do anything about them.)

4. The two thieves arrive at Demona's townhouse (or whatever) with the crated mirror. Otherwise, the scene plays pretty much as you had it with the delivery men.

5. Inside her home, Demona wraps thick iron chains across the glass of the stolen Mirror. She summons Puck. He comes flying out through the glass and thus winds up wrapped in the iron chains. He spends almost the entire episode with the chains pinning his arms across his chest.

6. Back at the clock tower, Goliath and Elisa are feeling like grade-A dorks. Elisa's just back from investigating the museum crime scene. It's now clear that Demona's job was to take out security and, if necessary, act as a diversion for the real thieves. Now the big questions are, what can she do with this mirror and how bad is this going to get? Perhaps this is a place to discuss the Oberati. Hudson tells what little he knows about them.

7. Our Demona and Puck scene. If he ever wants his freedom he must serve her. He tries to discourage her: he'd make a lousy servant. She doesn't buy that. Puck works for "him". He can work for her, etc. (That whole exchange.) O.K., okay, what does she want? Freedom from her one great vulnerability -- turning to stone during the day. What good is that, he wonders. You think you're gonna be able to walk down 5th Avenue in broad daylight? I can if you obliterate all humans, everywhere. What am I, the Genie of the lamp? There are limits, kiddo. C'mon, what do you really want? She pauses, and an image appears in the mirror. It is Goliath (in the clock tower, but we're tight on him, so we aren't tipping the location). Puck: "How quaint, after all these centuries, you're still carrying a torch. Well, if that's what you want, I can make him love you again. Although it will be really hard, because you're not exactly Miss Lovable." And then, in the mirror, Elisa steps into the shot, and puts a hand on Goliath's shoulder. Demona goes ballistic. She knows her heart's true desire. Get rid of the human -- Elisa Maza. Puck: "That I can do." He fires a magical bolt into the mirror at the image of Elisa.

8. Back at the tower, Elisa has a hand on Goliath's shoulder, reassuring him that they'll stop Demona's scheme, whatever it is. Suddenly, she is surrounded by a magical energy that rips her away from Goliath. The gargoyles try to help her, but they can't get close. We should think for a moment that this is the end of Rico... uh, Elisa. And then there is a blinding flash of light that whites out the whole screen. Followed by pitch black darkness. Elisa is still there. We see her silhouette as our eyes adjust and the light returns slowly to normal. She says she's o.k. And then she steps into the light. Transformed into a gargoyle version of herself.

END OF ACT ONE

Now I have to apologize. I know I promised you this for Monday. It's two a.m. Sunday and this is as far as I got. There's a reason (an excuse). Monday is Corporate Seminar. And my last act as an executive (before becoming a full-time producer on Tuesday) is to pitch all our new development to Michael Eisner and Rich Frank. This is a twice yearly event that requires a lot of preparation, and I just ran out of time to get these notes done. Normally, I'd pull an all-nighter, but I need some sleep to face these guys tomorrow.

You gotta admit, that was a pretty good excuse.

So I have to leave this to you. You're mission, if you chose to accept it, (AND YOU REALLY HAVE NO CHOICE IF YOU EVER WANT TO GET TO SCRIPT) is to write up a quick beat outline of acts two and three for me based on the sketchy notes below. It doesn't have to be long. Two to four pages is fine. The amount of detail that I gave you for Act One is all I'm looking for.

Act Two should have Goliath filling Elisa in about the change she's undergone. Maybe take her flying. Maybe this is where we get the line about him never realizing how beautiful she was.

Demona should be temporarily fooled into thinking Elisa's dead, and flushed with success, she asks Puck to rid all of Manhattan of its humans. Bing, bang, boom. Everyone's a gargoyle. People on the subway in from Queens, change into gargoyles as soon as the E-train hits the first Manhattan stop. "Gargoyles" on the way home to Jersey change back to human as they cross the bridge in their cars. NO ONE NOTICES AT ALL.

But Demona doesn't know any of this yet. She wants a tour of what she expects to be an empty city. Puck is secretly eager to see his handiwork, so they step into the mirror, which transports them to the heart of the city. Times Square, maybe? 5th Avenue?

Meanwhile, Hudson, Goliath, Elisa and the trio are all hunting for Demona. They quickly notice the change in the populace. (Maybe the shock of this wide-spread change interrupts what might have been the only chance Elisa and Goliath had for a same-species clinch.) They all know it's bad news, but the trio can't help enjoying the ability to walk among gargoyles again. Even if they are gargoyles in business suits: New Yorkers who still won't give them the time of day. Still, would it be so bad if this didn't get fixed? Yeah. Probably.

When Demona figures out she's been duped, she demands that the gargoyles be changed back to humans. Bing Bang Boom. Goliath, Hudson and the Trio are human. (I'm torn about Bronx. I guess the big dog is o.k. It just seems outside the terms of Demona's request, even by Puck's loose standards.)

Was Goliath flying at the time or is this another interrupted clinch between him and Elisa?

Act Three opens with Elisa saving Goliath from plummeting to his death perhaps. Then she has to make him understand that he has been transformed as well.

We wind up with a very public battle featuring Elisa and our Newly Human heroes against Demona and Puck. It's complicated by the fact that the general populace (who are all now Gargoyles) perceive the human Goliath, Hudson and Trio (and Bronx?) as monsters attacking what to them seems to be a very normal-looking Demona.

Still in the end, good triumphs. Puck makes everything right at Goliath's command, (but let's make it clear that at least in part, he's doing this to spite Demona and/or to suit his own agenda). Elisa is changed to human, before Goliath is changed back, and we have another near-clinch, that Puck interrupts with good-humored spite by changing Goliath back into a gargoyle.

Goliath frees Puck and he vanishes with Demona, rescuing her from Goliath.

Turns out Puck had more fun than he thought he would so he feels like he owes Demona a favor. He'll give her her original wish. No turning to stone during the day. (BUT WE NEED TO MAKE IT PAINFULLY CLEAR THAT SHE WILL STILL BE HER NORMAL GARGOYLE SELF AT NIGHT.) He takes his leave via the mirror.

Cut back to Elisa and Goliath for emotional wrap up. Just before the sunrise which, as usual, separates them.

And back to Demona. Silhouetted against the rising sun. It's up, and she's not stone. Puck kept his word, she can't believe it. Then she sees her human self in the mirror, which she smashes, yelling NOOOOOOOOOO!!!!!!! And fade to black.