THE BIG BAD GOOD NEWS...

Hey gang,

JUST got back from WONDERCON. Made a few announcements there, that I want to repeat here...

GARGOYLES: BAD GUYS

SLG will be releasing a new spin-off of Gargoyles. GARGOYLES: BAD GUYS. This will be a six issue bi-monthly limited series in black and white. I'm writing the title, with art by Karine Charlebois and tones by Stephanie Lostimolo. Covers (as always) by Greg Guler, colored (yes, colored) by Stephanie.

Gargoyles will remain a bi-monthly book (in color). (More on this in a second.) And Bad Guys will come out bi-monthly on the main title's dark months, so for a year you'll have SOME Garg Universe product coming out every month.

Now, I'm sure you have questions... So I'm going to TRY to preempt some of them here:

1. HOW CAN YOU START A SPIN-OFF WHEN YOU'RE BEHIND SCHEDULE ON THE REGULAR BOOK?

Fair question. But I personally am NOT behind schedule on the regular book. In fact, I'm way ahead of schedule. Here's where things stand.

Issue #3 is done and has been for weeks. We're simply waiting on Disney to "approve" the issue. There's no mystery or conspiracy here. There's just, I'm guessing, a guy in an office who is swamped with things to approve and isn't making the SLG properties (Gargoyles, Tron, Wonderland, Haunted Mansion) a priority.

Issue #4 is being colored and lettered and should be done within a couple of weeks. Since it doesn't need to go out for two months, that should give Disney plenty of time to approve it.

Issue #5 is being inked.

Issues #6 and #7 have both been scripted and pencilling has started on each.

Issue #1 of Bad Guys has also been scripted.

I will start on issue #8 of Gargoyles next, then #2 of Bad Guys, #9 of Gargoyles and etc.

I'll stay ahead, and hopefully so will everyone else and what that means generally is that barring something totally unforseen, we should be on schedule from here on out.

And, yes, David Hedgecock had delivery issues Gargoyles #2. But this was due to him having to split his time between a day job to pay the bills and his gig on the book. David has now taken the EXTRAORDINARY step of quitting his day job to dedicate his time to Gargoyles. Since we also have fill-in artists on issues #4-6, David is getting right to work on issue #7 and he will no longer be the cause of any delays.

On top of this, Dan Vado has stated that he has every intention of picking up the Gargoyles' license when it comes up for renewal.

I don't want to get complacent, but really this is all good news. It looks like we should be around for a while.

And I actually think that Bad Guys will help us out. We will in essence become a monthly title (at least sort of), which will get readers in the habit of picking up something Gargesque every month. That HABIT should help. At least that's the theory.

2. WHY BAD GUYS? I WANTED TIMEDANCER*! (*Feel free to substitute NEW OLYMPIANS, DARK AGES, PENDRAGON, 2198.)

The main answer is chronology. I have this timeline. And the Bad Guys story I'll be telling in this six issue mini-series is happening in late '96, early '97. This is the story that NEEDS to be told now. I hope you like it. AND I hope you'll support it. Because if this limited series does well, then GARGOYLES: PENDRAGON is next in line. And after that GARGOYLES: TIMEDANCER. (That's as far out as I've allowed myself to think up to this point.) If the limited series doesn't do well, then it'll be the last one... and I'll eventually incorporate events from Pendragon, etc. into the main Gargoyles book. But I'm hopeful that that won't be necessary. And I hope that those of you who've seen the Gargoyles reel at a Gathering can tell those who have never attended one of our great (www.gatheringofthegargoyles.com) conventions just how cool Bad Guys really is.

3. WHEN WILL GARGOYLES: BAD GUYS PREMIERE?

Karine is inking Gargoyles #5 now -- which shows what a trooper she is, since she JUST gave birth a few days ago! As soon as she's done with G#5, she'll start on BG#1. Our hope is that Bad Guys #1 can come out in the dark month between either Gargoyles #6 & #7 or -- at the latest -- between #7 and #8. We certainly plan to tease and pimp Bad Guys at the 2007 Gathering in Pigeon Forge!

So, if all goes well...

