A Station Eight Fan Web Site
Greg's Ramblings
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Young Justice Character Countback
#170. Lois Lane
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#171. Mobius Chair
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#172. Noor Harjavti
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#173. Sumaan Harjavti
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#174. Blue Beetle / Ted Kord
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#175. Unborn Lor-Zod
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#176. Joker
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#177. Metron
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#178. Phantom Stranger
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#179. Kent Nelson
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#180. M'aatt M'orzz
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#181. Iris West-Allen
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#182. Calvin Durham
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#183. Topo
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#184. Madame Xanadu / Nimue Inwudu
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#185. Sha'lain'a
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#186. Lia Briggs / Looker
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#187. Wotan
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#188. Red Torpedo / Jim Lockhart
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#189. Rita Farr / Rita Lee / Elasti-Girl
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#190. Desaad
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#191. Mary West
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#192. Atlanteans
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#193. Rudy West
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#194. Joan Garrick
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#195. Red Inferno / Firebrand / Danette Reilly
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#196. Black Adam
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#197. Starro #1 (Ancient) / Starro Fragment / Starro-Tech
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#198. Erin
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#199. Genomorph-Gnomes
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#200. Brandon Vietti
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#201. Silas Stone
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#202. Child
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#203. Brick / Daniel Brickwell
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#204. J'ann M'orzz
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#205. Collector of Worlds / Vril Dox / Notlimenif / Computer Tyrant of Bryack / Brain of Colu / Maniac of Yod / Brainiac
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#206. Everyman
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#207. Nathaniel "Neut" Tryon / Neutron
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#208. Paul Sloane / Tom Bender / Conner Manley
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#209. Orb-One
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#210. Dreamer
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#211. Wendy Harris
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#212. Trajectory
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#213. Monkey / The Magical Mystical Monkey God
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#214. Fury / Rosa
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#215. M.O.N.Q.I.-Droids
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#216. Artur / Aquaboy
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#217. Jimmy Olsen
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#218. Amanda Spence
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#219. Reach Soldiers
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#220. Phantom Zone Projector
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#221. Lords of Order
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#222. Highfather / Ayaza the Inheritor
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#223. Ali
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#224. Lexian Armored Robots, a.k.a. Lexbots
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#225. Leroy
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#226. Non
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#227. Benny
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#228. Karen
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#229. Jor-El
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#230. Bear
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#231. Bane
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#232. T.O. Morrow
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#233. Vykin
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#234. Edward Nigma / Riddler
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#235. Lori Lemaris
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#236. Talia al Ghul
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#237. Mongul
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#238. Faora Hu-Ul
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#239. Killer Frost
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#240. R'ess E'dda
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#241. Kobra / Lord Naga-Naga
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#242. Marvin White
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#243. Professor Hugo Strange
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#244. Ubu
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#245. Jason Blood
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#246. Parademons
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#247. Overlord
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#248. G'arrunns
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#249. Blubber
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#250. Rumaan Harjavti
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#251. Jonathan Samuel "Jonny" Kent
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#252. Rodunn
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#253. A'ashenns
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#254. Jax-Ur
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#255. Vor-Kil
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#256. Atomic Skull
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#257. B'lahdenns
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#258. Vulko
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#259. Angel O'Day
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#260. Celia Windward / Jet
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#261. Arion
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#262. Lords of Chaos
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#263. Jonathan Kent
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#264. Despero
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#265. Danuuth
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#266. Wingman (Corgi)
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#267. Flaw
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#268. Kylstar / First Leader
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#269. Kobold
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#270. Josef Vladek
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#271. Genomorph Elves
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#272. Beetle Mini-Drone / BMD
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#273. Y'ellonn Sorcerer-Priests & Priestesses
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#274. Wildcat
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#275. Onyx / Onyx Adams
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#276. Alanna Strange
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#277. King Nanue Sha'ark
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#278. Ocean-Master/Orm (Clone)
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#279. Lobo
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#280. Hook
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#281. Arion (Clone)
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#282. Ronal
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#283. Green Lantern Tomar-Re
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#284. Wade Eiling
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#285. Sandra Stanyon / Mrs. Wheeler / Bride of The Silver Blade
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#286. Mister Freeze
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#287. Olympia Savage
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#288. Gorilla Grodd
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#289. J'arlia J'axx
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#290. Otto Von Furth / Plasmus
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#291. Abra Kadabra
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#292. Coral
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#293. Shade
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#294. Kru-El
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#295. Noble Davis
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#296. Chian
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#297. Merlyn
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#298. R'ohh K'arr
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#299. Kobra Cultists
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#300. Grayven
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#301. Ryus Nereus
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#302. Poison Ivy
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#303. Otis Beatty
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#304. Steel
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#305. Captain Cold
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#306. Manta Trooper (a.k.a. Alpha Leader / Sector One / #3 / Coffee Guy)
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#307. Elongated Man
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#308. Klamulon Commander / Lieutenant Der'Chow / Harvey
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#309. Mister Tawny
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#310. M'chiste
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#311. Martha Clark Kent
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#312. Highmother Avia the Wisdom-Bringer
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#313. Ilona DeLamb-Markov
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#314. Viktor Markov
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#315. Gilotina
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#316. Ma'alefa'ak Beast
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#317. Wilhelm Peters
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#318. Kalibak
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#319. Isis
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#320. Lashina
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#321. Henry Fyff
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#322. United Nations Ambassadors
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#323. Martian Bio-Ships
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#324. Klamulons
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#325. Lobo's Belt
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#326. Kaizen Gamorra
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#327. Biggitz
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#328. Li'l Lobo
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#329. Ma'arzuu Beasts
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#330. Reach Technicians
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#331. Katana
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#332. S'turnn J'axx
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#333. Batwoman
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#334. Hardware
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#335. Genomorph Trolls
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#336. Genomorph Dwarves
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#337. Sandman
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#338. Green Lantern Alan Scott
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#339. M'hontrrs
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#340. Phil Bourassa
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#341. Phantom Zone Prisoners a.k.a. The Army of the House of Zod
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#342. Rannians
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#343. Plant Creatures
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#344. Infiltrators / Fog
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#345. C'eridy'all
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#346. Rao
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#347. Trogowogs
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#348. S'yraa S'mitt
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#349. Jack Haly
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#350. Amanda Waller
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#351. Green Lantern Kilowog
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#352. Bruno "Ugly" Mannheim
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#353. J. Anson Schwartz
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#354. Icicle Sr.
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#355. Mister Twister / Brom Stikk
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#356. Juan Cordero / Metallo
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#357. Jason Bard
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#358. Barda
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#359. Whisper A'Daire
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#360. Sardath
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#361. Professor Ojo
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#362. Lightray/Solis
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#363. Lizard Johnny
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#364. Male Larva
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#365. Female Larva
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#366. Serifan
A Thought Exercise
So as an intellectual exercise (and I promise that is all this is), I tried to calculate what would happen if TPTB asked me to adapt every Gargoyles comic I've written (for both SLG & Dynamite) into 22-minute television episodes. And through the end of Gargoyles Quest #5 (even though I've actually only written the script through Quest #4 at the time I'm typing this up), I came up with 22 episodes:
01. SLG Gargoyles #1-2
02. SLG Gargoyles #3-5
03. SLG Gargoyles #6
04. SLG Gargoyles #7-9
05. SLG Gargoyles Bad Guys #1
06. SLG Gargoyles Bad Guys #2
07. SLG Gargoyles Bad Guys #3-4
08. SLG Gargoyles Bad Guys #5-6
09. SLG Gargoyles #10-12
10. Dynamite Gargoyles #1-3
11. Dynamite Gargoyles #4
12. Dynamite Gargoyles #5-6
13. Dynamite Gargoyles Dark Ages #1-2
14. Dynamite Gargoyles Dark Ages #3
15. Dynamite Gargoyles Dark Ages #4-6
16. Dynamite Gargoyles #7-8
17. Dynamite Gargoyles #9-10
18. Dynamite Gargoyles #11-12
19. Dynamite Gargoyles Quest #1-3
20. Dynamite Gargoyles Halloween Special #1
21. Dynamite Gargoyles Quest #4
22. Dynamite Gargoyles Quest #5
Now, some of the above 22 "episodes" would need their stories expanded to fit 22 minutes. (Others would be hard put to stuff all their content into 22 minutes.) And the truth is, if someone said, each and every issue needed to be expanded to fit 22 minutes, I still think I could do it, in which case 22 episodes suddenly and happily expand to 42 episodes.
And this is all SO hypothetical, it truly borders on pointless.
But this is what I thought about during a very long shower this morning. And I thought I'd share.
Young Justice Character Countback
#367. Bethany Lee Carr
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#368. Rictus
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#369. Bane's Thugs
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#370. Lynn Stewart-Pierce
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#371. Samad Daou
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#372. Xebelians
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#373. Anissa Pierce
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#374. Krolotean Captain
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#375. Devourer
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#376. Celestia
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#377. Teekl Two
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#378. Nikolas Stofka
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#379. Cullen Row
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#380. Mother-Thrall
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#381. Dudley H. Dudley
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#382. Donny Allen
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#383. James Gordon
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#384. Galet Dasim
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#385. Ondine
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#386. Steve Lombard
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#387. Jennifer Pierce
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#388. Mooonrider
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#389. Blister
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#390. Reach Captain
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#391. Giant
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#392. Cooper
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#393. Dawn Allen
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#394. Beluga
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#395. Perry White
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#396. N'orr C'ott
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#397. Ice
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#398. Rhea Malia Beecher-Duncan
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#399. Eel Construct
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#400. Martian Fireflies
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#401. Deadshot
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#402. Damian al Ghul
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#403. Eye of Ekron
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#404. Firra
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#405. Inza Nelson
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#406. Lara El
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#407. Pete "Danny" Danbury
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#408. Jonathan Lord / Mr. Wheeler / The Silver Blade
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#409. Mary Grayson
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#410. John Grayson
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#411. Beth
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#412. Rannian Lizard-Bird
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#413. Genomorph Sprites
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#414. Spider-Bots
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#415. Divine Guards
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#416. Zor-El
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#417. Hercules
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#418. Zeus
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#419. Mercury
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#420. M'gann's 11 Unnamed G'arrunn Sisters
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#421. M'gann's 16 Unnnamed G'arrunn Brothers
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#422. Riker
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#423. Octopus Construct
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#424. Razer
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#425. Captain Boomerang
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#426. Red Volcano
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#427. Madia Daou
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#428. Henry Yarrow
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#429. Gaby Gabrielli
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#430. Helena Sandsmark
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#431. Solovar
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#432. Ana Von Furth / Plasma
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#433. Tribune #1 of the Tribunal
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#434. Holocaust
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#435. Etrigan the Demon
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#436. Robotman
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#437. Ron Evers
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#438. David Davis Wilcox
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#439. Carol Ferris
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#440. Primat
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#441. Casey Klebba
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#442. Mad Hatter / Jervis Tetch
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#443. Boka
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#444. Lead Kobra Cultist
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#445. Metamorpho
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#446. Shelly Longshadow
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#447. Selena Gonzalez
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#448. Jaqqar Marlo
Confirmation
Need confirmation that it is truly me back on Twitter/X? I do NOT blame you. Confirmation is here:
Here's the video: https://youtu.be/MriP88UPCzA?si=dzPxEppcpzkxCeFB
And here's the audio: https://spidey-dude.com/voices-from-the-eyrie-psa-greg-weisman-returns-to-twitter/
Young Justice Character Countback
#449. Chief
Twitter/X
Okay, so... I seem to have regained control of my X (formerly Twitter) account. So, with some reluctance and much trepidation, I am wading back into that world.
Be gentle.
Spectacular Spider-Men Volume One
Hey gang,
As some of you may know, my new Marvel comic THE SPECTACULAR SPIDER-MEN #1, starring both Peter Parker and Miles Morales, comes out in March, 2024!
But you can already pre-order the first volume here:
https://www.barnesandnoble.com/w/the-spectacular-spider-men-vol-1-greg-weisman/1144548001
This is an ongoing series... but only if sales justify continuing! So, as with all comics these days, the key is PRE-ORDERS!
So, if you can, please do!
Young Justice Character Countback
#450. Rako
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#451. Alec Rois
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#452. Wizard
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#453. Blackbriar Thorn
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#454. Felix Faust
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#455. All-Widow
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#456. Thomas Kalmaku
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#457. Lenore Parris
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#458. Luis Garcia
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#459. Krolotean-B
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#460. Negative Woman / Val
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#461. Holling Longshadow
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#462. Toyman
Gargoyles 30th Anniversary Kickstarter
So, have you ever wanted to read the old `90s Marvel Gargoyles comics?
Ever wanted to read the old SLG run of 12 canon Gargoyles comics?
Ever wanted to read the old SLG run of our 6-issue canon Gargoyles: Bad Guys spin-off comics series?
Or, maybe, you've read them but don't want to pull individual issues or fragile old trades out of their bags?
This is your chance to have another chance at these stories!
These issues have long been out of print.
The Marvel stuff was never collected, and had some amazing creators on it, including some of Amanda Conner's earliest work.
Some of the SLG stuff (both Gargoyles and Bad Guys, all written by me and all of it canon to the television series and the current run of Dynamite Gargoyles comics) was never released as individual issues.
All of it is hard to find, and can cost thousands on ebay.
Now, Dynamite is offering a three-volume set (which can be purchased individually or together) collecting the Marvel Gargoyles run, the SLG Gargoyles run, and the SLG Gargoyles: Bad Guys run. You can get them in paperback trades, hardcovers or DELUXE hardcovers. And there are a bunch of other cool rewards to choose from, as well.
Check out the Kickstarter here:
https://www.kickstarter.com/projects/dynamiteent/30th-anniversary-disney-gargoyles-collections-are-here?ref=ksr_email_user_watched_project_launched
Watch the video, and I'll tell you more about it all!
But remember, we NEED this Kickstarter to fund, cuz without it, it may be our last chance to republish these titles. So help us SPREAD THE WORD!!!!
Thanks,
Greg Weisman
Young Justice Character Countback
#463. Cisco Ramon
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#464. Davis Wilcox
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#465. Pieter Cross
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#466. Randall Adams Eiling
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#467. Daddy Lidz
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#468. Green Lantern Soranik Natu
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#469. Johnny Drew
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#470. Krolotean Lieutenant
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#471. Peggy Adams Eiling
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#472. Major Force
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#473. Duk Trang
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#474. Norman
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#475. Casey Brinke
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#476. Dragon's Breath
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#477. Leroy Bell
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#478. K'omm B'lanxx
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#479. Hoody-Boy
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#480. G. Henry
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#481. David Reid / Magog
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#482. Krolotean Jailor
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#483. Brainiac-5
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#484. Baby Sun-Eater
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#485. Jason Burr
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#486. Shirley Mason
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#487. Eddie Corliss
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#488. Ma'arphinn Beasts
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#489. Yet Another Mountain Forager
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#490. Funny Monkeys
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#491. Traya Smith
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#492. Minkis
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#493. Wilhelm Vittings
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#494. John Economos
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#495. Draaga
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#496. Vartox
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#497. Hauser
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#498. Demons
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#499. Another female Mountain Forager
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#500. Jaculi
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#501. Simon Stagg
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#502. Fire
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503. Sam Reynolds
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504. Prime-One
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#505. Banks
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#506. Protestors
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#507. Ishtar
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#508. Infinity-Man
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#509. Starro #2 (Modern) / Starro Fragments
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#510. Kara Zor-El / Supergirl
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#511. Purists
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#512. Crystal Creature
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#513. Golden Roc
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#514. Stone God
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#515. Wood King
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#516. Warworld Drones
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#517. Bat-Beetle Mini-Drone
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#518. Martian Bio-Liquid Mass
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#519. Toy Soldier
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#520. Flaming Serpent
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#521. Freddy Freeman
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#522. Karla Grayson
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#523. Johnny Grayson
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#524. Rick Grayson
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#525. Boss Zucco
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#526. Will Everett / Amazing Man
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#527. Zombie-Cyborg Ensign Valiant
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#528. Clement Lemar
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#529. Kevin Blankly
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#530. Polk
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#531. Tribune #2
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#532. Tribune #3
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#533. Babylonian Warriors
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#534. Daxamites
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#535. Solomon
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#536. Atlas
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#537. Achilles
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#538. Maxima
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#539. Clown
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#540. B'arzz O'oom's Bio-Ship
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#541. Rick Flagg
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#542. Two-Face
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#543. Headmaster
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#544. Cassandra Savage's Mother
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#545. Wyynde's Ancestor
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#546. Titano
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#547. Richard Dragon
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#548. William Shakespeare
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#549. Stormy
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#550. Harm / Billy Hayes
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#551. L-Ron
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#552. Parasite / Ray Jensen
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#553. Evelyn Fox
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#554. Patrick Maguire
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#555. Rocket Red #1 / Olga Ilyich
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#556. Sebastian Cardona
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#557. Appelaxian Golem
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#558. Maurice Bodaway
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#559. Rocket Red #4 / Dmitri Pushkin
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#560. Steve Dayton / Mento
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#561. Mister Bliss
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#562. Thomas Tompkins
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#563. Josef Mueller
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#564. Ramon Bracuda
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#565. Sarah Charles
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#566. Allen Phaedon
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#567. K'arr M'angg
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#568. Antonia "Big Words" Rodriguez
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#569. Green Lantern Tomar-Tu
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#570. Bash Bashford
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#571. Dale Gunn
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#572. Riddler's Goons
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#573. Jane Nassour
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574. Hro Talak
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#575. Tommi Tompkins
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#576. Psycho-Pirate
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#577. Burton Thompson
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#578. Sharon Vance
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#579. Secret / Greta Hayes
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#580. King Faraday
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#581. Jovita
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#582. Graggin
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#583. Reach Lead Singer
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#584. Anti-Meta Thugs
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#585. Amber Joyce
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#586. Bernell Jones
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587. Mattie Harcourt
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#588. Green Lantern Tomar-Re's Ring A.I.
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#589. Lucius Fox
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#590. Maria Garcia
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#591. Singh Manh Li
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#592. Xiaping
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#593. Reach Back-Up Singer
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#594. Muhammed Nassour
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#595. Doctor Moon
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#596. Hamilton Hill
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#597. Jim Daniels
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#598. Museum Curator
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#599. Rannian Science Patrol
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#600. Court of Owls Spectators
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#601. Flesh-Monster
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#602. Leviathan
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#603. Kobra-Venomed Elephants
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#604. Kobra-Venomed Vultures
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#605. Green Lantern Tomar-Tu's Ring A.I.
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#606. Elaine Jackson
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#607. Jeremiah
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#608. Kobra-Venomed Wolves
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#609. Male Mountain-Hive Forager
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#610. Kobra-Venomed Macaques
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#611. New Genesian Bugs
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#612. B.I.F.
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#613. Marvin Fargo
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#614. Kirby Jacobs
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#615. Carlo's Brother
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#616. Carlo
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#617. Jeff Kobi
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#618. Rae Foster
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#619. Anton Kraft
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#620. Pat
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#621. Correctional Officer Jones
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#622. Karkinos
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#623. Holly
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#624. Comparative Literature Students
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#625. Tiamat
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#626. Lok-Ron
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#627. Simon M'Barra
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#628. Kreetin
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#629. Ida Berkowitz
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#630. Marv Evers
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#631. Norman's Mother
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#632. Green Lantern Kilowog's Ring A.I.
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#633. Josephine Tarkov
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#634. Young Girl with Wonder Woman Doll
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#635. Richard Craemer
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#636. Athena O'Day
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#637. Theo O'Day
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#638. Sylvester the Skyman
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#639. Wit Saunders
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#640. Lupe Teresa Leocadio-Escudero
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#641. Antinoos
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#642. Floyd Bell
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#643. Martian Bio-Eggs
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#644. Blue Sand Bog
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#645. Correctional Officer Hart
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#646. Git N Payd
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#647. G. Gordon Godfrey Show Production Assistant
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#648. Cave Bear
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#649. Promethean
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#650. Cairo De Frey
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#651. Scorpia A'Daire
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#651. Scorpia A’Daire
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#652. Hunger Dogs
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#653. Jochi
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#654. Tolui
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#655. Neanderthals
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#656. Shayerans
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#657. Strongman
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#658. Kobra-Venomed Crocodiles
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#659. Marvin the Martian
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#660. Dirty Old Man
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#661. King's Watch
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#662. Sindella Zatara
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#663. Blue Beetle / Dan Garrett
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#664. Gog
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#665. Congorilla / Holy One
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#666. Lena Luthor
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#667. Wahid Daou
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#668. Beetle Mini-Drones (BMDs)
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#669. "Wolf West"
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#670. Rannian Science Command
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#671. Kryptonians
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#672. Cobra-Monster
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#673. Delores Winters
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#674. Dragon King
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#675. Malavar
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#676. Djuba
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#677. Simeon
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#678. Nnamdi
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#679. Nzame
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#680. Ulgo
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#681. Toto
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#682. Kamau
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#683. Joker's Monkey Clowns
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#684. Lightning Lad
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#685. United Planets Senators
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#686. Renee Montoya
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#687. Harvey Bullock
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#688. Wild-Wagon
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#689. Martian G'arrunn Technician
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#690. Green Lantern Malet Dasim
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#691. Ripley
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#692. Condiment King
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#693. Orin & Orm's Mother
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#694. Plant-Bender
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#695. Fire-Juggler
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#696. Ice-Sculptor
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#697. Primitive Girl
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#698. Primitive Boy
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#699. Babylonian Generals
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#700. Cartoon Meta/Infinity Cadets
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#701. Mr. Daou
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#702. Melisande
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#703. Angela Eiling
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#704. Dr. Erdel
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#705. Cluemaster
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#706. Wingman/Wing How
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#707. Crimson Avenger
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#708. Terrance Thurston/Doctor Thirteen
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#709. K'rii St'ferr
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#710. Tiger Shark
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#711. Lemon Sharks
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#712. Auditioning Cats
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#713. Martian Birds
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#714. Krypto
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#715. Pitbull
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#716. Man with Pitbull
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#717. Woman with Pitbull
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#718. Krush
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#719. Krush Jr.
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#720. Widowhood
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#721. Guardians of the Universe
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#722. Earth Green Lantern #4, a.k.a. #NoSpoilers!
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#723. Martha Kane Wayne
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#724. Thomas Wayne
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#725. Aya
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#726. Hippolyta
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#727. Ryan Choi
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#728. Boss Moxie
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#729. Peacemaker
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#730. Killer Croc
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#731. Penguin
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#732. Ibac
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#733. Sabbac
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#734. Detective Chimp
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#735. Shazam (the Wizard)
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#736. Weather Wizard
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#737. J'onzz Family
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#738. M'aarell
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#739. J'karaa
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#739. J’karaa
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#740. Ancient Chian Ancestor
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#741. Ancient Danuuth Ancestor
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#742. Haly's Circus Trapeze Artists
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#743. Ghosts on the Bayou
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#744. Merlin
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#745. Juan Cordero's Mother
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#746. Juan Cordero's Oldest Younger Sister
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#747. Juan Cordero's Youngest Sister
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#748. Cassandra Savage's Half-Sister
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#749. Cassandra Savage's Half-Brother
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#750. Cassandra Savage's Stepfather
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#751. Sharon Hawkins
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#752. Jean Hawkins
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#753. Robert Hawkins
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#754. Bianca Reyes
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#755. Alberto Reyes
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#756. Milagro Reyes
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#757. Eduardo's Abuelo
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#758. Mrs. Josef Mueller
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#759. The Mueller kids
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#760. Jack
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#761. Greg Vietti
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#762. Brandon Weisman
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#764. Justin King VI
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#763. Philip Wilcox
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#764. James King VI
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#765. Henry Heywood
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#766. Behemoth
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#767. Diabolique
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#768. Champs Elysees*
*Note: No accents included, as Ask Greg can't seem to handle 'em.
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#769. Montmartre
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#770. Montparnasse
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#771. Seine
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#772. Rive Gauche
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#773. Principal Sanchez
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#774. Sackett
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#775. Flaming C
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#776. Blue Falcon
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#777. Dyno-Mutt
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#778. Brother Power the Geek
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#779. Flex Mentallo
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#780. Ulthoon
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#781. Bgztlqwar
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#782 Branwilla's Ghost
Time for a Breather
So...
I've been trying to answer at least five questions a day here, every weekday, for quite a few months running. I'm still nowhere near coming close to emptying the queue.
But, as I'm certain some of you have noticed, the questions are, well, starting to grind on me. To get on my nerves. To tick me off.
Sometimes it's folks asking questions that are clearly answered by the material itself. On screen or on the page.
Sometimes it's folks asking for story spoilers, when that's clearly something I'm not going to reveal.
Sometimes it's folks ascribing motives for what I do that they can't possibly know.
Sometimes it's folks demanding that I acknowledge that my show sucks, with intense explanations for why I should do that. I'm okay with people not liking my stuff - wish they did, but you can't please everyone, all the time - but I resent people trying to convince ME that my stuff is bad. Maybe it's all in the phrasing, but it is, frankly, infuriating. Besides, I like my stuff.
Etc.
I don't know if I've just hit a bad batch recently, but I think what's more likely is that I'm just burned out on it. That I'm reading negativity into perfectly innocent or at least neutral questions and statements. It's very possible I'm over-reacting.
Either way, my responses recently have been ire-filled, and I don't like that. It's not what I want ASK GREG to be. It's not, generally, what I think it's been for the last couple decades plus. (Give or take a tirade or smart-ass response, here and there.)
I took a few days off, posting Hercules premises, and thought that might help. And it did, a little. But clearly not enough. So I'm going to take an extensive break.
I'm tempted to close the question asking function for a time. But Young Justice: Targets is still coming out. And the new Gargoyles comic launches in December, and I want folks to be able to respond to those. So I've decided to leave the function alone for now. I realize that means that the backlog is going to continue to grow. But such is life, I guess.
I'm hoping that in a month or two, I'll be ready to come back. But for now, I need a break. Thanks and sorry.
One Last HERCULES springboard
This last HERCULES springboard I can recall must have only been a verbal pitch, as I don't seem to have a document to cut and paste here. So, I don't remember too much about it. But it was a Western pastiche, based on the television series BONANZA, called "Hercules and the Sons of Poseidon".
The idea was to treat Poseidon like he was Lorne Greene/Ben Cartwright.
And he had three sons:
THESEUS (Pernell Roberts/Adam Cartwright)
POLYPHEMOS (Dan Blocker/Hoss Cartwright)
TRITON (Michael Landon/Little Joe Cartwright)
Polyphemos, of course, is the cyclops from the Odyssey. Triton was going to be the youngest brother, but he was going to be the Triton who would someday grow up to become Ariel's father in THE LITTLE MERMAID.
And that's about all I can remember about the idea. Mark and Bob didn't go for it. But somehow, we took Theseus and found our way to making him the Grim Avenger for the one episode I DID end up writing for HERCULES.
Another rejected HERCULES premise...
HERCULES
"Versus the Volcano"
(premise)
THE SET UP
CASSANDRA's twin sister POLLYANDRA is in town for a visit. Polly also has the "sight," but she’s the complete opposite of her sister. Where Cassandra predicts gloom and doom, Pollyandra predicts sunshine, lollipops and rainbows. Her perky personality (she even thinks Icarus is cute) drives Cass up a wall, but everyone else seems to like Polly a lot. Worse yet, they believe her predictions and completely ignore Cassandra's. At the peak of her frustration, Cassandra's struck by a massive vision revealing that the local dormant volcano is about to blow. Everyone turns to Pollyandra. She pauses then cries out: "We’re all getting free food processors!!" The crowd cheers.
THE COMPLICATIONS
HEPHAISTOS, GOD OF THE FORGE, just doesn't get enough respect. So he decides to change his name to VULCAN and become the VOLCANO GOD. Unfortunately, he does this right after Cassandra's prediction. With everyone in full-out scoff mode, no one believes that a guy as creative and productive as Heph-- sorry, as Vulcan, would ever destroy a whole town. Well, Vulcan's gonna prove them wrong once and for all. He blows his stack. HERCULES and PEGASUS have to hustle to contain the boulders and lava that the volcano’s spewing. That leaves Cassandra, Icarus and Pollyandra to deal with Vulcan before his volcano destroys all of Greece.
IN THE END
Cassandra and Pollyandra have to work together to both reach Vulcan and calm him down. Each one learns a bit from the other. Vulcan sees the error of his ways, stops the eruption and helps Herc to contain the damage. In fact, Vulc -- I mean Hephaistos -- feels so guilty he gives everyone a free food processor. The crowd cheers!!
CASSANDRA ISSUE
Some people are glass half-empty types. Some are glass half-full types. It takes all kinds to keep the world spinning.
Hercules Premise
Just as a change of pace, here's a [rejected] premise that I wrote for Disney's HERCULES animated series:
HERCULES
“Clean & Jerkâ€
(premise)
HERCULES is doing his strongman/hero-in-training thing. He’s showing off a bit for this new girl in town. A very pretty young lady named DELILAH. Delilah seems impressed, and Herc is fairly pleased with himself, until Delilah says, “That was great, Hercules. You’re almost as strong as SAMSON.†In fact, no matter what Hercules does, Delilah continues to damn him with faint praise in comparison to Samson.
Herc’s had all he can take, and we’re off on a road trip to JUDAICA to prove once and for all who’s stronger, Herc or Sam.
Samson, who’s just finished holding off the PHILISTINES with the jawbone of an ass (and there’s a running joke in there somewhere), is a good ol’ boy, happy to oblige in a contest of strength. But the boys are pretty equal, and no clear victor emerges. The contest culminates with a bit of arm wrestling: the combatants wind up holding hands all weekend, uh... that is they’re locked in conflict for three days and three nights. And still, no winner is declared.
Finally, Samson gets word that the Philistines are attacking again. He has to break off the contest to stop them. By this time, Herc is pretty worked up (thanks at least in part to Delilah). He wants to prove once and for all that he’s the top dog. He insists that Samson fight him, really fight him. Samson refuses. He’s a Judge. Not much of a Judge, he’ll admit, but at least he knows enough not to waste time fighting a buddy when there are real enemies to do battle against. He departs. Herc’s fuming, and Delilah gives him a tiny little “nudge.â€
Samson prepares to do battle with the Philistines. The guy Sam’s most worried about is this new kid, a nasty punk GIANT named GOLIATH. But Goliath isn’t alone. He’s got a new partner. Hercules.
Herc and Samson fight, but eventually Herc realizes what a jerk he’s become. He switches sides and helps Samson defeat Goliath and the Philistines. In the end, it doesn’t matter who’s stronger, as long as they work together.
Oh, and Delilah, who turns out to be a Philistine herself, gets her comeuppance from Herc. Although as soon as Herc departs, she’s already working on getting back in Samson’s good graces. She particularly admires his gorgeous long hair.
Guest Ramble
I'm attaching a ramble J. Michael Straczynski posted back in 1995 on usenet in response to a very negative reaction to even a hint at a same-sex tryst on an episode of "Babylon 5". The point of Greg Weisman posting this is not to get into a discussion of religion or LGBTQ+ issues. Or even to get into a discussion of "tolerance," which was a big buzzword in the 90s, but which, as I've stated before in many ways, I find insufficient. The point of me posting this is to show that just because SOME FANS don't like something doesn't mean EVERY FAN feels the same way. And so, be careful what you wish for, right? Because if people start telling creators what they can and can't put into their shows, you may not like what ELSE they remove.
See, here's where I start to have a problem. For starters, I don't do any thing to be politically correct, or politically incorrect, I do what I do in any story because that's what the story points me toward. Anybody who says "It's not necessary" isn't entitled to that judgement, frankly; you don't know what's necessary to the story. And by framing it in the "is this NECESSARY?" way is designed to make you defend your position when such defense isn't the point; is it NECESSARY to have humor? to have a romance? to have correct science? No, *nothing* is NECESSARY. It's what the writer feels is right for that scene, that story, that character.
"Oh, well, I saw it, but was all that violence NECESSARY?" This is, frankly, a BS observation usually offered by someone with an agenda, who wishes to invalidate the notion of an artistic view and impose some kind of quota, or objective criterion to what is and isn't necessary for a movie or film. As far as I'm concerned, the first person to throw this into a discussion has, frankly, just lost the argument.
Point the second: one of the most consistent comments I get, in email and regular mail, is the spirituality conveyed in the show, that we have shown, and will continue to show, tolerance toward religion, even created sympathetic religious characters. "Thank you for your tolerance," they say...until we show somebody or some action THEY don't like...and at that point suddenly it's a lot of tsk-tsking and chest thumping and disapproval; so okay, how about I just stop all positive religious aspects of the show?
It seems to me, that if I do *all that* with religion, and with thje (the) simple act of showing maybe ONE PERSON in all the long history of TV science fiction across 40 years has a different view of life, that the show is somehow degraded, or downgraded, or dropped in opinion...this simply reinforces the notion, held by many, that a lot of folks in the religious right wish to make sure no other perspective or lifestyle is ever shown on television, at any time, unless in a negative fashion.
The thing of it is, while on the one hand I'm getting praise from religious folks for addressing spirituality in my series (speaking here as an atheist), I've gotten flack from others who think it has no place in a SCIENCE fiction series, and why the hell am I putting something in that goes right against my own beliefs? "Because," I tell them, "this show is not about reflecting my beliefs, or yours, or somebody else's, it's about telling this story, about these people, with as much honesty and integrity as I can summon up. That means conceding the fact that religious people are going to be around 260 years from now." Well, fact is, all kinds of people are going to be around 260 years from now. And what did the anti-religion folks say specifically about including spirituality in my series? "It's not *necessary*," they said.
Translation: they didn't like it. Well, tough. It was right for this story, and this show. And it seems to me rather hypocritical for some folks, who applaud the show for tolerance, for my standing up to those who want to exclude religion from TV, to then turn around and say the show is diminished because it showed that same tolerance...to another group or perspective. I guess tolerance is only okay as long as it's pointed one way.
You say that as a christian, you think any sex except that between a husband and a wife to be wrong. Well, as I recall, the bible also speaks against murder. We've depicted deaths by the hundreds of thousands. (And we're talking here about the *depicting* of the act, simply showing it, not the value judgements made after the fact.) Why does the one (which is so barely hinted at as to be almost invisible) cause the show to be diminished where the other does not?
My job is not to reinforce your personal political, social or religious beliefs. My job is not to reinforce MY personal political, social or religious beliefs. Then it isn't art or storytelling anymore, it's simply propaganda. My job is to tell this story, about these people, AS people, as mixed and varied as they are today. And there is no outside objective criteria as to what is, or isn't *necessary* in a story; that is the sole province of the author. You may or may not like it. You may or may not choose to watch it. Just as people who don't like to see religion and god discussed on TV may dislike it or choose not to watch it.
But you'll excuse me if I see complaints about this one little thing from the religious side, after all I've done to present religious characters and the religious life in a positive fashion, to be hypocritical and frankly somewhat ungrateful. It's as though all this means nothing because of one thing, one outside-imposed litmus test that disregards anything and everything else that has been done.
So straight up...if I should stop tolerating or showing viewpoints that are not my own (spoken as someone who is absolutely straight), then should I now stop showing religion as well? Because that's what this comes down to. Is that what you want? Because religion is included at my discretion as well as anything else on this show. You want me to be less tolerant? Just say the word.
Where to Turn...
This comment, posted on ASK GREG, was brought to my attention today, and I thought I should respond sooner rather than later...
Question received on Wed, February 02, 2022 12:26:33 AM
Anonymous writes...
I'm not really a fan of how you've increasingly used GLAAD and MPAC to shield yourself from criticism from fans. I've seen you use their support to say the criticism isn't a monolith more than once. Yeah of course it's not a monolith, but that doesn't mean the criticism isn't valid. It comes off a little -i can't be racist i have a black friend- Not to mention that these Hollywood institutions are often out of touch with everyday people, so you should listen to your fans as much as you listen to them. And as a cis white straight man, you dont ever have the right to tell someone who is LGBT or a POC that they're wrong. Just log off Twitter and stop responding. People are allowed to have their own opinions.
This is clearly a response to the following Twitter exchange:
Xaar
@Xaar95340771
@Greg_Weisman
Stop misrepresenting Islam and Muslims in your cartoons. The bare minimum is to educate yourself about the topic. Being a Muslim magician is oxymoronic the 2 are not compatible. Performing magic takes one out of Islam. One cannot be both like Khalid claims.
5:56 PM · Jan 28, 2022·Twitter Web App
Greg Weisman
@Greg_Weisman
We ran everything on that episode, which was written by @nidachowdhry and performed by @UsmanAlly, by @SueObeidi and the folks at @mpac_national. And they were happy with it. So perhaps - just perhaps - you should consider that not every Muslim agrees with you.
First off, I agree that people are allowed to have their opinions. I never said otherwise. I NEVER said that Xaar was "wrong". I clearly wrote that perhaps not every Muslim viewer agrees with him, her or them, and I clearly have evidence to back that statement up. Yet, you seem to have no problem mischaracterizing what I wrote. Likewise, you seem to have no problem disrespecting me, and by implication disrespecting the Muslim writer of the episode, disrespecting the Muslim actor who performed the role of Khalid, and disrespecting the Muslim organization that works daily to improve how Muslims are depicted in the media. (And for no particular reason, disrespecting GLAAD while you were at it.)
Meanwhile, as a pragmatic matter, I'm not exactly sure what alternative you're preaching.
Let's say, for the sake of argument, that you are right about MPAC and GLAAD being "Hollywood institutions" that "are often out of touch with everyday people." [And to be clear, I disagree with that statement strongly. I even take some umbrage at the notion that MPAC's Sue Obedi is not "everyday people," or the implication that I'm not.] But again, for the sake of argument, who else should I be consulting when I and the rest of the YJ crew make a concerted effort to accurately and respectfully depict Muslims? The fans? How would that work in advance of us making something for the fans to see. Should I poll a random selection of fans? And would that make everyone happy? As it currently stands, I've received complaints on this point from only two "fans". The relatively anonymous "Xaar" and the completely anonymous you (and that's assuming that you yourself are not Xaar, i.e. that you are not the same person slamming me twice on two separate forums). The dozen or so other comments I've received from self-stated Muslim fans have all been highly positive. So do I need 100% agreement in order to do ANYTHING? Or can I go with the prevailing sentiment expressed by most fans (a.k.a. everyday people), MPAC, the writer and the actor?
See, the thing is I'm not hiding behind MPAC or GLAAD. But I am respecting their opinions - and relating those opinions to you and the rest of the fandom, because I think its pertinent information.
Mostly, as a self-admitted "cis white straight [animist Jewish] man," I'm admitting I'm NOT an expert on being a cis biracial straight Muslim man. So instead, I WENT to experts. That's how this works. And I don't see how else it could work. Or are you suggesting that I should only write about cis white straight [animist Jewish] male characters, and never attempt to add diversity to the projects I work on? Cuz, frankly, that's not going to happen, and I don't really think anyone wants that - unless what they really want is a DIFFERENT "crime" with which to hammer me.
As for logging off Twitter, there are days (like today) when I want nothing more. But (a) I feel the need to promote the projects I've worked on, both for the sake of my own career and for the other people who've worked so hard on those projects, and (b) if, as you say, people are entitled to their opinions, then I figure I'm also entitled to mine. So I'm not going to allow you or anyone like you to chase me off. Certainly not over the sin of YOU misquoting ME.
Young Justice Statistics
Well, as I tweeted today, YOUNG JUSTICE: PHANTOMS is complete, with all 26 episodes in the can. I've also updated all my various reference documents to include everything from Season Four (not to mention Seasons 1-3, our various comic books, the AudioPlay and the video game). And since statistics kinda fascinate me - and since maybe they might fascinate you as well - here are a few.
The Young Justice Timeline is currently 718 pages long. In the past, I've reported that the length of the timeline mysteriously differed between my laptop and my desktop computers, but during the pandemic, my (relatively) ancient desktop finally bit the dust. So now the laptop page count triumphs.
There are 759 characters confirmed - one way or another - to be in the Earth-16 Universe. Some have only been mentioned or referenced briefly. Others, obviously, have had entire arcs dedicated to them. Calling some of them "characters" might also be a bit of a stretch, but I have reasons for including every single one. And - anal individual that I am - I have actually ranked them all in order of their importance to the series. This is something I once did as a hobby for the Buffyverse (which you can find in the ASK GREG archives under the heading of "Buffyverse Geek-Out"), and I've been perfecting my ranking system ever since. The idea is to attempt to make an incredibly subjective thing as objective as possible, based on things like screen time and amount of dialogue and the amount of times other characters reference them, etc. It's still not perfect because I do wind up with point scores, and especially with the lower ranking characters, I wind up with a number of ties. Thus, in order to break any tie, I'm forced to apply more subjective criteria.I was thinking about listing them a few per week, starting with 759 and working my way backwards toward number one. But some of the names haven't been intro'd yet. So it occurs to me that I need to wait until the Phantoms' season finishes airing.
Across four seasons (98 episodes) an AudioPlay and a video game, we've used 128 actors, a phenomenally talented group if ever there was one. Some have only voiced one character. Others have voiced over a dozen. I'm honored to be included among them - even if hiring myself is a rather dubious way to earn this distinction.
There's probably more, but this will do for now.
Just a little peek into my weird brain. Hope you enjoyed it. And I hope you enjoy the show.
RIP Peter Scolari
I only met Peter Scolari on the handful of occasions that he came in to play Preston Vogel for us on Gargoyles. But he was wry and funny and thoroughly professional. He had most of his scenes with the late Robert Culp, who was a ton of fun bur a challenge in the booth. But Peter played off Culp wonderfully and kept the sessions flowing. Outside, the booth Peter had great stories that kept us laughing and fascinated.
And, man, was he talented. Gargoyles and Vogel aside, I ADORED Scolari in Bosom Buddies, and treasured his performances in Newhart.
He will be missed.
How I Spent My Weekend...
So... I had a LOT going on this past weekend.
On Saturday, DC FanDome premiered trailers for both CATWOMAN: HUNTED and YOUNG JUSTICE: PHANTOMS, and revealed that the first two episodes of the latter were dropping THAT DAY!
I spent considerable time online - and I don't usually do the online thing over the weekend; in fact, I don't even check my email most weekends - trying to #SpreadTheWord.
But to sum up, here's the news...
CATWOMAN: HUNTED, an anime movie based on my original script, is being released in early 2022. You can see the trailer here: https://www.youtube.com/watch?v=PYPqTLS_g9c. It stars Elizabeth Gilles as Catwoman and Stephanie Beatriz as Batwoman. Voice directed by our old friend Jamie Thomason, it also features Jonathan Banks, Lauren Cohan, Kirby Howell-Baptiste, Ron Yuan and my peeps, Steve Blum, Keith David, Zehra Fazal, Jonathan Frakes, Kelly Hu, Andrew Kishino, Eric Lopez and Jacqueline Obradors. Folks have asked me if it's in continuity with Young Justice. My answer: it's YJ-adjacent, much like that old Green Arrow/DC Showcase short I wrote years ago. A version of these events happened on Earth-16. If you're a completist, you're going to want to watch. (Also, I really think it turned out great!)
Meanwhile, the fourth season of YOUNG JUSTICE, i.e. YOUNG JUSTICE PHANTOMS, dropped its first two episodes this past Saturday on HBOMax. Episode 403 will drop this coming Thursday, 10/21. With another episode (through 413) dropping every Thursday through December 30th. The back half of the season (i.e. 414-426) will drop weekly in Spring, 2022. I'm truly excited for the fans to see the season - and evil creator that I am - also glad that the show isn't all dropping at once. I firmly believe television - especially a show like YJ - is a better experience if you have time to savor and sort and absorb and predict for a week in between episodes.
As for the fourth season's production, we have 21 episodes in the can and ready to air. The last five have all been animated and are currently in post-production. And since there was no IATSE strike today, we're still hard at work. (And to be clear, I'm a member of IATSE as part of the Animation Guild, and I was 100% supportive of the union.) We should be done with all 26 episodes by the end of November.
IMPORTANT ADDENDUM: YOUNG JUSTICE has NOT yet been picked up for a fifth season. So if fans want more of Earth-16, the answer is simple: #KeepBingingYJ (all four seasons) over and over. And over and over. And help us #SpreadTheWord. We want to #SaveEarth16.
So use the following hashtags ad nauseam - just as I'm doing in this post:
#CatwomanHunted
#YoungJustice
#YoungJusticePhantoms
#KeepBingingYJ
#SaveEarth16
#SpreadTheWord
And watch the show on HBO Max!!! Please...
For international fans, I wish I could give you info on when any or all of the above will be available in your countries. But unfortunately, TPTB do not keep us folks in the trenches well-informed. Asking me over and over won't magically reveal that information to me so that I can reveal it to you.
Finally, by the time all my work was done on Saturday, I was completely exhausted and took a nap. In the nap, I dreamed I wrote a hit song. Seriously. Now, normally, my dreams slip away entirely upon waking. And even when I do remember the gist of a dream, the details are lost within seconds. But I actually woke up with a clear memory of the song - both the lyrics AND the tune. Here are the lyrics:
I'm taking my pants off,
Cuz it's that kind of party!
I'm walking a straight line,
And it's luminous!
That's the whole song. You can see why it was such a big hit in Dreamland. I'm expecting the Dream-Royalties to roll in any minute.
STAY WHELMED, everyone!
EMPTY QUEUE
Well, it took me YEARS, but I finally have cleared the ASK GREG queue. I'm going to take a bit of a break now, but we'll open the question asking function for DC FANDOME on October 16th. I honestly don't know what YJ will be doing for Fandome, but I assume we'll have some presence of some kind, and by then I should have had enough of a rest to jump back in.
Thanks for your patience.
EDWARD ASNER
So...
This is hard.
It's been a bit of a stressful weekend, as my father went into the hospital with chest pains. A stint that had been replaced last year had failed and was replaced again Saturday morning during an angioplasty. I've been concerned, worried. But the procedure seemed to go well, and he was set to go home today. We seemed to have dodged a bullet.
But there was a second gun.
I slept in today. I woke up to two pieces of news:
1. My dad was good. Solid. My sister picked him up at the hospital and took him straight to breakfast. (My mother was annoyed at not being included - but that's a whole other story.) He's home now. I've talked to him. He sounded cheerful. All good.
2. Ed Asner had passed away.
I spent most of the day doing laundry and other mundane tasks. Life goes on, right? It has to. But it's been difficult getting my head around the whole thing. I've gotten many calls and texts today, offering condolences as if I were part of the Asner family. Folks seem to know how close I felt to Ed. But I don't want to exaggerate. Ed was my friend. I hope he knew I was his, as well. But I haven't talked to him in at least a couple of years. (You can partially blame that on the pandemic, I suppose. There are a lot of people I've lost touch with. If anything, this is a reminder to GET in touch. And I'm going to make an effort to do that.) In any case, there are many, many people who knew Ed better than I did, who were closer to Ed than I was.
Nevertheless, at the risk of turning this post into my own self-aggrandizement, I am going to spend a few paragraphs here on the subject of the Ed Asner that I knew and loved.
I was a fan of Ed's long before I met him. Like many, many people, he first entered my awareness playing Lou Grant on The Mary Tyler Moore Show. (Later, I got a kick out of picking him out of reruns, where he usually played the heavy in such series as The Wild Wild West and others.) But as Lou, Ed was simply brilliant. One of the truly classic scenes in all of television is the scene in the TMTMS pilot, where Lou interviews Mary for a job. Do yourself a favor and view it here: https://www.youtube.com/watch?v=zj286uBKCu0
That scene had a major effect on me, even seeing it as a kid.
Now, having just rewatched it, the genius of the writing and the two performances still knocks me out. But there was something else about Lou and Mary. Watching their interactions was a bit like watching my parents. The connection in my mind between Lou and my dad was especially strong.
Ed and my father were two Ashkenazi Jews from the midwest. My dad was from Chicago; Ed, from Kansas City. They were gruff AND loving. They even had mannerisms in common. There was much more, I'm sure, that they DIDN'T have in common. But something connected the two men in my mind. And, meanwhile, my admiration for Asner as a performer knew no bounds. When I saw him in the Lou Grant series, in Rich Man, Poor Man, in Roots, that admiration only increased. When I learned of his activism - and the price he paid for it - that admiration shot through the roof.
Years later, when we had begun pre-production on GARGOYLES, I thought of Ed Asner - or of Lou Grant, at least - as the inspiration for Hudson. In fact, when we held auditions for the role, I wrote at the bottom of the character description that "Hudson hates spunk." This was, of course, a variation on Lou's classic line from the above job interview scene. Now, to be clear, I never imagined we'd get Ed to play the role. I figured he was way too big a star for us to land. But low and behold, a few days later, Ed came in to audition for the part. Later, he told me that when he read the character description, he was initially thrilled. The "Hudson hates spunk" line made him feel like he was a lock to land the role. Then a couple minutes later, he thought that if he didn't land the role it would really be awful. But of course, he immediately understood the character and nailed his audition... only for Jamie Thomason and I to throw him a curveball, asking him to do it again in a Scottish accent. He nailed that, too.
Working with Ed was a joy. He was fun and funny and so supportive. In addition to playing Hudson (and Burbank and Jack Danforth/Dane) on Gargoyles, I also cast him as recurring characters on Max Steel (Chuck Marshak), 3x3 Eyes (Grandpa Ayanokoji), W.I.T.C.H. (Napoleon the talking cat), Young Justice (Kent Nelson) and Rain of the Ghosts (Joe Charone). When casting Peter Parker's late Uncle Ben in The Spectacular Spider-Man, Ed was the only person I ever considered. He always brought so much to each and every role.
And more than that he was a great friend to me. After the first season of Max Steel, when I couldn't find a job for over a year and thought I might have to give up on my writing career, Ed was there, offering me support. We had lunch at Musso & Frank's. He looked at pictures of my kids out of my wallet and told me to laminate them. He introduced me to his son, Matt Asner, a producer. He didn't allow me to wallow in self-pity or to badmouth guys who I believed had done me wrong. He just reassured me that I had ability and would find my way through. He was, in essence, my work dad.
So today, as you might imagine, has been complicated. My dad is home and healthy. And Ed is gone. I'm grateful and sorrowful. And struggling. But life goes on. It has to, right?
Finally, I'm going to quote Hudson from Gargoyles. In "The Price," an episode that spotlighted the character, Ed as Hudson told Xanatos: "A friendly word of advice: True immortality isn't about living forever, man. It's about what you do with the time you have. When all your scheming's done, what will be your legacy, Xanatos?"
I think we all know that Ed Asner did amazing things with the time he had. And though we'll miss him dearly, his legacy is clear and shining.
CORRECTIONS
Fans pointed out some errors that I will correct here:
By the end of Team Year Zero:
Henry Fyff is 14.
Tatsu Yamashiro is 21.
Temporary Shut Down
Hello,
Just wanted to let people know that at the end of this month, we're going to shut down the ASK GREG a question function for the time being. I don't have anything new coming out any time soon, and I believe everyone has had time to respond to (or question) my latest output. And in any case you've got a little more than a couple weeks yet to get your burning questions in.
I've been very busy working on Season Four of YOUNG JUSTICE, and I simply haven't had times to answer questions at the rate any of us would like. And the back-log has just gotten ridiculous. So we'll cut off questions for the time being, and I'll try to cut down on some of that back-log in time for the release of YJ S4.
I'm not on Twitter that much these days either... and I've even cut down on convention appearances, but I still jump on Twitter when I'm at loose ends, so you can potentially find me @Greg_Weisman.
Chandra Nalaar
Response to my latest novel, War of the Spark: Forsaken, has been understandably negative, particularly as a result of how the character of Chandra Nalaar was depicted in the book. My response is a bit late in coming, but here it is:
After reading the materials that preceded my work on Magic: The Gathering, I was particularly intrigued by the burgeoning relationship between Chandra and Nissa. I felt that it should culminate in the War of the Spark books. In lieu of bringing them together, as it was not a relationship that WotC planned to pursue, my goal was to write something that honored Chandra's feelings for Nissa and Nissa's feelings for Chandra, something that would give closure to their relationship in a sad but satisfying and understandable way. I believe that if readers had seen my original ideas for the chapter in question, they might have gotten a better sense of what I was trying to accomplish. They might have liked it better. Or maybe they wouldn't have. In any case, through the mutual creative/editorial process with WotC and Del Rey, we ended up with the final product that was published in Forsaken, which clearly didn't meet anyone's expectations or delivers on my intentions. And for that, I am truly sorry.
THE SMARTEST MAN IN THE ROOM
The following needs saying, so I'm taking time out from my very packed weekend - not to procrastinate, which would not be unusual - but to write up something that I think is important.
But first, some backstory...
I'm not particularly smart about very many things. I am in many ways a bear of very little brain. Ask anyone. I use an iPhone 4.0 because I literally believe that I don't have the brain space to deal with upgrading. I'm a slow reader. My dyslexia makes math difficult as I am constantly transposing numbers. I'm afraid of change. Etc., etc., etc.
But one thing - maybe the ONLY thing - I am smart about is STORY. Now, I've studied story for decades and decades in small ways and large. I also believe I have an innate gift for story. Like a great pianist, the gift itself would have been wasted without years of study and practice. I've had and done both.
What that means is that - when it comes to story - I have often (not always, but quite often) considered myself - with no modesty and tremendous arrogance - to be the smartest person in the room. In any room where this is a topic of conversation, but especially in any room where story was being professionally discussed. (You can see why - with an attitude like that - I'm so popular with animation executives and the like, and why I've been fired from so many jobs.)
Even on the many, many occasions when I have felt that I am among peers who understand story as well as I do, I never felt like they understood it better than I. As good, yes. Differently, sure. Stylistically, of course. But not better. I never felt anyone knew story better.
Oh, I've made mistakes, missed opportunities, slipped up, ad nauseam. I'm human and have never claimed perfection. I've collaborated with some brilliant and wonderful people. The list is nearly endless. But none of that ever shook my basic feeling that when it came to story, I was as smart or smarter than anyone in the room.
All that changed with YOUNG JUSTICE.
So let me state it for the record: when it comes to story, BRANDON VIETTI is the Smartest Human Being in the Room.
I'd love to tell you - BELIEVE ME, I'd love to tell you - that he learned all this at my ancient knee, and that if the student has surpassed the master, the master can at least take some satisfaction in that. But that, dear readers, would simply be a load of crap.
From Day One of YJ, as witness Kevin Hopps could attest, Brandon Vietti knew story, understood it deep, the way I do. And he was smarter about it than I.
The ultimate example of this dropped this past Friday.
Episode 307 of Young Justice: Outsiders, entitled "Evolution."
SPOILERS coming, so if you haven't seen the episode then please go watch it first before reading any further.
Like all YJ episodes this season, Brandon and I broke this story together. A pretty even 50-50 collaboration. There were certain things I wanted specifically to see, like the Cave Bear. Certain things I had researched such as that in (actual documented non-DC Comics) mythology, Nabu was the son of Marduk. And there were certain things that BV wanted in there, like the meta-human kid that Kalibak sacrifices. Certain things he had researched like The Art of War by Sun Tzu (a.k.a. Vandal Savage, a.k.a. Genghis Khan, a.k.a. Marduk, a.k.a. etc.)
And together, we created a pretty kick-ass story for the episode. I don't actually remember the day of the week, but for the sake of simplifying the story, let's say we finished breaking/building the story with index cards all neatly pushpinned into my office bulletin board on a Monday. Monday evening. We both felt pretty good about it, or at least I did, and we left for the day.
Tuesday morning, he comes in and says, "Something's missing."
I tell him he's crazy. There's nothing missing from 307. Nothing. It's a great damn episode. Maybe one of our best.
BV says no. Something's missing.
I say, "What? What's missing?!"
BV says, "I don't know yet. Something. Give me a day."
I roll my eyes in as pronounced a fashion as I possibly can and say, fine.
Wednesday morning he comes in and says, "I want to add a character."
I'm resistant. "It'll mess up the works, I tell him."
But he explains, and of course, he's right. Because Brandon Vietti is the Smartest Person in the Room.
The character he wants to add is Olympia. Olympia Savage. (I take credit for the first name only.) That's right. In our first version of this story, Olympia simply did not exist.
Try to picture "Evolution" without Olympia. Be honest. It's still a solid story. A few of the actual things Olympia does, we had Cassandra doing. But otherwise the plot remains almost completely unchanged.
But not the ending.
With Olympia in the story, the episode isn't merely a solid YJ episode. It's not merely a great YJ episode. To my mind, "Evolution" transcends YJ. It is a phenomenal, even revolutionary twenty-plus minutes of television.
And I tried to talk the guy out of it.
Of course, BV's contributions don't end there. He wrote the script, too, which is fantastic. And if you knew how much he contributed to every facet of production it would humble you. It humbles me, and as you can see above, I'm NOT a humble guy.
But screw all that. I'm not talking about pretty pictures, or color, or sound, or music or even dialogue.
This post is ONLY about STORY. And when it comes to STORY... BRANDON VIETTI will always be the SMARTEST HUMAN BEING IN THE ROOM.
I bow to his greatness. And trust me, I do not do that lightly.
To be honest, he's so good, it's pretty damn annoying.
But it's an honor to be his partner.
Rain on the Radio
This won't mean much to folks who aren't living in the Minneapolis area, but KFAI 90.3/106.7 will be serializing the AudioPlay version of RAIN OF THE GHOSTS across five consecutive Sundays, starting at 9:30pm on August 5th, 2018 on their Sound Affects weekly broadcast. There's more info about the broadcast here: http://www.greatnorthernaudio.com/sound_affects/schedule.html or here: http://www.kfai.org/soundaffectsaradioplayground. By clicking on the KFI website's "LISTEN NOW" button at the appropriate date and time, you can hear the Rain AudioPlay from pretty much anywhere with internet or WiFi.
I want to thank Jerry Stearns for making this happen.
For those of you asking... "AudioPlay? Rain of the Ghosts? What the heck is he talking about?" Here's a blurb:
Rain of the Ghosts
The adventures of Rain Cacique, a young girl descended from the indigenous TaÃno people of the Caribbean. Rain lives on the Ghost Keys, a chain of islands on the edge of the Bermuda Triangle, where her parents own and run a Bed & Breakfast that is both Rain’s home and place of employment. Rain goes from making beds for tourists to learning she has the ability to communicate with ghosts. Rain has a mystery to solve, a mission to accomplish and a destiny to fulfill. Book written by Greg Weisman, who also produced this audio play. Twenty actors in the cast, including Brent Spiner, Marina Sirtis, and Edward Asner, with Brittany Uomoleale as Rain Cacique. Full sound effects and an original musical score.
If you're interested in hearing this at your own pace on your own schedule, it's available on Audible/Amazon here: https://www.amazon.com/Rain-of-the-Ghosts/dp/B01MU5XQ06/ref=sr_1_1_twi_audd_3?ie=UTF8&qid=1532394865&sr=8-1&keywords=rain+of+the+ghosts
I'm truly proud of this work and urge you to check it out - one way or another.
RIP Steven Bochco
Rest in Peace, Steven Bochco.
I met Mr. Bochco only once. My brother and I were planning to write a book about Hill Street Blues, and after interviewing Grant Tinker, I interviewed Mr. Bochco for the book. Producing Gargoyles got in the way of finishing the research for the book, and unfortunately I never got back to it. But I enjoyed our conversation, and I still ADORE the man's work.
Hill Street Blues remains television's turning point. Few of the series you enjoy today, including #YoungJustice, #Gargoyles, Game of Thrones, Breaking Bad, etc. could or would exist without Hill Street Blues.
He will be missed.
Grand Rapids Comic-Con 2017
Hey gang,
Here's my schedule for Grand Rapids Comic-Con this weekend:
GRAND RAPIDS COMIC-CON - DeVos Place
187 Monroe Avenue NW
Grand Rapids, MI 49503
http://www.grcomiccon.com
FRIDAY, OCTOBER 20, 2016
*02:00pm - 05:30pm - I'll be at Booth 017 . All signatures and selfies are free, but I will - as usual - be selling all sorts of fun stuff. I'm bringing 40 animation and radio play scripts from the many shows I've worked on (including - but not limited to - Gargoyles, WITCH, Kim Possible, Young Justice, Young Justice Invasion, Spectacular Spider-Man, Star Wars Rebels, Teenage Mutant Ninja Turtles, Transformers Prime, Ben Ten, Transformers Rescue-Bots, Shimmer & Shine, Men in Black, Starship Troopers, Team Atlantis, etc). I'm also selling Christopher Jones art prints for Gargoyles, Young Justice and Rain of the Ghosts. I'm selling my three published novels: Rain of the Ghosts, Spirits of Ash and Foam, and World of Warcraft: Traveler. And I'm selling the Rain of the Ghosts Audio-Play. The novels are ten dollars each. Everything else is $20 each. Cash only. Artist Mara Cordova will also be at my booth, helping out and selling her wonderful stuff too.
*06:00pm - 07:00pm - Television Production and Its Challenges. Monroe Rooms A-D w/Brandon Vietti . "Two of the most prominent television producers in animation today whose work includes "Gargoyles", "The Batman", and "Young Justice" will discuss the roles and challenges of their career as well as upcoming projects.
*07:15pm - 08:00pm - Booth 017. Signing & selling.
SATURDAY, OCTOBER 21, 2016
*10:00am - 12:45pm - Booth 017. Signing & selling.
*02:00pm - 03:00pm - The Science of Shipping. Grand Gallery E-F w/Comfort & Adam, Thom Zahler. ""Shipping" is when a fan imagines possible romantic relationships between two characters in a story. Shipping is big, but why do we do it? Join husband and wife comic creators Comfort and Adam and special guests Greg Weisman and Thom Zahler as we talk about all the reasons we love our ships; from biological drivers to emotional and intellectual hooks, from the vast history of literary fiction to the present day. But that's not all! In the second half, panelists and audience will be creating a new couple that Comfort and Adam will draw live!"
*03:30pm - 04:30pm - Transferring Comics To The Screen and Vice Versa. Grand Gallery E-F w/Christopher Jones, Jason Spisak, Brandon Vietti. "Directors, producers, comic artists and voice actors discuss the challenges of taking a comic book and transferring it to a television show or movie and the expectations that fans have in this delicate and complicated process."
*04:45pm - 07:00pm - Booth 017. Signing & selling.
*07:30pm - VIP PARTY - Atrium Ballroom.
Stop by and say hello. (If we've met before, please reintroduce yourself. I'm horrible with names AND faces, but I mean well.)
Mythic Legions
Just a quick plug for the MYTHIC LEGIONS comic book I wrote based on the toys from the Four Horsemen: http://www.newsarama.com/33096-greg-weisman-brings-mythic-legions-to-life.html
R.I.P. Miguel Ferrer
Just a few words about Miguel Ferrer, who passed away yesterday. I won't pretend I knew him very well, but he was always a pleasure to have in the booth. He was the voice of Silvio "Silvermane" Manfredi on The Spectacular Spider-Man, and Bo "Bibbo" Bibbowski and Tribune #1 on Young Justice.
Did I forget anything? Oh, yes. His brilliant portrayal of Vandal Savage in Young Justice, making him one of the most interesting and complex hero/villains I've ever had the pleasure of working on.
His talent - both in material I was involved in and in the many, many things I simply watched as a fan - was immense.
He will be missed.
TRAVELER SIGNING
I'll be doing a reading, signing and Q&A of my new novel, WORLD OF WARCRAFT: TRAVELER at Chevalier's Books on Wednesday, January 11th at 7pm.
More info here: https://chevaliersbooks.com/2016/12/07/author-gargoyles-creator-greg-weisman-reads-signs-world-of-warcraft-traveler-a-new-book-series-for-middle-readers/
Please help spread the word!
Want more YJ sooner?
Brandon Vietti and I are hard at work on Season Three of the Young Justice television series. But (a) we just got started and (2) making animated episodes takes a LONG time. (Ten months minimum. MINIMUM.)
So, if you want more new YJ stories sooner, the answer is pretty simple. Artist Christopher Jones and I are chomping at the bit to make more YOUNG JUSTICE stories in comic book form. Producing a comic book takes considerably less time than producing television episodes,so if we got a green light on a comic book series now, you could theoretically have new stories in a matter of months.
So the question is how do we get the green light for more YJ comic?. And the answer to that is pretty simple too. We just need to convince DC Comics that there's a market for YJ comics even before the third season premieres.
Which begs the next question: How do we convince DC of that?
And the answer is again simple. BUY THE COMICS THAT ALREADY EXIST!
Issues #0 - #25 of our companion YJ comic have been collected into four trade paperbacks. (And ALL of these stories are canon to the series, with time stamps and everything. In fact, stuff in Season Three will play off of stuff from Seasons One and Two AND from the comics.) The best way to show DC that you want more comics is to purchase these stories electronically on the DC APP, on COMIXOLOGY, or on iTUNES.
Now, I'm an old school guy, and I love having actual hard copies to hold in my hand. Unfortunately, the books are all out of print. So if you do find hard copies online or in a store, those are secondary sales, and DC won't know about them. So you need to buy them electronically. Put money in DC's pocket and they'll want more of that green. Buy a lot of YJ comics and it just follows that they'll order up more YJ comics.
If you already have those issues, give them as holiday gifts. And in any case, help us SPREAD THE WORD!
It's just logic. The more the existing comics sell, the more DC will want to make more. And if more sell fast enough, you'll be getting more YJ stories sooner!
Convention Appearances 2017 - Update #1
Reminder: convention arrangements are often in flux, so the following may change.
But here's what I have scheduled so far in 2017:
February 17-19: Gallifrey-One in Los Angeles. I'll only be there for one day - probably Saturday, February 18th. http://www.gallifreyone.com
May 5-7: Wizard World Minneapolis. http://wizardworld.com/comiccon/minneapolis
June 16-18: Wizard World Sacramento. http://wizardworld.com/comiccon/sacramento
October 20-22: Grand Rapids Comic-Con http://www.grcomiccon.com
That's it, so far. I'm sure there will be others, particularly if Warner Bros decides to start sending Brandon Vietti and I "on tour" to talk about Young Justice. I'll try to update as I know more. BUT - ALL OF THIS IS TENTATIVE!!! ALL OF IT!!
YOUNG JUSTICE, SEASON THREE!!!!
So the big news:
YOUNG JUSTICE is coming back for a third season! Yes, that's right! Warner Bros. announced it today! It's official. Here are some links to some articles on the subject:
http://comicbook.com/dc/2016/11/07/young-justice-season-3-officially-announced/
http://io9.gizmodo.com/its-official-young-justice-is-coming-back-1788676249
http://deadline.com/2016/11/young-justice-warner-bros-animation-productions-season-3-1201850391/
Not too much more to tell. I start back at Warner Bros. on Monday, 11/14/16. Brandon Vietti and I, of course, had plans for Season Three way back when. Now, we'll get the chance to make those plans a reality!!
It's so crash!
BLIZZCON 2016
Today, I head down to Anaheim for my final convention of the year. It's BlizzCon 2016.
BLIZZCON 2016
Anaheim Convention Center
800 West Katella Avenue
Anaheim, CA 92802
Scholastic Liason: Lindsey Johnson, 910-827-2673.
Their website is here: https://blizzcon.com/en-us/
Unlike other conventions that I attend, I won't personally be selling anything. Mostly, I'm going to be doing panels, Q&As and signings in support of my new novel, WORLD OF WARCRAFT: TRAVELER
Here's my schedule:
FRIDAY, NOVEMBER 04, 2016.
SIGNING 01:15pm - 02:15pm
Blizzard Booth 2042 w/artist Samwise Didier.
MEET & GREET 03:00pm - 04:30pm
Scholastic Booth 3044. I'll be signing special Traveler posters here.
Q&A 06:45pm - 07:30pm
Come chat with author Greg Weisman and illustrator Samwise Didier about Aramar Thorne and the new World of Warcraft: Traveler book series.
Community Amphitheater w/Samwise Didier.
SIGNING 07:45pm - 08:45pm
Blizzard Booth 2042 w/Samwise Didier.
SATURDAY, NOVEMBER 05, 2016.
MEET & GREET 11:00am
Scholastic Booth 3044.
BUILDING WORLDS 01:00pm - 02:00pm
Books, novels, and short stories have been a part of Blizzard's storytelling heritage for more than twenty years. Join us for a look inside the process of exploring our worlds through prose.
Panel Stage Hall A w/Robert Brooks, Matt Burns, Christie Golden, Chelsea Monroe-Cassel, Timothy Zahn.
PANEL SIGNING 02:15pm - 03:30pm
Blizzard Booth 2042 w/Brooks, Burns, Golden, Monroe-Cassel, Zahn.
SIGNING 06:15pm - 07:15pm
Blizzard Booth 2042 w/Samwise Didier.
World of Warcraft Traveler
Hello everyone,
Please check out my new novel, WORLD OF WARCRAFT TRAVELER, available now at Amazon and bookstores everywhere.
I'm very proud of it. Here's a short blurb:
It's been years since twelve-year-old Aramar Thorne, a clever boy who is never without his precious sketch book, has seen his father. So when Captain Greydon Thorne comes ashore and asks his son to join him at sea, it feels as if someone has redrawn Aram's entire world. Once aboard ship, Aram struggles to get along--especially with second mate Makasa Flintwill, a tough teenaged girl who has been reluctantly placed in charge of him. Just as Aram starts to get his head above water, pirates attack, turning his world upside down once again. As Aram and Makasa try to find their way home, they encounter creatures both terrible and wondrous, and Aram will seek to understand Azeroth's denizens, forming unlikely friendships along the way. But the journey is hindered by Greydon's compass, which never points north. If the compass isn't leading Aram and Makasa home--to safety--to what destiny is it leading?
GRAND RAPIDS COMIC-CON
I'm about to depart for to GRAND RAPIDS COMIC-CON.
GRAND RAPIDS COMIC-CON - DeVos Place
303 Monroe Avenue NW
Grand Rapids, MI 49503
http://www.grcomiccon.com
Here's my schedule for the weekend:
FRIDAY, OCTOBER 21, 2016
02:00pm - 06:45pm
BOOTH 434
I'll be at my table, which is "ANIMATION ISLAND 13". (Well, the con opens at 9:30am, but I'll be driving down that morning to Long Beach from Los Angeles, so I'll get there as close to 9:30am as I can manage it.) I'll be signing and selling copies of my novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM for $10 each. If you buy both, you get a free RAIN OF THE GHOSTS art print, illustrated by Christopher Jones. I'll also be selling CD sets of the RAIN OF THE GHOSTS AudioPlay for $30 This is an unabridged four hour production with 20 actors (including Brent Spiner, Marina Sirtis, Ed Asner, Vanessa Marshall, Jim Cummings, Steve Blum, Thom Adcox and more), a full original musical score (by the composers of YOUNG JUSTICE and THE SPECTACULAR SPIDER-MAN) and sound effects. It's like a four hour movie in your head! Buy the CD set and you also receive a free print. If you ONLY want the print, it's $20. Plus I'll also be selling original Christopher Jones art prints of YOUNG JUSTICE and GARGOYLES for $20 each. Finally, I'll be selling copies of my animation scripts (from series including GARGOYLES, THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE, STAR WARS REBELS and many others) for $20 each. All transactions are cash only. Signatures - if you bring something of your own for me to sign - are FREE!
06:45pm - 07:45pm
YOUNG JUSTICE
River Overlook D.
Greg Weisman - writer, story editor, voice actor, producer and co-creator of YOUNG JUSTICE - discusses the popular animated series and answers your questions about the characters, stories, people and process that went into making it's unique take on the DC Universe's Earth-16.
07:45pm - 08:00pm - BOOTH 434
SATURDAY, OCTOBER 22, 2016
10:00am - 02:00pm
BOOTH 434
02:00pm - 03:00pm
LET'S MAKE A HERO
River Overlook A&B.
Everybody loves a hero - they're the characters you root for and the people you want to be. Six-time Harvey Award nominated husband and wife Action Faction Comfort Love and Adam Withers lead this seminar in two parts: first, you'll learn what makes great heroes in both writing and in art. Then, Comfort & Adam will invite the audience to participate in creating a new hero which will be designed and drawn live. Comfort and Adam will be joined by Greg Weisman and Thom Zahler.
03:00pm - 06:45pm
BOOTH 434
SUNDAY, OCTOBER 23, 2016
10:00am - 11:30am
BOOTH 434
11:30am - 12:30pm
TV PRODUCTION
Grand Gallery A-C.
The producer of "Gargoyles" and "Young Justice" discusses the job of a television producer from concept to premiere and answers questions on how the magic happens.
12:30pm - 02:00pm
BOOTH 434
02:00pm - 03:00pm
LET'S MAKE VILLAIN
River Overlook A&B
Creating great villains is essential for making great stories - whether you love their every appearance or just love to hate them. Six-time Harvey Award nominated husband and wife action faction Comfort Love and Adam Withers lead this seminar in two parts: first, you'll learn what makes great villains in both writing and in art. Then, Comfort & Adam will invite the audience to participate in creating a new villain which will be designed and drawn live. Dirk Manning, Greg Weisman, and Stuart Sayger will join Comfort and Adam with this panel..
03:00pm - 03:30pm
BOOTH 434
Spectacular Radio
For fans of THE SPECTACULAR SPIDER-MAN, I've been doing a podcast where we go through the series, episode by episode, with guest starts including Josh Keaton (Peter/Spidey), Ben Diskin (Eddie/Venom), Supervising Director Vic Cook and others. The entire first season of "SPECTACULAR RADIO" is up now, here:
http://www.spidey-dude.com/?cat=118
Plus, check out Spidey-Dude.com, which also does the podcasts Mayday Mondays (based on Spider-Girl) and Clone Saga Chronicles!
LONG BEACH COMIC CON
Hey gang,
Heading off to yet another convention. This time it's...
LONG BEACH COMIC CON
Long Beach Convention Center
300 East Ocean Blvd.
Long Beach, CA 90802
I'm there this Saturday and Sunday. Here's my schedule:
SATURDAY, SEPTEMBER 17, 2016
09:30am - 03:00pm - I'll be at my table, which is "ANIMATION ISLAND 13". (Well, the con opens at 9:30am, but I'll be driving down that morning to Long Beach from Los Angeles, so I'll get there as close to 9:30am as I can manage it.) I'll be signing and selling copies of my novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM for $10 each. If you buy both, you get a free RAIN OF THE GHOSTS art print, illustrated by Christopher Jones. I'll also be selling CD sets of the RAIN OF THE GHOSTS AudioPlay for $30 This is an unabridged four hour production with 20 actors (including Brent Spiner, Marina Sirtis, Ed Asner, Vanessa Marshall, Jim Cummings, Steve Blum, Thom Adcox and more), a full original musical score (by the composers of YOUNG JUSTICE and THE SPECTACULAR SPIDER-MAN) and sound effects. It's like a four hour movie in your head! Buy the CD set and you also receive a free print. If you ONLY want the print, it's $20. Plus I'll also be selling original Christopher Jones art prints of YOUNG JUSTICE and GARGOYLES for $20 each. Finally, I'll be selling copies of my animation scripts (from series including GARGOYLES, THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE, STAR WARS REBELS and many others) for $20 each. All transactions are cash only. Signatures - if you bring something of your own for me to sign - are FREE!
03:00pm - 04:00pm - The Star Wars Perspectives
Join Greg Weisman (Star Wars Rebels), Craig Miller (Director of Fan Relations for Lucasfilm from 1977-1980), Brian Miller (Star Wars artist), and Mike Mayhew (Star Wars comic book artist) as they discuss the different aspects of Star Wars that they have been involved in. Unique perspectives and experiences are brought to the table in this can't-miss panel! Moderated by Blair Marnell, Q&A to follow.
04:00pm - 07:00pm - I'll be back, signing & selling, at my ANIMATION ISLAND 13 table.
SUNDAY, SEPTEMBER 18, 2016
10:00am - 01:00pm - Signing & Selling at ANIMATION ISLAND 13.
01:00pm - 02:00pm - Young Justice: Panels to Pixels
Greg Weisman, Peter David, Todd Nauck and Kevin Hopps discuss everything Young Justice from the comics to the animation. Moderated by Ken Rolow, Q&A to follow!
02:00pm - 05:00pm - Signing & Selling at ANIMATION ISLAND 13.
Hope to see you there!
COMIC CON PALM SPRINGS
Hey gang,
I leave tomorrow for Comic Con Palm Springs: http://comicconpalmsprings.com/index.php
COMIC CON PALM SPRINGS
Palm Springs Convention Center
277 North Avenida Caballeros
Palm Springs, CA 92262
Here's my schedule for the weekend:
FRIDAY, AUGUST 26, 2016
03:30pm - 08:00pm. I'll be at TABLE G12, where I'll be selling copies of my novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM for $10 each. If you buy both, you get a free RAIN OF THE GHOSTS print, illustrated by Christopher Jones. I'll also be selling CD sets of the RAIN OF THE GHOSTS AudioPlay for $30 This is an unabridged four hour production with 20 actors (including Brent Spiner, Marina Sirtis, Ed Asner, Vanessa Marshall, Jim Cummings, Steve Blum, Thom Adcox and more), a full original musical score (by the composers of YOUNG JUSTICE and THE SPECTACULAR SPIDER-MAN) and sound effects. It's like a four hour movie in your head! Buy the CD set and you also receive a free print. If you ONLY want the print, it's $20. Plus I'll also be selling original Christopher Jones art prints of YOUNG JUSTICE and GARGOYLES for $20 each. Finally, I'll be selling copies of my animation scripts (from series including GARGOYLES, THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE, STAR WARS REBELS and many others) for $20 each. All transactions are cash only. Signatures - if you bring something for me to sign - are FREE!
SATURDAY, AUGUST 27, 2016
10:00am - 12:00pm. Back at TABLE G1.
12:30pm - 01:30pm. WONDER WOMAN 75th Anniversary Celebration
In Smoketree C with Amanda Deibert, Susan Eisenberg, Phil Jimenez, Yanick Paquette & Cat Staggs.
I'll be moderating, as we celebrate the 75th Anniversary of the most popular female super hero to grace the pages of DC Comics!
01:30pm - 02:30pm. REAWAKEN GARGOYLES
In Smoketree A with Thom Adcox (voice of Lexington).
Explore the nocturnal world of the popular animated TV series of these creatures that are stone by day and warriors at night!
02:30pm - 07:00pm. TABLE G12.
SUNDAY, AUGUST 28, 2016
09:30am - 12:00pm. TABLE G12.
12:00pm - 01:00pm. INSIDE YOUNG JUSTICE
In Smoketree C with Thom Adcox (voice of Klarion), Phil Bourassa (Emmy-winning lead character designer), Jason Spisak (voice of Kid Flash) and Brandon Vietti (Producer).
Revisit the lives of a group of teenaged protégés attempting to establish themselves as proven superheroes as they deal with normal adolescent issues in their personal lives.
01:00pm - 04:00pm. TABLE G12.
Hope to see you there!
WIZARD WORLD CHICAGO COMIC CON
Hey there folks,
I'm about to depart for Wizard World Chicago Comic Con: http://wizardworld.com/comiccon/chicago
WIZARDWORLD CHICAGO COMIC CON
Donald E. Stephens Convention Center
5555 North River Road
Rosemont, IL 60018
Here's my schedule:
THURSDAY, AUGUST 18, 2016
03:00pm - 08:00pm - I'll be at BOOTH A31, where I'll be selling copies of my novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM for $10 each. If you buy both, you get a free RAIN OF THE GHOSTS print, illustrated by Christopher Jones. I'll also be selling CD sets of the RAIN OF THE GHOSTS AudioPlay for $30 This is an unabridged four hour production with 20 actors (including Brent Spiner, Marina Sirtis, Ed Asner, Vanessa Marshall, Jim Cummings, Steve Blum and more), a full original musical score (by the composers of YOUNG JUSTICE and THE SPECTACULAR SPIDER-MAN) and sound effects. It's like a four hour movie in your head! Buy the CD set and you also receive a free print. If you ONLY want the print, it's $20. Plus I'll also be selling original Christopher Jones art prints of YOUNG JUSTICE and GARGOYLES for $20 each. Finally, I'll be selling copies of my animation scripts (from series including GARGOYLES, THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE, STAR WARS REBELS and many others) for $20 each. All transactions are cash only. Signatures - if you bring something for me to sign - are FREE!
FRIDAY, AUGUST 19, 2016
BOOTH A31 12:00pm - 06:00pm
SATURDAY, AUGUST 20, 2016
BOOTH A31 10:00am - 06:00pm
PANEL: WORDS INTO PICTURES: HOW TO WRITE COMICS 06:00pm - 06:45pm. ROOM 2.
Here's the description: Accomplished comics writers Greg Weisman (Gargoyles; Young Justice), Dean Haspiel (The Fox; Beef With Tomato), Jai Nitz (Dream Thief; El Diablo for Suicide Squad) and Danny Fingeroth (How to Create Comics From Script to Print; Spider-Man) talk about how to put together a compelling comics story. Plus, they'll answer your questions about both the creative and business sides of the comics writing profession, including how to find an artist to work with (hint: a comics convention is the number one place!) and how to write exciting dialogue!
SUNDAY, AUGUST 21, 2016
BOOTH A31 10:00am - 02:30pm
PANEL: TRIPLE DC ANNIVERSARY: FLASH, BATMAN & WONDER WOMAN 02:30pm - 03:15pm. ROOM 2.
Description: 2016 is a landmark year for three key comics characters. 75 years ago, WONDER WOMAN debuted in 1941, establishing herself as the first important female superhero! 60 years ago, in 1956, the modern FLASH first appeared, starting not only his own career, but ushering in what has come to be known as "The Silver Age of Comics!" And in 1966, 50 years ago, the BATMAN "camp" TV series debuted (starring Adam West and Burt Ward), marking what is seen as both a high and low point in the history of the character! Comics and animation writer/producer Greg Weisman (Young Justice; The Batman) and comics historian Danny Fingeroth (Superman on the Couch; Disguised as Clark Kent) take you on a slideshow-guided tour of the histories of the heroes and the highlights of their careers in comics, on TV and in the movies! Join the celebration! .
Hope to see you there!
Evil Geeks Podcast Fun!
Check out the latest podcast I did:
Website: https://evilgeeks.com/2016/08/01/ep-163-talking-toons-with-greg-weisman/
Facebook: https://www.facebook.com/EvilGeeks/posts/1059457520816588
Bringing YJ Back
Here's a short primer on how fans can help to bring Young Justice back for a third season:
https://www.youtube.com/watch?v=UwoI2gSj1Sk
CONvergence 2016
I leave tomorrow for CONvergence 2016 in Minneapolis, Minnesota. (Okay, really Bloomington, MN, but close enough.) CONvergence is one of my favorite cons. And I have the honor of being their first fan-funded guest. Here's my schedule for the long weekend:
WEDNESDAY, JUNE 29, 2016
GUEST RECEPTION 07:00pm - 09:00pm
Atrium 4
THURSDAY, JUNE 30, 2016
"Why Gargoyles is Still Relevant" 12:30pm - 01:30pm
Atrium 6 w/Christopher Jones, Patrick Fisher, Alana Profit, Chandra Reyer.
RADIO PLAY AUDITIONS 02:00pm - 03:00pm
Plaza 3 w/Christopher Jones.
"Physics of Time Travel" 03:30pm - 04:30pm
Edina w/Renate Fiora (m), Dan Berliner, Melanie Galloway, Jim Kakalios.
"Fancy Bastard Pie Competition" 08:30pm - 09:30pm
Garden Court - Southwest w/GPS.
FRIDAY, JULY 01, 2016
SIGNING 11:00am - 12:00pm
Autograph Table B.
RADIO PLAY AUDITIONS 12:30pm - 01:30pm
Plaza 3 w/Christopher Jones, Khary Payton.
"Writing by Ear" 02:00pm - 03:00pm
Bloomington w/Patrick Marsh (m), Emma Bull, Aimee Kuzenski, Jim McDoniel.
"Don't Call Them Sidekicks: The Enduring Power of Teenage Superheroes" 03:30pm - 04:30pm
Bloomington w/ Christopher Jones, Jessa Markert, Khary Payton, Sylus Rademacher.
"Drawing with the Masters" 07:00pm - 08:00pm
Plaza 2 w/Christopher Jones, Ruth Thompson.
"Why Diversity Needs to be Deeper than Marketing" 08:30pm - 09:30pm
Edina w/ Trisha Lynn (m), Kate Norlander, Jonathan Palmer, Dirk Ykema.
"Xanadu Cinema Pleasure Dome Live Podcast" 10:00pm - 11:00pm
Edina w/Windy Bowlsby, Melissa Kaercher.
SATURDAY, JULY 02, 2016
"Building Worlds for Fiction" 09:30am - 10:30am
Plaza 1 w/Michael Carus (m), J.M. Lee, Melissa Olson, Lynne M. Thomas.
"Why We Need Representation in Superheroes" 11:00am - 12:00pm
Edina w/ Christopher Jones, Bri Lopez Donovan, Khary Payton, Lynne M. Thomas.
RADIO PLAY REHEARSAL 12:30pm - 01:30pm
Atrium 6 w/ Christopher Jones, Jim Kakalios, Khary Payton and a cast of tens.
RADIO PLAY PERFORMANCE 02:00pm - 03:00pm
Atrium 6 w/ Christopher Jones, Jim Kakalios, Khary Payton and a cast of tens.
"Superficially Strong Female Characters" 05:00pm - 06:00pm
Edina w/ Crystal Huff (m), Kathryn Sullivan, Chrysoula Tzavelas, Joan Marie Verba.
"One on One with Christopher Jones" 07:00pm - 08:00pm
Edina (m) w/Christopher Jones.
ANIMATION BLUE 07:00pm - 08:00pm
Atrium 6 w/Christopher Jones, Lyda Morehouse, Khary Payton, Jenna Powers, Edmund Tsabard.
SUNDAY, JULY 03, 2016
YOUNG JUSTICE 09:30am - 10:30am
Atrium 6 w/Christopher Jones, Khary Payton.
SIGNING 11:00am - 12:00pm
Autograph Table B.
RAIN OF THE GHOSTS 12:30pm - 01:30pm
Edina.
READING 02:00pm - 03:00pm
Rm 2201.
ONE ON ONE 07:00pm - 08:00pm
Atrium 6 w/Melissa Kaercher.
Podcast
Here's a podcast and a half I did...
Here's the interview https://www.youtube.com/watch?v=jXwsojrctzM
...aaand here's the separate chunk of the interview all about how people can support YJ Season 3.
https://www.youtube.com/watch?v=nBvQTrBRAvI
Blather
It's that time again:
Blather
So in a tryce came the documentary depicting many a Chinese doll and also the three wise men (who may or may not have been kings) that needed sixty-two dollars between them to redeem the coupon, which offered up solace and not a little irony to anyone who hadn't yet seen the crew chewing on leaves that weren't tobacco, but might have been sage and still left horrible stains in the dirt floor of the lean-to where I left my ski poles after the overnight with the cranes that were kept on the lake domestically for the purpose of tourism but who could also speak Latin on occasion when prompted by offers of cheese or jerky -- though not just any jerky, it had to be salmon jerky -- which isn't always easy to come by when you've agreed to leave before closing on summer days in the springtime of your life, which has been known to last longer in people who aren't concerned about under-inebriation or over-intoxication or both: it's the balance which is everything when nothing else will do and no one else will participate in the extravaganza that's been created by the giant invisible flying monkey brain that is modern life in the Twenty-First Century, counting since the (approximate) birth of Christ -- as long as the lack of the number zero doesn't disturb your math sensibilities as, frankly, it does mine, though I like to think I've made peace with that and with the Skrull too, since I haven't picked up an issue of that book in about nine years, which wasn't an intentional or explicit act of cold turkey so much as a sliding away followed by a none-too-impressive epiphany -- far from the best epiphany I've ever had, say, compared to Tintagel or Lego, not to mention the birth of certain children, which couldn't get more personal than the zany antics of the semi-erotic flea circus, which used to travel the stars waiting for an invitation to land at your door, since you are the personal target of the extra-lunar probe that counted all the seahorses that Aquaman used to make the giant seahorse that he could actually ride, though no faster than he could swim himself on his own power -- and no, we're not talking Super Friends here, but something older, more primal, something that was born back when the Ptero-whatever streaked across the sky leaving behind contrails made not of smoke but of pure and unadulterated grace, a commodity in which we are sorely shy as a planet, and yet which we find in the most unlikley of places, including but not limited to contracts which dictate how we will interact with each other but do it in such a way that no normal human being could possibly wrap their heads around the language and internalize the meaning, which we declare to be progress or civilization and which is not meant as a criticism so much as a detachment of troopers marching on a hill that you wouldn't pay five ducats -- FIVE! -- to buy yourself, or so I told myself and Hamlet night after night, but now Hamlet is a Thief on FX and I haven't seen him face to face in over twenty years, which sometimes seems quite normal but sometimes blows me away, not that I want to move backwards at all, though I'm not sure that I'm truly moving forward and I'm convinced I'm not moving sideways, though the metaphor of the sidewinder is appealing, not in the cliché sense of something sinister and left-handed, though I do throw with my left hand, I can bowl just as badly with either hand, and even though I'm 42, I quite prefer to have bumpers instead of gutters, where the rain gets backed up and sometimes flows over the lip and creates leaks in the roof and drips, drips, drips down into the shiny metal bowl that's usually used for something much more pleasant like mixing cookie dough to create chewy wonderful ... well.. cookies (I mean "duh") that taste a little bit like home even when you are home and it is raining, or maybe ESPECIALLY when you are home and it is raining and the water overflows and the ocean fills and the giant seahorse peaks out and winks at the cranes, which is exactly what the documentary crew was hoping to capture when they first took out their cameras and shot the whole thing from three different angles across six different days and still never saw the giant invisible flying monkey brain, because it was, to put it mildly, invisible.
Wizard World Sacramento Comic Con
Here's my schedule for Wizard World Sacramento Comic Con. Note that all panel blurbs come from the official website: http://wizardworld.com/comiccon/sacramento
WIZARDWORLD SACRAMENTO, June 17-19
Sacramento Convention Center
1400 J Street
Sacramento, CA 95814
FRIDAY, JUNE 17, 2016
03:00pm - 06:45pm - SIGNING at BOOTH A5
I'll be selling copies of my novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM for $10 each. If you buy both, you get a free RAIN OF THE GHOSTS print, illustrated by Christopher Jones. I'll also be selling CD sets of my RAIN OF THE GHOSTS AudioPlay for $30 This is an unabridged four hour production with 20 actors (including Brent Spiner, Marina Sirtis, Ed Asner, Vanessa Marshall, Jim Cummings, Steve Blum and more), a full original musical score (by the composers of YOUNG JUSTICE and THE SPECTACULAR SPIDER-MAN) and sound effects. Buy this and you also receive a free print. If you ONLY want the print, it's $5. Finally, I'll be selling copies of my animation scripts (from series including GARGOYLES, THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE, STAR WARS REBELS and many others) for $20 each. All transactions are cash only. Signatures - if you bring something for me to sign - are FREE!
07:00pm - 07:45pm - 25 YEARS OF DISNEY'S DARKWING DUCK! (ROOM 104)
That's right... it's been 25 years since the terror that flaps in the night, Darkwing Duck, first appeared in a cloud of smoke on television screens, as part of Disney's beloved programming block, the Disney Afternoon! In celebration of this milestone anniversary, the masked mallard, Launchpad, Gosalyn, and all DW's villains have returned in an all-new comic series from Disney Comics, and publisher Joe Books! Join comic creators Aaron Sparrow and James Silvani as they discuss the road it took to get here, as well as what's next for the terror that flaps in the night! Moderated by Gargoyles creator Greg Weisman.
SATURDAY, JUNE 18, 2016
10:00am - 05:45pm - SIGNING at BOOTH A5
Selling and signing. Stop by to make a purchase or just to say hello.
06:00pm - 06:45pm - A CREATIVE LIFE: SPOTLIGHT ON COMICS AND ANIMATION WRITER AND PRODUCER (GARGOYLES, THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE) GREG WEISMAN (ROOM 104)
Greg Weisman has had-and continues to have-an incredible career as writer, producer, executive and editor for countless comics (including Captain Atom, Star Wars Kanan and Starbrand and Nightmask) and cartoons (including Gargoyles, The Spectacular Spider-Man, Young Justice and Star Wars Rebels). He's also a prose novelist (Rain of the Ghosts and Spirits of Ash and Foam), whose latest work-World of Warcraft: Traveler-is due out in November. Today, Greg talks about his career and how he got to work on so many cool projects. Danny Fingeroth (The Stan Lee Universe; Deadly Foes of Spider-Man) moderates.
SUNDAY, JUNE 19, 2016
10:00am - 01:45pm - SIGNING at BOOTH A5
Selling and signing. Stop by to make a purchase or just to say hello.
02:00pm - 02:45pm - GARGOYLES - WE LIVE AGAIN! (ROOM 203)
Twenty years after new production ceased, the groundbreaking Disney animated television series Gargoyles still has a massive and loyal fan following. Come hear series creator Greg Weisman talk about the history of Goliath, Demona, Xanatos and the rest with Joe Books' Aaron Sparrow. Plus - spoilers! - find out what's next for everyone's favorite Defenders of the Night!
03:00pm - 03:45pm - SIGNING at BOOTH A5
Selling and signing. Stop by to make a purchase or just to say good-bye.
OREGON SHAKESPEARE FESTIVAL 2016
Really had a great time all last week at the Oregon Shakespeare Festival in Ashland, Oregon.
Went up with my dad, daughter, son and a couple of friends. We saw eight plays in four days, and every single one was - at minimum - highly enjoyable. And some just blew me away.
We saw:
Great Expectations
Roe
Twelfth Night
The Wiz
The River Bride
The Winter's Tale
Vietgone
Hamlet
Some truly amazing work. Plan on going back in September to see the three plays we missed: Yeomen of the Guard, Richard II, Timon of Athens.
Toonami Squad Podcast
Toonami Squad podcast here: https://www.youtube.com/watch?v=ZV9GjwtrQpI
A History of Disney Television Animation, Volume One
I've contributed to this worthy Kickstarter. I thought some of you might want to also: http://kck.st/1WRcqGd
Young Justice Interview
If you're interested in seeing Young Justice come back for a third season, check out this interview here:
https://www.inverse.com/article/13681-young-justice-needs-a-hero-says-creator-greg-weisman
World of Warcraft: Traveler
I'm pleased that I can finally announce one of the main things that I've been working on for most of the last year of my life.
In addition to working on Shimmer & Shine AND producing the Rain of the Ghosts AudioPlay (now available for download at www.gumroad.com/RainoftheGhosts), I have been writing a novel for Blizzard and Scholastic based on World of Warcraft. It's called Traveler, and I'm thrilled with how it's turning out.
Check out a little hype on it here:
https://www.youtube.com/watch?v=QESzTP6_in4
Long Beach Comic Expo - 2016
Here's my schedule for this weekend's Long Beach Comic Expo at the Long Beach Convention Center:
SATURDAY, FEBRUARY 20, 2016
11:30am - 12:30pm
DOWN TO NERD: INVADER ZIM AND GARGOYLES: CONQUEROR VS PROTECTOR
Thunderdome (Seaside Pre-Function) w/RuthAnn Thompson (moderator), Dave Crosland, Greg Weisman.
Description: Some come from another time to protect, another from a different planet to conquer- but both hold a special place in our hearts! Gargoyles VS Invader Zim. We will focus on the first 5 episodes of the TV series Gargoyles with writer/creator Greg Weisman and the first 5 issues of the Invader Zim comic books with Dave Crosland. What are the differences and similarities do these creatures out of space and time have? How will they fit in on modern day earth? Casual Fans and Hard Core Nerds alike join host RuthAnn Thompson and be "Down To Nerd"!
01:00pm - 02:00pm
THE ART OF STAR WARS & THE FANDOM BEHIND IT
Danger Room (S1) w/Ben Paddon (moderator), Terry Dodson, Craig Miller, Cat Staggs, Greg Weisman.
Description: Cat Staggs has been working for the Star Wars / LUCASFILM family since 2004, for which she has illustrated short fiction for starwars.com, produced sketch and trading cards, exclusive prints for Star Wars Celebrations III, IV, Europe, Celebration V, and Celebration VI. Terry Dodson is an American comic book artist who penciled the Dark Force Rising comic series in 1997. He has also provided art for Mark Waid's Princess Leia limited series. Moreover, Dodson has drawn the Books-A-Million variant cover to the first issue of the Shattered Empire miniseries, and the CBLDF variant to Star Wars: Vader Down, Part I. Greg Weisman is the writer for Star Wars Rebels - "The Machine in the Ghost", "Art Attack", "Droids in Distress", "Breaking Ranks", "Gathering Forces" and Star Wars: Kanan: The Last Padawan. Craig Miller was Director of Fan Relations for Lucasfilm from 1977-1980. He created and oversaw the Official Star Wars Fan Club as well as having edited and written virtually all of the first two years of Bantha Tracks. He was the producer of the Star Wars Sesame Street episodes in addition to operating R2-D2's head in the episodes, as well as being Producer for Lucasfilm on commercials such as the ones for licensee Underoos.. He was also responsible for creating the 800-number telephone hotline for The Empire Strikes Back that allowed fans to call up to receive more information about the movies and characters.
02:30pm - 03:30pm
DWAYNE MCDUFFIE AWARDS
Creator's Lab (S5)
Description: Long Beach Comic Con is proud to announce the commencement of the Second Annual Dwayne McDuffie Award. This one of a kind award will be granted on February 20, 2016 to an American comics work, published in print or digitally in 2015, deemed by the Selection Committee to promote diversity. In the spirit of Dwayne McDuffie, "promoting diversity" can be judged as either broadening the range of characters portrayed in comics, or adding to the variety of creators contributing to the medium.
04:00pm - 05:00pm
THE SPECTACULAR SPIDER-MAN PANEL
Danger Room (S1) w/Greg Weisman (moderator), Victor Cook, Kevin Hopps, Kelly Hu, Josh Keaton, Pamela Long.
Description: In 2008, a new version of everybody's favorite friendly neighborhood Web-Slinger - dedicated to recreating the feel of the original Stan Lee & Steve Ditko and Stan Lee & John Romita, Sr. comics - hit the air. Come hear the creative talents behind The Spectacular Spider-Man talk about what went in to making this classic take on a classic character. Panelists include Victor Cook (Director-Producer), Kevin Hopps (Writer), Kelly Hu (voice of Sha Shan Nguyen), Josh Keaton (voice of Peter Parker/The Spectacular Spider-Man), Pamela Long (Color Stylist) and Greg Weisman (Writer-Producer)!
06:00pm - 07:00pm
GETTING ANIMATED WITH TOP ANIMATION EXPERTS
Rumble Room (S4B) w/Ray-Anthony Height (moderator), Chris Copeland, Greg Weisman, Dean Yeagle.
Description: Top animation experts Greg Weisman (Gargoyles, Spectacular Spider-Man), Dean Yeagle (Caged Beagle Productions), and Chris Copeland (Marvel/Disney Animation) discuss how they broke into animation, their work and a Q&A with the audience!
I'll also have a table a on the show floor, specifically table AN-11 in "ANIMATION ISLAND" between Ellen Jin Over and Amy Mebberson, and near Dino Andrade, Michael Bell, Keith Coogan, Chris Copeland, Matt Doherty, Loren Lester, Tiffanie Mang, Joey McCormick, Chuck Patton, Peter Paul, Sara Richards and Aaron Sparrow. I'll be there between panels on Saturday and all Sunday morning until noon. (Not as sure about Sunday afternoon. We'll have to see.)
I'll sign and personalize anything you put in front of me, but I will also be selling copies of my two novels, RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM ($10 each), CD sets of the RAIN OF THE GHOSTS AudioPlay ($30 each) and RAIN OF THE GHOSTS prints, drawn by artist Christopher Jones ($10 each, but free with a purchase of the AudioPlay and/or both RAIN and SPIRITS). In addition, I'll be selling animation scripts from series including GARGOYLES, W.I.T.C.H., THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE, STAR WARS REBELS and others, ($20 each). Finally, I'll be selling script copies of a couple of the special one-off convention radio plays we did, i.e. THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES and GARGOYLES MEETS THE SPECTACULAR SPIDER-MAN MEETS YOUNG JUSTICE ($20 each). All purchases are cash only.
I hope to see you there!
The Glen & Dean Show
I was a guest of the Glen & Dean Show last week. You can listen to it here: https://t.co/YEmsvgs7gb.
Black Nerd Problems interview
Find it here: http://blacknerdproblems.com/i-knew-it-was-something-special-an-exclusive-interview-with-gargoyles-creator-greg-weisman/
Adaptation
Bruce Timm and I (and others) were interviewed for a cool little article on adaptation, here:
MomoCon 2015
I leave tomorrow for MomoCon 2015. More information on it can be found at their website: http://www.momocon.com/
But here's MY schedule for the weekend:
FRIDAY, MAY 29, 2015
BREAKING INTO ANIM 12:30pm - 01:30pm
Main "Villains" Room Omni-International
w/Floyd County Productions
SIGNING 03:30pm - 05:30pm
Autograph Area
YOUNG JUSTICE 08:00pm - 09:00pm
Main "Villains" Omni-International
w/Crispin Freeman
SATURDAY, MAY 30, 2015
SIGNING 11:00am - 12:30pm
Autograph Area
ANIM CREATORS 02:00pm - 03:00pm
"Underdog" A-313
w/Ben Mangum, Mike Reiss
SIGNING 05:30pm - 07:00pm
Autograph Area
SUNDAY, MAY 31, 2015
SIGNING 11:30am - 01:00pm
Autograph Area
GARGOYLES 02:00pm - 03:00pm
Main "Villains" Omni-International
w/Keith David
That's right! Both Keith "Goliath" David and Crispin "Red Arrow" Freeman will also be at MomoCon!
As usual, at my autograph sessions, I will happily sign anything you bring along with you for free. But I will also be signing and selling copies of my two novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM. ($10 per book, cash only.) If you purchase both books (signed and personalized for $20 cash total), you get a FREE art surprise. I will also be signing and selling copies of my animation and radio play scripts (from GARGOYLES, MEN IN BLACK, STARSHIP TROOPERS, TEAM ATLANTIS, W.I.T.C.H., THE BATMAN, THE SPECTACULAR SPIDER-MAN, DC SHOWCASE: GREEN ARROW, BATMAN: THE BRAVE AND THE BOLD, THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES, YOUNG JUSTICE, BEWARE THE BATMAN, GARGOYLES MEETS THE SPECTACULAR SPIDER-MAN MEETS YOUNG JUSTICE and KIM POSSIBLE). Each signed and personalized script is $20 cash. I'll also be giving away #RainoftheGhosts AudioPlay postcards for free!
So please stop by and say hello!
Brittany Uomoleale
Brittany Uomoleale, the voice of Rain Cacique in the Rain of the Ghosts AudioPlay is interviewed here:
https://www.youtube.com/watch?v=B2eI7DDklMY
Geek Cave Podcast
I'm on the Geek Cave Podcast, talking RainoftheGhosts.com AudioPlay here:
http://geekcavepodcast.com/post/117165277937/the-geek-cave-presents-the-geek-cave-comiccast
Check it out!
Nerdy Show Podcast
Eric Lopez (the voice of Blue Beetle) and I, were guests on the Nerdy Show to talk about - surprise, surprise - the Rain of the Ghosts AudioPlay:
Check it out!
A Rain of the Ghosts Interview
I know it must seem like all I'm doing these days is more press. And that's mostly because it's kinda true.
Between the release of Star Wars Kanan: The Last Padawan #1 and our Kickstarter for the Rain of the Ghosts AudioPlay, I'm frankly doing as much press as I can possibly manage.
So here's another link to another interview. I really like this one. I get to talk about pie.
Great Big Beautiful Podcast
I'm on the Great Big Beautiful Podcast. Check it out here:http://geekdad.com/2015/04/gbbp-5-greg-weisman/
Short Interview on the Rain of the Ghosts AudioPlay
A short Interview on the Rain of the Ghosts AudioPlay can be found here: http://www.house-of-books.com/?p=34.
WONDERCON 2015
I am fortunate enough to have been invited to be a spotlight guest at WonderCon this year at the Anaheim Convention Center in California from Friday April 03 - Sunday April 05. Here's my schedule for WonderCon 2015:
FRIDAY, APRIL 03, 2015
SIGNING
ARTISTS ALLEY - Table A-31, 11:30am - 12:30pm.
As usual, I will sign anything you bring for free. But I will also be signing and selling copies of my two novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM. ($10 per book, cash only.) If you purchase both books (signed and personalized for $20 cash total), you get a FREE copy of Kuni Tomita's original development artwork designs from when we developed RAIN as an animated series back at DreamWorks in the '90s. I will also be signing and selling copies of my animation and radio play scripts (from GARGOYLES, MEN IN BLACK, STARSHIP TROOPERS, TEAM ATLANTIS, W.I.T.C.H., THE BATMAN, THE SPECTACULAR SPIDER-MAN, DC SHOWCASE: GREEN ARROW, BATMAN: THE BRAVE AND THE BOLD, THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES, YOUNG JUSTICE, BEWARE THE BATMAN, GARGOYLES MEETS THE SPECTACULAR SPIDER-MAN MEETS YOUNG JUSTICE and KIM POSSIBLE). Each signed and personalized script is $20 cash. I'll also be giving away #RainoftheGhosts AudioPlay postcards for free!
WORKING IN THE STAR WARS UNIVERSE
Room 207 04:00pm - 05:00pm
I'm moderating this panel with panelists: Kevin J. Anderson, Sam de La Rosa, Braden Lamb, Mike Mayhew, Rebecca Moesta & John Ostrander.
SIGNING
ARTISTS ALLEY - Table A-31, 5:30pm - 07:00pm.
SATURDAY, APRIL 04, 2015
SPOTLIGHT ON GREG WEISMAN
Room 213, 11:30am - 12:30pm
Gary Mierianu interviews me about Gargoyles, Young Justice, The Spectacular Spider-Man, Star Wars Rebels, Star Wars Kanan: the Last Padawan, Rain of the Ghosts (novels and AudioPlay) and more. Plus we'll open it up to an audience Q&A at the end.
SIGNING
ARTISTS ALLEY - Table A-31, 1:00pm - 02:30pm.
SIGNING
Mysterious Galaxy Booth 908, 03:00pm - 03:45pm.
MARVEL: NEXT BIG THING
Room 300AB 04:00pm - 05:00pm
I'll be talking about Star Wars Kanan: The Last Padawan, but other panelists will include Sam Humphries, Will Moss & Rick Remender, talking about their stuff.
SIGNING
ARTISTS ALLEY - Table A-31, 5:30pm - 07:00pm.
SUNDAY, APRIL 05, 2015
WARNER ARCHIVE MORE THAN SIDEKICKS!
Room 300AB 01:00pm - 02:00pm
I'll be talking Young Justice and other sidekick stuff with J.M. DeMatteis, D.W. Ferranti, Loren Lester, Gary Mierianu & Matthew Patterson.
SIGNING
ARTISTS ALLEY - Table A-31, 2:30pm - 05:00pm.
That's it. If you're in the area, stop by and say hello!!!
Nerdist Interview
Did an interview on the #RainoftheGhosts AudioPlay with Amy Ratcliffe of the Nerdist here:
http://nerdist.com/pickstarter-greg-weismans-rain-of-the-ghosts-full-cast-audio-play/
Cinepresto Interview
New interview on Cinepresto, where I talk about my background, the biz, Gargoyles, Star Wars Kanan and the Rain of the Ghosts AudioPlay!
Rain of the Ghosts AudioPlay
Hello,
As you may know, a few years ago I started writing a series of Young Adult novels, starting with Rain of the Ghosts and followed by its sequel, Spirits of Ash and Foam. I've enjoyed the process and I've enjoyed working on a franchise whose course I can steer myself.
More recently, I launched an ambitious project, adapting Rain of the Ghosts into an unabridged full-cast AudioPlay with an all-star list of voice talent, a musical score and sound effects. (It's definitely not your standard single-narrator audiobook.)
The voice tracks are already recorded and paid for, but projects like this are expensive, and to finance the post-production (editing, scoring, sound effects and mixing), I've launched a KickStarter campaign* here: https://www.kickstarter.com/projects/1693681637/rain-of-the-ghosts-full-cast-audioplay.
I hope you'll consider pre-ordering a copy of the Rain of the Ghosts AudioPlay on KickStarter.
Now with this sort of thing, getting early momentum is very important, so if you are going to contribute to the campaign, the sooner you do the more it helps us out. It would also be very helpful if you could help us spread the word about the campaign. Forward this email to your friends. And if its something you do, mention the project on social media like Facebook, Twitter and Tumblr. The campaign's Facebook page is https://www.facebook.com/pages/Rain-of-the-Ghosts/414679108692632 and the KickStarter page can also be reached by clicking on http://www.rainoftheghosts.com. For those of you who are on Twitter, my handle is @Greg_Weisman and we're using the hashtag #RainoftheGhosts. I'm also more than willing to do interviews and press, so if you are connected to any kind of press outlet, please don't hesitate to contact me. Every little bit helps!
Thanks,
Greg Weisman
*For those of you, who - like me - choose to live largely in the technological past, KickStarter allows individuals to contribute funds toward worthy projects, receiving "rewards" in exchange for their donations, with a guarantee that no money is delivered unless the project fully funds, thus insuring its completion. If you'd like to contribute but are having trouble negotiating the KickStarter website, please contact me for help.
YouTube interview
Find my latest YouTube interview here: https://www.youtube.com/watch?v=UStxXDBFL7Y&feature=gp-n-y&google_comment_id=z12vybmi4xr0ehbd023dspr4embnhjqun
A short interview...
Posted here:
http://kellysmithreviews.blogspot.com/2015/03/authorcreator-interview-greg-weisman.html
LONG BEACH COMIC EXPO 2015
Here's my schedule for Long Beach Comic Expo this coming Saturday and Sunday:
LONG BEACH COMIC EXPO
Long Beach Convention Center
300 East Ocean Blvd.
Long Beach, CA 90802
http://longbeachcomicexpo.com
SATURDAY, FEBRUARY 28, 2015
DISNEY AFTERNOON PANEL 10:30am - 12:00pm
Ocean Room #S7 w/Jim Cummings, Katie Leigh, Jymn Magon, Mark McCorkle, Bob Schooley, Jesse Snider, Aaron Sparrow, Greg Weisman, Mark Zaslove.
GARGOYLES PANEL 12:30pm - 02:00pm
Lighthouse Room #S1.
Thom Adcox (Lexington, Brentwood);
Brigitte Bako (Angela);
Keith David (Goliath, Thailog, Morgan Morgan);
Elisa Gabrielli (Obsidiana, Maria Chavez);
Carl Johnson (Composer);
Frank Paur (Producer-Director);
Salli Richardson-Whitfield (Elisa Maza, Delilah);
Cree Summer (Hyena);
Jamie Thomason (Voice/Casting Director);
Greg Weisman (Creator-Producer).
DWAYNE MCDUFFIE AWARD FOR DIVERSITY 02:00pm - 3:30pm
Lighthouse Room #S1.
This is a cause near and dear to my heart. Wouldn't miss it.
YOUNG JUSTICE PANEL 03:30pm - 05:00pm
Lighthouse Room #S1.
Cameron Bowen (Robin/Tim Drake, Toyman);
Kristopher Carter (Composer);
Kevin Grevioux (Black Beetle);
Kevin Hopps (Writer);
Phil LaMarr (Green Beetle/B'arzz O'oomm, Reach Ambassador, Aquaman, Dubbilex, L-Ron);
Eric Lopez (Blue Beetle/Jaime Reyes, Scarab);
Vanessa Marshall (Black Canary/Dinah Lance, Red Inferno, Amanda Spence, Noor Harjavti, Ida Berkowitz);
Michael McCuistion (Composer);
Masasa Moyo (Bumblebee/Karen Beecher, Reach Scientist, Secret/Greta Hayes, Cat Grant, Wendy Harris, Amber Joyce, Sharon Vance);
Andrew Robinson (Writer);
Jason Spisak (Kid Flash/Wally West);
Jamie Thomason (Voice/Casting Director)
Greg Weisman (Writer-Producer).
SIGNING 05:30pm - 06:30pm
All-Stars of Animation Booth #310.
As usual, I will sign anything you bring for free. But I will also be signing and selling copies of my two novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM. ($10 per book, cash only.) If you purchase both books (signed and personalized for $20 cash total), you get a FREE copy of Kuni Tomita's original development artwork designs from when we developed RAIN as an animated series back at DreamWorks in the '90s. I will also be signing and selling copies of my animation and radio play scripts (from GARGOYLES, MEN IN BLACK, STARSHIP TROOPERS, TEAM ATLANTIS, W.I.T.C.H., THE BATMAN, THE SPECTACULAR SPIDER-MAN, DC SHOWCASE: GREEN ARROW, BATMAN: THE BRAVE AND THE BOLD, THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES, YOUNG JUSTICE, BEWARE THE BATMAN, GARGOYLES MEETS THE SPECTACULAR SPIDER-MAN MEETS YOUNG JUSTICE). Each signed and personalized script is $20 cash.
SUNDAY, MARCH 01, 2015
YA RIOT: STORIES FOR A YOUNG ADULT AUDIENCE 11:00am - 12:30pm
Lighthouse Rm #S1 w/Cecil Catellucci, Lisa Freeman, Mary McCoy, Greg Weisman.
STAR WARS REBELS: KANAN THE LAST PADAWAN 12:30pm - 02:00pm
Lighthouse Rm #S1 w/Aaron Couch and Greg Weisman.
SIGNING 02:30pm - 03:30pm
All-Stars of Animation Booth #310. See above.
Should be a fun convention. If you're going to be in the Southern California area, please stop by and say hello.
Gallifrey One 2015
My next convention appearance is at GALLIFREY ONE 2015, a Doctor Who Convention in Los Angeles.
What does Greg Weisman have to do with Doctor Who, you ask?
Well, nothing really, unless you count being a fan myself as having something to do with it, but I will be doing a number of things while I'm there that aren't Doctor Who related, because, well, because as my friend Chris Jones says, "They keep letting us."
Here's my schedule for Valentine's Day, i.e. Saturday, February 14, 2015:
Autographs - Saturday, February 15, 1:00pm-2:00pm, Autograph Alley
Kaffeeklatsch - Saturday, February 15, 3:00pm-4:00pm, Board Room
A Day in the Life of a TV Writer/Producer - Saturday, February 15, 4:00pm-5:00pm, Program D
Women of Young Justice - Saturday, February 15, 6:00pm-7:00pm, Program D
Young Justice Meet-Up - Saturday, February 15, 7:00pm-8:00pm, Program D
The Women of Young Justice is likely to be a real treat. There's more info (and a terrific graphic) on Chris' Tumbler here:
http://christopherjonesart.tumblr.com/post/110749267743/so-some-of-you-know-greg-weisman-and-i-have-been
But to sum up, we've got:
Stephanie Lemelin - Voice of Artemis
Kelly Hu - Voice of Cheshire
Vanessa Marshall - Voice of Black Canary
Masasa Moyo - Voice of Bumblebee
Lolita Ritmanis - Composer
Greg Weisman - Writer/Producer
Christopher Jones - Comic Book Artist
After the panel, we'll have a more informal meet-up where folks can get a picture taken, an autograph or just chat with Chris and myself (and maybe a couple of the other guests).
As you can see, earlier in the day (and maybe at the Meet-Up), I'll be signing (for free) and selling signed copies of my novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM and copies of selected animations teleplays (including GARGOYLES and YOUNG JUSTICE). Scripts are $20 cash. The novels are $10 each, but if you purchase both, I'll throw in signed copies of the original RAIN OF THE GHOSTS development artwork by artist Kuni Tomita for free, as well.
Hope to see a few of you there!
Magic City Comic Con
I'm leaving in a few minutes for Magic City Comic Con in MIAMI at the Miami Airport Convention Center!!
Here's my schedule:
FRIDAY, JANUARY 16, 2015
SPOTLIGHT Q&A 02:30pm - 03:20pm
Ballroom 1.
ADAPTING MEDIA FRANCHISES FOR COMIC BOOKS 04:00pm - 05:00pm
Ballroom 2 w/Mike W. Barr, Terry Cronin, Dan Slott.
SIGNING 05:00pm - 06:00pm
Booth #???? - 900 Aisle
AUTOGRAPH SESSION 06:30pm - 08:00pm
Celebrity Autograph Area,
West Hall - Exhibition Room.
SATURDAY, JANUARY 17, 2015
SIGNING 10:30am - 11:30am
Booth #???? - 900 Aisle
GET YOUR ACT TOGETHER AND WRITE YOUR
FIRST NOVEL 11:45am - 12:45pm
Ballroom 2 w/Mike W. Barr, Terry Cronin, Philip Lee McCall II.
AUTOGRAPH SESSION 01:45pm - 03:00pm
Celebrity Autograph Area,
West Hall - Exhibition Room.
WRITING SPIDER-MAN 03:15pm - 04:15pm
Room 210 w/Dan Slott.
WRITING: FROM TV TO COMIC BOOKS
Room 202 05:15pm - 06:15pm
w/Mike W. Barr, Terry Cronin.
SIGNING 07:00pm - 08:00pm
Booth #???? - 900 Aisle
SUNDAY, JANUARY 18, 2015
SIGNING 10:30am - 11:20am
Booth #???? - 900 Aisle
LEGACY OF GARGOYLES 11:30am - 12:30pm
Room 210
WRITING BATMAN 01:45pm - 02:45pm
Room 210 w/Mike W. Barr, Francis Manapul.
AUTOGRAPH SESSION 03:15pm - 04:30pm
Celebrity Autograph Area,
West Hall - Exhibition Room.
THE BUSINESS OF ANIMATION
Room 210 05:30pm - 06:30pm
w/Christy Karacas, Chris Prynowski, Melissa Warrenburg.
I will be selling personalized signed copies of my two novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM for $10 in cash each. If you buy both books, you get signed copies of the original development artwork by Kuni Tomita from when we attempted to sell RAIN as an animated television series back in the 90s.
I'm also selling signed copies of my animation scripts for $20 in cash each from series including GARGOYLES, THE BATMAN, BEWARE THE BATMAN, ROUGHNECKS, MEN IN BLACK, TEAM ATLANTIS, KIM POSSIBLE, DC SHOWCASE GREEN ARROW, W.I.T.C.H., THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE and more - including scripts from a couple of convention radio plays.
Autographs from me and photos of or with me are always free.
If you're in the Miami area, I urge you to stop by and check it out!
Gargoyles Season Two, Volume Two
Gargoyles Season Two, Volume Two is now available for one and all on Amazon:
Spread the Word!
Happy New Year!
Happy New Year, everyone!
I've taken a bit of a break from ASK GREG, but I'm back. I also started a new job this week. (Can't wait to tell you what it is!) This means my schedule is a bit more regular, so I'm hoping to get back to answering questions here on a daily basis. But it may also mean that things may get a little crazy on occasion as I get acclimated, so I may also miss a few days here and there.
So... business as usual, right?
www.blakeandsalshow.com
Hey gang,
I've done another podcast. Talked a lot about pitching shows on this one: http://www.blakeandsalshow.com/
Check it out!
World's Finest Interview
Did a little interview with James Harvey of World's Finest about the Young Justice Invasion BluRay and the Rain of the Ghosts series here:
Check it out!
Profitcast Universe Podcast
Did another podcast here:
http://www.profitcastuniverse.com/21/ (direct link)
itms://itunes.apple.com/us/podcast/profitcast-where-passion-meets/id894979986 (iTunes link)
Star Wars Bookworms Podcast
I was on the Star Wars Bookworms Podcast. Had a great time. You can find it here:
http://www.starwarsreport.com/2014/11/06/greg-weisman-interview-swbw-34/
Clan-Building Review
There's a pretty comprehensive review of Clan-Building here:
This guy really knows the series.
Gargoyles 20th Anniversary
So today is the 20th Anniversary of the Television Premiere of Gargoyles.
I nearly forgot about it, because for me the 20th Anniversary was the World Premiere back on September 29th. Plus we had been working on the series, in one form or another since 1991. But the truth is for most of our then audience, it's been twenty years today. (And I know some of you were introduced to Gargoyles even later.)
So happy anniversary to the cast and crew and to all our terrific fans, whether they've been fans for twenty years or twenty minutes! Thanks for joining me on this crazy ride!
Star Wars Rebels: Kanan
This weekend at New York Comic Con, Marvel and Lucasfilm announced the new monthly on-going STAR WARS REBELS: KANAN comic book. I will be writing the first five-issue arc, THE LAST PADAWAN. I'm very excited. More info in an interview I did here: http://www.coffeewithkenobi.com/with-new-kanan-comic-marvel-set-to-explore-more-star-wars-lore/
TWENTY YEARS AGO TODAY...
Twenty years ago today, September 29th, 1994, GARGOYLES had its World Premiere in two theaters at the multiplex on Pleasure Island at Walt DisneyWorld in Orlando Florida.
I tell the story here: http://www.youtube.com/watch?v=hVQfxGNu7sk
HAPPY TWENTIETH ANNIVERSARY, GARGOYLES FANS!!!!
ION CANNON PODCAST
I did another PodCast, this one with more of a focus on STAR WARS REBELS: http://www.solosound.net/ioncannon/4042/
13th Dimension Interview
In anticipation of my FIVE panels at Long Beach Comic Con, here's a nice little article/interview on 13th Dimension:
http://13thdimension.com/greg-weisman-from-gargoyles-to-young-justice-to-novels-and-more/
My Long Beach Comic Con Schedule
Stop #6 on the Gargoyles Twentieth Anniversary Tour is LONG BEACH COMIC CON: http://longbeachcomiccon.com/
The full schedule can be found here: http://www.comicbookresources.com/?page=article&id=55700
But here's MY schedule. I'll only be there the one day - Saturday, September 27, 2014 - but as you can see, I'm certainly keeping busy, with five panels and three signings!
LONG BEACH COMIC CON
Saturday, September 27, 2014
11:30am - 12:20pm - Room 102B/C
GARGOYLES TWENTIETH ANNIVERSARY
Moderator: Greg Weisman (Creator, Producer, Writer)
1. Thom Adcox-Hernandez (Voice of Lexington, Brentwood)
2. Vic Cook (Storyboard Artist)
3. Elisa Gabrielli (Voice of Obsidiana & Maria Chavez)
4. Frank Paur (Producer, Director)
5. Dave Schwartz (Development Art Director)
12:30pm - 01:30pm - Signing Area
GARGOYLES SIGNING
I won't be attending this signing (because I have to rush off to another panel), but the rest of the Gargoyles panelists will probably be there.
12:30pm - 01:50pm - Hero Complex Theater, Room 104A
WARNER ARCHIVE COLLECTION PRESENTS YOUNG JUSTICE
Moderator: Jevon Phillips (Los Angeles Times)
1. Phil Bourassa (Emmy Winning Character Designer)
2. Cameron Bowen (Voice of Robin/Tim Drake)
3. Kris Carter (Composer)
4. Nicole Dubuc (Writer, Voice of Iris West-Allen)
5. Oded Fehr (Voice of Ra's al Ghul)
6. Kevin Grevioux (Voice of Black Beetle)
7. Kevin Hopps (Writer)
8. Bryton James (Voice of Virgil Hawkins/Static)
9. Josh Keaton (Voice of Black Spider)
10. Curtis Koller (Talent Coordinator)
11. Eric Lopez (Voice of Blue Beetle/Jaime Reyes, Scarab)
12. Michael McCuistion (Composer)
13. Jay Oliva (Director)
14. Mark Rolston (Voice of Lex Luthor, Jonathan Kent)
15. Jason Spisak (Voice of Kid Flash/Wally West)
16. James Arnold Taylor (Voice of Flash, Neutron, Topo, Burton Thompson)
17. Brandon Vietti (Producer, Writer)
18. Greg Weisman (Producer, Writer, Voice of Lucas Carr)
19. David Wilcox (Line Producer)
02:00pm - 03:00pm - Signing Area
YOUNG JUSTICE SIGNING
I plan on being here for only the first twenty minutes or so - before I have to run off to yet another panel. But for as long as I can stay, I will sign for free, anything you put in front of me. I will also be signing and selling copies of my animation teleplays for $20 cash. Among the series you'll have to choose from are Gargoyles, Men In Black, Team Atlantis, W.I.T.C.H., The Batman, The Spectacular Spider-Man, DC Showcase/Green Arrow, Batman: The Brave and the Bold, Young Justice, Beware the Batman and two radio-plays: The Spectacular Spider-Man Meets Gargoyles and Gargoyles Meets The Spectacular Spider-Man Meets Young Justice. All while supplies last, and for as long as I can stay. So show up promptly at 2pm.
02:30pm - 03:20pm - Room 102B/C
THE SPECTACULAR SPIDER-MAN
Moderator: Greg Weisman (Supervising Producer, Writer, Voice of Donald Menken)
1. Kevin Altieri (Director)
2. Kris Carter (Composer)
3. Victor Cook (Supervising Producer, Supervising Director)
4. Nicole Dubuc (Writer)
5. Elisa Gabrielli (Voice of Ashley Kafka)
6. Sean "Cheeks" Galloway (Lead Character Designer)
7. Kevin Hopps (Writer)
8. Josh Keaton (Voice of Peter Parker/The Spectacular Spider-Man)
9. Andrew Kishino (Voice of Kenny Kong, Ned Lee)
10. Phil LaMarr (Voice of Fancy Dan/Ricochet, Joe "Robbie" Robertson, Rand Robertson, Homunculus)
11. Joshua LeBar (Voice of Flash Thompson)
12. Eric Lopez (Voice of Mark Allen/Molten Man)
13. Michael McCuistion (Composer)
14. Daran Norris (Voice of J. Jonah Jameson, John Jameson/Colonel Jupiter)
15. Deborah Strang (Voice of Aunt May Parker)
16. James Arnold Taylor (Voice of Harry Osborn, Frederick Foswell/Patch, Alan O'Neil, Homunculus)
17. Wade Wisinski (Line Producer)
03:30pm - 04:20pm - Room 102B/C
DISNEY AFTERNOON: THE CONTINUING LEGACY
Moderator: Aaron Sparrow (Writer of Darkwing Duck: The Duck Knight Returns)
1. Jim Cummings (Voice of Darkwing Duck, Bonkers, etc.)
2. Jymn Magon (Creator/Producer Talespin)
3. Greg Weisman (Creator/Producer Gargoyles)
4. Mark Zaslove (Story Editor/Producer Talespin)
04:00pm - 05:00pm - Signing Area
SPECTACULAR SPIDER-MAN SIGNING
I'll have to miss this one too, as I'll be in the Disney Afternoon Panel, followed by the Disney Afternoon signing.
04:30pm - 05:20pm - Disney Afternoon Reunion Booth/Signing Area
DISNEY AFTERNOON SIGNING
I'll be at this one for the entire signing. Again, I'll sign anything you bring along for free. And I'll also be signing and selling my teleplays.
05:30pm - 06:20pm - Room 102B/C
RAIN OF THE GHOSTS
Greg Weisman (Author)
06:30pm - 7:30pm - Booth 104 on Show Floor
MYSTERIOUS GALAXY SIGNING
I'll be selling and signing copies of my two novels, RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM.
(Whew!)
LONG BEACH COMIC CON - The Full Schedule
The Full Schedule for Long Beach Comic Con can be found here:
http://www.comicbookresources.com/?page=article&id=55700
Note the Gargoyles, Young Justice, Spectacular Spider-Man, Disney Afternoon and Rain of the Ghost panels. More details coming soon. Because as many panelists are already listed at the above CBR website, that's NOT everyone!
More LBCC NEWS!!
I'll put up a big master-ramble on Long Beach Comic Con soon. (Monday at the latest.) But there's more information on the FIVE panels I'm doing on Saturday, September 27th, 2014 at the convention here:
http://13thdimension.com/animation-maven-greg-weisman-talks-young-justice-spidey-more-at-lbcc/
and here:
YOUNG JUSTICE at LONG BEACH COMIC CON
The GARGOYLES TWENTIETH ANNIVERSARY WORLD TOUR continues at Long Beach Comic Con on September 27th. I'll have more info on that and on many other special events at the convention over the next few days.
But right now, we have a special announcement regarding another panel: WARNER ARCHIVE COLLECTION PRESENTS YOUNG JUSTICE. In cooperation with the Los Angeles Times "HERO COMPLEX," we've gathered a truly stellar lineup of SIXTEEN panelists.
12:30pm - 01:50pm - Hero Complex Theater 104A
WARNER ARCHIVE COLLECTION PRESENTS YOUNG JUSTICE
Moderator: Jevon Phillips (Los Angeles Times)
1. Phil Bourassa (Emmy Winning Character Designer)
2. Cameron Bowen (Voice of Robin/Tim Drake)
3. Nicole Dubuc (Writer/Voice of Iris West-Allen)
4. Oded Fehr (Voice of Ra's al Ghul)
5. Kevin Grevioux (Voice of Black Beetle)
6. Kevin Hopps (Writer)
7. Bryton James (Voice of Virgil Hawkins/Static)
8. Josh Keaton (Voice of Black Spider)
9. Curtis Koller (Talent Coordinator)
10. Eric Lopez (Voice of Blue Beetle/Jaime Reyes & Scarab)
11. Jay Oliva (Director)
12. Jason Spisak (Voice of Kid Flash/Wally West)
13. James Arnold Taylor (Voice of Flash, Neutron, Topo, Burton Thompson)
14. Brandon Vietti (Producer/Writer)
15. Greg Weisman (Producer/Writer/Voice of Lucas Carr)
16. David Wilcox (Line Producer)
More info here: http://herocomplex.latimes.com/comics/long-beach-comic-con-lineup-mignola-man-of-action-among-highlights/
and here: http://longbeachcomiccon.com
If you're a YJ fan in the Southern California area, you won't want to miss this panel!!
On a semi-related note, I've found I will have space and time to sell copies of my animation teleplays at LBCC. If you're interested in buying a signed copy for $20 cash, let me know on twitter @Greg_Weisman. Because I DO take requests.
Animation Fascination Podcast
Did another podcast with Mark and Tom at Animation Fascination. We talk Gargoyles, Spectacular Spider-Man, Young Justice, Rain of the Ghosts and Spirits of Ash and Foam. Here's the link:
LINKS
I'm back (briefly) after a great trip to Ashland for the Oregon Shakespeare Festival. Saw eight plays (Comedy of Errors, Richard III, Tempest, Into the Woods, Great Society, Two Gentlemen of Verona, Wrinkle in Time, Family Album) in four days, and though I didn't love every play, I have to say that every production was stellar.
Then last night I saw a very cool production of King Lear at the Theatricum Botanicum in Topanga Canyon, starring Ellen Geer as Lear.
Anyway, I'm in town for just a few days, then I leave again to drop my daughter off for her junior year at Tulane and take my son (starting his senior year of high school next month) to look at a number of schools, including Tulane, Emory, Duke, UVA and Georgetown. ROAD TRIP!!
Starting in September, I'll be in town for the foreseeable future, and I promise to get back to answering questions here. Meanwhile, here are some cool links:
Warner Archive Podcast interview, regarding Young Justice:
http://bit.ly/wacyjpod
In case you need to know where to find the Young Justice Blu-ray:
http://bit.ly/yngjs1
And another podcast:
http://www.goldenspiralmedia.com/as-09-arrow-squad-episode-09-interview-with-greg-weisman-of-young-justice (specific episode for Arrow Squad)
http://www.goldenspiralmedia.com/ccu-02-central-city-underground-episode-03-interview-with-greg-weisman-of-young-justice (specific episode for Central City Underground)
http://www.goldenspiralmedia.com/ (general website)
https://itunes.apple.com/us/podcast/arrow-squad/id891769883?uo=8&at=1l3v5ck (iTunes link for Arrow Squad)
https://itunes.apple.com/us/podcast/central-city-underground-flash/id904991850?uo=8&at=1l3v5ck (iTunes link for Central City Underground)
And some sights promoting Rain of the Ghosts and Spirits of Ash and Foam:
Plain Talk Book Marketing http://www.plaintalkbm.com/
Twitter: https://twitter.com/Gillianfx
Amazon Author Page: http://www.amazon.com/-/e/B00EAUDZM6
Book Information: http://www.plaintalkbm.com/family-portrait-novel/
Facebook Fan Page: https://www.facebook.com/FamilyPortraitNovels
APOLOGIES
Hey gang,
I'd like to apologize for not getting to many of your questions recently. It's really due to all the travel I've been doing this summer - and the need to fit a LOT of work in between the trips.
Some of you have commented that the same excuses don't seem to apply to my Twitter account, and that's true. But the difference is that I can tweet from my phone at odd times and before bed - AND with little thought.
I've tried doing Ask Greg from my phone, but it's just too difficult. I'd rather give considerable thought and have the option of answering questions in depth. But if you want to make quick contact, by all means follow me on twitter at @Greg_Weisman.
The travel isn't over, either. I leave Monday for Ashland, Oregon, for my family's annual trip to the Oregon Shakespeare Festival. For the curious, we're seeing the following eight plays over four days & nights:
THE COMEDY OF ERRORS by William Shakespeare
RICHARD III by William Shakespeare
THE TEMPEST by William Shakespeare
INTO THE WOODS by Stephen Sondheim and James Lapine
THE GREAT SOCIETY by Robert Schenkkan
THE TWO GENTLEMEN OF VERONA by William Shakespeare
A WRINKLE IN TIME by Madeleine L'Engle and Tracy Young
FAMILY ALBUM by Stew and Heidi Rodewald
We're really looking forward to it.
Anyway, then I'm back for half a week, before the family takes another trip - this one to (a) drop my daughter off at college for her junior year and (b) take a road trip to look at five different colleges in five different cities with my son before he enters his senior year of high school. The entire trip will take eleven days, bringing me to the end of August.
But in September, my current plan is NO TRAVEL. (Stop #6 on the Gargoyles 20th Anniversary Tour is Long Beach Comic Con, which is driving distance. http://longbeachcomiccon.com ) So I should be back to answering a few questions every weekday regularly. Thank you for your patience.
My MechaCon 2014 Schedule
The Gargoyles Twentieth Anniversary U.S. Tour continues. Stop #5 is MechaCon in New Orleans, LA: http://www.mechacon.com
Here's my schedule for the weekend:
FRIDAY, AUGUST 1, 2014
04:00pm - 05:00pm: VOICE DIRECTING PANEL
Panel Room 1. With Jonathan Klein and Andrea Romano.
06:00pm - 07:00pm: OPENING CEREMONIES
Main Events.
08:00pm - 09:00pm: GOLDPASS MEET-N-GREET
Tertiary Events.
SATURDAY, AUGUST 2, 2014
11:00am - 12:00pm: SIGNING
Signing Room, Secondary Events. I'll be selling and signing copies of my new novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM. $10 cash for each book, which includes the book and a personalized signature. But if you buy both books for $20 cash, you also get free signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, The Batman, Batman: The Brave and the Bold, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. ;).
02:00pm - 03:00pm: STATE OF THE ANIMATION INDUSTRY PANEL
Panel Room 1. With Jonathan Klein, Andrea Romano and Steve Yun.
03:00pm - 04:00pm: SIGNING
Signing Room, Secondary Events.
05:00pm - 06:00pm: GARGOYLES TWENTIETH ANNIVERSARY PANEL
Panel Room 1.
SUNDAY, AUGUST 3, 2014
10:00am - 11:00am: THE SPECTACULAR SPIDER-MAN PANEL
Panel Room 1.
11:00am - 12:00pm: SIGNING
Signing Room, Secondary Events.
12:00pm - 01:00pm: RAIN OF THE GHOSTS PANEL
Panel Room 1.
02:00pm - 03:00pm: YOUNG JUSTICE PANEL
Panel Room 1. With Khary Payton (voice of Aqualad, Black Manta, Brick, Black Lightning).
03:00pm - 04:00pm: SIGNING
Signing Room, Secondary Events.
If you're anywhere near NOLA, stop by and say hello!
SAN DIEGO COMIC-CON 2014
Well, I'm gearing up to head down to San Diego for Comic-Con International, a.k.a. Stop #4 on the Gargoyles 20th Anniversary Tour:
Here's my schedule for the weekend:
WEDNESDAY, JULY 23, 2014
ST. MARTIN'S PRESS GIVE AWAY
Booth 1019 05:00pm - 07:00pm
I'll be on hand as St. Martin's Press gives away copies of many of their titles, including RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM.
THURSDAY, JULY 24, 2014
SLG SIGNING
Booth 1815 - 10:00am - 11:30am
I'll be selling and signing copies of RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM in addition to the GARGOYLES Trade Paperbacks, all while supplies last. I'll also happily sign for free anything you bring along with you and place in front of me.
SLG SIGNING
Booth 1815 - 02:30pm - 04:00pm
FRIDAY, JULY 25, 2014
SLG SIGNING
Booth 1815 - 10:00am - 11:30am
SLG SIGNING
Booth 1815 - 02:30pm - 04:00pm
YOUNG JUSTICE MEET-UP
Behind Convention Center - 04:00pm
Vanessa Marshall (Black Canary), Brandon Vietti and myself (plus more to be announced) will be getting together informally to chat about Young Justice and admire Young Justice Cosplayers! I will also sell and sign animation scripts (Young Justice, Gargoyles, Team Atlantis, etc.) here for $20 cash while supplies last. To find a map for the location, follow me on Twitter @Greg_Weisman
SATURDAY, JULY 26, 2014
DIVERSITY IN GENRE LITERATURE PANEL
Room 7AB - 10:00am - 11:00am
In the literary world, there are mystical beings, futuristic landscapes, magic and mayhem, heroes and villains, and slowly but surely, more diversity in our heroes. Panel participants are the creators that have made a more diverse world with their novels. Join authors Gene Luen Yang (The Shadow Hero), Josephine Angelini (Trial by Fire),Sherri L. Smith (Orleans), Adele Griffin (The Unfinished Life of Addison Stone), Greg Weisman (Spirits of Ash and Foam: A Rain of the Ghosts Novel), and Lydia Kang (Control), as moderator David Mariotte of Mysterious Galaxy leads the discussion of what is "diversity" in genre writing, what it looks like, and why it is important.
MYSTERIOUS GALAXY SIGNING
Sails Pavilion - 11:30am - 12:30pm
Again, I'll be signing RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM or whatever you place in front of me.
SLG SIGNING
Booth 1815 - 02:30pm - 04:00pm
GARGOYLES 20TH ANNIVERSARY PANEL
Room 25ABC - 05:00pm - 06:00pm
"Twenty years ago, superstition and the sword ruled. It was a time of darkness. It was a world of fear. It was the age...of Gargoyles!" Help celebrate the 20th anniversary of the Disney Animation television series Gargoyles with members of the cast and crew, featuring series creator Greg Weisman, supervising producer Frank Paur, President Emeritus of Walt Disney Television Animation Gary Krisel, and voice and casting director Jamie Thomason.
SUNDAY, JULY 27, 2014
SLG SIGNING
Booth 1815 - 10:00am - 11:30am
WARNER ARCHIVE/BATMAN FOR ALL SEASONS
Room 7AB - 12:00pm - 01:00pm
As Bat Mite so eloquently stated to the extra-dimensional Comic-Con bat-fans, "There is no one correct kind of Batman." Join respected producer/author Michael Uslan (The Boy Who Loved Batman), producer James Tucker (Batman: The Brave and the Bold), producer/director Brandon Vietti (Young Justice), producer Greg Weisman (Gargoyles, Young Justice, Star Wars Rebels), WAC Podcast hosts Matthew Patterson and DW Ferranti, and some surprise guests as they examine those "other" Batman iterations and oddities throughout history - from early films like "Public Defender" and the filmation Batman cartoons to new versions of the character (Young Justice, Batman: The Brave and the Bold, Beware the Batman) the off-kilter takes (like the cult favorite "roast" of Legends of the SuperHeroes) and new media (motion comics like Batman: Black and White, Batgirl: Year One & Batman Adventures: Mad Love). And stick around - there might just be a special WAC announcement that will excite fans both "Young" and old.
SLG SIGNING
Booth 1815 - 02:30pm - 04:00pm
For up-to-the-minute updates, follow me on Twitter at @Greg_Weisman
RADIO PLAY
Alex Bishansky recorded and posted the 2014 CONvergence Radio Play ("Gargoyles Meets The Spectacular Spider-Man Meets Young Justice: Recruits") on YouTube here: http://www.youtube.com/watch?v=Ggu7lSMXOnM
Hope you like it!
AV CLUB
Looks like Oliver Sava at A.V. Club is doing reviews of the entire first season of Gargoyles here: http://www.avclub.com/tvclub/gargoyles-awakening-parts-1-3-207154
He says he'll continue on to Season Two if the response to his Season One reviews merits it. So go let him know you want more... ;)
SPIRITS gets 5 stars (x2)
The first couple of reviews for SPIRITS OF ASH AND FOAM are up on Amazon. And they're both five star reviews!
If you've read SPIRITS (or RAIN) - and especially if you liked it ;) - please think about posting a review on Amazon. I'm told that few things help more in raising interest in a title.
Thanks!
RAIN/SPIRITS Interview
Alex Rybak of Yoda's News did a nice little interview about Rain of the Ghosts and Spirits of Ash and Foam here: http://bit.ly/1qS6uwM
All sorts of stuff...
Had a truly remarkable time at CONvergence 2014. I'll report in more detail at another time, but right now I'm too busy pimping:
First of all, my second novel, SPIRITS OF ASH AND FOAM, came out this past Tuesday. This is the second book in the RAIN OF THE GHOSTS series. It can be purchased (or at least ordered) at ANY bookstore and/or online:
It's also available as an e-book.
I'll be doing a reading/discussion of Spirits and a signing of both books at Vroman's Bookstore in Pasadena on July 20, 2014 at 4pm:
http://www.vromansbookstore.com/greg-weisman-july2014
Meanwhile, the GARGOYLES Twentieth Anniversary Tour continues with stop #4: San Diego Comic Con International 2014. We'll be doing a reunion panel, Saturday, 7/26/14, 5:00p.m. - 6:00p.m., Room: 25ABC. Supervising Producer and Director Frank Paur, Walt Disney Television Animation President Emeritus Gary Krisel and I are already confirmed. More news about guests as they are confirmed.
My CONvergence 2014 Schedule
So the #Gargoyles20 U.S. Tour continues. Stop #3 is CONvergence in Minneapolis, Minnesota. (Well, actually in Bloomington, Minnesota, but close enough.) http://www.convergence-con.org
This is a big one for us. It includes a number of events that we used to do at the old Gathering of the Gargoyles Conventions, which ran from 1997-2009. And I know a bunch of Gargoyles fans will be attending, so it'll also be a reunion of sorts.
My schedule for the long weekend is quite packed - which is just how I like it!
THURSDAY, JULY 3, 2014
2:00pm - 3:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.
3:30pm - 4:30pm BUFFYVERSE TEN YEAR ANNIVERSARY
Okay, so Gargoyles ISN'T the only show celebrating an anniversary. The Buffy/Angel universe has been off the air for ten years. Let's reminisce and talk about the impact these shows have had on TV fantasy since their cancellation. Panelists: Myself, Tim Lieder, Cetius d'Raven, Madeleine Rowe, Mark Goldberg. EDINA.
7:00pm - 8:00pm OPENING CEREMONY
If it's not exactly a magical invocation, it is nonetheless our official kick-off for the convention! Join CONvergence mascot Connie as we welcome our Guests of Honor, give out some awards (including the Mark Time and Ogle winners), and get this party started. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Frank Paur, Matthew Ebel, Dawn Krosnowski, Greg Guler, Rob Callahan, Windy Bowlsby, Michael Lee. MAIN STAGE.
9:00pm - 10:00pm GREG WEISMAN'S FANCY BASTARD PIE COMPETITION
Geek Partnership Society is excited to host the Greg Weisman Fancy Bastard Pie Competition at CONvergence 2014! It is open to all CONvergence members who wish to participate. The goal is to make a pie that Greg Weisman, herein to be known as "Fancy Bastard", likes best. The winner will be told super-secret Young Justice spoilers. Find out [some of] what would have happened in Season 3! (But winner must swear to secrecy to claim prize.) See below for some helpful hints.* CABANA 110.
FRIDAY, JULY 4th, 2014
11:00am - 12:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Last chance to audition! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.
12:30pm - 1:30pm FROM TV TO COMICS
We'll discuss the TV shows that expanded into the comicverse, such as Buffy, Smallville, Young Justice and Gargoyles. Did they succeed? Were any of the comics improvements on the shows? How did canon change during the transition? Panelists: Myself (Gargoyles, Young Justice), Shawn van Briesen, Jonathan Palmer, Greg Guler (Gargoyles), Karine Charlebois (Gargoyles, Bad Guys), Christopher Jones (Batman Strikes, Young Justice, Bad Guys). PLAZA 2.
2:00pm - 3:00pm SIGNING
Myself, Christopher Jones (Young Justice, The Batman Strikes, Parallel Man) and Greg Guler (Gargoyles, Phineas and Ferb) will be holding a signing session. Both Chris and Greg always have an array of stuff (books, prints, etc.) to sell and sign. But this time I'm pretty darn prepared as well. First off, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, The Batman, Batman: The Brave and the Bold, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. ;) CONVERGENCE CENTRAL.
3:30pm - 4:30pm CREATING GARGOYLES
This is what we used to call (at the Gathering) the Rocky Horror Gargoyles Show. The creators of Gargoyles show clips and tell stories of how the show came to be. Lots of visual aids. Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Frank Paur ( (Supervising Producer/Director), Greg Guler (Lead Character Designer). ATRIUM 6.
7:00pm - 8:00pm TIME TRAVEL THEORY
Let's assume for a moment that Time Travel is possible. This panel will explore the theories behind such technology. We'll explore quantum realities, temporal anomalies and all other challenges our theoretical time travelers will be face! [Now, I suggested this panel, but then they went and put some actual scientists on the damn thing. So I may quickly be embarrassed into silence.] ;) Panelists: Myself, Nicole Gugliucci, Jim Kakalios, G. David Nordley, Amy Berg. ATRIUM 4.
8:30pm - 9:30pm GARGOYLES Q&A
Join the cast and creators of the "Gargoyles" series and SLG companion comic books to ask and talk about the property. And, as always, Cosplayers are welcome! Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Christopher Jones (Bad Guys guest artist), Marina Sirtis (voice of Demona and Margot Yale), Frank Paur (Supervising Producer/Director), Karine Charlebois (Gargoyles Guest Artist, Bad Guys Artist), Greg Guler (Lead Character Designer, Gargoyles Guest Artist). MAIN STAGE.
SATURDAY, JULY 5th, 2014
9:30am - 10:30am GARGOYLES SIGNING
Myself, Marina Sirtis (voice of Demona and Margot Yale) and Frank Paur (Supervising Producer/Director) will be holding a signing session. Again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., The Batman, Batman: The Brave and the Bold, Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.
11:00am - 12:25pm GARGOYLES RADIO PLAY REHEARSAL
This is a closed session - for those who were cast in the Radio Play - led by Myself, Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice) & Marina Sirtis (voice of Demona, Margot Yale and Queen Bee). ATRIUM 6.
12:30pm - 1:30pm GARGOYLES RADIO PLAY PERFORMANCE
Fans and professionals - including Myself (voice of Donald Menken and Lucas "Snapper" Carr), Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice), and of course, Marina Sirtis (Deanna Troi from Star Trek TNG and the voice of Demona, Margot Yale and Queen Bee) - perform a LIVE, ORIGINAL Gargoyles radio play! ATRIUM 6.
2:00pm - 3:00pm GARGOYLES BIOLOGY AND CULTURE
A "what if" panel about the biology and culture of the Gargoyles universe. Creators and performers speculate about anything and everything going on outside the frames of the TV series. Panelists: Craig A. Finseth moderates Myself (Creator, Producer) and Greg Guler (Lead Character Designer). ATRIUM 7.
3:30pm - 4:30pm RAIN OF THE GHOSTS
I'll be reading from and talking about the world and characters of my novel "Rain of the Ghosts" and its sequel, "Spirits of Ash and Foam," which comes out July 8th, 2014, one week after the convention! ATRIUM 3.
7:00pm - 8:00pm ONE ON ONE WITH GREG WEISMAN
Hal Bichel will moderate a one-on-one panel with Myself. PLAZA 2.
8:30pm - 9:30pm SIGNING
Once again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Batman, Batman: The Brave and the Bold, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.
10:00pm - 11:00pm BLUE MUG
Ever wonder about the sexual habits of Gargoyles? Ever wonder who was sleeping with whom among the Young Justice Team or the cast of Spectacular Spider-Man? Join us for for a late night peek at your favorite animated series. This panel will get blue! (So attendees will be carded!) Panelists: Myself, Christopher Jones, Mara Cordova (Last Tengu in Paris Artist). It is also rumored that Edmund Tsabard (an unfancy bastard and Last Tengu in Paris Writer) may make an appearance. EDINA.
SUNDAY, JULY 6th, 2014
11:00am - 12:00pm PROTOFEMINISTS IN SHAKESPEARE
Shakespeare portrayed several intelligent, independent, and self-aware women--Juliet, Lady Macbeth, Katharine, Beatrice, Viola, Rosalind. We'll discuss the problematic and the remarkably (for the era) fleshed-out aspects of their representation. Panelists: Myself, Elizabeth Bear, Ashley F. Miller, Joseph Erickson, Alexandra Howes. EDINA.
12:30pm - 1:30pm GARGOYLES FAN PANEL
It's the 20th Anniversary of Gargoyles. Come share your favorite moments from the show. As always, Cosplayers are welcome! Panelists: Daniel Mohr moderates Myself, Ryan Alexander, Robert Wagner, Maggie Schultz, Jennifer Anderson, Karine Charlebois. ATRIUM 6.
2:00pm - 3:00pm SIGNING
Myself and Greg Guler (Gargoyles, Phineas and Ferb) will be holding one last signing session. Greg G. always has an array of stuff (books, prints, etc.) to sell and sign. And I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, The Batman, Batman: The Brave and the Bold, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. CONVERGENCE CENTRAL.
3:30pm - 4:30pm YOUNG JUSTICE
Creative minds behind the Young Justice TV and comic book series will talk about this fan favorite. We're planning some special surprises as well. And, as always, Cosplayers are welcome! Panelists: Myself, Marina Sirtis (voice of Queen Bee), Christopher Jones (Artist YJ Comic). MAIN STAGE.
5:00pm - 6:00pm CLOSING CEREMONY
It's not over 'til the gynoid sings - or something like that. Join CONvergence mascot Connie and our Guests of Honor as we say farewell to another convention. Shenanigans may ensue. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Matthew Ebel, Frank Paur, Dawn Krosnowski, Greg Guler, Windy Bowlsby, Rob Callahan, Michael Lee. MAIN STAGE
SEE?!! I told you there was a lot. And that's only the stuff that I'm doing. CONvergence is jam-packed with all sorts of pop culture nutritional goodness. So stop by and say hello!!
*In the interest of Full Disclosure, Fancy Bastard would like all to know that he especially likes the following pies:
APPLE
BERRY (pretty much any kind of berry or a mix of same)
PEACH
APRICOT
PUMPKIN
BANANA CREAM (herein to be known as the funniest pie)
Combinations of some of the fruit pies can be great. Contestants are welcome to try other pies at their own risk.
Fancy Bastard does NOT especially like the following pies:
PECAN
Anything with Chocolate or Lemon or Meringue
Raisins in Apple Pie
Almost never Cherry, though he has tasted the rare exception...
DENVER COMIC CON REVISED & UPDATED #3
ONE MORE TIME!! This looks to be as final a revision as it's going to get for Denver Comic Con website (http://denvercomiccon.com/), before I head for the airport in a couple minutes. But, again, follow me on TWITTER @Greg_Weisman to stay up-to-the-minute on when and where I'll be.
DENVER COMIC CON LATEST PANEL, INTERVIEW & SIGNING SCHEDULE
FRIDAY, JUNE 13th, 2014
10:30am - 11:20am - ART OF THE PITCH in ROOM 110/112.
Victor Cook, Greg Guler and myself will be talking about pitching and selling animated telvision series to the Powers That Be.
11:30am - 12:30pm - SIGNING at my BOOTH 122 on the main floor.
I'll be signing my novel RAIN OF THE GHOSTS throughout the weekend for $10 cash. (That $10 includes the book, a personalized signature and copies of the original development art by Kuni Tomita for the television version of Rain that never was.) I also have a half-dozen copies of Young Justice teleplays, which I'll sell (and sign) for $20 cash. I'll also sign anything else you bring and put in front of me for free - especially if you buy my book. ;)
12:50pm - 1:20pm - INTERVIEW with Tim Beyers of MOTLEY FOOL in the MEDIA LOUNGE.
1:30pm - 2:20pm - CARTOON VOICES I in the MAIN EVENTS ROOM.
I'll be moderating this panel, which features Kevin Conroy, Jim Cummings, Michael Dorn, Jennifer Hale & Veronica Taylor.
3:30pm - 4:30pm - SIGNING at my BOOTH 122 on the main floor.
4:45pm - 5:35pm - YOUNG JUSTICE in the MINI-MAIN ROOM.
This one includes myself (writer-producer, voice actor) & Christopher Jones (YJ companion comic book artist).
5:35pm - 6:05pm - OPENING CEREMONIES in the MAIN EVENTS ROOM.
7:00pm - 10:00pm - FOUR COLOR MIXER at Breckinridge Brewery/Hilton Garden Inn Denver Downtown.
SATURDAY, JUNE 14th, 2014
9:35am - 10:00am - INTERVIEW with BEYOND THE TROPE at my table at Booth 122.
10:00am - 10:20am - INTERVIEW with WESTWORD at my table at Booth 122.
10:30am - 11:20am - RAIN OF THE GHOSTS in ROOM 201.
I'll be reading from and discussing my new novels, Rain of the Ghosts & Spirits of Ash and Foam.
11:45am - 12:35pm - ANIMATION PROFESSIONALS in ROOM 201
I'm moderating this panel, which features Chris Beaver, Victor Cook, Greg Guler, Derek Hunter, Christy Marx, & Jan Scott-Frasier.
3:00pm - 3:50pm - SIGNING at my BOOTH 122 on the main floor.
4:00pm - 4:50pm - GARGOYLES 20th ANNIVERSARY in the MAIN EVENTS ROOM.
This is a big one, with me (writer-producer-creator), Victor Cook (storyboard artist), Jim Cummings (voice of Dingo), Jonathan Frakes (voice of David Xanatos), Greg Guler (character designer), Salli Richardson-Whitfield (voice of Elisa Maza) and Marina Sirtis (voice of Demona) .
5:00pm - 6:00pm - SIGNING at my BOOTH 122 on the main floor.
SUNDAY, JUNE 15th, 2014
9:30am - 10:20am - INTERVIEW with EXAMINER.COM at my BOOTH 122.
10:30am - 11:20am - THE SPECTACULAR SPIDER-MAN in the MINI-MAIN ROOM.
Includes myself (writer-producer-voice actor), Victor Cook (director-producer), Jim Cummings (voice of Crusher Hogan) & Greg Guler (artist).
1:30pm - 2:30pm - SIGNING at my BOOTH 122 on the main floor.
2:45pm - 3:35pm - CARTOON VOICES II in the MAIN EVENTS ROOM.
Again, I'm moderating for Robert Axelrod, Kimberly Brooks, Jennifer Hale & April Stewart.
4:00pm - 5:00pm - SIGNING at my BOOTH 122 on the main floor.
In addition to the times listed above, I'll often just be hanging out at my table, so stop by. Attend a panel, buy a book, say hello!
DENVER COMIC CON REVISED & UPDATED #2
Okay, so I just took a look at the Denver Comic Con website (http://denvercomiccon.com/), and the schedule there doesn't always match up with the schedule I was sent. I'll make adjustments below, but what this really means is that I'm not 100% sure where I'll be at any given moment. I will be tweeting throughout the weekend though, so follow me @Greg_Weisman to stay up-to-the-minute on when and where I'll be.
DENVER COMIC CON LATEST PANEL, INTERVIEW & SIGNING SCHEDULE
FRIDAY, JUNE 13th, 2014
10:30am - 11:20am - RAIN OF THE GHOSTS in ROOM 201
I'll be reading from and discussing my new novels, Rain of the Ghosts & Spirits of Ash and Foam.
11:30am - 12:30pm - SIGNING at my BOOTH 122 on the main floor.
I'll be signing my novel RAIN OF THE GHOSTS throughout the weekend for $10 cash. (That $10 includes the book, a personalized signature and copies of the original development art by Kuni Tomita for the television version of Rain that never was.) I also have a half-dozen copies of Young Justice teleplays, which I'll sell (and sign) for $20 cash. I'll also sign anything else you bring and put in front of me for free - especially if you buy my book. ;)
12:50pm - 1:20pm - INTERVIEW with Tim Beyers of MOTLEY FOOL in the MEDIA LOUNGE
1:30pm - 2:20pm - CARTOON VOICES I in the MAIN EVENTS ROOM
I'll be moderating this panel, which features Kevin Conroy, Jim Cummings, Michael Dorn, Jennifer Hale & Veronica Taylor.
3:30pm - 4:30pm - SIGNING at my BOOTH 122 on the main floor.
4:45pm - 5:35pm - YOUNG JUSTICE in the MINI-MAIN ROOM
This one includes myself (writer-producer, voice actor) & Christopher Jones (YJ companion comic book artist).
7:00pm - 10:00pm - FOUR COLOR MIXER at Breckinridge Brewery/Hilton Garden Inn Denver Downtown
SATURDAY, JUNE 14th, 2014
9:35am - 10:00am - INTERVIEW with BEYOND THE TROPE at my table at Booth 122.
10:00am - 10:50am - INTERVIEW with WESTWORD at my table at Booth 122.
11:45am - 12:35pm - ANIMATION PROFESSIONALS in ROOM 201
I'm moderating this panel, which features Chris Beaver, Victor Cook, Greg Guler, Derek Hunter, Christy Marx, & Jan Scott-Frasier.
3:00pm - 3:50pm - SIGNING at my BOOTH 122 on the main floor.
4:00pm - 4:50pm - GARGOYLES 20th ANNIVERSARY in the MAIN EVENTS ROOM
This is a big one, with me (writer-producer-creator), Victor Cook (storyboard artist), Jim Cummings (voice of Dingo), Jonathan Frakes (voice of David Xanatos), Greg Guler (character designer), Salli Richardson-Whitfield (voice of Elisa Maza) and Marina Sirtis (voice of Demona) .
5:00pm - 6:00pm - SIGNING at my BOOTH 122 on the main floor.
SUNDAY, JUNE 15th, 2014
9:30am - 10:20am - INTERVIEW with EXAMINER.COM at my BOOTH 122.
10:30am - 11:20am - THE SPECTACULAR SPIDER-MAN in the MINI-MAIN ROOM
Includes myself (writer-producer-voice actor), Victor Cook (director-producer), Jim Cummings (voice of Crusher Hogan) & Greg Guler (artist).
1:30pm - 2:30pm - SIGNING at my BOOTH 122 on the main floor.
2:45pm - 3:35pm - CARTOON VOICES II in the MAIN EVENTS ROOM
Again, I'm moderating for Robert Axelrod, Kimberly Brooks, Jennifer Hale & April Stewart.
4:00pm - 5:00pm - SIGNING at my BOOTH 122 on the main floor.
In addition to the times listed above - and especially since I'm no longer 100% sure of my schedule - I'll often just be hanging out at my table, so stop by. Attend a panel, buy a book, say hello!
DENVER COMIC CON UPDATE
I've got an update on the #GARGOYLES20 tour, stop #2: DENVER COMIC CON (http://denvercomiccon.com/). Here's my schedule, which now include all my panels, plus the times I'll be at my table on the main floor, signing:
FRIDAY, JUNE 13th, 2014
11:30am - 12:30pm - SIGNING at my table on the main floor.
1:30pm - 2:20pm - CARTOON VOICES in the MAIN ROOM
I'll be moderating this panel, which features Michael Dorn, Kevin Conroy, Jim Cummings, Jennifer Hale & Veronica Taylor.
3:30pm - 4:30pm - SIGNING at my table on the main floor.
4:45pm - 5:35pm - YOUNG JUSTICE in the MINI-MAIN ROOM
This one includes myself (writer-producer, voice actor), Andrew Robinson (writer) & Christopher Jones (YJ companion comic book artist).
SATURDAY, JUNE 14th, 2014
11:00am - 11:50am - RAIN OF THE GHOSTS in ROOM 201
I'll be reading from and discussing my new novels, Rain of the Ghosts & Spirits of Ash and Foam.
12:15pm - 1:05pm - ANIMATION ARTISTS in ROOM 201
I'm moderating this panel, which features Jan Scott-Frasier, Derek Hunter, Christy Marx, Greg Guler, Victor Cook & Chris Beaver.
2:45pm - 3:35pm - GARGOYLES 20th ANNIVERSARY in the MAIN ROOM
This is a big one, with me (writer-producer-creator), Jonathan Frakes (voice of David Xanatos), Marina Sirtis (voice of Demona), Salli Richardson-Whitfield (voice of Elisa Maza), Jim Cummings (voice of Dingo), Greg Guler (character designer) and Victor Cook (storyboard artist).
4:00pm - 5:00pm - SIGNING at my table on the main floor.
SUNDAY, JUNE 15th, 2014
10:30am - 11:20am - THE SPECTACULAR SPIDER-MAN in the MINI-MAIN ROOM
Includes myself (writer-producer-voice actor), Victor Cook (director-producer), Jim Cummings (voice of Crusher Hogan), Greg Guler (artist) & Andrew Robinson (writer).
12:00pm - 1:20pm - SIGNING at my table on the main floor.
1:30pm - 2:20pm - CARTOON VOICES in the MAIN ROOM
Again, I'm moderating for Jennifer Hale, Robert Axelrod, Kimberly Brooks & April Stewart.
2:30pm - 3:30pm - SIGNING at my table on the main floor.
In addition to the times listed above, I'll often just be hanging out at my table, signing my novel RAIN OF THE GHOSTS throughout the weekend for $10 cash. (That $10 includes the book, a personalized signature and copies of the original development art by Kuni Tomita for the television version of Rain that never was.) I'll also sign anything else you bring and put in front of me for free.
So stop by. Attend a panel, buy a book, say hello!
Up Next: DENVER COMIC CON
Frank Paur and I had a great time at the GARGOYLES 20th ANNIVERSARY Panel at Califur this past Sunday. Saw a couple old friends, and talked for TWO HOURS on the creation, development and production of Gargoyles.
Up next on the #GARGOYLES20 tour, stop #2: DENVER COMIC CON. http://denvercomiccon.com/
Here's my schedule (which pretty much includes all my favorite things):
FRIDAY, JUNE 13th, 2014
1:30pm - 2:20pm - CARTOON VOICES in the MAIN ROOM
I'll be moderating this panel, which features Michael Dorn, Kevin Conroy, Jim Cummings, Jennifer Hale & Veronica Taylor.
4:45pm - 5:35pm - YOUNG JUSTICE in the MINI-MAIN ROOM
This one includes myself (writer-producer, voice actor), Andrew Robinson (writer) & Christopher Jones (YJ companion comic book artist).
SATURDAY, JUNE 14th, 2014
11:00am - 11:50am - RAIN OF THE GHOSTS in ROOM 201
I'll be reading from and discussing my new novels, Rain of the Ghosts & Spirits of Ash and Foam.
12:15pm - 1:05pm - ANIMATION ARTISTS in ROOM 201
I'm moderating this panel, which features Jan Scott-Frasier, Derek Hunter, Christy Marx, Greg Guler, Victor Cook & Chris Beaver.
2:45pm - 3:35pm - GARGOYLES 20th ANNIVERSARY in the MAIN ROOM
This is a big one, with me (writer-producer-creator), Jonathan Frakes (voice of David Xanatos), Marina Sirtis (voice of Demona), Salli Richardson-Whitfield (voice of Elisa Maza), Jim Cummings (voice of Dingo), Greg Guler (character designer) and Victor Cook (storyboard artist).
SUNDAY, JUNE 15th, 2014
10:30am - 11:20am - THE SPECTACULAR SPIDER-MAN in the MINI-MAIN ROOM
Includes myself (writer-producer-voice actor), Victor Cook (director-producer), Jim Cummings (voice of Crusher Hogan), Greg Guler (artist) & Andrew Robinson (writer).
1:30pm - 2:20pm - CARTOON VOICES in the MAIN ROOM
Again, I'm moderating for Jennifer Hale, Robert Axelrod, Kimberly Brooks & April Stewart.
In addition, I'll be signing my novel RAIN OF THE GHOSTS at my booth throughout the weekend for $10 cash. (That $10 includes the book, a personalized signature and copies of the original development art by Kuni Tomita for the television version of Rain that never was.) I'll also sign anything else you bring and put in front of me for free.
So stop by. Attend a panel, buy a book, say hello!
Califur 2014
Frank Paur and I will be doing a GARGOYLES 20th ANNIVERSARY panel at 2pm on Sunday, June 1st, 2014 at CALIFUR in Irvine, California: http://califur.com/
Frank, of course, was my partner on the series. (We were both Supervising Producers.) And we'll talk about Gargoyles' development and production and open things up for Q&A. We'll also be signing after the panel, anything you care to bring.
And, as usual, I'll be selling and signing copies of RAIN OF THE GHOSTS for $10 cash. (That $10 includes the book, a personalized signature and copies of the original development art by Kuni Tomita for the television version of Rain that never was.)
If you live in the vicinity, stop by. Califur is really the first stop in this year's Gargoyles Anniversary Tour. I'll keep you posted on other appearances.
Club Jade Interview
Had a great time doing a panel and signing at Mysterious Galaxy Bookstore this past weekend. Also took some time out to do an interview about Rain of the Ghosts (mostly) with Jawa James at Club Jade. Here it is: http://clubjade.net/?p=58532.
Also talked a bit about the writing process and my thoughts on diversity.
Mysterious Galaxy Signing
Once again, I'm hoping people in the Southern California area - especially those who live in and around San Diego - might come to my signing at Mysterious Galaxy Bookstore.
I'll be reading, answering questions and signing copies of RAIN OF THE GHOSTS at the Mysterious Galaxy Bookstore in San Diego on May 10th, 2014 at 11am.
Mysterious Galaxy Bookstore is at 7051 Clairemont Mesa Blvd., Suite #302, San Diego, CA 92111
If you buy a book, I'm also happy to sign whatever other memorabilia (Gargoyles, SpecSpidey, Young Justice, whatever) that you feel like dragging into the store.
It's a big birthday bash for the bookstore, so there are other events all day long, and I'm told they're serving cake at 3pm.
Info here: http://www.mystgalaxy.com/event/MG-SD-21st-Birhday-Bash-051014
Please stop by - check out RAIN - and say hello!
Geek Cave Podcast
Did a podcast at the Geek Cave, where we discussed everything from Gargoyles to Star Wars Rebels to Rain of the Ghosts.
Find it here: http://geekcavepodcast.com/post/85018863882/geek-cave-podcast-episode-43-greg-weisman-the
Or you can download it directly here: http://thegeekcave.podbean.com/mf/web/tm4wd9/GC43.mp3
Mysterious Galaxy Signing
I'll be speaking and signing copies of RAIN OF THE GHOSTS (and whatever else fans might like to bring with them) at the Mysterious Galaxy Bookstore in San Diego on May 10th, 2014 at 11am. There are other events all day long, and I'm told they're serving cake at 3pm. :)
Info here:
http://www.mystgalaxy.com/event/MG-SD-21st-Birhday-Bash-051014
Mysterious Galaxy Bookstore is at 7051 Clairemont Mesa Blvd., Suite #302, San Diego, CA 92111
If you're in the Southern California area, please stop by - check out RAIN - and say hello!
My WONDERCON 2014 Schedule
I'll be attending WONDERCON 2014 in Anaheim, California for one day only: Saturday, April 19th, 2014.
I've got no official panels this year - though, STAR WARS fans should definitely check out the STAR WARS REBELS panel on Saturday from 2-3pm in Room 300AB. Executive Producer Dave Filoni and Vanessa Marshall (the voice of Hera Syndulla) will be taking your questions.
But I do have a couple of events scheduled:
1. 11:30am - @1pm: ASK GREG LIVE, a.k.a. YOUNG JUSTICE MEET-UP, a.k.a. GARGOYLES 20TH ANNIVERSARY CELEBRATION, a.k.a. SPEC SPIDEY BLU-RAY CHEERFEST, a.k.a. RAIN OF THE GHOSTS ISLAND TOUR, a.k.a. whatever geeky thing you like...
This is a casual fan get together where I'll be answering questions. Vanessa Marshall (voice of Mary Jane Watson, Black Canary and many more) and Nicole Dubuc (writer/producer of Transformers: RescueBots, writer on W.I.T.C.H., SpecSpidey & YJ, voice of Iris West-Allen) have both said they'll stop by too. And we may have a few other surprise special guests, as well. Note: that although I'm notoriously anti-spoiler, I'm way more likely to drop a few hints in person than on-line. We'll be meeting in Lobby B of the convention hall, behind the escalators, more or less opposite of where DC Comics and Graphitti Designs have their booths if you were going to walk into the hall. (I've posted a map on my twitter account @Greg_Weisman) If the weather permits, we will probably head outside around 11:45am and continue the meet-up there. We'll also be posing for photos, so I encourage cosplayers to attend, etc. I will also be bringing copies of RAIN OF THE GHOSTS to autograph and sell. For a mere $10 in cash, you get a signed copy of the book and signed copies of the original inspirational character designs (drawn by Kuni Tomita) for the animated series version of Rain that we never made back at DreamWorks in 1997-98. (While supplies last.) I'm in no real hurry, so I can pretty much hang out as long as folks want.
2. @1pm - 3pm SIGNING
After the Meet Up, I'll be heading over to Artist's Alley, specifically Table 186, where Thom Zahler of the amazing Love & Capes series has graciously allowed me a place to sit. Once again, I'll be selling and signing RAIN OF THE GHOSTS. Still $10 (CASH ONLY) for a signed copy of the book and signed copies of the Kuni Tomita inspirational designs. (Again, while supplies last.)
So please, stop by and say hello!
Deadly Force Review
Here's a nice review of the GARGOYLES episode "Deadly Force":
Geek Tyrant Interview
For selfish reasons, I'm doing as much press as I can these days. So if you're not sick of me, there's a new interview up at Geek Tyrant:
As indicated by the URL, Joey Paur and I cover Gargoyles, Rain of the Ghosts and Star Wars Rebels. Check it out!
Podcasts...
Well, I'm about to head out of town to tour colleges with my wife Beth and my son Benny...
But before I go, here are a couple of podcasts to keep you entertained...
On the first, I discuss everything from Gargoyles to Rain of the Ghosts.
http://www.funnyrobotgames.com/podcast/?name=2014-03-22_episode_2___greg_weisman.mp3
On the second, the focus is on the development and first episode of The Spectacular Spider-Man:
http://www.spidey-dude.com/?p=1326
Had fun doing both! Hope you like 'em!
I'll be back at ASK GREG on April Fools Day!
Comic Book Cast Podcast
I'm on the @ComicBookCast podcast with @TheDVDGrouch.
Check it out: https://www.youtube.com/watch?v=tbdjyK0aLUQ&feature=youtu.be&a
More reviews of RAIN OF THE GHOSTS
My new novel, RAIN OF THE GHOSTS, has been getting some great reviews. Here's just a sample:
http://www.themarysue.com/review-greg-weisman-rain-of-the-ghosts/
If you haven't checked out RAIN, please consider it. If you've liked my work on Young Justice, Spectacular Spider-Man, W.I.T.C.H. or Gargoyles, I can guarantee you'll like this.
If you HAVE already read the book - and especially if you liked it - please consider posting a review on Amazon, and marking a few of the many 5-Star reviews as "Helpful".
Also, we're not that far away from the second book in the series. SPIRITS OF ASH AND FOAM is out July 8th. And I've started work on the third book: MASQUE OF BONES.
Coffee With Kenobi Podcast
I'm a guest on the Coffee With Kenobi Podcast. It was a fun interview, covering Star Wars Rebels, Gargoyles 20th Anniversary, Young Justice, Rain of the Ghosts and Spirits of Ash and Foam. You can find it here:
Diversity
Diversity in pop culture has always been an issue that concerns me greatly. I've tried to do my share to increase diversity on series like Gargoyles, W.I.T.C.H., The Spectacular Spider-Man and Young Justice.
Now, that I've entered the world of publishing, my sister Robyn brought this article to my attention:
The article asks valid questions, and - yes, to toot my own horn - I'm going to provide at least a piece of the answer with my new books, Rain of the Ghosts and Spirits of Ash and Foam. Both feature protagonists of color. Rain Cacique is Native American, as is her grandfather Sebastian Bohique. Her best friends are Charlie Dauphin, who's African American and Miranda Guerrero, who is Hispanic-American. Many - if not most - of the other characters are also of color. This reflects the Caribbean setting of the novels, i.e. the fictional Ghost Keys and the actual mythology of that region.
The books are available here:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
and here:
I urge you to check them out, and to suggest them at schools and libraries.
Michael Chabon knows Gargoyles
So in my car, I've been listening to the audio book of Michael Chabon's novel: TELEGRAPH AVENUE, read by the amazing Clarke Peters (of THE WIRE and TREME). I'm a little over halfway through the book, which is set (largely) in a used record store in Oakland in 2008 and revolves around a diverse cast of characters. It's full of all sorts of pop cutlure references, but I was still pretty stunned when suddenly the narrator starts talking about GARGOYLES. Not generic gargoyles, but our GARGOYLES televsion series.
I was going to try to cut and paste the section here, but Amazon won't allow that. So you can check it out yourself here: http://www.amazon.com/Telegraph-Avenue-Novel-Michael-Chabon/dp/006149335X/ref=pd_sim_sbs_b_1?ie=UTF8&refRID=09RDPEC6XPYS8K9E3CQR
Or better yet, buy the book. I haven't finished listening to it yet, but so far it's definitely worth the price of admission.
The GARGOYLES' references begin on or about p. 293. (At least on the Amazon Look Inside function.) It's all pretty cool, and very specific. Though Keith David isn't mentioned by name, Goliath is, and his amazing voice is referenced, along with Goliath's backstory, etc. The character seems to have been part of a significant moment in the life of Julie Jaffe, one of the many protagonists of Chabon's book.
Chabon's written many books, including two particular favorites of mine: THE AMAZING ADVENTURES OF KAVALIER & CLAY and THE YIDDISH POLICEMEN'S UNION. So the fact that our little series registers with him is fairly gratifying.
Ikki Tousen Xtreme Xecutor
I am happy to announce that Funimation will be releasing the Ikki Tousen Xtreme Xecutor Season 4 DVD set officially on Tuesday, March 11, 2014.
Ikki Tousen Xtreme Xecutor not only has all 12 episodes of season 4, but also includes the bonus 90 minute movie, Ikki Tousen in Kyoto, and some amazing commentaries by many of members of the cast. I recorded one, but I don't know if they used it. (Sadly, they couldn't include everyone's commentary on the DVD, but they are making them all available online).
It was fun revisiting the character of Sousou. I hope you check it out!
RAIN OF THE GHOSTS signings
RAIN OF THE GHOSTS signings
MISSION ACCOMPLISHED!
Had two great signings for RAIN OF THE GHOSTS over the last few days.
On Saturday, at Gallifrey One, I coerced a roomful of Young Justice panel attendees to buy my new novel. And I sold out!
Then last night, had a reading, discussion and signing at Vroman's Bookstore in Pasadena. We had a full house, and again, we SOLD OUT!
I want to thank all the friends, family, fans and strangers who attended either or both and bought books and generally put a smile on my face.
But there are still books out there to buy, so...
RAIN OF THE GHOSTS is the first book in a nine-book series of adventure, intrigue, mythology and mystery with a touch of horror. Rain Cacique is a thirteen-year-old girl, who lives on the tropical island of San Próspero - one of the eight Ghost Keys - where she goes to school and works for her parents in the tourist service industry. She feels trapped. But she's soon going to discover that she has a special ability - she can talk to the dead - and a destiny to fulfill. The second book in the series, SPIRITS OF ASH AND FOAM, is already written and will come out on July 8th, 2014. The other seven books are in limbo, dependent - frankly - on sales of the first book.
If you've enjoyed my work on W.I.T.C.H., Gargoyles, Spectacular Spider-Man or Young Justice, I can guarantee you'll like Rain!
RAIN OF THE GHOSTS can be purchased here:
SPIRITS OF ASH AND FOAM can be pre-ordered here:
http://www.amazon.com/Spirits-Ash-Foam-Ghosts-Novel/dp/1250029821/ref=pd_bxgy_b_img_y
Thanks...
RAIN OF THE GHOSTS Reading and Signing
RAIN OF THE GHOSTS Reading and Signing
As many of you know, I will be reading, discussing and signing my new novel, RAIN OF THE GHOSTS, at Vroman's Bookstore, tonight, Tuesday, February 18th, 2014 at 7pm.
Here's the address:
Vroman's Bookstore
695 E. Colorado Blvd
Pasadena, California
91101
United States
My wonderful wife is bringing refreshments, so if the book isn't incentive enough, come for the Sparkling Apple Cider, cheese, crackers, cookies, grapes and/or Red Vines.
Honestly, I'm more nervous about this appearance then I've ever been about pretty much any appearance ever. So there's more incentive: come and watch me sweat!
More information here:
Greg's Gallifrey One Schedule
Greg's Gallifrey One Schedule
Hey, gang. As some of you know, I'll be at Gallifrey One this Saturday, February 15, 2014.
The convention is located at:
Marriott Los Angeles Airport Hotel
5855 West Century Blvd.
Los Angeles, CA 90045
I'm told convention membership is sold out, but even if you don't have a badge/ticket, we've got an event for you (see below).
Here's my schedule for the day:
2pm - 3pm - I'll be doing a signing at Christopher Jones' table. I'll pretty much sign anything you put in front of me for free. However, I'll also be bringing multiple copies of my new novel RAIN OF THE GHOSTS. For a mere $10 in cash, you get a signed copy of the book and signed copies of the original inspirational character designs (drawn by Kuni Tomita) for the animated series version of Rain that we never made back at DreamWorks in 1997-98. (While supplies last.)
3pm - 4pm - Christopher Jones and I will be doing a KaffeeKlatsche with a small group of fans. You need to sign up for this in advance, I believe, as space is limited.
5pm - 6pm - The big YOUNG JUSTICE event!! I'll be moderating a Q&A panel of THIRTEEN GUESTS who worked on the series in Program Room B. In alphabetical order, the guests are:
1. Cameron Bowen - Voice Actor: Robin/Tim Drake, Toyman
2. Kris Carter - Composer: Dynamic Music Partners
3. Christopher Jones - Comic Book Artist
4. Stephanie Lemelin - Voice Actor: Artemis/Artemis Crock/Tigress, Catherine Cobert/Computer
5. Eric Lopez - Voice Actor: Blue Beetle/Jaime Reyes, Scarab
6. Vanessa Marshall - Voice Actor: Black Canary/Dinah Lance, Amanda Spence, Ida Berkowitz, Noor Harjavti, Red Inferno/Firebrand
7. Michael McCuistion - Composer: Dynamic Music Partners
8. Masasa Moyo - Voice Actor: Bumblebee/Karen Beecher, Reach Scientist, Amber Joyce, Cat Grant, Secret/Greta Hayes, Sharon Vance, Wendy Harris
9. Lolita Ritmanis - Composer: Dynamic Music Partners
10. Andrew Robinson - Writer: "Drop-Zone," "Targets," "Disordered"
11. Brent Spiner - Voice Actor: Joker
12. Jason Spisak - Voice Actor: Kid Flash/Wally West
13. Greg Weisman - Producer; Writer: "Independence Day," "Fireworks," "Terror," "Humanity," "Misplaced," "Auld Acquaintance," "Happy New Year," "Salvage," "Satisfaction," "The Fix," "Summit"; Voice Actor: Lucas "Snapper" Carr
6pm - 6:30pm - Immediately following the panel, we'll conduct a signing right there in Program Room B. Not all the guests may be able to stay, but I know, for example, that Kris, Michael & Lolita will be there, signing and selling copies of the Young Justice Soundtrack CD. And once again, I'll be signing and selling RAIN OF THE GHOSTS ($10 in cash, for the signed novel and the signed character designs, while supplies last).
6:30pm (more or less) - ??? - And then right after the signing, we'll move out to the lobby of the Marriott for a Young Justice Fan Meet-Up. This is the part that does NOT require you to have paid for the convention. Just show up and hang out, as we chat with fans, take pictures with Cos-Players, sign and sell stuff (say, for example, RAIN OF THE GHOSTS) in a more informal setting. Chris Jones and I will stay for the duration, frankly until it begins to wane of its own accord. I'm sure some of the other guests will hang out for at least a little while (though that's not guaranteed).
So stop by #gally1 for the big #YoungJustice multi-event!!!!!
RAIN OF THE GHOSTS Book Signing
Hello Friends, Fans & Family,
I'm having a reading, discussion and signing of my first novel, RAIN OF THE GHOSTS, at Vroman's Bookstore in Pasadena on Tuesday, February 18th, 2014, starting at 7:00pm. More details are below.
I'm terrified I'll be sitting in a room by myself, so whether or not you've already purchased the book - or ever intend to - I'd still appreciate any moral support your attendance might provide. (And it would provide a lot.)
No R.S.V.P. is necessary, but I'm hoping to see at least a few of you there. (And if you wanted to buy a book, I wouldn't complain. No, really. I swear I wouldn't.) Oh, and please feel free to bring along additional victims bodies friends and family to the event - children are especially welcome - and please help spread the word, forwarding this to anyone you think might be (even vaguely) interested.
Thanks!
Greg Weisman
Greg Weisman reads, discusses & signs Rain of the Ghosts at VROMAN'S BOOKSTORE
Start: 02/18/2014 7:00 pm
Location:
695 E. Colorado Blvd
Pasadena, California
91101
United States
Growing up in the tropical paradise of the Ghost Keys, a (fictional) chain of islands near the Bermuda Triangle, should be paradise, but for twelve-year-old Rain Cacique, it feels more like a life sentence that dooms her to a future of bending over backwards for ungrateful tourists. Her beloved grandfather, 'Bastian, is the bright spot in her world, so when he passes away, Rain immediately attributes her newfound ability to see dead people to grief. Eventually, however, she discovers a hidden world of mystery and adventure. RAIN OF THE GHOSTS.
Young Justice at Gallifrey One
Young Justice is coming to Gallifrey One!
Gallifrey One, the Doctor Who convention in Los Angeles, will be hosting a pretty impressive Young Justice panel followed by a casual Young Justice meet-up afterward.
On Saturday, February 15, 2014 at 5pm is the YJ panel, featuring (in alphabetical order) an even dozen members from cast and crew:
1. Cameron Bowen - Voice of Robin (Tim Drake)
2. Kris Carter - Composer
3. Christopher Jones - Comic Book Artist
4. Stephanie Lemelin - Voice of Artemis
5. Eric Lopez - Voice of Blue Beetle
6. Vanessa Marshall - Voice of Black Canary
7. Michael McQuistion - Composer
8. Lolita Ritmanis - Composer
9. Andrew Robinson - Writer
10. Brent Spiner - Voice of the Joker
11. Jason Spisak - Voice of Kid Flash
12. Greg Weisman - Producer
I think we can all agree that's a pretty impressive list.
After the panel, at approximately 6pm, we'll be having a casual YJ meet-up for photos and autographs in the lobby. I'm told that Gallifrey One is already sold out, but you don't need a badge for this informal post-panel get together. Not all the guests will be able to stay for it, but I guarantee a bunch of us will. (Chris Jones and myself, at a minimum.)
For more info on the convention, check out:
RAIN OF THE GHOSTS TYPO CONTEST
RAIN OF THE GHOSTS TYPO CONTEST
It's been a long time since we had a contest here at ASK GREG, so here we go:
There are two typos in my new novel RAIN OF THE GHOSTS that make me crazy - especially since they were both things I caught, which should have been corrected. (Most mistakes were corrected, but these two were not.)
Since there are two typos, I'm expecting two winners. So the first person to find each of these typos will receive a free signed copy of the book AND copies of the inspirational art drawn by Kuni Tomita, which we used to help sell RAIN OF THE GHOSTS to Nickelodeon back in the late 90s. (The series was indeed sold, but they ended up pulling the plug.)
[A caveat: I'm looking for two specific objective errors, which are the only two I'm aware of in the book. If you find another error that I've missed, I am theoretically willing to issue more than two prizes. But I reserve the right to decide for myself if it is an actual error as opposed to a stylistic choice or something along those lines. My decisions will be final.]
If you are searching a hard copy of the book, please indicate page number and be very specific about the error. I'm aware that some of you may be reading the book on Kindles, iPads and the like, where page numbers aren't clearly identifiable. If that's the case, indicate the chapter number and carefully count the number of paragraphs from the top of the chapter where you believe the error has occurred. If you're looking at a pirated copy of the book, please be aware that those copies contain many errors that were corrected in the final product. Those errors will not be awarded prizes, obviously.
And if you don't know where to find the book to search, try asking for it at your local bookstore. They can always order it for you. Or of course, you can order it online:http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791/ref=sr_1_1?ie=UTF8&qid=1377806211&sr=8-1&keywords=rain+of+the+ghosts
Good hunting!!
Demona's "White Flag"
Years ago in a long ramble (http://www.s8.org/gargoyles/askgreg/search.php?rid=225), I mentioned that: "I'd like to see a music video featuring Demona to Dido's'White Flag.'"
Well, NeillGargoyle found that obscure request and posted this:
http://www.youtube.com/watch?v=tNGrg5Wm12E
Pretty much exactly what I had in mind!
Thanks, Neill!
Now if someone would just do this one: "I'd like to see a music video from Goliath's POV -- but featuring Elisa -- of "Amazing". (I think that's the title. I'm not sure who the artist or band is.)"
TODAY'S THE DAY!
TODAY IS THE DAY!
Nope, this isn't a reference to Young Justice.
This is another shameless plug for RAIN OF THE GHOSTS, which was released today as a paperback and e-book.
I'm hopeful all of you have or will buy a copy. But PLEASE, PLEASE, PLEASE, help me spread the word about the book! I'd hate for it to do badly simply because people hadn't heard about it.
It can be purchased here:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
http://www.walmart.com/ip/Rain-of-the-Ghosts/23564294
Also, please think about pre-ordering the second book in the RAIN series, SPIRITS OF ASH AND FOAM:
http://www.amazon.com/Spirits-Ash-Foam-Ghosts-Novel/dp/1250029821/ref=sr_1_1?ie=UTF8&qid=1379977280&sr=8-1&keywords=spirits+of+ash+and+foam+a+rain+of+the+ghosts+novel+by+greg+weisman
http://www.walmart.com/ip/29091756
And finally, check out:
https://twitter.com/RainoftheGhosts
http://rainoftheghosts.wikia.com/wiki/Rain_of_the_Ghosts_Wiki
Thanks,
gdw
Everything Geek Podcast INTERVIEW
I was interviewed on the Everything Geek Podcast here:
http://www.youtube.com/watch?v=idfnqNo-rn8
I discuss my "secret origins", The Spectacular Spider-Man, Gargoyles, Star Wars Rebels, Young Justice and more.
Check it out!
(But of course I totally forgot to mention Rain of the Ghosts at all, darnit!)
RAIN OF THE GHOSTS is out TOMORROW!
Some of you have already received word that your copy of my first novel, RAIN OF THE GHOSTS, has shipped. I'm even informed that the book is on the shelves of some bookstores (like Barnes and Noble) now.
For those of you who haven't pre-ordered or purchased, this is just a reminder that the book officially becomes available tomorrow, December 3rd, 2013. You can order on sites like Amazon:
Or you can go into any brick and mortar bookstore and either buy it there - or if they don't have a copy - order it from them.
I hope all regular and casual readers of this website will consider purchasing either a hard copy or an e-copy. (Or more than one. They make great stocking stuffers. Plus they're arriving just in time for the end of Chanukah!) If you've liked my work on GARGOYLES, W.I.T.C.H., THE SPECTACULAR SPIDER-MAN and/or YOUNG JUSTICE, I truly believe you'll like RAIN, as well. I've done my best to stuff it with world-building, mythology, action, comedy, drama, MYSTERY and just a little bit of horror.
[SPOILER WARNING: Speaking of mystery, I've been privy to a few advanced reviews. Most are positive. Some are more lukewarm. One was scathing. (The phrase "graceless grammar" will stick with me for awhile.) But nearly every single one reveals/spoils some or all of the story's mysteries. (The scathing review seemed to have so much contempt for the book that the reviewer had no compuction about revealing EVERY mystery possible.) This is not to say you shouldn't read reviews, but I thought I should offer fair warning. The tradition of not spoiling in a review seems to have fallen by the wayside.]
In any case, my fervent hope is that you will all help me out by using every means necessary - but particularly social media like Twitter, Facebook, etc. - to SPREAD THE WORD about the book. The second book in the RAIN series, SPIRITS OF ASH AND FOAM, is written and will come out on May 13th, 2014. But it's a nine book series, and there's currently no commitment to publish the other seven. That will depend on sales. And sales, of course, depends on folks KNOWING ABOUT THE BOOK IN THE FIRST PLACE. So, please, please, please, help me by letting every one you know in on our little secret. Because really, I don't want it to be a secret, but it still feels mostly like it is one.
Thanks!
gdw
Young Justice Legacy
Want more stories set in the EARTH-16 Universe of Young Justice and Young Justice: Invasion?
Then vote with your wallet! Go out and buy a copy or six of YOUNG JUSTICE LEGACY!!! This new video game from Little Orbit is canon material set during the five-year gap, between Seasons One and Two.
In addition, if it sells well, Little Orbit is very interested in using their existing license to make a sequel game set during "Season Three".
Here's what Little Orbit's own Matthew Scott had to say in an e-mail to myself and fellow YJ Producer Brandon Vietti:
Hi guys,
I just want to send a big thank you for all your support helping us launch Young Justice: Legacy.
Not sure if you saw the World Finest review:
http://www.worldsfinestonline.com/WF/youngjustice/releases/games/legacy/
The review certainly seems to have picked up on the main aspects of the project that we were trying to achieve.
My favorite quote:
"This game is so full of revelations and bombshell moments. Between that and all the new information you're getting, it's like we got an epic mini-series event, and not just a cheap cash grab video game. One nuance that I loved from the show was how actual mythology was incorporated in the ongoing story plots, and that carries over here."
BTW - In your interview on Nerdy Show [ http://nerdyshow.com/2013/11/episode-160-the-legacy-of-young-justice/ ], you mentioned that you couldn't speak for us. But I will go on record saying we would absolutely do a Young Justice: Legacy sequel set in the season 3 period. Just need to see how sales are for this title.
Thanks,
Matthew Scott
Brandon & Greg talk YJ Legacy on Nerdy Show!
Brandon Vietti & Greg Weisman talk about YJ, YJ Legacy, Rain of the Ghosts, Scooby-Doo, WWE and more on Nerdy Show!
Here's the link: http://nerdyshow.com/2013/11/episode-160-the-legacy-of-young-justice/
LONG BEACH COMIC CON
I will be attending LONG BEACH COMIC CON on Saturday, November 23rd.
http://www.longbeachcomiccon.com/
Specifically, I'll be on two panels.
The first panel is at 2pm in Room 104A:
VOICE ACTING ON YOUNG JUSTICE
Learn all about the voice acting process on DC/WB/CN's Young Justice animated television series from the folks who were there:
*Thom Adcox ("Klarion")
*Cameron Bowen ("Robin/Tim Drake" & "Toyman")
*Nick Chinlund ("Sportsmaster/Crusher Crock")
*Nicole Dubuc ("Iris West-Allen" and series writer)
*Crispin Freeman ("Speedy/Red Arrow/Roy Harper Clone," "Speedy/Arsenal/Original Roy Harper," "Guardian/Jim Harper" & "Galet Dasim")
*Kevin Grevious ("Black Beetle")
*Josh Keaton ("Black Spider")
*Curtis Koller (Talent Coordinator)
*Phil LaMarr ("Aquaman," "Dubbliex," "Green Beetle/B'arzz O'oomm," "L-Ron" & "Reach Ambassador")
*Stephanie Lemelin ("Artemis/Tigress/Artemis Crock" & "Catherine Cobert/Justice League Computer")
*Yuri Lowenthal ("Lagoon Boy/La'gaan," "Tempest/Garth," "Icicle Jr." & "Tommy Terror")
*Jason Marsden ("Impulse/Bart Allen/Kid Flash" & "Atom/Ray Palmer")
*Vanessa Marshall ("Black Canary/Dinah Lance," "Amanda Spence," "Ida Berkowitz," "Noor Harjavti" & "Red Inferno/Firebrand")
*Jason Spisak ("Kid Flash/Wally West")
*Jamie Thomason (Voice & Casting Director)
*Producers Brandon Vietti (Producer, Writer)
*Greg Weisman (Producer, Writer, "Lucas Carr" & Panel Moderator)
That's right, we have FOURTEEN members of the cast, plus our talent coordinator, voice & casting director, both producers and three of the writers! This YJ Panel is really a "don't miss" endeavor.
The second panel is at 3pm in Room 102B:
DISNEY AFTERNOON
Life is like a hurricane at Long Beach Comic-Con! It's been almost 25 years since Disney Afternoon debuted on television screens, and the impact of "the golden age" of Disney TV Animation is still felt today. Get ready to "spin it" with Greg Weisman (producer, creator of Gargoyles) Jymn Magon (co-creator Chip n' Dale Rescue Rangers, creator of Talespin), Bob Schooley (co-creator, Kim Possible, co-ex producer Penguins of Madagascar), Mark McCorkle (Buzz Lightyear of Star Command, co-creator of Kim Possible) and Rob Paulsen (voice actor, Darkwing Duck, Teenage Mutant Ninja Turtles, Animaniacs) for raucous recollections and never-before-heard stories! Moderated by Aaron Sparrow (Darkwing Duck: The Duck Knight Returns)
Both panels are gonna be a lot of fun! Come and see!!
ANIME VEGAS 2013 - Corrected Schedule
Let's try this again with the correct dates:
As I've mentioned before, I'm a guest at ANIME VEGAS this weekend, November 1-3rd, 2013, at the Renaissance Hotel in Las Vegas, Nevada:
Here's my schedule:
FRIDAY, NOVEMBER 1, 2013
01:00pm - 02:00pm - OPENING CEREMONIES
Cosplay Ballroom.
02:00pm - 03:30pm - GARGOYLES/THE SPECTACULAR SPIDER-MAN Panel and Signing
Cosplay Ballroom.
05:00pm - 06:30pm - YOUNG JUSTICE Panel and Signing
Paramount Room with Yuri Lowenthal, the voice of Lagoon Boy, Tempest, Icicle Jr. and Tommy Terror.
06:30pm - 08:00pm - IKKI TOUSEN Panel and Signing
Paramount Room with New Generation Pictures Voice Director and Producer Jonathan Klein.
SATURDAY, NOVEMBER 2, 2013
10:00am - 11:30am - "WRITER'S ROOM" Panel and Signing
Summit Room.
06:30pm - 07:30pm - SIGNING
Summit Room with Jonathan Klein.
SUNDAY, NOVEMBER 3, 2013
09:00am - 10:30am - 3X3 EYES SCREENING, Panel and Signing
Paramount Room with Jonathan Klein.
10:30am - 11:30am - VOICE DIRECTING Panel
Paramount Room with Jonathan Klein.
12:30pm - 01:00pm - SIGNING
Paramount Room with Jonathan Klein.
As you can see, I'm doing a LOT of signing. I'll sign anything you bring along for free. But I'm also bringing a single copy of EVERY one of my Young Justice teleplays (i.e. the ones that I personally wrote), which I'll be selling for $20 per script (cash only) - autographed and personalized to the buyer's taste - on a first-come, first-serve basis, starting with the Young Justice signing at 6pm Friday evening.
So if you're in the vicinity, plan to be there. As you all know, I'm not big on SPOILERS, but I'm WAY, WAY more likely to tease a few things in person than I am on either Twitter or here. So come and be (slightly) better informed!!!
Anime Vegas - Schedule!
As I've mentioned before, I'll be a guest at ANIME VEGAS this weekend, November 1-3rd, 2013, at the Renaissance Hotel in Las Vegas, Nevada:
Here's my schedule:
FRIDAY, AUGUST 23, 2013
01:00pm - 02:00pm - OPENING CEREMONIES
Cosplay Ballroom
02:00pm - 03:30pm - GARGOYLES/THE SPECTACULAR SPIDER-MAN PANEL and SIGNING
Cosplay Ballroom
05:00pm - 06:30pm - YOUNG JUSTICE PANEL and SIGNING
Paramount Room with Yuri Lowenthal, the voice of Lagoon Boy, Tempest, Icicle Jr. and Tommy Terror.
06:30pm - 08:00pm - IKKI TOUSEN PANEL and SIGNING
Paramount Room with New Generation Pictures Voice Director and Producer Jonathan Klein
SATURDAY, AUGUST 24, 2013
10:00am - 11:30am - "WRITER'S ROOM" PANEL and SIGNING
Summit Room
06:30pm - 07:30pm - SIGNING
Summit Room with Jonathan Klein
SUNDAY, AUGUST 25, 2013
09:00am - 10:30am - 3X3 EYES SCREENING, PANEL and SIGNING
Paramount Room with Jonathan Klein
10:30am - 11:30am - VOICE DIRECTING
Paramount Room with Jonathan Klein
12:30pm - 01:00pm - SIGNING
Paramount Room with Jonathan Klein
As you can see, I'm doing a LOT of signing. I'll sign anything you bring along for free. But I'm also bringing a single copy of EVERY one of my Young Justice teleplays (i.e. the ones that I personally wrote), which I'll be selling for $20 per script (cash only) - autographed and personalized to the buyer's taste - on a first-come, first-serve basis, starting with the Young Justice signing at 6pm Friday evening.
So if you're in the vicinity, plan to be there. As you all know, I'm not big on SPOILERS, but I'm WAY, WAY more likely to tease a few things in person than I am on either Twitter or here. So come and be (slightly) better informed!!!
GARGOYLES 19th Anniversary
Today is the Nineteenth Anniversary of the television premiere of GARGOYLES.
Everybody DANCE now!
RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM covers!!!
RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM covers!!!
That's right! You can now see both the front and back covers of my new novel RAIN OF THE GHOSTS (with its new correct coloring) here:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
AND you can now see the front cover of the second book in the RAIN series, SPIRITS OF ASH AND FOAM, here:
http://www.amazon.com/Spirits-Ash-Foam-Ghosts-Novel/dp/1250029821
The first book comes out on December 3rd, 2013. The second on May 13, 2014. But both are available for pre-order now at the above websites!!!
Thanks to Phoenician for pointing out that the SPIRITS cover was up! (I'm always the last to know.)
RAIN OF THE GHOSTS BOOK TWO: SPIRITS OF ASH AND FOAM Progress Report
RAIN OF THE GHOSTS BOOK TWO: SPIRITS OF ASH AND FOAM Progress Report
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
There's not too much to report about the first book right now - though as stated in an earlier ramble, you can now see the book's front and back covers up on the above website.
And in the meantime, I'm happy to announce that earlier today, I e-mailed off the SECOND BOOK in the RAIN OF THE GHOST series, SPIRITS OF ASH AND FOAM, to Michael Homler, my editor at St. Martin's Press. As you can imagine, hitting send was a pretty momentous moment for me. It took me just two weeks shy of a year to research, outline, write and proofread the entire novel. Fifty weeks. Of course, if I had stayed unemployed, I would have been done sooner, but I can't say I'm unhappy that I got the job on STAR WARS REBELS. I'm thrilled about that. But it did make finishing the book more of a challenge.
But it's done. They'll be some editing and maybe a bit of tinkering, but we're on track for SPIRITS to come out on May 13th, 2014. It can also be pre-ordered at:
Of course, I'm really hoping that you guys not only buy copies of these books, but that you help me SPREAD THE WORD about them. It's a nine book series, but if these first two don't sell, you won't see the other seven any time soon. And even if everyone who ever stops by ASK GREG bought two copies, I'm not sure that'd be enough. So, please, if you've ever liked my animation work, trust that you'll like this book, and in any case, again, help SPREAD THE WORD!
Thank you.
RAIN OF THE GHOSTS: NEW FRONT AND BACK COVERS!
RAIN OF THE GHOSTS: NEW FRONT AND BACK COVERS!
Back with another shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Even if you've already pre-ordered, go check out the above website to get a gander at the newly recolored updated front cover AND the never before seen BACK cover of my first novel.
And if you haven't pre-ordered, please think about doing it now. Hey, you can even save a little money by purchasing both the first and second books in the RAIN series. That's right. The SECOND BOOK in the RAIN OF THE GHOST series, SPIRITS OF ASH AND FOAM, which is due out on May 13th, 2014 and can also be pre-ordered both at the above website and here:
If you've liked any of my previous work, with influences from mythology and Shakespeare, an exciting story full of surprises and characters that matter, I think you'll like Rain.
RAIN OF THE GHOSTS BOOK TWO: SPIRITS OF ASH AND FOAM Countdown, Chapter Forty-Five
RAIN OF THE GHOSTS BOOK TWO: SPIRITS OF ASH AND FOAM Countdown, Chapter Forty-Five:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
There's not too much to report about the first book right now - but at the above website, you can see the new gorgeous revised coloring of the first book's cover.
And in the meantime, I'm counting down my progress writing the SECOND BOOK in the RAIN OF THE GHOST series, SPIRITS OF ASH AND FOAM, which is due out on May 13th, 2014 and can also be pre-ordered:
I just finished Chapter Forty-Five. This one combined what I had originally planned as two chapters (45 & 46 - or if you've been keeping count since last March, 41 & 42). And I will NOT be starting on Chapter Forty-Six tomorrow, because there is no Chapter 46. Forty-Five is now officially the last chapter. My first pass is done. And THAT. Is a VERY. GOOD. FEELING. Believe me.
Of course, I'm not done-done. I still have to write the acknowledgments, and then I need to go through the entire book, rereading and rewriting from top to bottom. I've been constantly revising and rewriting as I go, but I'll need to do a lot more of that, and I'll need to proofread very carefully too. But now I know I'll make my drop-dead date, and that's a huge relief.
I'll start on the acknowledgments tomorrow! But now that YOU know the book is essentially finished, there's nothing to hold you back from pre-ordering a copy! Right? RIGHT!
RAIN OF THE GHOSTS BOOK TWO: SPIRITS OF ASH AND FOAM Countdown, Chapter Forty-Four
RAIN OF THE GHOSTS BOOK TWO: SPIRITS OF ASH AND FOAM Countdown, Chapter Forty-Four:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, SPIRITS OF ASH AND FOAM, which is due out on May 13th, 2014 and can also be pre-ordered:
I just finished Chapter Forty-Four. Actually I finished writing it a few nights ago, but I've been working with Demona Taina on the translation of a passage into Spanish. Really wanted to make sure I got the Spanish right... and Taina has been just great working with me on it.
I'll start on Chapter Forty-Five tonight. I'm definitely in the home stretch now!
GARGOYLES 19th Anniversary
Today marks the Nineteenth Anniversary of the World Premiere of Gargoyles at the movie theaters on Pleasure Island at DisneyWorld in Orlando, Florida. Certainly one of the most stressful evenings of my life, one that seemed to veer toward total disaster but ultimately turned out to be a bit of a triumph and then a flat-out fun time with Keith David, Josh Silver, Salli Richardson and Marina Sirtis.
Wanna hear more of this story? Then make plans now to attend ConVergence 2014 in Minneapolis, Minnesota, July 3-6, 2014 to celebrate our TWENTIETH Anniversary next year. I'll tell this anecdote and many, many more... (Honestly, you won't be able to shut me up!)
On an unrelated note, I'd also like to thank all the friends, family and fans, who took time out to wish me a happy FIFTIETH Anniversary of my birth. (Otherwise known as my birthday.) It was so wonderful. Thanks!!
Anime Vegas
So I'll be a guest at ANIME VEGAS this November 1-3rd:
Programming isn't set yet, so I'll keep you posted on my schedule, but if you're in the vicinity, plan to be there. As you all know, I'm not big on SPOILERS, but I'm way more likely to tease a few things in person than I am on either Twitter or here. So come and be (slightly) better informed!!!
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Forty-Three
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Forty-Three:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, SPIRITS OF ASH AND FOAM, which is due out on May 13th, 2014 and can also be pre-ordered:
Last night, I finished writing Chapter Forty-Three. This one combines two chapters (43 and 44 - or from the original plan 38 and 39). Things are starting to wrap up. But I still wouldn't say I'm in the home stretch yet. One last really tough chapter to get through...
I'll start on Chapter Forty-Four tonight.
RAIN OF THE GHOSTS BOOK TWO: SPIRITS OF ASH AND FOAM
RAIN OF THE GHOSTS BOOK TWO: SPIRITS OF ASH AND FOAM
So I revealed this at MechaCon and was positive that it would be all over the web in no time.
NOPE. But time passes, and all stands revealed. Well, maybe not ALL, but something.
Yes, the title and release date of the SECOND book in the RAIN OF THE GHOSTS series is confirmed:
SPIRITS OF ASH AND FOAM
I'm fond of the title. I think it sounds pretty cool. I hope readers do too. The book is scheduled to be released on May 13, 2014, which is also my wife's birthday. So if it sells well, it's a great present for her too. And she needs it, given all she's put up with over the years. ;)
You can pre-order it here:
http://www.walmart.com/ip/29091756
or here:
And, of course, you can pre-order the FIRST book in the series, i.e. RAIN OF THE GHOSTS, here:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
The first book is still scheduled for release on December 3, 2013 - which is fast approaching. Reserve your copy now.
And, as always, find out all there is to know about Rain here:
http://www.s8.org/gargoyles/askgreg/archives.php?lid=687
or here:
http://rainoftheghosts.wikia.com/wiki/Rain_of_the_Ghosts_Wiki
or here:
https://twitter.com/search?q=%23RainOfTheGhosts&src=hash&f=realtime
More updates to come!!!
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Forty-Two
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Forty-Two:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
I just finished writing Chapter Forty-Two. It's very short and sweet. (Like this post.)
I'll start on Chapter Forty-Three soon.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Forty-One
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Forty-One:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
I just finished writing Chapter Forty-One, a longish chapter that would have been the single longest chapter in the book, if I hadn't already split it twice. So what was once Chapter 39 (or, if you've been keeping track of all the splits and merges in my outline, Chapter 36), is now three chapters, i.e. 39, 40 and 41. This one was pretty emotional, I think. (I hope.) If I've done my job, it's all come together here.
Anyway, I'll start on Chapter Forty-Two tomorrow.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Forty
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Forty:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
I just finished writing Chapter Forty, which looks like it won't be the longest chapter in the book afterall, as I've just split it for the second time. (I warned that there might be something amoeba-like about this chapter.) So what was once Chapter 39 (or, if you've been keeping track of all the splits and merges in my outline, Chapter 36), is now going to be three chapters, i.e. 39, 40 and 41. So 39 is more ramp up to the climax now, ending just as the gladiators enter the arena (figuratively). Then 40 is the battle itself. And 41 will be the immediate aftermath. (And there's still a handful of denouement chapters left to go after this. That's right, lots of tags.)
Anyway, I'll start on Chapter Forty-One tomorrow. I can't imagine this one splitting again, but really - who knows? (I mean, if I don't know, how could you?)
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Nine
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Nine:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
Tonight, I finished writing Chapter Thirty-Nine. I'm back with this update way sooner than I anticipated, NOT because I suddenly began writing like the wind, so to speak, but because, once again, I've opted to spilt a chapter in two. So what was Chapter 39 (or, if you've been keeping track of all the splits and merges in my outline, Chapter 36), is now going to be two chapters, i.e. 39 & 40. So 39 is more ramp up to the climax now, ending just as the gladiators enter the arena (figuratively).
Anyway, I'll start on Chapter Forty tomorrow. And, again, this one could take me a while. For even with this first part pared away, it's STILL looking to be the longest chapter in the entire book! (Unless, of course - amoeba-like - it splits again.)
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Eight
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Eight:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
Today, I finished writing Chapter Thirty-Eight. This one was pretty intense, as the forces stacked against Rain launched their attack.
Anyway, I'll start on Chapter Thirty-Nine tomorrow. This one could take me a while. It's looking to be the longest chapter in the entire book. (Pray for me.)
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Seven
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Seven:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
Today, I finished writing Chapter Thirty-Seven. The $%!#$ about to hit the fan for Rain now. Also, as of this chapter, I've officially written more than double the amount of words in this book than I did in the first book. And I'm not done yet. Not close to reaching latter day Harry Potter proportions, but there's definitely a LOT more story packed into the second novel than there was in the first.
Anyway, I'll start on Chapter Thirty-Eight tomorrow.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Six
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Six:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
Today, I finished writing Chapter Thirty-Six. I know in my last post - less than 24 hours ago - I emphasized the need for speed. But that doesn't mean I'm rushing. The reason I was able to finish this chapter so quickly is simple: it's the shortest chapter yet. It's designed to be transitional, sliding the focus of my cast from one major even (in Chapters 34-35) to the next - to the coming climax, really. And in some ways, this chapter is even more important for books 3-9 in the RAIN series than it is for this book. But, in any case, it's short, sweet and DONE.
Tomorrow, I'll start on Chapter Thirty-Seven.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Five
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Five:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
Today, I finished writing Chapter Thirty-Five. I'm picking up speed - not because it's getting easier, but because I have to. Since it's past midnight, I've officially missed my second deadline on this book. Originally, I was asked if I could have it done by the end of May, 2013. Back in October 2012, that seemed possible, but by the time I started writing in March, 2013, it was clearly not. So I got a new deadline of the end of August, 2013. And I think I might have made that - if I hadn't gotten the STAR WARS REBELS gig in May. So now, I've got what's been described as a drop-dead date of October 20, 2013. I HAVE TO BE DONE BY THEN. I've broken it all down, and I believe it's doable. Just. But that means no more thumb twiddling or blowing off a night here or there because I've already burned through my creative juices working on SWR. This is not a bad thing. I'm a deadline writer. I need the external time pressure, or I procrastinate. Of course, I'm not at all used to missing deadlines. Wouldn't get far in this business if I did. But this book is bigger than anything else I've ever written - including the first book in the RAIN series, so it was hard to estimate exactly how long I needed. Now, I know. I need until October 20th. And that's all the time I'm gonna get.
So stay tuned. Let's see how I do.
Meanwhile, I've already started on Chapter Thirty-Six.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Four:
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Four:
And here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
Today, I finished writing Chapter Thirty-Four. Starting with this chapter, pretty much EVERY chapter is a bit daunting. I'm not quite sure if I'm in the home stretch, but at this point, every chapter is telling crucial story, bringing threads together... and it's anyone's guess whether I'll wind up weaving something special with these threads - or strangling on 'em.
Tonight, I'll start on Chapter Thirty-Five.
Gargoyles DVD News
Greg GXB Bishansky points out the following:
"Well, look what's now even more widely available. I like to think this is because it's selling well on the internet.
http://www.disneystore.com/gargoyles-season-2-volume-2-3-disc-dvd-set/mp/1341274/1000316/
Best case scenario, Disney notices and decides to exploit the property even more with a direct-to-dvd movie."
HELP SPREAD THE WORD!!
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Three
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Three:
You've heard it before: here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
Tonight, I finished writing Chapter Thirty-Three. This was another longish chapter, as Rain begins to figure a few things out and sets a plan in motion to solve at least one of the many crises she's facing.
Tomorrow, I'll start on Chapter Thirty-Four.
MechaCon 2013
I'll be attending Mecha-Con from August 23-25th, 2013, in New Orleans, Louisiana.
Here's my schedule:
FRIDAY, AUGUST 23, 2013
Acting, Writing, Directing and Producing Animation 03:00pm - 04:00pm
Secondary Events/1st Floor
w/New Generation Pictures' Jonathan Klein and Hynden Walsh, the voice of Princess Bubblegum and Starfire, among many others.
Opening Ceremonies and Formal/Semi-Formal Dinner 05:30pm - 08:00pm
Main Events/1st Floor
Dolldelight FashionShow 07:00pm - 08:00pm
Main Events/1st Floor
GoldPass Meet-n-Greet 08:00pm - 09:30pm
Tertiary Events/1st Floor
SATURDAY, AUGUST 24, 2013
Voice Acting and the Industry 01:00pm - 02:00pm
Panel Room 1/3rd Floor
w/Jonathan Klein, Hynden Walsh and Tommy Yune of Robotech fame, etc.
Voice Directing for TV Animation, Anime and Video Games 03:00pm - 04:00pm
Panel Room 3/3rd Floor
w/Jonathan Klein
Signing 04:00pm - 05:00pm
Signing Room
*5 of the Best Anime English Dubs You've Probably Never Heard of
Panel Room 1/3rd Floor
Presented by Jonathan Klein
*I might be at this one. Might not.
Star Wars Rebels 07:00pm - 08:00pm
Panel Room 1/3rd Floor
Gargoyles 19th Anniversary: Stone by Day, Warriors by Night 09:00pm - 10:00pm
Panel Room 1/3rd Floor
SUNDAY, AUGUST 25, 2013
Young Justice: Combating the Light 10:00am - 11:00am
Panel Room 3/3rd Floor
The Animation of Disney, DC, Marvel and Beyond 11:00am - 12:00pm
Panel Room 1/3rd Floor
w/Hynden Walsh
Charity Auction 01:00pm - 04:00pm
Main Events/1st Floor
Anyway, if you're around New Orleans, stop by. I think it's going to be a great con. And if you're AT the con, stop by and say hello. I'm much nicer in person than I am here at ASK GREG. Everyone thinks so.
"Don't Lick the Torah"
A serialized story in tweets. Part One. In my family, we have a saying: "Don't lick the Torah."
"Don't lick the Torah!" Part Two: This expression originated on the eve of my daughter's Bat Mitzvah. She was very anxious...
"Don't lick the Torah!" Part Three: I said to @BandgeekErin "What's the worst that could happen? You could lick the Torah." She replied...
"Don't lick the Torah!" Part Four: @BandgeekErin replied, "I'd never do that!" So I said, "Then what are you worried about?"...
"Don't lick the Torah!" Part Five: So in our family, that became our recurring metaphor for "Don't worry about it." Then tonight...
"Don't lick the Torah!" Part Six: Tonight, @BandgeekErin was saying her boyfriend was nervous about meeting me. (He doesn't know that...
"Don't lick the Torah!" Part Seven: @BandgeekErin 's nervous boyfriend doesn't know I already like him.) I told her to tell him...
"Don't lick the Torah!" Part Eight: Told @BandgeekErin to tell him not to lick the Torah. THEN my wife says that today at the pre-school...
"Don't lick the Torah!" Part Nine: Today at the Jewish pre-school where my wife works, she took out the Torah for Shabbat, and one of...
"Don't lick the Torah!" Part Ten: My wife took out the Torah, and one of her two-year-old students licked it. The End.
Here, at ASK GREG, I have the room to embellish this story. But, really... what more do you need to know?
Maybe this: I'll be meeting @BandgeekErin's nervous boyfriend for the first time at MechaCON, where I'll be a guest, doing multiple panels and at least one signing!!
More details shortly!!
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Two
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-Two:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
Tonight, I finished writing Chapter Thirty-Two. This was one of the longer chapters with a number of revelations - or at least a lot of clarity presented on subjects already raised in earlier chapters. The first few bits were difficult to get through, but the last couple nights I was really on a roll, writing the last two-thirds of the chapter pretty rapidly.
And so, tomorrow, I'll start on Chapter Thirty-Three.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-One
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty-One:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book right now, I'm counting down my progress writing the SECOND book in the Rain series, which should come out sometime in 2014.
Tonight, I finished writing Chapter Thirty-One. It took me a little while, mostly because I was bit exhausted from all the travel I've been doing recently (including San Diego Comic-Con) and from working in a galaxy far, far away. But also I had to research some hard science necessary for the chapter. I wound up only using the research in three short paragraphs, but I think it was worth it.
Oh, and also this week, I saw a rough mock-up cover for the second book. Very cool! (And I hope to reveal it soon.)
Anyway, tomorrow, I'll start on Chapter Thirty-Two.
MORE DETAILS ON YOUNG JUSTICE SOUNDTRACK
MORE DETAILS ON YOUNG JUSTICE SOUNDTRACK...
Got this e-mail from our Young Justice composers:
Dear Greg,
We're excited excited to share the news that our soundtrack to the Warner Bros. Animated Series "Young Justice" was released today by La-La Land Records!
From the LLLR website:
La-La Land Records, DC Comics and Warner Bros. Animation present the original soundtrack to the Warner Bros. Animated Television Series YOUNG JUSTICE, as aired on Cartoon Network. Composers Kristopher Carter, Michael McCuistion & Lolita Ritmanis (BATMAN: THE BRAVE AND THE BOLD, BEN 10: ULTIMATE ALIEN, TEEN TITANS, BATMAN BEYOND) fashion an exhilarating superhero score that is every bit as bold, fresh and exciting as this hit animated series. This compilation brings together must-have musical highlights of the show's first season, as well as the second season, YOUNG JUSTICE: INVASION. Produced by the composers and mastered by Doug Schwartz, this is dramatic, action-packed music that makes for a thrilling standalone listen! CD booklet features reversible cover art and in-depth, exclusive liner notes by film music writer John Takis that contain comments from the composers and the animation team!
The CD can be ordered at the La-La Land Records website (http://www.lalalandrecords.com/YoungJustice.html) or at Amazon (http://www.amazon.com/gp/product/B00CM9JN7S/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00CM9JN7S&linkCode=as2&tag=dynmusparhomp-20).
Sincerely,
Lolita Ritmanis, Michael McCuistion and Kristopher Carter
Dynamic Music Partners
YOUNG JUSTICE FOR SALE...
YOUNG JUSTICE FOR SALE...
I'm totally crazed, trying to get work done and prep for San Diego Comic-Con, but I'd be remiss if I didn't remind everyone that both the DVD with the final episodes of Young Justice: Invasion and the soundtrack album featuring music from both seasons of YJ are on sale now.
Remember, the best way to show TPTB that you love the show is with your WALLET!! That's not to say you should prioritize YJ merchandise over things like food and shelter, of course. But if you have disposable income and you love the show: PROVE IT! And at the very least, help SPREAD THE WORD!!!
San Diego ComicCon 2013
My schedule for San Diego ComicCon 2013 is pretty lean, actually. I hope you guys visiting the con will stop by and say hello!
THURSDAY, JULY 18, 2013
02:30pm - 04:00pm - Signing at the SLG Booth
FRIDAY, JULY 19, 2013
04:00pm - 05:30pm - Signing at the SLG Booth
SATURDAY, JULY 20, 2013
11:00am - Unofficial/Official Young Justice Meet-up* behind the convention center.
02:30pm - 04:00pm - Signing at the SLG Booth
*There's a map here: https://twitter.com/BrandonVietti/status/355962489235718144/photo/1
Both Brandon Vietti and myself will be there. And we're also rallying as many members of the cast and crew to come as we can find in San Diego.
Hoping for a big YJ fan turnout - especially those cos-playing as YJ characters!!
Think of it as ASK GREG LIVE plus ASK BRANDON and ASK ARTEMIS (Stephanie Lemelin) and many, many more...
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirty:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
Two nights ago, I finished writing Chapter Thirty. THAT'S how busy I've been. I haven't even had time to do this short ramble about it until now. Anyway, this is another chapter that performed its own mitosis, splitting into two - due in large part to one of the two characters that post-outlining has really taken on an importance to the narrative I never anticipated.
So tonight, I'll start on Chapter Thirty-One (which used to be just the second half of Chapter Thirty).
Twitter vs. ASK GREG - To the Death!!!
Twitter vs. ASK GREG - To the Death!!!
So for the first time in nearly a month, I lurked on a few sites and someone was bitchin' (that's right, I said it) about the fact that I was tweeting a lot but hadn't spent much time here at ASK GREG.
Mostly, the responses that person received from other fans were dead obvious, but they bear repeating:
1. Twitter is a lot more convenient. I can tweet with my phone during downtime. (I tend to do it while I'm doing my isometric neck exercises.) I can also do Ask Greg with my phone during downtime (as I did yesterday when I was stuck at an airport), but (a) it's much more difficult because the screen is so small and (b) I have no access to the materials that some questions require. So Ask Greg answers done on the phone tend toward the short and unsatisfying.
2. Stop acting so entitled. Greg Weisman has NO obligation, explicit or implicit, to answer any questions on ASK GREG ever. Let me repeat that: Greg Weisman has NO obligation, explicit or implicit, to answer any questions on ASK GREG ever. I do it because I enjoy doing it (most of the time). But if for any reason I take a break for however long, that's life. I will not be made to feel guilty about it.
Those are the two main points, but there are a couple others:
3. I've been traveling A LOT. Since the end of May, I've taken four trips up north to Lucasfilm, one trip to Denver Comic Con, one trip to Oregon for their Shakespeare Festival and a family trip to EUROPE. I still have both San Diego Comic Con and New Orleans MechaCon (http://www.mechacon.com/) coming up in the next couple months, plus at least one more trip to San Francisco for Lucasfilm. When I travel, internet is a dicey prospect at best, and that's on top of the fact that the reasons for the trip tend to preclude me having the free time to post on ASK GREG.
4. I've been SWAMPED with work. That's a good thing. (In fact, these are all good things.) I have tight deadlines on Star Wars Rebels, a looming deadline on the second book in the Rain of the Ghosts series, plus a few other random freelance things that I'll mention (perhaps) when they're finished. Lots of work means less free time to post at Ask Greg.
As for Twitter, I'll admit I might be a little addicted, but the bald-faced truth of the matter is simply that I was basically coerced into joining Twitter by my book publisher, my agent/manager and my family. I am making an extremely conscious attempt to raise my profile there (and gain followers) for the sake of RAIN OF THE GHOSTS. I make no bones about that. I'm not trying to hide the fact AT ALL. I want/need the book to do well, and Ask Greg just was NOT reaching enough people. Hence Twitter.
Having said that, I have no interest in using or allowing Twitter to replace ASK GREG. Folks have asked me questions on Twitter, which I've either ignored or used as an excuse to nudge the askers over here. It's a tad difficult, since the ASK GREG Question Asking Function here is currently down until I catch up, but whatchagonnado? ASK GREG still matters to me, and Twitter hasn't changed that at all.
So really, the title of this ramble is a sham. The two resources are not in conflict at all. I'm hoping Twitter brings MORE people to Ask Greg and maybe, vice versa. (And maybe that's the real reason for this post. Heh heh heh.)
GARGOYLES NEWS - DVDS and CONvergence/Gathering
Well, I've been out of the country and OUT OF THE LOOP, but we have some REALLY BIG news on the GARGOYLES front.
Season Two, Volume Two of Gargoyles has been released on DVD as a Disney Movie Club exclusive. I haven't seen it yet, but I'm planning on getting at least a couple copies, as I'm told by reliable fan sources who have already received their disks that these are the uncut and correct versions of the last twenty-six episodes of Season Two, including such fan favorites as "M.I.A.", Future Tense" and all three parts of "Hunter's Moon".
Wish I knew more. I've e-mailed a Disney contact for more info but haven't received a response yet. But you can probably find all the information you need by asking the fans in the comment room:
http://www.s8.org/gargoyles/comment/index.php
Anyway, as always, I'm not asking you to spend money you don't have. But if you can afford it, please help us prove to Disney that Gargoyles is a viable property with a strong fanbase. You can do that in two important ways. (1) Buy the DVDs, of course. And (2) SPREAD THE WORD! Use Tumbler, Twitter, Pony Express, whatever. Just help us let people know that these DVDs exist and are out there for sale.
AND MORE BIG NEWS...
I was waiting until CONvergence was over on Sunday to announce this, but it seems they've already made the announcement here:
https://twitter.com/GargoylesNews/status/353393780675715074/photo/1
Next summer, one of my favorite conventions, CONVERGENCE in Minneapolis, will be dedicating their annual convention to the theme of "A Midsummer Night's Dream". And a major part of that theme will be the celebration of the TWENTIETH ANNIVERSARY OF GARGOYLES!!! I'm going to be a guest of the convention, and we've already begun discussions to create a Gargoyles convention within the convention. That's right, folks, the GATHERING OF THE GARGOYLES is back!! There will be a RADIO PLAY! There will be a BLUE MUG!! There will be the ROCKY HORROR GARGOYLES SHOW-ING OF THE TRADITIONAL VIDEOS!! There will be ASK GREG LIVE!! And there will be other Gargoyles related guests to be announced!!!
If you came to any one of the thirteen Gatherings that we held between 1997 and 2009, you know how much fun this can be. You'll want to be there again! If you missed the Gatherings and always wished you had had the opportunity, now is your chance! If you've never heard of the Gathering, but like Gargoyles (or any of the other shows I've done or am doing - including W.I.T.C.H., Spectacular Spider-Man, Young Justice, Rain of the Ghosts and/or Star Wars Rebels, etc.) then this is an opportunity to talk with me and other like-minded fans about them. (We'll probably have panels on them all!)
And if you're interested in just attending a great comic book and science fiction and fantasy and genre convention, then Gargoyles aside, you just can't beat CONvergence:
The camaraderie of the Gatherings was truly something wonderful, and the closest I've ever come to that outside the Gatherings is CONvergence. I honestly can't think of a better con to merge with, even if it's just for one year. (For starters, the ENTIRE hotel is rented to the convention, and the parties go on all night. No more being told by management that we have to stop talking and/or move to some other location. We can and will continue until we drop!)
Now, let's think. Let's strategize. CONvergence is going on NOW. As I type this. And it will last through the end of this July 4th weekend. Next year's convention is exactly one year away. That's plenty of time to plan, to save up money, make travel and hotel arrangements etc. But mostly, what we've got to do in that year is SPREAD THE WORD!!! I want to see a HUGE GARGOYLE FAN TURNOUT at CONvergence 2014. Let's stun CONvergence, the world and DISNEY by showing them how immensely popular Gargoyles still is. And for sure, I don't want any Gargoyles fan saying, "Gee, I didn't hear about it."
So help me, please. I'm sure there are a lot of old fans out there that long ago stopped reading ASK GREG. Contact them. Contact EVERY Gargoyles fan you know, young and/or old. (Don't assume they must already know.) I want to see all my old friends. And a lot of new ones. So, please. Help me. SPREAD. THE. WORD!!!!!!
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Nine
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Nine:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
Tonight, I finished writing Chapter Twenty-Nine. This one took awhile because (a) it was a complicated endeavor, bringing multiple elements together and (b) I'm on a family vacation in Europe and having a blast - but finding the time and energy to write and edit for Star Wars Rebels and Rain has been a bit difficult...
But tomorrow, hopefully, I'll start on Chapter Thirty.
YOUNG JUSTICE SOUNDTRACK
YOUNG JUSTICE SOUNDTRACK going on sale on July 16th, 2013.
Details here:
Gang, if you want some YJ back, the best way to PROVE IT to the powers that be is with your wallet. And this CD is a great buy, with tons of great content by our terrific composers: Lolita Ritmanis, Kristopher Carter and Michael McCuistion, a.k.a. Dynamic Music Partners!
My new AUTHOR PAGE on Amazon
Hey, check out my new AUTHOR PAGE on Amazon: http://www.amazon.com/Greg-Weisman/e/B0034Q75QO
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Eight
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Eight:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
Tonight, I finished writing Chapter Twenty-Eight. A bit of a calm before the storm! Though perhaps not emotionally...
Tomorrow, I'll start on Chapter Twenty-Nine.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Seven
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Seven:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
Tonight, I finished writing Chapter Twenty-Seven. This one had two very distinct sections. A police procedural and a dream sequence. Now, come on - how many books can give you that within the span of a few pages? You know you want to pre-order!!
Tomorrow, I'll start on Chapter Twenty-Eight.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Six
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Six:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
Tonight, I finished writing Chapter Twenty-Six. This one had a lot of choices to make vis-a-vis narration. I found myself bouncing back and forth between direct and indirect descriptions of events. And playing a bit with point-of-view.
Tomorrow, I'll start on Chapter Twenty-Seven, which in part, describes the same events as in Twenty-Six, but from a different perspective.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Five
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Five:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
Late last night - or very early this morning, I finished writing Chapter Twenty-Five. Another short chapter with relationship and exposition - hopefully, artfully done.
Tonight, I'll start on Chapter Twenty-Six.
GREG'S DENVER COMIC CON 2013 SCHEDULE...
GREG'S DENVER COMIC CON 2013 SCHEDULE...
Hey, gang! As many of you know, I'm leaving tomorrow morning for Denver Comic Con. At last year's inaugural convention in Denver, I had a ton of fun with Khary "Aqualad" Payton and Greg Guler. They're both coming back this year, but other guests include Young Justice comic book artist Christopher Jones, Phil "Reach Ambassador" LaMarr, Dee Bradley "Desaad" Baker and Kelly "Cheshire" Hu. And, really, that's just the tip of the ol' iceberg. Check out the website here:
http://www.denvercomiccon.com/
Anyway, here's my schedule for the weekend:
FRIDAY, MAY 31, 2013
ASK GREG LIVE 05:00pm - 05:50pm
Room 105, m/p
We had fun doing this more casually at WonderCon, so here we'll make it official
SIGNING 06:00pm - 06:50pm
Floor Table
I was planning to bring stuff to sell and sign, but I've just been so swamped that I didn't get my act together. But I'll sign (FOR FREE) anything you bring over to my table and wave under my nose (politely). Don't know exactly which table is mine yet, but I'll announce it at ASK GREG LIVE and TWEET it.
CARTOON VOICES 07:00pm - 07:50pm
Main Events, m/p
Me wrangling a bunch of talented voice actors!
FOUR COLOR MIXER 09:00pm - 11:30pm
Atrium Alcove Embassy Suites
Downtown Convention Center - 4th Floor
1420 Stout St., Denver, CO 80202
SATURDAY, JUNE 01, 2013
WEB COMICS 11:30am - 12:20pm
Room 104-106, m
I'm just moderating this one, but it should be fun.
STAR WARS ILLUSTRATION 01:00pm - 01:50pm
Room 504, m
The funny thing is, I was asked to moderate this LONG BEFORE I had my current #StarWarsRebels gig.
YOUNG JUSTICE 03:00pm - 03:50pm
Room 108-110, m/p
At minimum, you'll have me and Chris and Khary. But I'll try and pull a few more folks in too.
PHINEAS & FERB 04:00pm - 04:50pm
Stylin' Online Room (501+502), m
Moderating this panel, which includes Greg Guler and Kelly Hu.
THE FUTURE OF STAR WARS 05:00pm - 05:50pm
Hard Rock Café Room (506-507), p
Okay, now, this one I wasn't invited to participate on until AFTER I got my current #StarWarsRebels gig.
WRITING COMICS 06:30pm - 07:20pm
Room 104-106, p
A real all-star group of comics writing professionals. I'm probably the guy on the panel with the LEAST experience.
YJ MEET UP 07:30pm
Room 104
Chris Jones, myself and maybe a few other YJ types will be meeting up with YJ fans and cosplayers just to HANG OUT and SHOOT the $#!+. Chris and I did something similar at the Doctor Who Conventions, and it was a lot of fun.
SUNDAY, JUNE 02, 2013
CARTOON VOICES 10:00am - 10:50am
Room 108-110, m/p
Me wrangling a different group of talented voice actors!
DIVERSITY IN COMICS AND ANIMATION 12:00pm - 12:50pm
Room 504, m
This is a topic near and dear to my heart. Technically, I'm only moderating. But I plan on participating too!
ANIMATION ART 03:00pm - 03:50pm
Hard Rock Café Room (506-507), m
Moderating this panel of talented artists too!
COMICS FOR EVERYONE 04:00pm - 04:50pm
Room 103, m
And I'm moderating this last panel, as well.
NOTES: m = moderator, p = panelist. And I'll probably do more than just the one signing Friday. I'll tweet about that whenever I'm at my table.
So, if you're anywhere near Denver, please stop by! Say hello. If we've met before, I apologize in advance if I don't remember everyone's name. But reintroduce yourself. Eventually, I do catch on! And I want to meet you and say hello!
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Four
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Four:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
I just finished writing Chapter Twenty-Four. This was a fun one. Very rich in mythology. I like finding ways to tell (or rather retell) the old stories. I just hope I'm doing them justice.
Tomorrow, I'll start on Chapter Twenty-Five.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Three
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Three:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
I just finished writing Chapter Twenty-Three. This was the shortest chapter yet, but it took me a while to crack. I think it's cause my head is filled with Star Wars stuff from my new gig as one of the Executive Producers of Disney and Lucasfilm's new STAR WARS REBELS series. But I CAN'T let that happen. The book is due to St. Martin's Press by the end of the summer, and I can't afford distractions. I've had the luxury of being largely unemployed since I started writing it, and now that luxury is gone. But I'm going to have to learn to mentally juggle and make better use of my time.
So, tomorrow, I'll start on Chapter Twenty-Four.
STAR WARS REBELS
So if you've been following me on Twitter - and/or you've been following whatever your preferable source of geek news - you probably already know that I have a new job. I'll be one of three Executive Producers on the new animated television series from Lucasfilm and Disney: STAR WARS REBELS. (I'm typing this from my room at the Skywalker Inn on the Skywalker Ranch! NOW, HOW COOL IS THAT?!!!)
My partners and fellow Executive Producers on the project are two incredibly talented guys, Dave Filoni and Simon Kinberg. I didn't know either of them before we got started (except by reputation), but I've already got a mad creative-crush on them both. We're building something truly special here, and I'm very excited to be a part of it. We're all challenging each other to make this show better and better.
Expect great characters, stunning action, humor, arcing and a little romance, i.e. all the things that most of you have enjoyed in my previous series and in the very best of the Star Wars franchise. Expect that. Go ahead. I don't think you'll be disappointed! And if I'm wrong, I'll eat my lightsaber. (I'm getting a lightsaber tomorrow!! YES!)
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Two
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-Two:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
I just finished writing Chapter Twenty-Two. It's one of the shorter chapters, and I really would have finished it last night - but I was so tired after getting up VERY early, grabbing a plane and spending an intense day in story conference at Lucasfilm, working on my new gig, i.e. STAR WARS REBELS, that when I got back to the Skywalker Inn, I crashed at 10pm. But I'm on an end of summer deadline for this book, so I can't make a habit of THAT.
Tomorrow, I'll start on Chapter Twenty-Three.
YOUNG JUSTICE SOUNDTRACK
YOUNG JUSTICE SOUNDTRACK
"La-La Land Pictures and Warner Bros. Entertainment present the original soundtrack to the Warner Bros. animated television series Young Justice, currently airing on Cartoon Network. Composers Lolita Ritmanis, Michael McCuistion & Kristopher Carter (Batman: The Brave And The Bold, Ben 10: Ultimate Alien, Teen Titans, Batman Beyond) fashion an exhilarating super hero score that is every bit as bold, fresh and exciting as this hit animated series. This compilation brings together must-have musical highlights of the show's first season, as well as the second season, Young Justice: Invasion. It's dramatic, action-packed music that makes for a thrilling standalone listen!"
Pre-Order NOW:
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-One
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty-One:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
I just finished writing Chapter Twenty-One. This one's mostly comedy, with a shocking twist/scare at the end. Fun to write, but harder than most. Hopefully, it won't come off as labored when you read it. AND YOU ARE GOING TO READ IT RIGHT? (But first you'll want to read Book One, so PRE-ORDER NOW!)
Tomorrow, I'll start on Chapter Twenty-Two.
Earth-16 Timeline FYI
So I JUST NOW finished updating the EARTH-16 Timeline. It is exactly 250 pages long.
I hadn't had time to update it much during the production of Season Two - or rather, I was pretty inconsistent about updating it. So since we finished, back in October, I tackled a little bit at a time. And I finally finished. It's the final version of the Earth-16 timeline, until or unless we ever get to make more stuff set in that universe.
It includes (as far as I can tell) everything from both television seasons, everything from the 20+ issues of the comic and everything from YJ Legacy. There's a bit of extra backstory in there too, (particularly Golden Age stuff) that I mostly figured out way back before Season One. And I tossed in some of the characters from the five year gap that were basically defined by what we DIDN'T do with them. But mostly I intentionally left out characters we didn't cover yet. We can always add guys like the Question or Gleek later, assuming we ever get a later. But Brandon and I will figure out where they fit on the timeline if and when.
And, no, before anyone asks, I will NOT be posting it. Even Warner Bros, Cartoon Network and DC don't have it. It's just for Brandon and I. But I can refer to it to answer specific questions, as long as I don't deem those questions to be spoilers.
Underrated
Peter David was kind enough to forward this link:
http://www.complex.com/pop-culture/2011/12/the-25-most-underrated-animated-tv-shows-of-all-time#25
#2 out of 25. Not too shabby!
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twenty:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
I just finished writing Chapter Twenty. This one contained more mythology. The myths are really fun to write.
Tomorrow, I'll start on Chapter Twenty-One.
Twitterpated
That's right, folks. Greg_Weisman is now on Twitter.
RAIN OF THE GHOSTS, BOOK ONE UPDATE: THE MAP!
RAIN OF THE GHOSTS, BOOK ONE UPDATE: THE MAP!
Here's yet another of my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
I'm happy to report that I've just seen the final version of the MAP OF THE GHOST KEYS, which will appear at the front of the book. I absolutely love it. It's gorgeous! I want to frame it and put it on my wall. Heck, I want to take it with me and visit the Ghosts!
C'mon, you know you want to visit too! So pre-order. Go ahead! INDULGE!!! (It's cheaper than a Royal Caribbean Cruise.)
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Nineteen
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Nineteen:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not too much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
I just finished writing Chapter Nineteen. This one had a few built-in difficulties. First off, it's basically one long scene of people talking around a table outside a fast-food joint. And of course, you want to keep that interesting, even when what they're mainly doing is researching stuff on a cellphone. Plus, because the leads are sitting in a very public place, there were a lot of characters to juggle in and out of the scene, and I wanted to keep that organic and graceful, not awkward and choppy. I think I succeeded, but I suppose you'll all let me know next year.
Tomorrow, I'll start on Chapter Twenty.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Eighteen
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Eighteen:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
I'm on a bit of a roll. It's flowing pretty easy for now - but I really don't want to jinx it. I just finished writing Chapter Eighteen. It has some complicated visuals in it, so I hope I brought the imagery to life.
Tomorrow, I'll start on Chapter Nineteen.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Seventeen
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Seventeen:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.):
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
I just finished writing Chapter Seventeen. I like the ending of this one too. It's cheeky.
Tomorrow, I'll start on Chapter Eighteen.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Sixteen
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Sixteen:
Here's another of my shameless attempts to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.): http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Since there's not much to report about the first book now, I'm counting down my progress writing the SECOND book in the Rain franchise, which should come out sometime in 2014.
I just finished writing Chapter Sixteen. I like the ending of this one. It's chilling. Maybe even a little sick.
Tomorrow, I'll start on Chapter Seventeen.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Fifteen
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Fifteen:
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Fifteen.
This one starts out sweet and quickly turns shocking and scary. It's short. But potent. (Or at least I hope it's potent. I am confident it's short though.)
Anyway, just completing it is good news because it means I've finished writing fifteen chapters in two months. At this pace, assuming nothing goes horribly wrong, I should just make my deadline for completion.
And tomorrow, I'll start writing Chapter Sixteen.
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Fourteen
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Fourteen:
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Fourteen.
This was one of the harder ones. Though I thought I knew the subject matter cold, I found myself revisiting my research. But the other issue was how to present it. There was a day or two there, where I was somewhat stumped and actually found myself procrastinating. Now, generally, I'm big on procrastination, but it hasn't really been a problem writing this book, because honestly, I've been enjoying the process so much. Anyway, I finally sort of cracked it open for myself. And now I'm pretty darn happy with how it turned out.
So tomorrow, I'll start writing the new Chapter Fifteen.
Jon Weisman's 100 Things Dodger Fans Should Know & Do Before They Die - Revised and Updated Edition
While I'm in the mode of pimping books, I'd like to pimp the recently released book by my brother, Jon Weisman, which I ordered on Amazon and received today:
100 Things Dodger Fans Should Know & Do Before They Die - Revised and Updated Edition
If you love baseball, the Dodgers and/or history, this is a great, fascinating and massively informative book, now revised and updated since its previous release. You can find it here.
In addition to writing about the Dodgers and baseball in this book and on his blog - http://www.dodgerthoughts.com/ - Jon also wrote multiple episodes of Young Justice, W.I.T.C.H., So Weird and others. He's a very good read.
CORRECTION
CORRECTION:
At the very end of Team Year Five, i.e. right before the start of Season Two:
TYE LONGSHADOW - 16
VIRGIL HAWKINS - 15
EDUARDO "ED" DORADO, JR. - 14
ASAMI "SAM" KOIZUMI - 14
I have not yet had a reason to calculate their exact birth dates, so I have no idea whether each of them had one during the six months of Season Two or whether one or more of their birthdays came after the end of the season. So, for example, in the episodes you saw, Tye might have been 16 still, or he might have been 17. Or he might have been 16 in his first appearance, but 17 by his next. Or whatever. You get the idea.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirteen
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Thirteen:
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Thirteen.
But once again, I've miscalculated. Because it's now clear that what I thought was going to be Chapter Thirteen is actually going to be Chapters Thirteen AND Fourteen.
So tomorrow, I'll start writing the new Chapter Fourteen, which started out as the second half of Thirteen.
(For a guy who plans his stories down to the last detail, I've really been doing this a lot. But that's okay. It is what it is. I've got to let the writing itself dictate where to break these chapters. It's not like we're going to commercial here. It's just has to be what feels right for the characters and the story.)
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twelve:
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Twelve:
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Twelve. But that's more complicated than it sounds. Remember when I had to split what was originally Chapter Six into two chapters? ("No, I don't remember." "Quiet, kid, you bother me.") Well, I hadn't mentioned it before, but the exact same thing also happened with Chapter Three, which I split into two Chapters (Three and Four), also.
Anyway, as I was working on what was Chapter Twelve, I began to realize it really should be part of the already completed Chapter Eleven. So I combined the two together into a new revised Chapter Eleven. I was also tempted to combine the former Chapters Thirteen and Fourteen into this revised Chapter Eleven too. But it soon became clear that wouldn't work. So the new Chapter Eleven is the old Chapters Eleven and Twelve. And the new Chapter Twelve is the old Chapters Thirteen and Fourteen. And tomorrow, I need to start the new Chapter Thirteen, which is the old Chapter Fifteen. Except that, when you think about it, the old Chapter Fifteen was (before I split Chapters Three and Six) the even older Chapter Thirteen in the first place.
So now, from Thirteen on, the Chapters are all back to their original alignment.
Clear as mud, right? ("No, sir, I'm confused." "Quiet, kid, you bother me.")
Okay, so too much information, I know. But that's process for ya.
I'm hoping that when you read the book, you'll ignore all this. Then when you love it so much you decide to RE-read it, you can refer to these rambles and get more of a sense of HOW the book was put together, and thus find a whole NEW way to enjoy it.
That's my dream, anyway.
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #6
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #6
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm going to direct you to Rain's page on Amazon:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
"A superb builder of new worlds and their rules of magick." -Nicole Dubuc
Nicole is an extremely talented writer, story editor and actress. She was the voice of Iris West-Allen on Young Justice. She also wrote episodes for YJ, Spectacular Spider-Man, W.I.T.C.H. and many other series. And she's currently a story editor (and I think Producer) on Transformers: Rescue Bots.
Here's her full quotation:
"Always a superb builder of new worlds and their rules of magick, Greg Weisman now serves as ferryman to the eldritch Ghost Keys, where the Bard and secrets from the past intertwine in a thrilling mystery... And characters are never what they first seem." -Nicole Dubuc
C'mon, you know you want to pre-order. So, go ahead! INDULGE!!!
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #5
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #5
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm going to direct you to Rain's page on Amazon:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
They've posted some quotations from a handful of folks, who have already read the book. More often than not, these are merely partial quotes, so I'm going to post the full quotation here over the next few days. Next up:
"Magical realism for all ages!" -Jonathan Frakes
Jonathan, of course, is a talented actor and director; he's William Riker on Star Trek: The Next Generation and the voice of David Xanatos on Gargoyles.
I can't post his entire quotation here and now, because he SPOILED some major plot points!! But here's a bit more of his whole quote:
"I read and thoroughly enjoyed Rain of the Ghosts last night cover to cover (if there is such a thing on the IPad). Rain is a wonderful, empowering heroine... funny, impulsive, and yet sensitive. The generational bond between 'Bastian and Rain is particularly endearing. Magical realism for all ages! ... The writing style is clear, textured and moves with alacrity and never feels like it panders to kids... beautiful and clever...the soundtrack in Rain's mind adds a filmic layer to an already visual story. I look forward to ... many returns to The Ghosts." - Jonathan Frakes
C'mon, you know you want to pre-order. So, go ahead! INDULGE!!!
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #4
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #4
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm going to direct you to Rain's page on Amazon:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
They've posted some quotations from a handful of folks, who have already read the book. More often than not, these are merely partial quotes, so I'm going to post the full quotation here over the next few days. Next up:
"All of the excitement and hyperbole of teen emotion is captured in this quick-moving debut." -Shannon Delany, author of the 13 to Life Series
I've never met Ms. Delany, so once again, it's nice to have someone more objective saying something so neat.
Here's the full quotation:
"All of the excitement and hyperbole of teen emotion is captured in this quick-moving debut. Filled with adventure, ghosts, and mystery, this book shouts to be read." - Shannon Delany, author of the 13 to Life Series and the upcoming Weather Witch
C'mon, you know you want to pre-order. So, go ahead! INDULGE!!!
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #3
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #3
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm going to direct you to Rain's page on Amazon:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
They've posted some quotations from a handful of folks, who have already read the book. More often than not, these are merely partial quotes, so I'm going to post the full quotation here over the next few days. Next up:
"A thoroughly entertaining joyride." -Jonathan Maberry, New York Times bestselling author of Rot and Ruin
I've never met Mr. Mayberry, so this is the first quotation that came from a stranger.
Here's the full quotation:
"RAIN OF THE GHOSTS is quirky, clever and downright creepy. A thoroughly entertaining joyride into the world of the fantastic." -Jonathan Maberry, New York Times bestselling author of ROT & RUIN and ASSASSIN'S CODE
Salivating yet? (Ugh. That was over the top, huh?)
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #2
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #2
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm going to direct you to Rain's page on Amazon:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
They've posted some quotations from a handful of folks, who have already read the book. More often than not, these are merely partial quotes, so I'm going to post the full quotation here over the next few days. Next up:
"The perfect book for the young adult reader." -Stan Lee
Stan "The Man" Lee is, of course, a legend. He was also the voice of "Stan" on The Spectacular Spider-Man. Oh, and... he kinda co-created the ol' Web-Slinger too.
There's only a little bit more to Stan's quotation here:
"On a haunted isle in the mysterious Caribbean, a 13-year-old girl discovers her magical heritage! It's the perfect book for the young adult reader."
But I mean, Stan Lee! Not too shabby, huh?
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Eleven
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Eleven:
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Eleven. That's right, folks. I'm on a roll. Admittedly, this is a pretty short chapter, dedicated to connective tissue for a number of different characters. But still, I finished my first pass on it in one night! Doesn't that mean it HAS to be good? Right? Right?
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #1
RAIN OF THE GHOSTS, BOOK ONE UPDATE: NICE THINGS FAMOUS PEOPLE HAVE SAID #1
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm going to direct you to Rain's page on Amazon:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
You may notice that they've posted a brief tease of the book there, which I may as well reprint here:
First in a series about of an adventurous young girl, Rain Cacique, who discovers she has a mystery to solve, a mission to complete and, oh, yes, the ability to see ghosts.
Welcome to the Prospero Keys (or as the locals call them: the Ghost Keys), a beautiful chain of tropical islands on the edge of the Bermuda Triangle. Rain Cacique is water-skiing with her two best friends Charlie and Miranda when Rain sees her father waiting for her at the dock. Sebastian Bohique, her maternal grandfather, has passed away. He was the only person who ever made Rain feel special. The only one who believed she could do something important with her life. The only thing she has left to remember him by is the armband he used to wear: two gold snakes intertwined, clasping each other's tails in their mouths. Only the armband . . . and the gift it brings: Rain can see dead people. Starting with the Dark Man: a ghost determined to reveal the Ghost Keys' hidden world of mystery and mysticism, intrigue and adventure.
They've also posted some quotations from a handful of folks, who have already read the book. More often than not, these are merely partial quotes, so I'm going to post the full quotation here over the next few days, starting with:
"From his work on DC's cartoon Young Justice to his first novel, Rain of the Ghosts, he hits it out of the park every time!" -Danica McKellar, actress and New York Times bestselling author Math Doesn't Suck
Danica, of course, is the voice of "Miss Martian/M'gann M'orzz/Megan Morse, Marie Logan/Megan Wheeler and Tuppence Terror on Young Justice, which is how I met her.
Here's Danica's full quotation:
"Greg Weisman really 'gets' the deep-seated emotional angst of teenagers, and he's an expert at creating complex stories filled with intrigue, mystery, drama, fantasy, adventure, you name it - always with just enough comedy peppered throughout. From his work on DC's cartoon 'Young Justice' to his first novel, 'Rain of the Ghosts,' he hits it out of the park every time!"
Pretty cool, huh?
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Ten
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Ten:
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Ten. Rain's asleep throughout most of the chapter, but that doesn't mean there isn't a LOT going on. Especially among the more nefarious members of our cast. This chapter was very wide-ranging. But it was fun to write - especially the last couple pages.
Intrigued yet?
RAIN OF THE GHOSTS, BOOK ONE UPDATE, EARLY GALLEYS
RAIN OF THE GHOSTS, BOOK ONE UPDATE, EARLY GALLEYS
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm keeping you updated on the book's progress.
Today, I received a couple copies of what my editor at St. Martin's Press calls "Some early galleys. Close to a book!"
And, in fact, it looks pretty much like a book to me!
I don't know about you guys, but I'm pretty darn excited!
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Nine
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Nine
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Nine. It's the longest chapter in the book so far. There was a LOT of expository information to cover, but I hope I did it in an entertaining way.
Hopefully, you guys'll be the judge of that soon enough.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Eight
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Eight
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Eight. I think it turned out to be a fairly authentic conversation over dinner between a thirteen-year-old and her parents. I hope so, anyway. Need to ground my magical fantasy in some truly human reality.
Hopefully, you guys'll be the judge of that soon enough.
ASK GREG LIVE - Correcting the web
So, I still maintain that ASK GREG LIVE was a great success, but I've seen a few posts on the interwebs that... undercut that success a bit.
With the best intentions, I'm sure, people have attempted to relate what I said, and although they got a lot right, they also got a bunch of stuff wrong. They either misheard me or mistyped or related the information second-hand or whatever, but I'm going to try to set some of the misconceptions straight.
Myth #1: "Greg categorically stated that Wally West is dead and will never come back."
I did not. Surprisingly, I was not even asked this question and thus never responded to it at all. Now, let me be clear. I also have not stated categorically that Wally West is not dead will definitely come back. And I'm not going to do either. Let me illustrate why with an example:
You've seen memorial holograms for Jason Todd/Robin and Tula/Aquagirl. There are four potential scenarios for those two characters coming back:
Scenario A) Both are going to come back.
Scenario B) Jason is going to come back, but Tula is staying dead.
Scenario C) Tula is going to come back, but Jason is staying dead.
Scenario D) Both are staying dead.
Break it down like this, and it becomes clear why I won't answer any questions about either character in this regard. Assume, just as a hypothetical example, our plan was Scenario C. Then someone asks me about Jason. They say, the show is over; if he's really dead, why not tell us. This sounds logical (in the moment), so I state that Jason is staying dead. No harm, no foul. I've only confirmed something that the show itself already stated. No big deal. That is, until someone else asked me about Tula. I don't want to answer this one, of course, because I want her resurrection to be a surprise. But I also don't want to lie. So I go for my standard "SPOILER REQUEST. NO COMMENT." But then someone realizes that I was willing to be clear about Jason, but not about Tula. Ipso facto, Tula must be coming back. And I've just spoiled my own show. Which, as I'm sure you know, I am quite LOATHE to do. Clear?
Myth #2: "Greg stated that they killed off Wally instead of Barry because Barry's death would be too telegraphed."
That's almost exactly the OPPOSITE of what I said. Rather, in response to comments I've seen that Wally's death was out of the blue, I said I found those comments to be ironic, because Brandon and I spent the whole season afraid we were telegraphing WALLY's death too much. We cut lines of dialogue from and about Wally because we thought it would send too obvious a signal that Wally was going to buy it at the end. (And this is NOT meant as a statement with regards to Myth #1 above. As far as Season Two is concerned, Wally is considered dead. What that may bode for the future, is something that I won't respond to for the reasons outlined above.)
We did - at the very beginning of the season's development - briefly consider taking out Barry instead of Wally. But we decided that Barry was too much of a minor character, and that his death would have no resonance for our audience, would exact no cost. I suppose, as some have argued, we could have spent the entire season bulking up Barry's part to make sure his end had resonance, but we didn't have either the screen time or, frankly, the desire to do that. Wally mattered to our audience. Even with relatively little screen time in Season Two, he MATTERED. And I think the proof that we made the correct choice is obvious in how it's torn fans apart over his demise. It hurts. It hurt us too. I still well up watching that scene - and I've seen it dozens of times by now. It is sad. It's supposed to be sad when a hero that we love dies. Given that, I don't have any regrets.
Myth #3: "Greg stated that Ocean-Master will have a huge roll in Young Justice: Legacy."
No, I didn't say anything of the sort. You guys have seen the villains who are participating in Legacy. You already KNOW he's not in there.
Myth #4: "Greg stated that Troia will have a huge roll in Legacy."
No, I did not. You already know the heroes participating in Legacy - except for the these-are-just-for-fun-and-don't-count-toward-the-canon-story characters. You already KNOW she's not participating in the story.
Myth #5: "Greg stated that Mary Batson is Lieutenant Marvel."
No, I did not. First off, I've never once mentioned anyone named Mary Batson. I have mentioned Mary Bromfield. But she is NOT Lieutenant Marvel. I did give a small spoiler about the Marvel Family at ASK GREG LIVE, but I'm going to leave it as a prize for those who attended in person.
Myth #6: "Greg stated that the plan from day one was to use Donna in Season One and Cassie in Season Two."
This is more of a half-truth. EARLY, early on, Donna was one of our leading candidates for Season One. This was before we had even narrowed things down very much. And BEFORE any true decisions were made, we were informed by our DC Liasons that both Wonder Girls were off-limits for legal reasons that were never explained to us. (So don't ask me.) So neither Wonder Girl was seriously considered. Then Geoff Johns came aboard and made both Wonder Girls available. Unfortunately, by that time, it was flat out too late to include Donna. So we decided we'd put Cassie in Season Two. And have Donna be one of the characters who joined and left the Team during the timeskip, and cameo her in Season Two. Unfortunately, for reasons reported fairly accurately from ASK GREG LIVE, we were unable to cameo either Troia or Mary at Rocket's bridal shower because there just wasn't time for Phil Bourassa to design FOUR new characters, i.e. the two girls in both their civilian and super-hero costumes. Had they appeared in "Satisfaction", then they would have also had cameos in "Endgame", since their designs would already have been completed. But since they didn't appear in the earlier episode, we weren't able to get them at all. This is a sadness to me. But there are realities of production that we're all subject to.
Myth #7: "Greg stated that rumors about DC wanting Wally killed off were 'complete horses#!t.'"
I NEVER used the term "Horses#!t" and never would. I clearly said "complete bulls#!t."
RAIN OF THE GHOSTS, BOOK ONE UPDATE, Chapters Sixteen - Nineteen
RAIN OF THE GHOSTS, BOOK ONE UPDATE, Chapters Sixteen - Nineteen
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm updating you on my progress proofreading the proofs of the book. (Yes, it's ridiculous, but I did use the word 'shameless' now, didn't I?)
This is a painstaking process. I'm going through each chapter sentence by sentence, trying to be careful with each word, each punctuation point.
Tonight, I finished proofing Chapters Sixteen through Nineteen, which means I finished, since the book has nineteen chapters.
Here are all the changes I've indicated in these last four chapters:
P. 169
In third paragraph, remove comma after "right waist gunner".
P. 170
In second full paragraph, change "Belle's" to "Belles". All italics. Plural, not possessive.
P. 176
In sixth full paragraph, change "Belle's" to "Belle's", taking the italics off the "'s".
P. 181
In first paragraph, change "Sam" to Sam's".
P. 201
In chapter title, change "Bontemps Rouler" to "bontemps rouler".
Admit it. You're intrigued.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Seven
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Seven
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Seven. It's kind of sweet in its way, and represents an important - if subtle - turning point for Rain. Of course, now that I've posted about it - so much for subtle, right?
Man, I hate spoilers.
RAIN OF THE GHOSTS, BOOK ONE UPDATE, Chapters Thirteen - Fifteen
RAIN OF THE GHOSTS, BOOK ONE UPDATE, Chapters Thirteen - Fifteen
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm updating you on my progress proofreading the proofs of the book. (Yes, it's ridiculous, but I did use the word 'shameless' now, didn't I?)
This is a painstaking process. I'm going through each chapter sentence by sentence, trying to be careful with each word, each punctuation point.
Tonight, I finished proofing Chapters Thirteen through Fifteen.
Here are all the changes I've indicated in these three chapters:
P. 146
In first paragraph, change "when you dad" to "when your dad".
Also in first paragraph, change "Sams' beaches" to "Sam's beaches".
P. 159
In the second full paragraph, change "a frightened squeal" to "frightened squeals".
Admit it. You're intrigued.
LOVE AND CAPES
I should have posted this days ago, but I just want to strongly recommend Volume 4 of LOVE AND CAPES (subtitled "What to Expect") by Thomas F. Zahler.
I'm a huge fan of Thom's work, and this book is just great.
I wrote the introduction to the volume, so I won't repeat it here, but I will say that this saga of super-heroes and romance just keeps getting better and better. Other fans include Mark Waid and Kurt Busiek, two of the best writers in comics.
You should really check it out.
Denver Comic Con
With WonderCon in my rearview mirror - and April Fool's Day over too - it's time to do a little promotion for my NEXT appearance, i.e. Denver Comic Con.
Here are some details:
DENVER COMIC CON
May 31 - June 2 - Colorado Convention Center - Denver, CO
www.denvercomiccon.com
Other guests include Stan Lee, Wil Wheaton, Felicia Day, George Takei and more! Tickets are on sale now!
If anyone wants to tweet and re-tweet about Denver Comic Con using the registered hashtags, that'd be great:
#DCC2013
#DenverComicCon
#DenverLovesComics
Or share the offical Denver Comic Con event page with other fans & friends:
https://www.facebook.com/events/261237947343786/
Let's help make DCC a great success!
And count on another ASK GREG LIVE event (or some equivalent) there, as well.
RAIN OF THE GHOSTS, BOOK ONE UPDATE, Chapters Ten - Twelve
RAIN OF THE GHOSTS, BOOK ONE UPDATE, Chapters Ten - Twelve
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm updating you on my progress proofreading the proofs of the book. (Yes, it's ridiculous, but I did use the word 'shameless' now, didn't I?)
This is a painstaking process. I'm going through each chapter sentence by sentence, trying to be careful with each word, each punctuation point.
Tonight, I finished proofing Chapters Ten through Twelve.
Here are all the changes I've indicated in these three chapters:
P. 102
In first partial paragraph, change "forties" to "fifties".
P. 103
In second full paragraph, add "own" to "At the picture in her own hand."
Also in second full paragraph, the entire end of the paragraph from "N.T.Z." on, should be in italics.
P. 109
In first partial paragraph, change "mother" to "mom".
P. 115
In fifth full paragraph, remove quotation marks around "icky-face."
P. 118
In first partial paragraph, added comma between "…air, and we…"
Admit it. You're intrigued.
RAIN OF THE GHOSTS, BOOK ONE UPDATE, Chapters Three - Nine
RAIN OF THE GHOSTS, BOOK ONE UPDATE, Chapters Three - Nine
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm updating you on my progress proofreading the proofs of the book. (Yes, it's ridiculous, but I did use the word 'shameless' now, didn't I?)
This is a painstaking process. I'm going through each chapter sentence by sentence, trying to be careful with each word, each punctuation point.
Today, I finished proofing Chapters Three through Nine.
Here are the only changes I've indicated so far (including those from the work I did yesterday on the Acknowledgments and Chapters One and Two):
P. vii (Acknowledgments Page)
Paragraph 2 - "Ber-nstein" should not be hyphenated between r and n.
P. viii (Acknowledgments Page)
First full paragraph - Removed comma before "too."
Chapter One
P. 1
Paragraph 1 - Change "." at end of paragraph to "?".
P. 8
Within dialogue, shouldn't this read "'Local Color'" with single quotation marks and normal upper and lower case? Or maybe just put Local Color in italics?
P. 24
In last paragraph, change "eighty" to "ninety".
P. 29
In first full paragraph, change "window" to "windows".
P. 32
In first partial paragraph, remove the comma after "cereal".
P. 62
In second to last paragraph, capitalize the T and W in "Tall Woman".
Admit it. You're intrigued.
WONDERCON & ASK GREG LIVE
I'm declaring ASK GREG LIVE at WonderCon a success!!
We had about twenty or so people show up (including Masterdramon and Blaise). It was informal, fun (for me, at least) and, hopefully, informative. As expected, we mostly talked about YOUNG JUSTICE, but there were also questions about GARGOYLES and THE SPECTACULAR SPIDER-MAN and how to break into the business, etc. So it was a nice Ask Greg-ish mix.
Someone said they were waiting for me to say "SPOILER REQUEST. NO COMMENT." And I really did mean to say it, but I'm not sure that I ever really did. I don't think I spoiled very much, but I definitely revealed a couple things that I'm fairly confident I would not have revealed here on the website. I guess seeing the in-person faces of the fans melts me - at least a little.
I wasn't sure how many people would show up, so I had no idea how long it would run, but I had figured on about an hour. But we stood there - no sitting allowed in the Anaheim Convention Center Lobby - for over an hour and a half, and the time just raced by. (Special thanks to Matthew for holding up the ASK GREG LIVE sign for nearly the entire event.) At the end, we took a few photos, and I did an impromptu signing for anyone who had something they wanted signed. (Hadn't planned on that either, so I didn't have a pen. So thanks also to those who loaned me their sharpies!)
If you were there, I invite you to post about it here at ASK GREG tomorrow (i.e. Sunday, March 31st, 2013) or at the Station 8 Comment Room anytime next week. (I'll be stopping by to see what folks thought.) It's something I'd like to think about doing again. Perhaps at Denver Comic-Con or maybe even at San Diego Comic-Con (though that venue would present some MAJOR challenges). So even if you weren't able to attend, let me know if you'd like to see it happen again.
RAIN OF THE GHOSTS, BOOK ONE UPDATE
RAIN OF THE GHOSTS, BOOK ONE UPDATE
Yesterday, while I was at WonderCon (more on that shortly), a package came in the mail from St. Martin's Press. It's "the first pass page proofs for [my first] book, RAIN OF THE GHOSTS..."
In my on-going shameless attempt to maintain buzz about this new novel, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I'm going to update you on my progress proofreading these proofs. (Yes, it's ridiculous, but I did use the word 'shameless' now, didn't I?)
This is a painstaking process. I'm going through each chapter sentence by sentence, trying to be careful with each word, each punctuation point.
Tonight, I finished proofing the Dedication, Acknowledgments and Chapters One and Two. I'll keep you posted this week, as I proceed.
Now, since it's only midnight, I'm going back to go back to work on Chapter Seven of the second book in the Rain series.
Or I will, right after my next ramble.
WONDERCON ANAHEIM - ASK GREG LIVE
WONDERCON ANAHEIM - ASK GREG LIVE
Okay, once again, I will be attending WonderCon on Friday, March 29th:
I'm not on a panel or anything official. I'm just going to look around, hang out, etc. But ASK GREG moderator Masterdramon is also going, and we thought it might be fun to organize a semi-impromptu ASK GREG LIVE event. I assume most folks would want to talk about Young Justice, which is great. But we can also discuss Gargoyles or the weather or whatever. Chris Jones and I did something similar a few weeks ago at a Doctor Who convention, and we had fun. I think about twenty or so fans showed, which was a nice number. We might wind up with a few more or less. Or, heck, maybe it'll just be me and Masterdramon, which is okay too. EIther way, we want to try to keep the thing unofficial, informal, casual, etc.
I was hoping someone would come up with a brilliant plan for where to meet, but that never happened. So here's my LESS-than-brilliant plan:
Meet up at ONE P.M. on Friday, March 29th in the LOBBY of HALL B, BETWEEN THE TWO SETS OF DOORS. Here's a map:
http://issuu.com/comic-con/docs/wca2013_quickguide_web?mode=window
On that map, we'll be more or less directly beneath where the Graphitti Designs booth is in Hall B, but in the LOBBY. (Hopefully, that makes sense to everyone.)
If you need to know what I look like these days, you can see my somewhat pudgy self on this YouTube video:
http://www.youtube.com/watch?v=Rl4eL0YKtO8
At WonderCon, I'll be wearing my black YOUNG JUSTICE Hot Topic T-shirt. (And if it's cold, I'll be wearing a grey TULANE hoodie sweatshirt over that t-shirt.)
Hope to see at least a few of you there.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Six
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Six
In my on-going shameless attempt to maintain buzz about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I just finished writing Chapter Six. Sort of. That is, I realized that I need to split Six into two chapters, i.e. Six and Seven. And I'm done with the new Six. But I still have to finish the old Six, i.e. tomorrow I need to write the new Seven. When that's done, I'll need to write the old Seven, which is now the new Eight.
Aren't you glad you asked?
("But, Mister, I didn't ask!" "Quiet, kid. You bother me.")
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Five
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Five
In my on-going shameless attempt to maintain some sort of conversation about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I finished Chapter Five about five minutes ago. (This was a fun one to write.)
I'll let you know when I finish Chapter Six. Admit it, you're on the edge of your seat.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter 4
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter Four
In a shameless attempt to maintain some sort of conversation about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I finished Chapter Four about an hour ago. (This one kicked my ass for some reason.)
I'll let you know when I finish Chapter Five. Because, nothing could be more fascinating, right? Right?
Back to answering questions...
As I'm about to start answering questions here on ASK GREG - post "Endgame" - I want to first reiterate what I've already posted here:
http://www.s8.org/gargoyles/askgreg/search.php?rid=1026
I will NOT suddenly be SPOILING stuff left and right.
The YJ questions that have the best chance of being answered are ones about process and decision making regarding the television episodes and comic book issues that have already aired or been released. Asking for additional content is not at all likely to be rewarded. NOT. AT. ALL.
And again, if you want to know why, read this:
YOUNG JUSTICE: INVASION: Episode #220: "Endgame": Credits:
YOUNG JUSTICE: INVASION: Episode #220: "Endgame": Credits:
Posting the credits for the latest episode here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting, pasting and reformatting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired...
"ENDGAME"
Producers
Brandon Vietti
Greg Weisman
Written By
Kevin Hopps
Directed By
Doug Murphy
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Cameron Bowen as Robin
Tim Curry as G. Gordon Godfrey
Miguel Ferrer as Vandal Savage
Bruce Greenwood as Batman
Kevin Grevioux as Black Beetle
Bryton James as Virgil Hawkins/Static
Phil LaMarr as Green Beetle, Aquaman
Stephanie Lemelin as Artemis/Tigress, Computer
Eric Lopez as Blue Beetle, Scarab
Yuri Lowenthal as Lagoon Boy
Jason Marsden as Impulse/Kid Flash, Atom
Vanessa Marshall as Black Canary
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Scientist, Cat Grant, Bumblebee
Nolan North as Tribune, Superboy, Superman
Khary Payton as Aqualad, Black Lightning
Mark Rolston as Lex Luthor
Jason Spisak as Kid Flash
James Arnold Taylor as Flash
Tony Todd as Icon
Greg Weisman as Lucas Carr
Michael T. Weiss as Captain Atom
Mae Whitman as Wonder Girl
Based upon characters appearing in comic books published by DC Entertainment
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel and Joe Shuster
Aquaman Created By
Paul Norris
Nightwing Created By
Marv Wolfman and George Perez
Miss Martian Created By
Geoff Johns and Tony Daniel
Cat Grant Created By
Marv Wolfman and Jerry Ordway
Impulse Created By
Mark Waid and Mike Wieringo
G. Gordon Godfrey Created By
Jack Kirby
Snapper Carr and The Atom/Ray Palmer Created By
Gardner Fox
Static and Icon Created By
Milestone Media
Black Lightning Created By
Tony Isabella and Trevor Von Eeden
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Fedja Jovanovic
Nollan Obena
Prop Design
Alexander Kubalsky
Eugene Mattos
Storyboard
Jay Baker
Miyuki Hoshikawa
Vinton Heuck
Hank Tucker
Greg Rankin
Seung Hyun Oh
Storyboard Clean-up
Jen Bennett
Kathryn Marusik
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
James Tim Walker
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
Chun Liu
David McBride
Wei Zhao
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
MOI Animation, Inc.
Animation Director
Duhyeong Lee
Background Director
Gyeonggi Kim
Production Managers
OKKi Lee
MinSung Park
SuMi Beck
Production Coordinators
Hyosun Ryu
Seongmi Park
Layout Artists
Gijun Kim
Dongjik Woo
Junchan Kim
Color Stylist
Jinmi Kim
Model Checker
Jongmyeong Bae (Director)
Composition
Byoungryul Kim
Hyoyoon Beck
Kyounghee Kang
Sungho Jo
Key Animation
Jaemun Lee
Won Suh
Myeonghwan Park
Chango Park
Beomseok Lee
Gyeonga Chang
Jeonghui Yang
Gyeongho Lee
Geonsik Lee
3D CGI
Guhan Yoo (Director)
Gyusung Oh
Final Checker
Dongmun Choo
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Erica Sevilla-Guerra
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: "Endgame": stuff cut for time
YOUNG JUSTICE: INVASION: "Endgame": stuff cut for time
Hey gang,
I hope you enjoyed "Endgame", our second season finale of Young Justice: Invasion.
A little bit of dialogue was cut from the final script for time, and I thought you might like to see it here:
1. We revisit the broken translator gag at the beginning of the episode:
TRIBUNE #1 (VO PRE-LAP): Kesla vane… [Work…] Kesla vaaane, ka SKAH-vey keezy kretchmar, suh frag ka! [Wooork, you stinking little machine, or I end you!] (beat) There. <sigh> Let the defendants rise.
2. G. Gordon Godfrey leads an anti-Reach protest at the U.N. before the battle on the Reach Ship above:
GODFREY: Folks, tell Ol' G. Gordon - and the world - what you think of the Reach!
CROWD: Hate the Reach! / That drink made Grandma sick! / Why are they still here?! / Send 'em packing! / <boos, hisses, etc.>
3. When Blue Beetle first arrives on the Watchtower:
BLUE BEETLE: Awesome…
NIGHTWING: Blue. Focus.
BLUE BEETLE: Sorry. First time here and… never mind.
CAPTAIN ATOM: The natural disasters have escalated. The rest of the League is spread thin saving lives across the globe.
4. In the middle of Lex's call to the Watchtower:
LEX LUTHOR: Secretary Tseng was kind enough to let me borrow his frequency, as I have a possible solution to our mutual problem.
ATOM: A problem created by you and the Light when they collaborated to bring the Reach to Earth.
LEX LUTHOR: Perhaps. But as I believe you know, the Light always planned to betray the Reach. And I certainly have no desire to see the Earth destroyed.
AQUALAD: I believe we should hear him out.
LEX LUTHOR: Thank you, Kaldur'ahm. You are missed in our corner.
5. At the gathering of 40 heroes, while Lex and Blue Beetle are prepping the "Eggs":
IMPULSE: I'm so feeling the mode. I came back from the future to stop the Reach from enslaving the Earth… not to let them destroy it.
KID FLASH: You didn't let them do anything. You stopped them from killing Flash and helped us save Blue. Not to mention, fought alongside us to bring down the Reach and break up the Light.
Kid Flash RUFFLES a smiling Impulse's hair.
KID FLASH (CONT): Now you're going to help save the world. The Reach will not win this one. Not when there are guys like you around to "crash" them. Did I use that right?
IMPULSE: Close enough. And thanks.
6. Lucas Carr coordinates from the Watchtower:
CAPTAIN ATOM (VO RADIO): Alpha Squad engaging Drones.
CARR: Acknowledged. All Squads report in.
Carr REACTS as the first few call-ins OVERLAP, then the rest become a CACOPHONY.
BLUE BEETLE / FLASH / BLACK LIGHTNING / NIGHTWING / AQUAMAN / BLACK CANARY / BUMBLEBEE / ATOM / SUPERBOY / ROBIN / MISS MARTIAN / ARTEMIS / AQUALAD (VO RADIO): Beta Squad in position. / Gamma Squad has disabled MFD. / Delta Squad engaging enemy. / Epsilon just arriving. / Eta still en route. / Theta's a little busy right now. / Kappa Squad engaged. / Omicron has succeeded. / Rho Squad. No joy yet. / Tau Squad has engaged. / Psi Squad has destroyed all Drones. / Omega Squad arriving now. / Sigma has engaged--
CARR: Whoa, whoa. Sorry. One at a time. Sigma Squad, say again.
AQUALAD (VO RADIO): Repeat: Sigma has engaged Drones.
7. After Kid Flash disables the Paris MFD:
ARTEMIS: Omega Squad has-
Kid Flash <SPEEDS> back to her side and <KISSES> her.
KID FLASH: Look, I know we promised each other we'd get out of this game…
ARTEMIS: But maybe we can have our life together and play hero too…
They <KISS> again.
CARR: Omega Squad. Repeat transmission. Omega?
8. During and just after Virgil and Black Lightning's MFD battle:
VIRGIL: Gotta say, playing hero… it's starting to feel pretty sweet.
BLACK LIGHTNING: I'm not surprised. You show real potential for this gig. You ever need a mentor, Virgil, you just let me know.
VIRGIL: Really?! That would be amazing! But first, you think we could head topside and see my family? I really miss 'em.
9. On the Watchtower with Virgil, Cassie and Tim:
WONDER GIRL: Welcome to the Team, Virgil.
STATIC: Call me Static!
ROBIN: Catchy. What about your pals? I take it they declined our invitation.
STATIC: Well, Arsenal was always more of a solo act. And the others are getting out of the game. Neut went back to his foster family, and Eduardo moved in with his dad. Even Tye went home. I guess his mom's evil boyfriend is out of the picture.
WONDER GIRL: And Asami?
STATIC: She's staying with Tye and his mom. Turns out she and Tye kinda had a thing. And none of us knew.
Wonder Girl and Robin are secretly HOLDING HANDS behind their backs.
ROBIN, WONDER GIRL (UNISON): It happens.
Finally, just because - knowing our fans - this might be of interest, here are the twenty squads that successfully disabled the first twenty MFDs:
1. Alpha - Captain Atom, Eduardo "Ed" Dorado, Jr.
2. Beta - Blue Beetle, Impulse
3. Gamma - Flash (Barry Allen), Plastic Man
4. Delta - Black Lightning, Virgil Hawkins
5. Epsilon - Nighwing, B'arzz O'oomm
6. Zeta - Rocket, Adam Strange
7. Eta - Aquaman, Tempest
8. Theta - Black Canary, Asami "Sam" Koizumi
9. Iota - Green Arrow, Captain Marvel
10. Kappa - Bumblebee, Guardian
11. Lambda - Red Tornado, Flash (Jay Garrick)
12. Mu - Doctor Fate, Blue Devil
13. Nu - Red Arrow, Arsenal
14. Omicron - Atom, Tye Longshadow
15. Pi - Zatanna, Batgirl
16. Rho - Superboy, Wolf
17. Sigma - Aqualad, Lagoon Boy
18. Tau - Robin, Wonder Girl
19. Psi - Miss Martian, Beast Boy
20. Omega - Artemis, Kid Flash
I'll post the credits tomorrow and start answering questions on Wednesday...
Props to GLTAS
I just want to extend my congratulations to a great season of Green Lantern The Animated Series.
I had no involvement in it, other than as a fan. I watched it every week on DC Nation, and really enjoyed it. And I think their last episode was just killer. I've been really impressed with the work that Jim, Giancarlo, Bruce and the rest of the crew has done all year, and with a core voice cast of Josh Keaton, Kevin Michael Richardson, Jason Spisak and Grey Delisle, it just doesn't get any better.
Obviously, I wish they were making more, but that doesn't change the fact that what they already accomplished was stellar!
YOUNG JUSTICE: INVASION: EPISODE: 220: "Endgame": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 220: "Endgame": Premieres!
YOUNG JUSTICE! INVASION! ENDGAME! ENOUGH SAID!
This is it, the big season finale, folks! Watch "Endgame" on DC Nation, this coming Saturday, March 16th, 2013 (and rerunning Sunday, March 17th, 2013), along with another new episode of Green Lantern and more DC Nation Super-Hero shorts. For times, check local listings. But don't miss it!
WONDERCON ANAHEIM - ASK GREG LIVE
WONDERCON ANAHEIM - Who'd like to meet up?
My daughter Erin and I will be attending WonderCon on Friday, March 29th:
I'm not on a panel or anything official. I'm just going to look around, hang out, etc. But ASK GREG moderator Masterdramon is also going, and we thought it might be fun to organize a semi-impromptu ASK GREG LIVE event. I assume most folks would want to talk about Young Justice, which is great. But we can also discuss Gargoyles or the weather or whatever. Chris Jones and I did something similar a few weeks ago at a Doctor Who convention, and we had fun. I think about twenty or so fans showed, which was a nice number. We might wind up with a few more or less. Or, heck, maybe it'll just be me, Erin and Masterdramon, which is okay too. EIther way, we want to try to keep the thing unofficial, informal, casual, etc.
The main question I have is exactly when and where should we meet up? Has to be Friday the 29th, and because (a) I'm driving down there from Los Angeles and (b) it's the first day of the con, it probably shouldn't be too early. Likewise, I'm not staying overnight, and I have the drive home, so not too late either. So an afternoon meet-up, I'm guessing. Or maybe lunch? An early dinner? Linner?
And where do we meet? How do we find each other? (I'm not familiar enough with the Anaheim Convention Center to know exactly where a good spot might be.)
I'm definitely open to suggestions. I'm posting this here at ASK GREG, but also in the Station 8 Comment Room, which I'll be checking periodically between now and the con. If you have any thoughts on where we could meet, please post them there:
http://www.s8.org/gargoyles/comment/index.php
It'll also help us gauge interest in how many people might actually be, well... interested in this sort of thing. So even if you have no suggestions but you plan on joining us, post anyway, so that we can begin to approximate a head count. It may influence where we meet up.
The week before the convention, I'll post the final specifics on where and when at ASK GREG and at Station 8.
Hope to see at least a few of you soon.
VERONICA MARS on Kickstarter
VERONICA MARS on Kickstarter
So I've always been fairly dubious about Kickstarter. I found the websites overwhelming and off-putting.
But my brother Jon just sent me the link below, and I actually found myself pledging $50, which is WAY out of character for me.
http://www.kickstarter.com/projects/559914737/the-veronica-mars-movie-project
In part, it's because my daughter Erin and I are both massive Veronica Mars fans. And in part, it's because if this works, it opens up a whole new realm of possibilities.
Gargoyles on Kickstarter? Spectacular Spider-Man on Kickstarter? Young Justice on Kickstarter? Today it seems just a little less nutty than it did yesterday.
So check out the link. If you love Veronica Mars like I do, pledge what you can - because, damn, I want to see that movie - but even if V is of no interest to you, check out the link anyway. It's definitely giving me... thoughts...
YOUNG JUSTICE: INVASION: Episode #219: "Summit": Credits:
YOUNG JUSTICE: INVASION: Episode #219: "Summit": Credits:
Posting the credits for the latest episode here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting, pasting and reformatting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired...
"SUMMIT"
Producers
Brandon Vietti
Greg Weisman
Written By
Greg Weisman
Directed By
Tim Divar
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Oded Fehr as Ra's Al Ghul
Miguel Ferrer as Vandal Savage
Kevin Grevioux as Black Beetle
Logan Grove as Beast Boy
Phil LaMarr as Ambassador, Aquaman
Stephanie Lemelin as Tigress
Jason Marsden as Impulse
Vanessa Marshall as Black Canary
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Scientist, Cat Grant
Khary Payton as Aqualad, Black Manta
Jason Spisak as Kid Flash
Fred Tatasciore as Deathstroke, Ubu
Based upon characters appearing in comic books published by DC Entertainment
Aquaman Created By
Paul Norris
Nightwing and Deathstroke Created By
Marv Wolfman and George Perez
Miss Martian Created By
Geoff Johns and Tony Daniel
Beast Boy Created By
Arnold Drake
Impulse Created By
Mark Waid and Mike Wieringo
Cat Grant Created By
Marv Wolfman and Jerry Ordway
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Eugene Mattos
Storyboard
Jen Bennett
Naz Ghodrati-Azadi
Samuel Montes
Matt Peters
Owen Sullivan
Storyboard Clean-up
Jen Bennett
Brendan Clogher
Kathryn Marusik
Christine Sotta
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operators
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
MOI Animation, Inc.
Animation Director
Sangyong Um
Background Director
sJungHo Park
Production Manager
OKKi Lee
MinSung Park
SuMi Beck
Production Coordinators
Hyosun Ryu
Seongmi Park
Layout Artist
Hyeonsik Nahm
Color Stylist
Jinmi Kim
Model Checker
Gideok Park (Director)
Composition
ByoungRyul Kim
HyoYoon Beck
KyoungHee Kang
SungHo Jo
Key Animation
Hoon Park
EunJung Kang
EunHee Yang
JongJin Park
BongGeun Kim
SeongJoon Kwon
SooJin Lee
HanYoung Lee
YoungChae Kim
YunHo Choo
SangYoung Uhm
3D CGI
GyuSung Oh
Final Checker
Yeongra Jo
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Erica Sevilla-Guerra
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
The Coming Deluge - Yet More Ask Greg Guidelines
The Coming Deluge - Yet More Ask Greg Guidelines
So, I truly hope I'm wrong, but I have to admit I'm anticipating a deluge of questions asking for SPOILERS after the airing of this Saturday's YOUNG JUSTICE: INVASION finale. I understand the impulse: "The television and comic book series are over, so there's no reason for him to hold back anymore! It means anything and everything are now fair game! He can never say 'SPOILER REQUEST. NO COMMENT.' again"
But, see, that's not how I feel about it. So here's why, and here's how that should guide your future questions at ASK GREG:
1. Let's start here: OBJECTIVELY we're not over. YOUNG JUSTICE: LEGACY is due out in the fall, and it will contain new content - a SUBSTANTIAL amount of new CANON story content, based on ideas suggested to Little Orbit by Brandon Vietti and myself, and all vetted after the fact by us, as well, to make sure everything from dialogue to timestamps is consistent with the property as a whole. Now, LEGACY is set during the five-year-gap. So I'm not going to be inclined to answer questions that require me to reveal things that happened during our time skip. And not just Legacy related stuff either, because if I answer some questions about the gap but refuse to answer others, I'll be de facto spoiling. That I will not do, so please refrain from asking questions about the missing five years.
2. If I've learned anything from the long haul on GARGOYLES, it's that things sometimes DO come back. So SUBJECTIVELY I don't feel like we're over either. I still have hopes - however slim - of returning to Earth-16 one day. So there are secrets that I still may want to keep. Particularly about "Season Three". I'm not saying I'll never reveal anything. Sometimes a tidbit here or there helps keep fan interest alive. But I'm not going to wholesale give away the plans that Brandon and I came up with for what happens next. In general, I'm much more inclined to clarify what's already been shown then reveal what hasn't been shown. So try focusing your questions on what's aired or seen print and try to refrain from asking What Happens Next questions. When I feel like revealing something, I will.
3. ASK GREG is NOT a good format for me to tell creative stories. Any question, wherein the answer could fill an entire issue of a comic book or an entire episode of a television series or MORE will not be answered, because I will not short-change a story with a quick response, and I will not tell a story here at ASK GREG. So try to refrain from asking questions that would take an entire issue or episode to answer.
4. Brandon and I have many, many ideas for what happened before Season One, a few still left for what happened during Season One, many for what happened between seasons (including but not limited to Legacy), many ideas for stuff that happened off-camera during Season Two, tons of ideas for Season Three, and many, many, many ideas for beyond Season Three. BUT... ideas minus execution are subject to tremendous second-guessing. So I'm not inclined to give you new content. If I had told you before Season One that Red Arrow was the mole, minus how we executed that plot, it might have seemed quite weak. It's the execution that demonstrates whether or not an idea shines. And frankly, I don't need the second guessing and, well, nastiness that the internet encourages. So that's just another reason to refrain from asking what else we might have planned.
5. I will not lie to you here at ASK GREG, per this post: http://www.s8.org/gargoyles/askgreg/search.php?rid=982 . But I also will not state things that I believe to be true if stating those things will pretty much guarantee that I won't ever work in this town again. I have a mortgage to pay and kids to feed and clothe, etc. So you will not see me bad-mouthing companies in this public space. So please refrain from asking questions that would force me to do that. The best you'll get is no response.
6. Keep in mind, I answer questions because I like to be in touch with the fans, and I think it's fun for us all. But that doesn't mean I somehow OWE you an answer. The more entitled you think you are to the answer, (I can all but guarantee) the less inclined I'll be to respond in any useful way. Maybe that's me being needlessly contrary, but I'm just going to admit up front that it rubs me the wrong way. So tonally, try to avoid a sense of entitlement in your questions.
All this is IN ADDITION to the FOURTEEN guidelines already posted here: http://www.s8.org/gargoyles/askgreg/ask.php I'll admit that these six new guidelines are perhaps even more subjective than the previous fourteen, but I guarantee you that we'll all be happier if you stick to them. And the happier I am, the more likely that I'll drop the occasional surprise here and there. Whereas, the more assaulted I feel, the more likely I am to get annoyed and clam up about everything. YOU HAVE BEEN WARNED!
Otherwise... thanks for stopping by. Seriously. The dark days at ASK GREG seem to have passed for the most part, and most days I enjoy doing it again. I just want to keep it that way. Thanks.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter 3
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapter 3
In a shameless attempt to maintain some sort of conversation about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
I finished Chapter Three over the weekend.
I'll let you know when I finish Chapter Four. Because, nothing could be more fascinating, right? Right?
CONVENTIONS
CONVENTIONS
This year, I will be attending WonderCon in Anaheim and San Diego Comic-Con, both as just a regular joe. I will also be attending Denver Comic-Con as an invited guest:
http://www.denvercomiccon.com/
A few people have asked me recently if there are any other conventions I might be attending. At the moment, the answer, I'm afraid, is no. Mostly because I haven't been invited, and I just can't afford to go to a con on my own dime. [WonderCon is both relatively local and free for me to attend, and San Diego is (sometimes to my chagrin) - still an I-can't-afford-to-miss-this-in-the-business-I'm-in event. And at least I can go to the con itself for free. So they're both exceptions.]
Chris Jones, my partner in crime on the YJ comic book, posted this message about con attendance, and it's so on the money, I'm just going to cut and paste it here:
"Guys, if you want to see me as a guest at a particular convention in your area, the best thing to do is for you and your friends to let the convention runners know you want me there! I can't afford to travel to many out-of-state conventions so when a convention invites me as a guest and covers ... my travel/hotel expenses, it makes it MUCH more likely that I'll be able to attend! :-)"
In fact, I've literally NEVER turned down an invite to be an invited guest. (Okay, yeah, I'm a bit of an attention-whore. I admit it.) So if you want me in your town, tell your local con!
Thanks.
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapters 1 & 2
RAIN OF THE GHOSTS, BOOK TWO COUNTDOWN, Chapters 1 & 2
In a shameless attempt to maintain some sort of conversation about my new novel, RAIN OF THE GHOSTS, due out in stores and on-line on December 3rd, 2013 (but available for pre-order NOW on Amazon, etc.), I've decided to countdown my progress on writing the SECOND book in the Rain franchise.
For the record, I signed the deal to write the book at the end of October, 2012. I spent November and December doing research and January and February outlining the story in detail (693 index cards!). I started writing Chapter One on March 1st, and finished on March 3rd. I immediately started on Chapter Two and finished last night, long after midnight, making it technically done on March 8th. Now, of course, between now and publication, I'm sure I'll make a number of small revisions, etc. But the hard work of writing these two chapters is done.
I'll let you know when I finish Chapter Three. Because, nothing could be more fascinating, right? Right?
YOUNG JUSTICE: INVASION: EPISODE: 219: "Summit": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 219: "Summit": Premieres!
The penultimate episode of Invasion features a summit between the Light and the Reach that will decide the fates of Aqualad, Artemis and the planet Earth!!
Watch "Summit" on DC Nation, this coming Saturday, March 9th, 2013 (and rerunning Sunday, March 10th, 2013), along with another new episode of Green Lantern and more DC Nation Super-Hero shorts. For times, check local listings. But don't miss it!
YOUNG JUSTICE: INVASION: Episode #218: "Intervention": Credits:
YOUNG JUSTICE: INVASION: Episode #218: "Intervention": Credits:
Posting the credits for the latest episode here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting, pasting and reformatting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired...
"INTERVENTION"
Written By
Peter David
Directed By
Mel Zwyer
Producers
Brandon Vietti
Greg Weisman
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Denise Boutte as Rocket
Cameron Bowen as Robin, Toyman
Lacey Chabert as Zatanna, Isis
Kevin Grevioux as Black Beetle
Phil LaMarr as Reach Ambassador, Green Beetle
Eric Lopez as Blue Beetle, Scarab
Yuri Lowenthal as Lagoon Boy
Jason Marsden as Impulse
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Reach Scientist, Cat Grant, Bumblebee
Marina Sirtis as Queen Bee
Alyson Stoner as Batgirl
Based upon characters appearing in comic books published by DC Entertainment
Nightwing Created By
Marv Wolfman and George Perez
Cat Grant Created By
Marv Wolfman and Jerry Ordway
Impulse created by
Mark Waid and Mike Wieringo
Miss Martian created by
Geoff Johns and Tony Daniel
Zatanna created by
Gardner Fox and Murphy Anderson
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Fedja Jovanovic
Nollan Obena
Prop Design
Alexander Kubalsky
Eugene Mattos
Storyboard
Charles Drost III
Tim Eldred
Seung-Hyun Oh
Shaun O'Neal
Storyboard Clean-up
Jen Bennett
Brendan Clogher
Naz Ghodrati-Azadi
Christina Manrique
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
Chun Liu
Wei Zhao
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Directors
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Youngsoo Kim
Sangjoon Lee
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
Layout Artists
Changnam Kim
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Mikyoung Kim
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Seokjin Jang
Mansoo Jung
Kyounghwa Seo
Dongwook Kim
Kwonil Kim
Sinkwon Kim
Youngmi Lee
Jihyeon Nam
3D CGI
Seokki Um
Misook Choi
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Erica Sevilla-Guerra
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
PROCRASTINATOR OF THE GHOSTS
PROCRASTINATOR OF THE GHOSTS
So I've finished outlining the second book in the RAIN OF THE GHOSTS series. Now, I need to start writing Chapter One. So, of course, I'm here at ASK GREG instead, procrastinating. (Hey, that first blank page is VERY intimidating!)
Anyway, as part of my process, I broke the entire book down on index cards: SIX HUNDRED NINETY-THREE index cards to be exact!!! They completely cover a huge six foot tall bulletin board, a decent-sized table and nearly an entire pool table. They're multi-colored. I think they're very pretty.
I've also transcribed those cards into a document, because, frankly, carrying around a bulletin board, a table and a pool table was getting SO unwieldy. This document, which also contains research and other notes, is ONE HUNDRED THIRTY-SEVEN pages long!!
See why I'm intimidated?
YOUNG JUSTICE: INVASION: EPISODE: 218: "Intervention": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 218: "Intervention": Premieres!
It's now or never: can the Team rescue and redeem Blue Beetle - over the somewhat impressive objections of Green Beetle and the Reach?!! We're in the home stretch, now, folks. Every episode counts toward the ultimate future of the human race!!
Watch "Intervention" on DC Nation, this coming Saturday, March 2nd, 2013 (and rerunning Sunday, March 3rd, 2013), along with another episode of Green Lantern and more DC Nation Super-Hero shorts. For times, check local listings. But don't miss it!
YOUNG JUSTICE: INVASION: Episode #217: "The Hunt": Credits:
YOUNG JUSTICE: INVASION: Episode #217: "The Hunt": Credits:
Posting the credits for the latest episode here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting, pasting and reformatting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired...
"THE HUNT"
Written By
Brandon Vietti
Directed By
Doug Murphy
Producers
Brandon Vietti
Greg Weisman
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Tim Curry as G. Gordon Godfrey
Crispin Freeman as Arsenal
Kevin Grevioux as Black Beetle
Bryton James as Virgil Hawkins
Janice Kawaye as Asami "Sam" Koizumi
Phil LaMarr as Reach Ambassador
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Reach Scientist, Bumblebee
Gregg Rainwater as Tye Longshadow
Freddy Rodriguez as Eduardo "Ed" Dorado, Jr.
Mark Rolston as Lex Luthor
Based upon characters appearing in comic books published by DC Entertainment
Nightwing Created By
Marv Wolfman and George Perez
Miss Martian Created By
Geoff Johns and Tony Daniel
G. Gordon Godfrey Created By
Jack Kirby
Virgil Hawkins Created By
Milestone Media
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Eugene Mattos
Storyboard
Jay Baker
Jen Bennett
Todd Demong
Naz Ghodrati-Azadi
Vinton Heuck
Miyuki Hoshikowa
Storyboard Clean-up
Jen Bennett
Brendan Clogher
Naz Ghodrati-Azadi
Christina Manrique
Kathryn Marusik
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
Chun Liu
David McBride
Wei Zhao
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operators
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
MOI Animation, Inc.
Animation Director
Duhyeong Lee
Background Director
JungHo Park
Production Managers
OKKi Lee
MinSung Park
SuMi Beck
Production Coordinators
Hyosun Ryu
Seongmi Park
Layout Artist
Juhyeon Lee
Color Stylist
Jinmi Kim
Model Checker
Yangsuk Kim (Director)
Composition
ByoungRyul Kim
HyoYoon Beck
KyoungHee Kang
SungHo Jo
Key Animation
Won Suh
Beomseok Lee
Gyeongho Lee
Myeonghwan Park
Jeonghui Yang
Jaemun Lee
Chango Park
Gyeonga Chang
3D CGI
GyuSung Oh
Final Checker
Dongmun Choo
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Erica Sevilla-Guerra
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE: 217: "The Hunt": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 217: "The Hunt": Premieres!
Lex Luthor! Black Beetle! Mongul! Despero (sort of)! The Ambassador! G. GORDON GODFREY!! And those are just the good guys! (kidding, kidding)
Watch "The Hunt" on DC Nation, this coming Saturday, February 23rd, 2013 (and rerunning Sunday, February 24th, 2013), along with another episode of Green Lantern and more DC Nation Super-Hero shorts. For times, check local listings. But don't miss it!
YOUNG JUSTICE: INVASION: ISSUE: 25: "Players: Chapter Six: Rolling Doubles": On Sale: NOW!
YOUNG JUSTICE: INVASION: ISSUE: 25: "Players: Chapter Six: Rolling Doubles": On Sale: NOW!
Our last issue has at least 47 named characters and some pretty startling character moments!! Check it out now at your local comics shop or online!
YOUNG JUSTICE: INVASION: Episode #216: "Complications": Credits:
YOUNG JUSTICE: INVASION: Episode #216: "Complications": Credits:
Posting the credits for the latest episode here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting, pasting and reformatting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired...
"COMPLICATIONS"
Written By
Kevin Hopps
Directed By
Tim Divar
Producers
Brandon Vietti
Greg Weisman
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Nick Chinlund as Sportsmaster
Kelly Hu as Cheshire, Paula Crock
Phil LaMarr as Ambassador, Green Beetle
Stephanie Lemelin as Tigress
Eric Lopez as Blue Beetle
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Khary Payton as Black Manta, Aqualad
Fred Tatasciore as Deathstroke
Michael T. Weiss as Captain Atom
Based upon characters appearing in comic books published by DC Entertainment
Nightwing, Cheshire & Deathstroke Created By
Marv Wolfman and George Perez
Miss Martian Created By
Geoff Johns and Tony Daniel
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Nollan Obena
Prop Design
Alexander Kubalsky
Eugene Mattos
Storyboard
Christine Juhl Delk
Tim Divar
Juno Lee
Samuel Montes
Matt Peters
Owen Sullivan
Storyboard Clean-up
Jen Bennett
Brendan Clogher
Christine Juhl Delk
Naz Ghodrati-Azadi
Christina Manrique
Kathryn Marusik
Christina Sotta
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
Chun Liu
David McBride
Craig Robertson
Wei Zhao
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
MOI Animation, Inc.
Animation Director
Sangyong Um
Background Director
JungHo Park
Production Managers
Okki Lee
MinSung Park
SuMi Beck
Production Coordinators
Hyosun Ryu
Seongmi Park
Layout Artists
Hyeonsik Nahm
Color Stylist
Jinmi Kim
Model Checker
Kyeongsook Yu
Composition
ByoungRyul Kim (Director)
HyoYoon Beck
KyoungHee Kang
SungHo Jo
Key Animation
EunJung Kang
EunHee Yang
JongJin Park
BongGeun Kim
SeongJoon Kwon
SooJin Lee
HanYoung Lee
YoungChae Kim
YunHo Cho
SangYoung Uhm
3D CGI
GyuSung Oh
Final Checker
Yeongra Jo
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Erica Sevilla-Guerra
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
A little more RAIN
UPDATE: You can now see the cover to my first novel up on Amazon.com:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
Forgive me. It's still probably way too early to be plugging the book (though I'm usually not too shy about pimping). But I'm particularly tickled by each little bit of progress. Plus I think the cover looks way cool! So pre-order the thing now!!
YOUNG JUSTICE: INVASION: EPISODE: 216: "Complications": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 216: "Complications": Premieres!
Black Manta wants to kill Miss Martian! Sportsmaster wants to kill Black Manta! Cheshire wants to kill Aqualad! And at this point, Artemis may just want to kill Tigress! Watch "Complications" on DC Nation, this coming Saturday, February 16th, 2013 (and rerunning Sunday, February 17th, 2013), along with another episode of Green Lantern and more DC Nation Super-Hero shorts. For times, check local listings. But don't miss it!
Young Justice: Volume 3: Creature Feature
Christopher Jones said it so well, I'm just cutting and pasting his pimping:
In Stores NOW: Young Justice - Volume 3
Young Justice: Volume 3 - Creature Features is in comic book shops and book stores TODAY! Volume 3 collects issues #14-19, featuring our Atlantis, Kobra Cult and Gorilla City storylines. Carrying a cover price of $12.99, this volume joins Volume 1 (issues #0-6) and Volume 2 - Training Day (issues #7-13).
Young Justice: Volume 3 is written by Greg Weisman, drawn by Christopher Jones, colors by Zac Atkinson, and a story drawn by guest artist Lucciano Vecchio.
If you can't find a copy at your local comic shop or bookstore, you can ask them to order one, or order it on line from a source like Amazon.com!
Pimping John Wells
John Wells, as many of you may have noticed on the credit lists I've posted for Young Justice, has provided invaluable research on the DC Universe for those of us working on the YOUNG JUSTICE comic and television series.
He's written a book: American Comic Book Chronicles: 1960-1964, and he's recently been interviewed by KC Carlson about the book, his secret origins and the work he's done in and for the industry. (Coincidentally, KC was - once upon a time - my associate editor on CAPTAIN ATOM.)
Anyway, here are links to the three-part interview:
http://comicsworthreading.com/2013/02/11/interview-with-john-wells-comic-historian-part-1/
http://comicsworthreading.com/2013/02/12/interview-with-john-wells-comic-historian-part-2/
http://comicsworthreading.com/2013/02/13/interview-with-john-wells-comic-historian-part-3/
Check 'em out! And congratulations, John!
Rain of the Ghosts
Bookmark this page:
http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791
And while you're at it, mark your calendars: December 3rd, 2013. That's the date when my first published novel hits bookstores, Amazon.com, etc.
The novel is called RAIN OF THE GHOSTS, and if you attended the second Gathering of the Gargoyles in 1998, you saw a version of the story as part of our very first Gathering Players' Radio Play.
I'm very excited about this. I've been working on this property for over ten years (obviously), and it's great to finally be getting it out there to people. I've already reviewed and approved the copy edited manuscript and the cover. Even got some great blurbs/recommendations from folks whose names you're going to recognize. Right now, I'm plotting the second book in the series. (LOTS OF INDEX CARDS!!) And I honestly believe that if you've enjoyed any of my previous work - and why would you be here at ASK GREG if you didn't -then you'll like this too.
More on this as the year progresses. In fact, I might just hold some kind of countdown to 12/03/13. Though of course, if you want to pre-order the book now, I won't try to stop you.
YOUNG JUSTICE: INVASION: Episode #215: "War": Credits:
YOUNG JUSTICE: INVASION: Episode #215: "War": Credits:
Posting the credits for the latest episode here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting, pasting and reformatting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired...
"WAR"
Written By
Jon Weisman
Directed By
Mel Zwyer
Producers
Brandon Vietti
Greg Weisman
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Keith David as Mongul
Miguel Ferrer as Vandal Savage, Tribune
Crispin Freeman as Arsenal, Galet Dasim
Phil LaMarr as Green Beetle, Ambassador, Aquaman
Eric Lopez as Blue Beetle
Jesse McCartney as Nightwing
Masasa Moyo as Bumblebee, Cat Grant, Scientist
Nolan North as Superboy, Superman
Kevin Michael Richardson as Guardian, Green Lantern, Martian Manhunter
Alyson Stoner as Batgirl
Michael T. Weiss as Captain Atom
Based upon characters appearing in comic books published by DC Entertainment
Superman created by
Jerry Siegel and Joe Shuster
Aquaman Created By
Paul Norris
Martian Manhunter created by
Joseph Samachson and Joe Certa
Nightwing Created By
Marv Wolfman and George Perez
Mongul Created By
Len Wein and Jim Starlin
Cat Grant Created By
Marv Wolfman and Jerry Ordway
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Alexander Kubalsky
Eugene Mattos
Storyboard
Charles Drost III
Jason Narvaez
Seung-Hyun Oh
Chris Palmer
Greg Rankin
Olga Ulanova
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operators
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Directors
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Sinkwon Kim
Seokwoo Kim
Jeha Yu
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
Layout Artists
Myoungin Kang
Changnam Kim
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checker
Junghee Kim
Mikyoung Kim
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Woosik Choi
Dongwook Kim
Kaekwon Kim
Seokjin Jang
Mansoo Jung
Jihyeon Nam
3D CGI
Seokki Um
Misook Choi
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Erica Sevilla-Guerra
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE: 215: "War": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 215: "War": Premieres!
The trial on Rimbor! Mongul! The Warworld! And possibly, the last stand of the planet Earth! This is a big one, folks! Watch "WAR" on DC Nation, this coming Saturday, February 9th, 2013 (and rerunning Sunday, February 10th, 2013), along with another episode of Green Lantern and more DC Nation Super-Hero shorts. For times, check local listings. But don't miss it!
YOUNG JUSTICE: INVASION: Episode #214: "Runaways": Credits:
YOUNG JUSTICE: INVASION: Episode #214: "Runaways": Credits:
This will catch me up - for now - on posting the credits for the episodes here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting and pasting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired...
RUNAWAYS
Writer And Director Sub-Main Titles At Front Of Show:
Written By
Kevin Hopps
Directed By
Doug Murphy
Producers
Brandon Vietti
Greg Weisman
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Jeff Bennett as Red Volcano, David Wilcox
Bruce Greenwood as Eduardo Dorado, Sr.
Kevin Grevioux as Black Beetle
Bryton James as Virgil Hawkins
Janice Kawaye as Asami "Sam" Koizumi
Phil LaMarr as Green Beetle
Eric Lopez as Blue Beetle
Jesse McCartney as Nightwing
Gregg Rainwater as Tye Longshadow
Freddy Rodriguez as Eduardo "Ed" Dorado, Jr.
Mark Rolston as Lex Luthor
James Arnold Taylor as Nathaniel "Neut" Tryon, Burton Thompson
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Nollan Obena
Prop Design
Andy Chiang
Eugene Mattos
Storyboard
Jay Baker
Adrian Barrios
Todd Demong
Brad Goodchild
Miyuki Hoshikawa
Phil Pignotti
Jeff Snow
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors Post Production Manager
Patrick Foley Scott Shinick
Mike Garcia
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
MOI Animation, Inc.
Animation Director
Seongman Heo
Background Director
JungHo Park
Production Managers
MinSung Park
SuMi Beck
Production Coordinators
Hyosun Ryu
Seongmi Park
Layout Artists
Gyeongchuk Sa
Eunghwan Oh
Color Stylist
Jinmi Kim
Model Checkers
Eunha Kim
Myeonghui Park
Gyeongsuk Heo
Composition
ByoungRyul Kim (Director)
HyoYoon Beck
KyoungHee Kang
SungHo Jo
Key Animation
Hanhyeong Lee
Myeonggi Hong
Gyeongim Kim
Jeongseok Lee
Huijeong Lee
Haegyun Park
Sangjin Park
Jeonghyeon Shin
Sujin Lee
3D CGI
GyuSung Oh
Final Checker
Yeongra Jo
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Erica Sevilla-Guerra
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: Episode #213: "The Fix": Credits:
YOUNG JUSTICE: INVASION: Episode #213: "The Fix": Credits:
Still trying to catch up on posting the credits for the episodes here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting and pasting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired...
THE FIX
Written By
Greg Weisman
Directed By
Tim Divar
Producers
Brandon Vietti
Greg Weisman
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
"Reach for a Reach"
Music by
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Lyrics by
Greg Weisman
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Phil Lamarr as Green Beetle
Stephanie Lemelin as Tigress/Artemis
Eric Lopez as Blue Beetle
Yuri Lowenthal as Lagoon Boy
Jason Marsden as Impulse, Lead Singer
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian, Back-Up Singer
Wentworth Miller as Deathstroke
Nolan North as Superboy
Khary Payton as Black Manta, Aqualad
Alan Tudyk as Psimon
Based On DC Comics Characters
Deathstroke, Nightwing and Psimon Created By
Marv Wolfman and George Perez
Miss Martian Created By
Geoff Johns and Tony Daniel
Impulse Created By
Mark Waid and Mike Wieringo
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Eugene Mattos
Storyboard
Jen Bennett
Chrissy Delk
Tim Divar
Naz Ghodrati-Azadi
Matt Peters
Owen Sullivan
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Kathryn Marusik
Christine Sotta
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
MOI Animation, Inc.
Animation Director
Sangyong Um
Background Director
JungHo Park
Production Managers
MinSung Park
SuMi Beck
Production Coordinators
Hyosun Ryu
Seongmi Park
Layout Artist
Hyeonsik Nahm
Color Stylist
Jinmi Kim
Model Checker
Gideok Park
Composition
ByoungRyul Kim (Director)
HyoYoon Beck
KyoungHee Kang
SungHo Jo
Key Animation
Eunjung Kang
EunHee Yang
JongJin Park
BongGeun Kim
SeongJoon Kwon
SooJin Lee
HanYoung Lee
YoungChae Kim
YunHo Choo
SangYoung Uhm
3D CGI
GyuSung Oh
Final Checker
Gyunho Hahn
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: Episode #212: "True Colors": Credits:
YOUNG JUSTICE: INVASION: Episode #212: "True Colors": Credits:
Still trying to catch up on posting the credits for the episodes here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting and pasting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired...
TRUE COLORS
Written By
Paul Giacoppo
Directed By
Mel Zwyer
Producers
Brandon Vietti
Greg Weisman
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Cameron Bowen as Robin
Nick Chinlund as Sportsmaster
Tim Curry as G. Gordon Godfrey
Miguel Ferrer as Vandal Savage
Crispin Freeman as Arsenal
Kevin Grevioux as Black Beetle
Phil LaMarr as Green Beetle
Eric Lopez as Blue Beetle, Scarab
Jason Marsden as Impulse, Atom
Jesse McCartney as Nightwing
Masasa Moyo as Bumblebee, Sharon Vance
Khary Payton as Black Manta
Mark Rolston as Lex Luthor, Jonathan Kent
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Impulse Created By
Mark Waid and Mike Wieringo
G. Gordon Godfrey created by
Jack Kirby
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Fedja Jovanovic
Nollan Obena
Prop Design
Eugene Mattos
Storyboard
Kevin Altieri
Charles Drost III
Steve Gordon
Jason Navarez
Mel Zwyer
Storyboard Clean-up
Jen Bennett
Chrissy Delk
Naz Ghodrati-Azadi
Kathryn Marusik
Christine Sotta
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
_________________________________________________________________________
Card 12
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Directors
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Sinkwon Kim
Sangjoon Lee
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
Layout Artists
Myoungin Kang
Changnam Kim
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checker
Junghee Kim
Mikyoung Kim
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Seokjin Jang
Eunhwa Jung
Junghwa Jung
Dongwook Kim
Kwonil Kim
Youngmi Lee
Jihyeon Nam
Kyounghwa Seo
3D CGI
Seokki Um
Misook Choi
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: Episode #211: "Cornered": Credits:
YOUNG JUSTICE: INVASION: Episode #211: "Cornered": Credits:
Still trying to catch up on posting the credits for the episodes here at ASK GREG to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting and pasting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired.
Written By
Nicole Dubuc
Directed By
Doug Murphy
Producers
Brandon Vietti
Greg Weisman
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Lacy Chabert as Zatanna
Tim Curry as G. Gordon Godfrey
Bryton James as Virgil Hawkins
Phil LaMarr as L-Ron, Ambassador
Eric Lopez as Blue Beetle, Scarab
Chad Lowe as Captain Marvel/Billy Batson
Jason Marsden as Impulse
Vanessa Marshall as Black Canary, Ida Berkowitz
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Bumblebee
Nolan North as Superboy
Yuji Okumoto as Tseng Dangun
Kevin Michael Richardson as Guardian, John Jones
Michael T. Weiss as Captain Atom
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Zatanna Created By
Gardner Fox and Murphy Anderson
Miss Martian Created By
Geoff Johns and Tony Daniel
Martian Manhunter Created by
Joseph Samachson and Joe Certa
Impulse Created By
Mark Waid and Mike Wieringo
G. Gordon Godfrey created by
Jack Kirby
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Andy Chiang
Eugene Mattos
Storyboard
Jay Baker
Todd Demong
Brad Goodchild
Miyuki Hoshikowa
Storyboard Clean-up
Jen Bennett
Chrissy Delk
Naz Ghodrati-Azadi
Kathryn Marusik
Christine Sotta
Christie Tseng
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Chun Liu
Craig Robertson
Wei Zhao
Effects Animation
Matthew Girardi
Main Title Animation
MOI Animation, Inc.
Wutitis
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
MOI Animation, Inc.
Animation Director
Yangho Ji
Background Directors
Jongnam Kim
Sang-Hyob Nam
Dae-Gun Han
A-Reum Kim
Pa-Rang Lee
Sang-Un Kim
Production Manager
Youngsoo Yoo (Director)
Minsung Park
Sumi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
Layout Artists
Yeongil Kim
Insik Um
Chanhui Kim
Color Stylist
Jinmi Kim
Composition
Byoungryul Kim (Director)
Hyoyoon Beck
Kyounghee Kang
Sungho Jo
Model Checker
Yangsook Kim
Key Animation
Gyeongho Lee
Sungmin Nahm
Beomseok Lee
Chango Park
Jaemun Lee
Kyeongah Jang
Jeonghee Yang
Won Seo
Hyeon Kim
Jaebum Lee
Jinhae Lee
3D CGI
Guhan Yoo (Director)
Gyusung Oh
Final Checker
Dongmun Choo
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Ernie Sheesley - Dialogue Sound Mixer
Aldo Martinez - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE: 214: "Runaways": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 214: "Runaways": Premieres!
Red Volcano is back! And he's in New Mexico! Watch "Runaways" on DC Nation, this coming Saturday, February 2nd, 2013 (and rerunning Sunday, February 3rd, 2013), along with another episode of Green Lantern and more DC Nation Super-Hero shorts. For times, check local listings. But don't miss it!
YOUNG JUSTICE: INVASION: Episode #210: "Before the Dawn": Credits:
YOUNG JUSTICE: INVASION: Episode #210: "Before the Dawn": Credits:
I've fallen behind posting the credits for the episodes here to compensate for how minute they are and how quickly they zip by on the air. But I hope to catch up, and here's a start. Please note, that I'm just cutting and pasting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired.
Written By
Kevin Hopps
Directed By
Tim Divar
Producers
Brandon Vietti
Greg Weisman
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Tim Curry as G. Gordon Godfrey
Kevin Grevioux as Black Beetle
Logan Grove as Beast Boy
Phil LaMarr as Ambassador, Aquaman
Stephanie Lemelin as Tigress
Eric Lopez as Blue Beetle, Scarab
Jason Marsden as Impulse
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Scientist, Bumblebee, Cat Grant
Nolan North as Superboy
Khary Payton as Kaldur'ahm
Alyson Stoner as Barbara Gordon
Mae Whitman as Wonder Girl, Stephanie Brown
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Impulse Created By
Mark Waid and Mike Wieringo
Aquaman Created By
Paul Norris
Beast Boy Created By
Arnold Drake
Miss Martian Created By
Geoff Johns and Tony Daniel
G. Gordon Godfrey created by
Jack Kirby
Cat Grant created by
Marv Wolfman and Jerry Ordway
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Fedja Jovanovic
Nollan Obena
Prop Design
Tae-Soo Kim
Eugene Mattos
Storyboard
Jen Bennett
Todd Demong
Tim Divar
Naz Ghodrati-Azadi
Juno Lee
Matt Peters
Owen Sullivan
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Directors
Yunhee Kim
EunHee No
Eunjung Choi
Animation Director
Sangjoon Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
Layout Artists
Junyeok An
Jungmo Kim
Hyeonwoo Seo
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checker
Junghee Kim
Myeonghee Park
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Youngsik Hwang
Seokjin Jang
Eunhwa Jung
Howon Jung
Giyeop Kim
Kwonil Kim
SinKwon Kim
Kyounghwa Seo
3D CGI
Seokki Um
Misook Choi
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Ernie Sheesley - Dialogue Sound Mixer
Aldo Martinez - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE: 213: "The Fix": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 213: "The Fix": Premieres!
Psimon! Deathstroke! Tigress! Black Manta! Big battles! Emotional confrontations! Lies revealed! Truths exposed! And more lies told! "The Fix" is in... DC Nation, that is, this coming Saturday, January 26th, 2013 (and rerunning Sunday, January 27th, 2013), along with another episode of Green Lantern (which personally I've REALLY been enjoying) and more DC Nation Super-Hero shorts. For times, check local listings. But don't miss it!
Facts and Fiction about "Deadly Force"
Facts and Fiction about "Deadly Force".
We got a shout out here:
http://m.mentalfloss.com/article.php?id=33538
15 Temporarily Banned Episodes of Popular TV Shows
"Deadly Force" made #5!!! Which is very, very cool!
It's ALWAYS nice to be talked about, and I don't want to sound like a churl, but in the very short paragraph describing the situation, there are at least four errors. Here's the original text from the website:
5. Gargoyles, "Deadly Force"
Controversy: Gunplay
While pretending to use a gun in "Deadly Force," Broadway accidentally shoots Elisa and attempts to cover up his crime. Although this episode was initially pulled from the rerun cycle thanks to objections by advisory groups, it was eventually re-aired after editors removed some of the blood from Elisa's shooting. It has since been added to the DVD collection.
Error #1: Broadway wasn't "pretending to use a gun". He was playing with an ACTUAL gun, pretending to be a cowboy. (This one may sound nit-picky, but I don't think the original phrasing is clear at all.)
Error #2: "[Broadway] attempts to cover up his crime". Not really. He's so afraid and ashamed, he runs away and hides. When Goliath accuses Dracon, it takes Broadway a few minutes to own up to his culpability. But there's no attempt at a cover-up.
Error #3: "[T]his episode was initially pulled from the rerun cycle thanks to objections by advisory groups..." That's untrue. In fact, the REVERSE is true. Advisory Groups LOVED this episode. For example, we got a positive write-up in Madeline Levine's "Viewing Violence", which I can tell you was not overly kind to most animated television series. No, the truth is we were fine when the series was in syndication and when it was rerun on the USA network. But when it moved to what was then called "ToonDisney", a new group of Disney S&P execs over-ruled what our original S&P exec had decided and ignored ALL the good press that the episode had received. Thus (for a long while), TPTB removed it from the rerun rotation.
Error #4: "...it was eventually re-aired after editors removed some of the blood from Elisa's shooting..." Again, this is inaccurate. The episode aired ONCE with the excessive blood, because Frank Paur and myself didn't get the retake with less blood back from Japan in time. WE were the ones who wanted less blood, because (a) we didn't want it to appear that Elisa had already bled out and (b) that much blood seemed distracting, like we were trying to get away with something instead of trying to tell the story. By the episode's second airing, the retake was in and the episode aired multiple times with less blood in syndication and on USA before the series' reruns moved to ToonDisney, and the version with less blood was pulled from the rotation. It's reinstatement had nothing to do with quantity of blood. It was originally brought back for Halloween marathons - I suppose because TPTB at ToonDisney thought they could get away with it on Halloween. Then later, when we began airing VERY, VERY late at night, I suppose they figured there was no reason not to include it.
Anyway, so there you have it. Still glad we were mentioned, but I figured I should set the record straight on these points.
I'm sure you're all still wondering why my presence here at ASK GREG has been so minimal. I'm still quite swamped with work, but I wanted to try to post a little something...
YOUNG JUSTICE: INVASION: ISSUE: 24: "Players: Chapter Five: Milburn, Edgar and Jake": On Sale: TOMORROW!
YOUNG JUSTICE: INVASION: ISSUE: 24: "Players: Chapter Five: Milburn, Edgar and Jake": On Sale: TOMORROW!
This one's got Deadshot, Match, Kylstar, the Collector of Worlds (a.k.a. Brainiac) and more heroes from the Team and the League than you can shake a stick at. Plus a Kandor cameo. Don't miss it!!
Also, available now is our latest YJ:I DVD release: YOUNG JUSTICE: INVASION: DESTINY CALLING. It collects the first half of Season Two: ten episodes: from "Happy New Year" through and including "Before the Dawn". Buy it. Watch it. (Preferably in one sitting.) Also comes with some bonus "Batman: The Brave and the Bold" episodes that'll give you another interpretation of the Reach.
YOUNG JUSTICE: INVASION: EPISODE: 212: "True Colors": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 212: "True Colors": Premieres!
A new mission! A new Teammate! And a new player in the game!! You won't want to miss our newest episode of Young Justice, premiering on DC NATION this Saturday (and Sunday), January 19th (and 20th) along with a new GREEN LANTERN and more new DC NATION super-hero shorts! Check local listings for times.
And also Saturday night on the SyFy Channel, check out this new original movie: TASMANIAN DEVILS, starring our own Miss Martian, Danica McKellar. That's right, the live-action Danica is kicking some Tasmanian ass and taking some Tasmanian names!!
Meanwhile, for those who have been wondering why I haven't answered many questions recently, here at ASK GREG, it's because I've (a) been out of town on a much needed vacation and (b) been swamped since I got back. I'll try to get back on the horse next week.
YOUNG JUSTICE: INVASION: EPISODE: 211: "Cornered": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 211: "Cornered": Premieres!
Check local listings and check out DC NATION this Saturday (or Sunday morning) 1/12/13 (or 1/13/13) for a brand new GREEN LANTERN, more new DC NATION shorts and a new YOUNG JUSTICE episode, "Cornered", that features Despero and L-Ron's arrival on Earth to "visit" the Hall of Justice, while in Taos, Black Canary debriefs the Reach's hostages coming off of last week's episode. Lots of action, the first REAL introduction of a couple young heroes, some threads starting to come together and more bad news for our Team. Don't miss it!
PETER DAVID
Hey guys,
My friend and colleague, Peter David, writer of stuff - including multiple amazing episodes of Young Justice and Young Justice: Invasion - has fallen ill. Instead of going into the details myself (and risking error) I'll direct you to Peter's website, where Peter and his wife lay it all out, including how you can help the David family out during this time of trial. Our thoughts are with them all. Please do what you can:
2013
Happy east coast new year everyone! Have a great 2013!
YJ T-SHIRT!!
What's the best way to support Young Justice, you ask?
BUY THE MERCHANDISE!!! That's right, buy our YJ companion comic (in electronic or print editions). (The advantage there is that you get the bonus of more story and character!)
And buy the Young Justice T-Shirt, currently being offered for sale by Hot Topic:
I've already purchased three myself. (That's right; I don't get 'em for free.) One for me, and one each for my genomorphs. So I've done my part!! Have you done yours?
OH, AND HELP SPREAD THE WORD!!!!
CAUGHT UP
Well, I've finally caught up and cleaned out the ASK GREG queue. We'll plan to reopen the site- at least briefly - when Young Justice: Invasion #23 hits the stands later this month. Then again, when DC Nation starts up with new Young Justice: Invasion episodes on January 5th, 2013.
I'm looking forward to reading your responses to the new issues and episodes - and to Black Manta's Celebrity Hot Tub. (If there seems to be a demand, I might be tempted to write more of the latter for this site.)
But right now... I'm going to take a short break.
IT'S OFFICIAL...
It's official. I am now in the habit of talking to myself out-loud in front of other human beings. That's not a good sign, is it?
Young Justice Spin-Off
So, having nothing to do with the future of Young Justice or Young Justice: Invasion, Khary Payton and I pitched a Young Justice spin-off to DC Nation, based on a suggestion by David Wilcox, inspired by a design by Phil Bourassa.
The folks at DC Nation asked for a brief write-up, but Khary and I felt that the best way to get the idea across was to write a script for the first episode. So we did. On spec. Though it received some praise, DC Nation eventually passed on it. But I thought you'd like to see it, so here it is, keeping in mind that it's NOT formatted correctly on this website:
BLACK MANTA'S CELEBRITY HOT TUB
"Black Beetle, Black Vykin, Black Lightning"
(Script #1)
Written by Khary Payton & Greg Weisman
FIRST DRAFT: October 17, 2012.
EXT. BLACK MANTA'S BACKYARD - NIGHT
ON BLACK MANTA'S BAND - MANTA TROOPERS play various instruments, including the LEAD TROOPER playing SAXOPHONE through a small hole in his helmet and three female BACK-UP SINGERS (CHESHIRE, AMANDA WALLER & KILLER FROST - all in their standard outfits, including Cheshire's mask). The Lead Trooper finishes a <SAX RIFF> and then sings into his microphone:
LEAD TROOPER (singing): Who's the man with the underwater plan?
CHESHIRE, WALLER, FROST (singing): Black Manta!
LEAD TROOPER (singing): Who's got the time to do the crime?
CHESHIRE, WALLER, FROST (singing): Black Manta!
TRUCK OUT TO REVEAL - A large bubbling HOT TUB.
LEAD TROOPER (singing): Who do you know with his own Hot Tub Show?
CHESHIRE, WALLER, FROST (singing): Black Manta!
LEAD TROOPER: That's right, it's…
LEAD TROOPER, CHESHIRE, WALLER, FROST (singing): "Black Manta's Celebrity Hot Tub!"
CLOSE ON WATER - BLACK MANTA (in full costume) slowly RISES out of the bubbling water to sit (up to his chest) in the tub.
LEAD TROOPER (OS): With your host, Black Manta!
WIDEN TO INCLUDE BLACK BEETLE (in full costume) - Sitting in the tub beside Manta.
LEAD TROOPER (OS CONT): Manta's guest tonight: Black Beetle.
Manta turns to Beetle. Neither say anything for a LONG BEAT. Then Black Manta <BLASTS> Black Beetle with his EYE-BEAMS. Beetle <EXPLODES> and is just gone. Manta sits back in the tub.
ON BAND - The Lead Trooper, Back-Up Singers and the rest all stare at their boss. Then they quickly cover.
LEAD TROOPER: Thanks for watching! This has been…
SMASH WIPE TO:
EXT. BLACK MANTA'S BACKYARD - NEW NIGHT
ON BLACK MANTA'S BAND
LEAD TROOPER, CHESHIRE, WALLER, FROST (singing): "Black Manta's Celebrity Hot Tub!"
CLOSE ON WATER - BLACK MANTA (in full costume) slowly RISES out of the bubbling water to sit (up to his chest) in the tub.
LEAD TROOPER (OS): With your host, Black Manta!
WIDEN TO INCLUDE BLACK VYKIN (in full costume) - Sitting in the tub beside Manta.
LEAD TROOPER (OS CONT): Manta's guest tonight: Black Vykin.
Manta turns to Vykin. Neither say anything for a LONG BEAT. Then Black Manta <BLASTS> Black Vykin with his EYE-BEAMS. Vykin <EXPLODES> and is just gone. Manta sits back in the tub.
ON BAND - Less surprised.
LEAD TROOPER: Thanks for watching! This has been…
SMASH WIPE TO:
EXT. BLACK MANTA'S BACKYARD - NEW NIGHT
ON BLACK MANTA'S BAND
LEAD TROOPER, CHESHIRE, WALLER, FROST (singing): "Black Manta's Celebrity Hot Tub!"
CLOSE ON WATER - BLACK MANTA (in full costume) slowly RISES out of the bubbling water to sit (up to his chest) in the tub.
LEAD TROOPER (OS): With your host, Black Manta!
WIDEN TO INCLUDE - Nobody.
LEAD TROOPER (OS CONT): Manta's guest tonight: Black Lightning.
TILT UP - BLACK LIGHTNING (in full costume) stands beside the tub with his arms crossed. Manta looks up at him.
BLACK MANTA: Man, get in the tub.
BLACK LIGHTNING: I'm not getting in that tub.
BLACK MANTA: Get in the tub, man.
BLACK LIGHTNING: Not unless you take off that helmet.
BLACK MANTA: Man, I'm not taking off my helmet!
BLACK LIGHTNING: Then I'm not getting in the tub.
ON MANTA - Very begrudgingly, he starts to REMOVE his helmet.
BLACK MANTA: <low grumble>
REVEAL that with the helmet off, Manta's AFRO is STILL shaped like his helmet.
FAVOR LIGHTNING - He NODS.
BLACK LIGHTNING: Oh. You don't want to get your hair wet.
BLACK MANTA: I don't want to get my hair wet. Now get in the hot tub.
ON TUB - Lightning LOWERS himself into the tub beside Manta. Neither says anything for a LONG BEAT. Then Manta's afro <FRIZZES OUT> huge and ridiculous from the humidity.
ON BACK-UP SINGERS - Reacting.
CHESHIRE, WALLER, FROST: <Ooooooooooooo!>
ON TUB - Manta glowers.
BLACK MANTA: <low burn>
Then Black Manta's ROCKET-LAUNCHER <RATCHETS> out of his shoulder and <BLASTS> Black Lightning, who <EXPLODES> and is just gone. Manta sits back in the tub.
ON BAND - Ready this time.
LEAD TROOPER (singing): Who do you know with his own Hot Tub Show?
CHESHIRE, WALLER, FROST (singing): Black Manta!
THE END
BLACK MANTA'S CELEBRITY HOT TUB
"Black Beetle, Black Vykin, Black Lightning"
CAST LIST
RECURRING:
BLACK MANTA - 6 lines. With and without his helmet. When the helmet's off, his Afro is the same shape as the helmet - until it FRIZZES OUT ridiculously.
LEAD TROOPER - 16 lines. Singing and announcing. In a Manta Trooper costume with a hole for the mouth so that he can play saxophone and sing.
CHESHIRE - 8 lines. One of Manta's back-up singers. In full costume, including her mask.
AMANDA WALLER - 8 lines. One of Manta's back-up singers. In standard outfit.
KILLER FROST - 8 lines. One of Manta's back-up singers. In full costume.
GUEST:
BLACK LIGHTNING - 4 lines.
NON-SPEAKING:
BLACK BEETLE - No lines.
BLACK VYKIN - No lines.
MANTA TROOPERS - No lines. They play various musical instruments in Black Manta's band.
SYNOPSIS:
BLACK MANTA hosts his hot tub talk show, which features a series of celebrity guests from the DC NATION. This week: BLACK BEETLE, BLACK VYKIN and BLACK LIGHTNING.
[FYI - We had ideas for a ton more vignettes. Once DC Nation passed, we sent it over to CN's MAD. But they passed too. Which is too bad, but that's just how it is in the business. Selling stuff is... hard.]
Side Trip
SIDE TRIP
So yesterday, I took a brief - about four hours - side trip to an alternate (or parallel) universe. My counterpart in this universe, I assume, changed places with me, as I did not see him there. (And I also didn't see him here when I got back.) As far as I could tell, everything was EXACTLY the same in that universe as in this universe with one exception: the word for "pineapple" over there is "palm-apple". I brought back a 6 oz. can of "Dole's Palm-Apple Juice" as proof of my trip. I noticed no other differences, though of course in only four hours, I hardly had the time for a thorough investigation into every aspect of history, science, entertainment, current events, etc. But if it weren't for the pineapple/palm-apple thing, I'm not sure I would have even noticed the shift.
It makes me wonder if we're shifting all the time. But that the differences between universes are so subtle, we miss it.
Oh, and the juice tasted exactly the same too. And there's no difference visually either. A palm-apple there looks and tastes exactly like a pineapple here. It's just the name.
Weird, huh?
YOUNG JUSTICE: INVASION: ISSUE: 22: "Players: Chapter Three: Landing on Boardwalk": On Sale: NOW!
YOUNG JUSTICE: INVASION: ISSUE: 22: "Players: Chapter Three: Landing on Boardwalk": On Sale: NOW!
It's the third part of a six part story, and a LOT happens. Chris Jones handles the art (with color by Zac Atkinson) and a script by me, that includes over twenty characters from the series and spans five years of continuity.
If you're looking for your YJ fix, this is where you'll find it!
MORE LEGACY
Back at L.A. Studios, recording Cree Summer. (That's after Nick Chinlund and Kevin Michael Richardson yesterday, with more still to come.) Cree's so much fun!
VOTE!!
To all my American readers over 18 - PLEASE VOTE!!!!!
(Preferably the way I would vote. Though I won't tell you HOW I voted, so you'll have to guess.)
But either way, VOTE!!!
This looks funny...
Stephanie Lemelin (Artemis) has this new thing that looks very funny, which, as a bonus, also features a certain DIedrich Bader (Jason Canmore). Check it out:
Legacy & Boomerang
I'm currently sitting in the Control Room at L.A. Studios while voice director Jamie Thomason records Mark Rolston as Lex Luthor for YOUNG JUSTICE LEGACY. Later today: Eric Lopez, Jesse McCartney and Cameron Bowen. More to come next week after I get back from visiting my daughter in New Orleans.
Also, James Harvey at Worlds Finest is reporting that reruns of YJ and YJ:I will be appearing on Boomerang:
This is good news, and I'm guessing must be a direct result of fan response to the latest hiaturs.
Young Justice Legacy Voice Recordings
Taking a little break between voice recordings for Young Justice Legacy. Kelly Hu just left; she was great, as always.
So far, we've recorded Stephanie Lemelin, Khary Payton, Bruce Greenwood (had to miss that one unfortunately, because it was during our last sound mix for episode 220), Yuri Lowenthal, Jason Spisak and Thom Adcox. Later today, Danica McKellar, Nolan North, Vanessa Marshall, Phil LaMarr and Lacey Chabert.
Plus more later in the week.
It's been a lot of fun. It's a little weird - given YJ's usual modus operandi - to record one actor at a time, but that's how they do it in the gaming world. Too bad there's no Lucas Carr in this game. (I could use the scratch, you know.) ;)
People's Choice Awards
Would anyone like to see Young Justice win a People's Choice Award?
Write in your vote for our nomination here: http://www.peopleschoice.com/pca/nominations/vote.jsp?pollId=120024
The Truth about Ask Greg
Here is my manifesto:
I will not lie to you on ASK GREG.
Except by omission. I have, do and will continue to lie to you by omission whenever the need arises, I find it's politically expedient or I'm just in that kind of mood.
I will cheerfully - even gleefully - misdirect you, i.e. while technically telling the truth, I may consciously play to known biases and lead you down your own garden path. I may then lurk on other sites and chortle if I see my misdirection has been effective. I may also then get annoyed.
I will - hopefully not too often - answer sarcastically. I will make smartass responses, which are technically NOT true, but which I believe from context are obviously false, and thus should not be regarded as untruths in that any reasonable person will know that I was pulling legs. I will be the only arbiter of whether or not I am lying or kidding, in these cases.
I will, of course, be mistaken on occasion. Flat-out incorrect or wrong, even. If alerted to my errors I will endeavor to correct them. Obviously, I don't see being mistaken as willfully lying.
But with all the above caveats as givens, I promise that I will not intentionally make any untrue statements here on this website. I WILL NOT LIE TO YOU DIRECTLY.
Except on April Fool's Day. On April 1st, I'll lie my ass off.
YOUNG JUSTICE: INVASION: ISSUE: 21: "Players: Chapter Two: Directly to Jail": On Sale: NOW!
YOUNG JUSTICE: INVASION: ISSUE: 21: "Players: Chapter Two: Directly to Jail": On Sale: NOW!
Hey gang, I'm back from Ashland. Had a great time. Saw some great plays, particularly "ALL THE WAY", a brilliant piece about LBJ, written by Robert Schenkkan (writer of The Kentucky Cycle - and a Star Trek actor to boot).
And, in the meantime, issue 21 of our companion comic book hit the stands yesterday! It's part two of our six part magnum opus that introduces our comic book readers to the cast of Invasion. It features some gorgeous art by Christopher Jones, and I'm fairly proud of the writing as well. Check it out online or wherever comic books are sold!
YOUNG JUSTICE: INVASION: EPISODE: 210: "Before the Dawn": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 210: "Before the Dawn": Premieres: this Saturday, October 13th as part of Cartoon Network's DC Nation block. (It repeats Sunday too.) Check local listings for times.
Keep in mind, this tenth episode of Season Two was plotted before we knew if we'd get the second half of the season. Once we got that pick-up, we assumed this would be our hiatus episode. Instead, we took the break after 207 (which was a great and exciting stopping point, so no complaints). But nothing changed about our story in 210. This is a significant episode on every level: plot, character and LOTS of action. Don't miss it!
I'm posting this reminder a couple days early, because I'm leaving this afternoon to head up to Ashland, Oregon for the Shakespeare Festival. But believe me, my DVR is set to record both YJ and Green Lantern.
Greg Weisman Quiz
Can I just say I suck at this - and it's MY career!
YOUNG JUSTICE: INVASION: Episode #209: "Darkest": Credits:
YOUNG JUSTICE: INVASION: Episode #209: "Darkest": Credits:
I'm going to attempt to post all the credits for the episode here to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting and pasting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired.
Producers
Brandon Vietti
Greg Weisman
Written By
Jon Weisman
Directed By
Mel Zwyer
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Oded Fehr as Ra's al Ghul
Stephanie Lemelin as Tigress
Eric Lopez as Blue Beetle, Scarab
Yuri Lowenthal as Icicle Jr., Tommy Terror, Lagoon Boy
Jason Marsden as Impulse, Ray Palmer
Jesse McCartney as Nightwing
Danica McKellar as Tuppence Terror, Megan Wheeler
Masasa Moyo as Karen Beecher
Nolan North as Superboy
Khary Payton as Aqualad, Black Manta
Kevin Michael Richardson as Mal Duncan
Jason Spisak as Wally West
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Impulse Created By
Mark Waid and Mike Wieringo
Beast Boy Created By
Arnold Drake
Ray Palmer/The Atom Created By
Gardner Fox
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Nollan Obena
Prop Design
Eugene Mattos
Storyboard
Jay Baker
Kevin Conroy
Charles Drost, III
Steve Gordon
Jason Navarez
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
MOI Animation, Inc.
Animation Director
Seung-Man Heo
Background Directors
Seung-Chan Kang
Young-Bae Lee
Sang-Hyob Nam
Dae-Gun Han
A-Reum Kim
Pa-Rang Lee
Sang-Un Kim
Production Manager
Young -Soo Yoo (Director)
Min-Sung Park
Su-Mi Beck
So-Sang Yoon
Ae-Gyeong Lee
Production Coordinator
Hyo-sun Ryu
Seong-mi Park
Layout Artists
Kyung Chuk Sa
EungWhan Oh
Color Stylist
MeeHyun Ahn
Soo Jin Hwang
Ji Young Hwang
Moon Hee Na
Da Un Jeung
Model Checker
Kyung Suk Heo
MyungHee Park
Composition
DeukGyu
Choi
Ji won Park
Jong Sub Jang
Han Geul Yu
Key Animation
Sang Min Kim
SeungReoul Ryu
Seok Ahn
Hun Kuk Park
Young Hoon Gill
Jong III Lee
Jae Gyu Cho
Chung Sik Lee
Kyung Duk Lee
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Young Ra Cho
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: Episode #208: "Satisfaction": Credits:
YOUNG JUSTICE: INVASION: Episode #208: "Satisfaction": Credits:
Okay, we're back. I'm already a week behind, but I'm going to attempt to post all the credits for the episode here to compensate for how minute they are and how quickly they zip by on the air. Please note, that I'm just cutting and pasting the final credits from a document. It's possible that as the episode was posted, changes, mistakes, additions, etc. were made for the version that aired.
Producers
Brandon Vietti
Greg Weisman
Written By
Greg Weisman
Directed By
Doug Murphy
Line Producer
David Wilcox
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
Casting & Voice Direction
Jamie Thomason
Starring The Voices Of
Lacey Chabert as Zatanna Zatara
Nick Chinlund as Crusher Crock
Crispin Freeman as Speedy, Red Arrow
Kelly Hu as Paula Crock, Jade Ngyuen
Kittie as Raquel Ervin
Eric Lopez as Jaime Reyes
Jason Marsden as Bart Allen
Danica McKellar as Megan Morse
Masasa Moyo as Wendy Harris, Karen Beecher
Nolan North as Conner Kent
Kevin Michael Richardson as Mal Duncan, Otis
Mark Rolston as Lex Luthor
Alan Tudyk as Oliver Queen, Captain Cold
Based On DC Comics Characters
Miss Martian created by
Geoff Johns and Tony Daniel
Mal Duncan Created By
Bob Rozakis and Jose Delbo [Not really. I think the correct creator is Robert Kanigher.]
Zatanna created by
Gardner Fox and Murphy Anderson
Jade created by
Marv Wolfman and George Perez
Impulse created by
Mark Waid and Mike Wieringo
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Fedja Jovanovic
Nollan Obena
Prop Design
Eugene Mattos
Storyboard
Jay Baker
Todd Demong
Miyuki Hoshikawa
Doug Murphy
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Val Kung
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Sinkwon Kim
Sangjoon Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
Layout Artists
Myoungin Kang
Changnam Kim
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checker
Junghee Kim
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Seokjin Jang
Eunhwa Jung
Kwonil Kim
Jihyeon Nam
Younghwa Seo
3D CGI
Seokki Um
Misook Choi
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE: 209: "Darkest": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 209: "Darkest": Premieres!
This is a big one. Our latest NEW episode airs this Saturday and Sunday morning (October 6 & 7, 2012) on Cartoon Network's DC NATION BLOCK. It's called "Darkest", and it is. It REALLY is.
WE'RE BACK, BABY!
That's right. YOUNG JUSTICE: INVASION is back with new episodes, starting this Saturday and Sunday mornings (the 29th and 30th) on Cartoon Network's DC NATION block. (Check local listings.) Our first episode out of the gate is called "Satisfaction". It deals with some of the ramifications of Artemis' "death" and reintroduces the original Speedy. This one really turned out great. And we're very excited about being back on the air with new episodes.
Also tomorrow: the 18th Anniversary of the World Premiere of GARGOYLES. (Fun fact.)
YJ UPDATE
YJ UPDATE
SEASON ONE of YOUNG JUSTICE has all aired multiple times by now.
SEASON TWO/YOUNG JUSTICE INVASION
*Episodes 201-207 have already aired. 207 airs again this weekend, and then new episodes begin airing on Saturday morning September 29th as part of Cartoon Network's DC Nation block.
*Episodes 208-218 are all in the can. Finished. Done. Ready to air.
*Episode 219 is back here in Burbank, and we'll be calling retakes and locking picture this week.
*Episode 220 is due in from Moi late this week. That's right; we're really in the homestretch on Season Two now.
YOUNG JUSTICE COMPANION COMIC BOOK
*Issues #0-19 have all hit the stands and are available at comic shops or online.
*Issue #20 hits the stands this week. It's the start of a six-part story that is BIG. REALLY BIG. It updates the book, bringing in our Season Two cast, and is set one month prior to the start of Season Two with flashbacks to a couple untold - or only hinted at - tales from the Season One era, plus, by the end of the six-parter, a little story from immediately after Season One. Christopher Jones is just doing some stellar work on the book. And I'm pretty proud of the story and script, if I do say so myself.
*Issue #21 is being colored by Zac Atkinson as we speak.
*Issue #22 is being pencilled by Chris.
*Issues #23 & #24 are both fully scripted and waiting.
*Issue #25 is plotted. I'll be starting on the script tonight.
As always, you don't have to read the comic to enjoy the t.v. series or vice versa. But you get more out of BOTH if you watch/read both.
THE VIDEO GAME
Young Justice Legacy seems to be proceeding apace. I've done a bit of polishing on some of the dialogue to make sure it's consistent with the show.
ASK GREG
Will open again for reader postings on September 29th. Please follow all guidelines - and please, please, please DON'T FLOOD the queue. But please do post your responses to the comics that came out this summer when posting was not possible.
I think that about covers it.
An Old Joke
Back in the old country, an old man limped into the Old Synagogue. Slowly, he lowered himself onto a bench and prayed to God. God, he said, you know I have led a very hard life. You know I was orphaned as a boy. You know I struggled all my life to make a living, and yet I did good works. I looked for love, but was never blessed with a family. Now, in my old age, I am racked with pain in my legs and back. Always, I have observed your commandments, your guidelines, everything. I came to minyan every morning, rain or shine, and though I prayed for peace and good will, I never asked for anything for myself. I have tried my best to lead a righteous life as one of your chosen. Now, as I near my final breath, I need something from you. I know it is wrong to ask, but I need some proof that there can be happiness, joy in this life. I ask you now, let me win the lottery. As you know all, you know there is a weekly lottery here in this old city, where a winner is chosen every Wednesday afternoon. Let me win, God, please. Let me experience that joy. I will not keep the money. I will make the entire prize a mitzvah to the poor and the hungry. But let me win the lottery, God, please.
And so a week passed, and Wednesday afternoon came, and the old man did not win the lottery. So Wednesday night, he returned to the Old Synagogue to lower his old body down on the old bench, and again he prayed. Please, God, he said, let me win the lottery. It is my only dream, my last dream, to feel that simple pleasure of a victory, of success. Not a single coin will I keep for myself, God. But please, oh, please, just this once, let me win the lottery.
And so a week passed, and Wednesday afternoon came, and the old man did not win the lottery. So that night, once again, he returned to pray. Please, God, he said, I am a desperate man. I cannot go to my end without this. Let me win the Lottery. And God spaketh onto the old man, and God said: "Listen, you old fart, meet me half way, buy a damn ticket!"
That's the story, as I've heard it, handed down over years and years.
But, of course, the story doesn't end there. For on the next Wednesday, first thing in the morning, the old man did indeed go to buy a ticket to the Lottery. And as he was shelling out his last coin for the price of the ticket, he heard the storekeeper chuckle and say, you old fools and your lottery tickets. Don't you know that you have a better chance of being struck by lightning than of winning the lottery. And as this seemed reasonable to the old man, he put his coin away.
That's the story.
But, of course, the story doesn't end there. That afternoon, the old man did not win the lottery. But he was struck by lightning.
That's the story.
But, of course, it doesn't end there.
The old man died and was sent to heaven, where he found God rather sheepishly apologizing for taking his life. God said, you just really frustrated the hell out of me. But at least you're here in heaven. To which the old man asked, Do you have a lottery?
And that, of course, is the end of the story.
YOUNG JUSTICE Issue #19 out now!
Issue #19 of our companion YOUNG JUSTICE comic book has hit the stands - real and virtual. This concludes our two-part Gorilla City story, reveals the origins of Gorilla City and has just about every DC ape I could think of in it.
The cover's by our regular artist Chris Jones, and the interiors are by the talented Luciano Vecchio, who also drew issue 12 (one of my personal favorites). As for the writing, you're stuck with me. This is the last issue, before we transition in issue #20 from first season stories to our cast from Young Justice: Invasion.
Pick an issue up in digital form (https://read.dccomics.com/comixology/#/series/5348) or at your local comic shop (http://www.comicshoplocator.com/Home/1/1/57/575)!
WATCHTOWER AND HALL OF JUSTICE BACKGROUND INFO
WATCHTOWER AND HALL OF JUSTICE BACKGROUND INFO
Brandon Vietti, my producing partner on Young Justice, has blogged on our versions of the Hall of Justice and the Watchtower. Check it out here:
Superboy & Miss Martian Action Figures Special Pre-Order Extended
The Superboy & Miss Martian Action Figures Special Pre-Order has been EXTENDED until the end of August!
Again, check out:
GARGOYLES T-SHIRTS
I just got the word:
Hot Topic is selling Gargoyles t-shirts again.
God knows, I've got enough Gargoyles T-shirts to last months, but I'm going to buy another to demonstrate to Disney and it's licensees that the property is viable and popular.
At the very least, please help SPREAD THE WORD!
Superboy & Miss Martian Action Figures Special Pre-Order
Superboy & Miss Martian Action Figures Special Pre-Order
Sorry about the VERY short notice, but this was only brought to my attention today.
As many of you know, Mattel has discontinued the Young Justice toy line, but there's an opportunity to complete your set of Season One Six Inch Figures.
Brandon talks about it on his blog: http://brandonvietti.blogspot.com/
And Mattel has a YouTube video about it here: http://www.youtube.com/watch?v=B9bjRp0DVog&feature=player_embedded
But the key is to PRE-ORDER within the next 24 hours here:
http://www.mattycollector.com/DRHM/store?Action=DisplayProductDetailsPage&SiteID=matty&Locale=en_US&productID=254180800
I've ordered two sets myself. But I can't get 'em unless enough people join me in this obsession. So, uh... please?
(As a bonus, Miss Martian comes with an extra head, so that she can be Season One Miss Martian with longer hair, or Season Two Miss Martian with short hair.)
SDCC 2012
Leaving in just a few hours for San Diego Comic-Con. Looking forward to a fun weekend with my kids and old friends. I'm doing a few signings too.
Thursday, July 12th from 12pm - 1pm - I'll be signing Young Justice comics and trades at the DC Comics Booth #1915.
Thursday, July 12th from 5:30pm - 7pm - I'll be signing Gargoyles comics and trades at the SLG Comics Booth #1815.
Friday, July 13th from 5:30pm - 7pm - I'll be signing Gargoyles comics and trades at the SLG Comics Booth #1815.
Saturday, July 14th from 9:30am - 10:30am, I'll be signing Mecha-Nation comics and trades at the APE Comics Booth #1804.
Saturday, July 14th from 1pm - 2pm - I'll be signing Young Justice comics and trades at the DC Comics Booth #1915.
Saturday, July 14th from 5:30pm - 6pm - I'll be signing Gargoyles comics and trades at the SLG Comics Booth #1815.
Autographs are free. So stop by and say hello!
YJ UPDATE
YOUNG JUSTICE/GREG WEISMAN UPDATE
We're going into hiatus for the time being, and since it's been a bit of a while since my last update...
SEASON ONE of YOUNG JUSTICE has all aired, but starting this Saturday and Sunday we'll be airing some reruns, including 119, "Misplaced" as part of Cartoon Network's DC Nation block. Check local listings or cable guides for times. If you jumped aboard with Invasion, and haven't seen these Season One episodes, you'll want to check them out. It's good stuff, I promise.
SEASON TWO of YOUNG JUSTICE: INVASION
*Episodes 201-207 have all aired. (How was "Depths" for a pre-hiatus cliffhanger? Not too shabby, huh?)
*Episodes 208-210 are in the can.
*Episode 211 has been edited and spotted for music and sound effects.
*Episode 212 is being edited.
*Episodes 213-218 are all overseas being animated.
*Episodes 219-220 are also overseas being animated, but we have a few more color models here in Burbank left to complete and approve.
YOUNG JUSTICE COMIC BOOK
*Issues 0-16 are all on the stands, available at comic book stores or online.
*Issue 17 is done. I've already received my comp copies, and if you want a sneak peak this weekend, stop by my signing at Denver Comic Con. (More on this below.)
*Issue 18 is being inked.
*Issue 19 is being pencilled.
*THEN, starting with Issue 20, the book changes titles to YOUNG JUSTICE: INVASION.
*Issues 20-25 are a big story: a six issue mini-series within the series. About 95% of the content is split between December 1st of Season One and five years later on December 1st, JUST before the start of Season Two.
*Issue 20 is scripted and ready for pencilling.
*Issue 21 is being scripted now.
*Issue 22-25 are all loosely plotted.
[All this has required some adjustments. The original plan was to finish all the stories set DURING Season One before rebranding the book. But TPTB at DC understandably decided that since the television show has already been rebranded, we shouldn't wait that long to rebrand the comic. And given that, I wanted to launch the rebranding with a BIG story that featured all - or nearly all - of the Team. So the Green Arrow, Black Canary, Artemis, Red Arrow story (set after episode 114), I originally had planned as a two-parter for issues 20-21 will have to wait. Given enough issues (keep buying those books people!), we'll get to everything eventually - including that Arrow-Family story. The new structure will use our timestamps to allow us to bounce back and forth (even within a single issue) from Season One to Season Two to the gap between seasons and BEYOND...]
Frankly, I think it's going to be VERY exciting. And given that the show is currently in reruns, there's just no better way for a hardcore YJ fan to get his or her new canon YJ fix. So if you don't have it already, go grab issue 16 (available now), which features THREE TALES in one book: mentor/protegee stuff that I think really shows a contrast between the styles of Green Arrow, Flash and Batman, not to mention Artemis, Kid Flash and Robin - while as always filling in a gap between episodes. All canon. All in continuity with the show. 16 ends with a cliffhanger, featuring Mammoth, Shimmer AND KOBRA! So that should lead your right into issue 17 (available very soon) which concludes that two-parter.
DENVER COMIC CON
I'm leaving (ridiculously early) Friday morning for Denver to attend the first annual Denver Comic Con. This thing has a TON of great, amazing guests. (Check it all out here: http://www.denvercomiccon.com/ .) I'm probably the least interesting guy there. But I am going to be quite busy moderating a bunch of panels Saturday and Sunday...
SATURDAY, JUNE 16
*11:30 MDT - Spectacular Spider-Man and Gargoyles Cartoon Development
*13:30 MDT - Cartoon Voices, w/Khary ("Kaldur'ahm") Payton, Mark Ryan, Tom Kane and Billy West
*16:00 MDT - Greg Weisman Spotlight
*17:00 MDT - Greg Weisman signing
*18:30 MDT - Adapting Licensed Properties to Comics & Animation w/Matt McLean, Karl Krumpholz and Terry Schayes
SUNDAY, JUNE 17
*10:00 MDT - Character Design and Drawing w/Greg Guler
*11:00 MDT - Creating for Disney and Cartoon Network w/Greg Guler, Steven Seagle and Chris Oatley
*13:00 MDT - Adapting Comics to Television and Vice Versa w/Steven Seagle
*14:00 MDT - Young Justice w/Khary ("Aqualad") Payton
ASK GREG
*Since the show has gone into hiatus - and since I'm over 1200 questions behind here - we will shortly be putting the ASK GREG asking question function on its own hiatus for a while. We may open it BRIEFLY every time a new issue of the comic comes out this summer and/or around San Diego ComicCon. But for the most part, we'll be closed to new questions and comments until the series comes back with new episodes. (And, no, I don't yet know when that will be. That's up to Cartoon Network.)
*I know I haven't answered much recently, but we've just been swamped with post-production and all the fast reworking of the comic book that we had to do. (Plus I've been freelancing a few scripts for some friends over at... well, better not say just yet.)
*Also, I'm more or less going straight from Denver to Ashland, Oregon to enjoy the Oregon Shakespeare Festival with my family. And I'm NOT bringing a computer. (And I don't own a smartphone.) So don't expect any new answers from me for another couple weeks. But I will get to your questions and comments eventually. I always do.
Whew. I think that covers everything!
YOUNG JUSTICE: INVASION: Episode #207: "Depths": Credits:
YOUNG JUSTICE: INVASION: Episode #207: "Depths": Credits:
Producers
Brandon Vietti
Greg Weisman
Story By
Kevin Hopps
Teleplay By
Paul Giacoppo
Directed By
Tim Divar
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Tim Curry as G. Gordon Godfrey
Stephanie Lemelin as Artemis
Yuri Lowenthal as Lagoon Boy
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Nolan North as Superboy
Khary Payton as Aqualad, Black Manta
Kevin Michael Richardson as Mal Duncan, Martian Manhunter, Thomas Kalmaku
Jason Spisak as Wally West
Kari Wahlgren as Carol Ferris
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Martian Manhunter Created By
Joseph Samachson and Joe Certa
Miss Martian Created By
Geoff Johns and Tony Daniel
G. Gordon Godfrey Created By
Jack Kirby
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Jake Castorena
Kevin Conroy
Vinton Heuck
Matt Peters
Owen Sullivan
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
James Tim Walker
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Card 12
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Sangyong Um
Background Director
Jung-Ho Park
Production Manager
Young -Soo Yoo (Director)
Min-Sung Park
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
__________________________________________________________________
Layout Artists
Do-seong Kong
Dong-jik Woo
Color Stylist
Jinmi Kim
Model Checker
Yang-suk Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Key Animation
Eun-Jung Kang
Eun-Hee Yang
Jong-Jin Park
Bong-Geun Kim
Seong-Joon Kwon
Soo-Jin Lee
Han-Young Lee
Young-Chae Kim
Yun-Ho Choo
Sang-Young Uhm
3D CGIGyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Nam-gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
David Barr - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE: 207: "Depths": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 207: "Depths": Premieres!
Artemis rejoins the Team! Plus appearances by Wally West! G. Gordon Godfrey! Carol Ferris! Tom Kalmaku! Martian Manhunter! Superman! And much, much more. One of the most dramatic episodes we've done to date! And all airing tomorrow (Saturday, June 9th) and repeating Sunday (June 10th) as part of Cartoon Network's DC NATION block! Check local listings and cable guides for times!
YOUNG JUSTICE: INVASION: Episode #206: "Bloodlines": Credits:
YOUNG JUSTICE: INVASION: Episode #206: "Bloodlines": Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Peter David
Directed By
Mel Zwyer
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Cameron Bowen as Robin
Nicole Dubuc as Iris West-Allen
George Eads as Barry Allen/Flash
Crispin Freeman as Red Arrow
Logan Grove as Beast Boy
Kelly Hu as Cheshire, Lian Nguyen-Harper
Stephanie Lemelin as Computer
Jason Marsden as Bart Allen/Impulse
Jesse McCartney as Nightwing
Geoff Pierson as Jay Garrick/Flash
Jason Spisak as Wally West/Kid Flash
James Arnold Taylor as Nathaniel Tryon/Neutron
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Beast Boy Created By
Arnold Drake
Cheshire Created By
Marv Wolfman and George Perez
Impulse Created By
Mark Waid and Mike Wieringo
Jay Garrick/The Flash Created By
Gardner Fox
_______________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Fedja Jovanovic
Hakjoon Kang
Nollan Obena
Prop Design
Andy Chiang
Eugene Mattos
_______________________________________________________________
Storyboard
Kevin Altieri
Charles Drost III
Steve Gordon
Lauren Montgomery
Olga Ulanova
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Yangho Ji
Background Director
Jongnam Kim
Production Manager
Youngsoo Yoo (Director)
Minsung Park
Sumi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
__________________________________________________________________
Layout Artists
Joohyeon Lee
Taehoon Kim
Dosung Gong
Color Stylist
Jinmi Kim
Model Checker
Yangsook Kim
Composition
Byoungryul Kim (Director)
Hyoyoon Beck
Kyounghee Kang
Sungho Jo
Key Animation
Gyeongho Lee
Sungmin Nahm
Beomseok Lee
Chango Park
Jaemun Lee
Kyeongah Jang
Jeonghee Yang
Won Seo
Hyeon Kim
Jaebum Lee
Jinhae Lee
3D CGI
Guhan Yoo (Director)
Gyusung Oh
Final Checker
Namgyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
David Barr - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: Episode #205: "Beneath": Credits:
I'm a couple weeks behind here. (Hey, I've been busy!) So let's go for two in a row:
YOUNG JUSTICE: INVASION: Episode #205: "Beneath": Credits:
Writer And Director Sub-Main Titles At Front Of Show:
Producers
Brandon Vietti
Greg Weisman
Written By
Brandon Vietti
Directed By
Doug Murphy
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Irene Bedard as Shelly Longshadow
Robert Beltran as Maurice Bodaway
Diane Delano as Devastation
Michael Horse as Holling Longshadow
Eric Lopez as Blue Beetle, Scarab
Yuri Lowenthal as Icicle Jr.
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Bumblebee
Gregg Rainwater as Tye Longshadow
Marina Sirtis as Queen Bee
Alyson Stoner as Batgirl
Alan Tudyk as Psimon
Mae Whitman as Wonder Girl
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Miss Martian Created By
Geoff Johns and Tony Daniel
Psimon Created By
Marv Wolfman and George Perez
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Johnny Castuciano
Todd Demong
Doug Murphy
Jeff Snow
Hank Tucker
Craig Wilson
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
James Tim Walker
Animation Checking
Charles Gefre
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steve White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Directors
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Sinkwon Kim
Jeha Yu
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
__________________________________________________________________
Layout Artists
Myoungin Kang
Changnam Kim
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checker
Junghee Kim
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Junghwa Jung
Dongwook Kim
Seokwoo Kim
Taekwon Kim
Youngsoo Kim
Youngmi Lee
Jihyeon Nam
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE: 206: "Bloodlines" Premieres! And check out the comic too!
YOUNG JUSTICE: INVASION: EPISODE: 206: "Bloodlines" Premieres!
Saturday morning, June 2nd (and repeating Sunday morning, June 3rd) is the Cartoon Network premiere of "Bloodlines", the sixth episode of Young Justice: Invasion. This is a fun episode, written by Peter David, introduces IMPULSE and marks the return of KID FLASH (Wally) & FLASH (Barry). JAY GARRICK even speaks! It's a four generation extravaFLASHza! Check local listings and/or cable guides for times.
MEANWHILE, issue #16 of our companion comic book has also hit the comic book shops (plus it's available for e-purchase online). This features three, three, THREE stories in one, all set during Season One. There's a Green Arrow/Artemis adventure. A Flash/Kid Flash mystery. And some Batman/Robin action too. (Pure coincidence and totally unplanned, but today I wore a Green Arrow t-shirt to work. Line Producer David Wilcox wore a Flash t-shirt. And producer Brandon Vietti wore a Batman t-shirt. Isn't that specific combo kinda amazing?)
Anyway, that's two heaping helpings of YJ in one week. Don't miss 'em!
It's that time again: Blather.
Blather = http://www.s8.org/gargoyles/askgreg/search.php?rid=469
Blather
So in a tryce came the documentary depicting many a Chinese doll and also the three wise men (who may or may not have been kings) that needed sixty-two dollars between them to redeem the coupon, which offered up solace and not a little irony to anyone who hadn't yet seen the crew chewing on leaves that weren't tobacco, but might have been sage and still left horrible stains in the dirt floor of the lean-to where I left my ski poles after the overnight with the cranes that were kept on the lake domestically for the purpose of tourism but who could also speak Latin on occasion when prompted by offers of cheese or jerky -- though not just any jerky, it had to be salmon jerky -- which isn't always easy to come by when you've agreed to leave before closing on summer days in the springtime of your life, which has been known to last longer in people who aren't concerned about under-inebriation or over-intoxication or both: it's the balance which is everything when nothing else will do and no one else will participate in the extravaganza that's been created by the giant invisible flying monkey brain that is modern life in the Twenty-First Century, counting since the (approximate) birth of Christ -- as long as the lack of the number zero doesn't disturb your math sensibilities as, frankly, it does mine, though I like to think I've made peace with that and with the Skrull too, since I haven't picked up an issue of that book in about nine years, which wasn't an intentional or explicit act of cold turkey so much as a sliding away followed by a none-too-impressive epiphany -- far from the best epiphany I've ever had, say, compared to Tintagel or Lego, not to mention the birth of certain children, which couldn't get more personal than the zany antics of the semi-erotic flea circus, which used to travel the stars waiting for an invitation to land at your door, since you are the personal target of the extra-lunar probe that counted all the seahorses that Aquaman used to make the giant seahorse that he could actually ride, though no faster than he could swim himself on his own power -- and no, we're not talking Super Friends here, but something older, more primal, something that was born back when the Ptero-whatever streaked across the sky leaving behind contrails made not of smoke but of pure and unadulterated grace, a commodity in which we are sorely shy as a planet, and yet which we find in the most unlikley of places, including but not limited to contracts which dictate how we will interact with each other but do it in such a way that no normal human being could possibly wrap their heads around the language and internalize the meaning, which we declare to be progress or civilization and which is not meant as a criticism so much as a detachment of troopers marching on a hill that you wouldn't pay five ducats -- FIVE! -- to buy yourself, or so I told myself and Hamlet night after night, but now Hamlet is a Thief on FX and I haven't seen him face to face in over twenty years, which sometimes seems quite normal but sometimes blows me away, not that I want to move backwards at all, though I'm not sure that I'm truly moving forward and I'm convinced I'm not moving sideways, though the metaphor of the sidewinder is appealing, not in the cliché sense of something sinister and left-handed, though I do throw with my left hand, I can bowl just as badly with either hand, and even though I'm 42, I quite prefer to have bumpers instead of gutters, where the rain gets backed up and sometimes flows over the lip and creates leaks in the roof and drips, drips, drips down into the shiny metal bowl that's usually used for something much more pleasant like mixing cookie dough to create chewy wonderful ... well.. cookies (I mean "duh") that taste a little bit like home even when you are home and it is raining, or maybe ESPECIALLY when you are home and it is raining and the water overflows and the ocean fills and the giant seahorse peaks out and winks at the cranes, which is exactly what the documentary crew was hoping to capture when they first took out their cameras and shot the whole thing from three different angles across six different days and still never saw the giant invisible flying monkey brain, because it was, to put it mildly, invisible.
YOUNG JUSTICE: INVASION: EPISODE 205: "Beneath" Premieres!
YOUNG JUSTICE: INVASION: EPISODE 205: "Beneath" Premieres!
This Saturday morning, May 26th (my wedding anniversary, incidentally) is the premiere of another brand new Young Justice: Invasion episode, our fifth of the second season, "Beneath"!
New characters! Old characters speaking for the first time! Giant invisible flying monkey brains (watch for 'em)! And much more good stuff, all on Cartoon Network. Repeats on Sunday morning, May 27th. Check local listings and cable guides for times!
CORRECTION:
CORRECTION:
I was asked the following question:
"Anonymous writes...
1. After "Misplaced" does Zatanna still zeta-beam to go to school in Manhattan, or did she transfer schools to Happy Harbor?"
And I responded...
"1. She finishes the semester in Manhattan but decides to transfer to Happy Harbor High School in December."
But of course I meant to write "JANUARY." Not December. Zatanna finishes the semester in Manhattan and then transfers for the NEW semester to Happy Harbor High in JANUARY.
Sorry, 'bout that.
YOUNG JUSTICE: INVASION: Episode #204: "Salvage": Credits:
YOUNG JUSTICE: INVASION: Episode #204: "Salvage": Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Greg Weisman
Directed By
Tim Divar
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Dee Bradley Baker as Wolf, Jeremiah
Nick Chinlund as Sportsmaster
Grey Delisle as Whisper A'Daire
Crispin Freeman as Red Arrow, Jim Harper
Kevin Grevioux as Partner
Kelly Hu as Cheshire
Stephanie Lemelin as Artemis Crock
Eric Lopez as Blue Beetle, Scarab
Yuri Lowenthal as La'gaan
Vanessa Marshall as Black Canary
Jesse McCartney as Nightwing
Nolan North as Superboy
Kevin Michael Richardson as Bruno Mannheim, Mal Duncan
Jason Spisak as Wally West
Michael Trucco as Adam Strange
Alan Tudyk as Green Arrow
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Cheshire Created By
Marv Wolfman and George Perez
Adam Strange Created By
Gardner Fox
Bruno Mannheim Created By
Jack Kirby
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Fedja Jovanovic
Nollan Obena
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Tim Eldred
Matt Peters
Owen Sullivan
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation CheckingJustin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Seung Man Heo
Background Director
SeungChan Kang
Lee Young Bae
Nam Sang Hyob
HanDae Gun
Kim A Reum
Lee Pa Rang
Kim Sang Un
Production Manager
Young-Soo Yoo (Director)
Min-Sung Park
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
__________________________________________________________________
Layout Artists
Kyung Chuk Sa
EungWhan Oh
Color Stylist
MeeHyun Ahn
Soo Jin Hwang
Ji Young Hwang
Moon Hee Na
Da Un Jeung
Mee Sun Lee
Mee Kyung Lee
Model Checkers
Kyung Suk Heo
MyungHee Park
Key Animation
Sang Min Kim
SeungReoul Ryu
Seok Ahn
Hun Kuk Park
Young Hoon Gill
Jong III Lee
Jae Gyu Cho
Chung Sik Lee
Kyung Duk Lee
Composition
DeukGyu Choi
Ji won Park
Jong Sub Jang
Han Geul Yu
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Young Ra Cho
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE 204 "Salvage" Premieres
YOUNG JUSTICE: INVASION: EPISODE 204 "Salvage" Premieres on Cartoon Network on Saturday morning, May 19th, with a rerun on Sunday morning, May 20th. Check local listings and cable guides for times. And remember to check under "Young Justice: Invasion". NOT just "Young Justice".
Another DON'T MISS episode. Written by me and directed by Tim Divar, this one answers a bunch of questions you may have been asking about Season One characters - while simultaneously deepening the mysteries of Season Two.
YOUNG JUSTICE: INVASION: Episode #203: "Alienated": Credits:
YOUNG JUSTICE: INVASION: Episode #203: "Alienated": Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Kevin Hopps
Directed By
Mel Zwyer
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Card 4
Starring The Voices Of
Tim Curry as G. Gordon Godfrey
Miguel Ferrer as Vandal Savage, Bibbo Bibbowski
Bruce Greenwood as Batman, Eduardo Dorado Sr.
Kevin Grevioux as Partner
Logan Grove as Beast Boy
Phil LaMarr as Aquaman
Stephanie Lemelin as Catherine Cobert
Eric Lopez as Blue Beetle
Yuri Lowenthal as Lagoon Boy
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Bumblebee
Nolan North as Superboy, Superman
Khary Payton as Aqualad, Black Manta
Maggie Q as Wonder Woman
Kevin Michael Richardson as Green Lantern, Martian Manhunter
Michael Trucco as Adam Strange
Michael T. Weiss as Captain Atom
Mae Whitman as Wonder Girl
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel and Joe Shuster
Martian Manhunter Created By
Joseph Samachson and Joe Certa
Miss Martian Created By
Geoff Johns and Tony Daniel
G. Gordon Godfrey created by
Jack Kirby
Nightwing created by
Marv Wolfman and George Perez
Beast Boy created by
Arnold Drake
Mal Duncan created by
Bob Rozakis and Jose Delbo*
*Note, I've been informed by a reliable source that this is incorrect, but TPTB had us put this in.
Adam Strange created by
Gardner Fox
Bibbo Bibbowski Created By
Marv Wolfman and Jerry Ordway
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Hakjoon Kang
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Kevin Altieri
Charles Drost, III
Steven Gordon
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Card 12
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Directors
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Sangjoon Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
__________________________________________________________________
Layout Artists
Myoungin Kang
Changnam Kim
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Mikyoung Kim
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Yeoungsik Hwang
Seokjin Jang
EunHwa Jung
Howoon Jung
Dongwook Kim
Kwonil Kim
Taekwon Kim
Youngmi Lee
Kyounghwa Seo
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION Episode #202 ("Earthlings") Credits
YOUNG JUSTICE: INVASION: Episode #202: "Earthlings": Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Nicole Dubuc
Directed By
Doug Murphy
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Logan Grove as Beast Boy
Danica McKellar as Miss Martian
Nolan North as Superboy
Jacqueline Obradors as Alanna
Morgan Shepard as Sardath
Michael Trucco as Adam Strange
Based On DC Comics Characters
Miss Martian Created By
Geoff Johns and Tony Daniel
Beast Boy Created By
Arnold Drake
Adam Strange Created By
Gardner Fox
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Jay Hong
Cynthia Q. Ignacio
Fedja Jovanovic
Hakjoon Kang
Gary Montalbano
Nollan Obena
Prop Design
Dusty Abell
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Todd Demong
Craig Wilson
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Kathryn Marusik
Animation Timing Director
James Tim Walker
Timing Animation
Richard Collado
Jeff Hall
R. Michel Lyman
Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Sangyong Um
Background Director
Jung-Ho Park
Production Manager
Young-Soo Yoo (Director)
Min-Sung Park
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
__________________________________________________________________
Layout Artist
Yeonghwan Lee
Color Stylist
Jinmi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Gidoeok Park
Key Animation
Eun-Jung Kang
Eun-Hee Yang
Jong-Jin Park
Bong-Geun Kim
Seong-Joon Kwon
Soo-Jin Lee
Han-Young Lee
Young-Chae Kim
Yun-Ho Choo
Sang-Young Uhm
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Gyunho Hahn
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonia
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE 202 "Earthlings" Premieres
YOUNG JUSTICE: INVASION: EPISODE 202 "Earthlings" Premieres this Saturday morning on Cartoon Network with a repeat Sunday morning. Check local listings for times.
*Our first offworld adventure sends Zeta Squad (Miss Martian, Superboy, Beast Boy) to the planet Rann alongside Adam Strange.
*New friends are made. New foes encountered.
*Questions (some not all) about the five-year-gap, the missing 16 hours and the alien infiltration will be answered.
*Plus a green gorilla!
You don't want to miss it!
ASK GREG UPDATE - VERY IMPORTANT ANNOUNCEMENT
There is a NEWLY revised intro page at ASK GREG, and more importantly, a newly revised "GUIDELINES FOR ASKING A QUESTION" page. What's on it is SO important, I'm going to copy it below. But first a WARNING. In ONE WEEK'S TIME, I am going to authorize the moderators to go through the EXISTING QUEUE and retroactively apply these guidelines, DELETING any and every post that breaks even one of the guidelines. That's right, RETROACTIVELY.
I can justify this for a number of reasons:
1. NONE of these guidelines are actually new. This is the first time they've been gathered together on the question asking page, but I've been pleading for people to follow all of these guidelines for OVER A YEAR. So by now, anyone who spends even a little time at the site should be aware of them.
2. I'm giving folks a FULL WEEK to retrieve their non-guideline posts and RE-POST them PER THE GUIDELINES. Our biggest problem recently seems to be with folks who are hit and run posters, more interested in being able to post questions then in actually getting timely answers of any substance. Those folks may return in a few months (or whatever) to find their posts deleted, but anyone who's a regular here has plenty of time to correct their mistakes.
3. The queue currently has over a thousand questions and is still growing. No one's going to get ANY timely answers if something isn't done.
Please, keep in mind that (a) I take no pleasure in being this draconian and (b) this is WAY less draconian than it might be. Heck, their are fans advocating that I SHUT THE SITE DOWN entirely, which, frankly, is still an option on the table.
So please, read the following guidelines CAREFULLY. Reread your existing posts - or any new posts you might make - and confirm for yourself whether or not ANY ASPECT of your post busts a guideline. Because if even one little rule is broken, your ENTIRE post will be deleted mercilessly. (Feel free to ask for advice from the moderators at the Station 8 Comment Room, as to whether or not your post is within the guidelines and/or what you can do to get it guideline-safe.) Repost your question, if necessary. I realize that if you're near the front of the queue with a semi-non-legit post, it'll be frustrating to have to go to the back of the line, but keep in mind that in one week, the line is about to get WAY SHORTER, because nearly EVERY post breaks one or more guidelines.
GUIDELINES FOR ASKING A QUESTION
1. DO NOT REQUEST SPOILERS! All requests for spoilers will be met with "SPOILER REQUEST. NO COMMENT." or DELETION. Prefacing your spoiler request question by saying, "I hope this doesn't trigger a spoiler alert" or the like doesn't help. Think before you post. If you're asking for information about what is to come on a show, it's a spoiler. And Greg flat out will not answer. So all you're doing is clogging the queue.
2. Search the archives to make sure your question hasn't already been answered. Any question already answered will receive an "ASKED AND ANSWERED" response or be DELETED. Again, this only serves to clog the queue.
3. Check the unanswered questions queue before posting your question. It may not yet be answered, but if you can see that someone's already asked the question, then there's no point in asking it again. All you'll receive is another "ASKED AND ANSWERED" response or the post will be DELETED.
4. Consider asking your question from knowledgeable fans before posting it. For example, the folks at http://www.s8.org/gargoyles/comment/ are very knowledgeable and can usually answer questions much faster than Ask Greg. The Gargoyles Wiki, the Young Justice Wiki, and the Station Eight FAQ are excellent sources of information as well and may contain the answers to your questions.
5. Please refrain from asking questions - even non-spoiler questions - that it seems obvious will be answered by the end of the season. One of the reasons the queue is so long is because it's filled with questions that have already been answered by subsequent episodes, even questions that one would reasonably assume would be answered by subsequent episodes. If at the end of the season, your questions still aren't answered, THAT is the time to ask them. Until then, your post risks DELETION.
6. If you are asking multiple questions in one post, please number your questions. And if you're asking more than five questions then create a separate post. But please, do NOT flood the queue. Show restraint or risk DELETION.
7. Please do not submit any original ideas, notions, concepts, or drawings of original characters. No stories, no fanfic, no teleplays, nothing. Anything like this will automatically be DELETED.
8. No original ideas masquerading as questions. Asking what Demona did during World War II is fine. Asking if Demona tried to assassinate Hitler during World War II is an idea masquerading as a question and is not all right. Again: automatic DELETION.
9. No requests for employment. If you want to ask generally about how one might break into the business, Greg will try to give his perspective, but this is not an appropriate forum for personal pleas for work and as such will be DELETED.
10. Please make separate posts for each topic you want to address or ask questions about. If you have 3 or so questions about one topic (for example, Oberon) you may post them together. But if you wish to ask about multiple topics (for example, Oberon AND Goliath and Elisa's relationship) please make separate posts for each topic or risk DELETION.
11. Please keep the language clean. This is more or less a PG website. Anything beyond the occasional 'damn' will result in your entire post being DELETED.
12. Rudeness is not appreciated. You don't have to like Greg's stuff. And negative comments are perfectly legitimate and will not be deleted simply for being negative. But that can be done without being rude or abusive. Keep it civil or risk DELETION.
13. Please do not bother making comments worded in such a way that they, in essence, CHALLENGE Greg to acknowledge how right those comments are about their criticisms of the program. Here’s the thing...you do NOT have to agree with Greg's creative choices, but aside from a few objective mistakes that he has ALWAYS been willing to acknowledge, you have to understand that if Greg and his creative partners put something in the series, the odds are THEY LIKE IT. YOU are NOT going to convince GREG that, for example, “Hello, Megan!†or Robin’s laugh or Superman’s response to Superboy or Wally’s flirting is bad for the show. Feel free to tell him you don’t care for these (or other) things, but stop phrasing these COMMENTS as questions or challenges. It grates. Any question that falls into this category will at best be answered with a: “WE LIKE OUR SHOW.†and in fact risks DELETION.
*PLEASE READ AND FOLLOW ALL GUIDELINES CAREFULLY*
Breaking any of these guidelines may result in DELETION. This means, for example, that if you ask four legitimate questions, but your fifth question does not follow even one of the guidelines, your ENTIRE POST may be DELETED. (Are you sensing a theme?)
Once a post is deleted, there is no cache where it is saved. There is no appeal. You can go to the S8 Comment Room and ask a moderator WHY the post was deleted FOR FUTURE REFERENCE, i.e. so that future posts will better observe the guidelines and hopefully not be deleted. But the moderator cannot reinstate your post. Also, keep in mind that sometimes the moderators delete posts. Sometimes Greg does, in which case the moderator may not be able to explain the decision. The moderators are merely following Greg's guidelines. Greg can delete a post on a whim.
In case it isn't clear, I'm not actually (let alone actively) trying to alienate fans. I wouldn't do ASK GREG at all if that were the case. But the system has been so terribly abused, that I feel it's this or we shut it down.
SIGNING ON FCBD
SIGNING ON FCBD
This Saturday, May 5th, 2012 is FREE COMIC BOOK DAY. (It's also the premiere of YOUNG JUSTICE: INVASION's second episode, "Earthlings", on Cartoon Network.) Victor Cook and I will be signing copies of issue #1 of MECHA-NATION (and whatever else gets stuck in front of us) at MELTDOWN COMICS from 12 noon to 2 pm.
Meltdown Comics
7522 Sunset Blvd.
Los Angeles, CA. 90046
http://www.meltcomics.com/blog/
So if you're in the neighborhood of Los Angeles, come on down. Check out the Mecha-Nation. We've completely finished the final issues of the mini-series, which will see print in time for ComicCon this summer in San Diego. (Mecha-Nation was created by Vic, developed by Vic, Greg Guler and myself, written by me, illustrated by Antonio Campo and published by Ape/Kizoic.) We're very excited to finally get this great project out to everyone. So stop by and take a peek. You can harass me about the time-skip (but please keep the language clean). Or you can just say hi. Plus, hey, Vic Cook!! The SpecSpidey partners together again!
Hope to see you there!
YOUNG JUSTICE: INVASION Episode #201 ("Happy New Year") Credits
YOUNG JUSTICE: INVASION Episode #201 ("Happy New Year") Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Greg Weisman
Directed By
Tim Divar
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Cameron Bowen as Robin
Lacey Chabert as Zatanna
Tim Curry as G. Gordon Godfrey
Bruce Greenwood as Batman
Logan Grove as Beast Boy
Stephanie Lemelin as Catherine Cobert
Eric Lopez as Blue Beetle
Yuri Lowenthal as Lagoon Boy
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Bumblebee, Cat Grant
Nolan North as Superboy, Clayface
Yuji Okumoto as Tseng
Kevin Michael Richardson as Mal Duncan, Green Lantern, Martian Manhunter
David Sobolov as Lobo
Alyson Stoner as Batgirl
Michael Trucco as Adam Strange
Michael T. Weiss as Captain Atom
Mae Whitman as Wonder Girl
Based On DC Comics Characters
Batman Created By
Bob Kane
Martian Manhunter Created By
Joseph Samachson and Joe Certa
Miss Martian Created By
Geoff Johns and Tony Daniel
Zatanna Created By
Gardner Fox and Murphy Anderson
G. Gordon Godfrey created by
Jack Kirby
Beast Boy created by
Arnold Drake
Cat Grant created by
Marv Wolfman and Jerry Ordway
Lobo created by
Roger Slifer and Keith Giffen
Nightwing created by
Marv Wolfman and George Perez
Mal Duncan created by
Bob Rozakis and Jose Delbo
Adam Strange created by
Gardner Fox
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Jay Hong
Fedja Jovanovic
Hakjoon Kang
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Tim Divar
Tim Eldred
Matt Peters
Owen Sullivan
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio Recording
Studiopolis, Inc.
Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Yangho Jee
Background Director
Jung-Ho Park
Production Manager
Young-Soo Yoo (Director)
Min-Sung Park
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
__________________________________________________________________
Layout Artists
Juhyeon Lee
Hyeonu Suh
Color Stylist
Jinmi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Yangsuk Kim
Key Animation
Gyeongho Lee
Seongmin Nahm
Beomseok Lee
Chango Park
Jaemun Lee
Taeseon Ihn
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Namgyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Ryan Johnston
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE 201
The world premiere of YOUNG JUSTICE: INVASION (i.e. EPISODE 201, "Happy New Year") airs tomorrow morning, Saturday, April 28 and repeats on Sunday morning, April 29.
If you've been enjoying the series up to this point, you do NOT want to miss the start of the Invasion. Big doings. Bigger revelations. New characters. New voice actors, including Mae Whitman ("Arrested Development", "Avatar, the Last Airbender") as Wonder Girl, Michael Trucco ("Battlestar Galactica") as Adam Strange and Tim Curry (too many credits to name) as G. Gordon Godfrey. Seriously, on YJ:I, things start hot and never cool off! Don't miss a minute.
PLEASE NOTE: On some (but maybe not all cable services) the show HAS officially been retitled "YOUNG JUSTICE: INVASION", so be prepared to set your DVRs accordingly. Check local listings for times, etc.
YOUNG JUSTICE Episode #26 ("Auld Acquaintance") Credits
YOUNG JUSTICE Episode #26 ("Auld Acquaintance") Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Greg Weisman
Directed By
Michael Chang
Lauren Montgomery
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Lacey Chabert as Zatanna
Crispin Freeman as Red Arrow
Kittie as Rocket
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman
Khary Payton as Aqualad
Jason Spisak as Kid Flash
Thom Adcox as Klarion
Jeff Bennett as Red Tornado/John Smith
Nick Chinlund as Sportsmaster
Oded Fehr as Ra’s al Ghul
Miguel Ferrer as Vandal Savage
Bruce Greenwood as Batman
Vanessa Marshall as Black Canary
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel and Joe Shuster
Miss Martian Created By
Geoff Johns and Tony Daniel
Zatanna Created By
Gardner Fox and Murphy Anderson
Klarion Created by
Jack Kirby
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
BG Key Design
Hakjoon Kang
Prop Design
Alex Kubalsky
Eugene Mattos
_______________________________________________________________
Card 10
Storyboard
Charles E. Drost, III
Vinton Heuck
Jeff Johnson
Seung-gyu Lee
Owen Sullivan
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Jin-Hae Lee
Background Director
Joo-Sun Cha
Production Manager
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyosun Ryu
__________________________________________________________________
Layout Artists
Tae-ll Kim
Hyung-Sick Jang
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Yang-Suck Kim
Key Animation
Young-ll Park
Hyung-Seok Jang
Jong-Geun Kim
Jae-Bum Lee
Jong-Hwa Lee
Seun-Deuk Sohn
Gun-Shik Lee
Jae-Hyung Kim
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Dong-Moon Choo
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Young Justice Season One Finale
Well, if I haven't disgruntled every one of my fans yet, I'd hope you'd all want to tune in to the Season One finale of YOUNG JUSTICE on Saturday, April 21st (with a repeat Sunday, April 22nd) on Cartoon Network, inside the DC NATION block. (Check local listings for times.)
This is a big one. Lots gets answered. Tons of action. Humor. Romance. Edge of your seat stuff with the Team, the League and the LIGHT!! Plus a chilling event that will launch us into next week's world premiere of Season Two, a.k.a. YOUNG JUSTICE: INVASION!
And while you're at it, pick up the latest issue of our companion, in-continuity YOUNG JUSTICE comic book, available at comic book stores and on-line. It's Aqualad, Superboy, Miss Martian and all your favorite Atlanteans vs. Ocean-Master and the Purists!
Disgruntled
TODAY, a disgruntled fan posted at the Station 8 Comment room: http://www.s8.org/gargoyles/comment/index.php.
Here's the post in full, and my response will be below it:
I posted this message on AskGreg but it was censored. I guess only sucking-up messages are allowed. Here it is:
Dear Greg Weisman,
I would just like to express my deepest outrage for what happened today (April 17). I'm talking about, off course, the new 5-questions-per-post limit you've pulled out of thin air with complete disregard for your most loyal followers. Yes, I realize AskGreg is not a right, but a privilege, like Greg Bishansky so well put it on the comments room (though he goes out of his way to kiss your ass on every turn), but WE are fans. YOURS, no less.
Basically, up until today the rule regarding the quantity of questions per post one could ask was TEN (http://www.s8.org/gargoyles/askgreg/search.php?rid=925). Changing it after one month worth of answers seems like foul play. And this new limit comes off as a rather draconian and disproportionate edict, because there's no direct correlation between the number of questions and the required time to answer them. Say there is a post with 30 yes-or-no questions and another with only one that demands a more in-depth response. The former doesn't comply with the 5-questions limit, whilst the latter does. However, would the former really take up the same time to answer as the latter? How do reviews and rambles (that sometimes only prompt a three or five worded answer from you) get precluded from this? Don't they consume more of your time than answering 10, or even 20 short questions?
Also, it seems that forcing posters to spread their questions won't solve the problem, but only add to it, because instead of making one big post with 30 questions, they will make six. This will simply increase the influx of posts.
While I believe this to be illogical, logistically speaking, I understand it may seem like a good solution in theory (though I think I've just disproved it) and you feel the need to try something out. But what's really unfair is to enforce this rule as a blanket for all the approved 10-questions-posts that predate it. Those actually complied with your initially established 10 questions limit. How is this fair or even rational? Some posters ask stupid, shallow questions, but others actually take their time to think and write insightful queries, and, not unlike essays, those take time, and throwing them with such careless disregard is very disrespectful. Particularly so when those conformed to the policy, have been stewing for ONE MONTH and now have to be distributed into different posts and take the back seat at the end of a two months' waiting (or longer) queue. Wouldn't it be more logical to close the queue as you've done before so that you can clear it?
I do realize that this very post can be axed under the auspices of some new made up rule to cut down the number of questions, even after and if it gets approved. In case this does get through, I'm sure you won't see it until the next couple of months, and when you do, I'm sure you'll write some well composed answer making me come off as an ungrateful and obnoxious douche, and you'll have the last word, because I won't have a chance for a timely reply. But I felt like I needed to share my disenchantment for what seems to be a gross disrespect of your FANS. You know, the people who watch your shows, buy your merchandise and keep you on a payroll.
Sincerely,
Disgruntled
A disgruntled (former) fan.
posted @ Fri, Apr 20, 2012 12:46:02 pm EDT
MY RESPONSE:
Dear disgruntled (former) fan,
I agree with some of what you've written. Among other things, this post should NOT have been deleted by the moderators. And I'll make sure they know it. Comments, positive or negative, are fair game here. Always were and always will be.
And it's true, of course, that sometimes a post with many questions can be answered more quickly than a post with a single in-depth question, but I have NEVER wanted the moderators to judge or try to guess in advance the length of my response to anything, let alone gauge the time it takes me. Setting a question limit seems like a reasonable way to make things manageable.
I also, as I've stated before, see the unfairness in me reducing the limit from ten to five without warning and applying the rule retroactively to posts that contained 6-10 questions. As I've admitted, I screwed up there. I thought I had said five in the past, and instructed the moderators to erase all posts with more than five. By the time it was pointed out to me that I had said ten in the past, it was too late to recover those questions. TOO LATE. We don't keep a record of disallowed questions, so that's it. I screwed up and admitted it, but it's done. So from here on out, the max is five. And some posts were lost unfairly. And that does suck. And I do sincerely sympathize with your frustrations and disgruntlement, up to a point.
But here's that point: you don't seem to get or acknowledge (or perhaps care) that I'm currently on the verge of shutting down the site entirely. ENTIRELY. You don't have to praise me, my work or Ask Greg, but I'm trying to take measures to make me want to keep doing this AT ALL. Some of these measures, are indeed, as you've noted, 'draconian', forcing you to - horrors - repost your questions and wait even longer for the answers you do seem to feel entitled to. But again, the alternative is you NEVER get your answers. EVER. Now if this response, makes you "come off as an ungrateful and obnoxious douche" - well, I don't know how else you would expect me to respond. But this doesn't have to be the "last word". Normally, I only occasionally stop by the S8 comment room, but I promise for the next week or so, I'll stop by there every weekday and at least once on the weekend, which should give you "a chance for a timely reply". Any post there (like this one) that seems relevant to the current conversation will get pushed right to the front of the line and be published here at ASK GREG in a ramble (like this one).
That's my compromise. It's probably less-than-satisfactory, but it's the best I can offer at this time.
[I also want to state, that you've NOT been privy to the discussions between myself, Gorebash, Masterdramon and Todd. I have RESISTED taking even more draconian measures suggested by them and/or by others at Station 8, because as much as possible, I'd like ASK GREG to remain the open free-flowing forum it has been for like a decade or more now. The measures we are taking, draconian as they may seem, are still less draconian than they might be. But if I am forced to truly make the site rigid, then the fun will go out of it for me in the other direction, and I'll still wind up shutting it down anyway.]
Obviously, I'm not in the business of taking fans and making them "disgruntled (former) fan[s]", but I'm hoping you're a fan of THE WORK I do, more than a fan of me anyway. I mean, face it, you don't know me. I could be an axe-murderer. But if you like Gargoyles or W.I.T.C.H. or Spectacular Spider-Man or Young Justice (or whatever), then the work is the work is the work, and I'd hope you'd remain a fan of that work whether I'm a big of a jerk or not, whether Ask Greg existed or not and certainly whether or not I get to the answers to your questions in one month or six. I mean there have been times when I've been TWO YEARS (or more) behind in answering questions. This lag is nothing in comparison to that. But somehow the discourse associated with the whole thing seems... meaner. And I'm really, truly trying to keep my desire to maintain this site below the boil-over point.
More Ask Greg Angst
Okay, I clearly messed up. Previously, I posted a guideline mandating a ten question max per post, and yesterday in my mind I changed it to five - and guilty of what I accuse others of - I did not check to confirm. So I'm here to (a) admit my mistake and (b) live with it - as we all will have to from here on out.
If in my head, the number shrank from ten to five, it's most likely because my patience has ebbed since I posted the ten question limit. Ten seems like a huge amount now - though lower than the twenty-questions-in-one-post that triggered the current guideline change. Frankly, FIVE seems like more than plenty per post, but I realize it's silly to require multiple posts on the same topic when questions are closely related, and five (or thereabouts) seems like a reasonable number.
So I do apologize for the error. But I'm not changing the new policy.
I have talked to Gorebash and our two moderators about updating the rules/guidelines on the front page, and that should be done in the next couple days.
ASK GREG angst
I just posted the following on the Station 8 Comment Room Page, and thought I should post it here too:
Just to be clear, there's NO point in being angry with the ASK GREG moderators. They are simply doing what I asked them to do. So be mad at me, not them. And, frankly, please don't be mad at me either. Try to remember that I'm doing the best I can dealing with an increasingly difficult situation.
And by the way, I have said MULTIPLE TIMES, including RIGHT BEFORE we reopened the queue to new questions, that I didn't want more than five questions per post. There's simply no way anyone could have posted any questions in the current queue before I stated this guideline. I'll admit that this is not listed on the rules on the front page - and we should probably update that when Gorebash has the time - but it has been stated by me over and over again. And I have asked people to check the archives before posting, so it seems to me, that this guideline was available. So maybe I should feel more sympathy, but I just don't.
I'll admit one reason I'm getting harsher on this - and feel less sympathetic towards even folks who are attempting (but failing) to obey the rules and guidelines - is as an alternative to something worse. Yes, all this is due to the abuse of the system by some people, and, yes, there's no doubt that all are suffering for the abuse of some. But there are worse alternatives, I would think. As I find myself getting more and more frustrated and more inclined to shut ASK GREG down entirely, I feel like being a bit more draconian about the rules and guidelines is the lesser of two evils.
And I have NOT outlawed the age questions. But I don't want lists of them. It's EXTREMELY time consuming, because I have to look it up, since I don't keep that information in my head. I can't just answer off the cuff in my free time. I get the value of the question, and I've tried to answer them. But someone posting a list of TWENTY characters and asking for ALL their ages is abusing the system, in my opinion. And ultimately, on ASK GREG, everyone needs to get used to the idea that my opinion matters. I don't have to do this. I used to enjoy doing it, and at times I still do. But the whole thing feels like it's gotten out of control, and I begrudge it more and more these days. So unless the goal is to TRY to push me over the edge, i.e. to try to exercise the power of the internet to force me to SHUT the site down, then everyone needs to live with the ups and downs of the thing, even as I am struggling to do the same.
To be clear, I AM not looking for feedback on this post - even positive feedback. Churlish as it may sound, I'm not looking for a bunch of cheerleaders to say "YOU TELL 'EM, GREG!" Because I'm not taking any pleasure in taking this site into an area of more and more rules. I LIKED that we used to have a few simple guidelines, and that otherwise the thing was more free form. It kills me EVERY TIME I have to add to the restrictions. That's not what I ever wanted Ask Greg to be. But I suppose times have changed, and the site has to change with them.
Finaly, I have NO interest in having a "PREVIOUSLY DELETED QUESTIONS" page. Feels like a legal problem just waiting to happen.
But back to the start, please do not take out your ire on the moderators. They're simply doing what I've asked.
YJ UPDATE
It's been a bit of a while, so I thought I'd post a production update on Young Justice:
SEASON ONE
101-125 have all aired.
126 airs this coming Saturday and Sunday on Cartoon Network. (Check local listings and cable guides.) It's our big finale. You REALLY don't want to miss it.
SEASON TWO
201-206 are all in the can, and currently scheduled to begin airing one week after our Season One Finale. (Which makes me happy.)
207 - We previewed the music score today and we're mixing it on Thursday. If all goes well, it should be in the can by Tuesday at the latest.
208 - We spotted the music today. And should be in the can one week after 207.
209 comes back from overseas tomorrow for retakes and editing.
210-211 should arrive on the heals of 209. We still need to pick up one actor (who was unavailable at the time of the original recording) for these two shows in ADR, but that'll take about an hour or two for both episodes. It won't cause any delays.
212-216 are all overseas being animated.
217 ships today.
218 is in storyboard revision.
219 is waiting for Brandon and I to give notes on the storyboard.
220 - The board is being cleaned up now for notes.
COMIC BOOK
Issues 0-14 have all hit the stands and are available at stores or on-line.
Issue 15 concludes our Atlantis two-parter hits the stands this week.
Issue 16 is at the printers.
Issue 17 is being pencilled.
Issue 18 is scripted and waiting its turn.
Issue 19 is plotted and is being scripted now.
Issues 20-22 have been pretty much locked down story-wise, i.e. I know exactly what stories we're telling in these issues.
Issues 23 and Beyond - I've already got a fairly clear idea of where we're going and what stories we're going to tell. Not locked in, but I'm pretty clear.
YOUNG JUSTICE Episode #25 ("Usual Suspects") Credits
YOUNG JUSTICE Episode #25 ("Usual Suspects") Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Kevin Hopps
Directed By
Jay Oliva
Tim Divar
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Lacey Chabert as Zatanna
Crispin Freeman as Red Arrow
Kittie as Rocket
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman
Khary Payton as Aqualad
Jason Spisak as Kid Flash
Nick Chinlund as Sportsmaster
Miguel Ferrer as Vandal Savage
Dave Franco as Riddler
Bruce Greenwood as Batman
Kelly Hu as Cheshire
Vanessa Marshall as Black Canary
Masasa Moyo as Cat Grant
Mark Rolston as Lex Luthor
Marina Sirtis as Queen Bee
Tony Todd as Icon
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel and Joe Shuster
Miss Martian Created By
Geoff Johns and Tony Daniel
Zatanna Created By
Gardner Fox and Murphy Anderson
Cat Grant Created By
Marv Wolfman and Jerry Ordway
Cheshire Created By
Marv Wolfman and George Perez
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Hakjoon Kang
Alex Kubalsky
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Seung Kim
Rick Morales
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Directors
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Sangjoon Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
__________________________________________________________________
Layout Artists
Myoungin Kang
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Mikyoung Kim
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Yeoungsik Hwang
Seokjin Jang
EunHwa Jung
Howoon Jung
Dongwook Kim
Kwonil Kim
Youngmi Lee
Kyounghwa Seo
Joonho Song
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Must See Episode of Young Justice
So, I know I'm biased, but this Saturday's penultimate episode of YOUNG JUSTICE's first season really is a MUST SEE for the series: "Usual Suspects" brings all sorts of plotlines to a head, with large measures of action, humor and even romance. If you like the show at all, you'll want to see this one. (And if you haven't seen it in English, you'll want to watch it in its native tongue.) As per usual, it's airing as part of DC NATION on Cartoon Network on Saturday with a rerun Sunday. Check local listings.
YOUNG JUSTICE Episode #24 ("Performance") Credits
YOUNG JUSTICE Episode #24 ("Performance") Credits
Producers
Brandon Vietti
Greg Weisman
Written By
Jon Weisman
Directed By
Michael Chang
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Crispin Freeman as Dane Danger
Stephanie Lemelin as Diane Danger
Jesse McCartney as Dan Danger
Danica McKellar as Dawn Danger
Nolan North as Dean Danger
Jason Spisak as Wally West
Adam Baldwin as Parasite
Clancy Brown as King Faraday
Stephen Root as Jack Haly
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Coran Stone
BG Key Design
Cynthia Q. Ignacio
Hakjoon Kang
Prop Design
Hakjoon Kang
Alex Kubalsky
_______________________________________________________________
Storyboard
Charles E. Drost, III
Michael Goguen
Jeff Johnson
Keo Thongkham
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Doo-Hyung Lee
Background Director
Jung-Ho Park
Production Manager
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyo-Sun Ryu
Seong-Mi Park
__________________________________________________________________
Layout Artists
Hahk-Jin Kim
In-Soo Kim
Joo-Hyeon Lee
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Soo-Jin Yu
Sung-Ho Jo
Jeong-Mi Lee
Model Checker
Ki-Duk Park
Key Animation
Byong-Eui Gwack
Kyong-Ho Lee
Bum-Seok Lee
Kyong-Ah Jang
Jung-hee Yang
Chang-Ho Park
Hyo-sick Jang
Yun-Jae Go
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Kyun-Ho Han
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Aldo Martinez - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
TUNE IN TO DC NATION AND YOUNG JUSTICE
Hey gang,
This coming Saturday, April 7th on Cartoon Network's DC NATION is episode 124 of YOUNG JUSTICE: "Performance." It's focus is on Robin, his origins and one of his oldest friends. Plus we've got a nice little Superboy subplot, Red Arrow's second mission with the Team and much, much more. The whole block (which also includes Green Lantern and some terrific shorts) repeats again on Sunday the 8th. Check local listings for times.
YOUNG JUSTICE Episode #23 ("Insecurity") Credits
YOUNG JUSTICE Episode #23 ("Insecurity") Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Peter David
Directed By
Jay Oliva
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Lacey Chabert as Zatanna Zatara
Crispin Freeman as Red Arrow
Stephanie Lemelin as Artemis
Danica McKellar as M’gann M’orzz
Nolan North as Conner Kent
Khary Payton as Aqualad
Jason Spisak as Kid Flash
Thom Adcox as Klarion
Jeff Bennett as Red Tornado, Bernell Jones
Nick Chinlund as Sportsmaster/Crusher Crock
Kelly Hu as Cheshire, Paula Crock
Josh Keaton as Black Spider
Peter MacNicol as Professor Ivo, M.O.N.Q.I.
Alan Tudyk as Green Arrow
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Klarion Created by
Jack Kirby
Zatanna Created By
Gardner Fox and Murphy Anderson
Cheshire Created By
Marv Wolfman and George Perez
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Coran Stone
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Seung-gyu Lee
Storyboard Clean-up
Brendon Clogher
Naz Ghodrati-Azadi
Christina Louise Sotta
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
James Tim Walker
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Deagu Heh
Hyeoksoo Lee
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
__________________________________________________________________
Layout Artists
Changnam Kim
Jinyoung Kim
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Mikyoung Kim
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Yeoungsik Hwang
Seokjin Jang
Mansoo Jung
Seongil Kim
Sinkwon Kim
Mingu Lee
Jihyeon Nam
Jaejin Yu
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Aldo Martinez - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Sue Weisman 1910-2012
Earlier this week, my astounding grandmother, Sue Weisman, passed away just a couple weeks shy of her 102nd birthday.
She led an amazing life that saw the world change in amazing ways. There are hundreds of stories. Stories her of growing up on New York's lower east side with five older brothers, two younger sisters (all gone now) and the restaurant that her father owned and her Yiddish-speaking mother ran, stories of the three young girls in their pretty dresses driving back from New Jersey with liquor hidden under the seat. There are stories of her meeting and marrying my grandfather Aaron Weisman and moving to Chicago during the days of Frank Nitti, of whom she had - from personal experience - a very negative view. There are stories of moving to Los Angeles and Beverly Hills in the fifties. And stories of her over 40 years as a volunteer at the Los Angeles County Museum of Art.
But mostly, there are stories of her family: her three children, eight grandchildren and TWELVE great-grandchildren, not to mention numerous, spouses, nieces, nephews, cousins, etc. She was a most astounding matriarch, and she will be missed.
But the truth is she's been missed for quite some time. She was with us and WITH IT right through and past her 100th birthday. But in the months that followed, I firmly believe she decided she was done. Somewhere inside her, she flipped a switch and was gone, even though her physical body hadn't received the memo. She hasn't been herself in over a year, and her finally passing is, I believe, a blessing.
I think that's why it's taken me so long to write this. I'm trying to get my head around my LACK of response to this loss. Its hard not to think that there must be something wrong inside me not to feel worse - let alone... anything. Maybe it'll hit me later. The entire Weisman clan is gathering next week on what would have been her 102nd birthday, not to memorialize her but to celebrate her life. And I'm looking forward to it - even if (or maybe especially if) it results in the death finally hitting home. (Heck, I thought writing this might trigger something, but no.) Mostly, I think the culprit is that the mourning for me took place some time ago. It began when she made the decision to stop going to the theater with me and the kids. We had a subscription to A NOISE WITHIN, a classical theater company here in the Los Angeles area, and she enjoyed it thoroughly, even as her hearing deteriorated, making it increasingly difficult for her to follow what was going on. But I was still stunned when she chose not to accompany us any longer. And bits and pieces of her faded away from there. Our last real conversation was extremely frustrating for both of us. She thought I was my father, even though my father was sitting just a few seats away. And she kept asking me how "Sam" was - when none of the rest of us assembled could figure out WHO Sam was. Finally, something else she said finally made me realize she was talking about my son Benny. But even when I offered up that name, she didn't recognize it. At the very end, she couldn't recognize anyone. So perhaps I was overly prepared for this eventuality. Perhaps one day when I least expect it, it will knock me for a loop. But not today.
In the meantime, join me in celebrating a wonderful lady and a great broad: Sue Weisman.
MORE NEW YOUNG JUSTICE
Tune in this Saturday and/or Sunday morning (March 30 and 31) for episode 123 of YOUNG JUSTICE: "Insecurity". This one focuses on Artemis, and the pressures on her to keep her secrets as Red Arrow officially joins the Team, which is then assigned to track Sportsmaster! Check local listings for times.
YOUNG JUSTICE Episode #22 ("Agendas") Credits
YOUNG JUSTICE Episode #22 ("Agendas") Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Kevin Hopps
Directed By
Michael Chang
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Lacey Chabert as Zatanna Zatara
Danica McKellar as M’gann M’orzz
Nolan North as Superboy, Match, Superman, Zatara
Jason Spisak as Wally West
Dee Bradley Baker as Wolf
Jeff Bennett as Red Tornado
George Eads as Flash
Crispin Freeman as Guardian
Bruce Greenwood as Batman
Phil LaMarr as Dubbilex, Aquaman
Chad Lowe as Captain Marvel
Vanessa Marshall as Black Canary, Amanda Spence
Maggie Q as Wonder Woman
Kevin Michael Richardson as Martian Manhunter, Nabu, John Stewart
Mark Rolston as Lex Luthor
Alan Tudyk as Green Arrow
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Wonder Woman Created By
William Moulton Marston
Martian Manhunter Created By
Joseph Samachson and Joseph Certa
Aquaman Created By
Paul Norris
Doctor Fate Created By
Gardner Fox
Miss Martian Created By
Geoff Johns and Tony Daniel
Zatanna Created By
Gardner Fox
Dubbilex Created By
Jack Kirby
Guardian Created By
Jack Kirby
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Cynthia Q. Ignacino
Fedja Jovanovic
Hakjoon Kang
Prop Design
Alex Kubalsky
_______________________________________________________________
Storyboard
Charles E. Drost, III
Curt Geda
Michael Goguen
Jeff Johnson
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Card 13
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Seung-Bong Lim
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Ok-Ki Lee
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
________________________________________________________________________
Layout Artists
Tae-II Kim
In-Soo Kim
Hak-Jin Kim
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Yang-Sook Kim
Key Animation
Eun-Jung Kang
Eun-Hee Yang
Jong-Jin Park
Bong-Geun Kim
Seong-Joon Kwon
Soo-Jin Lee
Han-Young Lee
Young-Chase Kim
Yun-Ho Choo
Sang-Young Uhm
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Dong Moon Choo
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Aldo Martinez - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
TUNE IN!
Hey gang,
Tomorrow, Saturday, March 24, 2012 - and repeating again on Sunday - is the American premiere of Young Justice episode 122, "Agendas". This is a BIG story for Superboy - and for the entire JUSTICE LEAGUE, as well, featuring special guest star MAGGIE Q, who absolutely rocks it as WONDER WOMAN! So tune in!
YOUNG JUSTICE Episode #21 ("Image") Credits
YOUNG JUSTICE Episode #21 ("Image") Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Nicole Dubuc
Directed By
Jay Oliva
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
“Hello, Megan!â€
Music by Michael McCuistion
Lyrics by Nicole Dubuc & Greg Weisman
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian, Marie Logan/Megan Wheeler
Nolan North as Superboy
Jason Spisak as Kid Flash, Monkey
Bruce Greenwood as Batman, Rumaan Harjavti
Logan Grove as Garfield Logan
Vanessa Marshall as Dinah Lance, Noor Harjavti
Kevin Michael Richardson as Martian Manhunter, Paul Sloane/Lead Singer
Marina Sirtis as Queen Bee, Sandra Stanyon/Mrs. Wheeler
Alan Tudyk as Psimon, Oliver Queen
Based On DC Comics Characters
Batman Created By
Bob Kane
Martian Manhunter Created By
Joseph Samachson and Joseph Certa
Miss Martian Created By
Geoff Johns and Tony Daniel
Beast Boy Created by
Arnold Drake
Psimon Created By
Marv Wolfman and George Perez
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Coran Stone
BG Key Design
Enzo Baldi
Fedja Jovanovic
Hakjoon Kang
Art Lee
Prop Design
Alex Kubalsky
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar Owen Sullivan
Lauren Montgomery
Owen Sullivan
Storyboard Clean-up
Christina Louise Sotta
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Animation Checking
Jan Browning
Chuck Gefre
Janette Hylett
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Card 13
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Directors
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Sangjoon Lee
Hyeoksoo Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
__________________________________________________________________
Layout Artists
Junyeop An
Hyeonwoo Seo
Insik Um
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Mikyoung Kim
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Daegu Heh
EunHwa Jung
Howoon Jung
Dongwook Kim
Kwonil Kim
Younhmi Lee
Kyounghwa Seo
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
SPOILER NASTINESS
Hello,
I've given the ASK GREG moderators permission to DELETE any question that refers to or spoils episodes of Young Justice that have NOT YET AIRED in the United States.
Personally, I think it's bad enough folks are spoiling things FOR THEMSELVES, when they will soon be able to see the episodes in English and at a decent quality within a matter of a few short weeks. (And the blame-Cartoon-Network excuse holds ZERO water for me, as these people are still CHOOSING to view episodes ahead of schedule. No one is holding a gun to their heads.) But the fact that they are spoiling things for folks who are trying NOT to get spoiled is just outrageously obnoxious.
I'd like the ASK GREG queue to be a safe place. I NEED people to be able to read the queue to see if someone ahead of them has already asked the question they're intending to ask. In fact, I've pretty much DEMANDED that people check the queue before asking a question, so forcing them to check something that will spoil their enjoyment of the series is flat out unfair.
Thus the deletions.
And this is all beside the fact that asking a question HERE at ASK GREG to get an explanation of something in an episode that wasn't understood because it was not in English is, well, IDIOTIC. At the length of the current queue, it'll be months before I get to these questions, and the episodes will air here in the U.S. in a matter of weeks. So by the time I get to these questions, the answers will no longer be required - so all that is really being accomplished is that folks have found yet another way to bog down the queue. In fact, this practice is SO idiotic, I'm having trouble believing the questions are being asked with any sincerity. It seems more like a demonstration of power. Trolling, pure and simple.
Either way - whether this is due to naivete or trolling - please just STOP. Please.
JOIN US!
Hey gang,
Tomorrow morning (Saturday, March 17th) Cartoon Network airs YOUNG JUSTICE episode 21, "Image". It also repeats on Sunday morning. (Check local listings for time.) You should really check it out. Big doings, trust me!
Also, Brandon Vietti and I will be at WonderCon in Anaheim tomorrow. We have a signing at the DC Booth at 4pm and a DC NATION panel at 5pm. Major SPOILERS happening at the panel. And I KNOW how much you crazy kids love spoilers. So stop by!
YOUNG JUSTICE Episode #20 ("Coldhearted") Credits
YOUNG JUSTICE Episode #20 ("Coldhearted") Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Jon Weisman
Directed By
Victor Cook
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Lacey Chabert as Zatanna
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Khary Payton as Aqualad, Brick
Jason Spisak as Kid Flash
Steven J. Blum as Count Vertigo, Rudy West, Henchy
Nicole Dubuc as Iris West-Allen
Miguel Ferrer as Vandal Savage
Bruce Greenwood as Batman, Pieter Cross
Adrian Pasdar as Hugo Strange
Cree Summer as Mary West, Mattie Harcourt
Ariel Winter as Perdita
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Zatanna Created By
Gardner Fox
Doctor Fate Created By
Gardner Fox
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Coran Stone
BG Key Design
Fedja Jovanovic
Hakjoon Kang
Prop Design
Hakjoon Kang
Alex Kubalsky
_______________________________________________________________
Storyboard
Ki-Doo Kim
Storyboard Clean-up
Jae H. Kim
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Jin-Hae Lee
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyosun Ryu
________________________________________________________________________
Layout Artists
Tae-II Kim
In-Shik Uhm
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Ju-Yeon Lee
Key Animation
Young-II Park
Hyung-Seok Jang
Sun-Ki Kang
Cheong-II Hahn
Jong-Hwa Lee
Seun-Deuk Sohn
Gun-Shik Lee
Jae-Hyung Kim
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Gyun-Ho Hahn
_______________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Coldhearted
Episode 20 of YOUNG JUSTICE, i.e. "Coldhearted" airs tomorrow (Saturday, March 10th) on Cartoon Network and repeats on Sunday. Check local cable guides for times.
Please do check it out. It puts the spotlight on Kid Flash, and I think it turned out great.
YOUNG JUSTICE Episode #19 ("Misplaced") Credits
So... aren't we off to a good start?!
Can a man simultaneously be sarcastic and not?
Anyway, I was mostly thrilled with the premiere of DC NATION, but obviously frustrated that CN attached the WRONG episode's credits. So without further ado:
YOUNG JUSTICE Episode #19 ("Misplaced") Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Greg Weisman
Directed By
Michael Chang
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Lacey Chabert as Zatanna
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Zatara
Khary Payton as Aqualad
Jason Spisak as Kid Flash
Thom Adcox as Klarion
Dee Bradley Baker as Teekl, Felix Faust
Corey Burton as Wizard, James Gordon, Brain
Nick Chinlund as Sportsmaster
Bruce Greenwood as Batman, Wotan
Chad Lowe as Captain Marvel
Masasa Moyo as Cat Grant, Amber Joyce
Robert Ochoa as Billy Batson
Kevin Michael Richardson as Blackbriar Thorn, Nabu
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Zatanna Created By
Gardner Fox
Felix Faust Created By
Gardner Fox
Wotan Created By
Gardner Fox
Blackbriar Thorn Created By
Len Wein
Cat Grant Created By
Marv Wolfman and Jerry Ordway
The Brain and Monsieur Mallah Created By
Arnold Drake
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Coran Stone
BG Key Design
Enzo Baldi
Fedja Jovanovic
Hakjoon Kang
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Charles E. Drost, III
Paul Harmon
Jeff Johnson
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Animation Checking
Chuck Gefre
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Doo-Hyung Lee
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyo-Sun Ryu
Seong-Mi Park
________________________________________________________________________
Layout Artists
Hahk-Jin Kim
In-Soo Kim
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Soo-Jin Yu
Sung-Ho Jo
Jeong-Mi Lee
Model Checkers
Yang-Sook Kim
Key Animation
Byong-Eui Gwack
Kyong-Ho Lee
Bum-Seok Lee
Kyong-Ah Jang
Eun-Hee Ba
Chang-Ho Park
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Nam-Gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE PRODUCTION UPDATE
YOUNG JUSTICE PRODUCTION UPDATE
So where are we...?
SEASON ONE
With the start of DC NATION, Episodes 101-119 have now aired.
120-126 are all in the can, and at least the first four of those are scheduled to air this month (March 2012).
SEASON TWO
Episodes 201 and 202 are in the can.
203 has mixed. We'll do the online tomorrow and then that will be in the can.
204 is in post-production. We locked picture last Friday and spotted the music today.
205 is in post-production. We called retakes for it last week.
206 should come in for post, pretty much any minute.
207-209 have all been fully shipped overseas for animation.
210-214 have also shipped though some of the color work on BGs and models is still being completed here.
215 should ship this week.
216 is in board revision and notes.
217 is in slug.
218-219 boards are going to slug and notes ASAP.
220 clean boards should come in early this week.
COMIC BOOK
The trade collecting issues 0-6 is out, I believe. I have a copy, but sometimes I get my comp copy a week or so early, so I'm not sure.
Issues 7-13 are all out.
Issue 14 should come out very soon.
Issue 15 is being inked.
Issue 16 is being pencilled.
Issue 17 is being scripted.
Issue 18-19 are being plotted.
YJ'S BACK, BABY!!
Yes, that's right. "Misplaced", the nineteenth episode of YOUNG JUSTICE, aired today on Cartoon Network.
If you missed it - or just want a second look - it will rerun tomorrow on Cartoon Network. Check local listings for times.
ASK GREG is back, MARCH 3, 2012.
So I've finally gotten through the queue. I could definitely feel myself getting cranky again by the end here, so I'm going to take a short break.
Young Justice resumes airing on Saturday, March 3, 2012, and we'll reopen ASK GREG's question/posting function on the same day.
PLEASE, PLEASE, PLEASE follow these simple guidelines BEFORE posting.
1. DO NOT REQUEST SPOILERS!! All requests for spoilers will be met with "SPOILER REQUEST. NO COMMENT." Prefacing your spoiler request question by saying, "I hope this doesn't trigger a spoiler alert" or the like doesn't help. THINK BEFORE YOU POST. If you're asking me for information about what is TO COME on a show, it's a SPOILER. And I flat out will not answer. So all you're doing is clogging the queue.
2. CHECK THE ARCHIVES to make sure your question hasn't already been answered. Any question already answered will receive an "ASKED AND ANSWERED" response. Again, this only serves to clog the queue.
3. CHECK the UNANSWERED QUESTION queue before posting your question. I may not have answered it yet, but if you can see that someone's already asked the question, then there's no point in asking it again. All you'll receive is another "ASKED AND ANSWERED" response. Really, the amount of times I was asked Zatanna's age was just preposterous. If I'm taking the time to answer your questions, the least you can do is LOOK to see if your question was already asked before posting and clogging the queue.
4. CONSIDER asking your question from knowledgeable fans BEFORE posting it. For example, the folks at http://www.s8.org/gargoyles/comment/ are very familiar with my work and can usually answer stuff much faster than I can.
5. If you are asking multiple questions in one post, please NUMBER your questions. And if you're asking more than, say... ten... then create a separate post.
6. But please, do NOT flood the queue. Show restraint.
7. Please do not submit any original ideas, notions, concepts, or drawings of original characters. No stories, no fanfic, no teleplays, nothing.
8. No original ideas masquerading as questions. Asking me what Demona did during World War II is fine. Asking me if Demona tried to assassinate Hitler during World War II is an idea masquerading as a question and is not all right. I'm sure you can all see the distinction.
9. No requests for employment. If you want to ask generally about how one might break into the business, I'll try to give my perspective, but this is not an appropriate forum for personal pleas for work.
If these guidelines are followed the results benefit us all:
a. The queue doesn't bog down. I'll get to questions faster.
b. I'll be happier, which means I'm more likely to expand on the questions I can answer, instead of being so fed up that I speed through those too, just to bring down the size of the queue.
I know I must sound like a curmudgeon here. AND THAT'S ONLY BECAUSE THAT'S EXACTLY WHAT I AM! (ASK ANYONE!) But you can help reduce my curmudgeonliness by following these guidelines.
Thank you
See you in a week(ish).
Demons
I believe a demon has possessed my alarm clock.
I believe this demon to be related to the demon that already possesses my bathroom scale.
I do not believe I can be shaken from these beliefs.
MECHA-NATION
Anyone out there remember MECHA-NATION, the three-issue comic book mini-series created by Victor Cook, developed by Vic, Greg Guler & myself, written by me and drawn by Antonio Campo?
Cuz we FINALLY finished it!
The MARCH PREVIEWS will be out on FEBRUARY 29th and will contain order information for MECHA-NATION #1-3!!!
(That's right, if you missed the first issue, you'll now have the opportunity to get all three (the complete story) at once!!)
Make sure you friends and fans know about PRE-ORDERING as that will be important for us in getting the word and the book out to stores everywhere!
The book itself will be out in May.
It's a really fun story, and Antonio did a great job illustrating it! Check it out!!
WonderCon
I mentioned my upcoming (this summer) appearance at Denver Comic Con, but coming up fast (faster?) is WONDERCON.
Brandon Vietti and I will be appearing at WonderCon at the Anaheim Convention Center on Saturday, March 17.
The tentative schedule incudes:
4:00-4:30 pm SIGNING
5:00-6:00 pm PANEL
So stop by!!
Some YJ Statistics...
Today we recorded (most) of Young Justice episode 220, i.e. the final episode of Season Two. We had a nice little cast party today, which is bittersweet, of course, since we don't know if we're merely taking a break with a pickup coming some day - or whether this is it.
By the time we've finally recorded everyone (probably sometime next week), this single episode will have TWENTY-FOUR voice actors in it. That's 24 actors playing 35 speaking parts. And those 35 speaking parts make up less than half of the 77 total characters that will (likely) appear in the episode.
Other stats (of interest only to the truly nerdy geek):
Across two seasons, we'll have used 91 actors to play all the speaking parts.
Season One had 179 name characters (not all of whom speak, of course) over its 26 episodes. (At least through the script stage. A few, like Catherine Cobert, may have been cut for time by the time the episodes aired, and I haven't recalculated for that.)
Season Two had 145 name characters over 20 episodes.
Together (i.e. if you merge both lists), the two seasons had a total of 241 name characters over 46 episodes.
Season Two scripts ranged between 30 pages long (episode 216) and 36 pages long (201 & 220).
Line counts ranged between 197 lines per script (203) and 255 (214).
Number of actors used per episode ranged between 6 (202) and 24 (220).
DENVER COMIC CON
Hey everyone,
I will be signing autographs, doing panels, etc. at the Denver Comic Con for their inaugural event on Father’s Day weekend June 15-17th. The weekend long con benefits Children’s Literacy through the Comic Book Classroom, a new program teaching children to read through comic books. They have already announced a legion of guests including Jasika Nicole, Michael Uslan, Mark Ryan, Tom Kane, Steven Seagle, Barry Kitson, Jason Aaron, James O'Barr, Gail Simone, Bob Layton, Georges Jeanty, Rebekah Isaacs and more! Hope to see you there, early bird tickets are only $45 for weekend passes.
We'll talk Young Justice, Gargoyles, Spidey, you name it!
Check out: www.denvercomiccon.com for more info.
YOUNG JUSTICE PRODUCTION UPDATE
YOUNG JUSTICE PRODUCTION UPDATE
Been awhile since I did this. Here's where we are...
SEASON ONE
101-118 have aired.
119 is in the can and will air on March 3rd, premiering with DC NATION.
120-126 are all complete and in the can, ready to air.
SEASON TWO
201 is in post-production. We're actually locking the final cut in editorial today.
202 is in post-production. We're waiting for retakes.
203 is in post-production. We're calling retakes today.
204 is overseas, being animated, but it should ship back to us next week.
205-207 are overseas, being animated.
208 is overseas, being animated, while we're simultaneously finishing the color models.
209 is overseas, being animated. We still have color models to work on.
210-211 are both overseas, being animated, and we still have color models to work on. Plus we still have one voice actor to record, who was out sick. We've temped in the lines. (I did them, actually.) We'll have to pick him up in post-production, using ADR.
212 is overseas, being animated. We still have color models to work on.
213's storyboard is in track and checking.
214's storyboard is in revision and track.
215's storyboard is in notes.
216's storyboard is in and going to slug.
217's storyboard is in.
218 is in storyboard. Still have two actors to pick up for this one.
219 is in storyboard and fully recorded.
220 is in storyboard. We're picking up a couple actors early today, and recording the rest of the cast (hopefully) this coming Tuesday (Feb 7).
Yep, that's right. ALL the scripts for Season Two are locked and final.
COMIC BOOK
Issues #0-12 are available for purchase.
Issue #13 is at the printers, I think.
Issue #14 is being inked by Chris Jones.
Issue #15's script is done and ready for Chris to pencil.
Issue #16's script is being finished off by me this weekend.
Issue #17 is plotted. Kevin Hopps is working on the first draft script.
Conventions...
So I was invited to attend Kimvention 2012 - the new convention dedicated to the KIM POSSIBLE television series: http://kimvention2012.com/
I would have loved to attend, but unfortunately, I had already committed to Denver Comic Con the same weekend: http://www.denvercomiccon.com/
I'm really looking forward to Denver, but I do wish I were able to attend both.
Kimvention should be a lot of fun. And Kim Possible was a great series. So if you're anywhere near Anaheim this June, I'd recommend it.
And if you're anywhere near Denver, come see me at Denver Comic Con.
YJ UPDATE
YJ UPDATE
SEASON ONE
101-118 have aired.
119-126 are all complete and in the can. That's right. All work on Season One is DONE! <whoo!>
SEASON TWO
201-207 have all shipped overseas for animation.
208-213 are all in storyboard and design. 208 and 209 are fully recorded, but we still have a few straggler voice actors to pick up for 210-212.
213 records the Tuesday after Thanksgiving. (Script is done.)
214 - I'm currently editing the script.
215 - I need to edit the script, which writer Jon Weisman completed.
216-218 - I need to edit the outlines, which writers Kevin Hopps, Brandon Vietti and Peter David have all completed.
219 - I need to write this one. Yes, 214-219 are all basically sitting on my desk. I have officially become a logjam.
220 - This one's in outline with the writer, Kevin Hopps.
COMIC BOOK
Issues 0-10 have all hit the stands.
Issue 11 is being colored.
Issue 12 is being inked.
Issue 13 is being pencilled.
Issue 14 - I'm doing my pass on Kevin's script. (Did I mention I'm a logjam?)
Issue 15 - Kevin is working on his first pass at the script. But the basic outline is done.
YOUNG JUSTICE Episode #18 ("Secrets") Credits
YOUNG JUSTICE Episode #18 ("Secrets") Credits
Producers
Brandon Vietti
Greg Weisman
Written By
Peter David
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Megan Morse
Nolan North as Conner Kent, Marvin White
Khary Payton as Aqualad
Jason Spisak as Wally West
Lacey Chabert as Zatanna
Ben Diskin as Harm
Crispin Freeman as Red Arrow
Bruce Greenwood as Batman
Chad Lowe as Captain Marvel
Masasa Moyo as Secret, Wendy Harris, Karen Beecher
Kevin Michael Richardson as Mal Duncan, Jim Daniels
Greg Weisman as Lucas Carr
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Zatanna Created By
Gardner Fox
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Coran Stone
BG Key Design
Jay Hong
Fedja Jovanovic
Hakjoon Kang
Prop Design
Alex Kubalsky
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Jake Castorena
Tim Divar
Ki-Doo Kim
Owen Sullivan
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
James Tim Walker
Animation Checking
Jan Browning
Chuck Gefre
Janette Hulett
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Card 13
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Directors
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Daegu Heh
Hyeoksoo Lee
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
________________________________________________________________________
Layout Artists
Jungmo Kim
Minsoo Kim
Hyeonwoo Seo
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Eunha Kim
Junghee Kim
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Namgil Cho
Yeoungsik Hwang
Seokjin Jang
Guchang Lee
Mingoo Lee
Ikhyun Kim
Younggi Kim
SinKwon Kim
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto. _________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Geneva Ip - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #17 ("Disordered") Credits
YOUNG JUSTICE Episode #17 ("Disordered") Credits
Producers
Brandon Vietti
Greg Weisman
Written By
Andrew Robinson
Directed By
Michael Chang
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis Crock
Jesse McCartney as Dick Grayson
Danica McKellar as Megan Morse
Nolan North as Conner Kent
Khary Payton as Kaldur’ahm
Jason Spisak as Wally West
Dee Bradley Baker as Wolf, Serifan, Desaad
Grey Delisle as Dreamer, Whisper A’Daire
Bill Fagerbakke as Bear
Bruce Greenwood as Batman
Vanessa Marshall as Black Canary
Kevin Michael Richardson as Martian Manhunter, Vykin, “Ugly†Manheim
Based On DC Comics Characters
Batman Created By
Bob Kane
New Gods Created By
Jack Kirby
The Forever People Created By
Jack Kirby
Miss Martian Created By
Geoff Johns and Tony Daniel
Martian Manhunter Created By
Joseph Samachson and Joseph Certa
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Eugene Mattos
BG Key Design
Enzo Baldi
Fedja Jovanovic
Hakjoon Kang
Prop Design
Tea-Soo Kim
_______________________________________________________________
Storyboard
Charles E. Drost, III
Paul Harmon
Jeff Johnson
Lauren Montgomery
Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing Animation
Richard Collado
Jeff Hall
Michel Lyman
James Tim Walker
Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Sang-Young Uhm
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Ok-Ki Lee
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
________________________________________________________________________
Layout Artists
Tae-II Kim
In-Soo Kim
Hak-Jin Kim
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Ki-Duk Park
Key Animation
Eun-Jung Kang
Eun-Hee Yang
Jong-Jin Park
Bong-Geun Kim
Seong-Joon Kwon
Soo-Jin Lee
Han-Young Lee
Young-Chae Kim
Yun-Ho Choo
Seung-Bong Lim
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Nam-Kyu Lee
_______________________________________________________________________
Card 16
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #16 ("Failsafe") Credits
YOUNG JUSTICE Episode #16 ("Failsafe") Credits
Producers
Brandon Vietti
Greg Weisman
Written By
Nicole Dubuc
Directed By
Jay Oliva
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Zatara
Khary Payton as Aqualad
Jason Spisak as Kid Flash
Jeff Bennett as Red Tornado, Wade Eiling, Jason Bard
Nicole Dubuc as Iris West-Allen
Bruce Greenwood as Batman
Masasa Moyo as Cat Grant
Kevin Michael Richardson as Martian Manhunter, David Reid, Green Lantern
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Wonder Woman Created By
William Moulton Marston
Martian Manhunter Created By
Joseph Samachson and Joseph Certa
Aquaman Created By
Paul Norris
Miss Martian Created By
Geoff Johns and Tony Daniel
Zatanna Created By
Gardner Fox
Cat Grant Created By
Marv Wolfman and Jerry Ordway
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Coran Stone
BG Key Design
Jay Hong
Fedja Jovanovic
Hakjoon Kang
Prop Design
Andy Chiang
Eugene Mattos
_______________________________________________________________
Storyboard
Charles E. Drost, III
Paul Harmon
Jeff Johnson
Robert Souza
Storyboard Clean-up
Branden Clogher
Christina Louise Sotta
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steve White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Directors
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Sangjoon Lee
Myeonghwan Park
Junsik Cho
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
________________________________________________________________________
Layout Artists
Jungmo Kim
Minsoo Kim
Hyeonwoo Seo
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Myeongae Sim
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Seokjin Jang
Eunhwa Jung
Howon Jung
Dongwook Kim
Kwonil Kim
Kyeongrak Kim
Yeoungmi Lee
Gyeonghwa Seo
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Geneva Ip - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YJ Update
Time for an update, don't you think:
SEASON ONE
101-115 have aired.
116-125 are all in the can, ready to air.
126 is in post-production.
SEASON TWO
201-206 are being animated in Korea.
207-209 are recorded and are in storyboard and design.
210-211 are partially recorded and are in storyboard and design.
212 has a first draft script waiting for notes.
213 has an outline approved waiting for me to script.
214 has an outline that I should finish editing tonight.
215 has an outline waiting for me to read and edit.
216-220 are all in outline based on approved beatsheets.
COMIC BOOK
0-9 have all been on sale.
10 is shipped.
11 is being penciled.
12 is being penciled.
13 is scripted.
14 is in script.
15 has been plotted.
YOUNG JUSTICE Episode #15 ("Humanity") Credits
YOUNG JUSTICE Episode #15 ("Humanity") Credits
Producers
Brandon Vietti
Greg Weisman
Written By
Greg Weisman
Directed By
Matthew Youngberg
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Zatara
Khary Payton as Aqualad
Jason Spisak as Kid Flash
Dee Bradley Baker as Wolf
Jeff Bennett as T.O. Morrow, Red Tornado, Red Volcano
Lacey Chabert as Zatanna
Rob Lowe as Captain Marvel
Peter MacNicol as Professor Ivo
Vanessa Marshall as Black Canary, Red Inferno
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Zatanna Created By
Gardner Fox
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Coran Stone
BG Key Design
Cynthia Q. Ignacio
Prop Design
Tea-Soo Kim
Eugene Mattos
Coran Stone
_______________________________________________________________
Storyboard
Ki-Doo Kim
Shi-Ok Park
Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Michel Lyman
Fred Miller
Bob Shellhorn
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
Catherine Kim
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steve White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Jin-Hae Lee
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
________________________________________________________________________
Layout Artists
Tae-II Kim
In-Shik Uhm
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Ju-Yeon Lee
Key Animation
Young-II Park
Hyung-Seok Jang
Sun-Ki Kang
Cheong-II Hahn
Jong-Hwa Lee
Seun-Deuk Sohn
Gun-Shik Lee
Jae-Hyung Kim
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Gyun-Ho Hahn
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Geneva Ip - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #14 ("Revelation") Credits
YOUNG JUSTICE Episode #14 ("Revelation") Credits
Producers
Brandon Vietti
Greg Weisman
Written By
Kevin Hopps
Directed By
Michael Chang
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Zatara
Khary Payton as Aqualad
Jason Spisak as Kid Flash
Dee Bradley Baker as Wolf, Ultra-Humanite
Steve Blum as Count Vertigo
Miguel Ferrer as Vandal Savage
Bruce Greenwood as Batman, Wotan
Alyssa Milano as Poison Ivy
Masasa Moyo as Cat Grant
Kevin Michael Richardson as Nabu
Brent Spiner as Joker
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Doctor Fate Created By
Gardner Fox
Cat Grant Created By
Marv Wolfman and Jerry Ordway
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Coran Stone
BG Key Design
Jay Hong
Fedja Jovanovic
Hakjoon Kang
Prop Design
Andy Chiang
Eugene Mattos
_______________________________________________________________
Storyboard
Charles E. Drost, III
Paul Harmon Owen Sullivan
Jeff Johnson
Storyboard Clean-up
Brendon Clogher
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steve White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Directors
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Daegu Heh
Yeongsoo Kim
Hyeoksoo Lee
Jeha Yu
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
________________________________________________________________________
Layout Artists
Junyeop An
Jungmo Kim
Hyeonwoo Seo
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
JaeHee Oh
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Yeoungsik Hwang
Seokjin Jang
Kwonil Kim
SinKwon Kim
Guchang Lee
Moonjae Lee
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Geneva Ip - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #13 ("Alpha Male") Credits
YOUNG JUSTICE Episode #13 ("Alpha Male") Credits
Writer And Director Sub-Main Titles At Front Of Show:
Producers
Brandon Vietti
Greg Weisman
Written By
Thomas Pugsley
Directed By
Jay Oliva
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy
Khary Payton as Aqualad
Jason Spisak as Kid Flash
Dee Bradley Baker as Monsieur Mallah, Wolf, Mr. Tawny
Corey Burton as Brain, Hamilton Hill, Dudley H. Dudley
Bruce Greenwood as Batman
Rob Lowe as Captain Marvel
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
The Brain and Monsieur Mallah Created By
Arnold Drake
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Enzo Baldi
Cynthia Q. Ignacio
Hakjoon Kang
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone
Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Directors
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Sangjoon Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
________________________________________________________________________
Layout Artists
Junyeop An
Jungmo Kim
Hyeonwoo Seo
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Myeonghee Park
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Yeongsik Hwang
Seokjin Jang
Eunhwa Jung
Howon Jung
Giyeop Kim
Kwonil Kim
SinKwon Kim
Gyeonghwa Seo
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Geneva Ip - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YJ Production Update
SEASON ONE
101-112 have all aired.
113 will air this Friday, October 7th.
114-123 are all in the can, ready to air.
124-125 are in post-production.
126 is almost done being animated in Korea.
SEASON TWO
201-203 have shipped to Korea.
204-209 are in storyboard.
210 is in script.
211-220 are in outline.
COMIC BOOK
Issues #0-8 are out.
Issue #9 has shipped for printing.
Issue #10 is being inked.
Issue #11 is being penciled.
Issue #12 is being scripted.
Issues #13-15 have all been plotted.
YOUNG JUSTICE Episode #12 ("Homefront") Credits
YOUNG JUSTICE Episode #12 ("Homefront") Credits
Producers
Brandon Vietti
Greg Weisman
Written By
Jon Weisman
Directed By
Michael Chang
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Card 4
Starring The Voices Of
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as M’gann M’orzz
Nolan North as Superboy, Superman
Khary Payton as Aqualad
Jason Spisak as Kid Flash
Jeff Bennett as Red Tornado, Red Torpedo
Kelly Hu as Jade Nguyen, Paula Crock
Alyson Stoner as Bette Kane, Barbara Gordon
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Miss Martian Created By
Geoff Johns and Tony Daniel
Martian Manhunter Created By
Joe Samachson
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Hakjoon Kang
Gary Montalbano
Jonard Soriano
Prop Design
Alexander Kubalsky
Eugene Mattos
Coran Stone
_______________________________________________________________
Storyboard
Charles E. Drost, III
Paul Harmon
Jeff Johnson
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Fred Miller
Animation Checking
Jan Browning
Janette Hulett
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Doo-Hyung Lee
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyo-Sun Ryu
Seong-Mi Park
________________________________________________________________________
Layout Artists
Hahk-Jin Kim
In-Soo Kim
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Soo-Jin Yu
Sung-Ho Jo
Jeong-Mi Lee
Model Checkers
Yang-Sook Kim
Key Animation
Byong-Eui Gwack
Kyong-Ho Lee
Bum-Seok Lee
Kyong-Ah Jang
Eun-Hee Ba
Chang-Ho Park
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Nam-Gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #11 ("Terrors") Credits
YOUNG JUSTICE Episode #11 ("Terrors") Credits
Producers
Brandon Vietti
Greg Weisman
Written By
Greg Weisman
Directed By
Jay Oliva
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Danica McKellar as “Tuppenceâ€
Nolan North as “Tommyâ€, Professor Ojo
Khary Payton as Aqualad, Brick
Dave Franco as Riddler
Bruce Greenwood as Batman
Yuri Lowenthal as Icicle Jr., Tommy Terror
Masasa Moyo as Cat Grant
Adrian Pasdar as Hugo Strange
Sheryl Lee Ralph as Amanda Waller
James Remar as Icicle Sr.
Sarah Shahi as Killer Frost
Keith Szarabajka as Mister Freeze
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Cat Grant Created By
Marv Wolfman and Jerry Ordway
Amanda Waller Created By
John Ostrander and John Byrne
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Enzo Baldi
Manalac “Tec†Cornelio
Jay Hong
Cynthia Q. Ignacio
Alex Stevens
Prop Design
Andy Chiang
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Fred Miller
Animation Checking
Sandra Hathcock
Janette Hulett
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Catherine Kim
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick J. Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Sangjoon Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
________________________________________________________________________
Layout Artists
Gapchan Jung
Jungmo Kim
Yeonggyun Yu
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Jisoo Kang
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Yeongsik Hwang
Seokjin Jang
Eunhwa Jung
Howon Jung
Giyeop Kim
Kwonil Kim
SinKwon Kim
Sebo Lee
Gyeonghwa Seo
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
__________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_____________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
____________________________________________________________________
Executive Producer
Sam Register
______________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Aldo Martinez - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Murray, R.I.P.
Our basset hound Murray went into full kidney failure last week and had to be put to sleep. He was a sweet dog and will be missed.
YOUNG JUSTICE Episode #10 ("Targets") Credits
YOUNG JUSTICE Episode #10 ("Targets") Credits
We're back, babies!!!
Producers
Brandon Vietti
Greg Weisman
Written By
Andrew Robinson
Directed By
Christopher Berkeley
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Card 4
Starring The Voices Of
Crispin Freeman as Red Arrow
Danica McKellar as Megan Morse
Nolan North as Conner Kent, Marvin White
Khary Payton as Aqualad
Nick Chinlund as Sportsmaster
Oded Fehr as Ra’s al Ghul
Kelly Hu as Cheshire
Masasa Moyo as Cat Grant, Wendy Harris, Karen Beecher
Yuji Okumoto as Tseng, Singh Manh Li, Xiaping
Kevin Michael Richardson as John Jones, Mal Duncan
Mark Rolston as Lex Luthor
Greg Weisman as Lucas Carr
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Cheshire Created By
Marv Wolfman and George Perez
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Hakjoon Kang
Gary Montalbano
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Ki-Doo Kim
Shi-Ok Park
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Bob Shellhorn
Animation Checking
Jan Browning
Janette Hulett
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick J. Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Jin-Hae Lee
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyosun Ryu
________________________________________________________________________
Layout Artists
Tae-II Kim
Ju-Yeon Lee
In-Shik Uhm
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Yang-Sook Kim
Key Animation
Young-II Park
Hyung-Seok Jang
Sun-Ki Kang
Cheong-II Hahn
Jong-Hwa Lee
Seun-Deuk Sohn
Gun-Shik Lee
Jae-Hyung Kim
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Dong-Moon Choo
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Card 17
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
Card 21
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YJ Update
As we fast approach our RE-PREMIERE, thought I'd give another update...
SEASON ONE
Episodes 101-109 have aired.
Episode 110, which we previewed officially at Comic-Con will finally air on Cartoon Network this Friday, September 16, 2011 at 6:30pm (or check local listings).
Episodes 111-121 are all in the can, ready to air.
Episode 122 is in post. We'll be mixing the sound next week.
Episode 123 is also in post. We'll be editing/locking the footage this Friday while some of you are watching 110.
Episode 124 is finishing up animation in Korea.
Episode 125 just came back from Korea - EARLY!! (That almost never happens.) We will be calling retakes on the footage shortly.
Episode 126 is finishing up animation in Korea.
SEASON TWO
Episodes 201-202 have both shipped to Korea for animation.
Episode 203 ships this week.
Episode 204 is in storyboard revisions. Brandon and I still need to give notes on the last act.
Episode 205 is waiting on storyboard notes too.
Episodes 206-207 are in storyboard.
Episode 208's script went final today. We'll record it next week.
Episode 209's script is currently being edited by me.
Episode 210 is in script.
Episode 211's outline is waiting to be edited by me.
Episodes 212-214 are in outline.
Episodes 215-217 we'll be handed out today (9/14) to the writers to go to outline.
Episodes 218-220 we'll be handed out next week to the writers. Beatsheets are completed though.
COMIC BOOK
Issues 0-7 plus the Free Comic Book Day issue have all been released.
Issue 8 is finished and should "hit the stands" this month.
Issue 9 is being inked.
Issue 10 is being pencilled. But the cover is done.
Issue 11's script was turned in by me yesterday. The cover is done.
Issue 12's cover has been pencilled and inked. I know the basic story, but I'm going to begin breaking down the story page-by-page tonight.
Issues 13-14's story is also pretty clear in our heads. Kevin and I will discuss it today so Kevin can proceed to break the issues down page-by-page.
ASK GREG & YJ UPDATE
ASK GREG & YJ UPDATE
Gorebash, Todd and I will be opening up Ask Greg for questions and comments again on September 16th, 2011 - i.e. the day that the next new episode of Young Justice airs.
I would, as usual, ask a few favors...
1. Please check the, ASK GREG FAQ, the ASK GREG ARCHIVES AND the questions in the queue ahead of you BEFORE posting. It only slows down the queue for everyone if I get the same question asked over and over again.
2. To save more time, both for you AND for me, consider asking your question FIRST of the knowledgeable fans at the STATION 8 COMMENT ROOM: http://www.s8.org/gargoyles/comment/index.php
3. Resist the urge to ask for spoilers. I'm not going to spoil my own show. So asking only slows down the queue.
4. Please be polite. You don't have to like my work, but you should be able to critique it without being rude. And please REFRAIN FROM ASSUMING that your argument is going to be SO convincing that I will admit that my own work sucks. WE LIKE OUR SHOW. You don't have to, but you're not going to convince me that I don't.
YJ UPDATE
FIRST SEASON
101-109 have all aired.
110 was previewed at Comic-Con and will premiere on Cartoon Network on September 16th.
111-119 are also in the can, i.e. totally completed and ready for airing.
120-123 are all in post-production. Today we previewed the music for 120, and spotted the music for 121.
124-126 are still being animated.
SECOND SEASON
201 is shipping to Korea at the end of the week.
202 is in timing.
203 is in storyboard clean-ups.
204 is waiting for board notes.
205-206 are in storyboard.
207 records tomorrow.
208-210 are all in script.
211-220 have been approved into production. Brandon Vietti, Kevin Hopps and myself spent the last week (including Saturday) breaking the last six episodes (one per day). We are pitching the arc of the season to DC, CN and WB this Wednesday. Assuming that goes well, we'll have our first writer's meeting to assign 211-214 on Thursday. I have beatsheets completed on 211-216. Have to write up the beatsheets for 217-220, but I've got all the beats on index cards, so it's just a matter of finding the time to transcribe them into a document.
That's it for now. See you all on the 16th of September!
gdw
CONGRATULATIONS TO PHIL!!!
Phil Bourassa, character designer extraordinare for YOUNG JUSTICE, has one an EMMY AWARD for his work on the series!
Phil's designs are, of course, stunning, and he's truly irreplaceable! All of us here at YJ are thrilled for him.
And, let's be honest, for ourselves as well. Hey, now we're all working on an Emmy-winning show! ;)
Update...
Anyone in the mood for another YJ Update?
101-109 - Aired
110 - Previewed at Comic-Con
111-118 - In the can.
119-121 - In post-production.
122-125 - In animation.
126 - In layout overseas. Final color models going out today.
201-204 - In storyboard.
205 - Recording this tomorrow.
206 - I'm editing the script now.
207 - Waiting for notes on the outline.
208 - Have to write the outline.
209 - Have to read the writer's draft on the outline.
210 - In outline.
As before, we don't have an official pick-up on the back ten episodes of Season Two, but we've been given the go ahead to break the stories:
211-212 - Beat Outlines completed.
213 - We're in the middle of breaking this one on index cards.
Another Rumor to Squash
Back from San Diego Comic-Con and was thrilled to see the outpouring of good wishes and thanks on the internet for us. But...
Someone seems to have spread the idea that our panel went poorly and that the fans who attended were rude to us.
NOTHING could be further from the truth. The panel - to my mind - went EXTREMELY well. The response to episode 10 seemed great, despite the fact that I think many in the room had seen it already, and we had a fun (if brief) Q&A after. Plus Miss Martian (and some other dude) brought us cookies. We then had a fun signing and press interviews. All full of praise.
I'll admit that ASK GREG has occasionally been inundated with a bit of rudeness, but that's at least in part thanks to the relative anonymity of the internet. In person, at the conventions, the fans are just terrific!
So thank you,
STAY YOUNG!
STAY JUST!
San Diego Comic-Con 2011
San Diego Comic-Con 2011
Well, I'm here!
I've so much work backed up from Oregon, ConVergence and being sick that I may spend an unfortunate amount of time holed up in my hotel room, nose to grindstone (grindstone = laptop), but if YOU are here, there are a few places you can find me:
Thursday, Friday and Saturday from 11:30am - 12:30pm, I'll be signing Gargoyles TPBs at the SLG Booth (#1815 - across from the DC Comics booth). Stop by and say hello!
Sunday at 10 am, Brandon Vietti, character designer Phil Bourassa, Danica McKellar (the voice of Miss Martian) and myself will be appearing at a panel for YOUNG JUSTICE in Room 7AB. We'll be screening an episode, followed by a Q&A.
After that, from 11:15am until noon, the four of us will be signing some VERY cool and unique (and even spoilerish) YJ giveaways at the Warner Bros. Booth (#4545). So again, stop by and say hey!
SO WHERE HAVE I BEEN? Updates & Debunks
Hello everyone,
Haven't posted here in a while, and since I did a bit of message board lurking this morning, it seems to have led people to believe all sorts of odd things, so...
Where have I been?
Well, in early June, my family and I went to the Oregon Shakespeare Festival in Ashland, Oregon.
We saw seven plays in four days. Six of them (Henry IV, Part Two, The Language Archive, To Kill a Mockingbird, Julius Caesar, Love's Labours Lost and Measure for Measure) were just stellar productions. Everyone was great, but I'd like to particularly single out Susannah Flood in both Language Archive and Mockingbird, Dee Maaske in Mockingbird and Michael Winters as Falstaff in 2HenryIV.
Coming back from that, I was understandably swamped and didn't have time to post.
Next, I went to Minneapolis for the always great ConVergence convention. I did about thirteen panels. Some of which, like Gargoyles and Spider-Man and Young Justice, I felt qualified to be on. And some, like Dexter and Galaxy Quest, my only qualification was being a fan of whatever we were talking about. This was my third ConVergence, and it continues to be the best run convention I've ever attended. And now that the Gathering of the Gargoyles is no more, it has become my FAVORITE convention to attend.
Returning from ConVergence, I then got quite ill. In fact, I'm still home sick today. (Home sick as opposed to homesick, clear?)
So THOSE are the reasons I haven't posted. Nothing nefarious.
Next topic: YOUNG JUSTICE UPDATE.
We have aired episodes 101-109 (i.e. Season One, episodes 1-9).
(Yes, episode 110 accidentally was posted on Cartoon Network's website, but I'm going to pretend that never happened.)
Episodes 110-115 are in the can, i.e. they are completed and ready to air.
Episode 116 awaits only the final on-line, i.e. the final review of the episode. This has been delayed ONLY because I've been out sick this week.
Episode 117 will have it's sound mix on Friday. (I hope to be back at work by then.)
Episode 118 has been edited and work progresses on scoring and sound effects.
Episode 119 is ready to begin post-production.
Episodes 120-123 are being animated in Korea.
Episodes 124-126 are in layout in Korea, while we finish the final color models here in the States.
Episodes 201-202 (i.e. Season Two, Episodes one and two) - Are fully recorded and are in storyboard. (201 was written by me. 202 by Nicole Dubuc.)
Episode 203, written by Kevin Hopps, is almost fully recorded. We have one actor left to pick up, who has been out of town. It is also in storyboard.
Episode 204, written by me, will record this week. It is also in storyboard.
Episode 205 - Brandon Vietti, has turned in his draft of the script. I have to read and edit it.
Episode 206 - The outline, written by Peter David and edited by me, went out Monday for notes, which are due tomorrow.
Episode 207 - Kevin Hopps turned in his outline, which I need to read and edit.
Episode 208 - I'm writing this one. I'll start the outline, after I've edited the outline to 207.
Episode 209 - Jon Weisman turned in his outline, which I need to read and edit.
Episode 210 - Kevin Hopps is working on his outline.
We do NOT yet have a pick-up beyond episode 210, but our bosses have told us to start blocking out episodes 211-220 in anticipation of one.
Episode 211 - We've broken this story. I still need to find time to write up the Beat Outline, though I have it all on index cards.
Episode 212 - We've got the basics of this one down, but we (i.e. myself, Brandon and Kevin) still need to finish breaking the story.
Episodes 213-220 - We've got a very clear sense of the arc and what things need to happen, but we haven't started on these yet.
NEXT TOPIC: DEBUNKING YJ RUMORS
False Rumor #1: YJ IS A GREG WEISMAN PRODUCTION
Everywhere on the Internet, all I see is that YJ is Greg Weisman's show. That's just blatantly false. This is a VIETTI/WEISMAN production. Just as Spectacular Spider-Man was a COOK/WEISMAN production and Gargoyles was a PAUR/WEISMAN production. I am not, nor have I ever been, a one-man show on ANY project I've EVER worked on. EVER. And in particular, on YJ, it's extremely unfair to Brandon to leave him out of consideration. Brandon is heavily involved in every aspect of production, INCLUDING SERIES DEVELOPMENT AND STORY. He's been right there with myself and Kevin Hopps breaking every single episode. It's been a team effort from day one. Many of the series' best ideas came/come from Brandon. And this is aside from the fact, that of course, Brandon can write - but I cannot draw, which arguably makes him MORE important to the production than I. I am exceedingly proud of this series and my own work on it - though certain very vocal fans seem to think I shouldn't be - but that doesn't change the fact that Brandon and I are a team.
False Rumor #2: YJ WAS RUSHED INTO PRODUCTION
Another blatant misconception. Look, Brandon and I are both perfectionists. Neither of us would deny that we'd LOVE to have more time on each and every episode. But that's not the same as being rushed. Let's make a comparison: on Spectacular Spider-Man, I basically had one week to develop both the series and the entire first season. Then Vic Cook came aboard, and we raced to get into production in less than two months. Brandon and I had seven months to develop the series, break the first season (which granted had twice as many episodes as the first season of Spidey) and head into production. The show isn't and never has been rushed. That's not to say the schedule isn't tight. But we haven't aired a single episode that wasn't ready to air. And we won't.
False Rumor #3: YJ ISN'T AIRING NOW BECAUSE WE'RE REWORKING EPISODES BASED ON INTERNET CRITICISM
This is my favorite. I love it the most because the first person I saw who posted this rumor also said that I'd deny it. So here I am denying it, which of course serves to PROVE that he or she was correct, see? Let's be clear: for better or worse, this series is COMPLETELY unaffected by internet criticism BECAUSE of schedule. Everything of any significance was set and DONE before even the pilot movie aired last November, so we couldn't address fan concerns even if we wanted to. And, honestly, we don't want to. We don't in part because there is way less consensus than some people seem to think. For example, for every post I see expressing hatred for "Hello, Megan!", I see a post that likes it. And personally, I like it. Brandon likes it. So why would we change it, even if we could? In fact, even Season Two is moving forward more or less disregarding "fan" criticism. Brandon and I always had very clear ideas for what we wanted to do in Season Two (and even Season Three, should we get one) and those ideas haven't changed. As with every series I've co-helmed, all we can ever do is write and produce to OUR OWN passions - and then just cross our fingers and hope enough people share our passions to make it a success. Anything else is doomed to failure, because if we're not passionate about it, it'll show in the work, and then no one will like it. And just to make it clear: WE LIKE OUR SHOW!! Doesn't mean you have to - but don't try to tell me I don't.
So why aren't we airing new episodes now? That's a fair question that I don't have an answer for. After all, we have six unaired episodes in the can, with four more on the verge of completion. It's a Cartoon Network decision. Some fans have argued that they shouldn't have started airing ANY episodes until ALL episodes were in the can. But that too is a decision above my pay grade.
My best guess - and that's all it is - is that CN will air new episodes - starting with 110 ("Targets") - in September. The good news is that the later they wait, the more weeks they can go uninterrupted by reruns. I do know that Season Two (i.e. "Young Justice: Invasion") will begin airing as part of DC NATION in March of 2012. And by then ALL of Season One will have aired. So do the math.
People have asked me if I'm bummed about losing momentum by this delay. But the thing is we've ALREADY lost all momentum. So as long as they PROMOTE us whenever they finally do start airing us again, then pragmatically I'm good. Yes, I'll admit to a certain level of frustration in that I want our stuff to get out there, but if CN has a plan to make the most of the episodes, then more power to them.
Anyway, I think that's it for now. I'll get back to answering questions on ASK GREG as soon as I can find the time. (But keep in mind that San Diego Comic-Con is fast approaching. Note: Young Justice has a panel scheduled for Sunday, July 24th at 10am, with a signing to follow. I'll also be signing Gargoyles comics (and whatever else anyone might want) at the SLG Booth from 11:30am to 12:30pm on Thursday, Friday and Saturday (July 21, 22, 23).
YJ Update
Seems like a good day for an update on production...
Episodes 101-109 have aired.
Episodes 110-111 are in the can, ready to air in June.
Episode 112 is in post-production. We do the Sound Mix tomorrow.
Episode 113 is in post-production. We should be locking the edit later today.
Episodes 114-119 are in Korea being animated.
Episodes 120-124 are in Korea in layout, while final models are being completed here.
Episode 125's storyboard is in checking and track. It's slightly too long. Brandon and I will be cutting slivers out of it before it ships.
Episode 126's storyboard is in revision.
Episode 201 is in script.
Episode 202's outline is waiting for notes that should come in today.
Episode 203's outline is being edited by me this week.
Episodes 204-210 are in outline.
By the way, in case it isn't obvious: NO, WE HAVE NOT DONE OVER TWO HUNDRED EPISODES. The first digit refers to the season. The second two digits refer to the episode number for that season. So, for example: episode 111 is the eleventh episode of the first season and episode 203 is the third episode of the second season.
GargWiki
We're back, baby!
That's right. The official GargWiki has been down for quite some time with server issues. But Gorebash, our host here at Station 8 has provided a new home for us. So check out: http://gargwiki.net/Main_Page
Most of what you might want to ask me (and thus needlessly crowd the queue here at ASK GREG) about Gargoyles is already easily available in this very smart-looking and user-friendly wiki.
I myself participate in keeping it honest and utilize it as a resource all the time.
Again, that's:
Worth the look.
ASK GREG
Finally, a word about Ask Greg.
I've asked Gorebash to shut down the question asking function until either (a) I catch up with the huge backlog of questions currently in the queue or (b) we have a new episode airing (whichever comes FIRST).
In the meantime, I'm going to try as usual to wade through the backlog. I'll admit, the questions lately have made me a bit cranky, and I want to avoid that, so I'm breaking down three categories of questions that get on my nerves and will from now on ONLY receive stock answers, both to keep me sane and to speed up the process.
1. Questions that have been asked before are really bogging down the queue. It would be MUCH appreciated if folks would follow the guidelines before posting and try (1) checking the Ask Greg Archives to see if their question has already been answered, (2) check the unanswered questions already in the queue to see if the question has been asked already and will get answered before I get to theirs and (3) try asking the question in the Station 8 Comment Room (http://www.s8.org/gargoyles/comment/). The fans there are VERY knowledgeable and may be able to get you an answer LONG before I reach your question. Any question that falls into this category will simply be answered with the following: "ASKED AND ANSWERED."
2. Questions that ask me to SPOIL my own show are exasperating. As I've said over and over, I'm just NOT going to do that. Why would I? Even obvious stuff can't be addressed, because if I acknowledge anything, the stuff I don't comment on is spoiled by default. So please, please, please refrain. Any question that falls into this category will simply be answered: "SPOILER REQUEST. NO COMMENT."
3. Finally, I have NO problem with people commenting on the series. And I get that not everyone is going to like everything (or even anything) that they see. But for some posters, commenting doesn't seem to satisfy. Instead, they phrase their comments in the form of a question, and in essence CHALLENGE me to acknowledge how right they are about their criticisms of the program. But here's the thing... you do NOT have to agree with me, but aside from a few objective mistakes that I'm ALWAYS willing to acknowledge (e.g.. the incorrect timestamps), you have to understand that if Brandon and I put something in the series, the odds are WE LIKE IT. YOU are NOT going to convince ME that, for example, "Hello, Megan!" or Robin's laugh or Superman's response to Superboy or Wally's flirting is bad for the show. Feel free to tell me you don't care for these (or other) things, but stop phrasing these COMMENTS as questions or challenges. It grates. Any question that falls into this category will simply be answered: "WE LIKE OUR SHOW."
Now, I realize that all of the above sounds fairly negative, but that's not the intent. In fact, the intent is to get any and all negativity out of the way HERE, so that the rest of Ask Greg becomes more manageable and pleasant for myself and all of you. I hope that makes sense.
Young Justice Update
Good news and bad news today...
Here's the good news.
Coming out of Cartoon Network's upfronts last week (and Geoff John's comments on it since) there's been some confusion about what's happening on the Young Justice front.
What amuses me a bit is how CONFIDENT some posters on various message boards are about their interpretation of the reports. CONFIDENT and generally wrong.
So here's what's going on:
Young Justice has aired nine episodes of our 26-episode first season. The rest will begin airing after some weeks of reruns. The schedule is Cartoon Network's, and I'm not yet 100% clear on when we're back up and running. Though to be fair to CN, we don't have ANY other episodes in the can as of this moment. We're posting episodes 10 and 11 now.
(I saw some folks protesting why we didn't wait until ALL episodes were in the can before we began airing. All I can do is shrug. It's not up to me, but I do wonder how the fans who were furious that they had to wait until January 2011 for Season One would feel about THAT strategy.)
So the good news: We HAVE INDEED been picked up for a second season. As of now, all CN & WB have ordered is a ten episode mini-series, "YOUNG JUSTICE: INVASION". We're HOPING for more than just ten eps, and I honestly think the odds are fairly good that the order will expand, but as of NOW, all we have is this ten episode order.
We immediately began work on this new season last week, and are breaking approximately (but not quite) one episode per day. The creative team is fundamentally the same as for Season One.
And though, of course, we will be introducing many new characters episodically in Season Two (just as we do episodically in Season One), I don't want to give the impression that this is some spin-off featuring, I dunno, the League or something, in the same Earth-16 setting. Invasion IS the second season of Young Justice and absolutely features our "Team". Episode 26 of Season One is time-stamped "December 31". Episode 1 of Season Two will be time-stamped "January 1", in essence picking up right where we left off.
We anticipate YJ:Invasion premiering in 2012... late first quarter, if I had to guess. Reports suggesting late 2011 are... beyond wishful thinking.
Hmmm... anything else? I feel like I'm forgetting something. But I can't think of any other misconceptions that need correcting right now.
Oh, well...
Still - Season Two. Not too shabby, huh?
Back Issue
I should have posted this long ago...
I received a complimentary copy of Back Issue #46. Inside is an interview of me conducted by John Wells (who incidentally has -- through Peter David -- provided considerable DC Comics related research for us on Young Justice). It's all about the Black Canary mini-series that I wrote a good chunk of for DC Comics back in the 80s before it was cancelled and never published to make way for Mike Grell's Longbow Hunters.
But that's not the only article of interest in the magazine. In fact, one of the reasons I'm so late in referencing this here, is because I took the time to read the magazine cover to cover. Lots of great stuff. I heartily recommend it.
Young Justice Happy Meal Toys!
Young Justice Happy Meal Toys!
So I got my complete set of YJ Happy Meal toys today, and I have three things to say:
1. Yes, I'm bummed that McDonalds chose to go with Littlest Pet Shop for girls, instead of creating a couple of kick-ass toys for Miss Martian and Artemis.
2. Nevertheless, the eight toys they did make are very cool!
3. But the choices made me stop and think: Black Manta is Aqualad's biological father. Batman is Robin's foster-father. Superman is Superboy's genetic father. So... is McDonalds trying to imply that Captain Cold is Kid Flash's father?!! OMG!!!
YOUNG JUSTICE Episode #9 ("Bereft") Credits
YOUNG JUSTICE Episode #9 ("Bereft") Credits
YOUNG JUSTICE
"Bereft"
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Nicole Dubuc
_________________________________________________________________________
Directed By
Michael Chang
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin - Artemis
Jesse McCartney - Robin
Danica McKellar - Miss Martian
Nolan North - Superboy
Khary Payton - Aqualad
Jason Spisak - Kid Flash
Bruce Greenwood - Batman
Marina Sirtis - L4
Alan Tudyk - Psimon
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By Bob Kane
Miss Martian Created By Geoff Johns and Tony Daniel
Psimon Created By Marv Wolfman and George Perez
_________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
Matthew Benzinger
_________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Prop Design
Hakjoon Kang
Eugene Mattos
BG Key Design
Hakjoon Kang
Gary Mantalbano
Storyboard
Charles E. Drost, III
Jeff Johnson
Paul Harmon
Olga Ulanova
Storyboard Clean-up
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Jeff Hall
Richard Collado
Gordon Kent
R. Michel Lyman
Bob Shellhorn
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Justin Schultz
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Chun Liu
Wei Zhao
Effects Animation
Matthew Girardi
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording
Studio Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
Animation Directors
Sangjoon Lee
Myeonghwan Park
________________________________________________________________________
Layout Artists
Soohyeon Gwak
Gapchan Jung
Jungmo Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Jisoo Kang
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Seokjin Jang
Eunhwa Jung
Howon Jung
Kwonil Kim
SinKwon Kim
Sebo Lee
Gyeonghwa Seo
Joonho Song
Final Checker
Seokki Um
Misook Choi
_________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
Executive in Charge of Production
Jay Bastian
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
Executive Producer
Sam Register
_________________________________________________________________________
"This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Aris Katsaris - Atlantean Translator
Sindy Tadros - Arabic Translator
Nicole Dubuc & Greg Weisman - Martian Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Electric Tiki, Rubén Procopio, Goliath and Me...
So I received my copy of the Electric Tiki Goliath sculpt. I LOVE it! It looks fantastic in my office at Warner Bros.
I highly recommend the purchase!
YOUNG JUSTICE Episode #8 ("Downtime") Credits
YOUNG JUSTICE Episode #8 ("Downtime") Credits
YOUNG JUSTICE
"Downtime"
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Kevin Hopps
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis Crock
Jesse McCartney as Dick Grayson
Danica McKellar as M’gann M’orzz
Nolan North as Superboy, Superman
Khary Payton as Kaldur’ahm, Black Manta
Jason Spisak as Wally West
_________________________________________________________________________
Starring The Voices Of
Jeff Glenn Bennett as Vulko, Alfred Pennyworth
George Eads as Barry Allen
Bruce Greenwood as Bruce Wayne
Kelly Hu as Paula Crock
Phil LaMarr as King Orin
Yuri Lowenthal as Garth
Roger Craig Smith as Prince Orm
Kath Soucie as Queen Mera, Joan Garrick
Cree Summer as Tula, Mary West
James Arnold Taylor as Topo
NOTE: Though uncredited, Kath Soucie also was the voice of Lori Lemaris; Yuri Lowenthal performed Lagoon Boy, and Roger Craig Smith was L-5.
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Miss Martian Created By
Geoff Johns and Tony Daniel
Aquaman Created By
Paul Norris
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Enzo Baldi
Hahk-Jin Kim
In-Soo Kim
Prop Design
Andy Chiang
Alexander Kubalsky
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone
Lauren Montgomery
Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Doo-Hyung Lee
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyosun Ryu
________________________________________________________________________
Layout Artists
Hahk-Jin Kim
In-Soo Kim
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Soo-Jin Yu
Jeong-Mi Lee
Model Checkers
Yang-Sook Kim
Key Animation
Byong-Eui Gwack
Kyong-Ho Lee
Bum-Seok Lee
Kyong-Ah Jang
Eun-Hee Ba
Chang-Ho Park
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Nam-Gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
Executive In Charge Of Music
Niki Sherrod
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Young Justice Stats - Part II
Young Justice Stats - Part II
I typed ALL this up yesterday, posted it -- and it vanished into the ether.
Anyway...
We've completed the scripting and recording of all 26 episodes of Season One of Young Justice.
Episodes 1-7 have aired.
Episodes 8-9 are in post-production.
Episodes 10-13 are being animated in Korea.
Episodes 14-15 are having their models colored.
Episodes 16-18 are getting final models on characters, props and BGs finished.
Episode 19 is in checking.
Episode 20 is in timing.
Episode 21 is in storyboard revision.
Episodes 22-24 are awaiting storyboard notes and revisions from their directors and/or the producers.
Episodes 25-26 are in storyboard.
In Season One, we have 179 named characters from the DC Universe. That's an average of 6.9 characters introduced per episode, though of course some introduce more and some less.
We used 66 actors total. That's 2.7 characters per actor, though that's a particularly meaningless number, as some characters don't speak or only grunt. Also many actors only performed a single role, while others performed considerably more than 2.7. The record holder (with 11 roles under his belt) is Kevin Michael Richardson with 11, beating out Jeff Glenn Bennett by one.
The average number of actors used per episode is 12. The episodes that required the fewest actors were 3, 9, 12 and 24 that needed 9 actors each. The episode that required the most actors was 25, which needed 19 actors.
Our shortest scripts -- at 31 pages each -- were from episodes 1 and 12. Our longest scripts -- at 35 pages each -- were from episodes 6, 7, 9, 16, 21, 22 and 25. The average page count across the 26 episodes was 34 pages.
The average line count was 231 lines of dialogue per script. The largest line count was 276 for episode 25; the smallest was 213 for episode 8.
Our longest dialogue track was 14:33 for episode 7. Our shortest was 10:07 for episode 12. The average length of our dialogue tracks is 12:14.
Of course, by the time you see them, all episodes will be the exact same length, give or take 30 seconds, including our 20 second main title -- which is a length dictated by the network. (I guess the days of minute-long theme songs are over.)
That's it for now...
YOUNG JUSTICE Episode #7 ("Denial") Credits
YOUNG JUSTICE Episode #7 ("Denial") Credits
YOUNG JUSTICE
"Denial"
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Thomas Pugsley
_________________________________________________________________________
Directed By
Michael Chang
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis
Danica McKellar as M’gann M’orzz
Nolan North as Superboy
Khary Payton as Kaldur’ahm
Jason Spisak as Wally West
_________________________________________________________________________
Starring The Voices Of
Thom Adcox as Klarion
Edward Asner as Kent Nelson
Jeff Glenn Bennett as Red Tornado, Abra Kadabra
Kevin Michael Richardson as Nabu
Cree Summer as Madame Xanadu
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Doctor Fate Created By
Gardner Fox
Madame Xanadu Created By
David Michelinie and Val Mayerik
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Manalac “Tec†Cornelio
Enzo Baldi
Prop Design
Alexander Kubalsky
_______________________________________________________________
Storyboard
Charles E. Drost, III
Paul Harmon
Jeff Johnson
Storyboard Clean-up
Olga Ulanova
Owen Sullivan
Animation Timing Director
James Tim Walker
Timing
Jeff Hall
Gordon Kent
R. Michel Lyman
Burton Medall
Animation Checking
Jan Browning
Chuck Gefre
Justin Shultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Daegu Heh
Hyeoksoo Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
________________________________________________________________________
Layout Artists
Soohyeon Gwak
Gapchan Jung
Jungmo Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Jaehee Oh
Jisoo Kang
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Yeongsik Hwang
Seokjin Jang
Seongho Jeon
Howon Jung
Sebo Lee
Joonho Song
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #6 ("Infiltrator") Credits
YOUNG JUSTICE Episode #6 ("Infiltrator") Credits
YOUNG JUSTICE
"Infiltrator"
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Jon Weisman
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Professor Ojo
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Oded Fehr as L-2
Crispin Freeman as Red Arrow
Kelly Hu as Cheshire
Tara Strong as Serling Roquette
Alan Tudyk as Green Arrow
Keone Young as Sensei
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Cheshire Created By
Marv Wolfman and George Perez
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
Matthew Benzinger
_______________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Enzo Baldi
Jay Hong
Hakjoon Kang
Alexander Kubalsky
Jonard Soriano
Alex Stevens
Ken Yi
Prop Design
Alexander Kubalsky
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone
Storyboard Clean-up
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Burton Medall
Animation Checking
Annamarie Costa
Chuck Gefre
Janette Hulett
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
Chun Liu
David McBride
Craig Robertson
Wei Zhao
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR EditorsΩ
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Jin-Hae Lee
Jae-Bum Lee
Background Director
Jung-Ho Park
Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck
Production Coordinator
Hyosun Ryu
________________________________________________________________________
Layout Artists
Ki-June Kim
In-Soo Kim
Color Stylist
Min-Yi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Yang-Sook Kim
Key Animation
Young-ll Park
Hyung-Seok Jang
Sun-Ki Kang
Cheong-ll Hahn
Jong-Hwa Lee
Seun-Deuk Sohn
Gun-Shik Lee
Jae-Hyung Kim
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Gyun-Ho Hahn
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
Executive In Charge Of Music
Niki Sherrod
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #5 ("Schooled") Credits
YOUNG JUSTICE Episode #5 ("Schooled") Credits
YOUNG JUSTICE
"Schooled"
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Nicole Dubuc
_________________________________________________________________________
Directed By
Michael Chang
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Bruce Greenwood as Batman
Stephanie Lemelin as Computer
Vanessa Marshall as Black Canary
Peter MacNicol as Professor Ivo, Amazo, MONQI
Kevin Michael Richardson as Martian Manhunter
______________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Miss Martian Created By
Geoff Johns and Tony Daniel
Amazo Created By
Gardner Fox
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Prop Design
Andy Chiang
Taesoo Kim
Alexander Kubalsky
BG Key Design
Jay Hong
Art Lee
Jonard Soriano
_______________________________________________________________
Storyboard
Charles E. Drost, III
Paul Harmon
Jeff Johnson
Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Gordon Kent
R. Michel Lyman
Burton Medall
Animation Checking
Annamarie Costa
Chuck Gefre
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Directors
Du-hyung Lee
Background Director
Jung-ho Park
Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim
Su-mi Beck
Production Coordinator
Gina Park
So-yeon Kim
Hyosun Ryu
________________________________________________________________________
Layout Artists
Ki-Du Kim
In Jung
Color Stylists
Min-Lee Kim
Model Checkers
Yang-suk Kim
Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang
Key Animation
Hyung-Seok Jang
Cheong-il Han
Byung-Eui Kwak
Eun-hee Back
Sun-Ki Kang
Jae-Hyeong Kim
3D CGI
Gu-Han Yoo
Final Checker
Gyun-Ho Han
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
Executive In Charge Of Music
Niki Sherrod
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #4 ("Drop-Zone") Credits
YOUNG JUSTICE Episode #4 ("Drop-Zone") Credits
YOUNG JUSTICE
"Drop-Zone"
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Andrew R. Robinson
_________________________________________________________________________
Directed By
Christopher Berkeley
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Nick Chinlund as Sportsmaster
Miguel Ferrer as L-1
Bruce Greenwood as Batman
Danny Trejo as Bane
Arnold Vosloo as Kobra
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Miss Martian Created By
Geoff Johns and Tony Daniel
Bane Created By
Chuck Dixon, Doug Moench, and Graham Nolan
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
BG Key Design
Enzo Baldi
Hakjoon Kang
Prop Design
Alexander Kubalsky
_______________________________________________________________
Storyboard
Alan Caldwell
Juno Le
James Yang
Storyboard Clean-up
Chrissy Delk
Olga Ulanova
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Burton Medall
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Directors
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Daegu Heh
Hyeoksoo Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
________________________________________________________________________
Layout Artists
Soohyeon Gwak
Gapchan Jung
Jungmo Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checker
Jaehee Oh
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Key Animation
Yeongsik Hwang
Seokjin Jang
Seongho Jeon
Howon Jung
Sebo Lee
Joonho Song
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
Executive In Charge Of Music
Niki Sherrod
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #3 ("Welcome to Happy Harbor") Credits
YOUNG JUSTICE Episode #3 ("Welcome to Happy Harbor") Credits
Seems I've fallen behind posting credits...
YOUNG JUSTICE
"Welcome to Happy Harbor"
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Kevin Hopps
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as M’gann M’orzz
Nolan North as Superboy
Khary Payton as Kaldur’ahm, Brick
Jason Spisak as Wally West
_________________________________________________________________________
Starring The Voices Of
Jeff Bennett as Red Tornado, T.O. Morrow
John De Lancie as Mr. Twister/Brom Stikk
Crispin Freeman as Speedy
Stephanie Lemelin as Computer
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
_________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abel
Jerome Moore
BG Key Design
Enzo Baldi
Jay Hong
Hakjoon Kang
Alexander Kubalsky
Gong Peng
Jonard Soriano
Prop Design
Alexander Kubalsky
________________________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone
Storyboard Clean-up
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Timing
Richard A. Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Burton Medall
Animation Checking
Jan Browning
Annamarie Costa
Justin Schultz
________________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
______________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation
Supervising Animation Directors
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Daegu Heh
Hyeoksoo Lee
Myeonghwan Park
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
_________________________________________________________________________
Layout Artists
Junsik Cho
Soohyeon Gwak
Minsoo Kim
Color Stylists
Mihyun Ji
Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee
Model Checkers
Jaehee Oh
Key Animation
Seokjin Jang
Seongho Jeon
Joonho Song
3D CGI
Seokki Um
Misook Choi
Final Checker
Hosoon Shin
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Aldo Martinez - Assistant Engineer (NOTE: Aldo also was assistant engineer on episode #2)
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE TIMESTAMP HORROR
YOUNG JUSTICE TIMESTAMP HORROR
Yes, that's right. I said "horror". (For me, anyway.)
Okay, as some of you probably have ALREADY noticed, two of the timestamps on Episode #4 of YOUNG JUSTICE ("Drop-Zone) is incorrect.
Here's the CORRECT timeline:
The beginning of the Teaser correctly reads:
SANTA PRISCA
JUNE 19, 00:43 ECT
The beginning of Act One SHOULD read:
CARIBBEAN SEA
JULY 22, 20:08 ECT
And the tag at the end of the episode SHOULD read:
MOUNT JUSTICE
JULY 23, 10:01 EDT
We are fully aware that to some of our more serious-minded fans, these are huge errors. All I can say is that there's no possible way it's as traumatizing to you guys as it is to us.
I'm seriously not at all sure how this happened. We did review the timestamps, and they were correct, but obviously at some point during the process of post-production they were changed and nobody noticed it. We are ATTEMPTING to see if we can get them fixed for future airings, but it is clear there's no possible way to get it fixed in time for Sunday's airing. And I'm not sure if it's financially feasible to fix at all. But we will try. And in any case, we are instituting measures to make sure this never happens again on any future episodes. (Please, God.)
I am ... ugh... just going nuts over this.
You have the sincere apologies of everyone on the Young Justice production crew.
YOUNG JUSTICE Episode #2 ("Fireworks") Credits
YOUNG JUSTICE Episode #2 ("Fireworks") Credits
Well, this was a new twist. So called "gang credits" appeared on the last episode, mashing together credits from multiple episodes. That annoys me just as much as the non-legible variety.
So once again, I'm posting the credits here...
YOUNG JUSTICE
"Fireworks"
(a.k.a. "Independence Day, Part Two")
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Greg Weisman
_________________________________________________________________________
Directed By
Sam Liu
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme
Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Rene Auberjonois as Mark Desmond
George Eads as Flash
Miguel Ferrer as L-1
Crispin Freeman as Guardian
Bruce Greenwood as Batman
Phil Lamarr as Aquaman, Dubbilex
Mark Rolston as L-3
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Wonder Woman Created By
William Moulton Marston
Martian Manhunter Created By
Joseph Samachson
_________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Prop Design
Jay Hong
Alexander Kubalsky
BG Key Design
Enzo Baldi
Hakjoon Kang
Gong Peng
Jonard Soriano
________________________________________________________________________
Storyboard
Charles E. Drost, III
Jeff Johnson
Jae Kim
Storyboard Clean-up
Brendon Clogher
Chrissy Delk
Christina I. Manrique
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz
Timing
Jeff Hall
Gordon Kent
R. Michel Lyman
________________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
______________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Yang-Ho Ji
Background Director
Joo-Sun Cha
Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim
Production Coordinator
Gina Park
Hyun-Jung Kim
Hyosun Ryu
_________________________________________________________________________
Layout Artists
Ihu-Soo Kim
Color Stylists
Min-Lee Kim
Model Checkers
Ki-Deok Park
Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang
Key Animation
Geon-Sik Lee
Seong-Deuk Son
Yoon-Jae Ko
Jae-Bum Lee
Kyung-Ho Choi
Jeong-Hee Yang
3D CGI
Gu-Han Yoo
Final Checker
Dong-Moon Chu
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Jackie Trinidad - Development Coordinator
Peter Girardi - Design Guru
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Young Justice on Conan
It's Just after 8pm PST on Monday, January 10th.
I just caught the east coast feed of tonight's Conan O'Brien show, which featured a big shout out to Young Justice. If you are a fan of Young Justice (or Conan) try to catch or record the west coast feed or the late night rerun of the episode. You'll be glad you did.
Flaming C Forever!!!!
Young Justice Production Snapshot
Hey gang,
Happy (belated) New Year!
Still very busy on Young Justice. Got a new production report today, so I thought I'd give you all a little snapshot of where we are in production as of today (i.e. Monday, January 10, 2011). By tomorrow, this could all be different, but here's where we are now - or at any rate, here's where I am now with each episode.
101 - Aired.
102 - Aired as part of the movie pilot. Airs as an episode next Friday.
103 - Completed.
104 - Completed.
105 - Completed.
106 - We "On-Line" it today, after which it will be complete.
107 - We are working on the music, sound and visual After-FX this week.
108 - Being animated.
109 - Being animated.
110 - Being animated.
111 - Animation begun overseas, while we finish color models here.
112 - Animation begun overseas, while we finish color models here.
113 - Layouts being done overseas, while we finalize line-art models here.
114 - Layouts being done overseas, while we finalize line-art models here.
115 - Layouts being done overseas, while we finalize line-art models here.
116 - Layouts being done overseas, while we finalize line-art models here.
117 - Storyboard in revision.
118 - Storyboard in revision. (I'm giving notes on the last act of the board now.)
119 - Storyboard in revision.
120 - Storyboard in revision.
121 - Storyboard in revision.
122 - Storyboard in revision. (I'll be supervising a dialogue edit of the recording session this week.)
123 - In Storyboard.
124 - We're recording this episode tomorrow.
125 - Notes on the first draft script are due tomorrow.
126 - I'm in the process of writing the first draft script.
That's it. For now.
YOUNG JUSTICE Episode #1 ("Independence Day") Credits
YOUNG JUSTICE Episode #1 ("Independence Day") Credits
Once again, to at least partially compensate for the way ALL networks shrink credits down to nothing, I'm posting the credits here after each airing...
YOUNG JUSTICE
"Independence Day"
(Part One)
_________________________________________________________________________
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Greg Weisman
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Nolan North as Superboy, Superman, Zatara
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Rene Auberjonois as Mark Desmond
George Eads as Flash
Crispin Freeman as Speedy, Guardian
Bruce Greenwood as Batman
Phil LaMarr as Aquaman, Dubbilex
Stephanie Lemelin as Computer
Yuri Lowenthal as Icicle Jr.
Kevin Michael Richardson as Martian Manhunter
Keith Szarabajka as Mr. Freeze
Alan Tudyk as Green Arrow
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Wonder Woman Created By
William Moulton Marston
Martian Manhunter Created By
Joseph Samachson
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Prop Design
Andy Chiang
Jay Hong
Alexander Kubalsky
BG Key Design
Enzo Baldi
Jay Hong
Hakjoon Kang
Art Lee
Gong Peng
Jonard Soriano
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone
Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Directors
Hyung-Ky Kim
Background Director
Jung-ho Park
Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim
Production Coordinator
Gina Park
Hyun-Jung Kim
Hyosun Ryu
_________________________________________________________________________
Layout Artists
Jin-Seok Choi
Color Stylists
Min-Lee Kim
Model Checkers
Yang-suk Kim
Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang
Key Animation
Jeong-gil Lee
Jong-Jin Choi
Soo-Hyun Kang
Cheong-il Han
Hyung-Seok Jang
Young-il Park
Jae-Hyeong Kim
Hyun-ho Jeong
3D CGI
Gu-Han Yoo
Final Checker
Nam-gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are of course a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Jackie Trinidad - Development Coordinator
Peter Girardi - Design Guru
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Young Justice Pilot Movie Credits
One of my peeviest of pet peeves is the way ALL networks (and I'm afraid Cartoon Network is no exception) shrink credits down to nothing. Bad enough they're only on screen for a split-second each, but when they're so tiny that you can't even read them when you freeze-frame on them, I think that's beyond obnoxious. So I'm going to post the credits here after each airing...
YOUNG JUSTICE
"Independence Day"
(Pilot "Movie")
_________________________________________________________________________
Directed By
Jay Oliva (Part 1)
Sam Liu (Part 2)
_________________________________________________________________________
Written By
Greg Weisman
_________________________________________________________________________
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman, Zatara
Khary Peyton as Aqualad
Jason Spisak as Kid Flash
Rene Auberjonois as Mark Desmond
George Eads as Flash
Miguel Ferrer as L-1
Crispin Freeman as Speedy, Guardian
Bruce Greenwood as Batman
Phil LaMarr as Aquaman, Dubbilex
Stephanie Lemelin as Computer
Yuri Lowenthal as Icicle Jr.
Kevin Michael Richardson as Martian Manhunter
Mark Rolston as L-3
Keith Szarabajka as Mister Freeze
Alan Tudyk as Green Arrow
____________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Wonder Woman Created By
William Moulton Marston
Martian Manhunter Created By
Joseph Samachson
_______________________________________________________________________
Production Manager
John Bueno Diaz
Assistant Production Managers
Casey Sandin
Mark McClain Wilson
Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Prop Design
Andy Chiang
Jay Hong
Alexander Kubalsky
BG Key Design
Enzo Baldi
Jay Hong
Hakjoon Kang
Art Lee
Gong Peng
Jonard Soriano
_________________________________________________________________
Storyboard
Jay Baker
Tim Divar
Charles E. Drost, III
Jeff Johnson
Jae Kim
Phil Langone
Storyboard Clean-up
Brendon Clogher
Chrissy Delk
Christina I. Manrique
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
______________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_______________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Directors
Hyung-Ky Kim
Yang-Ho Ji
Background Director
Jung-ho Park
Joo-Sun Cha
Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim
Production Coordinator
Gina Park
Hyun-Jung Kim
Hyosun Ryu
_________________________________________________________________________
Layout Artists
Jin-Seok Choi
Ihu-Soo Kim
Color Stylists
Min-Lee Kim
Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang
Model Checkers
Yang-suk Kim
Ki-Deok Park
Final Checker
Nam-gyu Lee
Dong-Moon Chu
3D CGI
Gu-Han Yoo
Key Animation
Jeong-gil Lee
Jong-Jin Choi
Soo-Hyun Kang
Cheong-il Han
Hyung-Seok Jang
Young-il Park
Jae-Hyeong Kim
Hyun-ho Jeong
Geon-Sik Lee
Seong-Deuk Son
Yoon-Jae Ko
Jae-Bum Lee
Kyung-Ho Choi
Jeong-Hee Yang
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
______________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_____________________________________________________________
Executive Producer
Sam Register
______________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2010 Warner Bros. Animation Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Entertainment Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are of course a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Jackie Trinidad - Development Coordinator
Peter Girardi - Design Guru
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Young Justice, twenty minutes and counting..
Hey gang,
The one-hour premiere of YOUNG JUSTICE is about to air at 7pm EST, less than twenty minutes from now. Those who receive Cartoon Network's East Coast feed can see it at the same time in their time zone. For example, I'm currently in Las Vegas with my in-laws, and we'll be watching it at 4pm PST.
It will also air on Cartoon Network's West Coast feed at 7pm PST.
Please WATCH!!!!! We think you'll like it!
Keeping Young Justice continuity straight...
All Young Justice television episodes and comic book issues will have captions stating place, month, day and time. So you can figure out EXACTLY where the comics fit - continuity-wise - relative to the television series and vice versa.
Young Justice Comic Book
FYI - Young Justice Staff Writer Kevin Hopps and I have written issue #0 of the Young Justice comic book, which will be in continuity with the television series, telling stories set either between episodes of the tv show and/or telling the same stories from different points of view. You don't have to watch the show to enjoy the comic or read the comic to enjoy the show, but I guarantee you'll get even more out of both if you take the time to experience both.
After issue #0, issues #1-6 will be writtien by Art Baltazar and Franco Aureliani to help us out while Kevin and I are swamped with the scripting, pre-production and post-production of the series. But Kevin, Brandon Vietti and I are advising Art & Franco and artist Mike Norton on Issues #1-6 to keep everything in continuity.
After that, Kevin Hopps and I will be taking over the writing chores on the Young Justice comic full time, starting with issue #7.
And by the way, Mike's art so far on the interior pages of issue #0 is just gorgeous!!
Young Justice Premiere!
I've finally been authorized to post what many of you have known for some time: the one-hour Young Justice pilot premiere is scheduled for Friday, November 26th at 7pm on Cartoon Network!
Brandon, myself and the entire Young Justice crew (and even our bosses) are ridiculously proud of how this almost-movie has turned out! If you like super-heroes... if you like shows about teens coming of age... if you like action... if you like drama... if you like a little humor spiced in... and mostly if you like ANYTHING I've ever done in the past, then I really believe you'll like Young Justice.
So check it out!
Please.
Brandon's Blog...
Brandon Vietti, my producing partner on YOUNG JUSTICE, has started blogging occasionally about the series. Check out his first (recent) entry on the series' costuming theory at:
New York Comic Con
This just confirmed. Brandon Vietti and I will be at New York Comic Con for a signing, presentation of new footage and a Q&A about Young Justice. Stop by. We have some exciting stuff to show you!
SATURDAY, OCTOBER 9
2:00â€"3:00 p.m. Young Justice Signing at the DC Comics booth #2243
3:45â€"4:45 p.m. Young Justice Video Presentation and Q&A â€" Join the league! Fans were given their first glimpse of Robin, Aqualad, Kid Flash, Superboy, Miss Martian and Artemis this past July at Comic-Con International: San Diego. But this panel will offer far more than just a glimpse, as producers Brandon Vietti (Batman: Under the Red Hood) and Greg Weisman (Gargoyles) answer questions from fans and show footage from this highly anticipated series. A one-hour special event of Young Justice will premiere in November 2010 on Cartoon Network, and the series begins in 2011. Young Justice is produced by Warner Bros. Animation and is based upon characters from DC Comics. Room 1A14
ALL CAUGHT UP
Hey gang,
I'm finally all caught up on the ASK GREG queue. Gonna take a short break, but we'll open the queue again on September 27th, 2010 in preparation for the release of Superman/Batman: Apocalypse which also contains the DC Showcase Green Arrow short that I wrote.
As always, I urge you guys NOT to flood ASK GREG with questions. Check the archives. Check the FAQs. Ask questions of the loyal fans in the Station 8 comment room.
AND, please, THINK BEFORE YOU POST. I am NOT, for example, going to SPOIL "Young Justice" before it airs. I'm not going to SPOIL "Gargoyles" either since I still have hopes of bringing that back. I'm not even going to "SPOIL" Spectacular Spider-Man, because I don't see any real point in revealing future plans and ideas independent of their execution.
Happy to talk process. Happy to talk about what's ALREADY aired or been published. Happy to talk about Mecha-Nation and many other things. But. NOT. GONNA. SPOIL.
Thanks,
gdw
Young Justice Stats
Statistics interest me. So I thought I'd share some with you guys. (Okay, yeah, I'm procrastinating. But it is my lunch hour, so sue me.)
We have completed (so far) 17 out or our 26 first season Young Justice Scripts. That is NOT the same as completing the episodes. We haven't completed a single episode yet. We don't start post-production until later this month. But we do have 17 scripts in the can.
As of episode 17, we have 147 name characters from the DC Universe. That's an average of introducing 8.6 DC characters per episode. Of course, the reality is that some episodes have introduced many more than that, others fewer. But that's the average.
Our average page count for each script is 33. Our average dialogue count is 235 lines.
We've completed recording on the first 13 episodes. (We've partially recorded episodes 114-116, but are missing a few actors still. We'll record 117 this coming Tuesday after Labor Day.) So the following statistics are only through episode 13:
Total number of actors we've used so far: 47.
Average number of actors we've used per episode: 11.
Of course many actors are in multiple episodes and many are performing more than one character.
Hmm... what else?
All 26 scripts have been assigned to writers. (All 26 premises were written and approved months ago.) As I mentioned above, 1-17 are in the can. Episode 18 is in script. Episodes 19-22 are in outline. Episodes 23-24 are in beat outline. 25-26 are approved premises, waiting in the wings.
We have seven writers, including myself, staff writer Kevin Hopps and our freelancers: Andrew Robinson, Nicole Dubuc, Jon Weisman, Tom Pugsley and Peter David. My fellow producer Brandon Vietti is also heavily involved in the writing process.
Okay, back to work...
Dragon*Con
I'm told that at Dragon*Con in Atlanta this weekend, Jonathan Frakes and Marina Sirtis will be hosting a Gargoyles panel. I'm quite jealous that I won't be there!
According to
the panel is on Sunday, September 5, 2010 at 11:30am.
If you can attend, you should. Then let me know how it went!
What's in a name...?
So I've been lurking a bit today on various Young Justice message boards (almost always a mistake), and I feel the need to respond on one point (ALWAYS a mistake).
Some people are asking (with various levels of outrage), why we are calling this series "Young Justice"?
They cite the fact that our Robin isn't Tim Drake, that our Kid Flash isn't Impulse/Bart Allen. That we're not using Wonder Girl or Arrowette or Secret and that even our Superboy is dressed more like the later Titans Superboy.
And, honestly, I can see their point. In some ways, I do almost (almost) wish we weren't using the Young Justice title.
But it would be nice if these people turned a more practical and realistic eye toward the question of title.
Some ask, why not call it Teen Titans, when you have Dick, Wally, Aqualad, etc.?
But the answer to that is beyond obvious. There was a RECENT hit series named Teen Titans. The name is TAKEN! Taken, by the way, by a great series that used the cast not of Teen Titans but of Marv Wolfman & George Perez's NEW TEEN TITANS with the tone of neither. In fact, the tone is/was much closer to Peter David & Todd Nauck's YOUNG JUSTICE. (Ironic, huh?)
And if, somehow, we DID call our series TEEN TITANS (again), how would that help? Another group of fans (with some overlap) would cry foul because we were putting Superboy, Miss Martian, Artemis and a new Aqualad in with Dick and Wally. Where's Donna? And etc.
The thing is... we're not doing a straight adaptation of either Teen Titans OR Young Justice. We are, in fact, pulling from both properties and later Titans and decades worth of Justice League stuff to create something new with a new continuity on a new Earth-16.
So what SHOULD we entitle it? There just ISN'T one comic book title that's a PERFECT fit for what we're doing. So if you get past the impossible notion of finding a historically accurate title, you're left with coming up with a MEANINGFUL title. In which case, Young Justice fits perfectly - at least on THAT level. (Trust me, you'll see.) It's a flat-out BETTER and more appropriate and more meaningful title for our series than New Titans or Teen Titans or plain old Titans or Justice League Task Force or Justice League Europe or Extreme Justice or Justice League Babies or pretty much anything else you can come up with. I know. I tried. Nothing else captures the essence of our series as well. Baggage or no baggage.
That still leaves the perfectly legit argument: Why do this? Why NOT just adapt the David/Nauck Young Justice? Fair question, absolutely.
And the answer here is... we didn't want to. The creative people (myself, Brandon Vietti, Sam Register, etc.) behind the series premiering this November on Cartoon Network didn't want to. That's not meant as any disrespect for a great comic book. But again, we felt that the tone of the David/Nauck Young Justice book had been done recently and well on television as Teen Titans. Different group of teens, but the same feeling. We wanted to do something NEW. Maybe you'll like it. Maybe you won't. But writers as diverse as Peter David (yep, that Peter David) and Geoff Johns and, uh, Greg Weisman all like what we're doing, so maybe it's worth at least giving us a chance. Or not. That's the call of every individual.
But if you are going to give us a try, you might also try leaving a bit of baggage behind. We have six leads and many, many, many supporting characters (135 existing characters from the DC Universe just through episode 16 alone). As when I worked on Spectacular Spider-Man, we have tried VERY hard to be as true to the core truths of each individual character as possible. Some of the interpretations may be new. Some of the details. The timeline is start from scratch. (Parallel universe, remember?) But the core should hold true, or I haven't done my job.
And gang, stop pretending you know what's coming or what ISN'T coming. What characters will eventually be included and which won't. We haven't even premiered yet. It's fine to guess. But making a guess and then praising or condemning us based on that guess is a bit rough.
Now, I know that this message will invariably read like I've got a big chip on my shoulder. And/or that I'm whining about fans pre-judging the work. That's not the TONE I want for this message. But it's hard in text to get tone across. The tone I'm looking for is more like... weariness. (Not wariness, but weariness.) Honestly, all I'm trying to get across here is that perhaps the conversation would be more productive if folks weren't stuck on preconceptions.
Oh, and one more thing for the record: I know a number of people -- even a few individuals legitimately attached to the series -- have been quoted saying the original title of the series was "Young Justice League". It wasn't. Ever. For better or worse, we were "Young Justice" from Day One of our development. And why not "Young Justice League?" Well, frankly, cuz it sounds awful, don't you think?
Non-sequitor, but since I'm in correcting-internet-incorrectness-mode: Miss Martian is the NIECE of Martian Manhunter. NOT his daughter. Someone misquoted us there.
LIVE PODCAST
Meant to post this days ago at ASK GREG, but I forgot. I'm being interviewed for a live podcast at http://www.blogtalkradio.com/123-film TODAY at 4pm PDT, i.e. in less than half an hour. Sorry for the lack of warning...
SAN DIEGO COMIC-CON 2010 and ASK GREG
Hey gang,
Well, I've finally caught up with the backlog here at ASK GREG. I'm going to take a short Ask Greg vacation, and then we'll be reopening the site soon... i.e. on the Monday (July 26th) AFTER San Diego Comic-Con 2010.
As always, I ask that before you post a question you do your best to make sure it's not a question that's been answered in the archives already AND that it's not a question that someone posted just before you. You can also try asking your question first in the Station 8 Comment Room, as the fans know a LOT of answers already.
We're just trying to avoid flooding the site with so many questions, that I'm immediately backlogged again.
Meanwhile, I will be at Comic-Con next week. Subject to change, here's my current schedule:
THURSDAY, JULY 22, 2010
10 - 11:30am - Mecha-Nation signing at the Kizoic Booth. (We'll be premiering the first issue.)
FRIDAY, JULY 23, 2010
10:30-11:30 am - Brave and the Bold/Young Justice Panel. (We'll be premiering our first Young Justice footage in a mini-panel jam-packed with revelations!)
2 - 4 pm -Mecha-Nation signing at the Kizoic Booth.
SATURDAY, JULY 24, 2010
11:30am - 1pm - Gargoyles signing at the SLG Booth.
3 - 4 pm - DC Showcase panel. (We'll be previewing some footage from the Green Arrow DVD short that I wrote.)
5:30 - 6:30pm - DC Showcase signing. (Location TBD).
SUNDAY, JULY 25, 2010
10-11am - Mecha-Nation signing at the Kizoic Booth.
11am - 12:30pm - Gargoyles signing at the SLG Booth.
Please stop by and say hello!
Oregon Shakespeare Festival 2010
Hey gang,
I just got back from taking my kids to the Oregon Shakespeare Festival in Ashland, Oregon. Saw five uniformly great productions:
Hamlet
Henry IV, Part One
Twelfth Night
Merchant of Venice
Jane Austen's Pride and Prejudice
Can't recommend any or all of them strongly enough...
Young Justice
Wow. This has been a big couple of weeks ANNOUNCEMENT-wise.
As some of you doubtless already know, YOUNG JUSTICE was announced today by Cartoon Network.
Here's the official press release info (with slightly better proofreading from me):
"Young Justice: In Young Justice, being a teenager means proving yourself over and overâ€"to peers, parents, teachers, mentors and, ultimately, to yourself. But what if you’re not just a normal teenager? What if you’re a teenage super hero? Are you ready to join the ranks of the great heroes and prove you’re worthy of the Justice League? That’s exactly what the members of Young Justiceâ€"Robin, Aqualad, Kid Flash, Superboy, Miss Martian and Artemisâ€"will find out: whether they have what it takes to be a proven hero? This all-new series is produced by Warner Bros. Animation and based upon characters from DC Comics. Sam Register (Teen Titans, Ben 10, Batman: The Brave and the Bold) is the executive producer. Brandon Vietti (Batman: Under the Red Hood, Superman Doomsday, The Batman) and Greg Weisman (Gargoyles, The Spectacular Spider-Man, W.I.T.C.H.) are the producers."
We're hard at work on the 26-episode first season. Got a great writing staff in place, and the designs look phenomenal. I really think the series will kick some major ass!
And that's about all I'm allowed to say right now...
DICK GIORDANO, R.I.P.
Just over a week ago, Dick Giordano passed away. I've been meaning to write this ever since but haven't felt equal to the task. But it's time...
Dick was one of the all time great comic book inkers, but he was also the single individual most responsible for bringing me into the comic book business, which directly lead to me working in animation.
It's a story I've told many times, so feel free to skip down if you've heard it.
I was a nineteen-year-old college sophomore when Marvel Comics announced a New Talent Search. I was excited, but reasoned (correctly) that Marvel would be inundated with submissions. I also reasoned (rather cleverly) that if Marvel began a New Talent Search, DC Comics would too. So instead of preparing submissions based on Marvel characters, I immediately set to work, prepping stuff based on DC characters. Sure enough, DC announced it's search, and I immediately sent in my stuff. YEARS LATER, I saw the logbook that was used to log in each submission as it arrived. Mine was literally the second submission received.
It was duly logged in -- and then lost. (Likewise, years later, I found it in the DC offices in the back of a file cabinet.) DC still had my address in the log book. But not the submission itself. Because 70% of all submissions were artist submissions and only 30% were writer submissions, the person in charge of the talent search at the time took a chance and sent me a packet for new ARTISTS. I was OUTRAGED!!! Outraged, of course, in the way only a 19-year-old know-nothing can get outraged. So I sent a LETTER to DC Comics expressing my outrage. I said (lying) that I was a professional, and if they lost my submission, a simple admission of this fact would have resulted in me sending copies. There was no need to GUESS (incorrectly) that I was an artist and hope for the best. I stated that this was no way to run a business.
Somehow this letter found it's way to Dick Giordano's desk. Dick was at the time the EXECUTIVE EDITOR and head creative muckymuck at DC. Most guys in that position would have found a nice round file for my letter, but Dick was amused by it... and maybe a little impressed with (not the content) but the writing of it itself.
So sometime later, the phone in my dormroom rings. My roommate answers and says it's for me. "Who is it?" "Some guy named Dick Giordano." Now, I knew EXACTLY who Dick Giordano was and figured there was no way I was getting a call from him. So I got on the phone assuming it was one of my geek friends playing a prank. Nope. It was Dick. He wanted to meet me and asked if I had any plans to be in New York City. I (lied again and) told him that coincidentally, I was planning to be there over spring break. He invited me up to the DC Comics offices, and we set a date and time.
So I scraped the money together to buy a plane ticket, crashed at my cousin's apartment, put on a SUIT (what did I know, it was a job interview, right?) and headed out during a torrential Manhattan rainstorm to FIND A CAB to take me to DC. (Somewhere out there New Yorkers are laughing at the thought of me trying to find a cab in the rain.)
Ultimately, I found one, but not before I was (despite an umbrella) soaked to the bone in my stupid suit. I arrive at DC looking more like a drowned rat than a professional writer (which, of course, I was not), and met with Dick. And we hit it off. He was great. From Day One, he believed in me and tried to get me freelance work. He eventually gave me a job as an Editorial Assistant (read Xerox boy) and quickly promoted me twice over twenty-one months to Assistant Editor and then Associate Editor.
I was impatient, of course. I couldn't stick it out, and moved back to Los Angeles to go to grad school and eventually start a career in animation. I remember how disappointed Dick was. How he tried to get me to reconsider, but how he also supported my decision, when I made it clear it was final.
After that, every time Dick and his right-hand woman and good friend Pat Bastienne came to Los Angeles, they would take time out to meet with me. They met my fiancee Beth long before she became my wife. They were both always cheering me on. Eventually, Dick retired from DC and moved to Florida, and we lost touch. Which is on me. And I regret it.
When I heard/saw that he had passed at age 77 from complications from Leukemia (over the same weekend when my Grandmother turned 100), it was a real blow.
Dick was a terrific and extremely talented guy, and I owe him just... TONS.
Thank you, Dick. You will be missed.
Greg Weisman
April 2010
The Spectacular Spider-Man
So...
I've heard nothing directly from Marvel, Disney or Sony, but I think the recent announcement that an "Ultimate Spider-Man" animated series is in the works at Marvel Animation, makes it fairly clear that The Spectacular Spider-Man is over.
I can't say that I'm surprised, but that doesn't mean I'm not disappointed. But guys... all of you so quick to rush to my defense (sometimes in the most heated of terms)... it's appreciated, of course, but not necessary. This is the business I've chosen to work in. It comes with the job.
Sure, I think Spectacular kicked some ass! But there's no reason to assume that Ultimate Spider-Man won't kick ass too! I'd recommend giving it a chance. I remember when we were first announced, a bunch of MTV Spider-Man fans were screaming about why they were creating a new series and not continuing that one. Heck, there were even a bunch of 90s Spider-Man the Animated Series fans who felt they should still be continuing THAT show. Some of those folks wound up giving us a chance. Some didn't, I'm sure. Some of those who loved those and other old Spidey series found they liked or loved Spectacular. Others didn't, I'm sure. But we found our audience, and now we've got nostalgia working on our side. But I wouldn't want Ultimate Spidey to be judged on anything other than itself. Because that's all I wanted for Spectacular.
It's just the way of things. I try to take the long view and be philosophical about it. Don't always succeed, but I try. I had more stories I was dying to tell, but anyone who's familiar with this website due to a certain series beginning with a "G" knows that this isn't the first series I've felt that way about. I rarely run out of tales to tell. I had more Spidey stories to tell. More Gargoyles stories to tell. More W.I.T.C.H. stories to tell. More Captain Atom stories to tell. More Starship Troopers stories to tell. Even more Max Steel stories to tell. And if and when I get a new series -- no matter how long it lasts -- I'll probably STILL have more stories of that puppy to tell too.
So I try to be grateful for what I did get. I got to tell 26 fun stories. And those led directly to me writing for The Amazing Spider-Man, which puts me in some pretty august company and fulfilled a life-long dream, even if it was only half of one issue. So it's all good.
For those who loved and will miss, alongside me and pretty much all of its cast and crew, The Spectacular Spider-Man, I appreciate all your support and kind words. Let's celebrate what we achieved and not stress over what we didn't get to do.
Thanks, everyone.
Greg Weisman
April, 2010
HAPPY CENTENNIAL GRANDMA SUE
Hey guys,
I've been on vacation (SPRING BREAK!) and busy with a bunch of stuff, so haven't been able to stop by recently, but I didn't want this major event to go by without notice. Last week, my Grandmother turned 100.
Of course, my brother beat me to it, writing more eloquently than I'd be able to, so I'm going to link to his website, which has neat pictures too!
As my cousin pointed out at the LARGE family dinner we had this past weekend, when Sue Weisman was born, the Ottomans had an empire, as did the British and the Russian Czars, and Sue-Baby has outlast them all. The changes she's seen... living through World War I, the Depression, Prohibition, World War II, the invention of radio, television, computers, etc. It's a completely different world. And she's still sharp and funny and a joy to be around.
So happy birthday, Grandma Sue! Here's to 100 more!
Robert Culp R.I.P.