Gargoyles #3 - March
Gargoyles #4 - May
Gargoyles #5 - July
Gargoyles #6 - September
Bad Guys #1 - October
Gargoyles #7 - November
Bad Guys #2 - December
Gargoyles #8 - January, 2008
Bad Guys #3 - February, 2008
Gargoyles #9 - March, 2008
Bad Guys #4 - April, 2008
Gargoyles #10 - May, 2008
Bad Guys #5 - June, 2008
Gargoyles #11 - July, 2008
Bad Guys #6 - August, 2008
Gargoyles #12 - September, 2008
Pendragon #1 - October, 2008
etc.

Is there an element of wishful thinking here? Well... duh. But it's not unrealistic either. This is the plan. I mean to do everything in my power to stick to it, and everyone else involved feels the same way. Can't make ABSOLUTE guarantees of course. But I can promise you that I'm passionate about this project, about making it the best it can be both creatively and financially.

4. WHY BLACK AND WHITE?

This is largely an economic decision. Printing in multi-color costs WAY more than printing in B&W, and that reduces greatly SLG's profit margin and ability to put out the titles without over-extending their resources.

Creatively, however, I was completely behind the decision. Though I feel strongly that the main GARGOYLES title should be in color, I think the subject matter of Bad Guys can work terrifically in b&w. Again, if you've seen the Bad Guys reel at the Gathering, you'll have some idea of what this book can be -- even without full color. Plus we will have color covers, so you will get a sense of what our characters look like in color.

5. UH... I CAN'T THINK OF A #5 AT THE MOMENT.

BUT I'M SURE YOU GUYS WILL. The good news is that I'm getting through the ASK GREG back log at a pretty steady pace. I'm hoping to have the site open for questions shortly. And we'll definitely open it up (at least briefly) when issue #3 hits the stores.

NEXT TOPIC...

THE AMAZING SPIDER-MAN

The following press release came out late last week...

KIDS' WB! ON THE CW NETS NEW SPIDER-MAN
ANIMATED SERIES FOR EARLY 2008 PREMIERE

Culver Entertainment Widens Renowned Marvel Hero's Web from Blockbuster Films
to No. 1 Rated Saturday Morning Broadcast Kids Network

BURBANK, CA (MARCH 1, 2007) - Spider-Man swings back into television action in early 2008 as an animated series from Culver Entertainment to air on Kids' WB! on The CW, it was announced today by Kids' WB! Senior Vice President and General Manager Betsy McGowen and Sony Pictures Television Co-President Zack Van Amburg.

Tentatively titled "The Amazing Spider-Man," the new series is being produced by Culver Entertainment. Greg Weisman ("Gargoyles", "The Batman") is supervising producer, Victor Cook ("Hellboy: Blood and Iron" and "Buzz Lightyear of Star Command") is producer/supervising director. The series will premiere on Kids' WB! on The CW, the No.1 rated Saturday morning kids broadcast slate.

"The addition of 'Spider-Man' bolsters a lineup that has proved to be the Saturday morning destination for kids seeking action and adventure in the most amped-up ways," McGowen said. "We're ecstatic to welcome 'Spider-Man' to our popular cavalcade of super heroes."

"Spider-Man is such an important brand for Sony Pictures and we're thrilled to keep the momentum going by taking it back to television with an animated series on Kids' WB!," Van Amburg said. "It's also an excellent way to launch Culver Entertainment, our newest television company."

Riding the crest of Sony's anticipated summer blockbuster "Spider-Man 3," the new animated series picks up the original web-slinger's mythology at the beginning of his hero's journey - as a not-so-typical 16-year-old entering his junior year of high school. Having spent the summer engaging common criminals with his new-found powers, Peter Parker must conceal his secret identity while engaging a new level of terror - the multi-leveled pressures of teenage life at home and school while combating bigger, badder super-villains in the real world.

"Our goal is to reinterpret these great characters and concepts for our millennium," Weisman said. "We'll have plenty of resonant material for the Spider-Man fan, while engaging the Spider-Man novice with the same thrills we experienced when we were first exposed to the character. Our stories will appeal on multiple levels with plenty of eye-candy, action, humor and colorful characters for the youngest demographic balanced with extensive character development for 'tweens, teens and adults."

Culver Entertainment is a Sony Pictures Television company. Sony Pictures Television is one of the television industry's leading content providers. It produces and distributes programming in every genre, including series, telefilms, theatrical releases and family entertainment for network and cable television, as well as first-run and off-network series for syndication. With more than 25 programs on the air, SPT boasts a program slate that includes the top-rated daytime dramas and game shows, landmark off-network series, original animated series and critically acclaimed primetime dramas, comedies and telefilms. SPT (www.sonypicturestelevision.com) is a Sony Pictures Entertainment company.

A leader in children's programming, Kids' WB! continues to be a unique destination for kids. Kids' WB!, now airing on The CW Network, has been the broadcast home for such cornerstone hits as the blockbusters "Pokémon" and "Yu-Gi-Oh!," Emmy® Award-winners "Xiaolin Showdown" and "The Batman," culturally diverse series "Jackie Chan Adventures" and "¡Mucha Lucha! Gigante," and breakout hits "Shaggy & Scooby-Doo Get A Clue!" and "Legion of Super Heroes," among other favorites. Kids and their parents can find more information about Kids' WB! programming online at www.KidsWB.com.

We're still in very early days on Spidey, but I'm tremendously excited about the project. I hope you're looking forward to it, as much as I am.

That's it for now,

gdw

GARGOYLES COMIC UPDATE

Hey gang,

In an attempt to get back on a bi-monthly schedule, we've invited a few talented fill-in artists to take on a few issues of the comic.

Clan-Building #3 "Invitation Only" is being penciled by regular series penciler David Hedgecock, with colors by our new regular colorist Dustin Evans.

Clan-Building #4 "Masque" is being penciled by guest artist Nir Paniry. Colorist hasn't been decided yet.

Clan-Building #5 "Bash" is being penciled by fan favorite Karine Charlebois and colored by fan favorite Stephanie Lostimolo.

Clan-Building #6 "Reunion" is being penciled by Gordon Purcell. Colorist hasn't been decided yet.

Clan-Building #7 "The Rock" will be pencilled by David and colored by Dustin. I just finished scripting it, and I'm about to start work on #8.

ALL COVERS are by Greg Guler with colors by Steph.

Clan-Building is currently scheduled to last 12 issues total.

It's all very exciting. I've seen pencils and colors from #3 and pencils and inks of #4 and rough pages of #5. All looking very sweet.

GOOD NEWS!

As many of you already know, the first issue of the new GARGOYLES comic book sold out its print run. There WILL be a second printing... and all the fans who bought copies and/or SPREAD THE WORD deserve a round of applause...

<CLAP CLAP CLAP CLAP CLAP CLAP CLAP>

But please, let's not use this as an excuse to be complacent. We now need to sell out this second printing and encourage pre-orders on issue #2. Not to mention the two DVD sets.

This is NOT me asking people who've already bought the book to buy additional copies. This IS me asking people to continue to spread the word. (I can't tell you how many garg fans I just met in Minnesota, who had no idea that the comic was even out.) Contact the ELFQUEST fandom, the STAR TREK fandom the FILL-IN-THE-BLANK fandom. Contact local comic shops. Contact local conventions. Contact any community that might be interested.

Keep the good news rolling in...

SPREAD THE WORD!!!!

DUCKS IN A ROW

ASK GREG will be open up again today (Thursday, June 22) so that questions and especially G2006 CON JOURNALS can be posted. We'll stay open at least until the end of July.

In addition, Gorebash has been working on the site to allow Todd to answer some frequently asked questions for me by searching the archives. We haven't totally got the new system up and running, but the long awaited upgrade to ASK GREG is on the verge of reality here. REJOICE!!!

This should help us get through the queue MUCH faster.

But another thing that would help is still a bit of common sense on the part of posters. Try to search the FAQ or the ARCHIVES first. Ask your question here in the comment room. (And, gang, be nice to the newbies, ignorant or not.) Keep the queue as clean of garbage as possible.

And POST THOSE CON JOURNALS. Cut and paste them! It's important!!!!!

Also, post comments and questions about the new comic book that hit stores YESTERDAY (Thursday, June 21)!!! Copies of the first issue ("Nightwatch") WILL be available at the Gathering this weekend, but as Marty said, anything that can be done to encourage sales at local stores is essential.

[I realize from VERY recent personal experience that this can be frustrating. A drone at MY local comic shop was very insistent yesterday that the comic wasn't out yet. Do NOT let them tell you that. It IS out! Be persistent, insistent, but unfailingly POLITE, as it won't help the cause to alienate the guy who orders books for the store.]