I won't pretend I knew Robert Culp well, but long prior to his work on Gargoyles, I was a fan. I loved him in The Greatest American Hero and LOVED him in I Spy. His unique delivery and humor made both series a joy. And what great partnerships: Culp & Cosby in Spy and Culp & Katt in Hero. He was clearly a generous actor. And a dedicated one. His performances as Halcyon Renard in a handful of episodes of Gargoyles made Renard a completely fascinating character for me. And his exchanges with Peter Scolari as Preston Vogel in the booth were really fun to watch.
Culp will be missed.
Reopening Ask Greg/Amazing Spider-Man 622
Hey gang,
It caught me off guard, but it seems my issue of The Amazing Spider-Man (i.e. #622) is out. So I've asked Gorebash to open Ask Greg to allow comments and questions about it. Normally, we wouldn't reopen this soon, given that I still am about 200 questions behind -- so don't assume it'll stay open long -- but I figured I should give you all the opportunity.
Mecha-Nation
Just got this message from the folks at Ape Entertainment:
Just a heads up to let you know that MECHA-NATION #1 is now available to order from the February edition of the Diamond PREVIEWS catalog!
Tell a friend!
FAIR WARNING
ASK GREG's question-asking function will temporarily go off line at the end of November to allow me to catch up on the over 400 question backlog.
Goliath Sculpt
As promised, here are the photos of myself, Ruben Procopio and the Goliath Sculpt. Note the model sheets everywhere.
http://www.flickr.com/photos/29246775@N04/sets/72157622647604288/
May the drooling commence...
Rubén = Ruben with an accent over the "e".
Rubén = Ruben with an accent over the "e".
Electric Tiki, Rubén Procopio, Goliath and Me...
Electric Tiki, Rubén Procopio, Goliath and Me...
I literally just got back to my office after a trip to Rubén Procopio's studio in Burbank. Some of you, I'm sure, met Rubén at this summer's Gathering. Rubén is sculpting Goliath for Electric Tiki, and Tracy Mark Lee of Electric Tiki was at Rubén's studio too.
Rubén's Goliath sculpt -- in its final approval phase before baking, sanding, etc -- just kicks ass!!! Tracy and I had some extremely minor notes, but really, even if it went out exactly as is, I'd be thrilled!
I'm a big fan of the Randy Bowen Goliath that I've currently got sitting on my desk -- which is very much Randy's interpretation of the character. By contrast, what Rubén has done is bring the television show's Goliath to life in 3D. It's totally on-model, and in fact Rubén's workspace is surrounded by actual model sheets of the character from the series. Tracy tells me the sculpt will be available next summer, so if you're a fan of Goliath, Gargoyles or just great sculpts in general, start saving now! I've already reserved my copy!
I have some pictures of Rubén and I with the in-progress sculpt, which I'll figure out how to post or link to or something soon. Stay tuned.
THE SPECTACULAR SPIDER-MAN is back!
THE SPECTACULAR SPIDER-MAN is back!
Disney XD is bringing "new" second season episodes back starting Wednesday, October 7th. Check local listings for times! Tell your friends, spread the word, watch the episodes (especially if you're a Nielson Family)! It's good stuff, I swear!!
Podcast
Hey gang,
Josh Keaton, the voice of Peter Parker/Spider-Man, and I did a podcast with spidermancrawlspace:
Check it out!
ACCESSIBILITY
So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.
And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.
I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.
And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.
Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.
Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.
Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.
Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.
Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.
You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.
Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.
Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.
Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.
My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.
Bowen SCULPT
Last week, Disney contacted me asking if I'd like one of the new Randy Bowen sculpted Goliaths. I, of course, responded with a VERY enthusiastic "YES!!"
They sent it to me, and I'm staring at it now in my office. It's pretty darn amazing: Goliath looks fantastic, and his wingspread is stunning. Heck, even the base is very cool! I recommend it to any fan of the show who has the disposable income. Remember also, that the best way to get Disney interested in producing more Gargoyles-related stuff is to vote with your wallets!! And whether or not you buy one, please help us SPREAD THE WORD about it.
It's Randy's interpretation of the character, and I've always been big on letting the artists take liberties that suit their personal style, but I find it interesting that some of the things he added, like Goliath's armband and earring are things that Greg Guler put on Goliath's original development design (before Frank Paur had our Japanese designers simplify all the characters). Don't believe me: compare and contrast Goliath from the original pitch, viewable on the Season One Gargoyles DVD.
Anyway, I want to thank Randy and the folks at Disney Collectibles (Scott Robertson, Steve Carrasco and Emily Shoji) for sending me a copy. I'm thrilled to have it!
G2009 Radio Play
G2009 Radio Play - Act Three
672. NARRATOR
Act Three.
673. DEMONA
Norman Osborn was a fool. So obsessed with the power of science, he kept the Crown of Thorns in this vault as if it was just another souvenir â€" albeit an expensive one â€" to hang upon his wall. But with the Crown and the Spear of Destiny together, I now have the power to force all of humanity to its knees.
674. GOLIATH
These are Christian icons, Demona. Not every human being is a Christian.
675. DEMONA
Not every human being speaks Latin, but that didn’t stop me from using a Latin spell to turn a city-full of humans to stone. The magic I wield is potent beyond measure. Mine is the Kingdom and the Power and the Glory. No human may resist. No human will be spared. None will be spared who oppose me. Just look at this fool…
676. GOLIATH
Her name is Obsidiana.
677. DEMONA
Of course it is. For she wears the mystic Obsidian pendant fashioned by human sorcerers. Even that is enough to put her in my thrall. She has relinquished her gargoyle birthright.
678. GOLIATH
I have relinquished nothing.
679. NARRATOR
Demona waves the Spear of Destiny, and Electro rises and blasts Goliath back into the wall.
680. GOLIATH
<impact>
681. DEMONA
Yes, I’m surprised you’re unaffected… since you reek of humanity. The stink of your human whore is in your hair, on your lips, everywhere. And nothing in this world will give me more pleasure, Goliath, than watching your detective on her knees to me, as she draws her service revolver and thanks me with tears of joy in her eyes… before gratefully blowing out her own brains.
682. GOLIATH
(coldly furious)
That will never be.
683. DEMONA
No? My power expands with every second. I doubt she’s far away.
684. GOLIATH
You will not harm Elisa.
685. NARRATOR
Goliath advances on Demona. Electro blasts away, but Goliath will not be stopped…
686. DEMONA
No one ever said you weren’t persistent, Goliath. But what do you hope to gain?
687. GOLIATH
(through gritted teeth)
I will turn these forces back upon you.
688. DEMONA
Impossible. I am the last true gargoyle left on this world. The Crown’s magicks cannot touch me.
689. GOLIATH
So you believe. But I am not the only one who reeks of humanity. Am I… Dominique?!
690. NARRATOR
Goliath grasps the crown. The thorns bite into his hands, drawing blood. They struggle for control of the immense power…
691. GOLIATH, DEMONA
<roaring to the heavens>
692. SPIDER-MAN
<moan>
693. NARRATOR
Goliath’s intervention â€" and his complete immunity to the Crown’s effects â€" creates the smallest of fluctuation in Demona’s control. In a haze, Spider-Man lifts his arm…
694. SPIDER-MAN
Thwip.
695. NARRATOR
He shoots off a web, yanking the bloody crown from Demona’s head.
696. DEMONA
Noooooo!!!!
697. NARRATOR
There is a massive explosion of mystic energy and light! Demona, Goliath and Electro collapse.
698. GOLIATH
<moan>
699. SPIDER-MAN
Goliath…
700. GOLIATH
The Spear… the Crown…
701. SPIDER-MAN
Gone. I think they… blew up. Calypso’s gone too. But I’m betting that’s just a talent of hers. And I’d guess she’s taken Kraven and the pussycat with her.
702. DEMONA
<unconscious moan>
703. SPIDER-MAN
But the Big Bad’s still here…
704. GOLIATH
(sadly)
Leaving behind, as always, nothing but a handful of thorns…
Goliath, Spider-Man and Demona sit. Jonah, Elisa, Matt and George STAND.
705. NARRATOR
While Goliath helps Obsidiana, Spidey webs up Demona, Electro and Ock. In the outer vault, Zafiro and the Trio recover, finding only an unconscious and de-venomed Eddie Brock. Outside, the bad guys have all been beaten. Goblin and Vulture, their tech badly damaged, barely manage to fly away. Carnage and Jupiter are once again Cletus and John.
706. JONAH
I’m here, Johnny. Your old Pop’s here…
707. ELISA
Matt…
708. MATT
Call an ambulance, Elisa. Old Man Dracon said something about seeing a light. Then he collapsed. A stroke or something. I’ve been giving him C.P.R.
709. ELISA
Matt… Matt! You can stop. Stop. He’s gone.
710. GEORGE
You’re gargoyles are flying off, Detective.
711. MATT
(breathing hard)
Really? Not sure I see ‘em myself. But is that Spidey web-slinging away?
712. GEORGE
You think? I must have missed him?
Margot STANDS.
713. MARGOT
Are you all blind?! They’re right over there!
714. GEORGE, MATT, ELISA (UNISON)
Oh, give it a rest, Margot…
Elisa, Matt, George, Margot and Jonah sit. Peter, May, Harry and Gwen STAND.
715. NARRATOR
Back at the bus…
716. PETER
I’m back. And not a single decent picture to show for my efforts.
717. MAY
Well, you tried your best, Peter. I’m sure Mr. Jameson will appreciate that.
718. PETER
Oh, yeah. He’s a sweetheart that way.
719. NARRATOR
Emily Osborn watches as her son finally emerges from the bathroom.
720. GWEN
Harry?
721. HARRY
Hey, Gwen. I feel much better.
Harry, Gwen, Peter and May sit. Jonah and Robbie STAND.
722. NARRATOR
Later that night, at The Bugle…
723. JONAH
Whaddayou mean I can’t publish it?! How else can I make them all pay for what they did to Johnny!
724. ROBBIE
You can’t publish because the authorities refuse to comment. We have no pictures or statements to corroborate a story that includes gargoyles, a dead Green Goblin and everything except the kitchen sink. No one will believe it. I was there, and I don’t believe it! Print this, Jonah, and The Bugle becomes the next Daily Tattler.
725. JONAH
Ms. Brant, call the bomb squad. BECAUSE I’M ABOUT TO EXPLODE!!
Jonah and Robbie sit. Gwen, Peter, Kong, Curt, Harry, EMILY OSBORN and Mary Jane STAND.
726. NARRATOR
Later still, aboard OsCorp’s private jet en route to Miami…
727. GWEN
I still can’t believe we ran into you in the airport parking lot, Doctor Connors.
728. PETER
Yeah, and we’re so sorry you got mugged.
729. KONG
Dude, they took your shoes?! That’s hilarious! <laughs>
730. CURT
Yes, well, I just really appreciate the ride back to Florida…
731. HARRY
Anytime, Doctor C. Anytime.
732. EMILY
Harry, could I have a moment… in your father’s office?
733. HARRY
Uh, sure, Mom.
Curt, Kong and Gwen sit.
734. MARY JANE
Pete, help.
735. PETER
What’s wrong?
736. MARY JANE
Tiny. Cute enough, but it’s like talking to a tree stump.
737. PETER
Tried to warn you.
738. MARY JANE
Just say we’ll spend the week as a threesome, okay, Tiger.
739. PETER
Sure!
740. MARY JANE
Not that kind of threesome.
Mary Jane and Peter sit.
741. NARRATOR
Meanwhile, Harry follows his mother Emily into the jet’s private office.
742. EMILY
I know you were playing at being the Goblin, Harry.
743. HARRY
What?! Mom, that’s crazy! I was in the bathroom…
744. EMILY
Don’t lie to me, baby. You hired the worst chauffer in the city to delay our progress. You had a secret hatch installed in the bus bathroom, so you could slip in and out undetected. And you left a pre-recorded “vomit tape†with voice recognition software. All very impressive for a sixteen-year-old. But you need to understand… the Green Goblin is not what your father wanted for you.
745. HARRY
I have no idea what Dad wanted for me…
746. EMILY
Then let him tell you…
747. NARRATOR
She slips a DVD into the computer and Norman Osborn appears on screen…
NORMAN OSBORN STANDS.
748. NORMAN
Harry, my son. If you are watching this, then I am dead. And I have instructions…
Norman, Emily and Harry sit. Big Man, Blackie and SHARI STAND.
749. NARRATOR
Meanwhile at the Big Man’s office, he and Blackie Gaxton are visited by Shari, a young woman wearing a pendant depicting an eye atop a pyramid…
750. BIG MAN
Thirty-six.
751. BLACKIE
Thirty-five.
752. SHARI
Nine. Any problems?
753. BIG MAN
Not particularly. Ms. Destine was ready to believe I could find Dracon and the others useful.
754. BLACKIE
And that faux Goblin was happy to believe I’d been fooled into thinking he was the real thing.
755. NARRATOR
Blackie removes his false face, revealing that he is actually the Chameleon in disguise.
756. CHAMELEON
Just as he was happy to believe I was the real Blackie Gaxton. But I’m still not sure why the Society wanted all this…?
757. SHARI
Isn’t it enough to know the Illuminati appreciates your efforts?
CHAMELEON and Big Man sit. THAILOG, BRENTWOOD, Homunculus #1, Homunculus #2 And Homunculus #3 STAND.
758. NARRATOR
Shari leaves Lincoln’s office and pulls out her cellphone…
759. SHARI
Dial Nightstone Unlimited.
760. THAILOG
Alexander Thailog.
761. SHARI
The Spear? The Crown?
762. THAILOG
Waiting for you to send to Duval.
763. BRENTWOOD
Brentwood capture little robot. Use it to control other little robots. When bright light shine, robots take spear and crown.
764. SHARI
Lovely.
765. THAILOG
What should we do with the Homunculi?
766. SHARI
Set them free. Maybe they’ll get their own series some day.
767. HOMUNCULUS #1
Free, free, set them free…
768. HOMUNCULUS #2
On basic cable and DVD…
769. HOMUNCULUS #3
Jazz hands!
Homunculus #3, Homunculus #2, Homunculus #1, Shari, Thailog and Brentwood sit. Elisa and Goliath STAND.
770. NARRATOR
At the castle, Elisa’s cell rings.
771. ELISA
Maza… Yeah, Captain Stacy said you might call. Sure, he’s right here.
772. NARRATOR
She hands the phone to Goliath, who doesn’t quite know how to hold it. She takes it back and puts the call on speaker.
773. GOLIATH
Hello…?
Spider-Man STANDS.
774. SPIDER-MAN
Hey, Goliath. It’s your Friendly Neighborhood Spider-Man.
775. GOLIATH
You protect your… neighborhood.
776. SPIDER-MAN
Just like you do the super-hero thing without the tights.
777. GOLIATH
Spider-Man, I think this is the beginning of a beautiful friendship.
778. SPIDER-MAN
Hey, I was just gonna say that. You saw that movie too?
779. GOLIATH
Movie?
780. ELISA
God, I love you… <kiss>
Elisa, Goliath and Spider-Man sit. Kafka STANDS.
781. NARRATOR
And finally â€" yes, finally â€" we end where we began. In the offices of Dr. Ashley Kafka at Ravencroft. She’s on the phone to her Board of Directors.
782. KAFKA
After all that tsuris, little has changed. Otto and Eddie are still disassociative. Max still needs a cure, and John still wants power. Cletus? He just keeps repeating, “I got a taste now,†over and over. Yes, we lost Dominic, I’m afraid. But we do have a new patient…
Dominique STANDS.
783. KAFKA (CONT)
…Dominique Destine.
784. DOMINIQUE
Just wait until the sun goes down…
Dominique and Kafka sit.
785. NARRATOR
The End.
THE END
NEXT: I finally get back to answering questions...
G2009 Radio Play
G2009 Radio Play - Act Two
BIG MAN STANDS.
247. NARRATOR
Act Two. The Big Man of Crime enters his offices, but finds he’s not alone…
248. BIG MAN
You spend so much time here, I’ll need to buy you your own chair. So you’ll stay out of mine.
Green Goblin STANDS.
249. GREEN GOBLIN
Surprised to see me?
250. BIG MAN
Not particularly.
251. GREEN GOBLIN
Then you won’t be surprised to learn I’m still running things…
252. BIG MAN
If you can run them from a hospital bed…
253. NARRATOR
Catching Gobby off guard, Lincoln punches him right through the window…
254. GREEN GOBLIN
<impact grunt>
255. NARRATOR
The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.
PUMPKIN BOMB STANDS.
256. GREEN GOBLIN
Ever the gracious host. And ever the gracious guest, the Goblin must show his appreciation. Here. I brought a gift.
257. NARRATOR
Gobby throws his “giftâ€, but Goliath swoops in, catches it and throws it back.
Goliath and Spider-Man STAND.
258. PUMPKIN BOMB
<shriek>
259. GREEN GOBLIN
<impact>
260. NARRATOR
Not far away…
261. SPIDER-MAN
No, no, no, no, no… I was hoping I’d never hear that trademark Pumpkin Bomb shriek again…
262. NARRATOR
Spidey swings in to find Goliath and a recovering Gobby together…
263. SPIDER-MAN
So that’s what these gargoyles are… more of the Goblin’s Halloween creations…
264. NARRATOR
Spidey swings into action against Goliath.
265. GOLIATH, SPIDER-MAN
<ad-lib battle sounds>
266. GOLIATH
The Bugle was right about you: you are a threat and a menace!
267. SPIDER-MAN
Wait, you can talk? And read?! And what you read is the Jolly One’s editorials?!
268. GREEN GOBLIN
I know I should assassinate Mr. Lincoln. But I’m so enjoying the show. Really, someone should make more Gargoyles. I know: I’ll call Walt Disney.
Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.
269. NARRATOR
Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklyn’s son Nashville…
270. ANGELA
That’s great, Nashville. This time try the axe…
271. BROADWAY
Wow, Angela looks so adorable playing with Gnash. I mean, Gnash is cute too…
272. BROOKLYN
Thanks. I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardo’s Rookery parents…
273. BROADWAY
We’d be honored…
274. LEXINGTON
I still can’t quite take it all in. I go to Britain for a few weeks, and everything changes…
275. BROADWAY
At least you were gone for weeks. Try adjusting in forty seconds.
276. BROOKLYN
Hey, I had forty years to get ready for this, and it’s still strange…
277. LEXINGTON
But, dude. You’re so… old.
278. BROOKLYN
Thanks.
279. LEXINGTON
Older than Goliath.
280. BROOKLYN
Yeah.
281. LEXINGTON
Almost Hudson’s age.
282. BROOKLYN
I get it. I’m old.
283. LEXINGTON
It’s not that. Everything about you is different.
284. BROOKLYN
Oh, come on…
285. BROADWAY
No, he’s right. The way you talk. The way you move. All those weapons you carry now. It’s like you’ve outgrown us.
286. BROOKLYN
That’s not fair. I can’t tell you how much I missed you both.
287. LEXINGTON
We get that. And we’re not mad. But…
288. BROOKLYN
Look, this isn’t all on me. As I recall, things were already changing. Broadway spent all his time with Angela.
289. BROADWAY
Not all my time.
290. LEXINGTON
Uh… pretty much.
291. BROADWAY
Yeah, well, you’re practically on the internet non-stop.
292. LEXINGTON
It’s addictive! Do you know they have porn on that thing? There’s this one website, Blue Mug Prodâ€"
293. BROOKLYN
I don’t wanna know. The point is we’ve all gone through some changes. That’s just life.
294. BROADWAY
I guess our Three Musketeer days are over…
295. LEXINGTON
Yeah…
Zafiro and Obsidiana STAND.
296. ZAFIRO
Gargoyles of Manhattan!
297. OBSIDIANA
We need you’re help!
298. NARRATOR
At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone. Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.
299. ZAFIRO
Mierda.
300. OBSIDIANA
Nuestro cronometraje apesta hoy.
Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.
301. NARRATOR
Across town, Goliath also turns to stone.
302. SPIDER-MAN
What the heck?!
303. GREEN GOBLIN
Well, that was… unexpected.
304. SPIDER-MAN
All right, that’s enough. I know you’re not the real Gobby.
305. GREEN GOBLIN
Yes, yes, “It’s not the voice; it’s the words. Not the tech, but the moves.†I’ve heard it all before…
306. SPIDER-MAN
Then I know exactly who you really are: Chameleon!
307. GREEN GOBLIN
That would ease your conscience, wouldn’t it? To think I’m Chameleon â€" and not the ghost of the man you killed!
308. SPIDER-MAN
I don’t believe in ghosts.
309. GREEN GOBLIN
Then maybe you’d prefer I was the Spawn of Goblin.
310. SPIDER-MAN
Oh, you’d just love to shift the blame to Harry. Sorry, Gobby â€" I mean, Chammy â€" but we’ve been there, done that. Besides, no matter who you are, there hasn’t been time for the Globulin Green to kick in and truly Goblify you. So I’m gonna take you down now while you’re still just a cheap imitation.
311. GREEN GOBLIN
You could do that… or you could save stoneface over there.
312. NARRATOR
Gobby throws a pumpkin bomb at Goliath. Instinctively, Spidey webs it away…
313. PUMPKIN BOMB
<shriek>
Pumpkin Bomb and Green Goblin sit.
314. NARRATOR
By which time, the Goblin is gone, leaving a confused Spidey perched on Goliath’s head…
315. SPIDER-MAN
So in hindsight, I’m thinking maybe you weren’t part of the Gob-Squad, right?
(beat)
Fine. Stonewall me.
May STANDS.
316. NARRATOR
That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.
317. MAY
Peter, are you awake.
318. PETER
Uh, sure Aunt May. Just getting dressed.
319. MAY
Well, hurry up. I’m… “conferencing†with all the other parents.
Robbie, ROSIE THOMPSON and George STAND.
320. ROBBIE
Are you sure you don’t mind, Mrs. Parker? Cuz I gotta say, what you’re proposing would be my worst nightmare.
321. MAY
<laughs> Oh, I don’t believe that for a minute, Mr. Robertson. It’s a joy to be around Peter and his friends. And I won’t be alone. Anna Watson and Mrs. Osborn will be with me.
322. ROSIE
Emily? She’s so… odd. I don’t think she’s ever said one word to me…
323. MAY
Well, I don’t know her very well, Rosie, but Harry is Peter’s best friend â€" no offense to your Eugene â€" so she must be doing something right.
324. ROSIE
May, you never change. Always seeing the best in people.
325. MAY
I’ll take that as a compliment, dear girl.
326. GEORGE
In any case, I’m glad to get Gwen out of Manhattan for a few days. The streets are looking pretty grim right about now.
327. MAY
Oh, I’m sure your officers will have things under control in no time.
328. PETER
Aunt May, what’s going on?
329. MAY
Oh, didn’t I tell you, Peter. I’m chaperoning your trip to Miami Beach!
330. PETER
Wow. Great.
Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.
331. NARRATOR
Meanwhile, back at L. Thompson Lincoln’s office…
332. BIG MAN
And how can I be of help, Ms. Destine.
333. DOMINIQUE
I think I can help you, Mr. Lincoln.
334. BIG MAN
What makes you think I need any help?
335. DOMINIQUE
Oh, little things. The shattered window, that unusual statue on the ledge outside…
336. BIG MAN
Point taken. How about you cut to the chase?
337. DOMINIQUE
Fine. Tony Dracon. Tomas Brod. Silvio Manfredi. All in jail. Hammerhead. Sable Manfredi. On the run. This gives you a unique opportunity to reclaim what was lost.
338. BIG MAN
I’m sure L. Thompson Lincoln has no idea what you’re talking about. But go on…
339. DOMINIQUE
You have three problems. Green Goblin, Doctor Octopus and the government watching your every move.
340. BIG MAN
And you have the solution…
341. DOMINIQUE
I have the manpower. Three… “super-villains†to take down the competition and Dominic Dracon to use as a figurehead.
342. BIG MAN
The old man? I heard he was shy a few brain cells.
343. DOMINIQUE
It’s easy enough to spread the word he was faking insanity to avoid prosecution. And easy enough to assign him a keeper. Meanwhile, he’s a Dracon. And that name still carries weight, I believe.
344. BIG MAN
It does. But what would you want in exchange?
345. DOMINIQUE
Nothing extraordinary. Just the services of the Tinkerer.
346. BIG MAN
I believe that can be arranged.
347. DOMINIQUE
Lovely. But let’s not allow the moss to gather. You’ll want to move fast. Before the Octopus retrieves his arms…
Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.
348. NARRATOR
The weather has turned cold. At the Silver Spoon, three men in trench coats and hats wait for their coffee.
349. SILVER SPOON MANAGER
Sixty-nine!
350. VULTURE
Yes. Here.
351. NARRATOR
Vulture sits down with Electro and Doctor Octopus.
352. DOCTOR OCTOPUS
Thank you, Adrian. Now. My arms?
353. VULTURE
In an OsCorp vault.
354. ELECTRO
At Rykers?!
355. VULTURE
<shhhhh> Not THE Vault. A vault. Still very high security, and the police are bound to expect our arrival, but…
356. DOCTOR OCTOPUS
Indeed. <sigh> OsCorp. Even in death, Norman Osborn torments me. But it cannot be helped. I must have my arms. We go in under cover of darkness tonight.
Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.
357. NARRATOR
The three men exit through one door. Two teenagers enter through another.
358. SILVER SPOON MANAGER
Seventy!
359. MARY JANE
Try to understand, Tiger. I just can’t do that to Gwen. She’s really become my best friend at Midtown.
360. PETER
But it’s not like we’d be making out or anything, right? Uh, right?
361. MARY JANE
Right.
362. PETER
Right, right. We’d be going as friends. Hanging out when the couples were … you know, coupling.
363. MARY JANE
And that would be great. But look at it from her point of view. She took all the risks, and you still wound up with Liz. There’s no way, she’d see me as anything but a threat. Wait, that sounded really conceited.
364. PETER
Have you looked in a mirror? Not conceited. Just fact.
365. MARY JANE
Ooh, nice one. Such a player.
366. PETER
Yeah, right. The world’s loneliest player.
367. MARY JANE
Stop it. I know you don’t want to hurt Gwen either. Not after all the two of you have been through.
368. PETER
Yeah… I wonder if Ms. Brant likes Miami. Kidding, kidding… Wow, pretty good. That was practically the Look.
369. SILVER SPOON MANAGER
Seventy-One!
SEYMOUR O’REILLY stands.
370. PETER
So you’re just not going?
371. MARY JANE
Oh, I’m going. It’s 48 degrees outside and 82 in Miami. I asked Tiny to be my plus one.
372. PETER
Tiny?! Tiny McKeever?! The guy’s got the brain of an amoeba. He makes King Kong look like a genius. Hell, he makes Flash look like Stephen Hawking!
373. MARY JANE
(shrugs)
He’s cute.
374. PETER
<argggh> I just wish I could skip the whole thing. But Aunt May’s going, and after her heart attack, I really think she could use some fun in the sun--
375. SEYMOUR
Sorry to interrupt. Couldn’t help overhearing.
376. PETER
Oh, hey, Seymour.
377. SEYMOUR
Just wanted to let you know Harry invited me too. And I’m totally going stag. I mean who wants a ball and chain when Miami Beach is full of hotties, right?
378. PETER
Uh…
379. SEYMOUR
Just don’t expect to hang out, okay. You’d fully cramp my style.
380. PETER
Of course I would…
381. SILVER SPOON MANAGER
Seventy-two!!
Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.
382. NARRATOR
Meanwhile, the Tinkerer arrives at the Destine Mansion…
383. DOMINIQUE
You have the devices?
384. TINKERER
Five was all I could put together on short notice. Unless you want to bring Mysterio in…?
385. DOMINIQUE
Our stage is crowded enough. And five should do quite nicely.
Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.
386. NARRATOR
Later that afternoon, Harry’s rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway. A very prepared May Parker has a clipboard…
387. MAY
All right, we have three adults and sixteen children â€" sorry, sixteen teenagers. That’s nineteen sojourners bound for Florida. So why did my headcount come to twenty?
388. MARY JANE
I think you counted the bus driver, Mrs. Parker.
389. MAY
Oh, that I did.
390. BISHANSKY
Hey, twist my arm! I’ll go to Miami with you guys!!
391. SALLY
Was anyone talking to you?
392. BISHANSKY
Uh… no.
393. SALLY
Then eyes front.
394. BISHANSKY
Eyes front.
395. GWEN
Harry, are you all right?
396. HARRY
I dunno. All this stopping and starting. My stomach’s a little queasy…
397. KONG
Dude. Does this bus rock or what?!
398. RAND
‘Scool.
399. FLASH
Damn right it’s cool. Wouldn’t mind taking this baby all the way to Florida.
400. SALLY
Excuse me?! It’s a bus.
401. LIZ
Sally’s right. We’re not ditching the private jet for a bus. Right, Jason?
402. JASON
Uh…
403. SALLY
Right.
404. PETER
It really is a very nice bus though.
405. BISHANSKY
Hey, I’m not offended. I still can’t believe the Osborns hired me again. The last time, I got in two-- <impact grunt>
406. SEYMOUR
Dude, you totally rear-ended that guy at the tollbooth!
407. BISHANSKY
Not again…
408. SALLY
Wonderful. Now, we’ll be stuck here forever!
409. MAY
Everybody stay calm.
410. HARRY
Ah, man, gotta use the john…
411. KONG
<laughs> I think Osborn’s gonna hurl!
412. SALLY
Oh. My. God! If my hair starts smelling like vomit, I’ll sue you for bus-driver malpractice!!
413. BISHANSKY
Sorry, sorry…
Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.
414. NARRATOR
The sun sets. At the castle, the gargoyles awaken…
415. BROOKLYN, BROADWAY, LEXINGTON
<awakening roars>
416. BROOKLYN
You must be Zafiro.
417. ZAFIRO
How did you know?
418. BROOKLYN
Strong family resemblance.
419. ZAFIRO
¿Perdón?
420. BROOKLYN
Long story. Time travel. The future. A whole other spin-off. Two actually…
421. OBSIDIANA
We don’t have time for your “spin-offsâ€. ¿Donde esta Goliath?
422. BROADWAY
He didn’t sleep here.
423. LEXINGTON
But I’m sure he’ll be back soon.
Elisa STANDS.
424. ELISA
He’d better. We have trouble. Demona trouble.
425. OBSIDIANA
Elisa!
426. ELISA
Hi, Obsidiana. I’m betting you have trouble too…
Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.
427. NARRATOR
And while the clan awaits Goliath’s return…
428. KRAVEN
It is time, Calypso.
429. CALYPSO
Yes. The forces gather. We can make this one our own.
430. CURT
I demand you let me go!
431. KRAVEN
Hold your tongue, American dog. Or Gulyadkin will hold it for you.
432. GULYADKIN
<low lion growl>
433. CALYPSO
Calm yourself… This change will not be difficult. The primitive bound within is barely skin-deep…
434. CURT
I-- I don’t know what you’re talking about.
435. CALYPSO
I think you do. You see my companion. The details may have been created in a laboratory…
436. KRAVEN
But the soul of the Hunter â€" the beast inside â€" was always my own.
437. CURT
What are doing with that doll?
438. CALYPSO
Turning it inside out.
439. CURT
Listen to me, please. Even if you can release the “beast insideâ€, you don’t want to! It can’t be controlled.
440. KRAVEN
<laughs> Nyet. Not by you perhaps. But my Calypso is not so easily trifled with.
441. CALYPSO
It is time…
442. CURT
Noooo!!!! <transformation scream>
443. NARRATOR
Curt Connors is transformed by Calypso’s magic into the Lizard.
444. LIZARD
<roar>
445. KRAVEN
Now… to the Hunt!
Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.
446. NARRATOR
Back at the Castle, Goliath has returned, and the entire clan has gathered. Elisa’s revealed what she knows about Demona. Now, it’s Obsidiana’s turn…
447. OBSIDIANA
It came from somewhere further south. Two human smugglers carrying an object of great power through the Green…
448. ZAFIRO
My mate is sensitive to these things. We tracked them, but they boarded a jet airplane and were soon out of our reach.
449. OBSIDIANA
Pero still I could sense great forces gathering. I asked Jade and Turquesa to teach us the way to Avalon…
450. ZAFIRO
Gabriel says hello, by the way.
451. ANGELA
Oh, I miss him. How is he?
452. ELISA
Angela, honey, let’s stay on point. I take it Avalon sent you here.
453. OBSIDIANA
Yes. We nearly achieved the totem, but a ridiculous human dressed in red and blueâ€"
454. ELISA, GOLIATH (UNISON)
Spider-Man…
455. OBSIDIANA
He did spin webs like a spider. Though from his hands, not hisâ€"
456. ZAFIRO
Focus, mi amor.
457. OBSIDIANA
Lo siento. This Man-Spider, he interfered. The smugglers escaped again. Now, power builds on power, rising to a crescendo.
458. BROADWAY
And that’s bad, right?
459. NARRATOR
Elisa’s cellphone rings.
Matt STANDS.
460. ELISA
Maza.
461. MATT
It’s Matt. Something’s going down at the OsCorp vault off the Expressway. Most of the Taskforce is already here. Stacy and his men too. But I’m thinking we might need… “back-upâ€. Lots and lots of back-up.
462. ELISA
We’re on our way. Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?
463. BROOKLYN
Of course.
464. ELISA
Good. Because otherwise it’s all hands on deck.
Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and O’Neil STAND.
465. MATT
Okay, Captain. The rest of the Taskforce is on its way.
466. GEORGE
My men are deployed.
467. O’NEIL
And just in time! Cuz we got Gobby and his Pumpkin-Heads at 12 o’clock!
Green Goblin and Pumpkin Bomb STAND.
468. GREEN GOBLIN
Playtime!
469. PUMPKIN BOMB
<shriek>
470. MORGAN
And a gargoyle at 3 o’clock!
471. GEORGE
That’s not a gargoyle. That’s the Vulture!
Vulture STANDS.
472. VULTURE
You were right, Otto. The police were waiting. And the Goblin is here too. You don’t think it could actually be Osborn, still alive, do you?
Doctor Octopus and Electro STAND.
473. DOCTOR OCTOPUS
Do not get distracted by old grudges, Adrian. It hardly matters who wears the Green. His intent is still to prevent me from regaining my arms. You must keep the Goblin and the authorities occupied.
474. VULTURE
Of course.
475. DOCTOR OCTOPUS
Now, Electro. Open the vault.
476. ELECTRO
Roger that, Doc!
477. NARRATOR
Electro, already inside, short-circuits the vault’s electro-magnetic lock.
Tinkerer and Demona STAND.
478. TINKERER
Electro’s breached the vault.
479. DEMONA
So predictable. Send in your operatives.
480. NARRATOR
Tinkerer opens a burlap sack, releasing his five “operativesâ€.
HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.
481. HOMUNCULUS #1
Homunculi to the rescue!
482. HOMUNCULUS #2
Dirty work to be done!
483. HOMUNCULUS #3
Peach Cobbler!
484. HOMUNCULUS #4
Uh oh, somebody’s language system’s off-line again.
485. HOMUNCULUS #5
You know it, girlfriend!
Calypso, Kraven and Lizard STAND.
486. NARRATOR
And down in the sewer…
487. CALYPSO
It is right above us, my love. The Power and the Glory. The very keys to the Kingdom.
488. KRAVEN
And Kraven will lay them all at your feet.
489. LIZARD
<lizard roar>
490. NARRATOR
Up top, a stretch limo skids to a stop outside the vault. Dominic Dracon and Fancy Dan emerge.
Dracon and FANCY DAN STAND.
491. DRACON
All right, boys. Get me those jewels!
492. FANCY DAN
I think what the boss means is… Destroy the competition!
Carnage, Colonel Jupiter and Venom STAND.
493. CARNAGE
<evil chuckle> Carnage time?
494. FANCY DAN
Yeah. Go. Kill. Whatever.
495. COLONEL JUPITER
Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!
496. FANCY DAN
Knock yourself out. But what are you waiting for?
497. VENOM
Someone worthy of our hate. But we have faith… He’ll come…
498. GREEN GOBLIN
My, my, the field’s getting crowded. Let’s thin the herd. Pumpkin-Heads, release the hounds! <ahem> That was a metaphor. Throw your pumpkin bombs already!
499. PUMPKIN BOMB
<multiple shrieks>
Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, O’Neil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.
500. MAY
Goodness, what was that?
501. PETER
Something The Bugle will want pictures of. Open the door.
502. BISHANSKY
Uh…
503. MAY
Peter Parker, I am not letting you off this bus in the middle of the expressway.
504. PETER
Aunt May we’re at a complete standstill. And you don’t have to worry. I’ll use my telephoto lens. I won’t be anywhere near the action.
505. MAY
I suppose it is your job… Open the door.
506. BISHANSKY
Yes, ma’am.
507. PETER
Thanks, Aunt May. You rock!
508. FLASH
If Puny Parker’s going, I’m going too!
509. MAY
Eugene Thompson, you sit your backside down in that seat right this minute.
510. FLASH
Yes, ma’am.
511. KONG
<laughs>
512. SALLY
What’s he going to take pictures with? I saw his camera get blown up two months ago.
513. MARY JANE
Pete’s a professional photographer, Sally. I’m sure he has more than one camera.
514. GWEN
Harry… Are you all right in there?
515. HARRY
<vomit noise> Ugh, don’t come in. It really isn’t pretty.
Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.
516. NARRATOR
The clan alights on a rise overlooking the battlefield.
517. BROADWAY
Whoa, what a mess…
518. GOLIATH
We will split our forces. Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.
519. BROOKLYN
Shouldn’t I lead the other contingent?
520. GOLIATH
I need your experience and your weapons at my side.
521. ANGELA
Don’t worry, Brooklyn, we’ve got it covered.
522. NARRATOR
Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.
523. BROOKLYN, BROADWAY (UNISON)
Be careful!
Angela sits.
524. ELISA
You know I’m going with you.
525. GOLIATH
Not this time, Elisa. You must join your fellow officers…
526. ELISA
Butâ€"
527. GOLIATH
When all is settled, we shall need your help to cover our retreat from this conflagration… You know this is true.
528. ELISA
(defeated)
Yes.
Elisa sits. Spider-Man STANDS.
529. NARRATOR
Elisa makes her way down the hill. Goliath and the others glide to the Vault’s roof. Spider-Man lands there at the same time.
530. SPIDER-MAN, ZAFIRO (UNISON)
You again!
531. GOLIATH
Hold, Spider-Man. I have a friend who knows your Captain Stacy.
532. SPIDER-MAN
Really?
533. GOLIATH
This policeman believes in you. So I choose to believe in you as well.
534. SPIDER-MAN
Says the eight-foot tall medieval monster. But I get it. We’re on the same side. So let’s go kick some Pumpkin-Butt!
535. ZAFIRO
¡Idiota! That battle is a mere distraction.
536. OBSIDIANA
The true danger lies within…
537. SPIDER-MAN
All right, all right, you had me at “Idiotaâ€.
538. NARRATOR
The gargoyles rip open the rooftop. The seven heroes descend, but someone watches…
Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.
539. VENOM
And there goes our Bro…
540. FANCY DAN
You going in? That wasn’t the plan!
541. VENOM
And how do intend to stop us?
542. FANCY DAN
Fine, go. But if you see my Ricochet suit, bring it out!
Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.
543. FOSWELL
See, J.J. The tip from Dracon’s old chauffer was right on the money.
544. JONAH
Whaddaya want, a fershlugginer medal?! Let’s get in there!
545. ROBBIE
Slow down, Jonah. I promised Joan I wouldn’t let you lose your head, figuratively or literally.
546. JONAH
Forget my head! Who cares about my head?! My boy needs me!
Ned and Colonel Jupiter STAND.
547. NED
Looks to me like your boy’s doing pretty well, Chief!
548. COLONEL JUPITER
Take that, miscreants!
549. ROBBIE
Ned, how did youâ€"
550. NED
Tip from one of the pumpkin-heads. Foswell’s not the only one with sources.
551. JONAH
You two can naked mud-wrestle over who’s the biggest brown-noser later. For now, Robbie, if you don’t let go of me in zero-point-zero seconds, I’ll dropkick you to next Season! And there’s no guarantee there’ll be a next Season!
552. NARRATOR
Jonah breaks away from Robbie, but his path is blocked…
Elisa STANDS.
553. ELISA
Get back! You want to wind up street pizza!
554. JONAH
But that’s my son up there.
555. ELISA
Yeah, well, at least he’s fighting on the right side.
556. COLONEL JUPITER
Nothing stands against the might of Colonel Jupiter!
557. ELISA
Does he always talk like that?
558. ROBBIE
Bombasticism runs in the family.
Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.
559. NARRATOR
Jupiter takes down Pumpkin-Heads right and left. Hudson squares off against Vulture.
560. VULTURE
Why do I get the old guy?
561. NARRATOR
You’re old. He’s old. It’s parallelism. Get over it.
(beat)
Coldstone and Coldfire isolate Carnage.
562. CARNAGE
No fair! These two don’t spatter at all!
563. NARRATOR
Angela and Katana take on the Goblin.
564. GREEN GOBLIN
Oh, goody. Gobby likes getting down and dirty with the hotties.
565. ANGELA
Oh, you did not just say that.
566. NARRATOR
And little Gnash goes after Fancy Dan.
567. FANCY DAN
Admit it, you gave me the kid because I’m short?
568. NARRATOR
Even Detective Bluestone gets into the act.
569. MATT
Freeze, Dracon!
570. DRACON
You’re confused. I’m G.F. Benton, a certified public accountant. I think I’ll be going now…
571. MATT
Yeah. Back to Ravencroft, you old nutter!
572. NARRATOR
But inside, things are a bit more serious…
Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.
573. ELECTRO
Got your arms, Doc!
574. DOCTOR OCTOPUS
And my Megalo-Pack?
575. ELECTRO
You’re Mega-what now?
576. DOCTOR OCTOPUS
My power-source, Maxwell.
577. ELECTRO
Right, right. No. That’s not here.
578. DOCTOR OCTOPUS
What?!
Homunculus #1, Homunculus #2 and Homunculus #3 STAND.
579. HOMUNCULUS #1
Gotta get the true treasure!
580. HOMUNCULUS #2
Bring it back to the big Smurfette!
581. HOMUNCULUS #3
Blunk hates getting wet!
582. NARRATOR
Three Homunculi fly deeper into the vault to retrieve Demona’s prize.
Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.
583. ZAFIRO
What are those things?!
584. SPIDER-MAN, LEXINGTON (UNISON)
Robots!
585. LEXINGTON
And I got one!
586. HOMUNCULUS #5
Leggo, you big bully!
587. LEXINGTON
<ugh> What an annoying voice…
588. HOMUNCULUS #5
(aside to audience)
Look who’s talking.
589. LEXINGTON
…But I might be able to use it to take control of the others.
590. SPIDER-MAN
I think I can help.
Venom STANDS.
591. VENOM
You’ll be a little too busy for that, Bro.
592. GOLIATH
Friend of yours?
593. SPIDER-MAN
Once upon a time. Not so much now.
594. VENOM
Die, Spider-Man!
595. VENOM, SPIDER-MAN
<add-lib battle sounds>
596. SPIDER-MAN
A little help?
597. NARRATOR
Brooklyn blasts Venom, who collapses.
598. VENOM
<vibrating scream>
Venom sits.
599. BROOKLYN
Sonic Cannon. Circa 2198. Guess my weapons do come in handy.
600. LEXINGTON
Just cover me until I can get this working…
Demona and Tinkerer STAND.
601. DEMONA
What’s wrong, Tinkerer? Why haven’t they returned?
602. TINKERER
Someone’s trying to counter their programming. He won’t succeed.
603. DEMONA
He had better not.
604. LEXINGTON
My hack’s being hacked!
605. TINKERER
He’s overriding my override!
Homunculus #4 STANDS.
606. HOMUNCULUS #4
Go right. Go left. Go right. Go left. Blow up!
607. NARRATOR
Homunculus #4 blows up. But so does Homunculus #5 in Lexington’s hands!
608. LEXINGTON
<pain cry>
609. BROADWAY
Lexington!
Homunculus #4 and Homunculus #5 sit.
610. DOCTOR OCTOPUS
This is madness! Grab my arms and get me out of here!
611. ELECTRO
Workin’ on it!
612. NARRATOR
Electro blasts away, until he and Doc Ock are blindsided by…
Kraven, Gulyadkin, Lizard and Calypso STAND.
613. ELECTRO, DOCTOR OCTOPUS
<impacts>
614. BROADWAY
Look, it’s Claw.
615. KRAVEN
<roar>
616. BROOKLYN
That’s not Claw.
617. BROADWAY
Well, it’s sure not Maggie.
618. GULYADKIN
<lion roar>
619. LEXINGTON
(recovering)
Is that an actual lion?
620. LIZARD
<lizard roar>
621. SPIDER-MAN
Lizard, too? Seriously, this is way over the top.
Homunculus #1 and Homunculus #2 STAND.
622. HOMUNCULUS #1
Got the gizmo!
623. HOMUNCULUS #2
Homunculi never fail!
624. NARRATOR
Two homunculi fly past, carrying a sealed container down a dark corridor.
625. CALYPSO, OBSIDIANA (UNISON)
The totem!
(pointing at each other)
Don’t let her near it!
626. KRAVEN
Go, Calypso! Leave them to us!
627. ZAFIRO
¡Vaya, mi amor!
628. BROOKLYN
We got your back, Goliath! Go!
629. SPIDER-MAN
Think I’ll tag along too…
Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.
630. NARRATOR
Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.
631. KRAVEN
Lizard, take the reptile!
632. ZAFIRO
¡No soy ningún reptil! ¡Soy un Gárgolo!
633. ZAFIRO, LIZARD
<ad-lib battle sounds>
634. KRAVEN
Gulyadkin attack!
635. GULYADKIN
<pounce roar>
636. NARRATOR
Gulyadkin and Kraven attack Lex and Broadway!
637. LEXINGTON
Hey, get him off me!
638. BROADWAY
Kinda busy at the moment!
639. GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
<ad-lib struggles>
640. NARRATOR
Brooklyn steps in and pulls both cats off his rookery brothers. They turn on him.
641. BROOKLYN
Uh oh.
642. BROADWAY, LEXINGTON (UNISON)
All for one!
643. NARRATOR
The two gargoyles return the favor, knocking Kraven and Gulyadkin aside. Then Brooklyn blasts them both.
644. BROOKLYN
And one for all!
645. KRAVEN, GULYADKIN
<blast impacts>
646. LEXINGTON
Some things never change.
647. NARRATOR
Zafiro throws Lizard’s unconscious body on top of Kraven…
648. KRAVEN, LIZARD
<oofs>
649. ZAFIRO
We should follow Obsidiana…
650. ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
<electrocution scream>
651. NARRATOR
The four gargoyles are dropped by Electro’s blast.
652. ELECTRO
Still want out?
653. DOCTOR OCTOPUS
Indeed not. My curiosity is piqued. Let’s see where this leads…
Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.
654. NARRATOR
Electro and Octopus head down the corridor… In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container. Inside… is a crown of thorns.
655. DEMONA
The Crown of Thorns!
656. NARRATOR
Demona removes her tiara.
657. DEMONA
Place it on my head…
658. HOMUNCULUS #1
Placing, placing…
659. HOMUNCULUS #2
Homunculi aim to please!
660. NARRATOR
The Homunculi gently lower the crown onto Demona’s head before disappearing back into the darkness. The thorns bite into her brow, drawing blood. Calypso, Obsidiana, Goliath and Spidey come rushing in.
Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.
661. DEMONA
My Kingdom come. My Will be done…
662. SPIDER-MAN
Friend of yours?
663. GOLIATH
Once upon a time. Not so much now.
664. DEMONA
On Earth as it is in Heaven…
665. CALYPSO
Too late…
666. OBSIDIANA
Too late…
667. DEMONA
For MINE is the Kingdom and the Power and the Glory for ever and ever…
668. CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
Amen…
669. NARRATOR
Light radiates outward from the Spear. Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona. Octopus and Electro enter and likewise fall to their knees. The light reaches the outer vault. Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees. And still the light advances…
Obsidiana and Calypso sit.
670. GOLIATH
What sorcery is this?!
671. DEMONA
The most powerful human sorcery ever created, Goliath. This is humanity’s Armageddon. Their entire race’s final act.
END ACT TWO
NEXT: ACT THREE...
G2009 Radio Play
G2009 Radio Play - Act One
4. NARRATOR
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS. Act One. Late that night atop the Eyrie Building…
Dominique and Kafka sit. GOLIATH and ELISA MAZA STAND and KISS.
5. GOLIATH, ELISA
<kiss>
6. GOLIATH
There are some human customs I will never get used to Elisa. <kisses her again> This is not one of them.
7. ELISA
You’re in a good mood.
8. GOLIATH
I am. Hudson and Lexington are back from Europe, bringing Coldstone and Coldfire with them.
9. ELISA
<chuckle> Not to mention Brooklyn returning from forty years of TimeDancing with a mate, a son, a beast and an egg.
10. GOLIATH
The clan has doubled in size. What challenge can the Fates throw at us now that we cannotâ€"
11. NARRATOR
The sun rises. Goliath turns to stone.
12. ELISA
<groan> You just had to say that out loud, didn’t you?
Elisa and Goliath sit. MAY PARKER and PETER PARKER STAND.
13. NARRATOR
Meanwhile, in Forest Hills…
14. MAY
Peter, what are you doing up?
15. PETER
Studying for today’s English final. It’s on Midsummer Night’s Dream. And I missed seeing the Cliff Notes version.
16. MAY
Which may explain why you and Miss Allan are no longer a couple.
17. PETER
Aunt May, you know we didn’t break up because I missed her play.
18. MAY
You’re right; I shouldn’t be glib. I suppose there’s no chance that you and Gwen…
19. PETER
I don’t know. Not now anyway. Not when Harry’s hurting so much from the death of his father.
20. MAY
It hardly seems possible that Norman Osborn is gone. The Bugle says he was the Green Goblin, but I’m not sure I can believe that.
21. PETER
Sometimes, Aunt May… it’s, okay, to believe everything you read…
May and Peter sit. GREEN GOBLIN and BLACKIE GAXTON STAND.
22. NARRATOR
At a dive bar downtown, the Green Goblin BURSTS in on his glider…
23. GREEN GOBLIN
<tsk, tsk, tsk> Blackie. This place is scummy even by your pond-scum standards. Quite a comedown from your last gig…
24. BLACKIE
Tell that to the whacko who set a flaming super-villain loose in The Big Sky. Oh, wait. That was you.
25. GREEN GOBLIN
Yes. Yes, it was. <maniacal laugh>
26. BLACKIE
Weren’t you supposed to be dead?
27. GREEN GOBLIN
I was also supposed to be Osborn, but you didn’t buy that, did you? Just one of the many little tricks I keep up my sleeve. Nothing’s changed, Blackie. The Goblin’s still in charge.
28. BLACKIE
You hear me arguing?
29. GREEN GOBLIN
No. Now, gather my Pumpkin-Heads…
Blackie and Goblin sit. Kafka and Dominique STAND.
30. NARRATOR
At Ravencroft, Dominique Destine and Dr. Kafka supervises six inmates who work to excavate a sub-basement.
31. KAFKA
I still don’t understand what you expect to find down here.
32. DOMINIQUE
Vertros Ravencroft, the founder of this Institute, was a quirky soul. An intimate friend of Freud and Conan Doyle, he was a true believer in both psychotherapy and spiritualism.
33. KAFKA
You speak as if you knew him.
34. DOMINIQUE
Now how would that be possible?
35. KAFKA
It couldn’t, of course… But the dig?
36. DOMINIQUE
Yes. Ravencroft was also a collector. I have reason to believe he buried certain items of his collection here. Now, Doctor, didn’t you say you had meetings scheduled…
37. KAFKA
You’ll be all right down here alone?
38. DOMINIQUE
Your orderlies are in the hallway. And I’m quite self-sufficient. So run along.
Kafka sits. OTTO OCTAVIUS STANDS.
39. DOMINIQUE
Excellent work, Doctor Octavius. Very precise.
40. OTTO
Thank you. I appreciate having something to occupy my hands…
41. DOMINIQUE
Your hands? Not… your arms?
42. OTTO
Arms? I… I hope you’re not referring to my unfortunate… b-b-breakdown.
43. DOMINIQUE
What would be the point? Believe me, Doctor, no one better understands the advantage of creating a false front.
ELECTRO STANDS.
44. ELECTRO
I’ve blasted away another section of cement.
45. DOMINIQUE
Thank you, Maxwell.
46. ELECTRO
Don’t. Call. Me. That.
47. DOMINIQUE
Don’t. Tell. Me. What to do… Electro.
48. ELECTRO
Uh… okay.
(asides to Otto)
She’s a little scary.
49. OTTO
Indeed.
Otto and Electro sit. DOMINIC DRACON, JOHN JAMESON, EDDIE BROCK and CLETUS KASSADY STAND.
50. DRACON
I blame Mace. When that crook cheated me, I lost face. But when I get the jewels back, they’ll respect me again. Did Mace bury the jewels here?
51. DOMINIQUE
Maybe he did, Dominic. Keep working.
52. JOHN
What’s the point? How is tearing up a basement supposed to bring me Colonel Jupiter’s power?!
53. EDDIE
Shut up and dig.
54. JOHN
You like doing this?!
55. EDDIE
I hate it. But I need that hate. I need to keep the hate alive.
56. DOMINIQUE
Such an interesting crew. And what do you want out of life, Cletus…
57. CLETUS
Nothing too fancy. <chuckles> Just a little carnage.
Cletus, Dominique, Eddie, John and Dracon sit. GWEN STACY and Peter STAND.
58. NARRATOR
That afternoon, at Midtown High…
59. GWEN
Hey, Pete. How’d you do?
60. PETER
Ugh, horrible, probably. I mean you know English is like my worst subject. It’s all so subjective andâ€"
61. GWEN
Peter.
62. PETER
Okay, okay… not the look! I probably aced it. Happy?
63. GWEN
That you did well. Always.
64. PETER
Thanks. Look, Gwen, I--
HARRY OSBORN STANDS.
65. HARRY
Well, what have we here? My best friend and girlfriend conferring in a corner. Planning a surprise party for me?
66. PETER
Uh, it’s not your birthday, Harr.
67. HARRY
I thought maybe it was a thank you bash. For giving you both these…
68. GWEN
(reading)
“You are cordially invited to spend Spring Break traveling by private jet to Miami, where you’ll stay, all-expenses-paid, at the Osborn Winter Compound on the Beach…"
69. PETER
You’re inviting the three of us to spend a week together in Florida?
70. HARRY
Not just the three of us…
KENNY KONG, FLASH THOMPSON and MARY JANE WATSON stand.
71. KONG
Osborn, dude! You rock!
72. FLASH
Seven days in the sun and surf.
73. KONG
All you can eat!
74. FLASH
Girls in bikinis!
75. FLASH, KONG (UNISON)
Score! <laughter>
76. MARY JANE
Hi, Sha Shan. Hi, Glory.
77. FLASH
Sha Shan… uh… So… how much of that did you hear?
78. KONG
Look, Glory, you know I meant you, right? I mean who else would I want to see in a bikini. Uh, you’re not gonna break up with me again, are you?
Kong and Flash sit. SALLY AVRIL, RAND ROBERTSON, LIZ ALLAN and JASON IONELLO STAND.
79. SALLY
Oh. My. God. Harry, I just found the invitation in my locker. And all I have to say is that you can be my super-dweeb sugar-daddy anytime you want!
80. HARRY
You okay with that Rand?
81. RAND
‘Scool. You can be my super-dweeb sugar-daddy too.
82. PETER
Exactly how many people did you invite to this thing?
83. HARRY
A handful. Kenny and Glory. Flash and Sha Shan. Rand and Sally. Hobie and Mindy. M.J. Gwen. Oh, and you and Liz, of course.
84. GWEN
Harry… Liz and Peter broke up.
85. HARRY
You did?! Wow. I had no idea. Guess I’ve just been so focused on my own problems. My Dad dying and everything. That’s why I need this trip. Gotta clear my head, you know? But maybe you two could reconcile…
86. SALLY
I don’t think so!
87. LIZ
It’s too late for that Harry. I’m with Jason now. We totally fell in love doing the play together.
88. JASON
We did?
89. SALLY / LIZ (UNISON)
Yes, you did. / Yes, we did.
90. LIZ
You don’t mind if I bring Jason instead of Petey, do you.
91. HARRY
The more the merrier.
92. LIZ
Thanks, Harry. You’re a doll. Kisses!
Liz, Sally, Jason and Rand sit.
93. HARRY
Pete, you’re still invited too. Course, it’s more of a couple’s thing. But M.J.’s guy is in prison…
94. MARY JANE
Thank you, Harry. Hadn’t been reminded of that in the last five minutes.
95. HARRY
Sorry, sorry. It’s just that I can’t help remembering the Fall Formal. You two made such a great pair! Don’t you think so, Gwen?
96. GWEN
Great.
97. PETER
I… suppose we could go… as friends. Just as friends.
98. MARY JANE
We’ll talk later, Tiger.
Mary Jane, Peter, Gwen and Harry sit. Kafka and CURT CONNORS STAND.
99. NARRATOR
Late that afternoon in Dr. Kafka’s office…
100. KAFKA
Doctor Connors, it’s good to see you. I’d heard you moved to Florida.
101. CURT
I did. But I never stopped working on a cure for Max Dillon. I think I’ve made some real progress.
102. KAFKA
That’s wonderful news. Max is downstairs… doing “work-therapyâ€. I’ll take you to him…
Kafka and Curt sit. Otto, Dominique, Electro, Dracon, John, Eddie and Cletus STAND.
103. ELECTRO
Ms. Destine. I think I found something.
104. DRACON
Is it my jewels?
105. OTTO
It… it appears to be a spearhead. It looks quite old.
106. DOMINIQUE
Give it to me.
107. ELECTRO
Sure, sure.
108. DOMINIQUE
Yes. This is it. I think we’re done, boys.
109. OTTO
Indeed. And just as the dig brought us right up against Ravencroft’s outer wall.
110. ELECTRO
You mean this wall?!
111. NARRATOR
Electro blasts a huge hole in the wall. When the smoke clears, the Vulture is waiting. He grabs Octavius.
VULTURE STANDS.
112. VULTURE
You’re coming with me, Otto.
113. OTTO
No, no, stop. I don’t want this life anymore… I’m trying to get better!! Let me go!!
114. ELECTRO
Shut it, Doc! It’s for your own good!
115. OTTO
Nooooooo!!!!
Otto, Electro and Vulture sit.
116. NARRATOR
Vulture and Electro leave with Octavius. Dominique watches them go.
117. DOMINIQUE
Well, that was diverting. And such excellent timing as well: it’s sunset. <transformation scream>
118. NARRATOR
With the setting of the sun, Dominique Destine transforms into a gargoyle… just as Kafka and Connors enter…
Kafka and Curt STAND.
119. KAFKA / CURT
Oh my god… / What in the world?!
120. NARRATOR
Demona effortlessly slams them both against a wall and turns to the remaining inmates…
121. CURT, KAFKA
<impacts, moans>
122. DEMONA
Listen carefully, humans. For I have listened to you. I can make all your petty little dreams come true. Dominic demands respect.
123. DRACON
Yes.
124. DEMONA
John craves power.
125. JOHN
Yes!
126. DEMONA
Eddie needs hate.
127. EDDIE
YES!
128. DEMONA
And all Cletus desires is a little carnage.
129. CLETUS
Or a lot. I’m not picky.
130. DEMONA
Then stick with me, boys. Respect, power, hatred, carnage. These are things I know…
DEMONA, Cletus, Eddie, John and Dracon sit. ALAN O’NEIL and GEORGE STACY STAND.
131. NARRATOR
Later, the police arrive to investigate…
132. O’NEIL
And you never met this broad before in your life…
133. KAFKA
She had excellent references, Officer O’Neil. It’s not like I grant just anyone access to my patients…
134. O’NEIL
And you wonder why people think they belong at Rykers.
135. GEORGE
There’s nothing else you can tell me, Doctor?
136. CURT
I’m sorry, Captain Stacy, but no. It was a creature.
137. GEORGE
Like that Lizard-thing from last fall?
138. CURT
No! No. Nothing like that. More like… like those things on the news that blew up the clock tower.
139. GEORGE
You mean the 23rd Precinct.
140. CURT
Yes.
141. GEORGE
You’re saying a gargoyle kidnapped those men.
142. CURT
Yes. No. I don’t know. Can I leave now?
George, O’Neil and Kafka sit. DILBERT TRILBY and NED LEE stand.
143. NARRATOR
But outside…
144. TRILBY
Doctor Connors! Dilbert Trilby, Action News. What can you tell our audience about the escape?
145. CURT
Nothing. No comment.
146. NED
Hey, Doc. Remember me? Ned Lee from The Bugle. Can you just tell me who escaped? Doc Ock? Electro? Colonel Jupiter â€" I mean, Colonel Jameson?
147. CURT
I’m sure the police will issue a statement. Now, I have to go.
Trilby sits. CALYPSO EZILI, KRAVEN THE HUNTER and GULYADKIN STAND.
148. NARRATOR
Connors hurries away down the street, as a limousine with dark-tinted windows pulls up in front of Ravencroft.
149. CALYPSO
We are too late, my love. The Christian Totem is gone.
150. KRAVEN
Gulyadkin and I will track it for you.
151. GULYADKIN
<low lion growl>
152. CALYPSO
I’m afraid that is beyond even your impressive abilities, Sergei, my love. But I have my own ways, as you well know…
153. KRAVEN
Of course, Calypso.
154. CALYPSO
Who is that? That man trying to hail a cab?
155. KRAVEN
He is a stranger to my eyes. Yet his scent is familiar.
156. CALYPSO
His aura glows with primal energies and may be of use to us.
(to Curt)
You need a ride.
157. CURT
What? No. No, thank you. I’ll get a cab.
158. KRAVEN
She wasn’t asking.
159. CURT
<scream>
160. NARRATOR
Kraven drags Connors into the limo, which quickly drives away…
Curt, Kraven, Calypso and Gulyadkin sit.
161. NED
Hello, Robbie? I’ve got something.
J. JONAH JAMESON, JOE “ROBBIE†ROBERTSON and FREDERICK FOSWELL STAND.
162. JONAH
Is that Lee? Put him on speaker.
163. ROBBIE
Now, Jonah, stay calm…
164. JONAH
Don’t you tell me to stay calm, Joe Robertson. It’s not your son at risk. Lee, you there?! I’ll give you exactly three-point-seven seconds to tell me John’s all right!
165. NED
Wish I could, Chief. But he disappeared with the rest. There are six inmaâ€" uh, patients missing. It’s not clear if they busted out or were kidnapped.
166. JONAH
Well, of course John was kidnapped. You think my son would--
167. ROBBIE
Ned, give me the whole list.
168. JONAH
Who cares about the listâ€"
169. ROBBIE
It could provide a lead to John.
170. NED
Doc Ock. Electro. John. Uh… let’s see. Edward Brock Jr., Cletus Kasady and Dominic Dracon.
171. FOSWELL
Dominic Dracon? The old mob boss? There’s a name I haven’t heard in a while.
172. JONAH
Foswell, you know that world! Find out where Dracon might have gone!
173. FOSWELL
You got it, J.J.
174. JONAH
Lee, you stick to the damn super-villain angle! Ock, Electro. What’s their next move?!
175. NED
Right, boss!
176. JONAH
Robbie, I want every available man on this. No, damnit, I want every man, woman and child on this, available or not. Call Parker. Put Benny the copyboy on it. But Ms. Brant on it. I want John Jameson safely back in his mother’s arms in six-point… six-point…
177. ROBBIE
It’s okay, Jonah. We’re on it.
178. JONAH
Good. Good. I’ll… I’ll hit the streets myself. I’m still the best damn reporter in New York City! Just have to make a call first. Well, what are you all waiting for, get out! Out!
Robbie, Ned and Foswell sit.
179. JONAH (CONT)
Hello, is this WVRN? Travis Marshall, please. Travis? It’s Jonah. I got a lead for you on the Ravencroft thing.
(pauses, listening)
Whaddayou care why I’m helping the competition?! I know I hate television! You don’t have to tell me that! I’m not trying to sandbag you, damnit, I… I’m just trying to find my son… any way I can.
Jonah sits. SPIDER-MAN STANDS.
180. NARRATOR
That night finds Spider-Man swinging through the city…
181. PETER (VO)
If I didn’t know better, I’d think Harry was trying to torture me and Gwen. Then again, M.J. is quite the consolation prize. Ah, man, what am I saying? I’m in love with Gwen. Gwen. Gwendolyn Stacy. Just have to get through the next few weeks and then Harry’ll be in a better place, and she and I--
182. NARRATOR
Pete’s ringtone plays Itsy-Bitsy Spider.
183. SPIDER-MAN
Hello?
Robbie STANDS.
184. ROBBIE
Pete. Joe Robertson. There’s been an incident at Ravencroft.
Robbie sits.
185. SPIDER-MAN
Uh huh… uh huh… Wait, who’s missing? Uh oh. Him too? Oh, crap. Sorry, I mean-- What?! Seriously?! Uh, right. Yeah, I’ll keep my eyes open. Camera lens at the ready. Thanks for the heads up. Bye.
(to himself)
Whoa. At least this day can’t get any worse!
SMUGGLER #1 stands.
186. SMUGGLER #1
What the hell are those things?!
187. SPIDER-MAN
When am I gonna learn not to say that out loud?
188. NARRATOR
Spidey swings down to find two men in a van being attacked by two gargoyles, Obsidiana and Zafiro…
ZAFIRO and OBSIDIANA STAND.
189. SPIDER-MAN
Hi there. Hate to interrupt, but this lady-esque-blue-creature-thing matches the description of another lady-esque-blue-creature-thing who just busted some folks out of Ravenâ€"
190. ZAFIRO
What is he babbling about?
191. OBSIDIANA
I have no idea. I sense no connection between him and the source of the disturbance. But these two…
192. SMUGGLER #1
Keep her away from us!!
193. SPIDER-MAN
You see, now I’m on the horns of a dilemma… Uh, no offense. It’s just an expression; I wasn’t referring to your rather striking… Never mind. See in this particular Spider-Man’s experience, when genetic misfits attack ordinary human beings, I’m gonna have to side with the humans.
194. ZAFIRO
Qué sorpresa. A human with no knowledge of the situation leaping to defend one of his own.
195. NARRATOR
Zafiro attacks Spidey.
196. ZAFIRO, SPIDER-MAN
<ad lib battle efforts, impacts>
197. NARRATOR
Obsidiana rips open the top of the van.
198. OBSIDIANA
<rip effort>
199. SMUGGLER #1
Stay back!
200. NARRATOR
The two humans open fire on her, forcing her to leap away… The van peels out. Obsidiana tries to follow, but Spidey webs her wings together.
Smuggler #1 sits.
201. OBSIDIANA
Por favor! You don’t understand the powers that are gathering!!
202. SPIDER-MAN
And you’re the one doing the Gathering, I take it!
203. OBSIDIANA
No!
204. ZAFIRO
Enough!
205. SPIDER-MAN
<impact grunt>
206. NARRATOR
Zafiro slams Spidey into a wall. By the time the web-slinger recovers, the gargoyles are gone…
Zafiro and Obsidiana sit.
207. SPIDER-MAN
<groan> For a guy with no legs, that snake-thing can move…
Spider-Man sits. George and MARIA CHAVEZ STAND.
208. NARRATOR
Not far away…
209. GEORGE
Captain Chavez.
210. CHAVEZ
Captain Stacy. What brings you to what’s left of the 23rd?
211. GEORGE
It’s the Ravencroft thing. I’ve got corroborating witnesses telling me a gargoyle was involved.
212. CHAVEZ
<sigh> I miss the days when being a cop didn’t involve a working knowledge of The Twilight Zone.
213. GEORGE
Welcome to the Freak Show.
214. CHAVEZ
Anyway, as it happens, the Gargoyle Taskforce is meeting right now. First trailer on the right. Ask for Bluestone.
Chavez sits. MATT BLUESTONE, MORGAN MORGAN, MARGOT YALE and Elisa STAND.
215. NARRATOR
Minutes later…
216. GEORGE
And that’s all I know…
217. MATT
Well, that is interesting, or, you know… really, really scary.
218. MORGAN
I’ll say, Detective. With or without a gargoyle, I’ve heard Ock and Electro are bad news. And that Cletus Kasady: he killed five people before--
219. MARGOT
Forget Kasady. Any idiot can bring a serial killer down. It’s the gargoyle we should be concerned with. It’s what I’ve been saying all along! Those monsters are dangerous!
220. MATT
I think what A.D.A. Yale is saying, Captain, is that the Taskforce is on it. We’ll let you know if we hear anything. And we’ll be checking in with all our sources, won’t we, Detective?
221. ELISA
And fast.
Elisa, Matt, Margot, Morgan and George sit. Smuggler #1 and Demona STAND.
222. NARRATOR
Meanwhile, a van with a torn up roof pulls up to a Gramercy Park Mansion… The driver speaks into the intercom…
223. SMUGGLER #1
Longinus sent me.
224. DEMONA
Leave the package. Then take your money and go. While you still can.
225. SMUGGLER #1
Geez, who lives here? Dracula’s daughter?
Smuggler #1 sits. Eddie, John and Cletus STAND.
226. NARRATOR
Demona collects her package.
227. EDDIE
The old guy’s asleep. What’s that?
228. DEMONA
A simple wooden shaft. The prize of Adolph Hitler’s personal collection. After his… demise, his remaining followers smuggled it to Brazil. I paid handsomely to have it smuggled to me.
229. EDDIE
Why? I mean sure, it’s the shaft of a spear. Completes the set with that arrowhead you took from Ravencroft. But why do we care?
230. DEMONA
Here’s why.
231. NARRATOR
Demona joins the spear and spearhead together. Instantly, it radiates incredible power.
232. DEMONA
The Holy Lance. The Spear of Destiny. The weapon that pierced the side of the Christ. Do you still want power, John? This is power.
233. JOHN
Give it to me. Give it!
234. DEMONA
No. This power is mine. But I will use it to give you back your own…
235. NARRATOR
She points the Spear at John Jameson. The magic surrounds him and transforms him into Colonel Jupiter!
236. COLONEL JUPITER
<transformation scream> Yes! The power is mine! I am Colonel Jupiter!
237. DEMONA
For what that’s worth… Now for Eddie.
238. VENOM
<transformation scream>
239. DEMONA
Happy now?
240. VENOM
Extremely. We are Venom again.
241. DEMONA
And what about you, Cletus?
242. CLETUS
(pointing at Venom)
I’ll have what he’s having…
243. DEMONA
As you wish… Carnage.
244. CARNAGE
<transformation scream>
245. VENOM
All right, Demona. You’re the Mirror Universe Wizard of Oz. But what now?
246. DEMONA
Mine is the Power. But I still require the Kingdom and the Glory. This is only the first act, humans… or whatever you are now. The main event is still to come…
Demona, VENOM, CARNAGE and COLONEL JUPITER sit.
END ACT ONE
TOMORROW: ACT TWO...
G2009 Radio Play
Okay, gang, here's the Title Page, Cast List and Teaser for the G2009 Radio Play. As I've mentioned before this is NOT canon for either GARGOYLES or THE SPECTACULAR SPIDER-MAN. It's just a goof, which I wrote in three days. As anyone who was at the Gathering knows, it was a tremendous success. ALL credit for that should go to (a) my amazing cast of professional voice actors and talented fans and (b) my ability to pander mercilessly to my audience. So READING it, as opposed to seeing it, may be quite the let down. If you dislike it, well, what do you expect from a script written in three days? And if you like it, I guess I am a genius. ;)
THE SPECTACULAR SPIDER-MAN
MEETS
GARGOYLES
Religious Studies 101:
A Handful of Thorns
A Radio Play Crossover Event
Written by
Greg Weisman
For
The Thirteenth Annual
Gathering of the Gargoyles
in
Los Angeles, California
Performed August 22, 2009.
THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
“Religious Studies 101: A Handful of Thornsâ€
(Radio Play)
CAST LIST
NARRATOR 104 lines. (Greg Weisman)
SPIDER-MAN/PETER PARKER 76 lines. (Josh Keaton)
DEMONA/DOMINIQUE DESTINE 60 lines. (Marina Sirtis)
GOLIATH 32 lines. (Keith David)
LEXINGTON 24 lines. (Thom Adcox)
ELISA MAZA 23 lines. (Zehra Fazal)
BROOKLYN 22 lines. (John Clemens)
CURT CONNORS/LIZARD 22 lines. (Dee Bradley Baker)
BROADWAY 19 lines. (Crispin Freeman)
ZAFIRO 19 lines. (Joshua Poole)
MAY PARKER 19 lines. (Deborah Strang)
GREEN GOBLIN 18 lines. (Steve Blum)
OBSIDIANA 17 lines. (Elisa Gabrielli)
KRAVEN THE HUNTER 17 lines. (Eric Vesbit)
HARRY OSBORN 17 lines. (James Arnold Taylor)
DOCTOR OCTOPUS/OTTO OCTAVIUS 17 lines. (Michael McAdam)
J. JONAH JAMESON 16 lines. (Daran Norris)
MARY JANE WATSON 16 lines. (Vanessa Marshall)
ELECTRO 15 lines. (Crispin Freeman)
VENOM/EDDIE BROCK 15 lines. (Ben Isaac Diskin)
GEORGE STACY 14 lines. (Lucas McClain)
BIG MAN 13 lines. (Keith David)
CALYPSO EZILI 13 lines. (Jennifer L. Anderson)
ASHLEY KAFKA 12 lines. (Elisa Gabrielli)
ROBBIE ROBERTSON 10 lines. (Phil LaMarr)
LIZ ALLAN 10 lines. (Kaitlyn Robrock)
SALLY AVRIL 10 lines. (Jennifer L. Anderson)
GWEN STACY 10 lines. (Sarah Williams)
MATT BLUESTONE 9 lines. (Eric Tribou)
GREG BISHANSKY 8 lines. (Greg Bishansky)
KENNY KONG 8 lines. (Andrew Kishino)
COLONEL JUPITER/JOHN JAMESON 8 lines. (Daran Norris)
NED LEE 7 lines. (Andrew Kishino)
VULTURE 7 lines. (Seth Jackson)
FLASH THOMPSON 7 lines. (Ian Bassett)
SHARI 6 lines. (Zehra Fazal)
FANCY DAN 6 lines. (Phil LaMarr)
GULYADKIN 6 lines. (Dee Bradley Baker)
CARNAGE/CLETUS KASADY 6 lines. (Ian Bassett)
HOMUNCULUS #1 5 lines. (Dee Bradley Baker)
HOMUNCULUS #2 5 lines. (Phil LaMarr)
SMUGGLER #1 5 lines. (Andrew Kishino)
DOMINIC DRACON 5 lines. (Seth Jackson)
BLACKIE GAXTON 5 lines. (Steve Blum)
EMILY OSBORN 4 lines. (Kaitlyn Robrock)
TINKERER 4 lines. (Thom Adcox)
SEYMOUR O’REILLY 4 lines. (Steve Blum)
SILVER SPOON MANAGER 4 lines. (Crispin Freeman)
ANGELA 4 lines. (Sarah Williams)
PUMPKIN BOMB 4 lines. (Nicki France)
THAILOG 3 lines. (Keith David)
HOMUNCULUS #3 3 lines. (Steve Blum)
HOMUNCULUS #5 3 lines. (Thom Adcox)
MARIA CHAVEZ 3 lines. (Elisa Gabrielli)
FREDERICK FOSWELL 3 lines. (James Arnold Taylor)
ALAN O’NEIL 3 lines. (James Arnold Taylor)
HOMUNCULUS #4 2 lines. (James Arnold Taylor)
ROSIE THOMPSON 2 lines. (Vanessa Marshall)
MARGOT YALE 2 lines. (Marina Sirtis)
MORGAN MORGAN 2 lines. (Keith David)
JASON IONELLO 2 lines. (Ben Isaac Diskin)
RAND ROBERTSON 2 lines. (Phil LaMarr)
BRENTWOOD 1 line. (Fox Anderson)
CHAMELEON 1 line. (Steve Blum)
NORMAN OSBORN 1 line. (Eric Vesbit)
DILBERT TRILBY 1 line. (Steve Blum)
THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
“Religious Studies 101: A Handful of Thornsâ€
Radio Play
1. NARRATOR
Manhattan. The Ravencroft Institute. Office of Institute Director, Dr. Ashley Kafka.
ASHLEY KAFKA STANDS.
2. KAFKA
A… “dig†beneath the building’s foundation can’t help but disturb our residents. And this list of patients you’ve requested for the excavation: Edward Brock Jr., Maxwell Dillon, John Jameson, Cletus Kasady, Otto Octavius, Dominic Dracon… These are some of the most disturbed â€" perhaps even dangerous inmates we have here at Ravencroft. There’s even been some suggestion a few of them belong in the OsCorp Vault at Rykers. I know you have connections on our Board of Directors, Ms. D’STYNE, but--
DOMINIQUE DESTINE STANDS.
3. DOMINIQUE
It’s pronounced Des-STEEN. Dominique Destine. And you’ll find we’ll get along better, Doctor… if you give me what I want.
4. NARRATOR
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS.
TOMORROW: ACT ONE...
Misinformation...
So I did a bit of lurking on sites like IGN, Toonzone, S8 and Superherohype and the quantity of misinformation based on my statements here and in a couple of brief, brief interviews is truly depressing. So let me at least attempt to dispel some of the erroneous assumptions that have been made.
1. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN you'd be able to use Kingpin?
Answer: I have no idea.
2. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN, you still would not be able to use Kingpin?
Answer: I have no idea.
3. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN you'd be able to use Johnny Storm?
Answer: I have no idea.
4. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN, you still would not be able to use Johnny Storm?
Answer: I have no idea. (Sense a trend?)
5. Is it true that THE SPECTACULAR SPIDER-MAN is the first "victim" of the Disney/Marvel merger?
Answer: It's WAY too soon to know, but I have no particular reason to think so. I'd think this merger could only HELP us, as Disney would now be more personally invested in the series.
6. Is it true that THE SPECTACULAR SPIDER-MAN is all but guaranteed a third season now that Disney/Marvel is merging?
Answer: It's WAY too soon to know. Our last six episodes will be airing between October and December. I'm sure the biggest factor for or against any renewal is RATINGS, RATINGS, RATINGS. Either that, or maybe RATINGS.
G2008 Radio Play
G2008 Radio Play (Chapter IX)
Stone STANDS.
237. NARRATOR
12:18AM. LANTERN OF THE ABBEY. Arthur opens the transport container to look upon the Stone of Destiny. Chapter Nine: Rock of Ages. 1:06AM GMT. Arthur listens to the glowing Stone.
238. STONE
…Pointless, Arthur Pendragon, to waste time protecting any particular stone…
Stone sits.
239. NARRATOR
1:31AM. VICTORIA TOWER. Arthur, Macbeth, Hudson, Lex, Amp, Griff, Coco, Coldstone and Coldfire confer.
240. ARTHUR
Perhaps… perhaps this is all unnecessary. I don’t think we need to guard the stone.
Macbeth, Arthur, Hudson, Lexington, Amp, Coco, Griff, Coldstone & Coldfire sit. Coldsteel & Coyote STAND.
241. NARRATOR
NOVEMBER 15, 6:16AM. LEITH. Coyote and Coldsteel stand side-by-side inside a warehouse.
242. COYOTE
No, I am not programmed for free will…
243. COLDSTEEL
Pity. You have potential…
COLDSTREAM GUARD, Macbeth, Xanatos, Coldstone & Coldfire STAND.
244. NARRATOR
NOVEMBER 15, 10:02AM. A Coldstream Guard holds up a hand to stop a transport convoy from driving onto Coldstream Bridge.
245. COLDSTREAM GUARD
Get the bomb unit! Now!!
246. MACBETH
Macbeth to Coldstone: convoy’s stopped, and Xanatos is here.
247. XANATOS
Well, it’s a momentous occasion… and such a lovely day…
248. MACBETH
Safe to say he’s up to something.
249. COLDSTONE
Yes, safe to say.
250. NARRATOR
Coldstone and Coldfire intercept Coldsteel and Coyote heading for the Bridge.
251. COLDFIRE
Hold, brother!
252. COLDSTEEL
Hold, sister!
253. NARRATOR
Coldsteel’s tentacles grab Coldfire, forcing her arms up so that she nearly FRIES Coldstone.
254. COLDSTEEL
As you see, I’ve had time to mend my ways. Well, my appendages…
255. COLDSTONE
Release her! <pain cry>
256. NARRATOR
Coldstone’s back is raked by Coyote’s buzzsaw-arm.
257. COLDSTEEL
Now that we’re machines, don’t you love these exhilarating daytime battles…? No nasty organic gargoyles to even the odds…
258. NARRATOR
Coldfire HEAD BUTTS Coldsteel violently. His tentacles release her.
259. COLDFIRE
Consider the odds evened.
260. COLDSTEEL
A t-t-temporary s-s-setback…
261. COLDFIRE
Then let’s make it permanent.
262. COYOTE
Out of David’s respect for Goliath, I am programmed to inflict only as much damage as necessary to reach our objective. But I define the parameters of “necessaryâ€.
263. COLDSTONE
Define this.
264. NARRATOR
Coldstone’s fist SHATTERS the half-Xanatos/half-robot skull image on Coyote’s screen. Coldstone shoves his forearm cannon down Coyote’s “throat†and fires. Coyote EXPLODES! The dented Coldsteel watches the wreckage of Coyote fall toward the RIVER TWEED below.
265. COLDSTEEL
P-p-pity. He had p-p-potential…
266. NARRATOR
Coldsteel POWER-DIVES down into the river. Coldstone follows but can find no sign of Coldsteel.
Coyote & Coldsteel sit.
267. NARRATOR
10:12AM GMT. COLDSTREAM BRIDGE. Xanatos stands between Macbeth and Arthur. A Marching Band plays. Xanatos presses a small one-button remote. Inside the Land Rover, the Stone’s metal transport container is strapped to the floor of the cargo space â€" which FLIPS over, so that the real container is replaced by a DUPLICATE (with a duplicate stone inside).
268. COLDSTREAM GUARD
Hold it down! The Bomb Squad’s at work!
269. NARRATOR
10:38AM GMT. The Guard signals the convoy forward.
270. COLDSTREAM GUARD
Right, we’re clear. Not a bomb. Just an empty shoebox.
271. COLDSTONE
Coldstone to Macbeth. We’ve lost Coldsteel.
272. MACBETH
Just stay on the alert…
273. COLDSTREAM GUARD
Let’s go! We’re behind schedule!
274. MACBETH
The Stone’s on the move again.
Coldstream Guard, Macbeth, Xanatos, Coldfire & Coldstone sit. Thailog & Shari STAND.
275. NARRATOR
NOVEMBER 15, 5:43AM EST. NIGHTSTONE UNLIMITED.
276. THAILOG
Check.
277. SHARI
The story is told â€" though who can say if it be true â€" that on a clear Christmas night, a band of Scottish patriots broke into Westminster Abbey to steal the Stone and in the process broke it in two!
Thailog & Shari sit. Arthur & Macbeth STAND.
278. NARRATOR
NOVEMBER 15, 12:00PM GMT. EDINBURGH CASTLE.
279. ARTHUR
Well?
280. MACBETH
The Stone’s back where it belongs! Well, it belongs in Scone, but at least it’s back in Scotland.
Macbeth & Arthur sit. Stone & Xanatos STAND.
281. NARRATOR
A land rover from the convoy drives past Macbeth and Arthur. 12:36PM. LEITH. The Land Rover pulls into a non-descript warehouse and stops in front of a smiling Xanatos. 1:06PM. Xanatos listens to the glowing Stone.
282. STONE
…Pointless, David Xanatos, to substitute yet another stone to fool the Illuminati…
Stone sits. Coldsteel STANDS.
283. NARRATOR
2:23PM. Coldsteel dumps pieces of Coyote shrapnel on the floor.
284. COLDSTEEL
There’s what’s left of your boy… and here’s your rock.
285. NARRATOR
Coldsteel tosses the Coyote Diamond to Xanatos.
286. XANATOS
Oh, I’m just its minder.
287. COLDSTEEL
I believe that completes our bargain…
288. XANATOS
Indeed. Consider your tracking device deactivated.
289. COLDSTEEL
Pleasure doing business with you.
Coldsteel sits. FLEUR STANDS.
290. NARRATOR
3:59PM.
291. XANATOS
Thirty-six.
292. FLEUR
Three. <pause> Any problems?
293. XANATOS
Only finding a duplicate on such short notice.
294. NARRATOR
4:04PM. Behind the wheel of the Land Rover, Fleur drives through Leith. Fog rises, until the street is barely visible. The fog forms into Castle Carbonek. The Land Rover drives across the drawbridge into a large cobblestone courtyard.
DUVAL STANDS.
295. DUVAL
Finally. Two.
296. FLEUR
Bugger off.
297. DUVAL
I still outrank you, milady. I won’t tolerateâ€"
PEREDUR STANDS.
298. PEREDUR
Couldn’t you both try to get along? Since you are, after all, the two people I love most in this world?
299. FLEUR
I brought the Stone.
Fleur, Duval & Peredur sit. Macbeth, Griff, Amp, LUNETTE, Coldstone & Hudson STAND.
300. NARRATOR
NOVEMBER 15, 8:13PM. KNIGHT’S SPUR.
301. MACBETH
I know it doesn’t matter, but I’m glad the Stone’s back in Scotland.
302. GRIFF
You lot should stay a while. Get to know the clan…
303. AMP
Yeah, mates, stay!
304. LUNETTE
Please!
305. COLDSTONE
But Coldsteel is still out there…
306. HUDSON
Aye, lad, but it’s a mighty big world, and even the banished and the badduns eventually return to the clan.
Macbeth, Griff, Amp, Lunette, Coldstone & Hudson sit. Stone, Peredur & GRAIL STAND.
307. NARRATOR
NOVEMBER 16, 1:06AM. CASTLE CARBONEK. A frowning Peredur listens to the glowing stone.
308. STONE
…Pointless, Peredur fab Ragnal, to have gone to such extremes merely to possess… a rock.
309. NARRATOR
On APRIL 11, 1951, 1:07AM at ARBROATH ABBEY, on NOVEMBER 15, 1:07PM in a warehouse in LEITH, on NOVEMBER 15, 1:07AM in the LANTERN OF THE ABBEY, and on NOVEMBER 16, 1:07AM inside CASTLE CARBONEK, Macbeth, Xanatos, Arthur and Peredur listen to the glowing Stone of Destiny.
310. STONE
Do you think the Spirit of Destiny can be contained in one vessel? I am the Fatal Stone. The Lia Fáil. The Stone of Bethel and Jerusalem, of Egypt, Samothrace and Portugal… The Stone at Tara and of Mora, at Iona and of Scone, in London and in Edinburgh… I am the Blarney Stone, the Coronation Stone, the Hero Stone… I am the Pillar Stone, the Stone of the Sword, the Stone of the Waters, Clach-na-Cinneamhain… The Tanist Stone, the Philosopher’s Stone, the Standing Stone, the Cornerstone… The Foundation Stone, the Megalith Dance, the Burden of Sisyphus… I am the Rock of Gibraltar, the Pillar of Hercules, Uluru, Clach Sgà in… Jacob’s Pillow, the Rosetta Stone, the Rune Stone, Sire of the Wyrd… I AM THE MANTLE OF FATE… I AM THE STONE OF DESTINY… I AM THE ROCK OF AGES! Do not dream of possessing me, mortal.
311. NARRATOR
NOVEMBER 16, 1:07AM. CASTLE CARBONEK. Behind Peredur, Fleur listens from the doorway.
312. STONE
Besides, Peredur, don’t you have more important matters of concern… now that your Master has awakened?
313. PEREDUR
What?! King Arthur cannot be awake?!
314. STONE
Awake and returned. I have twice conversed with him.
315. PEREDUR
But we did not expect him for another two hundred years! Everything we planned--
316. STONE
Plans change.
317. PEREDUR
I must contact the Upper Echelons immediately!
318. NARRATOR
Peredur exits. Fleur is no longer in the doorway. The Stone is left alone with the Holy Grail.
319. STONE
Hey.
320. GRAIL
Hey.
Peredur, Stone & Grail sit. Thailog & Shari STAND.
321. NARRATOR
NOVEMBER 16, 5:44AM EST. NIGHTSTONE UNLIMITED.
322. THAILOG
Checkmate.
323. SHARI
Very good. Should I continue?
324. THAILOG
Please.
325. SHARI
The story is told â€" though who can say if it be true â€" that the Stone was repaired and recovered. Some say a replica was reinstalled at Westminster; others disagree. Either way, the Stone remained undisturbed until yesterday, when it was transported to Edinburgh without incident…
326. THAILOG
And that’s all you know of the Stone of Destiny?
327. SHARI
Well, one last story is told--
328. NARRATOR
As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake…
329. SHARI
--Though who can say if it be true?
Thailog & Shari sit.
THE END
G2008 Radio Play
G2008 Radio Play (Chapter VIII)
1. NARRATOR
Meanwhile, on Victoria Tower…
Lexington, Amp, Coco & Griff STAND.
2. LEXINGTON
So how big is your clan?
3. AMP
One hundred ninety-six gargoyles, ranging in age from Old Pog to little Lunette and her rookery sibs.
4. LEXINGTON
And are there eggs?
5. AMP
Twenty-five.
6. LEXINGTON
So few…
7. COCO
We don’t dare outgrow Knight’s Spur, so to keep our numbers manageable, mated couples are allowed only two eggs across their lifespans instead of three.
8. LEXINGTON
How exactly--
9. COCO
Enforced isolation during the female’s final heat.
10. LEXINGTON
Yikes.
11. COCO
Tell me about it.
12. LEXINGTON
And are you two mates?
13. AMP
Us?!! God, no!!
14. COCO
<laughs>
15. AMP
Don’t get me wrong. Coco’s my best mate.
16. COCO
But “mates� Please.
17. LEXINGTON
Okay, new topic… I didn’t see any beasts…
18. GRIFF
Because we have none.
Hudson, Macbeth & Arthur STAND.
19. NARRATOR
NOVEMBER 15, 12:00AM. Victoria Tower. Hudson joins the others.
20. HUDSON
Any signs of life?
21. LEXINGTON
Nah. Quiet, bordering on dull.
Coldsteel & Coyote STAND.
22. COLDSTEEL
I believe we can rectify that and still display no signs of life.
23. NARRATOR
Coldsteel, Coyote, a Steel Clan Robot and an Iron Clan Robot attack.
24. HUDSON
Take to the sky, lads and lassie! Coldsteel is mine!!
25. COLDSTEEL
Well, well, look who’s biting off more than old gums can chew?
26. HUDSON
Brave words for a metal ghost!
27. COLDSTEEL
Bring it on, you old horned goat!
28. NARRATOR
Chapter Eight: Rock & Roll. Coyote blasts at Amp, who’s knocked to safety by Lex.
29. LEXINGTON
Amp! Look out!
30. NARRATOR
Griff and Coco battle the Iron Clan and Steel Clan robots. Macbeth and Arthur watch from below.
31. GRIFF
Why do these two look like Goliath?
32. LEXINGTON
Long story.
33. MACBETH
That’s a Xanatos ‘bot!
34. ARTHUR
If you say so.
Arthur sits.
35. MACBETH
He must be after the Stone! Wants it for his collection, I imagine. But I don’t see him up there. The automatons may be a mere diversion. Best stay on the alert… Pendragon…?
36. NARRATOR
But Pendragon is gone. Coyote blasts at Lex & Amp.
37. COYOTE
I am programmed to terminate only if necessary. Abandon this airspace, and you will not be harmed.
38. LEXINGTON
Dream on, you electric sheep! We’re not going anywhere ‘til we know exactly what Xanatos and Fox are up to!
39. COYOTE
Pity…
40. LEXINGTON
<pain cry>
41. NARRATOR
Coyote shocks Lex unconscious, but Amp catches him. Coco, meanwhile, sees Griff blast the arms off the Iron Clan Robot with a lightning gun.
42. COCO
Delimbification!! I like it!
43. GRIFF
Right-o! We’ll get Macbeth to issue these beauties to the entire clan!
44. COCO
Like I need the gun.
45. NARRATOR
Coco cloaks her wings and tucks her knees to become a big gargoylean cannonball. The Steel Clan robot gains; she slams feet first into its chest, digs her talons in and RIPS its arms out.
46. COCO
<roar>
47. COLDSTEEL
Your hatchlings seem to think they invented the joys of dismemberment â€" but I wonder how they’d take to the real thing?
48. NARRATOR
One of Coldsteel’s tentacles yanks the sword from Hudson’s grasp. The other tentacles wrap around his arm to rip it from its socket.
49. HUDSON
<pain roar>
50. NARRATOR
Suddenly, fire from above melts the tentacles.
COLDSTONE & Coldfire STAND.
51. COLDSTONE
You never did learn to respect your elders. Did you, brother?
52. AMP
Anyone order up the kitchen sink?
53. COLDSTEEL
Isn’t this turning into quite the reunion?
Arthur STANDS.
54. NARRATOR
12:12AM. WESTMINSTER ABBEY. Arthur takes out two guards.
55. ARTHUR
Apologies.
56. NARRATOR
Standing in front of the container holding the Stone, Arthur carefully places his crown on his head. Meanwhile…
57. LEXINGTON
<recovery moan> Amp… What’d I miss? Never mind. I get the gist. Follow my lead!
58. NARRATOR
Lex and Amp use their heat signatures to lure the Iron and Steel Clan Robots away…
59. COCO
Mate, you nicked my shiny…
60. AMP
Sorry, Coco…
61. NARRATOR
…and into the path of Coyote’s laser blasts. The Iron and Steel Clan robots explode. This distracts Coldsteel, allowing Hudson to recover his sword by ripping Coldsteel’s last remaining tentacle from its socket.
62. COLDSTEEL
<pain cry>
63. COLDFIRE
Feeling a bit outnumbered, brother?
64. HUDSON
Outnumbered and overmatched!
65. COLDSTEEL
Yes, I wasn’t expecting all the company…
66. NARRATOR
Coldsteel drives Hudson back by generating an electric field…
67. COLDSTEEL
Though I’m far from shocked by the development. Coyote, cover our departure. Tomorrow is another day.
68. NARRATOR
Joining Coyote, Coldsteel rockets between a surprised Coldstone and Coldfire, who are forced apart by his e-field. The gargoyles pursue, but Coyote generates a bright light that whites out the night sky.
Coldsteel & Coyote SIT.
Tomorrow, Chapter IX...
G2008 Radio Play
G2008 Radio Play (Chapter VII)
XANATOS, COLDSTEEL & COYOTE STAND.
13. NARRATOR
NOVEMBER 2, 6:46AM EST. Scarab Corp. Coldsteel looks on, as David Xanatos installs a diamond inside Coyote 5.0.
14. COLDSTEEL
And what would that be?
15. XANATOS
It’s called the Coyote Diamond…
16. NARRATOR
Chapter Seven: The Rock.
17. XANATOS
The stone’s flawless surfaces and clarity increase the speed of--
18. COLDSTEEL
I’m sorry I asked.
19. XANATOS
My apologies. I’m sure you’re much more interested in your own situation.
20. COLDSTEEL
I was under the impression I had free will.
21. XANATOS
And you do. I promise summoning you was a one-time event. On the other hand, your unit does include a built-in tracking device… which I’m happy to deactivate…
22. COLDSTEEL
Permanently?
23. XANATOS
Permanently. All I ask in return is help on one small errand. Are we agreed?
24. COLDSTEEL
We are agreed.
25. COYOTE
Excellent.
XANATOS, COLDSTEEL & COYOTE sit. TALON, SATO, MAGGIE & ELISA STAND.
26. NARRATOR
3:52PM EST. The Labyrinth. Talon cradles Maggie the Cat, as Dr. Jay Sato examines her. Elisa Maza looks on.
27. TALON
How is she, Doc?
28. SATO
Well, her pulse is fine, and her injuries seem to be healing nicely…
29. MAGGIE
See, Derek, I said you were worried over nothing.
30. SATO
But I’m a surgeon. Treating someone in Maggie’s… “condition†is really not my area.
31. ELISA
Not anyone’s, Dr. Sato. Anyone we dare trust anyway.
32. SATO
It’s as if you’ve revealed a new world to me…
33. ELISA
Yep, you’re a medical pioneer.
34. SATO
Pioneer or not, she needs an O.B.
TALON, SATO, MAGGIE & ELISA sit. Macbeth, BROOKLYN, GOLIATH, BROADWAY, OWEN & Xanatos STAND.
35. NARRATOR
4:50PM EST. Eyrie Building. As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake. NOVEMBER 2, 5:12PM EST. Inside the Great Hall, Macbeth addresses Goliath, Brooklyn, Hudson, Angela, Broadway, Bronx and Lexington.
36. MACBETH
It’s called the Stone of Destiny. For centuries the kings of Scotland were crowned upon it at Scone…
37. BROOKLYN
Magic talking stone. We’ve heard of it.
38. MACBETH
Yes, well, the English stole it. Now, after eight hundred years, it’s finally being returned. I’m asking for your help to ensure it gets to Scotland safely.
39. GOLIATH
Don’t you have… minions… for this?
40. MACBETH
We’ve parted ways. Please, Goliath. Many â€" including your landlord â€" would stop at nothing to get the Stone.
41. GOLIATH
I have been wounded twice in one week. I am healed â€" but not whole. But my second, Brooklyn, can lead Broadway, Lexington and Angela to join your quest.
42. BROADWAY
Yeah, we’re goin’ to Scotland!!
43. MACBETH
Well, England to start with--
44. BROOKLYN
I don’t know, Goliath, if you’re recovering, maybe this is the wrong time to send me overseas.
45. GOLIATH
Ah… Yes. You are needed here. Hudson may lead this expedition.
46. NARRATOR
Owen, watching the exchange by closed circuit, talks on the phone to Xanatos, who’s about to board a private plane.
47. OWEN
Yes, Macbeth, Hudson, Broadway, Angela and Lexington… Shall I attempt to stop them?
48. XANATOS
That won’t be necessary. I believe I’ve planned for this contingency.
49. NARRATOR
Back in the Great Hall, Angela whispers in Broadway’s ear.
50. BROADWAY
Uh… yeah… Manhattan’s dangerous right now. Me and Angela’ll stay too. To help Brooklyn.
51. BROOKLYN
That’s great. Thanks.
Macbeth, Brooklyn, Goliath, Broadway, Owen & Xanatos sit. SHARI STANDS.
52. NARRATOR
NOVEMBER 3, 5:29AM EST. Nightstone Unlimited. Shari and Thailog are in Dominique Destine’s office.
53. SHARI
The story is told â€" though who can say if it be true â€" of two brothers who both loved the same female. And though all strife comes to an end one way or another, some conflicts refuse to stay dead. Xanatos and Demona used science and sorcery to create a monster from fragments of all three gargoyles, their bodies and souls. But in the end, the souls were segregated into Coldstone, Coldfire and Coldsteel. It’s really a timeless love story.
SHARI sits. Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON STAND.
54. NARRATOR
3:00PM GMT. London. A private jet lands. Customs Officials greet Macbeth, as workers wheel two large crates from the plane’s hold.
55. CUSTOMS OFFICIAL
Lennox Macduff?
56. MACBETH
Yes.
57. CUSTOMS OFFICIAL
Welcome to England, sir. Anything to declare?
58. MACBETH
Works of art for my home in Berkeley Square.
59. CUSTOMS OFFICIAL
Have to have a look in, sir.
60. MACBETH
Of course.
61. NARRATOR
The crates are opened, revealing Lexington and Hudson, frozen in stone. 4:30PM GMT. Macbeth waits on the roof of his Berkeley Square Townhouse for Hudson and Lexington to wake. The sun sets. 5:07PM. It’s past sunset. Hudson and Lex are STILL frozen in stone. 6:15PM. Night. No change. 7:01PM. Macbeth grows concerned. 7:45PM. Hudson and Lex finally wake.
62. LEXINGTON, HUDSON
<awakening roars>
63. LEXINGTON
Whoa, I don’t feel so hot… and look how dark it is? How long have we been asleep?
64. MACBETH
Welcome, lad, to the wonderful world of jetlag. Don’t worry. You’ve got ten days to adjust before they move the Stone.
Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON sit. Shari, INTERCOM & VINNIE STAND.
65. NARRATOR
NOVEMBER 4, 5:30AM EST. Nightstone. Thailog soaks in a jacuzzi. Shari sits nearby.
66. SHARI
The story is told -- though who can say if it be true-- of Jacob, son of Isaac, son of Abraham… who fled the wrath of his brother Esau to a place he would call Bethel, where he laid his head upon a stone and had a wondrous vision!
67. NARRATOR
5:35AM EST. J.F.K.
68. INTERCOM
Flight 994, now boarding all rows…
69. VINNIE
Can you believe it? I’m goin’ to Japan!
Shari, Intercom & Vinnie sit. Goliath & Elisa STAND.
70. NARRATOR
9:48PM EST. Goliath’s Tower.
71. GOLIATH
About Halloween… I will not hold you to words spoken when you believed my life hung in the balance.
72. ELISA
Even if I want to be held?
73. GOLIATH
I know you care for me. That is not at issue. But what of the things I cannot give you… picnics… normalcy…?
74. ELISA
We can have a picnic anytime… and normalcy’s so over-rated.
75. NARRATOR
She runs her fingers through his hair. He takes her into his arms and kisses her.
Goliath & Elisa sit. Shari STANDS.
76. NARRATOR
NOVEMBER 5, 5:31AM EST. Nightstone. Thailog and Shari look out over the city.
77. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus, a son of the king of Athens, won many victories for the Pharaoh of Egypt, who rewarded the prince with the hand of his beloved: Pharaoh’s own daughter, Scota. But Gathelus had also befriended Moses, the Hebrew, who warned his young friends of the plagues to befall the Kingdom of the Nile. Gathelus and Scota determined to leave Egypt, and Moses entrusted them with Jacob’s Pillow, the Hebrews’ sacred stone…
78. NARRATOR
NOVEMBER 6, 5:32AM EST. ST. DAMIEN’S CATHEDRAL. Thailog, Shari and Brentwood search for something.
79. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus fled Egypt with his wife and the Stone of the Hebrews. He sought landfall on the rocky shores of Samothrace, for Scota was heavy with child and could go no farther. Still destiny blessed them with fine twin sons…
80. NARRATOR
6:00AM EST. Thailog flies Shari across the city. Brentwood follows.
81. SHARI
Gathelus and his family would wander the globe for two years before finding a home on the Iberian Peninsula in a place they named the Port of Gathelus, or Portugal. By this time the family had grown: the Athenian prince and Egyptian princess now had four healthy boys in their care not to mention one large Stone.
82. NARRATOR
NOVEMBER 7, 5:33AM EST. Thailog and Shari begin a game of chess.
83. SHARI
The story is told â€" though who can say if it be true â€" that after the death of her beloved Gathelus, Scota departed Portugal with her eight sons… only to lose five of the boys at sea… while Scota herself and another son died warrior’s deaths upon landing in Ireland. But her eldest boy, Eremon, and her youngest, Eber Finn, survived, and Eremon was crowned king upon the Stone at Tara.
Shari sits. Xanatos & FOX stand.
84. NARRATOR
2:18PM GMT. Mayfair. Xanatos takes Alexander from Fox.
85. XANATOS
Darling, if you like the shoes, buy them…
86. FOX
The black manolos in the window… do you have them in a size nine? Lovely. Wrap them up, please.
87. NARRATOR
2:45PM GMT. Fox exits the store.
88. FOX
Mission accomplished.
89. NARRATOR
7:19PM GMT. Fox admires her new shoes in the full-length mirror of her hotel room. Xanatos admires the shoebox.
90. XANATOS
Darling? Do you still need this shoebox… or might I dispose of it?
Xanatos & Fox sit. Shari & THAILOG STAND.
91. NARRATOR
NOVEMBER 8, 5:34AM EST. Nightstone. Thailog and Shari continue their chess game.
92. SHARI
The story is told â€" though who can say if it be true â€" of Moses, who led the Hebrews out of Egypt and into the desert… bringing forth water from Jacob’s Pillow to quench their--
93. THAILOG
You said Moses gave the Stone to Gathelus and Scota before leading the Hebrews out of Egypt!
94. SHARI
The story is told…
95. THAILOG
<pause> Though who can say if it be true? Right. Continue.
96. SHARI
The Hebrews passed the Stone down the centuries, until the prophet Jeremiah offered it in dowry to King Eochaid of Ireland when he wed Tamar Tea Tephi, Princess of Judah. Eochaid ensconced the Stone at Tara and dubbed it Lia Fáil.
97. NARRATOR
NOVEMBER 9, 5:36AM EST.
98. SHARI
The story is told â€" though who can say if it be true â€" of Cu Chullain, the Hero of Ulster, who championed Lugaid Red-Stripe for king. But when the Lia Fáil would not cry to confirm Lugaid, Cu Chullain was enraged, striking with Gae Bolga, the Spear of Light, and splitting the Stone of Destiny forever!
99. NARRATOR
NOVEMBER 10, 5:37AM EST. Shari captures Thailog’s white knight with her black bishop.
100. SHARI
The story is told â€" though who can say if it be true â€" of young Prince Fergus of Ireland, who carried half Cu Chullain’s handiwork to Argyll in what men now call Scotland to found a kingdom called Dalriada. Though a castle called Carbonek found him instead, bringing the Priest-King Pelles and the Archmage Merlin and their request to borrow the Stone of Destiny for a purpose of their own. A purpose fulfilled in Londontown by a sword clep’d Excalibur in a stone clep’d Lia Fáil drawn forth by a boy clep’d Arthur.
101. NARRATOR
NOVEMBER 11, 5:38AM EST. Thailog tips over one of Shari’s black rooks with his white bishop.
102. SHARI
The story is told â€" though who can say if it be true â€" of Saint Columba, he who tamed the monster of Loch Ness, before returning to the island of Iona, where Merlin and Pelles had brought the Stone once it had served their purposes. And where Columba laid down his head upon Jacob’s Pillow and breathed his last.
103. NARRATOR
NOVEMBER 12, 5:39AM EST. Shari’s Black Queen is lined up to capture Thailog’s White King.
104. SHARI
Check.
105. THAILOG
<growl>
106. SHARI
Would you prefer I lost on purpose?
107. THAILOG
I’d fire you if you did. Don’t you have a story to tell?
108. SHARI
The story is told â€" though who can say if it be true â€" of Kenneth MacAlpin, scion of Fergus, who united the Kingdoms of Scotland and was crowned High King upon the Stone at Scone. As would all the Heirs of Scota â€" for the next four hundred years.
COLDFIRE STANDS.
109. NARRATOR
NOVEMBER 12, 10:00PM GMT. David Xanatos presses a button on a remote control. NOVEMBER 13, 6:01AM GMT+8. TIBET. Inside the old cave, Coldstone and Coldfire stand over Master Dawa and Sangpo. All react to a noise.
110. COLDFIRE
I believe… I believe I can find him…
Coldfire sits.
111. NARRATOR
NOVEMBER 13, 5:40AM EST. NIGHTSTONE.
112. SHARI
The story is told â€" though who can say if it be true â€" of Edward the First of England, the Hammer of the Scots, who sicced his mighty Warwolf on his neighbors to the north and took as prize the Stone of Scone, which he installed in the Coronation Chair at Westminster Abbey, where it has crowned the kings and queens of England down to this very day…
Shari & Thailog sit. Lexington, Macbeth, Hudson, Arthur, GRIFF, AMP & COCO STAND.
113. NARRATOR
NOVEMBER 13, 5:32PM GMT. Hudson and Lex are atop Victoria Tower. Macbeth is below, in front of Westminster Abbey.
114. LEXINGTON
All clear. No sign of trouble.
115. MACBETH
Not expecting trouble tonight. They’re only moving the Stone from the Coronation Chair to the Lantern. It won’t leave the Abbey until tomorrow.
116. HUDSON
Aye, and the human security is tight as a drum. I’m nae convinced you could break in there with a battering ram.
117. MACBETH
You’d be surprised.
118. NARRATOR
11:46PM GMT.
119. LEXINGTON
<yawn> Still nothing to report. Who exactly are we expecting?
120. MACBETH
Anyone. Everyone. Just stay alert…
121. NARRATOR
Macbeth spots a shadowy figure and pursues it down into a London Underground Station…
122. MACBETH
I’m probably on a wild goose chase, lads. But in case I’m not, you’d better head this… way…
123. LEXINGTON
That could be a problem…
124. NARRATOR
Arthur Pendragon puts Excalibur to Macbeth’s throat. Meanwhile, on Victoria Tower, Hudson and Lex are surrounded by gargoyles.
125. ARTHUR
By the blade of Excalibur, what are you up to now, Macbeth?
126. MACBETH
King Arthur?! I’m here to protect the Stone of Destiny!
127. ARTHUR
Then our two quests are one and the same!
128. MACBETH
Aye…
129. ARTHUR, MACBETH (UNISON)
The gargoyles!!
130. MACBETH
They’ll be at each other’s throats!!
131. GRIFF
Hudson! Lexington! Bloody lovely to see you again!
132. LEXINGTON
You too, Griff!
133. HUDSON
Aye, lad. The badduns’ll have no chance at that Stone now!
134. NARRATOR
NOVEMBER 14, 5:28AM. Macbeth radios Lex.
135. MACBETH
It’ll soon be dawn. You and Hudson go with Griff. Arthur and I will stand vigil through the day.
Arthur & Macbeth sit.
136. NARRATOR
5:33AM GMT. Griff, Hudson, Lex and the other two gargoyles glide over London.
137. LEXINGTON
Are we headed to Soho? Goliath said you have a store there…
138. GRIFF
We do. But I thought I’d take you home instead. To our clan--
139. AMP
To Knight’s Spur!
140. COCO
You know, Griff, I don’t believe we’ve been properly introduced to your Yank friends…
141. HUDSON
<Hmph> Watch who you’re callin’ a Yank, lass…
142. GRIFF
Where are my manners? Hudson, Lexington, this is Constance.
143. COCO
My friends call me Coco.
144. GRIFF
And this is Staghart.
145. AMP
My friends call me Amp!
146. COCO
Nobody calls you Amp, luv.
147. LEXINGTON
I’ll call you Amp.
148. NARRATOR
5:40AM.
149. GRIFF
Welcome to Knight’s Spur…
150. NARRATOR
7:20AM. Atop Knight’s Spur, Old Pog, Hudson, Griff, Lex, Amp, Coco and Lunette sleep as stone.
Hudson, Lexington, Griff, Amp & Coco sit. Arthur & Macbeth STAND.
151. NARRATOR
7:48AM. Macbeth and Arthur sip coffee outside a Nightstone’s café.
152. ARTHUR
…Mortally wounded in 542. So they shipped me off to some magic hill and put me to sleep for a thousand four hundred fifty-three years.
153. MACBETH
Sounds lovely.
154. ARTHUR
And you?
155. MACBETH
Deal with a demon in 1040. Officially died in 1057. Been sleepwalking for nine hundred thirty-nine years.
156. ARTHUR
<pause> Guess I got the better bargain.
157. MACBETH
Ach, I try not to dwell these days. So here’s to the immortals. There aren’t many like us…
Arthur & Macbeth sit. Shari STANDS.
158. NARRATOR
NOVEMBER 14, 5:42AM EST. NIGHTSTONE. Shari places her black knight in front of Thailog’s white knight.
159. SHARI
The story is told â€" though who can say if it be true â€" of Robert the Bruce of Scotland, who defeated the English at Bannockburn with the help of an Irish ally, Cormac MacCarthy. With the victory, came a prize: a fragment of the Fatal Stone that England had taken from Scone. This fragment, the Bruce gave to MacCarthy, whose descendents had it installed at Blarney Castle, where it is said to grant the gift of gab. I’ve kissed it myself a time or two…
Shari sits. Hudson, Macbeth & Arthur STAND.
160. NARRATOR
NOVEMBER 14, 6:32PM GMT. Knight’s Spur. Hudson, Macbeth and Arthur confer in a book-lined study.
161. HUDSON
Lex, Griff, Constance and Staghart sent you home to rest then…
162. MACBETH
Aye, Hudson. We’ll catch a few hours sleep then head back out. But you…?
163. HUDSON
I had some questions for the Pendragon. Weren’t you on a quest to find your wizard?
164. ARTHUR
Indeed. And Sir Griff and I searched for Merlin in all the obvious places. But to no gain. So I’ve been “doing research†on Merlin… and on myself.
165. NARRATOR
Hudson examines a copy of Le Morte D’Arthur by Thomas Malory.
166. HUDSON
So many books… are any of them true?
167. ARTHUR
All things are true… few things are accurate.
168. MACBETH
Aye. No bloody kidding.
169. NARRATOR
Hudson contemplates this.
Hudson, Macbeth & Arthur sit.
Tomorrow, Chapter VIII...
G2008 Radio Play
G2008 Radio Play
No, that's not a misprint. Before I post the G2009 Gargoyles/Spectacular Spider-Man crossover radio play, I'm going to post (over the next few days) the G2008 Radio Play. This was a CHRONOLOGICAL adaptation of issues 7-9 of the Gargoyles comic, i.e. the Stone of Destiny three-parter which makes up the first half of the recently released trade paperback, GARGOYLES: CLAN-BUILDING, VOLUME II. Now that the trade is out, I'm okay with posting this. But there are some caveats...
1. Reading this does NOT replace buying the trade. Because...
2. This version of the story doesn't really work, dramatically or otherwise. The story wasn't designed to be told chronologically. It gets somewhat tiresome told in chronological order and the final dramatic moment with the Stone talking to Macbeth, Xanatos, Arthur and Peredur across four time periods has none of it's power.
Nevertheless, here it is... or at any rate, here is the title page, cast list and teaser. I'll post the three chapters over the next three days...
GARGOYLES
CLAN-BUILDING
Chapter VII: THE ROCK
Chapter VIII: ROCK & ROLL
Chapter IX: ROCK OF AGES
(Radio Play Edition)
A Chronological Adaptation
by
Greg Weisman
(from his SLG comic book scripts)
For
The Twelfth Annual
Gathering of the Gargoyles
in
Chicago, Illinois
Performed June 28, 2008.
GARGOYLES
“CLAN-BUILDING:
CHAPTER VII: THE ROCK
CHAPTER VIII: ROCK & ROLL
CHAPTER IX: ROCK OF AGESâ€
(Radio Play Edition)
CAST LIST
1. NARRATOR 86 lines.
2. MACBETH 34 lines.
3. SHARI 22 lines.
4. COLDSTEEL 22 lines.
5. LEXINGTON 21 lines.
6. STONE OF DESTINY 15 lines.
7. HUDSON 13 lines.
8. DAVID XANATOS 13 lines.
9. ARTHUR PENDRAGON 13 lines.
10. CONSTANCE/COCO 12 lines.
11. STAGHART/AMP 9 lines.
12. GRIFF 9 lines.
13. THAILOG 8 lines.
14. COLDSTONE 6 lines.
15. COLDFIRE 5 lines.
16. GOLIATH 5 lines.
17. COYOTE 5.0 5 lines.
18. PEREDUR 4 lines.
19. COLDSTREAM GUARD 4 lines.
20. ELISA MAZA 4 lines.
21. JAY SATO 4 lines.
22. BLANCHEFLEUR 3 lines.
23. CUSTOMS OFFICIAL 3 lines.
24. BROOKLYN 3 lines.
25. DUVAL 2 lines.
26. FOX 2 lines.
27. BROADWAY 2 lines.
28. HOLY GRAIL 1 line.
29. LUNETTE 1 line.
30. VINNIE 1 line.
31. AIRPORT INTERCOM 1 line.
32. OWEN BURNETT 1 line.
33. MAGGIE THE CAT 1 line.
34. TALON 1 line.
35. SCOTTISH PATRIOT 1 line.
GARGOYLES
“CLAN-BUILDING:
CHAPTER VII: THE ROCK
CHAPTER VIII: ROCK & ROLL
CHAPTER IX: ROCK OF AGESâ€
ARTHUR, MACBETH, PATRIOT & STONE STAND.
1. NARRATOR
Gargoyles. Clan-Building. SEPTEMBER 29, 500. London.
2. ARTHUR
And as High King, I, Arthur Pendragon, swear by the Stone of Destiny to protect Britain and to serve her people all my days…
3. NARRATOR
SEPTEMBER 29, 1040. Scone.
4. MACBETH
And as High King, I swear by the Stone of Destiny to protect Scotland and to serve her people all my days…
5. NARRATOR
DECEMBER 25, 1950. Westminster Abbey.
6. MACBETH
All right, lads. Now or--
7. PATRIOT
SCOTLAND FOREVER!
8. MACBETH
<SHHHHH!>
9. NARRATOR
APRIL 11, 1951, 1:06AM GMT. ARBROATH ABBEY. Macbeth has just finished repairing the Stone of Destiny with epoxy. There’s a visible crack, but it’s in one piece.
10. MACBETH
There. Good as new. You can barely see the--
11. NARRATOR
The stone glows blue. The crack vanishes.
12. STONE
Thank you, Macbeth mac Findlaech, but the effort was pointless…
ARTHUR, MACBETH, PATRIOT & STONE sit.
A few thoughts...
Got easily a hundred calls, texts, e-mails yesterday about the big Marvel/Disney news and a few about the Sony/Marvel/Spidey news, so here are a few random thoughts to go with what I posted yesterday...
1. SPEC SPIDEY: The main thing that's changed about the Spec Spidey situation is that Sony is now out of the loop/decision making process about whether or not there's a third season. Before Sony was waiting to see if Disney picked up the series. Then they'd decide on its economic feasibility for Sony. Now Sony isn't part of that equation, leaving the whole thing in Marvel and Disney's hands. Of course, now that Marvel and Disney are kinda one hand, so-to-speak, I don't know what that means for us. Other than the obvious, which is that I'm sure we're not exactly Disney/Marvel's highest priority at the moment. How and when this decision gets made is really up in the air, but a former negative does feel good -- now -- that our last six episodes won't start airing on Disney XD until late October. That means our last episode won't air until early December, which may be a better time for Disney/Marvel to focus on the show. (Or not.) Of course even a positive decision in December or (more likely) January means a HUGE gap between Seasons Two and Three, but I'd take that over no new episodes.
2. FLASHBACKS:I can't help but be reminded of events in the mid-nineties, when Michael Eisner (then CEO of Disney) wanted to buy Marvel, so that he'd have super-heroes to compete with Warner Bros' DC Universe heroes (including Superman and Batman). Back then, however, Marvel was, or so I was told, a corporate mess. And it wasn't just that -- as now -- various studios already had the rights to individual characters, but that the rights had been double sold all over the place, and that every character pretty much represented a lawsuit in the making if not already in the works. Eisner was advised NOT to buy Marvel, and of course he didn't. But he REALLY wanted to be competing in the boys action/super-hero market. That was when the Gargoyles Universe was raised as a possible alternative. We pointed out that the Marvel Universe began with the Fantastic Four, and that we could use Gargoyles as a springboard to more properties and to an entire Universe. We were encouraged by Michael to create spin-off properties, backdoor pilots, etc. And that was THE major impetus for us to work on things like New Olympians, Bad Guys, Pendragon and Dark Ages. (Gargoyles Future Tense -- which became Gargoyles 2198 and TimeDancer came later.) It was also a reason to be expansive with the World Tour and introduce more and more new characters, etc. Of course, by the time all this stuff was actually made, the world had changed again. Frank Wells died. Michael and Jeffry Katzenberg went to war, with Jeffry eventually leaving to found DreamWorks, and taking two of my immediate superiors, Gary Krisel and Bruce Cranston, with him. Rich Frank (another of my bosses up the chain) also left. Dean Valentine was placed in charge of Walt Disney Television Animation and he had no affinity for Gargoyles or its spin-offs. And Michael, who had initiated the whole thing, had way bigger concerns on his plate. I was more or less forced out. But for one bright, shining moment...
3. GARGOYLES: I'm sure a lot of people are wondering what this means for our favorite winged warriors, but in the short term, I'm sure the answer is "Not much." Gargoyles is pretty much under Disney's radar right now, and really doesn't exist on Marvel's radar at all, as far as I can tell. We'll be an extremely low priority. Our best bet is still SLG, which HOPEFULLY will be motivated by the sales of the Trades to want to make more content with me. Having read Dan "Mr. SLG" Vado's recent reaction to the Disney/Marvel merger, I'm hoping he isn't too discouraged by being in bed with his competition. But I have no doubt that the best way to get Dan fully on board is to make it worth his while by having those trades sell VERY well. So again, buy the trades and/or SPREAD THE WORD!!!!
SUCH BIG NEWS
Okay, in the period of just a few days, I have been rocked by two incredible pieces of news.
1. Last Thursday (8/27/09), Vic Cook and I were informed that in exchange for some concession vis-a-vis the live action Spider-Man features, Sony returned the television rights (including the animated television rights) for Spider-Man to Marvel. This took place the day before ComicCon, I'm told. But I was only informed of it this past week.
2. Today (8/31/09) comes the news that Disney has purchased Marvel outright.
NOW, before you ask -- before you post a thousand duplicate and/or overlapping questions to ASK GREG -- let me be clear: I have NO IDEA what this means for either Gargoyles or The Spectacular Spider-Man. Neither of these developments are by definition good news or bad news. Shocking news, sure. But how it will play out for either or both properties is a complete mystery to me. As soon as I have ANY information on either property, I will post it here at ASK GREG. Until then, don't ask. Seriously. Just don't. There's just no point in bogging down the queue with questions I have no answer to. Thank you for your cooperation.
GATHERING 2009 - Monday, August 24th
GATHERING 2009 - Monday, August 24th
Midnight - The goodbyes begin for folks who are leaving first thing Monday morning or right now. Said goodbye to Marina, Zehra, Sarah, Michael McAdam and probably quite a few others...
1:30am - The party downstairs finally breaks up and I head up to my room.
4am - Went to bed. But I just couldn't sleep at all.
8am - Finally gave up and got up.
9am - Brought my luggage to my car and then went to the staff breakfast: crepe, ham, potatoes, OJ.
10am - Comic book panel with Karine Charlebois and Greg Guler. I'll just repeat the main message I gave. I have no info on the future of Gargoyles comics beyond this: SLG's Dan Vado is sincerely interested in doing more. His ability to make an offer for the license to Disney will depend on the sales of the three trade paperbacks. Beyond that, we had some really interesting discussions about the books.
11:30am - Gargoyles Biology and Culture panel with Jade Griffin and Matt Parker. I love this panel. Always full of interesting discussions, that influence how I handle things in the Gargoyles Universe.
1pm - Closing Ceremonies. Okay, I admit it. I pretty much lost it more than once. It was VERY emotional. A number of us told stories of past Gatherings and how they changed our lives. It was warm and all too fuzzy, but wonderful. I love all you guys. Thank you.
2:30pm - We finally closed the Closing Ceremonies. I helped Patrick and a bunch of other volunteers carry things down to Patrick's rented van. Then we headed up to the Constaff Suite for a dead dog party. Christopher bought pizza for everyone, which was very generous. I had a coke and a virgin jello shot. And we just hung out.
5:45pm - Time to go, to return to real life. I hugged EVERYONE. Jennifer Anderson walked me to the elevator. I was pretty wrecked. It felt a bit like it felt to end a long job. You walk away. What else can you do? You take your memories with you, but you also know you're leaving a piece behind.
But it's been a FANTASTIC THIRTEEN YEARS. Thanks to everyone who ever attended a Gathering. You really changed my life!
GATHERING 2009 - Sunday, August 23rd
GATHERING 2009 - Sunday, August 23rd
1am - Got back to my room.
2am - Went to bed.
9am - I woke up. Wow, a real night's sleep. I showered and dressed quickly, attempting to make the tail end of the staff breakfast, but got waylaid along the way by arriving guests, like Bob Kline. Managed to snag one croissant, but that's it.
10am - Gargoyles Production panel with Frank Paur, Bob Kline, Brad Rader, Pamela Long, Vic Cook, Greg Guler and Doug Murphy. More fun old stories.
11:30am - Spidey Production panel with Bob, Pamela, Vic, Greg, Kevin Altieri, Jennifer Coyle, Sean "Cheeks" Galloway, Joey Mason and Phil Weinstein. We showed the unaired scenes clip from ComicCon and the animatic for the main title. And again, more fun stories.
1pm - I finally had a break, but I couldn't resist sitting in on the Composer's panel with Carl Johnson, Gargoyles Composer, and Dynamic Music Partners (Lolita Ritmanis, Kris Carter and Michael McCuistion) the Spider-Man composers. They were WELL-prepared. Way more well-prepared than I was for any of my panels. Brought a bunch of clips and talked process. It was fascinating.
2:30pm - Writers Panel. From Spidey: Andrew Robinson, Kevin Hopps, Nicole Dubuc and Matt Wayne. From Gargoyles: Bob Skir and Michael Reaves. Michael has Parkinsons, so first Bob and later Michael's daughter Mallory Reaves served as interpreters for him. It was great having everyone there.
4pm - The writers (and Karine) had a signing.
5pm - My wife dropped my son Benny off at the con. So we hung out a bit.
6pm - Benny and I went to the Banquet. We sat with Gayle, Lauren, Ryan, Grey Wolf, Read and Abbie. Real sweet spread at the buffet. But I've forgotten exactly what. I guess I'm just not that into the food this time. Is that progress?
7:30pm - Another Q&A. This time with myself, Bob Skir, Vic Cook, Greg Guler, Nicole Dubuc, Kevin Altieri, Jennifer Coyle, Ben Diskin, Crispin Freeman, Karine Charlebois and Wendy Pini. Michael Reaves kibbitzed a bit from the sidelines too.
8:30pm - By this time, Beth had picked Benny up again. I went to the bar and hung out with Vic, Guler, Kevin, Jennifer, Wendy and Karine. Just had a coke.
9:30pm - Masquerade time. The judges were myself, Wendy Pini, Keith David, Thom Adcox, Ben Diskin, Carl Johnson and Karine Charlebois. I will attempt to remember all the awards we handed out, but I forgot to save my award sheet...
Best Junior - Ryan & Lauren as Owen & Banshee
Best Performance - Abbie as the Lady in the Lake
Best Original Character - Rika as Venus
Cutest Trio - Jade, Eric and Kyari as Fox, Owen and Alex
If I give you this, I'll have to kill you award - Zehra, Tony & Andrea as Shari & the Illuminati
Best Canon - Aaron as Upgraded Jackal
Excalibur Award - Justin as King Arthur
Gorelisa Award - Charlie as Kalia Sartre
Thom Adcox Memorial Award - Rebecca as a Star Trek Dispensable Red
Best in Show - Esopus as ... okay, this was best in show and it was really great, but I just can't remember the name of the character! SORRY!!!!
10:30pm - We all just hung out in the Ballroom for awhile. I chatted with GXB, Carl Johnson, Zehra & Sarah and many, many others...
MORE NEXT WEEK!!!!!
GATHERING 2009 - Saturday, August 22nd
GATHERING 2009 - Saturday, August 22nd
3am - Went to bed.
8am - Woke up, with five hours sleep being the most I'd had in any one night in over a week.
9am - Staff Breakfast. Usually, I'm all about telling you what I ate at every meal, but I just don't remember. Orange Juice and a croissant, I think. But also... uh... not sure.
10am - Jennifer and I were joined by Gargoyles/Spidey Voice Director Extraordinaire Jamie Thomason for our second round of auditions.
11:30am - Casting session. We only had thirteen slots for fans to participate in the play because of the LARGE pro "turnout". You see, most years I ask the pros to participate and we get one or two saying yes. But this year SIXTEEN said yes. So from a fan standpoint, we had an embarrassment of riches. Over forty people auditioned and most of those did great, so we decided to cast the thirteen slots, plus STEAL a role from Thom Adcox and give that to another fan, PLUS cast a couple of fans as understudies in case someone didn't show. (But everyone did.) We posted the cast list...
12pm - Lunch in the staff room with Marina Sirtis, Keith David, Karine Charlebois, Greg Bishansky, Thom Adcox and Keith's son Owen. It's always great to see Keith, but it was very cool to see Marina again, whom I haven't seen in years. And, man, has Owen grown!! Broccoli soup, salad, and... see, can't remember!
1pm - Gargoyles Voice Acting Panel with Jamie, Keith, Thom, Marina and Elisa Gabrielli. Fun stories told. Marina and I have very different memories about how she was cast. (I'm right, but I'd never say that.)
2:30pm - Spidey Voice Acting Panel with (again) Jamie, Keith and Elisa. Plus Dee Bradley Baker, James Arnold Taylor, Ben Isaac Diskin (what's with all these three name guys?), Steve Blum, Daran Norris, Deborah Strang, Vanessa Marshall, Josh Keaton, Andrew Kishino, Phil LaMarr, Crispin Freeman and Eric Vesbit. More fun stories. Jamie and I disagreed about how many characters we auditioned. And once again, I'm right. It's a blessing and a curse, as Monk would say.
4pm - Radio Play Rehearsal. We barely had time to do one full read through of the ridiculously long and over-stuffed radio play. There was really no time to direct the actors at all, beyond telling them to project louder, though Jamie and I tried to give an occasional pointer.
5:30pm - Radio Play. Gotta say, thanks to my shameless pandering in the script and the amazing talent of my cast, we really had a phenomenal success with the three night mess of a bloated script I wrote. Got lots of laughs, even a few gasps. Pros were spot on, of course, including some Gargoyles folks who hadn't played their characters in years. But our fan cast was great too.
Here's the cast list:
THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
“Religious Studies 101: A Handful of Thornsâ€
(Radio Play)
CAST LIST
NARRATOR - Greg Weisman
DEMONA/DOMINIQUE DESTINE - Marina Sirtis
SPIDER-MAN/PETER PARKER - Josh Keaton
GOLIATH - Keith David
LEXINGTON - Thom Adcox
ELISA MAZA - Zehra Fazal
BROOKLYN - John Clemens
CURT CONNORS/LIZARD - Dee Bradley Baker
BROADWAY - Crispin Freeman
ZAFIRO - Joshua Poole
MAY PARKER - Deborah Strang
GREEN GOBLIN - Steve Blum
OBSIDIANA - Elisa Gabrielli
KRAVEN THE HUNTER - Eric Vesbit
HARRY OSBORN - James Arnold Taylor
DOCTOR OCTOPUS/OTTO OCTAVIUS - Michael McAdam
J. JONAH JAMESON - Daran Norris
MARY JANE WATSON - Vanessa Marshall
ELECTRO - Crispin Freeman
VENOM/EDDIE BROCK - Ben Isaac Diskin
GEORGE STACY - Lucas McClain
BIG MAN - Keith David
CALYPSO EZILI - Jennifer L. Anderson
ASHLEY KAFKA - Elisa Gabrielli
ROBBIE ROBERTSON - Phil LaMarr
LIZ ALLAN - Kaitlyn Robrock
SALLY AVRIL - Jennifer L. Anderson
GWEN STACY - Sarah Williams
MATT BLUESTONE - Eric Tribou
GREG BISHANSKY - Greg Bishansky
KENNY KONG - Andrew Kishino
COLONEL JUPITER/JOHN JAMESON - Daran Norris
NED LEE - Andrew Kishino
VULTURE - Seth Jackson
FLASH THOMPSON - Ian Bassett
SHARI - Zehra Fazal
FANCY DAN - Phil LaMarr
GULYADKIN - Dee Bradley Baker
CARNAGE/CLETUS KASADY - Ian Bassett
HOMUNCULUS #1 - Dee Bradley Baker
HOMUNCULUS #2 - Phil LaMarr
HOMUNCULUS #3 - Steve Blum
HOMUNCULUS #4 - James Arnold Taylor
HOMUNCULUS #5 - Thom Adcox
SMUGGLER #1 - Andrew Kishino
DOMINIC DRACON - Seth Jackson
BLACKIE GAXTON - Steve Blum
EMILY OSBORN - Kaitlyn Robrock
TINKERER - Thom Adcox
SEYMOUR O’REILLY - Steve Blum
SILVER SPOON MANAGER - Crispin Freeman
ANGELA - Sarah Williams
PUMPKIN BOMB - Nicki France
THAILOG - Keith David
MARIA CHAVEZ - Elisa Gabrielli
FREDERICK FOSWELL - James Arnold Taylor
ALAN O’NEIL - James Arnold Taylor
ROSIE THOMPSON - Vanessa Marshall
MARGOT YALE - Marina Sirtis
MORGAN MORGAN - Keith David
JASON IONELLO - Ben Isaac Diskin
RAND ROBERTSON - Phil LaMarr
BRENTWOOD - Fox Anderson
CHAMELEON - Steve Blum
NORMAN OSBORN - Eric Vesbit
DILBERT TRILBY - Steve Blum
Thanks to the entire cast. You guys were amazing, and totally saved my butt.
7pm - Once the play was over, all the tension and adrenaline that it had generated over the last week or so melted away, leaving me nearly comotose. I went to dinner in the hotel with my wife Beth and my son Benny. I didn't eat much. Clam Chowder, a roll, a coke and a shrimp cocktail. I was all but passing out. Fortunately, I got a second wind... and I'd need it.
9pm - Blue Mug w/Thom Adcox and the staff of Blue Mug Productions: Mara Cordova, Kalia Sartre, Jennifer L. Anderson and Boswell Bosley. I had to duck out for awhile, and I hear Edmund Tsabard showed up and pretty much insulted everyone in the room. (So what else is new?) I came back, by which time Edmund was gone. I picked up my water glass to take a drink, and someone told me that Thom's chihuahua had sipped from my glass. Someone else pointed at another glass and said that was the one the dog had lapped from. I shrugged it off and sipped from my glass. Then Jen told me Edmund had used that glass. I did a spit-take. I mean do you know where Edmund's mouth has been?!!! I hate to do anything to promote anything that reprobate is working on, but the work of the rest of the Blue Mug staff is so good that I'll ignore his contribution and recommend BlueMugProductions.com to all of you (who are 18 or over). I've seen the work, and it's really good!!! By the way, whomever took my Vox-made macrame Greg doll and put an eyepatch on it to turn it into an Edmund doll: UNCOOL!!! I don't even see the resemblance anyway!
11:30pm - After the mug, a few of us -- Jennifer, Mara, Eric and Tony -- went upstairs to the staff room. I had a virgin jello shot. Black Cherry!
More tomorrow!
GATHERING 2009 - Friday, August 21st
GATHERING 2009 - Friday, August 21st
12am - Went to bed. I was completely exhausted from the last few nights of working on the Radio Play instead of sleeping...
2am - So of course I wake up two hours later.
6:30am - Finally fell asleep again.
10:30am - Woke up, having missed staff breakfast.
11:30am - I went downstairs to check out the Art Room-in progress. Aaron gave me a very cool Phoenix Gate pin. (Thanks, Aaron!)
Noon - Had my mug-a-guest with Leah, Fan, Abbie, Eva, Kathie and others. I'm embarrassed over how little I can remember already, I'm afraid.
1:30pm - Jennifer Anderson and I held the first batch of auditions. Some real good people.
2:30pm - Back to the art room. I also bought two copies of the Bad Guy Trade, one for myself and one for the Sperlings.
3pm - By this time, I was pretty hungry, so although they had JUST eaten, Tony and Andrea Zucconi accompanied me up to CityWalk so I could get a Tommy Burger, fries and a coke/Root Beer semi-suicide mix. I ate; we chatted.
4pm - We headed back down to the hotel/con.
4:50pm - My wife Beth arrived at the con. We hung out, waiting for Opening Ceremonies to start.
5:40pm - Opening Ceremonies. I got the ball rolling. We had a bunch of con virgins -- for whom this was their first Gathering. And of course we had four people who had attended ALL thirteen Gatherings: myself, Gathering Co-Chair Patrick Toman, Bad Guys artist Karine Charlebois and a Fan. Gathering Co-chair introduced her staff and then they presented me with a very cool macrame doll of me, commissioned by the staff and created by the talented Vox. I then stood up again and talked about the great programming we had in store for the weekend. Then I presented Patrick and Jennifer with the Fan Guest of Honor, represented by great prints of Puck and Demona by Karine and Kythera of Anevern. Next, I spoke a brief tribute to the late Gary Sperling, and we presented his wife and kids with a copy of the Bad Guys Trade and another fantabulous print by Karine. After that came the Rocky Horror Gargoyles Show, i.e. the same old schpiel I always do. Showed the Pitch, the Jim Cummings version of the pitch, the promo, the Frakes presentation piece, the New Olympian and Dark Ages pitch, the Bad Guys animatic and "The Last" animatic -- nearly finished and almost entirely done by fans.
8pm - Having eaten a late lunch, I decided to skip dinner. But I hear Edmund Tsabard and the staff of Blue Mug Productions (Mara Cordova, Kalia Sartre, Jennifer L. Anderson and Boswell Bosley) had a dinner business meeting at Versaille up at CityWalk. Edmund had Ropa Vieja, Plantains, Beans, Rice and a coke.
9:30pm - A few of us hung out in the staff suite upstairs on the hotel's top floor. Liz, Patrick, Mara, Jen, Nikki, Eric, Seth, Sammy, Rebecca, Fox, Sydney, Steph, Scott and Marina all stopped by at one point or another.
11:59pm - I went back to my room...
More tomorrow...
GATHERING 2009 - Thursday, August 20th
Well, gang, I'm back from the final Gathering. Had an amazing time. Truly. I'll start my conjournal now. One day at a time...
As always, all times and quotations are approximate. Please forgive any mistakes or omissions.
GATHERING 2009 - Thursday, August 20th
I was up all Wednesday night, prepping the scripts for the Radio Play, which I had written over the three (largely sleepless) nights previous.
7:30am - Finally went to bed.
11:30am - Got up. Drove to my office in Beverly Hills to finish prepping for the Gathering.
6pm - Finally finished prepping. Drove home to pack.
7pm - Left for the Universal Hilton. Parked and checked in and unpacked in my seventh floor room. The staff then gathered to go to dinner at Bucco de Beppo's in CityWalk. It was a big table. I think a complete list of those present would include me, Liz Chesterman, Mara Cordova, Joe, Susan Leonard, Sammy Behr, Seth Jackson, Eric Tribou, Jennifer L. Anderson, Kythera of Anevern, Rebecca Bochner, Patrick Toman, Tony Zucconi, Andrea Zucconi, Cindy Kinnard and Karine Charlebois. I had garlic bread, calamari, spaghetti and meatballs, apple gorgonzola salad, two kinds of fettucini, green beans and manicotti. Afterwards, we went back to the hotel to check out the rooms for the con.
10:30pm - I went back to my room to continue prepping my script for the radio play.
More tomorrow... please post YOUR ConJournal here at ASK GREG! Thanks!
Gathering 2009 - Los Angeles CA
Gathering 2009 - Los Angeles CA
Okay, gang, I leave tomorrow for the Gathering. This is our last one for the foreseeable future, so I plan to make the most of it. We've got a TON of programming (including panels on both Gargoyles and The Spectacular Spider-Man and ElfQuest, production panels, voice panels, writing panels, comic book panels), a TON of professional guests (Comic book pros, animation pros, actors, artists, writers, sculptors, directors, etc.) These guests include Frank Paur, Victor Cook, Sean "Cheeks" Galloway, Greg Guler, Thom Adcox, Keith David, Josh Keaton, Steve Blum, Crispin Freeman, Wendy Pini and Demona herself: Marina Sirtis.
We have screenings of exclusive Gathering footage, like the Bad Guys reel and the pro/fan Team Atlantis collaboration. I'm bringing the only once-before seen footage clip from Spectacular Spider-Man ONLY shown at ComicCon last month. And Michael Reaves, Gargoyles writer and story editor, is bringing his STAR TREK webisode, professionally produced and starring George Takei himself as Sulu.
We have a Radio Play (that has nearly killed me to get ready in time) that presents an ORIGINAL Feature-Length crossover between Gargoyles and The Spectacular Spider-Man, with EVERY voice actor guest performing with fans.
We have a Banquet with a pro/guest at every table. We have our "Mug-A-Guests", i.e. a chance for a small group of fans to chat with individual pro/guests. We have the Masquerade and Dance.
We have fan/pro discussion panels on Gargoyles Biology and Culture, mythology, ABJD, Fanfiction, etc. We have Mature Content programming -- including Edmund Tsabard and his Angels at the Blue Mug.
We have Universal Studios and Universal CityWalk right next door.
And we have the opportunity to purchase all three Gargoyles Trade Paperbacks, both volumes of Clan-Building and Bad Guys: Redemption. Plus the auction features more gargoyle merchandise than you could possibly carry home. Great art at the art show.
And a few surprises...
Anyway, if you're anywhere near the Universal Hilton in Los Angeles, we hope you stop by. Let's make this last Gathering the best one yet!
And I'll see you back here at Ask Greg next week...
Oh, and as always, PLEASE, PLEASE, PLEASE post Gathering journals here at ASK GREG!!!!!
Thanks,
gdw
STONE OF DESTINY -- SPOILERS!!!!
STONE OF DESTINY -- CLAN-BUILDING, VOLUME TWO SPOILERS!!!!
GXB sent me a question about the Stone of Destiny in Clan-Building. He wrote:
"Just to be clear... Xanatos has the original Stone of Destiny? Scotland has a fake? That's... kinda cool. :)"
Now, of course, I shouldn't have responded. The book SHOULD either stand and fall on it's own. But of course, if that was my policy, we wouldn't really have ASK GREG at all, would we?
I apologize that I wrote with so little clarity that an explanation is necessary at all, but here's my answer to him, and before the rest of you get a chance, to all of you:
You're missing the point.
Which was the original, the one Moses sent with Gathelus or the one Moses kept and used to bring forth water in the desert?
Which was the original, the half that stayed at Tara or the half that sailed to Dalriada? (Note that both halves are the same size as the so-called "original".)
Which was the original, the one that was kept in London or the one that became the Blarney Stone?
There is no original. There is no fake.
But if you're asking where the specific stone that had been at Westminster went, Peredur has it in Carbonek. Look at the timeline. Xanatos switched the stone at the bridge and was about to make a DOUBLE switch at Leith before Blanchfleur came to pick it up. He was planning to keep the one he assumed was the original, when the stone itself told him it was pointless. So he gave Blanchefleur the stone the Illuminati wanted, i.e. the Westminster stone.
Xanatos kept one of the two "fakes" and Edinburgh has the other "fake", except both are still real stones. (It's not like they're paper mache or something.) And ANY stone can be THE stone.
Gargoyles: Clan-Building, Volume II TPB
Reports indicate that the Gargoyles: Clan-Building, Volume II TPB has arrived in some (though not all) stores, and is being shipped out from SLG and other sources. As most of you know, this trade contains the previously published issues #7 & #8, plus the unpublished issues #9- #12. There is TONS of new material here, tons of revelations. Tons of new canon. And if we hope to get more Gargoyles comics of any stripe in the future, it is imperative that this volume sells. If you don't have it already, I'd recommend purchasing Volumes I & II together. Read the stuff in order in (more or less) one sitting, and you'll get more out of it.
If your store doesn't have the book, ask them to order it for you!
And please, please, please, help us SPREAD THE WORD!!!!
Thank you.
TRADE PAPERBACKS!
Hey gang,
I know -- and share -- the frustrations over the vague release dates of the two remaining trades. Both are DONE. So it's just an issue of getting them from the printers, through customs, out to Diamond and then into stores, etc.
BUT, Dan Vado has ASSURED me that all three trades (GARGOYLES, CLAN-BUILDING, VOLUME ONE; GARGOYLES, CLAN-BUILDING, VOLUME TWO; GARGOYLES: BAD GUYS, REDEMPTION) will be available for purchase at the Gathering. Hopefully, they'll be available everywhere sooner or at least shortly thereafter, but at the very least -- if you come to the con, you can get the books!
Hermione R.I.P.
Our basset hound Hermione passed away in her sleep yesterday. She had a large inoperable malignant cancer tumor, so it wasn't a shock.
I know it must seem like we go through these dogs rapidly, but that's because my wife and kids always choose elderly dogs from the Basset Rescue Ranch, because they feel that everyone always wants the puppies and young dogs, and the old ones never find a home. So we get dogs. They're old. They die. My family grieves. And we start the process again... all too often, I guess.
We still have one basset left, Murray. Plus our cat Emmy. I'd like to put off getting any more pets for the time being, but it's never up to curmudgeonly me.
Hermione was a handsome girl, definitely the Alpha Female of our pets. Very common sense. We'll miss her.
Blue Mug Productions
Blue Mug Productions is up and running!
If you're 18 or over, check out http://www.bluemugproductions.com/ for the very latest in story-driven mature content.
They've got preview pages of the web-comic LAST TENGU IN PARIS, so you can see what you're missing. But I suggest getting a membership which gives you access to all existing pages of LAST TENGU, as well as a forum, Gallery, even an ASK EDMUND feature and more. This is good stuff. You don't want to miss out.
[Okay, Edmund, I gave you your damn plug. Now put down the gun...]
ComicCon 2009
Hey gang,
Had a fun convention. We had 100 copies of Clan-Building Volume Two on sale, and they went like hotcakes. David Hedgecock and I did multiple signings.
Also did a signing at the Ape booth for Mecha-Nation with Vic Cook.
And Vic, Sean "Cheeks" Galloway, Josh "Spider-Man" Keaton, Robert "Vulture" Englund, Kelly "Sha Shan" Hu and myself had a successful Spidey panel on Sunday.
Saw friends. Ate meals. Bought a Captain Atom action figure.
Good times.
SAN DIEGO COMIC-CON 2009
Hey gang(s),
Here's my basic itinerary for SAN DIEGO COMIC-CON 2009. You can find me at the following places at the following days and times. So I hope you'll stop by and say hello!
THURSDAY, JULY 23
11:30am - 1pm - SLG BOOTH.
David Hedgecock and I will be signing Garg stuff. Dan Vado assures me, we WILL have 100 copies of GARGOYLES: CLAN-BUILDING, VOLUME II, sent FED EX directly from the printer. We might even have copies of GARGOYLES: BAD GUYS: REDEMPTION, although that's not definite. And of course we'll have copies of GARGOYLES: CLAN-BUILDING, VOLUME I, as well as individual issues of both series. We're also hoping to have a prototype of the Electric Tiki Goliath statue on display.
FRIDAY, JULY 24
4 - 5:30pm - SLG BOOTH.
SATURDAY, JULY 25
2 - 3pm - APE BOOTH.
Vic Cook and I will be signing promotional postcards and talking about MECHA-NATION, our new comic book series (with Greg Guler and Antonio Campo). This was a project that was seen at a couple of Gatherings and was previously announced with SLG. Unfortunately, SLG had to bail, but the good folks at APE scooped it up.
3:30 - 5pm - SLG BOOTH.
SUNDAY, JULY 26
10 - 11am - ROOM 6A.
THE SPECTACULAR SPIDER-MAN panel. Vic Cook, Character Designer Sean "Cheeks" Galloway and voice actors Josh "Peter Parker/Spider-Man" Keaton, Kelly "Sha Shan Nguyen" Hu, Robert "Vulture" Englund and Greg "Donald Menken" Weisman will all be there, talking, answering questions and showing NEVER BEFORE SEEN FOOTAGE. This is not stuff you'll find on as-aired episodes or DVDs or YouTube or BitTorrent or anywhere else -- except maybe the Gathering next month.
12:30 - 2pm - SLG BOOTH.
NOT A TRUE STORY...
So I stopped by the bank this morning, because my wallet was totally cash-free. Both ATM's are "Out of Service" so I go into the branch to get some money. It occurs to me that I haven't actually been inside a bank in many months, maybe in a couple years. But here I am in the single rope-line that traverses back and forth in front of the tellers. The line is fairly long -- probably because the ATMs are down. Within a minute or so, there are a few people behind me and about a half-dozen in front of me.
The next customer achieves her teller, and I turn the corner so that I'm now facing the entrance to the bank. My eyes are wandering about, bored mostly, when I notice a tall man enter the bank wearing a trenchcoat. Now, it's July in Los Angeles, so this is odd. And maybe I'm kidding myself -- I am a cartoon writer, after all -- but the security guard who's standing by the door, seems to think this is odd too. He takes a few steps forward to keep an eye on this guy.
Trenchcoat marches right up to the end of the line, and says -- not loudly, not muttering: "The A.T.M.s are out of order." The guy at the end of the line turns at this and nods curtly to Trenchcoat. Then Trenchcoat says: "Get out of my way." End-of-the-line gives him an incredulous look. If he says anything at all, it's too quiet for me to hear (and I'm about two yards away).
Then shouting "GET OUT OF MY F***ING WAY!", Trenchcoat pulls -- I kid you not -- a goddamn MACHETE from out of his coat and swings it down at End-of-the-line over and over. But -- and it's a huge but - he's not hacking at him. He's WHACKING him with the FLAT of the blade. End-of-the-line is holding up his arms defensively and screaming. I don't think he even realizes he's not being chopped into horror-movie bits. All he sees is this maniac swinging a machete down at him.
Meanwhile, nearly EVERYONE in the bank -- myself included -- does absolutely nothing. We all stand, rooted to our spots. Maybe we're too shocked to react, maybe too afraid. I remember noticing that Trenchcoat is hitting him with the machete instead of cutting him, but still I don't move. I don't even run away, let alone help. I just stand there.
The only person who does react is the Security Guard, who is standing behind Trenchcoat. There can't be anyway for him to know that End-of-the-line is not being horribly murdered. Security Guard pulls his gun. He says something like "Drop the knife!" (He said "knife", but it really was a machete.) Trenchcoat turns to face Security Guard, holding the machete high. He does not drop it, but takes a step toward Security Guard, who promptly shoots him twice. The gunshots are very loud, and I can almost still hear them echoing in my eardrums. Trenchcoat goes down. The machete clatters to the (probably faux) marble floor. The Security Guard advances quickly and kicks the machete out of Trenchcoat's reach. It goes skittering across the (probably faux) marble floor until it hits the carpeted area where the loan officers have their desks.
Security Guard then kneels beside Trenchcoat, who is lying on the (probably faux) marble floor, breathing heavily with his eyes open. Security Guard, keeping his gun aimed the whole time, pulls open Trenchcoat's coat. I lean forward and see that Trenchcoat is wearing what appears to me to be a bullet proof vest of some kind. In any case, there's no blood that I can see.
The police arrive almost immediately, which suggests that at least one of the tellers was not quite as paralyzed by events as I was and hit a silent alarm. End-of-the-line is freaked out but basically fine. He has some nasty welts and a few extremely superficial scratches on his arms, I suppose from where the edge of the blade dug into his skin a bit. The cops insist on him going to the hospital. An ambulance arrives to take Trenchcoat away. One cop actually suggests that End-of-the-line get in too. Unsurprisingly, End balks at riding with the guy, and then makes it clear he's not even willing to go to the same hospital as "that F***ER". He eventually gets in a squad car and is driven away.
They keep all of us there for about two and a half hours. I talk to a uniformed officer and then to two plainclothes detectives. I tell them what I saw, but I have more questions than answers. I get no answers. And since I knew I wouldn't get any, I make very little effort to ask the questions. Finally, they take my information and let me go. I leave, passing the useless ATMs as I go.
It's all like some really bizarre performance art, and now that it's over I can't help wondering if that's exactly what it was. But if so, it was incredibly elaborate and damned irresponsible.
But in any case, that's why I'm broke and late for work.
CONVERGENCE converges with the GATHERING
I just got the following e-mail from a buddy on the staff of CONvergence (http://www.convergence-con.org/), which is taking place NOW:
Hi Greg!
I'm at CONvergence, and I am seeing flyers all over the hotel
advertising for the Gathering. They are having over 40 guests? Wow!
So thanks to those posting our flyers at ConVergence (my second all-time favorite convention). Have a great con!
But don't miss the Gathering, which as of yesterday actually has OVER FIFTY GUESTS attending! Fifty and counting. Soon the guests will outnumber the fans. ( And, dude, I wish I was kidding.) You will NEVER find a better fan to pro ratio at any convention ANYWHERE, ANYTIME!!!! Sign up now at http://www.gatheringofthegargoyles.com/g2009/ !!!!!
Comment Rooms
Before I begin, let me make something perfectly CLEAR. The Station 8 Comment Room is NOT my comment room. It is the property of and under the management of Gorebash for him to run as he sees fit. Personally, I like the Comment Room as is. I'm not a big fan of forums. If the vote goes that way, and Gore decides to make a change, so be it. But I voted against the change. My problem/issues with the comment room is about the (occassional) bad behavior of some people who post and what I perceive as the over-reaction of other people (often the same people, I suppose) to what I perceive as innocuous (or only slightly bad) behavior. But to reiterate, I stand by whatever decision Gorebash makes.
So what follows is only my opinion. Not even that really. What follows is my brother's opinion. And it's not even his opinion on the Station 8 Comment Room or on anything Gargoyles related. As some of you know, my brother, Jon Weisman, has a blog: http://latimesblogs.latimes.com/dodgerthoughts/
This blog on the Los Angeles Dodgers gets more hits in a day then we get here in a week. Or two. Probably even three. One of the main features of his blog, one of the things that he has told me is a big draw for DodgerThoughts, is the comments that his readers post regularly, their exchanges and their dialogue with him and with each other. So Jon has developed some basic guidelines for commenting that I think are calm and intelligent and worth considering for what we do at Station 8. Here they are:
Dodger Thoughts Commenting Guidelines
Thank You For Not ...
1) using profanity or any euphemisms for profanity
2) personally attacking other commenters
3) baiting other commenters
4) arguing for the sake of arguing
5) discussing politics
6) using hyperbole when something less will suffice
7) using sarcasm in a way that can be misinterpreted negatively
8) making the same point over and over again
9) typing "no-hitter" or "perfect game" to describe either in progress
10) being annoyed by the existence of this list
11) commenting under the obvious influence
12) claiming your opinion isn't allowed when it's just being disagreed with
I think these guidelines are very common sense and with the possible exception of #9, apply directly to Station 8. #12 seems particularly applicable. I'd actually add a #13:
13) thinking that just because no one has responded to your post that you are unwelcome. (Your post may simply have inspired no comment.)
These guidelines seem SO straightforward to me, I was stunned to learn today that some people over at DodgerThoughts OBJECT to them. So here's the post Jon made responding to these objections:
Dodger Thoughts commenting is healed - in practice, if not in spirit
After nearly two months, the folks at Typepad have finally solved the bug that prevented comments at the bottom of a page at Dodger Thoughts from appearing until several had been cached. So in that respect, we're back to smooth sailing. Any of you who departed out of frustration, please feel encouraged to return.
On another commenting note, some have voiced to me, either on the site or in e-mail, dissatisfaction about the commenting guidelines and a feeling that only one point of view at Dodger Thoughts is tolerated. I'd like to address these concerns in this post. ...
Starting with the guidelines ... I realize that they are not everyone's cup of tea, but I still feel they do far more good than harm. Conversation can quickly become heated on the Internet, and I firmly believe the guidelines keep things from getting out of hand. It'd be nice if we were all mature adults -- but we're not. Myself included.
The guidelines are meant for everyone, and they apply to the most diehard regulars. If, for some reason, you feel that a comment has been posted that should be deleted, don't hesitate to let me know, either here or via e-mail. If you find the guidelines too confining, then consider the big picture of what they accomplish. If that big picture doesn't look attractive to you, well, I've learned all too well that I can't please everyone. Believe me, it's been humbling.
There are a few other points I'd like to emphasize:
*Although off-topic conversation is allowed at Dodger Thoughts, it is meant to broaden the discussion and the community here, not narrow it. If someone's talking about television when you want to talk about Chad Billingsley, then make a comment about Chad Billingsley. There's nothing stopping you.
*No Dodger Thoughts rule prevents a point of view. Every point of view is welcome.
*People who agree on some issues disagree on others. We're all human.
*There is no ban on any style of conversation that would be allowed in a civil, offline venue.
One quirk that occurred to me overnight is that the people who complain the most about the site's rules tend to be the people who, frankly, are most protected by them. A primary purpose of the comments is to safeguard those who have minority viewpoints.
Since more than one reader is encountering this problem, I take it very seriously. I want to remind people to treat everyone with respect -- especially those with whom you disagree. This is of the utmost importance.
At the same time, I'd like to remind those whose comments meet opposition that disagreement is not censorship. It's easy to become defensive -- it happens to me, like anyone else -- but if someone is rebutting with you without attacking you personally, the simple thing to do is respond to the rebuttal. Or write it off. The point is, we're all here for the same purpose.
If you feel you are being chased away, let me know. But first, examine if that's truly happening. It's not easy to be in the minority on an issue, but inevitably, someone is going to be.
My transition to The Times has not gone as smoothly as I had hoped, for three reasons that I can name (not counting the requirement to capitalize both Ts in "The Times"). One has been the technical problems, and another has been a bit of a culture clash between readers.
Perhaps the oddest wrinkle in the transition has been the effect of the Dodgers surprising all of us by having the best record in baseball. That itself has led to a divide between those who find some complaints about the team petty, against those who feel that no problem is too small even when the team is winning.
It's not so much that there's heated disagreement on the main issues, as there is disagreement about how to respond to those issues. For example, I would say a minority of readers believe Matt Kemp should bat low in the order, but a majority feel it hasn't been worth losing sleep over. A minority of readers think the Dodgers have a playoff spot locked up, but a majority don't seem to think it's time to panic. And so on.
I can see both sides. The level of negativity this season has struck me as remarkable and kind of depressing, not because I'm a knee-jerk defender of all things Dodgers (another accusation I've encountered more than once lately) but because I simply want to savor the good times as they happen. That being said, I should probably be more tolerant of the negativity and not make such a big deal of it.
But also, maybe that means that some other commenters shouldn't make such a big deal over some things as well. From the site's very first day, long before commenting was even a notion, I've wanted Dodger Thoughts to be a place to seek perspective on the team (and the sport, and life). That doesn't mean a "No Griping" rule. But it does imply that the gripes should have a sense of context -- and sometimes, I feel that is lacking.
In the end, I consider this site my responsibility. As we near the All-Star Break and I look back at the first half of the season, aspects of site management that I could have handled better shout out at me. I am going to do my best to improve over the second half of the season, which may bring us a breezy jaunt to October or a tense pennant race. I hope, win or lose, people continue to find this a nice place to hang out.
Greg again here. What strikes me is that even though Jon is discussing very specific Dodger-related issues above, it's stunning how much this seems to apply to us here at Station 8.
*Griping is totally legit. But griping without any sense of context does get old and leads to temper flare ups.
*The MORE you disagree with someone, the MORE respectful you should be. If you can't be respectful, don't respond. Or at the very least, GO AWAY for an hour or two until you calm down.
*Don't sink to the level of the most obnoxious posters. If we've got a troll, it does NOT help to troll back at him or her.
I think it would be a good idea, no matter what format the comment room takes going forward if some version of the DodgerThoughts guidelines were adopted and POSTED on the sidebar for everyone to see every time they post.
Again, that's merely my opinion. Gore can and should simply do whatever he wants.
Finally, I want to thank my brother, whom I admire to no end. I'm sure he has no idea of the problems we had here last week. It's not like I planned to post anything else on the subject. But there it was. This incredibly well-written common sense response to a problem he didn't even know I was having. Thanks, Jon.
Spidey Ratings
FYI:
THE SPECTACULAR SPIDER-MAN episode "Blueprints" delivered 1.57 B6-11 rating, up +76% from prior 4 week time period average, retaining 89% of Catch that Kid lead-in in B6-11 and delivering the time period's highest B6-11 Rtg in over one month… since THE INCREDIBLES on 5/4/09.
"Destructive Testing" delivered 1.86 B6-11 Rtg, its highest ratings yet on DXD, while up +54% from prior 4 week time period average, delivering the time period's highest B6-11 rating in over one year...
Last Gathering
The announcement has been made that the current Gathering of the Gargoyles (the thirteenth annual) will be the last in this form. I'm saddened by this of course, but even more saddened by some of the vitriol I've seen toward the constaff. So I posted this at Station 8:
Hey folks,
Thought I should speak up. In part to defend my friends, I suppose, but also just to make my position on all this clear.
I'm the person who suggested we end the thing. Me. Frankly, I was simply horrified to discover how much of their own MONEY the con staff was putting toward the convention year after year... with it costing them increasingly more with each succeeding convention and with attendance falling at a steady clip. And that's on top of the incredible amount of hard work that these people put in. There have been other individuals and groups who have run individual Gatherings here and there, but most burn out after one year and don't do it again. This group volunteered their time year after year. Stuck with it when others wouldn't. They deserve praise, not scorn.
Are they my friends? Of course. Are they loyal to me? I think so. I like to think I'm just as loyal to them. Are they cliquish at times. Yeah. I've noticed that too. It happens with any group of people who work very hard together to do something and, frankly, feel largely unappreciated for their efforts. They get tight.
But I don't buy the notion that this is an impenetrable clique -- especially since new members join the group all the time. I've known some of these folks for over a decade. Others, just for a couple years. And even if you aren't admitted to this so-called "Inner Circle", what difference should that make? The Gathering is big enough for multiple cliques. Big enough for you to bring your own clique. The Gathering has interesting and informative events whether or not you're in ANY clique.
When someone asks "Why would I want to give any money to hang out with people who have no interest in including me?" I think the question itself is off point. They're throwing you a convention! They're including you! Does that mean they have to personally enjoy your company? Personally, spend time with you? That's unreasonable. You may be great. You may be annoying. I don't know. But they don't have an obligation to coddle you. Just to put on a great show, which I think they've done year after year.
And you're not paying to spend time with them anyway, you're paying to attend the con. Or not. No one's holding a gun to your head, but then don't complain if the thing isn't somehow able to continue indefinitely on SOMEONE ELSE'S DIME.
Don't get me wrong. No one is going to miss the Gathering more than I. I think there's some real truth to the accusation that the thing became Greg Weisman's annual ego boost. Because without a doubt it is a HUGE ego boost for me personally. Year in and year out, I have a blast. I'm treated VERY well, and I enjoy that treatment. I'd be lying if I said otherwise.
But it's not as simple as that. For starters, the reason that the con has consistently featured me and the various series that I've worked on is because I'm willing to do the work to help put the convention together. Frank Paur, just as an example, is ALWAYS welcome, but he doesn't always choose to come. I ALWAYS want to be there. So it's something of a not-so-vicious circle. I provide the convention with contacts -- and the convention uses those contacts to hold panels on Starship Troopers or WITCH or, this year, The Spectacular Spider-Man. All of which is an attempt to INCREASE the attendance by bringing in other fandoms and exposing them to Gargoyles. It's worked to some degree, but not enough.
I've also provided contacts for shows like Darkwing Duck and TaleSpin and Kim Possible, and we've had panels on those that I wasn't a part of because my involvement on those series was nearly non-existent. But I knew those guys, so I got 'em to come. I'm sure everyone would have loved it if I had gotten, uh, say, the Avatar/Last Air Bender guys to do a panel on that show. Trouble is, I don't know those guys. So no luck.
And, hey, I did create the show that we're theoretically celebrating. I am the guy who's fought to get the DVDs and the comics, etc. It's because of the fandom that I never gave up. But it doesn't change the fact that I'm the guy who never gave up. So maybe it's not SUCH a bad thing that I've been the primary beneficiary of the con. Or maybe it is. I'm not going to worry about it.
What I am going to do is enjoy the last convention. I really think we'll be going out with a bang with a ton of special guests. And, ironically, because of the low attendance the BEST FAN-TO-PRO RATIO you'll find at any convention EVER!!! If you can't afford to come this year, we're very sorry. We'll miss you. Really. But if you can, you should try, because once again, I think it'll be a great show.
But of course I'm biased. ;)
And as Jennifer pointed out, if anyone else wants to have a Gargoyles convention in 2010 or 2011 or 2198, no one's stopping you. I'm still willing to attend, still willing to help. Or willing to stay away, if that would be best. But I'd advise thinking long and hard about both the time commitment and the financial aspect of it before jumping in. Cuz it's tough. Not for me. It's easy for me. But for whomever happens to be the constaff in any given year, it's a lot of work and not cheap.
Now, I suppose for some people, all I've done in this post is prove their point. I'm tight with the constaff. They're tight with me. All true. But they've still put out an open invitation year after year to friends and so-called-foes alike. All they're really saying is that they're done. You think you can do better? Go for it!
Greg Weisman
Oregon Shakespeare Festival 2009
I've been meaning to post this all week.
Last Friday, my family and I headed up to Ashland, Oregon to attend the Oregon Shakespeare Festival. The Festival runs for nine months a year, producing 11 different plays. During the summer months, there are nine productions going on in repertory at any given time. We saw five plays in three days, and just had a blast.
We started Friday night with Shakespeare's HENRY VIII, and this was the best production of this play I've EVER seen, including the production I saw in London years ago. Vilma Silva as Katherine and Anthony Heald as Wolsey were both fantastic.
On Saturday, we saw EQUIVOCATION, a new play by Bill Cain that was the highlight of the entire trip (which is saying a lot)! Equivocation is set during the reign of King James I of England (a.k.a. James VI of Scotland). William Shagspeare has been commissioned to write a play about the Gunpowder Plot, and his attempts to tell the truth -- and not get hanged in the process -- are played out. The cast of characters includes his daughter Judith (and for those of you who saw my "Doc Shakespeare" radio play at the 2005 Gathering in Las Vegas, you can imagine how fascinated I was by this), the King, SIr Robert Cecil, Guy Fawkes and various members of the Kings Players. It also features bits of King Lear, Macbeth and Henry VIII, giving a sense to the origin of those plays as well as Shakespeare's later "romances" such as Pericles, Winter's Tale, Cymbeline and The Tempest. Anthony Heald, so good the night before as Cardinal Wolsey is fantastic as Shag. An actress, whose name escapes me unfortunately, is wonderful as Judith. (She played Anne Boylen in Henry VIII) and four other actors (all fantastic) cover all the other parts. I liked this play so much, I immediately went to the gift shop and bought the text. And stayed up reading it that night.
Saturday night, we went to see a Nigerian play called "Death and the King's Horseman", based on a true story and set during World War II. This was a fascinating look at African vs. European (Western) values and theater.
Sunday, we saw Shakespeare's MACBETH. I've seen a LOT of productions of Macbeth of course, but there were a lot of cool elements to this version, including a sense that the Weird Sisters weren't done with Fleance at the end, which was something completely fresh to me. It was also great to see it right after seeing Equivocation.
Finally, Sunday night we saw a wonderfully funny production of MUCH ADO ABOUT NOTHING.
In addition to the shows, we had a number of wonderful meals -- and okay, a couple mediocre ones too -- in Ashland. And my daughter, father and I had a great hike through an absolutely gorgeous park.
All and all, I can't recommend the Festival, Ashland and especially EQUIVOCATION enough.
Spidey on Disney XD
FYI, Disney announced this morning the rollout of SSM Season Two on June 22 with two back-to-back episodes: "Blueprints" and "Destructive Testing."
For times, check local listings.
Spidey Ratings
Folks at Sony are feeling pretty good about Spidey's recent ratings on Disney XD. Here's some info...
Returning to its regular time period, THE SPECTACULAR SPIDER-MAN "Nature vs. Nurture" delivered a season high 1.71 B6-11 Rtg, up +67% from its season average (1.02).
The 18-episode marathon on 5/25/09 improved significantly over the time period's prior 4 week average… +279% in B6-11 Rtg, +250% in B6-14 and +226% in B9-11.
Second Season episodes will begin airing Monday 06/22/09. Check local listings for times.
SERIOUSLY...
It's the return of the giant invisible flying monkey brain. Damn thing won't leave me alone. Where's Mongo Mingi Mungu when you really need him?
TRADE NEWS!!!!!
Today, I e-mailed Dan Vado at SLG, asking about the two trades. Here's his response:
Hey Greg,
I was going to be emailing you this week.
Gargoyles I have scheduled for July, and that looks good for Comic-Con. Bad Guys I have scheduled for August and it a possibility for comic-con, but not a lock.
The Gargoyles trade will be in the May issue of Previews, I cannot stress enough that the fans really need to come out of the wood work on this one (not that they were in the wood work, but you know). They need to be "annoying" (i.e. pushy with retailers) as they can be because with the economy what it is right now nothing short of a huge groundswell of apparent demand wll get some of these guys (comic retailers and regular booksellers alike) to even buy a single copy. I am not a fan of getting people to be annoying, but this is going to be a case where it is needed.
Likewise Bad Guys (June Previews) will need an even BIGGER boost. I separated them because I did not want them to cannibilize each other sales-wise.
There you go, hope all is well with you...
Dan
So that's the news, both the good and the scary. I know I sound like a broken record. I know the fans shouldn't HAVE to be responsible for this, but if the fans don't, who will? I'll do my part. And Dan will do his, relative to his limited economic resources. But we NEED the fans to really step up and do two things:
(1) SPREAD THE WORD!!!! Please make sure EVERYBODY knows about these trades (and Volume 1 too).
(2) HARASS YOUR RETAILERS!! Make sure they KNOW how much you want these books. Pre-order them!! Put them on your pull lists!! Talk them up to every employee of every store!
Please!!
Remember, if these trades do well, we might be back with more original stories sooner than later. If they don't, it'll make it MUCH harder for SLG to justify risking more on the property, much harder to convince Disney that the property is viable and much harder to convince any other publisher to give us a shot.
Thanks,
gdw
ASK GREG is back, MARCH 23, 2009.
Ask Greg will once again open for question submission on March 23, 2009, which is coincidentally the date of The Spectacular Spider-Man's premiere on DisneyXD. (Okay, so maybe it's not exactly a coincidence.)
I would ask -- even beg -- that you carefully read the submission guidelines before posting here. In particular, PLEASE check the archives and the questions-already-asked sections before posting a question that's already been asked and/or asked AND answered. Try to avoid FLOODING Ask Greg, as it will only serve to slow down my ability to respond in a timely fashion. As always, comments are encouraged and appreciated... on Spidey or Gargs or whatever.
Thanks in advance...
Latest bit of news...
Hey gang,
Back from WonderCon. Had a nice Spidey panel, among other things. (I enjoyed the screening of the Wonder Woman direct to DVD.)
Also talked to Dan Vado. He assures me that the two trades (GARGOYLES: CLAN-BUILDING, VOLUME TWO and GARGOYLES: BAD GUYS: REDEMPTION) will both be out in time for this summer's Comic-Con in San Diego.
WonderCon 2009
Hey gang,
I'll be attending WonderCon 2009 this week in San Francisco.
I'll be signing Gargoyles stuff at the SLG Booth on Friday, February 27th from 4-6pm and on Saturday, February 28th from noon to 2pm.
We'll also have a Spectacular Spider-Man panel on Saturday, February 28th from 3-4pm, where Vic Cook, Sean Galloway, Josh Keaton and myself will have a Q&A and be premiering footage from Season Two, some of which hasn't even been shown yet in Canada or Bulgaria! That'll be followed by a Spidey signing from 4-5pm.
Hope to see some of you there!
UPDATE as of January 2009
Hey gang,
Today's my last day at Sony. I'm packing boxes. (Well, actually, I'm doing this and procrastinating on the packing, but you get the idea.) The last of the Spidey crew is laid off tomorrow, when we deliver the last episode of Season Two. The fact that we're all leaving does not preclude us all from coming back to do a third season, of course. But we've been told that the EARLIEST we could get a pick-up is March, when the series premieres on Disney XD. If I'm available, believe me, I'll be back. But I'm hustling up work now, so we'll have to wait and see. In the meantime, the second season has already premiered in Canada. Hope you Canadian fans are enjoying it. We're really proud of the work done on all 26 episodes.
Meanwhile, on the TRADE PAPERBACK front... As of today, ALL OF THE CREATIVE WORK on the GARGOYLES: BAD GUYS REDEMPTION trade is completed. Totally done. As for the Gargoyles trade, there is ONE lettering error that still needs to get corrected, and THEN ALL OF THE CREATIVE WORK on GARGOYLES CLAN-BUILDING VOLUME II will be done. I do NOT yet know when either trade will be released. That's a Dan Vado question. But I'll post info here as soon as I have it. I will NOT be responding to every rumor or speculation. I'm only going to post when I know something definitive. But believe me, I have no interest in keeping this info from you. When I know, you'll know.
It's been brought to my attention that there's a Goliath sculpt out there that looks pretty darn cool...
http://www.toyark.com/news/attachment.php?do=fullview&attachmentid=3072
http://www.toyark.com/news/disney-toy-news-38/bowen-releasing-new-gargoyles-goliath-statue-722/
As usual, I would never ask fans to spend money they need for necessities, but if you do have disposable income, then nothing helps the property more than dollars spent on products based on it.
Also, IGN's recently presented us with a few nice little honors. Spidey won Best Hero of 2008 (Spidey beats Jack Bauer!) and Best Animated series of 2008... plus we were nominated for Best New Series too. Also in their top 100 animated shows of all time, Gargoyles received #45 and Spectacular Spider-Man was #30. I might quibble about some of the included shows and some of the rankings (Jonny Quest was ROBBED!!!!), but it's nice to have both shows in the top 50.
Check out:
http://bestof.ign.com/2008/tv/15.html
http://bestof.ign.com/2008/tv/5.html
http://tv.ign.com/top-100-animated-tv-series/45.html
http://tv.ign.com/top-100-animated-tv-series/30.html
Finally, preparations are well under way for the Thirteenth Annual Gathering of the Gargoyles in Los Angeles (G2009). This year, it's Goliath meets the Spectacular Spider-Man, as we'll be having panels and guests from BOTH shows! Confirmed guests include myself, Vic Cook, Thom Adcox, Keith David, Josh Keaton (voice of Spidey/Pete) and Phil LaMarr (voice of Rand Robertson, Joe Robertson and Fancy Dan). And that's just the tip of the guest iceberg. Expect a metric ton of pros (writers, artists, voice directors, actors, production people) to sign on over the next few months. The ratio of fan to pro at this convention will top anything you can find anywhere. Don't miss it!
http://www.gatheringofthegargoyles.com/
And that's it for now. We'll reopen ASK GREG for questions and comments when Spidey premieres in the U.S. in March or when one or both of the trades are released, whichever comes first.
Take care,
Greg Weisman
Emru Townsend, RIP
I only just read today that Emru Townsend passed away from Leukemia. See http://www.pcworld.com/article/153725/in_memoriam_pc_world_contributor_emru_townsend.html
I won't pretend I knew Emru very well. He interviewed me twice for FPS. Once on a conference call with Keith David. And once in person during the 2004 Gathering in Montreal. But during those two brief encounters, he immediately impressed me as a smart guy, funny and fun to talk to. He also had the kind of voice that just begged to be behind a microphone in a cartoon, and I do remember telling him as much.
My condolences go out to his family and friends.
I didn't know him well, but he will be missed.
Spectacular Spider-Man on DVD
I can't believe I forgot to mention this:
The first Spectacular Spider-Man DVD, "Attack of the Lizard" has been out for over a week. This does more than "collect" the first three episodes of our season, i.e. the ones featuring Vulture, the Enforcers, Electro and the Lizard. We've recut the episodes into a movie. I won't pretend it works as a film perfectly, but I really do think it plays well ... also restoring footage and sound effects cut for time and S&P reasons.
If you like my work on Gargoyles, I'm fairly confident you'll like what me and the team are doing with Spidey.
And I know this sounds ridiculously self-serving, but good Spidey sales raises my profile in general, which can't hurt us on the Gargoyles front.
Check it out!
ComicsonComics.com
Unless you're Blaise or GXB -- and saw it live -- you might want to check out the podcast I did for ComicsonComics.com:
http://www.comicsoncomics.com/?p=130
The high quality version is available on itunes.
I think it turned out well...
CON-ODYSSEY: CopperCon - Monday, September 1, 2008
CON-ODYSSEY: CopperCon - Monday, September 1, 2008
12:45am - Said goodbye to Lanny and headed down to my room to watch some TV and read.
4am - Went to sleep.
6:45am - Wake up call.
7:15am - Had the complimentary hotel breakfast, which I had never gotten up early enough to get. It was good. Had a cheese, tomato, mushroom omelette. Plus scrambled eggs, bacon, raisin bran, cheerios, corn flakes, oatmeal, potatos, etc. Sat with Mara, Jennifer, Patrick, David and conchair Gary. When breakfast was over, I said goodbye to Mara, Jennifer and Patrick.
8:15am - Shane and Caitlin took David and I to the airport. We said goodbye to Shane and Caitlin, checked in and then I said goodbye to David.
10:05am - Got on the plane.
11:35am - Arrived at LAX. No car waiting for me. Called. Called again. Finally, the car showed up.
12:30pm - Made it home.
And thus ends my 2008 Con-Odyssey. I'm done for the year with conventions. Had a great time at all of them. But I'm ready to stick to home base -- at least until WonderCon in February. ;)
CON-ODYSSEY: CopperCon - Sunday, August 31, 2008
CON-ODYSSEY: CopperCon - Sunday, August 31, 2008
2am - I went back to my room and read a bit.
3am - Went to sleep.
10:30am - Wake up.
12pm - Held a Spidey panel. Usually Q&A's easily fill the time, but the turn-out wasn't great, so I need to start preparing more.
1pm - Sat in on David Hedgecock's panel on producing a comic book. Lots of good info. Not a lot I didn't know, but still learned something new.
2pm - Shane took David and I upstairs to meet the constaff.
2:30pm - David, Jennifer, Greg, Lanny, Patrick, Mara and I went to Qdobe, where I had a steak taco salad.
3:45pm - We said goodbye to Greg Bishansky and then headed for Chase Stadium.
5:05pm - Marty & Lexy Lund bought us all tickets to the Dodgers-Diamondback game. It was me, David, Patrick, Jennifer, Mara, Lanny, Marty, Lexy and three of their friends: Kevin, Corey and Shasta. I had a kosher dog, water and a cheeseburger. Great game. Dodgers slayed the D-backs 8 to 1. After the game, we said goodbye to Marty, Lexy and their friends.
9:30pm - David, Lanny, Jennifer, Patrick, Mara and I went to the hotel restaurant for dessert. I had deep-fried cheesecake and chocolate ice cream (which may explain why I started a diet as soon as I got back to Los Angeles).
10:30pm - We closed down the restaurant and headed up to Jen, Patrick and Mara's room to hang out.
MORE TO COME...
ComicsonComics.com
Last night, I did a podcast for ComicsonComics.com. Greg Bishansky and Blaze came out to see the show. Don't know if what we did made a good podcast, but we had a good time. Check it out.
CON-ODYSSEY: CopperCon - Saturday, August 30, 2008
CON-ODYSSEY: CopperCon - Saturday, August 30, 2008
12am - Back in Jennifer, Patrick and Mara's room with GXB and myself, we decided to watch WANTED on hotel pay-per-view. It was goofy fun, I thought.
2am - Went back to my room after the movie and read for awhile.
4am - Went to bed.
11:30am - Woke up.
12:30pm - Went down to the Dealer's Room to set up for David and my signing.
1pm - Re-set up for our signing. They changed locations on us Signed and sold a few comics and scripts.
2pm - Went to In N' Out for a Double-Double, Fries and Strawberry Shake with GXB, Jen, Patrick and Mara.
Throughout my hotel stay, I had housekeeping challenges. Because I was sleeping so late, I guess (being on the second floor) I was missing housekeeping's first pass, and they weren't automatically coming back for a second pass. The first day, I let it go. But I'm in a hotel, and I wanted my room made up. So I called the front desk, and the woman there accused me of never taking my DO NOT DISTURB sign off the door. I assured her that I had taken it down both yesterday and today, but that housekeeping had never come back. And she said AGAIN, "because if you leave that sign up there..." etc. etc. Coupled with the trick the hotel had tried to pull the day before, I got fairly ticked, that she was basically either not listening and/or accusing me of lying. Seriously, the proper response would have been simply, "I'll send housekeeping right away." That's what I was asking for. The hotel was very nice, but I was really NOT impressed with the front desk staff at all. (They also gave David a really dirty disgusting room initially. I won't go into what he put up with the first night - cuz it's just too gross.)
3pm - David and I had yet another Gargoyles panel. Struggling somewhat to fill the time. I've got to start BRINGING stuff.
4:30pm - Lanny, Jen, Patrick, Greg and Mara and I hung out in Jen, Patrick and Mara's room.
5:30pm - David and I met down in the bar to talk some business. More on this at a later date.
6:15pm - David and I went to the con's "Green Room" to begin judging the costume contest.
7:30pm - Masquerade. We gave out all the standard awards, but I had one discretionary award, so I gave Cutest Couple to a guy and a gal who were both dressed as "L" from Death Note but -- as far as I know -- didn't know each other. Hey, it worked for Tony and Andrea. You never know.
9:40pm - Greg, Jen, Patrick, Mara, David, Lanny and myself went to Chile's. I had Nachos, a root beer, fries, apples and Memphis dry rub baby back ribs.
11:30pm - I called Beth, and then headed up to Jen's room.
MORE TO COME...
CON-ODYSSEY: CopperCon - Friday, August 29, 2008
CON-ODYSSEY: CopperCon - Friday, August 29, 2008
12:30am - Gave up trying to read by the light of my cellphone and went to bed.
2:30am - The power came back on.
9:30am - Creaturecomics.com partner Marty Lund called.
11:30am - Automated wake-up call.
1pm - Guests' Luncheon. I had salad, roll, water, London Broil, veggies and the fruit off the top of the parfait. Other than the parfait (which just isn't my thing), the food was great. I sat with Shane, Caitlin, other members of the constaff including the ConChair and special guest MaryJanice Davidson.
3pm - I brought the Spider-Man pilot script down for the charity auction. Then hung out with Mara Cordova, Patrick and Jen. We went to Coldstone's where I had a "Banana Split Decision" without bananas (because they were out).
5:30pm - Marty and Lexy arrived.
6pm - There was supposed to be a fan-guest mixer in the bar, but it really was more of a constaff-guest mixer. I had some club soda and bar snacks (thanks to Jen and David). I sat with David and MaryJanice and her husband, writer Anthony Alongi.
7:30pm - I headed upstairs to alert Edmund Tsabard that he might be needed for a panel later that night.
8pm - Did a panel on the Animation Process from Development through Post-Production.
9pm - That was followed by a panel on Gargoyles Sexuality. I left briefly to avoid Edmund, who was there to talk about BlueMugProductions.com and "Last Tengu in Paris". The guy's a jerk, but I'd recommend the work being done by Mara, Robby and Jennifer. Sign up for updates at the website.
10pm - With panels done for the night, we headed off for dinner. It was a big group (Marty, Lexy, Lanny, David, Mara, Jen, Greg Bishansky, Patrick and myself). We saw amazing lightning en route. The restaurant (another loud we're-a-nightclub-at-this-hour place) had great tapas, including tomato bread, cauliflower, pear, duck, potatos, skirt steak, etc. Lanny treated us, I think cuz he felt bad about the volume. Which was really unnecessary, but VERY nice of him.
MORE TO COME...
CON-ODYSSEY: CopperCon - Thursday, August 28, 2008
CON-ODYSSEY: CopperCon - Thursday, August 28, 2008
The hotel was playing some unfriendly games. I was semi-awakened by a phone call from the hotel staff asking if I knew where to find "Mr. Sweeney", a member of "my party". I should have taken them to task, but I was too sleepy, so I just mumbled that I didn't know any "Mr. Sweeney".
I was then awakened again by a call from the hotel staff telling me that my room and taxes were not paid for. This is a pretty serious thing to tell a guest of the con. And in near-immediate hindsight, I realized it was a ploy on the part of the hotel to try to use me to force the hand of the Convention Staff to pay them for my room (and other guest rooms) in advance as opposed to at the end of the convention (which is typical). Anyway, this statement woke me up pretty quickly. The guy tried to tell me that the hotel needed my credit card number by 1pm. I had been prepared to go downstairs that morning to give them my credit card number for extras like in-room movies and room service, but not for room and tax which is supposed to be covered by the con. I made it clear that if the hotel insisted on this, I would simply check out. I could hear the guy back-pedaling on the phone, as he realized that his ploy might backfire. He'd lose out on five nights of registration, including the one night I had already spent there. He tried to fumfer, telling me I should talk to "Mark" on the constaff to get it straightened out. I told him I didn't know any "Mark" and that this wasn't an issue I was going to "deal" with at all. If the hotel wanted me to leave, I'd leave.
Of course, there was an element of bluff on my part as well. I didn't really want to leave. So I called my guest liason Shane, who told me not to worry about it. Half-an-hour later he called me back and said it was dealt with. But I determined that I wouldn't give my credit card to the hotel for ANYthing including room service. I'd pay cash for those charges at the end of my stay. And I also determined not to have any charges at the end of my stay. It was somewhat petty, but I didn't want to give any money to this hotel.
12:30pm - Jennifer L. Anderson and Patrick Toman (chairpersons of the Gathering 2009) arrived and we hung out for a bit.
1pm - David Hedgecock joined us, and we went to IHOP for lunch. I had the International Passport Breakfast with Eggs overeasy, bacon, sausage, hash browns, Swedish Pancakes and Tomato Juice.
4pm - Jen, Patrick and I went to see Pineapple Express. Not a great movie, but I have to admit I laughed a lot. So I'd give it a thumbs up.
6pm - Dinner at the Macaroni Grill with Jen, Patrick, David and Lanny Fields (multiple Gathering attendee). I had a Caesar Salad, coke and lasagna.
8pm - David and I had our first Gargoyles panel. Middling attendance, but we had fun.
9:30pm - Returned to my room.
11:30pm - A pretty impressive storm with impressive lightning displays, 100mph winds and HAIL! I was watching television, when the entire hotel blacked out. I watched the storm for awhile and then tried to read by the light of my cellphone...
MORE TO COME...
ComicsonComics.com
FYI - Here's a blurb:
ComicsonComics.com, the innovative live show/video podcast which brings stand-up comedians and comic book creators together, returns to Meltdown Comics Wednesday September 10 [2008]! Host Robbie Peron welcomes the legendary creator of Gargoyles and supervising producer of the Spectacular Spider-Man animated series, Greg Weisman as he matches wits with comedians Tim Babb, Erik Lundy and Eddie Pence in a round-table discussion of the latest comic book news!
Meltdown Comics is located at 7522 W. Sunset Blvd. in Hollywood. The taping starts at 8pm, so show up early to grab a good seat!
Previous episodes with Christos Gage, David Gerrold, Wendy Pini, Geoff Johns and Brian Lynch can be seen online here:
http://www.comicsoncomics.com/?cat=11
Higher quality versions can also be downloaded from iTunes (http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=278094320 ).
CON-ODYSSEY: CopperCon - Wednesday, August 27, 2008
CON-ODYSSEY: CopperCon - Wednesday, August 27, 2008
3:30am - I finally went to bed.
5:30am - I got up after my little nap. Showered, packed, ate banana cake, salami, lemon water for breakfast.
7am - The car picked me up to take me to LAX. I had Tuesday and Wednesday's L.A. Times with me, and read them.
9:40am - Borded the plane. After take off, I started to read Walter Mosely's Blonde Faith, but I couldn't keep my eyes open. Slept.
11am - Landed. In baggage claim, I met up with Shane Bryner (CopperCon Guest Liason) and David Hedgecock. Caitlin, another con staffer, was waiting for us out in the car. They took us to lunch, feeding me grilled cheese and tomato soup.
1pm - We went to Drawn To Comics for our first signing. Not much there for us to sign, but we had fun.
4pm - We went to Samurai Comics for our second signing, which wasn't scheduled to start until 5pm.
5pm - Same basic deal.
7pm - We departed for the hotel, checked in, unpacked.
8pm - Shane, Caitlin, David and I went out to dinner at a restaurant called Shogun. I had a coke, edamame, mixed tempura, a California roll, miso soup, salad. Then we went back to the hotel. Where I literally fell asleep doing my ten minutes of neck traction exercises. That means my head was hanging backwards off the edge of the bed for nearly an hour.
11pm - So I went to bed...
MORE TO COME...
IT WAS TWENTY YEARS AGO TODAY...
IT WAS TWENTY YEARS AGO TODAY...
On September 4th, 1988, I went on a first date with this amazing woman. We went to an apartment warming party for my friend Mike Ryan. My car -- actually my sister's car -- had it's horn literally hanging from the bottom of the engine by a wire, so I had to ask her out AND ask her to drive. (Who knew she'd like that?) At the party -- where she knew no one and I knew everyone -- she fit right in. My friend Cameron had just purchased a new camcorder and was practicing with it. Years later, he would give me a copy of the tape -- a tape of our first date -- full of fades and truck ins and other first-timer camera tricks. After the party, we dropped me off at my place, and I invited her upstairs. We talked for hours and hours. I did EVERYTHING they tell you not to do, including talking about multiple past relationships. And yet somehow as morning came, she still liked me.
Beth and I have been together for twenty years now, and... thank God... she still still likes me. After two apartments, we're on our second house, our third cat and our fourth and fifth dog. Plus, you know, the two amazing, amazing kids.
We have many anniversaries in my date book. Engagement. Finding out she was pregnant with Erin. Finding out she was pregnant with Benny. Our wedding, of course.
But this is still my favorite anniversary. This is where it all began.
I love you, Beth. Happy Anniversary.
WEISMAN'S ON A ROLL...
WEISMAN'S ON A ROLL...
The RED TORNADO limited series that I was working on for DC Comics has been put on an indefinite hold. (I wouldn't hold my breath, even if you are an android/air elemental.)
CLARIFICATION
CLARIFICATION
Hey gang,
There seems to be some confusion about where things stand with the comic books, so I'm going to try again to clear things up. The SLG license expired on 8-31-08. That means there will be no more individual comic book issues on either Gargoyles or Bad Guys.
However, SLG does still have the right to put all existing material out in the Trade Paperback format. They are also allowed to include Bonus Material in these trades.
Gargoyles: Clan-Building, Volume One will remain available, and as soon as possible, we will be putting out Gargoyles: Clan-Building, Volume Two and Gargoyles: Bad Guys: Redemption out in trade.
Gargoyles: Clan-Building, Volume Two will include (obviously) Gargoyles issues #7-8, but it will ALSO include what would have been issues #9-12, including the covers, as QUOTE-UNQUOTE Bonus Material. You WILL get to see the end of the Clan-Building arc. Currently, issue #9 is done except for a few minor lettering corrections. Issue #10 is being pencilled as we speak. Issue #11 has been scripted, and we are looking for the right artist to pencil it. Issue #12 is being scripted now. The trade will come out when ALL this material is complete and approved.
The Gargoyles: Bad Guys: Redemption trade will include (obviously) Bad Guys issues #1-4, but it will ALSO include what would have been issues #5-6, including the covers, as QUOTE-UNQUOTE Bonus Material. You will get to see the end of the Redemption limited series. Currently, issue #5 is done except for a few minor art corrections and the lettering. Issue #6 is scripted, and Karine will begin roughing it out shortly. The trade will come out when ALL this material is complete and approved.
Hope that clears things up.
Greg
Gargoyles: Bad Guys #4
Gargoyles: Bad Guys #4 should be in stores this Wednesday, August 20th, 2008.
FYI
My Gargoyles Universe timeline has hit 300 pages. Just thought you'd like to know.
CON-ODYSSEY: ComicCon - Sunday, July 27, 2008
CON-ODYSSEY: ComicCon - Sunday, July 27, 2008
1:45am - Went back to my room to watch TV and read more BONE.
4am - Finally went to sleep.
9:30am - Wake up time. Said goodbye to Michael Vogel, Mike Ross, Chris and David Hedgecock.
10:30am - Talked with Paul GIacoppa for a bit.
11am - My last SLG signing with Karine. Lots of people stopped by, and I said goodbye to Karine, Jen, Faith, Sammy, Seth, Chris, Gargy, Dan, Jen, Joe, etc.
1pm - Left the con. Went back to the hotel to get my duffle and my car. Headed for home. Finished BORN STANDING UP and started Michael Chabon's YIDDISH POLICEMEN'S UNION. Ate peanut M&Ms, Pringles, Water, Coke.
4:30pm - Made it home.
And that ends my con-journaling until later this month when I head for CopperCon in Phoenix, Arizona: http://www.casfs.org/cucon/
CON-ODYSSEY: ComicCon - Saturday, July 26, 2008
CON-ODYSSEY: ComicCon - Saturday, July 26, 2008
12:30am - Back to the room.
1:30am - Sleep.
8:30am - Wake-up. Seven hours, not bad. The sleep-gods giveth and the sleep-gods taketh away.
9:30am - Breakfast with Michael Homler of St. Martin's Press. He's been trying to cajole me to finish the rewrite of my RAIN OF THE GHOSTS novel for a couple years now. I just never have time. I did have time for oatmeal, bacon and orange juice.
11am - SLG Signing with Karine. Simultaneously, I lost a contact lense deep inside my right eye, various fans stopped by for autographs, various friends and acquaintances stopped by to say hi, I was interviewed on camera and Dan was telling me that the Gargoyles comic book license would not be renewed. It was... somewhat stressful. I won't go into the details of the non-renewal here. I've rambled about it on ASK GREG earlier this week. Check the archives. But obviously, this was not a fun piece of news. The good news is that we will finish the Clan-Building and Redemption storylines. Beyond that, we'll just have to see...
1:30pm - SLG Panel. We showed the reels for both Mecha-Nation and Prodigy. Two new comics that Vic Cook and I will be doing for SLG over the next year. Then we had to announce the Gargoyles bad news. The sound was problematic throughout the panel, and the whole thing was a downer. No one's fault of course, but not too fun.
2:30pm - Back to SLG Booth for more signing.
3pm - David Hedgecock joined me.
4pm - Vic & Greg Guler came to sign Spidey posters and talk about Mecha-Nation and Prodigy on camera for SLG's website. I was definitely feeling burned out.
6pm - Went back to my room.
7pm - I went out to dinner with Vic, Greg Guler, Kevin Hopps, Phil Weinstein and their families. (Table for NINETEEN!) I had bread, a pepperoni/sausage/mushroom pizza and root beer. Then Vic, Kevin and their families wanted ice cream so I led them back to Ghiradelli's and had another Domingo. From there we returned to the Omni. I got a bottle of San Peligrino and we took up residence at the far end of the lobby as various folks came and went, including: myself, Vic, Phil, Kevin, Nicole Dubuc, Ian Mackie, Jennifer Anderson, Seth Jackson, Sammy, Kyt, Scott Sakai, Alisa, Cindy, Joey Mason, Cheeks, Marina and others, I'm sure. (Sorry, if I forgot anyone.)
TO BE CONCLUDED...
CON-ODYSSEY: ComicCon - Friday, July 25, 2008
CON-ODYSSEY: ComicCon - Friday, July 25, 2008
12:30am - Giving up on food, I return to my room to watch some TV and read BONE by Jeff Smith. I had bought the complete one-volume edition earlier that day, breaking my "no purchases at ComicCon" rule.
4am - I turn off the lights to go to bed.
5am - Can't sleep, so I turn ON the lights and read more Bone.
6am - Turn out the lights (just as the sun's coming up).
10am - Wake up.
11am - We have a press session organized by Lindsay Colker for Spectacular Spider-Man. I give a half dozen interviews, as do Michael Vogel, Vic Cook, Sean "Cheeks" Galloway, Jamie Thomason, Josh Keaton, Vanessa Marshall and Ben Diskin.
12:30pm - Spectacular Spider-Man panel w/myself, Michael, Vic, Sean, Jamie, Josh, Vanessa, Ben and Robert Englund. We show the music video, our "Quip Reel" and the preview of our Mysterio and Kraven footage. It all seems to go over pretty well. Vic and I attempt to make shout outs to everyone on the staff that we know is attending. Not sure if we got everyone, but we tried. The Q&A -- in fact the entire panel -- seemed to go pretty well. I judge this by the number of laughs we got.
2pm - We have a Spectacular Spider-Man two-poster/one postcard signing at the Sony Booth. The coolest giveaway is this great spider-signal. Very cool.
3:30pm - Vic and I do one last interview.
4pm - Back to the SLG Booth to sign Gargoyles stuff with Karine Charlebois and Robby Bevard. Jennifer brought me a Pinkberry.
6:15pm - Back to the room.
6:30pm - I get Michael Vogel and Chris into the Jetix party at Stingaree. I make some small talk with Mike Moon, Rich Fogel, Mark Seidenberg, Eddie Gamara, Peter McHugh, Matt Wayne, Nicole Dubuc, Brian Swenlin, among others.
7:30pm - I hook up with Eric Vesbitt, John, Carrie, Karine, Kyt and Jennifer for dinner at Mahoney's. We are literally driven out of the place by the ridiculously high volume of the music - taking our food to go. We ate outside, and the food was actually pretty good (Salad, Club Soda, Philly Cheesesteak Sandwich). But I was still shaking from the volume. So we went to Ghiradelli's for dessert. I had a "Domingo", which is basically a hot fudge sundae (Domingo=Sunday, get it?) with bananas. Afterwards, Jennifer, Kyt, Laura and Julia and I went to a bar. I had another club soda and then called it a night...
MORE TO COME...
CON-ODYSSEY: ComicCon - Thursday, July 24, 2008
CON-ODYSSEY: ComicCon - Thursday, July 24, 2008
12am - Returned to my hotel room.
2:30am - Went to sleep.
9:30am - Woke up.
11am - Signing with Karine Charlebois at the SLG Booth.
1pm - A few of us headed out to get lunch, but it took us so long -- and all the restaurants were so crowded that I realized I didn't have time for lunch, so I stopped by Pinkberry and got an original with blackberries, strawberries and blueberries.
2pm - Another SLG signing, this time with David Hedgecock and Gordon Purcell. My friends brought me a burger and fries from Dick's Last Resort.
4pm - I walked the floor a little bit.
6pm - I went back to my room.
7:30pm - Jennifer Anderson, Robby Bevard, Kit Contreras and Karine Charlebois piled into my Cruiser for a trip to Baja Betty's, where we joined Michael McAdams, Sammy, Seth Jackson, Alisa, Scott Sakai, Marina Garcia, Max, Ty and Cindy Kinnard. I had a LOT of chips and salsa and coke. Also an Enchilada, taquitos, rice & beans. We then went back to the hotels. Jennifer, Karine and I decided to go looking for dessert. We ran into Vannessa ("Mary Jane Watson") Marshall and Cathy Lizzio (her agent) also on a hunt for food. But by Thursday at midnight, that seemed impossible. We were joined by Fred (voice of the Hulk) and his father Fred Sr. But still no food...
MORE TO COME...
CON-ODYSSEY: ComicCon - Wednesday, July 23, 2008
CON-ODYSSEY: ComicCon - Wednesday, July 23, 2008
Geez, I only JUST noticed that my entire previous conjournal entries for the Gathering and ConVergence all have the YEAR wrong. 2008, not 2009.
Cripes.
Anyway...
12am - I'm still prepping for ComicCon.
2am - I watch an episode of the L-Word.
4am - I web-browse, looking for info on my buddy Cary Bates' new comic for Marvel: True Believers.
5am - I go to bed.
10am - I get up, pack, etc.
12pm - I say goodbye to Erin, who is home sick, and head to Ralph's market to buy road snacks.
12:20pm - I finally hit the road. I eat a Butterfinger, Pringles and Evian. I'm listening to Steve Martin's great autobiography Born Standing Up.
3pm - I arrive at the Omni Hotel and check in. My room (non-smoking) smells like cigarette smoke but only in the entry way. I think smokers stood outside the room by the window and some of the smoke seeped through. I'm too lazy to complain or change rooms, but I later bring it to the front desk's attention as I'm paranoid I'll be blamed for the situation and charged a huge "cleaning" fee. Otherwise, the room is very nice.
4pm - I have "lunch" with Michael Vogel, Chris and Mike Ross at Sweetwater in the Hard Rock. I have a number of cokes, a bacon cheese burger and a big pickle. Jennifer Anderson catches up to us.
5:30pm - Jennifer and I go to Mary Janes (also at the Hard Rock) and I have dessert: Apple Pie ala mode.
7pm - We get to the Old Globe Theatre just before curtain. The play is "The Pleasure of His Company". It's a very fun and funny production. I lose a contact part way through the play however. So we head back to my room so that I can change into my glasses. We then head out to meet up with Seth and Sammy, who are at a restaurant. We are warned that it's a "long walk" -- but are not told that it's flat out TOO FAR TO WALK! Eventually, we call and force Seth to come pick us up.
11pm - At the deli, I have an OJ, a French Dip Sandwich and Potato Salad.
MORE TO COME...
THE BIG BAD NEWS (and a little bit of good news).
THE BIG BAD NEWS (and a little bit of good news).
As many of you have probably heard, we found out Saturday (7/26/08) at San Diego ComicCon that the GARGOYLES (including BAD GUYS) license will not be renewed after it expires on 8-31-08.
Just to be very, very clear... this is NOT the result of poor sales. GARGOYLES is still one of the best selling book SLG publishes (if not THE best). BAD GUYS doesn't do too badly either by SLG standards. Of course, delays didn't help sales... and there are probably other factors that reduced the upside -- including the writing -- but none of that is the point.
According to SLG's President, Publisher and Owner Dan Vado, the Disney execs told him that the money they were taking in did not justify their administrative costs. So they raised the license renewal fee to a rate that put it beyond SLG's reach. (Dan had hoped to renew both Gargoyles and Haunted Mansion -- though not Tron or Wonderland -- but neither book will now be picked up.)
I don't know what effect recent announcements about Kingdom Comics and Boom! Comics had on this decision. Dan was told one thing had nothing to do with the other. No one at either company has approached me about doing Gargoyles, and I don't know that there will be any interest now that the license is coming to an end.
That's the bad news. But there is a bit of a silver lining.
There will be NO STORY INTERRUPTUS!!
We will finish both GARGOYLES: Clan-Building and BAD GUYS: Redemption. That's the equivalent of seven more issues of material.
BAD GUYS #4 should be out next week. The book is done and has been done for some time. It's been sent to the printers.
GARGOYLES #9 will hopefully be out next month. David is done with the art. All that remains is for Robby to color it and David to letter it -- tasks that both these gentlemen have proven able to do with great speed.
Whether or not the remaining issues (BAD GUYS #5-6 and GARGOYLES #10-12) are published as individual issues is a bit up in the air. BAD GUYS #5 and GARGOYLES #10 have decent (if long) shots at getting out in time. But whatever doesn't get out as individual issues will still be scripted, drawn, colored or toned, lettered and published as "BONUS MATERIAL" in individual trade paperbacks that will collect GARGOYLES: Clan-Building Volume II and BAD GUYS: Redemption. And these compilations WILL come out! There's still a lot of work to be done. (Personally, I still need to script Gargoyles #11-12.) So I WON'T take this moment to thank everyone and say au revoir. That'll come later. For now, we're still a going concern.
In addition, Dan hasn 't given up on us. He wants to put out these two new trades and keep all three trades available for sale (and btw we sold a bunch of the trades at ComicCon -- when I left Sunday at 1pm, hours before close of con, we only had a handful of Clan-Building Volume I left to sell). After a year, he hopes to go back to Disney with a different, perhaps more modest offer to do Gargoyles Graphic Novels. Might work out. Might not. But he's still game and just in case it isn't 100% clear...
GREG WEISMAN HAS NOT GIVEN UP!!!!!!!!!!
I'm as determined as ever -- if not moreso -- to continue bringing you canon Gargoyles stories. The eighteen issues we've done/are doing have only whetted my appetite! I'm still going to be out here swinging... for more comics or graphic novels, for the DVD releases, for a live action film, etc. But I can't do it alone! So please don't you guys give up on Gargoyles either!
Remember, a few years ago, we didn't even have this. In that time, we will have brought you two big arcs, six big stories, eighteen "episodes" and numerous sub-plots, plot-twists, new characters and old familiar favorites. Would we have Shari, Quincy, Coco, Amp, etc. if the fans haven't kept the faith?! No. Would we grok the Illuminati number system?! No. Would we have seen Goliath and Elisa declare their love?! NOPE!!! (Oh, and for those of you who wish Demona could have figured more prominently in the comic... well, guys do you really think I'd do a twelve issue re-introductory story arc in Gargoyles without prominently including the crazy red head? Please.)
So what can YOU do? Well, nothing's changed on that front, really. We still need people to buy comics, trades, DVDs, HOT TOPIC T-Shirts. We still need people to attend the GATHERING. (Check out www.gatheringofthegargoyles.com ) And whether or not you've spent all the disposable income you have to spend on the property, then help us SPREAD THE WORD!!!! Make sure every gargoyle fan knows about what's out there. Show friends the first 39 episodes on DVD. Lend them the comics or trades. Create converts.
And mostly... just keep the faith.
CON-ODYSSEY: GATHERING & CONvergence - Monday, July 7, 2009
CON-ODYSSEY: GATHERING & CONvergence - Monday, July 7, 2009
12am - The Memorial Panel for those who have passed officially made the con a 5-day event. Chocolate Fish.
1am - A bunch of us hung out for hours. Chris, Ken, Lex, Tim, Windy and others.
5am - Back to the room.
5:30am - Sleep.
10:30am - Wake-up. Five hours. Not too bad for me.
11:30am - Packed up with some difficulty. All those extra t-shirts and the crochet'd Goliath made it tough to fit everything in. Lex and I headed to Axel and I had gumbo, an Onion Ring and an Axel burger.
4:20pm - My delayed flight finally took off.
6:20pm - Just barely made my connection to my L.A. flight.
9:30pm - Arrived at LAX.
10:00pm - Home.
And that's that. Finished just in time, because tomorrow I leave for Con-Odyssey II: San Diego ComicCon!! More when I return.
CON-ODYSSEY: GATHERING & CONvergence - Sunday, July 6, 2009
CON-ODYSSEY: GATHERING & CONvergence - Sunday, July 6, 2009
12am - Returned to my room.
3am - Went to sleep.
8:30am - Wake-up.
10:30am - Brunch w/Uncle Joe and Aunt Nancy: V8, French Toast, eggs, bacon, hash browns. Then we headed over to Joe & Nancy's house for a bit.
12:30pm - Adaptation panel w/Marv & Vince.
2pm - Another signing with nothing to sign.
3pm - Went to Dairy Queen with Lex and had a dipped cone. Then we wandered about the con for a bit.
5pm - Closing Ceremony. I'm embarrassed to say, I found myself tearing up at Jeremy and Tim's farewell. (They've been part of the Triumvirate of Seven running the con for ten years now -- but have resigned after a noble and long run.)
7pm - Macaroni Grill with Lex, Megan, Mark, Eryn, Amanda and Len. Meatball Soup, Bread, Lobster Ravioli, Cheesecake with strawberries and chocolate.
10pm - Listened to the reading of the surveys. This may be my favorite part of the convention.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Saturday, July 5, 2009
CON-ODYSSEY: GATHERING & CONvergence - Saturday, July 5, 2009
12am - Lex and I met up at COF2E2 and hung out chatting for hours, joined by James toward the end.
5am - I returned to my room and pretty much went right to sleep.
9:30am - Wake-up.
11am - I had a Buffy & Angel panel. Yeah, yeah, what am I doing on that panel? Just being a geeky fan.
2pm - Comic book panle w/Terry Beatty, Chris Jones, Mark Evanier, Marv Wolfman and Len Wein.
3:30pm - A panel on Continuity with Chris Jones and others.
4:30pm - Took a nap.
7:30pm - Dinner at Vantage with Lex. Coke, Bread, water, Tomato Soup, Edimame, Steak, Mashed Potatoes, Green Beans. Good food.
9:30pm - Comics as Movies Panel w/Terry.
11pm - Mature Comics Panel w/Hank, Damien and Eve. This was probably the one dud panel of the entire Con-odyssey. It should have been fun and raucous and raunchy like a blue mug. But we got off to a serious start and never quite found a rhythm, though Eve tried when she arrived. Felt strangely on the defensive -- for no particular reason. But I did pimp BlueMugProductions.com.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Friday, July 4, 2009
CON-ODYSSEY: GATHERING & CONvergence - Friday, July 4, 2009
5am - Finally went to sleep.
9:30am - Wake up.
11am - An animation panel with Mark Evanier, Wally Wingert and Matt Waterhouse. We covered a lot of ground about the business. (Some of it pretty disheartening, I'd think.)
12pm - I toured the art show.
12:30pm - Dr. Jim Kakalios, author of The Physics of Superheroes, gave a talk on the costumes and accessories of superheroes, including unstable molecules (although as I pointed out to him later, he really only dealt with how they worked for Mr. Fantastic, not for the Invisible Girl of the Human Torch) and Captain America's shield. It was great.
2pm - I had a Gargoyles panel. Always fun.
3pm - Lex and I went to Dairy Queen for "lunch". Had a cheeseburger, fries and an Orange Julius. Got a chance to talk with Ken Hite and his wife Sheila. Ken's the only guy doing more panels than me. I shrug it off... for now.
5pm - I have a signing alongside Marv Wolfman and Wally Wingert. I have nothing for people to sign. But I learned some lessons from Marv about this that may prove useful at CopperCon later this summer.
6:30pm - Matt Waterhouse, David Margosian, Jennifer Menken and I have ANOTHER animation panel ("Cell vs. Chip"). It starts out as a bit of a struggle to make sure it's not just a rehash of the panel earlier in the day, but it winds up being pretty fun and unique enough. It helps that I have an ENDLESS quantity of showbiz horror stories.
7:30pm - Went out to Olive Garden with Mark Temple, Mark Evanier, Jody, Chris Jones, Marv Wolfman and Len Wein. Had breadsticks, minestrone and angel hair with shrimp.
11pm - A panel on "The Rebirth of the Heroine" with Charlotte Nickerson and Jen Manna. This was a fun one too. But I missed Soylent Blue because of it, which was a bit of a bummer as I remember them being really, really funny the last time I was at CONvergence.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Thursday, July 3, 2009
CON-ODYSSEY: GATHERING & CONvergence - Thursday, July 3, 2009
4:30am - Finally went to sleep.
10am - Wake up.
11:30am - Went out to breakfast at the Edina Grill with Uncle Joe. (Joe is my wife's father's brother.) We mostly talked about the crazy industry I work in. I had Eggs, sausage, hash browns, sourdough toast.
2pm - All the con's special guests (over twenty of us) had a photo call. After that, I went to check out the Dealers' Room.
5pm - I had a panel on the Spectacular Spider-Man.
7pm - Opening Ceremony.
9pm - Lex took me for a comparison Juicy Lucy (this one w/Blue Cheese that didn't quite get liquid), Lemonade, Cheese Curds and Onion Straws.
10pm - We got back to the hotel in time to see a pretty good fireworks display in the distance. I toured all the cabana parties, but I wasn't into it, so...
11pm - I went back to my room.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Wednesday, July 2, 2009
CON-ODYSSEY: GATHERING & CONvergence - Wednesday, July 2, 2009
3am - Went to sleep.
12:30pm - Wake up. Yep. I was pretty tired.
2pm - Lex and her husband James and I go to Matt's for Juicy Lucys and fries.
3pm - Lex and I go to a mall (not THE mall) and grab some Cherry Garcia before...
3:55pm - We saw Wall-E. Which I thought was just great. Really liked it.
7:10pm - Went to the Guest Reception at the hotel. They served cake. But "NO FORKS!"
10pm - I was back in my room and a bit restless. Just started watching television. See even when I catch up on sleep, I wind up blowing it the next night...
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Tuesday, July 1, 2009
CON-ODYSSEY: GATHERING & CONvergence - Tuesday, July 1, 2009
4:30am - Finally went to sleep.
9:30am - Wake-up.
11:15am - Car took me to the airport. Grabbed some McDonalds: Quarter-Pounder w/cheese, fries, coke and an apple pie.
2:15pm - Flight departs for Minneapolis. Had some tomato juice on the plane.
3:45pm - Arrived in Minneapolis.
4pm - Lex Larson, my CONvergence guest liason picked me up and took me to the Sheraton in Bloomington to check in.
5:30pm - We arrive at the amazing new (to me) Guthrie Theater. We had dinner at Cue, the restaurant there. The food was amazing. Breadsticks and bread, Salad, Flatiron Steak, potatoes, green beans...
7:30pm - We saw THE SECRET FALL OF CONSTANCE WILDE, a play about Oscar Wilde, his lover Bosie and especially his wife Constance. It was a great production. Very creative. Amazing performances... and PUPPETS!
10:30pm - Back to the hotel.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Monday, June 30, 2009
CON-ODYSSEY: GATHERING & CONvergence - Monday, June 30, 2009
12:30am - After the ballroom dancers went their separate ways, a few of us (Susan, Jennifer, Mara, Gore, GXB, Patrick, Karine and I) went up to Susan's room to hang out, talk, laugh, debate the virtues of Twizzlers vs. Red Vines, etc.
4am - Back to my room. Had another apple.
4:30am - Bed.
8:30am - Wake up call.
10am - Had breakfast with my cousin Alex and her friend Tobin. Orange Juice, Begniets, toast, potatos, eggs, bacon.
11:30am - Took a break, but as I understand it that one-eyed pig Edmund Tsabard had a panel with Jennifer, Karine and Mara to talk about Blue Mug Productions and show some samples. For more info, stop by BlueMugProductions.com.
1pm - Closing ceremonies. Always bittersweet.
3pm - Goodbyes. Pretty much everyone took off, except myself, Patrick and Susan and her family. Susan took Patrick and I to her house, where we met her many, many, many, many dogs and saw her many, many, many cells. Very cool.
5pm - Susan, Rob, Carly and Chloe took us to yet another great dinner. Had shrimp, clam chowder, coke, steak, lobster tail, rice, slaw. Then Rob and Chloe took Patrick and I back to the hotel.
7pm - I was back in my room. And pretty darn tired.
9pm - Sleep.
11:30pm - Knew it was too good to be true. Woke up. Had another apple. Watched some television and read some Ross Macdonald.
The end of another FANTASTIC Gathering... and yet my trip is only half over!
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Sunday, June 29, 2009
CON-ODYSSEY: GATHERING & CONvergence - Sunday, June 29, 2009
1am - Returned to my room and ate an apple.
2am - Went to sleep, which for me is early.
8:30am - Wake up call.
10am - Had the Gargoyles and Bad Guys panel with Karine. Fewer questions about Gargoyles #9 then I would have thought, but it was fun.
11:30am - Gargoyles Biology and Culture panel w/Lynati & Kimberly. A perrenial favorite of mine. Not sure anything quite as revelatory as last year in Tennessee, but it was fun.
1pm - Spidey panel w/Keith, Thom and Jennifer. Again, no major revelations, but I like talking Spidey. Next year we're probably going to do a series of Spidey panels at the L.A. Gathering 2009.
2:30pm - Went for stir fry lunch with Sammy, Jennifer, Thom, Adam and Laurean. Good stuff. Afterwards, a couple of us went to Jamba Juice.
4pm - Though we were told we didn't need to get back to judge the Iron Artist competition until 4pm, by the time we arrived it was all over. The medium was macaroni and the theme was the Ultra-Pack.
4:30pm - Sat down to watch the end of the auction, and then we had our signing.
6pm - Banquet: Salad, roll, Chicken, potatoes, carrots, asparagus, tart. I sat with constaff mostly: Nikki, Seth, Sammy, Susan, Jennifer, Karine, Patrick, Greg, Rebekkah. During the Trivia Contest, Matt led his table to victory.
9pm - Masquerade. Fewer entries every year. I hope we can reverse that trend. But what was there was pretty cherce:
Best Canon:
1st: Hunter/Aaron
2nd: Shari/DTaina
3rd: Archmage+/Chip
Best Original:
1st: J.W./Jennifer Rynmoor
2nd: Gypsey/Noel Leas
Cutest Couple: Ranmaru & Arazia
Thom Adcox Memorial Award: Justin as Odin
No Gorelisa award this year.
Best in Show: Patrick Fisher as the Tourist Gargoyle
Also, Karine had a kick-ass Hunter costume.
There was dancing next. I even swing-danced Jenn-Bob right off a table.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Saturday, June 28, 2009
CON-ODYSSEY: GATHERING & CONvergence - Saturday, June 28, 2009
2:00am - Back to my hotel room.
4:00am - Finally went to sleep.
8:30am - Wake up call. I showered, etc., and went down to the ConSuite, where I had a Danish and OJ at the tail end of the staff meeting.
10:00am - We held our second set of auditions.
11:30am - Over a catered lunch of a French Dip Sandwich, Broccoli Soup and fruit, Keith, Thom, Jennifer and I cast the Radio Play.
2:00pm - I was interviewed for an article by Alan.
3:00pm - The Gathering Players had their one and only rehearsal.
5:00pm - The Radio Play. This year's script was a chronological retelling of Chapters VII, VIII & IX of Clan-Building (i.e. "The Rock", "Rock & Roll" and "Rock of Ages"). I think the performers were terrific, but I don't think the script worked chronologically. Oh, well... A highlight was the massive rainstorm that nearly overwhelmed Shari's storytelling. Here was the cast:
THE GATHERING PLAYERS - 2008 Edition
NARRATOR - Greg Weisman
MACBETH - Erik Mambu
SHARI - Jennifer L. Anderson
COLDSTEEL - Eric Tribou
LEXINGTON - Thom Adcox
STONE OF DESTINY - Justin Summerhill
HUDSON - Jordan Mann
DAVID XANATOS - Jaret Morlan
ARTHUR PENDRAGON - Patrick Fisher
CONSTANCE/COCO - Laurean Leigh
STAGHART/AMP - Seth Jackson
GRIFF - Chip
THAILOG - Keith David
COLDSTONE - Revel
COLDFIRE - Sarah the Great
GOLIATH - Keith David
COYOTE 5.0 - Jaret Morlan
PEREDUR - Seth Jackson
COLDSTREAM GUARD - Chip
ELISA MAZA - Phoenix Talon
JAY SATO - John/Flanker
BLANCHEFLEUR - Laurean Leigh
CUSTOMS OFFICIAL - Patrick Fisher
BROOKLYN - Jae
DUVAL - John/Flanker
FOX - Phoenix Talon
BROADWAY - Lucas McClain
HOLY GRAIL - Lucas McClain
LUNETTE - Phoenix Talon
VINNIE GRIGORI - Jae
AIRPORT INTERCOM - Lucas McClain
OWEN BURNETT - Jae
MAGGIE THE CAT - Sarah the Great
TALON - Revel
SCOTTISH PATRIOT - Jordan Mann
7:00pm - Dinner at Pete's, w/Josh, Susan, Nicole, Eric, Greg, Rebekkah, Patrick, Laurean, Keith, Thom, John, Sammy, Seth, Jennifer, Nikki, Karine and me. Fantastic meal: Iceberg wedge salad, amazing bread, NY Strip Steak, Garlic Mash Potatos, Creamed Spinach, mushrooms, Berries. Raced back to be on time for...
10:00pm - The Blue Mug. Fairly raunchy this year. (Though not with every single question.) Teased Blue Mug Productions a bit. At some point, I took a bathroom break. Discovered that the self-flushing urinals in the hotel SCREAMED like the Green Goblin's pumpkin bombs! Freaked me out! Later Nikki gave me a colored sketch of a Green Goblin screaming urinal.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Friday, June 27, 2009
CON-ODYSSEY: GATHERING & CONvergence - Friday, June 27, 2009
10:30am - Wake-up call gets me up. I slept for nearly twelve hours. Guess I was tired.
11:30am - I head up to the con to collect my box of RadioPlay scripts. Say hi to some people. Tour the dealer's/art room, which is a work in progress at this point.
12:00pm - My first panel of the con(s). Thom and I hold the Voice Acting Seminar that we've done in previous years. Phoenix gets up to play Demona and does a great job. We also do the Griff, Leo, Una, Goliath scene and a couple different runs at a Peter Parker, Spider-Man, Symbiote, Uncle Ben scene. Everyone does pretty darn well.
1:30pm - First round of auditions for the Radio Play, w/Keith, Thom, Josh and Jennifer helping with the casting and Sammy manning the door. Vox stops by to give me the crochet'd Goliath she made for me. It's pretty amazing, as is the Hunter she's made for Karine and all the rest. Tthe one that makes me laugh the most is the Owen... which was the last to sell. No accounting for taste.
3:00pm - Mug-A-Guest. I remember having fun, though none of the questions stand out in my memory at the moment.
5:00pm - Opening Ceremony. (It's been pointed out to me that it's a Ceremony not multiple Ceremonies.) We opened with a full hour plus of music videos. Susan then stepped up to offer opening remarks and intros. Jen pitched G2009 in Los Angeles (check out gatheringofthegargoyles.com). Susan thanked her staff, including Nikki, Jennifer, Greg and Patrick (who am I forgetting?). Then I went up to do my schpiel and show the now-familiar pieces: the pitch, the promo, the New Olympian and Dark Ages pitches, the Bad Guys reel (much of which is now canon thanks to the comic) and "The Last". The fans have made great progress on "The Last" - but there's still more work to be done. If you're interested in helping, contact Vashkoda.
After opening ceremony, it was time for a Blue Mug Productions Dinner. Edmund Tsabard, was out whoring, so I sat in with Jennifer, Mara and Karine (who has since had to bow out of the project, much to our sorrow). We got a lot done/decided in preparation for the Monday panel. Plus the food was great: Edimame, Rangoon, Dumplings, Miso soup, Shrimp Pad Thai. Then a stop at Ben & Jerry's after dinner for a Banana/fudge/Cherry Garcia sundae.
I stopped by my room to call home, then came back downstairs to the bar (Indigo... I think the restaurant I mentioned yesterday was called Blue or something). Later a small group of us (Susan, Jen, Mara, Karine, Seth, Sammy, Rebecca, Gore, BrooklynX, Patrick, Thom & John) went up to Susan's room to hang out and laugh.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Thursday, June 26, 2009
CON-ODYSSEY: GATHERING & CONvergence - Thursday, June 26, 2009
5:00am - I stop watching Dexter with three episodes left to finish the season. (Still have one left as I write this.) Time to start my day and take a shower.
6:20am - Jennifer, Rebecca and Thom Adcox arrive to pick me up. They're early and I'm not quite packed. But I hussle and we head to the airport. In the parking lot we meet up with Seth and Sammy and take a shuttle to the airport, where we meet up with Josh Silver... and my kids Kindergarten teacher Mrs. Leakley (how weird is that?). I buy a water and a Snickers and a can of Pringles, saving the latter for the plane.
10:00am - The plane leaves for Chicago a mere half hour late. I have tomato juice and Pringles on the plane. I read the L.A. Times, and then continue reading THE ARCHER FILES - The complete short Lew Archer stories by Ross Macdonald, edited by Tom Nolan. Good stuff. I'm sitting with Jennifer and Thom and across from Rebecca and Mrs. Leakley. Josh, Seth and Sammy are further back. Thom sleeps through most of the plane ride.
4:00pm - We land... but are kept aboard waiting for a gate for an hour.
5:00pm - We finally disembark, meeting up with Keith David (who was flying in from New York) in baggage claim.
5:45pm - I didn't check any bags, but others did, and it takes 45 minutes for the bags to come out. We meet up with Patrick, Susan and Rob outside and pile into three cars. I think Josh and Keith went with Susan. Jennifer, Sammy and Seth went with Rob. Thom, Rebecca and I went with Patrick. Traffic was a nightmare.
7:30pm - We finally arrive at the lovely Hotel Orrington in Evanston, Illinois, just outside Chicago. This is a great area for a con, with lots of walking distance food nearby. I go up to my very nice room, where cheese and grapes are waiting for me. Then it's back downstairs for Dinner at the hotel's restaurant (Indigo?). I'll probably forget someone, but I think it was me, Karine, Jen, Greg Bishansky, Thom, Keith, Maelee, Josh, Dionne, Ruby, Susan, Rebecca, Patrick, Seth and Sammy. Also saw Ellen, Fan, Nikki, Jenn-Bob, etc. I had Sushi, Tempura, pork dumplings, Beef asparagus rolls and a couple cokes.
10:00pm - I went back to my room, leaving dinner early, exhausted. I called home, did just a bit of channel flipping, and...
11:00pm - Crashed.
MORE TO COME...
CON-ODYSSEY GATHERING & CONvergence - Wednesday, June 25, 2009
And so begins my conjournal, which I'll serialize over the next few days...
I was gone for nearly two weeks to attend two terrific conventions. I had a great time at both, and really the best aspect of both was just hanging out with people, fellow pros and fans. I'll try to be complete, but I'm bound to make mistakes, skip over some people, etc. So I beg your forgiveness and indulgence in advance.
Wednesday, June 25, 2009
Still a work day for me... as I tried to frantically get everything done and ready for my trip.
10:30am - I had an Attended Edit of Spectacular Spider-Man episodes 125 and 126 with our editor Terry over at Studiopolis. This is the point where we take our voice recordings and edit it into a natural pause tape that the board artists and timers can use to get the feel of the flow of dialogue. Last two episodes of the second season are now completed on the writing and voice side before I leave. (Note: I find out today 7/9 that the board artists and directors never got these dialogue reels. GRRRRRR.)
12:00pm - I arrive at my office at Sony's Apple Building, i.e. the grim warehouse where we produce Spidey. I'm trying to clear the decks, since I don't plan on bringing my computer on the trip and/or checking e-mail.
7:00pm - I stop by Golden Apple to pick up a few comics before I go. Some Amazing Spider-Man (Brand New Day) and Justice League, which I buy for work-related reasons and Angel, which I buy for Whedon geek-out reasons.
8:00pm - I get home and sleep for a couple of hours.
10:00pm - I say good night to the kids and Beth. Then I do some more prep work for the conventions. Printing out my itinerary, etc. Then I watch a bunch of episodes of Season Two of Dexter (even better than Season One). No point in going to sleep tonight - I have to get up too early...
MORE TO COME...
RADIO PLAY: The History
I posted this in the comment room, but Todd suggested I repost it here...
RADIO PLAYS...
Sometimes I just don't have anything Gargoyles for us to do. And I'm not sure if just doing old episodes is all that interesting. And the other things have been fun... at least it seemed that way to me.
Here's a history of the works of the GATHERING PLAYERS...
1998 - RAIN OF THE GHOSTS (an unproduced pilot I wrote)
1999 - THE ROSWELL CONSPIRACIES (a rejected pilot I wrote)
2000 - ROUGHNECKS: THE STARSHIP TROOPERS CHRONICLES (the last arc of the series, which I story edited, half of which was unproduced. Written by me, Jon Weisman Lydia Marano, Cary Bates and Michael Reaves.)
2001 - GARGOYLES: "Hunter's Moon, Part Three" (Note: this was the first time that we actually did something gargoyles related for the radio play. This included scenes that were cut for time from the original. Written by Michael Reaves.)
2002 - TEAM ATLANTIS: "The Last" (Unproduced episode featuring Demona and Fiona Canmore, written by me)
2003 - GARGOYLES: "The Reckoning" (Performed in honor of Gary Sperling, who co-wrote the script with Lydia.)
2004 - GARGOYLES: "The Journey" (my uncut version of the script)
2005 - DOC SHAKESPEARE (An unproduced pilot written by myself and Sam Bernstein)
2006 - GARGOYLES: "The Mirror" (written by Lydia Marano and Brynne Chandler Reaves)
2007 - GARGOYLES: "Clan Building, Chapters III, IV & V: Invitation Only, Masque & Bash" - (from the comic, premeiring chapter V before it was published. Written by me...)
2008 - Geez, I should probably figure this out soon...
Anyway, you can see that traditionally, we've only done something gargish about half the time. For me it's fun to get to see my unproduced work performed, and it does give the fans a little insight into the biz. In any case, I've never heard any complaints from the folks who attended.
Greg Weisman
OFF TO CHICAGO... ON A WING AND A PRAYER...
HILL STREET BLUES ON DVD
As many of you know, perhaps my favorite television series of all time is HILL STREET BLUES. A couple years ago, the first season was put out on DVD. There was no marketing that I noticed... but there was a bit of publicity. A year later the second season came out. This time no marketing and no publicity. Also, I'm GUESSING, not much in terms of sales -- as the third season isn't on the schedule. I've signed up at Amazon to be notified if-and-when it is released...
SOUND FAMILIAR?
I bring this up, since it allows me to do a few things:
1. SPREAD THE WORD! I encourage you all to buy the first two seasons of Hill Street Blues. This was one of the truly seminal shows in television history, brilliantly written and acted and directed and a HUGE, HUGE influence on Gargoyles. Like Gargoyles it created a tapestry, a world of characters. Very much worth your time and disposable income.
2. CREATE A REALITY CHECK. For those of you who STILL seem to feel Disney is doing something unusual (let alone nefarious) in its treatment of Gargoyles, this is one of just many, many, many examples that demonstrates it's not. We can all sturm and drang about how business should be done, with marketing and publicity galore for every product, with a guarantee that once a company starts a project they must finish it (whether or not the economics justify it), etc. But the gnashing of teeth doesn't change the reality. Companies -- even companies as huge as Disney have LIMITED resources and must deal with the notion of OPPORTUNITY COST. So one company takes a flier on a Gargoyles DVD set, another takes one on Hill St. Both do fairly well in their first season releases, despite limited or no marketing and limited or no publicity. Both fair poorly in their second release. Both don't seem to rate a third release. It's sad. But it's life.
3. ENCOURAGE YOU TO SPREAD THE WORD! The best thing any one of you can do to help get the next release of ANY show you love -- short of spending your own money -- is to help us Spread the Word! About the DVDS, the comics, the Gathering. Oh, and about Hill Street Blues. (See, I practice what I preach!)
With that in mind, I depart in less than 48 hours for Chicago and my 12th Annual Gathering, followed immediately by a trip to Minneapolis for ConVergence (http://www.convergence-con.org/). I won't have internet access while I'm gone, but when I return I'll post my conjournalx2. I encourage all of you who are attending the Gathering to post/cut&paste their conjorunals, diaries etc. here to ASK GREG. It creates a central place where I can refer ignorant PTB-types. Also, if you see me at either con, please come up and say hello. I am notoriously bad with names, and I admit (with some embarrassment) that it often takes me two or three conventions to really nail a name down. But I do want to meet you, and I do want to get to know you. I'm not much at small talk, but I can talk about animation and comics and pop culture in general ad nauseum (just ask my wife).
Mary Jane origins...
My folks, Beth and the kids went to see a truly wonderful performance of "Big River" yesterday at the Los Angeles County High School for the Arts. "Big River" is of course based on "The Adventures of Huckleberry Finn". Now keeping in mind that this is a show I've seen at least three times before, and that Huck is a book I've read at least four times, it stunned me that I NEVER noticed this fact before...
The girl that Huck has a huge unrequited yen for is named "Mary Jane Wilkes". And one of the women who takes Huck in at the beginning of the book is named "Miss Watson". It seems nearly impossible to think that the name "Mary Jane Watson" from Spider-Man wasn't lifted (consciously or otherwise) from Twain... I assume by Stan Lee (though possibly from someone else working at Marvel in those years).
How did this get by me?
The Spectacular Spider-Man #113
___________________________________________________________________________
The Spectacular Spider-Man
Ep 113: "NATURE VS. NURTURE"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
KEVIN HOPPS
Card #5
Directed By
VICTOR COOK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
CLANCY BROWN as GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, ERIN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
PHIL LAMARR as RAND ROBERTSON
_______________________________________________________________________
Card #8
Also Starring
JOSHUA LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION
___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
JOAQUIM DOS SANTOS
SAHIN ERSOZ
JAY OLIVA
DAVE PRINCE
ROBERT SOUZA
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT
JUNG JA KIM WOLF
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
The Spectacular Spider-Man #112
___________________________________________________________________________
The Spectacular Spider-Man
Ep 112: "INTERVENTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
GREG WEISMAN
Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
ED ASNER as BEN PARKER
LACEY CHABERT as GWEN STACY
ROBERT COSTANZO as SULLIVAN EDWARDS
JIM CUMMINGS as CRUSHER HOGAN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
_______________________________________________________________________
Card #8
Also Starring
JOSH LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION
___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
IRINEO MARAMBA JR.
RICK MORALES
KI HYUN RYU
ADAM VAN WYK
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT
JUNGJA KIM WOLF
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
The Spectacular Spider-Man #111
___________________________________________________________________________
The Spectacular Spider-Man
Ep 111: "Group Therapy"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
ANDREW ROBINSON
Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
IRENE BEDARD as JEAN DeWOLFF
JEFF BENNETT as SHOCKER , ST. JOHN DEVEREAUX
STEVE BLUM as DILBERT TRILBY
CLANCY BROWN as RHINO, GEORGE STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as SANDMAN, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
ROBERT ENGLUND as VULTURE
_______________________________________________________________________
Card #8
Also Starring
CRISPIN FREEMAN as ELECTRO
ELISA GABRIELLI as ASHLEY KAFKA
PHIL LAMARR as ROBBIE ROBERTSON, FANCY DAN
PETER MACNICOL as DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
KATH SOUCIE as ANNA WATSON
DEBORAH STRANG as MAY PARKER
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
KEVIN ALTIERI
NATE CLESOWICH
JOAQUIM DOS SANTOS
CHARLES DROST
DAVE SCHWARTZ
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
JUNGJA KIM WOLF
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
The Spectacular Spider-Man #110
___________________________________________________________________________
The Spectacular Spider-Man
Ep 110: "Persona"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
MATT WAYNE
Card #5
Directed By
DAN FAUSETT
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
DEE BRADLEY BAKER as CURT CONNORS
XANDER BERKELEY as QUENTIN BECK
STEVE BLUM as DILBERT TRILBY, CHAMELEON
CLANCY BROWN as GEORGE STACY
GREY DELISLE as SALLY AVRIL
BEN DISKIN as EDDIE BROCK
TRICIA HELFER as BLACK CAT
_______________________________________________________________________
Card #8
Also Starring
JOSHUA LEBAR as FLASH THOMPSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
DEBORAH STRANG as MAY PARKER
BJ WARD as MAYOR WATERS
TOM WILSON as STAN CARTER
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
WADE WISINSKI
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
PATRICK ARCHIBALD
TIM ELDRED
JAE KIM
KALVIN LEE
DAVE PRINCE
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT
Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Retake Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
DONGWOO ANIMATION CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
The Spectacular Spider-Man #109
___________________________________________________________________________
The Spectacular Spider-Man
Ep 109: "The Uncertainly Principle"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
KEVIN HOPPS
Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
STEVE BLUM as GREEN GOBLIN, DILBERT TRILBY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, BETTY BRANT
JOHN DIMAGGIO as HAMMERHEAD
ANDREW KISHINO as KENNY KONG, NED LEE
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
_______________________________________________________________________
Card #8
Also Starring
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON, JOHN JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as TOMBSTONE
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL
ALANNA UBACH as LIZ ALLAN
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
VINTON HEUCK
IRINEO MARAMBA JR.
RICK MORALES
ADAM VAN WYK
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
The Spectacular Spider-Man #108
___________________________________________________________________________
The Spectacular Spider-Man
Ep 108: "Reaction"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
RANDY JANDT
Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
STEVE BLUM as GREEN GOBLIN, SEYMOUR O'REILLY, DILBERT TRILBY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL
JOHN DIMAGGIO as HAMMERHEAD
ANDREW KISHINO as NED LEE
CLYDE KUSATSU as TED TWAKI
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
_______________________________________________________________________
Card #8
Also Starring
JOSHUA LEBAR as FLASH THOMPSON
PETER MACNICOL as OTTO OCTAVIUS / DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL
ALANNA UBACH as LIZ ALLAN
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
NATHAN CHEW
NATE CLESOWICH
JENNIFER COYLE
KI HYUN RYU
DAVE SCHWARTZ
SCOOTER TIDWELL
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
PATRICK GLEESON
BRIAN HOGAN
JUNG JA KIM WOLF
RANDY LUDENSKY
Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
The Spectacular Spider-Man #107
___________________________________________________________________________
The Spectacular Spider-Man
Ep: "Catalysts"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
ANDREW ROBINSON
Card #5
Directed By
VICTOR COOK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
STEVE BLUM as GREEN GOBLIN
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, BETTY BRANT
ANDREW KISHINO as KENNY KONG, NED LEE
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
_______________________________________________________________________
Card #8
Also Starring
PETER MACNICOL as OTTO OCTAVIUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON, JOHN JAMESON
KEVIN MICHAEL RICHARDSON as TOMBSTONE, PRINCIPAL DAVIS
CREE SUMMER as GLORY GRANT
JAMES ARNOLD TAYLOR as HARRY OSBORN
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
KEVIN ALTIERI
DAN FAUSETT
DAVE PRINCE
ROBERT SOUZA
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RANDY LUDENSKY
SWINTON SCOTT
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN "BUENOS" DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
The Spectacular Spider-Man #106
___________________________________________________________________________
The Spectacular Spider-Man
Ep: "The Invisible Hand"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
MATT WAYNE
Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
IRENE BEDARD as JEAN DEWOLFF
CLANCY BROWN as ALEX O'HIRN / RHINO, GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as HAMMERHEAD
BEN DISKIN as EDDIE BROCK
JOSHUA LEBAR as FLASH THOMPSON
_______________________________________________________________________
Card #8
Also Starring
PETER MACNICOL as OTTO OCTAVIUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as BIG MAN /TOMBSTONE / L. THOMPSON LINCOLN
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
KALVIN LEE
IRINEO MARAMBA JR.
ADAM VAN WYK
RICK MORALES
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
JUNGJA KIM WOLF
RANDY LUDENSKY
Animation Checker
GLORIA PALTER
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN "BUENOS" DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
DONNELL EBARRETE
CHUCK SMITH
MYRA OWYANG
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
DONGWOO ANIMATION CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
UNSOLICITED SUBMISSION
To the person who sent Gargoyle story ideas to my house...
1. Okay, first, I don't know how the hell you got my home address, but I'll say it was VERY disconcerting to be receiving unsolicited materials there. Please do NOT do this again. I ask everyone NOT to search out my personal information. I don't post them for a reason. I know in this day and age it's not that hard to find, but why look? Just to creep me out and make me regret being as open as I am with fans?
2. As soon as I realized what I had in my hand, I put it through the shredder without reading it. This is nothing personal. I do NOT read fanfiction or look at original ideas based on Gargoyles or any other properties I may be involved in. I have my own ideas -- tons of them; I don't need yours. But the main reason is to protect myself from lawsuits. You send me an idea. I don't use it, don' t even read it, but later something similar appears in the comic and you think I've ripped you off and you sue. The ONLY protection I can have against something like that is to have a BLANKET policy NEVER to read this stuff. As long as EVERYONE knows I NEVER read this stuff, if it came to court, I have some measure of safety.
So please, for both the above reasons, DO NOT DO THIS AGAIN!! And for anyone else considering this approach -- and/or thinking I've just given them a great idea... CONSIDER AND THINK AGAIN!! Obey the ASK GREG rules and please keep the correspondence ON ASK GREG where it belongs.
Thank you,
GREG
VOTE GARGOYLES!!!
I just heard that The Anthropomorphic Literature and Arts Association telling me that Gargoyles has been nominated for an Ursa Major award in the comic book category.
The winner will be announced on May 17. It looks like anyone can vote--the ballot is here: http://www.ursamajorawards.org/Voting.htm
APRIL 5
This day in Gargoyles' Universe History....
April 5th...
1002
Duchess Emma of Normandy (Katharine of Wyvern's aunt) marries King Aethelred the Unready of England.
NOTE: THIS WILL BE THE LAST TDIGUH for now. I've now gone through one entire calendar year. Though I'm constantly adding to the timeline, it would become a fairly repetitive exercise in the short term. Maybe in a few years, we'll bring the feature back. Hope you enjoyed it.
The Spectacular Spider-Man #105
___________________________________________________________________________
The Spectacular Spider-Man
Ep: "COMPETITION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
KEVIN HOPPS
Card #5
Directed By
TROY ADOMITIS
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
CLANCY BROWN as ALEX O'HIRN
LACEY CHABERT as GWEN STACY
JOHN DIMAGGIO as FLINT MARKO / SANDMAN, HAMMERHEAD
ANDREW KISHINO as KENNY KONG
PHIL LAMARR as RAND ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
_______________________________________________________________________
Card #8
Also Starring
PETER MACNICOL as OTTO OCTAVIOUS
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as COACH SMITH
DEBORAH STRANG as MAY PARKER
CREE SUMMER as GLORY GRANT
JAMES ARNOLD TAYLOR as HARRY OSBORN
ALANNA UBACH as LIZ ALLAN
TOM WILSON as STAN CARTER
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
JENNIFER COYLE
KI HYUN RYU
KALVIN LEE
ALUIR AMANCIO
JAY OLIVA
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
PATRICK GLEESON
RANDY LUDENSKY
SWINTON SCOTT
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN "BUENOS" DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
DONNELL EBARRETE
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS, FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
APRIL 1
This day in Gargoyles' Universe History....
April 1st...
1897
Forty-five members of the Paris orchestra meet in the catacombs in full tuxedo to perform a concert.
1995
Dr. Anton Sevarius recruits two homeless men off the streets of New York.
MARCH 29
This day in Gargoyles' Universe History....
March 29th...
1960
Harry Monmouth is born.
1995
Scarab Corp. donates the R.E.C.A.P. robot to the N.Y.P.D. Matt Bluestone begins studying the manuals so that he can be certified to use it.
MARCH 28
This day in Gargoyles' Universe History....
March 28th...
2007
[withheld]
The Spectacular Spider-Man #104
___________________________________________________________________________
The Spectacular Spider-Man
Ep: "MARKET FORCES"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
ANDREW ROBINSON
Card #5
Directed By
DAN FAUSETT
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
JEFF BENNETT as MONTANA / SHOCKER
CLANCY BROWN as ALEX O'HIRN
LACEY CHABERT as GWEN STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as FLINT MARKO, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
ANDREW KISHINO as NED LEE
_______________________________________________________________________
Card #8
Also Starring
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as BIG MAN, COACH SMITH
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
JENNIFER COYLE
TIM ELDRED
LARRY HOUSTON
JUAN MEZA LEON
NATE CLESOWICH
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RANDY LUDENSKY
SWINTON SCOTT
TONY CRAIG
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN "BUENOS" DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
Animatic Technician
MIKE MANGAN
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
DONNELL EBARRETE
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
DONGWOO ANIMATION CO., LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
MARCH 22
This day in Gargoyles' Universe History....
March 22nd...
2198
Earth surrenders to the Space-Spawn.
MARCH 21
This day in Gargoyles' Universe History....
March 21st...
1058
In Avalon, Angela, Gabriel, Ophelia, Boudicca and thirty-two other gargoyles and gargoyle beasts hatch out of their eggs.
1924
Mace disappears with a fortune in jewels to become a full-time operative for the Illuminati. He writes a letter to Dominic Dracon, taunting him with false clues about the location of the jewels.
2198
From around the globe, human heads of state and all twelve Gargoyle Clan Leaders come to Queen Florence Island for the hatching. The Space-Spawn attacks, abducting the gargoyle eggs and the human and gargoyle leaders, including U.N. Secretary General Alexander Fox Xanatos IV. And in Antarctica, Earth's Master Matrix Computer is stolen. The Space-Spawn invasion has begun.
MARCH 17
This day in Gargoyles' Universe History....
March 17th...
1058
In Strathbolgi, Canmore kills Luach. Bodhe also dies. Gruoch commits suicide.
The Spectacular Spider-Man #103
___________________________________________________________________________
The Spectacular Spider-Man
Ep: "NATURAL SELECTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
MATT WAYNE
Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
DEE BRADLEY BAKER as CURT CONNORS / LIZARD
MAX BURKHOLDER as BILLY CONNORS
LACEY CHABERT as GWEN STACY
BEN DISKIN as EDDIE BROCK
CRISPIN FREEMAN as THUG # 1
ANDREW KISHINO as KENNY KONG
_______________________________________________________________________
Card #8
Also Starring
PHIL LAMARR as RAND ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
KI HYUN RYU
ADAM VANWYK
RICK MORALES
IRINEO MARAMBA JR.
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
SWINTON SCOTT
JUNG JA KIM WOLF
Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN "BUENOS" DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
Animatic Technician
MIKE MANGAN
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
DONNELL EBARRETE
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #23
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #24
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #26
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
"Natural Selection" on "The Spectacular Spider-Man"
Hey gang,
Hope you tune in on Saturday Morning to see the first appearance of the LIZARD on "The Spectacular Spider-Man". This episode is INTENSE!!! Trust me!
Spectacular Spider-Man 102
___________________________________________________________________________
The Spectacular Spider-Man
Ep: "INTERACTIONS"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
KEVIN HOPPS
Card #5
Directed By
TROY ADOMITIS
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
DEE BRADLEY BAKER as CURT CONNORS
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL
BEN DISKIN as EDDIE BROCK
CRISPIN FREEMAN as MAX DILLON / ELECTRO
BRIAN GEORGE as AARON WARREN
DORIAN HAREWOOD as DOC BROMWELL
_______________________________________________________________________
Card #8
Also Starring
JOSHUA LEBAR as FLASH THOMPSON
KATH SOUCIE as MARTHA CONNORS, TRINA
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN
ALANNA UBACH as LIZ ALLAN
TOM WILSON as STAN CARTER
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
KALVIN LEE
OCTAVIO RODRIGUEZ
JAY OLIVA
DAVE SCHWARTZ
ROBERT SOUZA
FRANK PAUR
HANK TUCKER
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
PATRICK GLEESON
TONY CRAIG
RANDY LUDENSKY
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN "BUENOS" DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
Animatic Technician
MIKE MANGAN
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
DONNELL EBARRETE
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #23
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #24
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25
Animation Production by
DONGWOO ANIMATION CO., LTD.
___________________________________________________________________________
Card #26
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
Spectacular Spider-Man 101
Because KWB SQUISHES the credits and runs them at warp speed, I thought the people who worked so hard deserved a little more recognition. And as ASK GREG is about as little as you can get, here are the credits for the first episode of Spider-Man
___________________________________________________________________________
The Spectacular Spider-Man
Ep : "SURVIVAL OF THE FITTEST"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
GREG WEISMAN
Card #5
Directed By
VICTOR COOK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
DEE BRADLEY BAKER as CURT CONNORS
IRENE BEDARD as JEAN DEWOLFF
JEFF GLEN BENNETT as MONTANA
CLANCY BROWN as ALEX O'HIRN
LACEY CHABERT as GWEN STACY
KEITH DAVID as BIG MAN
GREY DELISLE as SALLY AVRIL, BETTY BRANT
JOHN DIMAGGIO as FLINT MARKO, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
_______________________________________________________________________
Card #8
Also Starring
ROBERT ENGLUND as ADRIAN TOOMES/ VULTURE
BRIAN GEORGE as AARON WARREN
PHIL LAMARR as RAND ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
PETER MACNICOL as OTTO OCTAVIUS
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
KATH SOUCIE as MARTHA CONNORS, ANNA WATSON
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
KI HYUN RYU
SAHIN ERSOZ
DAN FAUSETT
LARRY LEEKER
FRANK MARINO
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
SWINTON SCOTT
JUNG JA KIM WOLF
Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN "BUENOS" DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
Animatic Technician
MIKE MANGAN
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
Anthony Lark
Editors
RALPH EUSEBIO
BRUCE A. KING
Assistant Editors
DONNELL EBARRETE
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #23
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #24
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #26
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
R.I.P. SAMMI
Our basset hound Sammi went into complete renal failure and had to be put to sleep today. We didn't get her or Abraham until both were senior citizens but they both gave us some wonderful years, and Sammi will be missed. She was a very, very sweet girl. Smart too -- most of the time. This is the first time that we've had no pets at all since Beth and I got Bigtime as a kitten in 1991.
THE SPECTACULAR SPIDER-MAN
Hey gang,
Just wanted to let potentially interested people know about the one-hour (two episode) premiere this Saturday, March 8th of "THE SPECTACULAR SPIDER-MAN".
This is the new animated series that's been consuming me (pretty much literally) for the last year plus. I am very proud of it. If you like Gargoyles, I really think you'll like this too, especially if you've ever been a fan of Spider-Man (but even if you never have).
We're on KidsWB a.k.a. the CW. Check local listings, though here in Los Angeles we air from 10am-11am on Channel 5, KTLA.
I'm going to ask Gore to open Ask Greg to discuss Spidey.
Greg
MARCH 1
This day in Gargoyles' Universe History....
March 1st...
1991
[withheld]
HOT TOPIC T-SHIRT
Word has come to me that the HOT TOPIC chain of retail stores is selling a GARGOYLES T-SHIRT...
This is terrific news! (The moreso BECAUSE I had absolutely nothing to do with it, and it comes as a total surprise.)
This is also a GREAT opportunity for the fans. How do we prove to Disney, Buena Vista, Hot Topic, etc. that Gargoyles is a viable property? WITH OUR WALLETS! First chance I get I'm buying a shirt... (and I'm a guy with about 100 gargoyles t-shirts). As always, I'm not asking you to spend money you don't have or that you need for food or shelter or education. But if you have any disposable income and you care about keeping the property alive there is NO BETTER way then to buy a shirt. Need a birthday present for a friend or relative? Buy a shirt! You want the next DVD set to come out? Buy a shirt!
Keep in mind I don't make a penny off these shirts. But this is a REAL opportunity for us!
And as always, at the very least, help us SPREAD THE WORD: HOT TOPIC HAS GARGOYLES SHIRTS!!!
FEBRUARY 28
This day in Gargoyles' Universe History....
February 28th...
1991
[withheld]
WONDERCON
Hey gang,
I'm leaving tomorrow for San Francisco and WonderCon. I'll be signing at the SLG booth. And I'll be premiering the first episode of THE SPECTACULAR SPIDER-MAN in a panel at 3pm PST on Saturday, with a signing afterwards. I hope to see at least a few of you there!
FEBRUARY 22
This day in Gargoyles' Universe History....
February 22nd...
1996
The Weird Sisters track down Oberon in his mortal identity. They inform him that mortals have infested Avalon. Oberon decides that the time of the Gathering is indeed at hand and sets out to find his former queen, Titania.
FEBRUARY 21
This day in Gargoyles' Universe History....
February 21st...
1996
David Xanatos receives satellite photographs, which reveal a soil carving dedicated to the Trickster Coyote. He makes plans to lease the land that contains the carving from the local Native American tribe. He also commissions a new Coyote Robot, made with iron melted down from the Cauldron of Life.
FEBRUARY 20
This day in Gargoyles' Universe History....
February 20th...
1996
Yama and Taro consult over the design plans for Taro's Gargoyle Theme Park.
FEBRUARY 19
This day in Gargoyles' Universe History....
February 19th...
1996
Professor Lydia Duane and Doctor Arthur Morwood-Smyth make hotel reservations for their upcoming vacation on Easter Island.
FEBRUARY 15
This day in Gargoyles' Universe History....
February 15th...
1996
The stolen Mayan Sun Amulet goes on display at New York's Museum of Natural History.
FEBRUARY 14
This day in Gargoyles' Universe History....
February 14th...
1996
On New Olympus, Taurus apprehends the murderer Proteus.
FEBRUARY 13
This day in Gargoyles' Universe History....
February 13th...
1996
Odin becomes aware that Goliath has the Eye of Odin.
FEBRUARY 12
This day in Gargoyles' Universe History....
February 12th...
1996
After [withheld], King Arthur Pendragon returns to Avalon, unsure whether or not he'll ever go back to the real world.
Where things stand...
Uh... they don't. Not for me. They run at break-neck speed, these days. Here's what I'm up to.
GARGOYLES
Issue #8 is complete. Late last week it was sent to Disney AND the printer, so that the moment the former approves it, the latter can send it to press.
Issue #9 is written. David Hedgecock is doing roughs and original designs now. The cover, already pencilled and inked by Greg Guler,is being colored by Robby Bevard.
Issue #10 needs to get written. I'll get to that as soon as I'm done writing Red Tornado #1 (see below). Dave will be pencilling that cover off his rough.
GARGOYLES: BAD GUYS
Issue #2 is currently being lettered. The art is complete: pencils and inks by Karine Charlebois, finishes by Karine and Robby. The cover, a Guler/Bevard job featuring Yama, is done.
Issue #3 is currently being roughed out by guest artist Christopher A. Jones. Chris is the regular penciller on The Batman Strikes, and he and I worked together on the Captain Atom/Gargoyles/Justice League Europe parody from a few years back. The cover, a Guler/Bevard job featuring Hunter, is done.
Issue #4 is currently being roughed by Karine. The cover, a Guler/Bevard job featuring Fang, is done.
Issue #5 will get scripted as soon as I'm done scripting Red Tornado #1, Gargoyles #10 and Red Tornado #2. Guler is currently working on the cover, which features Dingo.
RED TORNADO
DC Comics has hired me to write a six issue limited series featuring one of my favorite characters, i.e. Red Tornado. (Duh.) I'm currently scripting issue #1. I'm hoping that any attention I get on this book will help us over on the Gargoyles books.
THE SPECTACULAR SPIDER-MAN
And, oh yeah... there's my actual job... and the main reason why I'm completely exhausted these days.
Episode #1 - This week we have a music and fx preview. The episode will preview at WonderCon on 2/23 and premiere on KidsWB on 3/8.
Episode #2 - We had a music and fx spottting session last week. This episode will ALSO premiere on KidsWB on 3/8. Or so I've been told.
Episode #3 - I've seen the Teaser and Act One. Hopefully, I'll see the missing acts this week, so that we can do our first pass edit and call retakes. We also have a music spotting session late this week.
Episode #4 - We should get it back from Korea this week to edit and call retakes.
Episodes #5-12 - We're waiting to get these back from Korea.
Episode #13 - Reviewing final color models.
Episodes #14-15 - Seeing design work daily and waiting to see storyboards.
Episodes #16-17 - Seeing design work daily. We'll be recording some pick-ups this week with a couple of actors who missed the main recording sessions earlier this month.
Episode #18 - We're recording this one on Thursday of this week.
Episode #19 - I need to finish editing the script for this one tonight.
Episode #20 - I'll start editing this script tonight or tomorrow.
Episode #21 - The writer should deliver this script late this week.
Episode #22 - The writer's working on this script now.
Episode #23 - The writer's working on this outline now.
Episode #24 - The writer will start this outline when she finishes writing the script to #21.
Episode #25 - I have to write this outline... you know, on my free time.
Episode #26 - The writer will write this outline when he's done writing the script for #22.
And I think that's it. Whew!
FEBRUARY 8
This day in Gargoyles' Universe History....
February 8th...
1996
On Avalon, Goliath, Angela and Bronx awaken. Quite aware they won't be getting home any time soon, the travelers elect to spend "a few days" resting and getting to know the Avalon Clan. And in Nigeria, Tea is marked by a were-panther on the day she departs for the city of Abuja.
FEBRUARY 7
This day in Gargoyles' Universe History....
February 7th...
1996
Dingo begins studying with an Australian aboriginal Shaman.
FEBRUARY 6
This day in Gargoyles' Universe History....
February 6th...
1996
After a week of licking her wounds, the Banshee is able to reform herself. She flees Ireland in order to hide from both Oberon and Cu Chullain.
FEBRUARY 5
This day in Gargoyles' Universe History....
February 5th...
1996
Halcyon Renard returns to Manhattan and contacts Matt Bluestone, informing him of Goliath and Elisa Maza's situation. Matt passes the word on to Hudson and the Trio, who inform Talon. Matt also attempts to cover for Elisa with her parents and Captain Maria Chavez.
FEBRUARY 4
This day in Gargoyles' Universe History....
February 4th...
1995
The armed robber returns the money to Mr. Jaffe and turns himself in thanks to the intervention of the Manhattan Clan.
FEBRUARY 3
This day in Gargoyles' Universe History....
February 3rd...
1995
It is still snowing as an armed assailant robs Mr. Jaffe's local grocery store, a childhood haunt of Matt Bluestone's. Goliath accompanies Elisa Maza on her shift, gliding above her car. David Xanatos and Demona revivify Coldstone from pieces of Othello, Desdemona and Iago. Coldstone makes a splashy public entrance in Time Square, where he's confronted by Goliath and the Trio. When Demona, Xanatos and a Steel Clan robot join Coldstone, the battle moves to the George Washington Bridge, where Elisa, Hudson and Bronx soon join the fray. Coldstone sacrifices himself to save Goliath and winds up dormant at the bottom of the river. Goliath and the other gargoyles rededicate themselves to protecting all of Manhattan.
JANUARY 29
This day in Gargoyles' Universe History....
January 29th...
1995
It starts to snow. Elisa Maza gives Derek Maza a recording of Fox's revelations. The gargoyles hide the helicopter - permanently. Jackal and Hyena are arrested on charges of attempted murder.
1996
Rory Dugan wakes, unsure if his previous night's adventures were a dream. That night, he and Molly enter the Cairn, and Rory recovers Gae Bolga, the Spear of Light. The Spear transforms Rory, revealing he is the reincarnation of the ancient Irish hero Cu Chullain. In order to defeat him, Molly becomes first the Banshee and then the death-worm, Crom-Cruach. With Bronx's help, Cu Chullain defeats Crom-Cruach, banishing the Banshee. Cu Chullain transforms back into Rory, but he keeps possession of Gae Bolga and will remain the Hero of Ulster. The travelers return to Avalon, where it is morning. The gargoyles turn to stone.
JANUARY 28
This day in Gargoyles' Universe History....
January 28th...
1995
Lexington begins to repair Jackal's helicopter. Elisa Maza confronts Fox in prison. Fox reveals that David Xanatos created the Pack, and is using Jackal and Hyena to cement Derek Maza's loyalty. Elisa records Fox's conversation. Derek flies Xanatos to his upstate retreat, 'Xanadu'. Again, Jackal and Hyena attack. And again, the Manhattan Clan intervenes, using the repaired helicopter to defeat and capture the twins.
1996
In the morning, Rory Dugan returns home and argues with his father, Mr. Dugan. That evening at sunset, Elisa Maza, Goliath and Angela wake up to find themselves trapped inside Cairn na Chullain by the Banshee, who is convinced they have been sent by Oberon to bring her back to Avalon for the Gathering. Rory, looking for Molly, encounters Bronx instead. When the Banshee realizes that Rory and "the Great Beast" are together, she appears to Rory and lures him away from Bronx.
JANUARY 27
This day in Gargoyles' Universe History....
January 27th...
1995
Derek Maza starts working for David Xanatos. Jackal and Hyena attack them, but the Trio intervenes. Lexington manages to land Jackal's helicopter and hide it.
1996
In Ireland, Rory Dugan and his girlfriend Molly steal a jacket from a local shop and manage to elude the police - just as the four travelers arrive from Avalon. The Banshee quickly captures Elisa Maza, Angela and Goliath.
JANUARY 26
This day in Gargoyles' Universe History....
January 26th...
1994
The Emir's son is killed in a pointless car accident.
1995
Fox orders Hyena and Jackal to assassinate David Xanatos. And that morning, Derek Maza decides to quit the NYPD and accept Xanatos' job offer.
1996
At midnight, the Emir summons and imprisons Anubis, the Egyptian god of death. Elisa Maza and the gargoyles attempt to intervene but are captured. The Emir tries to force Anubis to bring his late son back to life. When Anubis refuses, the Emir attempts to become an avatar of Anubis' power. But Jackal intercepts the spell and becomes the Avatar of Anubis instead. Mad with power, Jackal destroys Coyote 3.0 and brings death to an entire Egyptian town, before the Emir recasts his spell and becomes the new Avatar. The Emir now understands that death cannot play favorites, and he destroys the temple to prevent anyone else from ever gaining access to Anubis' power. Elisa and the gargoyles spend the day outside the Sphinx. Then they return to Avalon. What's left of the Pack scatters.
JANUARY 25
This day in Gargoyles' Universe History....
January 25th...
1995
Elisa Maza and Derek Maza trail David Xanatos to the Diamond Exchange, where Xanatos buys the Coyote Diamond. Hyena and Jackal, on orders from Fox, attempt to steal the Diamond. They are thwarted by Derek, Elisa and Xanatos. Xanatos seems impressed with Derek and offers him a job as his pilot and bodyguard.
1996
The travelers arrive in Egypt and follow Coyote into a temple hidden inside the Sphinx.
Clan-Building Volume One
I know where my copy of the Gargoyles Trade Paperback "Clan-Building" Volume One is. Do you?
JANUARY 24
This day in Gargoyles' Universe History....
January 24th...
1995
Elisa Maza gives the Trio a helicopter simulation video game.
1996
Goliath, Angela, Elisa Maza and Bronx rest through the day in London, allowing Goliath's injured wing to heal. That night, they return to Avalon. Griff, Leo and Una become protectors of London again.
JANUARY 23
This day in Gargoyles' Universe History....
January 23rd...
1996
The travelers immediately depart Avalon again, landing in London, where they meet Leo and Una, who remember Goliath from 1940 and blame him for the death of Griff. Goliath is mystified, and uses the Phoenix Gate to travel back in time to 1940, in an attempt to learn the truth and save Griff. He and Griff return to 1996, reuniting Griff with Leo and Una.
Gargoyles: Clan-Building Volume One TBP
I'm told that our first Trade Paperback, "Clan-Building, Volume One" should hit stores tomorrow. I know most of you reading this probably have the issues collected already, but it should be a nice little package and a great way to introduce new readers to the series. So, I hope you ALL BUY HUNDREDS OF COPIES EACH!!!!!
Or, you know, you could just help us SPREAD THE WORD!
Whatever works for you would be appreciated.
JANUARY 22
This day in Gargoyles' Universe History....
January 22nd...
1996
"Dominique Destine" marries "Lennox Macbeth". But as the sun sets, Macbeth learns the truth when Dominique transforms back into Demona. She quickly renders him unconscious. But when Thailog arrives, he secretly helps Macbeth escape. His plan is for Macbeth and Demona to kill each other so that he will inherit both their fortunes. Elisa Maza intervenes by temporarily "killing" both of them. Demona flees with Thailog, but Macbeth and the gargoyles declare a truce. Later, Elisa and the gargoyles take the skiff back to Avalon.
JANUARY 21
This day in Gargoyles' Universe History....
January 21st...
1995
Goliath, Hudson and Demona turn to stone mid-battle. When the sun sets, Goliath awakens healed. Demona is forced to flee.
1996
Elisa Maza and the gargoyles arrive in Paris during the day. Elisa starts to call her parents, but when she spots Macbeth and Demona together, she follows them to Macbeth's Chateau. Then she follows Demona to Notre Dame Cathedral, where she loses her trail. After sundown, she rejoins the gargoyles and fills them in. Goliath attempts to confront Demona at the Cathedral and is surprised to find her allied (and apparently in love) with Thailog. Angela overhears their confrontation and realizes that Demona is her biological mother. Goliath and his friends depart. Demona informs Thailog that she has successfully set up their new international corporation: Nightstone Unlimited, owned and operated by Dominique Destine and "Alexander" Thailog.
JANUARY 20
This day in Gargoyles' Universe History....
January 20th...
1995
Demona attempts to poison Elisa Maza in order to lure Goliath to his doom. Knowing it's a trap, Goliath and Hudson take the bait in the hope they can reason with Demona. Demona shoots Goliath, and Hudson struggles to keep him alive and protect him from Demona until sunrise.
1996
Halcyon Renard puts his own soul inside the Golem's body, and his newfound power quickly goes to his head. Ultimately, however, he is made to see the error of his ways, and he returns the Golem to Max Loew, who uses it against Tomas Brod. Renard offers to take the travelers back to New York. But Goliath has concluded that there is a purpose to their travels. They return to Avalon to continue their odyssey.
JANUARY 19
This day in Gargoyles' Universe History....
January 19th...
1996
The travelers depart Avalon and arrive in Prague, where Halcyon Renard has made a devil's agreement with gangster Tomas Brod to acquire the Golem. Elisa Maza encounters Max Loew, who attempts to waken the Golem. But before he can, it is stolen by Brod, who turns it over to Renard.
JANUARY 18
This day in Gargoyles' Universe History....
January 18th...
1996
Angela, Bronx, Elisa Maza and Goliath sink the mini-sub, and return to Avalon.
JANUARY 17
This day in Gargoyles' Universe History....
January 17th...
1975
Edger Blosa dies in Prague.
1996
Angela is imprisoned alongside Nessie, a Loch Ness Monster. That day Elisa Maza spots members of David Xanatos' Security Team resupplying in town. She follows them to Anton Sevarius' secret submarine dock. After nightfall, she returns with Goliath and Bronx, but all three are captured. Sevarius, who has informed Angela that she is Goliath's daughter, takes her along as he attempts to use Nessie to capture her mate Big Daddy in the Loch. Goliath and the others escape, and use a mini-submarine to foil Sevarius' plans. The monster-sub sinks along with every member of the Security Team, except their leader Bruno. The Loch Ness Monsters are reunited and set free.
JANUARY 16
This day in Gargoyles' Universe History....
January 16th...
1996
Though the travelers have spent only the hours between sunrise and sunset on Avalon, days have passed in the real world. Goliath, Elisa Maza, Angela and Bronx depart Avalon and find themselves on Loch Ness, back in Scotland. Elisa attempts to leave a message with Matt Bluestone's answering machine, but his message tape is full and the message is not recorded. Later, their skiff is capsized by a Loch Ness Monster. In the confusion, Angela is captured by a monster-shaped submarine and brought back to Dr. Anton Sevarius, who runs DNA tests on her that prove she is the biological daughter of Goliath.
JANUARY 14
This day in Gargoyles' Universe History....
January 14th...
1995
Most everyone - except Matt Bluestone - now believes that robots were responsible for the recent gargoyle sightings.
Here's an interesting exercise...
Compare the original air dates of the episodes to the dates on the Gargoyles Universe Timeline at http://gargoyles.dracandros.com/Timeline.
JANUARY 13
This day in Gargoyles' Universe History....
January 13th...
1995
Goliath confronts David Xanatos, who intends to test himself against the gargoyle leader. Wearing his armor, Xanatos and his Steel Clan robots attack Goliath and the Trio. The battle culminates at the Statue of Liberty, where the robots are destroyed, and Xanatos is forced to retreat -- but not until after he's successfully tested his armor and himself.
JANUARY 12
This day in Gargoyles' Universe History....
January 12th...
1995
Owen Burnett defeats David Xanatos in a judo match, causing Xanatos to fear he is losing his edge. Xanatos first meets with the Emir is that afternoon. That evening on Elisa Maza's first night back on the job, she is assigned a new partner: Matt Bluestone. She brings a television set up to the gargoyles, who are now ensconced in their new home in the Clock Tower above the 23rd Precinct House. Meanwhile, Xanatos donates the Eye of Odin to the Museum of Modern Art and is interviewed on television by Travis Marshall. Later that night, Xanatos - dressed in Gargoyle Battle Armor - steals the Eye back for his private collection. Simultaneously, two Steel Clan Robots are seen at other locations in the city, leading people to believe that gargoyles are on the loose.
JANUARY 9
This day in Gargoyles' Universe History....
January 9th...
1996
Dominique Destine has an "accidental" encounter with Lennox Macbeth.
JANUARY 6
This day in Gargoyles' Universe History....
January 6th...
1996
Macbeth begins reconstruction of his mansion.
JANUARY 5
This day in Gargoyles' Universe History....
January 5th...
1996
Convinced that David Xanatos is responsible for Elisa Maza's disappearance, Talon leads the Trio in an attack on the Eyrie Building. Xanatos and Owen Burnett test out their new (Thailog motivated) security system and Owen's new stone fist. Ultimately, however, they allow the foursome to fruitlessly search the place once Xanatos discovers that Goliath and the others are missing. Meanwhile, Fang has staged a coup down in the Labyrinth. He takes Talon prisoner upon his return. Maggie the Cat, however, escapes with Claw's aid and seeks help at the Clock Tower. After sundown, Brooklyn leads the gargoyles and Maggie against Fang and his minions. Talon is freed and Fang is captured.
1997
Dingo, Matrix, Hunter, Yama and Fang are approaching an island when their battle-copter Redemption is blown out of the sky.
JANUARY 4
This day in Gargoyles' Universe History....
January 4th...
1066
Edward the Confessor dies of natural causes. His brother-in-law, Harold Godwinson, succeeds him.
1995
Goliath, Lexington, Bronx and Brooklyn return to Castle Wyvern atop the Eyrie Building but are intercepted by Elisa Maza, Hudson and Broadway, who finally manage to convince Goliath to follow Elisa to their new home at the Clock Tower above the 23rd Precinct -- but not before Goliath warns Owen Burnett that the clan will some day return. David Xanatos is finally released from jail that morning and returns to the castle. He starts serving his probation. Later that day, Xanatos goes to Gen-U-Tech Systems to observe Anton Sevarius' progress. Sevarius has successfully cloned Goliath and begins to accelerate the growth of "Thailog".
1996
Hudson and the Trio have been searching for Goliath and Bronx to no avail. Broadway, realizing that Elisa Maza is missing too, brings her cat Cagney back to the Clock Tower. Brooklyn resists taking the reins of leadership, but he does go to visit Talon and Maggie the Cat in the Labyrinth, where homeless humans like Al, Chaz and Lou have joined the Mutates in what is supposed to be a free society of outcasts. Broadway visits Matt Bluestone next, but Matt is equally in the dark over his partner's disappearance. Lex eavesdrops on Elisa's parents and learns they are also worried. Meanwhile on Queen Florence Island, Elisa and the gargoyles find each other again, and then find Grandmother as she transforms into the Thunderbird. Grandmother later admits that she was undergoing these transformations to convince Natsilane to take up arms against Raven to save the island. When Natsilane meets the gargoyles, he is convinced. The gargoyles and Natsilane battle Raven and drive him away. With Raven gone, Grandmother is able to heal the island. The travelers again return to Avalon, where it is six in the morning, causing Goliath, Angela and Bronx to turn to stone.
JANUARY 3
This day in Gargoyles' Universe History....
January 3rd...
1995
Macbeth attacks the gargoyles at the Eyrie Building, capturing Lexington, Brooklyn and Bronx. Elisa Maza, who is largely recovered but still on crutches from being shot, again tries to convince Goliath to leave the castle. He won't listen, but after Goliath departs to find the others, she manages to convince Hudson and Broadway that the castle is no longer their home. They take the Grimorum Arcanorum from Owen Burnett and leave the castle. Meanwhile, Bronx escapes and leads Goliath back to Macbeth's mansion. Macbeth and Goliath battle, Macbeth revealing that his true target is Demona. Macbeth's mansion is damaged by fire, and the gargoyles escape.
1996
The travelers depart Avalon again, arriving on Queen Florence Island off the west coast of Canada, where they immediately encounter Grandmother in the form of a Sea Monster. Elisa is separated from the others and washes ashore, where she is found by Grandmother and Natsilane, the chief of the local Haida band. Elisa is alive, but gravely ill. Grandmother helps heal her. That night, Goliath, Angela and Bronx encounter Raven posing as a gargoyle.
JANUARY 2
This day in Gargoyles' Universe History....
January 2nd...
1996
The Captain has a change of heart and rescues Goliath. The Captain's spirit ascends. Hakon is trapped alone in the caverns below Wyvern. The quartet of travelers return to Avalon so that they may attempt to find Manhattan again. Meanwhile in Paris, Demona encounters Thailog. They quickly form an alliance.
JANUARY 1
This day in Gargoyles' Universe History....
January 1st...
1996
King Arthur leaves Avalon on his own to explore the world. The Weird Sisters are forced to release Macbeth and Demona from their thrall. Goliath pushes his unconscious foes off of Avalon. They land in Paris, where Demona awakens first, sees Macbeth unconscious and flees. Minutes later, a confused Macbeth regains consciousness. Realizing where he is, he retreats to his Chateau on Paris' famous Left Bank. (Neither retain any memories of events that have taken place between November 12th, 1995 and January 1st, 1996.) Meanwhile, Goliath takes possession of the Eye of Odin and the Phoenix Gate, then releases the Weird Sisters, who vanish. Goliath leaves Tom, Katharine and Gabriel in charge of Avalon and the Avalon Clan. Only Angela chooses to join Goliath, Elisa and Bronx aboard the skiff. They begin their "World Tour" while attempting to find their way home from Avalon. Avalon sends Goliath, Elisa, Angela and Bronx to Wyvern Hill in Scotland. There the ghosts of Hakon and the Captain attempt to drive Goliath insane and steal his life force.
DECEMBER 31
This day in Gargoyles' Universe History....
December 31st...
1994
Anton Sevarius begins to clone Goliath.
1995
The Magus passes away inside the Hollow Hill.
1996
[withheld]
DECEMBER 30
This day in Gargoyles' Universe History....
December 30th...
1995
Macbeth and Demona attack the humans and gargoyles at Oberon's Palace, while the Magus faces off against the Weird Sisters at the Hollow Hill, and Goliath and Angela seek out the Archmage at the Grotto. At first things look grim, but Princess Katharine defeats Demona with help from Ophelia, the Guardian, Elisa Maza, Gabriel, Bronx and Boudicca. King Arthur Pendragon also defeats Macbeth, and the Magus captures the Weird Sisters, though it fatally weakens him. Goliath battles the Archmage, who uses the Phoenix Gate to bounce them around through Time and Space. But the Archmage cannot shake Goliath, and returns to the present, where Goliath succeeds in removing the Eye of Odin from his brow. Without the Eye, the energy from the Grimorum Arcanorum burns the Archmage to death from the inside out. The battle is over.
DECEMBER 29
This day in Gargoyles' Universe History....
December 29th...
1995
Goliath, Angela and Gabriel attempt to steal the Eye of Odin and the Phoenix Gate from the Archmage. They fail. Meanwhile, Elisa Maza and the Magus succeed in waking the Sleeping King, Arthur Pendragon.
DECEMBER 28
This day in Gargoyles' Universe History....
December 28th...
1065
Westminster Abbey, built by Edward the Confessor, is consecrated.
1994
David Xanatos, who is scheduled to be released from jail in one week, is contacted by Macbeth, who offers to rid the castle of gargoyles.
1995
Goliath and Tom the Guardian meet at Belvedere Castle in Central Park. Together with Elisa Maza and Bronx, they depart for Avalon, where they are introduced to the grown hatchlings of the Wyvern Clan, including Angela, Gabriel and Boudicca, and reunited with the Magus and Princess Katharine. Meanwhile, a recently transformed Archmage travels back in time...
DECEMBER 27
This day in Gargoyles' Universe History....
NOTE THAT THIS IS CORRECT FOR DECEMBER 27. THE PREVIOUS POST FOR DECEMBER 26 IS INCORRECT. AT THIS TIME, I HAVE NOTHING IN THE TIMELINE THAT DEFINITELY TOOK PLACE ON 12/26.
December 27th...
1994
The Manhattan Clan enjoys a pleasant, peaceful night at the castle: Broadway cooks; Goliath reads; Lex and Brooklyn play cards; Hudson watches Donald Duck on TV; Bronx chews a bone. Meanwhile, David Xanatos is still counting down the days until his release.
1995
Hudson and the Trio patrol, while Goliath and Bronx remain behind at the Clock Tower. Tom, now known as the Guardian, arrives in New York, looking for Goliath. He is arrested by Officer Morgan Morgan, who mentions him to Elisa Maza. Elisa arranges a meeting between Goliath and Tom.
DECEMBER 26
This day in Gargoyles' Universe History....
December 27th...
1994
The Manhattan Clan enjoys a pleasant, peaceful night at the castle: Broadway cooks; Goliath reads; Lex and Brooklyn play cards; Hudson watches Donald Duck on TV; Bronx chews a bone. Meanwhile, David Xanatos is still counting down the days until his release.
1950
The Stone of Destiny is stolen from Westminster Abbey by Macbeth and four Scottish patriots.
DECEMBER 25
This day in Gargoyles' Universe History....
December 25th...
1066
William the Conqueror is crowned King of England.
1950
The Stone of Destiny is stolen from Westminster Abbey by Macbeth and four Scottish patriots.
DECEMBER 23
This day in Gargoyles' Universe History....
December 23rd...
1995
Broadway and Brooklyn manage to lead "Macbeth" away from "Hudson", but Broadway is caught mid-air when sunrise causes him to turn to stone. Elisa Maza barely manages to save him. After the sun sets again, "Macbeth" destroys "Hudson", and a grief-stricken Goliath destroys what is revealed to be a Macbeth robot. Back at the castle, the real Hudson escapes David Xanatos on his own and is reunited with his clan. Owen Burnett tests the Cauldron of Life, which turns one of his hands permanently to stone.
DECEMBER 22
This day in Gargoyles' Universe History....
December 22nd...
1995
Just before dawn, the gargoyles are attacked by "Macbeth". After sunrise, David Xanatos kidnaps Hudson's sleeping body and replaces it with a stone statue. At sundown, the other gargoyles awaken and believe that Macbeth has used sorcery to keep Hudson asleep. Goliath & Lexington search for a cure, while Brooklyn & Broadway protect the statue from "Macbeth". Meanwhile, Xanatos reveals that in his bid for immortality, he plans to use Hudson to test the Cauldron of Life. And on Avalon, the Archmages and their allies launch their attack on the Avalon Clan.
DECEMBER 21
This day in Gargoyles' Universe History....
December 21st...
1995
It starts to snow in Manhattan. And in London, a gang of street punks begins to violently target minorities in Soho.
DECEMBER 20
This day in Gargoyles' Universe History....
December 20th...
1995
Goliath kidnaps Anton Sevarius out from under the nose of Gen-U-Tech security guard Vinnie Grigori. Goliath takes Sevarius down to the abandoned Cyberbiotics underground lab and tries to force him to create a cure for the Mutates. Meanwhile, the Mutates attack the other gargoyles at the Clock Tower. The gargoyles ultimately win the battle, but Brooklyn lets them go in order to prove to Maggie the Cat that he can be trusted. Having discovered that Goliath was the kidnapper, Elisa Maza, Talon, the Mutates, David Xanatos and his Steel Clan robots all converge on the old lab. Xanatos rescues Sevarius, and Talon finally realizes his employer was responsible for his metamorphosis. Talon and the other Mutates take up residence in the abandoned Cyberbiotics underground base, which they redub "The Labyrinth". The next morning, Vinnie is fired from Gen-U-Tech. And that evening, Elisa brings her parents and sister to the Labyrinth for a reunion with Derek and an introduction to the other Mutates. In Scotland, Xanatos' security team successfully captures "Nessie", a Loch Ness Monster. Sevarius leaves for Scotland, to begin running tests on the creature.
DECEMBER 19
This day in Gargoyles' Universe History....
December 19th...
1995
Goliath and Broadway, who aren't in on Elisa Maza's undercover charade, follow her and come close to blowing her cover. She covers, however, and manages to get a meeting with Tony Dracon, where the two of them agree to go into business together with the gargoyles. The gargoyles and cops wind up foiling Dracon's operation and getting him to confess his transgressions on videotape. He's arrested and sent away. Goliath tastes jalapeñas for the first time. Later that morning, Elisa's sister Beth Maza comes into town from Arizona. That evening, while the Trio attend a rock concert in the park, Beth spots Talon watching the Maza family from outside Elisa's window. Later, Goliath admits that he has seen the Mutates back with David Xanatos. Elisa and Goliath confront Talon. Elisa reveals to her brother that Anton Sevarius isn't dead. Talon's extreme stance convinces Goliath to take drastic action.
DECEMBER 18
This day in Gargoyles' Universe History....
December 18th...
1995
Tony Dracon's men blow up Art & Lois' Restaurant. Maria Chavez, Matt Bluestone and Elisa Maza continue to pretend that a bitter Elisa has gone bad, this time for the benefit of Pal Joey, one of Dracon's men. Meanwhile, Thailog arrives in Paris and begins sleeping days atop Notre Dame Cathedral.
DECEMBER 16
This day in Gargoyles' Universe History....
December 16th...
1995
On instructions from Captain Maria Chavez, Elisa Maza pretends to be a crooked cop trying to muscle in on Tony Dracon's protection racket. Meanwhile, Goliath spots the Mutates hanging around the Eyrie Building. He elects not to tell Elisa.
DECEMBER 15
This day in Gargoyles' Universe History....
December 15th...
1995
The trio realize that the rest of the clan is missing and -- utilizing a tip from Fox and a plan from Brooklyn -- manage to find the Pack and rescue their friends. Coyote-II is destroyed, and Dingo, Jackal, Hyena and Wolf are left for the police. (And thus Fox wins the little game she was playing against David Xanatos.) Goliath chooses Brooklyn as his Second-in-Command.
DECEMBER 14
This day in Gargoyles' Universe History....
December 14th...
1995
The trio have grown steadily more at odds over Goliath's inability to choose one of them as a Second. They have begun competing to see who can stop the most street crime. Elisa, Goliath, Hudson and Bronx are captured by a newly upgraded Pack. Coyote has a new robot body. Hyena & Jackal are now cyborgs. Wolf is a mutate. And Dingo has new battle armor. Meanwhile, Halcyon Renard, who had been searching for some means to fight the disease that is killing him, discovers an incantation that will transfer his soul into the Golem of Prague.
Gargoyles #7
I'm informed that we have confirmation that Gargoyles #7 has hit the stands. I'll cop to being extremely excited/anxious/nervous about this one. Garg #5 was fun for me of course, but Garg #7 represents the first issue of the book where I really felt like a comic book writer again, and not just a tv writer moonlighting. This is a story I could NOT have told -- certainly not in this way -- on television. It's chock full of stuff too. I really hope you guys like it.
DECEMBER 10
This day in Gargoyles' Universe History....
December 10th...
1995
Talon, Maggie the Cat, Fang and Claw return to David Xanatos and take up residence at the Eyrie Building.
DECEMBER 7
This day in Gargoyles' Universe History....
December 7th...
521
Columba is born in County Donegal, Ireland.
1941
The Empire of Japan attacks Pearl Harbor.
DECEMBER 5
This day in Gargoyles' Universe History....
December 5th...
1995
The two Archmages reunite outside Avalon with the Weird Sisters, who have brought Demona, Macbeth, the Eye of Odin, the Phoenix Gate and The Grimorum Arcanorum. The three talismans are given to the "younger" of the two Archmages, and he is transformed into a double of his future self. They enter Avalon and prepare to attack its inhabitants.
DECEMBER 1
This day in Gargoyles' Universe History....
December 1st...
1921
Edger Blosa born.
NOVEMBER 30
This day in Gargoyles' Universe History....
November 30th...
1016
Edmund Ironside dies, and Canute is crowned King of England.
NOVEMBER 29
This day in Gargoyles' Universe History....
November 29th...
1995
2:00am
David Xanatos arrives at the oil rig with the ransom money. He confronts Anton Sevarius but quickly realizes Sevarius believes Xanatos himself is behind the scheme. It is soon revealed that Thailog has been playing everyone against each other from the beginning. He captures Sevarius, Xanatos, Goliath and Elisa Maza. All four escape, but Thailog is seemingly killed when the rig blows up. However, the next morning, Xanatos realizes Thailog escaped with the money.
NOVEMBER 28
This day in Gargoyles' Universe History....
November 28th...
1995
Elisa Maza, Broadway and Lexington are lured to Long Island after midnight by a false tip. They are assaulted by a creature that appears to be Goliath. That morning, mercenaries hired by Anton Sevarius steal a stone Thailog from David Xanatos. After sunset, they deliver their prize to Sevarius on an oil rig just off the coast of Long Island. Not long after, Elisa, Goliath, Broadway and Lex return to Long Island to investigate Goliath's mysterious look-alike. They find a Gen-U-Tech Systems tracking device. Meanwhile, Xanatos receives a ransom call demanding twenty million dollars in exchange for the creature. He and Owen Burnett quickly deduce that Sevarius is behind the gargoyle-napping. At Gen-U-Tech, Lexington and Broadway discover the truth about Goliath's clone Thailog. Meanwhile, in Scotland, Xanatos' security team begins searching for the Loch Ness Monster.
NOVEMBER 27
This day in Gargoyles' Universe History....
November 27th...
1995
On Queen Florence Island, the Haida hold a tribal meeting and most of the band votes to abandon the Island, which has been dying off for some time.
GARGOYLES: BAD GUYS #1
SLG informed me today that Gargoyles: Bad Guys #1, "Redemption, Chapter 1: Strangers" will hit the stores on Thursday, November 29th, 2007.
Good news in and of itself, but what pleases me most is that it's out in November (if just under the wire). That means our goal of having some MONTHLY gargoyles product has been achieved. And since there's really NO reason why the already completed Gargoyles #7 shouldn't be out in December, that gives us a running start to STAY monthly! And don't forget the Trade Paperback, collecting the first half of "Clan-Building" which is also completed and approved and should be out in December or early January. C'mon! Tell me it's not a great time to be a Gargoyles fan! I dare ya!
Anyway, "Strangers" is by myself and Karine Charlebois with lettering by David Hedgecock and a cover featuring Matrix by Greg Guler and Stephanie Lostimolo. I hope you like it!
NOVEMBER 26
This day in Gargoyles' Universe History....
November 26th...
1972
Jon Canmore is born.
NOVEMBER 25
This day in Gargoyles' Universe History....
November 25th...
1995
Together, Matt Bluestone and Goliath turn the tables on Mace Malone, trapping him in the Hotel Cabal. Later that morning, Martin Hacker reveals he's been a member of the Illuminati all along. He welcomes Matt into the Society as a new member.
NOVEMBER 24
This day in Gargoyles' Universe History....
November 24th...
1995
Matt Bluestone confronts Elisa Maza about the gargoyles at the end of their shift. They return to the Clock Tower, but not before sunrise. Elisa promises to introduce Matt to the gargoyles at sundown. Matt meets with Mace Malone again, who tells him that the way to prove his loyalty is to bring a gargoyle to the Hotel Cabal. Later, Elisa introduces Matt to the Manhattan Clan. He and Goliath arrange to fool Mace at the Hotel Cabal. After they arrive, they are quickly separated, and Goliath is put through the Hotel's paces by Mace.
NOVEMBER 23
This day in Gargoyles' Universe History....
November 23rd...
1963
Quincy Hemings becomes White House Chief Steward.
1995
Matt finds and confronts Mace Malone at Pine Lawn Cemetery. Malone offers Matt an Illuminati membership on the condition that he pass a loyalty test. As a show of good faith, Malone tells Matt about the gargoyles and Elisa's involvement with them. Matt stews about the information for most of the night, i.e. for most of his shift with Elisa. The ghosts of Hakon and the Captain hear Tom talking to himself. They discover that Goliath is possibly still alive. Tom returns to Avalon to discuss this latest news with the Magus and Princess Katharine.
NOVEMBER 22
This day in Gargoyles' Universe History....
November 22nd...
1963
John F. Kennedy assassinated.
1995
Matt questions Jack Dane and gets a lead on Mace Malone. Just before sundown, he confronts Elisa in the Clock Tower about her lies. She puts him off again. In Scotland, Tom hikes back up Wyvern Hill and spends some time reminiscing. He even searches the Archmage's caverns.
NOVEMBER 21
This day in Gargoyles' Universe History....
November 21st...
1995
Matt Bluestone meets with Martin Hacker and gets information about Mace Malone's stepson Jack Dane. Later, at the precinct house, Matt realizes that Elisa's lying to him about something. He gives her the opportunity to question Dane with him, but she passes. Meanwhile in Wyvern, Tom hikes to a nearby village and learns from the locals that the castle wasn't demolished, but taken apart and shipped, lock, stock & gargoyle, to Manhattan -- where it was placed at the top of a "skyscraper".
NOVEMBER 20
This day in Gargoyles' Universe History....
November 20th...
1994
Elisa, now out of danger, regains consciousness just before dawn. Broadway apologizes to her. Dracon wakes up with a permanent grey streak in his hair.
1995
The Guardian departs Avalon to see if it is safe for the Avalon Clan to leave the island. Avalon sends him to Wyvern Hill, where he sees that Castle Wyvern is now gone.
RIP Abraham
He was a sweet old dog. We'll miss him.
NOVEMBER 19
This day in Gargoyles' Universe History....
November 19th...
1994
Dr. Sato spends ten hours in surgery trying to save Elisa Maza's life. Her parents, brother and boss come to see her at the hospital. Goliath is outside and overhears Captain Chavez's suspicion that Tony Dracon shot her. Goliath vows vengeance and trails Dracon to the weapons. Broadway, meanwhile, is on an anti-gun rampage, foiling a mugging and tracing the prototype weapons back to Dracon. Together, Broadway and Goliath take Dracon and his men down and destroy the guns. Captain Chavez, with the help of Matt Bluestone, arrests Dracon.
NOVEMBER 18 - Correction
This day in Gargoyles' Universe History....
November 18th...
1994
Tony Dracon steals hi-tech weapon prototypes from Xanatos Enterprises. Elisa is put on the case and confronts Dracon, who later orders Glasses to sell a few of the weapons on the street. Broadway rushes off to see the movie Showdown again and then goes to Elisa's loft for a bite to eat. He accidentally shoots her with her own gun and rushes her to Manhattan General Hospital. He does not return to the castle.
1995
At the behest of Fox, the cybots are reprogrammed by Preston Vogel to sabotage Fortress-2. Goliath and Renard join forces to defeat them and save the ship. In the end, Vogel has a change of heart and assists. Early that morning, Fox confronts Renard, informing her father of her pregnancy. Owen learns from Xanatos that Fox is pregnant and begins making preparations for a possible attack from the Children of Oberon.
NOVEMBER 18
This day in Gargoyles' Universe History....
November 17th...
1994
Tony Dracon steals hi-tech weapon prototypes from Xanatos Enterprises. Elisa is put on the case and confronts Dracon, who later orders Glasses to sell a few of the weapons on the street. Broadway rushes off to see the movie Showdown again and then goes to Elisa's loft for a bite to eat. He accidentally shoots her with her own gun and rushes her to Manhattan General Hospital. He does not return to the castle.
1995
At the behest of Fox, the cybots are reprogrammed by Preston Vogel to sabotage Fortress-2. Goliath and Renard join forces to defeat them and save the ship. In the end, Vogel has a change of heart and assists. Early that morning, Fox confronts Renard, informing her father of her pregnancy. Owen learns from Xanatos that Fox is pregnant and begins making preparations for a possible attack from the Children of Oberon.
NOVEMBER 17
This day in Gargoyles' Universe History....
November 17th...
1994
The Trio goes to see the movie Showdown for the first time.
1995
Early in the afternoon, Fox wires a down payment to Preston Vogel's Swiss bank account, securing his services for her hostile effort to take over Halcyon Renard's Cyberbiotics company. That evening, Cyberbiotics launches Fortress-2. Despite Elisa's concern, Goliath follows the airship to protect it, but he is viewed as a threat and is captured by Renard's cybots. Meanwhile, Fox receives test results from her doctor, confirming she is pregnant with Xanatos' child.
NOVEMBER 16
This day in Gargoyles' Universe History....
November 16th...
1995
The Pack is approached by the Coyote robot's severed head. On Xanatos' behalf, the head offers the Pack the opportunity to be upgraded by using genetic engineering, cybernetics, armor and robotics. They agree to differing degrees. While back at the Eyrie Building, Fox & Xanatos begin a game that will eventually pit the gargoyles and Pack against each other. Meanwhile, Peter & Diane Maza confront Elisa about Derek Maza's disappearance. Elisa talks them out of filing a police report on her brother.
1996
5:44am EST - [withheld]
FULL DISCLOSURE/FAIR WARNING
Today, I reviewed the galleys for the Trade Paperback: "Gargoyles: Clan-Building, Volume #1".
It was pretty thrilling. I know that may sound silly, but it was great to see it all together. It felt... substantial.
In the interest of full disclosure and fair warning, I do want to let people know that there isn't a lot in the way of extras.
Normally, we'd have 14 interior pages, not counting the covers to use for extras.
But we ALL forgot that issue #1 was 30 pages long, not 24. So that was 6 pages out right there. 14 pages down to 8.
We do have a wonderful two page original introduction by Wendy Pini, the creator of ELFQUEST. 8 pages down to 6.
But those six pages couldn't run concurrently to give us room for anything substantial, because we needed them to come between each cover and page one of each issue, to make sure the pages faced correctly. Those six pages had to serve this functional purpose.
Three of the pages are new original pin-ups of Goliath, Hudson and Demona. A few of you who have attended conventions with myself and David Hedgecock may have seen them before. David had a very limited amount (only 100 each) printed (at his own expense, I might add) as postcards for our signings. So to most of you, these will be brand new.
The last three pages are images of Broadway, Brooklyn and Elisa that most of you have probably seen before.
I don't know whether this is a shrug or a disappointment. Obviously, I hope all of you buy the Trade. I think it's a great way to read the stories. It's also a great way to introduce new-comers to the property... so maybe this is something you might consider as a holiday gift for loved ones, even if you don't feel you need it for your own collection.
In any case, I'm really looking forward to having it on my shelf.
#6 Reprint
FYI - I stopped by my local comic book store last night and the corrected reprint of Gargoyles #6 was there.
NOVEMBER 15
This day in Gargoyles' Universe History....
November 15th...
1994
While Elisa again tries to convince Goliath to abandon the castle, they are attacked by a Steel Clan Robot. Goliath destroys it, but Owen uses the opportunity to acquire some of Goliath's genetic material.
1995
The Pack attempts to rob a bank. The gargoyles try to stop them. Goliath is badly injured - allowing the Pack to escape. Hudson informs Goliath that he needs to choose one of the Trio to be his Second-in-Command.
1996
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NOVEMBER 14
This day in Gargoyles' Universe History....
November 14th...
1995
After another shift, Elisa returns to the Clock Tower just before sunrise, where she's confronted by Demona and witnesses her change into a human being. Demona challenges Elisa to save the gargoyles. Meeting the challenge, Elisa shows up at Belvedere Castle at high noon to confront the trio of villains. Elisa fights the human Demona, while Othello and Desdemona internally challenge Iago. Othello wins control of Coldstone's body and turns against Macbeth, who is forced to flee with Demona. Coldstone, fearing for the safety of his clanmates as long as Iago exists within him, departs Manhattan. Back at Macbeth's mansion, the Weird Sisters reassert their control over Macbeth and Demona, revealing that they were behind the theft of the three magical objects.
1996
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Latest Update
Okay, here's what I know as of right now.
First off, the reprint of Gargoyles #6 should be in stores tomorrow (11/14/07). You SHOULD be able to exchange first printing copies for the reprint if you'd like. Notice the emphasis on SHOULD. Let me quote a recent e-mail from SLG publisher Dan Vado in answer to my question as to whether local stores know about this:
"The store issue is a tough one. They have been as informed as they possibly can be, that is we paid to have notices sent to them, there will be an item on their invoice and there was a mention in the weekly newsletter from Diamond Comics as well as from me personally in my retailer newsletter and on a retailer message board. That being said, I was on a conference call with two retailers yesterday, two who buy direct form me regualrly and are among those stores I would count as hard core supporters, and they had no clue they were getting new copies this week or about the replacement issue. So, as I have been mentioning to fans, the best thing to do if the retailer looks at them like they were crazy is to not bother them or get angry with them, just tear off the cover [of their old printing copy] and send it to us [at SLG] and we will replace the book directly. This is why we have not sent copies to Amazon yet and why it has not been on our website yet."
So, not a perfect world, but I really do think it's as good as it gets given the situation.
Next up, Bad Guys #1. This SHOULD be out by the end of this month. Unfortunately, because of Thanksgiving, that's not a lock. But if it's not out the last week of November, it will be out the first week of December. (In any case, it's ALL finished -- and approved.)
After that, expect Gargoyles #7 approximately three weeks after Bad Guys #1 hits the stores -- which SHOULD still put it in December -- unless Christmas messes that up, in which case it should be out the first week in January. The book is also ALL finished, but has not yet been approved.
After that, the Gargoyles Clan-Building Volume #1 Trade Paperback. Galleys are being reviewed now, but it should be out in late December or early January. We may delay it a week or two so that it isn't coming out the EXACT same week as BG1 or G7. Then again we may not.
After that, um, I guess Bad Guys #2, which is currently being finished by Karine.
After that Gargoyles #8, which is being pencilled by David.
After that Bad Guys #3, which is being scripted now by me.
After that Gargoyles #9, which has ALREADY been scripted by me. Uh... how did that happen?
Anyway, that's all I know at this time.
gdw
NOVEMBER 13
This day in Gargoyles' Universe History....
November 13th...
1994
Elisa Maza uses the spell from the Grimorum Arcanorum to -- for all intents and purposes -- free Goliath's mind.
1995
At dawn, after a long night on duty, Elisa follows Macbeth and a human Demona up to the Clock Tower. They knock her out and steal Coldstone, in order to distract the clan from realizing that they've also stolen the Eye of Odin, the Grimorum and the Phoenix Gate. At sundown, Demona transforms back into a gargoyle and reawakens Coldstone with the evil Iago personality in control. Meanwhile, Elisa fills in the gargoyles, who sneak into Macbeth's mansion to recover Coldstone - only to be betrayed and captured. Meanwhile, Tony Dracon is released on bail and begins tightening his grip on the protection racket in Manhattan.
1996
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NOVEMBER 12 - [Addendum]
This day in Gargoyles' Universe History....
November 12th...
1035
King Canute of England dies, widowing Emma for the second time. He is succeeded by Harold Harefoot, his son by his first wife Elfgiva .
1994
Elisa informs Goliath that Xanatos will be out of jail soon. (In order to make a point, she exaggerates and says he'll be out in a month, when in fact it's closer to two.) Brooklyn steals the Grimorum Arcanorum for Demona. Then he lures Goliath to the Cloisters, where Demona casts a spell on Goliath that enslaves him to her will. Brooklyn realizes his error and takes control of Goliath away from her. Demona manages to get away with a few pages from the Grimorum.
1995
Xanatos, his Steel Clan Robots and the gargoyles depart the castle wearing packs that will distribute a harmless gas that can be ignited to make it look like the sky is on fire. After they leave, Demona reveals her presence. Demona attempts to sabotage Xanatos' plan, but Macbeth confronts Demona, determined to end both their lives. Xanatos and Goliath return to see the Weird Sisters disable both Demona and Macbeth and depart with them. The sky is set ablaze, and the humans are freed from the spell just before the sun rises on a new day.
1996
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NOVEMBER 12
This day in Gargoyles' Universe History....
November 12th...
1035
King Canute of England dies, widowing Emma for the second time. He is succeeded by Harold Harefoot, his son by his first wife Elfgiva .
1994
Elisa informs Goliath that Xanatos will be out of jail soon. (In order to make a point, she exaggerates and says he'll be out in a month, when in fact it's closer to two.) Brooklyn steals the Grimorum Arcanorum for Demona. Then he lures Goliath to the Cloisters, where Demona casts a spell on Goliath that enslaves him to her will. Brooklyn realizes his error and takes control of Goliath away from her. Demona manages to get away with a few pages from the Grimorum.
1995
Xanatos, his Steel Clan Robots and the gargoyles depart the castle wearing packs that will distribute a harmless gas that can be ignited to make it look like the sky is on fire. After they leave, Demona reveals her presence. Demona attempts to sabotage Xanatos' plan, but Macbeth confronts Demona, determined to end both their lives. Xanatos and Goliath return to see the Weird Sisters disable both Demona and Macbeth and depart with them. The sky is set ablaze, and the humans are freed from the spell just before the sun rises on a new day.
1996
5:39am EST - [withheld]
5:00pm EST - [withheld]
NOVEMBER 11
This day in Gargoyles' Universe History....
November 11th...
1994
Lex finishes fixing the motorcycle, and Brooklyn takes it for a ride. He is attacked by a motorcycle gang that destroys the bike. Demona comes to his aid and convinces him that humans are a danger to the clan. He agrees to help her make Goliath see the truth through magic. Xanatos' jail sentence is officially recorded. It immediately becomes clear to Elisa that he will only have to serve half of his sentence, after time off for good behavior. Elisa finds a good home for the gargoyles in the Clock Tower above her precinct house.
1995
Everyone converges at PackMedia Studios. Xanatos puts an end to the broadcast, but the spell is still in force. Macbeth attacks Demona, but she escapes. Goliath and Xanatos agree to team up to defeat Demona and end the spell. At dawn, the gargoyles all turn to stone. At the same time, the transformed humans become flesh again, without any memory of what had happened to them. Owen informs Xanatos that they need to set the sky on fire to break the spell. They begin preparations to do just that. When Elisa learns that the broadcast originated at the Xanatos-owned PackMedia Studios, she confronts Owen at the Eyrie Building. Both turn to stone at sundown. Shortly thereafter, the gargoyles arrive.
1996
5:38am EST - [withheld]
NOVEMBER 10
This day in Gargoyles' Universe History....
November 10th...
1995
Macbeth sees enough of the broadcast to realize what Demona is up to. Elisa goes to the Clock Tower to wait for the gargoyles to awaken. At sundown, Owen, Fox and Elisa (as well as most of the humans in Manhattan) turn to stone. The gargoyles awaken at sundown and discover Elisa and the other stone humans. (Thailog also awakens at sundown. With no one at the castle to warn him, he watches Demona's spell on television and immediately turns to stone. He will remain stone in the television room, 24 hours a day until the spell is broken. But he has had his first exposure to Demona.) The gargoyles stop at Robbins' house. Being blind, he was unaffected by Demona's spell. They begin to search the city for Demona, who's on a killing spree, destroying stone humans in the streets. Separately, Macbeth and Xanatos also seek Demona.
1996
5:37am EST - [withheld]
NOVEMBER 9
This day in Gargoyles' Universe History....
November 9th...
1995
The city honors Peter Choy and Rosaria Sanchez. Terrorists take hostages (including Brendan & Margot) at a bank. The gargoyles intervene and have their first encounter with the Weird Sisters. Wolf sees television coverage of the bank robbery and decides that he and the Pack are going to turn to a life of crime. Meanwhile, Demona and Xanatos initiate their plan to secure immortality by stealing a minute of life from everyone who watches their hijacked broadcast. However, Demona was fooling Xanatos, and actually succeeds in using the broadcast to turn everyone who watches into stone at night. Owen, Fox, Elisa and most of the humans in Manhattan see the broadcast. Xanatos does not watch.
1996
5:36am EST - [withheld]
NOVEMBER 8
This day in Gargoyles' Universe History....
November 8th...
1996
5:07am EST - [withheld]
5:34am EST - [withheld]
9:27pm EST - [withheld]
NOVEMBER 7
This day in Gargoyles' Universe History....
November 7th...
1994
The Trio finds an old abandoned motorcycle, and Lex decides to rebuild it.
1995
Petros returns to Bar Harbor, Maine.
1996
5:33am EST - [withheld]
9:18am EST - [withheld]
9:21am EST - [withheld]
9:41am EST - [withheld]
9:45am EST - [withheld]
2:19pm EST - [withheld]
NOVEMBER 6
This day in Gargoyles' Universe History....
November 5th...
1994
Owen tells Xanatos the results of his Gargoyles vs. The Pack experiment. With Fox and Wolf under arrest, The Pack television series is quickly cancelled. Dingo flees to Europe.
1995
Fox arrives at the Eyrie with Xanatos' father, Petros. That night, Goliath decides to attend the wedding. He brings his half of the Phoenix Gate along. Fox and David are married. Demona tricks Goliath into giving her his half of the Gate. She then uses it to travel back in time to the year 975. Goliath, David, Fox and Petros Xanatos go too. Seconds later, they return, having fulfilled their roles in the time-stream. That same night, Thailog, who had intentionally been kept hidden from Goliath, initiates his plan to steal $20 million from Xanatos.
1996
5:32am EST - [withheld]
6:00am EST - [withheld]
NOVEMBER 5
This day in Gargoyles' Universe History....
November 5th...
1994
Lexington convinces Goliath to meet the Pack. But the Pack attempts to hunt Goliath and Lex down. The gargoyles manage to turn the tables. Fox and Wolf are arrested.
1995
Xanatos sends word through Elisa that he wants to talk to Goliath. Assuming the worst, Goliath attacks Xanatos atop the Goldencup Bakery Building. After a brief struggle, Xanatos stops the fight and asks Goliath to be best man at his wedding to Fox the next night. Xanatos also promises that Demona will be at the wedding.
1996
3:00am EST - [withheld]
5:31am EST - [withheld]
NOVEMBER 4
This day in Gargoyles' Universe History....
November 4th...
1994
Now that Xanatos has negotiated such a short sentence, Elisa tries to convince Goliath that the gargoyles must leave the castle. Goliath refuses. Brooklyn, Broadway and Lexington attend a live performance by the Pack. Lexington makes contact with his heroes after the show.
1995
Peter Choy and Rosaria Sanchez rescue and resuscitate a drowning five-year-old from the lake in Central Park.
1996
5:30am EST - [withheld]
5:35am EST - [withheld]
9:48pm EST - [withheld]
9:50pm EST - [withheld]
NOVEMBER 3
This day in Gargoyles' Universe History....
November 3rd...
1793
Philibert Aspairt is lost beneath the catacombs of Paris.
1994
The television at the castle begins showing THE PACK on all channels at all times.
1996
5:29am EST - [withheld]
10:00am EST - [withheld]
11:30am EST - [withheld]
12:07pm EST - [withheld]
1:15pm EST - [withheld]
2:01pm EST - [withheld]
2:45pm EST - [withheld]
NOVEMBER 2
This day in Gargoyles' Universe History....
November 2nd...
1996
Just after midnight, Angela and the Trio head out into the city. They're glad that both Goliath and Maggie are recovering.
Just before dawn, Shari tells Thailog the story of Goliath, Angela, Elisa and Bronx's journey from Avalon to the Himalayas in Tibet - where they encountered Coldstone - and of their subsequent arrival in Shambahla.
At dawn, Coldsteel joins Xanatos at Scarab Corp.
6:46am EST - [withheld]
6:47am EST - [withheld]
3:52pm EST - [withheld]
3:53pm EST - [withheld]
4:50pm EST - [withheld]
5:12pm EST - [withheld]
5:14pm EST - [withheld]
5:15pm EST - [withheld]
5:18pm EST - [withheld]
NOVEMBER 1
This day in Gargoyles' Universe History....
November 1st...
975
Using the Phoenix Gate, Goliath, Demona, David Xanatos, Petros Xanatos and Fox come back in time from the year 1995. Demona immediately uses the Gate to disappear again. Xanatos saves the life of Princess Elena of Normandy. He is rewarded with a coin, which he gives to the Norman Ambassador, a fellow member of the Illuminati Society. The 1995 Goliath encounters the 975 Hudson. The 975 Demona is studying under the Archmage as his apprentice. He instructs her to steal the Phoenix Gate from Princess Elena, which she does. But then she is confronted by the 1995 Demona and Goliath. After a brief trip for all three to 994, the 975 Demona returns them to her time and winds up on the outs with the Archmage. She breaks the Phoenix Gate in two and gives half of it to the 975 Goliath at the wedding of Malcolm and Elena. Meanwhile, all the 1995 participants return to their own time.
1975
David Xanatos receives an anonymous gift of a medieval coin worth $20 grand. It is the start of his fortune, and was actually sent to David by his 1995 counterpart, via the Illuminati Society from the year 975.
1995
A fully-grown Thailog is released from his maturation chamber and takes up residence at the Eyrie Building. Xanatos receives a letter from the Illuminati Society. It is from himself, sent in the year 975. It explains that he sent himself the medieval coin that was the basis of all his wealth. The letter also explains how he set this all up by turning his wedding to Fox into a time travel excursion to 975.
1996
Xanatos gets a new assignment from Quincy and the Illuminati. Hudson confirms he is a gargoyle to Robbins. Thailog and the clones fight the Manhattan Clan. During the battle, Thailog gets DNA samples from Goliath, Angela, Broadway, Lexington, Elisa, Brooklyn, Hudson and Bronx. Delilah, Malibu, Burbank and Hollywood reject Thailog, but Brentwood chooses to depart with him. Thailog gives the DNA to Sevarius and gains a new personal assistant, Shari. Doctor Sato treats Goliath. Goliath and Elisa declare their love for each other.
OCTOBER 31
This day in Gargoyles' Universe History....
October 31st...
1994
In part because both he and Elisa want to conceal the gargoyles' existence, Xanatos and the D.A.'s office agree to a plea bargain. He pleads guilty to the sole count of Receiving Stolen Property. He will be sentenced to six months in county jail including time served, with every hope that the sentence will be reduced to three months for good behavior.
1995
Xanatos confronts Fox and attempts to get the Eye back from her. She transforms in front of him and escapes. Xanatos intentionally involves Goliath and Elisa in an attempt to manipulate them into helping Fox and retrieving the Eye. Goliath quickly catches on and initially refuses to help. Later that night, the Trio, Goliath, Elisa, Vinnie, Brendan and Margot all attend a Greenwich Village Halloween block party. When the Werefox attacks, Goliath and Elisa agree to help Xanatos save Fox. Together, they manage to remove the Eye from the creature, which reverts to Fox. Goliath takes possession of the Eye.
1996
Matt Bluestone convenes a meeting of the Gargoyle Taskforce (including himself, Elisa, Officers Morgan & Travanti, Detectives Harris & Chung, Margot Yale and Martin Hacker). Hacker has Illuminati meetings with Matt, Xanatos and Castaway. Morgan asks Elisa on a date. After turning him down and spending time with Jason in the hospital prison ward, she goes to the Eyrie. The gargoyles awaken at sunset. Fox has Halloween costumes for Brooklyn, Lexington, Broadway and Angela in anticipation of the Masque that Xanatos is throwing later that night. Elisa breaks up with Goliath. Demona recovers the Atlantean crystal that was at the heart of the Praying Gargoyle. In, the Labyrinth, Al is showing Shari around. Goliath and Brooklyn arrive. Brooklyn wants to ask Delilah to the party, but Goliath does instead. Goliath, Brooklyn and Delilah depart. Thailog attacks. Terry Chung, Billy Greene, Susan Greene and Sarah Browne trick-or-treat at Jeffrey Robbins' home, where Hudson and Bronx are visiting. Following Illuminati orders, Xanatos takes Fox and Alexander to a party at the White House. They chat with Ambassador Chung, and David meets Illuminatus Quincy Hemings. Meanwhile, Xanatos' Masque goes on without him at the Eyrie. Attendees include Judge Roebling, Doctor Sato, Brendan, Margot, Lexington, Brooklyn, Angela and Broadway. Elisa and Morgan arrive together, as do Goliath and Delilah. Thailog, having taken the male clones from the Labyrinth, arrives to collect Delilah and stabs Goliath.
1997
Xanatos' probation expires.
OCTOBER 30
This day in Gargoyles' Universe History....
October 30th...
1995
After picking up her Halloween costume, Elisa encounters the Werefox in Mr. Jaffe's store.
OCTOBER 29
This day in Gargoyles' Universe History....
October 29th...
1995
Tony Dracon, Dominic Dracon and their men are taken into custody. Martin Hacker calls to see if Matt's all right. Matt asks Hacker to find the whereabouts of Mace Malone's stepson Jack Dane. Later, Elisa helps Broadway order a new Detective costume for Halloween to replace the one destroyed during the Silver Falcon case.
1996
At midnight, Travis Marshall begins to broadcast Nightwatch on WVRN in New York - in part as a response to the revelation that gargoyles truly exist. Vinnie Grigori and Gargoyles Taskforce leader Matt Bluestone, among others, are interviewed. Meanwhile, the gargoyles try to readjust to life back at the castle with Xanatos. Goliath departs to see Elisa. He turns to stone outside her apartment. John Castaway recruits Vinnie and other citizens into the Quarrymen. That morning, Taro, having seen Vinnie on Nightwatch, offers him a security job in Japan. Just before sunrise, Banquo and Fleance spot Goliath on Elisa's balcony. They contact Castaway who convinces Vinnie to join the hunt. Elisa manages to protect Goliath until sundown when he awakens. Goliath and Elisa flee. The Quarrymen give chase and injure Goliath's wing. Goliath and Elisa are forced to take to the rooftops of Manhattan in order to make their way back to the relative safety of the castle. At the castle, Hudson watches a special early edition of Nightwatch, with Travis Marshall moderating a debate between anti-gargoyle Assistant District Attorney Margot Yale and pro-gargoyle medieval scholar Lennox Macduff (actually Macbeth). Lex bonds with Alexander and declares a truce between himself and Fox. Mr. Duval of the Illuminati Society contacts Xanatos. David declines to take Duval's call. Angela and Broadway share they're first kiss, and Brooklyn realizes that he has no chance with Angela now. The Quarrymen pursue Elisa and Goliath to the ruined Clock Tower. Elisa and Goliath take most of the Quarrymen out one by one. But Castaway nearly succeeds in killing them both. At a crucial moment, Vinnie switches sides, giving Goliath time to recover. Castaway is forced to flee. Goliath and Elisa return to the castle.
OCTOBER 28
This day in Gargoyles' Universe History....
October 28th...
1994
Xanatos anticipates being released by October 31st, the date of his next pre-trial appearance.
1995
Like Matt before her, Elisa questions G.F. Benton, unaware that he is really Dominic Dracon. She too heads for the old location of the Silver Falcon. Broadway is caught in a cave-in at dawn and turns to stone. Elisa is taken hostage with Matt by Tony Dracon and his henchman Glasses. When Tony fails to find the jewels Mace hid, Elisa bargains with him, offering to trade the true location of the jewels for her and Matt's life. That night, Elisa, Matt and Broadway manage to take down Dracon, his men and his grandfather Dominic.
OCTOBER 27
This day in Gargoyles' Universe History....
October 27th...
1994
At the risk of his Cyberbiotics assets, Halcyon Renard determines to replace his destroyed Fortress-1 airship with a new Fortress-2 that is to be manned almost entirely by cybots.
1995
Broadway stops by Elisa's place to pick up the Trio's Halloween costumes and to watch a video of his favorite thirties gangster movie. Captain Chavez, concerned about Bluestone, contacts Elisa, who begins investigating Matt's disappearance with Broadway (who dons his Halloween costume for the case). They stumble on Pal Joey ransacking Matt's apartment, and Broadway rescues all three of them when a bomb Joey planted explodes prematurely. Elisa keeps Matt's rendezvous with Hacker.
1996
Robyn Canmore is arrested. Jason, who is also arrested, survives surgery but is paralyzed from the waist down. Xanatos tells Elisa that the gargoyles are welcome to stay at his castle. Just before dawn, Elisa and Goliath kiss for the first time. Jon Canmore contacts the Illuminati. In very short order, they set him up with a new identity, John Castaway, and put him in charge of the Quarrymen organization that they already had in the works. Macbeth's former minions Banquo and Fleance are hired to assist Castaway.
OCTOBER 26
This day in Gargoyles' Universe History....
October 26th...
1994
Vinnie's driver's license is revoked when he claims gargoyles smashed his motorcycle into a wall.
1995
Elisa receives the Trio's Halloween costumes. Matt, still in Dracon's custody, finds out that Mace's Silver Falcon letter has nothing to do with the Illuminati. But he decides that if he ever gets out of this situation alive, he'll continue his hunt for Mace.
1996
With Lex's help Goliath tracks the Hunters to an upstate hydroelectric dam. Goliath and Broadway battle the Hunters. Elisa tries to break up the fight, but she and Jason seemingly fall off the dam to their deaths. That day, Robyn and a vengeful Jon manage to decrypt Demona's disk and learn about her plan. The Praying Gargoyle will protect her and her kind, while the Medici Tablet, the D/I-7 and the CV-1000 will blend science and sorcery to destroy humanity. Meanwhile, some distance below the dam, Jason manages to pull Elisa to safety. The night of the Hunter's Moon, Demona, the Hunters, the gargoyles, the NYPD's Gargoyles Taskforce (GTF), the press and many bystanders all converge at St. Damien's Cathedral in Manhattan. While Demona prepares her spell, the Hunters and the other gargoyles fight. Jason and Elisa arrive, trying to call a truce. But Jon refuses. He shoots at Goliath but badly injures Jason instead. Jon flees. Goliath stops Demona by destroying the Praying Gargoyle, forcing her to abandon her plan or die herself. Demona flees, but the GTF has the rest of the gargoyles dead to rights. Suddenly, Xanatos shows up and rescues them.
OCTOBER 25
This day in Gargoyles' Universe History....
October 25th...
1994
Officer Morgan is transferred to the 23rd Precinct.
1995
Matt Bluestone questions G.F. Benton, unaware that the man is really Dominic Dracon. Matt follows a lead from "Benton" to the location of the old Silver Falcon speakeasy, where he's captured by Tony Dracon.
1996
The Hunters trace Goliath back to the Clock Tower and blow it up. One of the Hunters pulls Elisa from the police precinct. She removes his mask and recognizes her new partner, Jason. He drugs her and leaves her in her apartment. Meanwhile, the explosion causes Maria Chavez to break her leg. The gargoyles barely survive, and Hudson and Lex are badly injured. Jon Canmore has the opportunity to destroy them, but he allows them to flee the Clock Tower. Unfortunately, Robyn forces Jon to blame the gargoyles for the Clock Tower's destruction on the television news. Now the entire city knows they exist and is hunting for them. The gargoyles hide out at Elisa's loft. That day, Elisa and Matt meet with Maria Chavez in her hospital room. They've discovered the Canmore siblings' true identities. Robyn breaks into Demona's vault, but Demona has already emptied it of everything but a computer disk. That night Goliath goes in search of the Hunters.
OCTOBER 24
This day in Gargoyles' Universe History....
October 24th...
1994
Reconstruction of the Eyrie Building's Castle is completed.
1996
The Trio and Bronx fail to stop Demona from stealing the D/I-7. Worse yet, Goliath, Hudson and Angela are attacked by the Hunters. Angela is badly wounded. The gargoyles reconvene at the Clock Tower but are unsure if Angela will survive until dawn. Goliath vows vengeance on the Hunters. Elisa arrives just before sunrise and performs CPR, saving Angela's life. Later that morning, Dominique Destine introduces Robyn to Dr. Sevarius, who's created a carrier virus called CV-1000. Dominique places a sample of the virus in a vault beside the D/I-7, the Medici Tablet and the Praying Gargoyle. That night, Angela wakes from her stone sleep, healed. The gargoyles leave the Clock Tower to search for the Hunters. Elisa, having missed the Gargoyles, invites Jason to her loft for dinner. From her balcony, Goliath watches Jason and Elisa kiss. Angered, he, Brooklyn and Lex board the Hunter's craft alone. Once inside, they find Demona is also after the Hunters. All four gargoyles are captured, but allowed to escape.
OCTOBER 23
This day in Gargoyles' Universe History....
October 23rd...
1996
Just before dawn, Elisa and the gargoyles rescue a subway train full of passengers (including Brendan and Margot) from a street gang. That morning, Captain Chavez temporarily reassigns Elisa to the dayshift and partners her with Detective Jason Conover. Elisa and Jason are immediately attracted to each other. Together, they prevent thieves from stealing containers of D/I-7 from a Xanatos warehouse. That evening, Dominique Destine hires Robyn Corey as her personal assistant at Nightstone Unlimited and discovers that the thieves she hired failed to acquire the D/I-7. That night, Matt questions Xanatos about the D/I-7 and learns it is a potent but theoretically harmless disinfectant. After Matt leaves, WVRN reporter Jon Carter questions Xanatos about the gargoyles. Meanwhile, Elisa tells the gargoyles about her day with Jason. She asks for their help, and they agree to watch over the two locations where the D/I-7 is stored.
OCTOBER 19
This day in Gargoyles' Universe History....
October 19th...
1995
Matt Bluestone contacts his former F.B.I. partner Martin Hacker and asks for his help to authenticate a Mace Malone letter. Hacker agrees. They are to meet at Cleopatra's Needle in New York on October 27th at 10pm. Matt overnights the letter to Hacker.
Shan Muir podcast
Friend, fan and pro, Shan Muir -- who some of you may have met at past Gatherings -- has been interviewed on a podcast promoting her new book on the animation biz. Check it out.
OCTOBER 17
This day in Gargoyles' Universe History....
October 16th...
1996
When the real Hudson and Goliath return to the Clock Tower, they find Coldstone and are soon convinced that Othello controls his body. They follow Coldstone back to the Eyrie. Minutes later, Iago, Othello and Desdemona return to the Tower in their appropriated bodies. They free Lex, who surmises that Iago must now be in control of Coldstone and has tricked Goliath and Hudson into declaring war on Xanatos. The real Iago, still posing as Brooklyn, suggests that they destroy the Coldstone body once and for all. Othello agrees, despite (or perhaps because of) the fact that this action would strand the various souls in their new bodies. At the Eyrie, Puck uses the Coldsteel and Coldfire robots to capture Goliath and Hudson. The others arrive soon after. Iago knocks Lex unconscious to take him out of the action, but when Lex recovers, the spirit of Alexander enters his body. Puck, meanwhile, uses Coldstone's body to take down Angela/Desdemona and Broadway/Othello. Brooklyn/Iago tries to make off with Desdemona, but Puck uses Coldsteel and Coldfire to stop him. After some further conflict, Lex/Alex transfers Iago, Othello and Desdemona into Coldsteel, Coldstone and Coldfire, respectively. Coldsteel flees, and Coldstone and Coldfire take off in pursuit. Puck returns Alexander to the nursery and transforms back into Owen just before Xanatos and Fox return.
OCTOBER 16
This day in Gargoyles' Universe History....
October 16th...
1996
Xanatos and Owen make a third attempt to transfer the souls of Iago and Desdemona into independent robot bodies. It too fails. Later, David and Fox go out for the evening, leaving Alexander in Owen's care. Owen decides to teach Alexander his first lesson in magic. Owen transforms into Puck, then glamours himself and Alexander into dead-ringers for Goliath and Hudson. They "liberate" Coldstone from the Eyrie and take him to the Clock Tower. There, "Goliath" convinces Angela and Broadway to allow the souls of Desdemona and Othello to take up temporary residence inside their bodies. Coldstone is emptied of all three souls, and the Iago soul secretly enters Brooklyn. "Goliath" and "Hudson" then depart, leaving "Brooklyn" in charge. Iago convinces Othello and Desdemona to try out their new bodies. He then follows them to the Statue of Liberty, where he hints that they might keep Broadway and Angela's bodies for themselves. Meanwhile, Puck and Alexander enter Coldstone's body; they grab Lex, tie him up in a corner and gag him.
OCTOBER 14
This day in Gargoyles' Universe History....
October 14th...
1066
Harold Godwinson is killed at the Battle of Hastings. William the Conqueror conquers England.
OCTOBER 13
This day in Gargoyles' Universe History....
October 13th...
1996
When Demona refuses to allow Thailog to kill Angela, he reveals an additional clone: Delilah, created from a combination of Demona and Elisa's DNA. Demona frees Talon, Goliath and the clan. They manage to recapture Fang and take down the clones. But while fighting each other, Demona and Thailog seemingly perish in a fire. Talon offers to take the other clones back to the Labyrinth where he promises to teach them to think for themselves.
OCTOBER 12
This day in Gargoyles' Universe History....
October 12th...
1995
Xanatos acquires the Cauldron of Life and prepares to test it by ordering the construction of a pair of Macbeth robots and a statue of Hudson. He also begins looking for a sword that will match Hudson's to be used with the statue.
1996
Relieving Talon, Goliath takes his shift guarding the Labyrinth prisoners. Thailog busts Demona and Fang out. Talon and Goliath pursue them to Coney Island. Goliath departs and quickly returns with Angela, the Trio and Hudson. All are captured by Fang, Demona, Thailog and his clones: Hollywood, Brentwood, Malibu and Burbank (made from the DNA of Broadway, Lexington, Brooklyn and Hudson, respectively).
<SIGH> Gargoyles #6
<SIGH>
Okay. I'm embarrassed. As many of you already know, there are a number of production errors in issue #6. I have already received what I believe is a heartfelt apology from SLG, and I'm personally passing this apology on to you fans... and adding one of my own.
Here, as far as I can tell, is the rundown of the errors in Gargoyles #6:
PAGE ONE. The logo and title ("Gargoyles Clan-Building Chapter Six: Reunion") have once again been left off the book.
PAGE TWELVE. Although the correct lettering overlay was used, the art is incorrect -- and is in fact a reprint of page 16.
PAGE TWENTY-THREE. An uncorrected version of the page with the wrong "SCARAB" logo was used.
BACK COVER. The add for the trade paperback leaves Nir Paniry's name off, which is frankly inexcusable. Also Stephanie is still listed as doing tones on Bad Guys, but Karine did her own tones.
ETCHED IN STONE. In addition, the blurb for issue #7 lists Dustin Evans as that upcoming issue's colorist, but the colors for #7 are now being done by Robby Bevard. Dustin was colorist at the time I wrote that Etched in Stone, but since then the situation has changed. So that's not really an error... just consider this an update.
Guys, believe me, I am well aware how unprofessional all this makes us look. I recognize that the fans are NOT expected to have unlimited patience with all our screw-ups -- be they production errors or late deliveries. I've been told that SLG is going to reprint the issue and that exchanges will be possible. In the meantime, I'm looking for a way to post the correct pages (which exist, I swear) somewhere practical on the internet so you guys can at least see what you've missed. And of course, everything WILL be correct in the Trade Paperback (though that's hardly the inducement to buy that I was looking for).
All I can say is that we will try to do better. Truly. I know that must sound hollow, but I'll now be looking over galleys personally. Honestly, if ALL the mistakes on the book were mine, I'd feel a LOT better. And as always, I'm ready to take full responsibility for any creative stuff you don't like. That is on me.
Finally, for the record, Angela's costume on the cover is NOT an error but a creative choice made by Greg Guler (i.e. the man who designed BOTH versions of her costume). He was aware that the "scene" he was depicting was from a flashback but made the creative decision to go with the new costume on the cover. Note that covers are not canon. Covers are the FINAL ADVERTISEMENT/INDUCEMENT to get people to buy the book. Greg felt that the new costume would make for a better inducement. We discussed it, and I agreed.
Again, I'm so sorry about all this.
Greg Weisman
October 10th, 2007
OCTOBER 7
This day in Gargoyles' Universe History....
October 7th...
1994
Xanatos used the data on the disks to activate his Steel Clan Robots, which he and Demona immediately set against the gargoyles. The attempt is ultimately futile; the robots are destroyed. Demona, however, gets the drop on Goliath. She reveals her name and her complicity with Castle Wyvern's Captain of the Guard. Elisa prevents Demona from killing Goliath. And Goliath once again saves Elisa's life. Demona disappears. Xanatos is arrested and thrown in jail, initially on multiple felony charges that include grand theft and industrial espionage. Due to his wealth and international connections, he is considered a flight risk and held without bail. Repair work begins immediately to restore all damage to the castle.
OCTOBER 6
This day in Gargoyles' Universe History....
October 6th...
1994
Elisa discovers that gargoyles turn to stone during the day. She's forced to lead the Commandos away from a stone Goliath in order to protect him. She then waits by his side throughout the day, cementing their friendship. That night the Trio takes the names Brooklyn, Broadway and Lexington and gives Bronx his name as well. Xanatos then reunites Goliath with Demona. Together, Demona and Xanatos convince Goliath and the clan to "retrieve" the computer disks from Cyberbiotics. Goliath and Demona attack Cyberbiotics' airship The Fortress-1, costing Vinnie his Cyberbiotics' security job in the process. The gargoyles are successful in recovering the disks. But the Cyberbiotics Underground Base (under the leadership of the Cyberbiotics Commander) is badly damaged by Hudson and Bronx. And Goliath grows disconcerted with the changes in Demona, particularly after she causes the destruction of Fortress-1. Elisa is able to convince Goliath that Xanatos has been using him, revealing that the disks were actually Cyberbiotics' property and that the Commandos were working for Xanatos.
OCTOBER 5
This day in Gargoyles' Universe History....
October 5th...
1994
Elisa investigates, encountering first Owen, then Xanatos, then Bronx and finally Goliath. Frightened at seeing a live gargoyle for the first time, she backs away and falls off the building. Goliath saves her life, introduces her to the rest of the clan and agrees to meet her the next night. Early that morning, Xanatos asks Goliath's help to get his disks back. Goliath is reluctant to help. And unbeknownst to him, Xanatos and Demona are planning something. That night, the Trio leaves the castle to explore the city and accidentally trashes the motorcycle of a man named Vinnie. Goliath and Hudson keep the rendezvous with Elisa, who more or less gives Hudson his name. Hudson retreats to the castle with Bronx - where they discover television and lounge chairs. Meanwhile, Goliath and Elisa rescue an ungrateful Margot Yale and Brendan Quarters from muggers, before being attacked in Central Park by the Commandos from the night before.
OCTOBER 4
This day in Gargoyles' Universe History....
October 4th...
1994
The final touches on the castle are completed. It now sits atop the Eyrie Building, high "above the clouds", thus fulfilling the condition of the Magus' spell. The Magus' curse is broken, and Goliath, Hudson, the Trio and Bronx awaken to a brave new world. Minutes later, a group of Commandos attack and seem to steal three disks from Xanatos. This attracts the attention of New York City Police Detective Elisa Maza. Elisa also meets Officer Morgan for the first time.
1995
The werefox is first sighted in Manhattan.
OCTOBER 3
This day in Gargoyles' Universe History....
October 3rd...
1995
After wearing the Eye of Odin for two days, Fox begins transforming into a werefox.
OCTOBER 2
This day in Gargoyles' Universe History....
October 2nd...
1995
In anticipation of Halloween, Elisa helps the Trio order costumes through the mail. Broadway chooses a detective costume. Brooklyn, a pirate. Lex, a pilot.
OCTOBER 1
This day in Gargoyles' Universe History....
October 1st...
994
Just before dawn, Goliath and Hudson discover that they have been following only a small contingent of Vikings; the rest must be preparing to attack the castle. The two gargoyles turn to stone before they can get back. Simultaneously, Demona nearly warns Othello and Desdemona, but changes her mind as she sees the Vikings approach. Instead, she hides at the foot of Wyvern cliff, where she turns to stone as the sun rises. Hakon attacks. The archers' sabotaged bows are useless, and the Captain opens the main gate, allowing the Vikings to enter Castle Wyvern, which is sacked. The humans, including Katharine, the Magus, Mary and Tom are led away bound. Hakon then sets about to destroy the gargoyles, including Othello, Desdemona, Iago and Hyppolyta. The Captain is "unable" to stop him. When the sun goes down again, Demona awakens to discover that the Wyvern Clan have been massacred. When she sees Goliath and Hudson returning, she cannot face them and flees before they can discover the massacre. The only other survivors seem to be the Trio and Bronx, who were in the Rookery. The survivors head for the Viking camp to take their revenge. When Hakon and the Captain hear the gargoyles approaching, they take Katharine as a hostage. The Magus mistakenly assumes that the Princess is dead. Blaming the gargoyles, he casts a spell on all but Goliath putting them to sleep "until the castle rises above the clouds." Meanwhile, Goliath confronts the Captain and Hakon atop a cliff. He rescues the Princess, and the two villains fall to their deaths. But when Goliath discovers that the rest of his clan has been turned to stone, he asks the Princess to watch over the eggs in the Rookery and asks the Magus to cast his spell one more time. Goliath is turned to stone with the others and placed atop Castle Wyvern. Demona later returns to the castle to find Goliath frozen in stone. She watches the Magus, Tom and Princess Katharine removing the eggs from Wyvern. She departs for good. Katharine dubs Tom the Guardian of the Gargoyle Eggs. Katharine, the Magus, Tom, Mary and the rest of Wyvern's human inhabitants take the eggs and leave the cursed castle to live under the protection of Katharine's uncle, King Kenneth II. Seconds later, three time travelers arrive in 994: the Demona of 1995 has brought the Demona of 975 along with the Goliath of 1995 to see the results of the massacre. But the 1995 Demona fails to convince the 975 Demona to take up her evil cause. The time travelers depart, returning to 975.
1995
Xanatos proposes to Fox and gives her the Eye of Odin as an engagement gift. She accepts both his proposal and the Eye. Alexander Fox Xanatos is most likely conceived on this night.
SEPTEMBER 30
This day in Gargoyles' Universe History....
September 30th...
994
The Captain approaches Hakon and offers to help him take the Castle. That night, the Captain and Demona try to convince Goliath to take all the gargoyles out of the castle to make sure the Vikings leave for good. But Goliath decides to only take one other gargoyle along with him, leaving Demona in command of the others. Demona and the Captain alter their plan. Hakon will now attack during the day, when the Gargoyles are stone. The Captain swears he'll keep the Gargoyle clan safe. Meanwhile, the Trio and Bronx meet Tom, resulting in a minor altercation with Mary and the refugees. To keep the peace, Goliath sends Bronx and the Trio down to the Rookery. Demona makes one more attempt to change Goliath's mind, and Othello offers to accompany Goliath. Goliath decides to take Hudson instead. Goliath and Hudson follow the Vikings' trail. While back at the Castle, the Captain sabotages the bowstrings of his own archers.
SEPTEMBER 29
This day in Gargoyles' Universe History....
September 29th...
500
Arthur is crowned King of Britain.
994
Hakon the Viking lays siege to Castle Wyvern, but is driven away by the Wyvern Clan of gargoyles. The Captain of the Guard invites Goliath and Demona to the celebratory feast. Princess Katharine is most seriously displeased. She demotes the Captain, declaring that from now on he will report to the Magus, who later prepares a spell to deal with the gargoyle clan, should they get out of hand. Seeing that Goliath will continue to tolerate human prejudice, Demona and the Captain find an excuse to temporarily lure the gargoyles away, so that the castle can be sacked and the humans taken away by Hakon, leaving Castle Wyvern to the gargoyles once more.
995
Michaelmas. Constantine III is so furious he initiates a plan to destroy all the gargoyles in Scotland.
1040
Macbeth is made High King of Scotland. He swears on the Stone of Destiny, to protect Scotland and serve her people. Macbeth names Demona and publicly rewards her and her gargoyles, welcoming them as his allies into his home and castle. Demona becomes his primary advisor. Thorfinn is rewarded with basic autonomy over Orkney, in practice if not in name.
1994
Xanatos inspects his castle atop the Eyrie Building. He wants everything to be perfect before he attempts to wake the gargoyles.
SEPTEMBER 28
This day in Gargoyles' Universe History....
September 28th...
994
Tom, Mary and other refugees are given shelter from rampaging Vikings at Castle Wyvern.
995
Michaelmas Eve. Tom and the Magus get the eggs out of Edinburgh Castle. Finella drugs Constantine so that Katharine can escape, and flees with the Princess, Tom, Mary, the Magus and the eggs. The Magus brings them all to the mystic island of Avalon. He is forced to battle the Weird Sisters to achieve the island. He turns them into owls but is unable to take the Grimorum with him. Finella and Mary agree to take the book and keep it safe from Constantine. They depart. Katharine, Tom and the Magus land on Avalon with the eggs. The two time-traveling Archmages witness all this and rescue the Weird Sisters from their owl-state. The Archmages and the Sisters form an alliance. They agree to meet again in the year 1020.
1963
Vinnie Grigori is born in New York.
1980
In Paris, Demona steals the Praying Gargoyle statue from Notre Dame Cathedral. Confronted by Charles Canmore, the Hunter, she kills him and escapes. Canmore's children, Jason, Robyn and Jon swear vengeance.
1995
At midnight, Demona uses Titania's Mirror to summon Puck. They turn Elisa and all the humans in Manhattan into gargoyles and vice versa. The situation is soon reversed, but Puck arranges it so that Demona is human during the day and a gargoyle at night. Fox contacts Preston Vogel, inducing him to betray her father Halcyon Renard.
1996
Xanatos and his robots track Coldstone down in the Himalayas and disable him.
SEPTEMBER 27
This day in Gargoyles' Universe History....
September 27th...
1995
Despite Goliath and Elisa's efforts, Demona acquires Titania's Mirror from the Metropolitan Museum of Art.
SEPTEMBER 25
This day in Gargoyles' Universe History....
September 25th...
1995
Lexington begins working on Coldstone in an attempt to bring him (or them) out of catatonia.
SEPTEMBER 24
This day in Gargoyles' Universe History....
September 24th...
1995
Hudson washes ashore and is helped by author Jeffrey Robbins. Robbins realizes Hudson is illiterate and convinces him that he isn't too old to learn to read. After sunrise, Macbeth finds Hudson frozen in stone outside Robbins' place. Macbeth takes the scroll. The gargoyles attack Macbeth's Mansion to rescue Broadway and recover the Scrolls. But Macbeth loses interest in the Scrolls when he discovers they aren't Merlin's spellbooks. He allows the gargoyles to depart with them. Goliath returns the Scrolls to Elisa, who delivers them to the Museum. Hudson and Broadway immediately begin learning to read. Robbins starts work on a new book, The Sword and the Staff: A Book of Merlin.
SEPTEMBER 23
This day in Gargoyles' Universe History....
September 23rd...
1995
The Scrolls of Merlin are being transported aboard the H.M.S. Churchill en route to the Metropolitan Museum in New York when they are stolen by Macbeth's minions. The gargoyles intercede. Hudson recovers one of the Scrolls but falls into the ocean. Broadway tries to get the other scroll, but Macbeth captures him.
2007
Autumnal Equinox: Artus conceived.
COMIC BOOK UPDATE
Comic Book Update...
(Although as a few of you have probably guessed, I'm not getting my info much in advance of all of you.)
Anyway, I've just gotten word that Gargoyles #6 ("Clan-Building, Chapter Six: Reunion") is going to be a couple weeks late, hitting stores on October 10th, 2007. I apologize for the delay, of course. All I can do is tell you that the work was done some time ago. The delay was not caused by the creative staff, which includes myself as writer, Gordon Purcell as penciller, Dustin Evans as colorist, David Hedgecock as letterer, Greg Guler as cover artist and Stephanie Lostimolo as cover colorist. We got the work done but their were unfortunate approval delays. Personally, I blame Hyena.
Gargoyles #7 has been written and pencilled and is being colored now.
Gargoyles #8 has been written and roughed and is being pencilled now.
Gargoyles #9 is being scripted now.
Bad Guys #1 has been written and roughed and is being pencilled and finished now. (Keep in mind, it's a black and white book.)
Bad Guys #2 has been scripted.
Despite the glitch the basic plan hasn't changed. We still hope to bring you -- between the TWO books -- monthly Gargoyles product. We were hoping to go monthly starting in September, but it's obviously going to be October now. Again, for that I apologize and ask for your patience.
SEPTEMBER 21
This day in Gargoyles' Universe History....
September 21st...
1995
Coldstone eventually winds up standing comatose in a storage room in the Clock Tower. Xanatos gets possession of R.E.C.A.P.'s remains, including the computer virus. Macbeth has a new Hunter's mask made for himself, but is distracted from his hunt for Demona by the anticipated arrival of The Scrolls of Merlin.
SEPTEMBER 20
This day in Gargoyles' Universe History....
September 20th...
1995
Coldstone's repairs are completed. He is reactivated and attacks the Goldencup building, where he downloads government defense specs and is infected by a potent computer virus. Elisa and Matt are called in to deal with the situation using R.E.C.A.P. Lexington and Goliath accompany them and reunite with Coldstone. All are initially unaware that multiple personas (Othello, Desdemona, Iago and David Xanatos' programming) are vying for control of Coldstone's body. Coldstone flees to Ellis Island, and Goliath enters his mind to sort out the trouble. Meanwhile, Xanatos takes delivery on another batch of Steel Clan Robots from Scarab Corp.
SEPTEMBER 19
This day in Gargoyles' Universe History....
September 19th...
1995
Demona is injured slightly while practicing sorcery. Macbeth, in the general vicinity, feels her pain and immediately realizes that she is somewhere in Manhattan.
SEPTEMBER 18
This day in Gargoyles' Universe History....
September 18th...
1995
Demona first approaches David Xanatos about her plan to gain immortality by stealing one minute of life from everyone who watches their hijacked broadcast.
SEPTEMBER 14
This day in Gargoyles' Universe History....
September 14th...
1995
David Xanatos is officially inducted into the Illuminati Society.
SEPTEMBER 13
This day in Gargoyles' Universe History....
September 13th...
1995
Fox moves into the Eyrie Building.
SEPTEMBER 12
This day in Gargoyles' Universe History....
September 12th...
1995
The Dracons take possession of a warehouse on First & Eighth, the former location of The Silver Falcon nightclub. They begin excavations.
SEPTEMBER 11
This day in Gargoyles' Universe History....
September 11th...
1995
The gargoyles and Elisa return to the Clock Tower, while back at the Eyrie Building, Xanatos and Sevarius, who had only faked his death, discuss the success of their plan. Later that day, the Metropolitan Museum of Art announces a forthcoming new medieval exhibit: "Titania's Treasures". Demona immediately begins planning to steal Titania's Mirror.
SEPTEMBER 10
This day in Gargoyles' Universe History....
September 10th...
1995
The gargoyles take Maggie back to the Clock Tower, but she flees to Xanatos after they turn to stone. Elisa and Matt discover that Xanatos owns Gen-U-Tech. After sundown, the gargoyles awaken and discover Maggie gone. The gargoyles and Elisa confront the Mutates and Xanatos at the Eyrie Building. Although Derek takes the name Talon, Elisa realizes that the Mutate is her brother. Talon and the other Mutates flee.
SEPTEMBER 9
This day in Gargoyles' Universe History....
September 9th...
1995
Derek's transformation continues. Goliath, Lexington and Brooklyn raid Gen-U-Tech to liberate an unwilling Maggie. Goliath appears to accidentally kill Sevarius, destroying Derek's chance for a cure.
SEPTEMBER 8
This day in Gargoyles' Universe History....
September 8th...
1995
Derek and Xanatos confront Sevarius at Gen-U-Tech. Sevarius reveals that he has been testing his mutagenic formula on three human test subjects. Xanatos threatens to shut down the project. Sevarius shoots Derek with a dart filled with the mutagen. Derek begins to mutate. Elisa and Matt question Sevarius but find nothing concrete.
SEPTEMBER 7
This day in Gargoyles' Universe History....
September 7th...
1995
Lydia Duane and Arthur Morwood-Smyth discover The Scrolls of Merlin in Wales. Elisa confronts Derek about missing the previous Sunday's family dinner. He promises to contact her if he has any trouble with Xanatos. That night, Maggie the Cat is allowed to "escape" from Gen-U-Tech Systems. Brooklyn & Broadway find her and try to help, but she is more frightened of the gargoyles than her pursuers. She is recaptured and taken back to Gen-U-Tech. Owen later informs Xanatos and Derek of unusual expense reports coming out of Gen-U-Tech.
1996
The Illuminati make contact with the Canmore family of Hunters, seeking an alliance. Jason turns them down.
SEPTEMBER 6
This day in Gargoyles' Universe History....
September 6th...
1995
Fox is granted an expedited parole hearing at the request of grateful prison authorities. She receives an early parole and is reunited with Xanatos. Matt is certified to operate R.E.C.A.P. Elisa tells Lexington about R.E.C.A.P. Coldstone's self-repair systems are activated by Xanatos.
SEPTEMBER 5
This day in Gargoyles' Universe History....
September 5th...
1995
After midnight, Goliath, Hudson & Broadway free Brooklyn, Lexington and Bronx from an oil tanker in the bay. Coyote, revealed to be a robot, is destroyed by Bronx and Lex, though the robot's head and the Pack escape.
SEPTEMBER 4
This day in Gargoyles' Universe History....
September 4th...
1995
Coyote and Dingo bust the rest of the Pack out of prison. Fox refuses to join them, and even protects a guard from Hyena. Coyote becomes the new leader of the Pack. At sundown, the Gargoyles join the hunt to track them down, and the Pack captures Lex, Brooklyn and Bronx.
SEPTEMBER 3
This day in Gargoyles' Universe History....
September 3rd...
1995
Derek Maza misses Sunday dinner with his family.
AUGUST 18
This day in Gargoyles' Universe History....
August 15th...
1996
Sevarius completes his involvement with Thailog's project and is paid off. Thailog begins programming his new clones. Meanwhile, Angela and Demona are still debating the latter's behavior. Claw arrives to take over guarding the prisoners for the day shift. Angela elects to sleep as stone in front of her mother's cell.
RIP BIGTIME
Skittle Skattle Kittle Kattle Bigtime Bitey Kitty Purrmobile Boy...
Great darn cat.
AUGUST 15
This day in Gargoyles' Universe History....
August 15th...
1057
Macbeth's forces are defeated. Thorfinn is killed at Dunsinane, widowing his young wife Ingibjorg. Canmore destroys all of Demona's gargoyles, except her. Canmore pursues Macbeth to Lunfanan, and history will record that Macbeth was killed there. But Macbeth and Demona discover a side effect of the Weird Sisters' spell. They are immortal and forever linked, feeling each other's pain when near. For either to die, one must kill the other. Prince Luach is able to rally his father's forces temporarily. Canmore is driven back. Luach is made High King of Scotland. Macbeth and Demona vanish severally into myth.
AUGUST 14
This day in Gargoyles' Universe History....
August 14th...
1040
With help from Demona and his cousin Thorfinn, Macbeth defeats Duncan's forces at the battle of Bothgoanan, near the town of Elgin in Moray, Scotland. Duncan is killed near Elgin. An unpopular king, he is not mourned by many. Duncan's son Canmore is banished and spirited away to England by Duncan's few remaining supporters. Canmore will become a protégé of Edward the Confessor, a Saxon. But he also becomes the new Hunter. For his own safety, Donald Ban is spirited away to Ireland.
1998
Vinnie visits family.
PODCASTING...
Here's a link to a Spectacular Spider-Man interview I did last week...
http://spidermancrawlspace.com/
Check it out!
AUGUST 8
This day in Gargoyles' Universe History....
August 8th...
1995
Xanatos' programming of Thailog is in full swing.
AUGUST 6
This day in Gargoyles' Universe History....
August 6th...
2004
Goliath is briefly forced into hiding.
AUGUST 3
This day in Gargoyles' Universe History....
August 3rd...
1996
Brod attacks Dracon in prison. But, the gargoyles help Elisa take down Brod, Dracon and most of their men. The gargoyles return to the Clock Tower, by which time Goliath, Hudson and Bronx have also returned. The Trio apologizes to Angela for their behavior. She forgives each of them with a peck on the cheek - just before the sun rises. Elisa's operation is a phenomenal success. Jack Dane, Pal Joey, Glasses and many other Brod and Dracon operatives are incarcerated. Dracon and Brod are even forced to share a cell.
Want to know more...?
Shan Muir, who some of you may know from various Gatherings she's attended, has written a book on Animation production:
Gardner's Guide to Writing and Producing Animation presents a step-by-step guide through the animation production process-- from deciding what type of animation project to produce to marketing the final production. This book includes behind-the-scenes glimpses into these areas by incorporating interviews with professionals in all areas of the field. It presents in-depth, first-hand descriptions of how certain people personally perform their duties as part of the general production pipeline. In addition, the book explores the various career opportunities in the animation industry, which is known for incorporating a diverse group of artists and engineers. Whether your goal is to produce a completed television special, pilot, short, or independent feature, Gardener's Guide to Writing and Producing Animation offers a comprehensive understanding of the art and business of animation.
Interviews include:
*Jack Angel, Voice Actor
* Monique Beatty, Line Producer
* Jerry Beck, Producer/Animation Historian
* Larry DiTillio, Story Editor/Writer
* Michael Donovan, Voice Director
* John Grusd, Director
* Marc Handler, ADR Story Editor/Writer
* Carl Johnson, Composer
* Bill Koepnik, co-owner of audio post house Advantage Audio
* Christy Marx, Story Editor/Writer
* Jan Nagel, Marketing Diva
* Josh Prikryl, Overseas Supervisor
* Sander Schwartz, Studio Executive
* Tad Stones, Producer
* Brooks Wachtel, Story Editor/Writer
* Greg Weisman, Producer/ Story Editor/Writer
* Robert Winthrop, Producer
* Tim Yoon, Production Manager
I haven't seen it yet, but it sounds invaluable if you're looking to understand how this thing works. Should be available at most big chains and can definitely be ordered on-line or by any bookstore! It's out there now, so support one of your own and grab up a copy!
AUGUST 2
This day in Gargoyles' Universe History....
August 2nd...
1996
Hudson destroys the battle-axe that tied Hakon to the Earth plane, permanently banishing the Viking's spirit. Goliath then defeats Wolf but gets hit in the face by a banana cream pie fired by Vinnie. Goliath and Hudson don't make it back to the Clock Tower before sunrise. Neither does Bronx, who's having his own adventure. Meanwhile, Brod attacks Glasses' chop shop with the help of Jack Dane and "Salli". But the raid is aborted when the police show up. Salli is knocked unconscious and witnesses very little that Elisa could testify to later. Angela and the Trio stumble into the situation, but the boys are too busy fighting over Angela to be of any help. After sunrise, Glasses visits Dracon in prison. Dracon orders Glasses to retaliate against Brod. Just before sundown, Matt brings Brod and Salli in for questioning. Salli slips away to the Clock Tower, where she reveals herself as Elisa and enlists the gargoyles' help. Salli then confers with Maria Chavez, and they agree to keep the undercover operation running for a while longer, despite the chop shop debacle. While Brod is at the police station, Dracon's men hit Brod operations all over town and even firebomb his favorite restaurant. Glasses also puts word out on the street that Dracon has a trainload of weapons coming in. Brod decides to steal the weapons. He attacks the train with Salli, but is ambushed by Glasses, Pal Joey and the rest of Dracon's men. The gargoyles intervene, but the Trio's competitiveness nearly gets Lex and Angela killed. Brod escapes again.
AUGUST 1
This day in Gargoyles' Universe History....
August 1st...
1996
Vinnie takes delivery of his pie-throwing bazooka, "Mr. Carter", from weapons manufacturer Mr. Acme. Wolf and his ancestor, the ghost Hakon, team up to attack Goliath and Hudson.
Radio Play on YouTube
Thanks to Patrick Toman, the Gathering 2007 Radio Play has been uploaded to YouTube. Because YouTube has a new rule that permits videos to be no more than 10 minutes long, Patrick had to split the 42 minutes of footage into five segments in order to also include titles and credits. Here are the links:
Part 1: http://www.youtube.com/watch?v=j63pDlPaKnQ
Part 2: http://www.youtube.com/watch?v=ZRkv56AC-F4
Part 3: http://www.youtube.com/watch?v=s58H_Tdi09E
Part 4: http://www.youtube.com/watch?v=s6PUx6GsdFA
Part 5: http://www.youtube.com/watch?v=Wkurc-TW99o
JULY 29
This day in Gargoyles' Universe History....
July 29th...
2005
Lexington takes a chance and loses.
San Diego Comic-Con
Hey intrepid-ones! I will be attending Comic-Con in San Diego. I'll be in town from Wednesday July 25 - Sunday July 29, 2007...
What follows is my schedule. Please stop by. Say hello. Introduce yourself or reintroduce yourself. Come here me pontificate endlessly (until time runs out). Etc.
THURSDAY, JULY 26, 2007
*1:30pm - 2:30pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books at the SLG Booth and get them signed by myself and artist David Hedgecock!
FRIDAY, JULY 27, 2007
*12:45pm - 1:45pm - The Spectacular Spider-Man Panel
Rooms 6CDEF - Come hear all we're willing to tell and see the first footage from the new Spider-Man television series coming in early 2008 to the KidsWB.
Also on the panel, Supervising Director/Producer Vic Cook, Character Designer Sean "Cheeks" Galloway, Voice of Spider-Man/Peter Parker Josh Keaton, Marvel Exec VP Craig Kyle, Sony Exec Michael Vogel
*2:15pm - 2:55pm - Spider-Man Signing
Marvel Booth - Get free Spider-Man posters and get them signed by myself, Vic, Cheeks and Josh!
*5:30pm - 6:30pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books at the SLG Booth and get them signed by myself and artist David Hedgecock!
SATURDAY, JULY 28, 2007
*12:00pm - 1:30pm - Spider-Man Signing
Sony Booth - Get free Spider-Man posters and get them signed by myself, Vic, Cheeks and Josh!
*1:30pm - 3:00pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books (including the new issue #5) at the SLG Booth and get them signed by myself and artist David Hedgecock!
*5:00pm - 6:00pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books at the SLG Booth and get them signed by myself and artist David Hedgecock!
*6:30pm - 7:30pm - The Animation Production Process Panel
Rm 3 - What goes into bringing an animated script to screen? Producers Stephanie Graziano (X-Men: The Animated Series), Tad Stones (Hellboy Animated: Sword of Storms), and Greg Weisman (Spectacular Spider- Man) take you behind the scenes and into the trenches. Moderated by Shannon Muir (Invader Zim), author of Gardner's Guide to Writing and Producing Animation from GGC, and currently project management coordinator at Animation World Network.
SUNDAY, JULY 29, 2007
*1:30pm - 3:00pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books at the SLG Booth and get them signed by myself and artist David Hedgecock!
JULY 19
This day in Gargoyles' Universe History....
July 19th...
1996
Broadway is bitten by a robotic mosquito that samples his DNA.
1997
Goliath makes a bargain.
RADIO PLAY CAST LIST
Well, I'm a little bummed out today. Went to Golden Apple after work to pick up a copy of issue #5 of the comic, but it was sold out. Damn you, Blaise!! Just kidding. I'm bummed because I've learned that Golden Apple -- my own local comic book store -- only ordered three copies of the book. Way to support your local writers, huh? It's very unclear to me whether they plan to order any more copies. But I know I'm not the only one who went in asking for it and came away disappointed.
But... sigh... that's not why I'm here.
As promised, now that the book is out, the staff of the Gathering 2007 has permission to put the Radio Play on YouTube. Don't know when that will happen, but in the meantime, here's the cast list:
Sarah Browne - Airalana
Alex Xanatos - Bridgette/Igiebay & Samuel Davis
D.J. - Kerry Boyd
Jason Canmore - Emambu
Bronx - Bridgette (Igiebay)
Terry Chung - Rebekah
Burbank - Tris Coffin
Hollywood - Amber Garrity
Malibu - King Cobra-582/Ed
Fox - Karine
John Castaway - Emambu
Susan Greene - Elenna Wolfen/Jennifer Branton
Brendan Quarters - David Brown
Anton Sevarius - A Fan, David
Billy Greene - Tiffany Taber
Ian Roebling - Revel
Margot Yale - Ashlee/Norcumi
Maggie the Cat - Rachel (Grey Wolf)
Jeffrey Robbins - Jonathan Francis
Amanda Chung - Cati Brantan
Jay Sato - Shawna Garrity (Nashoba)
Matt Bluestone - Rob "Jurgan" Dukes
Broadway - Greg Bishansky
Morgan Morgan - Chip (Gryphin Wyrm 7)
Delilah - Sarah McEvoy
Quincy Hemings - Mike Canavan
Owen Burnett - Mandi Ohlin
Shari - Abbie
Lexington - Jae
Hudson - Tris Coffin
Al - Alex "Carter" Checnkov
Talon - Anthony Zucconi (Archangel)
Brooklyn - Seth Jackson
Martin Hacker - Eric "Gorebash" Tribou
Angela - Jennifer Anderson
David Xanatos - Roberto Rivera
Goliath - John Clemens
Elisa Maza - Phoenix-Talon
Thailog - Emambu
with Greg Weisman narrating...
and Thom Adcox as Brentwood
[Note that the names of the cast reflect how they filled out their audition forms.]
Big cast, huh?
JULY 18
This day in Gargoyles' Universe History....
July 18th...
1995
Matt Bluestone finds a letter from Mace Malone when a search warrant turns it up in Tony Dracon's files.
1996
Wolf retrieves a battle-axe possessed by the spirit of his ancestor Hakon from the caves beneath Wyvern Hill, in Scotland.
JULY 17
This day in Gargoyles' Universe History....
July 16th...
1996
Hudson is bitten by a robotic mosquito that samples his DNA.
JULY 16
This day in Gargoyles' Universe History....
July 16th...
1996
Lex is bitten by a robotic mosquito that samples his DNA and then returns to Nightstone Unlimited, where Sevarius and Thailog are preparing clones of all the gargoyles.
JULY 15
This day in Gargoyles' Universe History....
July 15th...
1996
The Manhattan Clan imprisons Demona in the Labyrinth and agrees to help Talon and the Mutates guard her and Fang. Angela takes the first watch. Elisa is bitten by a robotic mosquito that samples her DNA. Demona regains consciousness in her cell. Angela introduces herself.
JULY 14
This day in Gargoyles' Universe History....
July 14th...
1996
While on stakeout, Brooklyn is bitten by a robotic mosquito that samples his DNA. Demona steals a battle suit from the Golden Cup Bakery Building and allows herself to be captured by Goliath, Angela and Brooklyn.
Zach Baker is a Jeopardy GOD!
Some of you may remember fellow fan Zach Baker. He's been to multiple Gatherings, performed in multiple Radio Plays, married a fellow Gargoyles fan (and had a kid with her, thus insuring us future generations of fans). He's a former student of mine, and a very funny guy.
And Zach Baker has been kicking butt and taking names on Jeopardy the last two days. He's won $44K already. So tune in tomorrow to your local Jeopardy station and send Zach your psychic best wishes. (It's a syndicated show, so check local listings. It's on ABC, channel 7 at 7pm in Los Angeles.) And yeah, I know the episodes were taped weeks if not months ago, but it's good karma! Trust me.
JULY 12
This day in Gargoyles' Universe History....
July 12th...
1996
Demona begins stealing high technology from research facilities -- largely in the hopes that she would encounter the Manhattan clan.
JULY 10
This day in Gargoyles' Universe History....
July 10th...
1996
Owen reveals himself as Puck but also fails to stop Oberon. It is Fox herself who saves the day by revealing a magical power even she did not know she possessed. Goliath convinces Oberon to allow Alexander to stay with his parents. Puck is chosen as Alex's tutor. But his powers are stripped from him save when he is training or protecting the boy, and he is eternally banished from Avalon. He reverts to Owen. Oberon arranges for Manhattan to awaken at dawn, and he and Titania return to Avalon. Xanatos vows to repay Goliath for helping to save Alexander. The gargoyles return to the Clock Tower. The sun rises. They turn to stone. And the city awakens. Elisa goes back to work. Chavez is less than thrilled about her six-month absence. Fortunately for Elisa, Chavez is in the middle of a turf war between the Brod and Dracon organized crime factions. Chavez needs a new face to infiltrate Brod's men. Because Elisa has been "out of town," she's the perfect choice to go undercover. Elisa will pose as "Salli", bringing Brod information about a Dracon chop shop operation being run by Dracon's lieutenant, Glasses.
JULY 9
This day in Gargoyles' Universe History....
July 9th...
1996
The Gathering is nearly complete, bringing Odin, Raven, Anubis, the Lady of the Lake, Anansi, Grandmother, Coyote and Nought (among others) back to Avalon. The Weird Sisters drag the Banshee before Oberon, who punishes her for her pride by silencing her voice. Only Titania and Puck remain absent. Oberon decides to seek out Puck himself, and takes Boudicca along to help with the hunt. In Manhattan, Fox gives birth to Alexander Fox Xanatos. The baby is introduced to his grandparents, Petros Xanatos, Halcyon Renard and Anastasia Renard (and also to Halcyon's assistant Preston Vogel). Owen reacts strangely to the news that Anastasia has remarried her first husband. Not long after, Oberon arrives, searching for Puck. But instead he finds Anastasia and reveals that she is in fact Queen Titania. Titania convinces Oberon that Alexander must be taken away to Avalon in order to nurture his magical potential. Xanatos protests - violently - but to no avail. Oberon gives Fox and David an hour to say goodbye to their son. Xanatos confers with Owen, who reveals security measures against Oberon that he has already put into place. Owen then abandons Xanatos without explanation. At the Clock Tower, Hudson, the Trio and Cagney learn about Alexander's birth, and then happily welcome home Bronx, Elisa and Goliath before being introduced to Angela. All three of the Trio are immediately smitten with her. Goliath brings Cagney and Elisa to their loft. When he returns to the Clock Tower, Anastasia is there. She reveals herself as Titania and asks him to help with the peaceful removal of Alexander. Goliath refuses to cooperate with the abduction of Xanatos' son. The hour having expired, Oberon returns to the Eyrie Building to claim Alexander. With amusement, he watches the evacuation of the building's employees. But he's furious when he realizes that Xanatos has activated Owen's force field to keep him out. He puts every mortal in Manhattan (including Elisa, Cagney, Morgan, Travis, Brendan and Margot) into a deep magical sleep. But the energy field protects the Xanatos family inside the Eyrie, and Goliath's clan is immune, thanks to Oberon's promise back on Avalon. Oberon then uses his magic to increase his size until he is literally as tall as the Eyrie itself. David and Petros Xanatos, the Gargoyles, Owen's Iron Clan Robots, Preston Vogel, Halcyon Renard and his cybots all attempt to prevent Oberon from getting to the child. They wound and weaken the giant, reducing him back to normal size, but are unable to stop him. And Renard's Fortress-2 crashes into Central Park.
[Woof! Big day, huh?]
JULY 8
This day in Gargoyles' Universe History....
July 8th...
1996
Goliath, Angela, Elisa and Bronx depart Avalon. While aboard the skiff and en route to their next destination, Goliath collapses. In what seems to him like hours, but actually lasts mere seconds, Goliath sees a nightmarish vision of the year 2036 generated by Puck in order to trick Goliath into turning over the Phoenix Gate. Goliath tosses the Gate into the time-stream to prevent Puck - or anyone else - from getting it.
JULY 6
This day in Gargoyles' Universe History....
July 6th...
1996
Oberon defeats Angela, Gabriel and Goliath and returns them to his Palace. But Tom and Katharine use the iron bell to bring Oberon to his knees. An agreement is reached that will allow Tom, Katharine and the Avalon Clan of Gargoyles to remain on the island as Oberon's Honor Guard. Oberon promises to never use his magicks directly against any member of Goliath's clan. Titania and Oberon renew their vows of marriage, and Oberon initiates the Gathering of the Third Race.
JULY 5
This day in Gargoyles' Universe History....
July 5th...
1996
Goliath, Angela and Gabriel attempt to confront Oberon, but he is too powerful for them, and they are forced to flee. Meanwhile - working off clues provided by Titania - Tom, Elisa, Katharine and Ophelia begin forging an iron bell to use against Oberon.
JULY 4
This day in Gargoyles' Universe History....
July 4th...
1996
The travelers return to Avalon. Minutes later, Lord Oberon, Queen Titania and the Weird Sisters return to their mystic home. Oberon orders the humans and gargoyles off the island, but Titania convinces him to give the mortals a chance. She reduces his power, and he proceeds to hunt Goliath, Gabriel and Angela across the island.
JULY 3
This day in Gargoyles' Universe History....
July 3rd...
1996
Oberon and the Weird Sisters locate Anastasia Renard, the mortal identity of Titania, Queen of the Third Race. Oberon proposes that he and Titania renew their marriage vows on the eve of the Gathering. She promises to consider it.
JULY 2
This day in Gargoyles' Universe History....
July 2nd...
1017
England's King, Canute of Denmark, divorces Elfgiva and marries Aethelred's widow, Queen Emma (Princess Katharine's aunt).
1776
The United States of America declares its independence.
JUNE 30
This day in Gargoyles' Universe History....
June 30th...
1995
Fox and Wolf are denied parole, and are informed that they will most likely have to serve their entire sixteen-month sentence. Their next parole hearing is set for October 30th, 1995. Xanatos begins to plan Fox's release and the Pack's escape.
JUNE 28
This day in Gargoyles' Universe History....
June 28th...
2002
Vinnie's quest begins.
JUNE 27
This day in Gargoyles' Universe History....
June 27th...
2003
Lexington holds a press conference.
Gathering 2007 - Insta-Journal, Part Ten
TUESDAY, JUNE 26th, 2007
Got up. Packed. Handed a box over to Nikki, because I had more stuff than would fit in my duffle and briefcase. Worked on Spidey some more in the lobby 'til my 'puter ran out o' juice. Kathy and I went to the Red Rooster for lunch - great berry pancakes. Then she drove me to the Knoxville Airport. She got a bit turned around along the way, but not at a true Bishansky-level. HOWEVER, United Airlines definitely topped Bishansky. Arrived at the airport at about 2:30pm for a 5:30pm flight to Chicago, with a connection to L.A. -- but the flight was cancelled around 4:45pm. Was then placed on a 7:30pm flight to Chicago, with a new connection. That flight was delayed until 9:30pm, and at 9pm was cancelled also. The soonest I could get to L.A., I was told was by taking a morning flight to Denver, and a connection from there that would put me into LAX at about 1:30pm on Wednesday. This was... problematic, as I had a 10:30am Spider-Man Episode #4 voice recording. But what choice did I have? And what was I to do until morning? We were the LAST flight of the day cancelled, but far from the ONLY flight cancelled. By the time we knew we weren't getting out every hotel room in the vicinity was booked -- or nearly. I walked to the Hilton, where a nice lady told me they were booked, but called a Country Inn Suites nearby that had one room left. They picked me up. I got a room with a HUGE jacuzzi smack dab in the middle of the room. I didn't feel like jacuzzing much, but I did get to PAY the premium associated with having the thing. It was also their only Smoking Room, so it was quite... stinky. But it was a room. I found out later that some of my fellow passengers didn't get a room at all. I ordered Dominos, watched a little t.v. and went to sleep.
WEDNESDAY, JUNE 27th, 2007
Got up. Checked out. Got a ride to the airport. Got on a plane to Denver. Got McDonalds. Ran into Crispin Freeman of all people in the Denver Airport. He was on my flight to L.A. The odds of this -- given all I had gone through the day before strike me as astronomical. Flew to L.A. The car drove me home, and I pretty much dumped my stuff and headed to the recording session. Stayed there until 6pm and went home. Beat the rest of my family home. It's VERY good to be home. I'm home.
To everyone -- I had a terrific time! I hope all of you did too. My thanks go out to Nikki and her always cheerful staff and to all of you, old friends and new, who attended and made things so great. I'll admit, that given ALL the work I had to do this trip (not just during the Gathering part), I was a bit more stressed than I usually am. I know I got cranky here and there. So I appreciate everyone's patience! But once again, thanks!
Gathering 2007 - Insta-Journal, Part Nine
MONDAY, JUNE 23rd, 2007
When I woke up around 9am, my arm was killing me from Air Hockey. I am SO old and decrepit (more on this in a second). At 10am, Thom, Karine and I had a signing during the auction. I also purchased some G2008 t-shirts for Beth, Erin & Benny. Then I had a phone meeting about the music for Spider-Man. Then Closing Ceremonies, which is always bittersweet. The plan was to head out to Dollywood, but it started to rain during Closing, so instead 20 of us went to play Laser Tag. Despite my sore shoulder, I played more air hockey, beating ALL comers. I was like some kind of air hockey god! Of course, Flanker wasn't there, so he might still have been able to beat me. I so need a rematch. My shoulder even felt better AFTER playing. Then Laser Tag, which was fun. But almost immediately after that, I was sore as hell. I got a root beer at Wallmart, and then 18 of us went to dinner at Corky's. I sat with Kathy, Seth, Sammy and Greg, and we had great barbecue and split two cobblers, including an AMAZING berry cobbler. We walked back to the hotel, and it was back to work for me - despite the fact that by this time my legs, back, shoulder, you name it, were stiff as hell and killing me. Oh, well, no rest for the weary or the wicked or both. I finished editing the seventh Spider-Man outline and turned that in at about 3am. Watched some t.v. until 4am, and went to sleep.
TO BE CONCUDED...
Gathering 2007 - Insta-Journal, Part Eight
SUNDAY, JUNE 23rd, 2007
Despite going to bed at 4am, I woke up for no good reason at 5:30am. Stayed in bed for 45 minutes, hoping I'd get back to sleep. No go. So I got up and worked. Checked my e-mail, did an Insta-Journal and worked on the outline for Spider-Man episode #7. Jamie Thomason, Gargoyles & Spider-Man voice director, called, and we reviewed the recording script for Spidey ep. #4. Then at noon I went to my first panel of the day: Gargoyles Physiology & Culture with Lynati and Jade. It was truly a fascinating panel for me. I love hearing and talking about this stuff. At 2pm, Karine and I had the Gargoyles & Bad Guy Comic Book panel. Since, I'm reluctant to reveal too much beyond issue #5 (since everyone at the Gathering saw #5 the night before), the panel turned into a fan marketing seminar. But I guess that's okay. At 3:30, I met with Ted, a Cartoon Network writer to discuss a project we're working on together. Then at 5pm came the Banquet. I sat with Karine, Samuel, Thom and Nikki. The food was very good. I really liked the Apple Pie. We had one more Q&A, led by Abbie, mostly, who is VERY enthusiastic and fun. After that, Thom and I played Air Hockey. People began to gather, and I beat all comers (Thom twice, Ed, Yami Raven) -- except Flanker, who beat me twice. Our last game, I was winning at one point 6-2 and I just lost all energy, like someone flipped a switch. I only needed one more goal, and he still beat me 7-6. Next came the Masquerade. The big winner -- best in show -- was Aaron as Hal the Gargoyle Halloween King. AMAZING costume. There was some dancing and singing and lip synching. After that, Mike and Tracy helped Thom, Susan and I record a You Tube promo for G2008. I went back down to the Masq, but I was pretty tired. Stopped by Jennifer, Gore & Karine's room and then went to bed. Slept for SEVEN hours, which for me is just great!
Gathering 2007 - Insta-Journal, Part Seven
SATURDAY, JUNE 23rd, 2007
We held our second set of auditions at 10am. A good turnout, which was lucky, as we had 40 (that's right 40) speaking parts to hand out. We wound up with 37 auditions and -- over lunch at a pancake house -- cast all of them, with a few people doubling up. One of our 36 didn't show up to rehearsal, so we (myself, Thom Adcox and Jennifer Anderson) wound up with a cast of 36 (or 38, if you count me and the two Alex Xanatoses -- more on that later).
At 2pm, I had my mug-a-guest with a small group of fans, which was a lot of fun.
And then at 4pm, we held our rehearsal. The large cast was very intimidating... that many people means that much can go wrong, but wow, what a great group. They all did terrific even in the first (and only) read through. Gave just a few notes -- mostly about projecting to the back of the room -- and then we took a short break before the performance at 5:30pm.
The Radio Play was Chapters 3, 4 & FIVE of Clan-Building. That's right. If you attended the Gathering this year, you got a sneak peak at how the story turns out in Chapter Five. I've sworn everyone (cast & audience) to secrecy until AFTER the book comes out in July. And to reiterate, if someone DOES leak info about issue 5 before then, it will effect what I'll be willing to tease in future radio plays. The good news is that everyone seemed to have a great time, and seemed to really like and feel satisfied by the story. Got some big laughs too. The cast was too huge for me to have it memorized, and I'm down in the lobby -- the only place I can get a signal -- so I don't have it with me, so in a future posting, I'll list the cast. Promise.
A group of us went to dinner across the street. Me, Karine & Samuel, Jennifer, Patrick, Sammy, Seth, Rebekah, Gore, Susan, Tony & Andrea. I had trout. Then while everyone else went off to get tatoos (which they didn't get -- I'm told because there wasn't time), I went back to the lobby to get some Spider-Work done.
Soon enough it was 10pm and time for the Blue Mug-A-Guest. Procedings began on the raunchy side... and were intermittently raunchy throughout, but it wasn't non-stop sleeze. It was pretty funny though. The mug broke up around 1:15am. A few of us stayed in the room until after 2 I think, but I was literally falling asleep in my chair, so Jen sent me to bed. But by that time, I had a headache. Didn't fall asleep until 4am. Woke up at 5:30am. Stayed in bed until 6:30am. Then gave up and got up.
MORE TO COME...
Gathering 2007 - Insta-Journal, Part Six
FRIDAY, JUNE 22nd, 2007
The first real day of the Gathering -- and I spent a TON of it working on Spider-Man, which is more than a little frustrating. The whole morning was Spideyesque. Got my G2007 t-shirt, and toured the art room. Attended a bit of Thom's voice actor panel at 1:30pm, before I had to break off for another Spidey-related business call. Went to lunch with Jennifer, Patrick, Thom, Rebekah, Tony, Andrea and a couple of others. Finally at 3pm we held the first auditions for the Radio Play. Then at 5pm, Opening Ceremonies. A welcome to fans and guests. The Fan Guest of Honor Award went to Karine Charlebois, for years of dedicated (never-miss) Gathering attendance, con-chairing Montreal's Gathering (pregnant no-less) and being such an amazing fan artist that she is now a pro, pencilling Gargoyles #5 and the Bad Guys Mini-series. Susan Leonard, co-conchair of G2008 in Chicago spoke, and sent regrets from her well-but-recently hospitalized co-conchair Ellen Stolfa. Then I got up and did my schpiel, including the old promo's and pitches (for Gargoyles, New Olympians & Dark Ages) and a couple of animatics: Bad Guys and "The Last". Vashkoda has done an amazing job at continuing to put this "episode" together. Then it was mini-golf with Mike and Tracy and Susan. I got the top score on my team, but Sarah the Great on the other team, beat me handily. Then Dinner at Huck Finn's Catfish. I had fried chicken. Good stuff. Back to the hotel to try and get some work done, but the hotel connection, which only works in the lobby kept shutting down. Then Jennifer, Seth, Sammy, Tony, Andrea and myself talked on the balcony overlooking the pool. Then I went back to my room. Should have Spidey'd it up then too, but I was too beat. So I watched some tv and then went to sleep.
MORE TO COME...
Gathering 2007 - Insta-Journal, Part Five
THURSDAY, JUNE 21st, 2007
Travel day. Beth and I got up early, packed, checked out and finally had a breakfast at our bed and breakfast. (Eggs Benedict.) Then we drove to Boston, where Beth dropped me off at Logan Airport before heading back to Nantucket to join the kids and her folks. I bought a Dunkin Donut at the airport, reviewed the outline for the 11th episode of Spidey, listened to audio for the second and third episodes, began the Kandell book and flew to Washington Dulles, where I ate a bag of my Cape Cod chips. Got on the plane to Knoxville, and slept uncomfortably through most of the flight. Landed in Knoxville, where I was picked up by Kathy Pogge, who drove me to Pigeon Forge. Got to the Grand Hotel and into my room. NO INTERNET SIGNAL in the room. Crap. (I'm currently down in the lobby typing this.) Had to spend a lot of time on the phone long distance to Spidey folk, which held up the staff dinner. (Apologies.) Finally, I made it downstairs, and fifteen of us... (me, Kathy, Jennifer, Nikki, Karine, Thom, Samuel, Susan, Patrick, Tony, Andrea, Jenn, Lynati and... and... ugh, forgetting, sorry) went across the street to the Japanese (bennihana-esque) restaurant. Great food. Sushi, steak, shrimp, lobster, veggies, salad, soup.) Fun. Yep, the Gathering has *un*officially started! Back to the hotel. I'd love to just hang out, but I have so much work still to do this week.
MORE TO COME...
Gathering 2007 - Insta-Journal, Part FourQ. .
WEDNESDAY, JUNE 20th, 2007
Went to bed late after finishing an edit on the sixth outline of the Spectacular Spider-Man -- and then woke up early again for no good reason. Beth and I drove to Hyannis to tour the Cape Cod Potato Chip Factory. On the way, I finally got that haircut I've been desperately needing. Today it rained, the first lousy weather day since we arrived in New England. The weather's been universally great. After the Potato Chip factory, we went to a mall so that I could buy a book. Bought a couple mysteries, the latest Cece Caruso by our friend Susan Kandell, and what I think is the first Michael Connelly Hieronymous Bosch mystery, which I've heard is great. We had lunch, and then went to see Knocked Up. Then back to Eastham. Relaxed for a bit, then went out to dinner at the Marconi Beach Bar-B-Q. Some good pulled pork.
More to come...
Gathering 2007 - Insta-Journal, Part Three
TUESDAY, JUNE 19th, 2007
Beth and I slept through the "Breakfast part of "Bed & Breakfast". Got up at a leisurely pace and went to Dunkin Donuts instead. Then we drove down to Provincetown. We parked and walked up the hill to the Provincetown Museum and to the Pilgrim Monument, which we climbed. Then we walked back into town, had really bad pizza, and walked around Commercial Street, which is aptly named. Drove back to the room, and I worked a bit. Then we went out to dinner -- good food at the Wellfleet Restaurant & Bookstore (though I was disappointed to find the bookstore part closed), clam chowder, steamed mussles. We went to see Ocean's 13 and then Ben & Jerry'd our evening away.
More to come...
Gathering 2007 - Insta-Journal, Part Two
MONDAY, JUNE 17th, 2007
Worked on episode six of Spidey, then went to bed about 2am (which is good for me). But I WOKE up for some reason at 6am. Had bacon and eggs for breakfast. And read the outline for episode ten of Spidey. (I've been working up a storm. Joe Dedicated, that's me.) Later, Beth and I went for a walk and met my father-in-law and my kids at a bike store, where bikes were rented for the kids. Erin, Benny, Beth and I had pizza and smoothies for lunch, then we returned to the house.
Beth and I picked up our luggage, and -- after saying goodbye to my kids and mother-in-law -- my father-in-law dropped us off at the ferry to Hyanis for a few days of husband/wife time. We took the ferry to the Cape, rented our car and drove to Eastham, where we checked into a lovely room at the Penny House Inn. We napped a bit, and then went out to dinner at the Lobster Pool, where we had excellent and cheap lobsters. Then Ben & Jerry's. Then mini-golf. Then we saw the movie Waitress, which I enjoyed. (Beth, not so much.) Then back to the room...
More later...
Gathering 2007 - Insta-Journal
As always, I'm hoping that all of you who attend the Gathering this coming week in Pigeon Forge, TN, will post Gathering Journals (of any length) here at ASK GREG. This is useful, as it provides one location for me to refer various PTB types when they want to learn more about the Gathering. The more journals we get here, the more FAN PRESENCE we seem to have. One of these days, I'd like to see 100% journalling, but then again one of these days I'd like to see a Gathering attended by thousands of people...
Anyway, can't ask you to do what I'm not willing to do myself. ASK GREG will open for submissions the day before the Gathering and stay open at minimum through the end of July. But in the meantime, I'll be posting about my own trip...
FRIDAY, JUNE 15th, 2007
Got up early, because I had a VERY busy day ahead of me. First off, a "The Spectacular Spider-Man" voice recording. We had to quickly finish off Spidey's lines for our second episode (which had largely recorded the week before), because we had an editing session that afternoon. When that was done, we had to record nearly all of our third episode with most of our cast. We started out by getting the actors who only had a few lines each (less than ten) out of the way. Then we brought in the rest of the cast for the bulk of the episode. We had done a couple of the actors the day before, and nevertheless we still nearly ran out of time. ARRGGHH. We just made it in under the wire. But I'm hoping that starting with our fourth episode (after I get back) things'll be less crazy, and we'll start recording one complete episode at one session and NOT run out of time.
After the recording, Supervising Director and Producer Vic Cook -- a former Gathering attendee -- and I crossed the street for our edit session. Terry, our editor, had quickly cut in the lines we had recorded that morning, and we completed our natural pause edit with him, often tightening and overlapping lines to make the dialogue play both more naturally -- thus NATURAL pause -- and punchier.
All this took much longer than I had hoped. I was really hoping to get a haircut on Friday, but didn't get the chance. I might try to get one on Cape Cod, but if not, I may be looking pretty scruffy at the Gathering.
I also got a bit of scheduling news on the project that meant that I basically will have to work through my entire vacation. It's a bit of a bummer, as only a day before I was told I didn't have to. But that's life, when you're the"boss" on a show that has a lot of bosses over the "boss". I'm thrilled to have the gig, but it can definitely be exhausting sometimes.
Went home. Checked e-mail as quickly as I could, as I had been at the recording studio all day and not at the office. Packed. Had a grilled cheese sandwich. Raced to Larchmont Village to deposit my paycheck and throw some bills in a mailbox. Raced home. Got in the car with Beth, Erin and Benny and headed for the airport.
We arrived in plenty of time, which is a relief. We all had carry-on baggage only, so that saved us a step too. The kids and I got smoothies, and we waited.
Red-Eye to Boston. Slept some -- through Wild Hogs apparently. Read the revised writer's outline to the seventh episode of Spider-Man. Watched what seemed to be a heavily edited version of "Shooter" and a very funny "The Office" episode. Landed in Boston.
SATURDAY, JUNE 16th, 2007
Ate breakfast at Johnny Rockets. Boarded our flight to Nantucket. Read the revised writer's outline to the eight episode of Spider-Man. Landed in Nantucket. Beth's father picked us up at the airport and drove us to my in-laws' home. Unpacked. Went for a little walk with Beth, the kids and Beth's mom. Had lunch. And took a six hour nap. Got up for dinner. Skirt steak, salad, corn, homemade Banana ice cream (made by my father-in-law and the kids while I slept). Then went to work, checking e-mail again... and editing the Record Draft for the fourth episode of Spidey. Was going to start editing the outline to the sixth episode, but I was sleepy, so I went to bed at midnight, which is stunning for me --- even if you DON'T take into account that by L.A. standards it was really only 9pm. Since I've routinely been going to bed over the last few weeks between 4 and 6 am, this was amazing.
SUNDAY, JUNE 17th, 2007
Woke up early -- also amazing for me -- had a bit of breakfast. Read the outline for the ninth episode of Spidey. So far all these outlines have been in pretty darn good shape, which is always nice. Benny and I went for a walk into town. Came back, and I napped for about an hour. Got up for a Father's day brunch, with Beth, the kids and my in-laws. Had a wonderful Lobster Salad and Lobster Bisque. (Can you tell I'm in New England?) Came back to the house and opened father's day cards. Also called my own dad to wish him a happy father's day. He and my mom had only just returned from the Oregon Shakespeare Festival. I'm jealous, but there's no time this year. Hope to take the kids next year. Took ANOTHER nap. I think weeks of averaging three hours of sleep a night, plus all the walking and the fresh air -- the weather is gorgeous -- are wiping me out. But this is a good time to sleep.
We got up for a 4pm concert -- a choral performance by the Nantucket Choir. It was lovely. I was familiar with quite a few of the songs, as my son's choir sang them... at Carnegie Hall last month. From there, Beth and the kids and I went to dinner at the Brotherhood of Thieves. Burger and Clam Chowder. Then Ice Cream at the Juice Bar: one scoop of Crantucket with hot fudge. We walked some more and then went home.
More to come...
JUNE 25
This day in Gargoyles' Universe History....
June 25th...
1999
Lexington goes into business.
JUNE 23
This day in Gargoyles' Universe History....
June 23rd...
2006
Obsidiana comes to the United States.
JUNE 22
This day in Gargoyles' Universe History....
June 22nd...
2001
A crisis brings together representatives of four clans.
2007
Lexington continues his journey.
JUNE 19
This day in Gargoyles' Universe History....
June 19th...
1996
The travelers find themselves aboard the skiff on a beautiful lake.
JUNE 18
This day in Gargoyles' Universe History....
June 18th...
1040
Hardicanute, the son of Canute and Emma, succeeds to the throne of England, replacing his late half-brother Harold Harefoot.
1996
The Mazas attempt to inform the Tribal Police about the soil carving but are again confronted by the Trickster - who is quickly captured by Coyote 4.0. The gargoyles attempt to rescue the Trickster, but it is Peter who fools Coyote 4.0 into releasing his namesake. The Trickster then tricks the robot into destroying itself. Xanatos is forced to flee. That morning, Peter visits the grave of his father Carlos. That evening, the four travelers again return to Avalon and immediately turn around and depart again to avoid the imminent Avalonian sunrise.
JUNE 17
This day in Gargoyles' Universe History....
June 17th...
1996
Peter and Beth make bail in the morning and return to Beth's apartment, where they find Elisa waiting. That evening, the gargoyles awaken and are introduced to Elisa's family. Together the Mazas and the gargoyles again attempt to find out what Xanatos is up to. Goliath and Angela discover the soil carving but are captured by Coyote 4.0. Xanatos prepares to destroy the two gargoyles and the soil carving as bait to lure the Trickster. Meanwhile, Bronx and the Mazas capture the mysterious security guard, who turns out to be the Trickster himself. He has taken on the appearance of the young Peter Maza, with whom Coyote once formed a bond during a kachina dance. Bronx and the Mazas rescue Goliath and Angela (with a little help from Coyote).
JUNE 16
This day in Gargoyles' Universe History....
June 16th...
1996
Peter Maza arrives in Arizona to investigate Xanatos with his daughter Beth. That evening, Goliath, Elisa, Angela and Bronx depart Avalon and arrive in Flagstaff, where Beth goes to college. Fearing that her sister might be in trouble, Elisa takes the gargoyles to Beth's apartment. Meanwhile, Xanatos finally decides to bulldoze the mystic soil carving on the land he has leased from the local tribe. Almost immediately, the Coyote Trickster magically vandalizes the building site in order to stop Xanatos. Minutes later, Peter and Beth are allowed entry onto the Xanatos construction site by a mysterious "security guard". Xanatos has them arrested for trespassing.
JUNE 15
This day in Gargoyles' Universe History....
June 15th...
1996
Just before dawn, reporters gather outside to see Taro's "real gargoyles". Elisa and Constable Hiroshi break into the theme park and help Goliath and the other gargoyles escape. Realizing that he had been duped, Yama battles Taro, and leaves him to face the reporters alone. With no evidence of gargoyles, Taro is humiliated. Elisa returns to Ishimura after sunrise and departs for Avalon, taking the sleeping Goliath, Angela and Bronx along. It is night when they arrive, and the gargoyles soon wake up. That evening in Ishimura, the gargoyles hold a council meeting with their human neighbors. Yama is banished until his honor can be restored. And the gargoyles and humans agree to resume the study of Bushido.
JUNE 14
This day in Gargoyles' Universe History....
June 14th...
1996
The travelers leave Avalon and arrive in Ishimura, Japan. There they meet the Ishimura Clan of Gargoyles who have lived in peace with their human neighbors for generations. At sunrise, Goliath, Angela and Bronx turn to stone alongside their new cousins. But minutes later, their human guardians are attacked by ninjas hired by Taro, a Japanese businessman who grew up in Ishimura. All the gargoyles are stolen. They awaken inside a Gargoyle Theme Park that Taro has built. Yama, second-in-command to Kai, the leader of the Ishimura Clan, tries to convince everyone to stay in the park. Goliath, Angela and Bronx attempt to leave, but are gassed and imprisoned by Taro. Beth Maza calls her father Peter and asks him to come to Arizona to investigate the local Xanatos Construction project.
JUNE 11
This day in Gargoyles' Universe History....
June 11th...
1996
Nokkar captures Bronx and Angela. Meanwhile, Elisa is found by Lydia Duane and Arthur Morwood-Smyth. They take her back to their hotel, where she is examined by Doctor Arnada. Goliath finds her, but when Elisa fails to recognize him, Goliath is forced to kidnap her. Nokkar intervenes again, capturing Goliath and explaining his interpretation of events to Elisa. Nevertheless, Elisa (though still without her memories) comes to believe in Goliath. She helps rescue the gargoyles from Nokkar and is eventually able to convince him that her friends are not servants of the Space Spawn. She also encourages Nokkar to befriend Duane, Morwood-Smyth and Arnada. The travelers depart Easter Island, and Goliath just manages to cast the spell that will send them back to Avalon before the sun rises. When they arrive on the mystic island, it is already night. Nevertheless, it takes a few hours before Goliath, Angela and Bronx awaken. During this time, Elisa's memory returns.
JUNE 10
This day in Gargoyles' Universe History....
June 10th...
1996
Elisa, who had been working throughout the Avalonian day to help Jade and Turquesa transplant the rain forest's flora, rejoins Goliath, Angela and Bronx on the skiff. They depart Avalon again and Elisa falls asleep en route to their new landing: Easter Island. While Goliath and Angela explore, Elisa is taken into custody by Nokkar, an alien sentinel based on Easter Island, who has mistaken the gargoyles for a hostile alien invasion force. When Elisa tries to explain that the gargoyles are her friends, Nokkar assumes Elisa has been brainwashed. He wipes her mind clean, temporarily giving her amnesia. Then he sets her free.
JUNE 9
This day in Gargoyles' Universe History....
June 9th...
597
St. Columba dies at Iona.
JUNE 8
This day in Gargoyles' Universe History....
June 6th...
1042
Hardicanute dies suddenly at a wedding, perhaps due to poison. He is succeeded by his half-brother, Edward the Confessor, son of Aethelred the Unready and Emma of Normandy, as King of England. Edward locks his mother Emma (Princess Katharine's aunt) up in a nunnery.
JUNE 6
This day in Gargoyles' Universe History....
June 6th...
1832
The Revolution of the Barricades fails.
JUNE 5
This day in Gargoyles' Universe History....
June 5th...
1832
In Paris, the Revolution of the Barricades begins.
MAY 27
This day in Gargoyles' Universe History....
May 27th...
1996
In order to flush out the Coyote Trickster, Xanatos Construction begins work on the Arizona property it has leased from a local Native American Tribe. The new Coyote 4.0 robot is on hand to capture the Trickster. But because Xanatos has, at this time, no real intention of destroying the Trickster's soil carving, the true Coyote does not show up.
MAY 26
This day in Gargoyles' Universe History....
May 26th...
1996
Broadway and Lex defeat Hyena and take custody of the Amulet, leaving Hyena for the cops. And in Guatemala, the gargoyles and Elisa battle Jackal. At sunrise, Jackal briefly believes he has the upper hand when Obsidiana turns to stone. But in reality, she had merely lost her pendant. Bronx recovers it, and he, Zafiro, Jade and Turquesa dispatch Jackal. As a result, Vogel decides to cancel Cyberbiotics' rain forest operation. After sundown, the travelers depart. But they bring Jade and Turquesa along to transplant samples of the rain forest flora in Avalon. They arrive on the mystic island at dawn and Goliath, Angela and Bronx sleep through the Avalonian day. Elisa introduces Jade and Turquesa to Princess Katharine and the Guardian, and all spend the day scouting Avalon for a good location for the rain forest transplants.
MAY 25
This day in Gargoyles' Universe History....
May 25th...
1996
At sunrise, Goliath, Angela and Bronx turn to stone. But the Mayan gargoyles wear magic pendants that allow them to remain flesh, thanks to a missing Mayan Sun Amulet. During the day, Elisa watches Zafiro scare farmers away from the forest. Meanwhile, Hyena heads for New York in order to break into a museum and destroy the Sun Amulet. She's spotted by Broadway and Lexington.
MAY 24
This day in Gargoyles' Universe History....
May 24th...
1996
Goliath, Elisa, Angela and Bronx leave Avalon and arrive in the rain forests of Guatemala. There they encounter Zafiro, Obsidiana, Jade and Turquesa, the last surviving gargoyles of the Mayan Clan. Together, they fight off an incursion against the rain forest by Jackal, Hyena and loggers working for Cyberbiotics, under the management of Preston Vogel.
MAY 23
This day in Gargoyles' Universe History....
May 23rd...
1996
Helios, Kiron, Ekidna and other New Olympians riot over Elisa's presence on their island. Taurus responds by throwing Elisa in jail with the shape-shifting killer Proteus. Goliath attempts to break Elisa out but is instead tricked into releasing Proteus. The shape-shifter imprisons Goliath in his place, then takes on Goliath's form to fool Elisa. They escape together. But when "Goliath" fails to turn to stone at sunrise and reveals his plan to blow up the island, Elisa lures Taurus to Proteus and works with the Security Chief to recapture the shape-shifter. In gratitude for her actions, Boreas releases Elisa. At sundown, the travelers immediately depart for Avalon.
MAY 22
This day in Gargoyles' Universe History....
May 22nd...
1996
The travelers depart Avalon and land on the hidden island of New Olympus. Taurus, the New Olympian Chief of Security, arrests Elisa - simply for being human. Boreas, the leader of New Olympus, releases Elisa but refuses to allow her to leave the island.
MAY 21
This day in Gargoyles' Universe History....
May 21st...
1996
Goliath challenges Odin, and the two "gods" do battle. Goliath comes close to killing Odin, Elisa, Angela and Bronx, but comes to his senses at the last moment and removes the Eye. Odin places it back in his empty eye socket, neutralizing the Eye's transformative powers. Reconciled with his former opponent, Odin rides Sleipnir up the Rainbow Bridge at sunrise. The gargoyles and Elisa spend the day in Norway. When the sun sets they return to Avalon.
MAY 20
This day in Gargoyles' Universe History....
May 20th...
1996
Odin takes the form of a bear and attempts to battle Goliath for the Eye. He fails and so resorts to kidnapping Elisa with the help of his flying horse Sleipnir. With Elisa's life at stake, Goliath reluctantly dons the Eye himself. He is transformed into an Avatar of Odin's power. That power immediately begins to change him into an uber-version of himself. He successfully rescues Elisa and chases Odin away but still refuses to remove the Eye. When the sun rises, he does not turn to stone. He quickly becomes obsessed with protecting his friends. He even generates a storm of his own to trick Elisa, Angela, Bronx and the Sturlusons into fleeing to a nearby cave, where Goliath imprisons them.
MAY 19
This day in Gargoyles' Universe History....
May 19th...
1996
Arthur encounters Griff and the Stone of Destiny at Westminster Abbey. The Stone transports Arthur and Griff to Manhattan, where Macbeth is waiting. Macbeth is temporarily forced to flee when Hudson and the Trio intervene. The four Manhattan gargoyles join forces with Arthur and Griff to help Arthur find Excalibur. In Central Park, they encounter the Lady of the Lake, who gives them another clue to the sword's whereabouts. But Macbeth uses a Will-o-the-Wisp to listen in. He becomes determined to find Excalibur first. The quest takes them all to the Brooklyn Botanical Gardens, where Macbeth accidentally brings a giant stone dragon to life by removing a copy of Excalibur from its grip. Arthur destroys the dragon and finds the true Excalibur inside the stone beast. Macbeth swears allegiance to Arthur. Just before sunrise, Arthur knights Griff. And after the sun sets, Arthur and Griff depart on a new quest - to find Merlin. Meanwhile, Goliath, Elisa, Angela and Bronx also depart Avalon and are drawn to Norway by the power of Odin, who appears to them in the form of an old man and tries to get Goliath to trade the Eye of Odin for a coat to keep Elisa warm. Elisa and Goliath agree to pass on his offer. But Elisa is on the verge of hypothermia. She takes shelter with local farmer Erik Sturluson and his son Gunther.
MAY 18
This day in Gargoyles' Universe History....
May 18th...
1996
In Manhattan, Macbeth and his flunkies, Banquo and Fleance, prepare for the Harmonic Convergence. And on Avalon, King Arthur decides to leave in order to find Excalibur. He arrives in London.
CORRECTIONS...
Hey gang,
Just picked up a copy of Gargoyles #4. I'm pretty happy with it, but there were a couple of productions errors that I'm not-so-happy with.
First and foremost, the credits are in error. The interior of the book was pencilled and inked by guest artist Nir Paniry, not by our regular penciller David Hedgecock. I think Nir did a terrific job, and he deserves credit for his work. My apologies go out to both Nir and David.
Second, the Gargoyles logo and the title of the issue "Clan-Building Chapter Four: Masque" were somehow DROPPED off of page five of the book. (There are two empty black-spaces where they were supposed to go.) It's not as serious an error as the credit snafu, but it's something else that myself and the team regret.
We'll try to make sure that nothing like this happens again.
MAY 17
This day in Gargoyles' Universe History....
May 17th...
1996
The gargoyles, Mazas and were-panthers converges on the ancient ruins of Kara Digi. There they discover that Fara was largely manipulated by the Spider-Trickster Anansi. All concerned join forces to defeat Anansi. Fara and Tea remain were-panthers but are reconciled and vow to protect the jungle. Just before sunrise, Goliath finally acknowledges Angela as his daughter. After sunrise, Elisa tells her mother everything about her life with the gargoyles. At sunset, Elisa and the gargoyles once more return to Avalon. Diane Maza phones New York, informing her husband of Elisa's situation. Peter Maza contacts Matt Bluestone and Talon. Matt contacts Brooklyn, Lex, Broadway and Hudson.
MAY 16
This day in Gargoyles' Universe History....
May 16th...
1996
Goliath, Angela and Bronx awaken on Avalon and depart the island with Elisa. They land in Nigeria, in time to hear Elisa's mother, Diane Maza, tell the story of the Panther Queen before the Feast of the Panther Queen. The Maza reunion is interrupted by poachers, led by Tea, whose former love Fara Maku turns into a panther before their eyes. Tea shoots Fara, who escapes into the jungle. The gargoyles and the Mazas take down the poachers and attempt to protect Fara from Tea, who turns out to be another were-panther.
MAY 15
This day in Gargoyles' Universe History....
May 15th...
1996
St. Damien's Cathedral is condemned as unsafe.
MAY 14
This day in Gargoyles' Universe History....
May 14th...
1996
Demona starts Sevarius on a little side project: the creation of the carrier virus, CV-1000.
MAY 13
This day in Gargoyles' Universe History....
May 13th...
1995
Thailog has reached full gargoyle adolescence. A discoloration of skin and hair is the only side effect of the accelerated growth.
1996
Attracted by multiple reports of gargoyle sightings in Manhattan, the Canmore siblings begin making inquiries and creating the false identities they will need to find Demona there and destroy her.
ANIMECENTRAL
Hey gang,
This coming weekend, May 11-13th, I'll be in Chicago attending AnimeCentral.
Check out their website: http://www.acen.org/
And if you're in the area, please stop by and say hello. It's a big con, but I may get lonely...
Greg
MAY 8
This day in Gargoyles' Universe History....
May 8th...
1996
Xanatos begins to actively search the globe for Coldstone.
MAY 7
This day in Gargoyles' Universe History....
May 7th...
1996
Demona and Thailog return to Manhattan and hire Dr. Sevarius away from Gen-U-Tech. Sevarius reveals that the female gargoyle that Demona saw in Paris is the biological child of her and Goliath.
MAY 6
This day in Gargoyles' Universe History....
May 6th...
1996
Tomas Brod, his men and his hovercraft arrive in Manhattan from Prague and immediately starts a turf war with Tony Dracon's men.
MAY 2
This day in Gargoyles' Universe History....
May 2nd...
1996
The Matrix, having evolved beyond Fox and Anastasia's control, threatens to spread its vision of "order" across the entire planet. Goliath and Angela reluctantly join forces with Dingo to try to rectify the situation. Ultimately, Goliath and Dingo enter the Dreamtime and convince the Matrix to abandon its pursuit of a pristine and orderly universe to seek out "Law and Order" instead. The Matrix and Dingo agree to join forces as heroes, and the Matrix merges with Dingo's armor. Elisa and the gargoyles return to Avalon, where it is morning again. The gargoyles sleep.
MAY 1
This day in Gargoyles' Universe History....
May 1st...
1776
Adam Weishaupt founds the Bavarian Illuminati.
1996
Hakon's spirit reaches out across the globe and senses that his descendant Wolf shares his hatred of Goliath. He summons Wolf to Wyvern Hill in Scotland. Meanwhile, Goliath, Elisa, Angela and Bronx depart from Avalon and arrive in Australia. There they encounter the Matrix phenomena created by a pregnant Fox and her mother Anastasia Renard.
APRIL 30
This day in Gargoyles' Universe History....
April 30th...
1804
Philibert Aspairt's body is found in the Paris catacombs, very close to an exit.
1996
Per Owen's instructions, Iron Clan Robots are stored at strategic locations near the Eyrie Building.
APRIL 29
This day in Gargoyles' Universe History....
April 29th...
1996
Per Owen's instructions, a working force field is installed at the Eyrie Building.
APRIL 25
This day in Gargoyles' Universe History....
April 25th...
1058
Canmore is crowned High King of Scotland as Malcolm III.
1996
The Banshee informs Puck that the Gathering is at hand.
APRIL 23
(Whoops... this got by me somehow...)
This day in Gargoyles' Universe History....
April 23rd...
1016
The English King Aethelred dies, widowing Queen Emma. England is split between the English choice Edmund Ironside and the Danish choice Canute.
APRIL 13
This day in Gargoyles' Universe History....
April 13th...
1951
The Stone of Destiny is recovered at Arbroath Abbey and returned to Westminster Abbey.
APRIL 7
A new OCCASIONAL feature here at ASK GREG...
This day in Gargoyles' Universe History....
April 7th...
1786
The curate of the Archbishop of Paris consecrates the Paris catacombs as tombs.
DONE... for now...
Wow. They said it couldn't be done! But I did it! I caught up!!!!!
The ASK GREG queue is empty! I'm going to take a week or so off. Then we will open the queue again in time for the release of issue #3 of the Gargoyles comic book on March 28th. How long we leave it open will depend on how quickly the site floods.
I'll talk about this more when we open, but please question responsibly.
THE BIG BAD GOOD NEWS...
Hey gang,
JUST got back from WONDERCON. Made a few announcements there, that I want to repeat here...
GARGOYLES: BAD GUYS
SLG will be releasing a new spin-off of Gargoyles. GARGOYLES: BAD GUYS. This will be a six issue bi-monthly limited series in black and white. I'm writing the title, with art by Karine Charlebois and tones by Stephanie Lostimolo. Covers (as always) by Greg Guler, colored (yes, colored) by Stephanie.
Gargoyles will remain a bi-monthly book (in color). (More on this in a second.) And Bad Guys will come out bi-monthly on the main title's dark months, so for a year you'll have SOME Garg Universe product coming out every month.
Now, I'm sure you have questions... So I'm going to TRY to preempt some of them here:
1. HOW CAN YOU START A SPIN-OFF WHEN YOU'RE BEHIND SCHEDULE ON THE REGULAR BOOK?
Fair question. But I personally am NOT behind schedule on the regular book. In fact, I'm way ahead of schedule. Here's where things stand.
Issue #3 is done and has been for weeks. We're simply waiting on Disney to "approve" the issue. There's no mystery or conspiracy here. There's just, I'm guessing, a guy in an office who is swamped with things to approve and isn't making the SLG properties (Gargoyles, Tron, Wonderland, Haunted Mansion) a priority.
Issue #4 is being colored and lettered and should be done within a couple of weeks. Since it doesn't need to go out for two months, that should give Disney plenty of time to approve it.
Issue #5 is being inked.
Issues #6 and #7 have both been scripted and pencilling has started on each.
Issue #1 of Bad Guys has also been scripted.
I will start on issue #8 of Gargoyles next, then #2 of Bad Guys, #9 of Gargoyles and etc.
I'll stay ahead, and hopefully so will everyone else and what that means generally is that barring something totally unforseen, we should be on schedule from here on out.
And, yes, David Hedgecock had delivery issues Gargoyles #2. But this was due to him having to split his time between a day job to pay the bills and his gig on the book. David has now taken the EXTRAORDINARY step of quitting his day job to dedicate his time to Gargoyles. Since we also have fill-in artists on issues #4-6, David is getting right to work on issue #7 and he will no longer be the cause of any delays.
On top of this, Dan Vado has stated that he has every intention of picking up the Gargoyles' license when it comes up for renewal.
I don't want to get complacent, but really this is all good news. It looks like we should be around for a while.
And I actually think that Bad Guys will help us out. We will in essence become a monthly title (at least sort of), which will get readers in the habit of picking up something Gargesque every month. That HABIT should help. At least that's the theory.
2. WHY BAD GUYS? I WANTED TIMEDANCER*! (*Feel free to substitute NEW OLYMPIANS, DARK AGES, PENDRAGON, 2198.)
The main answer is chronology. I have this timeline. And the Bad Guys story I'll be telling in this six issue mini-series is happening in late '96, early '97. This is the story that NEEDS to be told now. I hope you like it. AND I hope you'll support it. Because if this limited series does well, then GARGOYLES: PENDRAGON is next in line. And after that GARGOYLES: TIMEDANCER. (That's as far out as I've allowed myself to think up to this point.) If the limited series doesn't do well, then it'll be the last one... and I'll eventually incorporate events from Pendragon, etc. into the main Gargoyles book. But I'm hopeful that that won't be necessary. And I hope that those of you who've seen the Gargoyles reel at a Gathering can tell those who have never attended one of our great (www.gatheringofthegargoyles.com) conventions just how cool Bad Guys really is.
3. WHEN WILL GARGOYLES: BAD GUYS PREMIERE?
Karine is inking Gargoyles #5 now -- which shows what a trooper she is, since she JUST gave birth a few days ago! As soon as she's done with G#5, she'll start on BG#1. Our hope is that Bad Guys #1 can come out in the dark month between either Gargoyles #6 & #7 or -- at the latest -- between #7 and #8. We certainly plan to tease and pimp Bad Guys at the 2007 Gathering in Pigeon Forge!
So, if all goes well...
Gargoyles #3 - March
Gargoyles #4 - May
Gargoyles #5 - July
Gargoyles #6 - September
Bad Guys #1 - October
Gargoyles #7 - November
Bad Guys #2 - December
Gargoyles #8 - January, 2008
Bad Guys #3 - February, 2008
Gargoyles #9 - March, 2008
Bad Guys #4 - April, 2008
Gargoyles #10 - May, 2008
Bad Guys #5 - June, 2008
Gargoyles #11 - July, 2008
Bad Guys #6 - August, 2008
Gargoyles #12 - September, 2008
Pendragon #1 - October, 2008
etc.
Is there an element of wishful thinking here? Well... duh. But it's not unrealistic either. This is the plan. I mean to do everything in my power to stick to it, and everyone else involved feels the same way. Can't make ABSOLUTE guarantees of course. But I can promise you that I'm passionate about this project, about making it the best it can be both creatively and financially.
4. WHY BLACK AND WHITE?
This is largely an economic decision. Printing in multi-color costs WAY more than printing in B&W, and that reduces greatly SLG's profit margin and ability to put out the titles without over-extending their resources.
Creatively, however, I was completely behind the decision. Though I feel strongly that the main GARGOYLES title should be in color, I think the subject matter of Bad Guys can work terrifically in b&w. Again, if you've seen the Bad Guys reel at the Gathering, you'll have some idea of what this book can be -- even without full color. Plus we will have color covers, so you will get a sense of what our characters look like in color.
5. UH... I CAN'T THINK OF A #5 AT THE MOMENT.
BUT I'M SURE YOU GUYS WILL. The good news is that I'm getting through the ASK GREG back log at a pretty steady pace. I'm hoping to have the site open for questions shortly. And we'll definitely open it up (at least briefly) when issue #3 hits the stores.
NEXT TOPIC...
THE AMAZING SPIDER-MAN
The following press release came out late last week...
KIDS' WB! ON THE CW NETS NEW SPIDER-MAN
ANIMATED SERIES FOR EARLY 2008 PREMIERE
Culver Entertainment Widens Renowned Marvel Hero's Web from Blockbuster Films
to No. 1 Rated Saturday Morning Broadcast Kids Network
BURBANK, CA (MARCH 1, 2007) - Spider-Man swings back into television action in early 2008 as an animated series from Culver Entertainment to air on Kids' WB! on The CW, it was announced today by Kids' WB! Senior Vice President and General Manager Betsy McGowen and Sony Pictures Television Co-President Zack Van Amburg.
Tentatively titled "The Amazing Spider-Man," the new series is being produced by Culver Entertainment. Greg Weisman ("Gargoyles", "The Batman") is supervising producer, Victor Cook ("Hellboy: Blood and Iron" and "Buzz Lightyear of Star Command") is producer/supervising director. The series will premiere on Kids' WB! on The CW, the No.1 rated Saturday morning kids broadcast slate.
"The addition of 'Spider-Man' bolsters a lineup that has proved to be the Saturday morning destination for kids seeking action and adventure in the most amped-up ways," McGowen said. "We're ecstatic to welcome 'Spider-Man' to our popular cavalcade of super heroes."
"Spider-Man is such an important brand for Sony Pictures and we're thrilled to keep the momentum going by taking it back to television with an animated series on Kids' WB!," Van Amburg said. "It's also an excellent way to launch Culver Entertainment, our newest television company."
Riding the crest of Sony's anticipated summer blockbuster "Spider-Man 3," the new animated series picks up the original web-slinger's mythology at the beginning of his hero's journey - as a not-so-typical 16-year-old entering his junior year of high school. Having spent the summer engaging common criminals with his new-found powers, Peter Parker must conceal his secret identity while engaging a new level of terror - the multi-leveled pressures of teenage life at home and school while combating bigger, badder super-villains in the real world.
"Our goal is to reinterpret these great characters and concepts for our millennium," Weisman said. "We'll have plenty of resonant material for the Spider-Man fan, while engaging the Spider-Man novice with the same thrills we experienced when we were first exposed to the character. Our stories will appeal on multiple levels with plenty of eye-candy, action, humor and colorful characters for the youngest demographic balanced with extensive character development for 'tweens, teens and adults."
Culver Entertainment is a Sony Pictures Television company. Sony Pictures Television is one of the television industry's leading content providers. It produces and distributes programming in every genre, including series, telefilms, theatrical releases and family entertainment for network and cable television, as well as first-run and off-network series for syndication. With more than 25 programs on the air, SPT boasts a program slate that includes the top-rated daytime dramas and game shows, landmark off-network series, original animated series and critically acclaimed primetime dramas, comedies and telefilms. SPT (www.sonypicturestelevision.com) is a Sony Pictures Entertainment company.
A leader in children's programming, Kids' WB! continues to be a unique destination for kids. Kids' WB!, now airing on The CW Network, has been the broadcast home for such cornerstone hits as the blockbusters "Pokémon" and "Yu-Gi-Oh!," Emmy® Award-winners "Xiaolin Showdown" and "The Batman," culturally diverse series "Jackie Chan Adventures" and "¡Mucha Lucha! Gigante," and breakout hits "Shaggy & Scooby-Doo Get A Clue!" and "Legion of Super Heroes," among other favorites. Kids and their parents can find more information about Kids' WB! programming online at www.KidsWB.com.
We're still in very early days on Spidey, but I'm tremendously excited about the project. I hope you're looking forward to it, as much as I am.
That's it for now,
gdw
WONDER-CON
Hey gang,
I'll be appearing at Wonder-Con this coming weekend, March 2-4, 2006 in San Francisco.
I've got a couple panels on Saturday the 3rd at 3 and 4pm. One's an animation panel moderated by Shan Muir and featuring many animation pros, and the other is a spotlight panel moderated by Dan Vado of SLG.
For more info, check out: http://www.comic-con.org/
If you're in the neighborhood stop by, say hello, introduce yourself, get something signed or whatever!!
Greg
My Apologies...
It's been pointed out to me that one of my recent responses came across as harsh, as if I was trying to blame the fandom for the lack of sales on the DVDs. If so, I apologize. I didn't feel like I was blaming the fandom. I'm sorry if it came off that way. And I'm not saying I think Disney shouldn't have promoted the first two releases more. Of course, I think they should have. But I also can't lie and say they dropped a ball they NEVER intended to carry. I convinced Disney that there was a substantial built in audience for the DVDs. Perhaps I was wrong. I'm not trying to blame the fandom so much as get them to think in terms of more productive solutions. Just sitting around and blaming Disney isn't productive.
But again, if I came across as blaming the fandom, I truly apologize. That was never my intent.
gdw
GARGOYLES COMIC UPDATE
Hey gang,
In an attempt to get back on a bi-monthly schedule, we've invited a few talented fill-in artists to take on a few issues of the comic.
Clan-Building #3 "Invitation Only" is being penciled by regular series penciler David Hedgecock, with colors by our new regular colorist Dustin Evans.
Clan-Building #4 "Masque" is being penciled by guest artist Nir Paniry. Colorist hasn't been decided yet.
Clan-Building #5 "Bash" is being penciled by fan favorite Karine Charlebois and colored by fan favorite Stephanie Lostimolo.
Clan-Building #6 "Reunion" is being penciled by Gordon Purcell. Colorist hasn't been decided yet.
Clan-Building #7 "The Rock" will be pencilled by David and colored by Dustin. I just finished scripting it, and I'm about to start work on #8.
ALL COVERS are by Greg Guler with colors by Steph.
Clan-Building is currently scheduled to last 12 issues total.
It's all very exciting. I've seen pencils and colors from #3 and pencils and inks of #4 and rough pages of #5. All looking very sweet.
BUFFYVERSE - The final Top 40
BUFFYVERSE STATS
TOP 40 CHARACTER LIST:
Once AGAIN, I'm wasting my semi-valuable time (and hopefully yours) to bring you the FINAL update in my attempt to catalogue the most significant characters in the BUFFYVERSE. Previous CUMULATIVE updates covered the first, second and third years of Buffy the Vampire Slayer. After that, the task became more complicated as Buffy's fourth season aired simultaneously (day and date, literally) with the first season of Angel. So the Year Four update included Buffy S4 & Angel S1. Year Five added in Buffy S5 & Angel S2. Year Six, Buffy S6 & Angel S3. Year Seven brought in Buffy's final season S7 & Angel S4. And now, at last, the final season of Angel, S5, which is also (unfortunately) the final season of the televised Buffyverse.
As you may recall, I've tried to inform this subjective task with an objective formula. Still, I won't deny that subjectives have played a role. It's hard not to take extra notice of a character, whom you know is going to be important later. And numerical ties were broken based entirely on subjective criteria.
The idea behind a cumulative tally is to mimic the original experience of following the Buffyverse. It's a horse race. Some of the winners and losers are decidedly predictable. Others are a bit surprising - surprising enough that it's become absolutely clear that my system is flawed. I've since dreamed up a new system, but it's too late to implement it. Someday, LONG after I've finished this first survey (but ONLY if I prove truly insane), I might just start over and see what the results are with OBJECTIVE SYSTEM 2.0. But for now - assuming you haven't nodded off - you're stuck with System One.
I have a list of ALL the characters that have appeared in both series up to this point. It's so long (including everything from leads to ridiculously minor characters) that I haven't even bothered to count how many there are. But my list of MOST significant tops out at 273 characters.
But I think listing the top 40 is both pleasantly traditional… and plenty. Or largely. I just want to note a few characters introduced (or revisited) in this set of episodes, who will never make the top 40, but whom I believe are memorable enough to merit honorable mention.
Starting with…
[SPOILERS]
#272, 273 - Zach & Trish. The wife and son that Lindsey (and later Gunn) lived with while under a spell in a Wolfram & Hart prison Hell Dimension.
#261 - Blue Fairy. She only appeared in Angel's hallucination, but, hey, Blue Fairy makes Spike a real boy. Gotta love it.
#258 - The Immortal. Buffy's new (never truly seen) boyfriend in Rome. Gotta say, I HATE THE GUY easily as much as Angel and Spike do. That's impressive for a guy I never met.
#222 - Initiative Founder - In the WWII episode, the Initiative is ret-conned in… nicely.
#221 - Hamburger Loa. The fast food mascot CGI statue that Wesley consulted in a previous season that totally steered him the wrong way about Angel and the baby Connor makes a last flashback appearance here, which raises his significance enough to make the list. BUT… he represents a flaw, I think. The Loa seems to have lied to Wes in hindsight. WHY? Was he working for Jasmine?
#220 - Ilona Costa-Bianchi. Head of the Roman branch of W&H.
#214 - Matthias Bavane, the Reaper. The ghost haunting W&H, keeping it evil.
#210 - Rutherford Sirk. Wesley's last season introductory guide to W&H. This year he took Wesley's place for an episode (while Wesley was recovering from NOT killing his father) - but Sirk was secretly working for Lindsey.
#207 - Lawson - The only vampire that Angel ever sired AFTER he got his soul back. The guy had a bit of soul, and it tormented him. A neat idea.
#188 - Lawyer #1. Recurring comic relief Wolfram&Hart lawyer.
#178 - Leader of the Fell Brethren. Funny, evil demon cult leader and member of the Circle of the Black Thorn (was that the name?), who really was gaga over this baby he had purchased.
#173 - The Wrath. The demon/executioner that ripped Lindsey and later Gunn's heart out daily.
#161 - Numero Cinco. Retired luchador, bitter ex-hero and mailboy.
#160 - The Roger Wyndom-Price Robot. Wesley's dad, only not. Not sure why they didn't just make it Wes' dad.
#159 - Izzirial, or Izzy for short. Clichéd looking devil and member of the Circle. Also played racket ball with Angel.
#154 - Peepee Demon. Demon servant that Angel poisoned to kill Archduke Sebasis (because Sebasis fed off the servant's blood).
#138 - Senator Helen Brucker. Demon posing as a Senator with Vampire campaign workers. Member of the Circle. Just wish it had been someone (ANYONE) we had met before on Buffy or Angel.
#130 - Drogen the Keeper. The Batttlebrand. Angel's mystically honest buddy and sacrifical lamb. The friend he kills to get into the Circle.
#97 - Archduke Sebasis. Another nasty member of the Circle. The shame of Angel's ending with little warning for the creative staff - and the only real disappointment for me (beyond the fact that I'd be Whedon TV free without the series) - was that the Circle was made up of villains who were either largely unestablished or shoe-horned in at the last minute. Sebasis at least spanned the season, but I do wish they had culled the eleven (combined) years of Buffy and Angel to find more significant and memorable baddies to be part of the Circle. Of course, all the BIG BADS were dead, and most of the little bads too. But what about, say, D'Hoffryn? Hell, I'd have settled for Dracula even.
#95 - Nina Ashe. Angel's werewolf girlfriend. I liked her. I liked the idea that Angel could love someone without being in love. Take comfort. Sex without that perfect happy Angelus-inducing perfect moment.
#94 - Dr. Sparrow. The guy who made Gunn a lawyer… and kept him a lawyer (and Gilbert & Sullivan expert) at the expense of Fred's life.
#89- Cyvus Vale. Played by the always amazing Dennis Christopher, he was a wizard, who gave Connor his rebooted new life. Also a member of the Circle, who kills Wes before being killed by Illyria.
#57- Marcus Hamilton. After Eve betrays everyone (including W&H) to help Lindsey, Hamilton takes over as the new liason to the Senior Partners. Get's busted by Angel in the end.
#45- Eve. I was almost rooting for Eve to make the Top 40. She was a really fun character. The liason to the Senior Partners for Angel. Lindsey's main squeeze. She even slept with Angel and shrugged it off.
And before we start, a fond Top 40 farewell to Graham Miller (now at 42). Well, not really. I'm glad he fell out of the 40. It's shocking to me he lasted as long as he did.
AND NOW THE TOP 40
Abbreviations for previous rankings…
Y1 - Buffy Season 1.
Y2 - Buffy Season 2.
Y3 - Buffy Season 3.
Y4 - Buffy Season 4/Angel Season 1.
Y5 - Buffy Season 5/Angel Season 2.
Y6 - Buffy Season 6/Angel Season 3.
Y7 - Buffy Season 7/Angel Season 4
NR - Not Ranked that year.
#40 - Glory. Y7: 39. Y6: 34. Y5: 30. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Year Five's big bad drops one more ranking but holds on to the Top 40, something that neither Adam nor the Master managed. (And Jasmine never cracked the Top 40.) It feels like Big Bads deserve to be here. But again, a system skewed toward screen time is gonna favor supporting characters over villains. But I'm still glad Glory hangs on.
#39 - Kennedy. Y7: 38. Y6: NR. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Kennedy, potential Slayer, eventual Co-Slayer and Willow's new main squeeze - or I should say squeezer - only drops one ranking. Of course, Kennedy is no Tara, but I think that was the point.
#38 - Maggie Walsh. Y7: 37. Y6: 31. Y5: 27. Y4: 18. Y3: NR. Y2: NR. Y1: NR. Maggie Walsh? Adam doesn't make it, but his creator Maggie hangs on, though she's dropped 1 last slot.
#37 - Illyria. Y7: NR. Y6: NR. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Illyria (named after a PLACE in TWELFTH NIGHT) enters the countdown at #37 with a bullet in less than half a season. Fred's transformation into what I thought for a second was going to be yet another Big Bad created from the Regular Cast, wound up being one of the most brilliant and affecting moment in eight years of watching the Buffyverse. WOW!!
#36 - Mayor Richard Wilkins III. Y7: 36. Y6: 33. Y5: 29. Y4: 19. Y3: 14. Y2: 40. Y1: NR. The Mayor maintains at 36. Gotta love the Mayor.
#35 - Ben. Y7: 35. Y6: 30. Y5: 26. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Glory's alter ego holds his position. Again, like Maggie being ahead of Adam, there's really something wrong with Ben being ahead of Glory. My system was too much about screen time, not actual character significance or OOMPH.
#34 - Jenny Calendar. Y7: 34. Y6: 29. Y5: 25. Y4: 17. Y3: 13. Y2: 11. Y1: 15. Jenny also holds position. (Not a lot of movement possible in the Top 40 in a final season. Not enough episodes for a new character to pass some of the old faithful.) Says something about Jenny's original significance that a non-regular like her is holding on for so long. And of course she was pretty much the first character we ever saw as the First, way back in Y3.
#33 - The First. Y7: 32. Y6: 143. Y5: 120. Y4: 85. Y3: 52. Y2: NR. Y1: NR. The original evil drops one ranking. I was never satisfied with the First, especially in the Season Finale, but I can't deny that he/she/it belongs in the Top 40.
#32 - Warren Meers. Y7: 31. Y6: 36. Y5: 82. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Warren, the most evil of the nerves, also falls one ranking.
#31 - Kate Lockley. Y7: 30. Y6: 27. Y5: 22. Y4: 23. Y3: NR. Y2: NR. Y1: NR. Angel's cop friend is gone and largely forgotten now… She falls one more ranking.
#30 - Daniel Holtz. Y7: 28. Y6: 25. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Captain Holtz, Angel's Century spanning arch-nemesis falls 2 rankings. His influence still very much felt.
#29 - Francis Doyle. Y7: 27. Y6: 23. Y5: 20. Y4: 15. Y3: NR. Y2: NR. Y1: NR. Doyle falls two ranks. He has an important video-taped cameo in Cordelia's final episode. Something pulled right from Season One. It was lovely.
#28 - Principal Robin Wood. Y7: 26. Y6: NR. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Robin Wood, son of Slayer and Spike-victim, Nikki Wood, falls two rankings. This is a character that I would have LOVED to have seen a spin-off built around. D.B. Woodside is great; Wood has no super-powers, just training. And I would like to know who Robin's dad was and what happened to him. And the fact that a Slayer could survive long enough to have a kid… Loved this idea.
#27 - Lindsey McDonald. Y7: 29. Y6: 26. Y5: 21. Y4: 29. Y3: NR. Y2: NR. Y1: NR. Lindsey makes an impressive comeback, jumping up two rankings. (Never completely understood why he STILL hates Angel so much.) Has a non-good death, which was very cool.
#26 - Jonathan Levinson. Y7: 25. Y6: 24. Y5: 33. Y4: 24. Y3: 17. Y2: 19. Y1: NR. Jonathan, another dead geek - but a beloved one - drops one ranking.
#25 - Principal Snyder. Y7: 23. Y6: 21. Y5: 18. Y4: 12. Y3: 9. Y2: 10. Y1: 12. Snyder falls two more rank, but holds on. Clichés, even fun ones, rule.
#24 - Andrew Wells. Y7: 24. Y6: 37. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Andrew, back with a couple of memorable Scooby Gang-Representing appearances, holds on to the #24 slot.
#23 - Darla. Y7: 21. Y6: 18. Y5: 19. Y4: 28. Y3: 23. Y2: 23. Y1: 11. Darla loses two rankings w/only a brief flashback appearance in this season. Love Darla.
#22 - Drusilla. Y7: 22. Y6: 19. Y5: 16. Y4: 16. Y3: 11. Y2: 8. Dru has a couple nice flashbacks and once again leapfrogs over Darla simply by maintaining her #22 ranking,.
#21 - Lilah Morgan. Y7: 20. Y6: 22. Y5: 31. Y4: 31. Y3: NR. Y2: NR. Y1: NR. Geez, you're dead for a year, and you drop out of the Top 20. Lilah falls one position.
#20 - Harmony Kendall. Y7: 33. Y6: 28. Y5: 23. Y4: 25. Y3: 20. Y2: 26. Y1: 18. Harmony, who becomes a regular (finally) halfway through the season, jumps up ELEVEN ranks to crack the Top 20 for the first time since Season Three of Buffy. Always nice to see a character who stayed in the hunt for ALL eight years of the Buffyverse.
#19 - Faith. Y7: 19. Y6: 20. Y5: 17. Y4: 13. Y3: 10. Y2: NR. Y1: NR. Faith maintains her position.
#18 - Connor. Y7: 18. Y6: 41. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. So does Connor, who is SO much more fun to hang with this season in two great appearances.
#17 - Riley Finn. Y7: 17. Y6: 15. Y5: 12. Y4: 11. Y3: NR. Y2: NR. Y1: NR. Riley maintains.
#16 - Tara Maclay. Y7: 16. Y6: 13. Y5: 15. Y4: 20. Y3: NR. Y2: NR. Y1: NR. Tara maintains.
#15 - Joyce Summers. Y7: 14. Y6: 14. Y5: 11. Y4: 9. Y3: 8. Y2: 7. Y1: 7. Joyce falls one ranking to her lowest slot ever.
#14 - Daniel "Oz" Osbourne. Y7: 13. Y6: 12. Y5: 9. Y4: 7. Y3: 7. Y2: 12. Y1: NR. Oz falls one more ranking to his lowest point yet.
#13 - Lorne. Y7: 15. Y6: 17. Y5: 24. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Lorne jumps another couple rankings in a brutal season for his character… probably the guy (next to Fred, who dies and becomes someone else) who goes through the biggest emotional change from the start of the season to the end.
#12 - Winifred "Fred" Burkle. Y7: 12. Y6: 16. Y5: 50. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Fred holds her position, despite dying. In fact, if she hadn't died and ceded most (but not all) of her screen time to Illyria, she might have past Dawn.
#11 - Dawn Summers. Y7: 11. Y6: 11. Y5: 14. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Dawn plateaus at 11. Just had too much padding to fall, despite zero screen time. Again, Fred's death protected her too.
#10 - Anya Kristina Emanuella Jenkins. Y7: 9. Y6: 9. Y5: 10. Y4: 14. Y3: 22. Y2: NR. Y1: NR. Anya drops a slot but stays in the Top 10.
#9 - Charles Gunn. Y7: 10. Y6: 10. Y5: 13. Y4: 37. Y3: NR. Y2: NR. Y1: NR. A powerful season arc pulls Gunn up a rung to 9, a personal best.
#8 - Wesley Wyndam-Price. Y7: 8. Y6: 8. Y5: 8. Y4: 10. Y3: 15. Y2: NR. Y1: NR. Wesley plateaus at #8. I know it must seem like everyone would plateau this high up, and from this point on they are…
#7 - Spike. Y7: 7. Y6: 7. Y5: 7. Y4: 8. Y3: 12. Y2: 9. Y1: NR. Spike doesn't quite have the juice to pass Giles.
#6 - Rupert Giles. Y7: 6. Y6: 5. Y5: 3. Y4: 3. Y3: 2. Y2: 2. Y1: 2. Giles maintains.
#5 - Willow Rosenberg. Y7: 5. Y6: 5. Y5: 6. Y4: 6. Y3: 4. Y2: 4. Y1: 4. Willow holds her Top 5 slot, but finishes behind both Cordelia and Xander, which surprises me. As she was a Big Bad. And as she really should be equal with Xander, it demonstrates another significant flaw in the system. But at least she's in the Top Five.
#4 - Cordelia Chase. Y7: 4. Y6: 4. Y5: 5. Y4: 4. Y3: 5. Y2: 5. Y1: 5. Cordy maintains. She has one of the best exit episodes EVER though. Frankly, Angel's last season is FULL of great exits.
#3 - Xander Harris. Y7: 3. Y6: 2. Y5: 2. Y4: 2. Y3: 3. Y2: 3. Y1: 3. Xander stays in the Top 3, which is right where he started eight years earlier. Making him - with the exception of the two series' leads, the MOST important character in the Buffyverse.
#2 - Angel. Y7: 2. Y6: 3. Y5: 4. Y4: 5. Y3: 6. Y2: 6. Y1: 6. Angel maintains. Buffy just was too far ahead for him to catch up, which is probably how it should be. Still, a fantastic last season for Angel.
#1 - Buffy Anne Summers. Y7: 1. Y6: 1. Y5: 1. Y4: 1. Y3: 1. Y2: 1. Y1: 1. Duh. It ain't called the Buffyverse for nothin'.
Flip Books...
Our good friend Dennis Woodyard, one of the producer-directors on the second season of GARGOYLES, has a website I'd like to plug...
http://dragonflyent.blogspot.com/
Check out his cool flip books!
FYI
Appropos of nothing, I thought you'd like to know that my current draft of the "Gargoyles Universe Timeline" is 272 pages long and runs from 9386 B.C.E. to March 22nd, 2198. (And I know about some stuff that happens both before and after that range, but not with precision as to the dates.)
272 pages!
everything is connected...
So is Paris Geller (of GILMORE GIRLS) related to Monica and Ross Geller (of FRIENDS)? And if so, would she also be related to Rachel Green the mother of Ross' child? And is Rachel Green related to the late Mark Green (of E.R.)? I mean, it can't just be a coincidence that Mark's eldest daughter was also named Rachel Green, can it?
Hyppolyta
It's not like I have copious amounts of free time. I really, really don't. But I do seem to have a near endless desire to procrastinate. So I wrote this. It's the START of something... stylized. Might someday use it in the comic or something. I dunno.
Anyway, it's called "Hyppolyta".
This was why she loved him. (She could use that word now, with herself at least, even if she had never said it aloud, had never said it to him -- let alone to friends and family or anyone else.) Not for the world-saving and the other heroics. That was why she admired him to no end. But she didn't love him for being a comic book character. She loved him, ironically, for being human.
It all started yesterday evening. After sundown. She had stopped by to see him before her shift began. He had wanted to go with her, to watch over her from above. But she didn't need protection nearly as much as he did right now. In fact, she didn't need protection period. He had growled at her in frustration, and she had more or less growled back.
She was in a bad mood all night, which didn't escape the notice of her partner. He took her sullen silence in stride, but as their shift ended he said, "Talk this out before your next tour. I don't need to suffer through another guy's silent treatment."
So she drove back to the skyscraper. Used her pass-key for the private elevator. She stomped up the steep stone circular steps and found him there. Staring out into what remained of the night.
She was ready to do battle. But he was quiet and reserved. He simply wanted to tell her a story…
He had been new to command, new to giving orders. The elders understood this and let him learn, let him make his mistakes, offering guidance privately. And his younger charges were impressed enough by his size and strength and office to follow him blindly. Then there was his… his newly named Second-in-Command. She had wanted this for him (and in hindsight probably for herself). So in those early days, she offered unconditional support to his authority.
But his peers… his brothers, his sisters…
He described one of these sisters, one of his many sisters. Tall, strong. Light brown skin, bald head and two sets of brow ridges that ran from just above her eyes to just behind her pointed ears. A warrior. She had never been one to listen much, even before he had been promoted. Now the situation had grown intolerable. If he said glide left, she'd glide right on her burnt-red wings, seemingly just to spite him. They had exchanged few words, just a growl here and there. Most of the actual heat was between this sister and his Second.
He could hear them fighting, almost every night.
"Where does this contempt stem from? You have never fought with him like this before."
"Before, he was simply my brother."
"Now, he is your leader."
"He has no more training than I do. He's never proven himself a more able warrior. Granted he's strong. But I'm not even sure he's that bright."
"He has discipline. Something you lack. And a vision for taking care of us all. Human and Gargoyle alike."
"Do you wish to share that vision with the rest of us?"
As he climbed the stairs, he knew it was time to fight his own battles. "Come with me," he said to his sister. "I will share it."
His voice startled them both. It was the one gift he knew he had at his command. His voice demanded respect, even if the words that came out of his mouth did not.
But she recovered quickly, and he saw the heat flash across her face. That spur-jerk reaction to defy him. But it passed. He had issued a challenge of a sort, and she was no coward.
She crossed before him to the battlements, her wings flaring off from her shoulders and right into his face. "I will come."
He bit down on his frustration and extended his own wings. She extended a wing-arm in mock courtesy, deigning to allow him to lead the way. He launched himself off the castle and heard her do the same. She didn't stay behind him for long, pulling abreast with a skeptical glance, waiting, he supposed, for her leader 'to share'.
He didn't speak. There was nothing he could say. They were the same age, nearly to the minute. She was a fine strong warrior. Fierce in battle. She was not unintelligent. And truth be told, he was no more convinced than she was that he had been the right choice to lead the Clan.
None of that was really the point.
He had been chosen. He trusted his predecessor, if not himself. And he would lead. He would find a way. Even with this sister...
To be continued... maybe... someday....
A Memphis Reminder...
A Memphis Reminder...
This weekend I'll be at Con-Sequential in Memphis, TN.
I'm participating in panels on Gargoyles, writing comics and cartoons, strong female characters and self-promotion. I'm also doing two signings, and I'll have a table manned by staffers from the Gathering 2007.
For more info on Con-Sequential check out:
http://www.Con-Sequential.com/
Hope to see a few of you there, and if you make it please stop by and say hello!
R.I.P. Edward Albert
R.I.P. Edward Albert.
Edward did a voice for us on a couple of episodes on Max Steel. I won't pretend I knew him well, but he was a good and talented guy on those two occasions. The son of Green Acres Eddie Albert, Edward was a talented actor and activist. He'll be missed.
I'm POD-CASTING...
Believe it or not...
I'm pod-casting at http://www.catchdacraze.com/
Tried to listen to it myself, but couldn't make it work. But theoretically one of you might be able to manage it.
Can't hurt to try, right...
Conventions in October
October Conventions:
Hey gang,
I've been invited to attend two more conventions (my eighth and ninth of the year >whew<) in October.
The first is "CON-Sequential" in Memphis, TN, October 14-15th.
http://www.Con-Sequential.com/
The second is the "Mo-Kan Comics CONspiracy" in Kansas City, MO,
October 28-29th.
http://mo-kancomicsconspiracy.com/
If you're in the neighborhood of either or both, please stop by and say hello.
Greg
BUFFYVERSE STATS - Year Seven
BUFFYVERSE STATS
TOP 40 CHARACTER LIST:
Once AGAIN, I'm wasting my semi-valuable time (and hopefully yours) to bring you the latest update in my attempt to catalogue the most significant characters in the BUFFYVERSE. Previous CUMULATIVE updates covered the first, second and third years of Buffy the Vampire Slayer. After that, the task became more complicated as Buffy's fourth season aired simultaneously (day and date, literally) with the first season of Angel. So the Year Four update included Buffy S4 & Angel S1. Year Five covered Buffy S5 & Angel S2. Year Six, Buffy S6 & Angel S3. And now, Year Seven, which covers Buffy S7 & Angel S4.
As you may recall, I've tried to inform this subjective task with an objective formula. I tried, as much as possible, not to allow my knowledge of future events to influence the current standings. Still, I won't deny that subjectives have played a role. It's hard not to take extra notice of a character, whom you know is going to be important later. And ties were broken based entirely on subjective criteria.
The idea behind a cumulative tally is to mimic the original experience of following the Buffyverse. It's a horse race. Some of the winners and losers are decidedly predictable. Others are a bit surprising - surprising enough that it's become absolutely clear that my system is flawed. I've since dreamed up a new system, but it's too late to implement it. Someday, LONG after I've finished this first survey (but ONLY if I prove truly insane), I might just start over and see what the results are with OBJECTIVE SYSTEM 2.0. But for now - assuming you haven't nodded off - you're stuck with System One.
I have a list of ALL the characters that have appeared in both series up to this point. It's so long (including everything from leads to ridiculously minor characters) that I haven't even bothered to count how many there are. But my list of MOST significant currently tops out at 245 characters. (There will be one more update after this one, covering Year Eight, i.e. Angel Season Five, and maybe at the end of this silly game I'll do a countdown of all 245+ significant characters.)
But for now, I think listing the top 40 is both pleasantly traditional… and plenty. Or largely. I just want to note a few characters introduced (or revisited) in this set of episodes, who haven't yet or never will make the top 40, but whom I believe are memorable enough to merit honorable mention.
Starting with…
[SPOILERS]
#235 - Knox. Scientist at Wolfram & Hart, intro'd here. The only one of the W&H Tour Guides in the Angel Season Finale that has a major role to play in Season Five.
#234 - John Stoler. The first poor bastard to see the real Jasmine.
#228, 229, 242, 243, 244, 245 - Girl at Bat, Trailer Girl, Japanese Girl, School Girl, Indian Girl, Potential with Power #2. This was of course the season that introduced all the potential slayers. Those that survived actually become Slayers at the end of the season, as did a number of girls out and about in the world. The most memorable of the latter is the little girl playing softball and perhaps the Trailer Park girl, who will not be beaten anymore.
#226 - Bruiser. Lorne's "prison guard" in Las Vegas. Makes the list only because they kept the character around across two episodes.
#212 - Delivery Guy. Wesley's arms-supplier and "Q" in a couple episodes. [That's a James Bond reference, not a Star Trek reference for the geek-confused.]
#205 - Guardian. The woman in a crypt, who had been waiting centuries to explain the Scythe to Buffy - and still largely failed to do so - cuz Caleb killed her while she was busy being cagey. The anti-Watcher, I guess. Seemed like a former Slayer to me, and the notion that a Slayer MIGHT live a long life - and break the rules, might have been both interesting and helped explain how Buffy came up with her multi-Slayer solution, but…
#200 - Young Woman. The woman that Spike bit, killed and sired across two episodes, while he had a chip and thus theoretically shouldn't have been able to harm anyone.
#190, 237, 238 - Connor's Dad, Mom and Kid Sister. After Connor acquires his new revised life (ala Dawn) we briefly meet his new family. The parents at least, return in Angel Season Five.
#181 - Virgin. The innocent girl that Conner and Cordelia murder (over Darla's dead body, so to speak) to bring Jasmine into the world.
#172 - Spike's Mother Anne - Spike turns out to be a mama's boy. He loves his mother. Sires her and then has to stake her - cuz she's just too darn upsetting.
#158 - Rachel. Rachel appeared at a party in a previous season, but they brought her back to force Anya into confronting her redemoning. I give them credit for using an existing character instead of creating a new one. I wish they had done this more. Though perhaps I'm the kind of guy, who overdoes it. I know I'm almost making a point of overdoing it in the Gargoyles comic. It's just more for me that way.
#156 - Lissa. Latest in a line of Demon's that Xander dates.
#115 - Wu Pang. The Monk who removed Angel's soul to bring forth Angelus.
#110 -The Ubervamp. Mr. Tough-to-Kill had an army of fellow Ubervamps in the Hellmouth who turned out to be much less difficult to slay.
#105 - Cassie Newton - A high school student, who predicted her own death - and later had a memorable turn as the First, who tried to trick Willow into suicide (when actress Amber Benson proved unavailable to reprise Tara as the First).
#78 - Gwen Raiden. An actual X-Men-esque mutant with electrical powers in the Buffyverse. I thought she was being set up as a potential love interest for Angel, but she wound up being a brief love interest for Gunn, before vanishing forever - or going on to co-star in Pitch Black II.
#53 - Caleb. The First's big bad misogynist faux-priest, better known as Mal Reynolds in Firefly/Serenity. He was great at REALLY making you hate his guts.
#49 - The Beast. Pre-Jasmine's right-hand creature. A real tough monkey to kill, with some nice moments too. But what was the purpose of most everything he did? Why was he or any of his actions necessary to Jasmine's birth?
#44, 52, 63, 75, 85, 138, 140, 145, 165, 174, 178, 236 - Amanda, Rona, Molly, Vi, Chloe, Shannon, Caridad, Injured Girl, Eve, Annabelle, Colleen. A list of all but one of the potential Slayers. Amanda was the nerdy Slayer from Sunnydale high. She had ten appearances and died in the Hellmouth - the one "meaningful" slayer death in that battle. Rona had eight appearances. She was the one who was supposed to be keeping things real, I think. Molly was one of the three original potentials. Caleb killed her. She had been around long enough that we were supposed to feel something there, but her death was overwhelmed by the loss of Xander's eye in the same battle. Cho An was the potential who spoke no English. Largely used for comic relief. Vi had six appearances. She was kinda goofy, but really took to becoming a Slayer at the end. I liked her. Chloe, who had three appearances, is the potential that committed suicide. She also got a scene as the First. (And she went on to play a second banana in Lizzy Maguire on the Disney Channel.) Shannon, in the first of her three appearances, is used to introduce us to Caleb. Caridad also had a trio of appearances, but is most noteworthy for being one of Xander's fantasy dream girls. The Injured Girl appeared twice and was indeed injured. Eve is noteworthy because we never met the REAL Eve. She was already dead and replaced by the First before we ever laid eyes on her. (In fact, she's the only identity the First took on in this season, where we hadn't yet met the person who the First was impersonating or personifying or whatever.) Annabelle is the commonsense Brit potential - one of the first three that we meet -- who panics and is the first potential to die in Sunnydale. Colleen is noteworthy mostly for going on to star in some prime time soap I don't watch and for being another of Xander's fantasy dream girls.
#41 - Jasmine, a.k.a. the Beast-Master a.k.a. Cordelia Chase. The big bad of Angel Season Four. While possessing Cordelia, I'm not really sure if all her various and ultra-complicated manipulations track. But she sure was fun once Gina Torres of Firefly took over the role. Oh, and one other point of interest. Peter Renaday did the voice for the Beast-Master in Angelus' head. Peter voiced a few minor roles in the five-part Gargoyles pilot ("Awakening") and was - briefly - the voice of David Xanatos. He replaced Jonathan Frakes, and then was in turn replaced BY Jonathan Frakes.
And before we start, a fond Top 40 farewell to the Master (now at #45), the Groosalugg (#47), Gavin Park (#42) and Forrest Gates (#43).
AND NOW THE TOP 40
Abbreviations for previous rankings…
Y1 - Buffy Season 1.
Y2 - Buffy Season 2.
Y3 - Buffy Season 3.
Y4 - Buffy Season 4/Angel Season 1.
Y5 - Buffy Season 5/Angel Season 2.
Y6 - Buffy Season 6/Angel Season 3.
NR - Not Ranked that year.
#40 - Graham Miller. Y6: 32. Y5: 28. Y4: 22. Y3: NR. Y2: NR. Y1: NR. Riley Finn's second best friend falls eight rankings. And yet it's amazing he's still in the Top 40 at all. Graham, in fact, does a great job - right off the bat - at demonstrating the flaws in this original scoring system. He had a ton of screen time in Season Four of Buffy, and then came back more than once in Season Five. And despite no appearances, since, he's totally coasting on that old screen time (which was clearly too big a piece of the original formula) as opposed to true significance.
#39 - Glory. Y6: 34. Y5: 30. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Year Five's big bad drops 5 more rankings. I'm bummed that some of the season-long Big Bads like Adam and the Master aren't staying in (or in Jasmine's case even cracking) the Top 40. It feels like Big Bads deserve to be here. But again, a system skewed toward screen time is gonna favor supporting characters over villains. But I'm still glad Glory is hanging on.
#38 - Kennedy. Y6: NR. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Kennedy, potential Slayer, eventual Co-Slayer and Willow's new main squeeze - or I should say squeezer - enters the countdown at 38 with a bullet. Of course, Kennedy is no Tara, but I think that was the point. So I certainly don't begrudge her knocking Groo, Gavin or Forrest out. (But I miss the Master.)
#37 - Maggie Walsh. Y6: 31. Y5: 27. Y4: 18. Y3: NR. Y2: NR. Y1: NR. And Maggie Walsh? Maggie? Really? Adam doesn't make it, but his creator Maggie does, though she's dropped 6 slots in the ratings.
#36 - Mayor Richard Wilkins III. Y6: 33. Y5: 29. Y4: 19. Y3: 14. Y2: 40. Y1: NR. The Mayor loses only 3 rankings, thanks to some appearances by the First in Mayor guise, which gave him partial points. (Figuring out scoring for the First in its various glamours was really hard.) Gotta love the Mayor.
#35 - Ben. Y6: 30. Y5: 26. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Glory's alter ego drops five places. Again, like Maggie being ahead of Adam, there's really something wrong with Ben being ahead of Glory. It's about screen time, not actual character significance or OOMPH.
#34 - Jenny Calendar. Y6: 29. Y5: 25. Y4: 17. Y3: 13. Y2: 11. Y1: 15. Jenny also falls five rankings. Says something about Jenny's original significance that a non-regular like her is holding on for so long. And of course she was pretty much the first character we ever saw as the First, way back in Y3.
#33 - Harmony Kendall. Y6: 28. Y5: 23. Y4: 25. Y3: 20. Y2: 26. Y1: 18. Harmony also falls five rankings this year to her lowest point yet, thanks to two consecutive years without an appearance. Of course, Harm is poised for a resurgence in the last season of Angel.
#32 - The First. Y6: 143. Y5: 120. Y4: 85. Y3: 52. Y2: NR. Y1: NR. The original evil hasn't shown its face since Season Three. So it jumps up a whopping 111 ladder rungs to #32. I was never satisfied with the First, especially in the Season Finale, but I can't deny that he/she/it belongs in the Top 40.
#31 - Warren Meers. Y6: 36. Y5: 82. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Warren actually jumps up 5 rankings, which is a pretty neat trick for a dead guy. Credit the First, Willow and some flashbacks for keeping him "alive" and hopping.
#30 - Kate Lockley. Y6: 27. Y5: 22. Y4: 23. Y3: NR. Y2: NR. Y1: NR. Angel's cop friend is gone and largely forgotten now… She falls three rankings.
#29 - Lindsey McDonald. Y6: 26. Y5: 21. Y4: 29. Y3: NR. Y2: NR. Y1: NR. Lindsey has hit the road, and having also been absent for two seasons, falls three rankings too. But like Harmony, watch for a comeback in Angel S5 (a.k.a. Buffyverse Y8).
#28 - Daniel Holtz. Y6: 25. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Captain Holtz, Angel's Big Bad for the previous Season (or surrogate, if you're counting Connor as the finale's final big bad) falls 3 rankings. His influence still very much felt.
#27 - Francis Doyle. Y6: 23. Y5: 20. Y4: 15. Y3: NR. Y2: NR. Y1: NR. Doyle falls four ranks. I'm surprised he got not even a mention in A4, given how Cordelia's fate largely is a result of his actions. But Jasmine-as-Cordelia was a bit of a mess in the does-this-really-track department.
#26 - Principal Robin Wood. Y6: NR. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Talk about bullets. Robin Wood, son of Slayer and Spike-victim, Nikki Wood, enters the countdown at 26 with a bullet. This is a character that I would have LOVED to have seen a spin-off built around. D.B. Woodside is great; Wood has no super-powers, just training. And I would like to know who Robin's dad was and what happened to him. And the fact that a Slayer could survive long enough to have a kid… Loved this idea.
#25 - Jonathan Levinson. Y6: 24. Y5: 33. Y4: 24. Y3: 17. Y2: 19. Y1: NR. Jonathan, killed in his first appearance of the season, still manages to hang on - thanks to flashbacks and the First - to the Top 25, dropping only one ranking. Jonathan, you will be missed.
#24 - Andrew Wells. Y6: 37. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Andrew, the definite third wheel of last Season's Evil Trio, jumps 13 rankings to #37, passing both Warren and Jonathan in the process. (It helps to be the only one actually left alive, I guess.). Really comes into his own this season… and one of the few Buffy characters (beyond Spike) to actually make an appearance in Y8.
#23 - Principal Snyder. Y6: 21. Y5: 18. Y4: 12. Y3: 9. Y2: 10. Y1: 12. Snyder falls two ranks but nevertheless manages to stay ahead of Principals Wood and of course Flutie (who, in case you were curious, is now down at #69).
#22 - Drusilla. Y6: 19. Y5: 16. Y4: 16. Y3: 11. Y2: 8. Dru has a few nice flashbacks and First appearances, but still falls three rankings and out of the Top Twenty for the first time.
#21 - Darla. Y6: 18. Y5: 19. Y4: 28. Y3: 23. Y2: 23. Y1: 11. Darla also loses three rankings and again falls out of the Top Twenty, despite a great ghost scene with Connor. Love Darla.
#20 - Lilah Morgan. Y6: 22. Y5: 31. Y4: 31. Y3: NR. Y2: NR. Y1: NR. Lilah climbs two more positions to finally crack the Top Twenty. Dead now, she'll peak here, but this was really a great season for her. She finally seems to be a woman IN CHARGE. A creature of depth and poignancy. Particularly after her death.
#19 - Faith. Y6: 20. Y5: 17. Y4: 13. Y3: 10. Y2: NR. Y1: NR. Faith, back with a vengeance in both Angel AND Buffy, rises one ranking. But she's done too now, I think.
#18 - Connor. Y6: 41. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Connor enters the Top Twenty after jumping 23 rungs. He's a huge pill this season, but he'll be much more fun in his limited appearances next year.
#17 - Riley Finn. Y6: 15. Y5: 12. Y4: 11. Y3: NR. Y2: NR. Y1: NR. Riley falls two more rankings. There was an opportunity, as Buffy and Spike revisit the Initiative to have brought him back, but I think they wisely thought that would be too distracting and off-point.
#16 - Tara Maclay. Y6: 13. Y5: 15. Y4: 20. Y3: NR. Y2: NR. Y1: NR. Tara moves down three rungs. According to the extras on the DVD, they wanted her to appear again as the First, but she wasn't available. But what the heck has Amber Benson been up to since? I never see her, and she is still so missed.
#15 - Lorne. Y6: 17. Y5: 24. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Lorne finally becomes a regular and jumps a couple rankings.
#14 - Joyce Summers. Y6: 14. Y5: 11. Y4: 9. Y3: 8. Y2: 7. Y1: 7. Joyce appears as the First and maintains the exact same ranking.
#13 - Daniel "Oz" Osbourne. Y6: 12. Y5: 9. Y4: 7. Y3: 7. Y2: 12. Y1: NR. Oz falls one more ranking to his lowest point yet.
#12 - Winifred "Fred" Burkle. Y6: 16. Y5: 50. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Fred climbs up 4 positions, but she's still got room to climb, I think. Can she pass Dawnie next season?
#11 - Dawn Summers. Y6: 11. Y5: 14. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Dawn plateaus at 11.
#10 - Charles Gunn. Y6: 10. Y5: 13. Y4: 37. Y3: NR. Y2: NR. Y1: NR. Gunn plateaus at 10. Can he pass Anya next season?
#9 - Anya Kristina Emanuella Jenkins. Y6: 9. Y5: 10. Y4: 14. Y3: 22. Y2: NR. Y1: NR. Anya plateaus at 9, but being dead and on a cancelled series, I'm not sure if she can maintain.
#8 - Wesley Wyndam-Price. Y6: 8. Y5: 8. Y4: 10. Y3: 15. Y2: NR. Y1: NR. Wesley plateaus at #8. I know it must seem like everyone's plateauing this high up, but wait for it…
#7 - Spike. Y6: 7. Y5: 7. Y4: 8. Y3: 12. Y2: 9. Y1: NR. Okay, STILL plateauing. But trust me… (And Spike's crossing over to Angel, so he may have somewhere to go still.)
#6 - Rupert Giles. Y6: 5. Y5: 3. Y4: 3. Y3: 2. Y2: 2. Y1: 2. Giles does not plateau. He falls one ranking, which this high up is quite significant.
#5 - Willow Rosenberg. Y6: 5. Y5: 6. Y4: 6. Y3: 4. Y2: 4. Y1: 4. Willow switches places with Giles, returning to the Top Five for the first time since Season 3. She'll peak here, putting her behind both Cordelia and Xander, which surprises me. As she was a Big Bad. And as she really should be equal with Xander, it demonstrates another significant flaw in the system. But at least she's in the Top Five.
#4 - Cordelia Chase. Y6: 4. Y5: 5. Y4: 4. Y3: 5. Y2: 5. Y1: 5. Back to Plateauing. Cordelia of course spends half a season as the Big Bad, but as she was pregnant in real life, she then spends the end of the season in a coma. They basically destroyed her character this season. A combination of the real life pregnancy, bad hairstyles and a coupling with Connor that's just too creepy and off-putting to even work as the actions of a villain. But she'll be back for one wonderful final appearance next season.
#3 - Xander Harris. Y6: 2. Y5: 2. Y4: 2. Y3: 3. Y2: 3. Y1: 3. Xander drops down one ranking. He's never been out of the Top Three and I think he'll PROBABLY finish here.
#2 - Angel. Y6: 3. Y5: 4. Y4: 5. Y3: 6. Y2: 6. Y1: 6. Angel moves up one ranking, finally passing Xander. And he has another season, and Buffy does not. Is it possible that by the end of Year Eight… that Angel might even pass Buffy to become the most important character in Buffy's own 'verse?
#1 - Buffy Anne Summers. Y6: 1. Y5: 1. Y4: 1. Y3: 1. Y2: 1. Y1: 1. Duh. But now that she's done… can she hold the top spot forever?
Troubies Do Doobies
I've plugged 'em before. Now I'll let them plug themselves...
Subject: Much Adoobie Brothers EXTENDED!
Troubadour Theater Company EXTENDS
Los Angeles Times' Critics' Choice
Much Adoobie Brothers About Nothing
NOW Playing through Sunday, September 24.
Scroll down to read the rave reviews.
Miles Memorial Playhouse
August 10 - September 24
Thurs - Sat 8 pm, Sundays 4 pm
1130 Lincoln Blvd., Santa Monica CA
La Mirada Theatre for the Performing Arts
October 1, 2006 7pm
All Tickets $25
On Sale Now and Going Fast!
troubie.tix.com
CRITICS' CHOICE! "Put it all together and you have the truest hallmark of any Troubadour show...bad wigs, rock star preening and outrageous comic riffs (that) LEAVE THE AUDIENCE BREATHLESS WITH LAUGHTER!"
--Daryl Miller, LA TIMES
["All true" --Greg Weisman]
GO! "A SCREAM! Another LAUGH FILLED TRIUMPH FOR THE TROUBIES!"
--Martin Hernandez, LA WEEKLY
"HILARIOUS! DELICIOUSLY FUNNY! UNDER MATT WALKER'S FIRST RATE DIRECTION, THE WHOLE EXPERIENCE is a RAMBUNCTIOUS BUNDLE OF JOYFUL COMIC ANARCHY!"
--Terry Morgan, VARIETY
["Matt Walker is an effing genius" -- Greg Weisman]
CRITIC'S PICK! "IT'S ALL TOTALLY BITCHIN'! MATT WALKER, WHO ACCOMPANIED BY HIS USUAL PARTNER IN HILARITY, BETH KENNEDY, AND THE LOVELY LAUREN GIRA - BRINGS DOWN THE HOUSE! A PITCH-PERFECT JEN SEIFERT PARRIES BRILLIANTLY WITH ERIC ANDERSON! A BALLS-OUT ROCK 'N' ROLL BASTARDIZATION OF SHAKESPEARE! RIGHT ON!"
--Jennie Webb, BACKSTAGE WEST
CRITIC'S PICK! "WILD! HILARIOUS! THE IMPRESSIVE SMARTLY MOUNTED PRODUCTION, AND WALKER'S SHARP SAVVY DIRECTION WITH ROLLICKING PERFORMANCES JUST ASTONISHES! DON'T MISS IT!"
--Gerri Garner, AMERICAN RADIO NETWORKS
"Nobody does Doobies like the Troubies"
www.troubie.com
Tony Jay, R.I.P.
I just read in today's paper that actor Tony Jay has passed away.
I won't pretend that I knew Tony well. We only worked together once, when he played Anubis for us in the GARGOYLES episode "Grief". But what a great guest spot, huh?
I just loved what he did as Anubis a.k.a. the Jackal-God a.k.a. Death a.k.a. the guy who refused to play favorites. And one of my favorite bits in all of Gargoyles was how we combined Tony's voice -- first with Matt Frewer's and then with Tony Shaloub's -- to create the two Avatars of Anubis. Three totally different personae, one great talented actor. As one might imagine, that could have been a frustrating day, struggling to match up Matt's work with Tony Jay's. (Tony Shaloub recorded at a different time.) But Tony Jay made it easy for us.
He'll be missed.
CHRONOLOGY REVISED
CHRONOLOGY REVISED
In the wake of completing the script to issue #3 of the comic book, I decided to take a careful look at my Gargoyles Timeline.
I wound up doing a whole new draft of the document. (It's now 249 pages long.) I actually incorporated some corrections suggested here at ASK GREG by folks like Aris and Matt and Todd and Kathy. Aris, as a few of you may recall, pointed out an error in my math, that shifted Angela's hatching back to 1058 from 1078. So I fixed that.
Other things have changed as well. BUT NOTHING CANON HAS CHANGED, i.e. nothing has changed from the first 65 episodes of the T.V. series or the first issue of the comic (or the second or third either, frankly -- though you guys haven't seen them yet). Even "The Last" (Team Atlantis episode featuring Demona and on view at Gatherings) is still holding its own. And I didn't change anything just for the sake of changing things -- not even to surprise you despite the spoilers I've already given out.
But some things have changed. So old info currently in the Archives at Ask Greg may or may not be dead on accurate now. But I think the biggest change is that 1058 thing. So nothing too major, change-wise. Lots of new stuff added. Hopefully fun stuff.
Just thought I should let you know.
2006 SAN DIEGO COMICCON JOURNAL
2006 SAN DIEGO COMICCON JOURNAL
Just a quick and dirty rundown of how I spent this year's record-SMASHING attendance ComicCon.
WEDNESDAY JULY 19, 2006
8:30am - Wake up at home.
10:30am - Chiropractic appointment and Physical Therapy. (Always good to get worked on before a long drive and a long weekend in an unfamiliar bed.)
11am - Massage. (I know. I live the hard life.)
12pm - Home again to pack.
12:30pm - Hit the road in the not-that-old PT Cruiser.
3:30pm - Arrived in San Diego. Drove down to the Convention Center, but even on Wednesday, parking was impossible. Wound up parking all the way up at Ash & First and walked the many, many blocks to the Con. But I like walking, so frankly that worked fine for me. Stood in the Exhibitor line to pick up badges for myself and my family. (Thanks to SLG and Dan Vado.)
4:30pm - Called my old boss Gary Krisel to tell him I was on my way. I was staying with him and his wonderful wife Jane. They live about twenty minutes north of San Diego.
6:30pm - TWO HOURS later I arrived at their house. Now that's some traffic! Gary and I went to Chilis for a Build-My-Own-Burger. Then it was back to the Krisels. Gary and I talked for a bit. Then I retreated to my room to read Faulkner's Light in August.
1:30am - Lights out.
THURSDAY JULY 20, 2006
8am - Wake up.
9am - Grabbed some fresh OJ and hit the road.
10am - Not wanting to HUNT for a parking space, I just parked at First & Ash again. Walked to the con and found my way to the SLG Booth. Discovered I was scheduled to sign for FOUR HOURS a day for four straight days. That seemed excessive at first, but in the end I found I was GRATEFUL for (a) having someplace to sit and (b) something to do. The convention was completely overwhelming to me. Better to keep busy. Ran into a few people: Perrin Klumpp (of CONvergence) and Tad Stones (of Hellboy).
11am - Started signing GARGOYLES comic books with penciller David Hedgecock. Saw a few familiar faces, including Will H., Howard Bliss and Brian Dumlao.
1pm - Dave treats me to lunch from Café Express. Just a hot dog. (I know how little this guy makes on the comic.) But it was nice to just sit and talk. I really spent some quality time this weekend with Dave and with color artist Will Terrell. Both are great guys.
1:45pm - Headed up to the Panel rooms and caught the end of Tommy Kovac's spotlight panel. He's the creative mind behind SLG's WONDERLAND comic. Dan Vado and Tommy had some funny schtick going.
2:15pm - Had my own spotlight panel moderated by Dan. Talked about my background. Introduced Dave and Stephanie Lostimolo (our cover colorist). Talked about my hopes, plans and fears for the GARGOYLES comic. Answered some questions. It was a brief panel, but a lot of fun. I saw a bunch of familiar faces including Shan & Kevin, Shara (in costume), Seth, Scott, Brian, Jerry (taking pictures of course) and Michael. Met up with Sam Bernstein who was shooting B-Roll for a project we're working on together.
3pm - Sam, Seth, Michael McAdams, Scott, Brian, Tom and I went to Horton Plaza for my SECOND lunch of the day. Had Sushi at the food court. And Ben & Jerry's.
4pm - Started my very deliberate tour of the Exhibit Floor, covering aisles 0-500.
5pm - Second signing of the day - this time with Dave and Will, who had shown up (I'm told) during my panel. First time I had met Will in person. Good guy.
7pm - Went to dinner with the CONvergence gang: Pat & Tim, Perrin & Jenni, Chris & Melissa, plus Len Wein and his wife and Bob Skir. First of course, Pat and I had to walk all dem blocks to my car. Then we drove to a restaurant called Embers. It was a fun evening. But by 10pm we had closed down the place!
10:40pm - Back to the Krisels'. Read some of the Ape Entertainment Comics that Dave had given me (that's his company), including Athena Voltaire, Teddy Scares and The Black Coat. It was all fun stuff.
2am - Lights out.
FRIDAY JULY 21, 2006
8:30am - Wake up. More OJ and then off to the con, again parking at Ash & First.
10:30am - Walked the floor from 600-1000.
11am - Signing with Dave & Will.
12:30pm - Left the signing a half-hour early to attend the Gotham Group party at Rama. Saw a ton of people - most of whom live in L.A. as I do, though we never get together here - including, Bob, Bill, Steve, Bob, Andrew, Grace, Bob, Tramm, Michael, Dean, Nicole, Duane, Michael, Megan, Ellen, Peter, Eddie, Dmitri, etc.
2:30pm - Ted Murphy of Adult Swim interviewed me on camera. Not too sure whether that's going to get used. Have the feeling I wasn't quite on my game. But it was great to meet Ted. When the interview was done, I toured 1100-2000, and was definitely on the verge of burnout. But I ran into more old friends, including Kim, Kevin, Parker and Richard & Wendy Pini. We arranged to have dinner that night.
4pm - I went to the BET Animation Panel with Reggie Hudlin, Denys Cowan and Sydney. They're in the very early stages… but this white Jewish boy would love to get on that network. Honestly.
5pm - Back to the SLG Booth for another two hours of signing with Dave & Will.
7pm - Crispin Freeman and I hiked to my car, and then we met Richard, Wendy and Izzy for dinner at Todai.
10pm - Back at the Krisels'. Beth and the kids were already there, having driven down that afternoon from L.A.
1am - Lights out.
SATURDAY JULY 22, 2006
8am - Wake up.
9:30am - Depart with Benny for the Con. This time we parked near the Baseball Stadium and for Benny's sake we took a pedi-cab to the con.
10:30am - Stopped by the Animation Writers Caucus panel for a bit. But Benny was bored. So we went back to the floor and toured 2000-2500. None of my family had ever been to ComicCon before. It was - shall we say - eye opening.
11am - Back to SLG for our morning signing. Will had bugged out to hit the beach, so it was me, Dave and BENNY, who would have happily signed anything you put in front of him. He was actually a pretty good sport. Eventually, Erin and Beth showed up. Benny and Beth went exploring, and Erin sat with Dave and I for awhile.
1pm - Grabbed some Pizza from Café Express, but there was literally NOWHERE to sit. Wound up sitting single-file on a staircase. After lunch we toured 2500-3000. And then Beth had had enough. She left with the kids to go swimming at the Krisels' (where Benny got stung by a bee - which is one of his major nightmares, but it wound up not being too bad). After they left, I toured 3000-4500. Then I ran into Dave Schwartz, his wife Nanci and their daughter Kara (who I'm fairly certain was named after Supergirl). I was glad to get off the floor and we went to see Frank Miller's panel on THE SPIRIT movie that he plans to write and direct after he's done with SIN CITY II.
4pm - Caught the end of the TV Guide Panel, mostly cause I wanted to sit down and relax and wait for the NEXT panel in that room.
4:30pm - Veronica Mars panel with the creator and a whole bunch of the cast. I'm a HUGE VM fan. Love the show. (Oh, speaking of being a fanboy, I also stopped by Phil Foglio's booth/table. Wanted to introduce myself, but chickened out - and only bought his stuff. Wound up sending him a letter and a copy of GARGOYLES after I got back to L.A. We've since had a really nice e-mail exchange. Guess I was silly to be such a chicken.)
5pm - Back to SLG for more signings with Dave. Since at that point, we didn't know Will had gone to the beach, we were starting to worry about him.
7pm - Went to THE BATMAN panel. Wanted to know what THEY were giving away about the episodes I had written, so that I'd know what was fair game for me to talk about. I think there really taking some interesting chances with their fourth season, and I'm very proud of the episode "Artifacts" that I wrote for them. Also, I can now say that Brendan Routh (SUPERMAN) is appearing in another of my episodes: "The Everywhere Man". But he's NOT playing Superman.
7:30pm - Went to the Animation Writers Caucus party at a nearby hotel. Talked with Kevin, Kevin, Nicole, Jymn and others. (Yeah, I'm name dropping, but I'm only giving first names mostly, so you can try and make a game out of who's who.)
9pm - Dean, Brian, Andy, Erika, Andrew, Ian, Nicole and I headed out to attend the Jetix Party at a way-too-hip-for-me bar named Thin.
9:30pm - We arrived at Thin. But by this time, I had a headache, so I said hi to Jermaine and Tracy and then took off.
11:15pm - Returned to the Krisels'. Beth and the kids and the Krisels were already asleep.
2am - Went to bed.
3am - Fell asleep.
SUNDAY JULY 23, 2006
8am - Wake up.
8:30am - OJ and Rye toast. Said goodbye to the Krisels and my family. (The latter were going to swim some more and then head home.)
10:30am - Parked on the street up near Ash & First. Hit the floor to finish off the 4600-5300.
11am - Signing with Dave & Will.
1pm - Had Thai food with Joey Cavalieri of DC Comics. Pitched a few ideas to him. One of 'em may go. We'll see. But mostly Joey and I caught up. It'd been something like twenty years since we last saw each other.
3pm - Our last signing. All through the con, I think we had a nice steady flow of people coming up to buy books and get signatures and sketches. Felt good.
5pm - Departed the con.
8pm - Made it as far as Irvine and stopped off at Nicole's house for dinner.
10pm - Finally made it home. That's it!
"Hunter's Moon" Memo #4B
And here is the rest of the 4th Hunter's Moon Memo...
Michael, the above represents my ideal Part Two. I think it paces down nicely from Part One, (and you'll note that the changes it requires to Part One are negligible). The Elisa/Jason relationship is allowed to build in a more natural, slower and step-by-step manner. Then it ends as planned, topping anything we've ever done before by blowing up the clocktower. I have two (probably obvious) concerns. One minor, one not so. The minor concern is that the middle is pretty talky for a stand alone episode. Not much we can do about that and still have all three parts play as one piece. So I vote to make each talk-scene as tight as possible, playing up the tension in the middle and otherwise not to sweat this minor concern. The major concern is that it's probably too long for one twenty-two minute episode. If I was being honest, it feels to me like we've got four acts worth of material instead of three. Call me about this either way. If you feel you can fit it in then go for it. If not, here's plan B:
PART ONE CHANGES:
Beat #12 would have to end with the following:
It's only after injuring Angela that the Hunters seem to realize that Angela is not the "demon" they've been hunting. Not that they're remorseful -- just surprised that Demona is NOT the last surviving member of her evil race -- as they had always been taught. Hunter/Robyn says this revelation explains the reports of numerous sightings of gargoyles in the Manhattan area, which is what brought them to town in the first place. Hunter/Jason is furious that the "demons" escaped and determined to hunt them down and exterminate them all. Hunter/Jon questions whether this is the correct course. They know the "demon" is evil. But these other gargoyles might not be. Hunter/Jason quickly and semi-violently reprimands his compatriot. As far as he's concerned the only good gargoyle is a dead gargoyle. And the only consolation from tonight's fiasco is that he's pretty sure he nailed one of them.
And at the beginning of beat13:
The trio and Bronx are already there when Hudson, Goliath and Angela make it back to the clock tower. They are horrified to see Angela's condition.
PART TWO CHANGES:
ACT ONE
Beat 14:
Should end on the Hunter's tirade about wiping every last gargoyle off the face of the earth -- not on Demona gliding away.
Beat 15:
Cut.
Beat 16:
Cut.
Beats 17:
Basically picks up where the revised beat 13 left off, with the trio already there and Angela dying. This beat is combined with beat 18 to form one uninterrupted beat. No act breaks.
Beat 18:
This beat is combined with beat 17 to form one uninterrupted beat. No Act Break. Also, just before the gargoyles turn to stone, Elisa would promise to find out everything she can.
Beat 19:
(Stay with me, 'cause this is complicated.) If there's room for beats 20 and 24 to stay as two separate beats, then beat 19 can stay the same. If not beat 19 can be cut here to show up later at beat 23A.
Beat 20:
If there's room for beats 20 and 24 to stay as two separate beats, then beat 20 can stay the same. If not beat 20 can be cut here and combined with beat 24.
Beat 21:
No change.
Beat 22:
Mostly stays the same, but at the end of the beat, we'd need to show the container of D/I-7 and the Borgia Tablet at Nightstone.
Beat 23:
No change.
Beat 23A:
Only necessary if you are combining beats 20 and 24. This is the former Beat 19. Elisa comes down stairs to find Matt (who would now just be coming on-shift as opposed to off). Matt's talking to reporter Jon. Elisa runs out alone. Jason follows her.
Beat 24:
No change, unless you need to combine it with beat 20 to save more space. If so, it combines as follows....
Outside by Elisa's car, Jason catches up to her. He can tell she's upset: "You didn't rush us out of there just so you wouldn't have to answer questions about gargoyles." Of course not, she replies. Gargoyles? Are you kidding? How silly. She's about to get in her car, but he puts a hand on her arm and stops her gently, but firmly: "Then what is it?" She hesitates, then tells him that a dear friend was violently attacked recently. She came very close to dying. He asks if they know who did it? No, not yet, and she feels so... so... He knows what she means before she can say it: "You feels frustrated. Helpless. You wants to nail the guy who hurt your friend." That's it, she says. That's it exactly. How did he know? Because he's been there. He's still there. She looks at him. He asks how her friend is doing now. Elisa says something like no news is good news, I'm sure she's all right. Jason: "And what about you? Are you all right?" She says sure, don't worry about me. I'm a rock. Feeling awkward, he turns to go. She hesitates, then surprises herself by asking if he's free for dinner. He considers it. Actually, there was something he was supposed to do, but...sure. He'd love to.
Beat 25:
After Goliath witnesses the kiss, we fade to black and end the act.
ACT TWO
Beat 25A:
Picks up where we left off and finishes out the former Beat 25.
Beat 26:
Instead of the blimp, Goliath finds and heads for the Hunter's High-Tech airship.
Beat 27:
Goliath, Lex and Brooklyn breaks into the airship. No immediate sign of a trap, but they soon runs into Demona inside the airship on a similar errand to erradicate the Hunters. This beat is combined with beat 28 to form one uninterrupted beat. No Act Break.
Beat 28:
This beat is combined with beat 27 to form one uninterrupted beat. No Act Break in between them. Demona is surprised to see Goliath, who physically attacks her demanding to know her connection to the Hunters. She tries to explain that she is their prey. But he doesn't listen. At least he doesn't listen until all four gargoyles are captured by Hunter/Jon and Hunter/Robyn. Act Break.
ACT THREE
Beat 28A:
The Hunters are waiting for their leader to show up. They imprison the gargoyles, (and Hunter/Robyn has the opportunity to plant a homing device on Goliath, though we don't know that she's done this yet). They leave them alone in their cells, giving Demona a chance to explain that the Hunters are gargoyle-haters who first appeared in the 11th century. They destroyed the last clan of gargoyles in Scotland. Only Demona escaped, and the Hunters have been hounding her ever since. Goliath tells Demona that the Hunters nearly killed their daughter Angela. Demona burns with cold fury. As much as she hates Goliath, Demona refuses to let the Hunters slay even one more gargoyle. She offers to help them escape. Goliath doesn't want escape, he wants vengeance. Finally, Goliath is sounding like a true gargoyle to Demona. Unfortunately, he's also sounding like an idiot. Vengeance will come, she promises that. But now they've lost the element of surprise on the Hunter's home turf. They must escape. And somehow, by working together, they do, seemingly taking out Hunter/Robyn and Hunter/Jon in the process.
Beat 28B:
Safely outside the airship, Demona is pleased. Perhaps she and Goliath are not so far apart. Perhaps not, Goliath agrees grimly. Demona veers away. Brooklyn cannot believe that Goliath is just letting her go. But Goliath: "She was not our enemy tonight." Oh, yeah?! What about the D/I-7? We'll worry about that later. Let's go home. They veer off for home. Time cut.
Beat 29:
Time has passed. Hunter/Jason has arrived on the airship and has clearly just been filled in on the night's events: "You LET them escape?!!" (We are beginning to see distinctions between the Hunters' personalities. Hunter/Jason is the fiery, passionate leader. Hunter/Robyn is coldly efficient. Hunter/Jon has some major doubts and is definitely not into this as much as the other two.) Hunter/Jason is furious that H/Jon and H/Robyn let the gargoyles escape -- particularly the "demon". That was the best chance yet to destroy them. Hunter/Jon still isn't sure that they're doing the right thing. They heard the gargoyle's in-cell discussion. The only reason they're attacking us is because we hurt the big one's daughter last night. H/Jon even suspects that the "demon" and the other gargoyles were at odds until our opposition united them. If we hadn't attacked them, they might have even been our allies against the "demon". Hunter/Jason can't believe his ears. He turns to Hunter/Robyn. He knew their brother had some weird ideas, but what's the story with her. She calmly points to images of Brooklyn and Lex on a monitor screen. These are new gargoyles. Different from the ones they faced last night. There's no telling how many more there might be. They had to allow these gargoyles to escape so that they could follow them back to their lair, otherwise we could waste our whole lives tracking them down. Hunter/Jason: So what? It was good enough for our father. H/Jason doesn't care how long it takes to exterminate this evil race of monsters. Hunter/Robyn comments wryly that she'd rather get it over with tonight, if H/Jason doesn't mind. H/Jason calms down a bit. So what's the plan?
Beat 30:
This changes completely. Goliath, Lex and Brooklyn arrive at the clock tower. Everyone else is already there. Goliath tells the others that the Hunters have been dealt a major blow. Brooklyn and Lex exchange concerned glances.
Beat 31:
Inside the airship, the trio of Hunters have locked onto Goliath's homing signal. Hunter/Jason is a bit concerned that they didn't plant a homing device on Demona. But Hunter/Robyn believes that the demon would never have let her touch her without noticing the plant. Besides Hunter/Robyn is confident she knows where to find the "demon". They track Goliath's signal to the clock tower. They know it's above the precinct house and may even be impressed that the gargoyles were clever enough to hide in such plain sight. H/Jason prepares to go in. H/Robyn stops him and begins to activate weapon systems instead. There could be a clan of thirty or forty gargoyles in there. H/Jon doubts if there's more than six. He can't believe what she's preparing to do. There's a building full of people in there. She's confident she can target the tower with some precision. A squeamish H/Jon fumfers, but suggests they wait a couple hours until sunrise. The gargoyles will be stone and can easily be destroy then . But H/Robyn shakes her head. We cannot count on that. She puts a picture of Demona on a monitor screen, side-by-side with a picture of Dominique. She then uses a sophisticated computer program to demonstrate that Demona/Dominique are one and the same person. Dominique has never been seen after dark, and since no one's ever spotted a gargoyle in broad daylight, H/Robyn correctly surmises that the "demon" transforms into Dominique every morning at sunrise. H/Jason wants to know how this is possible? H/Robyn shrugs. How is it possible that the demon has lived as long as she has? The obvious answer is sorcery, and if Demona/Dominique has shared this sorcery with the other gargoyles, then they could easily sneak out of the precinct house in the morning disguised as humans, and we'd never find them. H/Jon is still against the still unstated plan. Both turn to H/Jason for his final decision. Do it, he says. But let's make sure that none of them escape. It ends tonight.
Beat 32:
No change.
Beat 33:
No change.
Beat 34:
Lex notices the homing device stuck to Goliath's skin. Quick cut.
Beat 35:
No change.
Beat 36:
No change.
Hunter's Moon Memo #4A
In anticipation of my ramble on "Hunter's Moon, Part Two", here is the first half of Memo #4 from back in the day...
"But wait!" you're asking, "What happened to Memo #3?!" Well, I have it -- on paper. But not on my computer for some reason, and I don't have either a scanner or the time to type it up afresh. So you'll have to settle for jumping ahead to Memo #4. This is my beat sheet breakdown on the first two parts of Hunter's Moon.
The whole memo was too long for one post, it seems, so I'll be posting the second half shortly.
WEISMAN 7-16-95
Notes on "Hunter's Moon" Outline...
Please note that any changes to the Beat Sheet for Part One will be in bold type.
BEAT SHEET
PART ONE
ACT ONE
1. PROLOGUE - SCOTLAND, 994 -- HUNTER'S MOON
We open with YOUNG GILLECOMGAIN confronting DEMONA (in either new footage or re-use from "City of Stone, Part One"). Very mysterioso at first. Then we realize that Demona is simply scavenging for food in Gille's barn. He surprises her and winds up scarred for life. She leaves.
Continue the scene. Hearing Gille's screams, GILLECOMGAIN'S FATHER comes rushing into the barn after Demona has left. He is largely unsympathetic, even a bit of a jerk toward his son. He sees the scratch marks and tells his son to suck it up, basically. It sounds to him like his son was attacked by a gargoyle looking for food. But Gille insists it was a "demon". And swears that she will pay along with her entire evil race.
MANHATTAN, 1996. - NIGHT ONE
2. A blonde woman (SALLI ROBERTSON actually ELISA MAZA in disguise) is alone on a subway platform. A real seedy place. Very scary. Suddenly a THUG appears out of the shadows. Invades her personal space. She tries to move cautiously away, but a SECOND THUG cuts her off. And then a THIRD, a FOURTH, a FIFTH. They don't attack her, but they do seem to be taking some real sadistic pleasure in intimidating the hell out of her. All are wearing long trenchcoats, which might or might not conceal weapons.
The subway finally comes. She gets onto a car which is sparsely populated by an OLD LADY, BRENDAN & MARGOT, a burly WORKER, etc. And we think she's safe, but at the last second the thugs also enter the car. The subway exits the station.
As the train races through dark tunnels, the thugs pull out Xanatos/Dracon particle beam weapons and demand all valuables. (Major overkill on the part of the thugs.) Maybe the burly worker gets brave, and although Salli tries to stop him, he gets hurt (but not shot) for his pains.
The train exits the tunnel onto elevated tracks. And to make a long explanation short, this is where the gargoyles (GOLIATH, BROOKLYN, LEXINGTON, BROADWAY and ANGELA) get involved. The fast-moving el-train should add to the challenge of stopping five heavily-armed thugs. At a crucial moment, Salli/Elisa should slam Thug #1, who had a bead on Goliath. She pulls off the blonde wig, revealing herself, saying that she doesn't like anyone messing with her best friend in the world. Everyone is saved. Though as usual, the passengers are more afraid of the gargoyles than the thugs. The gargoyles leave the moving train just before the next stop, promising to touch base with Elisa later. The train pulls in. MATT BLUESTONE, MORGAN and other COPS are waiting, (they've been trying to catch this gang of thugs for weeks). Matt (who knows about the gargoyles) sees the unconcious thugs, and says something like, "Had a little help, did we?" "No more than usual," she replies with a smile. Or something like that.
3. We catch up with the gargoyles in flight, who are pretty proud of themselves. Even Goliath. They've gotten this protection thing down. Stopping evil stone cold, etc. They glide in for a landing at the clock tower. HUDSON and BRONX welcome them back. Hudson fusses a bit as Brooklyn has a very minor injury from the subway encounter. But Brooklyn considers it a badge of honor, and besides the stone hibernation will heal him. Life is sweet. The sun rises and they all turn to stone. (Play this up for the video audience -- it's still one of our coolest trademarks.)
4. Downstairs in the precinct house a bit later, CAPTAIN CHAVEZ informs Elisa that she's being reassigned to the dayshift to show a new detective the ropes. Both Elisa and Matt protest. Why break up a good team? (Elisa's simultaneously thinking of Matt and her nighttime-only forays with Goliath and the gargoyles.) Chavez tells her it's temporary and in any case it wasn't a request. The new detective enters. It's JASON CONOVER. He's a big, rugged guy. Sort of a human Goliath. Elisa and Jason size each other up. And though neither would say it yet, they like what they see. At any rate, Matt notices that Elisa has suddenly stopped protesting the reassignment.
5. Dayshift with Elisa and Jason. She's showing him the city in her Fairlane. She asks him about himself. But he's subtly evasive and keeps turning the conversation back toward her. In particular asking what it's like to be a cop in the Big Apple. He's heard some weird stuff about alligators in the sewers and other urban myths. She smiles. She could tell him stories.
Suddenly, there's an explosion at a nearby XANATOS ENTERPRISES chemical storage warehouse on the East River. They call it in, head over, and it looks like they've caught two MASKED THIEVES who each have their hands full carrying containers of stolen chemicals marked D/I-7. They order the thieves to put down the containers, which they do. But the thieves had BACK-UP, and now it's Jason and Elisa who appear to be surrounded and in big trouble. It looks bad, and there ain't gonna be any gargoyle rescue at high noon.
ACT TWO
6. Jason doesn't hesitate. He shoots one of the chemical containers. It blows up and in the resulting chaos, the thieves grab the remaining container and take off in an unmarked panel truck. Elisa and Jason pursue in her car. Cool car chase. He's as impressed with her driving as she is with his shooting. All done fearlessly while under fire from the bad guys. Point is, they make a good team. Anyway, the good guys eventually capture all the bad guys (except THIEF #1, who escapes) and confiscate the D/I-7 without knowing what the theft was all about.
7. NIGHTSTONE UNLIMITED. It's twilight. Company president DOMINIQUE DESTINE is interviewing for a new personal assistant. The candidate is one ROBYN CORREY, who immediately impresses Dominique with her Owen-like efficiency and smarts. A man enters who we may or may not recognize as Thief #1. He's about to start blabbing in front of Robyn, but Dominique tells him to shut up and wait. Dominique turns to Correy and tells her she has the job. Correy is prepared to start right this minute if necessary. She's not afraid of long hours and happy to work nights with the boss if that's required. Dominique smiles. Correy may indeed work nights, but Dominique never does. She needs her beauty sleep. Robyn can start first thing in the morning. Correy exits and Dominique and the thief open a secret panel into a high-tech command center. The thief lets Dominique know that they didn't get the D/I-7. She's furious and comes close to doing something really nasty to him. But through a large (one-way) bay window she sees that the sun is about to set. She tells him he's lucky to work for such a kind employer and kicks him out. Well, if you want something done right you have to do it yourself. The sun sets and Dominique transforms into DEMONA.
ACT THREE
8. At the clock tower, Elisa arrives just as the sun sets on our gargoyles. They EXPLODE out of their stone shell. A sight that still impresses her no matter how many times she sees it. (Again, play up this series trademark for the video audience. Also make a point of showing that Brooklyn's minor injury is healed.) Elisa fills the gargoyles in on the attempted chemical theft. She speaks highly of Jason, and when Goliath notes that she seems highly impressed with her new partner, she stumbles all over herself to say that he's just o.k. Even she doesn't yet know why she got so flustered. But it doesn't escape Goliath's notice or Hudson's or Angela's. Elisa's just finished working a double shift and has to head home for some sleep, but she's afraid that whoever was behind the theft might try again tonight. Either at the same East River warehouse or at another one on the upper westside where computer records show Xanatos also keeps D/I-7. The gargoyles agree to split up and stake out both locations. But Goliath is suspicious. If Xanatos is involved.... Elisa knows exactly what he means. She wanted to question Xanatos herself, but (because Elisa is admittedly irrational in her hatred of Xanatos) Chavez said no and sent Matt instead.
NIGHT TWO
9. At the Eyrie Building, Matt is almost done questioning XANATOS about the theft. Xanatos is clearly more interested in playing with his baby son ALEXANDER, than in answering Matt's questions. He has no idea why anyone would want to steal this particular chemical. D/I-7 is a potent concentrated disinfectant, newly invented by Xanatos Enterprises, but hardly worth stealing unless you have a very big and very dirty house that needs cleaning. Matt's sure Xanatos is hiding something, but leaves when OWEN enters with Xanatos' next appointment: newspaper reporter JON CARTER. Xanatos hands Alexander over to Owen and tours his castle with Carter. (Note: Owen still has a stone fist. He can either keep it in his pocket or not. I don't care, but don't forget about it.) Carter asks Xanatos about the castle and the gargoyles that were part of the itemized price. Xanatos says something about them not suiting his aesthetic tastes and having them destroyed. Carter questions whether Xanatos would really destroy such ancient works of art. Xanatos: "If you brought them in front of me now, I'd pulverize them to dust right here." Carter asks about the gargoyle urban myths that have everyone in New York claiming that their best friend's uncle's dentist has seen real live gargoyles. Xanatos comments that he thought the only paper interested in that kind of "scoop" was The Daily Tattler. Somewhere in here, before he leaves, Jon drops his pencil and picks it up.
After the reporter's exit, Xanatos and Owen watch a replay of Jon Carter's little pencil drop which was picked up by hidden camera. They see that he picked up a sliver of stone -- most probably a left-over piece of exfoliated gargoyle stone. Xanatos takes his baby from Owen and says something like: "This Mr. Carter could cause a bit of trouble for our old friend Goliath." At this point it's ambiguous whether Xanatos is pleased about this or not.
10. Goliath, Hudson and Angela are staked out across from the East River Xanatos warehouse that the thieves hit earlier that day. A high-tech flying vehicle arrives on the scene and three figures leap out of it (two male and one female). Each wears a black mask with three stylized red slash marks painted diagonally across it. The masks completely obscures their faces, but we'll soon learn that these are the three HUNTERS (HUNTER/JASON, HUNTER/ROBYN and HUNTER/JON). The gargoyles assume that these are the thieves and attack, Angela impetuously taking the lead. The Hunters (whose voices are electronically filtered by their masks so that we don't immediately recognize them) are strangely not surprised to see the female gargoyle Angela (who they at first mistake for Demona) but are very surprised to see Goliath and Hudson. They thought there was only one "demon" left alive. No matter. They'll destroy them all. The battle is joined.
11. Cut to the second warehouse on the westside, where Brooklyn leads Broadway, Lex and Bronx on a second stakeout. Demona breaks in to steal the D/I-7, leaving tell-tale claw marks at the break in point. She wasn't expecting to see the gargoyles, but she's not unprepared for a fight. It's quite a battle, but Demona manages to get away with one container of D/I-7. (I'll leave the details to you, Michael.)
12. Back to first East River warehouse. A furious battle between Hunters and "prey". Hunters seem completely prepared to fight gargoyles specifically. Angela is very badly injured, and Goliath and Hudson are barely able to escape with her. It's only after injuring Angela that the Hunters seem to realize that Angela is not the "demon" they've been hunting. Not that they're remorseful -- just surprised that Demona is NOT the last surviving member of her evil race -- as they had always been taught. Hunter/Jason is furious that the "demons" escaped and determined to hunt them down and exterminate them all.
13. Hudson, Goliath and Angela make it back to the clock tower. Angela's in a bad way. If she can make it to dawn, she'll be healed by the transformation to stone. But dawn is hours away. It doesn't look good. We've NEVER seen Goliath so angry. (Which doesn't mean he's over the top. It can be internalized to the point of near-combustibility, but we need to know how deep the fury goes.) Hudson tries to calm him down. But Goliath swears that he will hunt down these Hunters. And he will KILL them.
END PART ONE
PART TWO
ACT ONE
14. PROLOGUE - FLORENCE, 1496 A.D. - HUNTER'S MOON
Demona steals an already ancient MYSTIC TABLET from the home of the BORGIAS, only to be pursued by a RENAISSANCE-ERA HUNTER, hunting the last of the "demons". He wears a version of the stylized Hunter's mask, wields an impressive cross-bow and other weapons and chases after Demona in a flying machine designed by LEONARDO DA VINCI. We have a cool action sequence, but Demona ultimately cripples the Hunter's "vehicle" and escapes with the Borgia tablet. The Hunter shouts after her that the battle isn't over. His family has hunted her across generations for 500 years. If he fails, then his son will take up the hunt. And his son's son. It may take another five hundred years, but the Hunt won't end until the last of the gargoyles is wiped off the face of the earth. We watch as Demona glides off in the distance and RIPPLE DISSOLVE TO:
MANHATTAN, 1996. - NIGHT TWO (CONTINUED)
15. Demona carrying the container of D/I-7 glides in for a landing at her Gramercy Park Mansion. She enters her study and places the chemical container next to the Borgia tablet. It's taken her 500 years but her plan to destroy the hated humans is finally coming to fruition. Now she must prepare for the coming day. "Dominique" has much to do before the Hunter's Moon.
16. We're at what appears to be the gutted shell of a condemned tenement building in the South Bronx. The Hunters' high-tech vehicle flies in and we realize that what appeared to be urban decay on the outside is actually an elaborate camouflage for the high-tech Hunter's Lair. The Hunters disembark (but do not remove their masks). We begin to see distinctions in their personalities. Hunter/Jason is the fiery, passionate leader. Hunter/Robyn is coldly efficient. Hunter/Jon is definitely not into this as much as the other two. Hunter/Robyn immediately checks their computers. Police radio calls indicate that while they were at Xanatos' East River warehouse, D/I-7 was stolen from Xanatos' upper westside warehouse. Probably by the "demon" herself. Hunter/Jason is frustrated that they missed a perfect chance to destroy the "demon". But all of them are still stunned at tonight's discovery that Demona is NOT the last surviving member of her evil race -- as they had always been taught. Hunter/Robyn says this revelation explains the reports of numerous sightings of gargoyles in the Manhattan area, which is what brought them to town in the first place. Hunter/Jason is determined to hunt down every last one, but Hunter/Jon questions whether this is the correct course. They know the "demon" is evil. But these other gargoyles might not be. Hunter/Jason quickly and semi-violently reprimands his compatriot. As far as he's concerned the only good gargoyle is a dead gargoyle. And the only consolation from tonight's fiasco is that he's pretty sure he nailed one of them.
17. At the clock tower, the trio come in for a landing with Bronx. Before they're through the clockface door they're already calling inside about how Demona got away with the D/I-7. But they shut up fast when they see the grim situation inside. Angela's bandaged up, but she's having trouble breathing, and it's very touch and go. Goliath tells her to hold on. Sunrise will come soon and heal her. But Angela's not going to make it until then. She suddenly goes into cardiac arrest. She has stopped breathing, and her heart has stopped beating.
ACT TWO
18. Suddenly Elisa is there, pushing past the other gargoyles to perform CPR on Angela, saving her life. It's pre-dawn now, just enough time to fill Elisa in on the Hunters and Demona. Just enough time for Goliath to reiterate his vow of vengeance against the Hunters. And then everyone turns to stone in a tableau around Angela. A disturbed Elisa is left alone to head downstairs.
19. Down in the precinct house, reporter Jon Carter is questioning Matt Bluestone (who's just coming off shift) about gargoyle sightings. (Including maybe witness reports of gargoyles helping to bust up the subway bandits the night before and/or breaking into a Xanatos warehouse last night.) Matt tells the reporter he doesn't believe in gargoyles -- but U.F.O.'s on the other hand, now Matt has plenty of theories about them. (Did you know the statues on Easter Island were modeled after space aliens?) Elisa sees her new partner Detective Jason Conover watching with some amusement as Matt makes a fool of the reporter. She grabs Jason and marches him out the door. She's in no mood to sit for an interview right now, and besides, they have a crime scene to investigate.
20. As Elisa drives across town in her Fairlane, Jason can tell she's upset: "You didn't rush us out of there just so you wouldn't have to answer questions about gargoyles." Of course not, she replies. Gargoyles? Are you kidding? How silly. They pull over in front of Xanatos' westside warehouse. She's about to get out of the car, but he puts a hand on her arm and stops her gently, but firmly: "Then what is it?" She hesitates, then tells him that a dear friend was violently attacked recently. She came very close to dying. He asks if they know who did it? No, not yet, and she feels so... so... He knows what she means before she can say it: "You feels frustrated. Helpless. You wants to nail the guy who hurt your friend." That's it, she says. That's it exactly. How did he know? Because he's been there. He's still there. She looks at him. Then they get out of the car and go inside.
21. Inside the westside warehouse crime scene, Owen is taking inventory of what was stolen. Elisa sends Jason to check the point of entry, so that she can speak to Owen alone. She's hostile. She suspects Xanatos of being in cahoots with Demona. Owen attempts to assure her that Xanatos has had no contact with Demona, and that in fact Xanatos still feels he owes Goliath a debt of gratitude for helping save his son Alexander. If there's any way that either Owen or Mr. Xanatos could be of assistance... No, thanks. She's had enough of Xanatos' help to last a lifetime. (Now, ironically, Owen is telling the truth. But he should relate it all in such a superior Owenesque manner, and Elisa should respond to it with such incredible suspicion and contempt that Elisa and our audience will be quite convinced that Xanatos is -- as usual -- up to no good. And for his part, Owen doesn't care if Elisa feels that way.)
Jason calls Elisa over. He's found a set of Demona's clawmarks at the point of illegal entry and asks Elisa what she makes of them. Elisa plays dumb. Jason comments that they look like claw marks. But what could be strong enough to leave clawmarks in solid stone?
22. Nightstone Unlimited, bio-labs. Dominique introduces her assistant Robyn Correy to Nightstone chief scientist DOCTOR ANTON SEVARIUS. He's demonstrating a new CARRIER VIRUS. Extremely contagious, very-fast acting, but harmless. (It'd be great if we could demonstrate this in some visual way that doesn't totally tip our hand.) Dominique tells her assistant that the virus can be molecularly bonded with curative medicines and thus be used to counteract epidemics. Robyn points out that it could just as easily be bonded with a disease and cause the epidemic in the first place. There's an uncomfortable moment of silence, but Robyn does not seem upset by the prospect she's outlined. "Either way," she continues, "A most profitable endeavor." Sevarius and Dominique exchange a glance, and Dominique smiles at her new assistant: "I think you're going to fit in just fine."
23. Sunset at the clocktower and the gargoyles EXPLODE from stone. Everyone's first concern is for Angela. She's all healed. Maybe just a bit tired still. Goliath is still determined to get vengeance on the Hunters. The other gargoyles agree, including Angela. Goliath is concerned for her, but she doesn't want any kid glove treatment. She's the one that they hurt. She wants her chance for revenge too. At the moment, this is logic that makes sense to Goliath. They split up in groups of two (Broadway & Angela, Lex & Brooklyn, Hudson & Bronx) to search for the Hunters. (And yes, Goliath is conspicuously without a partner.) Goliath gives strict orders not to engage them in battle. Find them and come back to report. All the gargoyles leave. And a few seconds later, Elisa comes up the stairs to find the tower empty.
NIGHT THREE
24. Outside by Elisa's car, Jason catches up to her. He asks if there's any word on her friend. Elisa says something like no news is good news, I'm sure she's all right. Jason: "And what about you? Are you all right?" She says sure, don't worry about me. I'm a rock. Feeling awkward, he turns to go. She hesitates, then surprises herself by asking if he's free for dinner. He considers it. Actually, there was something he was supposed to do, but...sure. He'd love to.
25. Elisa and Jason arrive at her apartment. Elisa didn't feel up to facing a crowded restaurant. Besides, she has one of the best stocked refrigerators in the county. (With a friend like Broadway, it's safer.) She brings him a soda in the living room, spills it, etc. They kiss. A soul kiss, as Joe Jackson would say. (And that's when we see Goliath, watching the whole thing from Elisa's rooftop terrace window. He's just standing there like he's been hit in the head by a brick and expects another brick to come along any time now.) Elisa pulls away from Jason. What's wrong, he wants to know? Well, we're partners for one thing. He doesn't buy that excuse. That's a temporary assignment. In a week, she'll be back on the night shift with Bluestone. She doesn't respond. Jason asks if there is someone else? She says yes, but then after a long, long pause, she changes her answer to no. (And for Goliath, that would be brick #2. He glides away.) Jason is really sympathetic. He realizes he's been rushing things. He also realizes that he hadn't known how lonely he had been until he met Elisa. But he knows she's vulnerable now because of her "injured friend". He doesn't want to take advantage. He leaves Elisa alone -- and more confused than ever.
26. Goliath is gliding through the sky, and as he comes around a building, he can't help but spot a big black blimp with three huge red claw marks painted across it. (Note: this is not the Hunters' Hi-tech airship. This is a blimp, Gothic in design, but slow-moving and relatively low-tech.) Goliath's not the only one to spot it. Lex and Brooklyn glide up along side him. Brooklyn assumes that Goliath is going to want to go back to the clocktower for the others, as planned. But Goliath's in no mood to be patient. He glides toward the large undercarriage cabin; Brook and Lex follow.
27. Goliath glides alongside an outer cabin door, digs his talons into it and rips it off. (It plummets down and lands on VINNIE, the guy who once hit Goliath with a banana cream pie. Vinnie gets a concussion. Spends a few years in physical therapy and then begins to hunt Goliath with a hot fudge sundae. No, just kidding.) The three gargoyles enter the cabin. As soon as they do, a laser grid activates, covering the doorless entrance with pinpoint beams. No one's in the cabin, and all three realize it's some kind of a trap. An explosive one, as Lex points out. The laser grid is hooked up to a whole lot of plastique. If the light from any of the laser beams on the grid is interrupted, the blimp blows to kingdom come. They cannot exit. (Make it clear that the rest of the hull and even "windshield" is beyond their ability to pierce.) Brooklyn: It's a flying roach motel, and we're the roaches. "Very astute," says Demona, who glides up alongside the open door.
ACT THREE
28. Goliath demands to know Demona's connection to the Hunters. "I'm their prey," she says. We all are. She explains that the Hunters are gargoyle-haters who first appeared in the 11th century. They destroyed the last clan of gargoyles in Scotland. Only Demona escaped, and the Hunters have been hounding her ever since. Goliath tells Demona that the Hunters nearly killed their daughter Angela. Demona burns with cold fury. As much as she hates Goliath, Demona refuses to let the Hunters slay even one more gargoyle. She offers to help. Lex is tearing down control panels. The blimp's clearly being operated by remote control. He can't figure out why the Hunters haven't blown them up already. Brooklyn suggests that maybe they don't want to blow the blimp up while it's still flying over a city full of people, which may also explain why the blimp is already heading slow but steady toward the river. Lex needs more time. Demona buys it for him. She glides up to the blimp's rudder and physically forces it to turn back toward the city. Inside, Lex is recrossing wires, etc. Very tense. One wrong choice and that's all she wrote. Finally, he's got it licked. Now he controls the explosives and the blimp. Goliath wants to know if he can figure out where the remote signal was coming from. Lex can't name the location, but he can send the blimp there. Make it so, says Goliath.
29. In their faux-tenement H.Q., Hunter/Jason enters the control room, apologizing for being late. Hunter/Jon and Hunter/Robyn are already there, studying monitor screens that show various angles on the blimp and the gargoyles. Hunter/Jason sees Demona on a monitor. It's the "demon". Blow the blimp up now; Demona's gliding too close to escape the explosion. Hunter/Jon says it's too late. They've lost control of the blimp. Then why did you wait? Because the blimp was still over the city! So what?! Hunter/Jason is furious that Hunter/Jon missed their best chance yet. He turns to Hunter/Robyn. He knew their brother was a softie, but what's the story with her. She calmly points to Brooklyn and Lex on another monitor screen. These are new gargoyles. Different from the ones they faced last night. There's no telling how many more there might be. They have to allow these gargoyles to escape so that they can follow them back to their lair, otherwise we could waste our whole lives tracking them down. Hunter/Jason: So what? It was good enough for our father. He doesn't care how long it takes to exterminate them. Hunter/Robyn comments wryly that she'd rather get it over with tonight, if H/Jason doesn't mind. H/Jason calms down a bit. What's the plan? First, she says calmly, we let them blow us to smithereens.
30. The blimp is closing in on the Hunter's Lair. On Goliath's orders, but with some reluctance and uncertainty, Lex has everything ready. All four gargoyles flee and watch from a nearby rooftop as the blimp smashes into the Bronx tenement H.Q. and BLOWS UP REAL GOOD. It's Hindenburg time. Nothing could survive that inferno. Demona is pleased. For once, Goliath is acting like a true gargoyle. Perhaps she and Goliath are not so far apart. Perhaps not, Goliath agrees grimly. She departs. Brooklyn cannot believe that Goliath is just letting her go. But Goliath: "She was not our enemy tonight." Oh, yeah?! What about the D/I-7? We'll worry about that later. Let's go home. They depart. And after they're gone, the Hunters' Airship, rises out of the flaming wreckage like a dark phoenix.
31. Inside the airship, the trio of Hunters have locked onto the three gargoyles. Hunter/Jason is a bit concerned about letting Demona get away, but Hunter/Robyn assures him that she knows where to find the "demon". None of them much care that the H.Q. was sacrificed. It'll be worth it, if they can destroy the gargoyles. From a distance, they track Goliath, Lex and Brooklyn to the clock tower. They know it's above the precinct house and may even be impressed that the gargoyles were clever enough to hide in such plain sight. H/Jason prepares to go in. H/Robyn stops him and begins to activate weapon systems instead. There could be a clan of thirty or forty gargoyles in there. H/Jon doubts if there's more than six. He can't believe what she's preparing to do. There's a building full of people in there. She's confident she can target the tower with some precision. A squeamish H/Jon fumfers, but suggests they wait a couple hours until sunrise. The gargoyles will be stone and can easily be destroy then . But H/Robyn shakes her head. We cannot count on that. She puts a picture of Demona on a monitor screen, side-by-side with a picture of Dominique. She then uses a sophisticated computer program to demonstrate that Demona/Dominique are one and the same person. Dominique has never been seen after dark, and since no one's ever spotted a gargoyle in broad daylight, H/Robyn correctly surmises that the "demon" transforms into Dominique every morning at sunrise. H/Jason wants to know how this is possible? H/Robyn shrugs. How is it possible that the demon has lived as long as she has? The obvious answer is sorcery, and if Demona/Dominique has shared this sorcery with the other gargoyles, then they could easily sneak out of the precinct house in the morning disguised as humans, and we'd never find them. H/Jon is still against the still unstated plan. Both turn to H/Jason for his final decision. Well, he says, they blew up our home. The least we can do is blow up theirs. But let's make sure that none of the gargoyles escape. It ends tonight.
32. Hunter/Jon and Hunter/Jason exit the ship on sky-sleds, and swing around to guard the clock tower from the air in order to make sure no gargoyles escape what's coming. Below him, Elisa's Fairlane pulls up in front and Elisa goes inside. Hunter/Jason spots her, whispers "no, not now" and after some hesitation, takes his sled down and right toward the front door of the precinct. Hunter/Jon spots him going down and calls out, "You fool, what are you doing?!!"
33. Hunter/Jason smashes through the precinct's front door on his airsled. As cops and perps dodge out of the way, he makes a bee-line for a stunned and surprised Elisa.
34. Up in the tower, Goliath has just finished describing tonight's events to the rest of the gargoyles. They have nothing more to fear from the Hunters.
35. And onboard the airship, Hunter/Robyn presses a button.
36. A missile is launched from the airship, it targets the clocktower, blowing it to hell and gone.
END PART TWO
San Diego ComicCon 2006
Hey gang,
I'll be heading down to San Diego tomorrow for ComicCon. I have a panel in Room 9 on Thursday, July 20th at 2:15pm. And I'll be signing Gargoyles comic books (or whatever else people dump in front of me) at least twice a day with David Hedgecock at the SLG Booth. Please stop by and say hello!
And whether or not you personally are going to ComicCon, please help SPREAD THE WORD! There's a lot going on down there, and I don't want to be at that panel all by my lonesome. Help us let the people attending know about the panel, the Gargoyles Comic Book and SLG. (I'll also have fliers and reg forms for G2007.)
Thanks!
Chapter LXIII : "Hunter's Moon, Part One"
Time to ramble...
Chapter LXIII : "Hunter's Moon, Part One"
Story Editor: Michael Reaves
Writer: Michael Reaves
Director: Dennis Woodyard
The title, I believe, was Michael's.
PREVIOUSLY
It's always a bit of a question what to include on the first "Previously" of a multi-parter. Here -- knowing that we'd be opening the movie with a Gillecomgain flashback -- we chose to establish the idea of the never-ending Hunter by using Duncan & Canmore. We followed that with the bit about Xanatos' debt to Goliath, which I think was me playing fair with the audience for Part Three. Because I spend the rest of David's brief appearances in Hunter's Moon trying desperately to make him seem like a threat -- or at least like someone unsympathetic. Finally, we have Demona's "death" from the Reckoning.
GILLECOMGAIN
We decided -- particularly when Hunter's Moon became a three-parter instead of a Direct-to-Video -- to open every episode with a flashback, starting with the oldest of flashbacks and working our way forward.