This isn't simply about you guys buying a bunch of copies yourself. If EVERYONE who normally checks out ASK GREG bought ten copies, our sales would still, frankly, suck. Yes, I hope you guys support the book with cold hard cash (though as always I'd never ask you to spend money you don't have and/or need for food, shelter, education, etc.), but what I'm really COUNTING on you guys to do is spread the word. EVERYWHERE. We need to bring in a much larger crowd than simply the hard core fans. Word of mouth to individuals is great, but try to brainstorm ways to reach a lot of people on the net, at conventions, etc. Look at other rabid fandoms that might like Gargoyles, and LET. THEM. KNOW what they're missing! (Let them know.) BRAINSTORM NEW WAYS. NEW. NEW WAYS.

DO NOT TAKE FOR GRANTED that the book will just be an ongoing thing. If sales on the first couple issues suck then don't assume that there will be an issue #3. (That's how we got into the dilemma we're facing with the DVDs.)

WORD MUST BE SPREAD!!!!!

Finally, for those of you attending the Gathering this weekend in Valencia: please come up to me and say hello. Many of you know me already. Some of you have met me briefly. Some of you are strangers. I'll admit in advance that though I am fearless when I'm "On Stage," ironically I get very shy trying to conduct small talk. So be patient with me. It usually takes me two cons to remember names and three to really get to know a person. But keep trying. I have made so many great friends at these conventions, and you could be one of them. I really do want to know you all.

It's a very exciting con this year. We've got so many great guests and events planned. Panels with the creators of Kim Possible, Talespin, Darkwing Duck, Ben Ten. Jim Cummings, the voice of Dingo, Don Karnage, Darkwing Duck, Pete, Winnie-The-Pooh, Tigger, Bonkers, etc., etc., etc. will be there. Voice directors, background artists, character designers, film editors, music editors, sound effects editors, storyboard artists, and tons of VOICE ACTORS. Nearly the entire writing staff and Voice cast of WITCH will be there. (And I hope you've been watching the episodes of WITCH that I produced which have been airing on Toon Disney and ABC Family's Jetix blocks.) Frank Paur will talk about Spawn, Iron Man and Dr. Strange. Tad Stones will talk about Hellboy. Keith David, Thom Adcox and Crispin Freeman will all BE IN THIS YEAR'S RADIO PLAY!!! Brigitte Bako, the voice of Angela, is attending her first convention EVER!! (So be extra nice to her.) I'm even doing a seminar on time travel.

So stop by, have fun, enjoy... and SPREAD THE WORD. (Have I mentioned that yet? SPREAD THE WORD!!!!)

Gargoyles is BACK!!!!

Thanks,
Greg Weisman

San Diego ComicCon 2005

Hey guys,

I'm heading down to San Diego tomorrow for a brief sojourn at ComicCon. Specifically, I'll be participating (at least I'll be sitting there) at a Slave Labor Graphics Panel at 4pm on Saturday, 7-16-05. Stop by and say hello.

Creature Comics.com

Creature Comics.com.

It doesn't quite exist yet. But, yes. It's coming. Or at least I'm starting to feel confident that it's coming. (Traditionally, this kinda confidence has a history of blowing up in my face, but what the heck, right?)

Want the backstory?

At the Gathering 2003 in New York City, I sat down for a while with Martin Lund. Some of you know him as Kai, I believe. At the time, I have to admit, I mostly knew him as Lexy's other half. (Sorry, Marty, can't quite bring myself to say "better half".) Anyway, Marty and I talked. About a lot of stuff, but mostly about how much we'd both like to see a new GARGOYLES comic book telling original stories for the fans.

Marty felt we could make it happen. And Marty got me to believe it was possible.

We soon partnered up with Greg Guler. Many of you have met Greg G. at various Gatherings. Greg was one of the main development artists who helped create GARGOYLES. (He did the key inspirational designs on a few minor characters that you might remember: Goliath, Elisa, Demona.) He was also the Lead Character Designer for the entire Second Season of the Series. Like me, Greg G. also has a comic book background. We both worked at DC Comics in the late eighties/early nineties -- though we never actually worked together back then. He did a bunch of stuff, but the thing I always rememered was his monthly work on HAWK & DOVE.