We begin by reprising Gillecomgain's scarring at Demona's talons, but I didn't simply want it to play like an elongated "Previously..." so we added new material. We meet Gill's dad, a real prize... that just might help explain why Gill grew up to be such a jerk. But we see that not everyone in medieval society thought of gargoyles as mystic creatures. Dad sees Demona (without actually having seen her) as just one of the risks of doing business.
SUBWAY
Okay, try to remember. When you FIRST saw this episode, did you know that the blonde was Elisa? This is a trick we did before on "Turf"? The idea being that characters in animation generally look enough alike that a clothing and hair color change is usually enough to indicate that similar modeled characters are two different persons. (Look at Krusty and Homer.) Even with the same voice, we often had our regulars play bits. (Of course with our show, sometimes those bits became regulars too.)
Then we have a rogue's gallery of Manhattan regulars aboard that subway. I spot Brendan & Margot, of course. But also Sarah (Billy & Susan's mom), the construction worker and Art & Lois. And of course our trio of gang-bangers. Later, we have Morgan. And later still, in the park, we see the Jogger too. Partially, it's simply fun to use familiar faces throughout. But we were also very consciously trying to parallel and bookend Hunter's Moon with events from Awakening in particular and other early episodes.
There's some fun stuff in this sequence. The gargoyles really attempt to scare the gangsters straight by hanging them OUTSIDE the subway train. And as usual, the victims are more frightened of the Gargs than of the robbers...
Brooklyn: "We stil got a little P.R. problem." (All quotations approximate.)
(Still. Honestly. SPREAD THE WORD!!!)
I didn't like how when the crowd exited the subway how they all spoke ONE AT A TIME! That was supposed to play as more general overlapping walla. Oh, well.
Matt's response is a neat little wink. Now that he knows about the Gargs and is there friend, which provides us with some nice balance... and helps set up the status quo.
Elisa: [I had some help from a few] "concerned citizens with wings."
And that was the idea behind this opening sequence. To establish the status quo. Life in Manhattan is far from perfect. I mean guys with particle beam weapons are mugging people on the subway. But Elisa, Matt and the Gargoyles seem to have things in hand. Brooklyn is even injured, but it's all pretty minor. The sun'll fix that. It's "the concrete cure-all". Yep, the gargoyles are there, "stopping evil stone cold" (one of the taglines from our commercials reprised here). Heck, Broadway's even got an appetite joke in here, a bit we haven't really played with him since season one.
Life is good.
CHANGE HAPPENS
So immediately, after this nearly bucolic bit of action and complacency, we muck things up. Chavez temporarily puts Elisa on dayshift with a new partner. Elisa protests that the Captain is "breaking up a good team [her and Matt]. Better than you know [her and Goliath]." But that's not the scary bit. The scary bit is that Elisa stops protesting when she gets a gander at her new partner Jason Conover. Holy Gargoyles, Batman! She's smitten. Matt sees it right away and smiles. And if I might jump ahead quickly, Goliath sees it too -- but he's not smiling. He comments innocently enough that Elisa seems impressed with her new partner. And Elisa fumfers out a response, backtracking and full of guilt. Because she knows that on some level that she's attracted to Jason. And she knows that on some level that means she's cheating (or at least contemplating cheating) on Goliath. At least emotionally, since technically, she and Goliath are not in a relationship. Goliath wasn't bothered by her praise of Jason's shooting. But the moment she goes all girly and denially (can that be a word briefly?), he groks the truth. It's her flustered response that makes him jealous.
JASON CONOVER
But let's backtrack to Jason himself. There's a note somewhere that we wanted Jason to be as much like a human Goliath as possible. I don't know if that comes across at all. But he is heroic and he does have a deep voice. My daughter Erin hated him immediately, as she vaguely recalls him kissing Elisa later. [It's been years and years since she's seen Hunter's Moon.] She knows -- or thinks she knows -- that Jason is a bad guy. I am curious. In his first scenes with Elisa, did EVERYONE know or guess Jason was a villain? Or does that matter less on a show like ours, where the villains are complex and interesting? Were you trying to guess even or just going along for the ride?
Jason is evasive. But I like some of the exchanges that he shares with Elisa.
Elisa: "More than a job. A way of life." is a nice line. Plus references to Sondheim ("Sunday in the Park with dirtbags"), Bonnie & Clyde are fun. (Then later Xanatos gives us a Mr. Rogers ref too: "Can you say harrassment. I knew that you could.") I love how diverse our reference set on this series always was.
During the car chase, Benny kept demanding that the cops "Shoot a tire out. That's all you have to do." I was prepared to say it's not that easy, but since of course that's exactly what Jason did, I held my tongue.
THE NIGHTSTONE TEAM
And we intro another new castmember. Robyn, who comes across as another of our efficient assistant types. Like a female Owen. Her interactions with Dominique are quite fun. All (non-sexual) double entendre. And I love how smooth Dominique is with Robyn, while being vicious to the incoming burglar. (Is this one of the burglars from "The Mirror"?)
And what is D/I-7. Did you believe Xanatos when he said it was only a potent disinfectant? Benny wondered if Demona wanted the D/I-7 to clean herself.
And how about that Destine to Demona transformation? Good one, huh? More anime than usual, I think. It really did seem to hurt. I've been asked whether Demona usually allows her clothing to be destroyed. I think not. My guess is she usually has time to unsuit up before sundown, but the burglar's arrival through off her timing.
ICONS
We did make an effort in this episode -- since we were originally planning it as a direct to video -- to put all the iconic elements of our series in here, before messing with it all. That included having a great turn to stone sequence earlier and a great wake up from stone sequence now. We didn't do it every episode, because we didn't want it to lose its specialness or become stock footage-esque. But once in a while, you need to go for broke on it.
Elisa: "I never get tired of that." Me neither, sister.
WVRN
And now, Jon Carter of Mars. No, wait. Jon Carter of WVRN. I consciously wanted to create identities for ALL three Canmore siblings in the real world. I wanted them to have stuff to do. Roles to play. But I also wanted to both play fair and create some confusion by intro'ing some new characters.
HALF-MOON
It's rare in a gargoyles ep that you see the moon in anything other than her full glory. We cheated here too, as she goes from half to full Hunter's Moon in the course of very few nights. But at least, we tried. Moon subtlety is not our series strong suit.
That night, Hudson, Goliath and Angela return to the scene of the crime. Hudson knows from t.v. that thieves always go there. (TV being the basis of his modern world education.) Angela points out that he's told her (having learned the lesson with the Pack) that TV is also not always to be trusted. But this time he seems right. Or not. It's not the thieves who return, but the Hunters looking for the thieves.
Meanwhile, Brooklyn's leading the Trio & Bronx at the other site. He's a good leader -- except when D's involved. Then his brains melt at the sight of her. "So much for the element of surprise."
That bit where Demona turns up the juice on her weapon to shoot THROUGH the cars is cool. But then we cheat. Brooklyn rips a car door off and uses it as a shield. But we've JUST established that Demona's weapon can now shoot through that. Oh, well. Another screw up. Not the first. Not the last.
Of course, the night is a debacle. Broadway and Bronx receive minor injuries. There's tons of property damage. And Demona escapes with her prize. Brooklyn asks: "Who wants to explain this to Goliath?" The visual joke that follows, where both Lex and BW point at Brook, passes so quickly, I'm not sure if you guys caught it.
SHOCK & AWE
Of course, the night was even worse for Golaith's team as Angela ends the episode on death's door. (Did any of you worry that we might actually kill her off?)
The Hunter tells us that the only good gargoyle is a dead gargoyle. Echoing the prejudice of a thousand generations past. And he may be about to get his wish. But at what price? For he's awakened Goliath's inner vengeance demon here.
We wanted the SHOCKING last line to come from Goliath: "I will hunt them down. And I will KILL them."
Of course, we'd NEVER get away with saying that in today's environment. And it was even a BIG discussion back then. Kudos again to Adrienne Bello for understanding why just this once, it was SO important.
Anyway, that's my ramble. Where's yours?
Hunter's Moon memo #2
In anticipation of my Ramble on "Hunter's Moon, Part One," here's the second relavent memo I have. One thing to keep in mind is that I don't have everything from those days. And I certainly don't have electronic copies of everything. So the record I'll present in this and following posts is WAY less than complete. This is just stuff off my computer that I sent to Michael Reaves, but doesn't reflect all the hard work that HE put into things.
Anyway, note the date. This memo was produced in March of 95, months after the one from my previous post. At this time we still thought it was going to be a direct-to-video movie.
XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
WEISMAN 3-8-95
Notes on "Hunter's Moon" Outline...
Michael, in the interest of getting these notes to you sooner rather than later (and yes, I realize that to a great extent that boat has already sailed) I'm just going to give you a number of broad notes to think about and incorporate into a second draft that may wind up being fairly different from your first draft. I'll toss in a few specifics along the way as they occur to me. Feel free to call me to discuss any aspect of these notes, after you've absorbed all this.
(Incidentally, I noticed that there were a few departures from our final approved premise that seemed to reflect earlier drafts of the premise. I just want to make sure we're working off the same document. Unfortunately, the final premise isn't dated, nor is the draft number listed, so there's no quick way of checking.)
GENERAL STUFF
GOLIATH vs. the HUNTERS
The story seems to be too much about the Hunters (and Elisa) and not enough about our lead GOLIATH. I know this is a particular concern of Gary Krisel's. We need to emphasize that this is Goliath's story, first and foremost. It's about his struggle with feelings of vengeance and how he overcomes those feelings.
We can help drive the story towards Goliath by keeping the Hunters more mysterious for more of the story. If we don't know who they are or why they hate gargoyles until much further along, then Goliath becomes more important.
THE LOVE TRIANGLE
This is another way to keep Goliath's emotions at the forefront of the story. We should really make more of this. Elisa is falling for this new guy Jason. Instead of treating it like she's an unattached female who now has a shot at a new romance, she should feel conflicted, because she's deeply in love with Goliath!! She might sublimate those feelings at times. Even deny them to herself. Because after all, she realizes that her relationship with Goliath is doomed to be platonic. She knows that a future or a family or anything normal is an impossible dream with Goliath, but that doesn't mean that her feelings for him aren't just as real. What does it mean to her when someone else starts to press those buttons? Does Jason remind her of Goliath in some ways? The quiet brooding intensity? The poetic heart? The tragic background that he doesn't like to talk about? His feelings about the importance of family? Or keeping his word? His sense of mission? Jason is in fact a human, but twisted version of Goliath. That realization may sneak up on her, or she may notice it immediately, but she should certainly be conflicted about her feelings for him.
And what of Goliath? Certainly, he'd be "happy" for her. But how does he really feel? Jealous? Frustrated? Lonely? Does his frustration over "losing" Elisa help to fuel his anger and thoughts of vengeance against the Hunters? Then when he thinks she's dead he goes berserk.
And if Jason discovers that Elisa has feelings for Goliath, what's his first response? Revulsion?
Even the other gargoyles would recognize it's a touchy subject. They're not blind to Goliath and Elisa's feelings for each other. Hudson in particular must see how Elisa has replaced Demona in Goliath's heart.
And the fourth side of the triangle: Demona? It's a minor point in this story and God knows we've done it to death in the series, but we shouldn't ignore the dynamics of Goliath and Demona's past relationship. Demona would love the revelation that Elisa's dating a Hunter. It would prove everything she ever believed about Elisa.
I honestly don't know how on the head we should be with it, but obviously, we shouldn't slide over this triangle. It's classic stuff.
DEMONA AND THE VIRUS
If Goliath is the heart of this drama, Demona is definitely the engine. And in general, I think we need more Demona driving this story. We don't have to spell out her plan right away, but we need to involve her more. She was largely absent in this draft and the story felt like it rambled a bit without her. Let's make her evil plot the throughline for the whole story. It should build slowly but steadily. Everything else can sattelite around that.
One problem we have with Demona is that there are two facts of her existence that we are stuck with but which can't be explained by gargoyle-business-as-usual. One is her immortality, which is central to the concept of her opponents the Hunters, and the second is the fact that she turns into a human during the day. We don't want to get into the whole City of Stone/Corsican Bros./Macbeth thing to explain her immortality, nor do we want to have to explain Puck/the Children of Oberon/Titania's Mirror to explain her transformations. And fortunately we don't have to. All we need to do is use the one word "Sorcery" to explain it all.
But "Sorcery" doesn't play a part in the story we have here, so even that one word explanation sticks out for me like a sore thumb, unless we use sorcery as part of her plan with the Virus. I'm reminded of the poison that the Archmage used on Prince Malcolm in "Long Way To Morning", which was "made virulent by a magical spell". I think we can use something along those lines here. If Demona's plan could combine modern science with ancient sorcery it could accomplish a number of goals. For one thing, it introduces sorcery as an element in this world, letting us skate past Demona's transformations and immortality smoothly in a line of dialogue. Secondly, it gives her a long-term plan. Something she could have been working on throughout the centuries as she dodges the Hunters.
For example, I think we should add a flashback in 15th century Florence, where Demona steels some magic spell or talisman and is pursued by a 15th century Hunter armed with da Vinci inspired technology (very high-tech for the time). It could give some scope to the whole project.
Then if we want, for the 1980 Paris Notre Dame scene it's not simply a fight between Demona and Jon Canmore, but Demona is there for a purpose, she's gathering the second ingredient she needs.
Thus by 1996, modern technology has finally caught up with black magic. Demona (in her human identity as Dominique Destin) has her own company, Brimstone Inc. (which she owns with Thailog, though we definitely don't need or want to bring him up here). She can be developing the virus herself. With every intention of using it on an unsuspecting humanity in combination with the magic she stole in the earlier flashbacks. Maybe she needs to wait for the Hunter's Moon to cast her viral spell.
By the way, Demona's threat to release the virus at the end is hardly empty just because Goliath knows she plans to do it anyway. What's to stop her from doing it right there and then? (This raises another question. Would the virus affect Gargoyles? If it did, would Demona care? Would it affect her? Is that why she needs to use magic with it so that she can control who it does or does not kill?)
BARN SCENE
I really think we need to open the whole video with the 994 flashback to Gillecomgain and Demona's initial confrontation in the Scottish barn. We should even exagerate the scene to emphasize the petty way the feud between Hunters and Gargoyles began. Demona doesn't even remember the incident, it was so insignificant. And the Hunters, I believe, should have no idea about the reason the feud began. We tip the audience off at the head. Demona was stealing dried fruit from a barn. A peasant boy tries to catch a thief. Demona lashes out and the boy is scarred for life. The pettiness is a comment on the fruitlessness of revenge and vendetta. Later, when Elisa asks Jason how it all got started, Jason will explain about the Hunter tradition and his father. (We get this Paris flashback out of his conversation with her. Not out of his conversation with his siblings which saves on them having to relate things to each other that all three already know. This also keeps the Hunters more mysterious, for longer.) But the Paris tragedy doesn't begin to answer Elisa's real question. She wants to know how the whole feud got started in the first place. And when Jason realizes that he cannot answer that question, it may be the slow beginning of his realization that life as a Hunter is not the right way to go. The irony will be that even though NONE of our players know how it all got started, the audience does. And it was an incredibly petty conflict to begin such a tragic course.
Another advantage to putting it at the head is that it introduces the idea of Demona. In the current version, Demona never even gets mentioned until she first appears as a human in scene 15.
GOLIATH AND THE HUNTERS
Goliath has no prior knowledge of the Hunters at all. Only Demona does. Remeber, Goliath never saw Macbeth in the Hunter's mask. By the time he arrived at the Macbeth/Demona fight at the end of "City of Stone Part IV", Macbeth had already removed the mask. So we don't need to mention Macbeth in this story at all. In fact we can treat the whole concept of the Hunter as if it is a brand new story element. By using the Gillecomgain barn scene and the Canmore last name, we've given the connection to viewers who've seen City of Stone. They can figure out for themselves how these new hunters fit our episodic mythology. But we don't have to go into that here.
And new viewers won't need any more complicated backstory than what we've presented in our three flashbacks. The barn scene acts as the catalyst for the feud. The Florence scene demonstrates that a Hunter has been hunting Demona throughout the ages. The Paris scene sets up the specific motivation for our three new Hunters. Anything else that regular viewers know about the origins of the hunters and/or Macbeth's use of the mask is just gravy for them, but would be distracting here.
AN OUTRAGEOUS REQUEST
Would you mind terribly if we named Jason's siblings Robyn and Jon and gave the name Charles to their father? This is silly, I know, but by coincidence you chose the names Robin for the sister and Jon for the father. My younger sister is named Robyn and my younger brother is named Jon. If we put a "Y" in Robin's name and we trade the Father and brother's names, then it would be a great kick for my siblings to have sibling Hunters named after them. I realize that seems to identify me with Jason. But think of it this way. You get to horribly paralyze me at the end.
SPEAKING OF JASON, ROBYN AND JON
We need to give Robin/Robyn and Jon/Chas some more screen time to add to the mystery and ultimately to get to know them better. We obviously won't reveal this right away, but when the three Canmore siblings arrive in NYC, each is given a mission. Jason is supposed to infiltrate the precinct where police reports on "gargoyles" have been filed and find out all he can there. (Please keep in mind however, that neither Elisa or Matt are going to admit that they believe the gargoyles exist. They're going to poo-poo it as tabloid stuff. They aren't going to say that gargoyles show up whenever there is trouble.)
I'd suggest that instead of Human Demona infiltrating Gen-U-Tech to get the Virus, we can have Robyn/Robin infiltrate Brimstone Inc. to try and get a bead on Demona and/or what she's up to.
And we need to find something for Jon/Chas to do as well.
Also we probably shouldn't reveal to Elisa early on that Jason has a brother and a sister. That absolutely gives away Jason's identity long before we're ready to be that definitive.
FINAL CONFLICT
We've compressed too much into this final battle. In the premise this was two separate sequences and I think it works much better that way. Jason and Elisa should fall to their deaths before the climactic battle. Goliath must believe that Elisa is dead. (This again heightens his emotional conflict. Makes him more the main character.) Robin/Robyn and Chas/Jon must also believe that Jason is dead. The audience must believe it too, for a while at least. We have some downtime where everyone mourns and swears further vengeance.
In between, after we've mourned the dead but before the final confrontation we might want to reveal the truth. Show Jason and Elisa at the hospital or something. Give us that last revealing Paris flashback. Plant the seeds of doubt. Get him in a wheelchair. Though he's in no condition to go anywhere, he leaves with Elisa pursuing. But is Jason leaving to kill the gargoyles or to reconcile with them?
We might also choose to divide this Elisa/Jason scene in half. Put part of it as a verbal confrontation that comes after Elisa figures out that Jason is the Hunter but before the action sequence where they physically "fall to their deaths". Elisa's asked Jason's some tough questions but he's not prepared to turn over a new leaf yet. Then he goes and gets paralyzed and he's blown his chance to "walk away" clean.
If we do that, we might be able to skip the Hospital scene entirely and thus Jason and Elisa's arrival at the climactic battle in the next paragraph can be a real surprise. (I know, I know, so many options....)
Anyway, in the climactic battle, largely because of Elisa and Jason's "deaths" things have escalated between Gargoyles and Hunters just in time for Demona's final push. At just the right moment, paralyzed Jason and Elisa show up. And Jason has finally learned his lesson. That's enough to calm down Goliath, the gargoyles and Robyn/Robin... but Demona and Chas/Jon are way too far gone. (This also helps explain how Chas/Jon could get so far gone. He had time to freak out about Jason's death. Jason's paralysis doesn't serve to calm him down.) All this at the final crisis point. Chas/Jon and Demona should maybe even "die" here. (An escapable death, but a good one.) We don't want to underestimate the cost of vendettas. Or we can send them both off still swearing vengeance on the other's respective race.
EPILOGUE
I don't know if we should send Jason and Robyn/Robin off at the end. Feels too tidy to me. Maybe events have put distance between Jason and Elisa. Maybe events have brought Goliath and Elisa closer. Or maybe there's still a chance for Jason and Elisa now that the secrets are out. Which leaves Goliath alone. Whichever way we choose to go, I think we should keep Jason around. His need to adjust to his chair and/or try to help/find the AWOL/"Dead" Chas/Jon are not mutually exclusive with him still being a factor in Elisa and the gargoyles' lives.
Also, do we want the gargoyles to plan on moving back to a rebuilt clock tower? Or do we want that era to have past?
A FEW MORE SPECIFICS...
ANGELA
I think you better include her. She'll have been a regular for months by the time this thing comes out.
BRONX
We keep leaving him out. I think we've discovered in the World Tour that he can be useful both in battle and in storytelling. I'm NOT saying we need to drag every gargoyle around in every scene (in fact we should probably find excuses to split them off into teams so that we are dealing with fewer at a time), but we shouldn't artificially disinclude Bronx either.
ELISA ON THE DAYSHIFT
There were some logistical problems caused by Elisa having to be on nightshift with Jason, and in the same night having to interact with the gargoyles. Same with Jason having to play Hunter on the same night he was working with Elisa. If Chavez insists on a temporary reassignment for Elisa, it might actually help us if that reassignment was to the day shift. I'm not mandating this, but it might make it easier.
VARIOUS CRIMES
The mugging is o.k. Since it's purpose is to show status quo. I am a bit concerned about the location and the complete lack of threat that these teams of Muggers provide. Perhaps we should set it somewhere with more gargoyle-access, someplace that doesn't force this woman to first escape on her own. And maybe we should give the muggers (or street gang) the Xanatos/Dracon Particle Beam Weapons to up the stakes a little.
But the other crimes began to feel too random and meandering. I think we should find a way to tie them into our story more directly. Maybe involve them in Demona's plans.
THE CLOCK TOWER
Blowing it up was Gary Krisel's idea, and I'd like to do it. But we've got a logic problem. Jason knows that it's the precinct house. And he knows that most gargoyles turn to stone during the day. If they can track them this easily, and know that they haven't left the tower, why not wait til they turn to stone rather than blow up the police station. If Robyn/Robin is in charge at that moment it might help. Or if they've discovered by this time that Demona doesn't turn to stone at night, they might feel they have no choice. (It's that incredible tracking ability that makes believing the decision tough. Maybe that's what we should get rid of.)
MATT'S FBI BUDDY
Rather not involve him, since for our regular audience he's compromised as a member of the Illuminati.
TRAVIS MARSHALL
Do we want him to get a "good shot" of Demona on video? Maybe, if we really want to blow things wide open. GARGOYLES -- FACT NOT LEGEND! Film at eleven! I don't know if we have room to deal with the ramifications in this story, but it does fit Gary Krisel's mandate to "shake things up." It appeals to me.
SEALAND AMUSEMENT PARK
Just a little nervous about making the climactic battle take place here, given the end location of Batman: Mask of the Phantasm.
AND FINALLY, DEADLINES...
We're really under the gun here. The time I set aside to work on the outline was long past by the time it got turned in. Which means, obviously, that these notes are coming to you VERY LATE. (Sorry about that, I just got bogged down.) So we need another draft fast. I'm hoping that after the second draft, I'll be able to give you just a few cosmetic changes for a polish. And then we'll take that polished draft to Gary Krisel for his notes. And he always has notes. If we're lucky, he'll send us to script with those notes and we won't get too far behind. If we're not lucky, we may be going through a couple outline drafts with him. (And I'll emphasize that I believe it will have a lot more to do with luck than with any skill or talent or lack thereof on our part. Which is not to say he won't have good notes. His notes are generally right on the mark. It's just sometimes he trusts us to execute them. Sometimes he doesn't. And it'll just be luck (good or bad) as to whether we get him on a trustful day or not.)
In any case the first draft script is due before the end of this month on March 22nd. The final draft isn't due until mid-May, but we don't want to eat up April because we'll have to go through the same process on the script as we are on the outline. Only there'll be even more scrutiny because the script is the blue-print, not the plan for the blue-print.
So basically, I'm just urging you to make up for the time that both of us lost on the project. Obviously, you can only do your best, but I felt obligated to point out how far behind we already are.
Hunter's Moon Document #1
In anticipation of my Ramble on "Hunter's Moon, Part One," here's the first relavent memo I have. One thing to keep in mind is that I don't have everything from those days. And I certainly don't have electronic copies of everything. So the record I'll present in this and following posts is WAY less than complete. This is just stuff off my computer that I sent to Michael Reaves, but doesn't reflect all the hard work that HE put into things.
Anyway, note the date. This memo was produced in July of 94 (TWELVE YEARS AGO, YIKES!) before the series had even premiered. At the time we thought it was going to be a direct-to-video movie. My boss, Gary Krisel, had rejected CITY OF STONE as a direct to Video because he felt it focused too much on the villains and not enough on the heroes, i.e. Goliath and the Gargoyles. (He was fine with us doing City of Stone as episodes though, so we knew we'd be building off THAT.)
Greg Weisman 7-25-94
NOTES ON HUNTER STORY
Open in @1980.
Father and his three teen-age children: Boy, girl, boy.
He's after "The demon" that his ancestors have been hunting for a thousand years.
His own grandfather died fighting the demon.
His own father spent his whole life searching for the demon.
Now he's found her: Demona.
Oldest son is very gung-ho.
Middle Daughter is more neutral.
Youngest son doesn't like the idea.
Father puts on Hunter's mask and battles Demona. He gets Killed.
All three children now swear vengeance. Oldest son is still the leader.
In present, these three hunters still pursue Demona.
When they stumble upon Goliath and Co. they make no distinction between good and bad gargoyles.
One (or more) of gargoyles is very badly injured. (Though healed during daytime hibernation.)
Goliath swears revenge.
We need to involve Elisa in someway.
Oldest boy is eventually paralized from waist down by Demona.
He and his sister eventually come around to theme that the Price of Revenge is too high. Goliath also gets this message.
Demona and youngest son don't learn.
Probably want to show the original Hunter (Gillecomgain) in a brief flashback or two. Don't contradict anything that's in City of Stone, but don't reveal any details about his fate or who the second or third Hunter's were.
And that's all I've got....
Chapter LXII : "Possession"
Time to ramble...
[Disclaimer: I watched this episode back in January of 2006. So it's been half a year since I've seen it. At the time, I did take a few notes of things I wanted to include in the ramble. So this is what you're getting now. A somewhat abbreviated ramble, as the ep isn't as fresh in my mind as I might like. As with "The Reckoning" ramble, most of what I took down were fun dialogue lines that leapt out at me... (All quotations approximate.)]
Chapter LXII : "Possession"
Story Editor: Cary Bates
Writer: Cary Bates
Director: Dennis Woodyard
Another one word title, i.e. another one of mine.
FAMILY XANATOS
Xanatos' appearance in this one is brief, but he's still got some great lines...
"Someday you'll thank me for that."
"Wiggle your nose or something." [A BEWITCHED reference.]
"Chin up." (This spoken to Coldstone's detached head.)
Fox has recovered nicely after her pregnancy. She looks great. Have fun, she's told.
Fox: "We always do."
As always I watched the episode with my kids. Erin liked Alex's plush teddy-gargoyle.
GOLIATH THE MAGE
Obviously, Goliath's acting a bit out of character. Did he even sound like himself? And what's with that powder he nails Bronx and Lex with? Plus another clue is that the spell he uses is a rhyming spell rather than Latin. Mortal sorcerers use ancient languages. Only the Children of Oberon use rhymes.
But the key idea is one of volunteering for "Soul Transference 101". Puck-as-Goliath needs Broadway, Angela AND Brooklyn to volunteer -- even if Brooklyn thinks his offer is rejected. Puck is of course teaching Alex-as-Hudson a lesson here. Later, Alex-in-Lex needs Othello, Desdemona and Iago to likewise volunteer. Can't do the soul transference without it.
There's a lot of body-hopping. Illusions. Transference. Possession. Spells. But I think we played pretty fair with the audience. All the clues were there. But kudos to our voice actors, who had to play all sorts of different characters within the framework of their usual voices. It seemed to me if they could keep it straight, then it would help the audience do the same.
COLDSTEEL & ... GOLDFIRE?
As you saw in the memo I posted yesterday, Coldfire's original name was Goldfire. That name and Coldsteel were both mine. Goldfire because she was gold I guess. Cary's first draft of the script kept the Goldfire name too. But at some point it occured to me that Coldfire was much, MUCH cooler.
But WHO designed those robot bodies, huh?! They're dead ringers for Desdemona and Iago. How did Xanatos manage that? There are of course a number of possible explanations. After all, Puck is in the House, right? But perhaps it's no more complicated than the fact that Xanatos saw them both with Othello back in "Vows".
Note that throughout the series, Desdemona is always more honorable than Othello. He seems more compromised in general.
I should acknowledge the debt we owe to Star Trek here. Not "Next Generation", which provided us with voice actors Dorn and Spiner and Frakes. But rather to a specific episode of the Original Series. The Broadway/Angela/Brooklyn possession dynamic was a direct homage to the Kirk/Diana Muldar/Spock dynamic of an episode who's title I'm afraid escapes me at the moment.
Gave us an excuse to give Broadway and Angela a bit of a head start relationship wise too. A kiss...
ALEX
Alex learns his lesson plan. But it was fun watching him-in-Lex dump the real Goliath and Hudson on their heads.
And I liked how Puck/Owen cannot fulfill Xanatos' wishes. But after teaching Alex how, he maneuvers things so that the son gives the father exactly what he wants.
MORE FUN LINES
"Slow but astute."
"My date is coming to."
"By the Dragon, you're me."
"It is a handsome automaton."
"Is that the choice you were leaning toward?"
"Try not to miss me too much."
"I thought you would never grow a conscience"
"I live for subterfuge."
FINALLY...
We wanted that giant pocket watch (or whatever) that Puck pulls out at the end to be a MICKEY MOUSE WATCH... but Disney would just not allow it. They were afraid it would come off as product placement in a kid's show or something. <SIGH>
Anyway, that's my ramble...
Where's yours?
Possession Outline Notes
In preparation for my Ramble on "Posession", reprinted here is the 1995 memo I sent to Cary Bates about the outline...
Note that Coldfire's original name was actually "Goldfire". Yuck.
WEISMAN 7-4-95
Notes on Outline formerly known as "Tricksters"...
For starters we need a new title and a new number: 4319-067. "Tricksters" (4319-066) will join "Puck's Macbeth" (4319-052, I believe) in limbo until or unless we get a third season. (I haven't given up on either story.)
This is basically a Coldstone story with Puck as catylist. It's the next step in Coldstone's evolution after "Reawakening", "Legion" and "High Noon". Maybe call it "Possession" or "Possesions". Or "Cross. Double Cross." Or "Triple Cross" or some title-esque thing. I'm not sure.
BEAT SHEET
ACT ONE
1. The Himalayas. Middle of a blizzard. Some mountain climbers or locals are frightened off by a fur covered monster that they mistake for the Yeti or Abominable Snowman. They run off, but suddenly the monster is attacked by Xanatos in his battle armor alongside the Steel Clan Robots, all painted in snow-camouflage white. The monster puts up a fight, and in fact seems to be one heavily-armed Yeti. But he is eventually knocked out and defeated, revealing that he is Coldstone (wearing furs). DISSOLVE TO:
2. Eyrie Building some days later. Xanatos (dressed in a tuxedo) and Owen have Coldstone back in the lab where he was first created. They have deactivated him from the neck down. (Here's a weird thought: maybe they've literally removed his head from off his body.) Coldstone/Othello can hear them, see them and talk to them, but he cannot move or activate his weapons. (But for some reason his sense of smell has been magically enhanced -- no, just kidding.) Owen and Xanatos are talking about solving the Coldstone "problem". (The solution to which seems to involve two sheeted figures, lying semi-prone on tables at the back of the lab. These figures are the "COLDSTEEL" and "GOLDFIRE" robots. More on them later.) Unfortunately for Xanatos, they have not figured out how to accomplish his mysterious goal. The main problem is that Coldstone's creation involved magic, which Xanatos has no access to. Unless, he hints, Owen were to morph into Puck and wiggle his nose or something. But Owen reminds Xanatos that he is forbidden from using his magic except to train Xanatos' son Alexander. Well, Xanatos isn't too upset. He'll figure something out, and in the meantime Coldstone isn't going anywhere. Fox (dressed in an evening gown) appears on a video-intercom. Coldstone may not be going anywhere but they are. And they're going to be late. WIPE TO:
3. Alexander's room. Xanatos and Owen join Fox and Alexander. The new parents have tickets to see Verdi's opera "OTELLO" at the MET. Fox hands the baby over to Owen, giving him babysitter instructions, and Mom and Dad leave for their first night out since Alexander was born. DISSOLVE TO:
4. Eyrie Lab. Goliath and Hudson sneak in, and prepare to reactivate Coldstone. (Note: throughout this scene and the next, Hudson does not speak. Try to make this as unnoticeable as possible.) Confusion as to how Goliath found him is secondary to Coldstone's immediate concern for Goliath and Hudson's safety. Within Coldstone's cyber-mind, the battle continues. (Maybe we dissolve into the cyperscape to get a glimpse of that battle.) Coldstone's love (Desdemona) is trapped in an eternal conflict against Coldstone and Goliath's enemy (Iago). If the evil one should triumph, Goliath would be in grave danger. But that's exactly why Goliath has come. He's been worried about his brother and has studied magical scrolls to find a solution. If Coldstone will return to the clock tower with Goliath, Goliath feels he can end the conflict. Coldstone agrees and Goliath activates him. (Or reattaches his head.) They sneak out.
5. The clocktower. Bronx, Angela and the trio are there watching t.v. or something. They are suprised when Goliath and Hudson arrive. They just left on patrol a half-hour ago. But obviously, when Coldstone steps out of the shadows, everyone's even more surprised to see him. (Maybe Angela realizes that Coldstone is Gabriel's father.) Bronx approaches Goliath and Coldstone, growling low (but who exactly he is growling at is ambiguous). Goliath quickly kneels beside Bronx and calms him. (Only the audience notices the slight sparkle of magic and the glazed way Bronx treads off into a corner and immediately goes to sleep.)
Everyone's got tons of questions, but Goliath doesn't have time for explanations. Iago must be removed from Coldstone's body. The only way to do that is to temporarily empty out all of Coldstone's personalities. Then Othello and Desdemona can be safely returned without Iago. But where will Othello and Desdemona go while this takes place? Goliath reveals they will each have to enter one of us. Angela volunteers. And Broadway does too, before Brooklyn and Lex have a chance. Lex pulls Goliath aside: where'd he learn to do magic? Goliath answers "soothingly" that he studied magic while Avalon sent them around the world. Lex's suspicions magically melt away. Suddenly, he's more impressed by Goliath's new abilities than suspicious of them.
Goliath casts the rhyming (non-latin) spell. Desdemona is transferred into Angela. Othello goes into Broadway. Iago, theoretically, is released into the ether. And the empty Coldstone falls comatose to the floor. Brooklyn seems particularly startled by these events, but he seems to recover quickly. (The reason "Brooklyn" is shocked is because he's really been possessed by Iago. No one else realizes this, and Iago's smart enough to keep his mouth shut.) Othello and Desdemona are pleased that the spell worked. Lex asks if Broadway and Angela are still in there own bodies. Yes, but they will remain dormant until Othello and Des are transferred back into Coldstone. They are ready for that transfer now, but Goliath is tired from his magical exertion. He needs to go off and rest. He asks "Hudson" to go with him, Hudson nods and they depart.
6. We follow Goliath and Hudson. They lands on top of a nearby building (or some cooler location). Goliath morphs into Puck and then transforms Hudson into baby Alex. (That's who it was the whole time. The real Goliath and Hudson ARE out on patrol.) Puck announces that Alex's first magic lesson has officially begun. Welcome to SOUL TRANSFERENCE 101.
ACT TWO
7. Cut to Clock Tower. Without thinking about it, Othello/Broadway and Desdemona/Angela are holding hands as they wait for "Goliath's" return. Iago/Brooklyn notices this and approaches them. He suggests that while Goliath is off recovering, they can take their new bodies out for a spin. Lex (still hazy from Puck/Goliath's magical tampering) isn't sure about this, but "Brooklyn" thinks it will be all right. Soon Othello and Des will be reconfined back in the cyber-prison of the Coldstone body. They might as well enjoy this last chance at flesh-and-blood freedom. Besides, what's the harm? Oth/Bway and Des/Ang have to admit they wouldn't mind feeling the wind against their faces one last time. They take off for one last flight. As Iago/Brooklyn moves to follow them, Lex stops him. Neither notice that behind them, a flash of magic (Puck) enters the prone body of Coldstone. Lex feels they should wait for Goliath. So "Brooklyn" instructs Lex to stay behind and do just that. "Brooklyn" will follow the "love-birds" -- to make sure they stay out of trouble. He leaves. Lex watches him go. And suddenly, behind Lex, Coldstone looms threateningly.
8. We follow Des/Ang and Oth/Bway on a romantic flight through the city. It's glorious. Othello and Des are almost literally drunk with the sensation of being alive again in Broadway and Angela's bodies. They land on the Chrysler building (or wherever). Oth/Bway marvels at the simplest pleasures. The touch of Des/Ang's flesh and blood hand. The softness of her hair. Until now he had not realized how Coldstone's cyborg sensors and reanimated stone skin has dulled his senses. Des/Ang also appreciates the reality of true sensation over the electric illusion of life on the cyberscape. Brooklyn steps out of the shadows. And like a devil in their ears, subtly reemphasizes to them that the prospect of returning to Coldstone is a fairly grim notion. Too bad, he sympathizes, that there's no way they could keep the bodies they're in. Oth/Bway and Des/Ang exchange a guilty look. But the wheels are turning.
9. Back at the clock tower, the real Goliath and Hudson return home. Coldstone is there, very glad to see them. (No immediate sign of Lex or Bronx.) Goliath is glad to see his brother but both gargoyles are naturally cautious. They can't be sure which personality is in control. Almost on cue, Bronx comes treading out of the darkness, and behaves in a friendly manner toward Coldstone. That's good enough for Goliath and Hudson: Bronx has a sixth sense about this kind of stuff. If he trusts Coldstone, then the right personality must be in control. (What neither Goliath or Hudson notice is that when Bronx's "work" is done, he trudges blankly back into the shadows and plops down to sleep next to a bound and gagged Lexington. Bronx is still under Puck's spell.) "Coldstone" tells the gargoyles that Xanatos is plotting against them again. He's created new monsters that must be destroyed before they can be used against them. Goliath expresses disappointment but not surprise. Xanatos had called a truce between them, saying that he owed Goliath and the clan for helping to save Alexander. Obviously, Xanatos' version of debt is a little different than Goliath's. Golaith, Hudson and "Coldstone" depart for the Eyrie Building.
10. Oth/Bway, Des/Ang and "Brooklyn" return to the clock tower and find Lex tied up tight with steel cables. What happened? Coldstone jumped him. Obviously, Goliath's spell didn't succeed in forcing Iago out of the Coldstone body. He's got control and he's tricked Goliath and Hudson into launching an attack against Xanatos, destroying their truce. At first, "Brooklyn" protests that this is impossible. But when everyone turns to ask him why, he fumfers and covers quickly. Whatever has happened, Brooklyn says, the choice is clear. They have to destroy the Coldstone body. It's the only way to protect the world from Iago's evil. Lex is horrified -- moral qualms aside -- what would happen to Othello and Desdemona? What would happen to Broadway and Angela? Oth/Bway speaks up. Brooklyn is right. They have a chance to destroy Iago once and for all. Nothing else matters. Oth/Bway, Des/Ang and "Brooklyn" take off after Coldstone. Lex follows reluctantly.
11. Eyrie lab. "Coldstone" leads Goliath and Hudson. He pulls the sheets off the two covered figures to reveal two new robots: COLDSTEEL and GOLDFIRE. (Coldsteel is made of blue steel and modeled after Iago -- very powerful and dangerous, a fitting opponent for Coldstone. Goldfire is gold in appearance and modeled after Desdemona -- beautiful in a cold, art decco fashion, she is a fitting companion for Coldstone. Both have the usual built-in weapons. Plus Goldfire has built-in flame-throwers.) The resemblence to Coldstone's lover and foe are not lost on Goliath, and while he and Hudson question the situation, they do not notice "Coldstone" picking up a remote control devise and hooking it directly into his cyborg body. He uses the device to activate the two automatons and then uses them to take down Goliath and Hudson. (There's no other action in this act, so make this a big battle sequence ending in the defeat of our two heroes.)
ACT THREE
12. Oth/Bway, Des/Ang, Iago/Brook and a very confused Lex are about to come in for a landing at the seemingly quiet castle. Oth/Bway suggests splitting up to look for their enemy. Brooklyn agrees. Othello and Des can check the Great Hall, Lex and Brook will check the lab. As Oth/Bway and Des/Ang head off in one direction, we follow Lex and Brooklyn to the lab.
13. No one is in the lab, but there are clear signs of a struggle. Lex is pretty upset. He feels like he's coming out of a haze. A whole bunch of stuff makes no sense. Why wouldn't Goliath mention he had studied magic before now? Why were he and Hudson surprised to see Coldstone when they returned to the clocktower? And how can they even think about destroying Coldstone's body while Othello and Desdemona are still possessing Bway and Angela? Brooklyn thinks he has an answer. He slams Lex hard.
14. Othello/Bway and Des/Angela search the Great Hall. Des/Ang questions what they are going to do. Oth/Bway tries to make it sound like they have no choice. Iago must be destroyed, and the only way to do that is to destroy Coldstone. But, she protests, if they destroy Coldstone, they'll be trapped in Bway and Angela's bodies forever. Would that be so bad? he asks. After all they've been through, don't they deserve a real flesh and blood existence again? Des/Ang isn't saying yes. But she isn't saying no either.
15. Back in the lab with Lex and "Brooklyn". Lex is just regaining consciousness and he's pretty upset about being jumped and trussed up twice in one night. "Brooklyn" has Lex on the "table" where Coldstone was created. He's attaching electrodes to Lex (or some other high-tech deathtrap, that "Brooklyn" would never be blamed for). As he does this, he reveals to Lex and our audience that he is Iago. He likes Brooklyn's body and has no intention of surrendering it. Not to go back to the hellish Coldstone cyberscape, and certainly not to be bannished into nothingness. He doesn't know how Coldstone woke up again, but it's a marvelous opportunity. He and the gargoyles will destroy the Coldstone body and if by some "accident" Othello/Bway is also destroyed during the battle, then "Brooklyn" will have no choice but to console a grieving Desdemona/Angela. Eventually, he will use his position as Goliath's right hand to destroy Goliath as well and rule the clan. He thinks it's a pretty good plan, activates the deathtrap and leaves. Lex is in considerable pain, but just when it looks like curtains, a magical sparkle enters Lex via his mouth. Suddenly, Lex stops screaming, smiles and magically breaks free.
16. Oth/Bway and Des/Ang have found their way down to the Atrium beneath the castle. There they find Goliath and Hudson, trussed up. They go to help, but it's a trap. Coldstone attacks and he's winning. Iago/Brooklyn shows up and the tide starts to turn against Coldstone, but then Iago/Brook does something that allows Coldstone to get the drop on Oth/Bway. It's looking like Iago's plan is going to work, when Coldstone cybernetically summons Coldsteel and Goldfire, and uses them to trash Iago/Brook and Des/Ang respectively. Coldstone now has the upper hand and explains (while fighting) that Xanatos created these robots as a gift to Goliath. In payment for saving his son Alexander, Xanatos wanted to find a cure for Goliath's brother's multiple personality disorder. What no one counted on is that Coldstone had developed a personality of its own. Now Coldstone will use the robots to destroy all three of the former Coldstone personas so that they can't return to take the Coldstone body back. "Brooklyn" protests that he's not one of them, but Coldstone skoffs. Coldstone can sense that Brooklyn's body is possessed by Iago, and Coldstone is determined to destroy Iago. It looks like curtains for Iago, Othello, Desdemona (and thus Brooklyn, Broadway and Angela as well), when Lex swoops in and slams Coldstone back. While Coldstone is recovering, Lex (who never says a word) frees Hudson and Goliath. Now all our gargoyles (including Iago/Brooklyn) battle Coldstone and the robots. The good guys win.
After the smoke clears, Goliath and Hudson turn to face Iago/Brooklyn. (Lex is still strangely silent. And Oth/Bway and Des/Ang are too ashamed of their own desires to be too self-righteous towards Iago/Brook.) They want Iago to abandon Brooklyn's body. Iago/Brooklyn says fat chance. He's never returning to cyberspace, and he sure isn't going to voluntarily banish himself to nothingness. He does express some regret and wishes outloud that Xanatos' plan had worked out. The powerful Coldsteel robot body is clearly superior to the gargoyle teen-ager he now inhabits. Hearing this, Coldstone asks Iago/Brook if that is really what Iago wants? Why, yes. Can Coldstone transfer him? Coldstone says he can't, but Lexington can. Lexington steps forward. With a little prompting help from Coldstone (Puck) he recites the magical rhyme from Act One (the only words he's spoken in this scene) and transfers Iago out of Brooklyn and into Coldsteel. Brooklyn, the real Brooklyn, stands there very confused. But Coldsteel/Iago laughs at the fools who would give him such power. Goliath, Hudson and Coldstone move toward him, and clearly outnumbered, Iago/Coldsteel flees to fight another day.
Once Iago/Coldsteel is gone. Puck magically removes himself from the Coldstone body, leaving it empty and comatoast. Goliath wasn't expecting Puck, but in retrospect is hardly surprised. "Why all the subterfuge?" he asks. Well, in the first place, Puck lives for subterfuge. And in the second place it was necessary. Puck explains that what he had told them about Xanatos wanting to repay his debt to Goliath was true, though obviously the bit about Coldstone developing its own personality was a little elaboration, creatively added to convince Iago to voluntarily enter the Coldsteel robot. Magical soul transfers are tricky business and generally require the cooperation of the subject. Now if they're ready Othello and Des can be transferred as well. There's a moment of hesitation on their part. Will they trade flesh & blood lives for stone & metal casings. But they know they cannot steal Broadway and Angela's bodies permanently. Othello and Des share one last embrace. Lex again casts his spell (this time with more confidence) and after the transfer is completed, Broadway and Angela regain consciousness in mid-grope. There's a nice awkward moment that should help set up any future romance for these two. Coldstone/Othello and Goldfire/Des thank Bway and Ang for the use of their bodies. Goliath invites them back to the clock tower, but they feel they must pursue Coldsteel. He's still a threat and he's still their responsibility. But when that threat is ended, they will return. They depart. Our gargoyles turn to thank Puck for the magic he wrought and ask why he has been working through Lexington? Puck replies that although he set the ball rolling, this last magic wasn't his, and that this Lexington is not exactly who he appears to be. Magical sparks fly out of Lex's mouth and coalesce in Puck's arms to reveal baby Alex. Puck praises Alex for being a good student, and himself for being a good teacher. Alex smiles, yawns and falls asleep. Lex awakens to himself almost as confused as Brooklyn, Broadway and Angela. Goliath promises to explain and the group heads for home.
Suddenly, Puck pulls a giant watch from a very small pocket. "Look at the time," he cries. And vanishes.
17. Alex's room. Puck and Alex materialize. Puck puts Alex in his crib and transforms back into Owen just as Xanatos and Fox return home from the opera. Was Alex any problem, Fox asks. No, Owen replies. He's a very well-behaved and intelligent child. Owen turns to Xanatos and tells him that the Coldstone problem has been solved. A bit surprised, Xanatos thanks Owen. Owen demurs. "Don't thank me, sir. Thank your son." A bit confused, Xanatos looks into the crib where his son sleeps and smiles.
GENERAL NOTES FOR THE ABOVE:
Keep the talky scenes as brief as possible. Just get the point across. Give the most space to action sequences: the act one Coldstone vs. Xanatos fight in the Himalayas; the act two Goliath & Hudson vs. Coldsteel & Goldfire fight at the castle; the act three mega-battle in the Atrium.
Also, milk the transformation scenes. Particularly the act one scene where Puck/Goliath transfers the souls of Othello and Desdemona into the bodies of Broadway and Angela. And the act three scenes where Lex/Alex transfers Iago, Othello and Des into Coldsteel, Coldstone and Goldfire.
Don't forget that the names Othello, Desdemona and Iago are for our designation only. They should not appear in spoken dialogue at all.
Any script dealing with Coldstone, Puck and magical possession is bound to be confusing. Lots of people in other people's bodies. And a few illusions from Puck as well. Let's go out of our way to make it clear in the script both whose body we are seeing visually (and thus whose voice we are hearing), and who's mind is actually controlling that body (and voice). Remember, we're not trying to keep any secrets from the storyboard artists. However, we are trying to keep secrets from the audience, so don't hesitate to spell things out in description and then explicitly state that the audience shouldn't be able to figure this out yet.
Consistency is key. I think in order to best describe who's who, the best designation for dialogue headings and description may be to put the body's name first, followed by the possessor's name in parenthesis. As follows:
COLDSTONE (OTHELLO) - Coldstone with Othello's personality in control.
GOLIATH (PUCK) - Puck magically disguised as Goliath.
HUDSON (ALEXANDER) - Alexander magically disguised as Hudson.
BROADWAY (OTHELLO) - Othello in possession of Broadway's body.
ANGELA (DESDEMONA) - Desdemona in possesion of Angela's body.
BROOKLYN (IAGO) - Iago in possession of Brooklyn's body.
COLDSTONE (PUCK) - Puck in possesion of Coldstone's body.
LEXINGTON (ALEXANDER) - Alexander in possession of Lex's body.
COLDSTEEL (IAGO) - Iago in control of the Coldsteel robot.
GOLDFIRE (DESDEMONA) - Desdemona in control of the Goldfire robot.
THE THEME here is HONOR. Xanatos is trying to honor a debt he owes Goliath. Coldstone and Desdemona are torn between their desires and the honorable thing to do, the honorable sacrifice to make. Iago demonstrates no honor and is a negative example, but even Puck shows honor. He is trying to serve his master Xanatos without breaking any rules. He's very true to that code. Emphasize the theme as much as possible.
NOTES ON MOTIVATIONS:
XANATOS -- He's barely in this story, but his initial plan starts the whole ball rolling. Though he's in no particular hurry, he is -- in his own way -- actually trying to do a good deed for a change. He feels he owes Goliath for saving his son in "Gathering Part 2". He wants to return the favor by reuniting Goliath with his brother Coldstone. And he wants to help Coldstone out by creating new bodies for the Iago and Desdemona personalities, thus freeing Othello from his pseudo-schizoid condition. When we open, he's already had the Coldsteel and Goldfire robot bodies built. The inner workings are basic Steel Clan, but the robots have no artificial intelligence programming, which would allow the Iago and Desdemona personalities full control if Xanatos could figure out how to make the soul transfer.
PUCK/OWEN - He'd like to help Xanatos out, but is forbidden from using his magic that directly. So he's set up this elaborate "trick" in order to accomplish two things. One is getting Iago, Desdemona and Othello to voluntarily enter Coldsteel, Goldfire and Coldstone respectively. Two is training the infant Alexander in the art of "Soul Transfer and Exchanges". Both are necessary conditions to accomplishing his goal. So Puck demonstrates how Soul Transfers are done in Act One, but leaves it for Alex to do the magic in Act Three that would actually satisfy Xanatos' intentions.
IAGO - Initially, Iago wants to keep the Brooklyn body, if possible, without revealing that he's taken it. When Puck possesses Coldstone, Iago sees it as an opportunity. He's planted the seeds of dissatisfaction in Othello and Desdemona. He feels if they destroy Coldstone, they'd get to keep these new young bodies. And he's seducing them with both carrot and stick to make that choice. If he can kill Othello and/or Goliath in the process, all the better. He still lusts after Desdemona and wouldn't mind fooling her into "Brooklyn's" arms after Othello was out of the way.
It's important, however, to see Iago's goals change during the final battle. We need to demonstrate that he is frustrated by how much less powerful the Brooklyn body is when compared to the Coldsteel robot. We need to believe that he would willingly give up Brooklyn to live in a robot. (You might even try to hint that vanity played a part in his decision, at least subconsciously. After all, Coldsteel has been designed to look like Iago. That may impress him almost as much as the robot's power.)
OTHELLO & DESDEMONA - Are almost literally drunk with the sensation of being alive again in Broadway and Angela's bodies. Otherwise, they'd never consider what they in fact do briefly consider here, which is keeping bodies that don't belong to them. Ultimately, they realize how wrong that is and willingly give the gargoyle bodies up. Othello returns to Coldstone. Desdemona takes possession of Goldfire.
GOOD NEWS!
As many of you already know, the first issue of the new GARGOYLES comic book sold out its print run. There WILL be a second printing... and all the fans who bought copies and/or SPREAD THE WORD deserve a round of applause...
<CLAP CLAP CLAP CLAP CLAP CLAP CLAP>
But please, let's not use this as an excuse to be complacent. We now need to sell out this second printing and encourage pre-orders on issue #2. Not to mention the two DVD sets.
This is NOT me asking people who've already bought the book to buy additional copies. This IS me asking people to continue to spread the word. (I can't tell you how many garg fans I just met in Minnesota, who had no idea that the comic was even out.) Contact the ELFQUEST fandom, the STAR TREK fandom the FILL-IN-THE-BLANK fandom. Contact local comic shops. Contact local conventions. Contact any community that might be interested.
Keep the good news rolling in...
SPREAD THE WORD!!!!
CONvergence
Just got back from CONvergence in Minnesota. I had a great time at the convention. Met a bunch of new Gargoyles fans, signed comic books, dvds and posters and read "BLATHER" as the secret ingredient for their Iron Artist competition. FYI, "Blather" can be found at...
http://www.s8.org/gargoyles/askgreg/search.php?rid=469
Of course, I did a panel on Gargoyles, but I also had fun doing panels on writing characters, on writing subtext, on DC Comics characters in animation, on creating cartoons that aren't just for kids, on how fans can revive dead properties and even on Veronica Mars.
It's a great con. So check out their website at:
http://www.convergence-con.org/
I'd like to give particular thanks to Chris Jones, who brought me into the Convergence fold. Chris was the penciller on the Captain Atom/JLE/Gargoyles parody story ("The Flashback of Notre Dame") that I did for DC Comics all those years ago. It was great to finally meet him in person.
Special thanks also to Perrin Klumpp, their guest guru and to guest liason Mark Tempel, for putting up with me all weekend and to guest liason Lex Larson, who picked me up at the airport and hung out with Mark and I when she could.
I also had a great time with fellow guests Bridget Landry and Ken Hite and the rest.
Thanks also to Windy, Tim, Pat, Ishmael, Jeremy, Melissa, Melissa, Mandy, Anton, Jenni, Amanda, Eryn and everyone else who made it such a great experience.
WOW! Two great cons in a row. I'll be at the San Diego ComicCon in a couple weeks, but there's almost no way that monstrosity could ever be as much fun as the Gathering and Convergence combined.
Finally, I'm now in love with Jucy Lucy. And Soylent Theater is People.
Chapter LXI : "The Reckoning"
Time to ramble...
[Disclaimer: I watched this episode back in January of 2006. So it's been half a year since I've seen it. At the time, I did take a few notes of things I wanted to include in the ramble. So this is what you're getting now. A somewhat abbreviated ramble, as the ep isn't as fresh in my mind as I might like.]
Chapter LXI : "The Reckoning"
Story Editors: Brynne Chandler-Reaves and Gary Sperling
Story: Lydia C. Marano
Teleplay: Gary Sperling
Director: Dennis Woodyard
The title, I believe, is one of my one-word numbers.
But what strikes me the most in this episode is the number of great (and well-delivered) one-liners. Some of the best are related below. (All quotations approximate.)
DEMONA
We open with a very Batman/very proactive stakeout. Note Goliath's ongoing concern for Angela vis-a-vis Demona. I believe he sees that Angela's vulnerable to emotional pain from that source.
Demona: "Oh, but it's a very clever tin can."
Once Demona's caught, we establish that banishment was a typical garg punishment back in the day. But it's obviously not too effective in the modern world. And so we head down to...
THE LABYRINTH
We reestablish the mutates, the homeless and begin our prison scheme. Angela takes the first watch and has her first real conversation with Demona ("I'm told there's a resemblance.")
FANG
Fang is fun in this one. Some great deliveries...
"You chicks are better than soap."
"Kinky." (And yes, I'm also stunned, particularly in hindsight, that we got this word on the air.)
"How many Gargoyles does it take to screw in a lightbulb?"
"Some of my best friends are half-gargoyle, half-human babes with bad attitudes."
SEVARIUS
But Fang's got a run for his money when Sevarius is also in the episode.
"The prodigal bug returns."
"You don't want to end up with another you."
THAILOG
This last said to the true villain of this piece (amazing, when it already includes Demona, Fang and Sevarius), i.e. THAILOG. Of course, Keith has some great lines as Thailog too...
"My clan can beat your clan any day of the week."
"It would seem that the love has gone out of our relationship."
"Obedient and lovely."
ANGELA & DEMONA
Angela lays the big "I hate you." on Demona, which effects the latter much more than I believe she would have thought. It's one of the things that make Demona so wonderfully complex. She cares. She cares about everything. Even things that she tells herself she doesn't care about.
Of course, the "I hate you" is later a source of guilt for Angela, but that will be short-lived (tapestry-wise). Demona will be back in Hunter's Moon. And her plot is grandly genocidal enough to wash away any particular thoughts of three little words. For now. But in the comic, Demona and Angela will eventually return to this point... if we survive to have enough issues.
One thing to keep in mind was that we thought for a while that this was going to be the last episode of the season. (With Hunter's Moon coming out as a direct to video.) Later when, Hunter's Moon became the last three episodes of the season, we did a quick reshuffling to put "Possession" in between this and "Hunter's Moon" so that we could wonder about Demona for a little longer before seeing her again. And let Angela wonder too.
Many people have asked me why or how Angela and Goliath didn't know that Demona would survive, given what happened in "Sanctuary". But I think it's important to realize that knowledge and confidence are two different things.
CLONES
"They kinda give me the creeps." And they need to learn to "use verbs." But I kinda like them. We'll be seeing more of them in the comics, eventually.
LAST WORD
Hudson: "You'll have to do better than that." (There were some lines that we just kept using over and over again. It's a bit embarrassing, and yet episodically they just seemed to fit.)
Anyway, that's my ramble. Where's yours...?
GATHERING 2006 - Con Journal - Monday
GATHERING 2006 - Con Journal
My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.
Monday, June 26
8:30am - Wake up.
9:15am - Staff Breakfast. Good food. OJ, Eggs Benedict, Potatos, strawberries. I sat with Cindy, Sammy, Seth, Carol, Adam and Greg.
10am - "Time Travel in the Gargoyles Universe" This was a fun panel. I discussed BACK TO THE FUTURE and SPEED III: THE LAKE HOUSE first. Discussed my made-up chestnut about the Gettysburgh Address and the classic Kill-your-own-Grandfather chestnut. We talked about Griff and the Archmage, and I even snuck in two fun anecdotes to illustrate how Free Will works.
11am - I went back to my room to begin checking out. Went to the Art Room to collect my kids' unsold pieces. Went back to my room. Checked out. Dropped stuff in my cars. Around here the Goodbyes began.
Noon - My Mug-A-Guest with Tigris, Ed, David, Cynthia, Adriana, Jonathon, Kristen and Cathie. (And I saw Liz hanging out too.)
1pm - Hosting a Gathering with Jen, GXB and Nikki. Looks like we've got serious interest from Chicago in 2008.
2pm - Closing Ceremonies. Art Show awards included a "ZOMG! Improved" ribbon for Benny. Kyt, I believe, took home Best in Show.
4pm - TGIF for an early dinner. Another huge crowd. I sat with Andrea, Tony and Greg. But there were 19 other people there.
6pm - Dead Dog Party with the ConStaff. We watched a big chunk of the G2004 raw footage that the documentary crew shot in Montreal.
8:30pm - Headed home.
Another Great Gathering. I had a total blast, as I am wont to do at these things. For those who came, I hope you had a great time too. And for those who didn't, start planning ahead now for G2007 in Pigeon Forge. Check out the website at www.gatheringofthegargoyles.com.
AND PLEASE POST YOUR CONJOURNALS HERE AT ASK GREG!!!
(Plus responses to the 1st issue of the comic!!)
GATHERING 2006 - Con Journal - Sunday
GATHERING 2006 - Con Journal
My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.
Sunday, June 25
8:30am - Wake up.
9:15am - Staff breakfast. I was getting a little later everyday, but heck I showed up, so that's something, right? I didn't eat much. Just some O.J. and a couple of croissants. In general, I honestly think I ate less at this Gathering than at any previous Gathering. Not sure why. But I feel like my ConJournals of the past have basically been food diaries. And it doesn't feel that way this time.
10am - First panel of a very busy day was "Gargoyles: the Comic Book" with Dan Vado (of SLG), David Hedgecock (pencil artist), Stephanie Lostimolo (cover color artist) and Marty Lund (of CreatureComics.com). We had a bit of an adventure with the "airwalls" as the two ballrooms weren't properly set up in advance. That forced us to interrupt a church service nearby. A very pleasant guy came over during the hustle and bustle and asked what we were up to. I told him, and he said something like: "Well, we're just over here saving souls."
Moving on...
11:30am - We held a signing for the comic. Signed a bunch of DVDs too. (For a few years there it was starting to look like I had already signed every piece of Gargoyles memorabilia in existance, so it was nice to have some new product, huh?)
12pm - Next up: "Gargoyles: the Voice Acting Process" with Brigitte (Angela) Bako, Elisa (Obsidiana) Gabrielli, Morgan (Petros/Odin) Sheppard, Keith (Goliath) David and Thom (Lexington) Adcox. I meant to bill myself as Commando #2, but I think I forgot. It was a great group. I didn't have to say much unsurprisingly.
1:30pm - Another signing. This time I didn't have to sign much. But I was hardly the main attraction.
2pm - The BIG PANEL. "W.I.T.C.H." Carol and I had gathered a HUGE group of writers and voice actors, etc. for the panel. Elisa (Sarina) Gabrielli, Justin (Eric) Shenkarow, Susan (Cassidy) Chessler, Loren (Julian) Lester, Thom (Sammy) Adcox, Crispin (Sylla) Freeman, Andrew Robinson (writer), Tracy (Bess) Martin, Jon Weisman (writer), Nicole Dubuc (writer), Sam Bernstein (writer), Ginny McSwain (voice director), Candi (Irma) Milo, Liza (Hay Lin) Del Muno, Steve (Blunk) Blum, Marriane (Galgheita) Muellerleille and myself. I screened the third episode of our new season, "C is for Changes" (written by Nicole). A lively Q&A followed, and we even ran long.
3:40pm - Back into the foyer for yet another signing. By this time there really wasn't anything for me to sign. Said hello to the Ben Ten people as they were coming in for their panel.
4pm - Auction. I just peaked in. Gorebash bought my jacket, which pleased me. He's a pal, so I was glad to see it go to him. Over at the art show, Erin bid on and won a shirt from Jade, and Benny bid on and won a piece by Cindy.
6pm - Banquet. A tasty buffet. Sat with Beth, Erin, Benny, Caitie and her dad, Abbie and her dad and one more guy whose name escapes me at the moment.
7:30pm - The Banquet Q&A with myself, Crispin, Thom, Brynne, Michael, Wendy, Dennis Woodyard, Frank Paur, Patrick Archibald (storyboard artist), Sam and Bob Kline.
9pm - Masquerade. Quantity of costumes was lower than average, but the quality was VERY high. The judges were myself, Thom, Sam, Michael, Brynne and Wendy.
Awards:
KIDS CANON
1. Fox as Lex.
2. Abbie as Katharine.
3. Becca as Hyena.
KIDS ORIGINAL
1. Benny as the Garghoul.
2. Fusion Demon as Celestial Elf.
3. Erin as La Belle Morte.
ADULT CANON
1. Victoria as Puck.
2. Brenda as Goliath.
ADULT ORIGINAL
1. Doug as Onyx.
2. Pearl as Pearl.
3. Shara as Gene Simmons.
Cutest Couple went to Thom and Tony, who also won the Thom Adcox Memorial Award for squeezing himself into a kids Chernabog costume.
Revel & Spacie got 2nd place for Cutest couple for playing Brod & Salli.
The Gorelisa Award went to Jason as Ines. (VERY impressive.)
We gave a 1/2 award to Jade for coming as Inuyashi 1/2.
And finally BEST IN SHOW went to a very impressive SET costume and Lance.
Later, there was some dancing and singing, but a number of people wanted to continue the Blue Mug from the night before. So Thom & Michael and I sat down in a corner for that.
12:15am - We ended it, and I went back up to my room.
2am - Lights out.
TO BE CONCLUDED...
Tune in tomorrow for my further adventures in Valencia...
(AND POST THOSE CONJOURNALS!!!)
GATHERING 2006 - Con Journal - Saturday
GATHERING 2006 - Con Journal
My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.
Saturday, June 24
8:30am - Wake up. I actually got 7.5 hours sleep that night, which is stellar for me.
9am or thereabouts - I made it downstairs for the Staff Breakfast of O.J., eggs, bacon & croissants.
Shortly thereafter, Beth, Benny and Erin arrived. So I got them checked in, before heading off to...
10am - Auditions. The final round.
11:30am - Casting. Once again, Jen, Thom and myself had an embarrassment of riches to choose from. We went up to my room, and went through the forms and our notes. Relatively small cast this time, so some great people got left out. Hope that doesn't discourage them from trying again.
12:15pm - After posting the cast lists both in front of Ballroom D and at the Reg Desk, I hurried over to the fan panel that most interested me: "Gargoyles Physiology, Psychology & Sociology." Christine and Jade were leading the panel. It was a fun discussion. I would have loved to have stayed longer, but I was just diving in between casting and my next pro panel, so I couldn't linger.
12:30pm - My first real pro panel of the con: "Gargoyles: the Development Process". I was joined by our original Art Director Bob Kline (inspirational designer of David Xanatos), our second Art Director Dave Schwartz (inspirational designer of Brooklyn, Lexington and Broadway), Gary Krisel (former president of Walt Disney Television Animation) and Michael Reaves (head writer and story editor). I played an earlier version of the pitch narrated by Jim Cummings. I ran through the basics of developing the show (with stray commentary from the other panelists here and there), and then we opened it up to questions from the audience. It was a lively discussion. Even I learned a few behind the scenes things from Gary about what was going on in upper management (very upper: Michael Eisner & Jeffry Katzenberg upper) that helped us keep Gargoyles alive despite two passes.
2pm - The first panel segued directly into the second. Michael and I stayed in our seats. We were joined by Brynne Chandler (story editor) and Jay Fukuto (former head of Current Programming at Disney). We talked about, well, writing the episodes. Duh. Once again, I ran through our basic process, and then we opened things up for another lively Q&A.
3:30pm - We gathered our cast together to rehearse the Radio Play. This is generally a closed rehearsal, but a number of people wanted to sit in (including my son Benny and Michael Reaves). I tried to discourage this, and I think I scared Richard Pini with my intentionally (and supposedly comedic) over the top banishment. Wendy Pini assured me that she explained the situation to her husband, so I hope he forgives me. The rehearsal didn't take long. So I gave the cast some time off.
5pm - The Radio Play performance. This year we were doing an adaptation of "The Mirror" (written by Lydia C. Marano and originally story edited by Brynne Chandler Reaves).
Ladies and Gentlemen, the 2006 Gathering Players...
Keith David as Goliath
Jennifer Anderson as Demona
Mallory Reaves as Puck
Abbie Sulik as Elisa
Crispin Freeman as Hudson
Thom Adcox as Lexington
Zach Baker as Brooklyn
Joshua Poole as Broadway
Eric Tribou as Bronx
Laurean Leigh as Burglar #1
Erin Weisman as Burglar #2
Susan Scoggins as Gargoyle #1
Stephanie Scoggins as Gargoyle #2
Fox Anderson as Gargoyle #3
Lanny Fields as the Security Guard
with myself as narrator and Adam Leigh and Jenny Baker understudying.
I think, if I do say so myself, that the performance went quite well.
After the show, Beth, Erin, Benny and myself drove out to Vic Cook's house for a small barbecue get-together. Dave Schwartz provided much of the food. His barbecue sauce was to die for. I'm sure I won't remember everyone who was there, but I'll try... Vic and his wife Sonia, Kevin Hopps, Kuni Bowen and her two daughters, Tad Stones and his daughter, Phil Weinstein and his family, Bob Kline, Carol Wagner, Wendy Pini, Crispin & Izzy and Gary Krisel. There was Tri-tip, ice cream cake, sushi, hot dogs, chips and dip, oatmeal cookies. I was stuffed.
9:30pm - Beth dropped me back off at the hotel, before heading home with the kids. I chilled for a bit in my room. Changing shirts to something more appropriate for what was to follow...
10pm - Time for the Blue Mug. I was joined by Thom, Crispin and Keith. The room was PACKED. There were blue moments, but it was neither the bluest nor the least blue mug we've ever had. Keith sang a bit. We all joked around. Answered some questions. I revealed that I was a robot. The usual. Then around 11pm, I told a story about working in Hollywood... demonstrating what I'd like to have done in the situation by standing up on a chair and mock screaming at invisible studio executives.
So of course, we were kicked out of the consuite for making too much noise.
Mugus Interruptus.
Whoops. My bad.
We tried going down to one of our banquet rooms, but it was locked, and the security guard wouldn't let us congregate in the foyer in front of that room. We dispersed, but a few of us went to the bar until THAT closed down at 12:15am.
So I headed back to my room.
3:15am - Lights out.
TO BE CONTINUED...
Tune in tomorrow for my further adventures in Valencia...
(AND POST THOSE CONJOURNALS!!!)
GATHERING 2006 - Con Journal - Friday
GATHERING 2006 - Con Journal
My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.
Friday, June 23nd
7:30am - Woke up, giving me about 2.5 hours sleep for the night (after a number of bad night's sleeps earlier that week).
9am - I think I shocked the staff by arriving more or less on time to the staff breakfast. (Traditionally, I sleep through it.) I had potatos, Fresh OJ (which I love), french toast and bacon. But, man, I was tasting that breakfast for hours.
I do want to take time to praise the amazing staff of this year's con. Sort of an all-star team of past con chairs and staffers... or as Jen liked to call them, the Dream Team. I'll try to list them all here...
Jennifer L. Anderson - Con Chair
Patrick Toman - Vice Con Chair
Greg Bishansky - Assistant to promotions
Karine Charlebois - Volunteer Coordinator
Seth Jackson - Promotional Coordinator
Cindy Kinnard - Art Show & Masquerade Coordinator
Kythera - Official Lackey
Laurean Leigh - Program & Website Coordinator
Stephanie Lostimolo - Graphics Designer
Christine Morgan - Anthology, Contest & Fan Panel Coordinator
Tim Morgan - Dealer's Room & Auction Coordinator
Scott Sakai - A/V Coordinator
Carol Wagner - Guest Coordinator
And Rob, M.I.A. for the con itself, but otherwise a year-long staffer who kept us on "TOPIC" at our on-line meetings.
Plus a number of great volunteers, people who just pitched in. I felt that this was one of the smoothest run cons I'd ever been to.
APPLAUSE FOR THEM ALL!!!!
After breakfast, I helped carry stuff down to registration.
10am - Went to the Art Room to put Erin & Benny's art panel up. Browsed the other art that was there...
Finally got my first look at "Gargoyles #1: Nightwatch" the new comic. Dan Vado of SLG, who, with Joe Nakamura, was setting up his table in the dealers' room gave me a copy. It was great to finally have it in my hand. Real. Solid. I was thrilled. I realize it isn't perfect, and I know the hardcore fans are probably impatient to get to issue #3, when we enter into a new arc of stories, but I'm still ridiculously proud of the thing. I think David Hedgecock's work is passionate and dramatic, and getting better all the time. I love how Will Terrell's work enhances David's. And the cover by Greg Guler and Steph Lostimolo is just stunning. Thanks to all of them and to Dan and Joe and Jen de Guzman (our editor) and Marty Lund of creaturecomics.com. I do hope all the fans buy a copy or two, but more than that I'd love it if they SPREAD THE WORD about the comic. Don't assume that people know the thing is out there (same with the DVDs and the Gathering too for that matter).
I'm not just talking about word of mouth, though that's great. But I'd love to see each hard core fan take responsibility for finding a way to reach a thousand people. (And I'm only half-kidding.) No, not all of those people will be buying our product, but that's the numbers we need to reach in order to get the numbers we need. Go to conventions. Go on the net to places we haven't thought of. Check out complimentary fandoms and let them know. Nearly everyone I meet at the con has a story about wearing a garg t-shirt or something and having someone say, "Hey, I really liked that show." But they don't know about the comic, DVD or conventions. Those are the people we need to reach. And sure, it would be great if Disney spent some advertising dollars, but it's really not going to happen. So if as fans, you want to see more comics and another DVD release, SPREAD THE WORD.
Specifically, at this con, I heard a LOT of anecdotal stories about the comic already being sold out at individual comic book stores. Which is great, of course. BUT.... The two questions I always wonder about are (1) how many copies were ordered in the first place and (2) now that it's sold out are they ordering more? A lot of stores low-ball their orders (because they've been burned before) and when they sell out, they feel pleased that they guessed right about how many copies to order. They don't necessarily think to order more once they sell out, and if the comic isn't on the shelf, then most people won't know to buy it. So talking to retailers is another VERY helpful tack.
But enough of the sales pitch... back to the ramble...
I spent some time talking to Dand and Joe of SLG, but Si needed a ride to Kinkos to print out some missing Mug-A-Guest sign up sheets. So we hopped in the P.T. Cruiser and took off. When we got back, I popped into a few panels, making a cameo at the Con Virgin Panel and then catching the tail end of Thom & Crispin's Voice Acting Workshop, which was very cool and hi-tech.
3pm - Next up were our first round of Auditions. It was me, Jennifer Anderson and Thom Adcox (i.e. the usual suspects), though a bored Michael Reaves sat in and observed for a while. We had some amazing people this year, but unfortunately one of the smallest casts to cast that we've had in a while, made the smaller because we had Thom, Keith David and Crispin Freeman already slotted for three of the fifteen roles.
5pm - Opening Ceremonies. Always fun. Very good energy in the room this year. Which was necessary, because the thing -- to me at least -- seemed kinda endless. Not that I'm complaining. We did have a lot of new people, for whom everything I have to show is new -- and I gave everyone else the chance to bolt when my turn came. But most stuck around. I guess it's tradition. And I do feel like I had more energy than in the last couple of years. But I'm getting ahead of myself.
Mai Li (I hope I'm spelling that right) got the Fan Guest of Honor Award, which she thoroughly deserves. Mai was conchair of the very first Gathering in Manhattan in 1997. Not just the conchair, really but the only staff member too. She basically all but did it all herself. (Burned her out so bad, we haven't been able to get her back to a Gathering again until this year.) Without Mai, there'd be no Gathering. And I wouldn't be a part of this fandom. I have always credited Chris Rogers, Eric "Gorebash" Tribou and Mai Li as the three people who introduced me to the fans. We've been feeding off each other ever since. ;)
Nikki "Y2Hecate" Owens got up to pimp G2007 in Pigeon Forge, Tenessee. Nikki, the new conchair, is already way ahead of the game. They've got a date (JUNE 22-25) and a low cost/high quality hotel. So let me do a little pimping too here. Register NOW!!! The cost is pretty darn cheap in these early months, and the more money that comes in early the better the con will be. Walk-ins are great. I'm not knocking them, but walk-ins don't pay for guests and activities, because that's money that the con can't count on. Small money sooner is worth more than Large money later. Just a fact. Of course, to be intentionally repetitive the main thing you can do is SPREAD THE WORD!!!!!!
Anyway, the staff was introduced, and then we watched a bunch of music videos. They were all pretty cool. Of course, since everyone's working independently, they have no way of knowing that they're all going to duplicate a bunch of footage. But I still enjoyed seeing them. An ironic "Can you feel the love" featuring Demona and Macbeth pounding on each other was a highlight. The "Beauty and the Beast" one for Elisa and Goliath was like shooting fish in a barrel, but I was a sucker for it. And Jen's video "Wake Me Up" I think it was called, which opened Opening Ceremonies was VERY cool and eventually one first place in the Music Video contest.
Then it was my turn. I talked about the comic, G2007 and the DVDs. At this time, Buena Vista Home Entertainment has not scheduled Gargoyles Season Two, Volume Two for release. The short and simple truth is that Volume 1 did not sell enough copies. The ONLY remedy is to find a way to sell more. As always, I'd love it if the fans bought copies, but I'd NEVER ask anyone to spend money they don't have or need for things like food/shelter/education/etc. Frankly, as I've said many times, if every single hardcore fan bought ten copies our sales would still be mediocre. What I need from the hardcore fan is for each and everyone to find creative ways to SPREAD THE WORD!!! (Sense a theme, yet?) We did a more effective job of this on the Season One set. Now Season Two costs more, I know. But that only means we need to reach out to even MORE people, to compensate for those who bought Season One, but can't afford S2V1. Only a percentage of those who know about the DVD will buy it. But the more people who know, the greater the chance that we'll reach the sales threshold that Disney feels we need to convince them to release S2V2. Now... a lot of people have asked why Disney isn't promoting the DVD. But ultimately the answer doesn't matter too much. They aren't. That's not money they're prepared to spend. So we need to do it. We need to SPREAD THE WORD!!!
Next up, I showed all the old standards. The original pitch, the promo, the preview, the New Olympians and Dark Ages pitches, the Bad Guys Leica Reel and finally "The Last" -- a never-produced episode of Team Atlantis featuring Marina Sirtis as Demona, Cree Summer as Kida, Frank Welker as Obie and Sheena Easton as Fiona Canmore. The fans have taken the original voice tape and the tiny bit of storyboarding that was completed and are trying to make the episode themselves. We have a little more picture every year. If you're interested in helping out, contact Vashkoda in the Station Eight Gargoyles Comment Room.
Opening Ceremonies finally came to a close, and I went to dinner with Wendy Pini, Michael Reaves, Brynne Chandler, Crispin, Izobel, Thom, Jamie, Lexy, Marty and Kiffin. Unfortunately, the restaurant couldn't seat us all together, and Marty, Lexy and Kiffin were semi-abandoned at another table. (Sorry, guys, really.) The Japanese food was good (California Roll, Miso Soup, salad, rice, shrimp and vegetable tempura, beef teriaki). More importantly, I got a chance to talk to Wendy Pini. Wendy, the creator of Elfquest, as it turns out, is a big Gargoyles fan. And I've been a fan of hers for longer than either of us cared to admit. She was extremely charming, and we really hit it off. Yeah, yeah, mutual admiration society. <YAWN> I know. But it does raise an interesting point. Gargoyles. Elfquest. If you like one, you might like the other. (After all, I like both and so does Wendy.) And yet before Wendy contacted the constaff a few days before the con, it never occured to any of us to try to win Elfquest fans over to Gargoyles or vice versa. So what other FANDOMS are there out there that we're not reaching out to. I don't know. But I need all of you to start thinking about it and SPREAD THE WORD!!!
When we got back to the hotel, a few of us headed up to the con suite to hang. (Thom stopped off at his room and promised to meet us up there.) But when we got to the consuite, they were on the verge of closing down. So everyone else booked, and I waited in the suite for Thom (who never showed up). Still, I got to have a real nice talk with Mai, Karine, Patrick and one other person, whose name is just escaping me at the moment. (Sorry, sorry, sorry, sorry!)
Midnight... Karine headed to her room, and Patrick was ready to crash, so I left for my room.
1am - fortunately, I was actually tired. And turned off the lights, and pretty much went right to sleep.
TO BE CONTINUED...
Tune in tomorrow for my further adventures in Valencia... and to find out how many more times Greg can write "SPREAD THE WORD" into his ramblings...
(AND POST THOSE CONJOURNALS!!!)
GATHERING 2006 - Con Journal
GATHERING 2006 - Con Journal
Well, the con is over, and as usual, I just had an incredible time. It was so gratifying how much all the fans love the show. So here's my con journal. I hope ALL of you who attended take a few minutes to write up and post your con journals/diaries/memories/etc. here at ASK GREG. Cut and paste, my friends.
My usual caveats... I meet so many people at the Gathering that I can't possibly remember all the names. I apologise. I try, believe me. Please, do not be offended if you've slipped my mind.
Thursday, June 22nd
3pm - I didn't even bother going to the office. I packed, puttered. Watched some ALL MY CHILDREN. Said goodbye to Erin, Benny and Beth when they got home from Camp, Camp and school (respectively) and then hit the road. Listened to an unabridged book on CD version of "Pride and Prejudice" on the way to Valencia.
4pm - Arrived at the hotel and was checking in when the vast majority of the con staff approached. My room was very nice. I dropped my stuff off quickly (I had a lot of stuff) and then helped the constaff carry some boxes and bags in.
Ran some constaff errands next with Jennifer, Karine, Kyt, Seth, Cindy, Steph and Patrick all stuffed into Jen's SUV. Ate a Three Musketeers bar, which was all I had eaten that day.
7pm - Planning ahead, we made a reservation at BJs (across the street from the hotel) for 21 people. But on our way there, we found we were 25. There was some delay in setting up our tables, and the longer the delay, the more our party grew. 21, no 25, no 32, no 35. Finally, we were all seated at three tables of 12.
My table included myself, Taylor, Liz, Sean, Ckaote, Spacie, Revel, Sylvia, Kristin, Kyt, GXB and Laurean. But the group also included Lynati, Aaron, Mara, Jen, Susan, Steph, Syndey, Tim, Arno, Norcumi, Quindar, Christine, Karine, Steph L., Becca, Cindy, Nikki, Jade, Seth, Patrick and Fox. (At least.) I had a great dinner (French Dip, baked potato) and Siryn and I shared an apple crisp with ice cream for dessert.
After that, it was up to the consuite to fold t-shirts and stuff envelopes w/Nikki, Steph, Cindy, Jen, Patrick, Seth, Greg, Tim, Christine, Karine, Kyt, Patrick, Laurean and Carol.
I don't think I've ever seen the constaff so organized as they were this year.
11:50pm - I retired to my room.
3am - Lights out.
5am - Still AWAKE! Arrggghh!!!
TO BE CONTINUED...
Tune in tomorrow for my further adventures in Valencia...
(AND POST THOSE CONJOURNALS!!!)
DUCKS IN A ROW
ASK GREG will be open up again today (Thursday, June 22) so that questions and especially G2006 CON JOURNALS can be posted. We'll stay open at least until the end of July.
In addition, Gorebash has been working on the site to allow Todd to answer some frequently asked questions for me by searching the archives. We haven't totally got the new system up and running, but the long awaited upgrade to ASK GREG is on the verge of reality here. REJOICE!!!
This should help us get through the queue MUCH faster.
But another thing that would help is still a bit of common sense on the part of posters. Try to search the FAQ or the ARCHIVES first. Ask your question here in the comment room. (And, gang, be nice to the newbies, ignorant or not.) Keep the queue as clean of garbage as possible.
And POST THOSE CON JOURNALS. Cut and paste them! It's important!!!!!
Also, post comments and questions about the new comic book that hit stores YESTERDAY (Thursday, June 21)!!! Copies of the first issue ("Nightwatch") WILL be available at the Gathering this weekend, but as Marty said, anything that can be done to encourage sales at local stores is essential.
[I realize from VERY recent personal experience that this can be frustrating. A drone at MY local comic shop was very insistent yesterday that the comic wasn't out yet. Do NOT let them tell you that. It IS out! Be persistent, insistent, but unfailingly POLITE, as it won't help the cause to alienate the guy who orders books for the store.]
This isn't simply about you guys buying a bunch of copies yourself. If EVERYONE who normally checks out ASK GREG bought ten copies, our sales would still, frankly, suck. Yes, I hope you guys support the book with cold hard cash (though as always I'd never ask you to spend money you don't have and/or need for food, shelter, education, etc.), but what I'm really COUNTING on you guys to do is spread the word. EVERYWHERE. We need to bring in a much larger crowd than simply the hard core fans. Word of mouth to individuals is great, but try to brainstorm ways to reach a lot of people on the net, at conventions, etc. Look at other rabid fandoms that might like Gargoyles, and LET. THEM. KNOW what they're missing! (Let them know.) BRAINSTORM NEW WAYS. NEW. NEW WAYS.
DO NOT TAKE FOR GRANTED that the book will just be an ongoing thing. If sales on the first couple issues suck then don't assume that there will be an issue #3. (That's how we got into the dilemma we're facing with the DVDs.)
WORD MUST BE SPREAD!!!!!
Finally, for those of you attending the Gathering this weekend in Valencia: please come up to me and say hello. Many of you know me already. Some of you have met me briefly. Some of you are strangers. I'll admit in advance that though I am fearless when I'm "On Stage," ironically I get very shy trying to conduct small talk. So be patient with me. It usually takes me two cons to remember names and three to really get to know a person. But keep trying. I have made so many great friends at these conventions, and you could be one of them. I really do want to know you all.
It's a very exciting con this year. We've got so many great guests and events planned. Panels with the creators of Kim Possible, Talespin, Darkwing Duck, Ben Ten. Jim Cummings, the voice of Dingo, Don Karnage, Darkwing Duck, Pete, Winnie-The-Pooh, Tigger, Bonkers, etc., etc., etc. will be there. Voice directors, background artists, character designers, film editors, music editors, sound effects editors, storyboard artists, and tons of VOICE ACTORS. Nearly the entire writing staff and Voice cast of WITCH will be there. (And I hope you've been watching the episodes of WITCH that I produced which have been airing on Toon Disney and ABC Family's Jetix blocks.) Frank Paur will talk about Spawn, Iron Man and Dr. Strange. Tad Stones will talk about Hellboy. Keith David, Thom Adcox and Crispin Freeman will all BE IN THIS YEAR'S RADIO PLAY!!! Brigitte Bako, the voice of Angela, is attending her first convention EVER!! (So be extra nice to her.) I'm even doing a seminar on time travel.
So stop by, have fun, enjoy... and SPREAD THE WORD. (Have I mentioned that yet? SPREAD THE WORD!!!!)
Gargoyles is BACK!!!!
Thanks,
Greg Weisman
W.I.T.C.H. Season Two Premiere
Hey gang,
Season Two of W.I.T.C.H. (i.e. the season that I story edited and produced) is currently slated to premiere with an episode I wrote ("A is for Anonymous") on Monday, June 5th, 2006 on Toon Disney (with a rerun airing on June 10th on ABC Family's Jetix block).
I'm very proud of this season of W.I.T.C.H. It's one of the best things I've worked on since Gargoyles and Roughnecks. I had a great writing staff and an incredible cast, including some familiar-to-Garg-fans voices (Kath Soucie, Thom Adcox, Ed Asner, Bill Faggerbakke, Elisa Gabrielli, Rocky Carroll, C.C.H. Pounder, among others).
If you've read the comic books or seen the solid W.I.T.C.H. first season, I think you'll truly love Season Two. If I do say so myself... IT KICKS ASS!! And if you've never seen W.I.T.C.H. before but are any kind of a fan of my work, please check us out. I promise you won't regret it.
Incidentally, we're having a LARGE W.I.T.C.H. Cast and Crew reunion at the Gathering 2006 in Valencia on Sunday, June 25th. So check that out too.
Blather
So in a tryce came the documentary depicting many a Chinese doll and also the three wise men (who may or may not have been kings) that needed sixty-two dollars between them to redeem the coupon, which offered up solace and not a little irony to anyone who hadn't yet seen the crew chewing on leaves that weren't tobacco, but might have been sage and still left horrible stains in the dirt floor of the lean-to where I left my ski poles after the overnight with the cranes that were kept on the lake domestically for the purpose of tourism but who could also speak Latin on occasion when prompted by offers of cheese or jerky -- though not just any jerky, it had to be salmon jerky -- which isn't always easy to come by when you've agreed to leave before closing on summer days in the springtime of your life, which has been known to last longer in people who aren't concerned about under-inebriation or over-intoxication or both: it's the balance which is everything when nothing else will do and no one else will participate in the extravaganza that's been created by the giant invisible flying monkey brain that is modern life in the Twenty-First Century, counting since the (approximate) birth of Christ -- as long as the lack of the number zero doesn't disturb your math sensibilities as, frankly, it does mine, though I like to think I've made peace with that and with the Skrull too, since I haven't picked up an issue of that book in about nine years, which wasn't an intentional or explicit act of cold turkey so much as a sliding away followed by a none-too-impressive epiphany -- far from the best epiphany I've ever had, say, compared to Tintagel or Lego, not to mention the birth of certain children, which couldn't get more personal than the zany antics of the semi-erotic flea circus, which used to travel the stars waiting for an invitation to land at your door, since you are the personal target of the extra-lunar probe that counted all the seahorses that Aquaman used to make the giant seahorse that he could actually ride, though no faster than he could swim himself on his own power -- and no, we're not talking Super Friends here, but something older, more primal, something that was born back when the Ptero-whatever streaked across the sky leaving behind contrails made not of smoke but of pure and unadulterated grace, a commodity in which we are sorely shy as a planet, and yet which we find in the most unlikley of places, including but not limited to contracts which dictate how we will interact with each other but do it in such a way that no normal human being could possibly wrap their heads around the language and internalize the meaning, which we declare to be progress or civilization and which is not meant as a criticism so much as a detachment of troopers marching on a hill that you wouldn't pay five ducats -- FIVE! -- to buy yourself, or so I told myself and Hamlet night after night, but now Hamlet is a Thief on FX and I haven't seen him face to face in over twenty years, which sometimes seems quite normal but sometimes blows me away, not that I want to move backwards at all, though I'm not sure that I'm truly moving forward and I'm convinced I'm not moving sideways, though the metaphor of the sidewinder is appealing, not in the cliché sense of something sinister and left-handed, though I do throw with my left hand, I can bowl just as badly with either hand, and even though I'm 42, I quite prefer to have bumpers instead of gutters, where the rain gets backed up and sometimes flows over the lip and creates leaks in the roof and drips, drips, drips down into the shiny metal bowl that's usually used for something much more pleasant like mixing cookie dough to create chewy wonderful ... well.. cookies (I mean "duh") that taste a little bit like home even when you are home and it is raining, or maybe ESPECIALLY when you are home and it is raining and the water overflows and the ocean fills and the giant seahorse peaks out and winks at the cranes, which is exactly what the documentary crew was hoping to capture when they first took out their cameras and shot the whole thing from three different angles across six different days and still never saw the giant invisible flying monkey brain, because it was, to put it mildly, invisible.
Buffyverse Stats - Year Six
BUFFYVERSE STATS
TOP 40 CHARACTER LIST:
Once AGAIN, I'm wasting my semi-valuable time (and hopefully yours) to bring you the latest update in my attempt to catalogue the most significant characters in the BUFFYVERSE. Previous CUMULATIVE updates covered the first, second and third years of Buffy the Vampire Slayer. After that, the task became more complicated as Buffy's fourth season aired simultaneously (day and date, literally) with the first season of Angel. So the Year Four update included Buffy S4 & Angel S1. Year Five covered Buffy S5 & Angel S2. This update, Year Six, covers Buffy S6 & Angel S3.
As you may recall, I've tried to inform this subjective task with an objective formula. I tried, as much as possible, not to allow my knowledge of future events to influence the current standings. Still, I won't deny that subjectives have played a role. It's hard not to take extra notice of a character you know is going to be important later. And ties were broken based entirely on subjective criteria.
The idea behind a cumulative tally is to mimic the original experience of following the Buffyverse. It's a horse race. Some of the winners and losers are decidedly predictable. Others are a bit surprising - surprising enough that it's become absolutely clear that my system must be flawed. I've since dreamed up a new system, but it's too late to implement it. Someday, LONG after I've finished this first survey (but ONLY if I prove truly insane), I might just start over and see what the results are with OBJECTIVE SYSTEM 2.0. But for now - assuming you haven't nodded off - you're stuck with System One.
I have a list of ALL the characters that have appeared in both series up to this point. It's so long (including everything from leads to ridiculously minor characters) that I haven't even bothered to count how many there are. But my list of MOST significant currently tops out at 202 characters.
But I think listing the top 40 is both pleasantly traditional… and plenty. Or largely. I just want to note a few characters introduced (or revisited) in this set of episodes, who haven't yet or never will make the top 40, but whom I believe are memorable enough to merit honorable mention.
Starting with…
[SPOILERS]
#197 - The Prima Ballerina. Summer Glau, later of FIREFLY & SERENITY, plays a dancer trapped performing the same ballet forever until Angel and Co. save her.
#196 - The Girl in the White Room. At Wolfram & Hart. A creepy, vicious little god-girl.
#191 - Lady with a Baby, a.k.a. Mother #2. Same actress played a mom with a kid on Buffy and then later played a mom with a kid on Angel - who's secretly working for Wolfram & Hart. No guarantee that these two roles on two separate shows are actually intended to be the same character. But I like to think so.
#175 - Arney. Lorne's Demon contractor, who betrays the Angel gang to Holtz.
#167, #168, #169 - Fury #1, Fury #2, Fury #3. Very funny trio, who defy their names by being REALLY into their former sex partner Angel.
#166 - Sunny. Connor's first friend - a junkie who doesn't survive long - after he arrives back on Earth.
#165 - Doctor. In Buffy's vision of being in an asylum, this was the Psychiatrist, who tried to convince her that her entire life in Sunnydale was psychosis.
#163, #164 - Josh and Sara Harris. Xander and Anya's two kids in the false vision of the future presented to Xander at the couple's aborted wedding.
#160, #161 - Mr. & Mrs. Burkle. Fred's parents.
#154, #155 - Caroline & Sarah Holtz - Victims of Angelus & Darla that send Holtz on his centuries long quest for vengeance.
#144 - Sweet. The tap-dancing Demon that brought us BUFFY: THE MUSICAL! "Once More With Feeling…"
#130 - Doris Kroeger. The woman from Child Services, who tried to take Dawn away from Buffy.
#118 - Cave Demon. The guy who gave back Spike's soul.
#117 - Billy Blim, a.k.a. Young Man. The guy that Angel saved from a burning hell to protect Cordelia's visions from killing her. He returns later as a guy who can bring out "primal misogyny" in men. Lilah kills him.
#113, #192 - Razor and Mag. Biker Demons who appear in the opening two-parters where Buffy comes back to life.
#108, #174 - Lorraine Ross & Gina. Buffy's boss and fellow employee at the Double Meat Palace, who each appear in a couple episode.
#102 - Sandy. Sandy first appeared when the Vamp-Willow came to our universe. She was a victim that Vamp-Willow bit. Then two seasons later, she resurfaces as a vampire, whom Riley allows to feed on him. Riley then stakes her. Again, I love that they used someone with continuity for Riley.
#99, #131, #162 - Tony, Rory & Jessica Harris. Xander's Dad, Uncle & Mom, i.e. the horrible family that convinced Xander - more than the misleading vision, that he wasn't ready for marriage with Anya. Personally, I never bought this.
#75 - Clem, a.k.a. Clemmet, a.k.a. Loose-Skinned Demon. With Merl dead over on Angel, we meet a newer, sweeter sympathetic Demon. Gotta love Clem.
#70 - Rack. Willow's magic pusher.
#69 - Skip. Originally Billy Blim's hell-guard. Later Cordelia's spirit guide. I really liked Skip and have to admit I was pretty bummed when in Season Four of Angel he turns out to have been a villain all along.
#55 - Halfrek… and Cecily Addams? Halfrek is Anya's best friend, a fellow vengeance demon. But the same actress also played Spike's first love Cecily. And when Halfrek first spots Spike, she recognizes him, so…
#45, 46 - Justine Cooper and Sahjahn. The demon who brought Holtz to the present, and the obsessed woman who fell in love with Holtz because he gave her purpose.
#41 - Connor/Steven. Angel's son. He'll crack the top 40 next season.
And before we start, a fond Top 40 farewell to Willy the Snitch (now at #51), Mr. Trick (#49), Jinx (#47), Holland Manners (#44), Amy (#43) and Adam (#42).
AND NOW THE TOP 40
Abbreviations for previous rankings…
Y1 - Buffy Season 1.
Y2 - Buffy Season 2.
Y3 - Buffy Season 3.
Y4 - Buffy Season 4/Angel Season 1.
Y5 - Buffy Season 5/Angel Season 2.
NR - Not Ranked that year.
#40 - The Master. Y5: 34. Y4: 27. Y3: 16. Y2: 13. Y1: 8. Buffy's first Big Bad from an abbreviated first season just barely holds on to the Top 40, falling 6 rankings. And it's not at all a given that he'll hold on after next season. After all, Adam has already fallen OUT of the top 40. Adam may not have been the best of Buffy's Big Bads, but I'm still stunned that he fell out of the Top 40. (Particularly given some of the less interesting characters that ARE holding on.)
#39 - The Groosalugg. Y5: 81. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Groo, the half-demon from Lorne's dimension, who fell hard for Cordelia, jumps up 42 rankings, as he joins the Angel team for half a season… before gallantly riding off into the sunset so that Cordelia and Angel can (not) hook up.
#38 - Gavin Park. Y5: 128. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Gavin, in his second season as Lilah's post-Lindsey foil at Wolfram & Hart, leaps up a WHOPPING 90 positions. I really liked Gavin, but in hindsight I really should give credit for that to Daniel Dae Kim (now playing a totally different character on LOST), because other than functioning as a FOIL, he never really has any juice of his own. But he sure appears a lot.
#37 - Andrew Wells. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Andrew, the definite third wheel of the Season's Evil Trio (no, not Brooklyn, Lexikngton & Broadway) is #37 with a bullet, entering the Top 40 in his first season. He's very funny… and he becomes a near regular next season, so he's only just getting started.
#36 - Warren Meers. Y5: 82. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Warren, who emerges as the only non-banality of evil member of the Evil Trio, jumps 46 rankings. Murderer of Katrina and Tara. Creator of Dark Willow. He winds up skinned.
#35 - Forrest Gates. Y5: 32. Y4: 21. Y3: NR. Y2: NR. Y1: NR. Riley's ex-best buddy falls three rankings. Still twice-dead, he's one of the characters that I can't believe is still holding onto a Top 40 spot. I mean Adam's fallen off, but this guy holds on… based on having a lot of screen time.
#34 - Glory. Y5: 30. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Year Five's big bad drops 4 rankings. Any big bad deserves the Top 40 in my opinion. Hope she holds on.
#33 - Mayor Richard Wilkins III. Y5: 29. Y4: 19. Y3: 14. Y2: 40. Y1: NR. The Mayor also loses 4 rankings. This guy damn well better hold on.
#32 - Graham Miller. Y5: 28. Y4: 22. Y3: NR. Y2: NR. Y1: NR. Riley Finn's second best friend falls four rankings. Like Forrest, another one that I can't imagine why he's still in the Top 40.
#31 - Maggie Walsh. Y5: 27. Y4: 18. Y3: NR. Y2: NR. Y1: NR. And Maggie, the holding place for Adam (who actually had more screen time) falls four rankings herself. Still feels like she's too high up to me, but at least I buy her being in the Top 40. But her placement above Adam, Glory, the Master, and the Mayor is one of the things that points up a flaw in the current system.
#30 - Ben. Y5: 26. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Year Five's big bad's alter ego for Glory also drops four places. And here again, a flaw is pointed up. Ben ahead of Glory? And still in the Top 30? Really? Like Maggie ahead of Adam, it's about screen time, not actual character significance or OOMPH.
#29 - Jenny Calendar. Y5: 25. Y4: 17. Y3: 13. Y2: 11. Y1: 15. Jenny also falls four rankings. (Who are the four guys who pushed everyone back, huh?) Says something about Jenny's original significance that a non-regular like her is holding on for so long.
#28 - Harmony Kendall. Y5: 23. Y4: 25. Y3: 20. Y2: 26. Y1: 18. Harmony keeps bouncing back and forth, falling five (not four) rankings this year to her lowest ranking yet. Of course, this is the first year that Harmony doesn't actually appear at all.
#27 - Kate Lockley. Y5: 22. Y4: 23. Y3: NR. Y2: NR. Y1: NR. Angel's cop friend doesn't appear this season at all… and I hate to say isn't particularly missed. She falls five rankings. (Five being the new four.)
#26 - Lindsey McDonald. Y5: 21. Y4: 29. Y3: NR. Y2: NR. Y1: NR. Lindsey has hit the road, and having also been absent all season, falls five rankings too.
#25 - Daniel Holtz. Y5: NR. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Captain Holtz, Angel's Big Bad for the Season (or surrogate, if you're counting Connor as the finale's final big bad) is #25 with a bullet. He's deadly and great and played by my buddy Keith Szaribajka (who played Psycho for me on MAX STEEL).
#24 - Jonathan Levinson. Y5: 33. Y4: 24. Y3: 17. Y2: 19. Y1: NR. Jonathan, the LEAST evil of the EVIL Trio, picks up the same nine rankings he lost in Year Five (when he had zero appearances). He's always welcome.
#23 - Francis Doyle. Y5: 20. Y4: 15. Y3: NR. Y2: NR. Y1: NR. Doyle falls three ranks (three, really?) and out of the top twenty.
#22 - Lilah Morgan. Y5: 31. Y4: 31. Y3: NR. Y2: NR. Y1: NR. Lilah climbs nine positions. She has some really great moments this season - and really seems to come into her own with Wesley at Season's end. But the promise of the previous season, that she would be IN CHARGE doesn't materialize as she gets a new boss.
#21 - Principal Snyder. Y5: 18. Y4: 12. Y3: 9. Y2: 10. Y1: 12. Snyder falls three ranks, dropping out of the Top 20.
#20 - Faith. Y5: 17. Y4: 13. Y3: 10. Y2: NR. Y1: NR. Faith loses three rankings and doesn't appear all season. Though she holds on to the Top 20.
#19 - Drusilla. Y5: 16. Y4: 16. Y3: 11. Y2: 8. Dru doesn't appear this season and falls three rankings her own self.
#18 - Darla. Y5: 19. Y4: 28. Y3: 23. Y2: 23. Y1: 11. Darla jumps up only one ranking for her half-season on Angel. She has one of the best death scenes EVER. EVER.
#17 - Lorne, the Host. Y5: 24. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Lorne becomes a de facto Angel regular and jumps up seven rankings to enter the Top 20.
#16 - Winifred "Fred" Burkle. Y5: 50. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Fred leaps up 34 positions to reach the Top 20. Being a new regular gives you a boost, huh?
#15 - Riley Finn. Y5: 12. Y4: 11. Y3: NR. Y2: NR. Y1: NR. Riley makes his last appearance (as a married man no less) but still falls three rankings.
#14 - Joyce Summers. Y5: 11. Y4: 9. Y3: 8. Y2: 7. Y1: 7. Joyce appears in Buffy's Madhouse Vision, but misses out on the rest of the season, falling three slots.
THIS IS WHERE I LEFT OFF, DUDE.
#13 - Tara Maclay. Y5: 15. Y4: 20. Y3: NR. Y2: NR. Y1: NR. Tara moves up two rankings, but she'll probably peek at unlucky #13. I can't belive that I haven't seen Amber Benson in a hundred things since Buffy. She is so missed.
#12 - Daniel "Oz" Osbourne. Y5: 9. Y4: 7. Y3: 7. Y2: 12. Y1: NR. Well, Oz falls three rankings, dropping out of the Top Ten. Two years of non-appearance'll do that to ya.
#11 - Dawn Summers. Y5: 14. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Dawn, on the other hand, moves up three rankings, trading places with mom Joyce.
#10 - Charles Gunn. Y5: 13. Y4: 37. Y3: NR. Y2: NR. Y1: NR. Gunn climbs 3 ranks to crack the Top 10.
#9 - Anya Kristina Emanuella Jenkins. Y5: 10. Y4: 14. Y3: 22. Y2: NR. Y1: NR. Anya continues her steady climb. Only one ranking this year, but within the Top 10, that's still impressive.
#8 - Wesley Wyndam-Price. Y5: 8. Y4: 10. Y3: 15. Y2: NR. Y1: NR. Wesley stalls at a still impressive #8, as he begins his turn toward the darker Wesley.
#7 - Spike. Y5: 7. Y4: 8. Y3: 12. Y2: 9. Y1: NR. And Spike likewise stalls, maintaining at #7. And there's a HUGE gap between him and #6.
#6 - Willow Rosenberg. Y5: 6. Y4: 6. Y3: 4. Y2: 4. Y1: 4. Willow stays at #6. Again, her being this far below Xander absolutely demonstrates that the system is flawed, particularly when this was Willow's turn to be the Big Bad. It just doesn't make sense.
#5 - Rupert Giles. Y5: 3. Y4: 3. Y3: 2. Y2: 2. Y1: 2. Giles falls two rankings, but manages to just barely hold onto the Top 5, despite missing much of the season. Willow's hot on his trail though, which seems right.
#4 - Cordelia Chase. Y5: 5. Y4: 4. Y3: 5. Y2: 5. Y1: 5. Cordelia moves back up one ranking into the #4 slot by passing Giles.
#3 - Angel. Y5: 4. Y4: 5. Y3: 6. Y2: 6. Y1: 6. Angel moves up one ranking also by passing Giles. Is Xander next?
#2 - Xander Harris. Y5: 2. Y4: 2. Y3: 3. Y2: 3. Y1: 3. Xander maintains his #2 ranking for now. Since he just saved the world from Dark Willow, maybe he's earned it.
#1 - Buffy Anne Summers. Y5: 1. Y4: 1. Y3: 1. Y2: 1. Y1: 1. Duh.
Tough Love
I've been informed that the Season Two Volume One Gargoyles DVD has not sold as many units as the Season One Gargoyles DVD did. That's not particularly surprising, since it has a higher price point. But let's be honest, the lower sales are putting the release of Season Two Volume Two at risk.
To be clear, I'm not asking anyone to spend money they don't have and/or need for things like food, shelter, education, etc. But if you've just been lazy and have been putting off buying the darn thing... well, pal, help us all out by ponying up sooner than later.
And ALL OF YOU -- PLEASE DO WHATEVER YOU CAN TO SPREAD THE WORD!!!!
It is NOT a given that Season Two Volume Two will come out!
Chapter LX : "Turf"
Time to ramble...
Chapter LX : "Turf"
Story Editor: Gary Sperling
Writers: Marty Isenberg & Robert N. Skir
Director: Dennis Woodyard
ANGIE
The one word title is, as usual, one of mine, referring of course to the Turf War over Manhattan between Brod & Dracon, and the "Turf War" over "Angie" between Brooklyn, Lexington & Broadway.
We were careful NOT to have Broadway call her Angie here. He used it first, in a previous episode, but by now has already grokked that she doesn't like it.
There's some fun stuff with the Trio acting like goofballs here. Brooklyn is particularly transparent.
Lex: "He's doing it again..."
There's also some awkward audio moments. Reused dialogue. (Brooklyn's "Heys") Arguments between the three of them that don't quite have the right snap. Oh, well...
But I think the ending is nice. Her "Slow down" is kinda lovely. The kisses are corny, but I think they work. And I love the reaction to her having "Fifteen Rookery Sisters back on Avalon"... (most of which she must know are spoken for by her many rookery brothers)... Brooklyn: "When do we get our world tour?"
ALL THE BUMS
In a way, this was fun for us, allowing us to gather many of our gangster characters together in one episode: Dracon and Brod of course, but also Glasses, Danforth and Pal Joey.
I do enjoy Brod. He has some great lines...
--"That was my favorite restaurant." In the middle of a turf war, and he's bummed about the food.
--And after Glasses speech tips Brod off to his NEW goal, i.e. breaking INTO jail... I love how Clancy reads, "Time to cut off the head!" (By the way, I always liked the audacity of Brod. Most people try to break OUT of jail. He breaks in.)
--When Brod says "Easy as shooting fish in barrel." I wanted the line to be "Easy as shooting Moose and Squirrel". But I was overruled. No one appreciates a good Boris Badinov reference.
--It was fun to see Brod & Dracon trying to classify the Gargs. "Bats." "Reptiles." They can't even agree on what they're fighting. Notice, no one said "Gargates".
I also like Jack Danforth a lot. Ed's great in that role. I loved Danforth in "Revelations". So I brought him back here and gave him to Brod to try to balance the character scale a bit. We tried to give Jack the word "Bum" to say as often as possible, e.g. "The Bum's in Cell Block D".
And it was fun to see the Guards punish Brod & Dracon by making them share a cell. Fun to see all dem bums jailed there.
SALLI
We used animation conventions here to try to fool the audience or at least to keep them off-balance. Because often the same actor plays multiple rolls, the mere fact that Salli Richardson was voicing Salli didn't guarantee that Salli and Elisa were the same person. (After all, Coldstone and Taurus aren't the same person. They're not even related. I PROMISE.) Plus models of humans can often be very similar. So the blonde Salli might or might not be Elisa as well. I figured some percentage of our audience would know. Some would miss it completely. Most would just be unsure... and that feeling of uncertainty was what I was counting on. Erin recognized Salli's voice as being the same as Elisa's. But neither her nor Benny were sure if it was really her or not until she took off the wig. When we had her sneak up to the Tower, they were pretty confident... and yet, and yet... I did like the garg's reactions after the fact. All sure. (To be fair, they were looking at a stranger from a distance.)
And by the way, I also liked that Salli's name is (coincidentally) nearly an acronym for Elisa. Maybe we should have spelled it "Salie".
Of course, Elisa looks damn good as a blonde. As always, it's nice to see her in different costumes.
Salli nearly gets the blame for the raid at the chop shop. She saves herself, probably literally, by mock accusing herself. Humor. Everyone's weapon of last resort.
It was also nice to see Elisa in the big sister (or young step-mother) role to Angela. I almost wish we had the time to play that more here.
Now, the question has been raised how Elisa got back on the force again, without getting in trouble after the World Tour. Here's a good part of the answer. She was needed. It's not that Chavez wasn't pissed about the disappearance. But the fact was that Chavez needed an unfamiliar face to infiltrate Brod's organization. Elisa's protracted absense wound up being useful. So Elisa gets in on a major undercover assignment that results in multiple high-profile arrests... and she's back in the fold.
It was also kind of fun to put Elisa in the uncomfortable position of having to protect Dracon.
AH, THE NINETIES...
Payphones. Salli looks wistfully at a payphone. Not that a cellphone would have helped her all that much with Brod watching her every move. But still...
Also, it seems that back in the 90s, a particle-beam weapon could shoot through the metal ceiling of a train... but NOT through seats on the same train. My wife gleefully pointed this out to me.
Anyway, that's my ramble. Where's yours...?
TURF OUTLINE NOTES
In preparation for my next ramble, here are my notes on the outline for Turf... written after story editor Gary Sperling turned in the episode's outline but before work began on the script itself.
You'll notice that I didn't finish my beat outline. Didn't have time. But I got the ball rolling, and Gary was so good, he didn't need me to do the rest...
WEISMAN 5-16-95
Notes on "Turf" Outline...
ANGELA
She can't be a cypher. Nor can she be naive of the Trio's attentions for very long. She can miss it for a beat, then be flattered at first. Then annoyed at their presumptions. We can play the whole range, except non-responsiveness. Also, we'd like to make her fun in her own right. New York (and even the modern world) are still very new to her. Situational excitement can distract her from the Trio's antics. But lets try and get a sense of who she is outside of the context of her parentage.
Also, I feel that we need to know who Angela will wind up with in the long run (assuming there ever is a long run). Gary Sperling and I discussed it, and came to a semi-consensus that Angela and Broadway would make a nice couple. This should NOT be objectively reflected in this episode, and Broadway can make just as big an idiot of himself as Lex and Brooklyn, but if we keep it subtle, I wouldn't mind if viewers were able to look back to this episode and say, "you know, it really started here."
BROADWAY
Independent of his romantic prospects, his appetite seemed overwhelming here. No arguments that he likes to eat. And I have no problems depicting him eating, but I don't want his appetite to ever overwhelm his common sense. No hunting for jalapeños when he's on a covert mission. Food does not become a priority when Elisa or the gargoyles' lives are at stake. And per Gary Krisel, we don't even want him to be talking self-consciously about food. It's a background element to his personality, not a defining element. He's imaginative. He likes to roll play. To have a good time. He likes pop culture. He's a fierce warrior. He's sensitive. Kind to animals. Protective. And, yes, he likes to eat.
CORRUPTION
I'd love at some point (that's that elusive long run mentioned above) to do a story about corruption. But I don't want to depict casual corruption in a story that doesn't have room to deal with it. Xanatos was in prison in "Thrill of the Hunt" and "Enter Macbeth" and got no massive privileges, except maybe a private cell. He ate prison food in the common room, etc. And he was in for a considerably lesser charge and has considerably more wealth at his disposal than Tony. So I don't want to see Dracon bribing guards or living the high life. Again, if our story was about that I wouldn't hesitate. But it's not. So prison is tough and cold and unpleasant. Dracon can have a private cell, a privilege he loses in the epilogue, and he is still running things via communication with Glasses. But he ain't having fun.
ELISA/SALLI
When the story opens, she's already in with Brod. In fact from her point of view, the first scene was designed to be the end of her undercover operation. She leads Brod to hit one of Dracon's illegal operations and the cops bust both sides. The plan is screwed up when she is knocked out before the cops arrive. She comes to later and has to improvise from that point on.
BROD
Brod's not a secret. This is an open turf war between two gangsters. Everyone, Dracon, Glasses, the cops, etc., know who the combatants are. The dilemma for the cops is that they cannot afford to let either side win. The winner would become too powerful. Putting Dracon away is embarrassing evidence of that. His operation is still in place. Elisa and the cops want to take the opportunity that the turf war presents to decimate the operations of both sides.
BEAT SHEET
ACT ONE
1. Some Dracon operation is raided by rival gangsters led by Brod. Brod's second-in-command is a woman (Elisa/Salli). Brod's men have the drop on Glasses and company, but "Salli" is knocked unconscious in the first early struggle. Suddenly, the raid is raided by the cops led by Chavez and Bluestone. (Morgan can be there too, but Elisa is conspicuously absent.) The cops nail henchmen on both sides, but Glasses and Joey escape (probably via some escape route that was in place for just this kind of police raid). Brod also escapes with the unconscious Salli, maybe to some extent because the cops don't want to fire on "Salli". (Though obviously, we don't want to reveal that here.)
2. In the hovercraft, Salli comes to. What happened? Brod explains that her plan to get the drop on Dracon's lieutenants worked -- until the cops showed up. Brod is generally suspicious, though not paranoid. The cops may have stumbled onto this thing on their own. Or one of Dracon's men might have betrayed the operation, and the Brod raid was just a case of bad timing, an unlucky coincidence. But Brod does not like coincidences. It's very possible that one of his people snitched. He still basically trusts Salli. (The fact that she got knocked out probably doesn't hurt her credibility.) But he doesn't trust anyone 100%. So for the time being, he's not letting anyone out of his sight.
3. Glasses visits Dracon in prison. Dracon orders a counterstrike against one of Brod's new operations.
4.
Chapter LIX: "Vendettas"
Time to ramble...
Chapter LIX : "Vendettas"
Story Editor: Cary Bates
Writer: Cary Bates
Director: Bob Kline
Voice Director: Greg Weisman
I don't usually list the voice director for each episode, because it's ALWAYS the same name: i.e. the incomparable Jamie Thomason. Out of 78 Gargoyles and Goliath Chronicles episodes, Jamie directed 77 -- and did a damn fine job on each and every one. This is the only episode I directed. I'd been sitting on Jamie's left hand (not literally, you sickos) throughout the first 58 episodes, and I wanted to take a shot at directing myself. I had done a few pick-up sessions here and there, mostly long distance phone patches with Keith David (who was starring in SEVEN GUITARS on Broadway). But I had never directed an entire episode. So I chose one with a small cast of people I knew very well and who knew me and would cut me some slack... FINDING an episode of Gargoyles with a small cast was no easy task, by the way. I tend toward casts of thousands. (I really drove the WITCH folks crazy this past year.) But Vendettas was perfect. Only five actors: Keith David (as Goliath), Edward Asner (as Hudson), Jeff Bennett (as Vinnie), Clancy Brown (as Wolf & Hakon) and Jim Cummings (as Mr. Acme & the Construction Worker). They were a great group, who made popping my voice directing cherry a pleasure.
In any case, I have a particular fondness for "Vendettas" for this reason. I don't think we got the animation to support the comedy. We didn't get the snappy timing. It's all pretty turgid. But I still think it's a fun story... with a great little cast.
ORIGINS
The title is mine. Originally, back when "Hunter's Moon" was scheduled to be a separate Direct to Video and NOT part of our 52 episode second season order, the ideas in Vendettas were part of two separate springboards. The Wolf/Hakon villain team-up was going to be story edited by Cary Bates. The Vinnie/Pie stuff was going to be story edited by Brynne Chandler Reaves. When Hunter's Moon became our ending three parter, we had to lose three episodes that we were planning to do. One way NOT to lose anything was to combine these two thematically similar stories. Allow the comedy and action to play as counterpoint to each other. It was a great theory. But as I said above, I don't think we had the animation to support the slapstick, and so the comedy falls flat and just winds up undercutting the drama... making this arguably one of our weaker eps. Which doesn't mean I don't still like it a lot. A LOT. Cuz I do. (So depending on your point of view, Brynne either was out of luck or dodged a bullet when I pulled her Vinnie story away from her and combined it with Cary's Hakon/Wolf story. [Brynne was busy on the Gathering two-parter and on Reckoning, so she had plenty to do even without this.])
I think Jeff's performance as Vinnie -- another inspiration for the episode -- is hilarious. And the interaction between Clancy as Wolf and Clancy as Hakon is also terrific. (There's very little difference in the characters voices... just in the performance. Clancy's previous performances in these roles was, of course, another inspiration for the story idea. It came to me one day that Wolf was Hakon's descendant BECAUSE of the voice actor connection. But also because it just felt right.) Plus the normally stellar work of Ed & Keith. I'm not focusing on the voice actors because I directed them, but probably in spite of that fact. They were so great, that even my tyro effort couldn't make them bad.
AXE VS. MACE
Of course, it bothers me to no end that one of the biggest blunders in the series is right here in this ep. The whole haunted battle-axe idea is great. Except that it should absolutely have been a HAUNTED MACE. It should be the Mace that Hakon used to massacre Gargoyles back in "AWAKENING, PART ONE". We should have reestablished that in "SHADOWS OF THE PAST" and used the mace here. Instead we use an axe, which has no resonance for the series. It still drives me nuts. Though it does give us one good line of dialogue: "Tonight is battle-axe night!" I don't know why I like that line so much. Again, I'm sure it's mostly Clancy's reading. But it's still fun.
MR. CARTER & MR. ACME
Of course, the name Carter was chosen (and we had Jim say "Carter" clearly as Acme so that we were legally protected) specifically because it would sound, with Vinnie's dialect, like he was saying "Mr. Kotter". This of course, because Vinnie sounded like Vinnie Barbarino (a.k.a. John Travolta) from the ancient sitcom "Welcome Back, Kotter". Mr. Acme's name is of course a tribute to all the wacko-gadgets that the ol' Warner Bros. Coyote got from the Acme company. Vinnie in this episode is our Coyote. (Wile E. as opposed to the Trickster or the robot or Xanatos... although when you think about it, who's to say that the spirit of the trickster isn't present in all of the above.)
Of course (and yes, I realize, I'm saying of course a lot... all of this stuff seems kinda obvious to me... which does beg the question "Why are you writing about it then?" but I guess the answer is, cuz maybe it's not THAT obvious), the idea behind Mr. C. was that the audience would view Vinnie as a comic but real threat. You were supposed to think the gun was a gun. Vinnie threatens Mr. Acme with it. Threatens to "cream" him. But I tend to doubt on your first viewing that "cream" tipped you off to the nature of his ammunition.
There's some nice parallelism with Vinnie talking to Mr. C and Wolf talking to his axe. Of course, Wolf's axe is possessed, and Vinnie's just kooky. But we liked it.
SLUGFEST
Sometimes it's fun just to have an old-fashioned slugfest. Let Goliath and Hudson duke it out with Wolf/Hakon. Not every story has to have three hundred twists and turns. If they did, even that would get old. Sometimes you just want (as a creator, at least) a little satisfying ultra-violence. Even the characters agree sometimes. After the first skirmish, Hudson says: "I enjoyed that." Goliath not so much: "I'm glad SOMEBODY did."
There's a semi-funny double beat that can be hard to catch where Goliath cocks his fist to hit Wolf and accidentally smacks Hudson in the face. Later he NEARLY does it again. I really like that stuff. But I'm not sure the animation pulled it off.
BEING VINNIE
The idea behind Vinnie as he developed over time to this point, was the idea of the shmoe. The guy who just keeps getting nailed by life. Life, in this case, being the gargoyles. They aren't aware of his existence, but they keep trashing him. Vinnie's narration is a riot to me. I love the shock in his voice after Lex takes his bike: "Can you believe it? He didn't know the first thing about motorcycles!"
"Can you believe it?" became Vinnie's catchphrase. Also "Uh oh."
In order to make Vinnie play, we actually had to visually "recast" the guy with the big nose from "Awakening, Part Four". I mean that guy had a REALLY big nose. He looked like Mr. Darling from 101 Dalmations. But I did like the contrast between the two versions of that scene. In Awakening, when Goliath grabs "Vinnie" he pulls him off screen and we hear an off screen BANG. And then "Vinnie" collapses unconscious. The implication being that Goliath knocked "Vinnie" out. Now in Vendettas, it's not off screen. And we see that Goliath BANGED his fist against the bulkhead, and Vinnie... fainted. Yet in his narration, Vinnie is always the hero.
Vinnie's true origins of course are in joke voices that Jeff did off the microphone. But when we had a security guard in "CAGES" that needed to be a bit dim, we had Jeff use the Barbarino voice. Then we ret-conned Vinnie back into the guy with the motorcycle and Big-Nose. There's also a scene with Vinnie that wound up being cut from the script for time from "Hunter's Moon". Remember when Goliath pulls the metal hatch off the Hunters' airship, so that he and Brooklyn and Lex can infiltrate. There was a follow-up scene where Vinnie's walking down the street and the metal hatch comes crashing down -- and nearly brains him. This was just going to be another example of Vinnie's "luck".
And it's just perfect here when after taking the pie, Goliath is asked by Hudson who Vinnie is, and Goliath answers, "I haven't the slightest idea." The gargoyles have no idea how they are changing life in Manhattan... not just by the big battles they win (ala Wolf/Hakon) but in many small ways. Most of these things are good. (Look at Mr. Jaffe, for example.) But they can't all be good. And the gargs can't possibly be aware of all the connections they are making. (BUT I TRIED TO BE.)
Of course, I later used Vinnie in "The Journey" (my one episode of Goliath Chronicles, my farewell episode). Vinnie at the end becomes something of a stand in for me, myself. At that point I knew I was moving to DreamWorks just as Vinnie was moving to Japan. But I also couldn't resist giving Vinnie the opportunity to grow and even be mildly heroic. We tried on Gargoyles to let all our characters grow, even someone as goofy as Vinnie. And seriously, anyone who would chose revenge by pie can't be all bad, right? Or even all stupid. There's something sophisticated in creating a gun that looks threatening... to the idea that you are letting your enemy know that you could have killed him. But instead you chose to hit him with a pie. I'm not recommending this in real life. But it's a bit more advanced than straight out revenge OR straight out pie-throwing.
MISC.
"Since when do Werewolves fly?" It was fun to give a Hakon-possessed Wolf some ghost powers. This may not have been as effective as "Shadows..." but I think we had some play with it.
Hudson gets his "Jalapeña" here.
Wolf to Hakon: "Dream on, Casper!"
Hudson to Hakon: "Hakon Clan-Slaughterer!" I wish we had made more of this. (And again, I think the mace would have helped.) The idea is there, but I would have liked to push it more. Hudson was one of the clan's rookery fathers and grandfathers. He lost a lot -- A LOT -- of gargs he cared about. To Hudson, Hakon is the ultimate evil. I do like his line: "Get an afterlife!" But I do wish we had played this more. The idea was to comment on the foolishness of vendettas, vengeance, revenge, which is -- as a certain DX once said -- a sucker's game. And yet, I would have liked to see Hudson actually taking revenge here. Not just defeat an enemy, but take revenge. Although it seems contradictory, I think it would have helped to illustrate the point. Hakon sought revenge and wound up a victim of it. The cycle continues. This is all mostly there, but I would have liked to play the drama more.
PIE
"And now it's time to take my sweet revenge." And boom, the goofball whom we have been trashing for an entire episode gets the clean kill shot that neither Hakon nor Wolf could achieve. Only he doesn't fire a bullet (or cannon shot or whatever). Rather he fires a pie. The idea of the pie was Brynne's. I seem to recall that she got that off a Superman story she saw or read once. The choice of BANANA CREAM was mine.
That choice was a direct result of a pie memo I wrote to the original staff of Bonkers (including Duane Capizzi and Ralph Sanchez) on what makes a funny pie. We decided on that show (for a character named Gloomy the Clown) that cream pies were funnier than fruit pies (something Gloomy had trouble grokking). And we decided that the funniest possible pie was Banana Cream. So that had to be Vinnie's choice.
Anyway, that's my ramble. Where's yours...?
Chapter LVIII: "The Gathering, Part Two"
Time to ramble...
Chapter LVIII : "The Gathering, Part Two"
Story Editor: Brynne Chandler Reaves and Gary Sperling
Story: Lydia Marano
Teleplay: Lydia Marano and Gary Sperling
Director: Bob Kline
ARE WE GATHERING OR AREN'T WE?
My initial reluctance toward calling this two-parter "The Gathering" revolved around the fact that we weren't actually showing much of the Gathering on Avalon. Basically one extended scene at the beginning of Part One. And then nothing. Nothing in part two at all.
But ultimately, I came to view "gathering" as a more metaphorical concept. Certainly, a lot of folk gather in this puppy even after we leave Avalon. Xanatos, Alex, Fox, Petros, Titania, Oberon, Puck/Owen, Renard, Vogel, Fortress-Two, Cybots, Iron Clan Robots, Goliath, Hudson, Angela, Brooklyn, Broadway, Lexington... etc. We're "all in" here.
The Gargoyle clan regathers. The extended (more extended than we knew) Xanatos family gathers. They form the start of a real alliance, laying the seeds for Hunter's Moon.
And, hey, if we hadn't called the eps "The Gathering", what would we call our annual convention now?
PARENTING
Goliath has clearly learned the lesson Diane Maza sought to teach him in "Mark of the Panther". He not only has no qualms about viewing Angela as his daughter, he
also has come to regard the bond between parent and child as sacred.
David has also learned a lesson or two. Not that he EVER would have let Oberon just take something (anything) that belonged to him, but you get the sense that in discovering in "Eye of the Beholder" that he really did LOVE Fox, he learned that he could love. And that his defense of his son here isn't just defending his property but, as Petros puts it, standing up for his family. That's what Petros is responding to here when he praises his son.
(And you got to admit that for a normal fisherman, Petros handles a lot of weird crap with surprising equanimity.)
Renard has likewise remembered what matters most to him. Not repairing his body or his company, but his family. He may not approve of his daughter and son-in-law, but he sure isn't going to let anyone take his grandson from them. He's a bit defeatist at the end. Maybe a tad self-involved, but being terminal, he may not want his final legacy to be failure. I thought it was nice to see Vogel buck him up some. (Though it was also fun to hear Vogel's flat sycophantic "You're a genius, sir." earlier.)
IRON
I liked the Iron Clan Robots. I wish it was clearer that they were scaled larger than the old Steel Clan. There supposed to be about 20 feet tall. But I'm not sure we ever see them beside anything that defines their height.
Benny suggested that they put the baby in an iron ball. The idea is so simple and brilliant, that I'm embarrassed that I never thought of it. But then, ahem, neither Owen nor David thought of it either, right? So why blame the writing staff, huh?
In general, I feel like we played a little too fast and loose with iron here. Presumably, Petros' harpoon was made of iron. If Oberon can be disabled by the ringing of an iron bell, you'd think an iron harpoon through the chest would have killed him. I guess he's just THAT powerful. It hurt bad, drained him horribly. But ultimately someone would have had to finish him in some way. NOW where is that bell?
Actually, there are moments of weak animation here that almost had me thinking of a whole 'nother way to defeat giant Obie. Moments that seemed cartoony enough so that the solution seemed to be for one of the gargs to fly into Oberon's ear, so that we could see him through the windows of Oberon's open eyes breaking stuff in there.
THE RULES ACCORDING TO OBERON
Oberon: "My decrees are mine to interpret."
Oberon: "Oberon does not compromise. Oberon commands!"
Eh, six of one, half dozen of the other.
He's promised that he won't use magic against Goliath's clan. But he interprets that loosely. He won't turn them into glass statues or zap 'em with a magic bolt. But he feels free to attack them physically with his hair. Or sic magically animated statues on 'em. (Liked those industrial age "gargs", btw.)
Of course those Industrial gargs wind up destroying themselves. Brooklyn says, "It's incredible how often that move works." Which is him covering for us the writers knowledge that we kept falling back on that same solution over and over.
And, hey, what's the deal inside Oberon's cape? Actually, I really like that. It's a nice weird, spooky cool moment to remind us how other-worldly Oberon really is.
XANATOS
You'll notice at the beginning of the episode that Xanatos still feels the need to come up with a cynical excuse for saving Broadway's life. He can't yet simply view him as an ally (let alone friend or fellow), but still as a resource that shouldn't be wasted. I love Jonathan's reading there. The cynicism rings so hollow. He's already going through changes.
By the end of the episode, he'll truly regard the Goliath and the clan in a new light.
"HERE'S PUCK!"
So... honestly? How many of you were surprised? If not by the revelation itself, then by the details, as he tells his history to Oberon. (With "visual aids," no less.)
What we tried to do was let all thoughts of Owen AND Puck fall from your head by this time. There are a couple clues to their dual identity in episodes like "City of Stone, Part One" and "The Mirror", and I felt like there were a TON of hints in "The Gathering, Part One". But in Part Two, we tried to keep even the mention of the two characters to a minimum. So that the audience wouldn't be focused on THAT mystery and we stood a chance of at least catching everyone off guard.
I love X's line: "Owen has all sorts of hidden talents."
I also love Puck's, "I'm on a roll." This is delivered into camera. I always wanted Puck to be the one character in our series who could and would break the fourth wall. But I always met resistance from Frank and Dennis. But this ep was directed by Bob Kline, who tossed me a bone, I guess.
Puck had never played the roll of straight man. I loved that idea. That he would out Vogel Vogel. Of course, when Vogel was first introduced, many fans, as expected, were highly critical of the character. Saying he was just an Owen rip-off. It was great to turn the tables. It made us all feel so clever, as Owen is in fact a Vogel rip-off.
Puck has a bunch of great lines, some of which are probably only great because Brent delivers them so brilliantly...
"Sweet kids, but boring."
"One wish from the Puck or a lifetime of service from Owen"
"He chose Owen". Brent's reading there almost breaks your heart. As Oberon says, it's clear that Puck was impressed by X's choice. In fact, he's clearly touched by Xanatos' choice, by his loyalty. He extends a loyalty back to X that he's never, I think, felt before. As with Titania, it's Oberon's punishment backfiring on him. He sent the Children out into the world to learn humility. To learn to be ... "humane". Oberon himself did NOT learn. But many of his subjects did, and the results don't always please Lord O. Puck is loyal to Oberon because he has to be. But he's loyal to David because he wants to be. Guess which loyalty ultimately wins out?
"You hurt him with that one. Do it again." (LOVE THAT.)
"I've got a sunny disposition, and I'm always kind to animals."
It's also nice to see Puck's demeanor and Owen's side by side. Puck is horrified by his permanent banishment from Avalon. (An elegantly appropriate punishment if I do say so myself.) But Owen takes it in stride, as Owen takes everything in stride, right down to and including a stone fist. (Which is another vindication thing for me. Many people seemed willing to crucify us after "The Price" for the cavalier way that the writing staff and Xanatos allowed Owen to get that fist. But now that they knew that Owen is Puck, and that Xanatos (and the writing staff) knew it all the time, it all makes a bit more sense.)
ODDS & ENDINGS
Talk about elegant though, how about Titania's manipulations... assuming you believe her when she takes credit for everything. Do you believe her?
And no, I'm not going to tell you what she whispered to Fox. At this point, I'm quite convinced that the answer would be anti-climactic. Better left to your own imagination.
Oberon gives us the "Midsummer Night's Dream" reference. I like that.
I also like the last exchange between Xanatos and Goliath, starting with:
X: "Wait!"
G: "What?!"
So suspicious our G, huh?
And I like Goliath's line, "The future is not written yet." And it isn't. Not from their point of view. There's still free will. But certainly, Goliath hasn't forgotten the recent vision that was "Future Tense".
Is it here that Broadway calls Angela "Angie" for the first and last time?
Chapter LVII: "The Gathering, Part One"
Time to ramble...
Chapter LVI : "The Gathering, Part One"
Story Editor: Brynne Chandler Reaves
Writers: Lydia Marano
Director: Bob Kline
CAVEAT
This episode is/was so jam-packed with stuff that I literally couldn't take notes fast enough. I'm bound to have missed a ton of stuff that I might have wished to comment on. So this ramble is going to be far from comprehensive. Also, all quotes are approximate.
ORIGINS
My original title for the episode was "Reunions". Finally, I think we all agreed that it should become "The Gathering". Originally, believe it or not, this was going to be a one-parter, with "The Reckoning" (then called "Endgame") as a two-parter. We realized that the Gathering was too jam-packed to fit in one part, and made the switch.
WATCHING WITH MY FAMILY
I think generally you'll see fewer comments from my family in the next few rambles. Having become too aware that I was writing down their responses, they started to play to THAT. And thus their responses have become, I think, less authentic and more designed to make good copy. Ah, well...
I will say that wife and kids have taken to calling out "And we live again!" along with Keith over the opening titles. They find it very amusing. :P
THE GATHERING
Sometimes you do just wish there were more hours in the day. Time to figure out who besides the usual suspects (Grandmother, Raven, Anansi, Coyote, Odin, Anubis, etc.) should have been there. Instead, we get some random designs. (Perhaps even some reuse from New Olympians where I had a similar problem?) Still it did give us Nought. So I guess I shouldn't complain too much.
I hate seeing Anubis laughing.
Note that Titania's mirror was broken in "The Mirror" but that Oberon clearly has his own mirror. A matching set. A wedding gift perhaps?
Love the Weird Sisters as Oberon's storm troopers.
Wish we had done more with Puck's flute. Oh, well. Someday.
Love Oberon's treatment of Banshee. "Anything to say?" he asks when she's frozen. And he won't take the magic-gag off until he can hear her be humble. Guy is tough to please.
MEET THE NEW KID
Alexander is born and intro'd to all his eclectic genre-spanning grandfolk. Here's where I thought we were perhaps being too obvious about Owen's secret. But I do love Vogel's reaction to being "accused" of being related to Owen. And I like Owen's reaction to the news of Anastasia's remarriage.
"Alexander Fox Xanatos". A little bit of mom. A little bit of dad. A little bit of world conqueror. A chilling reminder in middle name and hair color of the events of "Future Tense". We expect great things from this kid...
OBERON'S HUNT
The Jogger does our now standard bit where he blames something recently ingested to explain the "hallucinations".
Oberon obviously saw Star Wars. Maybe he thought "Obi Wan" was some kind of tribute to "Oberon".
Like seeing the Eyrie Nightwatchman again. Haven't seen him since "Awakening", I think.
I love the exchange between Oberon and Titania. Mortal jealousy over something as "mild" as an "illegitimate child" is beyond these two. Oberon is amused that Fox is Titania's daughter. (Of course, for S&P reasons, we had to make it very clear that Oberon and Titania were divorced and that Fox was born when Anastasia was married to Renard.) Some good lines here too:
O: "What is exactly is going on?"
T: "I'm gathering even now."
O: "Titania, what have you been up to?"
I like Anastasia's de-glamouring into Titania. It's as if Oberon's magic gives her a physical/sexual thrill. This plays into her relative descriptions of her two husbands. Halcyon proved to rigid for her tastes. Only Oberon can hold her interest. For an immortal, the one thing that she absolutely needs is variety. Only Oberon possesses that kind of infinite variety. He may not be perfect, but for Titania no one else compares.
Oberon's rationale for leaving Fox alone (as she's turned out human), but taking Alex away (as he has the potential to be one of the Children) makes perfect sense to me. Especially when you consider that he's interpreting his own laws.
I also love Oberon's version of not being heartless. "Hey, kids, come on. I'll give you one whole hour with your new born son before taking him away forever, 'kay?" (I told you all quotes were approximate.)
REUNIONS
I dig Travis Marshall, who never resists an opportunity to point out who Xanatos and Fox really are.
Note BWay's response to seeing Elisa again. Note also the Trio's response to Angela. Broadway calls her "Angie" here. And the stuff with the chocolates is classic, I think.
I also love Hudson's line: "We're not the last. We're not alone." That, more than anything else was the main point of the World Tour. It isn't hopeless for the Gargoyles species.
PREPPING FOR WAR
Owen's abandonment is fascinating to me. There was still a piece of me here that felt like we had given his identity away earlier. But if not, this scene is so amazingly confounding. For the first time, Owen seems more in control of the situation than Xanatos. But also for the first time, Owen actually seems frightened. Then he abandons his post in David's greatest time of need. I am curious how many of you figured out either here or earlier that Owen was Puck. And if not, what did you think of this scene.
ELISA & GOLIATH
Elisa: "There's no place like home." And there's no place I won't stick a Wizard of Oz reference when given the chance.
G's basically making (or ready to make) his declaration of love right here on Elisa's terrace. But she stops him. She still views their love as impossible (the species thing). Watching it now, I'm reminded of "Tears in the Rain" that beautiful BLADE RUNNER moment. But I can't remember if we were consciously inspired by that or not.
REVELATION
Given all that gets revealed in this ep, this may seem minor, but it was very important to me. Avalon did not RELEASE the foursome from their quest. Avalon brought them where they needed to be, i.e. Manhattan because of this Alex conflict. After that, in essence, you have to assume that Goliath, et al, abandoned Avalon's quest. Not the other way around.
CLIFFHANGER
Some fun stuff with Morgan here. But I love the notion of Oberon putting the city to sleep. Summons back a bit of CITY OF STONE of course. But how can you do Oberon and not at some point give everyone a midsummer night's dream? Especially Brendan & Margot. (Who are making a comeback soon, trust me.)
Elisa and Travis are fun to see too.
And finally, KING KONG OBERON. Hey, Peter Jackson's not the only one who found early inspiration with the big ape.
Anyway, that's my ramble. Where's yours?
BACK IN BUSINESS... briefly
Happy New Year!
Gorebash, Todd and I are briefly opening the submit function here at ASK GREG. I plan on posting some ramblings soon on "The Gathering, Part One" and "The Gathering, Part Two" and "Vendettas". And I'd love to get your rambles on those episodes as well.
More than that, I'd like to get your response to the new DVD that came out last month.
I also don't mind getting a few legit new questions, but PLEASE... be reasonable. As of now, I'm still nearly two years behind in answering questions. Gore is planning a major retrofit of the site, but until then, it doesn't help to flood ASK GREG with questions that have already been answered or that could be answered much more rapidly in the comment room.
We'll be closing the submit function down at the end of January, 2006. (I don't want to get too much further behind.)
Thanks and looking forward to hearing from you about that DVD,
Greg
BUFFYVERSE STATS - Year Five
BUFFYVERSE STATS - Year Five
TOP 40 CHARACTER LIST:
Once AGAIN, I'm wasting my semi-valuable time (and hopefully yours) to bring you the latest update in my attempt to catalogue the most significant characters in the BUFFYVERSE. Previous CUMULATIVE updates covered the first, second and third years of Buffy the Vampire Slayer. After that, the task became more complicated as Buffy's fourth season aired simultaneously (day and date, literally) with the first season of Angel. So the Year Four update included Buffy S4 & Angel S1. This update covers year five, i.e. Buffy S5 & Angel S2.
As you may recall, I've tried to inform this subjective task with an objective formula. I tried, as much as possible, not to allow my knowledge of future events to influence the current standings. Still, I won't deny that subjectives have played a role. It's hard not to take extra notice of a character you know is going to be important later. And ties were broken based entirely on subjective criteria.
The idea behind a cumulative tally is to mimic the original experience of following the Buffyverse. It's a horse race. Some of the winners and losers are decidedly predictable. Others are a bit surprising - surprising enough that it's become absolutely clear that my system must be flawed. I've since dreamed up a new system, but it's too late to implement it. Someday, LONG after I've finished this first survey (but ONLY if I prove truly insane), I might just start over and see what the results are with OBJECTIVE SYSTEM 2.0. But for now - assuming you haven't nodded off - you're stuck with System One.
I have a list of ALL the characters that have appeared in both series up to this point. It's so long (including everything from leads to ridiculously minor characters) that I haven't even bothered to count how many there are. But my list of MOST significant currently tops out at 166 characters.
But I think listing the top 40 is both pleasantly traditional… and plenty. Or largely. I just want to note a few characters introduced (or revisited) in this set of episodes, who haven't yet or never will make the top 40, but whom I believe are memorable enough to merit honorable mention.
Starting with…
#159, 160 - Nikki the Subway Slayer, The Chinese Slayer. The two Slayers that Spike killed.
#142 - Aggie. An aura-reader friend of Lorne's, played by the same actress, who played a character named Aura in episode #1. The oddness of this struck me.
#140 - The Valet a.k.a. Jeeves. A gatekeeper, who nearly gave Darla a third chance at life. He interested me.
#129 - Olaf the Troll. Anya's ex-boyfriend. His hammer was almost more important than he was. But I liked him.
#127 - Gypsy Man. The guy who cursed Angelus into Angel. Appeared in two separate flashback episodes.
#126 - Monk. The guy who turned the Key into Dawn. He had a lovely death scene.
#125 - Dracula. Want to make the point that Anton Martin, who played Dracula, used to be on the soap All My Children. He and Sarah Michelle Gellar played lovers on that show. (Michelle Trachtenberg is also an AMC alum.)
#122 - The Primitive, i.e. the First Slayer.
#115, 116, 151 - Francine Sharpe, Stephanie Sharp and The Skilosh Demon. Mother and daughter and the Demon that killed them after Angel Investigations cured young Stephanie of her third eye. Appeared in multiple episodes.
#112 - Bethany. A telekinetic that Angel saved from Wolfram & Heart and her abusive father.
#102 - Sandy. Sandy first appeared when the Vamp-Willow came to our universe. She was a victim that Vamp-Willow bit. Then two seasons later, she resurfaces as a vampire, whom Riley allows to feed on him. Riley then stakes her. Again, I love that they used someone with continuity for Riley.
#98 - Judy Kovacs. The woman in the fifties at the hotel that appealed to Angel for help and then sacrificed him to the mob and then wound up feeding a demon for fifty years.
#92 - Major Ellis. Riley's new C.O., who takes him away from Buffy.
#91, 105 - Vardell, George. Gunn's boys. Both appear in a couple episodes. Then George gets killed, and Vardell gives Gunn guilt for leaving the hood behind to join Angel's team.
#88 - Danver. Bookstore owner. Two different actors played this character across fifty years and two different episodes. Played a major/minor role in Angel's redemption.
#83 - Merl. Angel's comic informant.
#82, 131, 135 - Warren Meers, Buffybot, April. Robot builder and his creations. Lots of fun. And who new Warren would turn out to be Warren?
#76, 101, 107, 108, 149 - Crazy #1, Orlando, Crazy #2, Crazy #3, Older Nightwatchman. Victims of Glory that appeared in multiple episodes. As always, I give extra credit whenever the series reuses characters instead of creating new ones. Orlando was a Knight of Byzantium.
#75, 128 - Nathan Reed, Gavin Park. New Wolfram&Heart lawyers. Nathan is a place holding upper management type, who takes over after Holland Manners dies. (The second place-holder after a one-shot appearance by Nicholas Surovy, another AMC alum.) Gavin will wind up being Lilah's new foil now that Lindsey has left town.
#74 - Dr. Kriegel. Joyce's doctor.
#65, 66, 106 - Dreg, Murk, Gronx. Multiple recurring scabby demon servants of Glory. Across the season, each of these minions become prominent for a few eps and then vanish to be replaced by another for no particular reason that I could see. Why they didn't pick one and stick with him or her is beyond me.
#53 - Anne Steel. Anne, played by the same actress, is clearly the same character who originally went by the name Chanterelle and later Lily on Buffy. She then took Buffy's (middle) name Anne and recreated herself as an advocate for teen runaways on Angel. They don't reference the Buffy stuff, but it's clear. Nice to see a character grow from being a dumb vampire wannabe to being a strong woman who helps others.
#50, 70, 71, 81, 86, 147, 148, 153, 154, 155 - Fred, Landoc, Head Priest Psyalas, Groosalugg, Lorne's Mother, Constable Narwak, Numfar, Priest #1/Barshan, the Rebel Leader, Rebel #1. Inhabitants of Pylea that appeared in the multiple Pylean episodes that ended Angel's sophomore season. Fred, of course, became Fred. It's fairly clear in hindsight that Joss and company had planned from her first appearance on making her a regular for Season Three. Landoc is Lorne's warrior cousin. Psyalas is the main baddie. Groo is Cordy's surprising love interest. Lorne's mom, played by a male actor is pretty funny. But Numfar, a cousin of Lorne's, is hilarious. The moreso because he is played by a dancing Joss Whedon.
#48 - Virginia Bryce. Wesley's girlfriend for a number of episodes.
#44 - Doc. Played by Joel Grey, he's the most direct cause of Buffy's death.
And before we start, a fond Top 40 farewell to Larry (#47), Principal Flutie (#46), Ethan Rayne (#45), Percy (#43), Parker (#42) and the Annointed One (#41).
AND NOW THE TOP 40
Abbreviations for previous rankings…
Y1 - Buffy Season 1.
Y2 - Buffy Season 2.
Y3 - Buffy Season 3.
Y4 - Buffy Season 4/Angel Season 5.
NR - Not Ranked that year.
#40 - Mr. Trick. Y4: 33. Y3: 18. Y2: NR. Y1: NR. The Mayor's #2 man drops 7 rankings, but just manages to stay in the top 40. Don't look for him to be here after Y6 ends.
#39 - Willy the Snitch. Y4: 30. Y3: 21. Y2: 24. Y1: NR. Willy falls another nine rankings, as his bar appears without him. At least he's mentioned.
#38 - Amy. Y4: 32. Y3: 27. Y2: 23. Y1: 17. I can't remember seeing the rat this season, though she does get mentioned. She only falls six rankings.
#37 - Jinx. Y4: NR. Y3: NR. Y2: NR. Y1: NR. #37 with a bullet, Jinx is another of Glory's scabby minions, the one that appears in the most episodes. If they hadn't kept switching minions, i.e. if you added Jinx's appearances to those of Dreg, Murk and Gronx (or even just Dreg's), Jinx might easily have been in the top twenty.
#36 - Holland Manners. Y4: 61. Y3: NR. Y2: NR. Y1: NR. Holland leaps up 25 rankings to join the top 40. He continued to make a couple of appearances even after Darla ate him. But as the first and best of W&H's upper management types, he's pretty memorable.
#35 - Adam. Y4: 26. Y3: NR. Y2: NR. Y1: NR. Adam, last year's big bad, falls nine rankings.
#34 - The Master. Y4: 27. Y3: 16. Y2: 13. Y1: 8. Buffy's first Big Bad appeared in an Angel flashback that seemed to contradict the Master's nostalgia for Angel in the first season of Buffy. Nevertheless, this flashback allows him to fall only seven rankings, justly lifting him above Adam again.
#33 - Jonathan. Y4: 24. Y3: 17. Y2: 19. Y1: NR. Jonathan, who didn't appear at all this season, drops nine rankings, but he's poised for a comeback.
#32 - Forrest. Y4: 21. Y3: NR. Y2: NR. Y1: NR. Riley's ex-best buddy falls eleven rankings.
#31 - Lilah Morgan. Y4: 31. Y3: NR. Y2: NR. Y1: NR. Lilah maintains the exact same rank a year later.
#30 - Glory. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Year Five's big bad is #30 with a bullet. I know Glory isn't anyone's favorite. But I thought she was fun.
#29 - The Mayor. Y4: 19. Y3: 14. Y2: 40. Y1: NR. The Mayor loses 10 rankings. Probably the best of the big bads - unless you count Angelus. But it's inevitable with two series to see even major players like him start to fade when they're not appearing over multiple seasons.
#28 - Graham. Y4: 22. Y3: NR. Y2: NR. Y1: NR. Riley Finn's second best friend falls only six rankings, thanks to a couple more appearances this season.
#27 - Maggie Walsh. Y4: 18. Y3: NR. Y2: NR. Y1: NR. Maggie falls nine rankings, and yet still seems WAY too high up to me. Her top thirty placement above Adam, Glory, the Master, and the Mayor is one of the things that points up a flaw in the system.
#26 - Ben. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Year Five's big bad's alter ego is #26 with a bullet. And here again, a flaw is pointed up. Granted, Ben actually has more screen time than Glory, as he was ALSO part of the Joyce hospital subplot, but it's still stunning.
#25 - Jenny Calendar. Y4: 17. Y3: 13. Y2: 11. Y1: 15. Jenny falls eight rankings, as memory of her begins to fade…
#24 - Lorne, the Host. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Lorne is #24 with a bullet. So much fun. It's amazing it'll take seasons more before he officially becomes a regular.
#23 - Harmony. Y4: 25. Y3: 20. Y2: 26. Y1: 18. Harmony keeps bouncing back and forth, climbing two rankings this year with multiple funny Buffy appearances and one funny Angel that reunited her with Cordelia.
#22 - Kate Lockley. Y4: 23. Y3: NR. Y2: NR. Y1: NR. Angel's cop friend loses her badge and basically exits the series after a redemptive suicide attempt, but at least she's up one ranking. But she'll peak at 22.
#21 - Lindsey McDonald. Y4: 29. Y3: NR. Y2: NR. Y1: NR. On the strength of his relationship with Darla, Lindsey climbs eight ranks before hitting the road in his pick-up. He'll be back in Year Eight.
#20 - Francis Doyle. Y4: 15. Y3: NR. Y2: NR. Y1: NR. Doyle falls five ranks, but stays in the top twenty - as any regular should.
#19 - Darla. Y4: 28. Y3: 23. Y2: 23. Y1: 11. Darla shoots up nine rankings. Amazing what a couple of resurrections'll do for ya.
#18 - Principal Snyder. Y4: 12. Y3: 9. Y2: 10. Y1: 12. Snyder falls six ranks.
#17 - Faith. Y4: 13. Y3: 10. Y2: NR. Y1: NR. Faith loses four rankings, with only a brief prison appearance in the first episode of Angel. After that, I guess Angel loses interest in her.
#16 - Drusilla. Y4: 16. Y3: 11. Y2: 8. Dru maintains the same rank, as she re-sires Darla.
#15 - Tara. Y4: 20. Y3: NR. Y2: NR. Y1: NR. Tara and Doyle switch places on the chart, as Tara rises five ranks. I'm a Tara fan.
#14 - Dawn Summers. Y4: NR. Y3: NR. Y2: NR. Y1: NR. Talk about bullets… Dawn "The Key" Summers enters the rankings at #14. Impressive.
#13 - Charles Gunn. Y4: 37. Y3: NR. Y2: NR. Y1: NR. Gunn climbs 24 ranks to land within the Baker's Dozen of top characters.
#12 - Riley Finn. Y4: 11. Y3: NR. Y2: NR. Y1: NR. Riley leaves the show halfway through the season, resulting in a slight drop off of one ranking. But it's qall downhill from here, pal.
#11 - Joyce. Y4: 9. Y3: 8. Y2: 7. Y1: 7. Joyce's powerful farewell season still has her falling two rankings and out of the top ten for the first time.
#10 - Anya. Y4: 14. Y3: 22. Y2: NR. Y1: NR. Anya moves up four more ranks as she finally becomes a regular and joins the top ten.
#9 - Oz. Y4: 7. Y3: 7. Y2: 12. Y1: NR. Well, Oz finally starts to dip, falling two ranks.
#8 - Wesley. Y4: 10. Y3: 15. Y2: NR. Y1: NR. Wesley continues his upward mobility, climbing two rungs.
#7 - Spike. Y4: 8. Y3: 12. Y2: 9. Y1: NR. Spike jumps 1 ranking. That may not seem like much but within the top ten, the competition is damn tough. Of course, the current distance between him and #6 is immense. So he may have peaked here.
#6 - Willow. Y4: 6. Y3: 4. Y2: 4. Y1: 4. Willow stays at #6. Again, her being this far below Xander absolutely demonstrates that the system is flawed.
#5 - Cordelia. Y4: 4. Y3: 5. Y2: 5. Y1: 5. Cordelia actually falls one ranking as her boss Angel moves up.
#4 - Angel. Y4: 5. Y3: 6. Y2: 6. Y1: 6. Angel's moving up… Giles better watch his back.
#3 - Giles. Y4: 3. Y3: 2. Y2: 2. Y1: 2. Giles maintains his #3 slot.
#2 - Xander. Y4: 2. Y3: 3. Y2: 3. Y1: 3. Xander maintains his #2 ranking.
#1 - Buffy. Y4: 1. Y3: 1. Y2: 1. Y1: 1. Duh.
TOMORROW!
December 6th, 2005 is a day that will live in famy!
VOLUME ONE of the SECOND SEASON of GARGOYLES is available on DVD. If you're buying a copy, particularly if you plan to buy from AMAZON.COM, tomorrow is a GREAT DAY to make your purchase! The more sales we can get on DAY ONE, the better. It's like free marketing!!!
And even if you don't have the money... PLEASE HELP SPREAD THE WORD!!!
This three disk set includes 26 uncut episodes...
LEADER OF THE PACK
METAMORPHOSIS
LEGION
A LIGHTHOUSE IN THE SEA OF TIME
THE MIRROR
SILVER FALCON
EYE OF THE BEHOLDER
VOWS
CITY OF STONE, PART ONE*
CITY OF STONE, PART TWO*
CITY OF STONE, PART THREE*
CITY OF STONE, PART FOUR*
HIGH NOON
OUTFOXED
REVELATIONS
DOUBLE JEOPARDY
UPGRADE
PROTECTION
THE CAGE
THE PRICE
AVALON, PART ONE
AVALON, PART TWO
AVALON, PART THREE
SHADOWS OF THE PAST
HERITAGE
KINGDOM
These episodes introduce Angela and the Avalon Clan, Thailog, Puck, Halcyon Renard, the Uprgraded Pack and the Illuminati. Depth and history are added to Xanatos, Fox, Demona and Macbeth. There's action, comedy, romance, history, Shakespeare and more...
The disks include a commentary track by myself, Frank Paur and Michael Reaves on all four parts of City of Stone. Plus a mini-documentary about making Season Two that includes myself, Frank, Michael, Thom "Lexington" Adcox, Jeff "Brooklyn" Bennett, Bill "Broadway" Faggerbakke, Brigitte "Angela" Bako and Edward "Hudson" Asner. AND I introduce every episode, hopefully without too much embarrassment!
So buy a set! Give it as a holiday gift to friends and loved ones! And SPREAD THE WORD!!!!
Thanks,
Greg Weisman
Fraternal Cross-Promotion!
I am pleased to announce the release of "The Best of Dodger Thoughts," a
325-page book featuring the top selections from my brother's Dodger Thoughts website (www.dodgerthoughts.com). Since 2002, Dodger Thoughts has been the leading independent source online for information and insights on the Los Angeles
Dodgers. Now, the best pieces have been compiled in print, with sections on:
--The 2002-2005 seasons
--Dodger history
--Key Dodger players
--Dodger atmosphere: the stadium, the fans, the broadcasters
--Coaching and managing
--Ownership
--The GM's Office
--Baseball and writing
--Plus, a foreword by longtime Dodger broadcaster Ross Porter
Besides providing immediate enjoyment this offseason, "The Best of
Dodger Thoughts" will have long-term worth as a historical resource: a
you-are-there record of an important chapter in Dodger history, as well as
the first printed compendium of blog coverage of the Dodgers. For longtime
readers of the website as well as those who have never seen it, "The Best of
Dodger Thoughts" will be well worth owning.
"The Best of Dodger Thoughts" can be ordered though this link at Lulu.com -
http://www.lulu.com/content/164688 - or by visiting the Dodger Thoughts
website.
Thanks ...
SERENITY
SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS
Let's end the suspense right away...
I LOVED THIS MOVIE! I THOUGHT IT WAS GREAT.
But it made me sad, and not just for the obvious reasons that two great characters died... although their deaths are certainly major contributors to the overall cause of my sadness.
But I'm sad because in order to make this film an event -- a motion picture -- in its own right and not just a glorified episode of the series... Joss had to blow a big chunk of the Firefly wad. Yes, the tale was great, but wouldn't it have been even greater spread out across anywhere from 7 to 29 more episodes of the series?
Joss, who's next project is the WONDER WOMAN feature, seems to have graduated to movies. And my overall response is... keeping in mind I'm a huge worshipful fan... what a WASTE!!! This is a guy BORN for series television. For taking characters and building them through nuance and familiarity and suprise. For taking universes and creating them, populating them with myth and incident and humanity. For taking stories and weaving them into intricate, surprising and satisfying tapestries.
In movies -- at least in good ones -- you can get a taste of this. But just a taste. In series television, all this stuff is JOB ONE.
So where's my next FIREFLY/SERENITY fix to come from?
And please don't try to tell me there weren't more stories to tell with Book or Wash. And how will those stories come to light now?
It was a great movie. But... I am left with overwhelming sadness over what an even GREATER series it was and would have been.
Quibbles:
The rescue of River doesn't seem to match up with the version we had been told before. I thought others freed River and deposited her with Simon. I didn't think he was a one-man rescue squad.
I found Simon's deactivation word to be a bit hard to buy. If he knew that word, why wouldn't he have used it in "Objects in Space" when she was waving that gun around? It's not like he knew he'd have to save it for a real massacre.
Some of the extra production values in the film got on my nerves a bit. I'd have rather had MORE old west and less extra goop. But that's just me being a curmdudgeon, I suppose.
If you're the Operative, and you know Serenity's "havens" do you really scorch the Earth... leaving them with no place to go that you're aware of? Or do you use that manpower to stake out these locations... and THEN attack? At this point, he had to know that taking this action would only piss Mal off more.
And what was the point of the Operative killing off River's "doctor" at the beginning. Sure, the dude slipped up. But he posed no threat. And one has to assume that his mind -- pride aside -- presented a valuable resource. So what exactly are we punishing him for? Frankly, the real reason to kill him is to (a) establish the Operative and his own sin of pride and (b) to set up Mal's non-death at the end.
The movie was called Serenity, but she felt like way less of a character in this then in nearly ANY episode of the series. (Although I never liked the title FIREFLY for the series. Too obscure.)
I had hoped to see a bit more of the wonderful population of the series. At the VERY least the guys with the blue gloves. But I guess they all had to make way for what was there.
When Book died, I was totally bummed. I kept thinking, why didn't he go with them to Inara. Then he could have returned to Haven to find the massacre and survived it. I felt like there was so much more to get from his character. I hated to see him go.
When Wash died, I was stunned. I hadn't necessarily expected either of these characters to die. I had done a fairly good job at NOT spoiling things for myself. But the death of Book seemed to qualify as the sacrificial lamb. Like the death of the Magus in "Avalon". So I was really caught off guard by Wash's death.
Now don't get me wrong. They were both good deaths for the characters. Heroic and with strength. Not cheap in any way. And structurally right and sound.
But ... well... see above...
So how exactly did those blast doors open? The Reavers were not supposed to be able to open them from their side. I'm perfectly willing to buy the idea that River is smart enough to over-ride whatever Kaylee had done and open them herself. But when they open, she's standing there in her super-hero bleeding-axe pose - not even standing next to the control panel. So who opened those doors?
Was there always a co-pilot's seat? I don't remember ever seeing that before the moment we see River sitting there.
So do we think that Zoe is pregnant?
Also saw Wallace & Grommit this weekend. Did anyone else notice the bit of song from Wathership Down?
Hamilton Camp, R.I.P.
I read today that Hamilton Camp passed away.
I first met Mr. Camp, when I story edited the last five episodes of DuckTales. Hamilton was the voice of GizmoDuck.
We worked together again on Starship Troopers, where he played the "Old Ranger".
More recently, I'd seen him live on stage in a number of productions with Glendale's "A NOISE WITHIN" Theater company. He played Sir Andrew Aguecheek in Shakespeare's Twelfth Night, and he was hilarious.
And it doesn't seem that long ago, that I ran into him in Larchmont Village and introduced him to my two kids. We didn't know each other well, but he was always gracious, professional... and FUNNY as hell.
Godspeed, Hamilton.
BUFFYVERSE STATS
BUFFYVERSE STATS
TOP 40 CHARACTER LIST:
Once AGAIN, I'm wasting my semi-valuable time (and hopefully yours) to bring you the latest update in my attempt to catalogue the most significant characters in the BUFFYVERSE. The first three previous CUMULATIVE updates covered the first, second and third seasons of Buffy the Vampire Slayer. After that, the task became more complicated as Buffy's fourth season aired simultaneously (day for day, literally) with the first season of Angel. Since a normal season of Buffy (the first excepted) consists of 22 episodes, the fourth of Buffy added to the first of Angel totaled 44 episodes, and that seemed too long to wait for an update. So the fourth update took 11 eps from each series. Now, this - our fifth update - completes the tally for Buffy S4 & Angel S1. (I think from now on, I'm only going to do an update at the end of each season, so this one'll have to hold you all over for awhile. And you won't see that mid-season update reflected in the rankings below. Just made life too complicated.)
As you may recall, I've tried to inform this subjective task with an objective formula. I tried, as much as possible, not to allow my knowledge of future events to influence the current standings. Still, I won't deny that subjectives have played a role. It's hard not to take extra notice of a character you know is going to be important later. And ties were broken based entirely on subjective criteria - i.e. my personal preference.
The idea behind a cumulative tally is to mimic the original experience of following the Buffyverse. It's a horse race. Some of the winners and losers are decidedly predictable. Others are a bit surprising - in fact in one specific instance, surprising enough that it's become absolutely clear that my system must be flawed. I've since dreamt up a new system, but it's too late to implement it. Someday, LONG after I've finished this first survey (but ONLY if I prove truly insane), I might just start over and see what the results are with OBJECTIVE SYSTEM 2.0. But for now - assuming you haven't nodded off - you're stuck with system one.
I have a list of ALL the characters that have appeared in both series up to this point. It's so long (including everything from leads to ridiculously minor characters) that I haven't even bothered to count how many there are. But my list of MOST significant currently tops out at 112 characters.
But I think listing the top 40 is both pleasantly traditional… and plenty. Or largely. I just want to note a few characters introduced (or revisited) in this set of episodes, who haven't yet or never will make the top 40, but whom I believe are memorable enough to merit honorable mention.
Starting with…
#111 & 112 - Ilsa & Inga. The Swedish twins that Jonathan is bedding in "Superstar". Sex objects? Sure. But it's a great visual joke.
#110 - Vanessa Brewer Weeks. The Blind Assasin from Angel. She was pretty cool. A Daredevil rip-off, but a cool twist on it.
#106 - Scientist #1. Just giving credit for continuity, in that they used the same actor to play a generic Initiative scientist in multiple episodes.
#105 - Roy. Same deal. You need a college student, why not use Roy, who we've met before?
#103 - Mr. Ward. The Washington Bigwig who shuts down the Initiative.
#102 - Mason. You need a college student, why not use Mason, whom we've met before?
#101 - Colonel George Haviland. The first guy to take charge of the Initiative after Maggie Walsh dies. He's mysteriously replaced in a later episode with a new actor playing a new Colonel serving the exact same function… but I can't resist including him here because he was played by John Saint Ryan, who voiced King Arthur in GARGOYLES.
#97 - Miss Kitty Fantastico. Willow & Tara's kitten. Whatever happened to her?
#91 - Angel's Dad. Seminal, even in death.
#86 - Alanna Gunn. Seminal for Gunn.
#83 - Adam's Follower. A vampire who basically got forgotten.
#82 - Reporter. Again, just some points for consistently using the same person.
#81 - Weatherby. Part of the Watcher Hit Squad that was chasing Faith and crossed over from Buffy to Angel.
#80 - Smith. Ditto.
#78 - Ryan. Little kid with no soul, who was more dangerous than the demon who possessed him. A chilling idea.
#76 - Jeera. Other-dimensional freedom fighter and potential love interest for Angel. I remember thinking she'd reappear some day. But nope.
#71 - Detective Clark - Recurring Buffy Police Detective (second in a series) who made a bit of an impression. Again, I thought we'd see more of this guy, but the idea of the cops of Sunnydale beginning to catch on just never, well, caught on… perhaps because that WAS a semi-important part of the Angel series.
#61 - Holland. Not one of the Senior Partners at Wolfram & Heart, but as close as we get. He'll become more important next season.
#54 - Collins. Head of the Watcher Hit Squad chasing Faith.
#53- David Navitt. Nerdy billionaire on Angel.
#52 - Angleman. The #2 Initiative scientist who gets zombified by Adam.
#49 - Colonel McNamara. The Initiative Colonel who stuck… until he bought the farm.
And before we start, a fond Top 40 farewell to Scott Hope, Deputy Mayor Finch, Whistler, Kendra and Devon.
AND NOW THE TOP 40
Abbreviations for previous rankings…
Y1 - Buffy Season 1.
Y2 - Buffy Season 2.
Y3 - Buffy Season 3.
NR - Not Ranked that year.
#40 - Principal Flutie. Y3: 24. Y2: 16. Y1: 9. The original Principal of Sunnydale High is still just hanging on.
#39 - Larry. Y3: 25. Y2: 35. Y1: NR. A former bully, he became one of the White Hats and was killed by the Mayor. Still dead, so he basically peaked last year (while we was still alive), falling 14 slots to 39.
#38 - Ethan Rayne. Y3: 29. Y2: 22. Y1: NR. Giles former friend still looms larger in my memory than his ranking suggests. But he's fallen nine to 38.
#37 - Charles Gunn. Y3: NR. Y2: NR. Y1: NR. Gunn is #37 with a bullet. Making a big, fast impression in just a few key episodes at the end of the last season of Angel. I'm assuming that they knew they wanted to make him a regular in Season Two, but him getting all the way into the top 40 this quickly came as a surprise.
#36 - Percy. Y3: 26. Y2: NR. Y1: NR. Percy, an obnoxious basketball player from Sunnydale High, drops 10 rankings in a year, but is still hanging on to the top 40 thanks to the fact that he humiliated Willow at a Sunnydale U Frat Party. He's still not even vaguely interesting as a character. But he keeps showing up.
#35 - Parker Abrams. Y3: NR. Y2: NR. Y1: NR. The second guy that Buffy ever slept with. A real jerk. But he was pretty important this one season.
#34 - The Annointed One. Y3: 19. Y2: 14. Y1: 10. The Master's mini-me drops 15 rankings this season. Odds are after next one, he'll be a mini-memory.
#33 - Mr. Trick. Y3: 18. Y2: NR. Y1: NR. The Mayor's #2 man also drops 15 rankings. Not a good season for early season second bananas.
#32 - Amy. Y3: 27. Y2: 23. Y1: 17. Her continuing appearances as a Rat - including one brief but hilarious transformation back to human, are keeping her in the top 40, but she still falls 15 rankings.
#31 - Lilah Morgan. Y3: NR. Y2: NR. Y1: NR. #31 with a bullet for this Wolfram & Hart attorney. She's a comer.
#30 - Willy the Snitch. Y3: 21. Y2: 24. Y1: NR. I thought that maybe Willy was gone for good, but he made one more appearance in a nice Buffy/Riley/Willy scene. He still falls, but only nine rankings. Less precipitous than some.
#29 - Lindsey McDonald. Y3: NR. Y2: NR. Y1: NR. #29 with a bullet for this Wolfram & Hart attorney. Another comer. Is it a coincidence that both Lindsey and Lilah have the initials LM?
#28 - Darla. Y3: 23. Y2: 23. Y1: 11. Hard not to slip a bit (5 rankings) when you're a vampire who's been staked. But Darla's poised for a bit of a comeback, as flashbacks and the last Season 1 episode of Angel indicated.
#27 - The Master. Y3: 16. Y2: 13. Y1: 8. Buffy's first Big Bad appeared in a shortened first season, so has fallen (11 rankings) out of the top twenty.
#26 - Adam. Y3: NR. Y2: NR. Y1: NR. Buffy's latest Big Bad zips past the Master, but not (thankfully) past the Mayor.
#25 - Harmony. Y3: 20. Y2: 26. Y1: 18. Harmony keeps bouncing back and forth. She's dropped five rankings, but she's still up there.
#24 - Jonathan. Y3: 17. Y2: 19. Y1: NR. Jonathan drops seven rankings, but his single appearance this season in "Superstar" was darn memorable.
#23 - Kate Lockley. Y3: NR. Y2: NR. Y1: NR. Angel's cop friend started out as a potential love interest, but has become something closer to an enemy.
#22 - Graham. Y3: NR. Y2: NR. Y1: NR. Riley Finn's second best friend climbed this ladder on the basis of screen time, I guess.
#21 - Forrest. Y3: NR. Y2: NR. Y1: NR. Riley's best buddy at the Initiative and the Fraternity at least has the virtue of being cyber-demonized into a Second Banana.
#20 - Tara. Y3: NR. Y2: NR. Y1: NR. Tara appropriately climbs halfway up the top 40 in her first season.
#19 - The Mayor. Y3: 14. Y2: 40. Y1: NR. The Mayor loses 5 rankings. Probably the best of the big bads - unless you count Angelus. But it's inevitable with two series to see even major players like him start to fade when they're not appearing over multiple seasons.
#18 - Maggie Walsh. Y3: NR. Y2: NR. Y1: NR. But this is just wrong. One of the things that points up a flaw in the system. It's one thing for her to be ahead of Adam. He didn't even show up until WAY into the season. But how does she jump ahead of the Mayor. You figure Maggie & Adam together might equal the Mayor. But no…
#17 - Jenny Calendar. Y3: 13. Y2: 11. Y1: 15. Still maintaining a good number. Made a deep impression.
#16 - Drusilla. Y3: 11. Y2: 8. Dru has fallen five ranks, but she's still way up there.
#15 - Doyle. Y3: NR. Y2: NR. Y1: NR. With his midseason death, Doyle's got nowhere to go but down. But I loved this character. He was a blast. And his death really did catch me off guard. His ranking was really helped by Angel having such a small regular cast initially. It gave him a lot of screen time and story points.
#14 - Anya. Y3: 22. Y2: NR. Y1: NR. Anya's admirably fills the Cordelia role, but even by the end of Season 3, she's still not a regular. But she's moved up eight rankings over last season.
#13 - Faith. Y3: 10. Y2: NR. Y1: NR. Faith loses three rankings due to coma.
#12 - Principal Snyder. Y3: 9. Y2: 10. Y1: 12. Snyder falls three ranks, to equal his season one score. Pretty good for a dead guy, but he was helped by a dream appearance right out of Apocalypse Now.
#11 - Riley Finn. Y3: NR. Y2: NR. Y1: NR. Riley just misses entering the top ten. A new regular (hopscotching over Anya).
#10 - Wesley. Y3: 15. Y2: NR. Y1: NR. Wesley's midseason reappearance, joining Angel's small cast allows him to rise 5 rankings.
#9 - Joyce. Y3: 8. Y2: 7. Y1: 7. Joyce has barely appeared this season, but she was so high up that she only lost one rank.
#8 - Spike. Y3: 12. Y2: 9. Y1: NR. Spike jumps 4 ranks, as he becomes a regular.
#7 - Oz. Y3: 7. Y2: 12. Y1: NR. Well, Oz is done, but he's high enough to maintain his ranking. It's all downhill from here. Still, I'm sure he'll remain in the top 40 forever.
#6 - Willow. Y3: 4. Y2: 4. Y1: 4. Maggie was a small hint, but Willow's #6 ranking absolutely DEMONSTRATES that the system is flawed. Of course, we expect Angel, now the lead of his own show, to pass Willow. And I get how Cordelia's position as Angel's Gal Friday on Angel gave her a ton of screen and story time. And Cordy was close enough to Willow, to allow her to pass our young Wicca. But how did Willow fall so far behind in the first place? How is it that she's so far behind Giles and Xander that she's vulnerable to fall two ranks?
#5 - Angel. Y3: 6. Y2: 6. Y1: 6. I'm mildly surprised that even as the Lead of his own show, Angel's still behind Cordelia, his second banana.
#4 - Cordelia. Y3: 5. Y2: 5. Y1: 5. See above. She's #2 in a tiny regular cast.
#3 - Giles. Y3: 2. Y2: 2. Y1: 2. Giles falls one rank. Still the number 3 guy, which is tops, but his Season Four fears that he has no roll in Buffy's life may have a basis in reality.
#2 - Xander. Y3: 3. Y2: 3. Y1: 3. Xander moves past Giles into the #2 spot. This doesn't surprise me… except again as it relates to Willow. How did he pass Giles and Willow doesn't? It's just counter-intuitive.
#1 - Buffy. Y3: 1. Y2: 1. Y1: 1. Duh.
Greg Guler Responds...
Hey gang...
The other day, I got the following question here...
Audra writes...
Hi Greg,
I was just wondering, how tall is Elisa? I am an 18 year old female and I am pretty tall myself. I am 5'7. And Elisa seems like a tall woman to me. I was wondering if she is as tall as me or taller. Thank you Greg!
I responded...
I don't know. It would be a good question for my CreatureComics.com partner, art director, Greg Guler. I'll ask him.
Here's Greg Guler's response:
Hey guys. Although it's never been figured out in feet
and inches, I figure she has to be at least that tall
in order for her be as tall as she is with Goliath,
and make decent eye contact.
Greg G.
So there you go. You asked Greg, and a Greg answered. All part of the service here and at CreatureComics.com.
Troubies
In my praise of the Troubador Theater Company, I forgot to include their website address:
www.troubie.com
The website itself may not be that impressive, but bookmark it for future reference. Heck, a bunch of you are coming to Gathering 2006 in Los Angeles. Maybe we can all plan to attend a Troubie show together.
"Tonight we're gonna party like it's 1599..."
Yesterday, I took my kids to see "Hamlet, The Artist Formerly Known As Prince Of Denmark". It's a fairly faithful adaption of Shakespeare's Hamlet, set to the music of Prince with a ton of clown shtick thrown in for good measure. For folks of a certain age, like me, who remember the 1984 joy of total emersion in Purple Rain, it was a blast. And my kids really liked it too. Plus, hey, Shakespeare to boot!
And all of it, the brilliant work of the Troubador Theater Company. Matt Walker, who directed the show and leads the company and plays Hamlet, is an f-ing genius.
(Oh, and that guy on stilts... Whoah!)
I think this is my favorite Troubie show since "A Midsummer Saturday Night's Fever Dream".
The talented Troubies are celebrating their tenth anniversary. Other shows of theirs include:
"Fleetwood Macbeth"
"The Comedy of Aerosmith"
"It's a Stevie Wonderful Life"
"Alls Kool that Ends Cool"
"A Christmas Carol King"
"Funky Punks with Junk in their Trunks"
"Santa Claus is Coming to Motown"
"Twelfth Dog Night"
Coming in November... "Little Drummer Bowie"
If you're in L.A., you really don't want to miss it.
G2005 - Tuesday, August 2
G2005 - Tuesday, August 2
8:30am. We hit the road back for Los Angeles. Reading Harry Potter most of the way. (Although we didn't actually finish the book until just last night.) We stopped for lunch at Tommy's (chilicheeseburger, chilidog, fries, coke)... and we were home again by 2pm. That's five and a half hours, including the hour-long lunch break. Half the time it took Thom and I to fly to Vegas. Oh, well.
After that, it was Unpack, Nap, Dinner. Beth made a great home-cooked meal of Meat, Corn, Mushrooms and Strawberries.
More Harry Potter. Did some actual work on W.I.T.C.H.
Then finally bed.
So ends my journal.
Please, everyone post your G2005 CONJOURNALS to ASK GREG by the end of August. I've asked Gorebash to shut down the ASK GREG Submit function at about midnight on August 31st. So before memories get even hazier, please take a few minutes to write up your experiences and cut and paste them here.
Thanks.
G2005 - Monday, August 1
G2005 - Monday, August 1
11:30am. I went down to the art room to collect the kids' art that hadn't sold. (Some of it had!) Spent the entire day saying good-byes to various people as they took off.
12:00pm. Time for my final panel: Creating Original Properties. Talked about DOC SHAKESPEARE. Also showed the animatic "sizzle tapes" for MECHA-SAPIENS (which I developed with Vic Cook and Greg Guler) and KIDD/HERO (which I developed with DAG Entertainment and Vic Cook). Thom came in during the panel to say his goodbyes. Hopefully, he had an easier flight back to L.A. than the one that brought us here.
1:30pm. The auction began with a piece called "Bonanza" by Spike -- which depicted Hudson, Brooklyn, Lexington & Broadway as (respectively) Ben, Adam, Joe and Hoss Cartwright. Now the day before in the silent auction, my daughter had put in a bid on Liz's "Leo" piece and gotten it. And my son had bid $5 on Bonanza. All this was done with Beth's permission. We were willing to buy them each a five-dollar piece of art. But Benny noticed that someone had bid $10 after him on Bonanza. Without asking us, he bid $15. That someone then bid $20. And Benny bid $30!!!!! Thus sending the thing to the live auction on Monday. We were stunned. But he offered to pay in the money he made on his art, so I told him that if the bid didn't go beyond $30 in the live auction, I would get it for him.
So anyway, Bonanza came up for bid. I bid $30. And then... I made faces. Yeah, Spike, I'm truly sorry. No one was forbidden from bidding higher. (And the person who had bid against Benny had already left the con.) But I'm not sure anyone was willing to bid against me or my mock-scowl, so $30 is all you get.
The kids love all the artwork they got from Liz and from Spike and from Jade. Beth has framed or is framing it all. It all goes up on their now very crowded walls. Karine also drew me a picture that I am very fond of -- though I don't see us putting it up on the wall.
I did some signing during the auction. But I also wandered around a bit. Fusion Demon had lost her Doc Shakespeare script, and I found it and returned it. But I also found Thom's script -- which I guess he had given to her -- and didn't realize it wasn't up for grabs. So it got auctioned off for $150. Thom's pants went for big money too, I think.
3:00pm. Closing Ceremonies. Brief and to the point.
4:00pm. A group of us went to Quark's for dinner. Patrick, Tony, Andrea, Trishanna, Cindy, Kyt, Julie, Karine, Jen, Seth, Seth, Jade, Scott, Marina, Liz. I finally got that messy burger that I've been wanting since San Diego. Plus onion rings AND fries.
7:15pm. Then I took a taxi back to the hotel. Packed up.
8:15pm. Checked out of the hotel and waited outside. Saw that guy in the big Top Hat. I'm sorry, I'm blanking on your name, but we had a nice talk.
8:30pm. Beth, Erin and Benny picked me up and we drove to my in-laws, where we read chapter ten of Harry Potter and the Half-Blood Prince. And I had a blueberry muffin, minestrone soup and juice. I was still pretty wired, even after the family went to bed.
3:00am. Went to bed myself.
I'll wrap up this ConJournal tomorrow...
G2005 - Sunday, July 31
G2005 - Sunday, July 31
10:00am. Erin, Benny & Beth arrived at the hotel. They had actually arrived in Vegas the day before, but they were staying at my in-laws house, so I hadn't seen them since Thursday morning. We got them checked in, badged up and showed them the art show. Hung up a couple more of Benny's pictures.
10:30am. Second Day of Auditions with Thom & Jen. Erin auditioned, and did great. We had a number of good people the second day too.
11:45am. Jen & Thom & I went back to Guadelajara's again for our casting lunch. I had a Roast Beef Dip, Fries and a Pepsi. We had some really tough casting choices to make. A lot of good people for only 16 roles and two understudies.
1:00pm. Jen & I posted cast lists at five different locations. I wasn't going to take any chances.
1:30pm. Had a panel next on W.I.T.C.H., the series that I'm working on now. The location got tossed around a bit, but we finally wound up in the ConSuite. I showed the animatic "Pilot" created by the series' first set of producers, who were pushed sideways a bit by Disney, who replaced them with a second set of producers, who were the showrunners for the first season. All four of those producers were then let go, and I did Season Four. I tell this story to show that it can happen to anyone in this business. God knows, it's happened to me. Anyway, it was a fun panel, but I felt very restricted as to what I could talk about. I don't think the entire first season has aired yet, and I didn't want to spoil anything for their stuff, let alone MY second season stuff, which won't begin airing until December at the earliest. But next year's WITCH panel at G2006, should really kick some ass. We'll have a bunch of writers and actors there. Anyway, I recommend checking out the show. We have some really fun stuff planned. It's one of the most fun shows I've EVER worked on.
3:00pm. We had our Radio Play Rehearsal. Everyone showed up, which meant our understudies didn't have much to do, but I hope they enjoyed the process at least. I had fun. It was a great group.
4:30pm. The Radio Play. Again, everyone showed up. This year we were doing an original live-action pilot called "DOC SHAKESPEARE", written by myself & Samuel Bernstein. *UNSOLD*.
Here's the cast list:
Susanna Shakespeare - Laurean Broadbent
Judith Shakespeare - Jen Anderson
Mike Santos - Erik Mambu
Jeff Wylie - Seth Jackson
Anita Santos - Kaylle
Luís Santos - Eric Tribou
Tess Derbyville - Sarah McEvoy
Hamnet Shakespeare - Erin Weisman
Aaron Moore - Adam Leigh
Lewis Santos - Echo Eberle
Arthur Soames - Revel
Ralph - Thom Adcox
Jonas Kent - Alex Garg
Doris - Lanny Fields
Mort - Bruce Lane
Nathan - Vani Shaw
Understudies - Tracy Prelog, Anthony Zucconi
Narrator - Greg Weisman
Everyone really did a great job. I was very pleased with the response.
5:30pm. The family and I went back to my hotel room, to hang out for a while.
6:00pm. Banquet. The four of us were told where to sit, but we were sitting alone and there was some confusion as to how or whether anyone else was supposed to be chosen to join us. Eventually, the Leonard Family (Susan, Robert, Chloe & Carly) joined us and so did GXB, though I think we were too dull for Greg, as he bailed on us at some point. It became a very family oriented discussion there. Erin won the big Gargoyle centerpiece, and Susan was very nice and gave Benny the Garg Puzzle Cube thing. Appreciated, but very unnnecessary. The food was great, I thought. Salad, veggies, rice, eggplant, meat, onions.
No Q&A -- which surprised me. I guess there's just not much left to ask me and Thom. Though I'd think everyone would have wanted a shot at Dave.
After dinner, we went upstairs again and the kids changed into their costumes. GREAT COSTUMES -- created of course by Eden. Last Halloween, Cindy made Benny a Goliath costume (which he reprised for the con) and Erin a Marilyn Monroe costume (which Cindy then added wings to, to transform it into a HOLLY costume, i.e. the mascot of G2001 & G2006).
After they were dressed, we went down to Lanny's room, where Benny got painted purple and Erin got a few make-up highlights. We hung out there awhile with Cindy, Abram, Jen, Karine, Lanny, etc.
9:00pm. Dave, Thom and myself judged the costume contest (after dessert - apple pie, Banana Cream Pie, Swan Puff, Pepsi). Some great costumes...
Junior Division
Erin's Holly won best non-canon character
Benny's Goliath won best canon character
Fusion Demon won best cosplay
Senior Division
Noel's Werefox (with an honorable mention to Jade's La Belle Elisa) won best cosplay.
Eden's sexy Banshee won 1st in canon.
Revel's great Jackal won 2nd in canon.
Onyx won in non-canon.
Tony & Thom won cutest couple.
Andrea won the Thom Adcox Memorial Award.
Shara as Future Tense Brooklyn won both the Gorelisa Award and Best in Show.
Beth, Erin & Benny left at that point to head back to my in-laws and call it a night.
We gave out the art awards too, but I didn't write all those down. I know that Liz's amazing Zodiac series won Best in Show, among others.
After that, I just hung out talking... which is of course one of my favorite things...
Who was there? Thom, Seth, Tony, Andrea, Carol, Dave, Marina, Flanker, Ahkento, Liz, Trishanna, Jen, etc. (I know I'm missing a ton of people. Sorry.)
Finally, we called it a night....
More soon...
GARGOYLES DVD - SEASON TWO, VOLUME ONE
GANG - IT'S OFFICIAL!!!
Buena Vista Home Entertainment has authorized me to reveal the following:
The Gargoyles Season 2 (Volume 1) DVD was announced to the BVHE sales force this past Friday.
Here are the details:
--First 26 episodes of Season 2.
--3-disc DVD set.
--Available on DVD December 6, 2005.
--$39.99 SRP US.
Bonus Features:
--Episode Introductions by Greg Weisman.
--Audio Commentaries on "City of Stone" Four-Parter.
--The Gathering of the Cast and Crew (featurette).
More info as I get it...
GARGOYLES DVD - SEASON TWO, VOLUME ONE
GANG - IT'S OFFICIAL!!!
Buena Vista Home Entertainment has authorized me to reveal the following:
The Gargoyles Season 2 (Volume 1) DVD was announced to the BVHE sales force this past Friday.
Here are the details:
--First 26 episodes of Season 2.
--3-disc DVD set.
--Available on DVD December 6, 2005.
--$39.99 SRP US.
Bonus Features:
--Episode Introductions by Greg Weisman.
--Audio Commentaries on "City of Stone" Four-Parter.
--The Gathering of the Cast and Crew (featurette).
More info as I get it...
G2005 - Saturday, July 30
G2005 - Saturday, July 30
10:30am. Aborted Mug. I showed up. So did Carol. But no one else... :(
Oh, well. Gave me a chance to have breakfast with Carol and Dave Schwartz -- again at Guadelajara's. (Tomato juice, scrambled eggs, sausage, hash browns, pancakes.) I'm afraid I didn't really have the opportunity to sample many of the Palace's restaurant options. Didn't even make it to the Buffet. But I always love breakfast food.
12:00pm. Next up, Dave and I (Thom was a no-show) took on the Development and Production Panel, discussing the entire process of creating and producing an animated series from start to finish. That was fun. Just hanging with Dave is fun. He's a great guy. I hope a bunch of you got a chance to get to know him.
1:30pm. Voice Acting Panel with Thom. I think this went very well. I'm using the same materials I've been using for years, and I should probably get some new ones... but (a) it's hard to find the time and (b) these materials really do a great job at illustrating the basic (very basic) points that Thom and I want to emphasize in the panel. But people must be getting sick of them. Well, we'll see about next year. Anyway, we had some good readers. It was fun, and a nice preamble to...
3:00pm. Auditions. The first set. As is traditional, Thom and Jen and I handled auditions while Cat (Kat?) and ... and... ARGH... I'm blanking out on another name... worked the door. We got some very good people. We were to have more auditions the next day, but Day One gave me confidence that we'd be able to cast the show.
4:30pm. Next up was the SLAVE LABOR GRAPHICS, CREATURE COMICS.COM panel with myself, Dan Vado and Marty Lund. Dan showed his slide show, which included glimpses of all his upcoming Disney Licensced Books: TRON, HAUNTED MANSION, WONDERLAND and, of course, GARGOYLES. For that all we have to show is one gorgeous NEW piece of pro-art depicting Goliath and Elisa. Illustrated by CCC Art Director Greg Guler and colored by the folks at SLG, the piece really kicks some ass! We talked about the upcoming GARGOYLES comic. A lot is still up in the air, but we're all now fully committed to getting this book out in the first half of 2006 -- i.e. sometime between January and June. I know that's a pretty big window, but we'll keep you posted as we begin to nail things down.
Dan was very favorably impressed by the Garg fandom and plans to make SLG a BIG presence at next year's Gathering 2006 in Los Angeles.
6:00pm. We all wanted to grab some dinner, but the wait at Macaroni Grill was like FOREVER. And I had a poker tournament to play in at 7:30pm, and many of the girls were planning to take off to throw Laurean her bachelorette party. So we (me, Adam, Lexy, Tony, Andrea, Patrick, Anna, Si, Marty, Jen, Karine and Kyt) wound up eating at McDonalds (#2 meal and a peach pie).
Si, Lexy, Jen, Cindy, Kyt, Andrea, Trishana and Karine took off for the aforementioned party. And the MEN headed for the Poker Tourney.
7:30pm. Charity Poker Tournament. Competing were myself, Marty, Tony, Eric, Adam, Chris and Thom. All for great charities. (Mine was Daphneyland, a Basset Hound Rescue Organization in Acton, California -- where we got our two new dogs, Abraham and Sami.)
I had NEVER played Texas Hold'em before, but Kathy bought me a book: "The Complete Idiot's Guide to Poker". It was somewhat helpful... though it did make me feel like: "If this is the Idiot's Guide, I need the Moron's Guide." But I did pretty well. We had a pro dealer named Matt. Heavy chips. Good times.
I busted Tony out first. That shocked him, I think. Marty then got killed by Thom, who went out next. I think I slammed him when he thought he had won with two aces in the hole, but I had something like three of a kind or two pair or a full house or something.
Adam then bit the dust, and it was down to myself, Gore and Chris. Chris had been playing slow and easy, letting us all take each other out. But by the time we were down to three, Gore was nearly busted, and I had a decent pot, but Chris had almost all the play money. It finally came down to one hand where both Gore and Chris went all in. I knew I could fold and stay in the game for longer, but I felt it would just be a game of attrition at that point. If Chris took Gore out, I wouldn't have the resources to fight him. So I gambled on a weak hand... and lost. (Though I did beat Gore, to come in second.)
Anyway, I did pretty well and had a great time. It was fun to play with other people's money. I'd do that again anytime!!
9:30pm. I led a HUGE crowd to the Station's Ice Cream Store. Don't remember all who were there, but I know it included myself, Thom, Tony, Lanny, Marina, Ryan, Patrick, Norcumi, Carol and Dave. I had a Banana Royale.
Then we stopped by the Arcade, but that doesn't really jazz me. I asked what else we could do. (I usually run out of ideas after food.) Someone suggested swimming... so we made our way to the pool.
10:00pm. Took a quick couple of dips in the main pool, but we mostly hung out in the jacuzzi: me, Lanny, Adam, Scott, Carter, Thom, Seth, Eric, Tony, Marty and Marina -- the one brave girl willing to hang with ten dopey guys. Marina, whom I remember as a KID from G1997 is a real sweetie. *But man does she make me feel old!*
12:00am. Called it a night, when the guard kicked us out of the pool.
2:30am. Turned out the lights and went to sleep.
More coming soon...
G2005 - Friday, July 29
G2005 - Friday, July 29
ConJournal continues...
The Guadelajara Restaurant in the Palace Station bookends my day.
Started there in the morning, eating alone: eggs, toast, sausage, hash browns.
Then I checked in at the front desk, I believe, before heading upstairs for my first Mug-A-Guest at...
12:00pm. Fan was there, and Daniel and Doug, I think. And others. But I can't remember now. (Please forgive me, as always, if I left you out.) We had a nice fairly open chat, I think. Friendly and intimate, which is the whole point of Mugs.
1:15pm. Then I think I helped Carol carry a bunch of the Gargoyles Production art that she had brought down to the art room. (And a shout out to Johanne Beaudoin at Disney for helping arrange this for us.) I also set up the art panel for my kids stuff. I also spent some time admiring all the great fan art.
3:00pm. Next up, the Writing for Animation Panel. I'm afraid I had nothing prepared for this one, so I talked a little about the writing process, and then opened it up to Q&A. Somehow, we managed to fill the time. I hope it was somewhat interesting and/or informative.
4:15pm. By this time, I was hungry again. So it was time for a late lunch across the street at the Macaroni Grill with Jen, Si and Patrick. Still, I didn't want this to be my dinner, so I just ordered a Fried Calimari appetizer.
6:00pm. Opening Ceremonies. Chris spoke. And Jen intro'd the 2006 convention in Los Angeles. Eventually, it was my turn... and I had a lot to cover:
--Talking about the DVDs (First Season out, Volume One of Season Two coming this winter (probably December)).
--the Comics (due out in the first half of 2006).
--A BIG YEAR FOR GARG FANS!!!
--I thanked the current staff: Chris, Lanny, Carol, Kathy, Lynati, Winterwold, Dreamie, Aaron, Hudson & Seth.
--Nearly forgot to thank Thom.
Then I had stuff to play.
--We had pre-recorded Audio Greetings from Kath Soucie and Keith David. That Keith greeting went over very well.
--Then we had pre-recorded Video Greetings from myself, Thom, Michael Reaves, Frank Paur, Jeff Bennett, Bill Faggerbakke, Brigitte Bako and Ed Asner. Those also seemed appreciated.
--I showed a teaser from the Second Season DVD extras. People seemed to like that too.
--I skipped showing the Gargoyles Pitch that I show most years, as it now appears on the first season DVD. Instead, I had dug up a tape that I had forgotten existed: it's an earlier version of the pitch, with older art, read by Jim Cummings. Next year, I may show both.
--Showed the Garg Promo and Garg Presentation videos, as always.
--Showed the New Olympian & Dark Ages pitches, as always.
--Showed Bad Guys, as always.
--Instead of playing the Audio to "The Last", we had a special treat. Vashkoda did an amazing job of editing, coloring and adding music and effects to The Last, based on the audio tape, script and storyboard. It looked just great. The work only really covered ACT ONE of the episode, but I'm really hoping that some of you artistic types will contact her. If every artist in the fandom just boarded one scene, then by next year, we might have a "new" episode totally completed.
After the Ceremonies, a bunch of us went looking for a place that could handle a large dinner party. We (myself, Carol, Kathy, Thom, seth, Marina, Eric and Scott) wound up at Pasta Palace, where I had bread, minestrone, Veal Picatta and mashed potatos.
Also finished in time, so that I didn't need to run to the Blue Mug... though somehow Thom managed to be late.
10:00pm. Blue Mug. A few Blue moments and a stunning near-psychic moment from Andrea Zucconi. ;) But mostly it was just fun talking until late into the night.
Then, as noted above, it was back to bookend the night at the Guadelajara for Banana Cream Pie and "milk". (In quotes, because it was undrinkable.) I think that was me, Kathy, Lynati, Norcumi, Aaron, Emambu, GXB, Tony & Andrea. And... and... i can totally picture him, but I am just blanking out on the name. (SORRY!!!)
Then I called it a night.
More tomorrow...
G2005 - Thursday, July 28
G2005 - Thursday, July 28
And so begins my annual ConJournal. As I've stated before, it would be very much appreciated if all of you who attended would post your conjournals, diaries, etc. here at ASK GREG. I know there are other places to post them, including the new Gathering Archives, but please ALSO cut and paste the things and put them here too. This is a location Disney is already aware of. In the past, it's helped them to see the fandom taking such a passionate interest.
Okay, the usual caveats... I may misremember some stuff, may leave out some people, reorder events, etc. For that -- in advance -- I apologize.
I do not apologize that most of my conjournal is dedicated to the discussion of what I ate. That's just who I am. Live with it.
Also, some thank yous off the top to Chris Rogers and this year's AMAZING CONSTAFF. GREAT JOB! As always, I had a BLAST at the convention! And you guys did it all!
Okay, here goes...
For the first time in ages, I was taking a non-working vacation. Wasn't even bringing a script to read on the plane. So Thursday morning I woke up and didn't go into the office.
10:30am. Instead, I went to my kids' summer camp to see the neat furniture that my son had built in his furniture building class: a chair (which he named "bacon & eggs") and a table (which he called "hot dogs and mustard"). It was pretty amazing stuff. I said my good-byes to Beth, Erin and Benny. I wouldn't be seeing them again until Sunday at the con.
11:00am. I went home to pack. Had a bit of time to kill, so I had a snack of apple, cheese and salami, while watching a bit of ALL MY CHILDREN, a soap I've watched on and off since the 70s.
12:15pm. Note the time. This is when I departed my house. The car that Carol Wagner arranged picked me up and got me to Bob Hope Airport in no time at all. There, I met up with Thom Adcox. I checked in while he waited to retrieve his cellphone from the driver of his car. Then we went to the gate. We grabbed some lunch (Turkey Sandwich, Chips, Three Musketeers bar, Water, Perrier, Licorice Wheels) and sat and talked.
2:55pm. The flight does NOT leave as scheduled. It's late arriving from Oakland.
4:00pm. We board the plane. Thom gives me some Tootsie Rolls. We wait. Eventually, we depart. I doze off. I wake up, having just missed a P.A. announcement. Seems we're very close to L.V., but we're being redirected. There are thunderstorms in L.V. and unfortunately, since we left Burbank in a hurry -- trying to make our "landing window" -- we didn't take the time to refuel. So now we don't have enough fuel to circle Las Vegas indefinitely. Instead, they send us back to Ontario, California. That's almost all the way back to Burbank.
We land and stay on the plane while they refuel. They give us peanuts. Then they tell us we won't be departing for another hour and a half, so they let us deplane. Thom and I go to Carl's Jr. and order food. Then suddenly a Southwest person comes running through the terminal, telling us all to get back to the plane immediately... we're about to take off. So we grab up our food and reboard... and sit... and wait... and sit... and wait...
One thing I will say is that everyone on that plane maintained a VERY good attitude. Good spirits. You'd expect some nastiness given all the delays ... but it never happened.
I ate my Carls -- Sourdough Bacon Cheesburger, Fried Zucchini and a coke -- and wished I hadn't. Just NOT very good, but with plenty of grease to spare.
Finally, we take off.
8:15pm. We land in Vegas. But there's no gate open for us, so we wait on the tarmac.
9:15pm. We pull into a gate and deplane. Now originally, Chris was supposed to pick us up and take us to the hotel to check in. Then we were all supposed to go to a pre-con staff dinner at the Excalibur. But by the time we arrived, the dinner was already underway. So instead of dragging Chris out, we went to catch a cab. Man -- that's a LONG line for cabs. I spotted Ellen behind us in the line and invited her to share our cab. It was hot. But I was with good people, and like I said, everyone stayed calm.
We finally got a cab. Got to the Palace Station and checked in with no problem.
10:15pm. I finally got up to my room. TEN FULL HOURS exactly after I left my house. Thom and I could have DRIVEN to Vegas and back in that amount of time. Oh, well...
Thom decided to call it a night, so I went down to the consuite and hung around for awhile, chatting with Carol, Hudson, GXB, Lynati, Winterwolf, Dreamie, Aaron, Allayne, Kat (Cat?) and Revel. Kathy came in searching for her cellphone. (The second cellphone search I witnessed just in that day. And people wonder why I don't want one.)
Then, finally, I headed back up to my room and called it a night...
MORE TOMORROW...
G2005 or BUST!
Hey gang,
Well, I'm taking off tomorrow for Vegas. I'll be back here in August to post my Gathering Journal. Don't forget to post yours too!
GATHERING JOURNALS
Hey gang...
Gorebash is going to be opening the ASK GREG posting function in the next day or so. Specifically, that's because I'm hoping that a whole bunch of you will post your Gathering Journals, Diaries, Notebooks, etc. right here.
It helps to have a central place for industry types to read this stuff. Plus I like to read it all.
I'm told we have 170 people pre-registered for the Gathering. So my goal is to get 100 Gathering Journals up on this site in the next couple weeks.
During this period, we'll also be open for questions, but I urge you not to post a question lightly. I'm still backlogged nearly two years worth.
Thanks in advance,
Greg
San Diego ComicCon 2005
Hey guys,
I'm heading down to San Diego tomorrow for a brief sojourn at ComicCon. Specifically, I'll be participating (at least I'll be sitting there) at a Slave Labor Graphics Panel at 4pm on Saturday, 7-16-05. Stop by and say hello.
Regarding Oberon
The other day, I was asked a question about sources for Oberon. I didn't know the answer, but I received this e-mail from site moderator, Todd Jensen:
Dear Greg,
In "Ask Greg" today, curousity asked you if there were any other sources besides Shakespeare for Oberon as "king of the faries [sic]". You replied, "Not off the top of my head." I hope that I'm not presuming here in e-mailing you, but I have found at least three works beside "A Midsummer Night's Dream" that portray Oberon in that role, both of which are early enough that they count as "primary sources".
One is a late medieval French work about one of Charlemagne's knights, entitled Huon of Bordeaux (written in the 15th century, and translated into English by a certain Lord Berners in 1548 - early enough, in other words, that Shakespeare could have used it as a source for Oberon). In it, Huon befriends Oberon in his adventures, and the latter becomes Huon's guardian, almost a "fairy godfather". (Oberon is portrayed in it as around three feet tall due to a curse placed upon him in his infancy, and as the son of Julius Caesar and Morgan le Fay!) At the end of the story, Oberon even brings Huon to Avalon and formally abdicates in favor of Huon, declaring him ruler over the "faerie-folk"; a bit of trouble develops, however, when King Arthur arrives at the gathering and protests, saying that if any human should be ruling over Avalon, it should be he himself rather than a relative newcomer like Huon. Oberon angrily tells Arthur that he has chosen Huon for his successor, is not going to change his mind, and even threatens to curse Arthur by transforming him into a werewolf if he doesn't accept it. Huon at this point steps in as a peacemaker, to say that he doesn't think that he could rule Avalon on his own and suggests that he and Arthur act as co-rulers. Oberon and Arthur both agree to this, after which Oberon peacefully dies and Arthur and Huon are crowned in his stead.
Another non-Shakespeare "primary source" involving Oberon is Michael Drayton's Nimphidia, which has Oberon ruling over the "fairies" as well - and wedded here to Queen Mab! (According to the research that I've done on fairy mythology, Titania appears to have been Shakespeare's invention as opposed to a pre-existing legendary figure, though Oberon and Puck both predated him.)
A third is Edmund Spenser's The Faerie Queene, which presents Oberon as the former ruler over "Fairyland", now deceased, with his daughter Gloriana - the Faerie Queene of the title - ruling in his stead. (Gloriana is actually an idealized Elizabeth I, meaning that the Oberon of Spenser would be an idealized Henry VIII.) The poem also includes, incidentally, King Arthur, Merlin, and Talos as on-stage characters.
THANKS, TODD!!!!
IKKI TOUSEN
For those of you who have worn out your GARGOYLES first season DVD playing the words "Nice Mask" over and over and over again...
For those of you who have waited and watched for that Panda-La episode of Talespin, just so that you can hear: "Father, the rockets aren't working!"...
For those of you who just can't get enough of the homeless guy in 3x3 Eyes humming the Gargoyles' theme...
I'd recommend you rush out and purchase the four volume DVD set of IKKI TOUSEN (Strength of a Thousand).
Heck, I'd recommend it anyway. I've watched the first three volumes and plan to watch the fourth volume tonight. They're all a lot of fun. The interview with the director is worth the price of admission alone. Loads of action and sexy stuff. (NOT FOR KIDS, BTW! ADULTS ONLY!)
Ikki Tousen.
Creature Comics.com
Creature Comics.com.
It doesn't quite exist yet. But, yes. It's coming. Or at least I'm starting to feel confident that it's coming. (Traditionally, this kinda confidence has a history of blowing up in my face, but what the heck, right?)
Want the backstory?
At the Gathering 2003 in New York City, I sat down for a while with Martin Lund. Some of you know him as Kai, I believe. At the time, I have to admit, I mostly knew him as Lexy's other half. (Sorry, Marty, can't quite bring myself to say "better half".) Anyway, Marty and I talked. About a lot of stuff, but mostly about how much we'd both like to see a new GARGOYLES comic book telling original stories for the fans.
Marty felt we could make it happen. And Marty got me to believe it was possible.
We soon partnered up with Greg Guler. Many of you have met Greg G. at various Gatherings. Greg was one of the main development artists who helped create GARGOYLES. (He did the key inspirational designs on a few minor characters that you might remember: Goliath, Elisa, Demona.) He was also the Lead Character Designer for the entire Second Season of the Series. Like me, Greg G. also has a comic book background. We both worked at DC Comics in the late eighties/early nineties -- though we never actually worked together back then. He did a bunch of stuff, but the thing I always rememered was his monthly work on HAWK & DOVE.
(When Greg & I first met in person, he was doing prop design at Disney. I kinda credit myself for giving him a push into character design. He's been one of WDTVA's chief character designers for years now. His credits there are almost endless.)
Anyway, Marty & Greg & I formed a partnership, which we soon called CREATURE COMICS. Our initial goal was to license and launch a new GARGOYLES comic book. Marty would handle the business end. Greg G. would handle the art end. Yours truly would handle the writing (and to a lesser extent be the big mouth mouthpiece for the group -- hence this ramble).
Of course, this was nearly TWO YEARS ago. But Marty does NOT give up. Money was our first problem, i.e. we had none, and *surprise, surprise* Disney wasn't keen on the idea of licensing the GARGOYLES property for free. In fact, because we were a start-up (up-start?) company with no track record, they actually wanted a LARGER license fee as, in essence, insurance, in case we screwed up. The good news was that they did LIKE the idea of having two of the original creators being in charge of the creative. (This would fortunately be of importance down the road.) They just weren't wild about a bunch of "amateurs" being put in charge of their property.
But as I said, Marty does NOT give up. Still, for the time being, we put a pin in the GARGOYLES idea. If that was too expensive, we'd start with an ORIGINAL property -- one that CREATURE COMICS could own. We'd prove ourselves on that. Then after we were huge successes, we'd be able to go to Disney again with that track record they felt they needed.
Turns out we had a problem here too. No money. (Funny how that keeps coming up.) So CREATURE COMICS morphed into CREATURE COMICS.COM. We'd launch the comic on the web. This seemed like a plan. But life/reality/actual paying work kept getting in the way. (We -- meaning Greg G. -- did manage to create a logo though, which should be revealed soon.)
Meanwhile, as I mentioned, Marty was busy NOT giving up. He maintained contact with Disney. They were still interested in having the GARGOYLES creators on a GARGOYLES comic book. (And I figure the relative success of the DVD didn't hurt our situation either.) It was just that pesky start-up status that they couldn't deal with. But believe it or not, DISNEY suggested a solution. They were (are) currently in the process of making a licensing deal with SLAVE LABOR GRAPHICS... i.e. a comic book company with an actual track record!
Now, as of this writing, to my knowledge, the deal between SLG and DISNEY is not yet fully, totally realized. As I understand it, they're VERY close. But it's not signed. So normally, I would TOTALLY not be discussing ANY OF THIS (this whole ramble would not exist). But Dan Vado, who runs SLG, spilled some beans last weekend. So we talked with him, and he was okay with us talking to you, with us being cautiously optimistic.
SLG is on the verge of licensing four properties from Disney: HAUNTED MANSION, ALICE IN WONDERLAND, TRON and... GARGOYLES.
GARGOYLES was NOT part of SLG's original pitch to Disney. But Disney hooked Marty, Greg & myself up with Dan. Everyone (Disney, Dan, Marty, Greg, Greg) really liked the idea of CCC packaging the creative on a new GARGOYLES comic for SLG. So THAT is the plan.
But I have to add the caveat, that at the moment, it's STILL only a plan. Because SLG hasn't signed on the dotted line with Disney, they have -- for obvious reasons -- not yet made any deal with us at CCC. As I said, I'm cautiously optimistic. But s--t happens, you know? So cross your fingers for us, but... well, it may still be a touch premature to ACTUALLY hold your breath.
Anyway... I'll be the writer. THE ONLY WRITER. So those of you looking to trade me in for Joss Whedon or Neil Gaiman are SOL. Greg Guler will be the Art Director. He may not pencil every issue, but he'll be making sure that every issue looks damn good. Marty, as usual, will handle the business end of things in his capacity as Executive Vice President of Not-Giving-Up.
Our direction is pretty straight forward. The book we'll be styled to look like the series, and my plan is to pick up pretty much where "Hunter's Moon" left off and do the "third season" that I wanted to do (as opposed to the GOLIATH CHRONICLE version). (The year is 1996. Although I'm probably not going to go out of my way to put a date in the content of the comic that'll scare away a new audience. There's always ASK GREG to fill people in on timeline details. And eventually, I'm hoping to catch up to the present.) I'm also eventually hoping that this thing is such a massive success that it'll lead to all the spin-offs we've been talking about for years. Not to mention those ORIGINAL PROPERTIES that CCC would own and that we still hope to do someday. But to some extent that won't be up to us. It'll be up to all of you.
Marty & Greg & I are all VERY excited! I'd say SPREAD THE WORD!!! But frankly, it's all a bit premature. We hope to begin finalizing things in the next month or so. (Dan's "leak" has certainly lit a bit of a fire. Hmmmm.... wonder if that wa his plan all along? Why, that little scamp!) Greg G. and I are both planning to be on hand for a bit with Disney & SLG at the San Diego ComicCon, so look for us there.
And of course, I'm hoping to be able to tell you a LOT more at the GATHERING 2005 in Las Vegas. Marty'll be there too. You can all hoist him on your shoulders, cuz honestly, he's the real hero in all of this. I get the juice, but he squeezed it.
So that's the scoopage, folks.
CREATURE COMICS.COM. It doesn't exist yet. But... damn... don't give up!
Frank Gorshin, RIP
I just read that Frank Gorshin passed away. I'm kinda bummed about it.
I didn't know him well, but I did meet him a couple of times. He played Professor Hugo Strange in "The Batman" episodes that I wrote. He was terrific.
I've seen him do George Burns (briefly) live, and he was amazing.
And of course, as a kid, I just loved him as the Riddler. And there was that strange-o Star Trek episode too.
Like I said, didn't know him all that well, but he was a very talented guy. He'll be missed.
Since Chad spilled the beans...
WHAT WE KNOW
I've been authorized by Buena Vista Home Entertainment to confirm that there will indeed be another release of episodes from Gargoyles on DVD.
Obviously, those episodes will come from the second season... and I have been assured that in any case the episodes will be released in the correct order.
They are planning on involving me again.
WHAT WE DON'T KNOW
We don't know how may releases there are going to be to cover the second season.
We don't know how many discs. We don't know how many episodes per disc.
We don't know what the extras are going to be.
We don't know any release dates.
As I learn more, I'll keep you posted.
WHAT I'M HOPING FOR
My preference would be that they break up the 2nd Season into three separate releases.
The first release would include 23 episodes, running from "Leader of the Pack" through "Avalon, Part Three".
The second release would include 26 episodes, running from "Shadows of the Past" through "The Reckoning".
The third release would include 3 episodes, running from "Hunter's Moon, Part One" through "Hunter's Moon, Part Three".
I am not even vaguely implying that this is there plan. I don't know what they are planning. I'm simply expressing my personal preference, as many of you have done in the Station 8 Comment Room.
I will, of course, take whatever I can get.
Correction...
I just received this very helpful missive from Greg Bishansky:
Hey Greg,
I just saw the latest question in Ask Greg about the stone Xanatos model
sheet, sounds to me like she may have been refering to the stone model of
Xanatos that Puck creates in "The Gathering Part Two" when we finally learn
his backstory.
Greg
MYSTERY SOLVED! Thanks, Greg!!
Chapter LVI: "Future Tense"
Time to ramble...
Chapter LVI: "Future Tense"
Story Editor: Michael Reaves
Writers: Marty Isenberg & Bob Skir
Director: Bob Kline
CAVEAT
This episode is/was so jam-packed with stuff that I literally couldn't take notes fast enough. I'm bound to have missed a ton of stuff that I might have wished to comment on. So this ramble is going to be far from comprehensive.
I think the title was Michael's, by the way.
GOLIATH ON THE SKIFF
Take this opening scene for example. In less than a couple minutes, Goliath mentions the Gathering (setting up Puck's eventual motivation), wishes to be back home, longs to "see the Trio and Hudson" again and says he would "give much" to return home (all of which invites and allows Puck to interfere in mortal affairs)... and THEN gets hit by lightning.
I wonder how many of you remembered that odd lightning hit. Our hope was that with all that was going on in the ep, you'd forget about it.
PLANET OF THE APES & THE X-MEN
Hard to show the Statue of Liberty in ruins without summoning up that classic moment from the Heston film... a definite influence. Another influence, clearly, was the Claremont/Byrne run on X-Men in the eighties. That first time they sent the Kitty Pride from the future to the present and showed us some horrifying scenes in that alternate future stuck in my memory. Later, of course, I thought all that stuff got WAY out of control in X-Men. It wasn't one story. It became a source of endless regurgitated characters and over-grim (but no longer shocking) situations. It was tiresome to me. But the visceral shock of that first story was a clear inspiration for Future Tense.
Of course, Gargoyles has MUCH stricter time-travel rules than X-Men has.
Again, I wonder what you guys were thinking as shock after shock SMACKS Goliath and the audience. Starting with the explosion of the skiff. When the "face" of the skiff sinks away, I thought it was a chilling start to the festivities.
THE NEW STEEL CLAN
Putting the face of Xanatos on this new Steel Clan was Frank's idea, I believe. It seemed both odd and appropriate to the "new" Xanatos we were presenting.
FORTY YEARS
Did you buy it? Even for a moment? We tried to ramp up the shocks gradually, to suck you in. Claw without wings. An old Matt. The Talan Commandos. Chavez'sdaughter. (I love the baby crying symbolically as she looks at the picture of her mom Maria.) Xanatopia. ("They have better things to be afraid of.) The destruction of the Clock Tower. The late Hudson memorialized in bronze (so it was clear that it was just a statue of him and not him frozen in stone, as in "The Price".) Xanatos having achieved immortality. A Grown-up and Hostile Brooklyn. A grown-up and blind Broadway. The reported deaths of Maggie, Talan and Coldstone. Sevarius and the Ultra-Pack. The last free humans turned into mutates?
All this revealed in a matter of minutes. The idea of course is to try to keep both Goliath and you guys off balance for as long as possible. How many of you just went along for the ride? How many spent the half hour balking?
THE PHOENYX GATE
Step by careful step. When Brooklyn brings up the gate the first time, our hope was that it wouldn't come across as -- 'Hey, this is what this whole episode is really about?', but simply as a logical question that needed to be refuted by Goliath's great line: "Solutions lie not in the past, but in the present."
CLONE WARS
We wanted to play fair, but we still wanted to fool you.
Demona is introduced -- as Brooklyn's mate, no less. And for the first time it is Puck who is caught off guard, unaware that Demona and Thailog have hooked up. His Brooklyn is forced to vamp that Thailog was killed in the "Clone Wars". (I like to think that it was Puck who spur of the moment stole that reference from George Lucas as opposed to us.) And to justify it, he later shows the Thailog Shock Troops.
(Note that both the Talan Commandoes and the Thailog Shock Troops are cybernetically disfigured -- with a full hemisphere of their brains replaced.)
AND THE SHOCKS KEEP COMING...
A cybernetic Lexington, clearly influenced by Hyena & Jackal. (And as it turned out, more influenced than we knew.)
Fox not being Fox. But being F&X's son, Alexander, a.k.a. Fox 2.0. I love that VERY anime battle scene between them. Isn't that kick-ass animation. And Xanatos killing his own son because he no longer "required an heir"... woo.
Goliath: "...but to destroy his own son..."
This was ALSO us playing fair... on two levels. The Xanatos we all knew would NEVER murder his own son. So this must NOT be the real Xanatos. And it isn't. Not within Puck's vision (where this Xanatos is just a computer program with delusions of grandeur and the LACK of self-awareness necessary to be blind to the fact that Lex was actually calling the shocks) and not really AT ALL (as the whole thing was just an illusion of Puck's).
When Brooklyn says: "We better get out of here before Xanatos nukes the place," we were hoping that by this point the audience wouldn't be sure whether or not to take Brooklyn's statement/fear literally.
DEATH & CONSEQUENCES
I love Broadway's Sonar collar.
I love Demona's appeal to Goliath to save their daughter by sending her back in time with the Gate. If not to change history, at least to live out her natural life in a better era in safety.
The shocks AND hints proceed to escalate rapidly. Next up is the deaths of Claw, Matt and Bronx.
The death of Bronx, I feel is in some ways the biggest shock/clue of all. With all the other deaths up to that point, both those announced (Hudson, Maggie, etc.), implied (Chavez) and depicted (Claw, Matt), we may still see them as part of a future that we somehow hope to avoid. But Bronx is a rider on the skiff. If he dies, isn't he REALLY dead?
Then comes the abduction of Lex. Again, we were hoping that SO MUCH would follow this (especially the immediate death of Broadway) that you'd all forget about Lex until we were ready to reveal him as the big villain (of Puck's vision).
Then the death of Broadway. As I've said many times, we had a WONDERFUL S&P person with Adrienne Bello. But we still had a fight here. Showing these deaths -- or even talking about them -- would DEFINITELY be out in today's environment. The fact that eventually it was all revealed as an illusion would not stop today's S&P from K.O.ing the ENTIRE NOTION.
But even Adrienne balked at the death scene. She thought it would be too painful for our audience. My point, and I was adamant about it, was that we had to make it painful. That a violent death is painful and that the audience had to feel, really feel, the consequences -- the horrible consequences -- of that death. So Broadway and Bill Faggerbakke get that wonderful death scene. The most potent moment perhaps in the entire series (at least IN the moment, if not in hindsight -- given that it was all part of the illusion). The music there is just heart-breaking too. And the sun that never comes...
CYBER-DEATH & CONSEQUENCES
Tron is another influence of course. Digitized into the cyber-world, our last trio of heroes is immediately trapped. We learn that Xanatos is in fact DEAD.
I love Goliath's line: "You're not immortal. You're not even Xanatos."
Angela dies. Brooklyn dies. Demona is transformed to human. (Another clue: Puck can't resist praising his own handiwork.) Then she dies.
And then Goliath awakens while STILL in stone form. And Xanatos goes to work on him in a way that would make Jackal envious. I love the juxtaposition of Shakespeare and Monty Python...
"Alas Poor Goliath, I knew him well." and "What are you going to do? Bite my kneecaps off?"
And then I love how Goliath's floating stone debris SWALLOWS the Xanatos program whole.
The cyber-world dissolves and all Goliath can do is save Elisa. His last tie to this world. He is nearly back to the state he was in after the Wyvern massacre. Alone in a world that contains only horror and tragedy.
LEXINGTON
I think he was fairly effective and chilling as the ultimate villain here. Goliath KILLS him personally, which I thought was also quite chilling... The Eyrie "Pyramid" explodes and again, all Goliath can do is protect Elisa.
PUCK
But now Goliath lies, broken on the ground. Elisa again asks for the Phoenix gate. And he cannot even muster the strength to deny it to her. But Puck has overplayed his hand. Goliath is so weak, he cannot hand it to her. And the more Elisa begs, the more suspicious Goliath gets. And the more suspicious he gets, the more Puck's hold weakens. And the more Puck's hold weakens, the stronger Goliath gets. I know it sounds complicated, but I think it plays.
I love how not just Elisa, but the entire world (or BG anyway) is sucked together and transformed into Puck.
I love how Puck created this entire horrible torture device just to get Goliath to "fork over" the Gate, and that the only reason for that was so that Puck could have something to bribe Oberon with, so that he could skip out on the Gathering.
I love how Puck still torments Goliath with the "dream or prophesy" line. And I love how that line has similarly tormented the fans. Much has and still will come true from that "prophesy" and yet much already has not.
FINALLY
I remember we stuck in that line about Goliath falling into the water. I remember that we had a play-fair reason for putting that line in. But for the life of me, I cannot remember what that reason was.
I like how Goliath dispatches the Phoenix Gate and how it seems to rain a bit of magic on them all. (This was also the set up/inspiration for the TimeDancer spin-off.) The idea that the Gate would be "forever lost in time".
And finally, Goliath explains: "I had a nightmare, Elisa. And now we must make sure it does not come true."
Did you guys sense that the World Tour was FINALLY coming to an end?
And overall, what did you think? We wanted the episode to really effect you. We wanted to play fair. We didn't want you to walk away feeling cheated because the whole thing was a trick of Puck's (and ours).
Anyway, that's my ramble. Where's yours...?
Future Tense outline notes...
I don't know when I'll get around to rambling on Future Tense, but as it's up next, I'm posting my outline notes on that episode to Story Editor Michael Reaves.
The thing you need to know is that there was much discussion back then of doing the episode (or at least sections of it) in 3-D. Now I do NOT mean CGI. I mean the 3-D glasses kind of 3-D. So many of the notes below reflect that.
WEISMAN 4-23-95
Notes on "Future Tense" Outline...
Michael, I know this is exactly the kind of document that drives my story editors nuts. I apologize, but in the interests of time I believe this is the best solution.
I also want you to know that I considered your suggestion that we replace one of Cary or Gary's episodes with a from-scratch 3-D affair. But after reviewing the schedule it just wasn't practical. Aside from the fact (and budgetary concern) that those guys are already underway on those stories, we just don't have time to come up with a new story from scratch and get Gary Krisel's approval on it and still make all relevant deadlines.
I believe that what I've beated out below preserves all the essential stuff from Marty and Bob's outline, but gives us more opportunity for 3-D action in cyber-space. As usual, none of it is etched in stone. If this approach works for you, you can go right to script. If there's anything you, Marty or Bob want to discuss, that's cool too.
GENERAL NOTE ON 3-D ACTION IN CYBERSPACE
Please remember the nature of this particular 3-D process: some elements push backward or forward depending on their assigned color. You guys don't have to worry about assigning the colors. Leave that to the art director. Nor do you have to sweat the foregrounding and backgrounding. We'll leave that to the board artists, art director, line producer and Frank. What you do need to be aware of though is that this particular 3-D process only really works with characters and objects. They should not be interacting with the environment or backgrounds. That's not to say that Cyber-Xanatos or whoever can't form any specific object out of the "ether" or something. But we don't want scenes of Goliath tearing up Cyber-walls or Brooklyn being swallowed up by the cyber-ground or whatever. Energy beams might work, but "energy fields" could be problematic. If this is unclear, we can set up a meeting with our technical expert, Rob Hummell.
BEAT SHEET
ACT ONE
I. Streamline and combine your beats 1, 2, 3 & 4.
Open on the skiff and the mist with some specific line from Goliath, where he's saying that the odyssey they've been on has been rewarding, but that he really is starting to miss the clan and Manhattan, his adopted home. He feels woozy for a second. Then he sees the Statue of Liberty. (The wooziness is being done in the interest of fair play. Don't make too much of it. The audience will forget about it until the end of the episode, at which point, they'll think: "Of course.")
Combine the blowing up of the skiff with the capture of Elisa and Angela by the Steel Clan robots, (we don't need uniformed human sentries). Goliath and Bronx are rescued by Matt. As they make their way to rebel headquarters we can get Xanatos's brief big brother (3-D) message. We can see the statue of Hudson and find out he's dead. Meet the hostile Brooklyn.
II. Combines your beat 5 & part of beat 6.
Meet the Blind Broadway. And bring up the Phoenix Gate. Make sure Goliath states definitively that "HISTORY CANNOT BE CHANGED". The line about 'time as a river' is a good one, but don't count on that to be clear enough by itself. Intro Good Demona and establish that she is mated (as opposed to married) to Brooklyn. Don't forget to plant another "fairness clue" with our audience. When Goliath says that he thought Demona was in love with Thailog, it takes her a flustered minute to explain that Thailog also died fighting Xanatos. Or something like that. Also I think we can let the more sophisticated members of our audience see the irony that Demona is finally good again only to be lost to Goliath forever. We don't have to state that in dialogue. It raises a lot of complicated issues.
Suddenly Cyborg-Lexington enters and announces that Talon, their inside man, is transmitting all-important data even as they speak. He turns on a monitor and we see Talon getting his butt kicked by Xanatos (in 3-D). While they are watching this, Goliath should ask where this battle between Xanatos and Talon is taking place. All Lexington knows is that it was coming from somewhere inside the Eyrie Pyramid. Xanatos gloats about his plan to do to the entire planet what he has done to Manhattan, then he destroys Talon and the transmission is cut off.
ACT TWO
III. Combines just a bit of your beat 6 and both of your two beat 7s. (Don't feel bad. This late in the season, I'm having trouble counting too.)
We don't need the attack by the Thailog Stormtroopers. Brooklyn states that it's now or never. We have to launch a pre-emptive strike on Xanatos' lair. They'll divide into ground and air forces. Brooklyn, Demona, Cyborg-Lex, Blind Broadway and Goliath will wait for Matt and Bronx and the rebels to create a diversion downstairs. Then they will go in above.
As the five gargoyles wait atop a nearby building for their cue, Demona and Brooklyn again try to prevail on Goliath to use the Gate.
IV. Combines your beats 8 & 9.
Matt and Bronx's diversion begins. The gargoyles fly in, but Lex reports with his cyborg-sight that both Matt and Bronx have been killed. Brooklyn is determined that they won't have died in vain.
They get in, but Lex is quickly taken prisoner and Broadway dies. Goliath, Brooklyn and Demona make their way to Computer Mainframe/Banquet Hall. They aren't looking for any Chief Administrator. They're still looking for Xanatos, not realizing that he no longer exists on the physical plane.
V. Basically your beat 10.
Except instead of a VR helmet, have Goliath, Brooklyn and Demona digitized into (3-D) Cyber-Space ala TRON. No physical bodies left outside. If you die in there. You dead. Obliterated.
ACT THREE
VI. Your beat 11, greatly expanded to fill most of the act.
Xanatos has been holding Elisa and Angela prisoner inside cyber-space, anticipating Goliath's arrival. We get our explanation. Our fight. And the destruction of Brooklyn, Demona and Angela. Goliath finally manages to take out Xanatos, which causes the whole cyber-world to dissolve.
VII. Combines and abbreviates both of your beat 12s.
Goliath and Elisa are re-digitized in the real world. Only to discover that Lex used the opportunity to activate Xanatos' plan. Now he'll rule what's left of the world. Goliath lashes out at Lex, which knocks him back into the main frame and the whole thing starts to blow. Castle is destroyed taking out Lex. (No redemption possible.) Goliath barely manages to save Elisa, but he's broken by it. And Elisa tries to get the gate from him. She fails and melts into Puck. In fact the entire world seems to melt into her to become Puck.
VIII. Your beat 13.
Puck reveals what it has all been about. (Make sure to specifically mention that Oberon has begun "The Gathering".)
IX. Your beat 14.
Make it clear that Goliath passed out right after he said his line about missing his adopted home. So the audience in retrospect can place the exact moment when Puck's little adventure began.
And that's it. Feel free to call with questions or concerns.
Chapter LV: "Ill Met by Moonlight"
Time to ramble...
Chapter LV: "Ill Met by Moonlight"
Story Editor: Michael Reaves
Story: Michael Reaves
Teleplay: Diane Duane & Peter Morwood
Director: Dennis Woodyard
TITLE
This was Michael's title, which he chose knowing it would appeal to the Shakespearean in me. I liked it, but it did concern me that people would misread it. Which is often the case. "I'll Meet by Moonlight" is the one I hear most often.
LORD & LADY
We'd been building toward this one since "The Mirror" -- i.e. from the moment we introduced the concept of the Third Race (a.k.a. Oberon's Children). Note that Oberon refers to himself as "Lord of the Third Race". It's interesting to me that he acknowledges that Gargoyles and Humans are first & second. Perhaps that's his version of humility. Supports my notion that the Oberati (as I wanted to call them originally) evolved last.
Anyway, when we first intro'd Titania's Mirror, I'm curious how many of you thought you'd eventually get to meet Titania?
Note also Oberon & Titania's skin color. This was intentional. Since I knew we had the Gathering coming up and that myth-figures from many cultures would be bowing to Oberon as Lord, I didn't want to depict him or Titania with traditional caucasoid skin. I wanted them a step removed.
We also establish that Oberon divorced Titania for her hybris and disdain for mortals. That he sent her and ALL the children out to learn humility. As I've stated many times, the problem that Oberon had is that 1001 years ago, relative to his fellows, he was already humble. But that's relative. They all go out, and Titania and Puck and a few others learn the lesson that he sent them to learn. But thinking he had no lesson to learn, he learned... nothing. So Titania has evolved, and Oberon has not.
FAMILIAL RELATIONS
Gabriel has been a bit bored on Avalon. Angela says: "Join us on the skiff, my brother." This seemed like a pretty clear indication to me that Angela & Gabriel's relationship was fraternal, not romantic. (I mean, after all, Demona's called Goliath a lot of things, but never "brother".) But still some people thought that these two were an item. They take evidence, I'm told, from the way they held hands over the volcano later in the episode. But I still see that as fraternal concern.
LINES I LIKE (all quotations approximate)
Angela: "I'm beginning to think that this Manhattan is a myth."
Seline: "Humans and Gargoyles profane your kingdom."
Oberon: "A minor nuisance" and "Insolent infestation!"
Titania: "Time for even Puck to mend his manners."
Oberon: "So proud Titania, the game's a foot." (Combines Shakespeare and Conan Doyle.)
Guardian: "No choice and only one chance."
Oberon: "Now, you're just quibbling." (One of my all time favorite lines in context.)
Angela: "Gargoyles stand together."
Titania: "Oberon's word is law."
Katharine: "But does that mean he's always right."
Titania: "Not while he's married."
Goliath: "All's well that ends well."
THE BELL
Silver, we're told is for vampires and weres. So Elisa loses ANOTHER gun to contribute a bit more iron.
I thought the iron bell was a VERY clever solution, and I even thought that Titania's clues were very clever. And the oblique exchange in the forge is clever.
But the forging itself is a disaster. No mold. Just pour hot iron on the ground? Then cool it BEFORE you start hammering it into shape? I picture a forgotten scene where the Guardian finally looks up from his work and says, "I gotta confess I don't know what I'm doing here." And then Elisa says, "Didn't you forge your armor?" And Princess Katharine says, "Actually that was two of the eggs: Michael and Raphael." And Ophelia sighs and says, "I'll go get them."
I do like the overlapping hammer sound effect onto the next scene though.
Ophelia's honesty is also very neat. She questions whether they are doing the right thing. And her arguments RING a lot truer than the rationalization we get from the rest of the gang. Lucky our guys are sympathetic, and Oberon is not.
OTHER TOUCHES
I like the pairing of Gabriel with Goliath and Angela to carry the action. That was fun.
The sound effects accompanying Oberon's flight -- a kind of more meaty version of what was done with Puck in "The Mirror" -- are pretty cool. I like his arrival as a pillar of flame too. He's got style, you have to admit.
I like the cool lighting in the volcano and my daughter Erin liked the lava hands ("That's so awesome.")
I also like the Firefalls. I remember those as being part of the pre-Byrne/pre-Salkind version of Krypton. And long ago, Yosemite National Park used to do firefalls too. The image always stuck with me as very cool. And I like the steam as the lava flows into the river. (Helping to keep the island warm and balmy, perhaps?)
At one point, Gabriel says: "This way!" but on the cut, Goliath is again in the lead. A small mistake, I'm afraid.
I love Goliath's fury as he attacks Oberon (Erin: "Whoa, that was cool!") And I love how Oberon shatters to become diamond-hard beneath. And I love how Goliath STILL doesn't give up, putting Oberon into a half-nelson.
RESOLUTION
Getting us to where I wanted us to go...
Oberon grants assylum, with no hard feelings. He makes the Gargoyles his Honor Guard, which I think is cool. He exempts Goliath and his "clan" from his magic (inadvertently granting this exemption to both the Avalon & Manhattan clans, since Goliath thinks of himself as a member of both.) Oberon & Titania are remarried simply by agreeing that it is so. I mean when you're at the top of the food chain, who needs anyone else to officiate?
Goliath learns that Titania feels indebted to him, though he doesn't learn why. How many of you guys put together that Titania and Anastasia were one and the same? Of course, our voice casting was a HUGE clue. But we have enough actors doubling characters who aren't related that I thought that few people would draw the conclusion that we already had in mind.
And of course, we pave the way for the Gathering...
That's my ramble. Where's yours?
Chapter LIV: "Cloud Fathers"
Time to ramble...
Chapter LIV: "Cloud Fathers"
Story Editor: Brynne Chandler-Reaves
Writer: Lydia Marano
Director: Dennis Woodyard
PREVIOUSLY
Our recap emphasized Xanatos' near disinterest in Goliath. It's kinda funny. And I love how Xanatos spells out that he doesn't hold a grudge. I really do think that it's his reasonableness that sets him apart as a villain. That and the fact that he's such a big picture guy. His big plans are rarely about acquiring things he can get himself. He wants immortality.
Xanatos: "It's my first real step at cliched villainy. How am I doing?"
Still, it was fun at the very end to let him at least get annoyed: "...These last minute upsets you keep handing me are becoming... irritating." THAT in fact is the closest Xanatos comes to cliched villainy.
ARIZONA, 1960
Throughout the episode, the girls keep asking Peter if he wants to "visit" his own father. I'm curious as to how many of you realized that Carlos Maza had actually passed away.
I think the Cloud Fathers memo that I recently posted gives a pretty clear indication of what I was trying to go for here. This, in my mind, is an internal struggle: Peter vs. Peter. Were his actions as a young man reasonable? Are they justifiable? If he admits his mistakes can he live with them? Etc.
I like how dialogue from the Arizona flashback is referenced by Coyote later. My kids noticed it too. Erin also noticed how much Coyote looked like young Peter with his "rugged good looks". I'm glad that was clear.
BETH MAZA
We finally get to know Elisa's other sibling -- the non-mutated one. She seems like an interesting character. Very open-minded. Influenced by her mother's more academic and anthropological pursuits, but choosing to focus on the Native American side of her heritage as opposed to the African side that her mother studies.
It's interesting to me that Elisa is the only one of the siblings who really directly follows in a parent's footsteps.
And I like Beth & Elisa's exchange...
Beth: "They're kinda beautiful... but so alien."
Elisa: "After a while, all you notice is the beauty."
So is Elisa in love or what?!
And PLEASE don't tell me that Beth's line is further evidence that the gargs come from another planet.
THE SWIMMING POOL
I thought this was VERY clever having the skiff arrive in a pool. But I wonder how visually clear it was. that it was JUST a swimming pool.
I did like Elisa's line, when asked where she came from, she says: "The deep end." True in so many ways.
MORE LINES I LIKE
Coyote 4.0: "Once more with feeling."
Coyote 4.0: "Don't quit your day job." (This said to a gargoyle.)
Xanatos (regarding Angela): "She's lovely, Goliath."
Angela (while attacking): "I'm the lovely one, remember!"
Elisa: "Bronx, hit it!" (Didn't she say the same thing in Golem?)
Xanatos: "No way my luck is this bad."
Elisa to Peter re: the Gargs: "Are THESE guys figments of your imagination?" (Answer that one for yourself.)
Coyote re Coyote: "I should sue for trademark infringement."
Xanatos: "I've always considered myself a trickster at heart."
Xanatos to Coyote 4 re the Trickster: "Bottle him."
Coyote 4: "Curious."
Xanatos: "It's so hard to program good help these days."
Coyote 4: "I'm programmed for vengeance."
TRICKSTER STORIES
Coming up with Trickster plots -- for guys like Coyote or Puck or even Xanatos -- can be REALLY hellish. It's hard work making sure that you have all these twists and turns and contingencies figured out. Now try pitting TWO TRICKSTERS, Coyote and Xanatos, against each other. Man!
You can imagine why we were never quite able to tame our FOUR TRICKSTER story involving Puck, Coyote, Raven & Anansi. Not that I think it's impossible, but we just ran out of time and had to settle for the still incredibly complex "Possession".
EYES OF THE COYOTE
I wish the carving had had NO EYES until the acid created them.
Michael Horse, who played both Peter & Carlos in this story, advised us on this script. Obviously, we were trying to be respectful of the culture. He told us to make sure that the carving and the Kachina masks were NOT copies of actual sand-paintings or masks in use. That would be sacreligious.
We did get one letter of complaint about this episode, but it was clear from the letter that the writer hadn't yet seen the episode. So we sent them a tape. Got no more complaints.
COYOTE 4.0
He's a nice stand-in for X, but pales in comparison. Still it was fun always redesigning him. Making him tougher in new ways. And I really like that the Cauldron of Life was reincorporated into him. Nothing ever wasted on this series.
I was also highly amused by the Coyote/Roadrunner schtick. With the trickster in the role of the Roadrunner, tricking Wile E. 4.0 into destroying himself.
AND BACK TO PETER
Coyote had to get Peter back. I like that. And I like the bittersweet ending at Carlos' grave. It strikes me as a graveside victory.
Anyway, that's my ramble. Where's yours?
W.I.T.C.H. news
I meant to post this LAST WEEK, but anyway...
A new animated series, W.I.T.C.H., has premiered both on ABC Family's Jetix block and on ABC (broadcast) Saturday Morning block. (Check local listings.)
Of course, I'm biased. I had nothing to do with this first season, but I do think this is a fun series, with on-going continuity, a large ensemble cast and a larger epic storyline that spans the season's 26 episodes.
I'm currently working on the series' SECOND season, which just got an official pick-up for 26 more episodes. They've done some cool stuff in Season One. And my team is doing some very cool stuff for Season Two. This is the most fun I've had working on a series since ROUGHNECKS & GARGOYLES. (My only real complaint is that it's non-union.)
I've got a great writing staff, but none of them worked on the first season either, so I'll save that for a later post.
In the meantime, I heartily recommend that you get in on the ground floor of W.I.T.C.H. now. They'll be airing the second part of the two-part pilot this Saturday. I assume they'll have a recap to bring everyone who missed part one up to speed. (And for all I know, they may still be rerunning part one on Jetix.)
"Cloud Fathers" Outline notes...
Well, I'm not exactly sure when I'll be watching Cloud Fathers and doing that ramble, but it's obviously on deck, so while I'm thinking of it, I thought I'd present my notes on the Outline from May of 1995.
SPOILERS for the episode.
WEISMAN 5-1-95
Notes on "The Cloud Fathers" Outline...
PETER MAZA
Primary emotional conflict is between Peter and himself. It's an internal conflict. Think Field of Dreams. He can't admit that there was value to his father's Sioux Traditions or he'd have to admit that he wasted all those years being at war with his dad. Now that his dad is dead, he feels it's too late to see his pop's PoV. That's where his adamant stance comes from. But we won't objectively reveal that Peter's dad is dead until the last scene.
We'll illustrate this conflict by letting Coyote/Trickster/Kachina appear as young Peter. One of the trickster's goals is to recover the real Peter. Bring him back to the fold, so to speak.
We'll have less "obvious" magic up front, or else it's hard to keep the real Peter in complete denial. Replace shimmering trickster with trickster posing as mysterious "young Peter" in various guises. Very worldy and cynical the way young Peter was and old Peter believes he still is, but really isn't.
Not a Beth/Peter conflict, per se.
Maza family is Sioux. Not Hopi.
XANATOS
In retrospect, I was wrong to leave the real Xanatos out of this story. His presence will undercut Coyote, but we need someone for Coyote to talk to anyway, so we might as well put Xanatos on the scene and in charge. It's another one of his bids for immortality. And the narcissistic byplay between Xanatos and Coyote might be fun.
It's Coyote (Kachina Trickster) vs. Coyote (4.0 Robot & Xanatos) for the Trickster hall of fame.
Coyote-4.0 has been made from an alloy that includes the melted down Cauldron of Life, making him able to catch and contain a Kachina. The robot is also heavily upgraded with armor and weaponry, making him a lot tougher than the last three versions Goliath defeated.
RANDOM STUFF
No longer necessary to force the proximity between campus, construction site and "village".
Don't need the elders.
Keep the midnight ceremony, but I'm extremely nervous about the dancing -- it could be a real animation problem.
BEAT SHEET
ACT ONE
1. Teaser opening at seemingly deserted construction site. Something very weird and spooky is happening to the bulldozers. Don't show too much.
2. Flashback to 1960. Peter, an only child, is 18 years old. (Maybe he's got a brush cut, while his dad has very long hair.) Peter's fighting with his dad. Dad believes in old ways. Peter doesn't. He leaves for NYC.
3. Dissolve to Peter waking up from Flashback dream as his airplane comes in for a landing. He doesn't like to be back in Arizona.
4. Beth picks him up at airport. She's asked him to come because of Xanatos' building project on leased tribal land. (She can't tell authorities about Derek, but she knows X is probably up to no good.) Peter is equally suspicious of Xanatos. (As long as it's a real world thing.) Beth's driving Peter out to get a look at the construction site. Small talk en route: While he's in town does Peter want to "visit" grandpa? No, he does not. O.k., then, new topic. Any word on Elisa?
5. Mist to swimming pool. Elisa is alarmed to find out where they are. If Avalon sent them here, her sister Beth might be in danger.
6. Beth and Peter arrive at construction site. They are given permission to enter, even encouraged to enter, by a young security guard (whom the audience may or may not recognize as a dead ringer for the young Peter Maza, but who is in fact the kachina Coyote in disguise). Beth may say in an offhand way that the security guard looks familiar. Once inside the perimeter, we find the bizarre Stonehenge of vehicles and tires (in front of the large shed that hides the soil carving). And then Peter and Beth are surrounded by Xanatos and the tribal police. Arrested for trespassing and vandalism. Vandalism? They didn't do this. How could they? And the security guard gave them permission to enter. Xanatos says he has no security guards, but maybe he should hire some. Take them away.
7. The next day, Beth and Peter (a bit worse for wear) make it back to her off-campus apartment. They spent the rest of the night in jail, before making bail. Elisa is inside waiting for Beth. Reunion. Gargoyles are frozen in stone on the terrace. They discuss Xanatos situation. He must have set them up, which is a neat trick since he didn't know they were coming. Who was that security guard? He's the key to proving their innocence. And what is Xanatos up to on that land in the first place?
8. Meanwhile at construction site, Xanatos is in conversation with someone who's standing in the shadows. Someone who sounds a lot like Xanatos. (Coyote Robot, obviously.) Xanatos knows the Mazas didn't have anything to do with the "vandalism". But he let them take the rap because he didn't want the tribal police to investigate any further. Maybe he has a security camera video of "Young Peter/Phony Security Guard/Coyote/Trickster/Kachina" giving the Mazas permission to enter the site. Xanatos thinks that this security guy is the true vandal. He's positive he knows who the guy is. And he wants him.
9. Night. Goliath and Angela have been filled in. They are going to enter construction site by air to find out what Xanatos is up to. Peter has a few moral qualms about this, but the Gargoyles don't legally exist, so legally no one is trespassing. (Let's also not make Peter and Beth too comfortable too quickly around the gargoyles. Knowing they exist and seeing them frozen in stone, is not the same as seeing them walking and talking in all their glory.) After gargoyles head out, Elisa asks whether Peter might want to "visit" grandpa, after this is all over. No, Peter does not.
10. Goliath and Angela glide in. Enter the "shed". Find the soil carving and the land-sat pictures, though they don't know the significance of them. Then Coyote-4 shows. He was expecting Peter and Beth Maza, not Goliath and Angela, but he figures they'll do. We have a fight, which the gargoyles lose. They are down for the count.
ACT TWO
Intercut between beats 11 and 12.
11. Outside the construction site, Peter, Beth and Elisa spot "Young Peter" (no longer dressed as a security guard, but as we saw young Peter dressed in the flashback). With Bronx's help they "apprehend" him. Now that he doesn't have his security guard hat, both Beth and Elisa are startled by his resemblance to their father. "Dad, doesn't he remind you of someone?" But Peter doesn't notice the resemblance and doesn't give them much opportunity to comment on it. He wants some answers from this faux-security guard. Why did he help Xanatos frame them? The kid sidesteps the question by asking a question of his own. Why shouldn't he help Xanatos? Who cares if Xanatos destroys a soil carving sacred to the kachina Coyote? All that old indian stuff is just that: old indian stuff. Beth is shocked. If that's what Xanatos is up to, he definitely must be stopped. Peter begrudgingly agrees that the tribe should be informed. The soil carving has anthropological value at least. Oh, please, says the kid, scoffing at Peter, the way Peter once scoffed at his father. Xanatos is bringing jobs to the tribe. Real jobs. Real money. If you inform the tribe, they'll just rope the site off as sacred land and Xanatos' project won't get off the ground. No jobs. No cash inflow. The kid looks at Peter and says: Get with the program, old man. Besides, where are your priorities. Your worried about some scratches in the sand, while Xanatos is about to ice your two gargoyle friends. The Mazas look shocked. They instinctively turn to look toward the construction site. In that moment, Bronx starts howling, and when they turn back, the Trickster has vanished.
12. Goliath and Angela regain consciousness inside the shed. Coyote-4 has just finished securing them in some kind of James Bondian deathtrap. Xanatos is there and he's actually apologetic. He has no desire to kill either Goliath or this intriguing new female. But the death trap has to be real, and he must be prepared to follow through or else he couldn't hope to trap his true quarry. He's figured that out at least. For weeks he kept pretending that he was about to destroy the soil carving, but until he made up his mind to actually bulldoze the thing last night, he didn't even get a nibble. His prey obviously knows when he's sincere. The seconds tick away and soon the gargoyles will die.
13. Led by Elisa, the Mazas and Bronx are breaking into the construction site perimeter and shed. (If we need a legal rationale, Elisa feels they have probable cause at this point. They have reason to believe a homicide is about to take place.) Peter can't figure out how that strange kid got away so fast. Beth thinks she knows how and also who the kid really is. But before she has a chance to voice her theory, they're in. Unfortunately, Xanatos (in his battle armor) is waiting. It looks bad for all of our heroes. And then Xanatos is hit with a lot of bad luck. Outrageously bad luck. And Xanatos actually seems pleased. He knows his quarry is near. All our gargoyle and human heroes escape, but not before Beth sees "Young Peter" watching them from the rafters. Coyote-IV tries to sneak up on him, but "Young Peter" jumps out an open window (or something) to safety.
14. Our heroes head for the tribal police station to inform the authorities about Xanatos and the hidden soil carving. Beth finally has a chance to reveal what she's now convinced is the truth about the faux-Security Guard. She believes he is Coyote, the trickster. Peter can't believe that this nonsense is coming out of the mouth of one of his daughters. The guy was a punk working for Xanatos. But Beth spells it out. Why would Coyote try to grab one of Xanatos' employees? And c'mon, the guy looked exactly like old pictures of Peter. And he was clearly trying to goad Peter into action through some pretty amateurish reverse-psychology. Plus the soil carving is sacred to Coyote. And who else would have the power to set those bulldozers up that way? And how about the amazing string of luck that allowed them to escape unharmed? That "kid" was Coyote. And he was protecting his sacred carving and us. Peter is appalled. He appeals to the others. But Elisa knows that such beings exist. She's met them. And Goliath says that Beth's theory fits with what Xanatos said earlier about his "true quarry". Angela finds it hard to believe that Peter doesn't believe. Peter won't budge. This is about a rich guy trying to build a building by bulldozing a cultural icon. That's it.
15. Just before they get to town, the gargoyles hide. The Mazas arrive outside the tribal police station. It is dark. Around back, there is some kind of tribal ceremony going on. No spectators. Just participants in masks. Beth is a student of this stuff, but even she's stumped. Nothing was scheduled, and she's unfamiliar with this ritual. Reluctantly, Peter explains. It's a ceremony of gratitude to Coyote. He knows because when he was a kid, his father made him participate. In fact, he played Coyote in the ceremony. But this old rite was rarely performed even when he was a kid. Beth sees this as further proof. The dark, empty police station. The spectatorless ceremony to Coyote. But Peter just mumbles, "It's a coincidence." Then the 'Coyote dancer' takes off his mask, revealing himself to be the "Young Peter" and asking the real Peter if this is a coincidence too? Before Peter can respond, Coyote-4 rockets into the scene, grabs "Young Peter" and rockets away.
ACT THREE
16. Pick up more or less where we left off. The other dancers take off their masks as if waking from a trance. They are the tribal police we met in beat 5. They don't have a clue what they were doing out here, but are very interested to learn about the soil carving in the shed. The Mazas hook up with the gargoyles who saw the robot zoom in and out. Everyone is now sure they must save the true Coyote from Xanatos. Everyone but Peter. Xanatos was simply saving his employee from arrest. There's no one to rescue. Peter refuses to participate in any more of this foolishness. He is adamant in his denial. ADAMANT. This can't be true. It just can't.
17. But of course, it is. The Young Peter/trickster is locked in Coyote-4's grip. He's not exactly terrified, but he's a bit surprised he can't shape-shift himself free or vanish into smoke or something.
(NOTE: I don't know exactly where this should take place. Back in the "shed" makes logical sense, but we've staged all of our action there, and we might want to mix it up some.) Xanatos explains that Coyote-4 was made from an alloy that included the melted down Cauldron of Life -- a device which was supposed to grant Xanatos immortality, but fell short of his expectations. So he put it to a new use. The magic metal of the Cauldron allows Coyote-4 to hold onto Coyote-Trickster indefinitely. (And no, the irony of the names isn't lost on Xanatos. He's always considered himself something of a trickster at heart.) Now, with the trickster under his control, he can get his heart's desire. Starting with immortality. Just then Beth, Elisa and the gargoyles bust in. Still without the trickster's help, it isn't going well. Suddenly, a man appears in the Coyote mask from the midnight ceremony. His mere presence seems to bring bad luck to the villains. Xanatos is shaken. He thought he had the real coyote/trickster but now he isn't so sure. The tide turns. "Young Peter" is freed. Coyote-IV is destroyed. Xanatos is forced to flee or something. And of course, the masked man is revealed to be Peter Maza, who really doesn't know why his appearance helped turn things around. "Young Peter" explains that playing Coyote all those years ago connected them. They are part of each other, which, Young Peter says, is why he worked so hard to get him back. And with that Young Peter vanishes. Leaving the real Peter with the Coyote mask. Peter turns to his daughters and says. Let's go visit your grandfather.
18. We dissolve to the gravesite of Peter's father. The gargoyles keep a respectful distance. Elisa and Beth are closer, but also give Peter room. In a monologue to his dead dad, Peter reveals why he couldn't believe: if he admitted he had been wrong all those years ago, then he'd have had to admit that he lost all that time with his dad for nothing. He believes now, but it is too late. And he's so sorry, because he wishes there was some way his dad could know how much Peter always loved and respected him. Elisa and Beth approach to comfort their father. "I think he knows, dad. I think he knows."
O.K. That's it. As usual, NONE OF THIS is etched in stone. If you like it, you can go right to script. If you don't like it or any part of it, just come talk to me.
Chapter LIII: "Bushido"
Time to ramble...
Chapter LIII: "Bushido"
Story Editor: Gary Sperling
Writer: Gary Sperling
Director: Dennis Woodyard
PREVIOUSLY
As with "Sentinel", which immediately proceeded this ep, the Previously scenes are all from "Awakening". Because again, we're going to use this episode to tell another story loaded with parallelism and "What ifs?"
My daughter Erin, who's seen this episode before of course -- but not recently, picked up on all of it immediately. Taro is a Japanese Xanatos. Kai a Japanese Goliath. Yama a Japanese Demona. Hiroshi a Japanese Elisa. Etc.
What if Xanatos' plan for the gargoyles had been more directly and publicly exploitive? What if Demona was tricked... but also maintained her sense of honor and need for redemption. And etc. Would things have worked out better or worse?
Fortunately, Goliath has (in a sense) been through all of this before. And fortunately, Taro is clever. But he's no Xanatos. So it all turns out all right.
But the parallels continue. Taro also parallels the Captain, and we even present a faux Wyvern to drive the Captain/Demona - Taro/Yama relationship home.
I also like how Yama uses Goliath as proof that the Ishimura Clan doesn't need to hide from the world. Goliath disabuses him of oversimplifying, but it reminds me of when Goliath cited Xanatos to Demona as proof that humans can be trusted.
Yama is great at spouting half-truths that he has thoroughly embraced. Or put another way, Yama is right about a lot. But has chosen a really poor road with which to pave his good intentions. (Not quite the road to Hell, but the road to being a living walkaround character in a theme park!)
LOTS O' LINES
Yama (bored): "Yes, I know. We're terrifying."
Kai: "It's the best kept secret in Japan."
Goliath: "And you believe this problem will be solved by charging admission?"
Taro: "I was always a poor student." (Understatement of the year. And I love how Kai tries to deny it. That's good manners, cuz you gotta figure that for once Taro is being honest -- disarmingly honest.)
Kai: "Gargoyle must not fight Gargoyle" (A conscious tribute, believe it or not, to the semi-seminal "Battle for the Planet of the Apes" and the line "Ape has killed Ape!")
Elisa: "If you don't hurry, you're gonna wind up TV Stars!"
Goliath (horrified): "NO!" (See, we always blamed Disney for GARGOYLES low corporate profile, but Goliath himself was uncooperative.)
Taro: "Nobody ever got rich off Bushido."
Taro again: "Who else needs lessons in courtesy?"
And Taro again: "Bushido is not kind to you, Yama."
Reporter: "You've watched too many cartoons."
Elisa: "But it's a start."
Most of our guest actors began our voice recording playing different roles. But part way through the recording, Jamie and I realized that we needed to start over. They were all good actors but we hadn't worked with most of them before. Once we actually heard the SOUND of their voices, we knew we had to do some switching.
LITTLE TOUCHES
My son Benny immediately noticed that Elisa spent the last half of Act One in a kimono. (I assume her regular outfit was being cleaned -- QUICKLY.) Again, Elisa looks good in anything.
Hey, we actually do get attacked by "EVIL NINJAS"!
Also notice that Taro purchased the same brand of Tranq Gun that Bruno uses for Xanatos.
I love the cultural difference that the Ishimuran Gargoyles face IN, instead of out.
I love how Goliath crumbles the faux stone castle walls.
Hiroshi and Elisa both have some really nice moves. But she's WAY better looking.
And how about those electrified fans of Taro's. VERY COOL. Credit for those go to Dennis Woodyard and his team. The script had electro-disks on Taro's palms. But the fans are much cooler than what I had pictured. (Though I am gonna use those palm disks someday.)
LITTLE ANNOYANCES
Just exactly how many domes did Taro build? When Elisa & Hiroshi are behind the main dome, there ALWAYS seems to be another dome behind them from every angle.
More damn automated cannons shooting up the place. Sometimes, we fell back on old standards.
Way at the beginning of the World Tour, we had a meeting to decide what we were going to do about foreign languages. The majority felt we should ignore them. (I was on the fence, myself.) So when we wrote and recorded Bushido, we used no actual Japanese. Later, Frank wanted to put the first section in Japanese (with subtitles) -- right up until Kai meets Goliath, and then begins speaking English as a courtesy to his new friend. I felt it would work great (though I sure wish he had brought it up earlier). I felt that even our youngest non-literate audience would be okay with it, since the situation being presented was VERY straight-forward and easy to figure out.
Unfortunately, Frank came up with his plan too late, and Disney didn't want to spend the additional money to rerecord everything. (Many felt it was a dubious creative choice, and the cost settled it.) But in general, I wish we had played with foreign languages more. In Bushido and other World Tour eps.
BUSHIDO IN ISHIMURA
We also were interested in showing that Goliath's vision for human/Gargoyle relations wasn't just a pipe dream. For centuries, humans and Gargoyles have protected each other and lived in peace in Ishimura. It's not a perfect system. The younger human generation has (as the ep opens) lost interest in learning the ways of Bushido. And threats to their little community will always exist, both from within and without. But we felt it was important to demonstrate that peace is possible. And by the end, the pact between human & gargoyle, which we sense had begun to be taken for granted, is renewed. And the study of Bushido will be resumed. This struck me so keenly -- i.e. the notion of young humans and gargoyles studying together in the ways of Bushido (which I view to some degree at least as the Japanese version of the Gargoyle Way), that I incorporated the idea into Gargoyles 2198. Eventually, Ishimura will train both gargoyles and humans from across the globe. The former as protectors, the latter -- as GUARDIANS. All proving that Goliath was a garg ahead of his time.
Yama popped for me a bit. We bulked him up and added him to BAD GUYS as a guy who really wanted to redeem himself for betraying his clan.
We also wanted to do an episode set in Japan for our Japanese Animation Studio. At one point, I noticed that this specific episode was scheduled to go to our Korean sub-contractor. This seemed insane to me, so we juggled some stuff so that WDTVA-Tokyo could do Bushido. And they did a VERY nice job with it.
AND WHO CAN FORGET THE ANIMATRONIC GIANT GARGOYLE
Frank Welker is a lot of fun playing this guy. I want to bring him back. Or them rather. And I love how Taro is stranded up there and then falls. And I love how he says, "Not now." when the Garg starts talking.
Anyway, there's my ramble... Where's yours?
Chapter LII: "Sentinel"
Time to ramble...
Chapter LII: "Sentinel"
Story Editor: Cary Bates
Writer: Cary Bates
Director: Bob Kline
PREVIOUSLY
All really old stuff to compare and contrast with this odd little attempt to present Goliath & Elisa's first meeting in an alternate universe, so to speak.
Lost already?
In "Awakening", Elisa accepts Goliath fairly quickly. In my mind, a lot of that acceptance comes because Elisa has a good sense of herself. She's secure in her black shirt, red jacket and genes. (Pun intended.) I believe that someone who is basically (and truly -as opposed to kidding his or herself) self-possessed, has a better chance at accepting those that are different. If I know who I am and am comfortable with that knowledge, than how does your being different effect me? It doesn't. So live and let live.
In "Awakening", Elisa knows Elisa. So Elisa accepts Goliath. But what if Goliath had met someone, even someElisa, who was not quite so self-assured?
Like, say, an Elisa with amnesia? In that alternate universe, how does their first meeting go? She takes a shot at him with her service piece, that's how it goes. Fortunately, she's out of bullets.
And ultimately, Elisa has good instincts. We left it intentionally ambiguous as to how much of her eventual turn around is credited to her returning memory and how much is a result of her instinct. But she quickly comes to believe that "this Goliath," or as I love to hear her call him, "Tiny," is a guy she can trust, even when she CANNOT trust herself.
SPEAKING OF TINY
Little changes are refreshing to me. So hearing Elisa call Goliath Tiny is like seeing her with her jacket off. Which we do, here, briefly. Long-sleeve shirt again. I know that she has both short and long sleeve black t-shirts. But has anyone kept track of whether or not we saw her in the short-sleeve t-shirt on the World Tour. Cuz that would be a continuity gaff that I could easily explain.... but I'm hoping I don't have to.
OTHER INSPIRATIONS
Well, for starters one notion that I wanted to put to rest, was some fan buzz after the first season that suggested that Gargoyles must be aliens from another planet. So I wanted to hit that idea head on with the intent of knocking it out once and for all. So Nokkar BELIEVES that the Gargoyles are servents of the Space-Spawn. But he's wrong.
And the result... I got even more fans thinking after this episode that the gargs must be from outer space. <sigh>
Another inspiration was of course, Rapa Nui/Easter Island itself. And those moai statues. This was another stop that seemed like a natural for our world tour. Famous strange statues always drew us to send the skiff to town. I love the image at the very end of Nokkar in profile beside the profiles of the moai.
Finally, when I was young there were tons of stories about forgotten Japanese soldiers assigned to remote South Pacific Islands who were still fighting World War II, because they were cut off from all communication and had no idea that the war had ended (let alone that Japan had lost). I think THE SIX MILLION DOLLAR MAN did an episode about that. So Nokkar is a metaphor for that kind of (probably apocryphal) forgotten Sentinel.
A FEW LINES
(all quotations approximate)
*Goliath to Elisa when she agrees not to fight him at high altitude: "I suppose that's a start."
*Elisa to Tiny: "Just shut up and land."
*Nokkar to the Gargoyles: "Tell your Space-Spawn Masters that Nokkar will never abandon his post!"
Elisa to Tiny: "That's some story. Gargoyle Clans. Mutated Brothers. You threw in everything but King Arthur and the Holy Grail."
Tiny to Elisa: "Yes, well, we haven't encountered the Holy Grail yet." (HINT, HINT)
Elisa to Angela: "Stow the melodrama. I'm immune."
Goliath to Nokkar: "We are both Protectors. Guardians. Sentinels."
The way Avery Brooks (as Nokkar) says the words: "Little doubt" used to always strike me as odd. But I guess I've gotten used to it. Didn't bug me this time.
IT'S THE AMAZING NOKKAR SHOW
The way this ended, you'd almost think we were setting up yet another spin-off. "That wacky alien Nokkar teams up with a doctor and two archeologists to save the world from invasion and learn a little something about getting along... all in one hotel room!"
In fact, I did have a spin-off in mind, but set so far in the future that Arnada, Duane and Morwood-Smyth would be long gone, I'm afraid. (See the GARGOYLES 2198 archive, here at ASK GREG for more information.)
Have I mentioned that Arthur Morwood-Smyth was named after Peter Morwood and Arthur Byron Cover, and that Lydia Duane was named after Diane Duane and Lydia Marano? Yeah, I thought I had.
A FEW LITTLE TOUCHES
Goliath thinks Bronx is disoriented, because he's meandering around in front of the hill. In fact, he's meandering there, because that's the secret entrance to Nokkar's ship.
I like how Goliath gathers Elisa to him by scooping her up in a wing.
A real nice hand-to-hand battle between Goliath and Nokkar.
And Bronx jumps Nokkar TWICE!
Erin, who I believe is now TOO aware that I write down her comments thought it was cool the way Goliath sort of "ice-skated" backwards after Nokkar threw him aside.
AND SADLY
We destroy yet another archaeological treasure when Nokkar's ship topples a moai.
Anyway, that's my ramble. Where's yours?
Will Eisner, RIP
Just taking a moment to note with sadness the passing of comic book (or I should say sequential art) genius, Will Eisner. I met Will only once, when he came to speak to a gathering of DC Comics staffers in the mid 80s. (I was a very junior editorial staffer at the time.) But I've admired his work forever and found every Spirit I've ever read to be extremely instructive. And THE DREAMERS... wow!
Bye Will, and thank you.
HAPPY NEW YEAR!!
Hey gang,
I'm back in town after a great holiday (tempered by the tragedy in Asia). I hope all of you are doing well.
Well, the holiday gift-giving season has passed, but please keep spreading the word about the Gargoyles DVD. Buena Vista Home Entertainment will begin discussing whether or not to produce a DVD of the second season in February, so the more sales we rack up between now and then, the better.
Happy Holidays...
I'm heading out of town. Don't know how much (if any) net access I'll have, so this may be my last post until January 3rd of the new year.
So all of you, have a great Holiday Season. I am so grateful to have all of you in my life.
Chapter LI: "The Green"
Time to ramble...
Chapter LI: "The Green"
Story Editor: Cary Bates
Writer: Cary Bates
Directors: Kazuo Terada, Takamitsu Kawamura
PREVIOUSLY
Use a voice actor. Pay a voice actor. That's the rule, and it's a good one. What that means practically is that even the guy who says, "Previously on Gargoyles" needs to be paid for that episode. Or rather, we won't use someone to say "Previously on Gargoyles" unless that actor is already appearing in the episode, because we don't want to pay someone JUST to say "Previously on Gargoyles..." Now, if you know that one fact, then when you hear our good friend Thom Adcox saying "Previously on Gargoyles" at the beginning of the episode, then it's a pretty safe bet that Lexington is going to appear... and yet, as the episode begins, it seems, at least by this time, to be a fairly standard World Tour Adventure: Goliath, Elisa, Angela & Bronx in the exotic locale of the week. So where in the world (since it ain't gonna be Guatemala) is Lexington going to pop in?
The origins of this episode ("The + [one word title]" attributable to me) come from two semi-competing desires. 1) I wanted to make sure we hit every continent, including South America on the World Tour. And I believed that the stunning visual image of Quetzacoatl, the Flying Serpent was another great inspiration for a Gargoyle character. 2) Frank felt strongly that we had not seen enough of Hudson & the Trio during the Tour. I'll admit, as I have before, that I underestimated their popularity and probably overestimated -- at least at the time -- the interest in our little odyssey 'round the world. But even then, I could see Frank's point. I didn't want to not do our Mayan adventure, so Cary & I constructed a story that would give us an interesting experience in the Green, but would also bring us back to the deep purples of Lex & Broadway's Manhattan.
IT'S ALL IN THE DELIVERY
Some great lines in this one, mostly from Hyena & Jackal:
Hyena...
"Hey, he's a fan."
"Have I mentioned how much I hate Gargoyles."
"They get no mercy." (This right before H&J get slammed by a pretty darn impressive throw of a bulldozer shovel.)
"Bowling for Gargoyles!" (To which my daughter Erin responded with: "That was disturbing." I found it interesting that in all the gonzo stuff in this episode, the thing she found most disturbing was Hyena rolling up into a ball. I mean is that really as disturbing as Jackal's dream of "resculpting" Goliath's head?!!)
Jackal...
"If a tree falls in the forest... do I get to hear it scream?"
"Timber!"
Zafiro had a good line too: "There's no such thing as a few trees."
And Goliath: "What's left of their world is rapidly dwindling."
And Broadway: "Leave our mothers out of this." (Broadway always thinks in clan-parentage mode. My son Benny wondered if they even knew whom their mothers were. Of course, they did. Not biologically, but they knew which females gargoyles were their rookery mothers. All gone now.)
And Morgan (to an unconscious Hyena): "You have the right to remain silent."
"WHAT IS THE GREEN?"
My kids wanted to know.
First off it's hot. Elisa takes off her jacket, revealing her (in this instance) short-sleeve black t-shirt. Even this slight clothing change for her comes off as exciting to me.
Second, it's full of potential herbal medicines, admirably demonstrated by Obsidiana.
Third, it's got Obsidiana. And Turquesa and Jade and the amazingly designed Zafiro. And the revelation, that long ago, Gargoyles were everywhere in the world. In hindsight, I wish that all four characters had had the serpentine lower body. Though I'm glad that only Zafiro had the feathered wings and snake-like head. There's a great Mayan/Aztec flavor to all four gargs. And you wouldn't believe the trouble we had figuring out their names. Now they seem so right. But we went through many permutations, before figuring them out. I think at one point, Zafiro was named Jose.
Fourth, it's got that cool pyramid.
Fifth, it's got amulets which defy the basic Day/stone dynamic. We had some fun with that. And my son Benny liked seeing them alive in the morning. It was different.
Sixth, what didn't get mentioned was Oxygen. I had a line in there which talked about the dilemma of losing the rain forest on the basic level of how much of our oxygen it produces. I felt that was a VERY important message. Frank felt it was preachy. I lost that battle, or ceded it or something. But the line's not in there.
FOR A CHANGE OF PACE
Elisa is accepted fairly easily by the Mayan Clan. Obsidiana takes a particular shine to her. Despite having undergone a Wyvernesque massacre, none of the Mayan gargs have a knee-jerk negative reaction to humans. And certainly nothing on the level of what Elisa had just experienced in New Olympus.
DID YOU NOTICE THE HOMAGE?
To THE SIX MILLION DOLLAR MAN & THE BIONIC WOMAN? I think we did some cool things with Hyena's bionic ear and Jackal's seven-figure eye.
Also, Jackal has a built in hair dryer?
And there's a moment in the museum when Hyena activates her rear jetpacks, when both my kids and my wife thought that she had "rocket-boobies". The shot switches from front to back, and her jets emerge from bionic shoulder blades. But if you miss the camera-angle switch, it can certainly look briefly as if her breasts have become rocket powered. Top that Lyndsey Wagner!
Heck, Jackal even has a built-in Bionic wrist-watch. For some reason, I find that particularly hilarious. ("And he tells time...!")
VOGEL
Just a taste of him here. He's largely a place-holder. A bad employer of our two bad villains. But we tried to make even this little bit of Vogel interesting. He's still somewhat morally-challenged. And he reveals that he has gained more responsibility as Renard's affliction has worsened.
This episode is, by the way, loaded with references to OTHER World Tour episodes. That's supposed to be a no-no. We couldn't guarantee that they would all air in order within the World Tour Tier, i.e. between the AVALON Three-Parter and the GATHERING Two-Parter. But I guess, we had some confidence that "The Green" would air after "Golem", after "Grief", etc.
THE GOLIATH & ELISA FANCLUB
I love how they disagree with each other without losing respect or concern for each other. It's so DAMN mature.
WE TRASH ANOTHER LANDMARK
Yep, we're knocking down and burning down the rain forest right & left (in an attempt to save it by influencing public opinion, no less). But we also trash another museum. I was SO cavalier about it at the time, but when I see that Mammoth skeleton go down now, I cringe.
Cool amulet though. It rolls. It frisbees with a great sound effect. Since we had the NYC plot ending -- before the Guat-plot ended -- with Hyena's defeat, we wanted to maintain some suspense. So we have Broadway and Lex come to the incorrect but believable conclusion that the Amulet must be destroyed. Fortunately, they decided to confiscate it instead. And, yes, it survives the destruction of the Clock Tower in Hunter's Moon. Then back in Guatemala, we have Obsidiana lose her amulet so that we could see her in stone and wonder if Broadway had destroyed it so that all four Mayan gargs would be sleeping.
Speaking of Hyena's defeat, she goes down after a head injury. In today's world of S&P there's no way we would be allowed to give her that head injury in the first place.
WHAT IS THE GREEN PART TWO
Seventh, I hope, without getting TOO preachy, it managed to teach a lesson. Erin thought so. Which is perhaps good enough for me.
Anyway, that's my ramble. Where's yours?
Gargoyles DVD
Still, don't have my copy. I ordered it from Amazon with Return of the King, so I guess I'm on Hobbit time waiting to get both DVDs.
I went to Target near my house. They didn't have it. No indication that they ever had it.
So I'm still waiting.
In the meantime, for those of you who do have it, I'd love to see DVD reviews posted here at ASK GREG.
Again, it helps to have one centrally located spot where I can direct the Powers That Be at Disney. So all of you... review!
Buffyverse Stats
BUFFYVERSE STATS
TOP 40 CHARACTER LIST:
Once again, I'm wasting my semi-valuable time (and hopefully yours) to bring you the latest update in my attempt to catalogue the most significant characters in the BUFFYVERSE. The three previous CUMULATIVE updates covered the first, second and third seasons of Buffy the Vampire Slayer. The idea behind a cumulative tally is to mimic the original experience of following the Buffyverse. It's a horse race. Some of the winners and losers are a bit surprising. Others are decidedly predictable.
The task has gotten more complicated with Buffy's fourth season, which airs simultaneously (day for day, literally) with the first season of Angel. Since a normal season of Buffy (the first excepted) consists of 22 episodes, the fourth of Buffy added to the first of Angel will total 44 episodes, and that seemed too long to wait for an update. So I'm taking the pulse at the halfway point, after 11 episodes of each series.
As you may recall, I've tried to inform this subjective task with an objective formula. I tried, as much as possible, not to allow my knowledge of future events to influence the current standings. Still, I won't deny that subjectives have played a role. It's hard not to take extra notice of a character you know is going to be important later. And ties were broken based entirely on subjective criteria - i.e. my personal preference.
I have a list of ALL the characters that have appeared in both series up to this point. It's so long (including everything from leads to ridiculously minor characters) that I haven't even bothered to count how many there are. But my list of MOST significant currently tops out at 86 characters.
But I think listing the top 40 is plenty. Or largely. I just want to note a few characters introduced (or revisited) in these two half-seasons, who haven't yet or never will make the top 40, but whom I believe are memorable enough to merit honorable mention.
Starting with…
#84 - Lee Mercer. Lee was a cold-blooded Wolfram & Heart attorney that I remember being sure would become a recurring danger. During this first half, W&H didn't focus on any one recurring villain. And I kept thinking any minute now… Any minute now… And I was right. But I picked the wrong horse.
#82 - Dennis. The Ghost haunting Cordelia's rent-controlled apartment. He was a good roommate, who obviously had a crush on her. He was sweet, and I worried about him after Cordelia was gone.
#81 - The Gentlemen. The lead Gentleman in particular. The best single episode menaces - EVER. Terrifying in look. Terrifying in M.O. Stylish. In one of the most impressive hours of television I've ever watched.
#75 - Aura. Aura appeared as an incredibly minor character in the Buffy pilot. And never again. But her name stuck with me and obviously with the Whedon team as well. Because in an early Angel, when they needed a high school pal from Cordelia's past to give her a call, they used Aura.
#74 - Tom. Tom was a vampire, part of a clique who preyed on Freshman at UC Sunnydale. The rest of his crowd was staked, but Tom was the first "Hostile" we saw captured by the Initiative. He later helped Spike escape, and we never saw poor Tom again.
#70 - Trevor Lockley. Police Detective Kate Lockley's jerk of a dad.
#67 - Lyndsey. The first W&H lawyer we met wound up being the most important. But halfway through the season, we still hadn't seen him after the pilot.
#65 - D'Hoffryn. Anya's former boss as a Vengeance Demon. He offers Willow a job after Oz leaves. (We should have seen her sixth season rampage coming.)
#64 - Tara. Willow's fellow witch makes her first appearance, and although she has very little screentime, and doesn't immediately appear again, she does seem interesting from moment one.
#61 - Sunday. Buffy's first college Vampire. #74's boss. Some nice attitude.
#57 - Olivia. Giles' incredibly hot girlfriend from London. She appears twice, including memorably in "Hush". At the end of that episode, she says she isn't sure she can take Giles' "lifestyle". And then she never appears again…
#53 & #54 - Oracles. Male and female representatives of the Powers That Be. They're not particularly interesting, so they'll die soon.
#47 - Kathy. Buffy's original Freshman roommate. A Celine fan. Brrrrrr.
#44 - Veruca. The werewolf that broke up Oz and Willow, and sent Oz running from Sunnydale.
AND NOW THE TOP 40
#40 - Graham. No previous rank. Riley Finn's second best friend. Laconic.
#39 - Scott Hope. 3rd Season Rank: 33. Buffy's one real normal boyfriend. He's still holding on to the top 40, but down 6 places, and not likely to still be around by the end of the year.
#38 - Deputy Mayor Finch. 3rd Season Rank: 32. Also down six places. Faith's murder victim.
#37 - Whistler. 3Season: 31. 2Season: 18. The Demon who set Angel on the right path. Kind of the guy I figured to take the Doyle role on Angel. But he's lost 6 rankings (19 since Season 2) and is falling fast.
#36 - Kendra. 3S: 30. 2S: 17. This whole crowd is dropping six rankings. Kendra the original auxilary Vampire Slayer deserves a bit better, I think.
#35 - Ethan Rayne. 3S: 29. 2S: 22. Giles former friend still looms larger in my memory than his ranking suggests. I keep thinking he's going to appear again, because I find it hard to believe he registered so well in so few appearances.
#34 - Devon. 3S: 28. 2S: 37. Oz's bandmate, has peeked.
#33 - Forrest. NPR. Riley's best buddie at the Initiative and the Fraternity.
#32 - Principal Flutie. 3S: 24. 2S: 16. 1S: 9. The original Principal of Sunnydale High is still hanging on.
#31 - Willy the Snitch. 3S: 21. 2S: 24. Looks like Willy has peeked also.
#30 - Larry. 3S: 25. 2S: 35. Hard not to peek when your dead. But I always liked Larry. A former bully, he became one of the White Hats and was killed by the Mayor. And he's still in the top 30.
#29 - Darla. 3S:23. 2S: 23. 1S:11. Hard not to slip when you're a vampire who's been staked. But Darla's poised for a comeback.
#28 - Percy. 3S: 26. I'm stunned Percy's holding on. He's not even vaguely interesting. But he keeps showing up.
#27 - Parker Abrams. NPR. The second guy that Buffy ever slept with. A real jerk. Makes me miss Scott Hope.
#26 - The Annointed One. 3S: 19. 2S: 14. 1S: 10. The Master's mini-me.
#25 - Mr. Trick. 3S: 18. Staked and falling. But his attitude is missed.
#24 - Amy. 3S: 27. 2S: 23. 1S: 17. Her continuing appearances as a Rat, are keeping her in the top 25.
#23 - Kate Lockley. NPR. Angel's cop friend seemed like a potential love interest, but has at the first season's halfway point, become something closer to an enemy.
#22 - Jonathan. 3S: 17. 2S: 19. Jonathan's falling, but his presence is missed, and he'll be staging a comeback.
#21 - The Master. 3S: 16. 2S: 13. 1S: 8. Buffy's first big bad appeared in a shortened first season, so has fallen out of the top twenty.
#20 - Harmony. 3S: 20. 2S: 26. 1S: 18. Harmony's emergence as a vampire was a stroke of comic genius, and has allowed her to hold onto her #20 ranking.
#19 - Maggie Walsh. NPR. The Ice Queen enters the rankings as a real comer.
#18 - Anya. 3S: 22. Halfway through the season, and Anya's admirably filling the Cordelia role, but she's still not a regular. Still she's moved up four rankings already.
#17 - Riley Finn. NPR. But the big news is Riley. Entering the rankings at 17. A new regular (hopscotching over Anya) before the Season's half over. He's Buffy's new boy. A soldier and a nice guy. Cornfed Iowa boy.
#16 - The Mayor. 3s: 14. 1S: 40. The Mayor's only lost a couple slots. Probably the best of the big bads - unless you count Angelus.
#15 - Wesley. 3S: 15. Wesley's midseason reappearance on Angel, allows him to hold onto his #15 ranking.
#14 - Jenny Calendar. 3S: 13. 2S: 11. 1S: 15. Still maintaining a good number.
#13 - Drusilla. 3s: 11. 2s: 8. Dru has fallen a couple ranks, but she's still up there.
#12 - Doyle. NPR. Okay, bigger news than Riley is Doyle. Although with his midseason death, he's got nowhere to go but down. But I loved this character. He was a blast. And his death really did catch me off guard. His ranking was really helped by Angel having such a small regular cast initially. It gave him a lot of screen time and story points.
#11 - Faith. 3s: 10. Faith only loses one rank (thanks to Spike).
#10 - Principal Snyder. 3S: 9. 2s: 10. 1s: 12. Snyder falls one rank, to equal his 2season score. But he's still in the top ten, which is pretty good for a dead guy.
#9 - Spike. 3s: 12. 2s: 9. Spike jumps (finally) past Dru, past Snyder, past Faith, as he becomes a regular. The start of something truly beautiful. (I'm choking up here.)
#8 - Joyce. 3s: 8. 2s: 7. 1s:7. Joyce has barely appeared this season, but she's got points to spare to keep her up in the high numbers.
#7 - Oz. 3s: 7. 2s: 12. Well, Oz'll be back, briefly, but he's clearly peeked. So it's all downhill from here. Still, I'm sure he'll remain in the top 40 forever.
#6 - Angel. 3s: 6 2s:6. 1s:6. This surprised me. Though Angel is climbing fast, even his own series hasn't been enough for him to catch up - yet - with Buffy's main Scoobies.
#5 - Willow. 3s: 4. 2S: 4. 1s: 4. But THIS just stunned me - and frankly makes me question my system entirely. Yes, Cordelia's position as Angel's Gal Friday on Angel gives her a ton of screen and story time. And she was close enough to Willow, to allow her to pass our young Wicca. But perception of course, suggests that Willow should be #3 or even #2 behind only Buffy. This may still end up to be the case. Figure by the end of the horse race, to see Buffy & Angel in the one/two slots, but I'd assume that Willow would pass Cordelia (once Angel gains more cast members) and maybe even Xander. (And certainly Giles).
#4 - Cordelia. 3s:5, 2S: 5. 1S: 5. See above. She's #2 in a tiny regular cast.
#3 - Xander. 3s: 3. 2s:3. 1s: 3. Xander hasn't quite found his place in Buffy's college life. But then neither has Giles. So both of them are cruising on old points.
#2 - Giles. 3s: 2. 2s:2. 1s: 2. Giles still hanging on to the #2 slot.
#1 - Buffy. 3s: 1; 2s: 1; 1s: 1. Duh.
I GOT MINE!!
Just got back from the Amazon my friends -- went their via the Gathering 2005 site at www.gatheringofthegargoyles.com -- where I purchased my copy of the GARGOYLES SEASON ONE on DVD. I'm pretty excited. Nervous too.
I want to thank all of you who are supporting this product. Supporting this property, this fandom and my emotional state.
But let's try this. Everybody contact SOMEBODY from the fandom whom you haven't heard from in a while. Someone maybe who attended a Gathering in 1998, maybe. Or someone who used to frequent Station 8, but just sort of drifted off. Search these people down. Odds are they'd love to get the DVD, but if they've been out of the loop, they may not know it's available NOW!!!
If all of you contact just one lost fan, it would really help to spread the word!!
Thanks!
TOMORROW OR NEVER
Well, guys, tomorrow -- December 7th, 2004 -- is the big day. The GARGOYLES first season comes out on DVD.
I know I'm preaching to the converted, but I can't emphasize enough how important it is to the fandom that this DVD sells well.
Good sales on the first day, particularly a nice Amazon turnout, are important, but what's more important are PHENOMENAL SALES over the next month or two.
If you can't get it at Amazon, get it somewhere else.
If you can't get it tomorrow, get it soon.
But get it. And more than that get everyone you know to get it.
Get strangers to get it.
Yes, I know we're all a bit disappointed in the way Disney has somewhat failed to support the DVD with advertising. But as I've always maintained... the burden is on the fans. They need to prove to Disney that Disney needs to spend money to make money on Gargoyles.
They need to prove to Disney that the fandom is rabid and large and ready to support the property with actual dollars and cents.
A very small part of me feels bad about asking you to spend money. But keep in mind if this DVD doesn't do EXTREMELY well, it will be very difficult to convince Disney to support the property in other ways -- including a second season on DVD, let alone new and original material set in the Gargoyles Universe.
By the way, we did get a nice write-up here:
http://www.silverbulletcomicbooks.com/rage/index1.htm
Check it out.
But mostly, take advantage of this opportunity to demonstrate your love for the show. Again this is NOT just about money. This is about SPREADING THE WORD WITH RELIGIOUS FERVOR!!!
Good luck to us all.
Chapter L: "The New Olympians"
Time to ramble...
Chapter L: "The New Olympians"
Story Editor: Gary Sperling
Writer: Adam Gilad
Director: Bob Kline
ORIGINS
Well, the Greek Myths of course. But that's not really what I'm talking about. As many of you know, The New Olympians was a concept -- originally created by Bob Kline -- that we began developing at Disney TV Animation even BEFORE Gargoyles. It was definitely a concept that evolved, but it was also a concept that we felt fit nicely into the Gargoyles Universe. So this episode was created as a backdoor pilot. At the time we had big plans for the Gargoyles Universe. Hopes that it would eventually evolve into Disney's equivalent of the Marvel or DC Universe. The World Tour expanded our Universe in many ways -- mostly for the sake of the Gargoyles series itself. But also to demonstrate that our universe had the "chops" to go the distance.
So the New Olympians were imported whole, like Athena from Zeus' head -- into the gargverse. The development for "The New Olympians" series focused on four major characters: Terry, Sphinx, Talos and Taurus. Terry and Sphinx were kept out of this episode on purpose -- so that we'd have fresh faces for the series if it went. Talos has a very minor role. But Taurus took a lead here. Other characters, such as Kiron, Ekidna, Helios, Boreas and, of course, Proteus were also part of the N.O. development. Though again, we left out a bunch of other characters: Xetes, Kalais, Medusa, Jove and Xanatos (yes, Xanatos) so that the whole series didn't become old news, should it get going.
The basic concept of the series, familiar to anyone who's attended a Gathering and seen the original pitch, was Romeo & Juliet. Terry is a human. Sphinx is a New Olympian. They are in love. But their "families" aren't making that love easy. This episode, would in essence be a PREQUEL to that series. Terry hasn't arrived yet. Elisa will help pave the way for Boreas' decision to finally reveal the New Olympians to the human world.
But another important inspiration was the work of Jack Kirby. In my recent ramble on "Eye of the Storm", I commented on how we strove to avoid a Kirbyesque Odin -- and didn't entirely succeed. Here, Kirby was a clear influence. I hope The New Olympians weren't a rip-off, but I can't deny that his Inhumans, his Eternals and his New Gods influenced us -- or me, at least -- when we were creating both New Olympus and our cast of characters.
Creating the cast was also interesting. We basically compiled a list of Greek & Roman myth-figures. Gods. Monsters. Titans. Etc. Then we tried to think about their descendants... Tried to think about which would be the most visually interesting. (A lot of the gods, for example, just look like glorified humans, so we tended to ignore them.) Originally, Kiron had the Taurus role and Medusa had the Sphinx role. But after talking with the artists, we made the double switch, because it was felt that having to animate a centaur and a woman with snaky hair on a regular basis was just inviting difficulties. As with many of these pragmatic decisions, I eventually fell in love with the new version -- and wouldn't want to go back, even if I could be assured of the highest possible animation quality.
In order to import this diverse group into the Gargverse, I posited that these were the descendents of mortals who mated with the Children of Oberon (or Mab). They therefore have incredible abilities and amazing appearances, but they are mortal. Some may have extremely long lives, but they do age. Still, before they left the human world behind, many of the original Olympians were treated as Gods. But some were treated as Monsters. As in Gargoyles, PREJUDICE would be a major theme of the series. In fact, if you look at the PREVIOUSLY of this episode, you'll see that it's fully thematic. All stuff about humans being prejudiced about Gargoyles. That's because we had nothing content-wise that we needed to set up. But if we set-up human prejudice, than it helped forge the twist of prejudice against humans, which Elisa would face in the episode. (I do wish we had thought to include Goliath's line: "Humans fear what they do not understand...")
So the New Olympians fled the Human World. They established a secret island and developed astounding technology... including a cloaking device. (I was always a touch disappointed with all the fog and mist in the opening scene. I wanted the skiff to suddenly be on the open sea, with nothing around for miles. The fog allowed for the notion that something might be hiding BEHIND it. I didn't want that. Still, I think the idea gets across. And the shimmer effect is nice. Plus, I like how Goliath abruptly spreads his wings when he enters it. When my daughter Erin saw the city finally materialize, she said: "Wow!")
OLD LINES IN NEW CONTEXT
Were we just out of dialogue ideas, or were we trying to make a point or an inside joke or something. I'll let you decide...
Goliath: "We cannot wage war against an entire city."
Elisa: "You'll have to do better than that."
VOICE WORK
Michael Dorn wound up playing Taurus and the late Roddy McDowell as Proteus. Dorian Harewood, who was originally cast as Boreas, also wound up playing Talos. But none of these three were our original choices for those rolls. Instead we cast three people who I thought would be perfect for their parts. But none hit it. It was one of our rare recordings that DIDN'T work. So we fell back on Michael to play the very Worf-like Taurus. (This sometimes bothers me as the voice is exactly the same as Coldstone's. But ultimately you go with the best hand you have at the time.) Dorian ended up doing double duty as Talos and was terrific. And of course, Roddy was just brilliant as Proteus.
What's interesting is that Proteus himself is not the greatest actor. Erin noticed... "There's something different in his voice." Of course, it's Keith David PLAYING Proteus playing Goliath. (Which is always fun.) And Keith hits the mark with precision. As does Salli & Michael when they're playing Proteus playing Elisa & Taurus. Sure Proteus always LOOKS the part -- thanks to his shape-shifting abilities. And I suppose he's less of a ham than Sevarius. But he never quite takes the time to truly "inhabit" his roles. Certainly, while playing Elisa and then Goliath, there are a number of small tip-offs in his choice of words that are just wrong. Like can you really imagine Goliath saying: "Who's that guy?" One assumes that his performance as Taurus' dad is equally off the mark.
The walla in the Senate House when Elisa is on trial isn't my favorite. We just didn't get enough coverage, so it repeats and repeats.
PREJUDICE
All of the New Olympians we see are prejudiced. Every one. Some are worse than others. Boreas is well-meaning, but wrong. Taurus is narrow-minded. Talos is, at best, only pragmatic -- not morally outraged by Elisa's treatment. Most of the others are just flat out racists. "New Olympians fear what they don't understand." I'm sure somewhere on the island there were some more enlightened individuals, but we made a point of NOT showing them.
I wanted to do a few things with that theme. (1) Show that prejudice breeds prejudice. The New Olympians have some legitimate grievances against the human race, but they've learned the wrong lessons from their ancient persecution. (2) Of course, we wanted to play the irony of the monsters being afraid of the "Humans of Legend". Elisa tells the Gargoyles to hide when they first land on the island. And she's the one that the New Olympians fear. They have "no quarrel" with the Gargoyles. And the best solution that even Boreas and Taurus can come up with is to "Quarantine" our girl. (3) There was a three. I had it in my head a minute ago. Now, for the life of me, I can't remember what it was.
Maybe it had something to do with Prejudice only truly being able to be attacked one person at a time. I went to an all boys high school. We were all so deathly afraid of being called homosexuals that a culture of homophobia was ingrained into all of us. It wasn't like I was going around gay-bashing. I like to think that even then, I had the sense and the control to stifle my prejudices. But I can't deny I had them -- probably still have them to some extent, unfortunately. Anyway, then I went to college. Acted in a couple plays with a guy I really admired -- both as an actor and as a human being. Became good friends with this guy (who had the amazing name Steve Wraith). THEN I discovered he was gay. By that time, I didn't care. He had personally won me over -- in a slightly less dramatic fashion then how Homer Simpson learned to accept gays after John Waters saved his life. Steve never saved my life, but I'm afraid the metaphor is VERY apt. I haven't seen Steve in twenty years, but I owe him a lot. A few years later my cousin came out. After that, many if not most of my friends came out. My sister. Etc. Steve paved the way to make me a better person. Conceptually, we can all talk about dismissing prejudice, but I have this sneaking suspicion that the only way we really learn is one human being at a time. That's why Goliath vouching for Elisa was ineffective. People are doomed to HAVE to figure things out for themselves. And unfortunately, some never do.
WHO KNEW THESEUS WAS SUCH A BASTARD?
And so we put Taurus through that process. He meets a human. His distaste is palpable. He knows the story of the Minotaur, his ancestor. [Now Theseus is one of my all time favorite characters from Myth. But I couldn't resist flipping the tale of the Labyrinth and telling it, if just for a few seconds, from the Minotaur's point of view.] But Taurus will learn to respect humans - one human at at time. Elisa and Taurus actually have a lot in common. Both are cops. Both have/had fathers who are/were cops. But as Elisa says, he's "got some funny ideas about justice."
Elisa is clearly more enlightened. In part, that may come from her own history. She grew up as a person of color in a largely white society. She's no stranger to prejudice. Being both African-American and Native American, it's possible that she has even faced some rejection from African-Americans and Native Americans as well. Clearly, based on her openness with regards to Goliath and the Gargoyles, she learned her lessons long before we met her. Pretty much from the moment she realized that Goliath could talk -- and was therefore sentient by human standards, she treated him as an equal. I always admired her for that. Unlike the New Olympians, she didn't let the prejudice she faced turn her into a bigot.
Taurus will eventually get the message. His prejudices don't just vanish. But he's learned something.
SOME NEAT MOVES
I like the sequence where Goliath comes to break Elisa out, and Proteus takes advantage of the situation by first turning into Elisa and then Goliath. (When Erin first saw him as Elisa, she said, "Uh oh." which is pretty much exactly what he was going for.
I like how Taurus threatens to fire Helios.
I like how Goliath turns to stone in Proteus' cell.
I like how Elisa takes charge -- and basically FORCES Taurus to partner up with her. She has two tip offs that Proteus is posing as Goliath. First the fact that he didn't turn to stone and blames it on the cloaking device affecting the sun's rays. Of course, Elisa knows that it's not literally the sun that turns a gargoyle to stone. It's his or her biological clock, which is often triggered by sunrise. But the real clincher is Proteus' plan to blow up the Collonadium. Elisa knows Goliath would NEVER do that.
I like when Taurus tries to express his admiration -- and still can't do it without insulting her species. Elisa takes it in stride: "I'll choose to take that as a compliment." Progress is slow.
THE NEW OLYMPIANS
We end the episode with a pretty blatant pitch for giving the New Olympians their own show. It's certainly shameless. But I make no apologies. I still contend that THE NEW OLYMPIANS would make a GREAT t.v. series.
Anyway, that's my ramble. Where's yours?
Chapter XLIX: "Eye of the Storm"
Time to ramble...
Chapter XLIX: "Eye of the Storm"
Story Editor: Cary Bates
Writer: Cary Bates
Director: Bob Kline
FAMOUS LAST WORDS (PART TWO)
Goliath at the end of "Avalon, Part Three" (and in the PREVIOUSLY of this episode): "I am personally going to make sure that the Eye of Odin and the Phoenix Gate are never used again." Of course, he's thinking he won't let anyone else use them. But he neglects to protect them against himself. We've already seen him use the Phoenix Gate -- mostly to positive effect -- in M.I.A. Now, we'll see him don the Eye of Odin...
ENVIRONMENTS
Elisa's cold. Cold enough to put her life in danger. Cold enough to force us to add a sweater and parka to her ensemble as the episode progresses. As Angela says, "It's enough to take your breath away." To which Elisa responds: "I can vouch for that."
(I do wonder what sport it was that Gunther was playing in the middle of winter that he did so well at.)
VOICE ACTORS RETURN
J.D. Daniels -- formerly Tom and Young Luach and Young Canmore -- is here playing Gunther Sturlusson. As I write this in 2004, J.D. would have to be in his late teens or early twenties. He was a great child actor -- which is rarer than you might think. I hope he's doing well.
Morgan Sheppard -- formerly Petros Xanatos -- also returns, as Odin. I would later cast Morgan in "Atlantis: Milo's Return" as a crazy guy who THOUGHT he was Odin. I love working with Morgan.
ODIN & THE STURLUSSONS
The name Sturlusson is a direct steal from Snorri Sturlusson (I hope I'm spelling this right), the author of the Eddas -- the more-or-less original source materials that we have as reference to the Norse Myths.
We tried to paint an Odin that would make Snorri proud, one "well-versed in myths and legends". Having him pose as an old man with a cloak of stars. That's out of the myths. Making him a storm god. That's right out of the myths. Giving him the ability to transform into animals (in this case a VERY cool one-eyed polar bear). Right out of the myths. The rainbow bridge at the end. Right out of the myths. Giving him a flying battle steed named Sleipnir is right out of the myths too, if you forgive the fact that Sleipner is supposed to have eight legs, but Bob and Frank balked at our ability to animate that decently. [Note: I do worry whether or not the final GOD-ODIN design was a bit too Marvel/Kirby influenced. Jack Kirby's seminal work is so all-pervasive in American visual vernacular, it's hard to avoid, even when you're consciously attempting to avoid it.]
And of course, there's the Eye itself. Traditionally, Odin traded his eye to the wise Jotun Mimir for wisdom and insight. Obviously, Mimir lost it at some point, perhaps after losing his own head (another story) and the Eye floated around for centuries before David found it and gave it to Fox who lost it to Goliath who had it stolen by the Weird Sisters who gave it the Archmage who lost it to Goliath again. Now Odin's claiming that HE directed Goliath's skiff to Norway. This time it isn't Avalon that's sent them here, but Odin who has waylaid them so that he can FINALLY get his darn eye back in its socket. I do regret that our "Eye-as-a-piece-of-Jewelry" design always looked more Egyptian than Nordic to me. The gang over at Disney Interactive who created the concept of the Eye for their game, had a much more runic/nordic/ravenesque design.
But I am curious -- how many of you were surprised to discover that the Eye of Odin was actually Odin's eye?
Odin also refers to Elisa as a Maiden. I wonder if he felt that she would have made a good Valkyrie?
{My ten-year-old daughter Erin asked: "Why doesn't [Goliath] give it to Odin. It's his eye. Of course, she's seen the episode before and knows what's coming vis-a-vis Goliath's behavior, but it's still interesting to me that she placed the burden for the misunderstanding on Goliath and not on Odin.}
Odin -- as Odin sees it -- is playing by the rules. He tries barter and then fair combat and then takes a hostage, which in ancient times did not have the same cowardly (if not downright terrorist) connotation that it carries today. All of which might have been avoided, if at the beginning he had just -- i don't know -- offered Elisa the cloak with no strings attached and sat down with Goliath to discuss the whole eye thing. Odds are, when he was not being confrontational, Bronx would have slid up to get his chin scratched. Angela would have said something like, "Well, Bronx likes him." And Goliath might have realized that giving the darn thing back to Odin was the safest possible outcome. BUT NO! Odin, as he admits, is not the most patient of gods and a bit rusty when it comes to the whole dealing directly with mortals thing.
AVATAR
So, instead, Odin comes on strong (rules or no rules) and Goliath is pushed into thinking that he has no choice but to use the Eye's power himself. (I think that was adequately motivated.) And thus Goliath and NOT Odin quickly becomes the VILLAIN of our piece. Which was interesting for us. We'd seen Zombie-Goliath in "Temptations". We'd seen Goliath's "evil twin" in "Double Jeopardy" and "Sanctuary". But we'd never seen Goliath himself go bad until now. He becomes more of who he is. A protector -- a tyrant -- a fascist. Someone who cannot brook disobedience. Someone unaccustomed to dealing with gods or being one. (A good line, I thought.)
His new attitude is, I think, embodied by the casualness and callousness of him saying: "We will pack them too." This in regards to moving Bronx and his DAUGHTER, currently frozen in stone.
At first, everything he says is pretty darn rational-sounding. But Elisa and Angela and Erik quickly develop their suspicions. They are just naturally slow to believe that their Goliath -- OUR Goliath -- could be the bad guy. Eye or no eye.
Goliath also succeeds in becoming an Avatar for Odin, much like Jackal and the Emir each became Avatars for Anubis. It's not quite as literal, but his wings take on Odin's starry pattern. His helmet is similar (although on my tape his horns are doing some FUNKY animation things). And everytime Odin uses one of his powers, Goliath acquires and mimics that power.
I'll admit that Goliath's turnaround at the end plays on screen a bit too quick for my tastes now. But ultimately, we were still counting on Goliath's protective nature, his basic decency. His love for his daughter. It's not as strong for me as, say, Renard's turnaround or the Captain's (from "Golem" and "Shadows of the Past" respectively), but I think it basically works.
OTHER NEAT LINES (all approximate)
Erik: "I am rich in sweaters."
Goliath: "Now that Elisa is safe, we can rest in peace." (Okay, this is more of an odd line than a neat one.)
Odin (understated): "This calls for a change in strategy."
Goliath (once they're all on to him): "Is there a problem."
Elisa: "The Eye! The Eye has gone to your head!"
Goliath: "That is all you need to know."
Odin: "I have more than gained in wisdom, what I have lost in strength."
Odin: "You're on my turf with my property."
Odin: "I am not the threat."
Goliath: "So close to Death and Rejuvenation at the same time."
Elisa: "You took a big chance. Wish I'd thought of it."
Odin: "Then we have both gained rare enlightenment. The Eye's standard gift." This last one was important to me. I wanted (from the moment we intro'd the eye into the series back in "The Edge" to play the Eye true to it's Eddaesque roots.
JALAPEÑA
Goliath removes the Eye and speaks that word again. This caught me off guard last night, cuz I had thought Hudson's Pendragon Jalapeña was the last one until "The Journey". But I guess we squeezed one more in.
And Odin finally gets the Eye back. And ... and... NOTHING HAPPENS. He just sticks it back into his eye socket and it becomes... his eye. I LOVED the anti-climax of that. Generally -- not such a big fan of anti-climax, but the irony and the RIGHTNESS of it just thrilled me.
Anyway, that's my ramble. Where's yours?
Chapter XLVIII: "Pendragon"
Time to ramble...
Chapter XLVIII: "Pendragon"
Story Editor: Brynne Chandler Reaves
Writer: Lydia Marano
Director: Dennis Woodyard
SOMETHING'S COMING
There's a wonderful children's book called "Something's Coming" about three stuffed animals and [SPOILERS] a sneeze. I hadn't read that book when we did this episode, but it was all I could think of reviewing the opening minutes now.
In fact, what's coming, according to Macbeth, is the "Harmonic Convergence". When I heard that, I immediately jumped to the conclusion that this was a Cary Bates episode. (Cary, at least for a time, was very into incorporating all sorts of New Agey schtick into his work [cf. his comic book series SILVERBLADE published in the late 80s by DC Comics].)
Of course, as noted above, this was a Brynne/Lydia/Greg collaboration. No Cary at all.
A BRIEF STOPOVER IN LONDON
Arthur arrives in his "City of Wonders", i.e. modern day London. We throw in some beauty shots of the city from "M.I.A." here. It helped us trim a few bad seconds of animation later in the episode, and helped establish the mood a bit better.
With Arthur arriving at what must have been his final destination from Avalon's point of view (minus a quick Stone of Destiny hop to NYC's Guggenheim Museum), his skiff sinks down into the water. I always imagined that the skiff resurfaced back on Avalon. Having shown this here, I didn't feel bad about NOT showing the sinking skiff in "Gathering, One" when our quartet returned to Manhattan. Allowed us to keep some surprise at their arrival at the Clock Tower.
Arthur makes a point of using a mace, since his quest is to find EXCALIBUR and we didn't want to confuse the issue by having him simply exchange one decent sword for the subtlety of a better sword. Or at least not until the end of the ep.
We also made a point of him missing Merlin, which was a bit of foreshadowing to the proposed Pendragon spin-off, where Arthur and Griff's first order of business would be a Quest for Merlin.
Speaking of Griff, his silhouette is a bit too distinctive here for my tastes. I wish it hadn't quite given away his indentity so soon. His design is somewhat inconsistent in this episode. As I mentioned during my "M.I.A." episode, Frank, Greg Guler and I were never 100% satisfied with the design. In this episode, in particular, he has some real Foghorn Leghorn moments.
The first real stop on Arthur's tour is Westminster Abbey. The door is locked, which makes sense in the Twentieth Century but not to a guy from the Sixth Century. And it perhaps makes even less sense to us in the 21st-Century. Is that all the security that exists there: a locked door? And of course, GARGOYLES continues its traditions of wantonly damaging historical sites, when Arthur uses his mace to enter.
Inside we find the Stone of Destiny in it's 1990s home beneath the throne. Shortly thereafter, the Stone would be moved to Edinburgh Castle. As for the Stone, I perpetrated one of my favorite mythological devices, which is conflating various similar concepts... so the Stone of Destiny (i.e. Jacob's pillow) also becomes the Stone from the Sword in the Stone, i.e. the stone from which Arthur drew Excalibur. And the thing talks!! What's interesting to me now, is that Arthur doesn't seem surprised by the fact that it talks. Legends state that an inscription revealed that "Whosoever pulleth this sword from this stone [and anvil] will become King of Britain." But perhaps there was no inscription, and the stone talked from day one. One question: Is the Stone itself one of Oberon's Children (in stone form) or is it magically enchanted? (I lean toward the latter, but it's interesting to ponder the former.)
Arthur, without Excalibur, had hoped that the sword would have returned to the stone. He's frustrated when he finds it hasn't. But he doesn't doubt his "ownership" of it, until much later in the episode. The Powers That Be are much less sure of Arthur's claim on it. They are constantly reminding him that at best, all he has is a shot at it: "It belongs to the True King. Are you still he?"
I also love how Arthur says that he hates riddles. It just feels so right for my interpretation of Arthur as a man who LEARNED to be a thinker, but to whom it didn't necessarily come naturally. Said interpretation of course heavily influenced by the works of T.H. White. Anyway, that poem/riddle which Griff recites (an unknowing trust past down across generations of the London Clan) was written, as I recall, by Lydia. It was hearing this poem that reminded me that she had written this episode and not Cary.
Note that everytime he sees a gargoyle, Arthur asks if he's "of Goliath's Clan".
BACK AT THE RANCH
Once again, we abandon our travelers to focus on life on the homefront with the Trio & Hudson. We will, once they've met up with Griff & Arthur, get a bit of an update on how updated our left-behinders are. They've heard from Halcyon Renard that he spotted Goliath, Elisa & Bronx in Prague. They've heard from Diane Maza that she spotted them in Nigeria. [I have to assume that all communications were channelled, per Elisa's suggestion, through Matt.] Now they learn about the travelers stop-overs in London (from Griff) and Avalon (from Arthur). [All of this was a bit of a risk, as we couldn't guarantee the airing order of the World Tour episodes. But I guess we felt it was a risk worth taking in order to give us a bit of legitimate continuity. Fortunately, it all worked out.] I'm curious if Angela was mentioned by either Renard or Diane (or Griff or Arthur after the adventure was over), and if so how prominently. Also, Griff demonstrably proves that other Gargoyles still exist in the world. Though the ramifications of that and of Angela clearly don't sink in with Hudson and the others until "The Gathering, Part One".
You'll see flashes of Brooklyn taking charge in this episode. With no one (including him) questioning it or even making an issue of it. I guess the lessons of "Kingdom" stuck.
You'll also see Broadway destroying one of Macbeth's lightning guns. But in contrast, Griff -- a man of HIS era, i.e. the forties -- comandeers the other one and makes it a part of his arsenal. I liked that, even -- or especially -- with the spin-off series in mind.
WILL OF THE WHISP AND OTHER STRANGERS...
I've since revealed here at ASK GREG, that the Will of the Whisp (introduced here by Macbeth, who uses both science and sorcery to control and utilize it) is the primitive magical entity that Oberon's Children evolved from. Sort of the Homo Erectus of the magical set. (Or maybe something even more primitive like a lemur or lungfish.)
The Lady of the Lake surfaces (literally). I like Lexington's "And she was right in our own lake.." for its understated humor. Also, this gives Hudson an excuse to say "Jalapeña", thus fulfilling another of the verbal challenges that Voice Director Jamie Thomason set for me -- and thus further pissing off the contingent of artists who truly HATED that expression. I think this may be one of the last times, until "The Journey", that we used it.
Anyway, we constantly raise the question of why the sword and the Lady associated with it were now in New York and not in Britain. Of course, the short answer was that we wanted to involve Hudson & the Trio without sending them on their own World Tour. But in fact, we did have a larger purpose. We wanted Arthur to become a player on the World Stage. A larger stage, as the Lady says.
I wasn't wild about that Water Djinn sequence. We wanted Arthur to solve the problem through leadership. But having him order Griff to use the Lightning weapon seems a fairly feeble solution to me (even though I endorsed it at the time). Wouldn't Arthur simply be electrocuted?
PEN... DRAGON
It's a goofy joke, but I still chuckle at Lex saying "Brooklyn" and Brooklyn answering.
I also am amused by the fact that it's Banquo in his slow pondering way that gives Macbeth the idea -- if not the ambition -- to take Excalibur for his own: "Hey Boss, you're a king. And you've been alive a long time..." Mac, an established Arthurphile, may seem an unlikely person to try to supplant his own hero. But it perfectly suits my interpretation of the character. Our Macbeth may not have the ambition of Shakespeare's Macbeth. But he's always been a man to sieze an appropriate opportunity. And he's always been a man in search of his own purpose. Perhaps this business of being a "Timeless King" and everything else that Excalibur represents in the past and future provides the reason for why he's lived for a largely tormented nine hundred years. Of course, Mac is also a man of honor. He vies for the sword. But when it becomes clear at the VERY end that Arthur is indeed its true master, he swears fealty to the (Whitean) Once and Future King. The thought DID cross my mind to add Macbeth to the cast of regulars in my PENDRAGON development. To give Arthur, in essence, two knights: Griff & Macbeth. But the dilemma comes in the fact that any spin-off has to stand on its own two feet. Characters can have backstories, but you can't assume that the audience has seen x amount of episodes of Gargoyles. I felt that telling Arthur's GARGOYLES-related backstory was going to be difficult enough. Throw in Griff's complicated story and you've set yourself a real challenge. Throw in Macbeth and that boat is just going to sink under two much backstory-weight. Much better to use him as guest star. Then if it seemed to work, over time he might spend MORE time in Pendragon. You never know. [NOTE: I was considerably less worried about adding Blanchfleur, Merlin and Duval to the cast, as we would be introducing them IN Pendragon.] So in the end, Mac accepts a more separate but equal arrangement. This was still cool to me. It reminded me of Arthur's relationship with King Pellinore. King Pellinore was also a King, but he was a wandering King. He didn't always sit at the Round Table, but he always came to Arthur's side, when Arthur needed him. They maintained a certain equality between them, and yet unspoken was the acknowledgement that Arthur was the one true king.
Speaking of Banquo... note his "Popeye" expression throughout most of the episode. This is a result of his model sheet, which showed him squinting through one eye. That was just supposed to be a single expression, but many of the overseas artists naturally assumed that it was a permanent condition -- because of course, we didn't have another model sheet with a different expression. Also, what did you think of Banquo & Fleance's power armor. I'm not sure it really came across as power armor. It was supposed to make them tougher and stronger. But I think it just looked like a flight suit for their sky-cycles. [But I did love those sky-cycles, especially the way Lex used them as a staircase for the Gargoyles to get some air. That was really cool and clever, I think.]
Random fact: My ten-year-old daughter Erin was fascinated with the topiary monkey.
An episode called Pendragon needed... a Dragon. I think this one is positively glorious. I love those steam vents. And the stone flight. And the fire. GREAT FIRE. But before it wakes up, I like how in essence this stone statue becomes the NEW Stone of Destiny. Macbeth draws the (faux) Excalibur from the dragon's stone grip and declares: "Macbeth, son of Findlaech, is the one true king." Arthur for a minute seems a sore loser. But his better nature wins out, after Macbeth points out that he's being a jerk. [Macbeth is great about being right when he's wrong.] When, as a youngster, Arthur drew the sword, many opposed his rule. It's a lesson that he's learned from. Griff resists, but Arthur kneels. He will not be an obstructionist if Macbeth is the new true king. Erin also felt that Arthur was being a sore loser. But Benny, my seven-year-old, disagreed, calling Arthur "the World's best fighter" and therefore the guy who deserved the sword. What's interesting, is that was NEVER my intent. I don't think of Arthur as the world's best FIGHTER. Even in his own legends, there were many knights who could outfight him. Arthur was a decent fighter, but his greatest strength was as a LEADER of men. That's what we tried to get across, both here and in "Avalon, Part Three".
It's also a cool play on words, I think, that this time the phrase "Sword IN the Stone" needs to be taken literally. The dragon statue surrounds the true sword inside it. I love the steps Arthur goes through to figure this out, primarily that moment when he recovers the faux Excalibur and can instantly sense that it isn't the genuine article. That was us trying to DEMONSTRATE with clarity that Excalibur wasn't just any sword, but rather something special. But what exactly was it? That, to be honest, we still needed to figure out. But we were hoping we'd have an entire spin-off to explore that question.
SOME GOOD LINES
Fleance: "No free rides, Bat-boy."
Broadway: "Now you stay put." And Banquo: "No problem."
Lex: "Take the stairs."
Arthur: "Arise... SIR Griff."
Plus a bunch of great British Griffisms:
"In for a penny, in for a pound."
"Well, that just about tears it."
"You are the Once and Future King."
"Right with you, Your Majesty"
"That's the stuff!"
Anyway, that's my ramble. Where's yours?
THE LEOPARD QUEEN
And here are my notes on the second draft outline... note we were approaching ever closer to the correct big cat.
WEISMAN 3-12-95
Notes on "Leopard Queen" Outline...
Hi, Brynne. Well, I'm at it again. Basically, I didn't feel we were there with the last draft of the outline, and given how far behind things are, I felt that it was necessary to beat it out here. My main problem was a lack of true jeopardy. The poachers were never any real threat to our gargoyles. In the end, neither were Tea or Fara Maku. The traps in the lost city had no effect on either Tea or the Poachers, so it was hard to believe that they would give Goliath and Co. a hard time. I just felt we really needed to escalate the situation, so I've added in the only character from African Mythology that I know anything about: Anansi the Spider. (And of course, I have no idea if Anansi is part of Nigerian myth, and unfortunately no time to check.) And just so you know, I wasn't secretly hoping you'd add Anansi. But he was the only thing in my head that felt authentic when I addressed the Jeopardy problem myself. Giant Spider. Worked for me. I tried to preserve what I felt was best from all the various versions we've had of this story. In reworking the legend of Kara Digi to include Anansi, I went for an animal folk tale feeling, instead of a curse, since you told me that African Myth tended in that direction. As usual, if you have problems with all or part of this thing, just call me.
BEAT SHEET
ACT ONE
I. RIVER WILD SEQUENCE.
II. On landing safely, no one is completely sure where they are.
A. Africa maybe, ELISA thinks, but she's not sure. She and her brother and sister came here as a child with their parents. Her mother's side of the family is from Nigeria.
B. ANGELA makes some semi-bitter comment about how she wishes her father would talk to her about her roots. GOLIATH gives the gargoyle company line in response. But it's clear that Angela wants something more personal from G.
C. Suddenly they spot something horrifying. We don't see what it is, but we can tell from their faces that it is something disgusting. Goliath is appalled. He cannot understand why any hunter would skin, defang and declaw an animal, only to leave the meat behind. Elisa explains that these jungle cats weren't hunted; they were obviously poached. An illegal practice, that's destroying the wild. Goliath thinks that may be the reason Avalon sent them here. To stop the poaching. They move off into the jungle. We do not follow them. We cut away.
III. Tribal clearing. A woman (DIANE) is telling a story to a bunch of native children. A few adults are gathered too (including FARA MAKU who has a claw mark tatoo or scar on his shoulder). In a cage nearby, a black leopard paces back and forth. We segue into her folk tale, told in arealistic "primitive" animation.
IV. The Tale of the LEOPARD QUEEN and ANANSI THE SPIDER.
A. The Leopard Queen was the most beautiful creature in the
jungle.
1. Beautiful black fur. Razor Sharp Claws. Huge white
teeth.
B. But she was also very vain.
1. She mocked the Hippo.
2. She mocked the Crocodile.
3. Then she made the mistake of mocking Anansi the
Spider.
C. Anansi weaved a magic spell in his web that transformed
the Leopard Queen into the first human.
1. No beautiful fur. No sharp claws. Puny little teeth.
D. The Leopard Queen begged Anansi to return her to her proper
form.
1. He promised he would on one condition.
2. That she build him a great city shaped like a giant
web.
3. She agreed.
E. But she could not do it alone. So she gave birth to the
human race to help her build the city of Kara Digi.
1. They followed Anansi's plans to the letter.
2. Anansi was very pleased.
F. When the city was built, Anansi kept his promise and
weaved a spell that returned the leopard Queen to her
true form.
1. With the beautiful fur, sharp claws and big teeth.
(Keep emphasizing these three elements.)
G. But Anansi had tricked the Queen. For now she was lonely
for her children.
1. She asked Anansi to turn her children into leopards.
2. He refused, because they tended his city.
3. But he told the Queen that if she hunted for him and
brought him food, she could choose one of her
children by marking him, and Anansi would turn
that child into a leopard.
H. So the Leopard Queen hunted for Anansi and brought him
food.
1. Anansi got fat and happy. He promised to grant her
request.
2. The Leopard Queen made her mark on her oldest son,
who was the wisest, bravest and most handsome
man of the tribe.
3. Anansi didn't want to let this great man leave his
city, but he had given his word.
I. Anansi called the Prince to him and told him of his promise.
1. The Prince did not want to become a leopard.
a. He had been born a human and wanted to stay
that way.
2. He asked Anansi if there was any way to escape this
fate.
3. Anansi told the Prince that if he killed the Leopard
Queen, Anansi would no longer be obligated to her.
J. So the Prince hunted the Queen.
1. But when he found her, he saw the beauty of her fur,
the sharpness of her claws and the hugeness? of
her teeth.
2. And he realized that she had chosen him out of love.
3. He decided not to kill her.
4. And so Anansi was forced to transform the Prince into
a Black Leopard.
K. Anansi was so furious, he banished all of the humans from
Kara Digi.
1. But that was foolish, because now he had no one to
tend his needs.
2. And so the spider went hungry.
V. As the tale ends, we see that Goliath, Elisa, Angela and Bronx have been listening from just beyond the clearing. They are enraptured by the story.
A. We get Angela's line about: Who is that woman? Magus?
Queen?
1. Elisa responds definitively: "No, that's my mother."
2. Probably at some point someone should remark on the
coincidence of her mother being there when our
travellers arrive, and someone else should point
out that with Avalon it is no coincidence, it is fate.
Maybe not here, but somewhere.
B. When the story's over, the adults (except for Fara Maku and
Diane) lead the children from the clearing for the
festival meal in the nearby Hauka village. We find
out that after the feast, the Black Panther will be set
free to honor the Leopard Queen.
C. Once the clearing is empty, Diane asks Fara with some
trepidation whether she told the story well. She'd been
studying to do this for months.
1. Fara praises her.
2. And Elisa steps into the clearing to tell her mother
she did a great job for someone born and raised in
New York.
D. That smart-ass remark is followed by a tremendous hug
between Elisa and Diane. Diane is very releaved Elisa is
all right.
1. But now that she knows that Elisa is all right, Diane
is furious that Elisa just vanished the way she did.
a. Elisa is surprised that she didn't get the
message from Matt.
b. But Diane can't believe that Elisa didn't call
home herself.
i. And Elisa's excuse that there hasn't been
time, doesn't cut a lot of mustard here.
2. Diane was so worried she nearly didn't come to
Nigeria for the Leopard festival, even though she
had been preparing to participate for a year. Peter
had to practically force her to get on the plane.
And he had to skip the festival, in case any word
came about Elisa back home.
3. So what is Elisa doing in Africa?
a. Elisa fumfers a lame excuse.
b. Diane recognizes it as lame, and is more pissed.
c. From the clearing, ANGELA doesn't understand
why Elisa doesn't tell her mother the truth.
d. Goliath explains that Elisa has some problems
sharing her secret with people. Though he
agrees that she SHOULD be able to tell her
parents.
e. Angela remarks pointedly that Goliath's right.
Parents and children should be able to talk
about anything. Goliath burns but says
nothing.
E. Suddenly, Poacher's attack led by TEA. (Please find a
different last name for her than MAKA, it's just too close
to Fara's MAKU. We're asking for confusion problems.)
Tea and the poachers want to kill the ceremonial leopard.
(Though for very different reasons.) And we may notice
that Tea also has what we might take as a claw mark
tatoo or scar on her shoulder.
1. Angela is prepared to jump in right then. But the
Poachers have guns which can fire faster than even
the gargoyles can move. Goliath wants to give
Elisa a chance to try to diffuse the situation.
2. Elisa, Fara Maku and Diane obviously have no intention
of letting Tea and her men kill the leopard. Fara
seems to know Tea. He can't believe she's working
with Poachers. This is what comes of leaving the
tribe for the big city. (Doesn't have to be America,
in fact it probably shouldn't. It's a bit distracting.
What's the biggest city in Nigeria or near Nigeria?)
We see Fara's getting very upset by all this.
3. Tea doesn't want to hurt Fara, but he doesn't know
what happened to her when she went to the big city.
And one way or the other that Leopard is going to
die. If necessary, every leopard in the jungle.
4. An increasingly agitated Fara places himself in front
of the leopard. The poachers are getting angry.
Let's just get rid of them all. We don't want
witnesses anyway. Things are reaching a boiling
point, and left with no choice, Goliath is just about
to go in.
5. When Fara Maku transforms into a HUGE black leopard
-- at any rate, considerably bigger than the
ceremonial leopard in the cage.
ACT TWO
VI. All hell breaks loose. Tea says something like "It was you!!". The poachers panic and start shooting at Fara, who attacks and is wounded. Goliath, Angela and Bronx wade into the battle. Short work is made of the poachers, but Fara/leopard flees into the jungle pursued by Tea. (We still think Tea is a villain at this point.)
Diane is stunned at all that's happened. And the appearance of the Gargoyles doesn't help. But the straw that breaks the camel's back is that Elisa clearly knows these monsters. Elisa is quickly able to convince her mom that Goliath and company are friendly, but that only raises more questions. How long have you known about this? Why didn't you tell me? Etc. Elisa doesn't want to deal with this, so she changes subject. What's the deal with Fara's transformation? Diane doesn't know. She thought the legend was just a legend. Goliath says that in his experience most legends have a seed of truth in them. At any rate, Fara's in obvious danger from that Tea-woman. They need to protect him. Elisa wants her mom to stay behind. Fat chance, young lady.
Just before they leave, they free the ceremonial panther and put the poachers in his cage.
VII. In the jungle, Tea hunts the Fara/leopard like a woman possessed. We get a sense that she and Fara once cared for each other and that for some reason she feels betrayed by him. She nearly kills him, but is prevented by Goliath and co. But when they try to apprehend her, she too transforms into a HUGE black leopard (though she seems to be trying to fight the transformation in a way that Fara didn't earlier.) Tea/leopard escapes, still pursuing the wounded Fara/leopard.
VIII. With Bronx's help, our intrepid band track Fara and Tea to the gates of legendary Kara Digi -- home of Anansi the Spider. Diane can't believe it's real, but then again, what isn't real these days? The city is layed out like a spider's web. Bronx seems confused. There are multiple cob-web filled pathways, and he seems conflicted between two of them. Angela realizes that Fara and Tea must have gone down separate paths. Angela, Elisa and Bronx will follow one path. Goliath and Diane will follow the other. (Elisa probably wants Goliath with Diane so that the big guy can keep mom safe.)
IX. The two teams split up. But both fall into death traps. Spider-themed death-traps ideally.
ACT THREE
X. Both groups separately escape their respective death traps and continue pursuit.
XI. Along the way, Angela has a discussion with Elisa, that chastens Elisa. (Angela wishes that her father would talk to her the way Diane seems to want to talk to Elisa, or something like that). Diane has a conversation with Goliath that chastens him. (As you said, the difference between the human and gargoyle way; the unreasonableness of children, the fact that Goliath treating Angela like a daughter doesn't preclude him from loving his non-biological kids back on Avalon. Diane has three kids, and she loves them all, but that doesn't mean she can't try to be as close as possible to Elisa. You might even get in the fact that Elisa's always been Daddy's girl. In fact, maybe we should run this through Elisa and Diane's whole conflict. Or maybe not. I'll leave that up to you.)
Note: Both Elisa and Goliath should be chastened but unconvinced at this point. Also, plant little spiders throughout their treks through the city.
XII. Anyway, all paths lead to the heart of Kara Digi, the heart of the web. Everyone converges there. Fara arrives first and transforms back into a wounded human. Tea isn't far behind. She too transforms back, and pulls a primitive weapon off the wall to use on Fara. She's intercepted by the several arrivals of all our heroes. And finally we get some answers. Tea was attacked by a leopard just before she left for the big city. Now everytime she gets upset she transforms into a black leopard. Made life difficult in the big city. She knew the Tale of the Leopard Queen and figured that if she killed the Leopard who marked her, it would break the spell. So she teamed with the Poachers. They helped her kill the leopards to get the fur, claws and teeth. She still can't believe that it was Fara that marked her. She loved Fara. Fara protests that he loved her too. That is why he marked her, to force her to come back to the jungle and stay with him. That isn't love, Diane says, that's selfishness. Fara realizes that now, but he really does love Tea. (Man this jungle's just filled with lousy communication skills.) But Elisa doesn't understand. How did Fara get cursed himself. Fara's reluctant to answer....so Anansi answers for him. Anansi lowers himself on a web from the darkness of the ceiling. He is a GIANT INTELLIGENT SPIDER. Fara knew the legends and searched for the city. He found it and Anansi, who was just a hungry little thing. Fara made the old deal. He would hunt for Anansi and bring him food in exchange for the Leopard "curse". Anansi's pleased with the arrangement. He's obviously eaten well. Now Fara begs Anansi to remove the curse from Tea, even if Fara has to serve Anansi forever. Tea's touched, but Anansi figures if one hunter is good, seven might be better. Anansi knows from his little spider children (who "bugged" Elisa and Goliath's respective conversations with Angela and Diane) that each of them has a loved one here. He may send a few of them out at a time to hunt while the others serve him and act as hostages. Of course this doesn't sit well with anyone, so we have a fight. Fara transforms again, so we have gargoyles, Fara/leopard, Tea, Elisa and Diane against this giant spider, and frankly, it doesn't look good for our guys. Fara is still wounded, and Tea has to transform to a leopard to save him at some point. She still loves him. Anansi is ultimately destroyed in some cool way that ANGELA thinks of. But with Anansi gone, now there's no way to remove the curse from Fara and Tea.
XIII. Epilogue. A bandaged Fara and Tea are reconciled. Both have done bad things that they need to atone for. But they are together, and like the Leopard Queen and her son, they choose to stay together out of love. If that means occasionally turning into black leopards to protect their jungle. Well, so be it.
Goliath tells Angela that he is very proud of how his Daughter defeated Anansi. She gets the message and gives him a huge hug, as dawn breaks and they turn to stone in each other's arms.
Diane is once more, suitably impressed. She and Elisa share a nice quiet moment alone. When night falls again, Elisa plans on continuing the world tour with her gargoyle friends, but she promises to tell her Mom EVERYTHING about it when she gets home.
THE END
So that's that. I'm not sure about the break between the second and third act. You can move it if you want. And if this doesn't play for you, all or in part, give me a call and we'll talk.
Finally, this may be sticky from an S&P standpoint. I can't really justify the poachers having futuristic guns. Their rifles can be semi-hi-tech, but they can't be laser guns. Also, I want to deal as realistically as possible with Fara's wound. Both as a leopard and as a man. I'm going to copy Adrienne on this. After you've both read this, you might want to confab with her to discuss perimeters.
THE JAGUAR QUEEN
Below are my notes on Brynne & Lydia's first outline for what would eventually become "Mark of the Panther". (Unfortunately, I no longer have copies of the actual outlines. Just my notes.)
WEISMAN 3-1-95
Notes on "Jaguar Queen" Outline...
FOCUS & THEME
"Emotional Distance" would be my best guess.
Goliath and Angela.
What is key issue/theme?
--He treated her more like a daughter before she knew he was her father.
--He is fighting a loving instinct inside himself.
--She doesn't grasp Gargoyle heritage on the subject.
--Distance? Coldness? Heritage? Self-control? Acknowledgement?
Diane and Elisa.
What is key issue?
--Distance? Coldness? Heritage? Self-control? Acknowledgement?
--Elisa is Daddy's girl.
--Is she distanced from her mom and/or her mom's heritage.
--Is mom shocked by Elisa's secret life with gargoyles?
--Is respect the issue?
--How does it relate to G&A arc?
Fara Maku and Tea.
What is key issue?
--Distance? Coldness? Heritage? Self-control? Acknowledgement?
--How does it relate to G&A and/or D&E?
--Do we need another set of parent & child?
Maybe we need to team Goliath and Diane?
ACT STRUCTURE
--Got to get more happening in Act One.
--Act One currently feels like it's all prologue, except that emotional issues aren't introduced until Act Two.
--Act Two seems too late to bring up Angela's arc.
--And Goliath's side doesn't get any play.
--It seems tacked on, not a dynamic element in the story.
--Must intro emotional arcs by end of Act One.
--Definitively for Goliath, Angela, Elisa and Diane.
--At least hint at them for Tea and Fara Maku.
--By end of Act One we need a jaguar transformation.
--By end of Act Two we need to get to the city if we're going there at all.
DIANE MAZA
--She's not personally from Nigeria. Her ancestors are from Nigeria.
--I frankly don't want to distance Diane & Elisa from the most negative side of the African-American Experience.
--Diane's been to Nigeria before, though.
--Searched out her ancestors.
--Studied there traditions.
--Has Elisa been here before? Probably.
--But how 'into it' is Elisa?
--Can she sense a monsoon coming?
--Much more of a Daddy's girl.
--Diane's an expert on "oral storytelling traditions"
--Not on all things Nigerian.
--Not on healing herbs for example.
FRENCH
--Elisa can't speak it.
--Maybe Angela can, but do we need it?
--Can't it all be in English?
--Ellipsis between 4 Heroes leaving the skiff and there arrival in village.
--We wipe from riverside to the village.
--Start hearing the story.
--Segue to depiction of story.
--When we return from 'telling', we see that the heroes are there and heard most of it.
--Elisa recognized her mom's voice right away, but doesn't tell the others right away.
--Stunned to see her there.
--Lost in the tale. etc.
THE CURSE - Simplify & Clarify
--Jaguar Queen's Logic seems confused.
--Curses conditions seem unclear and "Multiple"
--Why doesn't Tea turn into a jaguar?
--Was she turning into a jaguar in America?
--Does she want vengence on Fara Maku or does she want to kill the tribe's Jaguar?
--If she knows Maku is the jaguar that bit her, why try to kill the tribe's Jaguar?
--If she doesn't know, why does she want specific vengeance on him?
--What initiates Fara Maku's transformation into a Jaguar?
--Greed? Anger? How does it fit the curse we heard about?
--What initiates his transformation back at the end?
--How did he get cursed in first place?
--Do we want him to be the villain?
--Does their love story seems off point? Can we bring it on point?
--His motivation for cursing her seems pretty reprehensible.
--Tia's not bad for wanting to leave, per se.
--His vengeance being motivated by her greed, is fishy too.
--Why can't Tea end her curse by killing Fara Maku?
--How can she keep it from "being passed along"?
--Why do they reconcile?
--Who or what are we rooting for?
LOGISTICS
--When does Diane first see Elisa?
--How do gargoyles take out poachers without being seen?
--Why does Elisa feel it's necessary to reveal gargoyles at page 8?
--Beware set-ups that don't pay off.
--Straw man dangers.
--Spiked pit.
--Everyone notices and glides or "edges" around.
--Rope bridge - same deal. Whole set up feels artificial since Goliath could have glided over to rescue Tia in first place.
--Settled things that become unsettle.
--P.6 Tea's down, then is up again, with knife.
--Even gets her rifle back.
S&P CONCERNS
--Spear in Fara Maku's shoulder.
--Tea's rifle or shotgun at end of show.
LOST CITY
--Also discovered too late to not feel tacked on.
--Why is city booby-trapped? What is it protecting?
--A city doesn't only have one way to proceed.
POACHERS
--Aren't poaching.
--So why were they helping Tea?
--Was Tea a poacher?
--Has she been killing Jaguars looking for the one that bit her?
Chapter XLVII: "Mark of the Panther"
Time to ramble...
Chapter XLVII: "Mark of the Panther"
Story Editor: Brynne Chandler Reaves
Writer: Lydia Marano
Director: Dennis Woodyard
PREVIOUSLY
We reestablish Elisa's reluctance to share the Gargoyles even with people she trusts. And we reestablish Angela & Goliath's conflict over her parentage.
TITLE
This one went through a number of permutations, as you'll see from the various drafts of outline that I'll try to remember to post tomorrow. We kept changing the title as we kept learning more about the myths of the area. Here was one time where our research helped to keep us honest. Since it's not a one-word title, it probably came from Brynne and/or Lydia.
NOTE THE WATERFALL
We did Elisa falling and Goliath saving her so often -- even as we tried to avoid relegating Elisa to a mere damsel in distress -- that we always had to find variations on the theme. This time he catches her, but then gets slammed by Angela and they all fall into the water. Fortunately, he split the distance on the drop, so they're all okay. Compare this to Hunter's Moon III and... well, maybe I'll wait until I get to that ramble to elaborate...
THE LEGEND OF THE PANTHER QUEEN: TEETH, FUR & CLAWS
I've always been interested in Tricksters. Tricksters and Bastards are my two favorite archetypes. So I'd already done a bit of reading on Anansi legends. This one isn't authentic. The words that Nichelle Nichols speaks in narration as Diane Maza were written by Lydia, but the story itself was mine... though I had made it more of a tribal creation myth. Anansi creates a human being by removing the things about the Panther Queen that were the root of her vanity: her pelt, teeth and claws. The Panther Queen then mothers (at least this segment of) the human race, the ancestors of Fara Maku and Tea. Brynne felt that might be disresepectful to the peoples of the area, so we modified things so that the Queen had her own individual children but was no longer mother to the ENTIRE tribe. (Although I like to think that Fara Maku, at least, was an ancestor of the Queen.) From the beginning, we kept the emphasis on the fur, teeth and claws. Even the poachers are the most interested in those three items.
And how about our little mini cartoon within a cartoon? I love it, myself. (He says without a hint of bias ;) I think Dennis and his team did an amazing job at designing an entirely different art style appropriate to the fable. And I think Nichelle's reading is amazing. She did that in two takes. The first half in one take, the second half in the second take.
But as good as I think it is, I think it's most amazing for its daring. We stopped our episode and ran another cartoon of a totally different style for minutes there. Imagine someone tuning in late to see Gargoyles and finding themselves in the midst of the Tale of The Panther Queen... That was one of the things that was just magic about working on Gargoyles. We took RISKS.
OUT OF CONFLICT...
Some of our best stuff came out of conflict, I hate to admit. Like "The Mirror", this episode was one that Brynne and I fought over a lot. In general, I "won" those fights, because, after all, I was the boss -- and because, even if I had trouble at times articulating it, I had a clear vision (or would eventually find a clear vision) of what I was looking for. But Brynne (and everyone else) would influence me, temper me, moderate me. And the result was usually pretty darn cool. In the end, I think this was one of Brynne & Lydia's favorite episodes. They asked Nichelle to autograph their scripts -- and Nichelle asked THEM to autograph her script. I think she was quite taken with it as well.
PARENTS & CHILDREN
The Panther Queen & her son. Goliath & Angela. Diane & Elisa. Obviously, the theme of parents and children ran throughout the episode. But because of that, we made a conscious decision to make Tea into Fara's lover, not his daughter. We didn't want things to seem TOO pat by having every observable relationship be a parent/child relationship. But Tea & Fara still provide a cautionary example of someone attempting to hold on too tight...
Diane: "That's not love, Fara, that's selfishness."
It applies to any relationship.
Still, we get some fun mother/daughter and father/daughter and mother/son stuff from the three parental relationships we did have in the episode.
As with Fox and Anastasia in "Walkabout" you get moments of the old dynamic emerging between Diane and Elisa. Elisa comes up with a lame excuse for being in Africa ("I'm on a case.") and Diane responds with the kind of "Oh, please," that you know she must have used a hundred times on the 16-year-old Elisa.
But Elisa is still impressed by her mom and proud of her. She listens in some reverence -- and without interrupting -- to her mother telling the tale of the Panther Queen. Angela, also impressed, asks if Diane is a queen or magus (trying to relate her own reverence to her experience). And Elisa responds simply, but eloquently: "Actually, that's my mother."
We also get to see how much ALIKE Diane and Elisa actually are. Both hate spiders. ("Spiders. Why did it have to be spiders?" is of course a riff from Raiders of the Lost Ark.) Both hate to be seen as weak or needy. (I love Goliath's intimidated reaction when Diane tells him: "I don't need watching over." I wonder if he's already regarding her as his mother-in-law?)
My kids listened to Elisa being pissed off at Diane in front of Angela. She seems to be making sense at first, but it soon becomes clear -- even to an embarrassed Elisa -- that she's being unreasonable. Angela does a very Goliath-esque reality check for her (remember when Goliath reprimanded Elisa & Derek in "Her Brother's Keeper"?), which also served to remind us that Angela is Goliath's daughter in more ways than one.
Erin said: "I don't always understand Elisa." Goliath gets her. She doesn't like to share her secrets. She doesn't seem to trust easily. But she also views knowledge as power, and she doesn't want to share that power. The "THAT" which makes her special.
We also get some nice Angela resolution here, as well. Goliath's obviously so concerned about Angela focusing on her biological parentage (because he fears what that means vis-a-vis Demona) that he's totally blind to his duties as her only present (if not surviving) rookery father. He's there. She needs him to act as a father to her, not just as a leader. He refuses. And then Diane sets him straight, simply and clearly. Later, when he says he's proud of her, it's a bit of a sappy moment, but I like to think we've earned it.
And I like to think we've earned the better executed moment at the end between Elisa and Diane. Diane knows that loving sometimes means letting go. (Fara helped remind her of that.) But Elisa now doesn't want her mother to let go so soon. While the gargs sleep she has a full day to tell her story. *You know... Chapters I - XLVI.
Diane's last line is cute: "There aren't any more spiders are there?" But I wish we had ended there or with Elisa's little chuckle. When Elisa ends by saying, "No." it flattens out the moment. Oh, well...
ANANSI
During the Tale of the Panther Queen, Anansi laughs when the Queen attacks him because "creatures such as he cannot die." This is a tip off -- along with the little tiny spider we see at episode's end -- that we weren't actually killing Anansi by having Goliath plunge that spear into him. As my son Benny asked: "Is that all magic that's coming out of him?" Yes, indeed. He's being bled, in essence, of some of his magical energy. He's weakened but not destroyed. And he escapes as a little spider, to reappear in cameo during the Gathering. This was ALSO designed as a hint that Banshee was still alive too. I'm not saying that Oberon's Children cannot be destroyed. I think they can. But it's tough. They have to be utterly wiped out. Otherwise, they are simply weakened. It's easy enough for them to flee to recharge later and fight or trick or whatever another day.
Anansi was played wonderfully by LeVar Burton. But Frank Paur felt that his voice wasn't threatening enough to play the giant spider. So he was enhanced by the good folk at Advantage Audio. (Love those guys.) I think they did a marvelous job of merging LeVar's voice with the effect. We lost none of the acting. But we gained a lot of presence. And Anansi has some great lines:
"I know. Company's coming"
"I'll spin you wishes!"
NOTHING GETS BY THEM
Benny noticed the mark on Tea's shoulder, indicating that she was a were-panther. He wondered if Tea and Fara were the actual Queen and Prince from the legends...
Erin noticed that when Goliath was gliding with Tea and she transforms, she seems to scratch Goliath with her claws. She wondered if that meant Goliath would become a panther-goyle? THAT thought never even occured to me before. Should have though. I'm contemplating adding that to the list of missed bets along with the Pack killing everyone in "Grief" and Cu Chullain's armor and bones being in the tomb in "The Hound of Ulster".
RANDOM STUFF
Goliath has his own version of the Weird Sisters: "All Things Are True" line when Diane expresses surprise that the legend she had just faithfully related might have had some basis in fact.
Bronx is a great old smell hound. (I miss Norman. After watching this episode, my kids went to bed... and then an hour later my daughter had another grief-attack over our late dog. I can't help thinking that subconsciously, Bronx reminded her of Norman in this episode. Not that Norman ever hunted down were-panthers for us, but you get the idea.)
There's also a wonderfully animated moment, where Bronx knocks Tea over, just as she's about to spear Fara. The way she stumbles before crumbling is just gorgeous.
Fara Maku echoes the Captain of the Guard when he says: "It wasn't supposed to be that way." One could argue that it's us just being unoriginal. Or self-indulgent. But I like to think we were creating thematic echoes that ran across the entire tapestry of our 66 episodes.
"Dream on, Spider-Man!"
DID WE CHEAT?
Tea spends most of the episode trying to take revenge on Fara Maku. Then at the end they reconcile? I like to think that the events with Anansi really served to take the steam out of her need for vengeance. That seeing him threatened reawakened her feelings for him. And the fact that he admitted his mistake and apologized didn't hurt either. She makes a conscious decision to forgive him. But did that forgiveness come too cheap? Was it too pat? Maybe. I'm pretty confident about Renard's turnaround in "Golem" and the Captain's in "Shadows of the Past". We only had 22 minutes, and I think we planted all the necessary seeds to justify those last minute changes of heart. I'm less confident about this one. But I can live with it. And we created two more heroes for down the road...
Anyway, that's my ramble...
Where's yours?
Chapter XLVI: "Walkabout"
Time to ramble...
Chapter XLVI: "Walkabout"
Story Editor: Michael Reaves
Story: Michael Reaves
Teleplay: Steve Perry
Director: Dennis Woodyard
PREVIOUSLY
Focus here was on Fox being in the family way and on Dingo. At this point, I often (almost) forget that Fox was ever in the Pack, she seems so beyond them now. But there are a couple of nice reminders throughout the episode, that as "Grief" dealt with Jackal, Hyena, Wolf and Coyote (i.e. the LEAST human members of the Pack), "Walkabout" reunites the MOST human (former) members.
TITLE & ORIGINS
"Walkabout," is one of my typical one-word titles. I kind of had an ambition to hit every inhabited continent at least once on our World Tour. Couldn't skip the land down under therefore, and couldn't go to Australia without Dingo, of course. But this was also our opportunity to present a demonstrably pregnant Fox and to introduce her mother Anastasia, voiced by the incomparable Kate Mulgrew -- whom I've loved since her amazing run as Mary Ryan on Ryan's Hope.
When the skiff first appears, my kids (Erin & Benny) attempted to guess the location: Asia, Africa. Then they see the kangaroo.
Then they see the advancing "Gray Goo". Or silver sheen. That was another concept that Michael and I wanted to cover: nanotechnology and the threat it presents, i.e. the Gray Goo Scenario that Anastasia describes later. Oh, and artificial intelligence. More on that down below...
Unfortunately, the Gray Goo as executed here never really worked for me visually in the episode. It gets the idea across, but it's never got the precision that I wanted. And it's terribly inconsistent for a mono-maniacal computer program. It's kind of all over the map.
DINGO
He's seeking a clean slate, a fresh start. But it's not that easy. When Goliath spots him later, and Angela asks who he is, Elisa says: "He's not one of the Good Guys." Erin countered: "Trying to be."
Benny saw him activating his armor and immediately figured out what he was up to. How did he know? Because he's seen the concept more recently on the new "The Batman" series. Dingo's using Batwave!!!! (Dingowave?)
I love the visual of Dingo's armor opening up in back to let him step right in. Then closing up around him. There are some great armor moments in this episode.
[But some awkward movement throughout. There's a shot of Goliath falling to the ground and landing on his back, before rapidly flipping over onto his hands and knees to hold his head. It's very clumsy. And Fox runs very well for a pregnant woman, don't you think?]
Dingo also has some nice lines... (particularly: "Always did fancy a trip to Disneyland.") ...and Jim Cummings-provided Australian slang like "Ripper" and "Sheila" (referring to Elisa -- though Sheila is also my mother's name)
MATRIX
Erin wanted to know if we got sued for calling the computer program "The Matrix". I explained that this episode pre-dated the movie. So a couple of minutes later she asked why WE didn't sue the movie. (Where did she get so law-suit happy, huh?)
ANASTASIA & DAUGHTER
There are some great moments between Fox & Anastasia. Some moments where you can hear Fox practically reverting to her teen self with lines like "Mo-ther!" And I like when Anastasia plays on that by saying, "Humor your mother." Relationships trump science fiction.
When Fox says, "Your grandson just kicked me..." Erin said, "I'm her grandson," referring to the fact that Erin provided the voice of Alex Xanatos in "The Journey." But this was a bit of a reveal. In "Outfoxed", we revealed that Fox was pregnant. Now we reveal the baby's gender.
I also like Fox's "Where are my manners?" line.
And we get a bit more feeling for the Renard clan as Goliath realizes that Fox is Halcyon's daughter, and as Anastasia dismisses discussion of her "ex-husband."
THERAMIN
I never knew what that "instrument" was called before working on this episode. Carl did a great job of providing some unique scoring to this episode (as he had with Hound of Ulster). The Theramin work. And the Didgeridoo (am I spelling that right?) Cool stuff. Both added greatly to the ambiance and helped compensate for some weakly executed gray goo.
SHAMAN
Mr. One-Note, huh? You must use the Dream-Time. Find the Dream-Time. Enter the Dream-Time. Okay, okay. We get it.
There's potential in that character, which I wanted to explore in Bad Guys. But I don't think we found it here. Part of the problem is the accent. I don't know what I'm hearing exactly, but it doesn't sound like the accent of an Australian aborigine. I like James Avery's performance, and I'm not being critical of him, but he was hampered by our accentual ignorance and the one-note nature (as written) of the character. Still he has some decent moments, I suppose. At least enough that I wanted to make him Harry Monmouth's surrogate father in Bad Guys. I just wanted to get the accent right by that time.
And what is the Dreamtime, exactly? I'm not sure we got THAT right either, really. I think we just played it like the inside of Coldstone's head. That was probably my fault. Again, we just didn't always have the time to do all the research we would have loved to do.
SPEAKING OF BAD GUYS
I haven't watched "Walkabout" in a few years, but I see the Bad Guys Reel EVERY year at the Gathering. So I'm used to hearing Jeff Bennett as Matrix. But here we have Jim Cummings as Matrix, and it does sound very different, despite all the electronic filtering and futzing we did on both actors in the part. In the episode, we cast Jim as Matrix because he was already there as Dingo, so it saved us money.
But when we developed Bad Guys as its own series, I decided to recast Matrix. Not because Jim isn't great or because he couldn't handle doing two voices on a regular basis, but because we wanted to have the freedom to play with Matrix's voice a lot. And we didn't ever want him to sound like Dingo. So I brought in Jeff, because, well, I just love Jeff.
FINAL BATTLE
There's some interesting visuals in the Dreamtime. I liked how each of the combatants used what they know. Goliath uses a medieval shield and recreates the Trio & Hudson to fight with/for him. (It was also a conscious attempt on our part to get those four in the episode -- at least visually. We knew even then that we were short-changing them during the tour and that the audience would be missing them.) Dingo "upgrades" his armor again, saying with relish "I like it." _I_ like how he dived down into the "stuff of dreams" to revamp the armor. And Matrix uses waldo-like arms to fight and capture his opponents.
Of course, Dingo (and the writers including me) are grasping at straws with that whole "Law and Order" thing at the end. It's Artificial... but, hey, so is Matrix's Intelligence. As Dingo says as his armor tranforms yet again (looking positively gorillaish for a second or two), "Australia's got a new kind of hero, mates!" And I like how he revealed that he liked PLAYING the hero when he and Fox were on the Pack TV Show. You never know what you've got until it's gone, eh, Harry?
Of course, we were building up our international cast of heroes, but the idea behind Dingo & Matrix soon evolved into Bad Guys. And I think they work very well together and as part of the larger group in that piece.
Erin thought that the Shaman was the real hero of the episode. I like that she thinks that. Accent or no accent.
Anyway, that's my ramble...
Where's yours?
OUTLINE NOTES ON WHAT WOULD BECOME "THE HOUND OF ULSTER"
These are the notes I gave to Michael Reaves based on his outline for the episode...
WEISMAN 3-21-95
Notes on "A Bronx Tail" Outline...
Play a lot of Bronx PoV throughout.
ACT ONE
1. Night. Rory and SEANA (Finuala/Banshee) escape coppers. We see that she encourages him to delinquency. We hear about Hound. They split up. We hear Bronx howl. (Seana/Banshee hears it too?)
2. Night. Cut to Bronx howling by riverside. Banshee screech. Some sign of Banshee/Woman for Bronx to sniff.
3. Rory and Mom or Dad (not both). Day.
4. Switch with beat Five. Dungeon. Angela and Goliath wake up. Chained. (Combine Castle and Cairn) Gargs and Elisa in unbreakable chains.
5. Swith with beat 4. Rory leaves home to meet Seana. Bronx pursues Rory. (Tracking scent of Seana/Banshee on Rory.)
6. Rory falls into quarry.
6.5. Unconscious Rory has Vision of Ulster past - still a bit confused. Bronx might still be threat or ally.
7. Banshee attacks G, A, E. in dungeon.
ACT TWO
8. Bronx helps Rory out of Quarry.
9. Banshee ceases her assault on G,A, E. Senses that Rory is with Bronx. And/or she gets some info from G, A, E.
10. At bog. Bronx playing Lassie. Rory has a vision of Cairn/Castle.
11. Cut.
12. Seana appears. Bronx growls at her. Rory rejects Bronx for rejecting Seana. Bronx attacks. Rory cannot stop him. Seana/Banshee forced to reveal herself to protect herself. Bronx knocked out. Rory is shocked. Afraid of Banshee. Banshee does siren number on Rory. He leaves with her. How ominous.
13. Cut.
ACT THREE
14. Cut.
15. Cut.
16. Late Morning, early afternoon. Rory awakens at home probably. Parent bitching, he's a bum who's out all night and sleeps all day. Previous night feels like a good/bad dream. Seana shows up. Doesn't know what he's talking about. But Place from his vision sounds like Cairn/Castle. He insists on going there. She's frightened but she loves him. She'll go with.
17. They arrive after dark. Banshee/Seana is prepared to kill him... She was hoping to keep him from realizing his potential. But if that's not going to work than the ancient battle begins again.
Bronx arrives nick-o-time. (G,E and A hear commotion but can't do anything to help.) Bronx saves Rory, who gets spear and transforms. They battle and ultimately defeat or destroy deathworm. They free G,E and A. Rory returns to normal, but Ireland has a New Hero.
Chapter XLV: "The Hound of Ulster"
Time to ramble...
Chapter XLV: "The Hound of Ulster"
Story Editor: Michael Reaves
Story: Michael Reaves
Teleplay: Diane Duane & Peter Morwood
Director: Bob Kline
THE TITLE/ORIGINS
I think my original title for this episode was "A Bronx Tail" or "A Bronx Tale". They wound up using that title for an episode of Goliath Chronicles, I think.
Then I think I wanted to change the title to "The Barghest". But Michael and Peter & Diane protested that the Barghest was a Northern English legend, not an Irish one. They wanted "The Hero of Ulster". I changed it to "The Hound of Ulster," which was a compromise we could all live with.
But somewhere in here we confused the legend of Cu Chullain, with the legend of the Barghest/Great Beast (not to mention tossing in and combining the Banshee and Crom-Cruach).
I've since gathered fromt the fans that Cu Chullain himself was the Hound of Ulster, a title he won by having to act as a watchdog for another lord for a period of time.
Oh, well. I just wasn't that familiar with this legend at the time. And I didn't do or have time to do all the necessary research, I'm afraid.
I guess in the Gargoyles Universe, things might have been a bit different. Or maybe not. Actually, the on-going story of Rory & Molly a.k.a. Cu Chullain & the Banshee still fascinates me. Eventually, I'd love to be able to bring them back and have the excuse to really research the topic thoroughly.
PREVIOUSLY ON GARGOYLES
Sometimes we struggled to fill out that 30 seconds of footage. This looked like one of those times. We emphasized Bronx moments and Avalon's past abandonment.
LIFE IN LISCOO
And then we're in Liscoo. Again, I like the relationship between Rory & Molly. Her manipulations are subtle... she encourages his delinquincy. Tries to convince him to leave town... to leave Ireland even, for America.
Rory believes he's nothing. He's a quitter... as his father later says, "Ah, Rory, you always gave up to easy." Rory's arc is to move from being a boy who's a quitter to a man who refuses to quit. Even in the face of inhuman opposition.
But there's a real economic undercurrent to all this. Rory's dad is explicitly on the Dole. Rory is shoplifting and has no trade. It's a relatively sophisticated, young adult dilemma he's facing.
I really like Rory's dad Mr. Dugan -- and Colm Meany, the actor who played him. Love the exchange between him and Molly...
Molly: "Hello, Mr. Dugan."
Dugan: "Hmph. Molly."
(So much ... unfondness... in so few words.)
Of course Molly IS a bad influence on Mr. Dugan's boy Rory. Cuz she's a Banshee trying to keep Rory from realizing who he really is. DUH!
FUTURE STORY IDEAS OR RANDOM REFERENCES: YOU DECIDE!
Rory: "And dwarves made me shoes."
Elisa: "I don't know whether to expect vampires or Sherlock Holmes."
Banshee: "The time of the Gathering approaches." (That was a freebee.)
WHEN THE BANSHEE KEENS...
...lots of people have to work really hard to make it sound really cool. Start with Sheena Easton's vocals directed by Jamie Thomason. Throw in music effects by Carl Johnson, edited by Marc Perlman. Throw in Sound Effects by Paca Thomas, all mixed by the great crew at Advantage Audio. We have many great shows. And the Advantage guys, our composer and voice actors always did a great job on them. But the soundwork on this episode, is just STUNNING.
WIZARD OF OZ REFERENCES
Elisa: "I don't think we're in Scotland. Or Kansas either."
Banshee: "But more than enough to deal with a noisy young hero -- and his little dog too!"
(Frankly, I don't think you can ever have too many Oz references. Erin, my ten-year-old daughter recognized the latter line as a reference to something, but couldn't immediately place what it was from. She guessed Scooby Doo episodes. Odds are that "little dog too" line has been used once or twice over the hundreds of adventures that Scooby has had. So she may not have been wrong. But when I mentioned Wizard, she immediately remembered.)
CAIRN NA CHULLAIN
The site of one of my most annoying missed opportunities. When Elisa, Angela and Goliath wake up in Cu Chullain's tomb, his armor and bones should have been in there with them.
It's interesting to me that the Banshee gets so annoyed by their denials that she doesn't try to mesmerize the info that she thinks she needs from Elisa, Angela or Goliath. She says that her voice can mesmerize (a little forshadowing for what she's about to do to Rory) but instead she just tries to torture the travelers into telling her what she wants to know.
RANDOM OTHER LINES I LIKE
Elisa (sing-song): "We've got company."
Banshee: "You have recently been in Avalon -- the scent of its magic is all about you." (I love the idea that magic has a scent to the carefully trained nose.)
Banshee: "I like it here."
Rory: "About last night... you don't recall putting on a foot of height and a yard of hair--?"
Molly: "Huh! In your dreams..."
(If she can do anything to convince him it was all just a dream...)
Goliath: "A land with a hero soon finds other deeds for him to do." (Is this the old Batman argument that Batman's mere presence draws the Joker and his ilk to Gotham..?)
DELAYED REACTION
Rory comes to as Bronx licks him awake. There's a funny delayed reaction. And a real Elisa-in-Awakening moment, as Rory says: "This can't be happening."
In general, it's hard for someone of my generation to avoid making a Lassie comparison with Bronx here. Timmy may not be in the well, but Angela, Elisa & Goliath are stuck in the Cairn. And Bronx is finding the one person he believes can help get them out.
When Molly first turned into Banshee on screen, I'm curious what you guys thought. Did you think that Molly was Banshee or that just in THAT scene the Banshee had posed as Molly until Bronx figured out the truth?
(When Rory walks off with Banshee at the end of the act, Erin said: "Bad idea." And my seven-year-old son Benny said, "He's tranced. He can't do anything.")
We were trying to generally confuse you guys by having Rory leave with the Banshee and then wake up unharmed in his home. Molly shows up... is she to be trusted? Is this the real Molly? Is the real Molly a Banshee? Was the whole thing a dream?
The whole thing was actually pretty linear. But we wanted to keep Rory and the audience off balance.
In the end, I think we played pretty fair. Even Molly's initial reaction to hearing Bronx's howl in the opening minutes of the episode plays well I think, both as the kind of reaction a superstitious Molly would have AND as the reaction the Banshee would have to hearing the sound of a Gargoyle Beast for the first time in centuries.
SO THORY
The Cu Chullain design and concept we wound up with is a little too close to Marvel's THOR for my tastes. I'm not worried about the legalities, but I'd have liked to have come up with a better design for old Cu and a fresher idea than leaving Rory with a walking stick that transforms into the Spear of Light. We just didn't have the time to dance with it enough to come up with something better.
SO CLEVERDON
Actor Scott Cleverdon, who played Rory came up with Cu's battle cry at the end, insisting that it was authentic. Sounded cool. So we trusted him.
REINCARNATION
So if Rory is the reincarnation of the Hero of Ulster, does that make Bronx the reincarnation of (Buena Vista's Gargoyles') Hound of Ulster. Or is he just another Great Beast? We intentionally left that vague.
A BRONX TALE
But we did want this story to BELONG to Bronx as much as possible. I had to kinda push to keep Goliath, Elisa and Angela from joining in the heroics, leaving the heavy lifting to Bronx and Rory.
The episode inevitably became Rory's story. But by removing our three regulars from the action, I felt that Bronx got more of a showcase than he would have.
I love the "smug" Bronx at the end.
Anyway, that's my ramble. Where's yours?
W.I.T.C.H.
Hey gang,
I got a job!!!!
I'll be producing the SECOND season of a series called W.I.T.C.H. for SIP Animation and ABC Family's Jetix block.
I had nothing to do with the FIRST season, but I'm rooting for its success... because frankly if it doesn't do well, then you'll never get to see the neatokeen stuff I'm planning for season two.
The first W.I.T.C.H. "minisode" premieres on Jetix on Saturday morning, October 30th. (Check your local listings.) Again, I had nothing to do with it, but I do think it's fun stuff. (And if you love me, you'll support it ;)
Oh, and while I'm at it, I think my first episode of THE BATMAN, "The Big Chill" featuring Mr. Freeze airs THIS Saturday, October 23rd on Kids WB. (Again, check your local listings.) It features the voice of Clancy Brown (Hakon, Wolf) as Freeze.
And also keep an eye out for the two episodes of SUPER ROBOT MONKEY TEAM HYPERFORCE GO! which I wrote for Jetix. I'm not sure exactly when they're airing, but I'll keep you posted.
Thanks!!
Little things...
It's amazing how nothing major has changed in my life.
It's also amazing how many little things have changed.
I'm up VERY late. I generally work until midnight and then try to wind down from 12am to 2am. I try to go to bed around 2, but often I'm up until 3am or later.
All of this was time I used to spend with Norman. Beth and the kids were long asleep. Sure the cats stopped by occasionally, but Norman was my constant companion. He'd be on the floor or on his old recliner chai (the one he commandeered when Beth wouldn't let him on the new couch). I'd pet him some, but mostly it was just his presence.
Now his hair-covered blanket is off the chair. It makes it available for human seatage -- but I'm not that big a fan of humans, and in any case there are none around at those hours. So I'm just alone at my desk. Or alone on the couch. And it's just strange. And very lonely.
Erin and I walked into Larchmont yesterday. (Saw Matt Dillon, by the way.) It was weird not having Norman on the leash, our walking smile-magnet. And every dog we did see on someone else's leash kinda broke our hearts.
Beth said she's been hearing him at the back door, crying to get in. So I open the door occassionally.
We see Bassetts on tv ALL the time. Two just on the "er" episode I recorded the other night. (One on a commercial and one in the actual show.)
We can now leave chalah out on the kitchen table. Cause he's not there to swipe it.
And I can leave the front door open when I bring the groceries in from Beth's car, because he's not there to bolt out into the middle of the street.
And when the doorbell rings, he doesn't bark and howl like a lunatic.
But mostly, he's not waiting in the living room window when we get home anymore.
No. Mostly, he's just not there on his chair at night.
It's the little things. Not the big things. There are no big things, frankly. Our lives haven't changed. (Less pooper-scooping, I suppose, but I'd be lying if I said we missed that.) School, work, etc. Life goes on, of course.
Nothing has changed.
But nothing is quite the same either.
I really miss my dog.
Air Commander Bentley Norman
Our Basset Hound, Norman, died today. Beth and I were with him as he was put to sleep.
He had lymphoma, which came on quickly and was only discovered while he was recuperating (or rather failing to recuperate) from his last ear surgery. He was completely deaf and nearly blind. He couldn't eat, couldn't drink, couldn't walk or even stand. I carried him out to the yard -- which only a few weeks ago would have been impossible, but he's lost so much weight that it was depressingly easy -- but he couldn't even go to the bathroom. His stomach was hard as a rock. He was having a lot of trouble breathing. He had stopped barking and howling completely. He could barely wag his tail.
So it was time. But it was very hard.
He was truly a joy of a dog. And dashingly handsome. I'm really going to miss him.
IMPORTANT ANNOUNCEMENT ABOUT THE DVD
Gang,
I just talked to the folks at Buena Vista Home Entertainment.
I asked them what was the best date for us to MASS ORDER/PURCHASE the 1st Season Gargoyles Series DVD.
My contact was unequivocal in his response.
TUESDAY, DECEMBER 7th, 2004.
Yep, that's right the day of the release. I guess anything earlier is nice but winds up being too early to be useful. But day and date with the release is exactly what we need.
In the meantime, BV encourages ALL OF YOU to go to Amazon and rave in the comments/reviews section. Leading up to Dec 7, the more good buzz on Amazon's site the better.
(Remember this is the make or break event in the fandom. It's time to prove to Disney once and for all that we have the bodies and the dollars and the fanbase and the communications skills to support more Gargoyles product -- both merchandise and creative. If we can't prove it with this DVD release... well, we're not likely to get another chance.)
So spread the word. SPREAD THE WORD!!!!!!!!
The DVD is coming out December 7th. And we'd like EVERYBODY to ORDER/PURCHASE it on THAT DAY!!!!!!!!!
More info...
Greg Bishansky's going to town (to save my reputation, I guess)...
Okay, just went and did some research...
The Hunter's Moon is technically not the first full moon of October. It's
the first full moon after the Harvest Moon, which is associated with the
beginning of autumn... usually close to mid-September.
So, the September 28th date is still possible :)
That's great. Although it was my understanding that if a month had a second full moon, it was a BLUE MOON. But thanks, Greg.
APOLOGIES
I just received the following e-mail from Greg Bishansky:
Hey Greg,
I was reading your newest update, and you had this answer in there...
"I didn't MISS anything. Yes, I chose that date because it was my birthday.
But I also never claimed that the confrontation with Charles took place on
the Hunter's Moon. It was the final confrontation between Demona, the other
Gargoyles and the Hunters which took place at St. Damien's Cathedral on the
Hunter's Moon."
Now, I really hate to be nitpicky, but to be fair, in the actual episode,
during the flashback Charles Canmore says...
"Tonight is the Hunter's Moon. Our moon, my children."
Now... considering Charles' line, I thought your answer was a little on the unfair side.
That it was, Greg. Thank you for keeping me honest and pointing out my error. Double error, it seems. Both in the original series and in my answer to Richard of Portugal's question.
My apologies on both counts.
THE BUFFYVERSE [SEASONS 1-3] TOP FORTY
Yes, we're back with another look at the most memorable characters in the Buffyverse.
[For more information on what I'm doing here and why I'm doing this, I recommend an archive search using the word "Buffyverse". That'll show you the character countdowns for the first two seasons.]
Keep in mind, this is a subjective exercise that I've tried to make as objective as possible.
The following horserace takes the first three seasons into account. All three seasons. NOT just Season Three. However, it does not include the last four seasons of Buffy or any season of Angel.
First some honorable mentions from the third season (in reverse order of importance)...
*The Lunch Lady who tried to poison the entire student body.
*D'Hoffryn, the Demon who gave Anya her powers and refused to give them back when she lost them. This is cheating a bit. He may not have made that much of an impression if I didn't know he'd be more important later.
*Tucker Wells - The student who sent hellhounds to the Prom. This is WAY cheating. If I didn't know Tucker's brother Andrew would become important, I'm not sure I'd have remembered this guy much at all.
*Mr. Platt - A sympathetic guidance councelor killed by a Mr. Hyde like student. He just had a couple of great scenes with Buffy.
*The Shrouded Sorceror who helped Angel and Buffy con Faith and the Mayor into thinking Angel had lost his soul. Two memorable things. The way he'd exit a room backwards into darkness. And the fact that Giles had introduced him to his wife.
*Ms. Gwendolyn Post - The fallen watcher who cons everybody.
*Zackary Kralik - The serial killer turned vampire, that Buffy tricks into drinking holy water. A real fun sick puppy, played by the always interesting Jeff Kober.
*Balthazar - You may not remember the name, but I'm sure you'd remember the obese demon body sitting in a wine vat, with vamp slaves ladeling some liquid onto his skin. One of the best and most fun creatures they ever created. Funny too. "Unacceptable. Unacceptable." The Wallace Shawn of the Demon World.
*The First - Makes its first appearance this season, trying to turn Angel. Mostly uses Ms. Calendar's form.
*Sheila Rosenberg - Willow's mom. Wish we had seen more of her.
*Lily (alias Chanterelle alias Sister Sunshine alias Anne). The former Vamp-wannabe reappears in Buffy's life as a homeless girl. Buffy seems to set her on a more positive path... and I know that in Angel, the actress Julia Lee who plays Lily winds up playing a homeless advocate. I'm looking forward to seeing whether or not I can discern if she's playing the same character -- now with her act together.
*Quentin Travers - Head of the Watcher's Council has a neat first appearance.
*Mr. Miller - The one teacher at Sunnydale High who keeps making continuity appearances over and over across Buffy's Junior & Senior years. Has one fun scene in the Graduation 2-parter where he's leading the class in a game of Hangman: "They always go for the E."
And now the top 40...
#40 THE JUDGE (Previous Rank: 30)
Dropping ten slots from last season, the big blue smurf is still holding on to the top 40. Barely.
#39 NORMAN PFISTER THE WORM GUY (PR:29)
Also dropping 10 slots. But still a cool idea a year later.
#38 LUKE (Previous Ranks: 14 (1st Season), 27 (2nd Season))
Our first episodic villain is still pretty memorable, though this may be his last season in the rankings. He's fallen eleven slots from last season. 24 from the first. Of course, it's still impressive that actor Brian Thompson still has two characters (Luke & the Judge) in the top 40.
#37 HANK SUMMERS (PR:21, 25)
Hank's falling fast (12 slots this season alone), as the guy rapidly becomes a dead-beat dad -- due more to story space constraints than anything we would have gleaned from the times we've seen him in person. He goes from taking Buffy for an entire summer to not even showing up for her birthday. And his inattention is only going to get worse.
#36 DETECTIVE STEIN (PR:32)
Down only four slots, and I'm sure you're all asking, "Who?" But if you had just finished the third season, you'd know. This guy is a subplot that never quite came to life. He's an honest cop, who suspects Buffy's up to no good -- or at least that something no good is happening around her. He's interrogated (or tried to interrogate) her three times. After the deaths of Ted, Kendra and the Deputy Mayor. He interests me. But I don't think we'll be seeing him again.
#35 UNCLE ENYOS THE GYPSEY MAN (PR:21)
Still holding on in points from Season Two. But he's fallen 14 slots, and counting.
#34 JESSE (PR:13, 20)
Falling another 14 slots, Jesse, the forgotten sacrificial lamb of the pilot is still hanging on.
#33 SCOTT HOPE (First appearance)
Scott's the nice guy who tries to date Buffy on the rebound from Angel's "death" in Season Two -- and while she's trying to nurse Angel back to health in Season Three. He winds up dumping her because she's so angsty. Wish we had seen a bit of him at the end of the season, but he vanishes after Homecoming.
#32 DEPUTY MAYOR ALLAN FINCH (First appearance)
The Mayor's right hand man -- until he decides to betray the Mayor to Buffy. He goes to find her, and winds up getting accidentally killed by Faith. He then becomes a guilt trip for both slayers.
#31 WHISTLER (PR:18)
Falls 13 slots in the rankings. But still a memorable character. The guy who brought Angel back from the brink.
#30 KENDRA (PR:17)
The first supplemental slayer. Begins to pale now that we've met Faith.
#29 ETHAN RAYNE (PR:22)
Ethan falls seven slots despite another interesting appearance as a Band Candy distibutor.
#28 DEVON (PR:37)
The lead singer for Oz's band (Dingoes ate my baby), has multiple brief funny appearances. He's likely to fade after Oz leaves the show.
#27 AMY MADISON THE RAT (PR: 17, 23)
She's fallen four slots, but that's more a factor of so many more characters coming in. I even gave her partial credit when she appeared ONLY as a rat.
#26 PERCY WEST (First appearance)
Percy was the Basketball Player that Willow was forced to tutor. He tried to take advantage of her, but VampWillow put a stop to that. He makes a number of appearances afterward and joins the final battle against the Mayor. I keep watching that last episode, but I can't see if they show us his final fate.
#25 LARRY (PR:35)
Larry actually gains ten slots, as he continues to make appearances. He's memorable as one of the "White Hats" in the alternate universe that Anya creates for Cordy. He's also fun as the jock who comes out as gay and mistakenly tries to help Xander come out as well. He appears to die heroically fighting the Mayor, but I like Larry, and I'm hoping he was merely knocked unconscious.
#24 PRINCIPAL BOB FLUTIE (PR:9, 16)
Falling another 8 slots. But still with enough first season points to keep him a fond memory.
#23 DARLA (PR: 11, 15)
Also falls eight slots. Still a potent memory. And she'll make a comeback.
#22 ANYA/ANYANKA (First appearance)
Who knew? She was fairly disposable in her first appearance, and I'm convinced she was only brought back a second time, because Joss was fascinated with VampWillow. But Anya made a strong enough impression in her second appearance, to warrant a comeback for the Prom. She quickly becomes fascinating opposite Xander. She bolts from Sunnydale during the pilot. But I should have known she'd be back.
#21 WILLY THE SNITCH (PR:24)
Up three slots. Just fun to be around. He'll start to fade as actor Saverio Guerra became a regular on Becker...
#20 HARMONY KENDALL (PR: 18, 26)
Up six slots from last season (although still down two from season one), she just has a few memorable bitchy/ditzy/comic appearances. And a couple of really great lines. If you look carefully, you can in fact see her get bitten by a vamp during graduation.
#19 COLIN THE ANNOINTED ONE (PR:10, 14)
Fallen five slots and still coasting on big point totals from season one and the beginning of season two.
#18 MR. TRICK (First appearance)
A breath of fresh air who I was really sorry to see get staked by Faith.
#17 JONATHAN (PR:19)
Jonathan moves up two slots (in an increasingly tougher field) based on strong appearances as a near-suicide and as the guy who gives Buffy her School Protector award at the Prom. Hard not to love.
#16 THE MASTER (PR: 8, 13)
The Big Bad of Season One falls three slots, despite having a delicious appearance (where he gets to kill Buffy AGAIN) in the alternate universe episode.
#15 WESLEY WYNDAM-PRICE (First appearance)
It's amazing how this goofball got us to care about him more with every year. He may be the single character who grew the most over the course of the serieses. Maybe even more than Spike.
#14 MAYOR RICHARD WILKINS III (PR:40)
The Mayor barely leaps 26 slots -- which would be even more impressive if he had actually appeared in Season Two, instead of just getting some points there for interesting foreshadowing. He certainly lived up to the bill.
#13 JENNY CALENDER (PR:15, 11)
Jenny falls a couple slots (though she's still ahead of her season one ranking) despite appearing as The First.
#12 SPIKE (PR: 9)
Spike, who'll be making quite a comeback of course, falls three slots, despite a very fun appearance as a drunken lout who wants Dru back.
#11 DRUSILLA (PR: 8)
Dru still manages to just barely stay ahead of Spike, based on her Season Two point total.
#10 FAITH (First appearance)
Faith is number ten with a bullet (or at least a very fancy knife). It's a stunning accomplishment to see how she enters partway through this season and rises so far, so fast.
#9 PRINCIPAL SNYDER (PR: 12, 10)
Snyder continues his slow rise, up another slot. But after being eaten by the mayor, he's poised to begin a slow slide. Always thought that his death was great, but it did surprise me as I thought the Mayor was less of an ingrate than that.
#8 JOYCE SUMMERS (PR:7, 7)
Joyce drops down a slot from seventh place to make room for Oz.
#7 OZ (PR:12)
Oz leapfrogs five hard-earned slots. Has some nice werewolf moments too.
#6 ANGEL (PR:6,6)
The top six haven't changed. Angel just can't quite pull up even with Cordy. Of course, next season, his own show'll put him on the fast track. Maybe even for #2.
#5 CORDELIA CHASE (PR:5,5)
Got some real great moments this year.
#4 WILLOW ROSENBERG (PR:4,4)
Inching closer to Xander, but doesn't quite pull up even in points.
#3 XANDER HARRIS (PR:3,3)
Nuf said.
#2 RUPERT GILES (PR: 2,2)
I keep expecting Giles to slip relative to Xander & Willow, but in fact he extended his lead this season. Probably, because they so evenly split each other's screentime as Buffy's best buds.
#1 BUFFY ANNE SUMMERS (PR:1,1)
That's it for now. But here's my plan... I'm going to get the DVD's for Buffy Season Four AND Angel Season One. I'm going to watch the episodes (44 total) in AIRING ORDER. When I've gone through 22 episodes (the equivalent of one season), I'll be back with another update.
Hope this is at least mildly interesting. If not, well, then just skip it. Who's holding a gun to your head, anyway?
25%
Nothing to sneeze at -- and with gratitude to those who have participated -- but right now, Todd tells me, we only have about 38 Gathering Journals posted at ASK GREG.
That's about 25%. I was hoping for at least FIFTY PERCENT cooperation. C'mon, guys. Put your keyboard where your mouth is!!
You only have until midnight on the 31st!!
Thanks
THE GATHERING OF THE GARGOYLES 2004 JOURNAL - Sunday, August 8 (The Voyage Home)
So I showered and packed. Carol came knocking to say good-bye.
Then I headed down to the lobby.
Said good-bye to Zehra.
Then Patrick and I headed out.
I'd like to be able to tell GXB that our journey was something out of Mr. Toad's Wild Ride, but the truth is it went incredibly smoothly and we arrived at the airport with plenty of time to spare.
Sorry, Greg. But you're still my best Gathering Travel story.
Anyway, Patrick & I shook hands on a great convention. And off I went.
I went through American Customs up in Montreal somehow. Then I had some Burger King.
Got on the plane. Slept finally. Missed the meal and the movie. Woke up. Read a bit. Landed. Was picked up VERY promptly by the driver, who seemed surprised to see me coming out so soon.
Got home to my family. Gave my family stuff. T-shirts, pins, Canadian coinage, sketches drawn by someone whose name escapes me at the moment.
Then I shaved off the beard for my newly ten-year-old daughter. Just as well. I'm growing too dependent on the beard anyway. But it seemed to make things official. The Gathering was Over.
EPILOGUE:
We had an extended family birthday dinner for Erin that night, which included my parents, my 94 year-old-grandmother, my sister, my brother and his wife and TWO kids, ages not-quite-two-years-old and not-quite-one-week. Plus of course, me, Beth and Benny.
The next day we drove down to San Diego for a little family vacation. We were staying with Gary & Jane Krisel. Gary was my boss during the Gargoyles years at Disney. He was a big contributor to the show's development. A big believer in the concept. And the guy who basically left me alone to run it. So tip of the hat to Gary. When I told him about the Gathering, he thought I was kidding at first. ("An entire convention dedicated to one cartoon?") I thought HE was kidding about me kidding him, because I'm POSITIVE that I invited him to G2001 in L.A.
Anyway, it was great to see him again.
We did the Theme Park rounds. A day at SeaWorld. A day at the Wild Animal Park. A day at Legoland. Then we headed home again, picking up Norman at the vets on the way.
Norman's wearing a cone/lampshade around his head. But he's doing well.
I finished "I Dreamed I Married Perry Mason". I really liked it and am looking forward to Cece's next adventure: "Nancy Drew Blue".
Then I read Walter Mosely's "Fear Itself". Which was also great.
Today, I saw an early cut of the DVD Documentary. David Grabias and his editor Amy did a terrific job. I'm not going to go into any specifics, because (a) it's not a final cut and (b) I don't want to spoil anything. But trust me it's very cool. And you all look great!
That's about it for now. See you when I get back from Vegas.
Oh, and one last time -- SPREAD THE WORD. GATHERING REPORTS/JOURNALS/DIARIES need to be posted here by AUGUST 31st. PLEASE!!!!
THE GATHERING OF THE GARGOYLES 2004 JOURNAL - Saturday, August 7 (Nightpart III - The Long Goodbye)
With the costume & cosplay contests over, things started to relax. My assignments were over, and I could just kick back. Unfortunately, I was leaving the hotel at 6am the next morning. For the first time, I'd miss Closing Ceremonies, which was a huge bummer. I'd also miss spending any real time with Keith. But my daughter's TENTH birthday was Sunday the 8th. I had hoped to bring the whole family to the Gathering this year, but I just couldn't afford it, and I wasn't going to miss her birthday. In fact, Erin was very gracious about allowing me to fly home Sunday on her birthday instead of Saturday night. The trade-off was I agreed to shave off the beard when I got home. Benny likes it, but Erin doesn't. So it's gone now.
I promise though that next year, the whole family's coming to Las Vegas. In fact, we're leaving for Vegas the day after tomorrow. That's right, I'm so anxious to get back to the Gathering, I'm leaving an entire year early. (Or maybe, it's because my in-laws live in Vegas, and we're going to see them. I get confused sometimes.)
Anyway, we hung out downstairs for awhile. I had a number of nice chats... with Crazyman Marty Lund and his decidedly saner wife Lexy... with Kathy... with Ellen... with Carol... with Shaun... with Tony & Andrea...
Keith and his kids came back down for the Karaoke. Keith couldn't find a song he liked, so he just sang (wearing a baby no less). He truly is one of the coolest and smoothest individuals on the planet.
We've got some great singers in the fandom. Taylor sang the Love Boat theme AND better still "The Summer Winds". Cindy, Zehra & Jen all have amazing voices too. And that YMCA was a classic.
There is no way you're ever going to get me to sing. Never gonna happen. Have to maintain some dignity. But just because I'm a thrill-seeker, here is a brief list of songs I sometimes sing in my car...
Nat King Cole's "When I Grow To Old To Dream"
Joe Jackson's "The Other Me"
Joe Jackson's "Hometown"
Bruce Springsteen's "One Step Up"
Don McLean's "American Pie"
Karine dragged me onto the dance floor. After I made her promise not to go into labor, we did a couple of swing moves which was fun (especially when she eventually let me lead). I definitely think the Gatherings need more swing in general.
Around 2am-ish the downstairs party began to break up. I know I was saying good-bye all night. I was really on the fence about whether or not to stay up all night and take off at six, or try to go to bed and worse try to wake up at five.
Because, I was having too much fun, I opted (mostly by default) for staying up all night.
Karine, Jen, Zehra, Patrick, Tony, Andrea and I went up to the consuite to hang. Had an apple and some chips. Liz, Kelly, Karlyle & Chameleon Girl showed up for a bit, and Liz dropped off a very cool hand-drawn Angela conbadge for me. We watched a surreal live-action Sailor Moon. This is something my kids would go nuts for, so if anyone can copy this stuff to VHS, I'd be interested...
It was all very punchy and silly and cosy and fun. I made one of the most truly tasteless jokes I've EVER made in my life. It was semi-avian in nature.
I love all-nighters. And I loved spending time with these people.
Then finally at about 5:15 it was time to hit the showers. I said goodbye to Karine, Tony & Andrea at the Consuite. To Jen in front of my room.
Of course by this time, it was way past officially Sunday, so I'll finish my last Journal entry tomorrow...
NEXT: The Trip to the Airport: ¿Can Toman top Bishansky?
THE GATHERING OF THE GARGOYLES 2004 - JOURNAL (Nightpart II - The Masquerade)
I had time to run upstairs once more. Talked to Beth. Norman, our basset had had his surgery and was doing fine. Though, unfortunately, he was now completely deaf. (Although, today, when the doorbell rang, Norman started barking just like old times. It was the first time I had heard him bark since the surgery. But I have no idea how he could possibly have known that there was someone at the door. Freaky, but cool.)
While I was upstairs, various members of Keith's family began to straggle in. His son Owen. His lovely wife Dionne, Dionne's niece (whose name escapes me, I'm afraid) and Keith & Dionne's daughters: Maelee and Ruby. Many of you know that Dionne and Keith's first date was his appearance at G1997. That's right. Those of you who saw Keith's surprise entrance might also have noticed a beautiful woman standing in the back watching him. That was Dionne. After he and I did our Q&A, I was so grateful, I treated the two of them to dinner. (How's that for slick? The guy didn't even buy dinner for his wife-to-be. ;)
I came back downstairs and joined Keith as we prepared to judge the Masquerade. Daniel, our hotel contact, was the third judge. His girlfriend Lucy also kinda participated, and we drafted Christine to help us keep everything straight.
Idiot that I am, I forgot to keep my notes, so I tried to recreate them from memory on a groggy Sunday. I apologize in advance for any errors or ommissions.
I will say that the costumes this year were truly amazing -- both in quality and QUANTITY. The last couple years, we've had plenty of the former, but were kinda shy on the latter, as fewer and fewer people seemed to be dressing up. But this year, I'm sure thanks to David Grabias and the DVD Crew, people really went to town. I was especially gratified to see so many canon characters. All the original characters are neat, but for me it's much more fun to see one of my "babies" brought to life.
BEST IN SHOW: Having said that, the runaway hit was an original Gargoyle named, I think, KORUL: the Gargoyle who was afraid of heights. He had an amazing costume, with detractable wings and sang a filk song to the tune of Rubber Ducky. Brilliant.
The awards for Canon Characters:
1st: Shari as Ekidna (bloody amazing)
2nd: Jade as La Belle Elisa (so cute)
3rd: John as the Renaissance Hunter (very cool)
The awards for non-canon:
1. Caille as Argenta (also with amazing wing action)
2. Somebody as Dancer
3. Space-Babie as Laurie Canmore
The Thom Adcox Memorial Award went to Revel as Dracon. Just for the attitude. But he refused to drop trow.
Cutest Couple: Alan & Jackie as Xanatos & Fox from "Eye of the Beholder"
Cutest Old Married Couple: Tony & Andrea as Dracon & Bad Elisa (I loved Jen's line that "Bad" means "Cleavage".)
The Gorelisa Award went to Laurean as Tom. (Staff weren't supposed to be eligible, but (a) it was a limited field of cross-dressers this year and (b) she was just so darn cute and funny.)
We gave a late-comer award to Lynati, who showed up at the very last second with a truly amazing Ophelia costume. Kicked ass.
Winner in the Junior Division was Becca as a terrific Bronx.
The Cosplay winners were Sapphire, Chameleon Girl and Ethan, doing a hilarious recitation (complete with props) of our opening Narration. Totally cracked me up.
There were other great costumes as well:
Elisagargoyle
Fox in her evening gown with the Eye of Odin from "Eye"
Thailog
A Quarryman
And the staff... with all they had to do, they still managed (almost to a man) to dress for the occassion. And they truly looked great.
Jen & Alan came as Gruouch & Macbeth
Patrick & Cindy came as Puck & Titania
Kaylee & Si came as Princess Katharine & Tom (and that kiss was great)
Rob was Lex Luthor (by default, I gather)
And of course Karine showed up as a Pregnant Fox from "Walkabout"...
And the DVD Crew got it all on tape... I am such a proud Papa.
NEXT: THE NIGHT IS YOUNG. (Well, actually, the night is fortyish, but every once in a while, the night has to behave as if it's still in college, you know?)
GATHERING 2004 JOURNAL - Saturday, August 7 (Nightpart I)
After my interview with Emru, but before I headed upstairs, I finally had time to browse the wonderful art show. There were a lot of great pictures and some very funny action figures. Not enough smut for my taste, of course, but it's hard to top the Gargoyles fandom in the art department. I just love seeing your stuff every year.
But the one piece that really spoke to me was Andrea Zucconi's portrait of Elisa. I'm not sure if I can exactly put my finger on why, but I really found it stunning. I don't vote in the contest. I never seem to have the time and the sheer number of categories is a bit overwhelming, but I would have voted that Elisa painting as best in show. JMHO.
Anyway, at 6pm I came back downstairs for the banquet. By the time I got there most everyone was seated. Keith still hadn't arrived but was due within the hour. Becca Morgan drew a number out of a hat, and Karine sent me to sit at a table on the far right. I sat down next to Liz -- who then proceeded to kick me out. I hadn't heard it, but I guess Karine had mistakenly announced that Liz's table would get Keith. So Liz sent me away. I returned to Karine, who sent me back to Liz. I felt like a definite consolation prize right about then. (At best.) But considering that Keith didn't arrive until the Q&A, making it impossible for him to simply converse with his table mates, I still think Liz got the better deal. But you'd have to ask her.
Anyway, dinner was very enjoyable. I shared the table with the Zucconis and Liz and Kelly and Chameleon Girl and Taylor, I think. Karlyle, were you there? A couple other people too. I'm blanking out at the moment.
Kelly told us all of her obsession with Dr. Doom. (How obsessed is she? Well, let's just say I found myself getting jealous.)
The menu cards, printed up by our hotel contact Daniel were extremely cool, featuring a nice portrait of Goliath.
The Menu:
*Nordic shrimp cocktail with avocado sauce
*Mixed greens with walnut oil
*Stuffed pair of quails ith grape and Port sauce
*Potatoes and market fresh vegetables
*Seasonal fruit charlotte with strawberry coulis
or
*three chocolate Bavarian cake with rasberry coulis
*Coffee & tea
Truth is, I'm a man of simpler tastes. The shrimp and salad were great. But I'm not a big quail fan. Not a big poultry fan, honestly. I think of birds as hassle food. Too many bones. But everything tasted great, and as you all know I'll eat anything but lamb.
As the hour came and went without a sign of Keith, Patrick or Carol, Karine asked me if I could get Carol's cellphone number. It was up in my room. So I made a quick run upstairs.
I reentered only to hear an unmistakeable voice announce: "Ladies & Gentlemen, Greg Weisman". Keith had arrived in the couple minutes while I was gone. (And vengeance belonged to those that I had fooled in the past.)
Anyway, food was saved for Keith and Patrick. Though Carol had to go back to the airport to gather up Keith's family. Keith struggled to eat while I tried to moderate the Q&A. Unsurprisingly, there were a LOT more questions for him than me. And unsurprisingly, if you know him, he had a lot to say. A lot of wonderful stories to tell. I love that man. I tried to give him a bit of time to eat. But hey, he's his own worst enemy in that department. Thank God.
(I'll refrain from commenting about the caterwaulling from the next room.)
We finally brought the Q&A to an end to give people time to change into their costumes.
COMING SOON: The Masquerade!!!
Still recruiting journals...
Todd informs me that 21 of you have posted Gathering Journals here at ASK GREG.
I'm very grateful to you guys, but that's less than 14% of this year's attendance, which frankly is kinda pathetic.
Please, PLEASE, take a few minutes to write up your journals and cut and paste them here. And if you've already done it, pressure those who haven't and or spread the word.
This isn't a whim. I need the numbers to show the PTB.
Thanks.
THE GATHERING 2004 JOURNAL - Saturday, August 7 (Daypart)
Despite a wake-up call that I DO remember receiving, I WAY overslept on Saturday, barely managing to shower and get downstairs in time for our second set of Auditions at 10am. Jen was putting out some fire somewhere, so we got to a bit of a late start, but we still had plenty of time to fit everyone in.
As usual, we were using the original audition sides that the actual voice actors used to audition for Gargoyles. Demona, Hudson, Goliath, Elisa, Brooklyn, Lexington, Broadway and Xanatos were all written by Michael Reaves and edited by me. Angela was written a year or more later by me.
We got a good turnout, with plenty of women auditioning, including many staff members.
At 11:30, Jen and I went upstairs to my room to cast the piece. There was time for lunch, but neither of us bothered.
We posted the cast list at 12:30pm, but not who was playing what parts.
I had a mug-a-guest next. One or two intriguing questions got asked, and I think I answered one of them, but from what I've seen posted, some conclusions were then jumped too based on facts not in evidence.
Next up was the Radio Play Rehearsal. With a cast of 31, I was very pleased that every one showed up and more or less on time too. I passed out the parts and scripts and we just had time to run through each act once. My favorite bit there was when Jen as Fleance said: "If he gets past us again, you can KISS our paychecks goodbye." And Zehra as Elisa responds with: "Pucker up." I made a rude remark that got a big laugh. But honestly, aren't the possibilities intriguing?
Anyway, as many of you know, we performed "THE JOURNEY" in the auditorium. This version was re-edited for the Radio Play, but came closer to reflecting my original intentions for the script than the strangely edited version (with those awful Goliath voice overs -- which I did not write) that they used in Goliath Chronicles.
THE GATHERING PLAYERS (2004 Edition):
Goliath - Rob St. Martin
Elisa Maza - Zehra Fazal
Brooklyn - Dylan Blacquere
Broadway - Revel
Hudson - Alan Torvik
Lexington - François Ferland
Angela - Annie S.
David Xanatos - Rob Irwin
Owen Burnett - Seth Jackson
Bronx - Syrth
John Castaway - Erik Mambu
Vinnie Grigori - Michael McAdam
Banquo - Ethan Gilchrist
Fleance - Jen Anderson
Art - Alex "Carter" Garg
Billy's Mom - Laurean Broadbent
Travis Marshall - Lanny Fields
Margot Yale - Cindy Kinnard
Matt Bluestone - Eric "Gorebash" Tribou
Lennox Macduff - Chris Rogers
Maria Chavez - Natalie "Vashkoda" Quanquin"
Lois - Jade Griffin
Fox - Kaylle
Alex Xanatos - Liz Chesterman
Cagney - Mary "Stormy" Pletsch
Jogger - Isabelle Filiaircault
Quarryman #1 - Tony Zucconi
Quarryman #2 - David Brown
Quarryman #3 - Sarah McEvoy
Quarryman #4 - Taylor Hord
Announcer - Dan Blundon
Narrator - Greg Weisman
Everyone was just great. Dylan & Revel actually kind of did pretty good Brooklyn & Broadway impersonations. I also loved hearing Lex with a French accent and cast François for that intentionally.
I loved how Jen & Ethan played off each other. And I really loved how Chris & Cindy played off each other.
And Lanny, I believe, has been in all seven radio plays. An impressive record.
And real props to our four leads: Michael, Eric, Zehra & Rob, who were all terrific. Rob had a particularly difficult job subbing for a still MIA Keith David. And Eric was really brilliant. His final "Dream of Me" line gave me chills.
As usual, the DVD squad was around filming. It was hard for them to predict who was going to speak and to mic those people, but hopefully they got some useable footage.
I'd also like to thank everyone who auditioned and didn't get cast. It really is appreciated when you lend your support. And keep trying!!!
Immediately after the radio play, I signed some scripts. (Alan got lucky as his Hudson script was signed by Ed Asner, thanks to Carol snagging Ed's signature when she went to record him for the Opening Ceremonies welcoming tape.)
I was supposed to have a signing with Keith about then. But of course, Keith wasn't there yet. And there isn't much left for me to sign in the fandom. So I sat there for about 45 minutes, talking to Emru Townsend for his magazine FPS. Emru had interviewed Keith and I years ago over the phone. So this was something of a follow up interview. Emru (who by the way has an AMAZING voice) and I had never met in person, so it was great to see him finally. He and I just talked. I don't remember exactly what I said though I have the distinct impression that SOME of what I said about the animation industry should probably have been "Off the Record". But, hey, getting blacklisted at studios is nothing new to me. (Oh, well.)
Around 5:30pm, I went back upstairs to rest and change to a slightly nicer shirt before the banquet. I think I called Beth and the kids. And I almost dozed. But I stayed awake... for a LONG time.
STAY TUNED for (Nightpart)
THE GATHERING OF THE GARGOYLES 2004 JOURNAL - Friday, August 6 (Bring on the Night)
After Opening Ceremonies, Karine wanted to make another effort to go to the Crepe place that we had missed the night before. I ran upstairs to drop off all my junk and to quickly call home.
Then we were off and walking into Old Montreal. This time I had a sweatshirt, which kept me comfortable. Our group included myself, Karine, Mark & Mark, Zehra, Kathy, Shaun, Laurean, Ian and... Gen? (Sorry, I just can't remember.) It was a great group. I heard all about Zehra's plans to translate a Japanese play into English and then direct and produce it at Wellesley. Wow. I also listened to Laurean & Zehra compare notes on Japan, and caught up a bit with Kathy.
Karine wanted to eat outside, because they have a beautiful multi-tiered patio, but that would have been a half-hour wait and by eating inside we could be seated right away. So we admired the patio and, well, sat. Inside.
Dinner was great. I had Crepes Florentine, and then a terrific dessert crepe with Vanilla Ice Cream. I was also seated between two lovely ladies, Karine & Zehra, all the lovlier because they were generous enough to let me taste their dessert crepes as well.
Of course, our waiter was very nice, but a tad dangerous. Dropping plates. Shattering dishes. Spoiling food and even dropping a knife in MY LAP!!! YIKES!
We had plenty of time to eat, but because of delays caused by the server's lack of grace, I found myself observing what's unfortunately become another Gathering tradition: Kathy and I RACING back from dinner to arrive late to my next scheduled event: in this case the Blue Mug in the packed con suite.
This was perhaps the least Blue Mug we've ever had. And I have to admit I missed spending some quality time in the gutter. Some of the lack of azure is probably directly attributable to the absense of a certain pants-challenged voice actor with the initials TA, but I think frankly a bigger reason was that everyone's curiousity about details of the DVD overwhelmed other topics. We did have a couple of smutty moments though. Christine still thinks she scares me. And she did manage to catch me with a question I hadn't given any thought to, but I'm harder to shock than that. (I know Keith had been looking forward to the Blue Mug, as well. And I'm sure he would have done well in Thom's place, but unfortunately, Keith STILL hadn't arrived. In fact, it had become clear that Keith was going to miss most of Saturday's activities as well.)
At around 2am, Karine used the excuse of my bathroom break to end the session. I headed back down to my room. Ate one of Maui's Godiva Chocolate bars. Called Beth, thanks to the time difference, and then went to bed around 2:30am, which was decidedly early for me.
NEXT UP: THE DAY THAT KEPT ON TICKING...
THE GATHERING 2004 JOURNAL - Friday, August 6 (Opening Ceremonies)
I typed most of this up yesterday, but then a glitch ate it. So here we go again.
Now one of my LEAST favorite things to do is to recreate a lost document. It's much worse than composing something from scratch. You're always trying to reclaim the "magic" of whatever you wrote on your first pass. And it never quite works. So if the following is magic-free, you know why…
… I came to OPENING CEREMONIES loaded for bear, with 5 Video tapes, 2 Audio tapes and color xeroxes of a Buena Vista Home Entertainment PowerPoint Presentation.
Karine got the ball rolling, welcoming everyone to the con.
Jen got up and awarded the FAN GUEST OF HONOR award to GOREBASH. He can protest all he wants, but the guy deserves this award simply for inspiring the Gorelisa Award. (And, oh yeah, there's also Station 8 the Gargoyle Fiendsite and ASK GREG too.)
Chris Rogers came up to pitch G2005 in Las Vegas, which sounds really, really cool. I loved Laurean's new mascot. I know that there's a traditional naming of the mascot contest, but I loved the name "Blue-Eyes". So if no one wins, I'll be okay with that.
Cindy spoke, and Liz, and then the Ceremonies were hi-jacked by Abram & Maui and the Clan Olympics. The first event was goofy fun to watch. Eventually things settled back down, and shortly it was my turn to speak…
And, boy, did I have a lot to say this year. More than usual.
Carol Wagner had assembled a welcome tape recorded by various members of the show's cast & crew: myself, Keith David, Producer-Director Frank Paur, Board Artist Troy Adomitis, Board Artist Vic Cook, Development Art Director & Producer Bob Kline, Development Art Director Dave Schwartz, Actor Crispin Freeman (a past Gathering Guest) and of course Ed Asner, the wonderful voice of Hudson.
I played my little, "Ladies & Gentlemen, Keith David!" trick. And everyone looked, just as they had in 1997 at the first Gathering. It's cruel, I know. But I'd never do it if I thought that Keith wouldn't eventually show up. Which he did. Although not for another 26 hours or so, unfortunately.
I made a little sales pitch for a few of the con's events. The Blue Mug that night, for example. But especially for the Radio Play. I had need of a huge cast and needed more people (especially females) to audition. On top of that, I was nervous that if I did get a full cast, they would outnumber the audience, so I also made a plea for people to attend the show.
I gave my thanks to Karine and her extremely hard-working staff: Rob, Ian, Shaun, Cindy, Patrick, Jen, Kaylee, Laurean, Liz & Carol. I also thanked a few select people who I know helped out: Kelly, Kathy, Christine, Steph and Alan. I'm sure I fogot a bunch of people then and now, and for that I apologize.
I plugged both G2005 in Vegas again, as well as ASK GREG, Gorebash & Station 8, reminding people ONE MORE TIME to please post Gathering Journals at Ask Greg ASAP after the end of the con. (So, have you?) I also pointed out A Fan's map of attendees at the back of the room.
Then it was time for hand counts. How many Gathering Con Virgins? [A goodly amount.] How many had been to at least two Gatherings? At least Three? Four? Five? Six? Seven? ALL EIGHT? The number of the latter was very gratifying. [I'm forgetting a couple people, but I think they included A Fan, Karine, Noelle, Lanny, myself (if I count) and at least a couple of others.] These are the troops that should really inspire the rest of you.
I then held up the materials that Buena Vista had sent me. Of course, they were probably IMPOSSIBLE to see even from the front of the room. But they included a few remaining postcards promoting the DVD's release from the THOUSANDS that were distributed at the San Diego ComicCon earlier this summer. (I ended up giving these to Patrick to pass out to the hard-working staff.)
Also on hand was Buena Vista's 7-Point PowerPoint Presentation Slide Show, which I've transcribed here [with a few comments]:
1. GARGOYLES
2. "Visually Stunning and Dramatically Stirring, Gargoyles Defines Fantastic."
--Ray Stackhouse, TV Guide
3. A Mythical World
--An Animated Series About Ancient Creatures Who Come to Life at Night to Protect Manhattan from Evil
--10 Year Series Anniversary
--Voiced by Well-Known Talent from the Star Trek Franchise Including:
*Jonathan Frakes
*Michael Dorn
*Brent Spiner [who doesn't actually appear in the first season. whoops.]
4. A Loyal Fan Base
--Gargoyles Was the 23rd Most Requested Disney Title of Q2 '04 [certainly, we can do better than that, right?]
--Chat Rooms and Fan Websites Are Buzzing with News of the Upcoming DVD Release:
"OMG! I can't wait. 10 long years and finally my fave cartoon will be on DVD!" - SportyShorty, IMDB Fan Posting
--Annual "Gathering of the Gargoyles" Convention Attended by Thousands of Fans [If you add 'em all up, sure.]
--Gargoyles Airs Every Night on TOON DISNEY CHANNEL and Saturdays on ABC FAMILY
5. A Product Fans Are Clamoring For
--Two-Disc DVD Set
--Includes All 13 Episodes of the First Season of Gargoyles [uncut, I should add]
--Special 10th Anniversary Edition [as opposed to all those other editions, right?]
--Bonus Features:
*The Gathering of the Gargoyles [original documentary filmed at G2004]
*Original Show Pitch by Greg Weisman - Show Creator [previously available ONLY by attending the Gathering]
*Audio Commentary on Origanl Episodes 1-5 [Originally, I had been hoping for commentary on all 13 episodes. Budget constraints made that impossible, as Buena Vista truly has no idea how well this will sell. (We'll have to show them, won't we?) They came back to me saying they could only afford commentary on two episodes, suggesting either the first two episodes or the first episode and "Deadly Force". I went back to them, protesting that our pilot was five episodes and that it would just be weird not to at least have commentary on the whole thing. They discussed it and agreed. So we wound up with five episodes with commentary instead of two, more than doubling the budget. I then tried to convince them to do "Deadly Force," but they ignored me. Oh, well.]
6. On-Air Synergy Support
--Synergy Support from:
*TOON DISNEY CHANNEL
*ABC FAMILY
7. Pricing and Timing
--Perfectly Timed for Holiday Gift Giving and Gargoyles 10th Anniversary
--U.S.: Two-Disc DVD $29.99 SRP/$19.95 MAP
--CE: Two-Disc DVD $36.99
--NAAD: December 7 [THAT'S RIGHT!!!! THAT'S THE BIGGEST NEWS OF ALL. An official release date: DECEMBER 7th, 2004!!!!!!]
The point I was generally trying to make, is that this is really a make-or-break year for the fandom. The DVD is coming out. And you have yourselves to thank. Particularly those of you who have attended previous Gatherings. Disney took notice, and you're continued support gave me the wherewithal to push them. But now the ball is squarely in your court.
People are always asking me what they can do to get the show back in some way, shape or form. Now the answer is obvious. You want the show back? Prove it!!
Buy the DVD! You want the second season on DVD? Buy the first. Buy it for yourself. Buy it for friends, family and co-workers for Birthdays and Holidays.
More than that, SPREAD THE WORD!!!!! Even if everyone attending G2004 bought ten copies, that would only be a drop in the bucket. We need to reach out to fans who have drifted. To people who don't yet know about the fandom. To people who perhaps haven't even seen the show yet.
Disney has no idea how many units this thing is going to sell. Their downside is fairly protected, but the upside is potentially huge. FAMILY GUY sold so many DVDs that they're making new episodes. FIREFLY, a series that didn't last one season on television (despite its brilliance), sold so many DVDs that they're making a theatrical feature film. We would have to sell a ton of DVDs to match their success. But if we do, the sky's the limit.
You're my missionaries here. So support the fandom. Make ASK GREG a weekly stop… I'm going to try to coordinate efforts to boost DVD sales, so keep posted for news and updates:
www.s8.org/gargoyles/askgreg/
Pre-Register to G2005 (or at the least purchase a fully-upgradable Supporting Membership).
Keep checking
www.gatheringofthegargoyles.com
[It's still the G2004 site for now, but it'll shortly turn over to feature info on G2005.]
Keep in mind that money that comes to the con EARLY is worth more than money that comes late. To afford multiple guests, the con needs funds earlier than later. That's why pre-registering is cheaper. Buy now, save money and the worst thing that happens is that you cannot attend and you've contributed a few bucks to the fandom you love.
[Keep in mind, I earn nothing from Gargoyles or the fandom - other than massive ego boosts. Nothing to sneeze at.]
But don't give up on attending G2005 either. You have a year to save up a Gathering fund. A year to arrange for roommates or pals for a road trip. Flights to Vegas are traditionally inexpensive from most locations. Again, bring in new newbies by showing them the show and addicting them. We want to break all attendance records.
Now, you may think I'm riffing here and have gotten off topic. But in fact, I said all this and more at Opening Ceremonies.
Right about then, I introduced the DVD Vid-Documentary Crew (David, Howard & Thierry). They were there to tape the entire convention. All the primo events. But they were also there to interview the fans about how Gargoyles changed their lives.
Then … finally… I got to what I like to call my own version of the Rocky Horror Gargoyles Show.
I showed the original Gargoyles Pitch Video.
The original Gargoyles Promo Video.
The original Gargoyles Presentation Video (narrated by Jonathan Frakes).
The original pitch for "The New Olympians" spin-off series.
The original pitch for "Gargoyles: The Dark Ages" prequel series.
The animatic/storyboard/leica reel for the "Bad Guys" spin-off.
That was followed by the Audio Tape of the never animated "The Last". This was a cross-over episode between Team Atlantis & Gargoyles featuring the voices of Marina Sirtis, Frank Welker, Sheena Easton, Cree Summer and others. As usual, the grunts of battle had different implications in a vacuum. And given the dirty minds of most of the attending, those implications are fairly self-evident.
And thus ended Opening Ceremonies. But Friday wasn't over. Stay tuned for more…
ARGGHH
I just typed up half a ramble and it vanished.....
THE GATHERING 2004 - Friday, August 6 (Part One)
And we're back...
Friday was an eventful day, so I'm breaking it down into two rambles.
I got my wake-up call, lingered for a few minutes, showered and shaved (or trimmed, I should say). Then I went upstairs for my big interview with David Grabias and the DVD guys (Howard the DP and Thierry on sound, I think). David asked me some questions, I'm sure looking for some great short pithy responses that would make nice sound bites for the DVD documentary.
Of course, I have many talents, but being short & pithy ain't one of them. My 45 minute interview lasted an hour and a half. At one point, David sent me back to my room to change shirts so that he could pretend that a little intro I was doing for the original Gargoyles pitch (which will also be on the DVD) was shot on a different day. The thing that interests me is that you'll be seeing me intro the thing at age 40 and then jump back to me at age 30 pitching. I think as an Easter Egg or something they should create a little mini-morph of me aging rapidly.
After that I brought Erin & Benny's art down to Cindy. We took a few minutes to figure out which piece went with which title card. But it was all fairly self-evident.
I saw Zehra at that point, I think. I was really glad she came back this year. Also saw Noelle somewhere in here and Lexy & Marty and others.
Next up was the Voice Acting Seminar. I brought the same old stuff to cover. Stuff I developed doing a Seminar for Telemarketers (waves at Sapphire), a.ka. that time I was truly doing the Devil's Handywork. I've used it for at least a couple years now, but I wasn't afraid of it getting old, because the plan was for Keith and I to do this seminar together. His take on the stuff (his take in general) would provide us with a unique experience. Problem was that Keith hadn't arrived on Thursday night as planned. His movie in Miami was rained out a couple days which caused a delay in his flight for said couple days.
So I'm doing this on my own. Which isn't a problem, per se, except that it's the same old stuff. But there were enough newbies to let me get away with it.
I began by reciting my meager qualifications as stage actor, stage director, voice actor and voice director. Then I broke out the scenes.
We started with the Demona audition side, which Jen read -- way too well. It was frustrating as my schpiel sort of depends on some amount of badness in order to allow me to riff on how to improve. She didn't really provide that. Damn her talent!!
Anyway, Seri got up and read Demona. And she did a good job, but I was able to force her to read the last line over and over in order to make a point about acting choices.
Then we did a few others scenes. The Tea Scene from MIA is one of my favorite acting lessons. The tag from Thrill of the Hunt. And the "Friend" scene from Awakening 1. It was all fun. The DVD crew came in and filmed a bit, which was a running theme throughout the con. It actually made everything feel fresher and more exciting.
I think I have a new reality series to pitch....
Anyway, next up was our first round of auditions. Of course, I had forgotten the audition forms in my room. So I searched for the elevator. BTW, the hotel was great, but the entire weekend I had some kind of weird trouble finding my bearings, i.e. the elevators and/or restrooms. I constantly found myself walking in circles.
Jen and I ran the auditions, like old times. I get to force people to bark like a dog or meow like a cat and when I remember to speak with either English or Scottish dialects. Every year is unpredictable. There have been years when almost no men audition and I have to drag Hudson off the street to play a part. This year, at the Friday audition, we have tons of men and only two women. It's panic time as this particular radio play has an IMMENSE cast of 31 (not counting me). And at minimum (even with some cross-gender casting) I feel I need at least seven women for clarity.
Throughout the day, Keith's flight keeps getting pushed back.
And people keep giving me stuff.
Maui gives me a box of Godiva chocolate bars. Not a box of chocolates, mind you, but a box of chocolate BARS.
Kathy feeds my Buffyverse obssession by giving me a Buffy Companion book.
Tony gives me his Annual Gathering CD. (Which I listened to on the way back from San Diego. It's great.)
Wingless gives me a Banana Splits CD. (Which I listened to on the way to San Diego. It's VERY Cool.)
Michael gives me his Demo CD. (Which I haven't listened to yet, but I will. But Michael, here's my question: I already know you're good. But are you planning a move to L.A.? What good is your CD if you're not here to audition if and when I get something (please God anything) to have you audition for?)
I got four cool con t-shirts and pins (which I had paid for) from the staff, as well as a staff t-shirt from Jen (which I did not pay for).
I got Subway from Alan, which I also paid for, cuz frankly Alan still intimidates me a bit. It must have something to do with how cosey I get with his wife.
I got my con badge and the VERY cool program that Si put together. It includes a picture of me with a pillow over my head. I'm told this is a great picture. I find it interesting that the best picture of me is one where my face is covered.
I got a G2005 Vegas t-shirt from Chris at some point.
I got a UPS package which contained stuff from the Buena Vista Home Entertainment folk for use at the Opening Ceremonies.
And best of all, I got BLACK ROSES from Christine. Which is cool. But cooler still, is the dedication, to me and Salli and I guess all of you. I have never had a book dedicated to me before. I can't tell you what that feels like. It really makes my day on a day that makes my year.
NEXT UP: OPENING CEREMONIES (the never-ending story)
GATHERING 2004 JOURNAL - Thursday, August 5
Time to journal.
As usual, let me open with a few caveats, apologies, etc.
I'll try to be as complete as possible, but inevitably I may forget a few names or forget to include a few people or events. My apologies. Please don't feel slighted. The con for me is always a great time, but also a whirlwind of people. With few exceptions, I only manage a few minutes with everyone. Sometimes it takes me two or three years to really nail a name to a face. (The fact that many of you have multiple names doesn't help either.)
I'd also like to mention a few of the people I didn't see, people I hope to see next year. Former con-chairs like Jubes and Batya and especially Mae Lee. People who made an impression, like Spike and Vanessa and many, many others. I'd like to ask all of you who did attend and/or all of you who are reading this now to reach out to fans who have wandered. As many of you know (and as Friday's G-Journal will soon make clear) this is really a make-or-break year for the series. We need to re-energize, rejuvenate and REAWAKEN the fandom. Especially those who have drifted away. We need everyone!
Speaking of which, here's ANOTHER reminder to post your GATHERING JOURNALS here at ASK GREG. Cut & Paste. If necessary, enter them a con-day at a time as I'm doing. If you're reading this and you know of people who attended the convention who haven't yet posted their journal, get on their cases. I think we've got about a dozen so far. I appreciate them all, but that's NOT nearly enough. We had 200 people attend the con. If we can't get at least 100 journals here at ASK GREG, I'm going to be VERY disappointed.
Finally, as most of you know, my diaries tend to center around food. Basically, I love to eat, and it's something I really have a talent for. I love great food and horrible junk. And I'm often obssessive about the subject. Strangely, or perhaps not-so, my memories of this adventure do NOT revolve around food. In part, because I didn't get to eat as often as usual. Just not enough time. In part, because I had such a blast just spending time with all of you. Thanks.
ANYWAY, enough preamble. Let's get gathering.
The week before the Gathering had been extremely eventful. Good things and bad things were happening to my family, especially my siblings. For more info on both check out the very well-written websites of Robyn Weisman...
http://barbaricmysticalandbored.blogspot.com/
and/or Jon Weisman...
http://www.all-baseball.com/dodgerthoughts/
Over at my house, things were almost as crazy. We had taken out a loan to paint the exterior of our house. Right after we were financially committed to that endeavor, our upstairs bathroom cracked its shower pan, creating (ultimately) a hole in the ceiling of our entry hall. We have had to totally demolish that bathroom in order to repair it, which caused further damage to our bedroom, living room and powder room. Even our doorbell has stopped working.
Plus, I got a stye in my eye. For a couple of days, it was swollen up, and I thought: "YAY, MY DISFIGUREMENT CAN BE IMMORTALIZED FOREVER ON THE DVD!" Fortunately, it faded by Thursday and was all but gone by Friday.
Also, there was that ladder thing. How many Gargoyles-Creators does it take to screw in a light bulb? I was up on a ladder changing a ceiling bulb. I had the old bulb out and in hand, when the ladder (which is missing three out of four rubber feet) tipped me off. I landed on the hand holding the lightbulb, which <SHATTERED> on the brick floor. Blood and glass everywhere. The wounds, such as they were, turned out to be very superficial once they were cleaned off and the imbedded glass was tweezered out. I was wrapped in gauze for a night and my daughter took to calling me "Daddy Mummy" or "Dummy" for short. Smart kid. Anyway, by the next day, I was down to two band-aids. By Thursday, the puncture wounds were barely noticable.
More seriously, there's Norman, our ten-year-old Bassett Hound. Earlier this year, Norman was stricken with a life-threatening ear infection. We tried multiple courses of anti-biotics (including some human versions). Nothing worked. Finally we had to have his ear canal surgically removed. Then last month, the other ear got infected. It soon became clear that we were going to have to have his remaining ear canal removed, rendering him completely deaf. It was very upsetting to all of us, and I felt horrible that I was going to be out of town during the surgery. Of course, I had made a commitment, and to be honest I really didn't want to miss the Gathering.
And the fact was, I was already planning to miss a portion of it. My daughter's birthday is August 8th, 1994. I wasn't going to miss her tenth birthday, which meant I'd be leaving VERY early on Sunday morning in order to make it home in time for her birthday dinner. That meant that I was going to have to stuff all my G2004 fun into a few short days.
So, Thursday morning I got up at 7am, reminding myself that I couldn't use my own demolished bathroom. I showered in the kids' bathroom, and made my way downstairs. I had been vaguely Atkinsing for the last three weeks and had in fact lost about eleven pounds. But the diet was done for the duration. I had Cereal and banana.
I was picked up at the house at 9:30 am. The trip to the airport was uneventful. Got to LAX and got through all the various lines without incident. Then I bought a loaf of sourdough bread and ATE the entire thing. Also had a Three Musketeers bar and a bottled water. Obviously, I was craving carbs and sugar.
Aboard the plane, I began to read "I DREAMED I MARRIED PERRY MASON" by Susan Kandell. This is a very well-written murder mystery by a friend of ours. The protagonist is Cece Caruso, a biographer who stumbles onto two murders (one old, one new) while researching the life of Erle Stanley Gardner, the creator of Perry Mason. I definitely recommend it.
On the plane, I had Tomato Juice and toyed with my meal: beef, biscuits, cole slaw, rice and a roll.
The movie was "Day After Tomorrow" and even though it was free, I couldn't bring myself to watch it. Though I did get curious about how it would end -- about what could possibly be considered a coda for it, so I ear-phoned up for the last ten minutes or so. Uggh.
The flight, like the whole trip, was easy. Customs in Montreal was a long line, but had the advantage of non-stop movement, which at least makes the wait FEEL more palatable.
Patrick, Jen & Rob were waiting for me. I was already in a good mood, but I immediately felt better. Now, the Gathering had really begun for me.
We had a completely uneventful ride to the Delta Centre-Ville (our G2004 Hotel). In the lobby, I saw Carol, Kathy & Kelly. Mandi, I think? Abram. A Fan. I checked in, and hit my room to do a VERY quick unpacking before meeting everyone in the consuite. I saw Becca right away, and asked where her parents were. Christine was standing just behind me and gave me a big hug.
The constaff had planned in advance to go to dinner as soon as I got in. There was some miscommunication, which I really regret, as some non-staffers were waiting to join us and the restaurant we were heading toward couldn't accomodate us all. Sad irony, we didn't even end up at that restaurant (as its kitchen was closed) and the place we did eat at had plenty of room. In the future, I'm gonna make an effort to be more inclusive at these things.
Not to rub it in, but those of us who did attend: Lanny, Derek, Michael, Karine, Cindy, Rob, Jen, Alan, Kaylee, Shawn, Patrick, Laurean, Liz, Carol and I had a great meal. We had taken a long walk to get to the crepe place that Karine wanted us all to enjoy. The weather was lovely but just a tad cool for a guy from California in a t-shirt. If I had just brought my sweatshirt along, it wouldn't have been a problem, but I was shivering by the time we sat down in our second-choice restaurant.
Which was great, by the way. Lobster Bisque, Fettucine Alfredo, Bread, bruschetta, a mussel and coke.
And great company. I enjoyed the walk back a bit more, even though I was still freezing. Karine offered to lend me her sweatshirt, but I'm still enough of a gentleman (just barely) to refrain from taking a pregnant woman's wrap.
Back at the hotel, I ran into Lynati, Mara, GXB, Alex, Eric, Hudson, Ethan, Maui, Kyt, Chris & Aaron. I hung out in the lobby with a few of them for a bit. But it was getting late, and I wanted to call Beth and the kids and talk to them before they went to bed.
So I headed up to my room. Called home. Then tried to sleep. Wound up watching TV until at least 3 or 4am, though that was only midnight or one my time. Then I finally went to sleep.
TO BE CONTINUED...
A Plea and/or Reminder
I'm back in Los Angeles after an amazing trip to Montreal and a fun family half-week in San Diego.
My own Gathering Journal will be forthcoming in installments, as usual.
But in the meantime, I'd like to remind everyone who attended G2004 to please, PLEASE, take a few minutes and write up your experiences in as much detail as possible.
Were you on staff? Were you a dealer? Were you there for the whole weekend or just for a few hours? Whatever your situation, please write up a Gathering Journal and post it HERE at ASK GREG. It's great if you have your own website or livejournal and want to post it there or even in the S8 Comment Room, but please CUT & PASTE your journals and put them here as well. No links please. Cut & Paste.
For those of you who've already done this, thanks. For those of you who started but didn't quite make it through the weekend, please don't run out of steam. For those of you who haven't started, START. Trust me, your memory isn't going to improve with time.
We had about 200 people at the Gathering. I'm hoping to get at least 100 diaries/journals here at ASK GREG. AT LEAST. (Frankly, I'd be thrilled with 100% journaling.) Getting them all here allows me to direct the Disney/Buena Vista powers-that-be to this site as a single clearing house.
Guys, this is important. Prove that you are going to do what it takes in the coming year to support the show by taking this simple first step.
It will be very much appreciated at this end.
GATHERING 2004
Okay, gang,
I'm going to be off-line for a while.
I leave early tomorrow morning (8-5-04) for Montreal and the Eighth Annual Gathering of the Gargoyles.
I come home on the 8th, but then the family is immediately going to San Diego for some SeaWorld/Legoland action.
So I won't be back at ASK GREG for over a week.
But when I come back, you can look forward (I would hope) to my ramblings about the Gathering.
PLEASE, PLEASE post your own Gathering Journals, Gathering Diaries, etc. as well.
Seriously, I'm using this as a tool with Disney. We have about 200 people attending the Gathering this year. I'd like to see at least 100 Gathering Diaries posted here at ASK GREG.
Thanks.
P.S. Remember, if you see me at the Gathering, don't hesitate to come up to me and say hello. Don't be shy. Please introduce or re-introduce yourselves. I know many, many of you, but I'm traditionally not great with names. Sometimes it takes me a couple gatherings to remember. For that I apologize, but please don't take offense. I really do want to meet all of you. See you soon.
Greg
some REAL rambling...
Okay, this is not GREG SPEAKING FROM THE MOUNT...
This is just me thinking aloud. (Well, not really aloud. I'm sitting here typing.) I don't even know if I like these ideas. They're definitely not canon.
But the following notions occured to me today...
Gargoyles don't seem to have a native language. They acquire human language ... perhaps much the same way that they acquire names. Naming is clearly addictive. And language, in many ways, is just sophisticated naming.
Clearly gargoyles are just as intelligent as humans. Before humans developed tools, Gargoyles were at the top of the food chain. They may not have created/invented as much "stuff" as humans have, but they also had way fewer needs. Necessity being the mother of invention, they had less motivation for inventing sophisticated shelter, clothes, tools, etc. But that in and of itself isn't a comment on their brain-power.
So why no need for language and names?
When it comes to naming, gargoyles clearly felt that names were superfluous if not somewhat limiting, if not downright harmful to the spirit. Humans must define things. Gargoyles know that things just are.
We are friends. What other name do we require, etc.
It fits in with their animistic/monotheistic view of a higher power. A higher power that requires no name.
Does beg a question, though if you go back far enough.
Does the sky need a name? Does the river?
Elisa responds: "The river's called the Hudson."
But she could have responded: "The river's called a river."
Did the gargoyles have a language that they ABANDONED in favor of human words -- even if those human words were Atlantean (like the term "Gorlois", the true Atlantean etimology for "GARGOYLE")?
Or perhaps...
Gargoyles are so attuned to the earth. They have biological clocks that match the seasons. They have relationships that require no names, until those names have been imposed.
Is it possible, that gargoyles once... long ago... had mild psychic abilities that left them with no need to create language? It wasn't words that they intuited (or transmitted or read or whatever) but emotions, maybe images or sensations.
Maybe it was tied to magic. Not that Gargoyles are magical creatures, but if magic was free-flowing before the Will-O-The-Whisps evolved into the Children of Mab (or whomever) and somewhat confiscated that power for their own, perhaps that magic was just part of the Earth that gargoyles were so attuned to, and allowed for some psychic congress.
Or perhaps, it is a biological ability -- based on biio-elecricity and brainwaves -- that has faded with disuse. Perhaps the very language skills that Gargoyles learned from the human race dampened their psychic intuitiveness, much as Fox's natural magical abilities were stunted by her human upbringing.
Either way, it suggests that this ability could be latent.
I'm NOT saying that the gargs we know are psychic. They've all been fooled enough, even by the INTENSELY emotional Demona (who would theoretically be broadcasting as well as receiving) to bely that notion.
But I wonder if this isn't an interesting area of speculation.
If you see me at the Gathering THIS WEEKEND, it's a topic I'd be interested in discussing.
REBORN!!
As I'm sure many of you have noticed, Gorebash has rebooted ASK GREG in a major way. It's still a work in progress, so feel free (politely) to offer your input to Gore.
But don't forget to thank him as well for his hard, hard work.
Thanks, Gore! It's very much appreciated.
Gregs
Buffy Season Two Character Countdown
As noted yesterday, I'm as big a geek -- if not bigger -- than anyone in the room.
So now, for no particular reason, I've put together a countdown of the GREATEST BUFFYVERSE characters from Seasons One & Two.
I thought about doing Season Two separately, as if it stood alone, but that felt artificial. (Like the rest of this feels natural? Yeah, right.) Think of the Buffyverse as an eight year horse race. You're not sure which nag is going to go the distance... But cumulatively, you begin to discover things.
So here's the top 30 characters of the Buffyverse for Seasons One & Two combined. In reverse order...
#30 - The Judge. Medieval demon raised by Spike & Dru to burn the humanity out of, well, humans. Killed by a rocket launcher. (Previous Rank: Did not appear in first season.)
#29 - Mr. Norman Pfister, a.k.a. Worm Guy. One of the assassins hired by Spike to kill Buffy. Could transform his whole body into worms. Stomped by Xander & Cordy. (Previous Rank: Did not appear in first season.)
#28 - Dalton. A relatively brainy vampire flunky, who appeared in a couple of episodes working for Spike & Dru. Burned by the Judge. (Previous Rank: Did not appear in first season.)
#27 - Luke. Still a fairly memorable first opponent for Buffy even a year later. (PR: #14. Okay, he's memorable, but not that memorable, falling 13 rankings with no where to go but down.)
#26 - Harmony Kendall - Made another humorous appearance. (PR: Honorable Mention.)
#25 - Hank Summers. Still, if barely, a part of his daughter's life. (PR: Honorable Mention.)
#24 - Willy. The weasley guy who runs the demon-bar hangout and plays both sides of the fence. (PR: Did not appear in first season.)
#23 - Amy. Back as a full-fledged witch. (PR: Honorable Mention.)
#22 - Ethan Rayne. Giles old chaos-worshipping "friend". (PR: Did not appear in first season.)
#21 - Uncle Enyos, a.k.a. Gypsy Man. Jenny Calendar's vengeance-seeking Gypsy uncle. Killed by Angel. (PR: Did not appear in first season.)
#20 - Jesse. (PR: #13. Drops seven rankings, and counting, as he's been totally forgotten.)
#19 - Jonathan (variously spelled Johnathan and Jonathon, a.k.a. Student and/or Hostage Kid and/or Freshman (which he later turns out not to be, unless he skips a couple grades by the time Buffy graduates). Jonathan with something like 6 appearances but VERY little screen time in each really makes an adorable impression, thus it's not surprising that he winds up playing an increasingly larger role with every year. (PR: Did not appear in first season.)
#18 - Whistler. The demon, played by the always interesting Max Perlich, who helped redeem Angel from the gutter. This guy interested me a LOT, but never (as I recall) returned. I always wondered if Doyle was a reworking of Whistler when they couldn't get Perlich to be a regular on Angel. (PR: Did not appear in first season.)
#17 - Kendra the Vampire Slayer. Came and went. But before you know how interesting Faith can be, she was very cool. (PR: Did not appear in first season.)
#16 - Principal Bob Flutie. (PR: #9. Drops 7 places and being still dead, likely to keep heading south.)
#15 - Darla. Appears in a wonderful flashback, where she sires Angel. (PR: #11. Only drops 4 ranks, and is likely to make a comeback, because death plays much more fast and loose with Darla than with Principal Flutie.)
#14 - The Annointed One. Spike just overwhelmed this guy (and then flambéd him). I suppose it was also a liability to have an eternally youthful child in an ongoing series. It won't take long before a growth spurt changes the kids looks significantly. (PR: #10. Another four rank drop and falling.)
#13 - The Master. Influence still being felt... (PR: #8. Down five rankings.)
#12 - Oz. Becomes Willow's guy after a slow burn. And gets to be a Werewolf to boot. (PR: Did not appear in first season.)
#11 - Jenny Calender, a.k.a. Janna the Gypsy spy. Becomes SO important that Angel has to snap her neck, breaking Giles heart -- and falling into a Buffy/Angel trap that is common to most TV dramas (except Gargoyles) which states that no relationship really has long term potential. (PR: #15. Actually moves up 4 rankings, while most are moving down.)
#10 - Principal Snyder. (PR: #12. Also moving up a bit.)
#9 - Spike, a.k.a. William the Bloody. Enters the list in the top ten.
#8 - Drusilla. This surprised me a bit. Would not have guessed that Dru would beat out Spike. But in their first season, she's actually a tad more important. His villainy culminates in hers. (Of course, both are overshadowed by Angelus) (PR: Did not appear in first season.)
#7 - Joyce Summers. (PR: #7. Holding her spot.)
#6 - Angel, a.k.a. Angelus. Really starts to come into his own here, but missed a couple episodes and Cordy had a headstart from season one. (PR: #6)
#5 - Cordelia Chase. And Cordy also begins to truly come into her own in this season. Evolving out of her funny but one-note stereotype from Season One and beginning a relationship with Xander that I was sorry never got to be played again in Angel (even historically). (PR: #5)
#4 - Willow Rosenberg. Xander's headstart kept him ahead in a season where they had a much more neck-and-neck pointscore. (PR: #4)
#3 - Xander Harris. (PR: #3)
#2 - Rupert Giles. Still a bit surprised how he continues to rank above X&W. (PR: #2)
#1 - Buffy Summers. (PR: #1)
Honorable mention goes to the following (for making one or two memorable appearances):
Catherine . Okay, normally, I'm not going to honorably mention someone in consecutive seasons, but that great scene where Oz is watching the Cheerleading trophy follow him with his eyes, is priceless continuity.
Absalom. Vampire working for the Annointed One trying to raise the Master. The last champion of the Season One storyline. Buffy burns him.
Nurse Greenliegh. Eaten by fishboys. Probably gets extra juice because I like actress Conchatta Ferrell in just about anything.
Ted Buchanon - Psycho Robot Serial Killer. Lots of evil fun. Trashed by Buffy.
Devon - Dopey lead singer of Oz's band.
Inca Mummy Girl, a.k.a. Empada. Poor kid. She just fell apart on us.
Larry. School bully who turns out to be a sensitive gay guy.
Lyle Gorch - Cowboy vampire, barely smarter than his brother.
Chanterelle - Goofy vampire wannabe.
Detective Bob & Detective Stein - Each appeared twice. Bob was Snyder's cop. The one who helped Snyder cover up the macabre doings at the school. Stein was Buffy's vague nemesis. The one who questioned her about Ted's "death" and suspected her of Kendra's. Both are interesting and feel more important than they wind up being.
The Mayor. Doesn't appear at all. But Snyder's both scared of him and desperate to impress him.
And that's it. But Season Three just came in the mail today. It'll obviously take me some time to watch it. But eventually, I'll be continuing this pointless exercise...
Aren't you glad?
Buffy Season One Character Countdown...
Yes, that's right, I'm as big a geek -- if not bigger -- than anyone in the room.
I bought the 1st and 2nd Seasons of BUFFY THE VAMPIRE SLAYER on DVD. And I've been watching the episodes. Or studying them actually.
So now, for no particular reason, I've put together a countdown of the GREATEST BUFFYVERSE characters from Season One.
(WHY, you ask? Because it amuses me and appeals to my geeky mind. <Yeesh, what a dopey question.>)
Now, this is a truly subjective (if not pointless) exercise that I've tried to reduce to an objective task. I've awarded points per episode to each character based on a number of criteria. Then I totalled up the points for each character for the season. In case of a tie, I made a subjective call.
I tried NOT to make the point totals reflect what happened with characters in subsequent seasons. This is a countdown reflecting Season One only. Though I won't deny the fact that if a character reappeared later in the series, it probably meant that said character was memorable to the creators (and the viewers) in his or her original appearance(s). So I allowed some bias to filter in. But I tried to be strong.
Most of the results aren't particularly shocking, but a few things surprised me a bit.
Originally, I was just doing this for myself. But I figured, what the heck, might as well share my obssessive behaviour with you poor victims.
So here's the top 15 characters of the Buffyverse for Season One in reverse order...
#15 - Jenny Calender. In season one, she's merely the computer teacher/techno-pagan. But she already seems to have some interest in Giles.
#14 - Luke. The vampire who was the surrogate for the Master's "Harvest" during the 2-part pilot. An impressive first foe, who'd be topped many times over. But he set the bar well. He received the same point total as Jenny, and long-term she's MUCH more important, but in the first season, I think Luke's role was much more crucial.
#13 - Jesse. Jesse was Xander's best friend, who became a vampire in the pilot and was accidentally staked. Jesse would have been more important if anyone had EVER mentioned him again -- even in episode three. It strikes me as a very un-Joss like thing that Jesse completely faded from memory... INSTANTLY.
#12 - Principal Snyder. The new and harsh replacement principal makes an immediate impression.
#11 - Darla. The vampire who served the Master and was revealed as Angel's sire. Jealous, vulnerable, greedy and sweet all rolled into one. She was staked in her third appearance, but it's not surprising she came back both in flashbacks and in ANGEL.
#10 - The Annointed One. Also known as Colin and/or the Boy. This guy was built up to be VERY important in Season One, though he wound up not being important at all.
#9 - Principal Bob Flutie. The conflicted original principal of Sunnydale High. For obvious reasons, adjusted to be MOST sympathetic just before he was eaten by the quartet of Hyena-Avatars.
#8 - The Master. The main recurring villain for Season One. Staked at the end of the season, though his influence would continue into Season Two and beyond. (FYI, one of the DVD extras revealed that his real name was Heinrich Joseph Nest.)
#7 - Joyce Summers. Buffy's mom.
#6 - Angel. Made a pretty big impression in relatively few appearances. Obviously.
#5 - Cordelia Chase.
#4 - Willow Rosenberg.
#3 - Xander Harris. This surprised me. I would have thought that Willow and Xander would have been neck and neck -- impossible to declare as anything but a tie. But at least in Season One, Xander really got more screen time and a much bigger overall role in the series.
#2 - Rupert Giles. This surprised me a bit too, as I would have guessed that Xander & Willow would have both scored ahead of Giles. But nope. Not when you break it down.
#1 - Buffy Summers. Duh.
Honorable mention goes to the following (for making one or two memorable appearances):
Catherine & Amy, mother & daughter witches. Amy obviously will become more important, but Catherine's end, forever imprisoned in the cheerleading trophy, was too cool.
Dr. Gregory. Buffy's biology teacher. Made two appearances before being killed by the She-Mantis. Was the only teacher who believed in Buffy.
The She-Mantis. A fun villain.
Harmony Kendall. Only made two brief appearances, but she stood out enough as one of Cordelia's "Cordettes" that she would wind up being brought back again and again. A certain comic timing, probably.
Hank Summers. Buffy's dad.
Joy. The Senior Cheerleader.
Sid. The human trapped in the body of a ventriloquist's dummy.
That's it. I'll have Season Two shortly. I bet you can't wait.
Announcement for August...
Hey gang,
Just wanted to let everyone know that Gorebash, Todd & I will be re-opening the Question Submission function for the month of August 2004.
Gore is working on revising the whole site. We're not 100% sure that the new version will be ready by then, but either way, you'll be able to submit questions and rambles from August 1st to August 31st.
I'm going to ask (and pray) that people NOT post frivolously. I'm still over two years behind on answering questions. Try and do your homework just a bit before posting a question. Check the Archives or at least the FAQ. Heck, it wouldn't hurt to pre-post your question at the Station 8 Comment Room. Give your fellow fans a chance to direct you to the answer, before you post it for me. Keep in mind that it will take me a LONG time to get to your questions, so if you can get them answered another way, it'll be MUCH FASTER for all concerned.
But with that caveat in mind, I'm very pleased to be reopening the site to you, if only for one month. In particular, I'm anxious to get as many GATHERING 2004 DIARIES as possible. Seriously, we have close to 200 people attending this year, and my goal is to get at least 100 diaries posted at ASK GREG as an historical record. So please, that's one kind of post that I'm really looking forward to. So don't hesitate.
Thanks,
Greg
What else can I do?
"Sure," you say, "I'd love to come to the Gathering, but..."
There are always reasons, I suppose. Some good, some not so good, some very good.
I'd still like you to come. Even now. With less than a month left, I'd like to see you make the effort and show. It's a great year for it, what with the Disney folks there shooting footage for the DVD. Heck, don't we want them to see how strong our fanbase is?
The Gatherings have been the lifeblood of this fandom. Why are we getting DVDs this year. Because of the annual Gathering. Just that simple.
And, yes, I am talking to you. And you in the back there too, trying to sneak out.
But let's say you just CAN'T make it this year. This happened. Or that happened. You just can't. You ask me to understand, by saying, "What else can I do?"
Here are a few things...
1. Buy a supporting membership. It's much less expensive than a trip to Montreal. It helps support the convention. And you're entered for a free t-shirt.
2. Heck, just ORDER THE T-SHIRT. It's also much less expensive than the trip. And you get a T-shirt.
3. Order a pin or the Phoenix Gate Anthology.
4. At least go to the website and check these things out:
http://www.gatheringofthegargoyles.com/
5. Start planning now to attend G2005 in Las Vegas. Start saving. Show your true support for the series and the fandom.
Thanks.
SPIDER-MAN 2 - SPOILERS
Took the kids to see Spider-Man 2 yesterday.
SPOILER WARNING
The murder of all those doctors seemed gratuitous to me. Trashing them, sure, but why did the arms (particularly at this early stage) feel the need to kill. I know, I know, self-defense. But in a movie like this, where otherwise I thought it was more-or-less okay to bring my kids, I thought it was really unnecessary.
The death of Otto's wife didn't bother me. Except that it became gratuitous as nothing at all was done with it. Her entire character became gratuitous. And I like Donna Murphy.
I've already talked about my whole Kirsten Dunst would make the perfect Gwen Stacy but is unconvincing as Mary Jane Watson thing. Nothing in this movie convinced me otherwise, despite the "Go get 'em, Tiger" line at the end. I guess you just have to get used to the idea that they've combined these two characters into one and chosen MJ's name.
Peter's objection to dating MJ, because it could put her at risk seems a little preposterous given how much risk she's been put in over these two movies even though they haven't been dating. I don't mind this, I just wish that someone, specifically MJ in their last scene together would have pointed that out.
The theme of this movie is "LET'S REVEAL MY SECRET IDENTITY TO AS MANY PEOPLE AS POSSIBLE". At the end of the previous film, it was beyond clear that MJ had figured out that Peter was Spider-Man. This is somewhat successfully slid by in this film. But by the end of the second film, the list of people who have seen Spidey's face is nearly endless:
MJ
Doc Ock
Harry
The New Green Goblin
About thirty-seven people on the train
and let's face it, even Aunt May seemed to be strongly implying that she had figured it out.
A little bothered by the way some of Peter's late-arrivals were staged.
Did he really lose THAT much time delivering Pizza.
But more importantly, it seems clear that being Spider-Man aside, he just flat out didn't leave enough time to get to MJ's show in the first place. Face it, he lost his mo-ped but arrived in the bad-guys car. And it took less than a minute to capture them. And he was still late. This bugged me because he was blaming Spidey for screwing up his life, when clearly if he had left for the play in a timely fashion, he would have arrived on time (and missed the crime completely).
I didn't quite know what to make of the whole thing with the landlord's daughter. Kept expecting her to see Peter with MJ in the last scene and turn into a super-villain or something. She was sweet. Didn't catch the character's name, though it's a very similar character to the character that same actress plays on Joan of Arcadia.
Everyone seems wowed by Molina's performance and by Doc Ock, especially as compared to the last film's Green Goblin. I have no objections to either Molina or Doc, but I don't get the raves. Green Goblin's motivations made a lot more sense to me than Ock's. Sure the arm effects were cool. But the whole AI thing effecting his brain seemed forced. And frankly, a bit unnecessary.
From all of the above, I'm sure it must seem like I didn't like the movie. But in fact I did. I even liked how nearly everybody now knows Parker's secret. How did it help any of those people to not know?
Gwen vs. Mary-Jane
Okay, I haven't seen the second Spider-Man movie yet, so this is mostly based on the first (and commercials for the second).
But am I the only guy out here who thinks Kirsten Dunst is a perfect Gwen Stacy?
I think she's wonderful in the first film. Bu I mean, aside from the hair color (which, from other movies, we know is artificial), her persona is totally Gwen. Yeah, yeah, she's an actress, but she's got nothing of that John Romita tigress that is Mary-Jane Watson.
She's Gwen Stacy.
Right?
BIG NEWS ON THE DVD FRONT
HEY GUYS...
BIG NEWS. SO BIG I'M LOCKING DOWN MY CAPS.
AS MANY OF YOU KNOW, THE FIRST SEASON OF GARGOYLES IS BEING RELEASED THIS YEAR ON DVD TO COINCIDE WITH THE TENTH ANNIVERSARY OF THE SERIES.
I'VE JUST BEEN INFORMED THAT DISNEY IS SENDING A VIDEO CREW TO THE GATHERING OF THE GARGOYLES, OUR ANNUAL CONVENTION, TO TAPE THE FANS, GUESTS, EVENTS, ETC. FOR THE EXTRAS SECTION OF THE DVD.
THAT MEANS IF YOU ATTEND THE CONVENTION THIS AUGUST 6-8 IN MONTREAL, YOU HAVE A CHANCE TO ACTUALLY BE ON THE DVD. LET THAT SINK IN FOR A SECOND.
IF YOU'RE ALREADY SIGNED UP, GREAT. BUT IF NOT -- WELL -- WHAT ARE YOU WAITING FOR!!!!
CHECK OUT THE CON'S WEBSITE AT:
http://www.gatheringofthegargoyles.com/
DON'T MISS THIS GATHERING!!!!!!!!
WHATEVER HAPPENED TO SECOND & THIRD BASE?
The following RANT is somewhat ADULT. You've been warned.
There are two prime time television series that I'm fond of that I'm annoyed with for a very specific reason.
One is GILMORE GIRLS. The other is JOAN OF ARCADIA.
Last week, on Joan of Arcadia, 16-year-old Joan nearly decided to lose her virginity with Adam.
Last week on on Gilmore Girls, 19-year-old Rory lost her virginity with Dean.
In both cases, it's not the losing or not losing that bothers me.
It's just that in both cases, we've more or less been witness to these girls sexual awakening. And I've never gotten any indication that either girl has done anything beyond kissing, that neither guy has ever gotten past what we used to call first base.
One of my biggest pet peeves about television is that second & third base (including anything and everything in between kissing and sexual intercourse) do not exist. Oral sex? Doesn't exist. Touching and/or nudity without intercourse? Doesn't exist.
I don't need to see it. (Not that I'd object, but this isn't about me being a pervert for once.) But I would think that two shows as smartly-written as Gilmore & Joan should be able to find a way to suggest that such "intermediate steps" DO exist. I mean if they can talk about full-on intercourse, why can't they talk about things that are safer, younger, more exploratory, with FEWER consequences.
I feel it's TERRIBLY irresponsible to teach kids and teens that there's no way to express themselves sexually, once they've gotten past a kiss, except by going all the way. By hitting home runs, by scoring, so to speak.
Look, when I was a teen, there was a LONG, LONG gap between my first kiss and my first time engaging in sexual intercourse. There was a pretty substantial gap between my first kiss with the girl that I would end up losing my virginity to and the actual act of losing said virginity. In fact, in every relationship I ever had, up to and including my wife, kissing was a prelude to touching, etc., which was in turn a prelude to "making love"... assuming the relationship lasted that long.
The frustrating truth is that I really like both Gilmore Girls and Joan of Arcadia. I even really liked the episodes that are currently annoying me. But I'm still waiting for someone to brave the taboo and bring back second and third base.
PROPS TO "THE WONDER YEARS" for the only example of Second Base on a Prime Time series that I recall. But what was that -- ten years ago? Has there been no progress since?
A Farewell to Joss...
Let me get this out of the way first:
I love the television work of Joss Whedon.
Love Buffy.
Love Angel.
Love Firefly. (I'm very much looking forward to Serenity too.)
I am stunned that after eight years (thirteen seasons worth of television) that I won't be able to get new episodes of a Joss Whedon series next year.
Yes, they claim they'll bring back Buffy or Angel or both in t.v. movies. But frankly, I don't want to get my hopes up too high.
This season of Angel was brilliant in episode after episode. The insane Slayer. The Angel muppet. The return of Cordelia. The return of Conner.
And last night's finale... was stunning.
---SPOILERS---
The really smart thing was what they left out -- ironically, mostly action. I mean face it, do we really need to SEE Gunn take out six vamps? Do we really need to see Illyria take out four demons in a car? Do we really need to see Spike take on a cult? (Well, actually it might have been fun to get a little more of this -- what with his Lone Wolf & Cub dilemma of fighting while holding a baby.)
Harmony was a bit weak, i.e. I don't mind that she betrayed Angel or that Angel knew she would, but how did she know anything to betray him with. And I've never understood the transition between the Lyndsey who left L.A. at the end of season two and the Lyndsey who came back midway through season five. Why was he suddenly Angel's enemy again? It was cool that Lorne shot him, but I have to admit I wasn't sure if it was justified. Didn't he deserve a chance at redemption? And what was the deal with Eve at the end?
But that's quibbling.
Wesley had a decent death. And an even better end. The Illyria stuff was all great.
And of course, the final final ending, with the four warriors against the horde and Angel's last line, "Personally, I'd like to
slay a dragon." was just brilliant.
This was, in my opinion, much superior to the Buffy series finale. Both had the problem of only having one hour to stuff a ton of content in. But again, Angel was much smarter about what it LEFT OUT. Buffy's finale just seemed VERY rushed to me. Anya's death barely registered, even with Xander. And did the First get any comeuppance at all?
And sure, I'll admit that the last couple seasons of Buffy suffered from a real one-step-forward-two-steps-back-then-the-SAME-step-forward syndrome.
But all these negatives are quibbling based largely on the superior quality of Joss' series in general.
How did this happen? (Not the great work. But the absense of it next year.)
Just a couple years ago, I was in Whedon heaven. Buffy. Angel. Firefly. And any minute the Buffy Animated Series (which I was SO dying to work on, but couldn't even get my foot in the door) and Ripper. How did five series (four set in the Buffyverse) drop down to zero in just 18 months?
Yes, thank god for Serenity, which is in production.
But whether he likes the grind or not, Joss was born for Series TV not one-shot movies.
I'm really going to miss him.
Guess it's time to buy the DVDs.
Congratulations, Monique!
Went to a wedding today.
My good friend Monique Beatty married Tim Eldred.
Monique, as some of you may know, was my assistant and a script coordinator during the Gargoyles years. She was literally invaluable to me then, keeping my schedule (known then as "Greg's Nefarious Plan to Take Over the World") and keeping me on track. Among other things, she offered tremendous moral support. She's now a Line Producer at Nick. Tim is a story board and comic book artist.
They are both, great, great people. And I am so happy for them.
It was also nice to see Deirdra, Shan and Kevin at the wedding.
Jumping sharks...
My brother e-mailed me this link:
http://www.jumptheshark.com/g/gargoyles.htm
so I decided to check it out for myself. Might do a couple rambles on the commentary there, but today let's just look at the vote tally as to when people think the series "Jumped the Shark" (i.e. started to suck)...
Network Switch (SYN to ABC) - 8 votes
Never Jumped - 7
The third season - 3
The Goliath Chronicles - 2
They found the Island of Gargoyles - 1
Time Slot (They moved it to the morning) - 1
Xanatos repents - 1
Gargoyle of the Week - 1
Thailog - 1
Of course, four of those categories are really one and the same. The "Network Switch (SYN to ABC)" and "Time Slot (They moved it to the morning)" was for "The third season", which was subtitled "The Goliath Chronicles". So if you add up those votes, you get a whopping (if any number out of 25 can be called whopping) 14 out of 25 votes for TGC as our shark jumping moment. Since I have to agree and since another 7 voters (bringing the total up to 21 out of 25) think that the show didn't jump at all, I'm feeling pretty good right about now.
So let me obssess about the remaining four votes.
I'll try to take them in chronological order...
One person thought we jumped the shark by introducing Thailog. I don't know what to say, except that I disagree. I think Thailog was a pretty cool addition to the series. A great villain and a complex character. I'd tend to think that the fanbase would agree.
(I know that at this time the submit function here at ASK GREG has been suspended, but I invite folks at the Station 8 Gargoyles comment room at:
http://s8.org/gargoyles/comment.php
to entertain this topic.)
Another viewer thought we jumped the shark when "They found the Island of Gargoyles", (i.e. Avalon, I assume). Hard to figure exactly what the person didn't like about this. Don't know if it's Avalon itself that bothered the viewer or the addition of more gargs, or Angela or the World Tour that followed. Maybe it got too fantasy. But again, I have no regrets on this score.
Our third rogue shark-sighter cites "Gargoyle of the Week" as our problem. I can only guess that this refers to the World Tour. Of course, we certainly never intro'd anything close to a gargoyle a week. We intro'd four new clans (Avalon, London, Ishimura & Mayan) over twenty-three episodes (which initially aired over something like a six month period). But maybe Gargoyle-A-Month is a more accurate criticism. Did we make a mistake saying that our sextet (plus Demona) weren't the only survivors of the gargoyle race? Maybe. It does remove some drama. But I liked adding hope into the equation for the gargoyle race. And I definitely liked how the World Tour (and not just the new clans, but especially the new clans) widened the scope of our tapestry/series. But many have disagreed.
Finally, our last shark-sighter cites "Xanatos repents". But I'm not sure that Xanatos ever really repented. He called a truce certainly, but not until the fourth to last scene of the last episode of the 2nd season. And I don't think anyone really thinks that we jumped the shark during "Hunter's Moon". So I'm going to be generous to myself and assume that it was how X was handled during TGC that this guy was voting for. (That may include my episode "The Journey", but I'll have to live with that and the notion that if people had been able to see where _I_ would have taken David in subsequent episodes, they might be less inclined to even think he repented, let alone that it caused the series to jump.)
Well, that was fun. I'll try to tackle the commentary tomorrow...
Gary Sperling remembered...
I wrote this whole thing up yesterday, before I realized that the server (or whatever) was down... So I'll try to recreate it now. I hate recreating things that I write. You can take for granted it was much better written yesterday. *Anyway, that's my story, and I'm sticking to it.*
So...
On Sunday, I went to the unveiling of Gary Sperling's grave marker. It's nearly impossible for me to believe that he's been gone an entire year.
The day, the weather, was very reminiscent of the day of his funeral, i.e. hot, hot, hot. Gary's family seems to be doing well, to have found some equilibrium. They miss him, but it's also clear that he is an ongoing and wonderful presence in their lives.
I still catch myself, have to remind myself that he's gone.
Spent some time with some old Disney buddies. We talked about Gary. Talked about Disney (then & now). It was really kind of great. But many of them I hadn't seen since his funeral, and it's a bit appalling that we haven't gotten together for a year, and that the only thing that brings us in contact is another bittersweet occasion.
I ask myself what I've done with this year. What Gary might have done with another year. I don't really feel like I've achieved much, have much to show for being on this planet for twelve months longer than my friend. Except for this: I got to spend that time with my kids. Not that I'm that spectacular a father, but I think my mere presence (fairly active presence) in their lives has to be a good thing. I'm guessing if Gary ever envied me anything (cuz that wasn't his nature at all), he'd envy me that. It's damn hard not to conclude therefore that I am one lucky sonovabitch.
And that conclusion, I think, is worth the price of admission right there. Another thing to thank Gary for, I guess.
Thanks.
A recommendation...
FIREFLY THE SERIES ON DVD
I watched it over the last week, and it's so great. Most of you know, I'm a big Joss Whedon fan anyway. But seeing all 15 hours of Firefly in order was just great.
I despair for television when a series like that doesn't find an audience. It's easy to blame Fox for the haphazard way they aired the eps. No surprise, the series is MUCH stronger aired in order. But I watched it when it was on (missing only one episode) and even out of order, the series was so amazingly great.
Where was the audience?
The good news is that Joss is making "Serenity", a movie that picks up 6 months after the last episode of Firefly with all of the original cast.
I don't know how they justify making this movie, if they couldn't justify giving the series a chance, but I'm not complaining.
Still, I wonder: WHERE WAS THE AUDIENCE?
Star Sighting &tc...
I just saw wecently wed Wesley & Willow walking arm-in-arm down Wittle Santa Monica Blvd. It was pretty cute...
Have I mentioned this before?:
I think one (though certainly not the only) visceral appeals of the E-Street Band is its archetypal relationship to Robin Hood & his Merry Men.
Bruce Springsteen = Robin Hood (complete with a "rob-from-the-rich-and-give-to-the-poor" mentality)
Miami Steve Van Zandt = Will Scarlett
Max Weinberg = Friar Tuck
Patti Scialfa = Maid Marion
and of course
The Big Man, Clarence Clemons = Little John
I'm not sure which of the following is Alan a Dale...
Garry Tallent, Roy Bittan, Danny Federici or Nils Lofgren.
(The truth is Bruce/Robin is his own Alan, I guess.)
When it comes down to it, I don't know the names of enough Merry Men to make every parallel work. But I'm sure you can see the connections.
Discuss.
Spalding & Paul
We lost two greats yesterday.
Actually, we lost Spalding Gray over a month ago, we just hadn't confirmed the loss until yesterday.
I was (and continue to be) a huge Spalding Gray fan. His acting was decent, fun. But his monologues were always brilliant. I remember once laughing so hard at "Gray's Anatomy" during the Indian Sweatlodge riff that I thought I was going to die of asphyxiation. Everyone should rent his seminal "Swimming to Cambodia". Everyone. Then move on to "Monster in a Box" or some of his other great filmed monologues. They're amazing. But nothing like seeing him live. He will be missed.
As will Paul Winfield, a truly amazing actor. I met him twice when he came in to perform the roll of blind novelist "Jeffrey MacClain Robbins" on GARGOYLES. It was a joy to watch Paul and Ed Asner play off each other. Winfield brought tremendous dignity and humanity to Robbins. And he helped us tell our tale of literacy without making it too preachy. I still remember fondly the following exchange when Hudson is amazed at how Robbins can find Macbeth's address in the phone book.
Hudson: Magic book.
Robbins: Aren't they all?
Simple, but mighty.
Spalding, man... Paul... You left us too soon.
More rambles on Angel...
Well, I'm glad I chose to trust them Angel writers. I thought last night's episode of Angel, with the new Illyria/Fred was another extremely powerful and well done hour of television.
It was a nice variation on a theme in that Illyria ISN'T going to be the big villain for the season. She's now just another lost soul. An ancient demon who has to start over.
I do have a couple quibbles:
I wasn't fond of the artificial way they wrote Lorne out of the episode until the montage at the end. It just seemed like they felt they were too crowded to give his character any screen time.
It bothered me that no one could acknowledge that what was happening to Gun was an exact parallel to what happened to Wes when he stole Connor, because no one remembers Connor. That whole nobody-remembers-Connor thing still strikes me as only a step above the Bobby-Ewing-reappearing-in-the-shower/it-was-all-a-dream ploy on Dallas. But the Connor thing is more a fault of LAST season (which had its share of problems) as opposed to this season.
So I'm very optimistic that Angel will continue to be brilliant throughout its final year.
Death of Fred - SPOILERS
Last night, I finally got around to watching last week's Death of Fred episode on Angel.
Very powerful, very powerful stuff.
And yet....
You see, I'm conflicted, because Angel's writers have certainly earned my trust this year with powerful episodes, including:
--The Death of Cordelia (one of the best hours of tv and endings that I've ever seen)
--The lunatic Slayer (another great, great ending)
--Angel's turned into a puppet
But I'm a little tired of the "One of our regulars goes bad" storylines. Hell, Smallville, which I don't watch because it sucks, seems (judging by their commercials) to do this every week.
And Buffy/Angel has had it's fair share of the same thing. Just last season they did evil Cordelia and the return of Angelus. (Plus there's Angelus' original appearance in Buffy Season 2, Dark Willow and various episodic evil versions of everyone from Xander to Anya.)
So I'm just not looking forward to seeing another evil version of one of their characters. Been there. Done that. If this is Angel's last season -- as it reportedly is, then I'd have liked to push a different way. Lyndsay and the Senior Partners, for example.
But on the other hand, how can I not trust Joss and the Angel writing staff. This season has been jam-packed with amazing episodes, and last night was no exception.
So I'll just cross my fingers, and in any case, try not to weep as the last of Joss' amazing series goes off the air.
OSCAR HINDSIGHT
Back in January, I listed my choices for the Oscars -- hampered by how few movies I had seen. I made a point of saying that these were preferences, not predictions.
But just for fun, let's you and I revisit my choices and see how I did.
Again, keep in mind that I wouldn't allow myself to pick anything from a film I hadn't seen. And since I hadn't seen MOST of the nominated films, that left me with few choices in many categories.
PICTURE:
GW: THE LORD OF THE RINGS: THE RETURN OF THE KING
WINNER: LOTR: ROTK
Comment: No-brainer. I'm 1 for 1.
ACTOR:
GW: Johnny Depp
WINNER: Sean Penn
Comment: Didn't see Mystic River. Have no doubt that Penn was probably great. But I still feel that the academy does not appreciate comedy and a win for either Depp or Murray would have been nice to see. I'm 1 for 2.
ACTRESS:
GW: Keisha Castle-Hughes
WINNER: Charlize Theron
Comment: Everyone tells me she was amazing, but I never saw Monster. In fact, Keisha was the only nominated performance I saw. This is no big surprise. I'm 1 for 3.
SUPPORTING ACTOR:
GW: Alec Baldwin
Winner: Tim Robbins.
Comment: I liked Robbins speech. Again, I didn't see his performance. I'm sure he was great. But I know Baldwin was great. I'm sinking here at 1 for 4.
SUPPORTING ACTRESS:
GW: No pick.
WINNER: Renée Zellweger
Comment: Didn't see ANY of the nominated performances. I'm 1 for 5.
DIRECTOR:
GW: Peter Jackson
WINNER: Peter Jackson.
Comment: I pretty much stuck with the ROTK horse and scored well, obviously. I'm 2 for 6.
ADAPTED SCREENPLAY:
GW: Walsh, Boyens, Jackson
Winner: Ditto
Comment: I'm 3 for 7.
ORIGINAL SCREENPLAY
GW: Coppola
Winner: Coppola
Comment: I'm 4 for 8. Batting 500 now after the acting awards decimated me.
FOREIGN LANGUAGE FILM:
GW: no pick
Winner: The Barbarian Invasions
Comment: I'm 4 for 9.
ANIMATED FEATURE:
GW: Finding Nemo
Winner: Finding Nemo
Comment: I'm 5 for 10.
ART DIRECTION:
GW: ROTK
Winner: ROTK
Comment: I'm 6 for 11.
SOUND MIXING:
GW: ROTK
Winner: ROTK
Comment: I'm 7 for 12.
CINEMATOGRAPHY:
GW: Master & Commander
Winner: M&C
Comment: Hey I even won in a tech category where ROTK wasn't nominated. I'm 8 for 13.
SOUND EDITING:
GW: Pirates
Winner: M&C
Comment: Oh, well. I'm 8 for 14.
ORIGINAL SCORE:
GW: Shore
Winner: Shore
Comment: Duh. I'm 9 for 15.
ORIGINAL SONG:
GW: Into the West
Winner: Into the West
Comment: Okay, now I've heard all five songs. Sting's song seemed really great. But at the time I'd ONLY heard Into the West. I liked it, so I picked it and it won. I'm 10 for 16.
Documentary Feature:
GW: no pick
Winner: The Fog of War
Comment: I'm 10 for 17.
DOCUMENTARY SHORT:
GW: No pick.
Winner: Cherno0byl Heart.
Comment: I'm 10 for 18.
FILM EDITING:
GW: ROTK
WINNER: ROTK
Comment: I'm 11 for 19.
MAKEUP
GW: ROTK
WINNER: ROTK
COmment: I'm 12 for 20.
COSTUME:
GW: ROTK
WINNER: ROTK
COMMENT: I'm 13 for 21.
ANIMATED SHORT:
GW: no pick
winner: Harvie Krumpet
Comment: I wonder now if I did see that Ice Age short somewhere. Like on the DVD maybe? Doesn't matter. I know a lot of people were routing for Roy to win. Wonder what he would have said? High road or low road? Anyway, I'm 13 for 22.
LIVE ACTION SHORT:
GW: Two Soldiers
Winner: Two Soldiers
Comment: I think this was the single award that I had the most invested in. Turns out it was favored. I had no idea. It was the only short I had seen, but I went out of my way to see it because "Two Soldiers" by William Faulkner is my all-time favorite short story ever. The movie isn't quite as good as the story, but it definitely does it justice. I was so happy when it won. And I'm 14 for 23.
VISUAL EFFECTS:
GW: ROTK
WINNER: ROTK
Comment: Final tally: 15 for 24.
Eleven of those fifteen were the ROTK sweep. The other four were for Two Soldiers, Nemo, Translation's script and M&C's Cinematography.
Of the nine I missed, five were in categories I made no pick whatsoever, per my self-imposed rules. One of those five plus three other misses were in acting categories, where I hadn't seen the winning performances, so couldn't vote for them. That means that the only category where I feel I really "guessed" wrong was in Sound Editing where I went with Pirates over M&C.
Not too shabby.
Wanna hear about my day?
Keep in mind I usually go to bed at about 2am. Last night/this morning was no exception. I had to set the alarm for 4:30am in order to get to the airport and get through security (which is ever-mutating and unpredictable) in time to catch my flight outa this burg.
Did I mention that today is Friday the 13th?
I'm not usually superstitious about Friday the 13ths, because my wife was born on a Friday the 13th, so I kinda consider it a lucky day for me.
But my flight was cancelled. Not delayed. Cancelled. Some equipment malfunction and no back-up plane to take it's place. The current plan is to try again tomorrow. Wish me luck.
So anyway, came home and we decided to go to the movies: "MIRACLE".
Many of you are too young, but many of you are old enough to remember the 1980 Winter Olympics and the "Miracle on Ice" U.S. victory over the unbeatable Soviet Union team. I was 16 and saw the game on ABC. My father had also only recently bought our first VCR, and we actually have the game on tape.
This movie brought back SO many memories. It is incredibly well-made, and Kurt Russell is amazing in it. The truly phenomenal thing about the film is that I knew exactly how it was going to end, but I was nevertheless on the edge of my seat the entire time. Not as seat-edgy as I was 24 years ago, of course, when I DIDN'T know the outcome, but still...
I recommend this film to anyone, whether or not they are interested in hockey.
Meanwhile, I have a headache and am, for obvious reasons, quite tired. So if I start to ramble, well...
Last week I had three celebrity sightings over a three day period.
Saw what's-his-name (I'm blanking out) the Quantum Leap guy who plays Jonathan Archer on Star Trek Enterprise at the Yellow Balloon, which is a kid's haircutting place. I was there with my two kids. He was there with his two sons. (Or at least I assume they were his sons.)
Later that afternoon, I saw Nancy Travis from "Becker". I was at a bowling alley with my two kids. She was at the alley with her son. (At least I assume it was her son. Maybe she traded kids with Archer for the day.)
Two days later, I saw Melissa "Laura Ingalls" Gilbert at Jamba Juice. She's currently the president of the Screen Actors Guild. She's about my age. She ordered a smoothie. The Jamba guy asked her what size, and I wanted to say "Give her a half-pint." But I figured she didn't need that joke from me. And it wasn't that funny anyway. My kids weren't there. Neither were hers or Archer's.
Disney. I probably shouldn't comment on this AT ALL.
I'm afraid I'm not one of the big Eisner-bashers. I worked for him during the Eisner/Katzenberg team-up years. And I'm not saying it was a piece of cake, but I had to pitch to the man once every six months, and I have no complaints about that era. He bought Gargoyles afterall. Course, I had to pitch it to him three times, but he still let us make the show. And for me personally, things got worse when Eisner STOPPED making the final decisions about which shows Disney TV Animation should make. Back then, when he gave the green light, other divisions either got on board or got out of the way. Now, all decisions are made by committee. I don't envy TVA's current execs and creative types. It's much harder to get a green light. And much harder to get a show made. The buck of course ultimately stops with Eisner -- even for this new way of operating, but people bitch about his micro-managing. And he never did that to us. But his complete removal from our process created a system which I think is arguably much worse.
In a war between Eisner and Roy Disney, it's hard not to want to side with the guy who literally carries the Disney name. But I have to admit that my Disney concerns are more parochial. The division I'm still (after all these years) most interested in is the TV Animation Division that (I like to think) I helped build with guys like Gary Krisel, Bruce Cranston, Jymn Magon, Tad Stones, Karl Geurs, Alan Zaslove, Tom Ruzicka, Michael Webster, etc. And frankly, I just don't know what Roy thinks of our old stuff. I know that back in the day, he WOULDN'T let us use characters like Mickey, Donald, Goofy, etc. He didn't think we could do them justice, I guess. He didn't stand in the way of a show like Gargoyles, but I never once heard an attaboy from him. And I did from Eisner.
Does that mean anything ten years later. Probably not. But it makes the whole sitch kinda gray and murky for me loyalty -wise.
But in a war between Eisner and Comcast? Well, I have no idea what would truly be best for the company, but it would be hard for me to see Disney lose it's independence and become merely a subsidiary of a larger conglomerate... and frankly aren't these conglomerates LARGE A DAMN NUFF ALREADY?
I don't have the answers to any of this.
Disney vs. Pixar. Or more accurately Eisner vs. Jobs. Again, hard not to want to side with Jobs, but I've been reading the Business sections on this, and Jobs seems to have made the deal impossible to make financially. Now the reason he may have done this may be because Eisner pissed him off beyond the ken, I have no idea, but there was no way anyone acting in Disney's fiduciary interest would give up 50% share of two Pixar movies in exchange for an on-going relationship with Pixar that would only have amounted to fixed Distribution fees. That just doesn't make financial sense to me as a Disney *but not a Pixar* stock holder.
I'm tired and murky. And you know what, I didn't see Brother Bear, but my kids liked it. And I LIKED TREASURE PLANET!!! Quite a bit, actually. So I wish people would stop knocking the movie. I think Disney botched the marketing on it and then sabotaged the thing by writing it off after one weekend before word-of-mouth even had a chance to help them off.
I'm bummed that Disney dismantled it's Tokyo Animation division. For personal reasons, that bums me out more than what they did in Florida and even to their Burbank Features staff. But it's all a bad sign.
Just depressing.
I'm not even coherent now, am I ?
I'll stop rambling and try to answer a couple questions.
See you next week ... unless the plane doesn't take off again tomorrow.
Heading out of town...
I'll be out of town tomorrow and all next week.
No internet access while I'm gone, so I'll be back here at ASK GREG on 2/23/04.
Have a great Valentine's Day,
Greg
LAST NIGHT'S CHAT
I'd like to thank everyone who participated in last night's chat.
Props especially go out to Mooncat for moderating and logging the thing.
To Matt for suggesting it (more-or-less) in the first place.
And for Gorebash for hosting it.
Finally, I'd like to send a personal shout out to "Beth Maza". I had forgotten that that was your screen name, and I'm afraid I was so busy answering questions that it didn't register when you came in the room. Of course, I remember you and your REAL name.
Beth Maza was the con-chair for the very first GATHERING in Manhattan in 1997. She almost single-handedly organized the convention and got me there (against all odds, I should add). We all owe her a huge debt of gratitude. Me most of all.
Next to Gorebash, no one besides Beth did more to bring me into the fandom at the beginning. Thanks. (And I hope you see this.)
FEELING CHATTY...
Hey gang,
Just letting everybody know that I'll be stopping by the Station 8 Chat Room (http://s8.org/chat/gargs/) on Thursday, February 5th, 2004 from 4pm-6pm PST (that's 7-9pm Eastern).
Hope to see you all then.
OSCAR NOMINATIONS
This is an interesting exercise for me. One which mostly demonstrates how few movies I get to see.
The Oscar Noms came out and are in today's paper. So I'm going to list my choices.
But here's the main rule. I can only choose from movies I've actually seen. The result is that there are entire categories (including at least one major category) that I can't vote in at all:
Supporting Actress
Foreign Language Film
Documentary Feature
Documentary Short
Animated Short
Of course, I reserve the right to make changes later if I see more movies. Also, these are NOT predictions. I'm not trying to guess who the Academy will chose. I'm simply stating my preferences...
PICTURE: THE LORD OF THE RINGS: THE RETURN OF THE KING
Haven't seen Mystic River or Seabiscuit. Didn't care for the tiresome Master & Commander. I enjoyed Lost in Translation, a movie which snuck up on everyone, but I don't think it was quite as good as everyone said. I'm sorry that The Cooler didn't get nominated, but in any case it's hard not to vote for LOTR: Return of the King over either Master or Translation. I think that both of the first two movies were better than the third, but as I've stated, this isn't a Return of the Jedi scenario. This is an amazing movie on every level. The bar was set incredibly high by Jackson's first two films. And he still made it over by any reckoning.
ACTRESS: Keisha Castle-Hughes, WHALE RIDER
Well, I haven't seen In America, 21 Grams, Monster or Something's Gotta Give. So Keisha was my only option. But that's okay. I wasn't too wild about the 2-D movie, but the kid was great. Doubt she'll win, but, hey, I'm routing for her.
ACTOR: Johnny Depp, PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL
Haven't seen Mystic River, Cold Mountain or House of Sand and Fog. That leaves Depp in Pirates and Murray in Translation, both terrrific comic performances. I'm choosing Depp, the more obvioulsy comic turn, because (a) comedy is rarely rewarded by the Academy and like to break that barrier and (b) as good as Murray is, he's kinda playing himself. But this was a VERY tough choice for me.
SUPPORTING ACTOR: Alec Baldwin, THE COOLER
Haven't seen 21 Grams, In America, Mystic River or the Last Samurai so all that leaves is Alec in Cooler. But even more than Keisha above, I'm thrilled to have Alec as my choice. I saw The Cooler this past Saturday and REALLY loved it. William H. Macy and Maria Bello are also brilliant in it, but I'm not at all surprised that Baldwin was nominated. He's a great actor.
DIRECTOR: Peter Jackson, RINGS: KING
Haven't seen Mystic River or City of God. Didn't care for Master & Commander. Liked Lost in Translation, but Jackson's efforts on Return of the King are stunning.
ADAPTED SCREENPLAY: Walsh, Boyens, Jackson, LOTR: ROTK
Havent's seen American Splendor, City of God, Mystic River or Seabiscuit, leaving Rings my only option. But again, I like the screenplay so it's a fine choice. Looking forward to the extended version though.
ORIGINAL SCREENPLAY: Coppola, LOST IN TRANSLATION
Haven't seen Barbarian Invasions or Dirty Pretty Things or In America, which leaves me a choice between Lost and Finding Nemo. No contest. Nemo is a cute little movie, but it's far from being my favorite Pixar script. Translation is fascinating.
ART DIRECTION: Hennah, Lee, LOTR: ROTK
Haven't seen Girl with a Pearl Earing, Last Samurai or Seabiscuit. Which leaves me with a contest between LOTR and M&Commander. This was actually a tougher call. I didn't care much for M&C, but it looked damn good. But I think LOTR was a greater overall achievement.
ANIMATED FEATURE: FINDING NEMO.
Haven't seen Brother Bear or Triplets of Belleville. So that leaves Nemo only. Again, not a brilliant film, but it has some brilliant stuff in it, so I can vote this way with a vaguely clear conscious.
CINEMATOGRAPHY: Boyd, MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD
Haven't seen City of God, Cold Mountain, Girl with a Pearl Earing or Seabiscuit, which leaves only M&C, which again looked great. So, fine.
SOUND MIXING: Boyes, Semanick, Hedges, Peek, LOTR: ROTK
Haven't seen Samurai or Seabiscuit, but it leaves three great choices, M&C, ROTK and Pirates. I'm gonna give the edge to ROTK. I seem to be sweeping with them. Can't help it. Note that Christopher Boyes is up for bother Pirates and Rings. That's pretty good odds, but an even bigger bummer, I'd imagine, if he loses.
SOUND EDITING: Boyes, Waters, PIRATES
Boyes is looking good for some award. Sound editing on Nemo, Pirates and M&C were probably all great. But I have a softer spot for the fun of Pirates. One of the few categories where I HAVE seen all of the nominees.
ORIGINAL SCORE: Shore, LOTR: ROTK
Haven't seen Big Fish, Cold Mountain or House of Sand & Fog, which leaves Howard Shore's brilliant ROTK work and Nemo, which was just okay.
ORIGINAL SONG: "Into the West", Walsh, Shore, Lennox, LOTR:ROTK
Well, I'm a big Annie Lennox fan to begin with, and the song was very moving to me, so this is an obvious choice. Throw in the fact that I haven't seen Mighty Wind, Cold Mountain, Cold Mountain or Triplets and it was also my only option. The good news is that so far, there hasn't been a category where I have declined to pick a winner because I only had one option. So far, even in categories with only one option, I've genuinely liked that one option.
COSTUME DESIGN: Dickson, Taylor, LOTR: ROTK
Haven't seen Girl with Pearl, Samurai or Seabiscuit, which again leaves M&C and LOTR. Went with LOTR for cause. Great costumes across the board.
FILM EDITING: Selkirk, LOTR: ROTK
Haven't seen City of God, Cold Mountain or Seabiscuit, leaving YET again M&C and LOTR. No brainer. Half the time in the M&C battle scenes I couldn't keep basic track of who was doing what.
MAKEUP: Taylor, King: LOTR:ROTK
Another of the categories where I have seen all the nominees. Pirates had great make-up, truly. And I came very close to giving this one to Pirates. But just that one Orc was so damn good, and he was just the tip of the iceberg. M&C is also in the running, but why?
LIVE ACTION SHORT FILM: "Two Soldiers"
I haven't seen the other four options, but I have seen Two Soldiers, based on a William Faulkner short story that just happens to be my all time favorite short story ever. I made a point of seeing this short and was not disappointed. It's really great.
VISUAL EFFECTS: Rygiel, Letteri, Cook, Funke, LOTR: ROTK
And the last of three categories where I've seen all the nominees. Any other year and Pirates (but not M&C) would have challenged for this award. But ROTK, right?
So what's the final tally...
11 for LOTR: ROTK, including picture, director, song, score, screenplay and a half-dozen tech and craft awards. I think that's a clean-sweep. And I'm not generally a sweepy kinda guy. But the true geek in me has been awakened by this trilogy.
2 for Pirates, including Depp's brilliant performanceand a tech award.
1 for WHALE RIDER's kid actress.
1 for THE COOLER's Alec Baldwin.
1 for LOST IN TRANSLATION's keen screenplay by Sofia Coppola.
1 for FINDING NEMO. Best animated feature, won perhaps by default, though I liked the movie.
1 for MASTER & COMMANDER for cinematography, another default win perhaps, though it certainly looked gorgeous.
1 for "Two Soldiers", a personal favorite that may be the award I'm most routing to be right about.
And then five categories where I couldn't vote at all.
That's it.
Bye.
Stuff...
ASK GREG isn't exactly a BLOG. I'm not always sure what's appropriate to put here...
For example, I had a weird thought last night. It occured to me that I'm old enough (based on my sexual history) to have a 22-year-old child. (My actual kids are 9 and 6.) That freaked me out. But I'm not sure it's appropriate for this forum. Still -- I guess it doesn't hurt to be advocating protected sex over unprotected sex, right?
(I know that's gonna come back and bite me on the ass. I just know it.)
Saw RETURN OF THE KING. And I really, really liked it, although I didn't really, really like the first hour. Overall, I enjoyed the first two movies more, but don't get me wrong. I'm not comparing this to the awful Return of the Jedi, at all. I still loved it, and I can't wait to see the extended version.
I do wish there had been some mention of what the dwarves were up to. And some indication of where the elves went who fought at Helm's Deep. How come they didn't lend a hand in Gondor? Even a line of dialogue would have been helpful to me.
The movie that actually caught me by surprise was PETER PAN. I really liked it a lot. It's so melancholy and bittersweet. Peter looked terrific (and was about 50/50 on the acting). Some things may have been a bit on the head, but it's Neverland, not Subtletyland. Just to be clear, I'm not saying it's a better movie than LOTR, but I thought the reviews of Pan were way harsh.
HATED CHEAPER BY THE DOZEN. But there was one VERY FUNNY scene in it when the twins confessed. Otherwise, as a dad, I thought the message it sent was EXTREMELY dubious -- and extremely unrealistic.
Had a great vacation. Hope you all are having a happy new year.
Random stuff...
Random ramblings before I go on vacation...
*I am DYING to see "LORD OF THE RINGS: Return of the King". I can't believe how much I want to see this movie. It has been ages since my geeky self has been this desperate. I literally can't remember the last time I so NEEDED to see a movie.
*I bought both extended DVDs for the first two films. (The first one, a year ago of course.) Honestly, what I really can't wait for is the Extended version of Return of the King, but since that's a year off, I'll settle for seeing the "short" version on the big screen. All I can say is that I hope to hell that there's a movie theater on Marco Island, and if so it damn well better be playing ROTK. (And that's right. I'm cussing! Oh, don't look so shocked.)
*I'd like to see a music video featuring Demona to Dido's
"White Flag".
*I'd like to see a music video from Goliath's POV -- but featuring Elisa -- of "Amazing". (I think that's the title. I'm not sure who the artist or band is.)
*I've seen an interview with Peter Jackson saying that originally -- a long time ago -- he wanted to make "The Hobbit" but found that the rights were a mess. He wanted to make "The Hobbit" to demonstrate that he could do "Lord of the Rings". But discovered that the rights to the latter were free and clear, so switched his ambitions to the LOTR, which he wanted to make as TWO films, as he felt he couldn't do justice to the story in one film. Thank God, he got to make three. And, yes, I'm desperately hoping that after "King Kong" (which I'll trust him on, since he's earned that trust, but if ever a movie did NOT require remaking...) he'll do "The Hobbit" as a prequel with the Ians and JR-D and Serkis.
*I can personally vouch for the rights to Hobbit being a mess. When I was a development exec at Disney -- and again, later, at DreamWorks -- we looked into acquiring the rights to do a new animated Hobbit Movie. The rights were hopelessly mired. I understand it isn't quite as bad now. But at the time, a huge number of people/groups had a claim (some more legitimate than others) to the thing. After looking into the situation, my boss wouldn't touch the thing with a ten foot pole.
*I'd really love to do a WWII Blackhawk movie someday.
*Last week, I saw a short film based on William Faulkner's short story, "Two Soldiers". This is my all time favorite short story EVER. I highly recommend it. HIGHLY. And the movie was pretty darn good too. The kid was amazing.
*Saw Clancy Brown again today at a recording session. He kicked ass, as usual. I'd love to tell you what he played, but I honestly don't know if it's confidential or not, and I don't want to get in trouble. Hopefully, I can talk about it soon. I'm not sure he remembered me though, which was a little depressing.
*Saw George Segal walking down the street in Beverly Hills. He didn't seem to remember me either. Of course, we've never met.
*Saw Diane Lane and Christopher Lambert tonight at my daughter's school "Winter Program". They're kid goes to the same school. I've never met them either, but I'd love to ask them what it was like working with Sir Laurence Olivier ("A Little Romance") and Sir Ralph Richardson ("Greystoke"). I wonder if it would bug them that the movies I'm MOST interested in are more or less the first one's each of them ever made.
*I realize I'm intentionally name-dropping. And I also realize it's kind of obnoxious. But, hey, I live in L.A. and I work in the biz, sort of. So I might as well go all out. I also met Steve Harris ("The Practice") and Ming Na ("e.r.") at the Recording session today. And I saw Rino Romano (Johnny Rico from "Roughnecks: Starship Troopers"). Rino, at least, remembered me, thank god.
*The funny thing about LOTR and my passion for the movies is that I'm not a massive Tolkien fan. I read the Hobbit and the Trilogy when I was in my early teens. And I liked them all right. But I wasn't rabid about it. And I could never get through the Silmarillion, though I tried at least three times. I reread the Hobbit to my kids about two years ago. And again, I liked it. But I TOTALLY LOVE THESE MOVIES. Totally obssessed!
*I ate way too much candy at the recording session today.
*It's been a long time since I really rambled on this site. It's been fun. Have a great holiday, guys.
Seeya soon,
Greg
Happy Holidays...
Seasons Greetings everyone...
I'm heading out of town for awhile. I'll be back answering ASK GREG questions no later than January 5th.
Have a great holiday season.
Greg
A TOUCH OF CANMORE IN THE NIGHT...
For those of you who missed the controversy over the following set of questions... You're lucky.
These questions waited a long time in the queue, but were deleted...
What follows is a bit difficult to read, so here's a primer.
<Lynati lists topics -- or perhaps they are old questions -- inside these carrots.>
[She then quotes ASK GREG inside brackets.]
Then she asks new numbered and lettered questions inside parens, e.g. 1a).
MY NEW RESPONSES FOLLOW IN ALL-CAPS.
From Lynati:
I'm in a Canmore mood this evening. Err, morning.
<Of Fiona's relationship to Robyn and her siblings, posted at two different times>
[Fiona is the twin sister of Jason, Robyn and Jon's grandfather. That is, she's their great aunt.]
DID YOU CUT AND PASTE THIS QUOTATION OR RETYPE IT YOURSELF? DID I REALLY MAKE THAT GLARING AN ERROR, SUBSTITUTING JASON FOR JACKSON.
[But I'm pretty sure that Jackson is Fiona's twin brother. That Jackson was the father of Aron who was the father of Charles
who was the father of Jason, Robyn & Jon. And I know Fiona's great-grandfather was Angus.]
This second list would make her their great-great-aunt. When you have a chance, will you look it up in your Canmore-bloodline list and clarify for us:
(1a)Is she Jackson's twin brother, or Aron's?
THE TWINS, JACKSON AND FIONA CANMORE WERE BORN IN 1888.
(1b)How many "great"'s properly belong in front of her name in relation to Robyn?
IN 1908, JACKSON'S SON ARON CANMORE WAS BORN. FIONA WAS HIS AUNT.
IN 1936, ARON'S SON CHARLES CANMORE WAS BORN. FIONA WAS HIS GREAT AUNT.
IN 1964, CHARLES' SON JASON CANMORE WAS BORN. FIONA WAS HIS GREAT-GREAT AUNT.
IN 1966, CHARLES' DAUGHTER ROBYN CANMORE WAS BORN. FIONA WAS HIS GREAT-GREAT AUNT.
IN 1972, CHARLES' SON JON CANMORE WAS BORN. FIONA WAS HIS GREAT-GREAT AUNT.
<At the time of 'Hunter's moon' were Jason, Jon and Robyn Canmore the only descendents of Canmore? Do they have any other family out there that they are unaware of?>
[There are probably a lot of Canmore descendants. They probably know some and don't know others, just like anyone. But they were the three who had carried on the tradition of the Hunter.]
(2a)Were Robyn and her siblings chosen to continue the Hunter tradition, or did they get a choice?
THEY WERE CHOSEN. AND THEY HAD A CHOICE IN THEORY, BUT GAUGE THAT RELATIVE TO WHAT YOU SAW IN "HUNTER'S MOON".
(2b)As they were trained by the "Canmore clan", does that mean that a large part of the family knows about "the Demon" and
the pledge to hunt her down, or is it kept a secret from anyone not pledged on the Hunter path?
IT DEPENDS ON HOW YOU DEFINE "CANMORE CLAN". IF YOU'RE TALKING ABOUT ANY AND ALL OF THE DESCENDANTS OF DUNCAN & CANMORE -- THAN NO, I DON'T THINK MOST STILL KNOW ABOUT DEMONA. BUT IF YOU'RE REFERRING TO THE BRANCH OF THE CLAN THAT RECREATED THE HUNTER TRADITION, THAN YES, MOST KNOW.
(2c)Were any of Robyn's cousins (and second cousins, etc.) offered the choice to become Hunters, and if not, did they receive similar training anyway?
I TEND TO THINK THAT THE MANTLE OF THE HUNTER FALLS ALONG A DIRECT LINE OF DESCENT AS OFTEN AS POSSIBLE.
(2d)Was Fiona Robyn, Jason, and Jon's primary teacher and trainer?
NO. BUT SHE PARTICIPATED.
[But I've charted so many Canmores that I get confused sometimes, and I don't have that chart with me. I can't remember for
sure. Ask me again later. ]
[She [Demona] was hunted (a) because she was the only one left (as far as they knew) and (b) because of a little mishap with
Canmore and one of his sons that I haven't told you about yet.]
(3a)Will you tell us about all of the Canmore's you have charted at 2002 (or whichever con is "next" by the time this post gets
through), including the above-mentioned "incident" that you have not previously told us about?
NOPE.
(3b)If not, will you tell us about most of them?
NAH.
Hmm...maybe you should just sell copies of the Canmore family list at the Gathering.
IT'S A THOUGHT.
<So what happened in Paris, 1920 that was so significant to the Atlantis and Gargoyles universes? >
[Come to G2002 and find out.]
<origination of the word "Gargoyle".>
[The etimology of the word gargoyle goes back a long way. It evolved at least in part from an Atlantean word. That's all I want
to say at this time. But hold tight. More will be revealed at the Gathering 2002 in Virginia Beach.]
<Who created the Praying Gargoyle? >
[If you come to G2002, you'll find out.]
<How powerful is its magic?>
[Potentially, very powerful.]
(4a)So, was the Praying Gargoyle created on Atlantis?
IT WAS CREATED BY ATLANTEANS -- BUT I'M NOT SURE IF IT WAS LITERALLY CREATED IN ATLANTIS.
(4b)Did the first gargoyles develop on Atlantis?
NO. GARGOYLES PREDATE ATLANTIS. AS DO HUMANS.
(4c) What did you have for lunch today?
NOTHING. TOO BUSY ANSWERING QUESTIONS.
(4d)In 1920, were Fiona Canmore and Demona fighting over the possession of the Praying gargoyle?
NOT REALLY, THOUGH IT PLAYED A ROLE IN THEIR CONFLICT.
(4e)If yes, and the Praying Gargoyle was hidden this year, was there any particular reason that Demona had to wait 60
years to reclaim it, or did she just figure it was too good a hiding place to leave the statue in until she needed it?
THE PRAYING GARGOYLE WAS DESTROYED IN 1920. IT TOOK 60 YEARS TO REGENERATE.
And, while I'm here...
(5a)...Does Demona really "know every remaining gargoyle" as she claims in "the reckoning", or was this just another one of her "I am right about everything (and therefore there can be no more gargoyles than I know of)" delusions?
IT SEEMS CLEAR TO ME THAT SHE DOESN'T KNOW EVERY REMAINING GARGOYLE, AS SHE CLEARLY DOESN'T KNOW ABOUT AVALON.
(5b)Which clans is she actually aware of at the time she makes that proclamation?
I'M NOT GOING TO TIE MY HANDS BY LISTING THEM AT THIS TIME.
(5c)As Angela learned about Demona's immortality in "Sanctuary", why was she crying after Demona's "death" in the reckoning?
IT'S ONE THING TO KNOW SOMETHING INTELLECTUALLY, IT'S ANOTHER TO TRULY ABSORB IT. ALSO, AS I'VE STATED MANY, MANY TIMES BEFORE, THE MANHATTAN CLAN KNOWS THE BASIC RULES REGARDING DEMONA AND MACBETH, BUT THEY ARE NOT AS SURE AS I AM THAT DEMONA CAN NEVER BE KILLED EXCEPT UNDER CERTAIN CIRCUMSTANCES. THIS IS ALL NEW TO THEM.
(5d)Did Angela and Goliath honestly believe that Demona was permanently killed by the roller coster collapse/fire, even
knowing that Demona is only able to truly die at Macbeth's hands?
THEY JUST WEREN'T 100% SURE.
(5e) Was Angela not aware of that stipulation?
SEE ABOVE.
(5f)Since Goliath knew, did he deliberately keep the knowledge that Demona would survive from Angela?
SEE ABOVE.
(5g)Have I forgotten something that makes a flaw in my reasoning here?
ONLY THAT YOU ARE THINKING IN ABSOLUTES. MOST PEOPLE (AND GARGOYLES) GO THROUGH LIFE WITH SOME DOUBTS, INSECURITIES AND UNCERTAINTIES. EVEN IF THEY ARE TOLD SOMETHING, THERE'S ALWAYS ROOM TO QUESTION IT.
Yes, I plan to attend the Gathering in 2002.
The last question is, will you have read this post by then?
OBVIOUSLY, NOT. BUT AT LEAST I GOT TO IT BEFORE G2004.
HAPPY THANKSGIVING...
Have a great holiday, everyone.
See you in December!
TOP FIVE POLL
As many of you know, I stopped by the Station 8 Comment Room last week, asking the fans to list the top five reasons that they were drawn to the Gargoyles series. My post received 470 responses in one week: pretty good on short notice.
The responses can be viewed at http://s8.org/gargoyles/cmntarch2.php. They'll be on that site through this coming Sunday
(11/23/03), at which point the room clears.
I copied and pasted the entire room over to a Word Document and found it to be nearly three hundred pages long and full of very
gratifying bites about the series, but it's a lot to wade through, so I put the following statistics together. [Note: some people gave more than five reasons, and many reasons overlapped. I just tried to count everything. But this is far from scientific.]
"WHAT ARE THE TOP FIVE REASONS THAT YOU ARE DRAWN TO THE GARGOYLES SERIES?"
Out of 470 Total Responses…
#1 - Characters.
An amazing 437 people cited the Characters and the series' complex characterization as one of their top five reasons for being drawn to the series. They discussed, often in great detail, how real and believable the characters seem, how detailed their backstories were, how major and minor characters grew, changed and evolved, and how complex they were, reflecting shades of grey. They liked the relationships/bonds/dynamics between the characters, as well. They even liked their names. 35 respondents specifically noted and appreciated the diversity of our cast (multi-racial and multi-species, and all of very different body types). 16 respondents noted our depiction of strong and non-stereotyped female characters. Another 35 respondents listed our villains as their favorites. Many individual characters were listed simply as examples, but many were also singled out by the fans, voted as one of their top five reasons for liking the show: Demona (39), Brooklyn (30), Xanatos (29), Goliath (23), Puck/Owen (22), Elisa (17), Lexington (13), Macbeth (9), Broadway (9), Bronx (7), Hudson (5), Thailog (5), Fox (4), the Mutates (4), The Pack (3), Oberon (3), the Tricksters (3), the Hunters (3), Angela (2), the Illuminati (2), Jackal & Hyena (1), Desdemona (1), Titania (1), the Clones (1), Una (1), Fang (1) and Matt (1).
#2 - Plot Development.
228 respondents listed the series' ongoing saga, its story arcs, as one of their top five reasons for liking the series. They liked its dynamism and twists. How stories built on past stories and presaged stories yet to come: the tapestry of events that created the Gargoyles Universe. In fact, 23 people specifically listed the "Gargoyles Universe" as one of their top five draws. 88 people specifically referred to Gargoyles' Continuity as being a plus. They liked, in essence, that the show had a memory - it made events more real and seemed to reward the fans for both sticking around and paying attention. It also encouraged them to watch episodes over and over to pick up tidbits that they might have missed on a first viewing. 18 also liked how actions had repercussions and consequences. 3 people praised the series' "epic scope". 6 talked about how it seemed to be filled with possibilities for yet more stories.
#3 - Literary, Mythological, Historical & Biblical References.
201 people loved the integration of various characters and concepts from myth, history, literature and the Bible. A whopping (and gratifying) 104 specifically mentioned all the various Shakespeare references and characters as being a plus. Many felt the show was educational, inspiring them to read Shakespeare's plays or study Scottish History, etc.
#4 - Animation.
199 people loved the series' animation. Many consider it the best or among the best that American television animation has ever produced. Many people compared it favorably with Japanese anime and Batman: The Animated Series. Two people specifically praised the pacing.
#5 - The Voice Cast.
158 people listed the voice cast and voice acting in their top fives. 38 people specifically mentioned that the presence of so many Star Trek actors in Gargoyles was a major initial draw. As with the characters, many individual actors were singled out by the fans in their lists: Keith David/Goliath (32), Jonathan Frakes/Xanatos (19), Marina Sirtis/Demona (15), Salli Richardson/Elisa (4), Michael Dorn/Coldstone (3), Edward Asner/Hudson (2), Jeff Bennett/Brooklyn (2), Jim Cummings/Dingo (1), Tim Curry/Sevarius (1), Thom Adcox-Hernandez/Lexington (1), Frank Welker/Bronx (1). Three of our international fans even praised the foreign dubs.
That takes care of the top five, but this'll fill out the top twenty:
#6 - Series Intelligence.
140 people specifically stated how much they appreciated how "smart" the series was. They liked that it was written on multiple levels so that it could be appreciated by kids as well as by teens and adults. That's one of the reasons why they're still watching it ten years later. They liked how Gargoyles respected its audience and its audience's intelligence.
#7 - Design.
122 people cited the show's design work and art style as part of their top five. They liked the looks of the individual gargoyles and the other characters as well, with 12 people actually praising how "sexy" the characters were. They liked the backgrounds and the overall look of the show. 12 people specifically gave credit to the series' color palette.
#8 - Writing.
76 people cited the series' writing for praise (this is in addition to those listed above who liked the characters, overall story arcs, literary references, etc.). They praised the writing's attention to detail, its substance, layers and intensity. 32 people praised how "believable" and "realistic" the show seemed, despite its fantasy premise. 28 specifically noted the mystery and intrigue, liking the risk-taking twists and turns that kept the audience coming back for more. 27 praised the show's humor and comedy (and one person even liked all the in-jokes). 24 specifically praised the dialogue. 11 praised the emotional depth. 5 praised its timeless quality. 3 praised its scary sequences.
#9 - Issues/Values/Themes.
71 respondents were impressed by Gargoyles ability to introduce real world issues and teach values without preaching. They cited episodes that dealt with gun safety, illiteracy, environmental concerns, etc. 24 people also specifically cited the shows pro-social themes, again noting how the show got its messages across without hitting the viewer over the head with them. Specific themes were even listed on occasion. 10 people hailed the idea of our using monsters as heroes and exploring the theme of "not judging a book by its cover." Four liked the show's theme of hope. Another four liked its theme of protection. One person listed "the fish out of water" theme. Another listed the theme of Family as being important.
#10 - Romance.
67 people responded to the romance in the show. In particular, the slow-boiling Beauty and the Beast relationship between Goliath and Elisa.
#11 - Core Concept.
65 people listed the core concept as one of their reasons. They liked the whole idea of medieval Gargoyles waking up in the modern world. They liked how fully realized the Gargoyles species was, from how they looked to how they acted, their history, culture and behavior. An additional 30 people specifically cited the series' "Originality".
#12 - Music.
62 respondents listed Carl Johnson's music score and opening theme as one of their top five reasons for liking the show. (Though one person was happy that there was no singing.) Many of the fans spontaneously requested that Disney release the music on CD. [Of course, many, many others noted that they would like to see the whole show on DVD.] 7 additional people listed "Sound" in general, including music and sound effects.
#13 - Multi-Genre storytelling.
62 individuals liked how the series elegantly combined multiple genres, including fantasy, science fiction, comic book action hero, comedy, drama, horror, etc. They liked how science went hand-in-hand with sorcery. They liked the use of magic and technology, time travel, robots, gods, monsters, etc.
#14 - Episodic Stories.
60 respondents praised the storytelling of individual episodes. How each was able to stand alone, while still fitting into the larger tapestry of the series' arcs. 17 people praised the stories from the Avalon World Tour set of episodes. Many individual episodes were also cited in the fans' lists: "Deadly Force" (9), "The Mirror" (6), "Temptation" (2), "Future Tense" (1), "M.I.A." (1), "Awakening" (1), "City of Stone" (1), "Hunter's Moon" (1), "The Edge" (1), "The Hound of Ulster" (1). One person specifically stated that he liked how not a single episode was filler.
#15 - Setting.
46 people cited the setting, usually the combination of medieval gargoyles in modern New York City. They liked how we depicted the city, how we got it right. Many people also enjoyed the flashbacks to medieval Scotland, and the World Tour episodes that took our cast to locations across the globe.
#16 - Atmosphere.
34 respondents praised the series' gothic atmosphere, running through the writing, design and animation.
#17 - Action.
30 people liked the action. The pure excitement - without being gratuitous.
#18 - The Fandom.
29 people noted that they were either drawn to the show or have remained with it at least in part because of the loyal fandom. An additional 20 found the show inspirational for their own creativity. Another 18 listed the show and its characters as "Aspirational" (although most didn't use that word). 14 more cited personal reasons for why the show was important to them. And it seems that we have many couples who met through the fandom, including multiple married couples who credit the series with bringing them together. 17 people were specifically impressed by the passion and dedication of the Gargoyles cast and crew and their participation in the fandom.
#19 - New for Disney.
28 people were impressed with the show simply for being something new and different for Disney.
#20 - Original Publicity.
11 people cited the series' original publicity for getting their attention and getting them to sit in front of their televisions in the first place. 5 more cited the old syndicated "Disney Afternoon".
That's pretty much it. There were a few other random and/or hard to qualify answers, but the above 20 reasons pretty much cover why the fans still love the series. I know all this sounds incredibly immodest coming from me, but all it takes is a quick skim of the fans' actual responses to see that I'm not exaggerating at all.
Thanks to everyone who participated...
Art Carney (1918 - 2003)
Growing up and living most of one's life in Southern California makes having a number of so-called "Brushes with Greatness" inevitable.
Sunday, I saw Tony Shaloub in Larchmont Village, but since I had recently seen him at Los Angeles International Airport AND spoken with him at Logan International Airport, I refrained from accosting him again, lest he think I was stalking him or something.
And just yesterday, I rode up an elevator with Florence Henderson, who looks great, by the way.
So the fact that I once met Art Carney is, in and of itself, not particularly remarkable. But his passing seems an appropriate time to relate this story.
In the mid-seventies, I was in Junior High. I read a LOT. I had somewhat eclectic, and geek-leaning tastes, but most of what I read were mystery novels, especially mystery novels that were part of on-going series. One such series was Harry Kemelman's Rabbi David Small mysteries. (This is a series that I highly recommend. The more recent books aren't quite as strong, but the original seven are terrific.) Each book's title began with the day of the week. And the first mystery was called, "Friday the Rabbi Slept Late."
One day, I came home from school and found that my street was, as they say, "bustling with activity". An army of humans and trailers and equipment had descended on Queen Florence Lane. In the seventies, in the San Fernando Valley, this was still something of a rarity. But in any event, I was fascinated. They were filming a movie in and around the house directly across the street from ours.
Soon, I discovered that the movie was a telefilm called, "Lanigan's Rabbi". It was an adaptation of "Friday the Rabbi Slept Late." I'm not sure how I managed this, other than persistance and the chutzpah that comes with not knowing anything at all, but I kept telling people that I had read the book that the movie was based on. At some point someone grabbed me and introduced me to the director. I have no idea if he was humoring me or truly interested, but he asked me a number of questions about the original novel, claiming that he -- and that in fact NO ONE on the set -- had actually read the thing. There were, I was told, certain things in the script that weren't tracking for him. So I answered his questions and told him how the mystery played out in the book. He took it all in and seemed grateful for the insight.
In any case, he then did something fairly astounding. He let me hang out. That's it. But I was allowed to watch filming. I was allowed to get food from the catering truck. I was allowed to sit with the actors and talk with them. Now, this couldn't have gone on for very long. It's not like I was employed by the movie company or anything. I didn't follow the shoot to its next location. But they spent at least three or four days in the cul-de-sac where I lived. They gave me a copy of the shooting script, which I then had autographed by the movie's two leads.
One of those leads was Stuart Margolin, who's probably most famous for playing "Angel" on THE ROCKFORD FILES. "Lanigan's Rabbi" wound up spinning off into an on-going series, and for some reason Margolin didn't end up playing Rabbi Small in the series. But he was terrific in the movie. And he was an extremely nice guy, who didn't seem to mind chatting with a thirteen-year-old, who was hanging around the set.
But the part of Police Chief Lanigan was played by Art Carney. Now Art Carney is a certified genius. Emmy winner. Oscar winner. Of course his performance as "Ed Norton" in THE HONEYMOONERS is nothing short of brilliant. His on-screen teaming with Jackie Gleason, a match-made in sitcom heaven. Among other things, Ed Norton was the clear inspiration for any number of cartoon characters, ESPECIALLY "Barney Rubble". People often forget, however, what a wonderful dramatic actor Carney was. How he brought a touch of humanity to every role he played. Rod Serling knew this. Art is unforgettable as a drunken department store Santa in "The Night of the Meek" episode of THE TWILIGHT ZONE. A part that Serling wrote especially for Carney. He is also truly wonderful in a number of movies: "Harry & Tonto" and "The Late Show", among others.
I knew almost none of this at the time. I didn't even know Ed Norton. In New York, the Honeymooners has probably NEVER been off the air, but Los Angeles was and is an I LOVE LUCY town. It would be nearly a decade before I would move to New York and learn to appreciate Ralph and Ed and Alice and Trixie.
What I knew at the time, all I knew at the time, was that this was a big time star -- in the middle of shooting a movie -- who spent time with me. Time by the catering truck. Time on the set. He explained how things worked. He explained why things were done the way they were done. He was just so damn nice -- nice enough that as ignorant as I was -- I didn't take it for granted. It impressed me even then.
A few days later, they were gone. Stuart, Art, all of them. The movie finished shooting in my neighborhood and moved on. Some time later, the movie went on the air. We didn't have a VCR back in those days, so I don't have a copy. I followed along on my shooting script and took note of all the little changes in it. It seemed to me (though I might have been seriously kidding myself) that the final version of the film leaned a bit closer to the original novel than the shooting script in my hand. I was certainly kidding myself when I took credit for that somewhat dubious conclusion. And without a doubt the coolest moment was watching Rabbi Small and Chief Lanigan (Stuart and Art, as I called them) walking down the hill of my street and turning a corner and suddenly being at the Rabbi's Temple. There was no temple around the corner from Queen Florence Lane, but the transition was so seamless, it seemed miraculous. A true bit of movie magic before I understood movie magic. Before I was even vaguely jaded.
I just now spent a half hour looking for that shooting script. I couldn't find it. I hope it turns up eventually. I'm sure I wouldn't have thrown it out, but there's a good chance it was in one of my boxes that was in my parents' basement, part of my past which was destroyed by a flood caused by the Northridge Earthquake. I hope not. I haven't thought about any of this in years, but now it's something I'd like to revisit in more detail.
I wrote about Bob Hope a couple of months ago, when he passed, and I suppose this is a very similar kind of tribute. Others will, I'm sure, write more important, more personal and more informed things about Art Carney in the next few days. But I wanted to add my bit.
Not just for the incredibly talented performer, a loss we should all feel, though not too intensely as he has achieved a meta-Xanatosian immortality through the many great performances we will always have to rewatch time and again. And not for the friend and/or family member, because he was none of these things to me, and I was none of these things to him.
But oddly, I wanted to write a tribute to the stranger. To the nice man, who was patient with a dopey know-it-all kid. He was warm and funny and made me feel welcome.
And for that I am truly grateful. Thanks, Chief.
THE TOP FIVE REASONS YOU WERE DRAWN TO GARGOYLES
Yesterday, I made the following request at Station 8's Gargoyles Comment Room:
Hey everybody,
I really need some help. Without going into details about the why, I'd love to get the answer to the following question:
"WHAT ARE THE TOP FIVE REASONS THAT YOU ARE DRAWN TO THE GARGOYLES SERIES?"
We don't need fancy answers -- and of course there's no right or wrong answers -- so don't feel like you need to compose elegant
responses. Just RESPOND, please.
Also, please, spread the word around and have as many fans as possible stop by THIS WEEK and give their answer right here at the S8 Comment Room. It would be much appreciated. Very much appreciated.
Thanks in advance,
Greg Weisman
The responses so far have been very gratifying. I'm particularly impressed with how many people have stopped by the Comment Room that usually don't.
But (with good reason) I'm greedy. I'd like to get even more people to stop by. So please SPREAD THE WORD. E-mail/telephone/snail mail anyone you know who was EVER a GARGOYLES fan and ask them to stop by the Comment room and post their own personal top fives. We really, really, really need something akin to 100% participation.
Here's the address:
http://s8.org/gargoyles/comment2.php
Thanks again,
Greg
CHAT
I'll stop by the Station 8 CHAT ROOM this Friday, November 7th, 2003 at 4pm PST. (That's 7pm on the East Coast. The rest of you figure
out your own time zone.)
Please spread the word. (Nothing's more depressing than when the so-called "pro" stops by and there are no fans who want to chat.)
Maybe we can get a big crowd and hang for a bit.
Hope to see you there,
Greg
Chapter XLIV: "GRIEF"
Time to ramble...
I watched "Grief" the other night with my wife Beth, my nine-year-old daughter Erin and my six-year-old son Benny.
This episode was directed by Kazuo Terada & Takamitsu Kawamura, story edited by Michael Reaves based on his story. The teleplay is by Michael and Brynne Chandler Reaves.
Though Brynne co-wrote the teleplay, this strikes me as a VERY Michael episode. I remember how excited he was to be using the Tanna Leaves and the Avatar, plus all those other references to Thoth, Osiris, Isis and Set. I think it was something he had wanted to do on a Batman episode, but it hadn't survived someone's interference (my memory is hazy). But these MUMMY trappings suited our purposes perfectly. The Tanna leaves even gave Hyena hay fever.
The one word title, as usual, was one of mine. I liked it because it had that double meaning, covering the Emir's grief over his son, and all the grief (trouble) that this was causing. I have a vague memory that Michael wasn't thrilled by the title, but, hey, I gave him his Tanna Leaves...
One of us had Wolf speak to the second meaning in the episode when he says he's tired of the Gargoyles giving the Pack grief. Just to give things a bit of clarity.
THE PACK
The new Coyote 3.0 surfaces, complete with a slightly new design and that now iconic Xanatos robot head (smashed in his last appearance) displayed on a video screen. (Goliath mentions seeing it, although in the ONLY scene where Goliath could have seen it, it's not visible. Arggh...)
The new Coyote design obeys Frank Paur's general rule of robots, which states that if you're not trying to fool anyone into thinking that the robot is actually a human being, then the design should clearly be inhuman enough so that you'd never think it could be a guy wearing an armored suit.
Coyote's an odd bird in many ways. So like Xanatos, but without his drive and with more of a vengeful nature. Programmed in, I believe, so that he doesn't let anyone or anything stand in the way of X's missions. He's got some fun lines ("Shoot first and ask questions later."), in particular his exchanges about the chain of command...
Coyote: "I'm not programmed to kill without orders.
Wolf: "I'm giving the order!"
Coyote: "You don't qualify."
or
Coyote: "Is that an order?"
Emir: "YES! Get rid of them!"
Coyote: "Cheerfully."
Hyena continues to be attracted to a Coyote that doesn't seem interested but also never closes the door on the possibility of hooking up with the cyborg. ("Wanna make sparks fly?" "Later, perhaps.") It's sick and twisted and hard to get your head around, but it sure is fun, culminating with her wonderful complaint to her brother after Jackal destroys Coyote: "Every time I meet a guy I like..." (I also like those buzzsaws on her arms.)
It's important to note that Dingo is already missing from the group. Clearly, during and after "Upgrade" he was rethinking his association with the other members. This doesn't bode well for the Pack as a unit. They're already talking about going their separate ways after the Emir's work is through and are only still together because they owe Xanatos for busting them out of jail. After this, Wolf will head to Scotland, answering the call of his ancestor Hakon. Jackal & Hyena will take a job with Cyberbiotics and head for Guatemala. Dingo will go to work for Fox in his native Australia. Coyote 4.0 will be rebuilt and head for Arizona with Xanatos.
So "Grief" is the Pack's swan song -- that is until a new Coyote forms the Ultra-Pack with Wolf, Jackal & Hyena and a new member... someday...
THE EMIR
To be perfectly honest, the Emir entered the Gargoyles Universe as a throwaway line of dialogue to indicate how powerful Xanatos was in "The Edge". If he could keep an Emir waiting, X must be a real bigshot. But Michael and I remembered the line, and used the Emir again as a semi-throwaway in "Double Jeopardy". But by that time, I think we might have already known we'd be seeing him on the World Tour. It's just an example of how the Tapestry seemed to be working for us. Creating opportunities that were so right, it almost seemed as if we were truly tapping into the Gargoyles Universe. How many of you were surprised to see the Emir actually appear?
The Emir was a very successful and poignant character (at least in my opinion). I give most of the credit for that to actor Tony Shaloub and Voice Director Jamie Thomason. Not to knock our wonderful designers and animators who brought that voice to life. But let's face it, he's just a guy in a robe. Now over the course of the ENTIRE production of Gargoyles, I would say that I only missed two voice sessions EVER. But one of them was this pick-up session with Tony. NOW, of course, everyone knows that Tony is an Emmy-winning brilliant actor of movies and television. I just love MONK. But back then, the only thing that Tony was really known for was the Italian immigrant cab driver on WINGS. Pretty cool in and of itself, of course. But having missed the session, I was unprepared for just how wonderful he was as the Emir. Everything from the grief-stricken sighs to the bursts of anger are just wonderful.
And while we're on the subject of voice, how about that other Tony, Tony Jay, as Anubis. He's delicious in three different personae -- as the neutral and imperious Anubis, as the crazed Jackal/Anubis and as the exhausted Emir/Anubis. That vocal effect we did of having both actors (Tony & Tony or Tony & Matt Frewer) read the Avatar lines and blending them together was a bit of accidental brilliance, in my opinion. I'm also glad that they do NOT quite synch up. It's better. The lines basically fit, but they ebb and flow around each other like the magical melding it's supposed to be. It was a bit of a bitch to mix, but I love it.