(When Greg & I first met in person, he was doing prop design at Disney. I kinda credit myself for giving him a push into character design. He's been one of WDTVA's chief character designers for years now. His credits there are almost endless.)

Anyway, Marty & Greg & I formed a partnership, which we soon called CREATURE COMICS. Our initial goal was to license and launch a new GARGOYLES comic book. Marty would handle the business end. Greg G. would handle the art end. Yours truly would handle the writing (and to a lesser extent be the big mouth mouthpiece for the group -- hence this ramble).

Of course, this was nearly TWO YEARS ago. But Marty does NOT give up. Money was our first problem, i.e. we had none, and *surprise, surprise* Disney wasn't keen on the idea of licensing the GARGOYLES property for free. In fact, because we were a start-up (up-start?) company with no track record, they actually wanted a LARGER license fee as, in essence, insurance, in case we screwed up. The good news was that they did LIKE the idea of having two of the original creators being in charge of the creative. (This would fortunately be of importance down the road.) They just weren't wild about a bunch of "amateurs" being put in charge of their property.

But as I said, Marty does NOT give up. Still, for the time being, we put a pin in the GARGOYLES idea. If that was too expensive, we'd start with an ORIGINAL property -- one that CREATURE COMICS could own. We'd prove ourselves on that. Then after we were huge successes, we'd be able to go to Disney again with that track record they felt they needed.

Turns out we had a problem here too. No money. (Funny how that keeps coming up.) So CREATURE COMICS morphed into CREATURE COMICS.COM. We'd launch the comic on the web. This seemed like a plan. But life/reality/actual paying work kept getting in the way. (We -- meaning Greg G. -- did manage to create a logo though, which should be revealed soon.)

Meanwhile, as I mentioned, Marty was busy NOT giving up. He maintained contact with Disney. They were still interested in having the GARGOYLES creators on a GARGOYLES comic book. (And I figure the relative success of the DVD didn't hurt our situation either.) It was just that pesky start-up status that they couldn't deal with. But believe it or not, DISNEY suggested a solution. They were (are) currently in the process of making a licensing deal with SLAVE LABOR GRAPHICS... i.e. a comic book company with an actual track record!

Now, as of this writing, to my knowledge, the deal between SLG and DISNEY is not yet fully, totally realized. As I understand it, they're VERY close. But it's not signed. So normally, I would TOTALLY not be discussing ANY OF THIS (this whole ramble would not exist). But Dan Vado, who runs SLG, spilled some beans last weekend. So we talked with him, and he was okay with us talking to you, with us being cautiously optimistic.

SLG is on the verge of licensing four properties from Disney: HAUNTED MANSION, ALICE IN WONDERLAND, TRON and... GARGOYLES.

GARGOYLES was NOT part of SLG's original pitch to Disney. But Disney hooked Marty, Greg & myself up with Dan. Everyone (Disney, Dan, Marty, Greg, Greg) really liked the idea of CCC packaging the creative on a new GARGOYLES comic for SLG. So THAT is the plan.

But I have to add the caveat, that at the moment, it's STILL only a plan. Because SLG hasn't signed on the dotted line with Disney, they have -- for obvious reasons -- not yet made any deal with us at CCC. As I said, I'm cautiously optimistic. But s--t happens, you know? So cross your fingers for us, but... well, it may still be a touch premature to ACTUALLY hold your breath.

Anyway... I'll be the writer. THE ONLY WRITER. So those of you looking to trade me in for Joss Whedon or Neil Gaiman are SOL. Greg Guler will be the Art Director. He may not pencil every issue, but he'll be making sure that every issue looks damn good. Marty, as usual, will handle the business end of things in his capacity as Executive Vice President of Not-Giving-Up.

Our direction is pretty straight forward. The book we'll be styled to look like the series, and my plan is to pick up pretty much where "Hunter's Moon" left off and do the "third season" that I wanted to do (as opposed to the GOLIATH CHRONICLE version). (The year is 1996. Although I'm probably not going to go out of my way to put a date in the content of the comic that'll scare away a new audience. There's always ASK GREG to fill people in on timeline details. And eventually, I'm hoping to catch up to the present.) I'm also eventually hoping that this thing is such a massive success that it'll lead to all the spin-offs we've been talking about for years. Not to mention those ORIGINAL PROPERTIES that CCC would own and that we still hope to do someday. But to some extent that won't be up to us. It'll be up to all of you.

Marty & Greg & I are all VERY excited! I'd say SPREAD THE WORD!!! But frankly, it's all a bit premature. We hope to begin finalizing things in the next month or so. (Dan's "leak" has certainly lit a bit of a fire. Hmmmm.... wonder if that wa his plan all along? Why, that little scamp!) Greg G. and I are both planning to be on hand for a bit with Disney & SLG at the San Diego ComicCon, so look for us there.

And of course, I'm hoping to be able to tell you a LOT more at the GATHERING 2005 in Las Vegas. Marty'll be there too. You can all hoist him on your shoulders, cuz honestly, he's the real hero in all of this. I get the juice, but he squeezed it.

So that's the scoopage, folks.

CREATURE COMICS.COM. It doesn't exist yet. But... damn... don't give up!

Chapter XV: "Metamorphosis"

STORY EDITOR: Michael Reaves
WRITERS: Brynne Chandler Reaves & Lydia Marano

The first appearance of Anton Sevarius and the MUTATES: Maggie the Cat, Fang and Claw. Derek had appeared before, but this was TALON's "first appearance" as well.

In our original development, the Talon character was called CATSCAN. He wasn't Elisa's brother. In fact, he was sorta Sevarius. That is, he was the scientist who created the mutagenic formula. At first he works for Xavier (Xanatos), but later -- when he realizes that Xavier was responsible for the "accident" that turned him into Catscan -- he tries to hunt Xanatos down, forcing Goliath to actually protect Xanatos in order to save Catscan's soul. This version of Catscan was basically the inspiration of my good friend Fred Schaefer, who was a Disney Development Associate at the time. Part of the team. Oh, and Catscan was a solo act, there were no other Mutates. And he didn't have wings either. He fired some kind of radiation bolt from his eyes.

Later, we began to prep Derek for the Catscan/Talon role. I don't remember if we knew Derek's fate way back in "Deadly Force", when he was introduced, but we definitely knew by "Her Brother's Keeper". One of the reasons we made him a pilot was to give him some flight background to justify how quickly we needed him to learn to fly. This was emphasized HERE by putting him in a glider.

Anton Sevarius became a separate character obviously. Michael Reaves, I believe, came up with his name. At first, I didn't like it. I thought it was too cartoony. Now I think it suits him.

Rereading my memo, it seems I was thinking of Brent Spiner to play Sevarius. I hadn't remembered that. Of course, no one else could be Sevarius except Tim Curry. And Brent was a perfect Puck for us too. So all's well that ends well. (But can you imagine if somehow the rolls had been switched?) Tim has some great lines here: "...Or has that changed?" is one of my favorites. He's so hungry.

FYI - That's Jonathan Frakes voicing Fang's one-liner in this episode. We couldn't afford to hire a separate actor for one line. So Jonathan stepped in. Of course, later Fang was taken over by Jim Belushi. But I don't think anyone noticed.

Gotta love the Snidely Whiplash reference.

As I mentioned in my last Ramble on "Leader", Xanatos' plans were getting more and more sophisticated. Here we had two humdingers in a row. The one in "Leader" is just a lot of fun. This one is cruel. Throughout the story, we (I think) tend to believe in Xanatos' mea culpa and his outrage regarding the Mutates ("They'll crucify you. And if they don't, I WILL!!"). Why? Because he's so darn likable we want to think well of him. (Who was fooled? I'd like to know.) Also his story rings true. When he tells Sevarius, "I've been in prison before." We know he has. We believe he could take it again. It's that touch of truth amid the lies that makes him so sharp.

And Owen was complicit. On one level, that shouldn't be surprising, yet there's something of the Mr. Spock about Owen. As faithful as you know he is, you don't actually expect him to lie.

And frankly, the plan is SO complex. I hope it's believable when all is said and done. We made a real effort to make sure that it could have worked, that if it hadn't gone EXACTLY as depicted it would feel like there would have been alternative scenarios that would have generated the same result. Of course the master-stroke is Sevarius' death. Our S&P executive raised an eyebrow over that, as she finished reading Act Two. Fortunately, she was the type who finished the script before knee-jerking us with an objection. We got away with depicting a violent death on-screen -- because it was fake. (But who was fooled?)