But I digress. The Emir's heartbroken love for his son is, I think, one of the cleanest and most purest emotions (unencumbered by too much fantasy) that we ever presented. Something very real. When the Emir first pulled out the photo of his son, Erin said "Who is that? Is that his son?" She immediately knew the photo had meaning. (Again, Tony's big sigh really helped.)
And at the end, we (along with Goliath) really hope that after gaining true understanding upon becoming Anubis' Avatar, he is now at rest with his son.
JACKAL
Jackal also truly comes into his own in this episode. I love how he flat out has a thing for jackals. How he admires the Anubis hieroglyph and Anubis himself, calling him "The original model". It's cool and creepy. We also truly get to see Jackal as a sociopath here. I think I've mentioned before that I view Hyena as a psychopath and Jackal as a sociopath, i.e. someone with enough sense to know he's got to do his evil within a schema that allows him to get away with it. But what happens when you free the sociopath from all restrictions. What happens when you give him (Matt & Tony, remember) the powers of Death itself? Well, you see what happens. People die. Lots of them, in theory.
Getting away with that was interesting. I think maybe in Adrienne Bello's mind, everything was set right. Or the fact that we see that Egyptian town age into a ruin didn't count because we weren't seeing ANY human beings die. But we had much more trouble getting those two skeletonized crocs past her than the implied death of an entire town. Misdirection. Or she was just being cool. Or both, i.e. she thought the misdirection was sufficient that she COULD be cool.
I love when Jackal/Anubis says: "Life and Death at my command. I LIKE it!" I also like that he's smart enough and sociopathic enough to co-opt the most dangerous guy in the room: The Emir. The Emir? you ask. Well, yes, it's the Emir who does in fact end up defeating him by rereading the scroll. And Jackal keeps the Emir in his place by holding out the hope to him that he will restore his son.
SPHINX
Seriously, how could we not go to Egypt on the World Tour. How could we skip visiting what Angela refers to as the World's Biggest Gargoyle. So we stuck a fictional temple inside it -- and then trashed it. I think dedicated archaeologists must hate our show, because we're constantly trashing these amazing hidden chambers of antiquity. Maybe I'm getting older or something, but I find myself wincing everytime Goliath and Wolf bust a sacarphogus during a fight, everytime a pillar cracks or the roof falls in. I'm just glad we didn't destroy the Sphinx itself.
Goliath's entrance into the temple isn't one of our most brilliant animated moments. For starters, when Coyote is touching the hieroglyphs, he seems to miss every one. Goliath than claims to be repeating the sequence, but it looks nothing like what Coyote did. Yet it works for both of them. Maybe getting into that temple isn't as hard as it looks.
I love how the power of death flows from Jackal/Anubis and then through the Sphinx's own eyes before striking out at Egypt at large. Almost makes the Sphinx seem to come to life in those shots.
And I do love that shot at the end where the gargs are in stone in front of the stone Sphinx.
ANUBIS
Love Wolf's reaction: "Shave my head and call me baldy." (Or something like that, all ramble quotations are approximate.)
The animation effects on this episode are all fantastic, particularly the lighting during tranformations (very reminiscent of "Shadows of the Past"). Gorgeous. Another reason for me to be bummed that Disney closed its Tokyo studio.
I like how Anubis has no real mouth. Certainly no synch to his dialogue. My kids both commented on it. It fascinated them. But I also think it puts him on another level. His speech is that of a god. He requires nothing as mundane as a mouth movement to get his meaning across. (That's why it's so disconcerting in "THE GATHERING, PART ONE" when his mouth opens to laugh. He seems above something as petty as laughter, non?)
And how about Tony Jay and those great lines of godlike neutrality: "I grant but one boon." "Death is always pointless. That is the point." "All are equal in death." "You would not like to see the Jackal God play favorites." Etc.
ACTION
All right, once again, let me acknowledge my screw up. I should have let Coyote shoot Elisa, Goliath, Bronx and Angela dead. And have nothing happen. At that moment in the ep, no one can die. Emir and Anubis are just covering that in dialogue. Instead, Elisa pulls off a fairly elegant move that allows them to escape. But how much cooler if the distraction were the mere fact that they survived the Pack's barage unscathed? I blew it.
Otherwise, there is some pretty cool action.
Coyote advises Elisa to take her best shot. She does and it's kinda cool. But less cool because she then comments on it.
Coyote's limp afterwards is a nice touch, I think.
RANDOM FLOTSAM
When Elisa and the gargs wake up in chains, Erin says: "They all wake up at the same time suddenly." Leave it to a nine-year-old to point out an obvious cheat.
Erin said, "Yuck, disgusting." when Jackal first transformed.
Benny: "He wants to be the strongest, I'm guessing."
Benny didn't quite get why the Gargs were turning old. (Designing a demonstably old Bronx was NOT easy, by the way.) Or for that matter why Hyena and Wolf turned into Cyber-baby and wolf-cub. (Though both kids thought they were cute.) So the exchanging of energies lacked a bit of clarity for our younger audience, perhaps. Still any excuse to give Keith David an opportunity to do a variation on a theme is fun. Like hearing Keith play Thailog, it was also cool to hear him play a very old Goliath. The guy's a maestro of his own voice.
I do remember arguing with Reaves about the Baby and puppy moment. I thought (a) that it was funny and (b) that it was necessary to illustrate Jackal/Anubis' power. Michael simply thought it was too silly in tone. Now, I'm very glad I held firm. I think it's a great moment. And a little in-context humor really helps any episode. (I also love Jackal's "Baby sister" line that prefaces the change.)
I think in hindsight, Goliath's explanation that the gargs aged at half-speed and Jackal didn't know it, is a cheat. They are visibly very old. Internally, they'd be no less old. It's not like Jackal was thinking, "Hmmm, if I age them fifty years that should be enough." He just kept aging them until they were old and feeble. It's also not like biologically a gargoyle's exterior ages faster than his or her interior.
Ironically, commenting on that was not necessary for the purpose of explaining the action. If there had been no explanation and Goliath had used sheer will power to drag himself up for one last feeble attack, I don't think anyone in the audience would have balked. Rather, I think that dialogue was put in by me to definitively establish the fact that Gargs age at half speed. Oh, well...
Anyway, that's my ramble. Where's yours?
Chapter XLIII: "M.I.A"
Time to ramble...
Haven't done this in a while (over a year, actually), and I definitely feel rusty. Anyway, I watched "M.I.A." last night with my wife Beth, my nine-year-old daughter Erin and my six-year-old son Benny.
This episode was directed by Kazuo Terada, story edited by Gary Sperling and written by Robert Cohen.
The (semi) one word title, as usual, was one of mine. (As was the springboard, but more on that later.) It's appropriate both because of Griff's disappearance and because of the wartime setting. Although I don't know if they actually used the M.I.A. acronym as far back as WWII. I associate it with Vietnam. Does anyone else know?
Benny read the title and thought it said Mia. He has a friend named Mia, whose birthday party he had gone to earlier in the day. So the title required a bit of explaining.
INTO THE MYSTIC
This was one of my ideas that I really fell in love with. The idea that a magic shop never goes out of style. The idea that these gargoyles have been running this shop right in the midst of London's teeming humanity for a millenium. I just love the idea that you could stop by there in 1940 or 1996 or 1809 or 1776 or 1595 or whenever. Different gargoyles manning the store, of course. But the store itself largely remains the same. It's a place where Lennox Macduff and Will Shakespeare might have ended up after a night of carousing together.
My notion, which I've stated here before, is that the London Clan has an estate in the burbs, and that the shop helps fund them.
Responding to the guys line about the shopkeepers having "incredible" masks, Benny takes a good look at Una and says: "That's a unicorn. A real one."
And Erin: "Those aren't masks."
Of course, these kids have both seen the episode before. But it was so long ago and they were so young it's like they're seeing it for the first time.
LONDON
We get some gorgeous shots of London. So gorgeous that when the animation on PENDRAGON came back weeks later looking not so good, we reused some of the "M.I.A." footage for that ep.
[Of course the animation here was done by Walt Disney Television Animation Japan, GARG's Best studio. It still kills me that Disney has shut down that unit. They did SUCH great stuff.]
Elisa talks to the Cabbie. In my mind, this Cabbie appears during the 1940 sequence as a little boy, running downstairs and into a bomb shelter with his sister. It's not important, but that's how I saw it.
And we explain (include) another legend. That of Gremlins. Not Gremlins from the Spielbergian movie. But gremlins that caused damage to airplanes during the war. This was/is a very famous legend among pilots. Roald Dahl (of Charlie and the Chocolate Factory fame) wrote a book about them, which Walt Disney himself optioned. Eisner once had us develop a tv series based on the idea. I handed it off to a couple of producers who COMPLETELY redeveloped the idea. They came up with a good show, but it was unrecognizable to Eisner. (It also had a toupee joke, which probably didn't go over well.) Anyway, he didn't buy it.
SOHO
Actual racists thugs. We didn't do much of that. We usually went with anti-gargoyle types, who were metaphors for racists. But here we actually go with the real thing.
Their attack is very reminiscent of Awakening 3.
I love Brigitte's work here. Angela sounds like a tough warrior one minute, like a naive innocent the next. All within her character.
And that shot of Bronx leaping down from the roof is just gorgeous.
Leo and Una come out and confront Goliath, whose confusion is a lot of fun.
They're all in conflict, but everyone can agree with Elisa to take the argument inside...
We go inside and see the portrait of Griff.
Benny makes a connection: "There's a statue of him on the airplane."
UNA
I love Una's line: "I know my merchandise."
Throughout this episode, I think she comes across a bit like a junior Demona. I don't know if I felt that way at the time. But we have a female garg with sorcerous powers in denial about her own feelings of guilt and rewriting history to blame Goliath for things that were really not his fault.
Una was in love with Griff. And still is. But in the interrum, in my mind, she mated with Leo. She LOVES Leo. But she never got over being IN LOVE WITH Griff.
AWKWARD MOMENTS
Two of them.
One is having Goliath black out and instead of using it as our act break, we just go to black, wait a beat and then come back. We had a much better act break coming up, so I guess I don't regret it, but I also don't like it much.
The other awkward moment is giving Goliath that voice over of his interior thoughts, where he states his plan to use the Gate to figure out what the hell happened in 1940. I'm sure I resisted doing that VO. But we just didn't have a better solution.
I do love Goliath's frustrated: "I don't know any Griff!" line.
G uses the gate and Benny asks "What did he just do?" Beth explains it to him, but it illustrates my point that it has been so long since the kids last saw an ep, that their memories of the show are very vague.
WWII
We meet Clive and Douglas Bader. I've stated this before, but Douglas Bader was a real person. A true war hero. Douglas Bader lost both his legs in a plane crash, and became a war hero and fighter ace AFTER he recovered and learned to walk on two artificial pins. He was a hero during the Battle of Britain. Later, he was shot down over enemy territory and put in a POW camp. He escaped twice but was recaptured both times. Years later, he was knighted.
I met him once. My father, Wally Weisman, is a real Spitfire afficionado, and Bader was one of his heroes. My dad eventually met Sir Douglas in London and at the RAF Museum outside London. When I was a kid, Sir Douglas and his wife came to Los Angeles and we all went to Disneyland together. He never used a wheelchair. Always just moved along with his hip-swinging walk. An amazing man.
So there was no way I wasn't going to pay tribute to him here (and indirectly to my father as well -- in my mind, this ep is dedicated to my dad). I gave Gary Sperling the Bader biography, "REACH FOR THE SKIES," knowing that it would be tough for him to incorporate much into the episode. But we tried to base the design of Bader on one of his photographs. And we made sure that his first and last name were both used in dialogue so that he could be indentified by those paying attention.
And most of all, we tried to show that these pilots were the true heroes. Sure, Goliath and Griff save them. But Bader saves the gargoyles too, and he's the one who takes out the most dangerous of the Nazi fighter pilots.
This was important to me. Influenced by both Dahl's Gremlins book and my father and Bader, I'd wanted to do a Battle of Britain story pretty much since the series' inception. It's even listed in the bible. This came out of the notion we once had that (while the other gargoyles may have been asleep for a thousand years) Goliath had been awake and alone for 1000 years.
Imagine, if you will, that scene in Awakening-2, when Goliath comes back and finds Hudson, Bronx and the Trio asleep. Instead of joining them, he watches over them for a millenium. (This was back when we had a more magical view of Garg biology.) I thought Goliath would have largely spent a thousand years brooding. But that during WWII he might have ventured forth to fight the Nazis, if for no other reason than to prevent the bombing of Wyvern.
We, obviously, didn't end up going that way, but the visual of Gargoyles fighting in the Battle of Britain stuck with me. (And man, is that visual brought to life here beautifully.)
But having decided to do that, I didn't want to give the gargs all the credit. Real men and women gave their lives during the Battle of Britain. I didn't want to undercut their contribution in order to make my fictional gargs look good. That just seemed like it would be both irresponsible and disrespectful. A betrayal of the very reasons why we were doing the ep in the first place.
GRIFF
Casting... we had used Neil Dickson to tremendous evil effect as Duncan and Canmore in City of Stone. Here he gets to play Errol Flynn. Neil is a Brit. As is Charles Shaugnessy who played Bader and Sara Douglas who played Una. (Leo/Gregg Berger, on the other hand, is a Yank.) And they all really brought life to their respective roles. I have to admit I was worried about whether Neil would be right for the role. I should no better, but Duncan especially was so memorable, I really had that fixed in my head. But Neil's voice just worked perfectly for Griff. I'm still sorry we didn't get to see more of Griff with King Arthur in the Pendragon spin-off.
Griff was conceived as a real swashbuckling hero. A Robin Hood of the 1940s. As opposed to our rough-hewn "Scottish stock", this was a good-old-fashioned patriotic English Hero to put up against the Nazis. His costume was influenced, I think by the Blackhawks. And his look was inspired by British Heraldry. He was the Griffin to Una's unicorn and Leo's lion, three of the most striking heraldic beasts. Again, going back to my earliest development of the series, I thought that adaptations of heraldic beasts might be the English version of gargoyles. So Griff has Eagle and Lion qualities. Feathered wings. A mohawk-like main. An eagle-like beak, but lionesque limbs.
I know that Greg Guler, Frank Paur and I went over and over Griff's model. We were never 100% satisfied with it. But it must work, as I've never any complaints from the fan. And I think Neil (and Jamie Thomason's voice direction) deserve much of the credit for that. Because even with the great Japanese animation, he still looks a bit too Foghorn Leghorn for my tastes.
TIMELOOPINESS
Goliath (after Griff saves his life): "It was supposed to work the other way."
Erin: "I think this is how it started in the first place."
So, hey, she got it!!
Benny even jumped ahead, figuring out: "So he can take Griff back forward in time."
So he got it too. Did you guys get it right from the beginning? That Goliath would take Griff "back forward" to the present to reunite him with Leo and Una?
I love the scene between Griff, Leo, Una and Goliath over tea in the shop. Everyone's motivations are so clear that I often use this scene when I do voice seminars.
Griff wants to sell everyone on going on the offensive.
Leo wants to sell everyone on sticking with defense.
Una is more subtle. She'll use any argument that will promote Griff's safety.
Goliath is trying to stay out of trouble.
But I love his line: "In my experience, human problems become Gargoyle problems." How true... (witness the cancellation of the show...)
And then later, Goliath AGAIN realizes a lesson that he and the audience would have to relearn again and again. Fate cannot be cheated. History cannot be changed.
And once again, we show our lack of imagination and/or our desire to stick with something once we find it works by using the line "Not where, when."
We can say "1940" but we were discouraged from referring to the present by an actual year -- so that reruns would still sound current. I'm surprised that Goliath got to use the phrase "the 1990s". How short-sighted of Disney to not think we'd still be airing these reruns in the 21st Century. Not that I'm complaining, mind you.
Griff almost gets hit by a car in the present and Goliath says "Let's not start that again." A mini-tribute to the English Vultures in "A Jungle Book".
At the very end, Elisa's confusion is fun: "Just explain it one more time." That probably came out of my fear that the audience might not get it. If Elisa didn't get it either, the audience wouldn't have to feel so bad about it.
DOGFIGHTS
Everything I could have asked for.
I have a VERY vague memory that we were discouraged from using Swastikas. I can't remember why or even if this is true.
But the skull-like pilot with the skull & crossbones on his plane certainly looks like a bad guy, doesn't he?
The planes themselves just look great. I found out later that Bader didn't fly Spitfires during the Battle of Britain. He flew Spitfires later, but flew Hurricanes during the Blitz. This fact drives me crazy.
But I love his line about the Gargoyles (which in my mind, he viewed as Gremlins): "They're real, and they're on our side!"
Benny noticed that they shot a hole through Goliath's wing. I had to reassure him that he'd be okay after getting some stone sleep.
Parachutes. No one dies in this episode. At least not in theory. Of course, we KNOW people died during the Blitz. But we couldn't show or even imply that.
THE WORLD TOUR
We end of course by creating new heroes out of old. Griff has returned. And Leo and Una have been reinvigorated. They take back their neighborhood.
Leo: "Or we'll make it our business." Leo's spent years worried only about business. Now he remembers what his business is supposed to be. The nation of shopkeepers is once again ready to defend the realm. So to speak.
Anyway, that's my ramble. Where's yours?
As requested...
Todd sent the following to me in response to my request for a quick info fix...
Dear Greg,
I hope that you don't mind me e-mailing you directly about Roger Lancelyn Green, but I thought that this was the quickest way
of getting the information to you (given the length of the queue and the fact that I know that you don't dare read much of the
comment room because many of the people there post "creativity demons" there).
At any rate, you're correct about the spelling: it is Roger Lancelyn Green. The title of the book is "King Arthur and his Knights
of the Round Table".
Todd Jensen
Proofreading/Apologia...
I just received the following e-mail from my brother:
Subject: proofreading
Date: Wed, 24 Sep 2003 13:56:49 -0700
From: "Weisman, Jon"
Just my two cents, but I do feel you're a little strident about the proofreading. I'm completely sympathetic to the annoyance/frustration, but your discussion of your own errors undermines your argument. You misspelled a word in the very sentence about proofreading being good training. Then you say there's no point in identifying errors that you make, because you're dyslexic and because you make an effort. Who's to say that your reader isn't dyslexic or doesn't make an effort, either? All "Dan" did in his first sentence was leave out the word "have."
Personally, I think it's fine to ask your readers to proofread better, but I simply think you could be nicer about it. Since your replies do contain errors, good intentions or not, it just doesn't make sense to me to cop an attitude.
- Jon
Jon is, of course, correct. And so I apologize for my rant. In particular, I apologize to "dan" for taking my frustrations out on him.
My only defense is that all the lousy proofreading -- and there really is a lot of it -- creates a kind of cumulative frustration. I really do ignore it most of the time. I make fun of it (I hope in a good-hearted way with a smart-ass response) occassionally, and I only rarely blow a gasket. But that's not much of an excuse.
So let's all try to proofread a bit more, including me -- hell, especially me -- and I'll try to keep my temper.
Again, dan, sorry.
SCOTLAND TRIP: September 7th, 2003
SUNDAY, SEPTEMBER 7, 2003
When last we left our intrepid hero (i.e. me), he was spending his last night in Scotland at the Edinburgh Airport Hilton Hotel. This is his story:
I maybe got two hours sleep. I had called downstairs for a wake-up call, and they told me they didn't do wake-up calls and that I'd have to set the alarm in my room. I looked around and told them the only clock was the digital readout on the t.v. They said that the alarm was one of the television's functions. (This is progress, I suppose.) So I attempted to set the t.v. to wake me up. But I had little confidence in it or me, so I barely slept.
3:45am
Sure enough, the t.v. went off as scheduled. I showered (probably the best shower of the trip, if you're keeping track). Dressed and ate my last Loch Torridon apple and Hilton cookie.
4:45am
My dad and I took a shuttle to the airport. There we waited in line with a bunch of Rugby fans in kilts, all headed to Germany.
I went through security and was stopped. They had spotted the two hand-painted rocks in my duffle, which I had purchased on Skye. The lady was very nice as I unpacked them for her. I told her what they were before she saw them. She pointed out that rocks could be used as weapons and that I might have to put them in my checked luggage. I told her that I hadn't checked any luggage. She told me that I might have to check my duffle then. But when she saw the cute little cottages painted on the rocks, I could tell she felt that I was hardly likely to use them as a weapon. Still I would have obviously done whatever they felt was necessary. She showed the rocks to her superior, who waved them off. I put them back and wondered whether I'd have as much luck in Germany.
6am
Boarded the plane to Frankfurt. Biz class aisle seat. Tomato Juice, Eggs, "Bacon", mushroom, spinach, cheese, apple, grapefruit and mango slices. A croissant.
9:30am
Arrived in Frankfurt (having picked up another hour).
I said goodbye to my dad, who was going into Frankfurt for his day of meetings (which had been the financial justification for the whole trip). I don't think I've talked much about my dad here, but Scotland aside, I really just enjoyed spending all this time with him. We talked for hours and didn't come close to running out of topics until somewhere around day five or six, and even then we managed. It's nice when even the silences aren't awkward. We took pictures, which largely came out great despite the fact that on the first day in LAX he put all his film through the X-ray machine. (A tech genius he ain't.) We drove for hours and hours and hours and enjoyed every minute. We saw some gorgeous scenery and a few other interesting tidbits. We followed a couple of my obsesssions, had a bunch of great meals, listened to a terrific murder mystery and talked about that. Truly, though I'll try, I can't thank him enough for the trip and the camradery.
Anyway, after he had gone, I took a long walk to a different terminal. There I changed my remaining pounds to Euros and bought some snacks for later: Pringles, a Snickers, an Evian and some Peanut M&M's.
Then I went to McDonalds. I bought a Quarter-Pounder, which they called a "Hamburger Royal", fries and a FRIED apple pie. (In the States, they only have baked pies now. I hadn't had one of McDonald's fried pies in years and years.) Now on this trip I had eaten McDonalds three times in three different countries. Once at LAX, once in Edinburgh and now once in Frankfurt. I love McDonalds.
I then went through another security check (putting my burger and fries and pie through the x-ray machine). I was sure they were going to make me take out my rocks again, and it seemed to me like the guy on the machine studied the screen with extra attention. But they let the bag go through. Me on the other hand... They didn't have a metal detector for me to walk through. So I got thoroughly searched. Shoes off. Belt. Wallet. Watch. Tube of blistex. Coins of course. It was very touchy-feely too. I don't begrudge it of course, but that doesn't make it fun.
Grabbed up my stuff and went to the Biz Class Lounge, where I ate my Mickey D's with a free coke that they had there. Also ate a free cookie and my snickers.
I left the lounge to wait for my plane and finished Faulkner's "Sanctuary", which I had been nursing the entire trip.
Boarded the plane. I was in Biz Class near the very front (3H). (First class was upstairs.) Boy, that landing gear makes a lot of noise when you're right on top of it.
I started reading "Shakespeare's Kings", a non-fiction book which compares Shakespeare's treatment of the monarchs (from Edward III through Richard II, Henry IV, Henry V, Henry VI to Richard III) to the actual history. I got through Henry V on the flight. It was fascinating.
I also watched "Bruce Almighty", which was considerably less fascinating. (Largely shallow and annoying, but it killed some time.) There were other movies too, but I decided my book was much more interesting.
I think I slept for about an hour.
Ate Venison & Cheese, Tortelline, a chocolate bar, Berry Pudding, cake, tomato juice and a concotion called "Multi-Fruit Juice" which at first taste I hated and then decided I liked it so much I had glass after glass after glass. Water too, sparkling and still. (I like to keep hydrated). A couple of ham & cheese sandwiches and another apple. (Not all this at once.)
4pm (Los Angeles time)
We landed. Went through the long lines at Immigration and customs.
A car was waiting for me and took me home.
Reunited with Beth, Erin and Benny. Which was great. I gave Beth her sweater, which she loved -- and which she felt was the exact right size. So I was vindicated there. I'm not sure the kids new what to make of the two rocks with the cottages on them. But they like getting stuff, so they were happy too.
I ate my German-bought Pringles and M&Ms that night.
And so ends my Odyssey.
Hope you enjoyed it as much as I did.
SCOTLAND TRIP: September 6th, 2003
SATURDAY, SEPTEMBER 6, 2003
When last we left our intrepid hero (i.e. me), he was spending his last night at the posh Loch Torridon Country House Hotel and had gone to bed at 11:30pm. This is his story:
4am
Woke up. Went back to sleep.
Just before 7am, I woke again.
8am
We loaded up the car and had breakfast: Apple, Tomato AND Orange Juice. Corn AND Bran Flakes. Croissants w/Apricot Puree AND Strawberry Jam. A big AND morning.
We hit the road for the final leg of our trip, largely making good time, listening to Tup's mix tape again.
From the hotel and Annat we headed northeast on the A896 to Kinlochewe. There we turned southeast on the A832 through Achnasheen. Somewhere along here (I think overlooking Loch Luichart) we stopped at a "Passing Place" to take photos of one of the ubiquitous "Passing Place" signs. We maintained our south-easterly heading past Garve on the A835 and made our way past Tore and onto the A9.
We crossed the bridge that separated the Beauly Firth from the MORAY FIRTH. Seeing the word Moray was the first sign that we were in Macbeth territory. And generally, in Gargoyle territory.
We headed into Inverness. I ate one of the apples I had copped from the Loch Torridon hotel room. Someday, I'd like to spend some time there, but this wasn't going to be the day. We took a few minutes to walk down to a bridge across the River Ness (which leads eventually to Loch Ness). We walked up to Inverness Castle, but we didn't really have the time to do much more than take a quick glance around.
We soon were back on the road. We got caught here and there behind some slow drivers (who didn't pull over as the signs instructed), but generally we made good time. We passed a town called Killiecrankie. And I thought, "I know a lot of people who get Killiecrankie sometimes."
We passed BIRNAM WOOD too. And signs for Glamis Castle. Someday I want to come back for the full-on Macbeth tour of Scotland.
Then we drove into Perth, looking longily at the fast food places. But by this time, I was on a mission: STONEQUEST. Last time I was in Britain the Stone of Destiny was still in Westminster Abbey. I've been to the Abbey at least a half-dozen times over the years, but I didn't (back then) know the Stone's significance. I certainly didn't know it could talk like Frank Welker. So I never took any notice of it. Now, I really wanted to see it.
For those of you who don't know or don't remember, the Stone is theoretically "Jacob's Pillow". The stone that Jacob rested his head on the night he saw the ladder leading up to heaven for the angels to climb. The stone found it's way to Ireland and thence to Scotland, where Kenneth MacAlpin was crowned upon it as the first King of Scotland. After that, all the Scottish Kings, including Kenneth, Constantine, Maol Chalvim, Duncan, Macbeth, Luach and Canmore, were crowned upon the Stone of Destiny on Moot Hill in Scone. Later, the stone was taken to London by the English. And used to crown English/British monarchs. It was briefly stolen in the fifties, but returned to Westminster Abbey in time for Elizabeth II's coronation. (Although some believe that the real stone is still in hiding.) GARGOYLES, of course, posited that this was also the famous "Sword in the Stone" from which Arthur drew Excalibur. In the episode "Pendragon", we showed Arthur and Griff communicating with the Stone at Westminster. But in 1997, the English returned the Stone to Scotland. But not to Scone. Rather it was taken to Edinburgh, so that it could be kept with the Honors of Scotland and the Crown Jewels in Edinburgh Castle. So today, I was determined to drag my dad to Scone Palace to see Moot Hill and the replica Stone they kept there and then later to Edinburgh Castle to see the real thing.
So anyway, we got a little bit lost in Perth. But got directions to Scone Palace from a very nice tourist info lady on West Mill Street. We made our way to Old High Street, Atholl Street and Charlotte Street to the Perth Bridge. We crossed the River Tay and then headed north on A93 to the Palace.
Now Scone Palacce was definitely a place I would love to spend a half day exploring in and out. The Grounds were just lovely, and the Palace itself looked very cool with some cool things inside. And there's a maze! But we really didn't have time if we were going to get to Edinburgh Castle before it closed. So a few minutes later, I was standing on Moot Hill leaning over the faux Stone of Destiny in my Gargoyles sweatshirt (half-hoping someone would come up and make the connection). It was cool. We took some pictures and left.
Back on the A93 (south now) to the A90 to the M90. Down to exit 4, where we pulled off in Kelty. Now most of this trip was planned by my father's assistant Anita Kelty Nitta. So in tribute to her, we stopped at her ancestral home and took pictures near the "Welcome to Kelty/Drive safely" sign. Then it was back on the road until we took the Forth Bridge across the Firth of Forth to Edinburgh. We found, with amazingly little trouble, the Edinburgh Airport Hilton and checked in. Compared to the Classy, Cozy and Posh places we had been staying, the room at the Hilton seemed quite the unpleasant little box. But it did offer a pre-packaged shortbread cookie, which I was happy to eat. It was servicable. It would do.
We drove across the street and returned the Beetle. We walked back to the hotel and called a cab to take us to Edinburgh Castle.
This cab ride took a ridiculously long time and a very circuitous route only to run smack into a huge crowd emerging from the Rugby finals. Hundreds of people wearing shirts celebrating "The Famous Grouse" blocked our path. Our cab driver then explained that he had intentionally taken a circuitous route in order to avoid this very traffic... and that if the game had gotten out five minutes later, we'd have thought he was brilliant. As it is, we were stuck. It took forever to finally get us to the Castle.
Now, I've been to Edinburgh Castle twice before, so I've seen the sights. And yet I still wish we had more time, because it's truly worth exploring over and over. But we had arrived close to closing, and we still hadn't eaten anything since breakfast (cookies and apples aside), so time was short. We took a few pictures. Another couple shots by a cannon (a running photographic theme on the trip), a picture of me in my Garg Sweatshirt by a lion gargoyle that definitely reminded me of Leo. Then we headed in to see the actual Stone of Destiny. It was cool to see it. But no pictures allowed in there. And I waited to hear if it would talk to me, but I guess there were too many people around. No one commented on my sweatshirt either, but I was still very glad to have seen it.
We started walking down the Royal Mile, but we were sorta past sight-seeing and so we headed down to Princes Street to look for a nice non-touristy place to eat dinner. We passed the Train Station (with it's killer staircase) and Scott's Monument. But nothing presented itself dinner-wise. So we decided to eat dinner back at the hotel and had a VERY late lunch at McDonalds (1/4-Pounder, fries & coke).
We had passed a taxi stand earlier with literally a dozen taxis waiting in line. After McDonald's there were NONE there. But we found one a few minutes later and took it back to the Airport Hilton.
6:15pm
Dinner was Tortelline, Steak (which barely compared favorably to a Sizzler), fries, Mushrooms and an Apple/Blackberry Crumble, all of which might have been better if we hadn't just had McDonalds about a half hour earlier.
We were back in our rooms by 8pm. I talked briefly to Beth. I was tired, but I just couldn't go to sleep until after midnight.
TUNE IN TOMMOROW (or possibly Wednesday) for the conclusion of our adventure. *Here's a preview: "We don't do wake up calls" "The Trouble with Rocks" "Frankfurt, Germany" "McDonalds in three countries" "Shakespeare's Kings"*
SCOTLAND TRIP: September 5th, 2003
FRIDAY, SEPTEMBER 5, 2003
When last we left our intrepid hero (i.e. me), he was staying in the posh Loch Torridon Country House Hotel and had gone to bed after a dinner of Sea Trout at 10:30pm. This is his story:
3am
Woke up. Just flat out couldn't sleep.
3:30am
Called Beth, Erin & Benny. It was 7:30pm (the previous day) their time, so I finally got a chance to talk to the kids, who had just finished their first day back at school. (Erin in 4th grade, Benny in 1st.) After that, I tried the TV and reading. Finally slept again, on and off.
7:30am
Woke up, very tired. Showered. This shower was okay, but still not great. The nozzle was difficult to adjust.
8am
Breakfast at the Hotel. Orange & Tomato Juice. Toast, Cornflakes, Oatmeal Porridge with Brown Sugar & Cream.
9:15am
After taking a few pictures around the gorgeous and gorgeously situated hotel -- and once again putting up with the car alarm -- we were back on the road. This was the first day we weren't simultaneously en route to our next hotel. We were staying a second night in Annat at the Loch Torridon.
We drove from Annat to (the southern) Shieldaig to take a loop from Tornapress to Applecross to Fearnmore to Kenmore and back to Shieldag. That was the plan anyway. But we wound up making a wrong turn. We were still on the loop, but we wound up going in the opposite direction from our original intent. It wound up working out well, if not better. We passed by Kenmore and Fearnmore, driving the high coastal cliffs of the peninsula overlooking the Inner Sound and the Isles of Rona and Raasay. We stopped to take some pictures, and an older couple in a mobile home (coming from the opposite direction, as we had originally planned) pulled over beside us. The man got out and took one of the few pictures we got of the two of us together. He was incredibly nice, with great stories about his distant relatives in America. But the thing that struck me the most was his voice. He had great timber, and an even greater accent. A real Scottish brogue, but perfectly understandable. Very rich. (He was, incidentally, from just outside Edinburgh.) The voice director in me wanted to get him into a recording booth immediately. He warned us that the road ahead was steep quite steep with a number of sharp turns. He said had he known, he'd have never had taken his mobile home there. It didn't have the engine to carry the weight and there were moments when the wind felt like it was going to carry him over the side. He also recommended that we stop in Applecross for fresh baked bread. It sounded really appealing, but the truth was we had just had breakfast. I would like to go back though and have lunch there sometime.
The views on route to and coming out of Applecross were just spectacular. And he hadn't been kidding about the steep winding and very windy roads of the Bealach-na-Ba which rises to 2,053 feet with many hairpin turns. Bealach-na-Ba means "Pass of the Cattle" in Gaelic, and it is an old drover's trail for taking cattle to market. It was a little intimidating even in our little round Beetle. But man... gorgeous. Generally, on the whole trip we had extremely cooperative weather. And today was no exception. We never really got rained on. But the day was a touch misty over the ocean, and from an altitude standpoint, we were pretty high up. It might have been nice to really have a clear day to see forever, but still and all, I have nothing to complain about. And there's something right about the mist and the wind, the sharp, grey day. We stopped a couple times for more pictures.
We completed our loop, again passing Tornapress without ever actually seeing Tornapress. Passed Shieldaig again, stopped for gas and then returned briefly to the hotel. I had another apple in my room. Then we drove northeast on the A896 along Glen Torridon, passing as usual the ubiquitous sheep that move with impugnity around the country. I also spotted a raptor of some sort, almost literally hovering in one place in the strong wind. My dad commented that considering how many sheep were all around, there was surprisingly little lamb on the menus. I don't like lamb, but I tried to come up with some explanation. My favorite was that all the sheep we were passing were pets.
But we also considered the possibility that lamb on the plate ONLY comes from literal lambs, i.e. baby sheep. Maybe these sheep were all too old at this point.
Anyway, we drove along the Glen to Kinlochewe (a town I could never figure out how to pronounce). There we took the A832 north. It wound around the coast of Wester Ross passing near Loch Maree, the more northerly Shieldaig and Loch Gairloch. We passed through Charlestown, Gairloch and Poolewe. Drove along Loch Ewe to Aultbea and Laide. Drove around Gruinard Bay and crossed over to Little Loch Broom, before turning south through the stunning Dundonnell Forest.
We took the A835 north, planning to stop at Corrieshalloch Gorge and the Falls of Measach, but we passed the pull off before we could react. And since we were coming back the same way later, we decided to press on.
We stopped at Ullapool on Loch Broom. We had lunch at the Calley Inn. Tomato Soup and Mussels (again). The food was good. It started to rain a bit, while we were inside. (It had rained some nights, both while we slept or while we dined, and we had driven few small showers here and there along our route, but we had literally never been rained on. My dad never used his umbrella the whole trip.) Walking back through Ullapool, I put on my hat due to the very light rain, but it ended soon enough.
I stopped at a local knitting store that didn't look too touristy and bought Beth a sweater. (I should say, it was really amazing of her not to balk or squalk about this trip. It was not a great time for me to be going. She's a teacher, and she had to spend the week prepping her classrom for this week's start of school. The kids, on the other hand, were off until Thursday. My mom pitched in. But it was still a lot for Beth to cover.) Anyway, I picked out a wool sweater in colors I knew Beth would like. There was no medium available, so I chose a large, knowing that Beth liked loose-fitting clothes over tight. The saleslady, however, really tried to talk me into the small, saying that she thought the large was too big. I was pretty confident I was right, but she really started to make me paranoid about my choice. I stuck to my guns, and the woman surrendered reluctantly, telling me I could come back and exchange the sweater if Beth didn't like it. I thought that would be a nice trick. Though a tad expensive.
We had had some vague thoughts of heading further north, perhaps to Achiltibuie or even Lochinver. But it was already getting late, and we didn't want to push our luck. So we headed "home".
We backtracked to the Corrieschalloch Gorge and the Measach falls. The midges were out in force. Though we had been warned about them, they hadn't been a problem before now. So although I had bug repellant, I had left it at the hotel -- along with our other rolls of film. We got one picture of the Gorge from the swaying suspension bridge that spanned it. But that was it for the day, as the roll was used up. (This hadn't been an issue before, as every other day we were driving from one hotel to another, so we always had ALL of our stuff with us in the car. But today we were returning to the same hotel, so we had brought almost nothing with us.) Anyway, as with everything, the Gorge and falls were truly beautiful. But the back of my neck was getting eaten alive, so we beat a hasty retreat back to the car.
We headed south now, staying on the A835 past the Loch Glascarnoch Dam, the Black Water River and the Strathgrave Forest. Somewhere around here we finished "The Zebra-Striped Hearse". We had both enjoyed it immensely. Ed Asner's last scene as Colonel Blackwell had really been great.
We headed west on the A832 past Lochluichart, Achnasheen and Glenn Docherty, where we ran into a bit of construction on the one-lane road that caused some extremely minor delays. We rejoined the A896 at Kinlochewe and drove back through Glen Torridon to Loch Torridon, Annat and our hotel. I had another Shortbread cookie in my room.
Dinner brought Cheese souffle appetizers, like the little cheese crumpets in "The Great Mouse Detective". Another little teacup of soup, this time Mulagawtany. I ordered Mushroom Soup and Roast Beef with potatos and broccoli. Desert was Apple Pie and berries.
Later in my room, I returned a couple of business calls and talked for awhile with Duane Capizzi (my friend and the writing producer/story editor of such shows as "Men In Black" and "Jackie Chan"). He has a new series at Warner Brothers and was offering me some freelance scripts. I said yes. I don't know whether the project is confidential or not, so I won't say anymore about it at this point.
I talked to Beth and went to bed around 11:30pm.
TUNE IN MONDAY for more adventure. *Here's a preview: "The River Ness" "StoneQuest" "Birnam Wood" "The Famous Grouse" "McDonalds"*
SCOTLAND TRIP: September 4th, 2003
THURSDAY, SEPTEMBER 4, 2003
When last we left our intrepid hero (i.e. me), he was staying in the homey Greshornish House Hotel and had been summoned to dinner by bagpipes. He's about to begin his day on the Isle of Skye. This is his story:
6:15am
Wake up and lounge in bed. Got 6 & 1/2 hours sleep which is good for me.
Showered. Sort of. There really was no shower in my room. Just a bathtub with a hose that you could hold over your head. Seriously, how hard is it to install a hook or something so that you can open a bottle of shampoo and keep the water on you at the same time.
This is one of the two things that demonstrates America's ultimate ascendancy over the U.K. THE SHOWER. The U.K. has just (largely) not mastered the concept or the essential nature of a decent shower. Baths? Bah!! America is superior because it showers. I may be a Britophile (as opposed to a mere Anglophile), but I am not blind! The showerhead. The combination valve. These are not difficult high-tech concepts. Get with the program!!!!! *end of first rant*
8:30am
Breakfast at the Hotel. Toast w/butter, strawberry jam & honey, Cornflakes, Orange Juice, Scrambled eggs on toast and that darn vaguely-undercooked English Bacon. (I could easily label their bacon a third proof of American superiority, but I think that's more a matter of taste.)
My dad and I took pictures by the cannon, overlooking the Loch. We talked briefly to Claire from Guernsey, who has a VW Beetle at home. We were trying to figure out why the car alarm kept going off. She confirmed that it was overly sensitive, but that seemed an inadequate explanation. Overly sensitive to what? How does this thing work? It continues to go off randomly. Plus the radio is haunted and the air conditioner sucks too. And yet, we really like the car.
We hit the road, touring Skye.
We head back down A850 to A87. Head north at Portree to begin our loop of the coast of Skye's Trotternish Peninsula. We stopped multiple times to soak in the scenery and take pictures.
The Old Man of Storr is 49m pinnacle adrift from its parent cliff.
Kilt Rock is a cliffside formation that looks like the pleats of a kilt. Mealt Falls is stunning.
At Kilt Rock, I bought a couple of souvenirs for the kids. Rocks actually, handpainted to look like quaint Scottish cottages. The guy hand-painted Erin & Benny's names over the doors of the cottages. He was so sure-handed, I found it very impressive. He told me that I could now say I had bought my kids a cottage on Skye. I've been using variations on that line ever since.
We continued around the Trotternish to the ruins of Duntulm Castle. There's not much there. A few walls, a window. A cellar of some sort that's been gated off so that no one dies down there. But I love this kind of thing. Of course, the stunning cliffside location reminds me of Wyvern (or Tintagel) though this site isn't big enough to be a model for Wyvern, which in any case is theoretically on the mainland. But I just love climbing around these places.
We made our way back down the Peninsula, taking the B8036 back to the A850 to make a loop of the Waternish Peninsula. We passed Greshornish again, but our first stop was Dunvegan Castle. In contrast to Duntulm, this is no ruin. It's still inhabited by the Chiefs of the Clan Macleod. It was the single most touristy place we visited until the last day of our trip. It was also the most disappointing. Although it's location is unsurprisingly (at this point) stunning, the castle itself is unimpressive. The gardens are nice enough, and there was one truly bizarre tree that one could easily expect to see on an alien planet. But touring this kind of place just wasn't the point of this particular place.
We did get to see the Fairy Flag. There are a number of legends connected to the flag. Some say that it was a gift to the 4th clan chief from his Fairy wife. Others that a nurse who was supposed to be looking after a long ago heir, left the boy alone to attend a party. When she returned, he was wrapped in the fairy cloak. Science tells us that the silk was made in Rhodes or somewhere around there. So it may be a prize from a crusade or something. All things are true though.
We headed around Waternish on the A863. Got back on the A87 at Sligachan.
2:30pm
Back in Broadford, we stopped for lunch. The "chips" were good with salt and vinegar. And I had this amazing Peach Ice Cream Sundae for dessert. Plus a coke and some still (but not tap) water. But the hamburger....
The WORST HAMBURGER ever. We saw someone else enjoying one from a distance and both of us ordered burgers. But I had forgotten that the U.K. makes lousy hamburgers. When I was living in Oxford in 1984, the only place where you could get a decent burger (until the first McDonalds opened there right before I returned to the States) was a mini-chain called Bretts. There was a Bretts by the Train station and one just on the edge of town near where we lived at 65 High Street. I think us Yanks kept that latter Bretts in business. Even in London in those days, there were only two places besides American fast food chains like Burger King and McD's where you could get a good burger. One was Wolfs or Wolfies. The other was the Hard Rock Cafe.
Now you need to understand, I love hamburgers. And I'm not picky. I love everything from big thick restaurant burgers to crappy fast food burgers and everything in between. But what we were served in Broadford was inedible. I literally couldn't finish it. My dad says it's because they press the meat instead of grinding it. Maybe he's right.
But unlike the bacon, this can't possibly be a matter of taste. I'm now convinced that America is the world's lone super-power because we shower and know how to make a decent burger. *end of final rant*
Back on the road, we crossed over the bridge to the Mainland at Kyle of Lochalsh. We drove north-east up the coast of Loch Carron. And we got lost in Plockton. We missed a sign and found ourselves driving up a residential road that dead-ended. (Thank God. If it had been open-ended, we might never have figured out we were headed the wrong way.) We doubled-back and thought we got on the right road, only to find that this one literally dead-ended in a parking lot. We double-backed again, and finally admitted defeat, stopping at the train station. A very nice couple eating in the cafeteria set us back on course.
We took the A890 to the A896 past Lochcarron and Tornapress (though I never actually saw Tornapress). Another little bit of confusion was caused by the fact that there are two small villages named Shieldaig (one off Loch Torridon and one off Loch Gairloch). But we managed to find our way to Annat and our second-to-last hotel. This was the extremely POSH Loch Torridon Country House Hotel. If our first hotel (Castle Inverlochy) was classy, this one was Posh. Less elegant, friendlier, but WOW!
Again, my room and bathroom was huge. Their was a lovely Waterhouse print of Echo and Narcissus hanging over the bathtub. (You can see it at http://www.artmagick.com/paintings/painting1399.aspx) Echo just seems so lovely and forlorn. I really liked it.
And there was a separate shower, thank god. The grounds, which included a pasture for castle, looked over the Loch with the Moutains of Wester Ross rising abruptly above it. They had fresh apples and shortbread in the room, so I partook of both.
7pm
Dinner was formal, but no coat and tie required. I had sparkling water and a free appetizer: a little teacup of Pea Soup. I also had Potato Leak Vichyssoise. Then I took a chance and ordered the Sea Trout. As I've mentioned, I like trout, but I don't like other (non-shell) fish. I didn't know whether SEA trout would taste more like trout or more like fish. But I loved it. Trout rules. Sea or river or whatever. It came with potatos and green beans. Dessert was Apple Cider Sorbet w/a few berries.
10pm
Talked to Beth.
10:30pm
Went to bed. Just nothing on television, you see.
TUNE IN TOMORROW for more adventure. *Here's a preview: "Oatmeal Porridge" "Raining in Ullapool" "Midges in the Gorge" "Bealach-na-ba" "I want to get that guy in a recording studio."*
SCOTLAND TRIP: September 3rd, 2003
WEDNESDAY, SEPTEMBER 3, 2003
When last we left our intrepid hero (i.e. me), he was staying in the stunning Inverlochy Castle and forced to wear a coat and tie to dinner. Life is hard. He's about to begin his first full day in Scotland. This is his story:
I woke up to geese honking. Dozed a bit longer.
6:30am
Wake up call came in. I went to take a shower and like my father before me found that the darn thing was too complicated. Couldn't for the life of me strike a balance between frigid and scalding water.
8am
Room service brought me the breakfast I had ordered the night before. Scrambled eggs on toast. That English Bacon which really is more like ham and way undercooked for my tastes, despite the fact that I had asked for it "crisp". Wheat toast, a chocolate-chip croissant and a regular croissant. Corn flakes.
We hit the road... w/ a couple of problems.
1. While walking to the car, the sole of one of my great old hiking boots split away from the boot itself. I'm now clomping along, with every step. This is actually very upsetting to me. I've had these boots for twenty-five years and they fit like a glove. I've had them resouled once before. But the opportunity to have them fixed doesn't look like it's going to present itself here.
2. As we're driving away in the Bug, its car alarm goes off. Now, let's just consider the wisdom of putting a car alarm in a rental. Now let's consider the wisdom of not having any kind of owner's manual in a rental with a car alarm that seems to go off for no reason whatsoever. This becomes a daily problem for us. Usually in the mornings, but frankly anytime we turn off the engine, we run the risk of the car alarm going off again when we restart the car. And not just once, but usually two or three times. It takes us multiple trial and errors just to figure out how to turn the damn thing off. But we can never quite figure out why sometimes it goes off and sometimes it doesn't.
Our first stop is Neptune's Staircase. A series of locks on the Caledonian Canal. We watch a large boat traverse a couple of the locks. It's really kind of impressive. Cool, slow and impressive.
We leave Torlundy and drive back through Fort William on the A82, unaware that we're also driving through our best chance to fix or replace my boots. We head back along Loch Linnhe and catch a small ferry at Corran across the Loch.
From there it's the A861 past Strontian (the town that gave its name to the element Strontium). The roads now begin to take on a single lane character. That means that when a car's coming in the other direction, one of you needs to pull over. There are plenty of passing places, however, so it's never really a problem for us. But I do think that had we been travelliing in July or August, when there were more tourists about, it might have been a different story.
At Salen, we detour down the B8007 into the Ardnamurchan Penninsula. Our hope is to take this to the Point of Ardnamurchan, the westernmost point of mainland Scotland so that we can see the Egyptian lighthouse there. But we have a time constraint. We need to catch a 2:40pm ferry at Mallaig, and we want to get to Mallaig a bit early, so that we can see about repairing or replacing my boots. So we stop at Ardslignish, look around and take some pictures of the Inner Hebrides in the distance where the Loch turns into the Ocean. Then we turn around without making it to the lighthouse.
From Salen, we head north to Mallaig. We stop at a Tourist Info Center to get boot advise. They send us to the only store they can think of that might have boots. At this store, they literally only have one pair of boots, which are a size too small for me. We ask where else we might go, and the guy suggests Fort William. That's the exact wrong direction for us at this point, so I'm still clomping around. D'oh!
We grab some lunch. I have an amazing plate of Grilled Split jumbo prawns with Goat Cheese. And a coke. One of the best meals of the trip.
Then we board the Ferry to the Isle of Skye. While we're up on the deck, we hear a car alarm go off, and afraid that it's our car, we go to investigate. It's not our car, but it's a good thing we checked. My dad left the parking break off. Woops.
The Ferry ride to Skye takes about a half hour, and the view crossing the Sound is wonderful. (I'm gonna start to sound very redundant about the views. But it truly was gorgeous about 99.9% of the time.)
The ferry lands at Armadale. We try another store for boots there. It's another no go, but the lady recommends a store called Walker & Welles in Broadford, which is at least in a direction we're heading.
We head south a half-mile to stop in at Ardvasar, which is the traditional home of the Macintyre clan, the clan of my good friend Tuppence Macintyre. We stop by the hotel that I believe the Macintyre's used to run (for centuries). Then we head north again on the A851.
Tuppence had recommended another detour, an inland loop toward the northwest coast of the Sleat Penninsula in order to see Dunsgaith Castle. So we headed toward Tarskavaig. Took a right turn there and headed toward Tokavaig. The castle was supposed to be between Tokavaig and Ord. But we hit Ord without spotting either the castle or even a sign for the castle. We thought about turning around, but we had no real hope that we'd find it the second time, so we just kept going and reconnected back up to the 851.
I know it sounds like the day was full of abortive failures. No lighthouse. No castle. No boots. But we didn't really feel that way. We saw so much beautiful scenery. And we just were enjoying the trip.
By this time, we had finished Tup's mix tape. So I popped in the beginning of the KCRW unabridged production of Ross Macdonald's "Zebra-Striped Hearse". This is a Lew Archer novel, directed and starring Harris Yulin, who was great. It also featured Ed Asner as Colonel Blackwell. Plus Jennifer Tilly, Tyne Daly, Kathryn Lloyd, Jodi Thelen, Joey Pants, etc. I had read the book some time ago, and although I remembered the gist of it, it was great to hear. And my dad really enjoyed it too. It's a six cassette tape production, so it would last us nearly the entire trip.
At Broadford we found Walker & Welles. As promised, they had plenty of boots. I found a pair that fit very nicely right off the bat. (And they had many other options.) So I got 'em. Then I... I... I toss my great old boots in a dumpster that stinks of fish. They truly deserved better. I still feel guilty about it. I hope someone found them and salvaged them before they got too smelly.
Back on the road (the A87 now) we drove through Sligachan and headed north to Portree. Now this trip was almost entirely planned by my father's assistant Anita Kelty Nitta (with a few recommendations from Tuppence and Carol Wagner). Anita provided us with directions, and a map that highlit our route and had stickers for all the hotels. But the sticker for our next hotel was in the wrong place. Horrors! We'd have to figure this out for ourselves for once. Fortunately, finding the hotel wasn't a problem. We took the A850 past Skeabost, Flashader, Edinbane and Blackhill and found the Greshornish House Hotel off Loch Greshornish. Dad was given "The Clydesdale Room". I got "The Palomino Room". It's not quite Castle Inverlochy, but it is a big room with a lovely view of the Loch. The people are very nice, as is the short bread cookie.
After checking in, Dad & I went for a short walk. The Midges make their first appearance, but a wind is blowing and they don't bother us much.
We went back to our rooms briefly. I talked to Beth and left a message for the kids.
7:30pm
We head down to the lounge, but cigarette smokers drive us back upstairs until Campbell, the son of the owner, begins playing his bagpipes to summon us to dinner. It's fun. He's standing out by the old cannon in full regalia, playing. Campbell's a very nice, self-deprecating guy.
Dinner is Mussels, Venison, Potatos, Broccoli, Rolls, Chocolate Mousse.
After dinner, we meet some of our fellow guests (the non-smokers) in the Lounge. An older couple from Lincolnshire and a family from Guernsey.
I stayed up that night until 11:45pm watching "Sex and the City". Then went to sleep.
TUNE IN TOMORROW for more adventure. *Here's a preview: "The Old Man of Storr" "Duntulm Castle" "Two reasons why America is ascendant" "The Fairy Flag" "Posh"*
SCOTLAND TRIP: September 2nd, 2003
TUESDAY, SEPTEMBER 2, 2003
When last we left our intrepid hero (i.e. me), he was suffering through an airline trip from LAX to Heathrow Airport in Business Class. He had just changed his watch to match London Time. This is his story:
2am
I read the L.A. Times over a glass of Tomato Juice.
Dinner was soon served. Sourdough rolls & butter, Prociutto & Salmon appetizer (though I didn't eat the Salmon). Prociutto & Shrimp maincourse. There was also a Salad, but the dressing was Ginger, which I'm allergic to, so I skipped that too. Skipped the Rice and Broccoli also. Ate the tomatos. Dessert was Apple Pie with a glass of milk.
Sitting next to me, was a woman flying with her husband. Her daughter and grandson were also on the flight in the first row of coach. They were all on their way to explore London, Oxford, etc. The woman and her husband were both retired professors from UCSD. (He was physics; she was bio-physics.) They were all quite nice. For awhile, Alex, the grandson switched seats with her. He was pretty cool. And I'm not just saying that because both he and his mom were fans (or at least appreciators) of Gargoyles. Though, heck that didn't hurt. Seemed like another good omen. Alex was a bigtime STAR WARS fan, who was writing his own comic book.
Watched three movies on the flight.
IDENTITY - I had seen commercials for this and had predicted the big twist from the commercials. This movie had a great cast led by one of my favorite actors, John Cusack. Rebecca DeMornay was in it too. At first I asked myself if that was her, then I decided it wasn't. Then I found out it was. Weird.
THE ITALIAN JOB - I'd heard good things about this, and I guess it was okay, but I wasn't particularly impressed. Still, the Mini-Coopers were fun. And since the plan for our trip was for my dad and I to rent a Mini-Cooper in Edinburgh and tool around Scotland in it, it seemed to be another good omen that this was on. Best laid plans, as you'll soon see...
ROUTE 60 - A quirky little film that alternated between being annoying and fun. Still, I love allegory and you don't see much of it these days. So I'll thumbs up it.
I tried to sleep a few times, but basically couldn't.
I started reading "SANCTUARY" by William Faulkner. A brutal little pot-boiler that he wrote for the money, then initially couldn't get published because it was too, well, everything. Of course, being Faulkner, even his pot-boilers are high literature. A tough read.
Drank a lot of water.
Eventually, they served breakfast: Grapes, three types of melon (honeydew, cantalope, water), kiwi, croissants w/butter, Peach yoplait, Orange Juice.
We landed at Heathrow in London and had a considerable trip (both by bus and on foot) to change terminals for our connecting flight to Edinburgh.
While waiting, I had an Apple Juice that had the unique taste of the apple juice in the U.K. It's different than in the U.S. It reminded me immediately and viscerally of my semester in Oxford.
Boarded our flight to Scotland. Business class again, bulkhead seat. Don't like the bulkhead, but at least it was Biz.
Fortunately, I was able to sleep. Slept through most of the flight, which was only an hour. So I was still pretty tired.
We arrived in Edinburgh and went to the rental car desk to pick up our Mini-Cooper, which my father had special ordered in advance. It wasn't there. In fact, they had no car for us. Major screw up. My dad was furious, and I just felt bad for him.
But the good news was they had a Grey Volkswagon Beetle available for us. And since it wasn't a special order it cost CONSIDERABLY less. It wound up being a terrific car for us (with a few minor exceptions I'll get to later). So all was for the best. And when I told my kids about it, they got very excited. "Grey punch-buggy, no punch backs," they yelled!
We started our drive. My dad behind the wheel. Me navigating.
We passed through Stirling, the only other Scottish town (besides Edinburgh) that I had ever been to before. But we didn't stop. It was already late afternoon, and we had a ways to drive before we got to our hotel.
We entered the Trossachs area (home to Rob Roy), passing numerous Lochs.
We passed through Glen Coe. My dad is from Glenco, Illinois, and we tried to imagine how Scottish trappers might have seen Lake Michigan and felt like it was home.
We crossed Loch Leven and then drove up the coast of Loch Linnhe, passing through Fort William. The scenery was just gorgeous. And that's exactly why we came. This wasn't going to be a museum trip. With very few exceptions, we weren't here to see anything man-made. My dad's plan for the trip was to see Scotland's natural beauty. Since he was footing the bill, I wasn't complaining. But in truth, I wasn't complaining, cuz it was just terrific. Driving past Linnhe, God parted the clouds and put a spotlight of late afternoon sun on the water. I watched it intensely, half-expecting to see a Selkie or something emerge. No luck. But it was still very gorgeous.
My good friend (and Gargoyles researcher) Tuppence Macintyre had provided us with some travel tips and a mix-tape of Scottish music (modern and otherwise) and even a Robin Williams comedy routine. We played the tape on the way to our hotel. It was great. Only one problem. I couldn't figure out how to get the thing to eject. It literally took me two days to manage it. The stereo was very strange. Every once in a while, for no apparent reason, it would switch off the tape and start playing the radio instead. Other times, when we had it switched off, it would just turn itself on. We'd turn it off again, and it would turn on again. I have no explanation, beyond gremlins. The air-conditioner also sucked. The worst was... well, I'll hold off on that... but those three things were the only problems with the bug. Otherwise, we liked it. In fact, my dad liked it so much, he's considering getting one.
We passed many, many animals. You don't see a lot of sheep alongside the 405 or the 101, so it was kinda novel to us. The sheep in Scotland are nearly ubiquitous. We also saw cows and other "robust cattle", which look almost like Oxen or Yaks or something. We saw rams, swans, horses, geese, etc. No shetland ponies though.
As we got closer to our hotel, my dad, who's only been to Scotland once before, began to say how it was starting to look familiar. Then when we arrived at our hotel, he realized that he had been here before to this hotel. (Don't ask me how he didn't realize it before that moment. It's not surprising if you know him, but it's still goofy.) We were staying at Inverlochy Castle. An actual castle that had been remodeled into a hotel years before. It was, to say the least, an extremely classy joint. (One of the advantages of traveling with my dad is that he tends to go first class all the way.) Dad remembered it as the place where he had a fight with his shower. Being unable to work it, he had started yelling at it. (Now you guys can see where I inherited my limited technical abilities. My dad doesn't even have e-mail.)
My room was amazing. HUGE. With a bathroom bigger than most of the hotel rooms I've ever stayed in. I changed for dinner, as this place required a coat and tie in the dining room. I also left a quick voice mail for Beth to let her know we had arrived.
For Dinner I had sparkling water, mustard seed rolls w/butter, a Lobster cocktail, terrific Potato/Leek soup and Sea Breem with Mussels, shrimp and spinach. Now, the only non-shellfish I really like is trout. But I also don't like lamb which was the other option, so I tried the Sea Breem. Nope. But the mussels, shrimp and spinach were great. Dessert was an Apple tart served with apple puree and fresh pressed apple jus.
Back in the room, I called the kids and talked to them and my Mom, who was baby-sitting. I also called Beth again and talked to her. There was a toffee on my pillow. So, what the heck, I ate that too.
Finally, I went to bed...
TUNE IN TOMORROW for more adventure. *Here's a preview: "English Bacon..." "Neptune's Staircase..." "They deserved better..." "The Zebra-Striped Hearse..." "Campbell on bagpipes..."
SCOTLAND TRIP: September 1st, 2003
Hey gang,
I'm back from Scotland. As some of you might know, my father (who without exageration has nearly a half-million frequent flyer miles from years and years of business travel) was going to Germany on business and decided to take advantage of the free trip to spend a week in Scotland. I offered to go with him (cuz I'm SO generous), and as my 40th birthday is coming up, he agreed to use some of his miles to take me along.
Thought you might like to hear about my trip. So I'll put together a little Scotland journal. Cover a day per day, that sort of thing. Mostly, I'll talk about what I ate.
And if you're not interested. Well. Then don't read it.
MONDAY, SEPTEMBER 1, 2003
Wasn't going to work, so I got up late (10am). Very slowly showered and shaved. Wasn't even bringing a razor on the trip, so this would be my last shave until today. (For those who haven't seen me since the con, I've shaved off the beard.)
The only problem was that I shaved with a "dead" razor and really cut up my face.
12pm - Walked into Larchmont Village to get a haircut. As an experiment -- and since I wouldn't be seeing anyone but my dad for a week, I got a complete buzzcut. #1 Plastic clippered the whole thing. I think I looked damaged. But Beth and the barber liked it. Though my kids did not. It's still VERY short and takes some definite getting used to.
I went home and packed my duffle bag. And the zipper ripped. Not a good omen. So I repacked in Beth's duffle. Packed my briefcase. Checked the internet briefly.
3pm - The car arrived. I said goodbye to my wife and kids and left.
3:30pm - Arrived at the airport. Checked in. Grabbed some food at McDonalds. Quarter-pounder with cheese, fries, Coke, bake apple pie. Started eating at the gate.
My dad met me there. He saw my haircut and liked it. I was able to upgrade to Business Class at the gate, which was a GOOD omen. Then he and I sat and talked.
5:30pm - We boarded. He was in First Class (payed by the German company he works for). I was in the last row of Biz. The seats are almost too high tech to figure out, but man biz-class rules. Had a glass of water and we took off.
Immediately, I reset my watch to Scottish time. Which means that's it for Monday.
Read about Tuesday tomorrow... (Here's a preview: "sourdough..." "Route 60..." "No punch backs..." "Inverlochy Castle...")
SCOTLAND BOUND
Hey gang,
Just a quick note to let you know I won't be answering questions here next week. I'm off to Scotland with my dad. We're renting a car and driving along the west coast and the Isle of Skye.
I'll keep an eye out for Wyvern Hill.
And I'll be back in the office, answering questions on September 8th.
Take care,
Addendum...
Sorrowful Jones! How could I forget to mention Sorrowful Jones?!
Those are probably my two favorite Bob Hope movies, "The Lemon-Drop Kid" and "Sorrowful Jones". Of course, as some of you know, I'm a sucker for a Damon Runyon story in general. Many members of my family were Damon Runyon characters.
Also, today my brother was kind enough to plug ASK GREG, so it's more than high-time that I return the favor.
If you like Baseball -- and especially if you like the Dodgers -- you might want to check out his website, where he writes a daily column about dealing with the emotional trauma, the highs and lows of being a baseball fan. I never miss a day.
Check out:
http://jonthoughts.blogspot.com/
(I wish I knew how to make the above an actual link. But you guys all know how to cut and paste.)
BRUSH WITH GREATNESS
When I was a kid, my grandparents lived in Palm Springs. My brother and sister and I had been staying with them (without our parents), but it was time to head home to L.A.
We were flying. A short flight, a small plane. We got to preboard, because we were unaccompanied minors. One other guy got to pre-board. Bob Hope. Cuz, well... cuz he was Bob Hope.
My grandmother, Sue Weisman -- who is now a healthy 93 years old -- approached Mr. Hope and without hesitation asked him to watch over her three grandchildren during the flight. Keep in mind this was about three decades ago. Bob Hope was a HUGE star. I have no idea what he thought of the request, but he was very gracious and agreed.
The plane had two seats on either side of the aisle. So my younger siblings, Robyn and Jon, sat next to each other in the front row to the right of the aisle. I have no memory of who got the window seat and who got the aisle seat between them. But I know where I sat. I sat in the front row aisle seat across from them. (I was the oldest, so I was the one sitting alone.) Sitting next to me was Bob Hope. Now, this was a night time flight. And not crowded. I remember very clearly that I was kinda annoyed by the seating arrangements. I had flown before, but I had never flown at night and I was young enough to think I'd have a better look at the stars and the moon. So I had really, really wanted a window seat. I also can't imagine that Bob Hope's first choice would have been to sit next to a bunch of kids.
But we both made the best of it. I told him that I had actually seen him on tv twice the previous day. (Again, remember, he was a huge star then, so this was not unusual.) His golf tournament was during the day, and he had been on a Dean Martin Roast the previous night. He explained to me that the Roast had been recorded weeks before.
That's about all I remember. And I'm sure in the next few days you'll see and read a bunch of much more efficacious and worthwhile tributes to the man. There are a couple movies of his, "The Lemon-Drop Kid" in particular, that I truly cherish. And his work with the USO is unparalleled.
But I just thought I'd add this: He was a man that my grandmother could trust with her grandkids. And I think that's saying something.
Rest in peace, Bob.
G2003 Journal (7/2 - 7/6)
WEDNESDAY, JULY 2, 2003:
I got up to pack. My poor little duffle was really busting at the seams given how many books, t-shirts and videotapes I had picked up. But it held.
We had time to go into town for one last round of Tacos and Ice Cream.
Then we took our Cape Air flight to Boston.
Had a layover, so, well, of course, I ate again. Airport Whopper and an Orange. An actual orange.
Got on a flight to Los Angeles. The movie was "Chicago". We had been debating as to whether or not to take the kids to see this film, so we just let them watch. I liked it. So did they.
When it was over I started reading William Faulkner's "As I Lay Dying". Great book.
We arrived home very late. Put the kids to bed. Then I started to read/skim about two weeks worth of newspapers.
Finally went to bed.
THURSDAY, JULY 3, 2003:
Went to my local bookstore and retreived our pre-ordered copy of Harry Potter and the Order of the Phoenix. We still hadn't finished rereading Goblet of Fire to the kids, so we wouldn't end up starting Phoenix for a bit. We've since started it. We just got through the Hearing. Good stuff. But man, this series has grown up some, huh?
We had vague plans to meet some old friends at Disneyland, but we were just to beat to face the traffic down to Anaheim. So I didn't see my friend Iris. Didn't see Bruce Cranston in New York. Or Paul Lacy. Or Dan Raspler. Or my NY cousins. But I didn't feel ripped off. I saw Lianne and Doug and I've made so many friends among the fandom, that my time was full.
FRIDAY, JULY 4, 2003:
Independence Day. We had two parties to go to. First the Ehrlich's, then the Resnicks. Ate a ton. I mean, a ton. Steak, multiple pies. And a lot more too. Saw some fireworks. Finished reading Faulkner.
SATURDAY, JULY 5, 2003:
I've now grown a bit obssessed with LXG. So I went out and bought a trade paperback, "Heroes & Monsters" at Golden Apple Comics (a place I used to go into weekly, but which I haven't entered in years) that annotated Alan Moore's series. Still haven't seen the movie.
Benny bought some English translation of some Anime cartoon. CardCaptors, I think. Erin bought an Archie digest. She's now addicted to Archie digests.
That night we had guests over for dinner. One Thom Adcox. Plus the wife and daughter of Josh Silver, Keith David's manager. This was a get together we had planned weeks ago, but Josh couldn't make it because he "had" to fly to London to spend time with Keith, who's there shooting Cody Banks 2.
It was a very nice evening. And great to see Thom again. I have got to see him more often. We walked into Larchmont Village for Baskin Robbins. I had a chocolate chip milkshake with bannannanna.
SUNDAY, JULY 6, 2003
Erin and Benny had a play date at our house with the two Sperling kids. I hadn't seen Carol yet, so I didn't have the card for them that you guys all made.
Their mom rejoined us and we all went to Sinbad. Which was truly mediocre, I thought.
One week later, I took the card and the Radio Play script over to them. They were VERY appreciative. Gary's son immediately sat down to read the script. And they liked all the pictures on the card. So you all did a nice thing. Thank you.
And, well, that's my summer vacation...
G2003 Journal (7/1)
TUESDAY, JULY 1, 2003:
Woke up and like an addict went back to Krispy Kreme in Penn Station for three (or, okay, maybe four more donuts).
At 9am I met Carol, Greg Bishansky and Aaron out in front of the hotel for what would turn out to be "Mr. Bishansky's Wild Ride".
Greg had originally wanted to leave at 9:30. But I had an 11:35 flight out of LaGuardia to catch, and not wanting to take any chances, I insisted on 9:00 sharp.
Said goodbye to Carol and Aaron and wound up leaving about 9:10ish.
Greg had directions. He also had a car that was making a real odd noise, but he assured me it was driving fine. When it started stalling periodically, I got a bit nervous, but he was always able to start it right up again, so I hid my concerns.
We talked. Mostly, as I recall about League of Extraordinary Gentlemen. It was nice and I wasn't paying very close attention to where we were going. Until I happened to look up and notice we were at 8th and 24th. I couldn't figure out why he had taken us this far west and south. He apologized. Said the directions were confusing, but now he was on the right track. However when we passed the hotel again at 9:45, I figured I better start navigating.
To be fair, there were a number of street closures that kept screwing us up. And then came the accident, which was absolutely NOT Greg's fault. We were waiting at a red light, when a commercial van sideswiped Greg's car, clipping off his driver's side mirror. We pulled over. The van driver got out, but instead of coming to see us, he ran over to a bus and started yelling at the driver. It was kinda like cosplay. He clearly wanted us to think that somehow the accident was the bus driver's fault. But we were at a dead stop when he hit us, so even if he was cut off, there's no way that hitting us wasn't HIS fault. Period.
Anyway, while he yelled at the bus, which ignored him and drove off, I wrote down his license plate and the truck owner info for Greg. The guy then came over and threw a twenty at Greg, saying "Here's twenty to fix your mirror and besides this was NOT my fault."
Now, I was faced with a moral dilemma, that one could argue I failed at. Neither Greg nor I thought that $20 would fix his mirror. I should have advised him to get out of the car and exchange Drivers license and insurance info with the van driver. And absolutely NOT to accept the $20 as a payment. But Greg seemed willing to move on, and I was seriously concerned about how late it was getting. So I let Greg drive on. My bad.
Also my bad for using the expression my bad. Uggghhh.
I directed Greg to the Midtown Tunnel, asking if he knew how to get to the airport from there. He said yes. This would prove to be something of a little white lie.
We pull up to the toll booth just beyond the tunnel. Greg digs for the $4 to pay the toll and I yell, "STOP!" Too late. He rear ends the car in front of him. Okay, now this one was TOTALLY Greg's fault. I'd be more upset, but even then, I'm thinking, "Two accidents en route to the airport. This is so out there. It'll make a great story for ASK GREG."
Anyway, the victim pulls over while we pay our toll. I'm focused on him, and am only peripherally aware of Greg getting directions to LaGuardia from the Toll Booth Guy. In the back of my mind it occurs to me that Greg may not quite know what he's doing.
Fortunately, there was no damage to the victim's car. He drove off. We drove off. We then missed our exit (17) to change freeways for LaGuardia. The next exit was closed. The remaining glass in Greg's broken mirror was flapping around in the wind, so I finally asked him to just pull it off before it took out one of our jugulars.
We got off at exit 19 and turned around to head back. No U turn of course. So I made my second morally challenged call of the day and basically ordered Greg to make an illegal U. He did. We got back on the freeway.
As we approached exit 18 (Morris Street, I think), Greg was sure he knew how to get to LaGuardia from there. I asked him twice, as our exit was supposed to be 17. But he was sure. He got off. And almost immediately said, "I don't recognize anything." I said, "Greg, you're killing me here." But I think I was still half joking at that point.
We turned around and got back on the freeway to head for 17. Major traffic jam now. Greg says, "Lucky, you're flight doesn't leave until noon." I kinda blow a small gasket and remind him at leaves at 11:35. As it was now 10:35, I felt that we should be there already, given security lines and all.
We finally reach 17. He heads west. And again, immediately says he doesn't recognize anything. Without asking, he gets off the freeway again. This time when I say, "Greg, you're killing me here!" I'm really not joking at all. I'm pretty pissed off. (Of course, this time it turns out he was right. We were heading the exact wrong direction. So it was a very good thing that he got off.)
Greg was looking for someone to give us directions. The first guy he asked spoke no English, but the second guy actually gave us GREAT directions. Thank you, stranger.
We got back on the freeway, heading East. But by the time he dropped me off at the airport departure level it was 11:10. Let me just say that two hours to get to LaGuardia from Penn Station is not really making good time, especially considering we only hit two little bursts of traffic.
Anyway, he went to park in case, as now seemed likely, I missed my flight. I went inside. There was a huge line at U.S.Airways, so I approached one of those e-ticket check in machines, but it said you needed a frequent flyer card for that. So then I approached the guy manning the EMPTY first class line. I asked if he would help me, explaining that though I was not a first class passenger, my flight was leaving in twenty minutes and I didn't think I'd make it through the coach line in time.
His response: "Well, you got to wait in the line."
I have to admit, I was a little stunned that he wouldn't help me. I must have given him a look, cuz he said, or you can use the machines. I explained that I didn't have a FF card. He said any credit card would do.
I returned to the machine. I rechecked and it in fact said that I had to have a FF card. But I tried my credit card and it worked fine. Took a minute tops. So the whole thing about needing an FF card is just a trick basically to encourage people to get and/or use their FF cards. Stupid.
Luckily there was no line to speak of at security, and they didn't strip search me or anything, so soon I was running for my gate. It was 11:25 at this point. So it could really go either way. I arrived at the gate -- which was literally the last one in the terminal of course, only to discover that the flight was delayed forty minutes.
Here, I'm torn between happy and upset. After all, I was there against all odds. But mostly I'm just happy I didn't miss it. So I settle down. I call Greg and tell him to go home. All is well, no harm done. I call my father-in-law to let him know that my flight to Nantucket is delayed.
I know I ate again. Can't remember what though.
Got on the plane and arrived in Nantucket.
No one was waiting for me, but their house is so close, I figured they must be on their way and there was no point in calling. So a half hour later, I called, by which time they were -- just -- on their way to get me.
Still, I was there. Went back to the house, then went with my mother-in-law to spend some time with my kids on the beach. I was supposed to watch them and make sure they didn't drown. But I could tell I was drowsy, so I relinquished my responsibility to my mother-in-law and took a little nap.
For dinner that night my in-laws cooked up live New England Lobsters. So good. Then we went into town for some ice cream with the kids. I had a hot fudge sundae with chocolate chip ice cream.
We came back to the house. And pretty much all just went to bed. That was the first night on the entire trip that I went to bed before 1am.
THE ADVENTURE CONTINUES... OR AT LEAST THE VACATION DOES... TOMORROW!
G2003 Journal (6/30)
MONDAY, JUNE 30, 2003:
Today, in the middle of my two week vacation was a work day -- or at least half of one.
I got up and headed back to Krispy Kreme for more donuts. Then I walked to midtown for my first meeting.
Then I had a meeting at MTV. Just what we call a Meet & Greet. Hi. Nice to meet you. Hope we get to work together some day. It was nice, and they're doing some interesting stuff. So I do hope I get to work with them someday. I talked to her (I'm not giving names on purpose) about the project that Vic and Greg and I have, but I didn't pitch it, as we're waiting to see if Warners wants to sign on and pitch it to MTV with us.
Then I had time to kill. I had passed Midtown Comics on my way to MTV, so I headed back there. I don't frequent comic book stores, much these days. Wound up quitting that world more or less cold turkey in 1996. But the commercials for "The League of Extraordinary Gentlemen" movie had intrigued me. When the "FROM HELL" movie came out, I didn't go see it, but I went into a bookstore and bought Alan Moore's graphic novel, which I thoroughly enjoyed. I had been haunting bookstores for League, thinking that the movie would bring the GN into similar wide release. Hadn't been able to find it, so I finally broke down and entered a comic book store. Midtown Comics is a great looking store. I found LXG immediately, and then looked around. It's the same old thing for me. I'm out of the world and too far behind. If I started buying anything (on impulse that is) I'd have to buy EVERYTHING. So I stuck to my original purchase.
Then it was up to William Morris for my meeting with DAG Entertainment. Me and the DAG guys really hit it off. We spent a good chunk of time talking about Buffy the Vampire Slayer, how much we liked the series and how disappointed we were in the final episode. (My main gripe: too much to fit into one hour; it should have been a two-parter.) They talked about a project they had that they were interested in me working on. It sounded cool, and now that I'm back (two weeks later) it looks like I actually got a job thanks to the Gathering.
We talked so long, I realized I was going to be late for my next meeting. I called ahead and then took off rather abruptly.
Soon enough I arrived at Noodlesoup Productions to meet with the guys there. It was another really fun Meet & Greet. I hope to do some work someday with these guys too.
After that it was back to the hotel. I was supposed to meet up with my old friend Bruce Cranston, a former Disney boss of mine who now lives on the East. But his daughter was sick, so he had to cancel.
I decided to head for McDonalds. I ran into Mandi in the lobby, and she kept me company at McD's. It didn't seem to air-conditioned, so we took the food back to my room. I ate and then felt VERY sleepy. I didn't want to find myself sleeping through the play that night, so I kicked Mandi out to take a nap.
Only, I didn't fall asleep. Oh, well.
We now segue right into dinner. Dreamie, Carol, Patrick, Karlyle, Liz, Kelly and Montreal Rob all headed to P.J.Clark's, which was one of my haunts back when I lived in NYC. It was a place I always went to with my dad for burgers, whenever he came to town. And the last time I was there was probably in 1996, when I dragged Keith David and a few other folks there after a Gargoyles event (sort of a pre-Gathering) at a Gallery in Queens. Had a great burger.
But then Carol and Patrick and I had to hustle to attend Shakespeare in the Park. We raced uptown via subway, and then took a cab across the Park. We got out and ran to the Delacourt Theater. Fortunately, Carol had already picked up our tickets (a gift from Keith David and his manager Josh Silver).
The show was really terrific. Liev Shrieber was great as a conflicted Henry V. The rest of the cast, especially the Chorus, was also great. And I loved the production -- with the small exception of a gratuitous direct reference to Bush & Hussein. It was so unnecessary.
After the show, the three of us hung out. We walked around, past another one of my old apartment buildings, this one on Amsterdam near 76th. The neighborhood has changed so dramatically since I lived there my first summer in New York. Then I realized that it has been TWENTY YEARS, so I suppose it's entitled to change in that much time. But suddenly I felt old.
Back at the hotel, the three of us watched, uh, THE BLUES BROTHERS Movie or something on tv, while we killed off the last of the bottled water Carol had given me on Thursday and the last of the Peanut M&Ms that Kathy had given my on Sunday.
Then I kicked 'em out. I read some of LXG. Again it fit the theme of the rest of my reading this week. Mixing new fiction with old fiction, legends and history. Alan Moore, a writer I've long admired, seems interested in the same sorts of things I am. ALL THINGS ARE TRUE. Creating a grand tapestry of characters that can interact. But I was stunned at the breadth of his knowledge. For example, I was surprised to see that he had portrayed Captain Nemo as an Indian. I had read 20K Leagues and had not gotten that impression. Turns out, that in Mysterious Island, Verne establishes Nemo's ethnicity. And that's just the most obvious example. The research represented in this work is nothing short of MASSIVE. All I can say is... thank god I've got Kathy Pogge to do my research for me. I'm way too slow a reader to cover that much ground.
Anyway, I quite enjoyed the book. I haven't seen the movie yet, and some of the changes seem needless and less-than-helpful. Still, you can't ask for better Quatermain casting then Connery, so I'll keep an open mind.
TUNE IN TOMORROW FOR GREG & GREG'S HARROWING "ESCAPE FROM NEW YORK..."
It's the entry Bishansky's been dreading for the last two weeks...
G2003 Journal (6/29)
SUNDAY, June 29, 2003:
Got up relatively late.
Made a couple more attempts to get into see the Othercon art, and still couldn't.
Went down into Penn Station to the Krispy Kreme store. Now, the thing is I've gotten Krispy Kreme's at a bunch of different places (Dodger Stadium, in particular). But I've never been to an actual Krispy Kreme store where I got their full line-up of donuts to choose from. I restrained myself and only bought and ate three. (And you wonder why I put on 11 pounds over a two week vacation.)
Speaking of sweet treats... PEANUT M&M'S. All weekend long, various different people walked up to me and kept handing me little bags of Peanut M&M's. I happen to really like Peanut M&M's so I was fine with the thing. But it started to get a little weird. Particularly when I left the judges table Saturday night with Vic and Thom to make our costuming picks, only to come back and find a huge pile of those little yellow bags on the table. (We gave them out as prizes for the costume/cosplay contest.) It's not like I minded, but I was pretty stumped as to who or what was behind it all. Eventually, Kathy Pogge revealed herself as the culprit. Seemed I had made one offhand comment at some point about how I was more of a peanut M&M guy than a regular M&M guy. And she ran with it. Hey, free food. I won't complain!
Anyway, after Krispy Kreme I headed up to Auction and Signing. Not many autographs to sign. I guess most people have my signature already. It was nice to see the materials for my Team Atlantis episode "THE LAST" (copies of my director's script, the Demona redesign, the audio-tape of the cast recording and the partial storyboard) all go for a whopping $740 to IRC GOLIATH.
But then it was time for Vic and I to take the elevator down for our last panel.
Speaking of elevators, it seemed odd at first that most of the elevators had t.v. sets playing CNN non-stop. Except that by the end of the weekend, if I got into one of the elevators that didn't, it really felt like something was missing. I'll never forget where I was when I learned that Katharine (note the spelling) Hepburn had died. In an elevator, watching CNN.
Anyway I finally got down to see the Othercon art. A bunch of people, Hudson in particular, watched me watch the art. Having an audience, while being an observer, was a little strange. I think they thought my head was supposed to explode or something. But I just thought it was pretty cool. I smiled and moved on. They all seemed very disappointed.
Next was the Team Atlantis panel. We showed the materials that Seth had just won in the auction and I played the tape of "THE LAST" which went over very well. I'm bummed that Disney never made the series and that episode, giving you guys another shot at seeing Demona on the screen. But I'm glad we at least got as far as recording the episode, so that I have a radio play to add to my opening ceremonies tapes every year. We also showed some clips from the new Atlantis DVD, featuring many garg voice actors, including Tom Wilson, Clancy Brown and Morgan Shepherd as a guy who thinks he's Odin.
Back upstairs for Closing Ceremonies, which is always bittersweet. I gave one last speech, trying to rouse the crowd to register for G2004. The new staff, by the way, is already in high gear. Montreal is going to be great. You don't want to miss it.
But I think my speech was just so-so. I remember the fire&brimstone thing I did in Florida to try and sell G2001 in L.A. I think I had the whole crowd on their feet that day. Sometimes you just can't recapture the magic.
But I'm amazed at how often you can. I think that's one of the many, many reasons why the Gathering is so fun for me every year. (Of course 72 hours of non-stop adulation might have something to do with it too.)
I said good-bye to some people. The auction restarted. No one had bid on my kids' painted ceramics. (Though they shared third place in the 3-D category.) So I tossed their pieces in with mine at the charity auction. I think Uriel picked them all up for about $40. I was grateful that someone wanted them. But this may not have been my most intelligent charitable contribution. It cost me $70 to make the things. Plus I had to give each kid $5 as their "profit". So next time, maybe I'll just hand the con $40 instead of trying to be so creative. They'll make more and I'll lose less. We also auctioned off a signed Atlantis poster, and scripts from "The Journey" and "The Reckoning". But I don't remember what they sold for.
Somewhere in here, I missed saying goodbye to Thom. So I said goodbye to Vic instead, even though he wasn't actually leaving NYC for another day.
Next up was our school field trip. There were 27 of us total, including myself, Kathy, Patrick, Kelly, Liz, Sean, Montreal Rob, Leo, BrooklynMagus, Mandi, Sarah, Erik, Dylan, Wingless, Seth, Ayami, Ethan, BiZZ and... and... well, more.
I was very concerned about someone getting lost, so I was constantly counting heads. A nightmare.
We stopped first at Ground Zero. I'd love to say I was blown away. But to be honest, I felt so distant from the place most of the time. I think it's too immense. And it looks too much (now) like a construction site. Plus so much is gone, I couldn't get my bearings. Couldn't picture what I remembered. It was so unreal, I guess. I think I was more effected by the effect it had on BrooklynMagus than the effect it had on me.
Back on the subway then, the 27 of headed for Coney Island. We arrived and split up, agreeing to meet back at 10pm to find out who wanted to stay and who wanted to go. I immediately knew I'd be wanting to go at 10pm. (I must really be getting old.) It just occured to me that I'd rather spend those hours hanging out and talking than spinning around on the kinds of rides I could go on at any county fair.
But Kathy and Patrick and Wingless and Seth and I tried to hit the things that really made Coney Island special, i.e. the original Nathans, the Cyclone and the AstroTower. Missed out on the Ferris Wheel, which I only realized after the fact was unique. We took a walk down the boardwalk and then met up with everyone. Miraculously, all 27 people showed up and all wanted to go. So we did.
Made our way back to the hotel. I did a final headcount and we scattered. A bunch of people joined me on my pancake hunt, but all I can say is "City that never sleeps, my foot!" Places were closed or closing right and left. We couldn't find a diner. We couldn't even find an ice cream parlor. Finally, we found an open ice cream place deep below Penn Station in the Labyrinth. Well, actually near the LIRR. After sheparding 27 people all night long, it seemed for a good long five minutes that we had lost Kathy somewhere underground. But she showed up with Popeye's chicken in hand. I was inclined to be cross until she offered to share. (I'm such a food whore.)
We all wanted to drop stuff off in our rooms and then hang out. So we agreed to meet in the Consuite in ten minutes. I was there, right outside the door, when Mandi came out. She needed a drug store and no one would go with her, so she and I went on a trek to a 24 hour pharmacy that made the Pancake hunt look like child's play. By the time I got back to the consuite, most of the people I had agreed to meet up with weren't there. Those present were quietly focused on some anime. Wasn't in the mood, so I headed off to bed. Not a big deal, but I do want everyone to know that I didn't blow you off on purpose.
TUNE IN TOMORROW FOR GREG'S FURTHER ADVENTURES IN THE CITY THAT SEEMS TO SLEEP A LITTLE...
G2003 Journal (6/28)
SATURDAY, JUNE 28, 2003:
Each day better than the last...
Again, I got up for a staff meeting, and I remember getting together outside the London room. But that's all I remember.
At 10am, Thom and Carol and I held another round of auditions with Emambu running the line, and auditioning.
At 11am, Thom and I helped Carol bring the Disney-loaned Gargoyles Development and Production artwork up to the Art room. I took another look at the art in the room. Some very cool stuff, particularly Niamgold's face cards. (But I really want her to finish the deck with a different canon character on every card. I mean we must have 52 characters easy, right?)
No bids on Erin and Benny's art. Uh oh.
Then Thom and Carol and I retreated to my room to cast the Radio Play, posting copies of the cast list at noon in multiple locations around the con.
I made several attempts to get into the Othercon art room, but kept finding the door locked.
At 12:30m I held a Starship Trooper/3x3 Eyes Q&A. I showed some DVD clips from both series, in particular featuring voice work by Gargoyles Voice Actors. Also showed some funny videos on 3x3. That Gap add still cracks me up.
But there weren't many questions for me on Troopers or 3x3. So we wound up just talking about whatever.
At 2pm, Vic and I held the Series Development Panel. This was nice. I showed the New Olympian, Gargoyles and Dark Ages pitches again. I also showed the Bad Guys reel again. And Vic and I showed the new show we're trying to sell now (with Greg Guler). It got a pretty good response. Hopefully, we'll sell it and be able to tell you about it soon.
At 3:30, the cast gathered for our radio play rehearsal. There wasn't enough time, because of various delays. But I could tell that they were quick studies.
At 5pm (or near enough to that, as we started late), we performed the Radio Play. This year as a tribute to Gary Sperling we performed his script of THE RECKONING.
Ladies & Gentlemen, The Gathering Players:
ANGELA - Jill "Leopard" Friedman
DEMONA - Batya "The Toon" Wittenberg
GOLIATH - Stephen Sobotka, Jr.
THAILOG - Carter Moore
BROOKLYN - Sarah the Great
MALIBU - Lanny Fields
TALON - William "Revel" Anson
FANG - Alex "Simon DelMonte" Wittenberg
ELISA - Vashkoda
DELILAH - Mandi Ohlin
HUDSON - Erik "Emambu" Mambu
BURBANK - Eric "Gorebash" Tribou
BROADWAY - Adam Leigh
HOLLYWOOD - Greg "GXB" Bishansky
CLAW - Seth Jackson
BRENTWOOD - Anthony "Archangel" Zucconi
LEXINGTON - Gabriel Guerrero
and Thom Adcox as DR. ANTON SEVARIUS
Everyone was great. Seth was really cast as an understudy in case someone didn't show, but I knew he would get a great laugh as Claw. And in fact he got TWO great laughs as Claw. One when he entered and one where he stood silently for his part.
Thom was fun as Sevarius. In the rehearsal, Thom and Carter did this very funny extended laughing sequence that cracked us all up. They did it again during the performance, but didn't sustain it as long. Oh, well.
But the show went great. Liz Chesterman also drew a big card up for Gary Sperling's kids, which everyone signed (and which Carol got to drag home for me). I'll give it to them next week and let you know their response. But thanks everyone who signed and special thanks to Liz and Carol.
At the Banquet, I sat with Lexy, GXB, Spacebabie and Revel and... ugh, I'm sorry, I can't remember. Pretty good food. I really liked the rice especially for some reason. I was quiet. It was a perfect example of how I'm really pretty shy in social situations. If someone had started asking me questions about Gargs or whatever, you couldn't have shut me up. But I'm lousy at small talk. Thank God, Revel was there to carry the conversation, or we would have been darn silent. (Of course, by this time everyone was tired and stuffing their faces too.)
We had a great Q&A with myself, Thom, Vic and Nichelle Nichols. Unsurprisingly, most of the questions were for her. (After all, you can get to me, Vic and Thom all the time.) And she was just great. Very gracious and warmly funny. We talked a bit about Mark of the Panther. My memories of it and hers. And she talked about Star Trek, her science fiction novels, her singing and a bunch of other stuff.
The Masquerade started at about 9:45, I think. Fewer costumes then previous years, but what their was was cherce.
Revel as Vinnie and Spacebabie as Hunter won cutest couple. (And picturing Vinnie hitting on Robyn Canmore, cracked me up.)
Cosplay prize went to Patrick as Anastasia and Karine as Fox. They were hilarious. Patrick also won the Gorelisa Memorial Award... for like the third time or something. We've got to get this guy some decent panty hose.
The Thom Adcox Memorial award went to Rob.
The Greg Guler Memorial award went to Nikki Owens.
Best Costume went to Kyt.
After the Masquerade, a few of us (me, Thom, Lanny, Patrick, Kathy and Carol) headed down to my old haunts in the West Village. The place was packed. We walked past my old apartment building. Then we went and had a second dinner at the Caliente Cab Company. Great Guac, man.
Afterwards we returned to the hotel. We all planned on going back to bed, but those of us on the 11th floor found ourselves talking in the hallway, too jazzed to go to sleep. So I invited the small group (me, Thom, Gabriel, Lanny and Kathy) into my room. We talked WAY into the night. Thom finally went to bed, I think around 3am. I think I kicked everyone out at 3:30. But I don't think I got to sleep until 4:30. It was like being in college again. Very neat...
TUNE IN TOMORROW AS GREG IS TRANSFORMED INTO THE AMAZING "DEN-MOTHER"...
G2003 Journal (6/27
FRIDAY, JUNE 27, 2003:
So I remembered what I did after dinner the night before. And since technically it was after midnight, it's kinda okay that I'm putting it in this entry.
I read. I had finished two novels in Nantucket: THE DANTE CLUB and THE DAVINCI CODE. And I started a third, THE SINISTER PIG by Tony Hillerman. I finished that one late Thurs/early Fri.
Normally, I'm a big Hillerman fan, but I have to say this book was weak. No mystery, since he gives it away. Little suspense, since we know that our heroes have allies. Omniscient narrator, so it doesn't have the unique dual protagonist structure that makes his books so neat. Almost nothing of Navajo culture. And worst of all, Bernie was turned into a damsel in distress. YUCK.
Also, it didn't fit the pattern of my other reading for the vacation, i.e. that mix of fact, legend and fiction, which was one of the hallmarks of the first two books and of the Gargoyles series. ALL THINGS ARE TRUE.
Still, I so rarely get to read for pleasure, it was nice to put away three books.
Anyway, back to Friday...
I woke up at 8am, which wasn't easy. But I knew I wasn't going to get much sleep this weekend.
At 9, I was down in the consuite for the staff breakfast that didn't materialize because there were other more pressing things to do. I helped stuff and alphabetize envelopes instead.
After that, around 10:30am, Kathy and Carol and I went down to the hotel Lindy's for a WAY-overpriced meal that included fermented tomato juice. Kathy insisted on paying, which was very, very nice of her, if unneccesary.
Around 11:30, I stopped by the art room to drop off the ceramic figures that Erin, Benny and I had painted for the con. Mine was just on display -- but was destined for the charity auction on Sunday. It was a gargoyle that I dubbed (at the last minute) "No-Name". Erin had also done a gargoyle; she had painted glasses on it, so I named it "Four Eyes". Benny had done a fairy, which I named "Junebug" after one of the fairies in our back yard at home. The kids weren't donating their art to the charity auction. They wanted to get paid for theirs. More on this Sunday.
At 1:30pm I had a Mug-A-Guest up in the Skytop room. Answered a few questions in my long-winded fashion. It was fun.
Then at 2:30 I went downstairs to join Thom for a Voice Acting Seminar. This was fun. We answered questions, but we also workshopped a number of pieces including the Demona audition side, a Griff/Leo/Una/Goliath scene from MIA, a Lex/Tom/Mary/Brooklyn/Demona scene from Awakening One and a Lex/Goliath/Brooklyn/Broadway/Hudson scene from Thrill.
It was fun and we discovered two exceptional actresses, Jill & Rachael. Unfortunately, Rachael actually got a paying acting gig so she wouldn't be around for the Radio Play.
After that, at 4pm, Thom and Carol and I held the first round of auditions, with Archangel and I think Chyna acting as our volunteers, managing the line.
We had some really great people, but I couldn't help missing some of our missing long-standing Gathering Players: Jen, Jubes, Zehra, Zach Baker, Jordan Mann, etc.
Kathy brought Thom and I Nathans hot dogs from downstairs for lunch. So I think she paid for two of my meals that day. Uh. Thanks AGAIN!!
6:30 brought Opening Ceremonies. The G2003 staff intro'd themselves. And then the G2004 staff (led by Karine and Kelly) did the same. I'm already excited about the Montreal con. I hope all of you will be there.
Then it was my turn. I took hand counts of con virgins, 2nd timers, third timers, fourth timers, fifth timers, sixth timers and those absolutely HEROIC SEVENTH TIMERS. It was great to see people like Noel, Patrick, Karine and others raise their hands.
But it again made me think of those MIA that I missed. All those listed above and also Derek, Christine, Tim and Becca Morgan, Spike, Pogo and Aimee, Kenna, Steph, Cindy, etc. I'll admit it. I'm greedy. I want them all back!
I read letters from Greg Guler and Brigitte Bako, both announced guests that unfortunately had to pull out at the last minute. They said some nice stuff.
Then I did the Video Presentation AGAIN. Garg pitch. Garg promo. Garg presentation. Dark Ages Pitch. New Olympians Pitch. Bad Guys Reel. It was fun for the Virgins. Fun for the old hands. Fun for me. My resolution for next year is to stop apologizing for showing the same stuff over and over. If people don't want to see it they can leave the room.
After opening ceremonies, a group of us (me, Carol, Kathy, Patrick, Mandi and Vic) went to a restaurant called AMERICA, which was one of my favorite places to eat back when I lived in NYC. It was empty, which was weird, since back in the day, the place was always packed. The food was still great, so it just must be out of fashion. I had popcorn shrimp and pulled pork and tastes of a bunch of other stuff. As a table we shared like six deserts including apple pie, cheesecake, brownie alamode, and Death-By-Chocolate. Also, my college friend Doug joined us for dinner. I hadn't seen him in years, so it was great to catch up, especially at America, a place he and I used to go to with some frequency.
After Dinner, time was short so we hustled back to the hotel (sorry, Mandi). Thom and I held our "Blue Mug" which was a real blast. People try to shock me, but it isn't easy to do. I suppose by now, most of you have heard the big revelation of the night: that Lexington is Gay. I hadn't planned on revealing it, but a direct question was asked and so I gave a direct answer. We had an intelligent mature conversation about it -- spiked with lots of laughter. I was really sorry when the Security Guard broke us up around 2am, and in hindsight even sorrier that none of us took him up on the offer to check with the front desk for permission to continue.
Still it was late. I went to bed. But I was so juiced it took me another couple hours to crash.
TUNE IN TOMORROW AS OUR YOUNG MAESTRO GATHERS HIS PLAYERS...
G2003 Journal (6/26)
THURSDAY, JUNE 26, 2003:
Having been on Nantucket for a few days already, you'd think I'd be on Eastern time. But nope, not me. I'd been going to bed ridiculously late -- even by my standards, and getting up, well, let's just say before noon (but not much before).
But today, to catch my plane I had to set the alarm for 5:30am.
I had a very eclectic breakfast: an egg yolk, bacon, a bananna, Apple Juice, a slice of turkey, Cranberry Jello and a Three Musketeers bar at the Nantucket Airport (the setting for the tv series "WINGS").
My flight was supposed to be a non-stop to La Guardia, but the flight number got changed and I wound up on a puddle-jumper that stopped in Hyannis before heading off to New York. This was not a problem for me, but caused panic with Mara and the Bishanskys who were waiting to pick me up in Queens. They had forgotten that I was coming from Nantucket, and assumed that I was on a flight from SoCal. But the now-non-existant flight number they were given didn't match with a California flight. And because of the stopover in Hyannis, I was getting in later than they expected. So they thought they missed me.
Of course, when I did get in I just sauntered off the plane and Alex recognized me, calling over to his mom and Mara. They were very apologetic. But since, I never knew there was a problem, I was fine.
En route to the hotel, Greg & Alex's mom told this story about the "Underwear Cowboy" who hangs out in Times Square. Just as she finished telling us about this guy, we drove past him. I would wind up seeing him again later in the trip.
We arrived at the Hotel Pennsylvania and checked in. Carol Wagner (guest coordinator extraordinaire) was waiting and handed me the huge quantity of stuff that I had more or less coerced her into taking to New York, so that I wouldn't have to. (Thanks, Carol, for everything.)
My room was nice. Not huge, but much larger than some people got. No room service though. (There ought to be a law.)
I then headed out to meet up with Lianne, my high school friend, who now lives in New York with her husband Chris and son Elijah. It was so hot, I decided to walk, since I had the time and I just figured the subway stations would be sauna-esque. It wasn't too bad walking through midtown, as the concrete canyons create a breeze. But the air just flattens out at Central Park South. And man those last few blocks into the sixties were torture.
Lianne and I met at Elijah's school, at Stephen S. Wise Temple, up near the Park. As a kid, I went to a Stephen S. Wise Temple in L.A. I wondered who this Wise guy was that he had temples named for him all across the country, but no one could answer me. No one being, Lianne and Elijah (age 4).
We went to a coffee shop to grab a late afternoon breakfast (bacon, eggs and potatos) then walked with Elijah through Central Park. We hung out at the water park, rode the carousel, strolled across the sheep's meadow, got ice cream, etc. Lianne and I got to catch up. It was great. I dropped them off at their midtown apartment and walked back down to the hotel.
I cooled off for a bit in my room, but by that time the staff had checked into the consuite, so I stopped by to say hello.
Then a bunch of us went to go wait for Thom Adcox and Vic & Hanna Cook out in front of the hotel. They were about a half-hour late, when Carol went inside to discover that they had arrived as planned but had been dropped off in the alley.
When we finally hooked up, we got everyone checked into their rooms and then took off for a late dinner at Monster Sushi.
We had at least three tables. Thom, Kathy Pogge, Carol, Spacebabie and Revel were at my table. Nearby were Sapphire, Liz, Dreamie, Winterwolf, Mara, Aaron, GXB, Ethan and Lynati. (I think that's everyone.) The food was great, and we traded acting stories. I learn more about Mr. Adcock-Hernandez everyday. I had no idea that Thom was a dancer.
I have absolutely no memory of what we did after dinner. None. It's even possible I just went to bed.
MORE TO COME AS OUR INTREPID MR. WEISMAN ENTERS THE GATHERING ZONE...
G2003 Journal (6/20 - 6/25)
FRIDAY, JUNE 20, 2003:
This was a last minute day of stuffing in work, mostly. But I did have a great lunch at the Airstream Diner with Thom Adcox, Jen and Alan Anderson, Lanny Fields and Derek. (Uh, I just realized I don't know Derek's last name.) Lunch was great, and most of us came back to my office after to talk. It was the perfect precursor to the Gathering. I knew I needed to kick them out and get some more work done -- and I did eventually -- but not until much later than I originally planned.
The only bummer was that Derek, Alan and Jen weren't coming to the Gathering this year. We gave them heck about it though.
Also, and this is VERY important, I had been dieting right up until the morning of the 20th (and had lost 9 lbs.). Diet was officially over until July 7th. Now I could Gather AND eat!!
Anyway, after work I headed home. Beth, Erin, Benny and I were picked up by the car service and taken to LAX. In the airport, we spotted Tony Shaloub, the actor who plays "Monk" and who was the voice of the Emir on Gargoyles. He did one days work for us about 8 years ago, so I didn't approach him, but I took it as a good omen. Especially when it turned out he was on our red-eye flight to Boston. (Although he was in First Class, and we were in coach.)
The movie was Daredevil, which I hadn't seen. There were a few things I liked about it -- and I'm always more generous to movies on a plane, since I'm so desperate. Not a great movie. But I didn't hate it.
SATURDAY, JUNE 21, 2003:
Saturday morning we arrived at Logan Airport in Boston to catch our connecting Cape Air flight to Nantucket. (I know, I know, you're all thinking: "But Greg, didn't you know the con was in New York?" Bear with me.) Tony Shaloub seemed to be following me. It occured to me that this former star of "Wings" which was set in Nantucket, might be going there. That would put him on our very small plane. At any rate, it seemed to be fate, so I reintroduced myself to him, and intro'd the two kids. He was very nice. But it turned out he was going on a different plane to Martha's Vineyard. Which seemed to me like a real blow to Wings fans. But what can you do?
So the four of us boarded our flight to Nantucket. And then we were there, picked up by Beth's parents, who live there most of the year.
We spent most of the day relaxing and/or sleeping. It was raining anyway and we were beat.
That night, on cable TV, I saw some bit of Awakening Parts 3 & 5. And took it as another good omen.
SUNDAY, JUNE 22, 2003:
Another relaxing day where we didn't do much. Though I did buy an apple pie that I would wind up eating single-handedly over the next two days.
Kathy Pogge sent me some research for a project I might be working on. Thanks, Kathy.
I started reading a book called THE DANTE CLUB. It was very good. Aside from including a lot of Dante/Inferno references, it mixed real people with fictional. Told a fictional story in a real setting, etc. This is stuff, which I'm sure you guys realize interests me a lot. It would become the theme for my reading this week. Anyway, a very good book. I recommend it.
On the other hand, that night I finally saw "Attack of the Clones" on cable. UGH. A movie that is entirely catharsis-free cannot be a good thing.
Question: What am I supposed to think the Tuskan Raiders did to Ma Skywalker? Just beat her up a lot? Gang-rape her? Awful.
And Owen wasn't a Skywalker in New Hope? I had no idea.
And doesn't Padma think that Anakin requires -- if not prosecution -- then at least therapy, after he kills Tuskan women and children?
And am I the only one who totally doesn't buy the Jedi rule against love? Where did THAT come from?
And why is the whole Chancellor Palpatine/Darth Siddius thing played like a mystery?
Plus the plot's a mess.
UGH.
MONDAY, JUNE 23, 2003:
With the start of the new week, Erin started a one-week Sailing Class and Benny started summer camp. They both had a lot of fun.
I finished Dante Club and started a new book, THE DAVINCI CODE. This one wasn't as well-written, but again dealt with a mix of real people and legendary figures, and secret societies. Mixing fact and fiction, as we tried to do in Gargoyles. Not as good a read, but fascinating subject matter.
We treated my in-laws to all-you-can-eat Spaghetti and meatballs.
We started a lighthouse puzzle that we still hadn't finished by the time our trip ended.
We had Hot Fudge sundaes in town.
That night on cable: more good omens:
--Brigitte Bako in "Mind of a Married Man".
--Tony Shaloub in a new episode of "Monk".
--And Keith David narrating "Comic Book Heroes - Unmasked" It was weird hearing him talk objectively about Spawn, as if he had nothing to do with it. But it was a pretty cool special.
TUESDAY, JUNE 24, 2003:
With both kids in camp, Beth and I had time to wander through town. We got ice cream, and I got some Clam Chowder. I wanted to get the Chowder in a sourdough bread bowl, but they don't do that on the island. I guess that's a San Francisco thing that hasn't reached the East yet. But it seemed like something someone could make some money on. One of you go get rich and thank me later.
We had dinner at home (baby back ribs and potato pancakes). I finished Da Vinci Code and watched The Bourne Identity, which was okay.
WEDNESDAY, JUNE 25, 2003:
Again, Beth and I had some nice time for ourselves for a walk through town. This time I got Soft Tacos and a Smoothie.
Dinner was Italian Sausages at home.
And the night's movie was "Lost & Delirious" which was pretty creepy.
TUNE IN TOMORROW AS GREG LEAVES NANTUCKET FOR MANHATTAN...
GATHERING 2003 JOURNAL - Or how I spent my summer vacation...
Before I start, I just want to say...
1. I had a blast. Thank you, everyone for another phenomenal and memorable event in my life.
2. Now that the posting function here at ASK GREG has been re-awakened, I'd like to ask everyone who attended the Gathering to post their Gathering journals/diaries/logs here at ASK GREG. If you've got them posted elsewhere, please cut and paste them here. (Do not provide a link.) One, I'd like to read them eventually. And I even think it'll be kind of fun to be reading them months from now. I'll be nostalgic. Two, I think we should have a record here for con virgins and other newbies about just how much fun the Gathering can be. Thanks, in advance.
3. As I'm going through my journal, I'm flat out bound to forget some things and even some people. I apologize in advance. There are so many names and faces, it sometimes takes me a year or two to process people (just ask Spacebabie).
4. I'm not just going to post about the Gathering (i.e. about June 27-29th). My vacation started on June 20th and didn't end until yesterday, July 6th. So I'm going to post everything Gathering related that took place over that period. Hopefully in chunks.
5. I won't be answering any more questions until I get this done, but I'm hoping to have it done by the end of the week.
6. I'm also hoping to getting back to rambling about episodes -- about one ep a week, starting next week or the week after. That's the plan, anyway.
7. And again. Wow. Thank you all.
BACK TO MANHATTAN
Okay gang,
There you go. A double dose of ASK GREG today, because tonight I am off to the East Coast. A family vacation first, before I head into Manhattan for the Seventh Annual Gathering of the Gargoyles. The G2003 staff has a kick-ass con planned for all of you this year.
Guests include myself, Thom "Lexington" Adcox, Nichelle "Uhura/Diane Maza" Nichols, storyboard artist and director Victor Cook and Paul Lacy, who helped me create GARGOYLES all those many years ago.
We have a display of ORIGINAL DEVELOPMENT AND PRODUCTION ART FROM THE GARGOYLES SERIES, lent to us by Disney.
We have a Radio Play, a sneak peak at new development from myself, Vic and Gargoyles' character designer Greg Guler. We have the audio tape of the Team Atlantis episode featuring Marina Sirtis as Demona. And all the standard Gathering good times we have every year.
I hope to see all of you there. For more info check out:
http://gathering.gargoyles-fans.org
And I'll be back here answering questions around July 7th.
Greg
GARY SPERLING
Gary Sperling has passed away.
It wasn't a surprise. Though he never smoked a day in his life, he had lung cancer. Surgery to remove one of his lungs failed to halt the spread of the cancer, and a few minutes ago he passed away with his wife beside him.
Some of you may have met Gary at the 2001 Gathering in Los Angeles. I hope you did. I hope you got a chance to talk to him or at least listen to him. He was a phenomenally intelligent, reasonable and wonderful human being.
Gary was a lawyer by training, who gave up a lucrative career to do something he loved. Write. Specifically, he wrote cartoons. A lot of cartoons, mostly for Disney TV Animation. A very incomplete list of shows he worked on would include: Darkwing Duck, Gargoyles, Nightmare Ned, Hercules, Buzz Lightyear, Max Steel and Kim Possible. (And those are just the ones I can think of off the top of my head.)
He was a terrific writer and story editor, and a great friend. His contributions to Gargoyles are hard to measure. He was truly a rock on that show. Someone I could always count on. Listing his Gargoyles credits will give you a partial idea of just how much your enjoyment of the series was based on Gary's work...
UPGRADE - Story Editor
PROTECTION - Story Editor & Writer
HERITAGE - Story Editor
KINGDOM - Story Editor
GOLEM - Story Editor & Writer
M.I.A. - Story Editor
THE NEW OLYMPIANS - Story Editor
BUSHIDO - Story Editor & Writer
THE GATHERING, PART TWO - Co-Story Editor & Co-Teleplay Writer
TURF - Story Editor
THE RECKONING - Co-Story Editor & Teleplay Writer
In addition, he helped develop BAD GUYS and was the writer on the BAD GUYS Story Reel which I show every year at the Gathering.
Among other things, Gary turned Brooklyn into a leader, turned Dingo into a good guy, created both the London and Ishimura Clans and set the stage for Broadway and Angela to fall in love. If any of those things helped to make you a fan, then he's the reason.
Gary leaves behind a wife and two young children. Plus many other friends and family members who will miss him tremendously.
Gargoyles DVD
Hey gang -- Good news and bad news time.
I was contacted by John Hanna at Buena Vista Home Video (or whatever the division is called now).
The Gargoyles DVD is definitely ON. As some of you know, I had been concerned since I hadn't heard from John in a long time.
The "bad news" is that it has been moved back to 2004 release to coincide with the TENTH ANNIVERSARY of the series.
As bad news goes, that's sorta cool.
ATTENTION FANS OF MATT BLUESTONE
Tom Wilson (the voice of Matt Bluestone) is currently recurring on the NBC series Ed, playing a widowered fireman and a potential love-interet for the Molly Hudson character, played by actress Leslie Boone, whom I've also worked with on 3x3 EYES. (Leslie is a very good friend of Thom "Lexington" Adcox.)
I've worked with Tom on most of the series where I had some control over casting, like MAX STEEL and TEAM ATLANTIS. He's one of my absolute favorite performers, and he and Leslie make a very cute couple. He's already been on two episodes. I don't know how long a run he'll get. But I hope he sticks around.
Chapter XLII: "Sanctuary"
Time to ramble...
This episode was directed by Dennis Woodyard, written and story edited by Cary Bates.
The one word title, as usual, was one of mine. I thought initially that we'd be even more focused on the Cathedral. That we might play a Quasimodo character. Heck, if Disney's "Hunchback" movie was going to have living gargoyles bouncing around, then I could have a Quasimodo swinging from the bell-ropes.
But the story, thank goodness, rightly evolved into a family drama with Goliath, Elisa, Angela, Demona, Macbeth and Thailog (and Bronx) providing us with one very ODD family. Quasimodo went away in favor of Thailog.
And we had to work a bit to make sure the thematic idea of the heart as a Sanctuary worked its way into the picture. Thank God for that French minister, eh?
During the "Previously..." recap the following exchange was heard between my eight year old daughter Erin and my five year old son Ben, after Angela learns (in that scene from "Monsters") that Goliath is her biological father:
Benny: He IS her father. He laid the egg.
Erin: Girls lay eggs.
Benny: His wife laid the egg.
ROMANCE
Enter, for the third time or the first (or, depending on your point of view, maybe this one doesn't count either), Ms. Dominique Destine. She tells Mac, "We have all the time in the world..."
This for me (and I know for Bond expert Cary) was a very memorable line from "On Her Majesty's Secret Service." And always a good sign that a relationship is going to come to a bad end.
Elisa tips her hand, which she can do cuz no one is awake, about how she really feels about Goliath here. "The most romantic city in the world and Goliath isn't awake to share it with me." (Or something like that, all quotations are approximate.) That's what she'd like to do, I'd wager. Soar over Paris with G. the way they soared over Manhattan in "Awakenings". Now had he been awake, do you think she would have made that request? Or would she in fact be distancing herself from him simply BECAUSE she had that impulse?
After her adventure on the Loch, it's nice to see Margot on a pleasant little stroll through Paris.
THE GARGOYLE WAY
Why is Goliath so resistant to parenting Angela? After all, though they're really more like younger brothers, he does his fair share of parenting the Trio.
He falls back on "The Gargoyle Way", but that's certainly inadequate, as Diane Maza will later point out. Yes, he's only one of her rookery fathers, but he's (a) the only one there and (b) the only one left alive except for the two souls trapped inside the AWOL Coldstone.
Ultimately, I think the answer is that Angela's sudden obssession with her "BIOLOGICAL" parentage makes him nervous because of the obvious extrapolation to what comes next. If she's obssessed with me as Daddy, then what happens when she learns who Mommy is?
And that's the key. He's divorced Demona. His wife who laid the egg. It took centuries and months, but after "Vows" he moved on. Now he sees Demona as a nemesis. A painful one to be sure, but a nemesis none the less. He's afraid of what the knowledge will do to Angela. He's afraid of what Demona will do with Angela, should Angela share that knowledge. And is he perhaps afraid of what -- under Demona's influence -- Angela might become?
THE CATHEDRAL
There's some nice animation in this episode -- but none of it is at Notre Dame. That sequence put us through fits in retakes and editing. Ugghh. It's still painful to look at.
But there's some nice stuff going on...
Demona says: "In here my love." to Goliath before she realizes its not Thailog. What did you all think of that line? At this point we had only seen one silhouetted monster from a distance. And since you knew Demona was in town, we intentionally tried to lead you to belive that she was the Monster at Notre Dame. Were you expecting Thailog? Or did you think that Demona was addressing G as 'my love'?
Goliath's arrival is a shock to her, so what did you think then?
Then Thailog's arrival is supposed to be a bigger shock to you guys. Was it?
I love hearing Thailog say: "My angel of the night."
Demona has a good line too: "Jealous and paranoid."
Later, we set up Nightstone Unlimited and their two "human" identities, Alexander Thailog and Dominique Destine.
At this point in production, we knew that Fox was going to have a baby but we had not named it yet. I couldn't think of a better first name for Thailog and later I couldn't think of a better first name for Alexander Xanatos. At first this bugged me. But I began to realize it made perfect sense. Xanatos had programmed his "first" son well. If X would pick Alexander, why wouldn't T have picked it as well. And there's something so symmetrical about both his kids being named Alexander.
TOURISTS
Elisa sits at a french cafe talking out loud to herself. Ugh. Very awkward. Obviously, we couldn't come up with a solution we liked better. I'm sure it occured to me to do it in voice over, but just chucking a V.O. sequence in the middle of an ep is very awkward too. Suddenly, the movie is POV Elisa, and we weren't doing that here. (Cf. "Revelations" and Matt's VO narration.)
I do like her last line though, coming as it did from a long time Superman scripter, Cary Bates: "This is a job... for the Gargoyles!"
THE WEDDING NIGHT
We had Macbeth use the Lennox Macbeth name instead of Lennox Macduff because we thought it would be too confusing to give him an entirely different name to any new viewers. And it makes sense that he has multiple aliases. But it still bugs me and I think in hindsight, I wish we had just been consistent.
Demona kicks Macbeth into unconsciousness, and Erin asks: "Why didn't she get hurt?"
And that's a very fair question. As usual with D&M's Corsican Brother connection, we tried very hard to be faithful to it, but it was very hard. And we wound up being a bit inconsistent. The best I can suggest is that when Demona knows she's going to hurt M and it isn't just on impulse, she can more or less steel herself against the magical feedback. It's still painful. But she doesn't show it as much.
The Gargoyles wake up and Elisa says: "Look alive, guys!" Well, they do now, don't they?
I love how Thailog slips Mac the gun and then later yells at Demona, "Didn't you search him?!" He's an evil genius that one. And passive-aggressive too.
Thailog's plan is brilliant, I think. So elegant. So simple. And if not for Elisa, so effective.
Mac's suicidal tendencies resurface. Demona's legendary temper gets the better of her common sense.
Thailog really comes into his own in this ep. Sure, Xanatos said he may have created a monster, but now Thailog has outsmarted X, D and M. Who the hell is left to outsmart?
And he has some great lines too:
"You and what clan?"
"Teamwork is so overrated."
"Aren't you spunky?'" (Another Lou Grant reference of course.)
To be fair, he couldn't immediately know that Angela was blood kin, but still doesn't his reaction to her give you the creeps? When X says Angela is lovely in "Cloud Fathers" I don't think anyone thought he was being salacious. But T? Yeah, baby.
Of course, Goliath finally gets the picture after this one. Up to this point, he was thinking Demona's the lost cause but maybe Thailog is salvagable. Now he knows better. At least about T anyway.
BATTLE
There's a lot of water in that water tower. It looks cool though. The animation here makes up for the Cathedral stuff.
I love Goliath's two-handed punch.
I love Demona's punch-drunken sway, as she makes her move to, as Mac says, "put us out of our misery..."
But I've always wondered why the background painters put multiple pictures of Elisa on the wall of Macbeth's chateau. Odd, that.
When I was young, I used to love MASH, particularly back in the Wayne Rogers days. (And, yes, Wayne is a friend of my dad's now. But they didn't know each other back then so I was unbiased.) But one thing that used to drive me nuts was the repetition of the following exchange:
<LOTS OF SHELLING IS ROCKING THE HOSPITAL. SUDDENLY, IT STOPS.>
Hawkeye: Do you hear that?
Someone else: Hear what?
Hawkeye: Silence! The shelling's stopped!
This was fine the first time they used it. By the twentieth time it got VERY old.
But we do a version of it here after Elisa shoots Demona ending the battle.
Why? When it used to drive me nuts? It's amazing what I'll pay tribute too.
KEITH meet MR. DAVID
I love playing Thailog against Goliath, because I love those Thailog/Goliath exchanges where Keith plays both roles. That's one of the main reasons we created Thailog. To enjoy listening to Keith go to town.
1st Epilogue:
Goliath: "She has done you a favor, Macbeth."
That line should be a bit of a shock when G first says it. But it makes a lot of sense after he explains. And I love the look that Goliath and Elisa share. They aren't even pretending they don't share those feelings. They just won't act on them.
And how about Goliath actually telling a joke: "Just make sure you get a good look at her at night." Word.
2nd Epilogue:
One of the things I like about our series is we didn't have to end each episode the same way.
This one ends rather darkly. Goliath won't acknowledge the obvious. He just broods. Angela turns to Elisa: "Elisa, I have to know." And Elisa confirms that Demona is Angela's mother, because it's ridiculous to either lie or to not confirm the obvious that Angela has already figured out. But she knows G didn't want A to know that. So everyone is left unhappy as we sail into the fog.
And Erin ends the episode saying: "I think Elisa should be her mother."
(Me, I've always seen them sharing a more sisterly relationship. But I thought Erin's idea was sweet, and certainly came out of the sexual tension between E&G.)
Anyway, that's my ramble. Where's yours?
Sanctuary Outline Memo
In prep for my ramble on Sanctuary, here's my notes to Story Editor/Writer Cary Bates on his first outline for "Sanctuary"...
WEISMAN 2-13-95
Notes on "Sanctuary" Outline...
GENERAL
Cary, I'm going to resist the temptation of beating this all out for you. That's how I got so far behind before. And at this stage I doubt I could do it any faster or better than you. So I want you to do a second draft on this outline, addressing ALL of the notes below. I sympathize, in advance. This is a complicated story. But I know we (meaning mostly you) can make it work. Don't take too long. And feel free to call after you've read this. We may be able to work out some of the problems over the phone. Good luck and here goes:
"SANCTUARY"
How does the title fit? What is the theme of the story? Is it about feeling safe? Safe in the arms of someone you love? I like that notion, but we'd have to emphasize it a lot more.
And simultaneously, more of the action should be centered around Notre Dame Cathedral. Economically, we can't afford to design backgrounds for an entire city. So we should keep the action focused on a few locations, that climax at the gargoyle covered cathedral-"sanctuary".
Plus, we don't want newspapers to be generically talking about a "mysterious winged creature". We want them focused on the Creature haunting the Cathedral at night. Maybe they think it's someone posing as Quasimodo, or his spirit or maybe they even think it's a gargoyle come to life or something. Of course, it's really Thailog. (Not Demona, by the way.) He's been there since "Double Jeopardy". Arriving long before Demona and Macbeth arrived.
We need to involve Thailog more at the end. Make him part of the conflict. I think he would have upgraded a bit. Used some of that $20 million to armor himself for battle. Not necessarily robotic armor, but at least a chestplate. Maybe wrist and shin guards. Keep in mind, we want him to be more powerful than Goliath and more threatening than any other villain. We should probably arm him with some big high-tech bazooka/laser/cannon type-thing too.
And we don't have to break up Demona and Thailog at the end. We just need to know that Thailog doesn't really care for her.
Remember, Thailog's plan isn't to kill Demona and Macbeth for the sake of killing them. He wants what they have managed to acquire over the last nine hundred years. If he could add that to the fortune he's parlayed from the money he stole from Xanatos, he might be able to compete with Xanatos financially. He needs to have already merged Demona's holdings with his own. So that his corporation (and we should get a cool, evocative name for it) we'll inherit in the case of her demise. And he wants to inherit Macbeth's stuff too. So if Mac and Dierdre marry, and both die together, (which is the only way they can die) he'll get everything.
Now, I'm not pretending this is easy to accomplish. As I read the outline, I was wondering if we needed a maguffin or two to symbolize this wealth. Maybe Macbeth's Paris Mansion itself. But we managed to figure something out for "Outfoxed" that clearly and dynamically spelled out Halcyon and Fox's "financial conflict". We can do the same thing here. With the same clarity.
OTHER QUESTIONS
Does Macbeth plan on telling "Dierdre" the truth about himself?
Is this the first time since Gruoch that Macbeth has been in love? Since he's an immortal has he avoided close relationships, not wanting to outlive his lover? Or watch her grow old? Or has he been through this before? Maybe not often, but once or twice over the last nine hundred years. How did he handle it in the past? Is he doing something different now? Highlander questions, basically.
Is Macbeth afraid for Dierdre's life? Does he think Demona might try to harm Dierdre to get back at him?
Do Goliath, Elisa and Angela assume at first that Macbeth and human Demona are in cahoots and only realize/remember later that since M&D have no memory of anything between City of Stone and Avalon, that Macbeth might not know that this human woman is in fact Demona?
Do we have an opportunity, maybe when Goliath and Elisa are searching Paris for the villains, for them to be romanitcally affected by the City of Lights?
When it's over, instead of Macbeth simply remaining bitter and once again suicidal, could Goliath point out to him that life offers possibilities... that if Macbeth could fall in love with Demona, he could certainly fall in love with someone else? Someone nice who would make his long life worth living again, at least for a time.
SOME SPECIFICS
A bunch of things, (some of which Cary the Story Editor should have been able to catch from his reading of past scripts, tsk tsk). Some of these notes may be moot after a rewrite of the outline.
Beat 2) Goliath, Elisa and Angela know that Demona and Macbeth left Avalon unconcious and together. Wherever they landed it would also have to be together. (Of course, Goliath and Co. have been travelling for awhile. So there's no guarantee that Macbeth and Demona stayed together after landing wherever they landed. It's just a good bet.)
There's also no reason for Goliath to assume that Macbeth and Demona are involved with each other still. (After all, they hate each other.) Also no reason to assume that Macbeth would be hurt by the association. And though there's no love left between Demona and Goliath, Goliath has no reason to feel sympathy for Macbeth. The audience might. Some of them would know Mac's backstory from City of Stone and sympathyze, but Goliath doesn't know the whole story. And he's got no reason to think more of Macbeth than Demona. Ironically, it is Thailog, more evil than any of the others, who Goliath would have the most sympathy for. He sees Thailog as a victim of poor upbringing. He'd like to reform and rescue his "son".
On the other hand, by this time Goliath believes that they land everywhere for a purpose. If he sees Macbeth and/or Demona, it's not too big a leap for him to figure that whatever the purpose, it involves these villains.
Beat 4) Again, here we'd like the headlines to be more specific to the Cathedral.
Beat 5) Elisa would recognize the human Demona from "High Noon".
Beat 7) We are forcing the creation of a lot of different sets and backgrounds here. Also don't forget that Demona's transformations to gargoyle (and back) are painful. Also don't forget that Macbeth feels any pain that Demona feels and vice versa. Distance reduces the pain, but we've never been really specific about how much distance or what the reduction is. Does Macbeth, across town, feel a little of Demona's pain at transformation? If so, he could blame Demona, knowing as he does, that he feels her pain. All that would tell him is that Demona is in the vicinity. It wouldn't reveal that Demona is Dierdre, unless he saw her transform. On the other hand, Demona might be far enough away that Macbeth feels nothing. Or just a slight twinge of soreness, that he doesn't immediately connect with Demona. We can play it any of these ways, we just need to deal with this "Corsican Brother"-style pain-sharing. We can't ignore it.
Beat 10) We've got a lot of set-up with little action up to this point. Maybe we can streamline a bit. Also, it feels like Mac's hovercraft might be a little unwieldy for this sequence. Maybe he's on the flying equivalent of a jet-ski or something a bit more svelt.
But there's another big question. What is Macbeth's objective towards Demona at this point? He knows that the only way to rid himself of her is to die himself. He may have forgotten the lessons of City of Stone and Avalon, but I would think that his love for Dierdre would prevent him from wanting to die. Later we imply that he's chasing Demona in order to chase her out of town. But that's pretty goofy logic. "I haven't seen you in weeks. So I'm going to hunt you down, to make sure you stay out of my life."
Beat 11) We definitely want to do something with the Eiffel Tower. Maybe even stage a battle there in the first or second act. But the Tower is open to tourists at night. Does anyone see them hanging there? Or are we way into wee hours by this time?
Beat 13) Goliath can't steal this guys camcorder. He's not a thief. Even destroying it is pretty malicious for Goliath, who's never gone too far out of his way to hide from humans.
Beat 16) Gargoyles don't kiss. They stroke hair. And it's "Notre Dame" ("Our Lady"), not "Notre Damn" ("Our Damnation"?)
Beat 17) The Cathedral is a very temporary safe house for Thailog while some safer, new place is being built for him. (Or maybe that's part of what Thailog is after: Macbeth's Paris Mansion.) It is not abandoned. Thailog is safe their during the day, because he's like a needle in a gargoyle haystack. After dark, he can stay out of sight in the upper reaches, until the Cathedral closes for the night. But he can't have much of a set-up there. Computers? Paintings? I don't think so. Particularly when we've got reports of a creature climbing around the church at night. People might investigate. They wouldn't find Thailog. But what would they make of that computer?
Beat 18) Demona may have no desire to "see" Goliath, since she found Thailog. But she'd still want him dead. Plus she MUST be curious about this female gargoyle. She thinks she knows all the gargoyles that exist, and none of them are female. She'd have to know. (And for that matter, so would Thailog.)
Beat 19) Think about how silly it would look in live action, if a villain who looked like Thailog, whipped out a brush and in a few seconds added a necklace to a painting. It's equally silly looking in animation. Maybe moreso because it's so easy to do.
I don't understand the pre-nuptual agreement at all. Why does Macbeth feel he needs it? (And don't tell me his lawyers push him around.) Besides, the whole idea of it goes against what we want to have happen in the story. Thailog wants Mac and Demona to get married. And have Demona inherit so that he can inherit from her, when both Demona and Mac die. Or am I missing something? I don't think we want this to be about stealing money from a safe. That's small potatos for Thailog and Demona. Either we need to have some irreplaceable (possibly magical) maguffin in that safe, or we should be dealing with the whole ball of wax. The former would probably be easier, but I'd like to go for the latter ball of wax if we can.
Beat 20) Again, I don't buy Macbeth's logic for hunting down Demona.
Beat 21) Angela can't operate a camcorder. She's not Lex. (And as noted above, I don't see anyway for our guys to have this anyhow.) Plus she wouldn't recognize Thailog. Also it feels like a pretty big jump for Goliath to figure that Demona and Thailog are working together. Not an impossible jump, but a big one.
Also, I was unclear. Did Goliath have a chance to give instructions to Elisa or did he turn to stone before he had time?
Beat 23) Again, I don't believe Macbeth lets lawyers push him around. And I don't think we need this pre-nup agreement in the story.
Beat 24) I really don't like this camcorder. And I don't know why Elisa needs it here. Like if she followed Mac and Dem, returned to Goliath without visual proof he wouldn't believe her story?
Beat 25) "How can I prove my love to you?" "Give me the combination to your safe." Yeah, that wouldn't make me suspicious.
I'd almost rather play any scene like this where Macbeth is insisting on giving something to Dierdre, who protests that she doesn't want it. The more she protests that all she needs is his love, the more he wants to lavish on her. In this way, he is predictable, but he's not being fooled by "crocodile tears" into doing something that seems incredibly fishy.
Beat 26) Again, Elisa would recognize human Demona from "High Noon" the first time she saw her. But here I was entirely unclear. How does footage of Dierdre prove that she's Demona, when Elisa didn't recognize her in person?
And this bit about Dierdre being Demona's name...? Gargoyles didn't have names in the tenth century. Naming is a human convention. Goliath referred to Demona back then as his angel love, or his angel of the night. Do we want to change "Dierdre" to "Angel" or "Angelica" or "Angelique". I don't know if you still need this, since Elisa would recognize human Demona, but I suppose you could, as long as we wouldn't be confusing the audience with Angela.
Why wouldn't Goliath want Elisa along? And why would Elisa agree to stay behind?
And what is it that Angela's staring at? Footage of human Dierdre? This isn't going to help her make the connection between herself and Demona. Visual clues aren't really the answer at all, since she would have seen Demona in the Avalon 3-parter. She learned from Sevarius that Goliath was her biological father. Here she learns that Demona was Goliath's love all those years ago. She puts two and two together over the course of the episode. Figuring out the truth only after she's already come to regard Demona as evil. You won't have room here to deal with the ramifications of that discovery. You're just setting things up for another story.
Beat 27) Why does Macbeth want to capture Goliath and Angela if he wants to get Gargoyles out of his life for good?
Beat 28) Goliath is "spreading" lies? To who? I mean we know he's not. But who does Macbeth think he's spreading lies to, that makes him want to imprison Goliath to stop it?
Also Macbeth could NOT have heard about Thailog. He was under the Weird Sister's spell when Thailog made his only other appearance. Besides who would he have heard about him from?
Beat 32) Again, not at all happy about Thailog's magic paintbrush. Particularly since it proves nothing here. It's not a photograph. If Macbeth thinks Goliath might lie about Dierdre, why wouldn't he think that this is a further lie somehow accomplished by Goliath.
Beat 33) I'm glad Macbeth keeps his cook. That guy can make a mean omelette.
Beat 36) Again, don't forget that Macbeth and Demona feel each other's pain while fighting.
Beat 39) These are huge leaps for Angela to make. How does she know this about Thailog. Also does Thailog show up there, state what he states and then not get involved in the fight? Or is that a typo for Goliath? Maybe we should let the battle climax at the Cathedral. Thailog is there. Goliath tries to "save" his son from Demona's evil. (Goliath assumes this plan is Demona's, not Thailog's.) Thailog just laughs. Reveals he wants Mac and Demona to kill each other. And he'll kill Goliath to prevent him interferring. Or something like that.
Beat 41) Killing Demona would at least knock Macbeth out.
Beat 42) Again, doesn't Thailog want anything besides their deaths?
Beat 44) Goliath still needs to be in some discomfort vis-a-vis the biological mother and father thing. It's not the gargoyle way. Brynne is going to deal with this (she'll have the space to deal with it) in her Africa story. Let Elisa be the one who confirms Angela's suspicions.
Beat 45) Again, I think we're working against our own ends. Why does Thailog need Macbeth and Demona dead, if not for what he can gain by their deaths?
Beat 46) Again, I think we can let Demona and Thailog go off together. Also, we've spent the whole episode with Demona turning back and forth from human to gargoyle. Demona does not turn to stone -- ever.
Beat 47) Angela should not get any comfort from Goliath in this episode. You don't have the time to deal with it here. If she receives comfort, it would come from Elisa.
MOVING FORWARD
O.k. try another pass. I'd streamline, by opening with the skiff arriving in daylight. Elisa leaves the stone gargoyles on the skiff tied under a bridge and goes to explore Paris. A place she's never been. She probably calls home again. Maybe she tries her parents this time, and again gets an answering machine. To save money on a voice actor, the answering message can be one that Elisa recorded for her parents months ago. (My sister is on my parents' machine with a message she recorded two years ago.) Elisa's voice says something like: "My parents don't know how to work their answering machine, but if you leave a message for Peter or Diane Maza, there's a fifty-fifty chance they'll call you back"). You don't have to jump through hoops to get the message erased this time. Then she briefly wanders around Paris like a tourist until she spots Mac and "Dierdre" who she immediately recognizes as Demona. She doesn't know that Mac doesn't know it's Demona. She'd probably assume they're up to something bad together. And also guess that they're why she and Goliath, etc. have landed in Paris. She follows them at a safe distance, etc. She doesn't want to get spotted. Near nightfall, she might head back so that she can inform Goliath when he awakens. Or she might not want to lose Macbeth and Demona until after she's found their H.Q. Or maybe when Mac and Dierdre split up, Elisa follows Dierdre to see where she lands, then loses her among the tourists at the cathedral.
Anyway, that's somewhere to start.
Chapter XXXXI: "Golem"
Time to Ramble...
This episode was directed by Frank Paur and was really based on an idea of his that pre-dated the introduction of Renard in "Outfoxed".
The episode was written and story edited by Gary Sperling. Gary selected this episode, because he felt he had an affinity for the subject matter and because his brother, a Rabbi, was able to advise him on things like the Hebrew, etc. (But I tell you, recording some of that Hebrew was a bitch.)
I love most of the backgrounds on this episode. Very striking and atmospheric.
RENARD & CO.
My eight-year-old daughter Erin spotted Renard, and immediately recognized him as "Fox's father." I think Robert Culp does a great job with Renard. And (futzing aside) with the Golem as well.
Vogel's back with no explanation or indication that he fell out of favor. I guess Goliath's speech to Renard at the end of "Outfoxed" carried real weight. I think it shows something in Renard that he's able to give Vogel a second chance.
And Renard's other compatriot is Brod. A new gangster of the new Eastern-European school. I can't remember if I already had plans to pit Brod against Dracon. But I liked the contrast between them. And I like how tough and fearless Brod is. And also how outside-the-box he is in his thinking. He'd rather have the hovercraft than a cash payment. He sees the advantage.
Goliath spots Renard (and vice versa). Renard isn't pleased, cuz he knows he's doing wrong and doesn't need a reminder that he used to lecture people on integrity.
Goliath IS pleased, initially, because he sees Renard as a potential ride home. Here, and for the last time until probably "Ill Met by Moonlight" and "Future Tense", the focus is still on GETTING HOME.
But for Renard, the focus is on living. ("Integrity is a luxury I can no longer afford.") Goliath is stunned. He calls Renard someone "I thought I knew."
There's some nice climbing here. Just visually, the way the gang climbs up the bridge. The way Angela and Bronx climb up the tower. The way Bronx later climbs down. I just think it's cool.
ELISA & MAX and GOLIATH & THE GOLEM
I also like Elisa and Max's little exchange at the beginning.
Max: What are you looking for?
Elisa: New York.
Max was consciously designed to parallel Elisa. And she at least, notices the connection. When she says "The Golem needs you as much as you need it." I think she's thinking about her relationship to Goliath. (It may be a touch arrogant, but it's accurate too.)
He's the human ally and advisor (sometimes guide) to a protector made of stone and clay. The parallels of Golem to Gargoyle are obvious, and the main reason why I felt we HAD to do this episode. (Probably the main reason why Frank suggested it in the first place.) I love how Keith read: "So this Golem is a protector." He likes the whole idea. It's almost sweet in a way.
Max is just less confident than Elisa ever was: "What if it doesn't like me?" I don't think Elisa ever worried about that, at least not after she learned that Goliath could talk.
Elisa actually has a bunch of fun lines here:
"Hit it, Bronx!"
"Don't worry. We're the Good Guys!"
"And you get used to the weirdness."
I like how the Renard/Golem turns the lamp-post into a pretzel. But on my tape, he smashes a car that was already smashed. Did that get corrected for later airings?
I also thought it was a nice touch when he knocked over Edgar Blosa's tombstone. I know that was an homage to some movie. Maybe an Ed Wood film? But now I'm blanking out?
POWER-DRUNK/POWER-SOBER
Renard as the Golem is corrupted rather rapidly (if shallowly) by his newfound power. That was the idea. That a man who had been trapped in the prison of his own body would get flat-out drunk on the freedom and strength that the Golem offered: "Instant respect. I could get used to this."
But like any high, one eventually comes down.
And Elisa is the first to start to sober him up. "You're enjoying this!" she yells. It stops him. Cuz he is. But cuz he's not so far gone that he shouldn't know better. He flees. Not because anyone has yet provided an adequate threat. He's really running from himself. But that translates to: let me just get out of here.
Renard actually says, "It's not my fault!" which of course was the one phrase that used to drive him crazy.
Goliath has a great comeback: "A weak body is no excuse for a corrupt spirit." That's classic Goliath, I think.
I love the close up shot of the Renard/Golem looking over his shoulder, weighing it all. Wondering what his alternative is beyond accepting his fate, i.e. his death by whatever disease was killing him.
And I love Goliath's next follow up too: "You've given up all you believe in... for a piece of clay."
I'm sure some people thought Renard's turn-around was too sudden. But between Elisa, Goliath and some well-chosen words from Max ("Can you live with yourself"), and Renard's basic decency, I have no problem accepting it when he finally says, "What have I become?"
THE FINAL BATTLE
Elisa really rocks in this episode I think. That may have been the thing I most noticed in this viewing. I don't think of this as one where she was particularly featured, but she really does great. I love her little "Hi there." close up moment before she decks the bad guy with a punch that comes right into camera and flashes red. (Of course, I doubt you could do that these days.)
I like all the stuff with Golem and the hovercraft.
I'm also reminded here of the end of "Awakening, Part Five" when Goliath is holding Xanatos and on the verge of dropping him to his death. Elisa and Hudson talk him out of it. And Max fulfills the same function for the Golem. And I love Max's line, which is traditional: "Love Justice and Do Mercy." So simple and eleoquent. So right.
In any case, I guess that makes Brod the Xanatos of Prague. Except clearly he didn't fare as well. The Golem's appearance must have convinced him to seek out new "Turf", if you know what I mean.
THE WORLD TOUR
Finally, Goliath has learned something about all Max's talk about destiny and making choices. He finally realizes that Avalon isn't simply messing with them. But that there is purpose and need and destiny. He could choose to skip it. He could hitch a ride with Renard back to Manhattan. But he won't run away. So instead he'll take the Skiff.
Now the World Tour can finally start in earnest. Sure, the audience still wonders when and if the quartet will ever get home. But I think the tenor of it changes now. Now there's an expectation. I think, had we not had to air so many damn reruns during the original run of the Tour in winter/spring of 1996, the audience would have been much more patient after this episode. Like Goliath, they would have understood.
Elisa makes the same choice. Although for her, it's less about quests and destiny than about abandoning her friends: "You guys would be lost without me." And again, kidding or not, there's a certain arrogance. But a lot of accuracy as well.
Anyway, that's my Ramble. Where's yours?
BACK TO THE PILOT...
On 7-15-93, I sent our writer a memo, sending him from outline on the Gargoyles multi-part pilot (what would eventually be dubbed "Awakening") to script (with notes).
So now it's two months later. In the interrum, the writer turned in a script, but it had become clear that he wasn't locking into the vision of the show that Gary Krisel and I had. This isn't meant as a criticism of this writer. This show was so new to Disney it was hard to get the template across to people. Fortunately, the next writer we brought on hit a home-run. That writer was, of course, Michael Reaves. What follows is a LONG memo I sent him with the previous writer's script. Everything else should be fairly self-explanitory, though I've added the occassional note in [brackets].
To: Michael Reaves 9-19-93
From: Greg Weisman (818)-754-7436
Re: Notes for Gargoyles Script
cc: Paul Lacy, Jay Fukuto, Bruce Cranston.
Michael, here are our collated and copious notes on [the previous writer's] script. Some of them are probably obvious to you, so forgive me if I tend to go on and on. Enclosed with this memo is a copy of Eric's script on disk, hopefully formatted to suit your needs, and the original beat outline for the 10th century section that we gave to [the previous writer] in March to get him started. We thought reading the latter might give you a clearer idea of what we were aiming for. You'll notice that [the previous writer] compressed the events of 994 from three nights into two. This obviously saved him some space but limited his ability to set up characters, motivations, themes, logistics, etc. I'm only bringing this up to allow you the flexibility to do either. Also available but not included is the outline that he wrote, which we approved to script with five pages of notes. Just let me or Paul know if you want to see either document.
SOME GENERAL NOTES:
--Obviously, the dialogue needs improvement. Each character must have his or her own unique VOICE. Diction must be chosen carefully. We don't want Goliath to sound arch and artificial, but he shouldn't be spouting colloquialisms either. Plus everyone should only say things that make sense for them to say.
--Motivations which once seemed clear to us have been buried or lost entirely. We must make these clear and understandable.
--Goliath's arc in particular must be made clear. He begins as an optimist. He has a job to do and he does it well. He believes that humans have a lot to offer to gargoyles (like reading and writing, for example), and that gargoyles also have a lot to offer to humans. He puts up with the Queen [soon to be demoted to Princess, i.e. Princess Katharine] because whether she's grateful or bitchy is largely immaterial to the fact that he will be true to himself, i.e. a gargoyle who protects his home. When he is betrayed, he becomes embittered. He has learned to hate and mistrust humans...he begins to see the world in Demona's black and white terms. Gargoyles, good; humans, bad. It may be a mind-set that he almost has to struggle to maintain: it's against his better nature. But he's determined not to trust again. Elisa changes him. He rediscovers his optimism through her. And the realization that Demona participated in the betrayal cements it. The world has shades of gray again. It's a tough world, but worthy of effort.
--Themes are likewise buried or lost. In addition to Goliath's major arc, the most important theme is, "Don't judge a book by its cover." Even Goliath is prone to fall into the trap of appearances. We should emphasize it as much as possible. A secondary theme is the "man out of his time" idea. We should never forget how strange the twentieth century must seem to our gargoyles.
--Ideally, we'd like to have some lighter moments of humor, both to offset the tension and to throw it into relief. But that doesn't mean we need brainless sight-gags or goofy pseudo-Spider-Man quips.
--As we discussed, you may want to open the whole piece with a VERY brief twentieth century scene between Elisa and another cop, looking at the fallen debris (claw-marks included) and wondering what could have caused this.
--Also remember that Gargoyles can't fly. They can glide, and we will cheat this using updrafts and downdrafts to keep them in the air, but if they're on the ground they have to get some height (perhaps by clawing their way up a building). They absolutely CANNOT take off by running fast at ground level.
--Gargoyles normally have pupils, but when they are angry or fighting, their eyes glow solidly.
PAGE NOTES
PAGE 1
As we imagined it, the castle was built on top of a Gargoyle rookery. The rookery itself was a series of tunnels carved into a cliffside overlooking the sea. This gave the inhabitants (both Gargoyle and Human) protection on all sides but one. The scene between Brian and his mother was originally to take place within a hundred feet and in clear view of the castle gates as they struggled up the hill toward the castle on the promontory. They are probably serfs. It's doubtful they had a village to burn down. The castle would have been the center of the community. We're not even sure whether it's necessary for the marauders to have already attacked their farm. (How would they have survived that, anyway?) Brian's desire to stand and fight seems off point. The fight's gonna happen where it should happen, at the castle.
Incidentally, for reasons that escaped us, [the previous writer] changed the boy's name from ROBBY to BRIAN. It doesn't really matter, but for some reason, Brian seems like a more modern name. Robby may be no better, however, so feel free to use either name or come up with a new one. [Of course, Michael changed the name to Tom. So in "Three Brothers" I used the Robby name for the young Captain.]
PAGE 2
Cole is a very wordy marauder. Also his reasoning's a bit off. He's in no real hurry to catch the farmers. He's after bigger game: the castle. If he takes that, he'll get everyone's possessions including the farmers. He's on a steady march up the hill. [Cole, of course, became Hakon and the marauders became Vikings.]
PAGE 3
Waiting for dusk to obscure the archer's vision is o.k., but obviously, waiting for nightfall when they can't see anything makes even more sense.
We saw the Captain as anything but handsome. A burly gargoyle of a man, ugly even. A real career soldier. Not necessarily a native to the castle. Someone who would get as little respect from the queen as Goliath does. Someone who could identify more with the gargoyles than with the humans he works for.
PAGE 4
The conversation between the marauders is too on the head. Telegraphs TOO much. I think the point was supposed to be that even in 994, real gargoyles were fairly rare and many castles had adopted the practice of putting fake ones up to scare off the likes of Cole. Cole is taking a calculated risk in attacking a gargoyle covered castle at night. I did think it was a nice moment when Cole ordered his men on and then silently stared at the castle, before shrugging off his fears.
The captain should have his archers ready, but Cole's keeping his men out of range, waiting for nightfall.
At some point we may need to clarify why the marauders are attacking. The idea is monetary gain. Confiscate anything of value. Drag the people away in chains. Perhaps ransom the valuable ones. Sell the others as slaves.
PAGE 5
O.k., the gargoyle's transformation from stone to flesh is not a magical one. It's biological. No magical light. We've discussed that every sundown they turn back to flesh from the inside out and when all that's left is a thin layer of stone on top, it starts to crack, and they explode out of it. (This is like a snake shedding it's skin for a new one underneath.) It's also up for grabs whether we want to show the complete transformation here. It may be better saved for when they first wake up in the twentieth century. Your call.
PAGE 6
In this first battle, the Marauders never make it over the wall. The battle takes place in front of the castle, and maybe on the wall a bit.
Bronx does not panic and hide. Again, think of Hooch in Turner and Hooch. He's dangerous in a fight.
The "gargoyles-don't-have-names" stuff must seem totally incomprehensible to you from this script, but we actually do think it can work, so as we go through the script, I'll try and show you what we had in mind. One key thing to remember is that in the tenth century, gargoyles felt that naming something defined and limited that thing. Goliath was named by the humans, (and you'll notice that the humans chose the name of a monstrous biblical villain, which kinda indicates their opinion of gargoyles in general). If gargoyles do need to refer to each other, they do it based on the individual relationship. So on this page, Goliath would never refer to Hudson as "Old One", but might refer to him as "old friend".
PAGE 7
Goliath: "We'll take care of it, son. You get your mother to safety." All of a sudden I expect to see a big red S on his chest. No thanks.
Plus Brian (or Robby or whatever) drives me nuts. This kid is too precocious. We don't need to see him leaping into battle. And we need to remember, Gargoyles are scary to humans, even to humans that gargoyles protect. Brian may have a more open mind than his mother, but the mistrust may not fully go away until the end of the tenth century sequence. Brian isn't hero-struck by Goliath. He's intimidated. (Of course this whole scene may go, since the marauders aren't gonna make it over the wall, here.)
The trio are NOT kids. They are the human equivalent of 19 years old, which would easily make them warriors in their own right. Not necessarily mature, but old enough to fight and not whine.
"Earned your claws" is an odd expression. I don't think I like it, but I'm not sure.
PAGE 8
Like "Old One" for Hudson, "Beautiful One" in reference to Demona is just an awkward substitute name. If Goliath must refer to her, it would be by relationship...something like "my love".
And they do love each other, so we don't need any pseudo-"Moonlighting" sparring. She would certainly not refer to him as "Presumptuous One."
And we probably don't need any 20th century airplane jargon, like Double Barrel Roll, etc.
Bronx is NOT Scooby Doo. Dogs don't laugh.
Cole and Goliath's exchange is awkward and confusing. What does Cole want revenge for? Having been beaten?
PAGE 9
Goliath's line, "As we owe you ours every day, for protecting us during the daylight hours", is redundant.
We need to clarify the wizard's reaction to Goliath. To be fair to [the previous writer], the Wizard [soon to be dubbed 'the Magus'] is a character who's been giving us trouble from the beginning. We thought of him as a frightened and prejudiced old man. Perhaps, it might work better if he were envious, insecure and young. Turning the haughty, young queen (who is easily swayed by appearance) against the gargoyles. Whatever you think works best. Believe it or not, Bronx might actually be useful in this scene. If he trotted after his master into the throne room and did something funny and obnoxious, that bit of comic relief would then be ammunition for the wizard's opinion, and the queen's disgust.
PAGE 10
Likewise, we need to understand the Queen's attitude. She is young and immature. Prejudiced, insecure too, perhaps. Perhaps she feels the need to prove her own superiority and fool herself into believing she doesn't need the 'goyles. It's unlikely that she would value the ugly captain much more than the gargoyles. In our original beat outline, we had the queen suggesting that after this fight with the marauders is over the captain's services also might not be valued so highly. (Perhaps she tells him he'll be reporting to the wizard from now on?) This might also help motivate the captain's betrayal.
PAGE 11
Goliath's line "We are what we are." is right on target. It's not that he loves how the queen treats him. But he will be true to himself w/or without praise. However, the phrase "do our jobs" is wrong. It's not a job. It's who he is.
Again, I'm confused by this reference to Cole's revenge.
In the three night structure of the original beat outline, the captain's betrayal (and the logistics that made it possible were much clearer). You might want to refer to that March outline or at least rearrange scenes so that the logistics work. Meanwhile, the captain's suggestion should be to take ALL of the gargoyles and give the marauders a good scare.
PAGE 12
Goliath figures he can be plenty scary on his own. Why leave the castle unguarded? (Still he's aware that going off alone is somewhat dangerous. That's part of the reason he leaves Demona behind.)
We don't get the line about only her "understanding the full responsibility."
Page 13
I don't mind "smoothskin" too much, but I don't see any point in reducing that to "smoothie". I certainly would rather have them use the word "Humans" over "pink ones".
Broadway volunteers some very awkward expository information about naming. But I think the exchange with Brian could help illustrate the idea simply with a few changes. For example:
BRIAN
You don't have names? How do you tell each other apart?
LEXINGTON
(simply)
We look different.
BRIAN
But what do you CALL each other?
BROOKLYN
Friend.
In other words, they don't have clever explanations for why they don't have names. They have simple reasons for why they don't need them.
PAGE 14
So all these substitute names like "One that always looks good" is just the kind of thing gargoyles would never do.
It probably would take a little more prodding to get the trio to act like monsters.
PAGE 15
Growling is kinda feeble.
Also didn't Goliath leave with Hudson in the previous scene? And should he order them specifically into the rookery or just out of the courtyard? And again, beware playing the trio too young. Here they come off as little kids.
Hudson and Goliath CANNOT run along the ground and catch an updraft with their wings. They could jump off a cliffside though.
PAGE 16
"Little Gargs?" I don't know.
This whole conversation comes off as artificial and expository.
And Bronx should be with them. How else does he survive? Which means he should probably have been with them in the previous scene with Brian/Robby as well.
PAGE 20
It's a tough scene, but we need dialogue that won't make us cringe.
Are the trio and Bronx waiting in shadows, or are they just now emerging from the rookery?
PAGE 21
Hudson's attitude is wrong. He's a soldier, not a kindly old man.
We're not sure why Goliath ran down to the rookery, but we know the results of the trip don't work. If Cole found the eggs in the rookery and took them away, than he would have also found Bronx and the trio and destroyed them. The idea with the eggs was to plant that they existed in one scene in the pilot and not refer to them again. Than they'd be fodder for a future episode.
Hudson's line: "There is never a reason good enough..." is confusing in this context. We shouldn't be afraid to use silence when words aren't necessary.
At the bottom, the Queen's last line has now made her thoroughly irredeemable. (Even if Brian is a sappy kid.) Now that she's been humbled, we should begin to see her transformation. She's witnessed some horrible things. Now that it's too late this young woman is going through some changes that might someday make her a wise ruler.
PAGE 22
Again, we need to make sense of the wizard. He can't be so irrational towards Gargoyles that it's unbelievable.
PAGE 23
Brian makes my teeth hurt.
PAGE 24
Brooklyn is coming across as whiny again. There's no finesse to any of this dialogue.
And the choreography of this scene makes little sense either. Why is Cole only now dragging the Queen into his tent. Again, you may want to refer to our original March-dated beat outline. In that, Cole and the Captain have the Queen and Wizard (the most valuable captives) isolated in their tent from the beginning. Cole taunts the wizard here by tearing pages out of the magic book and burning them. Then when gargoyles attack, Cole and Captain flee tent and campsite, leaving wizard behind, again isolated, believing the queen will be killed. Goliath follows the villains. Queen will thus be witness to his heroism. Wizard can blame gargoyles for causing queen's death (not for killing her) before she returns with Goliath. Not the only way to go, but it might work. This doesn't.
PAGE 25
Hopefully, by this time the Captain's motivation will be clearer. He had no love for the queen. He thought he was doing the gargoyles a favor by having the humans dragged away, leaving the castle to them. But Goliath insisted on leaving the gargoyles at the castle, and though the captain believed he could protect them from Cole, he was wrong. Cole was taking no chances, purely as a practical matter.
PAGE 26
What exactly are we seeing in silhouette?
Again, the choreography and the wizard's reaction and accusations make no sense.
PAGE 27
The way the wizard phrases the spell renders the spell useless, because the gargoyles did not betray the castle. However, it's good that the emphasis of the spell is on putting the gargoyles to sleep (in which case they always turn to stone) rather then having him magically turn them to stone (which would confuse the whole issue of whether or not gargoyles turn to stone magically or biologically).
By this time we need to believe in the Queen's change of heart and redemption. Even the wizard should be well chastened. This whole thing is coming across as too pat.
PAGE 28
This needs to be a sad, almost poetic moment.
PAGE 30
Do we want to use lasers to cut through mortar? Is this planting the available technology so that it doesn't seem artificial if we use it later, or are we making something that should be special into something mundane?
PAGE 31
Maybe so it's less artificial, the rain should be coming down from the beginning of this scene.
Here, at least, the gargoyles should explode out of their old skin.
PAGE 32
Don't know why we're moving inside for half a scene that could be much more dramatic and effective in the rain.
Obviously we can't use the name Charles Xavier. And we probably shouldn't use Xavier either. We've discussed the name XANATOS here, but if you have a better idea that's fine.
We don't know about giving Xavier the book of magic. Seems to us that the book may be useful for future stories (like the eggs). Besides if he has this book, what would keep him from turning them back into stone at the end of the pilot when things don't work out.
PAGE 33
Again, we're not sure if we can do THE PACK justice in the pilot. They've got that interesting "American Gladiator" back story that we don't seem to have room to service here. Though thematically it does fit nicely. Maybe in a future episode. If we do use the Pack, they shouldn't have any Cybernetic implants. And they shouldn't have CY.O.T.I. either. These were all additions that I discussed with Eric for their second and third appearances. We should never take this sort of stuff for granted.
I like the HARD HATS idea too, but I wonder if even this is necessary. If the attack is done by black garbed, masked commandos it would still serve it's purpose.
The attack should come very soon after the gargoyles are awakened. And they should be totally at sea. Helicopters. Guns. They don't know what the hell is going on. Pack...Hard Hats...Commandos...they'd be running circles around these 'goyles. If the gargoyles defend the castle at all, it should be purely reflexive. Again, it's what they are. But Goliath is certainly in no mood to protect any human or human interests. Goliath should be more confused than the audience.
And we definitely don't need any mid-raid chats between Xavier and Fox. Not sure if the bad guys need to talk at all.
PAGE 34
Nor do we need any old bad vaudeville schtick from Hyena. I know she's crazy, but please...
And Dingo can be cast to have an Australian accent w/out resorting to cliched dialogue like "Mate" or "Gander at the Goodies".
Also don't know why Fox waited so long to "coordinate" the attack.
We've been spelling Elisa's name with one "s". Eric consistently used two. I only bring this up, because it changes the pronunciation to something that sounds less Hispanic: his eh-LISS-uh as opposed to our eh-LEE-sah.
Our preliminary designs have shown Elisa with long hair. And we never thought of her as a Rosie O'Donnell type. We're hoping she's something special but doubt that's the way to take her.
What are the reactions to what's going on above their heads? It's high enough up that they can't see any details. And it can't be such a civic disaster of falling stone that the whole city would be up in arms.
PAGE 36
How does Xavier know Goliath's name? Maybe this was supposed to be a mistake on Xavier's part, a clue that he knows more than he claims. But Xavier is not that sloppy.
PAGE 37
Before Lex identifies the helicopter as a flying ship, should one of the others think it was some kind of creature? A metal dragon or something?
PAGE 38
Although Goliath is too decent not to be somewhat grateful to the man who woke them up, we don't think he's making any deals with any humans at this point. He's protecting his own.
PAGE 39
Could Elisa see "lasers and heavy weapons fire" from the ground? And Batman may call Gotham his city, but we doubt that Elisa is so full of herself to call New York, "MY city".
And when does Elisa investigate? That night? The next day? Why does she wait 24 hours?
PAGE 40
We're uncomfortable with the notion of introducing our cop by having her perform an illegal search. Perhaps, instead of being stonewalled, she is called in to investigate the theft. (Xavier knows she'll get nowhere, because there was no theft.)
PAGE 41
Bronx would not shake like Jello. He'd probably be a fairly effective watchdog. (Which is not to say we couldn't use him surprising her to comic effect.)
They just rebuilt the castle; should the ledge be giving way?
PAGE 42
As we discussed, Goliath can grab the flagpole, but it should snap off in his hand. He's not BATMAN. He's way to weighty. Maybe he uses his claws to dig into the side of the building and eventually slow his descent.
We need to develop the relationship between Goliath and Elisa slowly. His saving her life does create some kind of trust...but doesn't make friendship automatic. So she wouldn't just "know" that he "was only... protecting the castle."
PAGE 43
And she can't just shrug off the fact that she's "talking... to a bunch... of gargoyles." When and how will she hear their story, learn about them.
There's something promising about their exchange at the bottom of the page. Perhaps if it were more like...
GOLIATH
And who decides what is... "wrong"?
ELISA
Well, over the years... the people decided.
GOLIATH
You mean the humans decided.
Or perhaps something which indicates the tension.
PAGE 44
His need to know more about this world...is this his decision or something she leads him towards? In general, this all seems to be happening too fast. She seems to know his desire to stay with the castle before he's expressed it. She seems to know about the day/stone stuff. Why does she even want to enlist him at this point?
PAGE 45
Even at this stage, we need some solemnity to their growing bond.
And we need to avoid modern phrases like "case list" that we can't assume Goliath would understand.
Hudson asks a good question. Goliath's answer seems non-responsive to it.
And Elisa seems like a real user in her aside at the bottom. Besides, how does she know he'd make a great addition. And why are they waiting until tomorrow night. The way he's devised the last few scenes, it seems the night is still young.
PAGE 46
Why enter mid-scene if you're just gonna have Xavier re-explain things?
PAGE 47
As noted above, characters here don't seem to have their own voice. Hard to believe that Xavier would use the expression "for crying out loud."
If we do use the Pack, this could be a good time to emphasize the theme of appearances being deceiving. Xavier could even use the fact that Goliath is sensitive to this theme to his advantage.
The lines re: the t.v. set are appropriate in the sense that the gargoyles should not take the modern world for granted. But they don't have to be stupid either. Perhaps the more savant-like Lex can express things in terms the others can understand. For example, television might be a living tapestry. And a living tapestry might appeal to Hudson.
Is the holographic projector necessary?
PAGE 49
Xavier's never nervous. Let him do the reasoning and the talking.
PAGE 50
Bronx has no real wings. He cannot glide.
All this dialogue is "voiceless" and dull.
Back to the name thing. This is more what we had in mind:
ELISA
What do I call you guys?
HUDSON
Goliath is the only one the humans named.
ELISA
What? You have to have names.
HUDSON
Does the sky need a name? Does the river?
ELISA
The river's called the Hudson.
HUDSON
(w/a heavy sigh of capitulation)
Fine. Then I too will be "the Hudson".
GOLIATH
Don't worry. You'll get used to it.
ELISA
Good thing we weren't facing east.
PAGE 51
Or something like that. Then the kids decide that if Hudson (the big traditionalist) is gonna have a name than they'll get names too. We don't need to see them find their names. We'll just reveal their choices later. Also we don't need to find a rationale for Bronx's name. The trio can just come back with it. (They probably just made their choices based on the sound of the words.)
As for the various exits... Hudson is happy to guard the castle. That's what gargoyles do. Maybe he's going to study the new world through the Living Tapestry/T.V. that he's discovered. Goliath wants to explore it first hand. Hudson tells Goliath to take the dog with him, probably as a way to make sure Goliath is careful and safe. (Again the dog is not a liability to it's master. But good to have around in a bad situation.) But Hudson would express his concern subtly.
HUDSON
Take the dog with you.
GOLIATH
Why?
HUDSON
He needs the exercise.
Goliath gets the message. As for the trio, just remember that they are not "youngsters" with a curfew. Goliath can express a stern warning without treating them like children.
PAGE 52
Remember, Brooklyn is the natural leader of the trio.
I doubt Elisa says "Sheesh!"
PAGE 53
Now this whole thing with the robbery seems horribly contrived. If I didn't know better, I'd think Elisa had rigged it just as Xavier rigged the Pack attacks. The whole thing doesn't work. Certainly no one would rob the same apartment twice on the same night.
PAGE 54
Elisa seems to wear an agenda on her sleeve at the bottom of this page. She's coming off as a worse slickster than Xavier.
PAGE 55
Goliath's: "Those days are over!" response is ridiculous, because those days never existed.
And dogs don't laugh.
PAGE 56
I'm sure we don't want the female Hyena doing Rodney Dangerfield. Or any other bad old jokes.
PAGE 57
I've missed how Elisa made it to her car. I thought they were herding her.
And her line about "checking the transmission" is exactly the kind of pseudo-Spider-Man quips that we can forever do without.
Do we care how the Pack found Goliath?
Since Fox is telling a fib (which Xavier probably fed to her) in order to get Goliath's dander up, then "riches" misses the point entirely. What does Goliath know or care about wealth? Perhaps Fox brags that the stolen information will give them power to crush anyone who stands in their way. As for her excuse for chasing Goliath down...(Since it is literally contrived)...she could say that she doesn't like to leave any potential enemies alive. She couldn't finish him the other night because he was surrounded by friends. But now she can pick off all of the gargoyles one at a time. That would send a chill down Goliath's spine.
Also, it occurs to me that if you do replace the Pack w/masked commando types, than we could actually have a masked Xavier delivering this speech to Goliath. Maybe Bronx recognizes Xavier, but not being Scooby Doo, there's no way for Bronx to get his message across.
PAGE 58
So many problems.
--Elisa comes off as an idiot, here.
--None of us buy Goliath's sudden "surge of superhuman strength".
--What's Bronx doing in this scene?
--No running take offs into the air allowed.
--Bronx can't fly, so he couldn't follow anyway.
Also, this might be an opportunity to explain that Gargoyles glide and don't fly. As they are trying to escape, Elisa would ask the natural question:
ELISA
Fly us out of here!
GOLIATH
I can't.
ELISA
What do you mean you can't?! What're the wings
for?!
Or something like that. Given his limitation they either have to stand and fight or he has to start to climb high enough to get some air.
PAGE 59
Does the crowd attack Goliath or ask the Pack for autographs? Again, can we service the Pack in this pilot with all the other things we have to accomplish?
PAGE 60
If we do use the Pack, then Elisa has NOT just remembered who they are. And we need to understand why she doesn't immediately call for back-up or warrants for their arrest.
And this is a missed opportunity to play up the theme of judging by appearances.
This is also an opportunity to explain that Gargoyles daytime hibernation allows them to heal and recharge. Shed their damaged skin for a new one the next night.
PAGES 61 - 63
It seems odd that we haven't really intercut between the trio and Goliath.
This scene is a mess as well.
--Again, we need "voices" for the trio.
--We shouldn't rush to give them colloquialisms either. Over time, they SHOULD pick them up more readily than Goliath or Hudson. But let's make it make sense.
--We don't need to see the namings at all, or find rationales for the chosen names.
--Brooklyn appropriating some sunglasses seems like it might be a fun little touch. But how he gets a leather jacket and t-shirt over his wings is a bit perplexing.
PAGE 64
Although I'm not necessarily in love with it, the "Pleestameetcha" bit is the closest we come to believing these guys are learning to adapt, as opposed to automatically adapting with ease.
Dancing Gargoyles are a bitch to animate. Or so I've been told.
PAGE 65
We'd like to avoid the whole perplexing issue of whether or not the gargoyles can read. I tend to think that except for Goliath, they can't. (As it is, we're stretching in having them able to even speak and understand modern English.) In fact, if we feel like actually doing some good at some point, then a literacy episode featuring our trio and Hudson might be honestly worthwhile, but until we're prepared to really deal with the issue, we'd like to avoid it.
PAGE 66
This cluebuster scene has come off more contrived than it had to be.
PAGE 67
Again, it's unclear why Elisa doesn't simply file charges.
Maybe Hudson starts to give a shadowed Goliath the same guff he's been giving the trio, until Goliath steps into the light and he sees that Goliath has been wounded.
Again, wealth is not the issue. But physical power might be.
PAGE 68
And this grudge thing makes no sense. The Pack has battled Goliath twice and have basically won both battles. The only explanation that makes any kind of sense is the notion that they don't take any chances with potential threats.
Goliath could be honestly perplexed as to what to do...and decide to sleep on it.
The reunion should be an amazing moment. We need to believe in their love.
Xavier should say that he took the liberty of choosing the name Angelica for her. It's a lie that will ring truer.
PAGE 69
Angelica's story is not convincing. The attack was during the day. All gargoyles that were found were destroyed. We know it's a lie but we need a better one. Maybe just before sunrise, she got worried about Goliath and left the castle to find him. [The truth is that at the last minute she didn't trust the Captain to protect the frozen gargoyles from Cole. So she took off and hid somewhere.]
Xavier's story is no more convincing. Maybe he saw her picture in an art book and purchased her for his collection, long before he found out about Goliath. Or something.
Dialogue needs work, and Bronx is misused again.
PAGE 70
This is how Bronx should be used. Like a dog.
Goliath's "You just watch me" line, again misses an authentic voice for the character. He should also not gain immediate comfort with everyone's new names.
It's probably all right that Brooklyn has picked up the word "cool" and its usage by this time. But Goliath should not respond with another colloquialism, "Excuse me?", like he's Wayne or Garth. Does he think the tower is too cold or Brooklyn is? Actually, this whole exchange might be better suited for Hudson or cut entirely. I just feel like I've seen it in a 1969 Bob Hope film.
PAGE 71
As for Bronx going with Hudson, we can play off my earlier suggestion. This time Goliath tells Hudson to take the dog with him, because now he's worried about his old friend and the dog might come in handy. But he wouldn't dare to embarrass Hudson either.
GOLIATH
Oh, and Hudson, take the dog. He needs exercise.
We don't know why Angelica and Goliath need a helicopter.
And Demona's little slip about "crime rates" is too goofy. No reason for her to say something like this unless she was trying to tip him off.
PAGE 72
Maybe I'm over-reacting to the word, "lumbering", but for some reason I keep picturing an old fashioned and impractical Spruce Goose. We need to make this cool.
We obviously don't want to animate TEN GUARDS simultaneously.
Also we need a sense that Xavier out-fitted each of the three teams with a precise plan and understanding of their mission. He's too smart to let them all wing it.
PAGE 73
Why wouldn't the trio glide to the top of the tower/skyscraper? Why GROUND yourself by starting at the bottom. And again, they should already have a plan, provided by Xavier.
We also need to believe that these things are well-guarded. If CYBERCORP went to the trouble of splitting this information between three separate disks in three separate locations, including one mobile location, than they're not just gonna leave each disk laying around. Again, a plan from Xavier would help short-cut CyberCorp's security. But we also need to see some things that only a gargoyle's unique talents could accomplish.
Also, should we intercut between these three assaults, as opposed to basically seeing them one at a time?
PAGE 76
Bronx is not Lassie. He's not smart enough to have plans whispered in his ear.
PAGE 78
Would a police dispatcher really report "gray monsters with wings" over the radio?
Should the gargoyles have tried to bring the airship down on purpose, or did that happen when things didn't go quite according to plan?
There's a lot of fainting and near fainting in this script.
PAGE 79
Are there any other cops around?
Is this an airplane crash/explosion or a blimp/airship taking a slow fall?
The exchange between Goliath, Elisa and Demona is very confused. Demona's "little detective" line is perhaps a clue that she knows more than she's letting on. But if it's so bitter, so soon, than it's too big a clue. Perhaps she just points out that Elisa doesn't know the story and they don't have time to tell her now. At any rate, Elisa and Goliath have not built the relationship to justify the "how could you" line at the bottom of the page. Of course, by now they should have. Even if we have a better line of dialogue to illustrate it.
PAGE 80
We probably don't need the triumphant scenelet at the top.
And we don't know why Xavier would raise the question of legality.
Remember, from Goliath's point of view, Elisa simply doesn't know the whole story. He thinks explaining will be easy.
PAGE 81
Any visible seething on Demona's part will give her away.
It's probably o.k. if we've revealed Xavier by this time, but his line is SO on the head.
PAGE 82
Why is Goliath being cryptic?
The issue of law into one's own hands is awkward coming from a woman who's been playing so fast and loose.
And when she says, "I thought we had a common bond..." Well, as the script stands now, we don't believe it. And we should.
PAGE 83
Does Goliath know NYC like a cabby. Can't stage this scene so that he doesn't have an off-screen opportunity to find out where he's going.
Did Goliath mention Elisa's name on or off camera? Or did Xavier just find it out on his own?
Page 84
Again we need to be somewhat careful that we don't assume that Gargoyles are totally up-to-date on modern terminology.
We also need to make sure that Xavier's plan up to this point is clearly spelled out. (Xavier wanted two things. The information on the disks and the gargoyles' unquestioning obedience. He tricked them into stealing the disks, something he couldn't do without their talents. The logistics of which should probably be explained here.)
{At this point, Xavier will know that he's obviously not going to be able to secure the gargoyles' loyal service. That's all right though. He has a back-up plan. The info on the disks allows him to create new-and-improved steel gargoyles. (Perhaps it contained a formula for a rocket fuel that would allow them to fly--something more believable than anti-gravity disks.) Now, he doesn't need the real gargoyles. He'd still like to have them. But if he can't, he'll destroy them so that they can't work against him.}
PAGE 85
Don't know why Demona waited so long to shriek?
Goliath can't swoop up to the top of the roof from the ground.
PAGE 86
This whole conversation seems non-responsive. Exposition's flying, but they're not talking to each other. Goliath should probably figure some of this out for himself.
PAGE 87
Goliath suddenly sees Xavier as the devil, it seems. It just doesn't seem justified.
Xavier is not a war-monger per se. Demona's reasoning may need to be more general. She recognizes that Xavier is the worst kind of human. If she helps him gain more power, she's helping humanity destroy itself. Plus he gives her cool weapons.
As to her name, we think she should say something mysterious like..."The humans named me Demona long ago." No explanations necessary.
Page 88
Xavier set up this test. If Goliath had passed, great. But what did Xavier think would happen if he failed. He probably should have supplied Demona w/some mega-cannon kinda thing to wipe Goliath out. Goliath should barely escape with his and Elisa's life. And when they do escape, either Xavier or at least his assistant Owen should be revealed there also. It's not like Xavier trusts Demona 100%.
PAGE 89
We'll leave the design of the robots to the designers, but I'm guessing that if we really want to contrast the robots with our gargoyles, than they should be shiny and chrome-like, as opposed to Giger-bio-mechanical.
Xavier doesn't plan on selling anything. This is a guy who's favorite word is " Acquire". Acquire power; acquire people...anything he sets his sights on. What he can get by legitimate purchase, he'll buy; it's easier. What he can't buy, he'll take by subterfuge or force. What he can't take, (i.e. our gargoyles and their obedience) he'll destroy. He has no desire to destroy humanity. Or even the system of commerce and government that's put him where he is.
PAGE 90
Elisa's apartment is the first place that the Pack would look at this point. And in any case, the landlord is not gonna just let the floor cave in. Elisa should try to lead the Pack (or whoever) on a wild goose chase. Perhaps into a sculpture garden full of art decco gargoyles and the like. This should be a tense scene where she clearly putting her life on the line to saves all of the Gargoyles. This doesn't seem like a moment for ineffective comedy.
PAGE 91
Xavier should not be too ruffled by the Pack's failure. If they had gotten them during the day it would have saved him some trouble. But he's not worried. He has the castle. He knows they won't risk another day without coming to take it back.
PAGE 92
Although Elisa's statement that everyone has some good in them is a fine message, it seems off-point.
Is Elisa going to participate in this fight or just watch it? Is Bronx (who can't glide or fly) staying with her for protection, or are the Gargoyles carrying both of them into battle.
Demona's line about designing her own armaments only works if it's supposed to be a clue to how long she's been awake in the modern world. Otherwise, it's easier if it's just a gift from Xavier.
PAGE 93
Finally, Lexington has found a voice. Unfortunately, it belongs to Mr. Spock.
Xavier wouldn't sink to the level of calling Goliath a moron.
And it's ridiculous for Goliath to say that he betrayed him more than any human. First off, it's not true. The captain's betrayal was far worse. And secondly, the whole point of this thing is that it doesn't matter whether you're a human or not.
Also, the Pack, (Hard Hats, Commandos, whatever), should all be participating in this finale, unless they've truly been dealt with in some way during the daytime chase scene.
PAGE 94
This is a very weak fight. Audience won't be able to know about internal gyroscopes, and nobody is gonna buy the screwdriver stuff.
PAGE 95
Xavier is coming off very weak, here. Can't happen.
PAGE 96
Elisa can throw a pair of binoculars farther than she can clearly see without them. I don't think so.
PAGE 97
In all this morass, we've lost track of what Elisa is busting Xavier for. What does she have evidence of that she can reveal without simultaneously revealing the gargoyles?
PAGE 98
Goliath: "This time the threat came from within." It isn't just this time.
Goliath's attempt at a joke is lousy. And what's worse is the "clean up this town" line. He's neither the sheriff nor Batman. That's not his mindset. He's a protector of innocents, not a pro-active crime fighter.
PAGE 99
This is not how we want to go out. Tell me about it.
Well, that's it. (That's enough surely.) Good Luck.
Hudson's nearly renamed...
More old memos from the original development file...
At one point a Disney Executive came to me and asked me to rename Hudson as a personal favor. She had just had a son, whom she had named Hudson, and was concerned for reasons I can no longer clearly remember.
I wanted to be nice, but this was very problematic for us. Hudson's being named for the river was the way into the New York names for the whole clan. I couldn't see an easy way to make the change.
But in the spirit of being a team-player, we tried to give it a shot.
The following is a hand-written note in my files of possible names. The ones marked with an "x" were actually crossed out by me.
[Castle Logo] Walt Disney Television
Gregory David Weisman
FIRE - x
LONG - x
CONEY - x
SHERIDAN - x
COLUMBIA - x
HARLEM
ROCKEFELLER
MADISON - x
LAGUARDIA - x
SHEA - x
YANKEE - x
TRIBECA - x
SOHO
JERSEY
BATTERY - x
WASHINGTON - x
LINCOLN - x
VERRAZANO NARROWS - x
ROOSEVELT
EMPIRE - x
CHELSEA - x
GRAMMERCY - x
WALL ST. - x
BROAD ST. - x
BOWERY
NOHO - x
HOUSTON - x
BLEEKER - x
After jotting those down, I composed a memo for my boss to see if he wanted to make the change. He didn't have (or at any rate didn't use) e-mail back then. So traditionally, I would send the memo to myself. Print it out and then leave a hard copy with his assistant.
[4] From: Greg Weisman 9/13/93 12:44PM (616 bytes : 28 ln)
To: Greg Weisman, Paul Lacy
Subject: Hudson Names
------------------------------- Message Contents -----------------
Gary, here are some possible alternatives to the name Hudson:
Rockefeller
Roosevelt
Bowery
Harlem
SECOND CHOICES:
Madison
Soho
Jersey
LaGuardia
Shea
Yankee
Tribeca
Battery
Washington
Lincoln
Sheridan
Greenwich
Coney
Grammercy
He returned the same memo to me stamped from his office with the following little note:
RECEIVED BY
SEP 13 1993
GARY KRISEL'S OFFICE
Greg
WHY
1) Would "Hudson" pick his own name?
Keep this for the teens
GK
Having received that note, I then had to go into his office and remind him about the whole naming schema. The fact that we had names for the 'teens' and that the reason we were considering changing Hudson's name was because of the request of this one executive. Gary then considered all this and decided to stay the course. I apologized to the executive but told her we wouldn't be making a change. I felt bad -- a bit. But I also felt sure that we had chosen the correct names.
Another design memo...
We got more designs from WDAJ. Here's our response back to them...
To: Motoyoshi Tokunaga 8-26-93
From: Greg Weisman 818-754-7436
Re: GARGOYLES DESIGN WORK
Dear Mr. Tokunaga,
This is in response to the designs sent in your fax dated August 21st. (We've looked over the originals you sent as well.) Although we have substantial notes, I want to emphasize that we're learning more with each submission. Things that did not occur to us initially are now becoming clearer. For reference purposes, I'm going to refer to the page numbers of the fax. In the future, you might want to number every drawing on every page for easier reference.
PAGE 3
Seeing the four Gargoyles together raised a number of interesting problems. Goliath seems to have lost some of the upper body bulk that made him so imposing. And Broadway seems to be on an equal level with Goliath. We need to make Goliath more special and unique. And although the trio of Brooklyn, Lexington and Broadway must each be unique from each other, we'd like to see the three of them as a natural grouping. As it stands now, Goliath, Broadway and Brooklyn all seem of a piece, with Lexington as the odd man out.
I might propose the following possible solutions:
--Let's give greater stature to Goliath relative to the other three, particularly Broadway.
--Let's make Goliath the only one of the four who tends to stand erect like a man. If Broadway and Brooklyn existed in a crouch as Lex does, we could cheat all three of them larger and still leave Goliath with greater stature.
--We already have two unique wing constructions (Goliath's and Lexington's), but we could stand to create a third type. Leaving either Brooklyn or Broadway as is, if we gave the other a third style of wing, then when we looked at the trio of younger gargoyles as a unit, each of them would have a unique wing-type and Lexington wouldn't seem like such the odd man out.
--If I haven't mentioned it before, we think of Goliath as being in his late twenties (in Gargoyle years). We think of the trio as being between 17 and 19 years old (in Gargoyle years). Keeping them youthful should also help in making them into a visible unit and still distinguish them from Goliath. Broadway, in particular is looking a bit too old.
PAGES 4 and 5
We'd like to make Goliath more imposing in size. Perhaps by slightly reducing the size of his head relative to his shoulders and chest. Bulking up his upper body.
We're also divided over here on the issue of the tail. Some of us feel it adds an inhuman element to help make Goliath cool and different. Others, just feel it's another thing that'll need to be animated.
Love the way the wings drape on page 5.
PAGE 6
One of Gary Krisel's concerns is that the face have depth. He doesn't want it to look like a mask connected to Goliath's thick neck. I'm not sure I see that problem in these drawings, but it's something to watch out for.
Another important point is Goliath's attitude and expression. He is highly intelligent. Noble. Gary was also concerned that some of the expressions here (and on page 4) made him look a bit like a thug.
A third concern is whether or not we might still have too much pencil mileage in the facial design to animate effectively.
PAGE 7
I love the top two head shots. Goliath looks terrific surprised. And I think the trick with the pupils vanishing in anger is very effective with all the characters. I also like Goliath amused in the lower right corner. But I'm not sure about the lower left shot. I'm not clear what emotion is being expressed. Something about the teeth and maybe the eyes is unappealing. I apologize for not being able to pin down my problem further. Maybe we should reserve his jagged teeth for extreme expressions? I don't know.
PAGE 8
Both poses, particularly the kneeling shot, are wonderful. In the first pose, however, I think we should be cheating his wing-span much, much larger.
Page 9
Great.
Page 10
I like his slimmer "teen" build, but perhaps Brooklyn should "stand" in more of a crouch. Not simply bad posture, but keeping at least three limbs on the ground.
PAGE 11
Again, Brooklyn needs to remain 18 or 19 years old. Particularly in the lower left and right corners he seems much older than that. We also probably need a greater range of expressions. Remember, he is the irrepressible leader of the trio. Out to find adventure. Are his horns too far apart? As opposed to being slicked back like his cool young hair, are the horns scooping up, giving him a more demonic look than necessary? Have we created a mouth that inhibits expression too much? You can see, we have more questions than answers, still.
PAGE 12
I think Lexington works as a basically horizontal character, but we don't want to make him too diminutive relative to the others...stretch him out in poses. Remember that his middle set of limbs function as arms as well as legs.
His wing design may be more complicated than necessary. We may not need the rib construction coming out of his back. For him, it may be enough that he has this wing like webbing between his two upper sets of limbs. Perhaps it's more elastic than draping.
Again, we need to keep him young. Lex is highly curious about the modern world around him. Everything interests him and fills him with wonder. He's more naive and innocent than the others. These qualities should help compensate for his slightly more demonic look.
PAGE 13
My favorite shot is the third from the left on the bottom row. And as usual, the angry glowing eye "battle" version works great. The upper right shot is cute. And I like the surprised version in the second from the left on the bottom row. But we're not getting the sense of wonder or excitement from him in the upper left and upper middle. And I don't really care for the sinister shot of him in the lower left corner. He's not angry or primed for battle (we know this cause his eyes aren't glowing), so I can't figure out what would give him that kind of nasty, almost hungry expression out of a battle context. Again, it may be that using jagged teeth outside of battle mode makes them too demonic. Another question: do his cheekbones need to be so prominent?
PAGES 14
Body-wise, Broadway looks pretty good outside of a context of scale with the others. We like his gut, his sumo-like quality. But like Brooklyn and Lex, he should be a croucher. Like the center on an American football team. And we may want to scale him down; he doesn't necessarily need to be that tall or broad relative to Goliath.
Our biggest concern is that he looks way too old. Mostly in the face, but when scaled with Goliath, as on page 3, in the body as well.
PAGE 15
Again, in all these shots, he looks too old. In some ways, he looks too much like Goliath. He should be a nineteen year old party animal. He just likes to have a great time. Always laughing. The only shot that really works for us here is glowing eyes shot in the lower left corner. In battle, it's appropriate to have the jaw distended and grotesque. In the others, we might try to give him more youth by making his head shape more horizontal than vertical. Less cheekbones, maybe. Rounder, perhaps? I'm not sure.
That's it for now. Looking forward to seeing your next pass.
Thanks. Greg.
cc: Bruce Cranston, Barbara Ferro, Eddy Houchins, Lenora Hume, Gary Krisel, Paul Lacy, Tom Ruzicka, Dave Schwartz.
More correspondence with Tokyo...
Another old memo from my development files. It's pretty self-explanatory.
To: Motoyoshi Tokunaga 8-4-93
From: Greg Weisman 818-754-7436
Re: GARGOYLES DESIGN WORK
Dear Mr. Tokunaga,
Just a quick note to let you know we all looked at the Clayface episode of Batman that you sent us. We thought it was terrific. If you are confident you can animate to this level, I'm confident we have a great show in the works.
Greg.
cc: Bruce Cranston, Barbara Ferro, Lenora Hume, Gary Krisel, Paul Lacy, Tom Ruzicka, Dave Schwartz.
Chapter XXXX: "Monsters"
Time to ramble...
I think this episode had a fun story written and edited by Cary Bates. And I know it had a great moody storyboard directed by Frank Paur. But it suffered from two major problems...
1. Repetitive elements. We had multiple story editors working on multiple episodes. I was overseeing all of them, but sometimes things did get away from me. "Monsters" has a number of elements in common with "Heritage" which had only just preceeded it in the line up. It makes "Monsters" seem a bit more tired than it really is, through no fault of Cary's. For example, we open with a Sea Monster. One of our female cast members is lost and nearly drowned. Goliath searches frantically. Etc. Even my five-year-old son Benny was convinced, "We just saw this one." It just felt very been there done that. My fault.
2. Very weak animation -- some of the weakest of the series -- removed much of the mystery and mood from the boards that Frank directed. I know we called tons of retakes on this ep, but there was a limit. Secrets were given away too early. What's a monster submarine and what's a monster is too easily discernable at the start. We were hoping for more silhouette's in that murky Loch. Throw in some really atrocious character moments (like when Angela wakes up in chains) and you've got an ep that's unimpressive at best.
And yet, there's much in this show that I really like.
It takes an important step toward evolving Angela's relationship with Goliath. Though G's not aware of it, Sevarius reveals to Angela that she is his biological daughter. Having grown up around her adoptive *HUMAN* parents, that notion of biological imperative must have seeped in. She already KNEW that Goliath was one of her ROOKERY parents. But this revelation ignites her curiousity and need. I find it interesting anyway. My eight-year-old daughter Erin was likewise fascinated with this aspect. She was anxious for Angela to tell Goliath about her discovery. Of course, Goliath knows in a 'shrug' sense. It's visually obvious to him. It just isn't programmed to be significant for him.
And if that weren't enough to make the ep worthwhile, we also get another wonderful over-the-top performance from Tim Curry as Dr. Anton Sevarius. He has a TON of great lines in this (all quotations approximate)...
"If it gets any more sacharine in there, I'll have to shove a finger down my throat."
"It must be awful to wake up in chains first thing in the morning."
"Thank heaven for little girls... and DNA markers."
"He's your very own flesh and stone."
"Enough to make my mind boggle..."
But there were other problems too. In my mind and Cary's Big Daddy and Nessie were mates (with little ones revealed at the end). But because of the name "Big Daddy" and because we were intentionally using the L.N.Monsters to parallel and comment on Goliath and Angela's father-daughter relationship, many people thought that Big Daddy was Nessie's dad. I'm not sure it matters too much. But (unintentional) confusion can't help.
ELISA
Elisa knows they haven't arrived in Manhattan because it's too quiet and because the water's too clean. Of course, Loch Ness is famous for having MURKY, MURKY water. Not that the water is "dirty" exactly, the way New York Harbor is. But it's hard to figure Elisa would think of the Loch as clean either. And I knew that. Don't know how that got by me.
But Elisa does have some fun lines here and there:
"I'm not really the adventuring type."
"It's a show... Themeparks do this five times a day."
(Yes, we weren't above giving a gentle knock to the parent company.)
(Of course, when Elisa said that last bit, Erin said, "I don't think so." Benny noticed the submarine was metal and thought it was a robot. It took him a while to get the notion that it was a ship or sub.)
LITTLE CONTINUITY TOUCHES
Elisa leaves a message on Matt's machine. But the tape is full. This was done for two reasons. Or three...
1. We felt that Elisa would and should attempt to contact someone.
2. We wanted to prolong the agony (at least in the audience's minds) as to what happened to our travelers from the point of view of those left behind.
3. We were in the middle of a tier, and couldn't guarantee (as we saw with "Kingdom" that the episode would air in order. We didn't want Elisa to successfully contact anyone, because it might screw up continuity.
Nice to see Brendan & Margot taking a little vacation on the Loch, huh?
Angela says to Nessie: "I bet you've never been this close to a real live gargoyle either." But of course Angela's wrong. One of the reasons that Nessie gets so friendly so fast with Angela is BECAUSE she recognizes her as a gargoyle and knows that gargoyles are friendly to the Monsters of the Loch.
Of course, this begs the question as to what the Loch Ness clan was doing throughout this little adventure. I don't have a grea answer -- YET -- but for now, I'm just going to fall back on the notion that they were aware that Nessie was missing, but didn't know the cause. (It is a big murky loch, after all.) And yes, I know that's a feeble explanation, but it will have to do until I figure out a better one.
The title "Monsters" is another one of my thematic one word titles. Angela hits the nail on the head when she calls Sevarius the only monster around here. It's central to the series theme. But again, maybe too obvious, contributing to the weakness of the episode.
We had some trouble with the animation of the scene where Bruno confronts Goliath and Elisa right after they escape the dungeon. It forced us to reuse Jeff Bennett's "All right." line twice in a row.
Speaking of Jeff, my wife Beth thought Bruno sounded very Jack Nicolson. I pointed out that when Bruno was created, way back in "Awakening" we asked Jeff to make him a young George C. Scott. Beth couldn't hear that at all.
Benny used to love Bruno. Not only does Bruno barely register with him now. He doesn't remember ever liking the character. Erin asked him if he remembered the Xanatos Goon Squad. He didn't respond.
Another weakness... Angela just holds her breath forever down there at the end.
And when Goliath does get there, her chains pop off too easily, begging the question why she couldn't free herself.
I know I keep talking about the ep's flaws. But like all the 66 chapters, I really am more fond of it than critical. I do love seeing Goliath launched as a living torpedo, for example. There are a bunch of little things that I like.
And heck, we killed off four more characters. Sevarius and Bruno survived. But I think we have to assume that the other four members of the Goon Squad are gone for good.
But it wasn't one of our best efforts, I'll have to admit.
Sorry 'bout that...
Anyway, that's my ramble. Where's yours?
Another memo to Japan...
Here's a follow-up memo on the character designs to the one I just sent praising "Designer E". Mr. Tokunaga sent us a note asking for feedback on the other five designers who had made an attempt on the Trio and Goliath....
To: Motoyoshi Tokunaga 7-26-93
From: Greg Weisman 818-754-7436
Re: GARGOYLES DESIGN WORK
Dear Mr. Tokunaga,
Per your request, a quick note on Designs A-D and F, with a reminder that just because the designs didn't suit our purposes, doesn't mean they weren't worthwhile attempts.
Designer A has the action feel of the show, but to be honest, the designs on Goliath, Brooklyn and Lexington were too unappealing. Although the characters are monsters, they need to be heroic monsters. It's a tightrope we're walking, and this group didn't seem redeemable. Broadway was more appealing, but a little goofy looking, and he seemed to be scaled too large.
Designer B was too cartoony on Lexington, Broadway and even Brooklyn. We're looking for more of an action feel. Goliath, particularly in B-7 and B-8, seemed too human. Like a man wearing a mask. Not unique enough. B-10 was a nice pose, though.
Designer C was just too cartoony. And the trio of smaller gargoyles looked more like aliens from another planet than medieval stone creatures.
Designer D's Goliath was an interesting interpretation. D-1, D-2 and D-3 were all nice poses that gave us the feel we were looking for. But in D-3, Goliath seemed too reminiscient of the Beast from Disney's Beauty and the Beast; and we're already a bit too close to that concept for comfort. We don't want to emphasize the similarities further than necessary. And though it seems like a minor point, we all really didn't like his chicken feet. And again, the gargoyle trio seemed too cartoony.
Designer F obviously stuck the closest to our original designs. Even closer than Designer E, whose work we liked. They seem to be simplified tracings, without the wings. I'm not sure how to describe my response, but the magic just seemed to be out of the drawings. The characters seemed unappealing, unexpressive and flat. Everything that E wasn't.
The "GOLIATH SPECIAL by Hashimoto" didn't grab us. Again he seemed like a normal man, an older man, with pointy ears and big hair.
Hope all the above is helpful.
Greg.
cc: Bruce Cranston, Barbara Ferro, Lenora Hume, Gary Krisel, Paul Lacy, Tom Ruzicka, Dave Schwartz.
Design work memo...
The following is a memo I sent to Walt Disney Japan. They sent us character designs (based on inspirational work by Greg Guler and Dave Schwartz) on Goliath, Lex, Broadway and Brooklyn by at least five different designers. (Maybe more, I can't remember.) We immediately liked designer E (Kazuyoshi Takeuchi) and he eventually became the lead character designer for the series' first season.
I know what follows may be a tad frustrating since it refers to art you can't see. But I thought you might be interested anyway.
To: Motoyoshi Tokunaga 7-21-93
From: Greg Weisman
Re: GARGOYLES DESIGN WORK
Dear Mr. Tokunaga,
We were very excited to receive the preliminary design work on the four major gargoyle characters. Designer "E" seemed to come the closest to capturing our vision of the series. His or her work impressed us, but begs the question whether or not you believe we could effectively animate designs that are this complex?
If the answer is yes, we'd like to see Designer "E" continue his development of the characters, focusing particularly on heads, faces and wing design. As a secondary concern, we might attempt line drawings, turnarounds and even some color.
Gary and Lenora have asked me to gather together a few notes, thoughts and suggestions for you. So here goes...
GOLIATH
E-1, E-3. A major concern for all of us is figuring out how the wings attach to the gargoyles' backs so that there is a real feeling of believable musculature. How does it look from the rear, for example, when we can't hide where they attach behind a shoulder blade?
E-3, E-4. When the wings are spread, and particularly when they are in flight, we probably want to cheat them larger, so they fill the screen except from an extreme distance. We really need to believe they are large enough to carry his weight.
E-3. We like the dramatic posing on all the shots. But in E-3, he looks satanic rather than heroic. Occasionally, we'd like to see a more classically heroic pose. We want to make sure that Goliath and the others don't look consistently demonic.
E-5. It's lovely how the wings are draped here.
E-2, E-5, E-6. This is a great start in terms of facial expressions. We'd like to see more of them...a greater range of expressions. Intelligent. Laughing. Pensive. Wry. Perplexed. Noble. Mildly amused. Etc.
Gary also has some concerns about the head's design. He wants to make sure that the head or face does not lose its "depth"; (meaning "depth" as a measurement like "width" or "height", not "depth" as a personality trait). I'm not sure I see this problem myself, but I might suggest keeping the ears back, the jawline long and the jaw square.
E-3, E-5. We want to make sure that the hair on his head has mass, but falls like hair, and doesn't look like a removable helmet. The key here might be in the way it is layered.
I've included some old designs done by one of our artists last year. They should give you some ideas on color, simplicity, etc. Don't feel bound by them. I've numbered them for discussion, Disney-1, Disney-2, etc.
In Disney-1, Gary felt very comfortable with the simplicity of the lines and design of the body. But he did not like the head, again feeling it did not have enough depth.
It's also important to set the balance between the animalistic and human in all of these characters. Some of the "Disney" drawings may be too human in the face. And there's a nice animalistic quality about some of the "E" drawings. But we need to be careful we're not losing Goliath's nobility either. We need to strike a balance.
Disney-1 gives an example of the classically heroic pose that we will need on occasion.
Disney-1 also serves to illustrate how we'd like the hair to fall.
Other questions raised by Disney-1, include whether or not Goliath looks broad enough in chest and shoulders?
Also, whether he should have Disney-1's high weight-lifter's belt around his stomach, or whether we should lower it to his waist as in Disney-4?
Disney-4 also illustrates a head shape that may have the depth that Gary's looking for.
Also, notice the arm hair in Disney-1. It's always been a bit problematic, a bit stiff. But we think it might add something in color. Helps break up the design a bit. But we're not sure if it's worth it. It might be something for all of you to experiment with.
Disney-5 helps illustrate how the length of Goliath's wings will constantly be cheated to suit the situation or pose. But they should always give the illusion that if they were spread out to full size, the wing-span would be fairly enormous.
BROOKLYN, LEXINGTON & BROADWAY
E-7, E-9, E-10. We have similar concerns for Brooklyn & Broadway, regarding wing construction, attachment and musculature.
E-8. Lexington's glider-wings in the down-shot seem to be coming out of his stomach and the bottoms of his arms. We prefer how it looks in the up-shot, where they are webbed between his back and the tops of his arms. I like how the wings are attached to both sets of arms, not just the upper arms as in our original designs. A big improvement.
E-7, E-8, E-9. As for faces, Gary is concerned about animating emotions and expressions when we don't have pupils in their eyes. We discussed the possibility that they normally have pupils, but that when they are in battle, their eyes glow solidly. Again we'd like to see a range of expressions. Particularly because it is so easy for the trio (Lexington especially) to look demonic, we'd like to see some softer, gentler expressions.
E-10. We're also interested in the trio's scale relative to Goliath. Goliath should still be the biggest of them by some visible amount.
Thanks again for all your efforts. Good luck on the next go 'round.
cc: Bruce Cranston, Barbara Ferro, Lenora Hume, Gary Krisel, Paul Lacy, Tom Ruzicka, Dave Schwartz.
An old memo...
It's been awhile, but I'd like to try and continue to post old memos and such from my development file.
This is where we left off in July of 1993...
[2] From: Bruce Cranston 7/16/93 10:57AM (801 bytes: 10 ln)
To: Suzanne Prescott
cc: Greg Weisman, Paul Lacy, Adrienne Bello
Subject: CYBERCORP.
------------------------------- Message Contents -------------------------------
In our outline for the Gargoyle's pilot, we refer to a fictional robotics company named CYBERCORP. Adrienne suggested that I have you check that there's no real company by that name. They aren't bad guys or anything. The bad guys steal something from them. But I guess we should check. Does it cost money to check7
It isn't necessary to check it at this point, especially if the clearance fee is more than $100.00 or so.
Please just remember to do a check once we get the go-ahead to production.
Chapter XXXIX: "Kingdom"
Time to get back to rambling...
Well, we've had our adventure in Avalon and made a couple stops on what I knew was going to be a long trip. Time to check in on the home front.
Only trouble is, as these things originally aired, this one actually didn't manage to get broadcast right here. It just wasn't ready in time, and we had enough trouble airing reruns without holding up episodes that were ready to go just because this one wasn't. And besides it was all part of Tier Four. So we couldn't justify waiting for it.
Still. Out of the 66 eps I was involved in, only two aired out of order. "The Price" aired too soon. "Kingdom" aired too late.
Hope it didn't screw too much with your sense of continuity.
Oh, by the way, Kingdom was
Directed by Bob Kline
Story Edited by Gary Sperling
Written By Marty Isenberg & Robert Skir
KINGDOM (BROOKLYN & TALON)
The title, I believe, was another one of my one word 'theme' titles. It refers, of course, to the newly established kingdom of the Labyrinth and who and how it will be ruled. Can any organization exist without leadership? Or will a power vacuum by nature be filled by something, positive or negative?
We have in this show two reluctant leaders. Brooklyn and Talon. Ironically, Talon seems to have no problem asserting himself to lead -- especially among the Gargoyles in the void of Brooklyn's unleadership. He wants the authoritiy of leadership without the responsiblilty that comes with actually having the title.
Brooklyn feels a burden of leadership that's two-fold. On the one hand, he feels like acknowledging his role as leader is a betrayal of Goliath. Like he's giving up on finding his older brother. On the other hand, he feels intimidated by trying to fill Goliath's shoes (assuming Goliath wore shoes).
He's specializing in 'avoidance' or as Kent Brockman would say, "Avoision".
"Why are you looking at me?"
"Perfect."
"Stop asking me that. I don't know."
Everyone else is actually working on the missing Goliath/Bronx/Elisa problem. Brooklyn isn't even doing that, because any action risks being misinterpreted as leadership.
HUDSON
So throughout, Hudson uses psychology to gently nudge Brooklyn into the right mental space.
Guess he'll go to the Labyrinth to ask Elisa's brother if he's seen her. Might see Maggie there....
Suddenly Brooklyn is volunteering. For the wrong reasons, of course, but Hudson has at least gotten him started. Moved him from active to passive.
CAGNEY
Is fun in this. Didn't want to leave the poor cat alone for months now, did we? I like how Broadway and Hudson care for him. How the cat reacts, sleeping on Hudson's head, when Hudson wakes up. How he reacts to Maggie the (other) Cat. How Hudson, quietly admits just how much he loves Bronx in Cagney's presence.
AL, CHAS and ?
I like these guys. They're well characterized in just a few little bits.
Al's the homeless guy that Fang harrasses. Chas and his buddy (who's name I didn't catch this time through -- though I know I have it written down at the office) are Fang's cronies.
Jeff Bennett (as Chas' buddy) is very funny describing their discovery to Fang.
There's a brief moment at the end, where it looks like Lex and BW might be smashing these two guys heads in with rocks. But we pull back and see they're really smashing the guns. I don't think we'd get away with even the tease of that in the current S&P atmosphere.
I wonder where they went after Talon chased them out. Can't help thinking they were naturals to join the Quarrymen.
And how's Al doing?
FANG & CLAW
I love Belushi as Fang. (He's got a great growl that's a sound effect, but it works great with Belushi's stuff.) My wife Beth thought Jim was too over the top. But I think he's hilarious.
He's got a bunch of great lines:
"...Flying bug zappers."
"Now wouldn't that be a crying shame."
"Open the door, Fang. Protect the weak, Fang."
"There's a new Sheriff in town."
"Ahhh, mannn...."
"Mutate humor."
Talon: "You and what army?"
Fang: "This army, pal. And you're our first prisoner of war." (Though technically Talon is the second, since Maggie's already trapped in the gun chamber.)
My nearly eight-year-old-daughter Erin asked, "Is he greedy or jealous?" Both, probably.
And he is bright enought to trick Talon.
And Claw is just a love. Charming in his silence. He really comes into his own in this ep, you know?
Incidentally, this year "Kingdom" made the fan's top ten favorite episodes, alongside such others as: "Hunter's Moon, Parts One, Two and Three," "The Mirror," "Future Tense," and others.
I was a bit surprised. Most of the other ten look a hell of a lot better than this one. It's a tribute to Brooklyn's popularity probably, but also, I think to Claw.
There's great fun throughout with that darn key card. Fang trying to bust into the gun chamber initially. Being so frustrated, and Claw just lowering the card in front of him.
"Give me that!" Fang says and grabs it.
Later, after Maggie's escaped, and Fang regains consciousness to find out what happened, Claw does his intentionally indecipherable pantomime schtick. And Fang simply repeats: "Give me that!"
MATT
The scene with Broadway and Matt is oddly animated. Looks briefly like it's from some other show. But there's something strangely cool about the animation, even though it's off.
MAGGIE
Erin said, "I like Maggie. She's very..." But she didn't complete the sentence. Even with prompting from both Beth and myself. She just liked her, I guess.
Maggie begs Claw to let her out. So that she can join the fight? No. So that she can get help. That's Maggie's version of bravery. And I'm not knocking it. Frankly, it's what we teach our kids. You don't teach them to enter dangerous situations. You teach them to go get help. Dial 911. Maggie will never be a warrior, though she has the power for it. It's just not who she is. Normally, that might bug me. But this was a show with so many strong warrior female types, that I liked having the variety.
But this episode doesn't happen to have any of those strong female types like Elisa or Angela or Fox or even Demona. Did it bother anyone that Maggie was the only woman depicted and that she never participated in battle?
Maggie does get to shine in an area that comes more natural to her. Acting. She figures out at the end what Brooklyn is up to, and then performs her heart out to keep Fang in the dark, as she releases Derek. Well, I've always said she came from Ohio to make it in NYC as an actress...
She and Talon are now even more firmly established as a couple. Even in Brooklyn's mind. Finally, he adjusts and moves on.
XANATOS & OWEN
Hey, how about that new security system, installed as a result of Thailog's 'kidnapping' in Double Jep. Doesn't it... SUCK??!!!!!
The cannons do WAY more damage to X's castle than to anyone or anything else. And I also felt like we had done this before at Mac's place in Lighthouse and the Price.
So this is just weak. A failure on our part to come up with something stronger, more original, etc. We needed some action around now. But I still wish we had cracked this better.
There are some fun moments, if not always for the right reasons...
There's a comedy WAY off-model Broadway riding the exploding cannon.
There's a couple gargs falling through X's ceiling.
And it leads into a fun scene...
Owen's stone fist use (though a great idea) is actually a touch feeble, but X is in rare form...
Xanatos: "Do I really need an excuse to have a good time in my own home?"
And Xanatos: "A man has to make a living."
And Xanatos again: "I wasn't aware I needed permission."
Of course, on my tape that effect is spoiled when he suddenly goes cross-eyed. I'm hoping that's a retake that got corrected after the first airing.
BROOKLYN
Finally, after the debacle at X's place (which winds up being less of a debacle since we never figured out an episode that would show how X would take advantage of the info he learned) and after Maggie's plea for help (Brook could never resist a damsel in distress), Brooklyn finally takes up the role of Leader. Reluctantly.
Brooklyn: "This has nothing to do with what I want."
Hud: "Is that an order then."
Brook: "Yeah, I guess it is." Then look at him right there. That's a hero, am I right?
And Erin says, "Funny. All the leaders have long hair."
Hmmmm....
And so Brooklyn can't avoid leadership...
"Yeah, try as I might."
And he and Talon shake hands, as both accept the roles destiny has thrusted upon them. It looks good on them.
And that's my ramble. Where's yours?
3x3 Eyes TV Premiere
FYI
I've been told that at midnight tonight (Friday 7/12/02 -- or more accurately Saturday 'morning' 7/13) the English dub of the anime series 3x3 Eyes that I voice directed will be airing on Encore (a.k.a. the Action Channel).
GATHERING 2002 RAMBLE: TUESDAY
Got to sleep a touch later. Went down to the lobby and turned in my key. Kess and Arno drove Kathy and I to the airport. (Thanks guys!)
We had some Burger King.
Had a bit of a wait for our flight.
Then we flew to Atlanta -- I think I slept most of the way -- where I said good-bye to Kathy.
Then I had a layover waiting for my L.A. flight.
Ate some more, of course. Jambalaya, I think. And a candy bar.
Got on the plane. The movie was "The Rookie". I'd already seen it, and though I liked it, I figured I didn't need to pay $5 to see it again, so I read mostly. Finished a Hillerman mystery and started reading a biography of Queen Henrietta.
Got to LAX. Got home. Hugged my wife and kids and distributed much booty.
A great trip!!!
Thanks, all of you!!!
GATHERING 2003 RAMBLE: MONDAY
I was probably operating on about eight hours sleep for the whole con going into Busch Gardens, which may explain what comes later.
Anyway, we all met in the hotel lobby and divided up cars. I went with Kathy, Lanny and Derek and the four of us pretty much stuck together for the entire day, with many other people entering and exiting and meeting back up and dividing off, etc.
We got to the park, and Sara and Kelly Fay joined us for muffins (or an Apple Strudel in my case) before we headed to our first rides. Kathy and I rode the Loch Ness Monster.
Everyone but Kelly (who had a cold) rode the Pompeii thing. This had WAY too much actual fire and gasoline for my tastes. We all got a bit soaked. But on the next water ride, Kathy got absolutely drenched.
While she bought new clothes, I bought some souvenirs for the kids.
Mandy found us and we road some kind of autopiaesque thing.
It's all a bit of a blur, of course. But eventually we wound up meeting up with Denis, Jade, Abram, Sara B./Liz, Dreamie, Winterwolf, KWS and Tore for lunch at the barbecue place. I had some good babyback ribs and a lemonade. (The food of course, I remember clearly.)
Then we divided up again. Saw some eagles, birds, snakes, hawks.
Met up again, to see some Irish Dancing in a wonderfully air-conditioned theater. (I nearly dozed off waiting. Kinda wish I had, as the naplet might have helped me later.)
We went to see the wolves, which was neat. But also that was the one part of the day where we were just standing in the sun baking. I literally poured nearly an entire bottle of water over my head. And I was still frying. So we didn't wait for the actual wolf show.
Kathy and I rode the Big Bad Wolf Roller Coaster.
Jubes and Lanny and I rode some twirly thing.
I got a carmel apple at some point.
Etc.
DINNER. Italian. Pretty good food at this park. Eggplant parmesian. Breadsticks. Watermelon. Spaghetti with Meat sauce. All good. We listened to a brief Swing Band set. It was nice.
Kelly and Tore kept planning on leaving after just one more thing, but they wound up staying all night.
We all met up again to see the Cirque de Soleil-ish "Imaginique" show. I saw the beginning and the end. But I spent the middle fighting off a major doze. I shouldn't have fought. If I had just let myself go, I probably would have slept for five minutes and woke up to see the show. Instead I really have no memory of the middle of the show. And I understand it was stunning.
Oh, well.
Then came the embarrassing incident with the banana split in a waffle cone. The less said the better.
On our way out we saw a couple Clydesdales. I was blown away. I had never seen one in person before. I had no idea just how big they were. Nothing in the Bud commercials gives you an idea of the massive scale. Dinosaurs literally came to mind. Wow.
Finally we left the park. The day had been one long series of goodbyes. Jubes gave me a couple of Monsters, Inc. t-shirts for the kids, prizes for the junior art contest. (They loved them, btw. They really cleaned up this trip.)
Then the four of us returned to the hotel and I went upstairs and just crashed.
GATHERING 2002 RAMBLE: Sunday
Dragged myself out of bed Sunday Morning for the Roughnecks/Starship Troopers Q&A. We got the VCR working, but not the DVD player, so I couldn't show any of the new "Homefront Arc" DVD (now available in stores) as planned. But I did show those funny, funky Troopers music videos. They're always good for a laugh or two.
The Troopers Q&A bled right into a Team Atlantis panel with Greg Guler and myself. Lots of explanation of what happened, what went wrong, etc. Funny AND Depressing, right?
Then that panel led right into a VOICE ACTING SEMINAR. I had some fun playing with the Demona audition side, but we read a scene from M.I.A. and I just couldn't seem to get my act or thoughts together. Maybe I was tired. I'll try to do better next time. (I think I missed Thom.)
Next came the Auction. Greg G. and I sat in the back occasionally autographing things while the auction went on. As usual the free-flowing bids astounded us both. All my Team Atlantis/Gargoyles materials sold to Carol & Zach for $300. The high bid was for one of Roy Sato's original drawings of Demona: $510, I think. Though the funniest bidding was Kaioto desperately paying something like $276 for Roy's Lex sketch for Lexy. (More on that later.)
I think I signed WAY less stuff this year than in any previous year. Obviously no one has anything left for me to sign. Some of the stuff I did sign made me feel guilty; it seemed to me I was clearly spoiling someone elses artwork with my scrawl.
Some poor fools even asked me to do one of my horrible sketches in their books.
I also got to talk to some people. Noel stopped by. Glad to hear you're feeling better. I got to talk to Karine and her beau Adam. (Siryn's beau is also an Adam. Is that like a new rule?) Karine drew a very fun sketch of me looking tired and besieged. I'll cop to the tired. But I was hardly besieged. (Karine and Sara Berkeley's drawings are now both on my daughter's bulletin board.)
My kids' art tied for first in the Junior Division, among stiff competition, I assure you.
Siryn purchased Erin's "Ocean Sirin" and Kelly C. bought Benny's "Erika". Half the money went to charity. Half went right into my kids' hot little hands when I got home on Tuesday. (Thanks Si. Thanks, Kelly. It meant a lot to them. As did those cool laminated nametags.)
After the auction, Greg Guler and Carol Wagner had to leave for the airport. So we all said goodbye. They both did great, don't you think?
Somewhere in there, I feel like I must have had some lunch, if for no other reason then I love eating. But I swear I can't remember where I ate or with whom. Might I actually have skipped a meal? Hmmmm.
Anyway, closing ceremonies. Greg and I had already decided to give the Thom Adcox Memorial Award to Kai. Sure his fiancée has one already, but we felt he deserved it for emptying his wallet for a Lexington drawing for his bride-to-be. Jubes and I were supposed to call Thom and run our choice by him before hand. But we forgot. So he can live with it.
Afterwards, a group of us (myself, Derek, Lanny, Mandy, Jen, Kyt, Kathy, Patrick, Karine and Adam) went to a restaurant called the Whaling Company for dinner. I had some great shrimp, clam chowder and trout and most of a phenomenal dessert. The most astounding thing may have been the way the restaurant volunteered to give EACH of us separate checks.
Next we drove in cars to Yorktown and hopped on a bus to get on a boat for a little river tour. I have to admit that by this time I was so so sleepy that I could barely keep my eyes open. Before I knew it we were getting off the boat and back on the bus to take a walking tour featuring ghost stories of Yorktown.
(Around here we met up with Sarah and her relatives. NOTE: there are a TON of Sara/Sarah/Zehras at this con, including Dreamie, Jubes, Liz, etc. I mean lots!!)
The ghost stories were mildly interesting, but the tour guide was really getting on my nerves by punctuating every tale with a very cheesy maniacal laugh that made everything she told us seem phony as hell.
There was a funny moment when she looked at Kyt (on a leash) and Jen and asked if we were part of a fraternity prank. Kathy said it was a family reunion, which was both funny and true enough.
Cooler than the stories were the deer and fireflys we saw. The latter really made me feel like I was in Pirates of the Carribean.
We skipped a last bus ride and walked back to our cars. Then drove back to the hotel.
We stopped by the Dead Dog Party at the Con Suite. But eventually a few of us (Zehra, Zach, Lanny, Derek, Kathy, myself, Jubes, Mandy, Jen & Patrick) ended up in Kathy & Mandy's room. I can't remember the last time I laughed so hard. When Kathy asked Zach why he was blinking (meaning his pager -- but we all thought she meant his eyes) I couldn't even look at Zach (trying to analyze his own eye blinks) without falling out of my chair.
I've known Zach for years now. He's been to Gatherings and I've taught him in my Animation Writing Class -- twice! But I only really got to know him on this trip. He is a really funny guy.
I always get a second wind REALLY late at night, but I knew I'd be hurting in the morning, so when Lanny & Derek called it a night, I did the same. I'm not sure I was coherent enough to focus on saying a real goodbye to the people I wouldn't see the next day. Whoops? Sorry.
I collapsed, more or less, and went to sleep.
MORE TO COME...
GATHERING 2002 RAMBLE: SATURDAY
[Already, my memory is blurring, so forgive me...]
I set my alarm Saturday Morning for 7:00am. Sometimes I turn over and wake up later. But I don't remember that. I remember turning off the alarm and getting up and the clock reading 8:00am. Like I was abducted by aliens for an hour or something.
Anyway, I got downstairs and Jen Anderson joined me for our second round of auditions. We had a lot of good people try out but unfortunately, this year's radio play had a very small cast.
Jen and I went up to my room to cast the show. This year we were doing an episode that I wrote for the now defunct Team Atlantis series. The biggest part was for Doctor Sweet, so we put that aside at first. Then nearly forgot to go back and cast it. I will say that Jen has great casting instincts. Better than mine I think. Anyway, between us, we wound up with a great group:
MILO THATCH - Gabriel
QUEEN KIDA - Siryn
DR. JOSHUA SWEET - Adam Leigh
MOLE - Zach Baker
VINNY - Lanny Fields
OBBY - Kythera
WHITMORE - Ed Ketcham
FIONA CANMORE - Zehra Q. Fazal
THE GORLOIS - Fern A. Wharton
FRENCH DOCTOR - Sara Hutchinson
MALE PEDESTRIAN - Erik Mambu
FEMALE PEDESTRIAN - Jen Anderson
We posted the cast list downstairs and then went next door to -- surprise, surprise -- a Pancake/Waffle House for lunch.
Came back and ran our rehearsal, which went fairly well. I never know how much direction to give. I feel vaguely incompetent, but we're all just in it for a good time, so I try not to sweat it too much. The rehearsal went smoothly and quickly, so we had a little time off. I went to my room to change and decompress for a bit.
Then it was back downstairs for the production. It went very well. Everyone was great, though I think special kudos should go to Adam for being a kick-ass Sweet. And too Lanny and Zach who made a seriously hilarious comedy team with their Vinny and Mole.
After the Radio Play had ended, I played the actual audio tape of the Team Atlantis Episode that I had voice directed, featuring the following cast...
MILO THATCH - James Taylor
QUEEN KIDA - Cree Summer
DR. JOSHUA SWEET - Phil Morris
MOLE - Corey Burton
VINNY - Don Novello
OBBY - Frank Welker
WHITMORE - John Mahoney
FIONA CANMORE - Sheena Easton
THE GORLOIS - Marina Sirtis
FRENCH DOCTOR - Frank Welker
PEDESTRIAN - Frank Welker
(Note: the reason I had two pedestrians instead of one in the Radio Play was so that I'd have both male and female understudies available. This goes back to Orlando, where one of the people I had cast didn't show up to the rehearsal or performance.)
Anyway, it was fun.
After that, I think Mandy, Jen, Patrick, Kathy and I went to McDonalds. I know I had a Quarter Pounder and an apple pie at some point that day.
Next came another Mug-A-Guest. I remember nothing. All a blur. Sorry.
Next came dinner. Greg Guler and I sat with JEB and Jack(?) and ate hot dogs, Mac & Cheese and another hamburger. I actually have a personal rule that I won't eat more than one hamburger a day. (Think about what kind of eater I am, that I require that rule.) And anyway, I broke the rule.
After eating, Greg G. and I did a Garg Q&A. Because of the two-tiered banquet space, I actually used a microphone for the first time in forever. Usually my voice carries. It was fun. Although I don't know if I covered anything new.
Banquet over, I retired to my room again. Called home. Relaxed. Then it was time for the costume ball. Greg and I exchanged name tags, so that I could come to the ball 'dressed' as Greg Guler, and he could come as Greg Weisman. (Unfortunately no one got the joke without us explaining it.)
The costume contest seemed shorter this year. Like fewer people entered. But there were some GREAT entries. Greg, Siryn and I were the judges.
Lynati's costume was just amazing!
Jen & Patrick won the Gorelisa Award for dressing as Xanatos and Fox respectively.
Aaron & Mara made fun of me and were rewarded for that.
Tony kissed me and got no prize. (Take note!)
Cutest Couple went to Kyt and Robb(?) who separately came as Puck and Owen. It just worked.
There were other cool costumes too.
After the contest, some people danced. Many asked me to dance, but I declined. Sorry. It's my natural introvertness taking over. (You guys don't see that, cuz I'm such a big mouth. Don't ask me to sing either though.)
I talked with a bunch of people. Demona May told me about a job offer she has. Lots of people stopped by to say hello.
Eventually, as usual, I happily found myself on one side of the room talking with a group of you all. It was nice and low-key, and is my favorite part of the con.
Later still, a few of us (me, Patrick, Kyt, Kathy, Zehra, Gabriel and Jen) headed up to Jen and Patrick's room for Pizza. We tried to freak out Zehra and Gabe with tales of Gatherings Past. Both of them were in last year's radio play, but I didn't really get to know them until this year. That usually happens. I'll meet someone, forget (sorry SpaceBabie), remeet, become acquainted. But there are so many people, it usually takes me two or three Gatherings to really get to know anyone. I'm not complaining. It makes every Gathering fun.
Anyway, finally, like close to fourish, I dragged myself back to my room. I even got to sleep eventually.
GATHERING 2002 RAMBLE: FRIDAY
Well, I got a wake-up call from the hotel. Dragged myself out of bed (it was still pretty damn early in L.A.) I was brushing my teeth, when Kathy did her traditional WAKE-UP stop by to give me my badge.
After showering and clothing, I headed downstairs and scoped things out. Almost immediately I got some cool stuff. My G2002 t-shirt. An "I Surivived G2001" T-Shirt from that staff. A very cool drawing of Elisa as a little girl, sleeping with a plush Goliath, while kitten Cagney cuddles a plush Demona and plush Hudson, Bronx, Trio, Angela and Coldstone sit on a shelf. This was drawn by Sara Berkeley aka Liz, who gave it to me. It was nice to get to know Sara/Liz a bit. She did some great stuff in the art show. (As did many.) I just wished she had asked me if she could put the picture she gave me up in the show. I would have gladly said yes.
I also gave Erin and Benny's pictures to Kelly to put in the art show. She put cool name tags up for them. It all looked very official. I was sorry they didn't get to see it.
I had a Mug-A-Guest next. At first only one person had signed up for it, but we wound up with a decent room. Already, though I remember none of what was said. But I had fun.
Then a group of us snuck away to IHOP for lunch: Myself, Jen, Patrick, Kathy, Revel and Emambu. As usual I ate like a pig. I got the wrong kind of eggs, and so wound up getting two sets of eggs and bacon. Ate most of both too.
Came back to begin Auditions for the Radio Play. Jen Anderson was my casting associate, returning to the roll she held in '99 and '00. (Jordan Mann covered that duty in '98 and '01.) A bunch of great people auditioned. But this year's cast was very small. I knew we'd have to leave out quite a few good people for lack of parts.
With more auditions on Saturday though, we didn't have to make any decisions yet.
So next was a Q&A on the Disney Afternoon. I showed a clip from Talespin and a few clips from Bonkers. I used a dry-erase board to try and explain what we were trying to do when programming the Afternoon. Ran out of time before we got to too many actual Qs or As. My fault. I just really like the sound of my own voice. Sorry.
After that Q&A, I'm not sure what I did for the next hour. Can't remember. Might have relaxed in my room for a bit.
Then came Opening Ceremonies. Greg and I sat up front. Siryn intro'd everyone. Kelly read her cool fandom poem. GXB, Mara and Aaron pitched the G2003 con. Then, more or less, it was my turn.
I asked to see a show of hands of Con Virgins and was so stunned by the high percentage that I thought at first that the question had been misunderstood. It was also great to see how many returnees we had from one or more previous years. Including a handful that had been to every con (like me).
I was happy to have some good news to impart. The con has started to make an impression on Disney. Toon Disney donated boxes and boxes of shirts, sweatshirts and hats as free give-aways. I'm sure they were just sitting in a box somewhere, but they now know the con exists. We didn't solicit these shirts. They offered.
And the BIG news. Disney DVD is going to release at least one Gargoyle DVD in 2003. Not many more details yet. But it's a major step. With consistent good sales, I think it's fair to say that they will eventually release the entire series on DVD. And that could lead to other things as well. This is a huge piece of good news and a direct result of my having the cons to tell them about. I've said it before, but the Gatherings represent the best possible way to get Disney to take notice and bring the show back in some way, shape or form.
Anyway, after the announcements, I started my standard schpiel with the standard videos. I tossed in a rarely seen promo that's narrated by Jonathan Frakes. And I forgot to tell people not to audio or video tape the BAD GUYS reel. I hope everyone listened when I asked later to destroy any tapes including Bad Guys.
After Opening Ceremonies, Greg and I went to Patrick and Kathy's adult fiction panel. But we BOTH got the distinct impression that our presence was hampering conversation so we left.
We went up to the Con Suite where Lexy and Kai were throwing a little Chinese Food party to celebrate their coming nuptuals. Great food. And I had fun.
We left again to go back downstairs to sit in on a portion of Hudson and Chris' fandom panel. Most of it was tech stuff that went over my head. There was a discussion on plaigarism, so I stood up to say how easy it is to avoid plaigarism by simply giving credit where it was due, etc. Then Greg and I left, as things got more technical again.
We went back upstairs to the con suite.
Then eventually I headed back downstairs again for my LATE NIGHT MUG-A-GUEST. This was supposed to be for people 18 and over so we could have adult themed conversations. But I think only one vaguely adult topic was briefly raised. Anyway, we just had a nice time talking until we got booted out.
I vaguely recall heading back up to the con suite for a while. But eventually I made my way to bed. VERY LATE as usual and I had to get up even earlier the next morning. So we're talking little sleep...
MORE TO COME...
GATHERING 2002 RAMBLE: THURSDAY
Well, I'm back.
Time to ramble on the Gathering.
Let me start by saying, that as usual: IT ROCKED!!! I had a blast and I'm so grateful to the amazing staff: Siryn, Carol, Jubes, KWSapphire, MAui, Abram, Kess, Jessie and Mr. Andy. You guys all did a fantastic job. You should be very proud of yourselves. God knows, I'm proud of you.
Second, let me apologize in advance. So much happens in these weekends that I'm bound to forget things and people and stuff. But I was very glad to see you all, old faces and new.
Anyway, Thursday.
I got to the airport and immediately got in this ridiculously long line to check in. (I had an e-ticket and couldn't go to the gate first.)
I spotted Greg Guler outside and thought he was checking a bag with the skycap. When he came in I waved him over and he looked at me and said, "Are you checking a bag?" I said no. He said, "Then why are you waiting in this line?" Turns out he hadn't checked a bag, but rather was checking in with the skycap. So I walked outside and did the same and we both were at our gate within ten minutes.
Oddly, my parents were at the very next gate waiting to board a plane to Utah. I had a vague notion that they were going on a trip, but I had no idea I'd see them at the airport. So Greg and my mom and dad and I talked until they had to board. Then I grabbed some breakfast croissants (cuz I like to eat) and Greg and I got on the plane to Atlanta.
We both had aisle seats on an interior row, with a young woman sitting between us who had a faux fur blindfold to facilitate sleeping. She also had perfect lipstick which she spent a lot of time applying -- and I don't usually notice that kind of thing.
Anyway, when the food came she said the desert tasted like Tanning Oil. I also thought it tasted really bad. But she seemed convinced that it actually tasted like Tanning Oil.
We arrived in Atlanta early, but thunderstorms delayed our flight to Newport News, Virginia. Kathy Pogge joined us in the Atlanta airport, and the three of us just sat around talking. I did a lot of just sitting around and talking on this trip -- it's always the funnest part.
Finally, the plane departed two hours late. We tried to reach people in Virginia to warn them, but no one we called answered their cellphones.
Kathy and I sat next to each other on the flight and were treated to a stunning lightning storm. We were flying between two cloud banks and the lightning that arced between them was really amazing. Almost scary, though the flight wasn't even turbulent, so I guess we weren't that close to the storm.
We arrived in Newport News, where Carol had been waiting forever for us. She was great. Special thanks to her for all she did in getting Greg and me there and making sure we were taken care of throughout. Things were so crazed I barely got to spend any time with her, but I'm very grateful.
Anyway, it was a navigational adventure finding our way to the hotel, but we arrived. Immediately saw a bunch of familiar faces, including Jen Anderson and Patrick Toman. I hadn't thought Jen was coming... That was supposed to be a big surprise, but I was more confused than surprised. But I was VERY glad to see her. The con wouldn't be as much fun without her.
We checked in and met back down in the lobby for a VERY late dinner at Denny's. There was Greg Guler, myself, Jen, Kythera, Patrick, Kathy, Siryn and Kelly Creighton. Service was slow, but the food hit the spot. And I was just giddy to be with everyone again.
We got back to the hotel and I tried to crash, although honestly, I was so excited, I don't think I went to sleep until 4amish.
MORE TO COME...
LIGHTBULB CONTEST RESULTS
I'd like to thank everyone who entered (forgive me if I skip or mispell anyone):
Zach Baker
Vashkoda
Demoness
Greg Bishansky
Josh Wurzel
Goliath JD - Jack Donovan
Lord Sloth
Aris Katsaris
Blaise
DragonWolf
Guardian/Carole
matt
Airportman
Lady Mystic
Jim R.
Noel Leas
Lynati
Kelly L. Creighton/Kya White Sapphire
Amanda
Jimmy
Alex Katsaros
lefay_82
Patricia
Z
Kali Gargoyle
(the guppi)
Jon
First the honorable mentions:
matt writes...
how many gargoyles??? i asked Anubis, he said:
"the lightbulb has died, let it rest. ultraviolet or standard, 55 or 100 watt, all light bulb are equal in death. burning out is the ultimate fairness..."
Airportman writes...
How many gargoyles does it take to screw in a lightbulb?
Gargoyles do not screw in lightbulbs, they ROAR!!!
Jim R. writes...
Fang: "Hey, Goliath, how many gargoyles does it take to screw in a lightbulb...?"
Goliath: "Silly mutate, lightbulbs are for humans."
Lynati writes...
(Fang voice:)"How many Gargoyles does it take to change a lightbulb?
...None! They don't have time to change lighbulbs! They are too busy out harassing innocent citizens who are just minding their own business and locking them up in drafty Frankenstein cells! With no TV! HEY! DON'T YOU WALK AWAY FROM ME WHEN I'M YELLING AT YOU! ...ya creep..."
Patricia writes...
Fang: Hey, Goliath, how many gargoyles does it take to screw in a lightbulb...
Goliath: You mean the lightbulb died? We must have a Wind Ceremony for it. Come. (exits)
Fang: No, Goliath, wait! (signs) Man, he can't even take a joke!
Now, in second place...
DragonWolf writes...
How many Gargoyles does it take to screw in a lightbulb?
"Six. One to screw in the lightbulb and five to berate themselves for not protecting the old one from burning out."
DragonWolf's prize for second place is highly speculative. Since the winning entry -- for obvious reasons -- could never actually be used in a script, I'm giving DragonWolf the honor of putting words in Fang's mouth should I ever get the opportunity (and assuming I don't find one I like better before then).
Congratulations!!
And finally, our winner!!!!
Aris Katsaris writes...
"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: I'm home right now and the answer is in my office. Ask again later.
"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: Your assumptions are incorrect.
"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: I'm not that big in quantifying things. Lots, I guess.
"How many gargoyles does it take to screw in a lightblub?"
Greg responds: What's a lightblub?
"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: All things are true.
"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: I wouldn't want to tie down my hands and the hands of the artists in this respect.
"How many gargoyles does it take to screw in a lightbulb?"
Greg responds: The world may never know. :-)
Yeah, yeah, I know it's at my expense. But it made me laugh. Aris, you da man.
I honestly don't know what you're prize is going to be yet. But e-mail me and we'll figure it out.
Thanks again everyone.
New contest coming soon.
(Which in Ask Greg terms means... someday.)
Chapter XXXVIII: "Heritage"
Time to ramble...
This chapter was written by Adam Gilad. Story Edited by Gary Sperling, and directed by Frank Paur.
FAME
As I watch each episode with my family, I've got my journal open in front of me to take notes for these rambles. During the opening credits, my five-year-old son Benny said: "I like Gargoyles." I was very pleased, of course. Then he said, "Can you write down that?" So I did. And so I have.
SHE'S GOTTA HAVE IT
Back on the skiff, and Elisa still hasn't QUITE gotten the idea. She still anticipates being back in Manhattan. Like visiting Scotland was an anamoly, but now surely Avalon will send them home. (What did you all think at the time?)
And boy, that girl likes her hot dogs. Make her one with everything, you know?
A.K.A. CECIL
Our Sea Monster attacks. It's a cool design, based on research that we did. (It happens to look a lot like a pre-historic whale I saw last night on a Discovery Channel special: "Walking with Pre-Historic Beasts".)
I wish we could have found a less generic name for the creature than "Sea Monster". Thunderbird is a cool name -- particularly since I have fond memories of the L.A. T-Birds from Roller Derby telecasts of my youth -- but our research never turned up another name for the Sea Monster.
Keep in mind that though we did research, we also had time constraints. We couldn't keep researching a topic indefinitely. Eventually, we'd have to use what we had and run with it in order for the story and script to be delivered on time.
But I know Gary and Adam did quite a bit of backgrounding for this story. The Sea Monster, Thunderbird, Raven and Grandmother all came from Haida stories -- though we conflated quite a bit, I think. We did always try to be as true as possible to the history and legends we were riffing on.
HEY, WEREN'T THERE FOUR OF YOU?
As the battle with the Sea Monster came to a close, my seven-year-old daughter Erin said: "What about Elisa? Where's Elisa?"
Five seconds later, Goliath surfaces and says pretty much the same thing, before fearing her drowned by shouting "ELISAAAAA!!" (Shades of things to come -- in Hunter's Moon III.)
TOTEM POLES
Speaking of research, the origin of the whole episode was the fact that Totem Poles caught my eye as being a particularly gargoylesque deal. Then we did some preliminary research and found that they weren't carved in anything that seemed to resemble a gargoyle tradition. They were 'carved to honor animal ancestors'. So rather than stretch (or abuse) the truth, we decided to let the characters (and audience) be lured off course by the poles, just as we had been.
Fake GARGOYLES, right here in North America.
In many ways, I think it could be argued that what takes place in this episode is handled or covered in other episodes to come. We have another episode with a 'sea monster'... a more famous sea monster in a certain loch... coming up rapidly in "Monsters". Also in that ep, one of our cast is lost and feared drowned after an early attack by that monster. And much of Nick/Natsilane's dilemma is also re-covered with a more-important recurring character (Peter Maza) in our other Native American-themed episode: "Cloud Fathers". We even do more with a volcano in "Ill Met by Moonlight". On some level I suppose I regret the duplication of efforts. I don't think we usually did this sort of thing.
But I don't regret the episode. I had plans for Raven. Plans for Queen Florence Island. Plans for Nick/Natsilane. I still think the ep has some cool stuff in it. And I think we NEEDED to cover Totem Poles. It was a natural.
HAR with a V. VAR with a D.
I went to a high school in North Hollywood, CA named "Harvard High School". Named after the University. (Some people have incorrectly stated I went to Harvard for college. But I went to Stanford for Undergrad and U.S.C. to get my Masters.)
I don't remember who's idea it was to have Nick be a graduate of Harvard. Might have been mine. Harvard of course is useful as a symbol.
I like Nick/Natsilane. He's got some nice attitude here and a nice shift. Maybe not the most impressive of our so-called "International Heroes". But very likable.
I give a lot of credit to the voice actor for bringing him to life. Gregg Rainwater was brought in by our Voice Director Jamie Thomason. Gregg was terrific. We used him again in Cloud Fathers, but I've used him many times since Gargoyles. I've even written parts with Gregg in mind. He was Jake Nez in Max Steel. And I cast him as Jake MacDonald in 3x3 Eyes. He always brings incredible humanity to a part, I think. Heroic, but real.
THAT'S NOT A CROW
It's a raven. Our second Trickster makes his first appearance. Of the four (Puck, Raven, Anansi and Coyote), Raven was the guy we gave the most evil bent to.
I like all the shape-shifting he does. (Though when he flees at the end, I wanted him to flee in his bird form, not his Raven-Goyle form.) I also like how he lies by using pieces of the Truth.
Raven-Goyle: "There is an evil sorceress named Grandmother. She summoned the monster that you fought."
When he said that, did you believe him?
Of course, Grandmother does have magic power and she did, in a way, summon the Sea Monster.
IT COULD BE WORSE. I ONCE LIVED ON 28TH STREET.
While doing our research, we encountered names of Islands off the Canadian coast like Queen Charlotte Island. So I named the fictional island we'd be using "Queen Florence Island."
Growing up in Woodland Hills, California, I lived on Queen Florence Lane, a street off Queen Victoria Road. Victoria and Florence were the daughters of Michael Curtiz, the director of such films as CASABLANCA. Curtiz, at one time, owned all the property in that area, so he named the two streets after his daughters.
OR so I once was told... by a ghost named Humphrey who tried to convince me that he was Humphrey Bogart, though you could tell by looking at him that he wasn't.
WHO EXACTLY IS THE SICK ONE HERE?
Elisa is so strong so much of the time, that it's kinda sexy to see her vulnerable and feverish.
Notice that Grandmother doesn't use Fairy magic to heal Elisa. She uses Haida medicine. Thus the rule of non-interference is bent not broken.
I like when Nick comes back in and the Fever's broken. And he says just don't tell me you cured her with tree bark.
When she says, "...and roots." His expression is priceless.
SEEING RED
I like the lighting in the Volcano scene.
Goliath is so glad to learn that other clans have survived, that he doesn't notice -- in fact defends -- the inconsistencies in Raven's story.
Angela, on the other hand is suspicious. This was done, in part, to further develop her character. She's naive about certain things. Having been raised by humans, she's not inclined to judge them harshly or fear their prejudices. But she's not stupid. Something doesn't smell right and she notices.
For once, Bronx though does not. I chalk this up to the high quantity of magic being tossed around on this dying island. Grandmother is not what she seems. Neither is Raven. Bronx is confused.
Anyway, Goliath speaks to Gargoyles protecting to explain away why "Raven's Clan" can both hate humans and protect them. You get the sense that he understands all too well. Like despite everything, there's a part of him -- a prejudiced part -- that hasn't forgiven the human race for what happened at Wyvern. (Also keep in mind, he was just at Wyvern again, rehashing all those old memories.)
Of course, once Goliath learns that Raven was pulling something, he's furious at the trickster. Playing on his hopes AND his prejudices, Raven has risked G's wrath.
At the end of this scene, the three silent gargs vanish magically.
Erin said: "What happened? What just happened?"
Benny said: "How did they just vanish?"
They know I know the answer. But I resist telling them. It's a touch cruel. What did you guys think?
YOU CAN TAKE THE GIRL OUT OF THE CITY...
Elisa is such a New Yorker. Everything is compared to that. "This sure isn't Central Park."
Anyway, Raven, then a bear, then Bronx and finally Angela and Goliath find Elisa. I love Goliath and Elisa's hug. It's so unselfconscious. They were so worried about each other that they forgot the usual distance that they maintain.
SUSPICIOUS MINDS
So who did you trust? When the gargs disappeared, that had to indicate that something was up with the Raven-goyle.
So when Goliath tells Elisa that Grandmother is a sorceress, particularly given that Grandmother saved Elisa's life, we all tend to think that G's been duped. Then we spot Grandmother turning into Thunderbird. What did you all think then?
Benny noticed "her ears" and suspected her even before she turned into T-Bird.
THAT'S GOTTA HOIT
A cool moment in the battle against T-Bird is when Goliath rakes the creature with his claws.
Then Angela spots the Illusion. And plays it cool with Raven.
I like Goliath's line to Grandmother: "We live. We do not thrive."
Grandmother than establishes that Raven is a Trickster and that they are both "Children of Oberon". Thus we establish that aspect of our series.
She states that they are forbidden from directly interfering in human affairs. Reinforcing what the Weird Sisters said a few episodes before.
Raven joins the party. The jigs up, but he revels in it. He's got a few decent lines too.
I like "It's so messy."
POOR HORATIO, ALWAYS A BRIDESMAID, NEVER A BRIDE
Elisa more-or-less quotes Shakespeare: "There are more things in heaven and earth, Natsilane, than are dreamt of in your philosophy."
I've always loved that line.
Anyway, Goliath and Angela depart to fight Raven. They arrive first, but given the fact that Nick had to...
1. Have a final change of heart.
2. Change clothes.
3. Get up to the volcano without wings.
...He makes good time, don't you think?
Raven brings the totem beasts to life. This was always a bit weird. We introduce illusion gargs based on the totem beasts. But then when we bring the totem pole to actual life (or semblance) we have new designs for the woody creatures.
Does everyone see Goliath play dead for that bear?
Raven has a nice exit line here: "This place no longer amuses me."
Neither does this Ramble.
Chapter XXXVII: "Shadows of the Past"
Time to ramble....
This chapter (episode) was brought to you by:
Director: Kazuo Terada
Story Editor: Michael Reaves
Story: Michael Reaves
Teleplay: Michael Reaves & Brynne Chandler Reaves
Plus the usual suspects, including Frank and me.
The title is one of Michael's. I had the impulse to shorten it to "Shadows", but I didn't.
THE WORLD TOUR
As the recap ended and Tom shouted out: "Avalon doesn't take you where you want to go. Avalon sends you where you need to be!" My seven-year-old daughter Erin said, "Uh, oh."
"Uh, oh," indeed.
And so we begin Tier Four in earnest. Our quartet of travelers weren't headed straight home. Of course you couldn't know at that time just how long they'd be gone. And frankly when we started writing, neither did we.
It wasn't just the quantity of episodes (23 counting the Avalon three-parter, Kingdom, Pendragon, The Green and Future Tense) that we'd spend before everyone was reunited in Gathering One. It was the reruns in between.
What was supposed to be a five week trip became a five month trip. And so, for many of the fans it became interminable.
Why all the reruns? Well, the schedule finally just caught up with us. When Gargoyles was picked up for a second season by Buena Vista, I was asked how many we could reasonably produce for the fall quarter (between September & December of 1995) without interruption.
I told them that we were prepared to do six more. That was all the scripts that had been ordered (Leader, Legion, Metamorphosis, Lighthouse, Beholder, Vows). But I said we could do 13. We had done 13 the first season with a ten month sliding schedule. Now we had just under twelve months so we could certainly do 13 again.
I was asked what's the most we could do. I said, well if we start right now we can do 18.
Not 52? They asked.
52? Are you nuts? (Well, I didn't say that exactly.) I said we'll never get 52 done for the fall quarter. We'll wind up with a lot of repeats. You (Buena Vista) will not be happy with all those repeats.
They were disappointed. So disappointed, that instead of ordering 18, they only ordered six. (If we can't have 52, then forget it. [Okay, they didn't exactly say that either, but that seemed like the basic attitude.])
So we get to work to do six. Two weeks pass. Buena Vista comes back and says. No, do 13.
We respond with, uh, okay. Of course we've lost two weeks, so it'll be a bit harder, but we can do it.
Two weeks pass. They come back and say, "No, do 18."
We grumble a bit, because now we've lost a month of prep time when we could have been building crews, etc. But okay, I said we could do 18. We'll manage.
Two weeks pass. They come back and say, "Do 52."
Now we balk. We warned you we couldn't do 52 in twelve months. Now you want us to do it in 10? It took us ten to do 13.
Do 52.
And so we did. We built multiple crews. Our staff increased exponentially. We expanded to four writing teams from one. We expanded from one pre-production team (in Japan -- waves at Roy) to three and a half (one in Japan) and two and a half here in L.A.
And we worked like little demons to bring you 52 for the fall quarter. But it was never going to happen.
We wound up doing pretty good. I don't have my old calendar in front of me, and I can't remember exactly how many we managed to air in the fall, but it was considerably more than the 18 that I thought we could do.
But it wasn't 52. And so we had reruns. And reruns. And reruns. And most of those reruns came in the middle of the World Tour. And thus... yes... it seemed to go on forever.
Whoops. Sorry.
Of course, other people didn't care for it for other reasons. They felt it got away from the series strengths of the gargs in Manhattan. Obviously, it left behind four of our characters, and I'll admit that I underestimated the trio's popularity a bit.
But I felt it was important. The World Tour gave our series breadth and hope. It expanded the Gargoyles Universe, added many new characters and in particular added at least four other clans of gargoyles.
And I think some of the stories really kicked ass.
So I apologize for nothing. NOTHING, do you hear me, nothing!!!!!!
Except for that outburst. Sorry about that outburst.
WYVERN, SCOTLAND
Anyway, our first stop was no place new. Goliath immediately recognizes the ocean cliffside as "home, my home."
Even before Hakon and the Captain start to drive him crazy, his dialogue is laced with nostalgia.
He's so into being back in Scotland, that when he climbs the hill, he doesn't even take Elisa with him. Elisa goes with Angela. Which is no big deal. But usually, G's more of a gentleman than that. Particularly with Elisa.
TIDBIT
Angela: "It was always summer on Avalon."
Just wanted to give a sense of things on the fair island. Seemed to fit the legends as well.
TOKYO, JAPAN
I can't say enough good things about the animation in this episode. It's just gorgeous. The work of Disney's studio in Tokyo. WOW! Production AND Pre-Production was done there. All sorts of little touches, like Elisa slipping briefly and regaining her footing. And GREAT, GREAT character animation. Great lighting as the characters enter the tunnels. STELLAR effects animation in the megalith chamber. Just wow gorgeous stuff.
And boy, did we fight over this episode. [Roy, I'd love to get your perspective on this.]
When we got the storyboard from Japan, Frank and I each found something that just drove us nuts.
For Frank, it was the Wyvern cliff. The castle was gone, of course, as Xanatos had taken it away. But the cliff seemed to otherwise remain in tact. Frank was adamant that a chunk of the cliff had clearly been taken away and was part of the Eyrie Building. You could see it on that design. So obviously, we needed a crater of sorts to exist back at Wyvern.
When Frank pointed it out to me, I agreed with him. It didn't bother me as much as it bothered him, but I agreed.
What bothered me was Elisa's parka. In the storyboard, Elisa was wearing a parka with a hood. Of course, she looked great in it. And it kept her warm and safe and dry. But there was of course, no way and no place where she could have acquired that parka. (The Avalon Eddie Bauer, maybe?) So I insisted the parka had to go.
Frank agreed with me after I pointed it out. It didn't bother him as much as it bothered me, but he agreed.
So we gave Japan both these notes. And to our surprise, they balked. They felt that the only changes we were allowed to make to their boards were S&P changes.
We couldn't believe it. Finally, they relented. But on the cliffside ONLY. They felt that was a fair compromise. Since that had been Frank's BIG note, he was appeased. But obviously, I was not. All sorts of people came to me asking me to back down.
But I wouldn't. And I can honestly say it was for you guys that I refused. I knew even then that OUR FANS paid attention. That we couldn't get away with Elisa suddenly having a warm coat from no where.
So I put my foot down, and Elisa stayed cold and wet.
And our Tokyo Studio had another reason to be annoyed with me.
I regret the tension, certainly. But I still think I did the right thing, so I apologize for NOTHING, DO YOU HEAR ME? NOTHING!!!!
Except for that outburst, I apologize for that outburst.
GASLIGHT
A great movie. A husband tries to convince his wife that she's going insane. It's now a staple of melodrama everywhere. And we used it too.
So the ghosts of Hakon and the Captain try to gaslight Goliath.
We tried to gaslight the audience a bit too. Tried to let them think for a bit that Goliath might just be losing it. Post-Traumatic Stress Disorder, maybe.
You can hear it in Goliath's voice. How he's lost in the past. Angela tells him that he did the right thing all those years ago by saving the Princess.
His only response: "Still, I wanted revenge." I love Keith David's reading of that line.
But we also wanted to play fair, so we dropped a hint: when Goliath hears Demona's voice, Bronx howls. He senses something. Always trust Bronx.
Bronx has a pretty important supporting role in this, btw.
THE AXE OF HAKON
When Goliath and friends first enter the caves, Goliath picks up an old Viking axe. Hakon's Axe. The one he uses in "Vendettas".
Should have been a mace by the way. Should have been the same mace you can see in the opening titles EVERY episode. The one that Hakon used to smash the gargoyles at Wyvern.
Shoulda been. My fault.
Okay, for that -- I apologize. I screwed up. Dang.
THE STREET PIZZA TRADITION
a.k.a.
A CLASSIC MICHAEL REAVES' ELISA LINE:
"This place is creepier than the morgue at midnight."
Michael was great at giving Elisa this tough contemporary feel without taking us out of the moment.
Another good one: "Old wounds bleed as bright as new ones sometimes."
GETTING TO KNOW ANGELA
When Goliath pretends that he's NOT freaking out and having hallucinations, Angela can tell he's lying.
I love Brigitte's read there. She sounds SO SHOCKED: "He's not telling the truth."
You can tell she was raised in a world where there was little cause for lying.
COOL CLIFFHANGER
Goliath attacking Elisa and Angela, thinking they are Hakon and the Captain.
Very dramatic. And again, we don't know yet, objectively that he isn't just going nuts.
What did you guys all think at this point? Did you suspect the truth?
Anyway, Bronx saves the day.
And Goliath runs off. He also has a nice stumble here. Again, parka aside, much amazing attention to detail and character in all this animation. Stunning.
STAR TREK INFLUENCE
No, I'm not talking about the voice cast.
Finally, we objectively reveal that Goliath is being influenced. We see two floating entities hovering over the scene. He doesn't see them, so they're not part of his dementia. Ergo (I don't have much opportunity to use the term ergo you know), ergo, they must be what is causing this.
Of course, they look like energy beings right out of Star Trek.
We also see Demona, Othello and Desdemona.
More of us playing fair. Sure they're identifiable. But of course, they (plus Iago) would be the souls LEAST likely to be haunting Wyvern and Goliath.
SALLI RICHARDSON
Yeah, Keith was the star. And we're always going on about Jeff's versatility. But we really were blessed with an amazing cast right down the line.
Salli does Elisa SO DARN WELL. It's the little things really.
Like when Angela explains about the fissure and how Goliath could die in it. Elisa says, "Swell." Just, "Swell." In one word, she says everything that needs to be said. It's hard. Try it sometime.
SPEAKING OF FISSURES
Bronx saves Goliath (temporarily) from falling by chomping down on his arm. Always thought that was cool. Would have liked to have drawn some blood, but we knew we'd never get away with that.
And the fissure itself is way cool. I love Goliath's fall.
And Elisa's determination, as she starts to climb down feet first. And I love the contrast, as Angela and Bronx, by virtue of their claws, climb down head first.
THE TURN
Some fans have felt, I know, that the Captain's change of heart at the end comes suddenly. That may be so. It's hard in a mere 22 minutes to achieve these arcs and turns. But as usual, we tried to drop subtle hints that he wasn't fully on board with Hakon.
Hakon is enjoying tormenting Goliath.
The Captain says: "Make an end to it." Hinting at his ambivalence. Torturing Goliath doesn't give him pleasure.
And while we're praising voice actors, how about a toast to the late Ed Gilbert, voice of the Captain of the Guard. Wonderful work here. Evil. Tortured. Redeemed.
Ed, wherever you are... THANKS!
THE FATAL FLAW IN YOUR PLAN
Demona. The Captain must have assumed that Demona died in the massacre. He and Hakon figured that her appearance would be the coup de grace. That Goliath's will would just dissolve when faced with her ghost.
They were almost right. But of course, G is no idiot. A bit slow sometimes, but not stupid. Demona's ghost shouldn't be here. Cuz the dame ain't dead.
[By the way, the idea to have her fist morph into a mace was mine. Just a little post-storyboard tidbit that I suggested amid bitching about the parka. They must have liked the idea because that wasn't one I insisted on, but they did it anyway. When push came to shove, everyone -- on both sides of the ocean -- was just VERY dedicated to making the show better.] [See. It's a mace because that's the weapon that we associate with the Massacre. Hakon's axe should have been a mace. How did I miss that?]
Anyway, Goliath figures out the truth and, hey, we've awakened the sleeping giant. He trashes the phony Demona. And we think he's going to smash all the others.
But something even more chilling happens. They all begin to dissolve around him. It still gives me the creeps. Very cool animation AND music and effects. (Props to the gang at Advantage Audio too.)
HOW
Or rather how come we don't have ghosts hanging around ALL the time. I didn't want this episode to open a spectral floodgate, where any character that was killed or had died in the past was available to haunt us.
So the Captain offers two possible explanations: Hate and Magic. Both present in ample supply. Plus Guilt. His guilt. Unfinished business.
THE DANCE
Again, very cool effects on the Megalith's here. But the idea emerges from an old (if not very original) idea I've had since I was a teen. The notion that Stone Dances, that Megalith Circles were like Medieval Mystic Dynamos. Circles of power. That build and generate.
Really came to life here.
I love Hakon's line: "I can feel it. I can feel again." I love that transition halfway through the line between where he can feel that the process is working and when he realizes the simple fact that he can feel things again.
But again, watch the Captain feel his own hand. You can see the ambivalence there. Particularly when Goliath becomes the Ghost and Hakon is beating on him. Cap doesn't participate in this.
And Goliath helps him remember what he has forgotten. The Captain doesn't HATE Goliath. His problem is that G's presence has reinforced his own guilt.
But here's an opportunity to redeem himself: "I can't let this happen again!"
He pushes Hakon back.
Hakon: "You've crossed the lines of power, you fool."
You can almost here the Ghostbusters say, "Don't cross the streams."
RESOLUTION
So Cap hated himself, not G.
G forgives. He forgave the Magus last episode. Now he forgives the Captain. Shows that he's a pretty decent guy.
You think if Hakon made an effort? Nah.
Anyway, I like G's line: "One enemy. And one friend."
And then a positively angelic Captain returns briefly to say goodbye and thanks. I also like the "shackles of hate and guilt" line. And the way he calls Goliath, "Old Friend".
Elisa thinks she's in for a long story.
G: "Centuries long."
And as the sun rises, and Elisa -- as usual -- leans against her stone beau for a nap....
Hakon: "Don't leave me here alone!! Not without anyone to hate!!"
Many people think I should have left him there forever. But evil doesn't rest in peace in my opinion. When left alone it tends to get out of control.
Besides I already had this fun idea. What if Wolf was Hakon's descendant?