We tried to play fair with a number of clues throughout. We used Xanatos' own security team as the "hired mercenaries" that Sevarius was using. Only Xanatos checks Sevarius' pulse. When Matt and Elisa are later investigating the scene, there's no body and NO CHALK OUTLINE either. They have no idea that anyone even theoretically was supposed to have DIED there. And Sevarius is SO OVER THE TOP. That should have been a stylistic clue. It was way fun to do -- and it took great acting on Tim's part to act that badly and still make it play.

For once the script came in a tad short. So the board artist added the bit where the gargoyles break out of stone and we see the debris rain down on the people below. Pigeons fly off into the night. (Just a little touch of realism.) Very nice.

I was never too fond of Elisa's Zen Master joke. Still, in the comic book story I wrote before the Marvel comic book was cancelled, I created a Zen Master character. (Just compulsive I guess.)

My original plan for Gen-U-Tech was to abreviate its name as G.U.T.S. As in the company that twists yours up. (The full name is Genetic Undiscovered Technical Systems.) Instead it became Gen-U-Tech, which is probably better. But I can't remember who made the change. The script has plenty of GUTS references in the descriptions. But it may have escaped my notice that it has none in the dialogue. And the logos designed all read Gen-U-Tech, not guts. I wonder if Frank & Michael were slyly protecting me from a mis-step?

I like the conflict between Brooklyn & Broadway here. All the interplay with the trio is very well handled, I think. Were people really rooting for Brooklyn & Maggie to wind up together?

Not our best animated episode. Both the modeling and the animation leave a bit to be desired. Derek's ears look mid-transformation long before he's hit with that dart. Makes me cringe, but I guess if the audience isn't expecting him to get changed, they don't notice the subtle pointyness to the ears, until after the contents of the dart are revealed. But on a second viewing...?

Maggie Reed: "I'm from Ohio." As if that should explain EVERYTHING. I love that line.

"Morgan Reed", by the way, was one of our may early names for what eventually became Elisa Chavez, Elisa Bluestone and finally Elisa Maza. (I never waste anything.)

Observations from my daughter Erin:

1. "I like the click of their boots." [Erin complimenting the foley during the recapture of Maggie in the alley.]

2. "His hands ARE tied!" [My clever Erin catching the irony. Elisa says "My hands are tied." Brooklyn responds, "Well mine aren't." But then he turns to stone, prompting Erin's observation.]

3. "Hudson and Bronx always stay home." [Erin commenting on our proclivity for leaving Hudson & Bronx behind at the castle or clock tower when Goliath and the Trio go off. It is kind of a rip.]

Another great series of endings and false endings.

Xanatos tells Owen to bring him the "best geneticist on the planet."

The gargs arrive and fight the Mutates. Elisa arrives. Xanatos asks her to "stop this senseless violence". [Ahh, what a lovely bastard he is.]

Maggie makes the accurate observation that Brooklyn wants her to stay a monster. And yet despite that incite, she clearly still believes that both she and Brooklyn ARE monsters. She's as bound up in appearances as he is.

Talon names himself. It's kinda odd. But I think it works.

Elisa declares war on Xanatos. And for a split-second it registers on his face. Something has actually given him pause.

And then Owen brings in the best geneticist. I still wonder if it's immediately clear that this "new guy" IS Sevarius. He looks SO different. And Tim wasn't using the hoky accent anymore. Was anyone else confused, even momentarily? But anyway, it's another stunner Xanatos Tag. Did your eyes bug out? Or did you know by this time?

And finally, back to the Tower. Brooklyn is in a funk. But Elisa...

This entire episode is obviously a direct sequel to "Brother's Keeper". Right down to the end. In the end of that one, Elisa can do nothing but stare sadly out at the snow. But we're past that now. Now she cries. Xanatos doesn't wind up with the Mutates, though he correctly predicts there eventual return, but this is his clearest victory yet. The Mutates blame the gargs. Talon still believes X is his best chance at a cure. And he has an emotional and physical weapon against Elisa and the gargs. I was proud of us for ending a "cartoon" on such a relatively down note. Can't always have happy endings. How many people were surprised we ended it that way?

That's it. Comments welcome...