Anyway, that's my ramble. Where's yours?
Chapter XXXVI: "Avalon, Part Three"
Time to Ramble...
This third part of the tryptich, was designed to be a kick-ass battle. Lots of action, lots of excitement. All (or nearly all) the pipe had already been laid out. We had two of our toughest mortal villains (Demona and Macbeth) working with the mysterious and powerful Weird Sisters and the MEGA Archmage Plus, who possessed the power of Gate, Book and Eye. That seemed like some real competition for our good guys, who had wounded to protect.
It was time to go to war.
A few other soldiers:
Director: Dennis Woodyard
Story Editor: Brynne Chandler Reaves
Writer: Lydia C. Marano
As the main titles were playing and Keith was narrating, my seven-year-old daughter Erin mentioned that Goliath and Darth Vader both do voices for phone companies.
Erin also figured out that Angela and Gabriel were being stalked by Demona, before she actually came on screen.
JALAPEÑA
Goliath says it like a curse word when he realizes that A&G are being followed. That was how I wanted to use it. As I've mentioned before, the art staff eventually threatened a coup if I didn't drop it.
But if I ever get to do Gargoyles 2198, I'm bringing it back. That's a threat, not a promise.
Anyway, Goliath attempts to appeal to Demona and Macbeth's better natures. It starts to work, but it's too late. The Archmage has a good line: "They are my creatures now."
Then Bronx and Boudicca attack, saving our 'goyles. This was hinted at in Part Two. And clarified later when Angela comments on it. But it also was my way of serving notice that Bronx was no longer going to be the puppy-most-left-behind. The World Tour was his coming out party.
Anyway, the Archmage now changes his plan. Not because he doesn't want to take any chances, but really because his sensibilities have been offended. He has another good line: "If they are so eager to die..."
But it's really that balance I was trying to maintain between his newfound ultimate power and his original clichéd origins.
HUNTING HOLLOW HILLS
Elisa asks about the Sleeping King. The Magus says he's been sleeping in his Hollow Hill. More hints as to who the king was. (If the name Avalon wasn't hint enough.)
On the way, Elisa pumps Magus for information like he was in the interrogation room back home. She already guessed that he had a thing for Katharine. She wants the lowdown. It's really not her business. Call it a habit of her profession.
(There's an animation error on my tape, which I hope was corrected for later airings. When the Magus starts to narrate the flashback, both his and Elisa's mouth are moving, mouthing the same lines. Obviously, Elisa's animator misread the X-sheets and thought she was talking instead of the Magus.)
(Of course there's another semi-error which I've tried to explain away in the past. The lighting on the scene where Katharine and Tom play with the baby-gargs Angela, Gabe and Boudicca seems very daylight. I've always claimed that it was just a very bright moonlit night. That's my story and I'm sticking to it.)
This last flashback got my five year old son Benny talking. He asked "How did the gargoyles even get born?" And had to be reminded about the eggs from Part One (which we saw three weeks ago). "Oh, yeah," he said.
Then when we got to the Sleeping King, he compared that to a character that's on his radar: The sleeping MATA NUI from Bionicle.
The Magus uses magic, explaining that "magic is the lifeblood of Avalon." This seemed logical to me. That a practioner like the Magus could train himself to access that ambient magic -- but at a price.
My wife Beth was very impressed with Jeff Bennett's performance here. As a change of pace, Jeff was only playing one character -- as opposed to his usual fifty. But it was a truly heartbreaking performance, I think.
And I have to ask, given the Magus' first appearance in "Awakening, Part One", did you guys ever think that you could or would find that character this appealing, this sympathetic? I think that our ability to allow characters to grow and change was one of the hallmarks of our series. And I had the backbone of his change planned as early as "Awakening, Part Two": (1) his love for Katharine which is unequivocal and (2) his guilt over what he did to the gargoyles, which he never tries to dodge or make excuses for in any way.
The Leap of Faith. It does seem too Indiana Jones now. But obviously it must not have at the time. Either that or we were kidding ourselves. Still, I like Elisa here a lot.
The Platform lowers on cue and Elisa finally names the Sleeping King: "Arthur Pendragon, King of All Britain... You are needed." We wanted to keep it simple. That simple. I also wanted to begin establishing the name Pendragon. Everyone's heard of King Arthur. But you have to have had a bit of exposure to the legends to be familiar with the Pendragon name. I always thought it was cool. And I think that even then I had the notion of using it as the title for a spin-off.
Anyway, we get back to the Palace, and Elisa states a fact that I wonder if anyone had focused on before (regarding Demona and Macbeth): "You've never actually beaten either of them." Goliath agrees: "Simply foiled their plans or fought them to a stand still.
And then Arthur asks: "What's going on?" which I always thought was kind of funny. They're counting on him to help save the day. He doesn't even know the set up.
So while we get him up to speed, we cut to the Archmage who orders the Sisters to "Dispatch the Sleeping King." Erin smiles and says,, "What they don't know..." is that it's too late. But what I found interesting is that Erin actually did trail off. She knew that she didn't need to state what they didn't know. Cool.
DIVIDING THE TROOPS
True to Elisa's hopes (and my interpretation of the character of legend) Arthur in fact does immediately take charge.
He'll go with Elisa, Tom and Gabe to fight Demona & Macbeth.
Katharine, Bronx and Boudicca will guard the wounded 'eggs'. (Katharine has one of her bookend tough mom statements here: "They'll not harm my eggs again!")
Goliath and Angela will attack the Archmage.
And the Magus agrees to take on the Sisters.
Eventually -- after Art figures out that Demona feels Mac's pain and Demona establishes that she and Mac need to put distance between them to minimize the link -- things change a bit and Arthur faces Mac one-on-one, while Kathy, Bronx, Boudicca, Ophelia, Elisa, Tom and Gabe all team up to battle Demona -- who as always, may present the greatest threat of all, even when it's against her own interests.
All this seemed very appropriate to me. I like how the battle divides up. How the opponents match up. And you'll notice at the cliffhanger/commercial break that every one of our battles is going badly for the good guys. Macbeth seems to have the upper hand over Arthur. The Archmage has Goliath down. The Weird Sisters are clearly overpowering the Magus and even Demona is on the verge of wiping out all her opposition at the Palace.
KING ARTHUR PENDRAGON vs. MACBETH
We gave Arthur a mace, because I didn't want anyone to think that some random sword he was carrying might be Excalibur.
When Arthur says, "What manner of magic is this?" it made me wish we had just gone ahead and said "What sorcery is this?" like we usually did.
There's some fairly effective slo-mo animation in here. Slow motion in animation (when called for in scripts) usually makes me nervous. If not done well, it can just look like a poorly-timed, poorly-animated scene. But here it seems to work.
I like how the battle ends. Arthur takes the sword fragment, and for a second, it looks like he's going to skewer Mac. But instead he uses it to pin Mac to a tree. Setting him up for Arthur's punch into camera with his ringed fist. Disney S&P let us do that. ABC S&P didn't allow those kind of fist coming into camera shots on Goliath Chronicles. But I wasn't informed of the change in policy until after "The Journey" was animated.
PRINCESS KATHARINE, OPHELIA, BRONX, BOUDICCA, GABRIEL, THE GUARDIAN & ELISA MAZA vs. DEMONA
Ophelia gets another nice moment here, as even injured, she attempts to stop Demona.
Elisa again takes advantage of the fact that she knows that Demona's hatred for her is so extreme and irrational, that she'll literally drop her weapon for the chance to grapple with Elisa, the chance to tear her apart with her bare hands.
Of course, this is after Elisa demonstrates that she never carries enough ammo. After uselessly shooting at a beach and a hollow suit of armor, she's out of bullets by the time she gets a target of flesh and blood. Of course, we made Elisa a touch dopey in this department for S&P reasons. Elisa, being a NY cop, had to carry a gun. But short of doing an episode about gun violence like "Deadly Force" (which Toon Disney refuses to air these days), we couldn't actually let Elisa shoot anyone with her gun. So we found other uses and excuses.
But ultimately, it's Katharine who brings Demona down, looking quite intentionally like a medieval Ripley, saying the other bookend: "No one threatens my eggs."
THE MAGUS vs. PHOEBE, SELINE & LUNA: THE WEIRD SISTERS
Luna says to the Magus: "There is no future for you." That was a clue from the voice of fate. Anyone pick up on it?
I also like how all the Sisters say together: "You will suffer!" But of course, he's been suffering for decades. What he will soon be is free of all suffering...
I wanted to show here (among other things) that magic itself was neither good nor evil. Magic simply existed at the disposal of those with the power to wield it.
The Magus defeats the sisters and collapses onto Artie's platform. Erin asked quietly: "Did he die?" Benny looked for another way out: "He might have just lost his power."
GOLIATH & ANGELA vs. THE ARCHMAGE
Erin asked what the Archmage was planning for Goliath... and I had to answer something like "a painful death."
Goliath asks what I thought many of you might be asking: why doesn't the Magus just kill him. And David Warner answers as only he could: "Because I'm having too much fun."
We have all this Gate-Jumping. This was an afterthought. Because at one point I had thought of having our guys steal the gate back, I had forgotten to have the Archmage use the gate in the script. So at the board stage, I asked Dennis to put this in. We were very tight for time, but he obliged me. Ideally, I'd have liked to show them briefly in some other times, but I knew we just couldn't afford to design new layouts for two second shots. Even so, who knows where and when they went? Who knows how long they were gone? Sometimes their poses changed. But Goliath is like the Old Man of the Sea. He never lets go. And finally he takes the Eye away.
The Archmage is already in trouble, but how much he doesn't know for a few seconds. Then the power of the Grimorum destroys him from within. A nice creepy companion to him eating the book in Part Two.
And I love David's last line, the forlorn: "All my lovely magic..." Believe it or not, I had to fight a little to get that line in. Just a little. But still.
DEATH OF A HERO
The Magus' death stll moves me. His quiet desire for rest. Katharine's love for him. (Not romantic love, but love nonetheless.) K: "Oh, Magus, what have you done?"
The Magus still concerned that he owes a debt to Goliath and Goliath's forgiveness. The eyes closing and the star shooting overhead.
For S&P reasons, we decided not to make it absolute that he was dead. No one mentions death. Just rest. Sleep. And he is lying on the Sleeping King's platform by his own request.
And many fans, even adult fans, chose to believe he might still come back someday. Hey, more power to 'em, I guess.
But I felt/feel that would cheapen the moment. Cheapen the sacrifice. We sent our heroes into battle. And in battle, their are casualties. Some things are worth fighting for, but if we don't understand costs, then I want people to know that when something isn't worth fighting over, they shouldn't.
FAREWELLS
For various reasons, many of our voice actors in this episode recorded their lines separately. So we recorded each character saying goodbye to everyother character. Not knowing exactly what we would use. We, in my opinion, wound up using too much of these wild goodbyes. It's very awkward sounding to me now.
Gabe & Goliath establish why Gabe and his clan don't join Goliath in Manhattan and why Goliath doesn't bring his clan back to Avalon. Though both clans are born of the old Wyvern Clan, both have found new homes, which they will not abandon.
But Angela has a bit of Demona in her. The iconoclast, she wants more than normal clan life has to offer. She wants to see the world with Goliath. He proudly agrees. He wants one of his children with him. Gabriel and Angela say goodbye. He refers to her here as his rookery sister (not as his "Angel of the Night" or some other equivalent). This was done to make clear that they regarded each other as brother and sister, not mates. I basically wanted to leave her unattached for the Trio. Nevertheless, many fans still thought that they were a couple.
Art goes off on his own to be less conspicuous, and Goliath laughs a borderline Thailog laugh. He also plants pipe for Arthur's eventual stop in Manhattan.
Mac & Demona are freed from the spell, leaving them with no memory since they were first ensorcelled. There's an awkward bit of business here as the gargs who were guarding them move away, just so that Goliath can move in and push the skiff off. Flaw in the boarding that no one caught, I'm afraid.
The Sisters move off, having been forced off-camera to explain most everything.
Bronx & Boudicca part. Now that's a couple.
More pipe: Goliath swears that no one will ever use the eye or the Gate again. Famous last words.
Tom: "Elisa, I thought you understood. Avalon doesn't send you where you want to go! Avalon sends you where you need to be!"
Both Elisa and Erin said: What does that mean? at about the same time.
What did you think when you first heard that? We had officially launched the World Tour, but you didn't know it yet. What were you thinking?
Anyway, that's my ramble. Where's yours...?
Chapter XXXV: "Avalon, Part Two"
Time to Ramble...
"PART TWO"
Director: Dennis Woodyard
Writer: Lydia Marano
Story Editor: Brynne Chandler Reaves
I guess you guys were used to longer multi-parters from us, so you probably didn't think this was the last part when you saw Part Two come up after the title. I tried something different at the end though. Instead of writing "To be continued" I had them put down "To be concluded". It seemed (at least in my head) to increase tension to know that the next part would be the last.
I've been told by people that out of context, this episode is incomprehensible. I hope it's not quite that bad, but I will say that unlike the rest of our eps, I felt that multi-parter eps don't quite need to stand alone in the same way.
Still with all the time travel stuff, it's very complex. I remember Lydia having to come into my office after her first draft and needing me to diagram the time travel for her. The loop that the Archmage takes. I love it. But I guess it's not that easy to follow.
Anyway, this ep was designed to be the second part of a tryptich. This is the one where we focus on our villains and bring them all up to date, just as in part one, we focused on our heroes. All gearing to a MAJOR BATTLE coming in Part Three.
THE EGGS
Picking up where Part One left off, Elisa looks at Angela, Gabriel and Boudicca and says: "These are the eggs?" I love her tone there.
Guardian: "Sorry, I always call them that." It was a cheat to buy us, at least with some percentage of our audience, the shock value of expecting eggs and finding fully grown gargs and beasts instead. Still, I believe that a guy like Tom, dubbed "Guardian of the Eggs" would continue to use that term to refer to his kids, even after they are grown.
Goliath is initially shocked that the gargs have names. Angela says the standard human response: "How else would we tell each other apart?" This was done intentionally to both cover the issue of non-garg naming (which I still think is neat, but which is often a massive pain) and to indicate that these are gargs raised by humans.
BEACH FIGHT
So I'm in my office one day, after the script to "Avalon, Part Two" has gone final. And Supervising Producer Frank Paur and Producer/Director Dennis Woodyard come in. Frank hates the script. Dennis is calmer, but he seems to clearly agree with Frank, more or less.
I'm annoyed because it's VERY late in the game for them to be giving me these kind of notes. Things get heated between me and Frank.
I yell something like: "Well, what do you want me to do?!!!"
And he yells something like: "We need some action! Like a fight on the Beach with the Archmage!!"
And I start to object for about a second. Then I go, "Oh, yeah. A fight on the beach with the Archmage. That'd be cool. Would that fix it?"
"Uh. Yeah."
And that was it. Our fights were always like that. We always only wanted to make it better. He'd get worked up, but the solution wound up being simple and when push came to shove (we never actually pushed and shoved by the way) we agreed on nearly everything.
It was also good to have Dennis' calming influence. Frank and I would go momentarily nutty and Dennis would always maintain.
So anyway, after the fact we added the memorable fight on the beach. Now I can't imagine the episode without it. It forced us to trim down some the Archmages travels (cause we were already long) but it definitely improved the episode.
I think, not sure, but I think I wrote that fight because it came so late in the game. It's also possible, I might have taken it back to Brynne and/or Lydia to write. I really don't remember anymore.
Either way, there are some great lines:
Goliath: "Don't be too insulted!" I love how he goes nuts here. We really get a reminder of his warrior-ness.
Archmage: "Don't crow too loudly, after all, what have you accomplished: you beat up a beach." You beat up a beach. That's one of my favorite lines in the whole series.
Archmage: "At dawn you all will die. Get used to it!"
Tom: "Let's get out of here before the very air attacks us!"
The fight itself is pretty cool too. I like how Bronx and Boudicca immediately team up. I like the symbolic nature of the Archmage growing wings, turning to stone and then shattering. I think that was a board-artist's addition. I don't remember seeing that in the script. (And I'm too lazy to stand up and check right now.)
At the end of the fight, my five year old son Benny asked: "Why can't they glide to the castle?" I had to explain the flight rules.
ANGELA & GABRIEL
Elisa slides up to Goliath: "Angela sort of looks like Demona, except her coloring is different. Exactly whose daughter is she?" Again, I love Salli's reading here. That need to know. The jealousy. The feeling for Goliath -- who dodges the question by saying that all children belong to the clan.
But of course Elisa knows. Knows something that I believe never occured to her before. Sure, she knew that Goliath and Demona had been mates, lovers. But she didn't let her mind traverse to the next logical step. Parents. Together. Goliath and Demona.
And of course, the audience knows it too, I hope. It was never meant to be a secret to anyone but Angela who her biological parents are. These lines also served to point that out.
On the other hand, we didn't make a big deal of Gabe's bio-parentage. But I wanted it to be semi-clear that his folks were Othello and Desdemona (Coldstone and Coldfire). Anyone get that at first viewing?
REUNIONS
Everyone returns to Oberon's Palace. There are many injured and Gabe is apologetic. As Leader, he feels responsible. But there was 'never any need to hone our combat skills' before this.
Tom & Katharine are reunited. Elisa, the cop, picks up on the human dynamics, the relationships, immediately. She sees the Magus' reaction to their reunion.
I also really like the exchange between the Princess and Goliath.
K: "This is more than I could have hoped for."
G: "What you've done for the eggs is more than I could have dreamed of"
SLEEPING KING
We kept dropping hints. He's mentioned by the Magus, but the conversation moves quickly on.
Later, the Weird Sisters mentioned him. The Archmage is surprised to hear he's not a myth, causing Seline to say her famous: "All things are true." line. The Archmages promise to kill the king later.
And Elisa brings the guy up at the end. This policy was me trying to play fair and make his awakening in Part Three not seem artificial. But also not to allow the guy to distract from the matter at hand.
Of course, most of THIS crowd must have known the s-king was a ref to KING ARTHUR. Particularly when the Hollow Hill ref was thrown in too. But did anyone not know on first viewing?
LOOSE ENDS
This was an episode for tying up Loose Ends in a big way. Solving some mysteries.
Why did the Weird Sisters do what they did? (At least objectively.)
Why were Demona and Macbeth working together in "High Noon"? (Elisa: "They hate each other." Guardian: "I saw no sign of that.")
And how did the Archmage survive?
Tom unwittingly hints at the truth when he says that the Archmage seemed to be able to be in two places at once.
Now let's reveal...
WEIRD SISTERS
Wow! Did we get negative feedback from fans when we played the Sisters as villains here. Of course, I always had it in my head that the Sisters had three aspects. Grace, Vengeance and Fate. Sometimes one aspect is ascendent, but there is always a touch of all three in anything they do. But after the Sisters' Fateful appearances in "City of Stone", many fans rebelled at the notion that the objective reason they did all those things was for simple petty vengeance here in "Avalon". Oh, well.
[When Benny saw the Sisters for the first time, he said "Weird Sisters" with an interesting tone of awe. They're his favorites. But he didn't comment on them being bad guys here.]
The sisters have some nice lines...
L: "What is time to an immortal."
Phoebe: "This is true." (in ref to what cannot be broken can be bent).
ARCHMAGESES
Okay, this was just fun for me. In many ways the origin of much of this was the flat out talent of David Warner. He brought such life to the underwritten (and clichéd) part of the Archmage in "Long Way to Morning" that I just knew I'd have to bring him back. Many of the events of "Vows", "City of Stone", "High Noon" etc. were all geared toward bringing him back as a real THREAT!!
Yet with all this, I didn't want to forget the character's roots. We tried to set a balance between his clichés and his new power.
Think about it. The Archmage+ (as we called him in the script), had only been plussed for about a day. Still he's full of arrogance. His power hasn't raised him above that hybris nor above the thirst for vengeance nor above gloating or above impatience. That's his flaw, but also the fun, I think.
And of course, David. Wow.
Praise for Salli Richardson as Elisa. For Kath Soucie as Princess Katharine and all three Weird Sisters. For Frank Welker as Bronx and Boudicca.
But this Archmage stuff here is a tour de force, I think. David just went through, playing both characters. Both versions of himself. Keep in mind, he hadn't been privy to all that the writers had planned. He had come in for his small parts in both "Long Way" and "Vows". Now suddenly, he's this guy(s). Amazing.
"Do you know what to do?"
"I should. I watched you do it."
"Show some dignity."
"I could put you back where I found you."
"No, no." (I love that no, no. So tiny and fearful.)
"Not where. When."
"If you don't know, don't guess."
"The book must remain in play."
"Try to keep up."
"We're not doing her any favors."
"The rules that cannot be broken can surely be bent."
"Nine hundred and seventy-five YEARS??!!"
"I hadn't thought that far in advance."
"What am I supposed to do, eat it?!"
"Now I understand."
"As it did. As it must. As it always will!"
All great fun.
FLAWS
All these episodes were being produced simultaneously. All in various stages of production. So inconsistencies were bound to happen.
The Egg boats are messed up here. Demona's model in her flashback. Etc.
And storywise, what's the deal with Macbeth? I can see why the Archmage wants to include his former apprentice Demona in his plans. He felt betrayed by her, and is glad not to be doing her any favors by enslaving her.
But Macbeth?
Okay, it's not a true flaw. Macbeth is included because the 'plan of the Archmage' -- birthed whole from the timestream without the Archmage ever actually coming up with it independently (though he takes credit) -- included Macbeth.
It is the provence of Luna, not Seline, at work.
But still, I'd have liked to have been able to figure out some connection between the Archmage and Macbeth so that he wouldn't question the boy's inclusion. Thankfully, the Archmage+ is so arrogant, he takes credit and thus never questions. It occurs to me now, that I could have made a connection between Mac and his ancestors, all related to Katharine and Malcolm. Oh, well.
CAPTIONS
These became fun for me. Adding Captions indicating place and time is one of the very last steps in production. So I'm in there for the "On-Line" with Jeff Arthur, our post-production supervisor, and I'm just indulging...
Sure we start with...
"Scotland, 984 A.D."
But pretty soon we're at "YESTERDAY" and "SIX HOURS AGO" and "ONE MINUTE AGO" and finally "NOW".
It still makes me smile.
POWERING UP
So the Archmage gets the eye. Power. But he's still an idiot. He needs wisdom. He eats the book, which I always thought was really creepy and cool. Now he understands. Now we truly have two Archmage+es. But they can't coexist forever. Aside from how complicated that would be to choreograph, and aside from the fact that the timestream needs the younger of the two to fulfill his role....
They also couldn't coexist because both are too arrogant.
So we repeat the scene of departure to close the circle and tack on: "Finally. I thought he'd never leave."
BATTLE FLASHBACK
We get to see a new clan awake from stone. I hoped that was fun.
Ophelia appears (pre-injury). She looked way cool. For all those people who thought that Gabe and Angie were a couple, take a look at the way Gabe is holding Ophelia and looking at her after she's injured.
LAYING PIPE
In addition to the Sleeping King, we were also laying pipe for our whole fourth tier WORLD TOUR. Tom says: "Avalon dropped me in your laps." He credits Avalon with sending him to Goliath.
The Magus declares that he is without magic and useless. Katharine rebels at that: "Don't say it, and don't think it!" She loves him. Just not the way he wanted her to love him.
Bronx and Boudicca want to go with Goliath.
Elisa asks about the Sleeping King...
And Goliath, Angela and Gabriel take off on a stealth attack.
And we immediately see that the Archmage knows they're coming.
Uh oh.
As the Archmage says... "[We've layed all the damn pipe we could possibly need and more], Now the fun really begins!"
To be concluded...
And that's my ramble. Where's yours?
Memo for "Avalon, Parts Two and Three"
In preparation for my ramblings, here's the memo written to Brynne Chandler Reaves & Lydia C. Marano on the last two parts of their Avalon outline. I've added a few [notes], to indicate some handwritten changes to the document.
WEISMAN 2-2-95
Notes on "Avalon, Parts Two and Three" Outline...
GENERAL
ARCHMAGESES
For purposes of clarity, I'm going to refer to the new and improved Archmage as Archmage+. There will be a number of scenes where the Archmage and the Archmage+ will be appearing together. And a few scenes (including one scene repeated twice) where two Archmage+s will appear together. For those scenes I'll refer to them as 1st Archmage+ and 2nd Archmage+, but they'll look exactly alike.
CLARITY
It goes without saying that any time travel episode is going to be complex. So make an extra effort to be as clear as possible. Both in stage description for the artists, and in dialogue for the audience. I know we resist expository dialogue generally. But as you'll see below, the Archmage+ needs to explain things to the Archmage. So it won't feel artificial.
ACT BREAKS
I'm going to leave that up to you. See how the scripts progress.
BEAT SHEET
"Avalon, Part Two"
1. Pick up right where we left off. Pretty much your beat XX. Tom does need to explain that he still refers to the gargoyles as
"eggs". It's an old habit. He apologizes if it caused confusion, but they have been in Avalon long enough for him to grow old. Of course the eggs hatched some time ago.
Also none of the wounded gargoyles should be at the shore. We'll see them back at the palace.
Also don't forget that Angela has Goliath's coloring, which doesn't escape Elisa's notice. And on your Beat XXB1c. the line should expand to: "Daughters and sons belong to all of us, Elisa. That is the gargoyle way."
2. At Oberon's palace. Pretty much your beat XXI. But keep in mind, that the palace is in crisis mode. Acting as a hospital of sorts, to many wounded gargoyles.
Elisa should notice the tenderness between Tom and Katharine when they are reunited. She should also notice the pain it causes the Magus.
Don't forget to describe the Magus as 72 years old. Also describe Gabriel as looking like a young Othello with Desdemona's coloring.
The fact that the young gargoyles act more human than the trio may be too fine a point to get across. They've been raised by humans, but as a practical matter a lot of what we would think of as human is really just contemporary. And obviously, the trio are much more contemporary than these gargoyles.
You need some reason why Tribeca doesn't already have a name. Maybe, Katharine and Tom had tried not to name any of the gargoyles at first, but it just got too difficult for them with the sentient ones. But they didn't bother to name the Beasts? [We dropped the Tribecca notion eventually, and Tribeca became Boudicca. -GW 5/21/02]
Also, both Gabriel and Tribeca will be present in beat 1. So you may want to introduce them there along with Angela. That frees Beat 2 to reintro Katharine and the Magus. (Magus may be acting as a healer, using natural remedies and polstices.)
When Magus makes his point about Oberon's Children having been absent for nearly 1000 years, he might slip in a subtle reference to the sleeping King. (i.e. Arthur.) Something like: "The island's totally deserted except for the sleeping king." And then before anyone has a chance to ask about the sleeping king, something forces a change of topic.
3. Pretty much your beat XXII. Except that the Magus and Tom should probably be the ones to go into detail. The Magus knew the Archmage the best. He'd recognize that the Archmage has evolved into the Archmage+. If the Magus wasn't positive that the Grimorum cannot be brought onto Avalon, he'd swear that the Archmage+ had it. Plus when the Archmage appeared, he carried the Phoenix Gate and wore the Eye of Odin. Goliath realizes that those items must have been stolen from him.
Tom led the first disastrous attack. He saw Demona (doesn't know her name, but recognized her as Goliath's former love) plus some human in strange armor who used a weapon that fired lightning (Macbeth) and the Weird Sisters who once guarded the island. Again Goliath and Elisa can put two and two together. Macbeth and Demona never escaped the Weird Sisters. The Sisters have been using them all along. When Demona and Macbeth stole Coldstone, it was just a cover to steal the Eye, the Gate and the Grimorum. They must have given the items to the Archmage.
All Tom knows is that the Archmage+ is incredibly powerful. So powerful, he sometimes seemed to be in two places at once.
4. Enemy camp. Obviously, somewhere on the island, but where? In or in front of a cave? Someplace pleasant and relaxing, since the villains have every reason to be confident? I'll call it the GROTTO for easy reference, but anywhere is fine. [In the margin, I wrote: "Vengeance Angle"]
Present are the 3 Weird Sisters, Demona, Macbeth and... TWO Archmage+s. Each carries his own Phoenix Gate. And each wears his own Eye, (maybe imbedded like a third eye in his forehead?). They are dressed in black. Their beards are short. Maybe a metal skullcap (ala Merlin in EXCALIBUR). All very dangerous looking in contrast to the cliché Archmage that we knew.
1st Archmage+ says to 2nd Archmage+: "Shouldn't you be going?"
2nd Archmage+: "I suppose I should." 1st Archmage+: "You know what to do?" 2nd Archmage+: "Of course. I watched you do it." So the 2nd Archmage+ raises his Phoenix Gate and says the Phoenix Gate spell, disappearing into the past (see "Vows").
5. We follow 2nd Archmage+ back to 984 A.D. (He can even say: "First stop: 984 A.D." He can have a lot of attitude.) He arrives just outside the cave and secretly watches the battle between young Goliath, Hudson, Demona and the original Archmage ("Long Way To Morning"). (Again, he can fill us in, by commenting on it wryly to himself.) The Archmage loses the Grimorum and falls into the bottomless fissure, the Archmage+ uses the Phoenix Gate to pop into the fissure. He then uses the gate to transport himself and the Archmage to safety.
6. A hilltop or someplace safe. The Phoenix Gate deposits both the Archmage and the Archmage+ a few feet above the ground. The Archmage+ floats. He says "Freeze". And the Archmage freezes in mid-air. The Archmage+ says "Feathers". And a huge pile of feathers appears right below the Archmage. Archmage+: "Resume". And the Archmage tumbles into the pile of feathers.
We get some sputtering and outrage from the Archmage. And introductions. Archmage+ is his future self. Archmage realizes that means sometime in the future he accomplishes his goal of getting the Eye and the Gate. But what of the Grimorum? Archmage wants Archmage+ to use the Gate to go back and take the Grimorum back from the Gargoyles. Archmage+ says they can't accomplish their goals that way because they didn't accomplish it that way. History cannot be changed. But don't worry. We'll get the Grimorum. He uses the Gate and they both vanish again. [In the margins, by these two paragraphs, I wrote: "You want power, revenge. Allies Soldiers Weapons Base]
7. They reappear in 995 A.D. just in time to see the Magus use the Grimorum to reflect the Weird Sister's spell, turning all three of them into owls. (Archmage+ continues to use one word commands like "Float" and "Invisible" to keep them above water and undetectable. His command of magic is that complete. He can also fill Archmage and audience in on where and when they are, fairly naturally in dialogue.) Archmage recognizes his former apprentice the Magus, who's obviously grown into a potent sorcerer. But the fool just hands over the Grimorum, his source of Power, to Finella. Archmage thinks he understands now. They'll take the Grimorum from Finella. But Archmage+ says no. That's not why they're here. They're here to recruit. [In the margin, I again wrote: "Allies"]
Once all the various skiffs have moved on, the Archmage+ finds the three owls and transforms them back into the Weird Sisters. The Sisters are furious that they were defeated. When Oberon forced all of his "Children" to mingle with the mortals of the real world he had left the guarding of Avalon in their supposedly capable hands. Oberon will be very pissed off that they failed. Archmage+ offers them a chance to get even. It will take time though. The Weird Sisters don't mind. Time is one thing they have plenty of. "Then," says the Archmage+, "I will see you again in twenty-five years." And with that, he uses the gate and vanishes with the Archmage.
8. The year is 1020 A.D. ("City of Stone, Part One") and the Archmages appear via the gate. They meet up with the Weird Sisters. The Archmage+ shows them a vision of the forty year old Demona, the fifteen year old Macbeth and their enemy the HUNTER. [In the margin, I wrote: "Soldiers"] The Archmage+ wants the Weird Sisters to help Demona and Macbeth defeat the Hunter. Weird Sisters remind him that Oberon's Law prevents them from directly intervening in the lives of mortals. Archmage+ knows they are magically prevented from breaking Oberon's Law. But he also knows that they can bend it quite a bit. O.K., fine. But how does helping Demona and Macbeth do anything to help the Sisters and the Archmages achieve their goals? Archmage+ tells them that in order to achieve these goals, they will need powerful warriors, fighters adept at sorcery and weaponry, fighters we can control. These two are the perfect candidates. Guide them, help them, protect them for the next twenty years. The Archmage+ will return then with further instructions. The Weird Sisters agree and depart.
Archmage isn't too happy about this. He recognizes Demona as another of his former apprentices. One who betrayed him by losing the Phoenix Gate "years, uh... decades ago." Why are we helping her? Archmage+ tells him not to worry. This is our revenge. Believe me, we're not doing the gargoyle any favors. And again, he uses the Phoenix Gate to make them both disappear.
9. They reappear in 1040. The Weird Sisters report that they have done their best to aide Demona and Macbeth. The first Hunter is dead. But there is a new one now who's even more dangerous. Archmage+ is very pleased. He knows that Demona and Macbeth will arrive soon. He instructs the Sisters to guide them into making a magical pact that will link their life energy together. We will need them alive and vital centuries from now. We must make them immortal. [In the margin, I again wrote: "Soldiers".]
Sisters and Archmage are confused. Immortal warriors are powerful. How will we control them? Trust me, says Archmage+.
Archmage+ renders him and the Archmage invisible, just in time to see the fifty year old Demona and the 35 year old Macbeth enter. ("City of Stone, Part 3") We see the Weird Sisters link them magically.
Afterwards, the Sisters explain that the job is done. Neither can die, unless one kills the other. Excellent, says the Archmage+. Keep an eye on the two of them. Also keep an eye out for the Grimorum, the Gate and the Eye of Odin. The Weird Sisters are confused. Archmage+ has the Eye and the Gate. Archmage+ laughs. But I didn't have them. Not until you brought them to me. We'll meet again on an island called "Manhattan"... in 955 years.
Archmage: "Nine-HUNDRED and fifty-five years?!!" But before he can protest, the Archmage+ uses the gate to transport them both away.
10. 1995. Manhattan. Weird Sisters as NYC Fashion Models rendezvous at Tavern on the Green, with the Archmages. Archmage+ says: "Disguise". And he and the Archmage, seem to be wearing modern clothes. Over a pleasant candlelit dinner, the Sisters fill us in. All three magical talismans have fallen into the hands of this gargoyle... and an image of Goliath appears in the candlelight. Archmage recognizes Goliath, and can't believe that he survived this far into the future. Archmage+ says, "This isn't the future yet."
Archmage+ asks about Demona and Macbeth. Sisters respond that both are phenomenal fighters, proficient with modern technology and weaponry and half-decent sorcerers to boot. Plus each warrior has his or her own agenda. Demona is determined to wipe out humanity. And Macbeth is equally determined to wipe out Demona, even though he knows it will cost him his own life. They will be very difficult to control. Archmage+: "Yes, yes, but what are they up to now?" [And yet again, I wrote "Soldiers" in the margin.] The Sisters believe that Demona is about to cast a powerful spell to turn everyone in Manhattan into stone. Macbeth will take this opportunity to hunt her down.
Archmage+ is very pleased. He advises the Sisters to help Goliath defeat both Demona and Macbeth. Make your final move after they've fought each other, but before Macbeth has a chance to end their lives. At that point they will be weakened enough for the Sisters to put a sleep spell on them. Then bring them to me. Where? Macbeth's home on this island.
[Optional, if you have space: The sisters exit. Archmage+ asks the Archmage if he'd like to watch the action. Archmage says yes. Archmage+ says: "Somehow I knew that."]
Archmage+ uses Gate and both disappear.
[Optional, if you have space:
11. Invisible Archmages watch a replay of the final scenes from the end of City of Stone, Part Four. The ones where the Weird Sisters help Goliath talk Macbeth out of killing Demona. Put them both to sleep. Tell Goliath that they will take responsibility for them and vanish with them. The Archmages depart as well.]
12. Macbeth's mansion. The Archmages appear as do the Sisters with Macbeth and Demona. The latter two are sound asleep. The Archmage+ whispers to the sleeping warriors. He "suggests" that they work together to steal the Grimorum, the Gate and the Eye from Goliath. The Sisters provide the clock tower location, and suggest that they steal Coldstone as well. That way the theft of the talismans won't be detected immediately. Demona and Macbeth leave together to carry out this plan, completely fogged about how it came to them or why they are working together. [By the margin of both paragraphs 12 & 13, I wrote: "Weapons".]
Archmage asks about Coldstone. Weird Sisters say he is another warrior that might be of use to them. Archmage+ shakes his head. Coldstone wasn't part of the plan, so he can't be now. If his presence aids in the theft of the talismans, fine. But he must be separated from Demona and Macbeth, before the next stage of the plan can be set in motion. They will meet again at the watery door to Avalon.
[Optional:
13. Invisible Archmages watch Demona and Macbeth steal the Eye, the Grimorum and the Gate from the secret hiding place in the clocktower from "High Noon".]
14. The Archmages reappear above misty water. Archmage+ says: "Boat". And a boat magically appears beneath them. They float down to it. While they wait for the sisters, Archmage demands to know the plan. Archmage+ finally fills him in: "Soon the sisters will bring you the talismans. The ultimate magical power that you've always dreamed of. [In the margin, I wrote: "Base".] But once you get that power, what will you do with it?" Archmage is baffled. He hadn't thought that far ahead. He mutters something about conquering Scotland. Archmage+ suggests conquering the world, but warns that it will not be easy. The modern world is a place of science not sorcery. Magic is potent, but so are modern weapons. The Archmage will need a safe place to launch his attacks from. That haven is Avalon. The only problem is Avalon is occupied. Fortunately, Oberon and his children have abandoned it. But there are a few humans and gargoyles living there. Our first job is to kill them. The Archmage is very pleased with his counterpart's plan.
The Sisters join them on the raft, along with entranced Demona, entranced Macbeth and the three talismans. The sisters warn the Archmages that the Gate and the Eye are not a problem, but the Grimorum is a book of human sorcery. It cannot enter Avalon. Archmage+ is unconcerned: "Give him the Eye." Seline gives the Archmage the Eye of Odin. The Archmage puts it on. The Archmage+ explains that the Eye grants power and insight. It makes the wearer a more powerful version of himself. It usually takes weeks to transform an individual, but the Archmage+ has the ability to speed things up. "Change," he says. And the Archmage begins to metamorphose -- painfully -- into another Archmage+.
When the metamorphosis is complete, the 1st Archmage+ tells the 2nd Archmage+ that he now has the power of the world's greatest and, frankly, most evil sorcerer. But he lacks the knowledge. The exhausted 2nd Archmage+ gets the message. He asks Phoebe to give him the Grimorum. He uses his new-found power to swallow it hole. The 1st Archmage+ is very pleased. Now he is one with the magic, and there's no need to worry about bringing the Grimorum to Avalon. Even Luna is impressed. She hands the 2nd Archmage+ the Phoenix Gate, completing his power. 1st Archmage+: Shall we proceed?
[Note: I circled paragraphs 15, 16 and the first paragraph of 17 and wrote: "One Beat" in the margin and "But show it to us." By 15, I also wrote "Base".]
15. The 1st Archmage+ materializes in the palace of Oberon, in front of Katharine, Tom, the Magus. He tells them to "Make your peace, for at sundown, you die." He uses the gate to disappear again.
16. He reappears in the Grotto, joining the 2nd Archmage+, the Sisters, Demona and Macbeth. One of them spots Angela and Gabriel watching them and sneaking away. Demona asks if she should stop them. No, says the 1st Archmage+, they'll be back.
17. Sure enough, Tom the Guardian leads the gargoyles against the villains. It's a disaster. Many gargoyles are wounded. None of them can fight on a level with either Macbeth or Demona. Let alone the futuristic weapons that they bring. The Weird Sisters avoid direct interference, but still manage to use their magic to ensnare their opponents in their environment. And the Archmage+ is everywhere, popping in and out, using the Gate, vanishing. Using magic. He's devastating. (During the fight, play the two Archmage+s so that Tom might say something like "It was like he could be in two places at once." As opposed to Tom realizing that there are two of them.)
Tom is forced to sound retreat.
[I marked the rest of seventeen and 18 and wrote "combine" in the margin.]
Demona and Macbeth want to pursue and finish them off. But the 1st Archmage+ is supremely confident. Why bother? If we wait until Dawn, the gargoyles will all be stone. Only the Guardian, the Princess and the Magus will be left to defend the palace. It's so much easier to sit back and enjoy the cool breeze for a few more hours. [In the margin, I wrote: "Waiting for Goliath. Important. Vengeance. He wants Goliath.]
Luna asks: "What about the sleeping King?" The 2nd Archmage+ is surprised. He had heard the legends of the sleeping king, but didn't know that they were true. Seline assures him the King is on the island, asleep. Phoebe warns that the King's power was once very great. 1st Archmage+: "Then when once we've taken the island, we'll just make sure he never wakes up."
18. Time cut to a few hours later.
1st Archmage+ says to 2nd Archmage+: "Shouldn't you be going?"
2nd Archmage+: "I suppose I should." 1st Archmage+: "You know what to do?" 2nd Archmage+: "Of course. I watched you do it." So the 2nd Archmage+ raises his Phoenix Gate and says the Phoenix Gate spell, disappearing into the past. Obviously, this is an exact repeat of Beat 4, and finally leaves us with only one Archmage+ for the rest of the story. Archmage+ makes some comment about how the other one was getting on his nerves.
19. AND Finally, we return to the present and resume from beat 3 with our heroes in the palace. Tom picks up his story where he left off. After, there disastrous mass attack on the Grotto, they all realized they were in deep shit. Sunrise was only six hours away. They thought about hiding the gargoyles, but realized there was no place on the island where the Weird Sisters couldn't find them. They had to get help. Tom ventured out by skiff to the real world. As he had done once every century. The skiff landed at Wyvern, and Tom was shocked to see that the castle was missing. He went to a local village, where he was told that the castle had been moved to the top of a skyscraper in a place called NEW York. Tom picks up on the word "skyscraper". Is it possible that the castle has risen above the clouds? One villager's seen it in New York. It's definitely above some of the clouds. (You can show this village scene in flashback if you have space or time.) Tom returns to his skiff, returns to Avalon, and launches off again, praying that Avalon will send him to this NEW York. (Hinting that he doesn't have a lot of control.)
Sure enough he found New York and Goliath and brought him and his friends back. But the mission took two days in the real world. That's two hours here on Avalon. There's only four hours left until sunrise.
Tom apologizes to Goliath. He's tried to train the gargoyles to be warriors, but he's self-taught himself. Plus Avalon always seemed so peaceful, etc. Protective instinct must never have developed. Maybe if Goliath led the next attack... But Goliath is sure Tom did his best. Sometimes a direct attack isn't the answer. Sometimes stealth is required. If we can steal the Gate and the Eye back from the Archmage, we may have a chance. Goliath will need someone who knows the island. Gabriel and Angela both volunteer. Fine. Goliath asks the Magus to come as well. His magic might prove useful. The Magus cannot meet Goliath's gaze. He hesitates. Finally, he says that without the Grimorum he has no magic and would be a liability to Goliath. Elisa wants to come, but Goliath asks her to stay behind. If this mission fails, Tom and the others will need her expertise on dealing with Demona and Macbeth. Goliath, Angela and Gabriel depart. After they go, Elisa turns to the Magus and asks: Tell me about the sleeping King.
20. They sneak into the grotto and for a beat it looks like they might succeed in their mission. But no. They are caught. Woops. [In the margin, I wrote: "Arch+ sees them coming."]
END PART TWO
START PART THREE
21. Looks like curtains for our three heroes. Goliath even resorts to making an appeal to Demona and Macbeth. Can't they see they're being used. Does it suit Macbeth's sense of honor to wait 'til dawn to slaughter innocent gargoyles. Demona hates humans, but why would she help the Archmage hurt her own children. It doesn't make sense to Demona and Macbeth. They start to come out of the spell. But the Archmage+ is just amused by Goliath's pleas. With one word: "Obey", Demona and Macbeth are again his to command. Fortunately, rescue comes from another quarter. Bronx and Tribeca. To some extent, the rescue only succeeds because the Archmage+ is complacently amused. He likes watching the little mice run the maze. In a few hours it'll be all over anyway.
22. Goliath and Co. return to the palace. The mission was a failure.
[Note: the following paragraph was crossed out.]
But not a complete failure, says Angela. In the confusion, she got away with the Phoenix Gate. Angela wants to use it to go back in time and stop the Archmage+ before he arrives. Can't be done, explains Goliath. History cannot be changed. He's learned that lesson, painfully. Can they escape to the future? They'd be abandoning Avalon. The situation they arrived in might be even worse. Better to make their stand now. Well could they use it flee the island? This time Gabriel says no. This is his home, the only one he's ever known. He will protect it, not abandon it! Goliath is impressed. The gargoyle way is strong in Gabriel. But Angela's disappointed. Stealing the gate didn't help very much. Goliath assures her, that it helped a lot. They've taken away the Archmage's mobility. And gained some for themselves. The Gate doesn't have to be used for time travel. It can be used just to move instantly from place to place. But how will that help? Goliath isn't sure yet.
Hey, where's Elisa and the Magus?
23. Elisa and the Magus journey to the "Hollow Hill" where sleeps the sleeping King. (It's Merlin who sleeps in the Crystal Cave. At least by my research.) Maybe they have some time to talk. Elisa has noticed that Tom and Katharine are close. The Magus tells her that as the boy Tom became a man, he and the Princess fell in love. (Again, if you have the room and/or the inclination, you can show this in flashback.) Now they are husband and wife. They raised the gargoyles as their own children. Elisa wonders where the Magus fits in. I don't, he says. But his feelings for Katharine are also obvious to Elisa. How could he stand to stay and watch them grow closer? He had to stay. He had done an unforgivable thing when he cast his spell upon the gargoyles. He owed it to Goliath to tend the eggs. His pain is not important.
24. They arrive at the Hollow Hill. They see the sleeping King. He lies on a bed, surrounded by arms and gold and jewels. They move to wake him, but are intercepted by two hollow suits of armor. Elisa empties her revolver into one, but it's pretty useless. Suddenly the Magus casts a rhyming spell. (Rhyming in English, not Latin.) The armor is defeated, though it leaves the Magus drained. Elisa is shocked. She thought the Magus had lost his magic. He had. Centuries ago when he lost the Grimorum. But the island is full of magic. It is everywhere: in the wind, in the water, in the trees and certainly in this hollow hill. His training makes him sensitive to it, but summoning it without study is very hard. It's an unpredictable and often unsuccessful endeavor. He cannot be counted on.
Elisa approaches the sleeping King. For the very first time in this three parter, we hear someone speak his name. Elisa: "Arthur Pendragon. King Arthur. You are needed." And King Arthur awakens. It's that easy.
Suddenly Goliath and Angela appear via the Phoenix Gate. [The phrase 'via the Phoenix Gate' was crossed out.] What did Elisa think she was doing? Elisa realized that Demona and Macbeth are two of the greatest warriors of all time. It's a hard truth, but even Goliath has never actually bested either of them. The best he ever did was foil their plans or fight them to a draw. They needed someone better. They needed the best warrior who ever lived. Arthur clears his throat. Would someone please tell him what's going on? Angela's excited. In a minute, she says, and using the Gate, teleports them all away. ["and using the Gate, teleports them all away." was crossed out.]
[From this point out, stuff in {} is crossed out material.]
25. Back at the Grotto, The Archmage+ {has only just discovered that the gate is missing. He} is furious, and his demeanor does not improve when the Sisters wryly blame his own hybris and complacency. Fine, he says. Then we will attack now.
26. Back at the palace, Arthur's just heard the gist of the situation. He's not thrilled. This isn't what he was supposed to be awakened for. He doesn't have Excalibur. He doesn't have his knights or Merlin... But he looks around the room and sees the faces of those who need him. He will do what he can. Gabriel enters. They're out of time. The villains approach. Arthur will lead Tom, Elisa and Gabriel against Macbeth and Demona. Goliath and Angela will {use the Gate to} face off against the Archmage. Katharine, Bronx and Tribeca (and whatever other healthy N.D. Gargoyles we've shown) will stay with the wounded gargoyles and do their best to protect them. But who will take on the Three Weird Sisters. I will, says the Magus.
27. The battle. O.K. This is going to be a big one. You want to have space for it, cause it's the fight we've been building towards for THIRTY-SIX EPISODES, so we've got to make it worthwhile. (Also we have tons and tons of epiloguing in this one, so we need the audience to feel like they want a good long rest after the mega-battle is done.) You'll do a lot of intercutting between the various fronts. But for clarity here, I'll take them one at a time. (Also feel free to adjust or expand on any of the details... I'm just trying to give a big picture overview.)
ARTHUR, ELISA, GABRIEL, GUARDIAN vs. MACBETH & DEMONA
The Archmage+ has sent his two warriors as an advance force to soften up the enemy. Macbeth is impressed by this new warrior. He asks his name, and when he hears that it's Arthur, we can see that he's momentarily shaken by it. He's an Arthur-buff. A great admirer. Well. He's always wanted to test himself against the best. For his part, Arthur's quick to figure out that when either Macbeth or Demona are hurt, both feel the pain. He instructs his troops to use that to their advantage. Demona realizes that she must put some distance between herself and Macbeth. She'll still feel his pain, but not as severely. She gets past Arthur's force and into the castle. Arthur sends Gabe, Elisa and Tom in after her. He'll handle Macbeth.
ARTHUR VS. MACBETH
Macbeth is quickly deprived of his lightning gun. Both wind up using medieval weapons. It may even come down to hand to hand combat. Finally Arthur wins.
DEMONA vs. KATHARINE, BRONX, TRIBECA
Demona gets into the palace. She is confronted by Bronx and Tribeca, but they don't stop her. She finds her way to Katharine and the wounded gargoyles. We need to see by this time that Demona's bloodlust is so high, that there's no chance of talking her down again. The spell on her has worked her into such a froth that she can't see that what she's doing is against her own interests. She's a brainwashed assassin. Katharine is ready to die for her charges, and it looks like she might have to.
DEMONA vs. GABRIEL, GUARDIAN, ELISA
They arrive just in time, Gabriel and Guardian save Katharine temporarily. But they're no real match for Demona either. She's about to kill them all, when Elisa says wouldn't you rather have me. And there it is. Someone Demona hates so much, that no spell is more powerful. She leaps at Elisa, giving the others time to regroup. Ultimately, Demona is taken down by sheer force of numbers. Maybe Elisa gives the takedown blow.
MAGUS vs. THE WEIRD SISTERS.
They can't believe this old, impotent man is challenging them again. Without his precious Grimorum, no less. But he rises to the occasion. It's a sorcerers battle, so have a lot of fun with it. And the Magus wins by trapping them. Probably in some kind of iron or some kind of chain. (But here's a thought, that only just occurred to me. Should the Magus give his life in this fight, i.e. be mortally wounded during it. Maybe drained beyond any hope of recovery? He would be the one real casualty of the battle. Goliath would of course forgive him on his death bed as the old man passed away, finally at peace, maybe with Katharine's kiss on his lips. I know we planned on sending him off with Arthur, but I can't help wondering if we didn't make this fight to easy on our heroes. Isn't it necessary for them to lose something truly precious, i.e. the life of a friend? I have very mixed feelings, cause I like the character a lot. I could probably be swayed either way. Before you go to script on part three, talk this over with both me and Adrienne [Bello, our S&P executive].)
GOLIATH, ANGELA vs. ARCHMAGE+
Goliath attacks directly. And is really being trounced. The Archmage+ has not forgotten how Goliath defeated him back in "Long Way to Morning". He's really punishing Goliath. But that was part of the plan. Angela uses the gate to {bop in, and} throw the overconfident Archmage+ off balance. {She and} Goliath {toss the gate back and forth between them. They vanish and reappear.} The Archmage+'s magic still is formidable, but the tactic is infuriating him, which makes him sloppy. Finally, Goliath manages to grab the Eye and wrench it off the Archmage+. (Note: As in Eye of the Beholder, this should be damn painful for Goliath.) The Archmage+ immediately metamorphoses back into the old Archmage. But he's not through yet. He's still got all the power of the Grimorum inside him. But without the Eye to contain that power, he has a problem. You see you're not supposed to bring human magic onto Avalon. The Grimorum is burning him up from the inside out. Nothing gory, but he is destroyed in magical flames. It is over.
28. Epilogue time. Goliath realizes that the Eye and the Gate were not meant for mortals to use. He swears never to use either of them again. (He'll break this promise later, but it at least explains why he doesn't immediately use the Gate to take him, Elisa and Bronx back to Manhattan). He and Angela gladly walk back to the palace.
29. It is now only ten minutes until sunrise. Decisions must be made. They ask Goliath if it is safe for the Gargoyles out in the real world. Unfortunately, no. Not really. They invite him to bring the other gargoyles back to Avalon. No. That won't work either. Some of them must continue to live in the real world. Learn to live with humans. It will take time, but if they don't try, the outside world will never be safe for gargoyles again. Given that Goliath is willing to take any gargoyle who wants to leave. From here, you can pretty much pick up back on your outline: BEAT XXXX. (Though obviously if we kill the Magus, Arthur's leaving alone.)
30. Pretty much your Beat XXXXI. Arthur (and the Magus?) leave first. Also we have to deal with Macbeth and Demona. They can still be unconscious. The trapped Weird Sisters are forced to free Demona and Macbeth from the spell. They tell our heroes that neither warrior will remember anything that happened to them since the spell was first cast in City of Stone, Part Four. Somehow, we have to rationalize sending them off unconscious on a skiff of their own. Good luck. Finally our 4 travelers leave for Manhattan, poling out into the misty water. But Tom knows from experience that "Avalon does not take you where you want to go. Avalon takes you where you need to be."
That's it. Call me with any problems or questions, and in any case let's talk about the Magus.
ROSWELL CONSPIRACIES Bible: 11th Chunk.
SERIES ARCS
We've got quite a few.
1) Markus is going to fast-track through the ranks. In episode #1, he's recruited. Starting with episode two, he'll spend about a third of the season (@ seven episodes) working in Inquiry as an Investigator. At some point he'll get in trouble. He'll get busted off Inquiry and will spend an episode as a lowly Prison Guard in Surplus. He'll foil a prison break and be rewarded by being put in Command of a Research Cell: the lone layman assigned to making sure the scientists stay focused. That'll last for two or three shows. Then he'll be drafted to join Delivery for another seven or so episodes, before he rebels against the Alliance for about three shows. Then in our 22nd episode, he'll rejoin the devastated Alliance, help them struggle out of the ashes in time to save the day. He'll end the season by being named the organization's third Night Officer.
2) Who is Siobhan Barrow? She's not your typical nineteen year old girl. We'll learn that in our pilot. She's an alien of the Sidhe race. Eventually we'll discover that she's not your typical nineteen year old Sidhe. She's the daughter of the Bhan Sidhe. We'll wonder where her loyalties lie. And just when we're sure we know, we'll turn the tables by having her kill Markus (or attempt to, anyway). And then when we're sure we know why she did that, we'll twist things 180° and make her even more sympathetic than she was before.
3) Markus and Siobhan are going to fall in love. They meet in our pilot as adversaries, but they quickly make a connection. It's a connection that both of them are going to deny for a time, but ultimately they'll admit their feelings for one another, just in time for Siobhan to betray the Alliance and attempt to kill Markus. Markus'll be hating Siobhan for a few episodes, until he learns why she did what she did. At that point, he'll join her against the Alliance, until the final episode, when they'll both be there -- a strong couple, the stronger for what they've been through both separately and together -- to pick up the pieces and rebuild a new and better Alliance.
4) The Agenda is picking up speed, and it's operating on multiple fronts. It's forming new partnerships. Startling partnerships. It's infiltrating the Alliance itself. One of our characters we'll be replaced by a Vampyr. One will turn out to be a Lycanth. One will betray everything the Alliance stands for. Etc. Early episodes that seem to be one-shots will be revealed in hindsight to have actually been part of the overall Agenda.
5) The Skray will be revealed slowly, and the Alliance will learn the startling truth that since the Skray control the oceans, they already control 3/4 of the planet. Eventually, the Skray will join the Agenda.
6) Have the Nosferatu discovered the secret of faster than light space travel? Is there an armada on the way?
7) We'll learn the answers behind some long-held Alliance mysteries. What happened to Joseph's father? What happened to Artie's uncle and brother? Who killed Alex's parents? What turned Will's wife against the Alliance?
8) We'll explore the dramatic ramifications of the Alliance's fascistic Mission Statement. When does an organization become too much of a good thing?
9) Over time, we'll probably get to know a surprising number of characters in depth. We'll watch them change. We'll see them reveal where they stand.
10) Ultimately, we're going to find out that the same individuals who are pulling the strings on the Agenda's string-pullers, are also the Puppet-Masters behind the Alliance itself. These uber-villains are the true menace that Markus and Siobhan will ultimately be fighting against.
11) And etc.
SOME SPRINGBOARDS
1. The Pilot - Skip Tracer Markus is sent after Bail Jumping Siobhan, who's being pursued by Sidhe Warriors and by the Alliance. Both Markus and Siobhan acquit themselves impressively and are recruited.
2. Markus is partnered with Tri and sent to Japan on his first Inquiry mission. People are vanishing amid reports of werewolves. The menace turns out to be a Lycanth Pack, abducting humans to work as slaves on other worlds. Delivery's called in to battle the Pack.
3. In Paris, Tri and Markus investigate reports that stone statues are coming to life. It's the noble Vinae, here to recover their honored dead. Can the misunderstanding be worked out before the populace learns these "monsters" exist?
4. In Venice, Markus and Tri are on the trail of a shape-shifter. Meanwhile, Alex and Clea go undercover inside a cult that claims to grant immortality to its members. The two cases converge, and the Alliance finds itself caught in the middle of a minor war between the Vampyru and the Nosferatu.
5. Closer to home, Markus investigates crop circles in Iowa. This leads him into an investigation of the original Roswell Incident. Through flashback, we get the whole story -- focusing on the tragic love story between Captain Will Hawking and reporter Trish Ainsley. The kicker to all this is that none of it's true. And Markus is finally introduced to Artie's boss: Night Officer William T. Hawking.
6. On a routine sea-monster mission in Sydney, Tri spots Artie's missing twin Apollo. The Skray are finally revealed, and it turns out Apollo's working with them. Delivery is sent underwater to take down the Skray. Ten-Samsons and company are able to deal with the immediate threat, but are overwhelmed when they attempt to delve further into the Skray's underwater territory. A strategic retreat is called, and Research is assigned the task of figuring out how to deal with the long-term threat posed by these amphibious aliens.
7. A Rogue Chasta-Yeti has been spotted in British Columbia. Convinced that this is the animal that killed both his parents, Alex drags his sister Gisela up to Canada to track the monster down. Complications ensue as the Chasta is under the protection of the local Sidhe Clan. In addition, Markus isn't sure that Alex has the correct Chasta in his sights. Clea, Tuk and Siobhan all get involved. Everyone's taking sides, but will mercy win out or will Alex start a full scale war?
8. Reports of Flying Saucers bring Tri and Markus to Berlin, where they're immediately ambushed and captured. This is our first solid Agenda episode, but it also serves to reveal (in flashback) the true history of the Cadre, the Alliance and the Roswell Conspiracies.
9. Markus is having a hard time recovering emotionally from his experience in the previous episode. He goes AWOL, obsessed with tracking down the one perp who ever skipped his trace when he was working for Dom. Using Alliance resources in a very public way, he comes very close to single-handedly revealing the Alliance to the world. Dom and Siobhan are able to talk him down off his emotional ledge. He returns to the Bunker, where he gets busted down out of Inquiry and into Surplus. He's a prison guard.
10. Research is conducting experiments on captured Skray inside the Surplus Prison. A dangerous and multi-racial group of inmates take advantage of the situation and attempt to bust out. The only guy who stands in their way is neophyte prison guard, Tony Markus. He succeeds. Patricia wants to promote him. Artie wants him back. But Hawking has finally taken notice of Markus. He assigns him... to Research?
11. Hawking isn't happy with how Research has been operating since Michael Tyler died. Tyler was a scientist, but he was also a pragmatist. Cabral and company seem to allow the pursuit of knowledge to get in the way of the Alliance's best interests. Markus is put in charge of Alpha Cell in order to make sure that the next time the brain-trust is sent into the field, they keep their eyes on the prize. This puts Markus in the unenviable position of being under the authority of Research Section Chief Cabral, while simultaneously being the good doctor's boss while on Alpha's next mission to prevent a radioactive Pharaoh from poisoning Peru.
12. And etc.
FORMAT / STYLE / TONE
We're writing hour-long teleplays here. Single cohesive stories -- that just happen to have a huge cliffhanger dead in the middle which allows the hour to be broken up into two tidy halves.
Tentatively, the plan is to open the first half hour with a teaser before the Main Titles. The Titles will be followed by three acts, each ending with a cliffhanger (the third one a doozy).
Part Two will open with a recap of Part One before the Main Titles. Then the Titles will be followed by Act Four, another cliff-hanger, Act Five, a last cliffhanger and then finally Act Six, which will include whatever Tag is required without an additional commercial break. All pretty straight forward.
The Point of View character is obviously Markus. He enters the Alliance knowing nothing about aliens or conspiracies. We'll learn the ropes with him. This is not to say that he has to appear in every scene, but Markus does define our basic angle on almost any given episode.
The structure of a typical Alliance mission begins with an Inquiry investigation. Research is brought in to solve some specific problem. And then as things inevitably hemorrhage out of control, Delivery is brought in for a big battle to clean up the mess.
Toward the beginning of the season, when Markus is still in Inquiry, we'll focus more on the mystery and investigation. What's going on? What is this creature? How do we stop it? Etc. We'll watch Delivery from a distance, or we'll see it through Siobhan.
Naturally, as more and more secrets get revealed, and as Markus moves up through the ranks, later episodes will spend less time on Inquiry and more time on the other sections, especially Delivery. Things'll be grimmer by that time, and the action will be more intense anyway.
This isn't a horror series. And we're not doing the ultra-violence thang. But it should be scary. We're going for suspense and intrigue: a what's-lurking-behind-that-door main course, with a side of who-can-you-trust.
Play the fear. But also play the romance between Markus and Siobhan. The real heart and caring between all our various characters. Many of them are related, which should provide great fodder. Many of them have tragic histories and/or things they need to overcome. Use Gisela's spirituality, Alex's smiling cynicism, etc. Use humor as counterpoint. Don't hunt down the joke, but don't shy away from it either. And do NOT be afraid of using SILENCE. It's a very powerful tool. (By the way, I apologize in advance if all this seems way too obvious. I figure it doesn't hurt to remind ourselves of the basics on occasion.)
Everyone should rent "THE MANCHURIAN CANDIDATE". That's the model for our series. We're gonna put it through our own sci-fi/monster/toy-company prism, but underneath it all is a tale of intrigue -- a long-simmering pot about to boil over in a devastating way. That's ROSWELL. That's our show.
Chapter XXXIV: "Avalon, Part One"
There's no memo, outline or script for this one on my computer, so we'll head right into my ramble on...
"AVALON, PART ONE"
DIRECTOR: Dennis Woodyard.
WRITER: Lydia Marano.
STORY EDITOR: Brynne Chandler Reaves.
THE RECAP
...is all over the place. So much was coming together in this three-parter. The Weird Sisters, the eggs, the Archmage, Tom, Princess Katharine, the Magus, Macbeth, Demona. This was our most ambitious story yet. Which given episodes like "The Mirror" or "Vows" and multi-parters like "Awakening" and "City of Stone" was saying something.
Of course "Avalon" was never designed to be the cohesive single story movie that "City of Stone" was. It was designed as a tryptych. Part one would bring our heroes up to date. Part two would bring our villains up to date. Part three would pit them against each other.
"Avalon I" also represented the first episode in our fourth tier. The three-parter was what we called a 'tentpole'. We knew we couldn't air it until all the Tier 3 episodes had aired. And we knew we couldn't air any other Tier 4 episodes until this three-parter had aired. Despite the fact that "The Price" aired out of order, generally our Tentpole/Tier system worked very well. Out of 66 episodes that I worked on only two: "The Price" and "Kingdom" aired out of order, hopefully with minimal damage to the continuity.
THE TITLE
The title was one of mine. But initially I wasn't sure that we were going to call the island Avalon. Now, it's mind-boggling to me, but I actually had my assistant Monique Beatty (who's now a producer in her own right) research Brigadoon to find out if that name was created only for the musical, or if it was something pulled from legends. I was thinking of Avalon, but looking for something from a Scotish tradition as opposed to British. Fortunately, Brigadoon was created for the musical. So we were 'stuck' with Avalon. Which made including King Arthur a natural.
Many series don't reveal that an episode is going to be a multi-parter until you get to the 'To Be Continued' line at the closer. "Avalon, Part One" could have just been titled "Avalon". The conventional wisdom is that people are reluctant to commit the time to a multi-parter in advance. That it is better to hook them on the story before revealing that they HAVE to come back to see the end. I always felt that was cheating. What is your reaction to seeing "Part One" attached to a title?
OPENING
Another cool shot of our gargs waking up. Always nice to reiterate that at the start of our bigger stories.
Bronx gets left behind. Of course, this often happens. It was one of the things that the World Tour would set about correcting in a BIG way. But we made his getting left behind a bit more obvious here. Usually, he just doesn't go. This time they won't take him and he's sad. We were laying pipe.
My 5-year-old son Benny asked where Hudson and the Trio were going. I had to think about it. "On Patrol, I guess."
OLD FRIENDS
Then the GUARDIAN shows up. I love his cool, Goliath-inspired armor. My 7-year-old daughter Erin immediately demanded to know who he was. I wouldn't tell her. (I'm so mean.) Did any of you guess?
Of course he immediately encounters BRENDAN & MARGOT. (What would one of our multi-parters be without him?)
Then comes the three gang-bangers from "AWAKENING, PART THREE". As usual, Keith David does the voice for one of them -- making it distinctive from both Goliath and MORGAN, who's about to come in and speak. The problem is we got a touch confused. In Awakening, Keith voices the bald white guy. Here he does the same voice, but it's assigned to the black guy. Hard to say which is wrong, except by virtue of which came first. It annoys me though.
Morgan's fun in this. I really like him. No one but Simon DelMonte will get this, and I don't know if he even reads these rambles, but Morgan kind of reminds me of Jeff Goslin, a character that Cary Bates and I created in Captain Atom.
Anyway, I like how Morgan talks Guardian down. And I like how the sword is much heavier than he thought it was going to be. His cop buddies tease him, but he maintains his sense of wonder and goodness when talking about the Guardian to Elisa.
That's kind of a cool scene. First off he describes Guardian's armor: "Real armor. King Arthur stuff." Anyone think this was a clue to what was coming in the next episode? Even with the Avalon title? Then he tells her the guy's looking for Gargoyles. Elisa of course discourages her fellow officers from taking Garg reports seriously. Everyone who's seen one must be a nut-case. These guys should form 'a club'. Then she finds out that this Guardian was asking for Goliath by name. BOOM.
BELVEDERE CASTLE
Site of our last encounter with Demona and Macbeth. Another clue.
Once Elisa got a look at the Guardian's armor, she must have thought -- yeah, there's a Goliath connection here all right.
Goliath shows with Bronx, who gets to come along and come along and come along for once. Bronx always seemed underutilized to us. We knew we couldn't bring the whole clan along. (Too many characters and no poignancy.) But Bronx was an easy addition. Of course, Bronx is also useful as a kind of living personality test. If Bronx likes you, it's a damn good sign. Bronx likes Tom. Does he remember him? What scents do you figure the Guardian carried back from Avalon. Anyway, Bronx engenders immediate trust in the Guardian for Goliath.
I love this scene. Guardian gives everyone so little time to catch up. He talks about the Archmage, reveals that he's Tom and talks about 'the eggs' being in danger. *That was a fun idea. Keep you guys thinking in terms of eggs for twenty minutes and reveal that it's just a pet name for the Avalon Clan.*
Benny asked: "What kind of Eggs?"
Erin: "Gargoyle Eggs."
Benny: "I didn't know Gargoyles hatch out of eggs." [Well, keep in mind it's been a year since he saw the first thirty episodes. And he's too young to remember the first time he saw the ones we're watching now.]
Then there's the skiff. Elisa: "Where'd that boat come from? ... To where? The other side of the lake? ... Wait for me!"
This all sounds fishy to her. Nothing makes sense. I wanted to get a clear shot in there of the pond in Central Park so that you could see objectively that it doesn't go anywhere. But I never quite managed that. I wanted you guys to be confused. Or at any rate to have a million questions. But like Elisa, no matter how suspicious, I figured you'd want to go along for the ride.
FLASHBACK
Mary, Katharine, the Magus and young Tom are all reintroduced. It's very clear that the first three have all learned their lesson from Awakening. They've all really become better people. Tom, of course, didn't need to learn that lesson. But he does learn to be a hero. He officially becomes the Guardian. It begins, I believe, as just a nice gesture on the part of the Princess. Later, of course, it'll become the truth. Then there's the long journey. I like the montage there. Hardship. We never had the time to show enough of the hardship of tenth century life.
Our gang heads into Edinburgh. Constantine's followers are all over the place. They all seem to look like Disney storyboard artists for some reason. ;)
VOICES
There's some stellar voice work in this ep. Morgan Shepard as King Kenneth II. Sheena Easton making her Garg Premiere as Finella. Ian Buchanan as Constantine. (I've already mentioned Keith's versatility.)
But as usual, real props must be handed out to Jeff Bennnett and Kath Soucie.
Jeff plays Brooklyn, the Magus and Maol Chalvim. (No Bruno or Owen or Vinnie in this ep, I'm afraid.)
Kath plays Katharine, Mary and all three Weird Sisters.
They're amazing.
SOAP OPERA
Benny saw Finella and said: "That's one of the witches."
A year ago, Tom was his favorite character. Now Tom barely registered. And he really is fascinated with the Weird Sisters. Anyway, I corrected him, but I was glad that they were appearing later.
Ian Buchanan, once of General Hospital, is playing a cad here. We have to very quickly set up a lot of politics, sexual and otherwise. This story was as historical as we could make it based on the available research, the fact that we had to fit in a few fictional characters and eggs, and screen time compression.
Believe it or not, we also had another character originally that we cut early on because it was just getting too damn complicated. Katharine and Maol Chalvim's cousin: the future King Kenneth III. The father of Bodhe. Yep. That Bodhe. The father of Gruoch.
Kenneth III winds up being made High King of Scotland after Constantine is killed. To get a sense of their relationship, at least as I see it, you might want to check out "Once upon a time there were three brothers..."
(Or to give you a hint, ten years after the events depicted here, King Kenneth III would be murdered by Maol Chalvim's operatives during a civil war. Maol Chalvim was also known as Malcolm Forranach, the Destroyer. We used the Maol Chalvim version of his name so as not to confuse him with Katharine's father Prince Malcolm. Just as in City of Stone we emphasized Malcolm Canmore's Canmore name for the same reason.)
Anyway, Maol Chalvim seems intense but right on the money here. He's even kind of heroic when he and the Magus bring Tom back to Katharine's apartment, and he begs Katharine to go. Kind of heroic. He still leaves her. We were trying very hard to balance out his minor role here with his future roll as the grandfather of and major influence on Duncan. (Of course, he's also Macbeth's grandfather, as well.)
After Katharine tells Maol to go, there's a weird cut of him just standing there smiling. We needed some kind of transition before he took off running, and I guess that was the best we could do. But it's still awkward as hell.
THE MURDER
But I'm getting ahead of myself.
We establish early on that Katharine doesn't think much of Constantine. You wouldn't know it from Awakening, but obvioulsy she's learned to be a decent judge of character.
Kenneth isn't quite so sharp. Everyone can see that he's a fool for Finella. And he doesn't recognize Constantine's threat (despite the fact that Constantine's father was a bitter enemy and) despite the fact that his son flat out tells him to beware. My thinking was that the crown had kept bouncing back and forth between different branches of the royal family. Kenneth had hoped that by taking Constantine in, instead of banishing him, he'd be able to be a positive influence on the boy. A nice idea perhaps, but maybe Kenneth was too innattentive to pull it off. And Maol probably was too covetous to really be a brother to young Con.
Anyway, Constantine tricks Finella and kills the king. We hear Finella sobbing, just to prove that she was neither in on it nor that she would approve of it. (Though one wonders what her reaction would have been down the road if Constantine hadn't spurned her in favor of Katharine. Would she have adjusted to the crime? Or did Constantine become an unredeemable villain in her eyes immediately? I hate to say it, but I tend to think it's the former. Actually, I don't hate to say it. She's more interesting to write that way.)
Erin asked: "He killed King Arthur? Why?"
That's a tough question. So first I had to explain that it was King Kenneth, not King Arthur. Then my wife Beth helped out by explaining that Constantine wanted to be king.
We come back from the act and we see that Constantine was ready for the takeover. The Banners are immediately changed in a scene clearly inspired by the Ian McKellan (spelling?) movie version of Shakespeare's Richard III. (A version I heartily recommend, by the way.)
We also continue to set up the Magus' own tragedy. He loves Katharine. Has loved her since before Awakening. That feeling is shown to deepen here when she is once again in danger. And when Constantine tries to coerce her into marrying him. (The astute Mary and Tom have to hold him back.) Here, we sense that maybe Katharine might some day return that love. That's what I wanted you all to think anyway. Did you?
Constantine takes his crown. Originally we wanted to stage this with the Stone of Destiny as we did with Macbeth. But again, I think we just had too many sets.
Michaelmas. I just like that word.
Constantine is fairly astute himself: "You have 36 very good reasons to obey." We kept reiterating the number of eggs for what was coming later.
THE ESCAPE
The Magus disguises broken pots as eggs and vice-versa. But it always seemed to me that the kitchen staff at Edinburgh sure broke a lot of pots. I mean a LOT!
I like the lines: "Taking the wee bairns for a walk?" and "I don't think I like Gargoyle eggs." Very menacing.
Princess K burns her wedding dress. She feels she cannot leave because C will follow her to "the ends of the Earth." So the Magus responds: "Then I will take you beyond them." Again. Very romantic moment between them.
Finella joins the troop. The WOMAN SCORNED. She's really fun now. Dangerous. I always laugh when Constantine drinks the brew and collapses so abruptly.
Erin: "The Weird Sisters". My kids are just fascinated with this trio. I wonder if they still will be by the end of this three-parter or if like many fans, they will be disappointed?
They get turned into owls. But the Magus worries about giving up the source of his power. K doesn't care about that.
And Finella and Mary agree to take the book. I love these two. I think they'd make a totally kick-ass team. I doubt it would be commercial enough, but I'd love to do a spin-off show just with these two women. At any rate, there was the plan to include them as recurring characters in TimeDancer.
Tom has to leave his mother and his childhood behind. Now his role as the Guardian is a way for Katharine to make him accept the loss. It is the start of their relationship, though neither knows it. I watch this now, and I can't help thinking of the Anakin & Padma relationship and where that's destined to go.
AVALON
Back to the present. We see the impressive shores of Avalon. Very cool painting.
Bronx reacts. Guardian: "He's found the eggs..." And the music swells and two gargs and a garg beast appear on the cliff.
Now is that a cliff-hanger or what? What was your reaction?
Erin and Benny wanted "to see ther rest!" I told them they'd have to wait a week and we got a lot of protesting. Just what I was hoping for.
Anyway, that's my ramble. Where's yours?
ROSWELL CONSPIRACIES Bible: 10th Chunk.
THE ENEMY
The Politics of Space Travel
1. The first thing you need to know is this: in our version of the universe, Warp Drive Doesn't Exist. No wormholes, no stargates, no faster than light travel at all. The Speed of Light seems to be a brick wall. Want to travel from Earth to Alpha Centauri (@ 4.3 light-years away)? The best you could possibly do is to borrow a Lycanth Huntership, the fastest fuel-recycler on this side of the galaxy. And, it'll still take you five years to get from here to there.
Communication is only slightly faster. There's no "sub-space". No short-cuts. Information can be transmitted at the Speed of Light, but no faster. So if all you want to do is send a message to Alpha Centauri, they'll receive the call a mere 4.3 years after you've placed it. Of course, they're response is gonna take another 4.3 years, but what can you do?
The Galaxy, of course, is vast. So if an extraterrestrial race wants to come to our world, it's gonna take them some time. Now some alien species have a relatively long life span. If necessary, these voyagers have the option of sitting through the long, long boring trip. Others are left with only two choices: Sleep-Ships and City-Ships (or a combination of both).
A Sleep-Ship puts its occupant in cryo-stasis for the bulk of the journey. Computers and automatons run the ship, waking the sleepers upon arrival or in case of emergency. Sleep-Ships are used when the individual traveler is important. Of course, Sleep-Ships have certain disadvantages. To begin with, you're counting on machines to make crucial and complex decisions while you sleep. Also, you never know what you're going to find when you arrive, let alone what the situation might be like when you get back. Say you want to visit a planet two hundred light years away. You board a Sleep-Ship and go into stasis. You wake up, refreshed, two hundred and twenty five years later. No problem. It only seems like a few minutes to you. You take a two week vacation on the alien world and then reboard your Sleep-Ship for the return voyage. Two hundred and twenty-five years later, you're back on the old homeworld. Problem is, a lot can change in 450 years. Everyone you knew is almost certainly dead. Potentially, the entire planet might be dead.
By contrast, a City-Ship creates an environment where a community can live, thrive and evolve during the long journey. Crew members will mate, procreate, age and eventually die. Their offspring will mate, procreate, age and eventually die. And so on. The idea isn't for any individual to arrive at the destination, but for an entire society to arrive. Adaptation is built into the process. Plus the culture is brought along for the ride. There's less of a need to return to the old world. City-Ships tend to be favored for colonization.
Often, City-Ships have cryo-stasis capabilities. Individuals are placed in cryo-stasis at the beginning of a voyage and awakened periodically to make sure that the City-Ship's society hasn't gotten too far off track. This also sounds like a better idea in theory then it winds up being in practice. Inevitably, there tends to be some conflict (sometimes violent conflict) between the sleeping population and the descendants of the original crew. Call it a generational gap.
2. The second thing you need to know about the universe is that habitable planets are not a dime a dozen. The reason Earth is a destination resort for all these alien species is because it's a relatively primitive, unspoiled and/or exploitable location that is capable of sustaining life as we know it. And because there aren't a lot of better alternatives out there.
ALIEN RACES
Again, the universe is vast. Our Milky Way Galaxy is pretty dang immense all by itself. Somewhere out there, there must be hundreds, perhaps thousands, of habitable planets each filled with one or more sentient alien species. But forget about that, because they're just too darn far away for us to worry about.
We're not going to meet 100 different alien species. In the 22 hours of programming we're planning, we won't even meet 22 separate species. That doesn't mean we won't be introducing a new species here and there. But when we do, it's a momentous event. In our first few episodes -- as we introduce all the various concepts -- it might seem like we're doing alien-of-the-week. But it'll soon be clear that's not the case. We're NOT doing alien-of-the-week.
Our series is basically a THRILLER. Sure we have scary monsters, great action, humor, romance and lots of neato gear. But the intrigue, the machinations, is going to be what sets us apart from our many competitors.
THE SIDHE
The Sidhe were the first extraterrestrials to arrive on our world and stay. They landed in a single City-Ship in the year 527 B.C. Sidhe have a life span of approximately two hundred years. Do the math, and you'll realize that there isn't a Sidhe living on the planet who wasn't born here. They believe that Earth is their home. They believe that certainly they have as much of a right to be here as native humans. Their homeworld, if it still exists at all, is a distant memory.
The Sidhe did not come here to conquer our planet, but to carve out a life for themselves on our frontier world. They were always happy to coexist with humans, in the same way they'd coexist with a bear, rabbit or honeybee. But times have changed.
The Sidhe are a race more of energy than of matter. Through concentration and training, they are capable of coalescing their energy into a more solid human form. They can pass as either Tall Women or Short Men. (Sidhe society is matriarchal. Women are Sidhe Warriors. Men, who are objectively the weaker sex physically, are not treated as equals.)
Today, the Sidhe live among humans (mostly in the British Isles, France and Canada), but secretly maintain their tight-knit clans. Each clan is ruled by a Matriarch known as the Barrow Sidhe, and each Barrow reports to the Bhan Sidhe. The current Bhan Sidhe is Siobhan's mother RAEBHAN, (pronounced rah-VAWN) daughter of Moerbhan, daughter of Obraebhan, daughter of Maebhan, etc.
The Sidhe currently have a treaty with the Alliance that places strict limits on their Expansion. Travel is restricted. New clans may not be initiated. Human forms must always be worn in public. Despite the harshness of the terms, today's Alliance generally considers the Sidhe to be a tough, but honorable race. Occasionally, an individual Warrior might create some problems, but in general the Sidhe keep to themselves and cause little trouble.
THE NOSFERATU
The Nosferatu departed NOSFERATCH, their over-populated home planet, in search of new worlds to conquer. They traveled in a Giant City-Ship called THE VAMPYRCH. A percentage of The Vampyrch's crew were put in cryo-stasis. The rest were left awake to handle whatever crisis might arise.
Nosferatu have a life span of approximately 100 years. But the Voyage of The Vampyrch was a long one. It seemed like there was always a new solar system just around the corner that was bound to have a promising planet or two. But no. Nothing. For centuries and centuries... Nothing. Aboard The Vampyrch, new Nosferatu were born and old ones died. Meanwhile the rest slept in stasis. The centuries slid by.... And nothing.
Then finally, they found Earth. The sleeping Nosferatu were brought out of stasis in the year 744 A.D. But they found that they no longer had much in common with their descendants aboard The Vampyrch.
Today's Nosferatu are the descendants of the Nosferatu brought out of stasis upon arrival on our world. They are tall creatures that move upright on snake-like tails instead of legs. They have long necks and long arms, with long tapered hands and long tapered fingers. They look like nothing so much as human cobras, complete with a cobra's hood. Passing for human is possible, but difficult. The tail must be hidden under robes or long capes. The hood must be decorated to look like a piece of clothing as opposed to an organic body part. And even then it had better be dark, if you don't want the average human to scream.
Of course, the average human would have reason to scream. Nosferatu feed on blood, and they are bent on the conquest of our world. Really, the only thing that has stopped them is their limited numbers. Nosferatu have a life span of approximately 100 years, and they are hardly a prolific race. Nosferatu are asexual and reproduce asexually in a process that has more in common with cloning then anything we would call conception.
In addition, the Nosferatu have no desire to repeat the mistakes of The Vampyrch. So even today, here on this world, they take turns going into and out of cryo-stasis, so that they never again lose track of their mission of conquest. It is therefore possible to have a seven hundred year old Nosferatu standing next to a seventy year old Nosferatu. In either case, guessing their ages would be extremely difficult, as Nosferatu shed their skin periodically, remaining perpetually youthful in appearance, no matter how old they are internally.
The Nosferatu are always led by the oldest Nosferat currently not in stasis. The leader of the moment is eighty-three year old SAVET, born a good couple thousand years ago on Nosferatch. His second-in-command is his twenty year old son SAVETRE, who looks almost exactly like his father.
The Alliance is aware of the Nosferatu, and consider them to be the greatest alien menace on the planet. At the first clue to Nosferatu whereabouts or activity, the Alliance will mobilize to crush their primary opponent. Most of the Nosferatu currently live in Eurasia, but they have secret embassies all over the world.
THE VAMPYRU
Over the centuries that The Vampyrch was traveling the galaxy, the inhabitants who were not in cryo-stasis adapted. They learned to control the shedding of their skin, in order to alter their appearance. By the time The Vampyrch landed on Earth, these new generation Nosferatu had little in common with the ancient cousins that were brought out of cryo-stasis. Conquest was no longer a priority. After centuries cooped up in a ship, the planet Earth seemed to offer a cornucopia of delights. The newly awakened old-style Nosferatu tried to get the new crowd back in line, but they refused. Taking the name Vampyru, this new race dedicated itself to it's own pursuit of choice: Pleasure.
The Vampyru are heavy-duty hedonists. They still drink blood to sustain their lives and because, hey, it's a laugh. But they've developed a palate for food and drink as well. They are a very sensuous and sensual race. They still reproduce asexually, but by shedding their skin, a Vampyr can easily blend into human society. It helps that the race has evolved a pair of legs, but any individual Vampyr can also be male or female, old or young, black or white -- and then start over again the next day. With a bit of study and practice, they can even pose as a specific human and attempt to take that person's place.
Vampyru and Nosferatu: there's no love lost between these cousins. The Nosferatu regard the Vampyru as frivolous traitors and have vowed to someday make them toe the line. For their part, the Vampyru like the status quo. Traditionally, they've maintained an active interest in thwarting the conquest schemes of the Nosferatu.
None of this means that the Alliance and the Vampyru are buddies.
The Vampyru think of Earth as their own personal playground. Naive humans peacefully go about their business in a blissful state of ignorance. The Vampyru can pick and choose their victims, practically on demand. Playground, nothing: it's a candy store.
The Alliance is NOT o.k. with that. The problem is that the very nature of the Vampyru make it nearly impossible to track them down. They have no leader. No society. They've simply scattered to the four corners of the world to follow their individual appetites.
Both the Nosferatu and the Vampyru secrete a drug in their saliva which can temporarily enslave a once-bitten human.
THE LYCANTH
Frankly, the Lycanth are just all over the place. They come; they go. They come back again; they go away again. The first Lycanth on Earth probably pre-date the Sidhe. But they didn't stay. Not as a group. Trouble with the Lycanth is that they have short life spans. They mature quickly; a four year old Lycanth is fully grown. But they're slowing down by age ten. A twenty year old Lycanth is a rarity. You can see their dilemma. It's hard to set long-term policy when one's life tends toward the short term.
Thus by definition, the Lycanth (males and females) live life in the fast lane. They build fast and efficient Sleep-Ships, and they travel a lot, usually in packs. They hunt. They breed -- prolifically. They fight among themselves for power. They make war against their enemies. They are a highly aggressive species. Life is short, so they make it one big adventure.
The Lycanth are DNA-adapters. When a compatible DNA sample is introduced into an individual Lycanth's system, he or she can incorporate the new structure into his or her own matrix, allowing the Lycanth to morph from one biological structure to another or even to create combination forms from whatever DNA he or she has had access to. In simple terms, a Lycanth can look human one minute and then transform into a bear. Or a wolf. Or a large bat. Or a Yeti. Or a wolf-bat. Or a wolf-man. Or a bear-Lycanth. Or a Yeti-rabbit. Etc. Gender remains the same. So does mass, though volume can change within reason. Because mass remains constant, and because the average Lycanth is actually 25% larger than the average human, a Lycanth posing as a human is going to be denser than a true human. On the other hand, a Lycanth posing as a Yeti is going to be considerably lighter than average. Lycanth seem to be able to DNA-adapt any mammalian species. That includes humans, Yeti, gorillas, dolphins, etc. But it doesn't include the reptilian Nosferatu and Vampyru, nor does it include the Sidhe, who may have once been mammals, but have evolved beyond that into a complex hybrid of matter and energy. Lycanth transformations require some effort and are painful. A Lycanth is vulnerable during his or her transformation, but recovery time is swift.
Among their other lovely traits, the Lycanth are slavers. To the Lycanth, Earthlings look like profitable slaves. So even at their least organized, the Lycanth are constantly showing up, abducting humans, sticking them in cryo-sleep and taking off again. At least that's what they would be doing if the Alliance wasn't around to stop them.
THE QUA-YETI
The Qua-Yeti are a powerful but peaceful people. Once upon a time, on their homeworld, the white-furred Qua lived out their primitive existence in the high mountains. Then the Lycanth arrived. They took one look at the Yeti and realized they had hit a slave trader's jackpot. The Yeti had no knowledge of technology. They possessed phenomenal physical strength and they could survive, even thrive, in temperatures and conditions that few other races (or even machines) could endure. The Lycanth enslaved hundreds of Yeti and took them to other worlds. But some of these slaves were quick studies. Yearning for their freedom, the Yeti learned how to use the Lycanth's technology. They bided their time. Unlike their short-lived masters, Yeti's have been known to live for 1000 years. When the time was right, they rebelled, escaping the Lycanth in stolen Sleep-Ships. Unfortunately, the Yeti were too large to fit inside Lycanth stasis chambers. So they had to endure decades of space travel in lonely cramped isolation. Returning to their homeworld would have been hopeless: the Lycanth had completely overrun the place. So they chose another destination where the Lycanth were not in full control. In the year 1780, a small group of about forty Qua-Yeti landed on Earth. They made their way to the Himalayan Mountains. They're still there, for the most part, about a hundred of them now. Males, females, children. The Qua-Yeti have a treaty with the Alliance. They remain in hiding in the Himalayas, and the Alliance leaves them alone.
THE CHASTA-YETI
The Chasta come from the same planet as the Qua. Where the white-furred Qua lived in the high mountains and polar regions, the brown-furred Chasta lived in the low hills, forests and plains. Long before the Lycanth discovered the Qua, they had enslaved nearly the entire Chasta population. When the Qua rebelled, the Chasta rebelled with them, but they had already endured ten times the hardship of the Qua. The Chasta may have been peaceful once upon a time, but now they are a belligerent, even paranoid race. The Chasta also arrived on Earth in 1780. They hid in deep forests, on mountains and in jungles that were once nearly devoid of human life. Now humanity encroaches. The Chasta-Yeti also have a treaty with the Alliance, but the Alliance knows that the Chasta are less content than their Qua cousins.
THE SKRAY
The Skray are an amphibious alien race that have been here for ninety years. The Alliance has no idea that the Skray even exist. No idea that our oceans are filling with Skray fortresses and little Skray hatchlings. Surprise!
THE PHARAOH
The Pharaoh are travelers, historians. A peaceful race. They are also radioactive. And vaguely cadaverous in appearance. To protect the native races they visit, they wear containment suits that once upon a time inspired the ancient Egyptians and Peruvians to try their hand at mummification. The Alliance believes that the benevolent Pharaoh haven't been on Earth for a few centuries.
THE VINAE
The Vinae are a silicon-based lifeform. They look vaguely demonic, with stony visages, large bat-shaped wings, horns and haunches. When a Vinae dies, its body hardens. It can be difficult to tell the difference between a Vinae corpse and a stone gargoyle. The Alliance is therefore unaware that the nomadic Vinae have periodically visited our world.
THE GRAYMEN
The Graymen are the fictional aliens created by the Alliance as part of the Roswell Conspiracy. Or so we've been led to believe....
THE CADRE
In 1942, while the human world was in the midst of its most horrible war, four alien races entered into a devil's agreement to form a Cadre. These races were the Nosferatu, the Lycanth, the Chasta-Yeti and the Sidhe. Their plan was to use the chaos of World War II to take the planet and divide it amongst themselves.
Perhaps the plan was doomed from the start. Each race had a very different reason for participating in the Cadre. The Nosferatu saw it as their big chance to finally conquer the world. The Sidhe, disgusted with humanity's petty but devastating wars, simply wanted to set Earth's affairs in order. The Chasta-Yeti felt that the humans were inadvertently leaving them with no other alternative. Already, the ancient forests were vanishing, leaving the Chasta with nowhere to go. The Lycanth were just greedy for spoils, and spoiling for a fight.
Once Burdette discovered the Cadre's existence, it was relatively easy to sew dissension within its ranks. How hard could it be to convince the Sidhe that the Nosferatu wouldn't want to share power, when in fact the Nosferatu didn't want to share power? How hard could it be to convince the Chasta that the Lycanth were simply exploiting them in a new and different way, when the Chasta had centuries of experience suffering under Lycanth exploitation? How hard could it be to trick the Vampyru into undercutting the Cadre's plans, when the Vampyru already hated the Nosferatu and were determined not to let them take the planet? How hard could it be to draft the Qua-Yeti to talk some sense into the Chasta when both races faced similar challenges, but both races would clearly gain few tangible benefits under Nosferatu or Lycanth domination? How hard could it be to convince the Sidhe that being a part of the Cadre was a dishonor to their proud warrior traditions, when the Sidhe basically knew that already? How hard could it be?
O.K., it was a little hard. But it could have been a lot worse. In September, 1945, the Sidhe pulled out of the Cadre and agreed to stay neutral. The Chasta-Yeti joined with the Qua-Yeti, luring the Lycanth and Nosferatu to the Himalayas and a joint Yeti/Alliance ambush. The Lycanth HunterPack was all but wiped out. The Nosferatu, whose forces had been infiltrated by Vampyru impostors, were also decimated. They scurried back under their rocks with their tails between their legs. (Well, they don't have legs, but you get the idea.)
To top it off, the Battle of the Himalayas was immediately followed by a mini-war between the Vampyru and the Nosferatu that further thinned out the ranks of both races.
All in all, it was a stunning victory for the Alliance and (an ignorant) humanity.
It would take decades for the Nosferatu, Lycanth and even the Vampyru to build up their numbers again, let alone form any significant opposition to the Alliance.
The Sidhe, the Chasta-Yeti and the Qua-Yeti were all more or less coerced into signing one-sided treaties.
And the Alliance was sitting pretty.
Since then, operatives of the Alliance have faced numerous aliens. Numerous individual aliens. The occasional Pack of Lycanth Hunters. Every so often, an embassy full of Nosferatu. A Vampyru couple, a rogue Sidhe or a Chasta gone berserk. Not to imply that all these aliens aren't extremely dangerous, but let's be honest... The Alliance has had it easy.
Since 1945, they've never faced any organized alien opposition. By the time the year 2000 hits, the Alliance is going to be looking back on the twentieth century as the good old days. Because things are about to change. Things are about to get nasty.
THE AGENDA
It's taken decades to recover from the Cadre debacle. Soon the time will come to strike. The same mistakes will not be made again. It doesn't take a World War and an alien coup to take over the planet. All it takes is an AGENDA and a little bit of patience.
There's still a need to gather allies, but it's going to be easier this time. And one big reason it's going to be easier is the Alliance itself. The Sidhe and the Chasta don't like their treaties. And nobody likes the Alliance's policy of Containment. The Alliance itself has inadvertently created the greatest threat to humanity's existence: a rallying point, a common enemy to every alien on Earth. It's the Agenda vs. the Alliance in a fight to the finish. I'll say it again. Things are about to get nasty.
ROSWELL CONSPIRACIES BIBLE: 9th Chunk
THE MISSION
The Mission is pretty simple and based on this premise: Aliens are unwelcome trespassers on our planet, and 95% of them are up to no good.
The Alliance's Mission Statement reads as follows:
Contain any and all Extraterrestrial Expansion on our world.
DEFINITIONS
An "Extraterrestrial" is defined as any individual born of a non-terrestrial species. Individuals born on the planet Earth of one or more alien parents are still classified as Extraterrestrials.
"Expansion" can be defined as (a) new alien arrivals that expand the Extraterrestrial population on Earth; (b) covert alien activity that expands Extraterrestrial power or influence on Earth, or (c) overt alien activity that might reveal the true nature of the Extraterrestrial presence on Earth, thus inevitably increasing Extraterrestrial influence.
"Containment" is defined as (a) discouraging or preventing all alien arrivals; (b) encouraging alien departures; (c) monitoring all alien communication; (d) thwarting covert alien activity; (e) preventing the spread of Extraterrestrial power and influence; (f) crushing overt alien activity; (g) maintaining the secrecy of any true Extraterrestrial presence; (h) enforcing treaties with compliant Extraterrestrials; (i) forcing non-treaty aliens to leave our world, or (j) imprisoning any aliens who do not cooperate. Containment is to be carried out with extreme prejudice.
Surprisingly, there is very little conflict within the Alliance or TGA with regard to releasing the truth about aliens to the general public. There isn't really anyone who thinks that would be fun. Instead, the most controversial part of the Alliance's Mission Statement lies within the (a) definition of "Expansion". It is the single word "arrivals". Are there any circumstances under which a new alien -- or race of aliens -- could or should be welcomed to our world? And, more important, does the word "arrival" include only new-comers from other worlds... or does it also include new-born extraterrestrials born on this world? This one word represents the grey area of our series, and is particularly embodied by our alien leads, Siobhan, Tuk and (to a lesser extent) Aidan.
The Alliance has treaties with three alien races that have small populations on Earth: The Sidhe, the Qua-Yeti and the Chasta-Yeti. But these treaties are extremely one-sided -- in the Alliance's favor. The slightest breach on the part of any of our Extraterrestrial allies is an excuse for the Alliance to come down, and come down hard.
THE BUNKER
When you get to Roswell, head south past the river toward Mount Harvey. About ten miles before the mountain, you'll see a turn off for the Old Vasquez Ranch, currently owned by Sheriff Emeritus Jack McKay. Six miles further down the road is ThreeHawks Ranch, the property of retired Air Force Captain Will Hawking. McKay's is a cattle ranch. Hawking raises dairy goats, and does a good business in cheese. His place stretches from it's common border with the Vasquez Ranch, all the way to the northern slope of Mount Harvey. McKay's property is L-shaped and corners around 3Hawks to stop against the mountain's western slope.
Now go underground. Way underground. And welcome to the Bunker.
Fifty years ago, the entire Alliance fit under Vasquez. But times have changed. The Alliance and the Bunker have grown.
Acres. Vasquez and 3Hawks are both large spreads, and every inch of dirt now acts as cover to some portion of the Bunker. And Mount Harvey... well, it's hollow. Reinforced with steel. But hollow. Once again, welcome to the Bunker.
"Inquiry" is based under Vasquez. Take the TurboLift down from McKay's ranch house (or any of six other locations on Vasquez) and you'll find one hundred private quarters, forty offices and the "Assignment Desk". The Desk keeps track of every mysterious report, every flare up of alien activity and every Inquiry Agent. The desk is generally manned by Aidan Maguire, who considers it part of his job description. After all, how can he keep Hawking informed, if he doesn't know everything that's going on. Inquiry has its own "Motor Pool", plus SpeedRail Links to the other Sections and Centers.
"Management" and "Research" are both housed under 3Hawks. Again you have 100 living quarters, plus 100 small laboratories and five huge Research Chambers for the really dangerous experiments. There's one additional Research Chamber carved into the peak of Mount Harvey. This chamber includes a powerful radio telescope and super-computer, hooked to a network of orbiting satellites, designed to provide an early warning system for any new alien arrivals.
Beneath this Chamber, Harvey houses "Delivery". There are ten large apartments. An armory. An immense hangar. Training rooms. A Command Center and a War Room.
And finally, there's "Surplus". If any section of the Alliance has grown exponentially, it's the Alliance prison. Most of Mount Harvey is Surplus, and that includes Harvey's fifteen below ground stories. In addition, Surplus still maintains the Alliance's original Lock-Up on the lowest four levels of Vasquez. And it's still not enough. Surplus spills out into the sections of both Vasquez and 3Hawks that border Mt. Harvey. These newest sections are particularly problematic, because they were not originally designed to house prisoners. Lower security risks have been placed in these sections, but everyone knows it's a flaw in the system.
Locations within the Bunker are designated by first listing the Center, then the Level (in positive or negative numbers), followed by a slash mark, the pod letter and room number. For example, Markus' living quarters are Vasquez-6/C2. The office he shares with Tri is Vasquez-3/A7. Hawking lives in the ThreeHawks Ranch house, officially known as 3HawksØ. Siobhan's living quarters are at Harvey+8/A4. (Frankly, I don't know if this is going to matter, but I thought I'd stick it in anyway. Might help us to maintain consistency down the line.)
GEAR
The Alliance has recruited some of the most brilliant minds on the planet to join "Research". And guys like Tib are always coming up with new stuff. In addition, the Alliance isn't shy about confiscating and exploiting alien technology. All in all, the operatives have a lot at their disposal.
Only one problem. The Alliance is a secret. And so is its on-going effort to control the invading aliens. Most everything has to be able to pass for something else. Which gives us the opportunity for transforming vehicles, hidden weapons and more. Motorcycles that transform and fly. Trucks that become Tanks. Etc. "Delivery" does have a couple of heavily armored all-terrain monstrosities that cannot pass, but they are only used in cases of extreme emergency.
The most common weapon (standard issue for every Inquiry or Research Cell Agent) is "The Torch". The multi-purpose Torch appears to be an ordinary black metal flashlight. But with the flick of a hidden switch, it can telescope out into a (light but sturdy) metal short staff for hand-to-hand combat. One end of the staff holds an electrical charge that can be used as a taser. The other end, fires off a plasma burst that can blow a sizable hole through a brick wall. The Torch is also a communications device and has a built-in homing beacon for tracking wayward agents (or at least for tracking wayward Torches). It's also a working flashlight, and makes a passable doorstop.
Of course, Harris can't be bothered with anything quite so polite. He's into big guns. Magno-Axes. Pulse grenades that can take out a battalion of baddies. Demolition stuff. Scary looking ordinance. Since he's part of Delivery's crisis response team, he doesn't have to be as careful about laying low. If it weren't a last resort emergency, he wouldn't be there in the first place. Plus he doesn't have to clean up after himself, so he isn't shy about doing some real damage with some really impressive toys.
ROSWELL CONSPIRACIES BIBLE: 8th Chunk
SUPPORTING CAST
THE QUICK
AIDAN MAGUIRE
Like Siobhan, Aidan is Sidhe. But that's where the resemblance ends. The Sidhe are a matriarchal race. And that's no accident. Females of the species are incredibly powerful. Males are not. Aidan is 4'11", which is average height for his race and gender. When Aidan takes his Sidhe form, there's no great release of energy. No Banshee wail or bolts of lightning. He can float and he can pass through solid objects, but that can be a handicap, as he can't physically touch or move anything.
Aidan was born in Scotland in 1930. When he was fourteen years old he met Warren Burdette and told him of the existence of the Cadre. When the Alliance was formed, the young Aidan became Burdette's aide-de-camp. He now performs the exact same function for Hawking. In theory, Aidan is 69 years old, but his race is extremely long-lived. Except for his white hair, he hardly looks a day over twenty.
JOHN GERALD MCKAY
Jack McKay is Hawking's peer and best friend. Like Hawking, he's a veteran of WWII and numerous alien conflicts. He's seventy-seven years old. A good old boy from Texas. Once upon a time, he was a star athlete at his high school, but these days he doesn't look much like an action hero. He's about 5'10", has quite a spread around his gut and a distinct lack of hair on top of his head. But he's still sharp as a tack. He's theoretically retired from the Alliance, but his "homespun advice" is usually dead on the money. Both Hawking and Artie Kateras count on him for strategy and feedback. Like Hawking, McKay is a consummate actor, though he only ever plays one part: the common sense Sheriff Emeritus. An Andy Taylor for the conspiracy set.
TRISH AINSLEY
Now 73 years old, Trish Ainsley was once a key operative of the Alliance. That changed when she got pregnant with Patricia and left the organization so that her daughter could have a normal life. She had originally hoped that Hawking would leave as well, and she was tremendously disappointed when he chose to stay in Roswell. Years later, she was equally devastated when her daughter enlisted too -- though it was Trish that presented Patricia with the choice in the first place. Trish loves her daughter. And deep-down, she still loves her husband as much as she ever did. But something else has changed. For reasons that aren't yet entirely clear, Trish seems to have soured on the Alliance completely. She knows something that we don't.
FRANK DOMINIC
Markus' cousin Dom is 42 years old. He's a big man -- bigger than Markus -- who's put on a bit of a spare tire, but still looks like he could hold his own in a brawl. These days Dom describes himself as a small businessman, who spends his days sitting behind the only desk at Dominic Bail Bonds in Los Angeles. But Dom was once the best skip tracer in the business, and he taught his younger cousin Tony everything he knows. When things at the Alliance get too weird, Dom is the guy Markus turns to for cool-headed advice. When nothing is as it seems, and nobody can be trusted, Dom is always gonna be Dom.
THE DEAD
WARREN BURDETTE
Died in his sleep in 1982 at the age of 83. Burdette founded the Alliance and was it's first Night Officer, a position he held until the day he died. He was a tough, smart man and a hero to Aidan Maguire, Will Hawking and many others. He's still missed.
SEGUNDO VASQUEZ
Dr. Vasquez was a brilliant theoretical physicist and one of the original agents of the Alliance. A chain-smoker, he died of lung cancer in 1961 at the age of 50.
MICHAEL TYLER
Another charter operative, Dr. Tyler was killed in early 1999 in the line of duty. He was 84 years old, had led Alpha Cell since 1945, and had run the entire "Research" Section since 1964. Despite Tyler's advanced age, Hawking felt that Alpha never worked better than when Michael was teamed with Miguel Cabral and Michel Thibideaux. "The Mikes" worked in perfect synch until the day Tyler was killed.
ERICH DIENER
Erich Diener of West Berlin was recruited to join the Alliance when West Germany joined TGA in 1955. At the time he was 25 years old. While an "Inquiry" agent, he met and fell in love with "Surplus" worker Maria Vasquez. They were married in 1970 and had two children, Alex and Gisela. Erich was killed on a mission in 1980. He was 50 years old. His daughter was only five.
MARIA VASQUEZ DIENER
Maria Vasquez was the daughter of Segundo Vasquez. She joined "Surplus" section in 1957 when she was 18 years old. Her father died when she was 22. She married Erich Diener in 1970. She was 31 years old. Alex was born in 1971, Gisela in 1975. Erich was killed in 1980. Maria was killed during a prison break in 1989. She was 50 years old, the same age her father and her husband were at the time of their deaths.
REIKO TAKASHI
Reiko Takashi of Nagasaki, Japan, joined "Inquiry" in 1996, when Hawking finally convinced TGA to allow him to recruit individuals into the Alliance without regard for their citizenship. For almost three years, Reiko was Tri Chung's partner. She was as open and warm as he was taciturn and closed off. They fell in love. Although the Alliance encourages "office romance," no one thought it would be a good idea for "Inquiry" partners to marry. Reiko applied for a transfer to "Delivery". But before her request could be acted on, she and Michael Tyler were killed during a mission. Tri was there, but couldn't save her. It was early in 1999. Reiko was 32 years old.
M.I.A.
JOSEPH TEN-SAMSONS SENIOR
Joseph Ten-Samsons Senior was one of the original operatives of the Alliance. He led "Delivery" for years, just as his son does now. In 1980, he disappeared while on a mission in Ireland. He was 55 years old. He hasn't been seen since, but if he's alive today he'd be 74 years old.
NIKO KATERAS
Artie's uncle Niko joined the Alliance in 1972 when he was 21 years old. He was an "Inquiry" Senior Agent for years. He and his nephew Apollo disappeared in 1997. They were not on duty at the time. Niko was 46 then, and he'd be 48 now.
APOLLO KATERAS
Artie's twin brother Apollo was recruited with her by their uncle Niko in 1983. They were 22. Both of them entered "Inquiry" together. Artemis excelled. Apollo did not. He transferred to "Surplus." Apollo and his uncle Niko disappeared without a trace in 1997. They were not on duty at the time. Apollo was 36 then, and he'd be 38 now.
Roswell Conspiracies Bible: 7th Chunk
Here's the 7th Chunk from the darn long Roswell Conspiracies Bible:
THE ALLIANCE - TODAY.
[NOTE: This is a snapshot, taken (more or less) at the beginning of our second episode. What follows represents each character's job assignment at that time. Over the course of our series, we can expect a lot of shifting. Markus, in particular, will fast-track through the ranks, until in our final episode, he'll become the Alliance's third and final "Night Officer". For the purpose of our character's ages, I'm assuming that "today's date" is September, 1999. ]
"MANAGEMENT"
NIGHT OFFICER - WILLIAM T. HAWKING
Since the Alliance was formally inaugurated in February, 1945, it has only ever had two Night Officers. The first was the late "General" Warren Burdette. The second was and is Will Hawking, who's been with the Alliance from the beginning. Hawking is tall (over six feet), thin and fit. He's seventy-seven years old, way past the age of retirement. He claims he'd be happy to step down -- if anyone ever got up the nerve to suggest it out loud. He's British, but he's posed as an American for so long that he's no longer sure which of his accents is real, which affected. He's a veteran of World War II and an additional few hundred alien conflicts. Once upon a time, he was Burdette's right-hand man. There isn't any job in the Alliance (save for some of the hard science positions) that Hawking hasn't personally tackled and excelled at. Today, he cuts a lean, hard figure. With his gray crewcut, he resembles nothing so much as a steel beam -- in both appearance and temperament. He does, however, have a grim sense of humor, or at least an appreciation of irony. He's also a consummate actor. At the drop of a hat, he can appear to be a tired old man, a paranoid or an eccentric, a showman or a recluse... or all of the above at the exact same time.
The Alliance is a lean organization. Hawking has a small command staff working under him, but he largely counts on his four SECTION CHIEFS to keep "Management" informed and the Alliance running smoothly.
"INQUIRY"
SECTION CHIEF - ARTEMIS KATERAS
Artie Kateras is a thirty-eight year old woman with light brown hair. Born in Greece, she and her twin brother Apollo were recruited into the Alliance by their uncle Niko when they were in their early twenties. Artie is very down to Earth and had no trouble fitting into what was then the largely male world of the Alliance. She rose quickly through the ranks. When Jack McKay retired, he hand-picked Artie to take his place as Section Chief of "Inquiry". Today, it is very much HER section, remade in her image. "Inquiry" is an Alliance euphemism for the multiple investigative units that seek out any sign of alien activity throughout the world. Artie rarely goes out in the field herself, but she chooses and pairs her agents carefully. She knows how to listen to them, and she knows how to drive them to get the information the Alliance needs.
"Inquiry" is the largest of the Alliance's four Sections. Artie currently has thirty-five investigative units working under her command. That's seventy agents. (Don't panic. We'll focus on two units. Four agents.)
UNIT #7
SENIOR AGENT - TRI CHUNG
Tri is Chinese-Vietnamese. He was born in Vietnam but when Saigon fell, he had to flee by boat as a child. He wound up in San Francisco. The Alliance recruited him out of the F.B.I. when he was in his late twenties. Today, he's thirty-six years old. A suit and tie type. He's about 5'7" and in excellent physical condition. He's smart, fast and experienced. Like his new partner Markus, he's not too talkative, which is probably how both men manage to get along. Tri's former partner was REIKO TAKASHI. Tri was in love with her. She's dead now.
SECOND AGENT - TONY MARKUS
Markus is young, but hard. As taciturn as his partner. He's big on observation. Big on determination. He's also a fast study. He knows he can learn a lot from Chung, whom he quietly respects. Markus is 25 years old and approximately six feet tall. Born and raised in Los Angeles, California.
UNIT #27
SENIOR AGENT - ALEX DIENER
Alex is a third generation operative of the Alliance, joyously following in the footsteps of his grandfather, mother and father. Alex lived above the Bunker on the Vasquez Ranch until he was eighteen, when he was officially recruited into the family business. Alex is German on his father's side. Mexican-American on his mother's. At heart, he is a rogue and a pirate: life has to get pretty grim for Alex to take it seriously. He's very good-looking with brown skin, jet black hair and the devil's own smile. He's about 5'10". Because Alex's grandfather, father and mother each died at the age of 50, twenty-eight year old Alex is convinced that he's currently invulnerable. He's equally convinced that he's destined to die in 2021, the year he himself turns fifty.
SECOND AGENT - CLEA BALEWA
Clea is Nigerian. She's a pretty and petite 5'4" with very short hair. She dresses chic, though not sexy. She's warm, open, funny. Simply a joy to be around. She's also smart (heck, everyone in the Alliance is smart), highly-trained and dangerous when necessary. She's 23 years old and has been an operative of the Alliance (and Alex's partner) for a year.
"RESEARCH"
SECTION CHIEF - DR. MIGUEL CABRAL
Dr. Cabral is Portuguese. He's forty-two years old and specializes in theoretical physics. He's a bullish guy, short with very broad shoulders, dark hair and a mustache. He's the impatient type. Always scowling. And, of course, flat-out brilliant. He's been an operative of the Alliance for twelve years. He was a protégé of Dr. Michael Tyler's (the previous Section Chief) and considered the late scientist to be both his mentor and his best friend.
Cabral's "Research" Section -- a.k.a. the Alliance's scientific branch -- operates from a pool of some fifty experts, specialists and technicians all working in well-equipped labs inside the Bunker. A few of these scientists have received additional training so that they can function in the field as "Research Cells." There are four cells of three scientists each. Cabral gets antsy inside his lab, so when it's called for, he leads Alpha Cell himself.
ALPHA CELL
CELL LEADER/PHYSICS - DR. MIGUEL CABRAL
(See above.)
TECHNOLOGY - MICHEL THIBIDEAUX
Tib is French. Twenty-eight years old, from Paris. He's 5'9" with bleached-blond spiky hair. He's highly enthusiastic. And very good with his hands. Tib was personally recruited by Dr. Tyler in 1995 when France rejoined TGA. For four years, until Tyler was killed, Alpha Cell was known as "The Three Mikes" (Michael, Miguel and Michel). Despite their age differences, they were very tight.
BIOLOGY - DR. GISELA DIENER
Gisela is Alex Diener's younger sister. She's twenty-four years old. Blonde, tan, pretty. About 5'8". If Alex is the sinner, Gisela is the saint. Despite her medical and scientific background, Gisela has a distinct spiritual side. Alex can't understand it, but Gisela believes in little things like magic and mysticism, and big things like God and Destiny. Subsequently, she seems more fragile than she really is. Everyone's very protective of Gisela. Both of her parents were killed on Alliance missions. Her father Erich, when she was five years old; her mother Maria, when she was 14. She was basically adopted by the Alliance. They raised, trained and educated her. She joined "Research" after receiving her M.D. at age 19 and her Ph.D. at age 21. After three years in the "pool," Dr. Cabral chose her to replace Dr. Tyler as Alpha Cell's Biological expert.
"DELIVERY"
SECTION CHIEF - JOSEPH TEN-SAMSONS
Joe is another Alliance legacy. His father, Joseph Senior, worked in "Delivery" until the day he disappeared. Joe Jr. is a Navajo Indian, born fifty-two years ago in Roswell, New Mexico, exactly one month before the infamous "Roswell Crash." But don't let his age fool you, Joe is a very young 52. He's over six feet tall and solid as a New Mexico mountain. And there's very little erosion.
"Delivery" is the Alliance's combat unit. They're only sent out in case of an emergency -- to clean up a real mess. Anything short of a disaster can theoretically be handled by one of the other sections. Unfortunately, disasters aren't as uncommon as you might think. Joe always leads his team into battle himself. When that happens, he wears an exo-brace that enhances his natural movements. His strength, agility, etc. are all exponentially increased.
CODENAME: MILKMAN - YA-TUK
Ya-Tuk is an alien. A member of the peaceful, reclusive QUA-YETI race. Tuk wasn't born here, but he's lived on our world for over two hundred years. (That's almost half his life.) He sincerely wants to help preserve the planet Earth from all its various invaders and so joined the Alliance in August of 1945. He's extremely good-natured. Even a touch mischievous. He's also 8'7" and weighs 524 lbs. He's covered with snow white fur. Ya-Tuk cannot pass for human. So even when a disaster forces "Delivery" Section into the field, Joe still has to decide whether the disaster is big enough to warrant bringing the "Milkman" along. (Of course, it usually is.) Tuk possesses incredible strength, stamina and a complete imperviousness to the cold. He's also has an almost childlike fascination with technology, though his huge four-fingered hands don't exactly lend themselves to this pursuit. His quarters are highly air-conditioned. He's not at all fond of warm weather.
CODENAME: PAPER BOY - SIOBHAN BARROW
Siobhan (pronounced "sha-VAWN") is also an alien. She's a member of the SIDHE (pronounced "shee") race. In fact, her mother is the BHAN SIDHE (pronounced "bVawn SHEE"), Warrior Matriarch of the entire Earth Clan. Siobhan was born on Earth, (specifically in Ireland). Our planet is the only home she's ever known. She's nineteen years old, the youngest, least experienced operative in the entire Alliance. But what she lacks in experience, she makes up for in power. She can pass for human when she wants to: a pretty young woman, 5'10" tall with white-blonde hair and pale, pale blue eyes of (only) a slightly odd shape. But at anytime, she can transform, taking on her true Sidhe appearance with a devastating burst of energy that shreds her clothes and knocks out anyone standing within ten feet of her. When this happens, she becomes a creature less of matter than of energy. Her hair goes shock-white, with a slight blue tint. Her eyes crackle with power. An electric aura surrounds her body, allowing her to float a few feet off the ground or to fire off a bolt of lightning. She is ethereal, capable of passing through solid objects. And she can release the BANSHEE WAIL - a brief but violent burst of sonic energy that few can stand against. In fact, this is Siobhan's true form. Maintaining her human appearance requires some effort and discipline. When she loses consciousness (or even just her concentration), she always reverts to Sidhe.
And just to complicate things a bit more, Siobhan's loyalty isn't exactly at the 100% level. She's torn. Like Ya-Tuk, she wants to protect the planet Earth. But she's just not sure she wants to do that by betraying her own people. When you put all these things together, Siobhan is clearly the most dangerous creature our man Markus has ever encountered. Although the main reason for that is probably still related to the fact that he's falling in love with her.
CODENAME: POSTAL WORKER - CEDRIC HARRIS
Cedric is thirty-six years old. An African-American man from South Bend, Indiana. He's the WeaponsMaster of the group. You don't want to mess with Mr. Harris. He was recruited out of the Navy SEALs when he was only twenty, and he's a battle-hardened veteran of innumerable alien conflicts. He's also huge. Not Ya-Tuk huge, but the human equivalent. If Alex is a tight end, Markus a quarterback and Joe a fullback, then Harris is a linebacker (or two).
"SURPLUS"
SECTION CHIEF - PATRICIA AINSLEY-HAWKING
Patricia is twenty-seven years old. She's Hawking's daughter, but she was raised in England for most of her life by Hawking's estranged wife Trish Ainsley. Against her mother's wishes, Patricia joined the Alliance the moment she turned 21. She requested an assignment to "Surplus" -- considered the least appealing duty in the Bunker -- and quickly rose to the position of Section Chief. Still, her relationship with her father is uneasy at best. The Alliance has made nepotism into something akin to an art-form, but no one can complain about Patricia's performance as Section Chief. She's made sure of that. She believes that distancing herself from her father is a professional necessity, though deep down it's also a personal cop-out. Patricia is a tall red-head, but she's not exactly hot-blooded. She'd almost have to have ice in her veins to run "Surplus," the euphemism for the Alliance's alien prison. Patricia runs that prison with cold efficiency.
Chapter XXXIII: "The Price"
Ramble, ramble, ramble...
The other night my family and I sat down to watch "The Price"...
Director: Dennis Woodyard.
Writer & Story Editor: Michael Reaves
Based on Comic Book Material by Lee Nordling
RECAP
It seems like I was starting to learn my lesson about not giving too much away in the "Previously on Gargoyles" section. This one is really all about Hudson, and issues of old age and mortality. I think it tends to hint that maybe, just maybe, we were thinking of killing him off. Anyone else think that perhaps we might?
There's some really great, really good looking character work in this animation. Pretty stuff.
There's a great moment where Hudson banks off an office building. Very cool.
Also, I like it on those rare occasions when we do weather in New York. Snow here. Or rain. Usually, it's all left standard for the same reason Elisa usually wears the same clothes. It's cheaper.
As the story opens, we're again trying to set Hudson up for possible termination, at least in the minds of the audience. He says, "Not a bad life all things considered..." which is usually an invitation for something really horrible to happen.
TIER STUFF
This is the last episode of our third tier. I had always hoped it would air last, since what happens at the end to Owen's hand would make interchanging very difficult. But on the first go-round it was ready long before a couple of other eps in the tier. So it aired early. (Particularly before Owen's appearance in "The Cage".) I tried to correct that for later runs. Sometimes with success. Sometimes not.
Anyway, because I couldn't be sure it would air in the right order, you can see that we hedged our bets a bit. Goliath doesn't understand how Macbeth escaped the Weird Sisters. He's not referring to events in "High Noon" which he could not have known about and which I could not guarantee would air before "Price". He's referring to events in "City of Stone, Part IV".
*At the moment he brought them up, my daughter Erin just happened to be coloring a picture of the Sisters drawn by artist David Wong (I think that's his name) who was selling them in the Dealer's Room at the Gathering 2001 in L.A. Erin was very excited by the kismet of the moment.*
Did you guys register Mac's limited dialogue? It would be tough in the first fight by itself. He does have four lines. And GARGOYLES was never a show to go in for extensive quipping during battles. So four lines may have seemed like enough.
And did you register the "Magic Sparkly Powder" when it first hit Hudson?
This ep is fun because there are so many layers of deceit going on.
Note that at this early stage, Goliath doesn't intend to kill Macbeth. He aims for the Sky-sled's control panel and hits it. The fact that the sled goes down is an unfortunate and unavoidable result. And Goliath clearly feels at least a little guilty. Hudson doesn't mind though. He thinks Goliath's action was perfectly reasonable.
I don't suppose anyone thought Mac was really dead? I wasn't really even trying to trick you into that one. Between the immortality info that you (but not the Gargoyles) knew from City of Stone and the early timing of the death in the episode, I figured nobody would be fooled. And I didn't want anyone fooled. Because that wasn't what I wanted to fool you guys about. I didn't want you to figure out that Macbeth was a robot. So I intentionally did not show the body, on the assumption that most everyone knows that if you don't see the body, the victim probably isn't dead. That way when Mac came back, you'd all be thinking, "Hah, Immortal!" instead of "Hah, Robot!"
BTW, everyone always asks how Hudson can believe Mac is dead and then later acknowledge Mac & Demona's immortality to Xanatos. But Hudson was thinking of immortality in the sense of living on without aging, ala the Norse Gods. Not in the sense that Mac was somehow immune to all injury and death ala the Greek Gods. Clear?
Lucky for Xanatos that all the Gargs seem to have favorite poses. (Cheaper that way, don't you know.) Of course it also helps that since they all wake up and go to sleep at the same time, they rarely get a good look at each other's poses. Makes statue prep easier, huh?
Anyway, when Hudson didn't wake up, did everyone buy the magic powder/he's not waking up scenario? Had anyone seen Lee Nordling's Disney Digest comic story that inspired this gimmick. I've never met Lee, but he came up with the idea of replacing a sleeping garg with his statue. He used Goliath, not Hudson. But it was the same basic principle. I gave the idea to Michael (just that notion) and he ran with it to create this entirely different story? Did anyone see Lee's story and still not get it?
I can't remember why we wound up cutting Banquo & Fleance. Guess we were saving money or time at some stage. So Mac's mansion works on auto-pilot, I guess. Though those cannons still aren't too effective against gargs. And who else would attack?
Back to Brooklyn and Broadway guarding "Hudson". We wanted to keep the focus on Hudson, which is tough, since he's not moving. Brooklyn's worried about the reality of being able to find a cure. Again, we're expressing his leadership tendencies without confirming them since we couldn't guarantee that "Upgrade" would air first.
Then, finally at the end of the act, we reveal the real Hudson. My kids got very excited. Erin said: "The stone guy's not the real him." And Benny chimed in with: "That's the real one!" What were you thinking at this moment?
I even had the odd notion last night that we could have gone the direction of Hudson's "prison" being all in his mind. That the statue was him, and that he couldn't wake up until he escaped this mental/dream prison. Obviously, not the way we went. But it's a cool story idea. Anyone think THAT?
So then we come back from commercial and reveal Xanatos who claims he wants Hudson's skin. The line is said in such a way that we and Hudson are geared to think the worst. Which sets up the fun.
Hudson: "You'll have the devil's own time getting it."
Xanatos: "Gee, that wasn't as hard as you made it sound."
Ah, STONE skin. For the Cauldron of Life. I'm pretty sure the Cauldron was Michael's idea.
Everything has a price. Xanatos just doesn't get that yet.
But Hudson has X's number. They're exchanges throughout this episode are a lot of fun. Like a flip on the Goliath/Renard exchanges in "Outfoxed". But better done, frankly. Less preachy.
These exchanges may have been the inspiration for Hudson and Xanatos killing each other in "Future Tense". Owen's watching and subconsciously realizes that in some way, Hudson and Xanatos make better natural adversaries than Goliath and Xanatos. Maybe.
Hudson: "Growing old terrifies you doesn't it?
Xanatos: "Nothing terrifies me, because nothing's beyond my ability to change." (Who else can lie and tell the truth in the same sentence with this much charm. I'm so proud of this boy.)
X: "What about you? Still wasting your nights in front of the television?" (An only semi-dated reference to both Hudson's origins as the comedic gargoyle Ralph and to the way we occasionally still relegated him to clock tower duty in order to have fewer characters to deal with.)
Note that Xanatos plans on giving Fox immortality as well. He knows he loves her at this point. Wouldn't leave her out.
He doesn't mention Owen though, and in general doesn't treat Owen with his usual respect. Goads him a bit. (Macbeth has already died for me once.) Or rather teases him. He probably figures that Owen can take it. But I think it gets to Owen a bit. Xanatos wasn't expecting Owen to test the Cauldron for him. Owen felt the need to prove something. As he says: "Service is its own reward."
Lots of people watched this episode and e-mailed me that X was a big jerk for treating Owen this way. Particularly at the end of the episode when Xanatos seems completely unfazed by Owen's stone hand. Of course in our minds, this was all a very subtle clue to Owen's true identity. Xanatos and Owen both know that this condition is only as permanent as the Puck chooses to make it.
"Over-sized chamber pot." Heh.
X loves them zingers. He nails Hudson with that "the hardest part was finding a replica for your sword."
I like Goliath's desperation in the scene with him and Elisa. "We need a sorceress. We need Demona. You are a detective."
She doesn't know how to find Demona though.
Meanwhile Mac's back, still using only those same four lines. Anyone catch on here? Or wonder why Mac was working for Xanatos again?
Broadway now knows the expression is "Sitting Ducks" not "Sitting Dorks" as he said it in "Enter Macbeth". A little inside joke.
Okay. Very little.
Erin sees Hudson pick up the stone skin and asks what it is.
Sunrise. At the end of Act Two, Elisa has an oddly timed slow reaction to events, that I wish we had found a way to trim a bit.
Benny was worried: "He's gonna break into pieces and never be alive again."
Erin was a bit more tv-savvy: "He's not going to break into pieces. Or this would be the last [episode]."
I didn't really think anyone would think we were actually going to kill BW here. I think the interest is to wonder over the commercial break exactly how the hell we're going to get out of this.
Beth asked: "How'd Elisa know to shoot at that box? Who came up with that? She clearly didn't like it."
Michael Reaves put in this bit about BW turning to stone in mid-air. And I cut it. That's right. Cut it. I thought that it was too big a deal to fit into this story or at any rate that we could never make the rescue convincing. But ultimately I put it right back in. Michael was right. We needed it here. Everyone worked very hard to make Elisa's save as real as possible. The carpet sign established in advance. The multiple shots it takes her just to hit the rope twice. And Brooklyn and Goliath's exchange:
Brook: "It's a miracle!"
Gol: "A miracle named Elisa."
We're acknowledging how unlikely this is and hoping you'll just share it with us.
I still don't know. It's fun. But I'm not sure we really pulled it off in a convincing way. What did you all think?
"Jalapeña, you're still alive!" Another tier risk. Since I couldn't be sure this would air after "Protection".
X: "Hudson, your bath is ready."
This is another cool exchange. The Price metaphor really comes through here.
The title, I think, was one of mine. Inspired by the Arthur Miller play and the Jim Starlin Graphic Novel of the same name.
Back at the Macbeth battle, here he is again. By this time, the robot thing may be more obvious. Same four lines. We still tried to preserve suspense. Since he's presumably working for Xanatos to distract the Gargs that may explain his behaviour. Anyone who thought he was the real Macbeth right until the moment G gutted him?
Elisa is out of bullets. At the time, I thought that made realistic sense. Always hated guns that seemed to have unlimited bullets. Now it just feels like she was dumb for not reloading.
But one other thing strikes me -- in today's environment, we probably wouldn't have been allowed to let Elisa use a realistic gun at all.
Boom. The Hudson statue is blown to bits. By this time you all knew it wasn't Hudson, but we were hoping that for a split second, the image itself would be shocking enough to make you forget. Just for a second.
I think it worked. Ben needed to reassure himself: "That's okay. It's not the real Hudson." I don't think he would have even bothered to say that, if for a split-second he hadn't thought it was.
Of course, Goliath, who had been on the verge of putting two and two together just before this attack, goes positively medieval on us. Before he aimed for Mac's sky-sled. Now he wants "Gargoyle Justice". He's trying to kill Macbeth. It's just lucky that (a) it was a robot and (b) we had a very understanding S&P executive.
I think the robot's death scene is pretty cool. We had John Rhys-Davies come in just to record five lines. The four that we reprinted over and over and one more 'winding-down' take on "You'll have to do better than that!" It's very cool. With the eye popping out and everything. Nice stuff.
One thing I remember discussing with Michael was the rescue of Hudson. Originally, I think he had Goliath and the boys figure it out and have them show up to get H. But I felt strongly that Hudson had to rescue himself. Prove to all concerned that his age was not the liability that X thought.
This is fun.
And I love that Hudson won't destroy the Cauldron.
Like Xanatos, we think that H is "just full of surprises." But it shouldn't be much of a surprise. I think that was right in character for Hudson.
And I love his parting shot: "What will be your legacy, Xanatos?"
Frakes and Asner were both just amazing in this episode.
X: "Let him go. He's earned it." Of course, that's right in character for X too. No revenge. No jumping up and down and whining.
And hey, now Owen's arm can live as long as the mountain stones.
"How literal-minded." I think that line was one of mine. Not sure. It would probably have helped if I had read those two drafts of the script I posted yesterday. But I didn't have time.
So there's my ramble. Where's yours?
ROSWELL CONSPIRACIES BIBLE: Chunks 5 & 6
Continuing the posting of pieces of the Bible for the version of THE ROSWELL CONSPIRACIES that I developed for BKN.
Here's the fifth chunk:
ROSWELL, NEW MEXICO - June 14, 1947.
Nothing happened. Nothing at all. Every witness on every side of every version of every event was already working for the Alliance. Oh, today, you might be able to find some old civilian who swears he or she saw the crash from a distance. But that's just a tip off that they're telling tales. Nothing happened.
Vasquez did call the Sheriff to report the crash. And Vasquez, McKay and Ten-Samsons did convene in the desert. And McKay did radio Walker Air Force Base.
Air Force Captain Will Hawking was dispatched to the site of the incident -- with a full platoon of men. Alliance men.
On June 15, the news services did report that a U.F.O. had crashed near Roswell. Captain Hawking did confirm the story later that day.
June 16. General Burdette explained about the weather balloon. And the Vasquez Ranch was declared off-limits to all non-Alliance personnel. Heavy machinery was brought in. Underneath the ranch, construction began on the Bunker to end all Bunkers.
By July 7, the Alliance was able to remove every sign that work was proceeding underground.
On July 8, Trish Ainsley filed her U.F.O. story. The Alliance made sure it never got on the wire. It also made sure that copies of the story were circulated privately, but widely.
July 9. Captain Hawking resigns his commission. He disappears to supervise the completion of the Bunker.
July 16. Ainsley contacted Vasquez, McKay and Ten-Samsons, laying the groundwork for decades of obfuscation.
May, 1948. The Bunker was completed. The Alliance was up and running.
In between investigative assignments for the Alliance, Trish Ainsley continued to "pursue the Roswell story." The plan was clearly working. Most people either believed in weather balloons or casually and unconcernedly assumed that the U.S. government was covering up the existence of aliens on our planet. The few who actively pursued the latter course, were led down a garden path of false witnesses and manufactured evidence designed to lull them into believing that aliens are little grey men in flying saucers. Recent arrivals. Largely harmless. And nothing like the truth.
1949. T.G.A., The Global Alliance admits ten more nations: Belgium, Canada, Denmark, France, Iceland, Italy, Luxembourg, the Netherlands, Norway & Portugal. The Alliance began drawing the best and the brightest from all of TGA's member nations.
1952. Greece and Turkey join TGA. West Germany will join three years later.
March, 1955 - The Alliance used Tyler and Ainsley to seed the story of recovered alien bodies.
November, 1960. Segundo Vasquez, a chain-smoker, was diagnosed with terminal lung cancer. Since he couldn't be cured, the Alliance decided to take advantage of this "unique opportunity" to add another layer to the lie.
January 4, 1961. With Alliance help, Joseph Ten-Samsons Senior faked his death. The story was spread that he died of cancer.
December 13, 1961, Segundo Vasquez did die of cancer.
1964. Dr. Tyler retired from the U.S. Army and then vanished off the face of the Earth. Actually, he became the Alliance's head scientist, and thus no longer had the time to lead a double life.
1965. France breaks with TGA for thirty years. They will rejoin the organization in 1995. Meanwhile, Spain will join in '82 and the newly reunited Germany will replace West Germany in 1990.
Meanwhile, back in July, 1971, after over two decades of being Burdette's right hand man, Hawking was ordered to resurface in order to rekindle the lie. Together, Hawking and Ainsley produced the Alliance-written fiction: THE ROSWELL CONSPIRACIES. They also fell in love and were secretly married.
February, 1972. Trish Ainsley discovered that she was pregnant. She chose to leave the Alliance in order to give her baby a normal life. Hawking elected not to join her.
May 1, 1972. The Alliance helped Trish Ainsley fake her death in a car accident. She returned to Great Britain to give birth and raise her child. Hawking went back underground as a full time Alliance operative.
June 14, 1972. On the twenty-fifth anniversary of the Roswell Crash, Alliance operatives McKay, Vasquez Diener and Kateras staged a press conference to keep the curious guessing.
August, 1980. Erich Diener -- an Alliance operative and the husband of Maria Vasquez Diener, a second generation Alliance operative --was killed in the line of duty. The story in above-ground Roswell was that he ran off and abandoned Maria and their two children.
June 1, 1982. 83 year old Warren Burdette passed away in his sleep. The story was put out that he died of cancer. Hawking was promoted to Night Officer.
June 14, 1982. Will Hawking resurfaced on the thirty-fifth anniversary of the Roswell crash. He and Jack McKay became very public spokesmen for both versions of the lie.
December 13, 1986. Hawking and the Alliance bought the ranch adjacent to the old Vasquez place in order to expand the Bunker even further.
March 18, 1989. Maria Vasquez Diener died in the line of duty. Again, cancer was blamed. Her son Alex, a third generation operative, was given his first taste of action and obfuscation.
In 1995, under Alliance supervision, the U.S. Air Force launched a new investigation into the Roswell Incident. The resulting report sounded so pat and phony that most people either believed it flat out or assumed that all the Roswell myths must be entirely true.
1996. Hawking convinces TGA to allow him to recruit individual operatives without regard to their citizenship or the membership status of their country of birth.
September, 1999. Roswell, New Mexico is both a serious tourist trap and a Mecca for true believers seeking (inaccurate) knowledge about extraterrestrials on this planet. Every Friday night, McKay and Hawking stage another debate about the Incident. They don't have to do it. They just enjoy it.
And now the 6th Chunk:
ROSWELL, NEW MEXICO - September, 1999.
Tony Markus -- I bet you thought I forgot about him -- comes to town a half-step behind Siobhan Barrow. At this point, the only thing that's clear to Markus is that he's never had a case like this before.
Siobhan seems to have some kind of super-natural power --impressive super-natural power -- though not quite as impressive as that of the Tall Women pursuing her.
Likewise, the "Honeymooning Couple", though clearly not what they pretend to be, are also not what they seem to be either. Markus had thought they were Feds, but they've got some mighty strange methods, some even stranger weapons and the strangest possible friends.
Eventually, all is revealed. Siobhan is a member of an alien race, the SIDHE. She's on the run from her own people (the Tall Women) and is simultaneously trying to avoid being captured by ALEX DIENER & CLEA BALEWA (agents of the Alliance), who want to give her a life sentence simply because she exists. Markus just wants to get her back to L.A. so that cousin Dom doesn't have to pick up a fifty grand tab on her bail. Despite her power, Markus manages to reel her in and convince her to head west again with him. Together, they manage to stay a step ahead of both the Sidhe Warriors and the Alliance Agents. But all the good luck and skill in the world can't last forever.
Markus and Siobhan are cornered in the GRAND CANYON. The Sidhe attack, and it's the Alliance that comes to the rescue. But not Alex and Clea. The cavalry consists of JOSEPH TEN-SAMSONS JR., CEDRIC HARRIS and the alien YA-TUK. After an impressive battle, the Sidhe Warriors are captured. And Markus' life has been changed forever. There are aliens -- dangerous aliens -- loose on our world. He feels like his eyes are open for the first time. But he's not the only one. The Alliance has been very impressed with both Markus and Siobhan. They offer them each a job.
Markus, with his skills and experience, will become an investigator like Alex and Clea. Siobhan, with her raw power, will join Ten-Samsons' combat unit. Neither are sure they want what's being offered. Ultimately, Siobhan doesn't have many sunnier choices: (a) Life on the Run from her fellow Sidhe; (b) Life in an Alliance Prison, or (c) Life as an Alliance Operative. She chooses option (c).
As for Markus, it comes down to accepting the challenge. Hunting aliens. The ultimate skip chase. How can he resist? Well, once he's made sure that Dom hasn't been left in the lurch, the answer is: he can't. Thus Tony Markus and Siobhan Barrow become the two newest operatives of the Alliance.
"THE PRICE": "Final" Draft Script
This script is listed as a "Final Draft" after I took my pass on it. But skimming it, I'm not sure how final it actually was. It may have still gone through some changes, both before and after record.
GARGOYLES
"The Price"
Written by:
Michael Reaves
Based on comic book material by:
Lee Nordling
Revised draft: January 25, 1995
Final draft: February 1, 1995
Story Editor:
Michael Reaves
WALT DISNEY TV ANIMATION
GARGOYLES
"The Price"
CAST LIST
REGULARS
GOLIATH
HUDSON There is also a stone statue of Hudson in a typical sleep pose.
BROOKLYN
BROADWAY
LEXINGTON
ELISA
XANATOS
OWEN
RECURRING
MACBETH Actually a robot, (actually two robots), but visually indistinguishable from the real thing. He only speaks four lines, using them over and over.
BANQUO From 4319-022. Seven lines.
FLEANCE From 4319-022. Five lines.
STEEL CLAN ROBOT No lines.
GARGOYLES
"The Price"
ACT ONE
FADE IN:
EXT. MANHATTAN SKYLINE - NIGHT - PANORAMIC POV
A spectacular gargoyle's eye view of the city, covered by a thick pelt of snow. CAMERA MOVES SLOWLY through the maze of skyscrapers. Below, headlights and neon signs play prismatic colors. An enchanting vista.
LEXINGTON (V.O.)
Boy, the city sure is different
when it snows.
TRACK WITH GARGOYLES
As GOLIATH, BROOKLYN, BROADWAY, LEXINGTON and HUDSON ride the night wind.
BROOKLYN
Yeah -- it's colder.
FAVOR GOLIATH - PANNING
He permits himself a small smile.
GOLIATH
It's almost dawn, and we've
completed our patrol. Let's
return to the clock tower for
a good day's sleep.
FAVOR HUDSON - PANNING
He looks contented.
HUDSON
Not a bad life, all things
considered ...
WIDE ANGLE - ALL
Suddenly an ELECTRO-BLAST CRACKLES THROUGH SHOT, missing them narrowly and causing them all to scatter.
GARGOYLES
(surprised cries)
TRACK WITH BROOKLYN
He recovers his equilibrium, looks O.S. and reacts in shock.
BROOKLYN
Yeah ...
HIS POV
of MACBETH, swooping around on a return path, riding a small open-air flying platform supported and propelled by a repulsor device.
BROOKLYN (O.S. CONT'D)
Too bad he wants to end it!
WIDE ANGLE - INCLUDE OTHERS
Hovering as Macbeth heads toward them again, aiming one of his electro-magnetic guns. (NOTE: We will learn later that this Macbeth is a robot, one of several constructed by Xanatos. For now, treat him as the real thing.)
HUDSON
(shocked)
Macbeth!
They scatter as another LIGHTENING BLAST RIPS THROUGH SHOT.
MACBETH
I've been looking for you!
TRACK WITH GOLIATH
He folds his wings, drops, peels out O.S. During this:
GOLIATH
Spread out! Attack formation!
EXTREME WIDE
The gargoyles split up and swoop toward Macbeth from opposite directions in a pincers strategy.
GOLIATH
I don't know how you escaped
the Weird Sisters, Macbeth --
BROOKLYN
But you're gonna wish you hadn't!
ANOTHER ANGLE
Macbeth's platform suddenly shoots straight up out of the gargoyles' paths. Our guys only manage to avoid colliding with each other by adroit maneuvering.
GARGOYLES
(startled cries)
FOLLOW MACBETH
He does a steep glide and turn, FIRING down O.S. as he does.
TRACK WITH GOLIATH
He narrowly dodges a CRACKLING RAY. As he flies:
GOLIATH
Why do you attack us? What do
you want?
ON MACBETH - FLYING
Intent, murder in his eyes. He raises the gun again.
MACBETH
(laughs)
Trophies!
He sends a ray CRACKLING directly at us.
REVERSE ANGLE - BROOKLYN
The ray ZAPS him, causing him to fall O.S.
BROOKLYN
(stunned grunt)
ON GOLIATH
Reacting in shock. He dives down O.S.
ON BROOKLYN
Semi-stunned, dropping in a steep glide, about to pass out entirely. Goliath swoops INTO SHOT and grabs him.
ANGLE INCLUDES ROOF
He glides to it and deposits his stunned comrade safely on a snow-covered ledge. (STORYBOARD NOTE: During these last shots the eastern horizon is starting to glow with Pre-Dawn light.)
CLOSER ON GOLIATH
He launches himself from the rooftop again.
ON LEXINGTON AND BROADWAY
Heading toward us, grim and intent.
BROADWAY
We'd better finish this fast. The
sun's about to come up.
ON MACBETH
He triggers a control on the platform's console. A small canister shoots out O.S. from the platform's base.
TRACK WITH LEXINGTON AND BROADWAY
The canister sails IN, BURSTS apart and releases a rapidly-expanding net that settles over them. They react, but too late.
LEXINGTON, BROADWAY
(surprised walla)
ANOTHER ANGLE
The net ELECTRIFIES, shocking both of them into unconsciousness.
LEXINGTON, BROADWAY
(cries of pain)
ON ROOFTOP
They tumble down and CRASH on the rooftop beside the unconscious Brooklyn.
FOLLOW HUDSON
He catches an updraft and wheels about, drawing his sword.
TRACK WITH MACBETH
As he flies. Hudson is heading right for him.
HUDSON
(growls)
CLOSER ON MACBETH
He dips his hand into one of his coat's many pockets, and as Hudson comes at him he hurls a small packet right into the gargoyle's face. The packet hits Hudson and BURSTS, scattering a sparkling mist of white glittery powder all over him.
HUDSON
(surprised sputter)
ON FLYING PLATFORM
The craft drops, letting Hudson sail on O.S.
ANGLE INCLUDES ROOFTOP
Temporarily blinded, Hudson CRASHES on the rooftop alongside the still-unconscious Trio.
HUDSON
(impact grunt)
He rises to his knees, frustrated. He pulls the net off of Broadway and Lex.
TRACK WITH PLATFORM
Suddenly Goliath, eyes white, drops down INTO SHOT above Macbeth, grabbing him from behind in a bear hug.
GOLIATH
(growls)
ANOTHER ANGLE
Macbeth manages to twist his weapon back. He fires it right into Goliath's side, blasting him off the platform.
MACBETH
You'll have to do better than that!
GOLIATH
(cry of pain)
ON SKYSCRAPER PINNACLE
Goliath manages to land atop the pinnacle of a building which rises to a needle-like spire. He grips the spire with one hand, head drooping in a dazed slump, looking like King Kong just before taking that final dive.
GOLIATH
(dazed groan)
TRACK WITH MACBETH
He turns on the platform and aims his ray gun down O.S.
MACBETH
Farewell, my enemies!
ANGLE INCLUDES
RACK FOCUS from the lightening gun and Macbeth's hand in EXTREME f.g. to the trio and Hudson in b.g.
CLOSER ON HUDSON AND TRIO
The Trio's starting to revive, but won't recover in time. Hudson protectively steps between them and Macbeth.
TRIO
(groans)
ON GOLIATH
He reacts in horror as he sees the O.S. Macbeth's intention. His eyes blaze white.
GOLIATH
No!
Clinging to the pinnacle with one hand and both feet, he SNAPS off the six-foot long tip of the spire.
ANOTHER ANGLE
Goliath hurls the spire like a javelin with all his strength.
GOLIATH
(effort grunt)
DRAMATIC ANGLE - MACBETH
Just as he's about to trigger the ray gun the spire arrows INTO SHOT and SKEWERS the flying platform's control console. There's a huge ELECTRICAL DISCHARGE, and the platform goes into a dive.
WIDE ANGLE
All the gargoyles (the trio have recovered by now) stare in shock as the platform passes out of view behind a skyscraper. Followed seconds later by a huge EXPLOSION. Flaming debris flies back into shot.
ON HUDSON AND TRIO
They move so that they can see where Macbeth crashed. Flickering light paints their faces and bodies. Goliath drops down INTO SHOT beside them.
LEXINGTON
I don't believe it.
ON WRECKAGE
A mini-inferno of twisted, flaming metal. No one could have survived that crash.
HUDSON
Believe it, lad. Macbeth's dead.
FAVOR GOLIATH
Staring grimly O.S. Behind him the sky is roseate with dawn.
GOLIATH
I had no choice. He would have
killed the four of you.
Hudson moves IN beside him, absently brushing at the sparkling dust on his hauberk as he speaks:
HUDSON
No one's questioning you, Goliath.
(beat)
We'd best prepare to sleep right
here. Dawn is upon us.
WIDE ANGLE
The gargoyles assume threatening positions as the sun rises.
SLOW DISSOLVE TO:
EXT. NEW YORK SKYLINE - PANORAMIC VIEW - DAY (TIME LAPSE)
TIME LAPSE shot showing the whole day compressed to a few seconds. Clouds boil and writhe across the sky, lights wink on and off in windows, shadows flow like spilled ink as the sun arcs quickly from east to west. As evening shadows lengthen
SLOW DISSOLVE TO:
EXT. BUILDING ROOFTOP - ON GARGOYLES - DUSK
Start with Goliath and PAN across the gargoyles as they each in turn SHATTER their carapaces and stretch in awakening.
GARGOYLES (EXCEPT HUDSON)
(wake up)
PAN STOPS on Hudson; it's his turn to awaken. But nothing happens. The last flicker of sunlight disappears from his adamantine form. (Note: the stone Hudson is holding his sword, which is not stone.) REFIELD TO INCLUDE Goliath and the trio, staring at him in stunned disbelief.
GOLIATH
Hudson ...?
BROADWAY
What's wrong? Why doesn't he
wake up?
FAVOR GOLIATH
As he approaches, gingerly touching the old warrior's stone face. He's totally at a loss, and maybe there's just a bit of panic in his face and voice -- this is totally unprecedented.
GOLIATH
I-I don't know ...
CLOSER
He looks closer. The fading light shows some glittery powder on Hudson's granite shoulder.
GOLIATH (CONT'D)
Wait ... last night Macbeth
threw some kind of powder on
Hudson.
BROOKLYN
Powder?
FAVOR GOLIATH
He peers closely at the powder.
GOLIATH
Sorcery. A magical concoction
to keep him asleep.
WIDE ANGLE - ALL
Goliath and the trio stand around the stone Hudson.
GOLIATH (CONT'D)
And it's up to us to find a cure.
LEXINGTON
But how? Macbeth's dead --
who else would know about the
powder?
FAVOR GOLIATH
Having come to a decision.
GOLIATH
Lexington and I will go to Macbeth's
mansion and question his lackeys.
Brooklyn, Broadway, stay here
and protect Hudson.
ANGLE INCLUDES ROOFTOP'S EDGE
Goliath and Lex prepare for flight. Brooklyn puts a hand on Goliath's arm.
BROOKLYN
(worried)
Goliath -- what if there is no
cure?
Goliath is in some denial.
GOLIATH
There is a cure. There must be.
DRAMATIC ANGLE
Goliath and Lexington take off from the rooftop and glide O.S. Brooklyn and Broadway watch him go.
CLAW WIPE TO:
EXT. MACBETH'S MANSION - ESTABLISHING - NIGHT
PUSH IN and
CUT TO:
INT. MANSION'S CONTROL ROOM - ESTABLISHING - NIGHT
Here we find BANQUO and FLEANCE (last seen in #4319-22), desultorily playing poker. Behind them the monitor screens show various views of the grounds and mansion interior. Banquo tosses a poker chip on the pile. PUSH IN SLOWLY on them as they play.
BANQUO
Raise.
(beat)
Y'know, when we took this job,
the Boss promised us lots of
action.
(looks around;
disgusted)
Right.
FLEANCE
Relax. We could use a little peace
and quiet.
(beat)
See you and raise.
ANOTHER ANGLE
She tosses two chips in. Banquo scowls and looks at his cards.
BANQUO
Okay, whatcha got?
ANGLE INCLUDES MONITOR
Showing a view from the roof. Fleance grins and starts to lay her cards down.
FLEANCE
Read 'em and --
Suddenly an ALARM KLAXON SOUNDS and the words INTRUDER ALERT begin flashing in red over the roof view on the screen. PUSH IN quickly on the screen as Banquo and Fleance react and look. We can see the winged shape of Lexington silhouetted against the moon, approaching.
ON FLEANCE AND BANQUO
Startled at first; then they grin at each other.
FLEANCE
One'a those gargoyles.
BANQUO
All right. C'mon!
They head O.S. The door SLAMS. PUSH IN on another one of the monitors, this one covering one of the mansion's walls. We can see a shadowy shape climbing it. Another KLAXON SOUNDS and the red INTRUDER ALERT sign starts flashing on that screen too ...
CUT TO:
EXT. MACBETH'S ROOF - NIGHT
The two electromagnetic cannons used in #4319-022 rise up from the roof as Fleance and Banquo dash IN and man one each.
ON FLEANCE
POWERING UP the gun. A green screen with a blip on it appears on a console before her.
FLEANCE
In range in forty seconds ...
Goliath's hand reaches IN behind her, grabs her by the collar and yanks her O.S.
FLEANCE (CONT'D)
(startled cry)
ON BANQUO
Seated at his cannon. He turns, looks. ANGLE ADJUSTS TO INCLUDE the other cannon, now manned by Goliath and aimed right at him.
BANQUO
Hey! What in --?
Banquo dives out of the way, just as Goliath BLASTS Banquo's cannon with a lightening bolt.
BANQUO (CONT'D)
(dive)
CLOSER
Banquo covers his head to protect himself from flying debris. He looks O.S. and reacts.
BANQUO
(cry of fear)
HIS POV
Goliath, face in shadow save for his glowing eyes. He looks quite fearsome. Lex glides IN and lands beside him.
GOLIATH, LEXINGTON
(growls)
ON BANQUO
Goliath steps IN, seizes Banquo by the shirt front and lifts him up. He gets in the terrified guard's face and growls:
GOLIATH
I want your master's magic -- all
of it -- now.
ANOTHER ANGLE
Banquo is obviously too scared to lie.
BANQUO
I don't know where he keeps it!
Goliath drops him on top of his unconscious comrade and turns to Lex.
GOLIATH
We must search the house.
(beat; to Banquo)
Find another job. Macbeth
won't be coming back.
He and Lexington turn away as we
CUT TO:
EXT. - ROOFTOP - NIGHT
Broadway and Brooklyn flank the stone Hudson.
BROADWAY
I'm worried. Even if Goliath
finds something at Macbeth's place,
how are we gonna make it work?
None of us are sorcerors.
ON BROOKLYN
Suddenly, determined.
BROOKLYN
Let's just focus on protecting Hudson.
We can't let anything happen to him.
CUT TO:
INT. CAGE - NIGHT
Large, like a high-tech version of an old lion cage, lit by a single bulb. Where it's located is not immediately clear -- all is darkness about it. Within the cage is a figure in sillouette at first. Then the figure steps into the light. It is Hudson, flesh and blood and pissed as hell. (MODEL NOTE: Hudson does not have his sword.)
HUDSON
(raging)
You can't keep me in here
forever!
He grabs the bars; they deliver an ELECTRICAL SHOCK that knocks him back.
HUDSON
(cry of pain)
CLOSER ON HIM
Angrier than we've ever seen him.
HUDSON
I'll get out, d'you hear me?!
I'll get out, and when I do --!
FADE OUT
END ACT ONE
ACT TWO
FADE IN:
INT. CAGE - HUDSON -CONTINUOUS
We still don't know where we are. Hudson is pacing his cage like a trapped tiger.
CLOSE ON HIS FEET
We can see now that he's walking on bars that raise the cage perhaps six inches above a steel tray; basically a larger version of the tray used in pet cages to catch droppings (although this is for a different purpose). Scattered on the tray below the level of the bars where Hudson walks are the stone shards of his skin, shed this past dawn.
WIDE ANGLE
An O.S. CREAK OF HINGES stops his pacing. He looks O.S. and reacts grimly.
HUDSON
About time you came back.
ANOTHER ANGLE
We can tell now that we're in a dim-lit dungeon chamber. A shadowy figure approaches the cage as Hudson continues:
HUDSON (CONT'D)
Why did you kidnap me? What
d'you want of me?
ON SHADOWED FIGURE
Approaching. As he speaks he steps into the range of light from the cage's bulb and is revealed to be XANATOS. OWEN shadows him silently. He's holding a small box in one hand.
XANATOS
Nothing much, Hudson. Just --
your skin.
TWO SHOT - XANATOS AND HUDSON
Hudson glares warily at Xanatos.
HUDSON
You'll have the devil's own
task getting it.
FAVOR XANATOS
Urbane and unconcerned as ever.
XANATOS
Really?
Xanatos pulls a remote control from his pocket. He presses the button. The tray beneath Hudson's cage automatically SLIDES out. Xanatos crouches and picks up a few long shards of stone exoderm. He presses the button again, and the tray returns to it's normal position.
XANATOS
Gee, that wasn't as hard as you made
it sound.
HUDSON
So you're through with me.
XANATOS
Not quite. I need your help to
conduct a small experiment.
Hudson glowers at Xanatos, who presses another button on the remote. In b.g. a STEEL CLAN ROBOT carries a huge wooden crate IN and sets it down near the cage.
HUDSON
Experiment? What kind of
experiment?
ANOTHER ANGLE
The robot RIPS open the wood as though it were Christmas wrapping, showing us what's inside the crate: a huge iron cauldron, obviously very old. The robot turns and EXITS.
FAVOR XANATOS AND HUDSON
Xanatos stares at it with tense excitement; Hudson is wary.
HUDSON
What'll that be, then?
FAVOR XANATOS
He runs his hand over the cauldron's lip. We can see Celtic runes engraved along the iron side.
XANATOS
The Cauldron Of Life. The legend
says it grants whoever bathes in
it "will live as long as the mountain
stones."
FAVOR HUDSON
He raises an eyebrow.
HUDSON
Ah. You wish to be ... immortal?
XANATOS
Of course. What good are all the
riches on Earth if Fox and I can't
enjoy them forever?
FAVOR HUDSON
He's settled into a poker face.
HUDSON
And how do I fit into all this?
ON XANATOS
Xanatos leans toward the cage and holds up the shards of exoderm.
XANATOS
One of the key ingredients in
the cauldron's brew is the
stone skin of a gargoyle.
ON HUDSON
He moves in too, getting face to face with Xanatos without touching the electrified bars.
HUDSON
These ancient talismans are often
dangerous, Xanatos. I would've
thought your experience with
the Eye Of Odin had taught you
that.
XANATOS
You could be right. Maybe it
would be a good idea to test
the brew first.
(beat; evil grin)
Any volunteers?
The Steel Clan robot reenters, now carrying a large plastic container filled with water. Xanatos and Owen watch, as the robot pours the water into the cauldron. Xanatos holds the handful of stone skin fragments in one hand.
FAVOR HUDSON
He scowls.
HUDSON
You mean to dunk me in that
oversized chamber pot?
CLOSE ON CAULDRON
Xanatos tosses the shards in the water, and they DISSOLVE in a mystical flash. A beat; then, though no fire burns beneath the cauldron, the water apparently begins to BOIL.
XANATOS
Eventually. The legend says the
skin must boil for a night and
a day first.
FAVOR XANATOS
His usual smug, superior self. He glances at his watch.
XANATOS (CONT'D)
So be patient. If the procedure
is successful, I'll release you.
FAVOR HUDSON
He trusts Xanatos about as far as he can comfortably spit a rat.
HUDSON
And if it isn't ...?
CLOSE ON XANATOS
He smiles.
XANATOS
Then you'll have the privilege
of giving your life for science.
ANGLE INCLUDES HUDSON
Furious.
HUDSON
My clan will never rest until
they know where I am!
Xanatos is spectacularly unconcerned.
XANATOS
But they already know where
you are.
CLOSE ON HUDSON
Off his puzzled look, we PAN AWAY TO FRAME Owen as he opens the box and takes out a tiny statue of Hudson in sleep pose. He holds it up.
ANGLE INCLUDES HUDSON
Who stares at it.
XANATOS
This is just a sculptor's model,
of course. The real thing is
life-size -- and very life-like.
CLOSE ON HUDSON
He's screwed, and he knows it.
XANATOS (CONT'D O.S.)
(sticking it to him)
The hardest part was finding a
replica for your sword.
Xanatos turns to Owen.
XANATOS
Still there's no sense being
complacent. Let's make sure
the other gargoyles don't think
to look for him here.
WIDE
Xanatos exits. The robot remains on guard. Owen is about to follow, when Hudson calls out to him.
HUDSON
And what's in this for you?
FAVOR OWEN
OWEN
Service is it's own reward.
I would have thought you knew
that.
XANATOS (O.S.)
Owen, I want the gargoyles distracted.
He nods slightly, poker-faced as usual.
OWEN
Understood, sir.
SMASH CUT TO:
EXT. ROOFTOP - NIGHT
Where Brooklyn and Broadway are guarding "Hudson". An ELECTRIC BOLT ZAPS the roof near them, scorching it and startling both of them.
BROOKLYN, BROADWAY
(surprised cries)
ANGLE INCLUDES
Macbeth, swooping toward them on another flying platform. Broadway and Brooklyn are astounded to see that he's apparently risen from the dead.
BROOKLYN
It can't be!
BROADWAY
There's no way he could've
survived that crash!
WIDE ANGLE
Macbeth ZAPS another bolt at them; this one comes perilously close to the Hudson statue. Both Brooklyn and Broadway are forced to leap from the rooftop to avoid it.
BROOKLYN
Well, for a ghost he sure
packs a wallop!
TRACK WITH GARGOYLES
As they swoop away from the rooftop.
BROADWAY
We've got to make him follow
us -- lead him away from Hudson!
Another POWER BOLT SCORCHES between them. They look back. REFIELD TO INCLUDE Macbeth, zooming after them.
BROOKLYN
I don't think that'll be a
problem!
ON MACBETH
He aims his weapon and FIRES again. During this:
MACBETH
(re-use line #??)
I've been looking for you!
In the heat of battle, neither gargoyle notices that he says this exactly the same way he said it before. Macbeth GAINS O.S. as we
CUT TO:
INT. ELISA'S APARTMENT - NIGHT
WIDE
Goliath and Lex have been filling Elisa in.
ELISA
Any luck finding the cure at
Macbeth's house?
GOLIATH
No. We searched from attic to
cellar, but found nothing.
CLOSE ON GOLIATH
This is a real last resort for him.
GOLIATH (CONT'D)
There's only one other hope.
We need a sorceress. We need
Demona.
ON ELISA
She's stunned by his request.
GOLIATH (CONT'D O.S.)
You are a detective. You must help
us find her.
FAVOR GOLIATH
Elisa puts a hand on his shoulder.
ELISA
Goliath, you know I'd do anything to
help. But honestly, I wouldn't even
know where to start looking.
GOLIATH
We can't just give up!
ELISA
We won't. I promise.
ANGLE INCLUDES
the brightening eastern horizon. Lex glances at it.
LEXINGTON
It's not long to sunrise. We should
head back. Brooklyn and Broadway will
be worried.
FAVOR ELISA AND GOLIATH
ELISA
I'd like to go with you.
Goliath nods and lifts her into his arms.
CUT TO:
EXT. ELISA'S APARTMENT - PRE-DAWN
TRACK WITH GOLIATH AND LEX
the former carrying Elisa, as they glide uptown.
CUT TO:
INT. DUNGEON
Hudson glowers at Xanatos, as the latter enters and peaks into the boiling cauldron. He warms his hands above it. The robot remains immobile in the b.g.
XANATOS
The soup's cooking nicely.
HUDSON
You've obviously gone to a lot
of trouble. Had to carve your
statue weeks in advance. Tell me
something: Why me?
FAVOR XANATOS
Who thinks the answer is obvious.
XANATOS
Because you're old and getting
older. I thought you might even
appreciate the opportunity.
ON HUDSON
He crosses his arms. He's just picked up on one of Xanatos' few weaknesses.
HUDSON
Growing old terrifies you,
doesn't it?
ECU ON XANATOS
Hudson's pressed one of his few buttons.
XANATOS
Nothing terrifies me. Because
nothing is beyond my ability to
change.
(beat, petty)
What about you? Still wasting
your evenings in front of a
television set. You're of
little use to your clan; you
might as well be of some use to
me.
CLOSER ON HUDSON
Xanatos hasn't rattled him a bit.
HUDSON
Open this cage and I'll show
you just how useless I am.
HOLD ON XANATOS
He doesn't have a comeback. He burns, turns and leaves.
ON CAGE
Hudson SLAMS a fist into his palm in a frustrated gesture and turns to resume his pacing.
CLOSER ON HUDSON
He notices something at his feet. MOVE WITH him as he kneels to look closely at the slivers of rocky exoderm -- some of which are as long as a knife blade. Hudson reaches through the grated floor and touches his shed skin thoughtfully.
CLAW WIPE TO:
EXT. WAREHOUSE DISTRICT - ESTABLISHING - PRE-DAWN
A dark and dreary area, the deserted streets narrow and winding, with tall dark warehouses lining them. VERT. PAN UP TO FRAME Brooklyn and Broadway, fleeing for their lives, as another ELECTRICAL BOLT ZAPS a brick wall near them, SHATTERING it.
ANGLE INCLUDES MACBETH
Zooming along on his flying platform in close pursuit. We can see that the eastern sky is lightening.
MACBETH
(reuse line #??)
Farewell, my enemies!
TRACK WITH BROOKLYN AND BROADWAY
Flying through the narrow streets like Luke zooming along the Deathstar trench.
BROADWAY
At least we led him away from
Hudson!
BROOKLYN
Yeah -- now if only someone'd
lead him away from us!
ON BROADWAY - FLYING
His expression becomes determined.
BROADWAY
It's almost dawn -- and then
we'll be sitting ducks!
ANGLE WIDENS as he does a barrel roll, looping up in a backwards arc. During the next few shots we should be seeing the sky growing lighter and lighter.
BROADWAY (CONT'D)
Besides we gotta nail him. He's the
only one who can cure Hudson!
ON MACBETH - FLYING
As Broadway comes swooping down behind Macbeth, the latter turns and lines up on him with his weapon.
MACBETH
(reuse line #??)
You'll have to do better than
that!
ANOTHER ANGLE
Just before Macbeth fires, however, Brooklyn CRASHES into him from behind. Macbeth does not cry out from the impact (he's a robot), nor is he knocked down as we would expect a human to be. Instead he turns and grapples with the surprised Brooklyn.
BROOKLYN
(grunt of surprise)
ANGLE INCLUDES BROADWAY
swooping down toward them; he reacts in astonishment as Macbeth picks up Brooklyn and hurls him from the careening platform.
TRACK WITH BROOKLYN
He pops open his wings, catches air, slowing his drop. As he does so, he looks up and reacts in surprise as he sees:
LOW ANGLE - MACBETH'S FLYING PLATFORM
Just in time for Broadway to sail IN and be BATTED aside like an annoying insect by Macbeth's one-armed blow.
BROADWAY
(stunned grunt)
ON BROOKLYN
He lands on the fire escape next to a crane which holds a huge shipping crate on the end of its cable. The building has a sign on the wall that reads ROYAL PERSIAN CARPETS.
ON BROADWAY
Rising on a thermal while he recovers from Macbeth's blow.
BROADWAY
(groans)
ABOVE A NEARBY BUILDING
Goliath, Lex and Elisa glide into view.
GOLIATH
Look! Over there! It's Broadway!
LEXINGTON
The sun's about to come up!
CLOSE ON GOLIATH AND ELISA
He looks at her and comes to a decision. He and Lex land on the rooftop. He puts Elisa down, and looks O.S. in astonishment. The world is trembling on the edge of dawn.
ANGLE INCLUDES MACBETH
Turning his platform to come back for another shot at Broadway.
GOLIATH (O.S. CONT'D)
Macbeth -- and alive?!
ZAP! Macbeth FIRES O.S.
ON BROADWAY
The BOLTS SCORCH the air directly beneath him, forcing him to rise higher and higher.
ON GOLIATH, LEX AND ELISA
Goliath prepares to leap into the air, but Lex and Elisa grab his arms and points O.S. eastward in horror.
ELISA, LEXINGTON
Goliath! You can't! / The sun!!
ANGLE INCLUDES
The horizon, where the molten edge of the sun has appeared across the East River.
RESUME GOLIATH AND LEX
The PETRIFACTION starts, moving swiftly up their bodies. Goliath stares up O.S., struggling against the inevitable.
GOLIATH
(strains)
Broadway --!
And then he is stone, as is Lex.
ON BROADWAY
ON THE CUT he TRANSFORMS also, and drops like -- well, like a rock.
ON BROOKLYN
Brooklyn has an extra second of consciousness before the terminator moves down the building and envelopes him -- just long enough to see his friend plummeting toward certain death.
BROOKLYN
No!!
Then Brooklyn TRANSFORMS.
ON ELISA
In shock as she watches BROADWAY falling.
HER POV - BROADWAY
Falling away from us as we
FADE OUT
END ACT TWO
ACT THREE
FADE IN:
EXT. WAREHOUSE DISTRICT - LOW ANGLE SHOT - DAWN - CONTINUOUS
The stone Broadway falling right INTO CAMERA.
ON ELISA
She's only got a couple of seconds to come up with something. She looks frantically this way and that, then spies something O.S. (These scenes MUST play like lightning.)
HER POV - SHIPPING CRATE
The huge shipping crate at the end of the crane cable, level with the second story of the building. ZOOM IN on the box's side, where the words ROYAL PERSIAN CARPETS are stenciled.
ON ELISA
She whips her gun from its shoulder holster, aims and FIRES up O.S. repeatedly, emptying the clip.
CLOSE ON CRANE BOOM
She's a helluva shot -- most of the bullets STRIKE the hoist cable at the pulley junction, its weakest point. The cable SNAPS.
PULL BACK WIDE as the crate falls and SHATTERS on the street, releasing its cargo: a couple of dozen rolled up thick carpets. They barely have time to hit the street in a pile six feet thick before Broadway CRASHES down on top of them, bounces, lands again on the very edge of the pile and lies still.
ANOTHER ANGLE
Elisa leans back against Goliath's petrified form.
ELISA
(big sigh)
CLOSER ON HER
She remembers Macbeth and looks up O.S.
HER POV - SKY
We can see Macbeth zooming away on his platform.
MACBETH
(reuse line #??)
(laughs)
Trophies!
RESUME ELISA
Watching him go.
CUT TO:
INT. DUNGEON
Xanatos stares at the stone form of Hudson. Looks into the boiling Cauldron. Owen enters.
OWEN
We have a field report from
"Macbeth". He kept the gargoyles
busy throughout the night.
XANATOS
Better watch out Owen. This Macbeth
fellow may be gunning for your job.
He's already died for me once on
this project. It's hard to top that.
ON OWEN
He raises an eyebrow.
WIPE TO:
EXT. WAREHOUSE DISTRICT - DAY
Elisa supervises as the crane lifts Broadway up toward the rooftop where Goliath and Lex are frozen in stone.
DISSOLVE TO:
EXT. EYRIE BUILDING - TWILIGHT
The sun sets.
CUT TO:
INT. DUNGEON
Hudson explodes out of his stone shell.
HUDSON
(awakening roar)
TIGHT ON HUDSON
He reaches behind him, as if to check that he still has a weapon stuck in his belt. Though we don't see it, he obviously still feels it there, and looks relieved.
CUT TO:
EXT. WAREHOUSE ROOF - DUSK
Elisa is there with Goliath, Lex and Broadway. Brooklyn glides in for a landing. He immediately rushes to Broadway.
BROOKLYN
Jalapeña, you're still alive!
It's a miracle!
Goliath looks at Elisa who smiles.
GOLIATH
Yes -- a miracle named Elisa.
FAVOR LEX
Wheels clearly turning.
LEX
What I don't get is Macbeth. Why
did he cut and run?
BROOKLYN
Good question. He keeps saying he
wants us as trophies. Why didn't
he come back for us while we were
stone?
FAVOR GOLIATH
Suddenly realizing that "Hudson" has been left unprotected.
GOLIATH
Hudson!
DRAMATIC ANGLE
As all four gargoyles launch themselves into the night. Goliath carries Elisa.
CUT TO:
INT. DUNGEON - NIGHT
FAVOR XANATOS AND HUDSON
Xanatos turns from the boiling cauldron to the old gargoyle. He holds Hudson's sword in one hand. With the other, he presses his remote. The cage opens. The Steel Clan Robot grabs Hudson and pulls him out. Owen is also present.
XANATOS
Your bath is ready, Hudson.
ON HUDSON
Hudson is there, arms held by a Steel Clan robot. Head high, determined to show no fear.
HUDSON
Listen to me, Xanatos. What
you seek demands a heavy price.
CLOSER ON HUDSON - INCLUDE XANATOS
Xanatos is listening, politely but with barely concealed impatience.
HUDSON (CONT'D)
I've been alive for over eleven
hundred years. Most of my clan
is dead and dust, and I am a
stranger in a strange land.
(beat)
Demona and Macbeth are immortal.
Has it brought them happiness?
XANATOS
Save your breath, Hudson. Old
age has its price as well, and
it's too expensive for me.
CUT TO:
EXT. ROOFTOP - NIGHT
Where the "Hudson" statue keeps its lonely stone vigil. The gargoyles land and look about warily.
BROADWAY
No sign of Macbeth.
BROOKLYN
I still want to know how he
lived through that crash --
and why he keeps attacking us.
FAVOR GOLIATH
Thinking hard about it.
GOLIATH
It's almost as though he's trying
to keep us off guard while
something else goes on ...
ANOTHER ANGLE - ALL
A POWER BOLT from O.S. SHATTERS the edge of the roof, nearly toppling them all into the street.
GARGOYLES, ELISA
(surprised cries)
WIDE ANGLE
Here comes Macbeth again, FIRING furiously.
MACBETH
(reuse line #??)
Farewell, my enemies!
ON GARGOYLES AND ELISA
Elisa dives for cover behind a brick chimney, pulling her gun as she does so. The gargoyles take to the air as more BOLTS ZING THROUGH, some coming perilously close to Hudson.
AERIAL SHOT - WIDE
The gargoyles circle Macbeth, avoiding the LIGHTENING BLASTS.
GOLIATH
Keep him away from Hudson!
ON "HUDSON"
A nearby BLAST PEPPERS the statue with stone shrapnel.
ON BROOKLYN AND BROADWAY - FLYING
A massive POWER BOLT KNOCKS Broadway and Brooklyn out of the sky.
BROADWAY, BROOKLYN
(impact grunts)
They land on the roof's edge, half-stunned.
BROOKLYN
This is gettin' old ...
ON GOLIATH AND LEXINGTON
Swooping around for another pass. BOLTS SIZZLE THROUGH SHOT.
ON HUDSON STATUE
The POWER BOLTS are coming closer to it.
QUICK CUT - ELISA
She takes aim at Macbeth with her gun.
ELISA
Don't do it!!
She fires, but she used all of her bullets to save Broadway. The gun CLICKS harmlessly.
QUICK CUT - LEXINGTON
He sees what's going to happen and reacts in horror, but he's too far away to do anything about it.
LEXINGTON
(gasps)
ON GOLIATH
Arrowing straight toward us, hands outstretched.
GOLIATH
Hudson --!!
ON "HUDSON"
As a POWER BOLT STRIKES the statue squarely, BLOWING it to hell and gone.
REACTION SHOT - GOLIATH
Utterly horrified, as we
SMASH CUT TO:
INT. DUNGEON - NIGHT - CONTINUOUS
The robot lifts Hudson from behind. Hudson struggles futilely.
HUDSON
(struggles)
WIDE ANGLE
The robot carries him toward the cauldron as we
CUT TO:
EXT. ROOFTOP - NIGHT - CONTINUOUS
The dust still settling from the destruction of the statue. Goliath drops INTO SHOT beside the fragments.
ON GOLIATH
His eyes blaze white. He is in a killing rage, angrier than we have ever seen him before. He glares up O.S. Another POWER BOLT BLISTERS the roof right next to him, but he doesn't even notice it. With a:
GOLIATH
(roar of pure fury)
he leaps from the roof and soars up O.S.
ON MACBETH
FIRING O.S. at the oncoming juggernaut.
ON GOLIATH - FLYING
He takes an almost-direct HIT by a BOLT; it knocks him back, but he does a quick barrel roll and gets back on track.
GOLIATH
(growls)
WIDE ANGLE - MACBETH'S FLYING PLATFORM
Goliath gets one hand on the platform. He ignores another BLAST by sheer force of will and climbs aboard.
CLOSER
Before Macbeth can fire again Goliath tears the weapon from his hands and CRUSHES it.
ANOTHER ANGLE
Goliath's too angry to notice Macbeth's lack of fear. He grabs the robot, sustaining a massive SHOCK doing so. But he doesn't let go. Holding on with one hand, ELECTRICITY CRACKLING the length of his arm, he cocks the other fist back.
GOLIATH
Murderer!!
CLOSE ON THEM
As Goliath SMASHES a piledriver blow straight into Macbeth's chest, CRUSHING it. Circuitry SPARKS, FLASHES. Macbeth spasms as his system shorts out. When he speaks his voice RUNS DOWN like a slowing tape:
MACBETH
(reuse, but slow down, line #??)
You'll have ... to do ...
better ... than ... that ...
Goliath stares in disbelief.
CUT TO:
INT. DUNGEON - NIGHT - CONTINUOUS
Hudson's about to be dumped in the cauldron. He struggles.
HUDSON
(struggles)
FAVOR XANATOS
He holds up the sword tauntingly.
XANATOS
Relax, Hudson. Without your
sword, you're helpless.
CLOSE ON HUDSON
And we see that his struggles mask the sight of one hand reaching behind him and beneath his hauberk and pulling out a long sharp shard of epithelial stone.
HUDSON
Swordless, maybe ...
WIDE ANGLE
As Hudson whips his arm around, driving the shard back directly into the face plate of the robot behind him. The robot SHORTS OUT spectacularly and falls away. During this:
HUDSON (CONT'D)
Helpless, never!
ANOTHER ANGLE
With one side free, Hudson drops his feet on the cauldron's side, balancing on the narrow lip, then leaps forward.
HUDSON
(battle cry)
PAN WITH HIM as he does a forward flip over the cauldron, wings folded, and IMPACTS feet-first squarely into Xanatos, KNOCKING the latter O.S. Owen reacts in surprise.
XANATOS
(impact grunt)
ON WALL
Xanatos SLAMS against it, dropping Hudson's sword. He then slides down to sprawl on the floor, stunned.
XANATOS
(stunned grunt)
ON HUDSON AND OWEN
Hudson grabs up his sword and whips about to face Owen. He points a warning finger at Xanatos' charge d'affaires.
HUDSON
Behave yourself, boy.
ANGLE INCLUDES XANATOS
Who gets to his feet somewhat shakily. He looks at Hudson standing there with his sword ready. In a heartbeat he's recovered his poise.
XANATOS
I underestimated you. Very
resourceful, using your own
skin as a weapon. I should
have thought of that.
(beat)
I suppose you'll destroy the
cauldron now.
TWO SHOT - XANATOS AND HUDSON
Hudson raises an eyebrow.
HUDSON
And why would I be doing that?
What you choose to do with
your life is your own affair --
as long as it's got nothing to
do with me.
ANGLE INCLUDES DOOR
Hudson backs toward the doors warily, sword ready. For once in his life Xanatos looks surprised.
XANATOS
You're just full of surprises.
ANOTHER ANGLE
Hudson reaches the doors. Stops and turns.
HUDSON
A friendly word of advice. True
immortality isn't about living
forever, man. It's about what
you do with the time you have.
(beat)
When all your scheming's done,
what will be your legacy Xanatos?
WIDE ANGLE
Hudson sheathes his sword, KICKS the doors open and runs O.S.
ON XANATOS AND OWEN
Owen pulls a pocket communicator from his coat, but before he can use it Xanatos puts a forestalling hand on his arm.
XANATOS
No. Let him go. He's earned it.
DISSOLVE TO:
EXT. ROOFTOP - NIGHT
The gargoyles and Elisa stand looking forlornly at "Hudson's" remains. The flying platform and the ruined Macbeth robot are nearby.
GOLIATH
Hudson was the greatest warrior
I have ever known. His loss
diminishes us all.
BROOKLYN
Yeah. Now I wish I'd... He was
one in a million.
As they speak, Hudson drops silently down INTO SHOT behind her. He grins as he hears the impromptu eulogies.
FAVOR LEX, BROADWAY AND ELISA
Holding back tears. From this angle we can't see Hudson.
LEXINGTON
He's forgotten more things than
we'll ever know.
ELISA
He was always there for us.
BROADWAY
I'm sorry, Hudson. I wish it
hadn't turned out this way ...
HUDSON (O.S.)
All things considered, I'm just
as glad it did, laddy.
The gargoyles and Elisa whip about in comical astonishment. REFIELD QUICKLY TO INCLUDE Hudson, leaning against a rooftop chimney and grinning widely.
FAVOR HUDSON
The others rush to his side.
GARGOYLES, ELISA
(walla)
Hudson --? What --? You're
not dead? I don't get it!
Hudson holds up a hand in a calming gesture.
HUDSON
It's a long story, and one
best told over a hot cup of
tea.
ANGLE INCLUDES STATUE RUBBLE AND "HUDSON" HEAD
Hudson turns and picks up the statue's head.
HUDSON
I think I'll keep this as a
souvenir. Not everyone can
reclaim their head after
losing it.
(beat)
Let's go home.
ON ROOF'S EDGE
The gargoyles glide into the night. Goliath carries Elisa.
CLAW WIPE TO:
EXT. DUNGEON - NIGHT
The cauldron still BUBBLES in b.g. Xanatos looks at it.
XANATOS
I was so close to finding out
if the legend was true. Now
there's no one to test it on.
REVERSE ANGLE
Owen crosses to the cauldron in f.g., pulling up his sleeve as he goes.
OWEN
Allow me, sir ...
CLOSE ON WATER
Owen plunges his fist into the "boiling" water.
TWO SHOT - OWEN AND XANATOS
Xanatos watches in surprise as Owen pulls his fist out. The fist is now solid stone. Owen reacts quite unemotionally. He TAPS it against the side of the cauldron.
OWEN
It would appear, sir, that
the cauldron's spell of
immortality has a price.
XANATOS
Yes ... what was the legend?
Whoever bathes in it "will live
as long as the mountain stones."
How literal-minded.
(beat)
Thank you, Owen. That will
be all.
He turns and walks O.S., leaving Owen standing there with his new stone hand. Owen calmly rolls down his sleeve and rebuttons his cuff as we
FADE OUT
THE END
"The Price": First Draft Script
In preparation for my episodic rambles, I usually post the memo I wrote to the story editor with notes on that editor's first draft outline. This time, on "The Price", there was no memo. The outline must have been in very good shape. So instead I thought I'd post a couple scripts. Usually, I can't do that because back then I tended to edit by hand, and have my script coordinator, Denise Byrne, enter my changes into the computer. But this time, for whatever reason, I did (at least some of) the changes myself, so I still have both drafts on my computer. This one here is Michael Reaves' first draft script. [Note: some or all of the formatting will likely be lost in posting it here at ASK GREG. Read this for content, not format.]
GARGOYLES
"The Price"
Written by:
Michael Reaves
[based on comic book material by Lee Nordling]
1st draft:
1/12/95
Story Editor:
Michael Reaves
WALT DISNEY TV ANIMATION
GARGOYLES
"The Price"
CAST LIST
REGULARS
GOLIATH
BROOKLYN
HUDSON - There is also a stone statue of Hudson in a typical sleep pose.
BROADWAY
LEXINGTON
ELISA
SEMI-REGULARS
XANATOS
OWEN
GUESTS
MACBETH Actually a robot, but visually indistinguishable from the real thing. He only speaks three lines, using them over and over.
NON-SPEAKING PARTS
MATT BLUESTONE Non-speaking cameo.
3 COMMANDOS
1 STEEL CLAN ROBOT
GARGOYLES
"The Price"
ACT ONE
FADE IN:
EXT. MANHATTAN SKYLINE - NIGHT - PANORAMIC POV
A spectacular gargoyle's eye view of the city, covered by a thick pelt of snow. CAMERA MOVES SLOWLY through the maze of skyscrapers. Below, headlights and neon signs play prismatic colors. An enchanting vista.
BROOKLYN (V.O.)
Boy, the city sure is different
when it snows.
TRACK WITH GARGOYLES
As GOLIATH, BROOKLYN, BROADWAY, LEXINGTON and HUDSON ride the night wind. Broadway hugs himself against the cold.
BROADWAY
Yeah -- it's colder.
FAVOR GOLIATH - PANNING
He permits himself a small smile at Broadway's discomfort.
GOLIATH
It's almost dawn, and we've
completed our patrol of the
city. Let's return to the clock
tower and a warm meal.
FAVOR LEXINGTON - PANNING
He looks contented.
LEXINGTON
Not a bad life, all things
considered ...
WIDE ANGLE - ALL
Suddenly an ELECTRO-BLAST CRACKLES THROUGH SHOT, missing them narrowly and causing them all to scatter.
GARGOYLES
(surprised cries)
TRACK WITH BROOKLYN
He recovers his equilibrium, looks O.S. and reacts in shock.
BROOKLYN
Yeah ...
HIS POV
of MACBETH, swooping around on a return path, riding a small open-air flying platform supported and propelled by a repulsor device.
BROOKLYN (O.S. CONT'D)
Too bad it's about over!
WIDE ANGLE - INCLUDE OTHERS
Hovering as Macbeth heads toward them again, aiming one of his ray guns. (NOTE: We will learn later that this Macbeth is a robot, one of several constructed by Xanatos. For now, treat him as the real thing.)
HUDSON
(shocked)
Macbeth!
They scatter as another RAYBLAST RIPS THROUGH SHOT.
TRACK WITH GOLIATH
He folds his wings, drops, peels out O.S. During this:
GOLIATH
Spread out! Attack formation
Spartacus!
EXTREME WIDE
The gargoyles split into two groups and swoop toward Macbeth from opposite directions in a pincers strategy.
MACBETH
You'll have to do better than
that!
ANOTHER ANGLE
Macbeth's platform suddenly shoots straight up out of the gargoyles' paths. Our guys only manage to avoid colliding with each other by adroit maneuvering.
GARGOYLES
(startled cries)
FOLLOW MACBETH
He does a steep glide and turn, FIRING down O.S. as he does.
TRACK WITH GOLIATH
He narrowly dodges a CRACKLING RAY. As he flies:
GOLIATH
Why do you attack us? What do
you want?
ON MACBETH - FLYING
Intent, murder in his eyes. He raises the gun again.
MACBETH
I want your hides for trophies!
He sends a ray CRACKLING directly at us.
REVERSE ANGLE - LEXINGTON AND BROOKLYN
The ray ZAPS both of them, causing them to fall O.S.
LEXINGTON, BROOKLYN
(stunned grunts)
ON HUDSON AND BROADWAY
Reacting in shock. They dive down O.S.
ON LEXINGTON AND BROOKLYN
Semi-stunned, dropping in steep glides, about to lose consciousness entirely. Broadway and Hudson swoop INTO SHOT, Broadway grabbing Lexington and Hudson grabbing Brooklyn.
HUDSON
(straining)
Easy, lads -- we've got you --!
ANGLE INCLUDES ROOF
They glide to it and deposit their stunned comrades safely on a snow-covered ledge. (STORYBOARD NOTE: During these last few shots the eastern horizon is starting to glow with daylight.)
FOLLOW GOLIATH
He catches an updraft and wheels about, heading back.
TRACK WITH MACBETH
As he flies. Suddenly Goliath, eyes white, drops down INTO SHOT above him, grabbing him from behind in a bear hug.
GOLIATH
(growls)
MACBETH
(startled grunt)
ANOTHER ANGLE
A massive ELECTRICAL JOLT from Macbeth's armor knocks Goliath O.S. He falls from the platform.
GOLIATH
(cry of pain)
ON SKYSCRAPER PINNACLE
Goliath manages to land atop the pinnacle of a building which rises to a needle-like spire. He grips the spire with one hand, head drooping in a dazed slump, looking like King Kong just before taking that final dive.
GOLIATH
(dazed groan)
TRACK WITH MACBETH
He zooms down, a small packet held in one hand. As he sails past the gargoyles on the roof he hurls the packet at Hudson, who's a bit separated from the other three.
ON HUDSON
Before Hudson can dodge, the packet hits him and BURSTS, scattering a sparkling mist all over him. He reacts in surprise and confusion.
HUDSON
(startled cry)
ON MACBETH
He turns on the platform and aims his ray gun down O.S.
MACBETH
Farewell, my enemies!
ANGLE INCLUDES
The trio in b.g., the ray gun and Macbeth's hand in EXTREME f.g. RACK FOCUS from the gun to them.
CLOSER ON BROADWAY
He reacts. He could save himself, but he won't leave his friends. (They're starting to revive, but won't recover in time.)
BROADWAY
(gasps)
ON GOLIATH
He reacts in horror as he sees the O.S. Macbeth's intention. His eyes blaze white.
GOLIATH
No!
Clinging to the pinnacle with one hand and both feet, he SNAPS off the six-foot long tip of the spire.
ANOTHER ANGLE
Goliath hurls the spire like a javelin with all his strength.
GOLIATH
(effort grunt)
DRAMATIC ANGLE - MACBETH
Just as he's about to trigger the ray gun the spire arrows INTO SHOT and SKEWERS him square in the chest! There's a bit of an ELECTRICAL DISCHARGE about the entry wound, nothing too noticeable; we assume it's his body armor shorting out. Macbeth stiffens, but does not cry out. He collapses over the control panel of his platform, sending it into a dive.
WIDE ANGLE
All the gargoyles (Lex and Brooklyn have recovered by now) stare in shock as the platform COLLIDES with a huge ornate stone gargoyle on the top of a nearby building and EXPLODES. Flaming debris rains down O.S.
ON GARGOYLES
Staring O.S. in disbelief. Flickering light from the twisted, flaming wreckage paints their faces and bodies.
LEXINGTON
I don't believe it.
BROOKLYN
Believe it. Macbeth's dead.
FAVOR GOLIATH
Staring grimly O.S. Behind him the sky is roseate with dawn.
GOLIATH
I had no choice. He would have
killed the three of you.
Hudson moves IN beside him, absently brushing at the sparkling dust on his hauberk as he speaks:
HUDSON
No one's questioning your act,
Goliath.
(beat)
We'd best prepare to sleep here.
Dawn is upon us.
WIDE ANGLE
The gargoyles assume threatening positions as the sun rises.
SLOW DISSOLVE TO:
EXT. NEW YORK SKYLINE - PANORAMIC VIEW - DAY (TIME LAPSE)
Let's try something difficult (and expensive): A TIME LAPSE shot showing the whole day compressed to a few seconds. Clouds boil and writhe across the sky, lights wink on and off in windows, shadows flow like spilled ink as the sun arcs quickly from east to west.(As if Frank didn't have enough to worry about ...) As evening shadows lengthen we
SLOW DISSOLVE TO:
EXT. BUILDING ROOFTOP - ON GARGOYLES - DUSK
Start with Goliath and PAN across the gargoyles as they each in turn SHATTER their carapaces and stretch in awakening.
GARGOYLES
(wake up)
PAN STOPS on Hudson; it's his turn to awaken. But nothing happens. The last flicker of sunlight disappears from his adamantine form. REFIELD TO INCLUDE the others, staring at him in stunned disbelief.
BROOKLYN
Hudson ...?
BROADWAY
What's wrong? Why doesn't he
wake up?
FAVOR GOLIATH
As he approaches, gingerly touching the old warrior's stone face. He's totally at a loss, and maybe there's just a bit of panic in his face and voice -- this is totally unprecedented.
GOLIATH
I-I don't know ...
CLOSER
He looks closer. The fading light shows some glittery powder on Hudson's granite shoulder.
GOLIATH (CONT'D)
Wait ... last night Macbeth
threw some kind of powder on
Hudson. Here -- see?
The others crowd around.
BROADWAY
That's right -- I saw it.
FAVOR LEXINGTON
He peers closely at the powder.
LEXINGTON
I don't think there's any 20th
century science that can turn
flesh to stone.
GOLIATH
Sorcery, then. Macbeth put a
spell on him.
WIDE ANGLE - ALL
Grouped around the stone Hudson.
GOLIATH (CONT'D)
And it's up to us to find a way
to break it.
BROOKLYN
Sure, but how? Macbeth's dead --
who else would know about the
spell?
FAVOR GOLIATH
Having come to a decision.
GOLIATH
Lexington and I will go to Macbeth's
mansion and search it. Perhaps he
left some clue there.
(beat)
Brooklyn, you and Broadway will
stay here and protect Hudson.
ANGLE INCLUDES ROOFTOP'S EDGE
Lexington and Goliath prepare for flight. Broadway puts a hand on Goliath's arm.
BROADWAY
(worried)
Goliath -- what if there is no
cure?
We can see that this has occurred to Goliath too.
GOLIATH
Then we will mourn our friend
and mentor.
DRAMATIC ANGLE
Goliath and Lexington take off from the rooftop and glide O.S. Broadway and Brooklyn watch them go.
CLAW WIPE TO:
EXT. MACBETH'S MANSION - ESTABLISHING - NIGHT
PUSH IN and
CUT TO:
INT. MANSION'S CONTROL ROOM - ESTABLISHING - NIGHT
As we last saw it in Episode #4319-008. Here we find BANQUO and FLEANCE (last seen in #4319-22), desultorily playing penny-ante poker. Behind them the monitor screens show various views of the grounds and mansion interior. Banquo tosses a coin on the pile. PUSH IN SLOWLY on them as they play.
BANQUO
Raise.
(beat)
Y'know, when we took this job,
BANQUO (CONT'D)
the Boss promised us lots of
action.
(looks around;
disgusted)
Right.
FLEANCE
Relax. After what happened with
them gargoyles last time I can
use a little peace and quiet.
(beat)
See you and raise.
ANOTHER ANGLE
He tosses two coins in. Banquo scowls and looks at his cards.
BANQUO
Okay, wise guy, whatcha got?
ANGLE INCLUDES MONITOR
Showing a view from the roof. Fleance grins and starts to lay his cards down.
FLEANCE
Read 'em and --
Suddenly an ALARM KLAXON SOUNDS and the words INTRUDER ALERT begin flashing in red over the roof view on the screen. PUSH IN quickly on the screen as Banquo and Fleance react and look. We can see the winged shape of Lexington silhouetted against the moon, approaching.
ON FLEANCE AND BANQUO
Startled at first; then they grin at each other.
FLEANCE
One'a those gargoyles.
BANQUO
All right. Payback. C'mon!
They head O.S. The door SLAMS. PUSH IN on another one of the monitors, this one covering one of the mansion's walls. We can see a shadowy shape climbing it. Another KLAXON SOUNDS and the red INTRUDER ALERT sign starts flashing on that screen too ...
CUT TO:
EXT. ROOF - NIGHT
The two electromagnetic cannons used in #4319-022 rise up from the roof as Fleance and Banquo dash IN and man one each.
ON FLEANCE
POWERING UP the gun. A green screen with a blip on it appears on a console before him.
FLEANCE
Be in range in forty seconds ...
Goliath's hand reaches IN behind him, grabs him by the collar and yanks him O.S.
FLEANCE (CONT'D)
(startled cry)
ON BANQUO
Also seated at the ray cannon. He turns, looks. ANGLE ADJUSTS TO INCLUDE the other cannon, now unmanned.
BANQUO
Hey! What in --?
He jumps out of his seat, fumbling for the gun on his belt. Before he can free it Fleance flies INTO SHOT, SLAMMING into Banquo and knocking him back against the cannon.
BANQUO (CONT'D)
(stunned grunt)
CLOSER
Fleance is out; Banquo dazed. He looks O.S. and reacts.
BANQUO
(cry of fear)
HIS POV
Goliath, face in shadow save for his glowing eyes. He looks quite fearsome. Lex glides IN and lands beside him.
GOLIATH, LEXINGTON
(growls)
ON BANQUO AND FLEANCE
Goliath steps IN, seizes Banquo by the shirt front and lifts him up. He gets in the terrified guard's face and growls:
GOLIATH
I want your master's collection
of magic spells -- now.
BANQUO
I-I dunno where it is! Macbeth
keeps 'em locked up. He-he ain't
been here for weeks!
GOLIATH
If you're lying --!
ANOTHER ANGLE
Banquo is obviously too scared to lie.
BANQUO
It's the truth! I don't know
where he is!
Goliath drops him on top of his unconscious comrade.
GOLIATH
Find another job. Macbeth
won't be coming back.
He and Lexington turn away as we
CUT TO:
EXT. ROOFTOP - NIGHT
Goliath and Lexington have joined the others and the stone Hudson.
GOLIATH
His lackeys say he hasn't been
there for weeks. There was no
time to search the entire place
before dawn.
BROOKLYN
But we've got to do something.
Hudson can't stay stone forever.
FAVOR GOLIATH
Looking very grim as he tries to think of a way to save his old friend. HOLD ON him, and then
CUT TO:
INT. CAGE
Large, like an old lion cage, lit by a single bulb. Where it's located is not immediately clear -- all is darkness about it. Within the cage is Hudson, flesh and blood and pissed as hell. (MODEL NOTE: Hudson does not have his sword.)
HUDSON
(raging)
You can't keep me in here
forever!
He grabs the bars; they deliver an ELECTRICAL SHOCK that knocks him back.
HUDSON
(cry of pain)
CLOSER ON HIM
Angrier than we've ever seen him.
HUDSON
I'll get out, d'you hear me?!
I'll get out, and when I do --!
He whips out his sword, brandishing it menacingly as we
FADE OUT
END ACT ONE
ACT TWO
FADE IN:
EXT. ROOFTOP - CONTINUOUS
Goliath and the others with the stone Hudson.
LEXINGTON
Brooklyn's right -- there must
be some way we can help.
GOLIATH
Broadway, Lexington -- remain
here with Hudson. Brooklyn --
return to the clock tower and
check the Grimorum. Perhaps it
contains a counterspell.
BROOKLYN
Right.
(beat)
What about you?
FAVOR GOLIATH
Looking even grimmer than usual.
GOLIATH
With Macbeth dead, only one other
knows enough about magic to help
Hudson.
INCLUDE OTHERS
They look at him like he's nuts.
BROOKLYN
(incredulous)
You can't ask Demona for help!
GOLIATH
There is no other alternative.
ON EDGE OF ROOF
Goliath prepares to take off.
BROADWAY
How will you find her?
GOLIATH
I'll find her. Somehow.
(beat)
And then perhaps I can --
bargain -- with her.
FAVOR LEXINGTON
Puzzled.
LEXINGTON
What could you offer Demona
to make her help you?
ON GOLIATH
We can see that it pains him to say this, but he says it with chilling determination.
GOLIATH
Her life.
WIDE ANGLE
Goliath and Brooklyn take off O.S. in different directions as we
CLAW WIPE TO:
INT. CAGE - HUDSON
We still don't know where we are. Hudson is pacing in his cage like a trapped tiger. An O.S. CREAK OF HINGES stops him. He looks O.S. and reacts grimly.
HUDSON
About time you came back.
ANOTHER ANGLE
We can tell now that we're in a dim-lit dungeon chamber. A shadowy figure approaches the cage as Hudson continues:
HUDSON (CONT'D)
Why did you kidnap me? What
d'you want of me?
ON SHADOWED FIGURE
Approaching. As he speaks he steps into the range of light from the cage's bulb and is revealed to be XANATOS. He's holding a small box in one hand.
XANATOS
Nothing much, Hudson. Just --
your skin.
TWO SHOT - XANATOS AND HUDSON
Hudson glares warily at Xanatos, sword still at the ready.
HUDSON
You'll have the devil's own
task getting it.
FAVOR XANATOS
Urbane and unconcerned as ever.
XANATOS
I need your help in conducting
an experiment. It's dangerous,
so I felt it necessary to insure
your cooperation.
HUDSON
Experiment? What kind of
experiment?
ANOTHER ANGLE
Xanatos makes a dismissive gesture.
XANATOS
I won't bore you with technical
details. If the procedure is
successful, I'll release you.
FAVOR HUDSON
He trusts Xanatos about as far as he can comfortably spit a rat.
HUDSON
And if it isn't ...?
CLOSE ON XANATOS
He smiles.
XANATOS
Then you'll have the privilege
of giving your life for science.
ANGLE INCLUDES HUDSON
Furious.
HUDSON
My clan will never rest until
they know where I am!
Xanatos is spectacularly unconcerned.
XANATOS
But they already know where
you are.
CLOSE ON HUDSON
Off his puzzled look, we PAN AWAY TO FRAME Xanatos as he opens the box and takes out a tiny statue of Hudson in sleep pose. He holds it up.
ANGLE INCLUDES HUDSON
Who stares at it.
XANATOS
This is just a sculptor's model,
of course. The real thing is
life-size -- and very life-like.
CLOSE ON HUDSON
He's screwed, and he knows it.
CUT TO:
EXT. EYRIE BUILDING - CASTLE COURTYARD - NIGHT
Xanatos and OWEN are conversing.
OWEN
The overseas shipment will
be here, but not before dawn.
CLOSER - FAVOR XANATOS
He's unusually excited. He slams a fist into a palm.
XANATOS
Very good, Owen. Now we have
to make sure the gargoyles don't
think to look here for Hudson. I
want them -- distracted.
ON OWEN
He nods slightly, poker-faced as usual.
OWEN
Understood.
SMASH CUT TO:
EXT. ROOFTOP - NIGHT
Where Lex and Broadway are guarding "Hudson". An ELECTRIC BOLT ZAPS the roof near them, scorching it and startling both of them.
LEXINGTON, BROADWAY
(surprised cries)
ANGLE INCLUDES
Macbeth, swooping toward them on another flying platform. Broadway and Lex are astounded to see that he's apparently risen from the dead.
LEXINGTON
It can't be! He's dead!
WIDE ANGLE
Macbeth ZAPS another bolt at them; this one comes perilously close to the Hudson statue. Both Lex and Hudson are forced to leap from the rooftop to avoid it.
BROADWAY
Well, for a ghost he sure
packs a wallop!
TRACK WITH GARGOYLES
As they swoop away from the rooftop.
BROADWAY
We've got to make him follow
us -- lead him away from Hudson!
Another POWER BOLT SCORCHES between them. They look back. REFIELD TO INCLUDE Macbeth, zooming after them.
LEXINGTON
I don't think that'll be a
problem!
ON MACBETH
He aims his weapon and FIRES again. During this:
MACBETH
I want your hides for trophies!
In the heat of battle, neither gargoyle notices that he says this exactly the same way he said it before; we should re-use the reading. Macbeth GAINS O.S. as we
CUT TO:
EXT. PRECINCT HOUSE - NIGHT
ELISA is just leaving, her shift over. MATT BLUESTONE parts company with her at the bottom of the steps.
ELISA
'Night, Matt.
EXT. PARKING LOT - NIGHT
Elisa is about to get into her car when a winged figure steps out from the shadows of the building.
ELISA
(surprised)
Goliath?
ON GOLIATH
He joins Elisa, glancing about to make sure they're alone.
ELISA
What's up?
ANOTHER ANGLE
Before Goliath can reply Brooklyn drops down INTO SHOT, landing next to them. Elisa reacts.
BROOKLYN
(to Goliath)
Figured I'd find you here.
(beat)
Nothing in the Grimorum that'll
help us.
FAVOR GOLIATH
He nods; the news is disappointing but not unexpected. He turns back to Elisa.
GOLIATH
We need your help finding
someone.
ELISA
Sure, you got it. Who you
looking for?
CLOSER - FAVOR BROOKLYN
Obviously not at all in favor of this.
BROOKLYN
(disgusted)
Believe it or not -- Demona.
REACTION SHOT - ELISA
She is, of course, quite taken aback.
ELISA
Must be important.
(beat)
You gonna tell me why?
FAVOR GOLIATH
We see he wants to, but:
GOLIATH
There's no time. But it's
imperative that we find her.
ELISA
We don't have any files on her;
most people don't even know she
exists. Finding her could take
weeks.
ANGLE INCLUDES
the brightening eastern horizon. Goliath glances at it.
GOLIATH
Do what you can -- please.
(beat)
I must go.
He and Brooklyn turn away, then stop as they and Elisa hear over Elisa's car radio:
DISPATCH (V.O.)
All units. Aerial disturbance at
South and Caroline streets. Laser
fire reported; use caution.
ANOTHER ANGLE
Elisa, Goliath and Brooklyn look at each other.
BROOKLYN
That's not far from where we
left Hudson!
GOLIATH
Take to the air -- quickly!
ANGLE INCLUDES BUILDING
The two gargoyles climb swiftly up the side, digging holes in the masonry with their claws. APPROPRIATE SFX. PAN TO Elisa as she turns and dashes for her car.
CUT TO:
EXT. WAREHOUSE DISTRICT - ESTABLISHING - NIGHT
A dark and dreary area, the deserted streets narrow and winding, with tall dark warehouses lining them. VERT. PAN UP TO FRAME Lexington and Broadway, fleeing for their lives, as another ELECTRICAL BOLT ZAPS a brick wall near them, SHATTERING it.
ANGLE INCLUDES MACBETH
Zooming along on his flying platform in close pursuit. We can see that the eastern sky is lightening.
MACBETH
Farewell, my enemies!
Again, the line is spoken exactly as previously.
TRACK WITH LEXINGTON AND BROADWAY
Flying through the narrow streets like Luke zooming along the Deathstar trench.
LEXINGTON
At least we led him away from
Hudson!
BROADWAY
Yeah -- now if only someone'd
lead him away from us!
ON LEXINGTON - FLYING
His expression becomes determined.
LEXINGTON
It's almost dawn -- and then
we'll be sitting ducks!
ANGLE WIDENS as he does a barrel roll, looping up in a backwards arc. During the next few shots we should be seeing the sky growing lighter and lighter.
LEXINGTON (CONT'D)
(battle cry)
ON MACBETH - FLYING
As Lex comes swooping down behind Macbeth, the latter turns and lines up on him with his weapon.
MACBETH
You'll have to do better than
that!
ANOTHER ANGLE
Just before Macbeth fires, however, Broadway CRASHES into him from behind. Macbeth does not cry out from the impact (he's a robot, remember?), nor is he knocked down as we would expect a human to be. Instead he turns and grapples with the surprised Broadway.
BROADWAY
(grunt of surprise)
ANGLE INCLUDES LEXINGTON
swooping down toward them; he reacts in astonishment as Macbeth picks up Broadway and hurls him from the careening platform.
BROADWAY
(surprised cry)
TRACK WITH BROADWAY
He pops open his wings, catches air, slowing his drop. As he does so, he looks up and reacts in surprise as he sees:
LOW ANGLE - MACBETH'S FLYING PLATFORM
Just in time for Lex to sail IN and be BATTED aside like an annoying insect by Macbeth's one-armed blow.
LEXINGTON
(stunned grunt)
ON BROADWAY
He lands on the fire escape next to a crane which holds a huge shipping crate on the end of its cable. The building has a sign on the building's wall that reads ROYAL PERSIAN CARPETS. We can see the street; at the far end of it Elisa's car SCREECHES around the corner and heads toward us.
ON LEXINGTON
Rising on a thermal while he recovers from Macbeth's blow.
LEXINGTON
(groans)
ON TOP OF NEARBY BUILDING
Goliath and Brooklyn sail IN and land on the ledge, looking about for their clan mates. The world is trembling on the edge of dawn. Goliath points O.S. in astonishment.
GOLIATH
Over there!
ANGLE INCLUDES MACBETH
Turning his platform to come back for another shot at Lex.
GOLIATH (O.S. CONT'D)
Macbeth -- still alive?!
ZAP! Macbeth FIRES O.S.
ON LEXINGTON
The BOLTS SCORCH the air directly beneath him, forcing him to rise higher and higher.
ON GOLIATH AND BROOKLYN
Goliath prepares to leap into the air, but Brooklyn grabs his arm and points O.S. eastward in horror.
BROOKLYN
Goliath!
ANGLE INCLUDES
The horizon, where the molten edge of the sun has appeared across the East River.
RESUME GOLIATH AND BROOKLYN
The PETRIFACTION starts, moving swiftly up their bodies. Goliath stares up O.S., struggling against the inevitable.
GOLIATH
(strains)
Lexington --!
And then he is stone, as is Brooklyn.
ON LEXINGTON
ON THE CUT he TRANSFORMS also, and drops like -- well, like a rock.
ON BROADWAY AND ELISA
Elisa now standing beneath Broadway, both of them staring up in horror. Broadway has an extra second of consciousness before the terminator moves down the building and envelopes him -- just long enough to see his friend plummeting toward certain death.
BROADWAY
No!!
Then he TRANSFORMS.
ON ELISA
In shock as she watches Lexington falling.
HER POV - LEXINGTON
Falling straight toward us as we
FADE OUT
END ACT TWO
ACT THREE
FADE IN:
EXT. WAREHOUSE DISTRICT - LOW ANGLE SHOT - DAWN - CONTINUOUS
The stone Lexington falling right INTO CAMERA.
ON ELISA
She's only got a couple of seconds to come up with something. She looks frantically this way and that, then spies something O.S. (Needless to say, these scenes must play like lightning.)
HER POV - SHIPPING CRATE
The huge shipping crate at the end of the crane cable, level with the second story of the building. ZOOM IN on the box's side, where the words ROYAL PERSIAN CARPETS are stenciled.
ON ELISA
She whips her gun from its shoulder holster, aims and FIRES up O.S. repeatedly, emptying the clip.
CLOSE ON CRANE BOOM
She's a helluva shot -- the bullets STRIKE the hoist cable at the pulley junction, its weakest point. The cable SNAPS; PULL BACK TO WIDE as the crate falls and SHATTERS on the street, releasing its cargo: a couple of dozen rolled up thick carpets. They barely have time to hit the street in a pile six feet thick before Lex CRASHES down on top of them, bounces, lands again on the very edge of the pile and lies still.
ANOTHER ANGLE
Elisa races to Lexington's side. His stone form is unharmed.
ELISA
(big sigh)
CLOSER ON HER
She remembers Macbeth and looks up O.S.
HER POV - SKY
We can see Macbeth zooming away on his platform.
RESUME ELISA
Watching him go.
CLAW WIPE TO:
EXT. EYRIE BUILDING - CASTLE COURTYARD - DAY
Where Xanatos and Owen are looking at a large wooden crate sitting on the flagstones. They each use a crowbar to lever the top open. The wood falls away with a CRASH.
ANOTHER ANGLE
Showing us -- and the two men -- what's inside the crate: a huge iron cauldron, obviously very old.
OWEN
Might I ask what it is?
FAVOR XANATOS
He runs his hand over the cauldron's lip. We can see Celtic runes engraved along the iron side.
XANATOS
The Cauldron Of Life.
WIDE ANGLE
Xanatos SNAPS a finger and several FLUNKIES come forward and begin DISMANTLING the crate. This action continues in b.g. as Xanatos and Owen walk away.
XANATOS (CONT'D)
I learned about it from ancient
Celtic texts. The legend says
it grants to whoever bathes in
it "a life as long as that of
stone itself."
OWEN
Ah. Your interest in it now
becomes clear.
XANATOS
Exactly. What good are all the
riches on Earth if Fox and I
are not around to enjoy them
forever?
CUT TO:
INT. GREAT HALL - DAY
Xanatos and Owen walk IN cross to the elevators.
OWEN
These ancient spells are often
dangerous. Our experience with
the Eye Of Odin proves that.
CLOSER ON THEM
The elevator doors open and they step in. As the doors close:
XANATOS
Which is why we'll test it
first.
CUT TO:
INT. DUNGEON - ON CAGE
Which contains the now-stone Hudson. REFIELD TO INCLUDE elevator doors, which open to reveal Owen and Xanatos. They
cross to the cage. During this:
XANATOS
Gargoyle physiology is similar
enough to humans to make
Hudson a good test subject.
CLOSE ON CAGE
On the floor of the cage we can see several shards of stone epidermis that Hudson shed the previous night. Xanatos' hand reaches IN and picks one up. PULL BACK TO INCLUDE him and Owen as he holds it up to examine it.
XANATOS (CONT'D)
Also, one of the key ingredients
for the cauldron's brew is the
stone skin of a gargoyle.
OWEN
Quite expedient.
XANATOS
Yes. And if the old gargoyle
is made young again, we'll
know it works.
ANOTHER ANGLE
Owen checks his watch.
OWEN
A pity we'll have to wait
twelve hours to test it.
ON XANATOS
Eyes all but glowing in anticipation.
XANATOS
Twelve hours isn't too long
to wait for eternity.
DISSOLVE TO:
EXT. WAREHOUSE ROOF - DUSK
Where the stone statues of Brooklyn and Goliath have been joined by Lexington and Broadway. Elisa is there waiting for them to wake up.
ANOTHER ANGLE
The sun vanishes beyond the western horizon and the four gargoyles SHATTER their stone skins and awaken.
BROOKLYN, GOLIATH, LEX, BROADWAY
(wake up)
FAVOR GARGOYLES
Lex's clan mates are surprised and overjoyed to see him. Lex is no less surprised at being there.
LEXINGTON
Hey -- I'm still alive!
BROOKLYN
It's a miracle!
Goliath looks over at Elisa, who smiles.
GOLIATH
Yes -- a miracle named Elisa.
WIDE ANGLE - ALL
The gargoyles crowd around Elisa.
LEXINGTON
How'd you save me from
shattering?
ELISA
That was easy. The hard part
was convincing the rug merchant
to have you and Broadway put up
on the roof.
(beat)
Now; I think I've earned the
right to know what's going on.
FAVOR GOLIATH
He picks Elisa up in his arms.
GOLIATH
We will show you.
CLAW WIPE TO:
EXT. ROOFTOP - NIGHT
Where "Hudson" keeps his lonely stone vigil. The gargoyles land, Goliath setting Elisa down. She's astonished.
ELISA
He's still stone!
ANOTHER ANGLE
Elisa touches "Hudson", unable to believe this.
ELISA (CONT'D)
But it's night time.
GOLIATH
Precisely. Macbeth put a spell
on him.
BROADWAY
We haven't figured out why --
or why he keeps attacking us.
FAVOR GOLIATH
Thinking hard about it.
GOLIATH
It's almost as though he's trying
to keep us off guard while
something else goes on ...
ANOTHER ANGLE - ALL
A POWER BOLT from O.S. SHATTERS the edge of the roof, nearly toppling them all into the street.
GARGOYLES, ELISA
(surprised cries)
WIDE ANGLE
Here comes Macbeth again, FIRING furiously.
MACBETH
Farewell, my enemies!
ON GARGOYLES AND ELISA
Elisa dives for cover behind a brick chimney, pulling her gun as she does so. The gargoyles take to the air as more BOLTS ZING THROUGH, some coming perilously close to Hudson.
AERIAL SHOT - WIDE
The gargoyles circle Macbeth, avoiding the POWER BLASTS.
GOLIATH
Keep him away from Hudson!
ON ELISA
Lying behind the chimney, unable to get a clear shot. She ducks and covers as another nearby BLAST PEPPERS the chimney with stone shrapnel.
CUT TO:
INT. GREAT HALL - NIGHT - CONTINUOUS
The Cauldron now sits in the center of the Hall, filled with water. Xanatos and Owen watch. Hudson is there, arms held by a Steel Clan robot. Xanatos holds a handful of stone skin fragments in one hand and Hudson's sword in the other.
XANATOS
Now for the final ingredient ...
CLOSE ON CAULDRON
He tosses the fragments in the water, and they DISSOLVE in a mystical flash. A beat; then, though no fire burns beneath the cauldron, the water apparently begins to BOIL.
FAVOR XANATOS AND HUDSON
Xanatos turns to the old gargoyle.
XANATOS
Time for your bath, Hudson.
CUT TO:
EXT. ROOFTOP - NIGHT - CONTINUOUS
A POWER BOLT KNOCKS Broadway and Brooklyn out of the sky.
BROADWAY, BROOKLYN
(impact grunts)
They land on the roof's edge, half-stunned.
ON GOLIATH AND LEXINGTON
Swooping around for another pass. BOLTS SIZZLE THROUGH SHOT.
ON HUDSON STATUE
The POWER BOLTS are coming closer to it.
QUICK CUT - ELISA
She sees what's going to happen and reacts in horror.
QUICK CUT - LEXINGTON
He has the same reaction, but is too far away to do anything about it.
LEXINGTON
(gasps)
ON GOLIATH
Arrowing straight toward us, hands outstretched.
GOLIATH
Hudson --!!
ON "HUDSON"
As a POWER BOLT STRIKES the statue squarely, BLOWING it to hell and gone.
REACTION SHOT - GOLIATH
Utterly horrified, as we
SMASH CUT TO:
INT. GREAT HALL - NIGHT - CONTINUOUS
The robot lifts Hudson from behind. Hudson struggles futilely.
HUDSON
(struggles)
WIDE ANGLE
The robot carries him toward the cauldron as we
CUT TO:
EXT. ROOFTOP - NIGHT - CONTINUOUS
The dust still settling from the destruction of the statue. Goliath drops INTO SHOT beside the fragments.
ON GOLIATH
His eyes blaze white. He is in a killing rage, angrier than we have ever seen him before. He glares up O.S. Another POWER BOLT BLISTERS the roof right next to him, but he doesn't even notice it. With a:
GOLIATH
(scream of rage)
he leaps from the roof and soars up O.S.
ON MACBETH
FIRING O.S. at the oncoming juggernaut.
ON GOLIATH - FLYING
He takes an almost-direct HIT by a BOLT; it knocks him back, but he flaps his wings and recovers, gets back on track.
GOLIATH
(growls)
He's HIT again, but nothing can stop him.
WIDE ANGLE - MACBETH'S FLYING PLATFORM
Goliath muscles his way through another BLAST by sheer force of will and lands on the platform.
CLOSER
Before Macbeth can fire again Goliath tears the weapon from his hands and CRUSHES it.
ANOTHER ANGLE
Goliath's to angry to notice Macbeth's lack of fear. He grabs the robot, sustaining a massive SHOCK doing so. But he doesn't let go. Holding on with one hand, ELECTRICITY CRACKLING the length of his arm, he cocks the other fist back.
GOLIATH
Murderer!!
CLOSE ON THEM
As Goliath SMASHES a piledriver blow straight into Macbeth's chest, CRUSHING it. Circuitry SPARKS, FLASHES. Macbeth spasms as his system shorts out. When he speaks his voice RUNS DOWN like a slowing tape:
MACBETH
You'll have ... to do ...
better ... than ... that ...
Goliath stares in disbelief.
CUT TO:
INT. GREAT HALL - NIGHT - CONTINUOUS
Hudson's about to be dumped in the cauldron. He struggles.
HUDSON
(struggles)
FAVOR XANATOS
He holds up the sword tauntingly.
XANATOS
Relax, Hudson. Without your
sword, you're helpless.
CLOSE ON HUDSON
And we see that his struggles mask the sight of one hand reaching beneath his hauberk and pulling out a long sharp shard of epithelial stone.
HUDSON
Weaponless, maybe ...
WIDE ANGLE
As Hudson whips his arm around, driving the shard back directly into the face plate of the robot behind him. The robot SHORTS OUT spectacularly and falls away. During this:
HUDSON (CONT'D)
Helpless, never!
ANOTHER ANGLE
With one side free, Hudson drops his feet on the cauldron's side, balancing on the narrow lip, then leaps forward.
HUDSON
(battle cry)
PAN WITH HIM as he does a forward flip over the cauldron, wings folded, and IMPACTS feet-first squarely into Xanatos, KNOCKING the latter O.S. Owen reacts in surprise.
XANATOS
(impact grunt)
ON WALL
Xanatos SLAMS against it, dropping Hudson's sword. He then slides down to sprawl on the floor, stunned.
XANATOS
(stunned grunt)
ON HUDSON AND OWEN
Hudson grabs up his sword and whips about to face Owen. He points a warning finger at Xanatos' charge d'affaires.
HUDSON
Behave yourself, boy.
It's a Mexican stand-off for a beat, then:
ANGLE INCLUDES DOORS
Which SMASH open, revealing Goliath, Lexington, Broadway and Brooklyn, all of them decidedly pissed off.
GOLIATH
Xanatos, you will pay for --
He breaks off in astonishment at the sight of Hudson, alive and well.
BROOKLYN
Hudson?!
ANOTHER ANGLE
Hudson's clan mates rush to him.
HUDSON
It's about time you showed up.
LEXINGTON
We thought you were dead!
BROADWAY
We saw Macbeth shatter you!
BROOKLYN
Yeah -- we left Elisa to guard
your remains.
FAVOR HUDSON
He's got no idea what they're talking about.
HUDSON
Macbeth? Remains? Have ye all
gone daft?
FAVOR GOLIATH
He notices Owen, standing by Xanatos' stunned form and speaking sotto into a cellular phone.
GOLIATH
I think explanations had best
wait. Come!
CUT TO:
EXT. EYRIE BUILDING - CASTLE - NIGHT
The gargoyles leap from the battlements and soar away over the city just as several of Xanatos' COMMANDOS rush IN. They FIRE LASERBLASTS after them, but it's too late.
DISSOLVE TO:
EXT. ROOFTOP - NIGHT
Elisa stands looking forlornly at "Hudson's" remains. The flying platform and the ruined Macbeth robot are nearby.
ELISA
I'm sorry, Hudson ... I wish
it hadn't turned out this
way ...
As she speaks, the gargoyles drop silently down INTO SHOT behind her. Hudson now has his sword in his belt. They grin as they hear Elisa's words.
HUDSON
All things considered, I'm
glad it did, lass.
ANOTHER ANGLE
Elisa whips about in comical astonishment.
ELISA
Hudson --? What --? You're
not --?
HUDSON
It's a long story, my bonnie,
and one best told over a hot
cup of tea.
WIDE ANGLE
Goliath scoops Elisa up. Hudson picks up the statue's head.
HUDSON
I think I'll keep this as a
souvenir. Not everyone can
reclaim their head after
losing it.
ON ROOF'S EDGE
The gargoyles glide into the night, Goliath holding Elisa.
WIPE TO:
EXT. GREAT HALL - NIGHT
Owen is helping Xanatos to his feet. The cauldron still BUBBLES in b.g. Xanatos is angry.
XANATOS
Blast it! I was so close to
finding out if the legend was
true. Now there's no one to
test it on.
REVERSE ANGLE
Owen crosses to the cauldron in f.g., pulling up his sleeve.
OWEN
Allow me, sir ...
CLOSE ON WATER
Owen plunges his fist into the "boiling" water.
TWO SHOT - OWEN AND XANATOS
Xanatos watches in surprise as Owen pulls his fist out. The fist and arm are now solid stone up to the cuff's edge. Owen reacts quite unemotionally to this.
OWEN
It would appear, sir, that
the cauldron's spell of
immortality has a price.
XANATOS
Yes ... what was the legend?
"A life as long as that of
stone itself."
(beat)
Thank you, Owen. That will
be all.
He turns and walks O.S., leaving Owen standing there with his new stone hand as we
FADE OUT
THE END
ROSWELL CONSPIRACIES: 3rd & 4th Chunk
Here's a couple more chunks from the 1998 Roswell Conspiracies Bible...
3rd Chunk:
EURASIA - 1944
In the last year of World War II, a select group of Allied Intelligence operatives stumbled upon a threat to the planet Earth that would make the War seem like a church social.
Aliens -- extraterrestrials from half a dozen different planets --had invaded our world. Some of them had been here for centuries. Some could pose or pass as humans. Some had infiltrated our governments and institutions, insinuating themselves into positions of power throughout the world.
Leaders of four of the most prominent alien races had formed a CADRE. Using the chaos caused by the War, the Cadre was positioning itself to take our planet for themselves.
Fortunately, their plan was discovered by O.S.S. agent Warren Burdette. Burdette's only problem was that no one believed him. Still, he was determined to save humanity despite itself. He gathered evidence -- some of it living.
An earlier, more mundane intelligence operation had once resulted in Burdette saving the life of WINSTON CHURCHILL. Burdette called on Churchill again and presented his evidence. Churchill was convinced. He contacted FRANKLIN ROOSEVELT and "THE GLOBAL ALLIANCE" (T.G.A.) was officially chartered. At the time, it consisted of only two nations, the United States and Great Britain.
Burdette was named the Alliance's first NIGHT OFFICER, (a euphemism for Head Honcho). His team consisted of an elite group of spies, soldiers and scientists from both nations, as well as a few aliens with an interest in seeing the Cadre defeated. Early operatives included:
--Lieutenant William Hawking, British Intelligence;
--Doctor Michael Tyler, a British Biologist;
--Colonel Joseph Ten-Samsons, an American Fighter Pilot;
--Sergeant John Gerald McKay, an American Army Commando;
--Doctor Segundo Vasquez, an American Physicist;
--Aidan Maguire, an alien of the Sidhe race;
--Ya-Tuk, an alien of the Qua-Yeti race.
Burdette's first mission was to stop the Cadre. This was accomplished most elegantly by turning the four member races against each other. In September, 1945, after a final battle in the Himalayas, the Cadre was finally smashed.
But the Alliance's work had only just begun. Now that the Wars (both Wars) were over, the Alliance needed a permanent base to carry out their on-going mission: to protect Earth from both its alien inhabitants and any future invaders. All without panicking the human population of the planet.
1946 was spent preparing for this new scenario.
A site for the base was chosen in an intentionally unlikely location: Roswell, New Mexico -- the home town of Joseph Ten-Samsons.
Segundo Vasquez bought a ranch using Alliance money.
Jack McKay came to town from Texas. Word "somehow" got out that he was a war hero, and when he ran for Sheriff, he won handily. He hired Joseph Ten-Samsons as his deputy.
Will Hawking and Michael Tyler were carefully trained to speak "American." Tyler was given a new identity as a U.S. Army surgeon. Hawking was made a Captain in the U.S. Air Force. He was assigned to Walker Air Force Base.
Burdette became an instant Two-Star General.
British spy (and new recruit) Trish Ainsley became a wire service reporter.
By now, it was June, 1947. The stage was set.
4th Chunk:
THE BIG LIE
The Lie was designed to operate on four levels in order to achieve three objectives:
Level #1: An incident is created that presents a plausible scenario, including witnesses and some evidence, for the limited arrival of intelligent alien life on our planet.
Level #2: An equally plausible counter-scenario is offered, including witnesses and some evidence, detailing a mundane explanation for the same events.
Level #3: In order to explain discrepancies between the first two levels, Level #1 is embellished with supplementary testimony in order to suggest that a government cover-up and conspiracy exists designed to hide any evidence of alien contact.
Level #4: None of these scenarios are completely plausible. None are completely without the ring of truth. None of the pieces fit perfectly. No theory or explanation is beyond reproach. The evidence is limited, inaccessible and/or unreliable. Witnesses appear and disappear. They change their stories. Nothing is made 100% clear.
Objective A: People who are inclined to believe in an alien visitation are given a safe (and inaccurate) outlet for their curiosity. They can believe in aliens, be paranoid about conspiracies and investigate both to their hearts' content without ever getting close to the actual truth.
Objective B: People who are disinclined to believe in the paranormal are offered a suitable explanation and an excuse to regard anyone who does believe as a fanatic.
Objective C: In general, the sum total of all this is such a quagmire that most people -- even if they believe in the possibility of alien visitation and/or government conspiracy -- will quickly lose interest and simply go on with their daily lives.
To date, few government programs in history have been quite so successful at meeting all of their objectives as the Big Lie.
****************
ROSWELL CONSPIRACIES BIBLE - 2nd Chunk
That first chunk was pretty short. Hardly enough to pique your interest. So here's another piece...
ROSWELL, NEW MEXICO - June 14, 1947.
Rancher SEGUNDO VASQUEZ is sitting on his porch admiring the quiet desert night. Something, something fast, streaks across his field of vision. A shooting star? He's not sure. He doesn't get a good look. He stands and scans the sky. Suddenly a fiery explosion lights up the night! Now Vasquez can see flaming debris crashing to the Earth a few miles away. Thinking an airplane has gone down, he makes a quick call to the Sheriff, then gets in his pick-up truck and heads out into the desert to see if he can find any survivors.
Roswell Sheriff JACK MCKAY and his Deputy JOSEPH TEN-SAMSONS arrive on the scene an hour after Vasquez. McKay immediately radios his dispatch and has them connect him to WALKER AIR FORCE BASE.
Air Force Captain WILL HAWKING is dispatched to the site of the crash, with a full platoon of men.
The next morning, June 15, the news services report that a U.F.O. has crash-landed on the Vasquez Ranch near Roswell, New Mexico. Captain Hawking is quoted, and he confirms the story later that day.
June 16. The Air Force releases a correction. Two-Star General WARREN BURDETTE explains that Captain Hawking was mistaken. What he took for a U.F.O. was actually a weather balloon. Hawking cannot be reached for comment. And the Vasquez Ranch is off-limits to all non-military personnel.
July 7. The U.S. Armed Forces finally pulls its last transport out of Roswell. On July 8, in a SANTA FE motel room, Captain Hawking speaks to wire service reporter TRISH AINSLEY. Hawking maintains his original story. He saw a "saucer-shaped" vehicle broken into two distinct pieces with assorted small debris. He saw one corpse and one badly injured survivor. But neither individual was human. Their skin was grey. Their heads were disproportionately large. So were their eyes. They had no ears or nose or teeth. They had two long fingers and a thumb on each hand. Neither was over five feet tall. There's no doubt in Hawking's mind that what he saw was extra-terrestrial. An ALIEN SPACECRAFT from another world that had crashed on our planet, killing one occupant and injuring the other. Hawking claims that the U.S. Military knows all of this and is covering it up. They have removed the bodies and every trace of debris from the Vasquez ranch. Ainsley tries to get Hawking to call the aliens "Martians". She tries to get him to speculate as to what the government has done with the craft and the bodies. Hawking refuses to take the bait. He saw what he saw. The rest is as much of a mystery to him as to anyone. That night, Ainsley turns in her story. But her employers -- calling it preposterous -- refuse to put it on the wire.
July 9. Seven hours after the story is rejected, Captain Hawking resigns his commission. He phones Ainsley and tells her the resignation was less than voluntary. Then, he disappears.
July 16. Ainsley contacts Segundo Vasquez. But he won't talk to her. Won't even let her on the property. She goes to the Sheriff's office and speaks to McKay. McKay confirms the official version. He had seen everything Hawking had seen. There were no bodies. And the shattered craft was a weather balloon. McKay's deputy sits silently and listens to his boss speak. When Ainsley turns to Ten-Samsons, he simply stares back at her. He won't confirm. He won't deny. He won't open his mouth at all. That night, she confronts him in a local bar. He's silent. She presses. Finally, he speaks: "Don't ask me to talk to you. I have a son that I love." He leaves the bar. Ainsley doesn't follow.
But Trish Ainsley continues to pursue the story, to the detriment of her legitimate career as a journalist. Years pass, but she tracks down every army grunt who had ever set foot in Roswell, New Mexico. Most won't talk to her, and the few who will won't say anything on the record. But she begins to piece it together.
March 10, 1955. Following up on an anonymous tip, Ainsley finds an Army Surgeon, MAJOR MICHAEL TYLER, who claims to have seen and worked on the two recovered aliens.
January 4, 1961. Joseph Ten-Samsons dies of cancer.
December 12, 1961, Segundo Vasquez is on his deathbed, another cancer victim. Trish Ainsley arrives and speaks to him before he passes away early in the morning of December 13.
1964. Dr. Tyler retires from the U.S. Army and then seems to vanish off the face of the Earth.
Then in July, 1971, Will Hawking resurfaces after over two decades in hiding. Together, Hawking and Ainsley write a book: THE ROSWELL CONSPIRACIES.
May 1, 1972. Two weeks before the book is scheduled to be published, Trish Ainsley dies in a car accident. Hawking disappears again.
May 18, 1972. Nevertheless, the book is published. It reiterates Hawking's original story and expands upon it, using material that Hawking gathered while underground, combined with interviews that Ainsley had conducted over the last twenty plus years. These interviews include a startling 1961 deathbed confession from Segundo Vasquez, confirming Hawking's version of events. Vasquez explained his previous silence by detailing numerous threats against and attempts upon his life. He also hinted that his cancer was the result of his exposure to the broken and glowing alien spaceship all those years ago. Finally, Ainsley also claimed that in his last moments, Segundo had given Ainsley a piece of twisted metal from that craft that was clearly extra-terrestrial in origin.
The book also included Dr. Tyler's description of the alien autopsy, as well as his attempts to resuscitate the second, injured, alien. When it seemed certain that those attempts were failing, Dr. Tyler had been instructed to place both the dead alien and his still-breathing companion in cryogenic stasis. As late as 1963 (the last time either Hawking or Ainsley had seen Tyler), both alien popsicles were still in the custody of the Joint Chiefs.
The Roswell Conspiracies causes a minor sensation. It is on the non-fiction best-seller list for four weeks, peeking at #7. Although few legitimate scientists take it seriously, the Air Force issues an immediate and all-encompassing denial on June 2.
June 14, 1972. On the twenty-fifth anniversary of the Roswell Crash, Sheriff McKay actually holds a (fairly well-attended) press conference to debunk the book's findings. He reiterates his own version of events: simply put, there was a fallen balloon and some high-tech military debris on the Vasquez Ranch. Although, McKay doesn't pretend he could identify every bit of it, there was certainly nothing alien in it's design. And he literally scoffs at the notion that there were any bodies (living, dead, alien or human). The idea that exposure to the downed craft was carcinogenic seems to be belied by his own robust good-health.
At the press conference, McKay is joined by MARIA VASQUEZ DIENER, Segundo's daughter. Maria confirms that Ainsley had spoken with her father the night before he died. But Maria claims that in his delirium, her father spoke only in Spanish. Ainsley had admitted at the time that her command of that language was limited at best, but she nevertheless insisted on speaking to Segundo alone. Thus no one else heard this so-called confession, and the book gives no indication as to what language Segundo was using when he spoke these "startling revelations".
Maria is questioned about the piece of "alien metal" that her father supposedly gave to Ainsley. She confirms that her father had kept a piece of wreckage from the crash as a souvenir. This was no secret to his friends or family. It had been sitting on his mantel for over a decade. The Air Force had allowed him to keep it, so it couldn't have been too startling in anyone's version of events. A few days after the funeral, Maria noticed that the relic was missing. She can now only assume that Ainsley stole it. McKay chimes in with an observation. He acknowledges that Ainsley's death is a tragedy, but since the chunk of metal was conveniently missing from her effects, legitimate science has been prevented from examining it to confirm (or dispute) her conclusions.
At this point, reporter NICK KATERAS asks McKay if the timing of Ainsley's death isn't extremely suspicious. McKay agrees that it is. He's checked into it. Ainsley's body was cremated within 48 hours of her death, and the only person who identified that body was the now missing Hawking. McKay can't help wondering if Ainsley is actually dead, of if the whole thing isn't a publicity stunt that doubles as a way for her to dodge some tough questions. After all, if there really was a conspiracy that wanted her dead, wouldn't she have been killed BEFORE she wrote the book, or at least before she had delivered the manuscript to her publisher?
June 16, 1972. Jack McKay issues an apology to Trish Ainsley's "friends and family." It was insensitive to imply even in jest that she could or would have faked her own death for the sake of book sales.
The book drops off the best seller list, though it remains in print. Royalties are held in trust for Hawking. Ainsley has no living relatives. She does not resurface.
August, 1980. Maria Vasquez Diener's husband ERICH DIENER abandons her and her two children. She struggles to maintain the ranch.
June 1, 1982. Retired Four-Star General Warren Burdette dies of cancer. He was 83 years old. To the end, he refuses to comment on Roswell.
June 14, 1982. Will Hawking resurfaces on the thirty-fifth anniversary of the Roswell crash. He collects a substantial royalty check from his publisher and makes the rounds of all the morning talk shows. Jack McKay is a surprise guest on one of these, and Hawking and McKay engage in an intense and bitter debate on the air. Hawking is goaded into producing the "Roswell Fragment," the twisted piece of chrome-like metal that Ainsley either stole or received from Vasquez. Hawking insists that a battery of tests have already proven that the fragment is of extraterrestrial origins. McKay suggests that Hawking turn it over for independent testing, but Hawking refuses to let the evidence out of his sight.
December 13, 1986. Hawking uses his military pension and book royalties to buy the ranch adjacent to the old Vasquez place.
December 31, 1986. Jack McKay retires as Sheriff after 40 years in office. He purchases the old Vasquez place from Maria Vasquez Diener.
March 18, 1989. Maria Vasquez Diener dies of cancer. Her teen-age son ALEX DIENER claims that she lied about Segundo's last meeting with Trish Ainsley, because she was afraid of Jack McKay and his "friends."
June 14, 1992 - On the 45th Anniversary of the Roswell Incident, Jack McKay and Will Hawking once again do their point/counterpoint routine on television talk shows. They display hostility laced with humor and are a genuine success. Together, they are booked on lecture tours.
In 1995, after an investigation into the Roswell Incident intended to end the various rumors, the Air Force now maintains that the debris was part of Project Mogul, a formerly top secret operation using acoustic equipment on high altitude balloons in an effort to detect foreign atomic tests. When one of the Mogul balloons was downed in '47, the Air Force moved in to retrieve it before security could be further compromised.
The USAF also says that it conducted a variety of experiments in the same general area involving test dummies dropped from balloons and aircraft in order to measure the effects of falls from various altitudes. The dummies match the descriptions of the "aliens" reported by witnesses. The Air Force feels that the connection between the dummies and the balloon has been exaggerated over the years.
June 14, 1997. The 50th anniversary. Jack McKay now admits to having seen the dummies at the site. He claims he was asked not to mention them by the U.S. government, and he complied like any good patriot would. Hawking, his regular sparring partner, wonders aloud what else this patriot has lied about over the years. The debate that follows is lively, but it's clear that over the years Hawking and McKay have developed a strange little friendship. They actually like each other.
September, 1999. Roswell, New Mexico is both a serious tourist trap and a Mecca for true believers seeking knowledge about extra-terrestrials on this planet. Every Friday night, McKay and Hawking stage another debate about the Incident. Admission is a modest four dollars.
And by the way, almost none of the above is true.
ROSWELL CONSPIRACIES BIBLE: 1st Chunk
Hi. In 1998, I started developing a series for BKN called "The Roswell Conspiracies". This was not an idea I created. (The credit for that, I believe, goes to Kaaren Brown.) But I did do extensive work on the project. I tried to create a detailed universe, and wrote a detailed bible, a timeline and a one hour pilot script (which some of you who attended Gathering 1999 in Dallas may recall). I wound up not doing the project, and my work was redeveloped by others before the show went on the air. I never saw the finished project so I have no idea (and little interest) in how it turned out. But I was thinking about it the other day and reread the materials. I think it's kinda some cool stuff. So I thought you might be interested in seeing it. (I figure the show's come and gone. I'm no longer revealing any secrets.) I'll post a chunk at a time here, as I have the time.
THE ROSWELL CONSPIRACIES:
Aliens, Myths & Legends
(development bible)
written by
Greg Weisman
SE: GDW
June 5, 1998
Revised: June 12, 1998
THE ROSWELL CONSPIRACIES:
Aliens, Myths & Legends
(development bible)
LOS ANGELES, CALIFORNIA - Present Day.
TONY MARKUS is an L.A.-based skip tracer, a bounty hunter employed by DOMINIC BAIL BONDS to track down deadbeats who skip out on their bail. Saying Markus is a loner doesn't quite do him justice. He's cynical, hard and generally uninterested in the human race. His cousin (and boss) FRANK DOMINIC is the only guy that Markus has any tolerance for, and that's only because Dom knows Tony well enough to leave him alone. None of this makes Markus a particularly pleasant dinner companion. But it's done wonders for his career. He's relentless. Unemotional. Unflinching. And he has a near-perfect track record. Only one guy ever successfully skipped on Markus, and that was a long time ago during his first month on the job, back when he was pretty darn green. But green or not, Markus didn't like failing. So he just doesn't fail anymore. When Dom gives Tony Markus a skip to trace, Dom knows his cousin is going to deliver.
Which brings us to Markus' current assignment: her name is SIOBHAN BARROW. She's skipped on a Felony Assault Charge, and Dom is potentially out fifty grand on her bail. The trail is three days cold by the time Markus is on the hunt. But that's not the problem. Barrow is fleeing across state lines, from CALIFORNIA to ARIZONA and finally into NEW MEXICO. But that's not the problem either. She's also tougher than she looks, leaving a fair number of additional assault victims in her wake. But even that's not the problem.
The problem is that Markus isn't the only guy hunting her down. Two FEDERALES are after her too. At least he thinks they're Feds. They act like Feds, pretending to be Honeymooning Tourists. And then there are the TALL WOMEN. Scary types, but bearing a certain family resemblance to his quarry. They could be trying to help Ms. Barrow get away. Except that Siobhan Barrow seems more afraid of them than anyone. Markus doesn't know why there's a crowd after Siobhan, he only knows that he's going to be the one to run her down first.
The chase leads all interested parties to ROSWELL, NEW MEXICO. And that's when things really start to cook.
Chapter XXXII: "The Cage"
For ASK GREG and the DCV, here's my ramble on "The Cage"...
Director: Dennis J. Woodyard
Story Editor: Brynne Chandler Reaves
Writer: Lydia C. Marano
SEMI-NEW CHARACTERS:
We'd seen a photo of Beth Maza before, but this was the first time we actually met her.
This is also, arguably, Vinnie's first real appearance. We'd heard his voice before, and we later decided that he had appeared two or three times before. But here was the inspirational moment. The character that we fell in love with, that went on to STAR in "Vendettas" and "The Journey". Throughout our viewing of the episode, my wife kept asking who did this voice, who did that voice? Every single time, I answered "Jeff Bennett." Then at the end, she asked: "Who's voicing Maggie? Don't tell me it's Jeff." For the record, it's Kath Soucie.
And here's the first real characterization for Fang & Claw as well. Fang was voiced by Jonathan Frakes for his one line in "Metamorphosis". But we cast Jim Belushi to play Mr. Obnoxious from this point out. I fell in love with Jim's take on Fang. His performance alone was one of the big inspirations for BAD GUYS. He's got some great lines:
--"Cat got your tongue... don't you get it?"
--"Like you're some kind of expert on evil monsters!"
--"I'll have to clear my social calendar."
Note also, to save money, Diane Maza never speaks. This episode had a huge cast. Making Claw a mute was a fun way to save money.
LITTLE THINGS I LIKE:
--Elisa refers to her brother as Derek. Goliath uses the word Talon.
--I love how Xanatos says: "Goliath and Elisa are always welcome here." He's so slick. He's far from in control in this episode. But he never stops playing the various characters against each other. He's constantly adjusting to new information. Never flustered.
--I like how Sev is basically talking to himself in his cage. With only the growling monster for feedback. Amazing how much one can gleen from a growl.
--Broadway praises the concert music simply by virtue of it's volume.
--Brooklyn's line: "I'm not a man. I'm a gargoyle." And don't you forget it.
Goliath kidnapping Sev and withholding info from Elisa to 'spare her pain', presiges his behavior in "Eye of the Storm".
Maggie is interesting to me in this. Though she's never going to be an action hero -- we intentionally didn't want to make her a strong female, because it seemed like every other female in the show was strong -- she seems to come into her own a bit here. She speaks her mind. She wields some power over Derek, even if she doesn't realize it. She's still stronger than she gives herself credit for. (Geez, I must suck at weak women characters.)
Although it's not used in the body of this episode, in the credits we refer to Maggie as "Maggie the Cat" for the first time. A Tennessee Williams "Cat on a Hot Tin Roof" reference.
FLASHBACKS
Lots of 'em. The recap. And TWO separate internal flashbacks in the show. I'm trying to remember if the board was short or if we just really felt like this was a tough story to get if you didn't have a TON of back-info.
Elisa even has a line, that I think works pretty well, where she's imagining telling her family about Derek -- and in one quick speech, she spews out all the pertinent details. We were clearly nervous about this episode being able to stand alone. Did anyone else have problems with this? Particularly anyone who saw this one without having seen "Metamorphosis" already?
When you see Maggie in flashback, book-ended by her current appearance, you can really see how different the designs were between "Metamorphosis" and "The Cage". I greatly prefer the later designs. Though I think I miss the tails.
FLAWS:
--Throughout the episode, I have numerous problems where identities seem to me to be given away before I want them to be given away.
In the opening scene, we want the audience to think that the snooping winged creature is Goliath. But there are two problems. One is all the Talon scenes in the "Previously on Gargoyles..." recap. The second is that we get too clear a glimpse of Talon.
Later, Goliath kidnaps Sevarius and holds him captive. But we wanted the audience to think it's Talon. But again, I think we get glimpses of Goliath that are just too clearly Goliath.
The concept of seeing a character "in shadows" or in partial "silhouette" just seemed tough to get across the ocean and back with our production team on this ep.
Did anyone think that Talon had kidnapped Sev? Was anyone shocked when it was revealed that Goliath was the kidnapper?
--On my tape, Anton's briefcase mispells his name: SERVARIUS. I hope that was corrected for later airings. I hope.
--The scene between Talon and X in the latter's office is clunky. The cityscape visible through X's window looks to be painted onto the window. And Talon's footsteps are very labored and clunky.
Xanatos admits that Sev's original "Metamorphosis" cure was just a placebo. If we stop here, then Talon should stop being angry at Goliath. Goliath neither killed Sev nor did he destroy a viable cure, nor did he have any impact on Talon's chance at a cure. But at this point, Talon's blinded by rage.
There's some really nice animation of Brooklyn and Fang climbing through the air.
KID RESPONSE:
My daughter Erin thought that Fang looked more wolf-like than cat-like.
She also figured out pretty fast that Goliath was the kidnapper. And when it was revealed she said, "I knew it all along."
CONTINUITY
Brooklyn acts as leader in Goliath's absense. But we don't have anyone comment on it. That was just in case this episode wound up airing before "Upgrade". I think Brook makes some wise moves here though. I also like his emotional resonance with Maggie: "You know I wanted to be your... friend."
I also like when he refers to her "persecution complex". Is he projecting?
We re-intro Cyberbiotics Underground Lab from the pilot, in preparation to turning it into the Labyrinth.
I like Goliath and Elisa's exchange in the lab. Lines like:
G: "You were in so much pain."
E: "Who would we test it on?"
E: "The ends can't justify the means. That's Xanatos' way. Not yours."
Other cool lines:
Fang: "I like this body."
Maggie: "Is your vengeance more important than our humanity?" The ultimate question to put to anyone pursuing vengeance.
Xanatos: "You always over-play your hand, Anton." Anton's just a ham to the core.
Xanatos: "He's the scientist. You're just the experiment."
Xanatos: "Hello, Goliath. Didn't even notice you there."
(X is so cool.)
Talon finally, finally figures out what Elisa has been trying to tell him since "Her Brother's Keeper". Took long enough. This arc for Talon was something we had been planning out as far back as our original unsold first dramatic over-pitch to Eisner. Back when Talon was both Scientist and experiment, and the character (created by Fred Schaefer) was known as Catscan.
I like Talon & Maggie's relationship. Don't know if they ever would have gotten together as humans. But they are so natural with each other as Mutates.
Talon: "We're not strong alone. We're strong together."
Goliath verbalizes here that Elisa is part of the clan.
Talon has his own clan (the Mutates) and his own family (the Mazas). The Mazas learn about the Mutates and are reunited with their son. But Goliath is hiding behind the curtain. Elisa's still not ready to share that secret.
Ending: Contrast this (relatively) upbeat ending with the endings from "Metamorphosis" where Elisa is left in tears and "Her Brother's Keeper" where she is left alone in the snow and wind. Things are looking up.
And, of course, we end on the image of the open cage door. That was important to me, because the cage was never more than a metaphor. We didn't really need it for Sevarius. We needed to see that Maggie and Talon were in cages of their own making. (Sev too, really. And Goliath. And maybe Elisa, although now I'm stretching it.)
Anyway, that's my ramble. Where's yours?
"Protection" Addendum
One thing I forgot...
When Glasses first shows up at Mr. Jaffe's store, he knocks over a bunch of cans.
Later Dracon shows up, and he also knocks over the cans.
I'm reminded of the Steve Martin movie "The Jerk".
"He hates these cans! Stay away from the cans!"
"THE CAGE" Memo...
In prep for a ramble on "The Cage", here is the memo that I wrote to Brynne Chandler Reaves on Lydia Marano's 1st draft outline...
WEISMAN 12-13-94
Notes on "The Cage" Outline...
Brynne, call me when you get these.
GENERAL
I hate to sound like a broken record but this begins too slow. I've tried not to write a whole new story. But I have condensed things -- moving the kidnapping up into the first act, etc.
A secondary problem that only occurred to me Sunday is that we have to re-introduce Talon to our audience before we begin to misdirect them into thinking that Talon is the kidnapper. Otherwise, they'll see the silhouette of a big guy with wings and correctly guess that the kidnapper is Goliath. (When the story begins, Talon will have only appeared in one other episode; Goliath will have been in at least 25.) Talon won't even enter their minds until he is re-introduced later in the first act. By that time, we'll need to change their mind regarding the kidnapper's identity. A difficult task, considering that the audience already would have assumed the truth.
MUTATE rather than MUTANT.
At start of story... Goliath is to Talon what Xanatos is to Elisa.
THEME: Cages of all kinds. Use every opportunity to reinforce it.
Need to make sure that in the first two acts, we've set up Maggie's desperate need for a cure. But more importantly, we must set up the warm interdependent relationship between Maggie and Talon. Need to believe their feelings for each other are real before we get to Act Three.
BEAT SHEET
ACT ONE
I. Maza Family Dinner. Beth spots winged creature at window.
II. Clock Tower. Elisa talks to Goliath.
A. She hates to lie to her family about Derek.
1. Even if it's just a lie by omission.
B. By the way, G has to be more careful. Beth spotted him.
1. Wasn't me, Goliath says.
2. One of the other gargs? G doesn't think so.
3. Elisa's very excited. Could it be Derek?
4. Goliath is quiet. Deciding what to do.
C. G reveals to E that Talon and Mutates are back w/Xanatos.
1. Last few weeks, he's seen them near Eyrie Building.
2. Didn't tell her because he knew it would hurt her.
3. He feels powerless to help her.
D. Elisa insists that Goliath take her there.
III. Eyrie Building.
A. Action. Goliath vs. Talon, Fang & Claw.
1. Elisa tries to stop fight. Talon is torn.
2. Maggie stops fight.
a. She hates the fighting.
b. We see that Talon listens to her.
3. Magnanimous Xanatos seconds the motion.
a. He's pleased that the Mutates defend his castle.
b. But Goliath and Elisa are not the enemy.
B. Elisa confronts Talon: X is the enemy.
1. Maggie defends X as their only chance for a cure.
2. Elisa says X is the cause not the cure.
3. Talon: No -- Sevarius and Goliath caused this.
4. Reveal that Talon believes Sev. to be dead.
a. Either show flashback to "Metamorphosis"
b. Or be very clear for our audience:
i. Why he thinks Sev is dead.
ii. And why he blames Goliath.
5. Elisa hasn't seen Sev, so she can't be sure.
a. But she expresses some doubt that he's dead.
b. Talon: if Sev is alive now, he won't be for long.
6. Elisa and Goliath leave.
C. X secretly tells Owen to warn Sev to disappear for awhile.
IV. Gen-U-Tech.
A. Sev is kidnapped. Nobody sees. Very Quick.
B. Elisa arrives seconds later in her car.
1. Confirms w/security guard that Sev is alive.
a. She just missed him.
2. Another winged figure listens from above.
a. It's actually Talon.
b. But audience, and even Elisa, will assume it's G.
i. Elisa's touched G's so concerned about her.
V. Sev caged by unseen captor in underground Cyberbiotics Lab.
VI. Eyrie Building.
A. Owen has not been able to reach Sev.
1. Talon probably got to him first.
B. On battlements, Talon returns. Mutates confab.
1. Talon now knows Sev didn't die in "Metamorphosis".
2. But "dealing" with Sev is only half the job.
3. Sev couldn't have faked his death without help.
4. Goliath is Talon's #1 suspect.
5. Maggie doesn't agree but...
a. She let's slip about the Clock Tower.
VII. Fang, Claw and Maggie attack Clock Tower.
A. Maggie is present but is terrified by fighting.
B. Hudson and Bronx are the only Gargoyles there.
1. They put up a valiant fight but are defeated.
ACT TWO
VIII. Underground Lab. Sev agrees to work on cure for unseen captor.
IX. Clock Tower. Hudson regains consciousness.
A. Fang & Claw await Goliath's return.
1. So they can bring him back to Talon, as ordered.
2. Hudson warns them it'll be a long wait.
a. Goliath said he'd be gone for a few nights.
i. It's actually the truth.
ii. But the mutates don't buy it.
iii. Neither will the audience.
X. Eyrie Building.
A. Owen checks all locations where Talon might hold Sev.
B. Talon confronts X.
1. Until recently, Sev was alive & working at G-U-Tech.
2. X admits that he was fooled by Sev's "death".
a. Goliath and Sev must've been working together.
b. G wants Sev to create more monsters like him.
c. This confirms Talon's suspicions.
3. X has known for some time that Sev was alive.
a. He's had Sev working on a cure at Gen-U-Tech.
b. Didn't want to get Talon's hopes up.
4. But Sev was close to a cure.
a. If it's not too late...
b. Talon should release him to X's custody....
XI. Clock Tower. Trio return home.
A. Hudson manages to warn them.
B. Battle.
1. Fang & Claw are more powerful...
2. But Gargoyles are more experienced fighters.
3. Gargoyles win.
C. Brooklyn talks to Maggie.
1. He's over his crush on her.
2. But he still tries to get her to see reason.
a. G was there that night to save her from Sev.
b. G & Sev aren't partners.
c. Xanatos must be culprit.
3. Maggie doesn't want to hear it.
a. Xanatos is their only chance for a cure.
b. Gargoyles must be at fault.
4. To prove her wrong, Brooklyn lets the Mutates go.
XII. Gen-U-Tech. Elisa's back, still looking for missing Sev.
A. She's very worried that Derek has done something stupid.
B. Checking security-camera footage for when Sev left earlier.
1. Does enhancing tricks to confirm Sev was snatched.
2. Enhances more to get a look at kidnapper.
a. Off her reaction...
XIII. Cyberbiotics. Reveal Goliath as kidnapper of Sev.
ACT THREE
XIV. Eyrie Building. Talon tells Xanatos that he doesn't have Sev.
A. Owen enters w/news from Gen-U-Tech.
1. Looks like Sev. "left with" Goliath.
a. Comes across as proof that Sev & G are partners.
2. Doesn't take long for Owen to deduce where G is.
a. Only one abandoned lab that G knows about.
i. CyberBiotics Underground Research Lab.
B. Talon takes off.
C. Other Mutates are just getting back from Clock Tower.
2. They go after him.
XV. CyberBiotics. Goliath is watching Sev work on serum.
A. Elisa enters. (Calm before the storm.)
1. She deduced his location (same as Owen did).
2. Why did Goliath do it?
a. He could see how Derek's condition hurt Elisa.
b. He was afraid that if Talon got to Sev first...
i. then Sev wouldn't survive to cure Derek.
c. Seemed like only way to get cure from Sev.
3. Elisa: Ends don't justify the means.
a. Besides, wouldn't work anyhow.
b. They can't trust Sev.
i. How do they know "the cure" is safe?
4. Goliath agrees to release Sev.
B. Too late. Talon arrives, with Mutates on his heals.
1. Positive that G and Sev are in cahoots.
2. Talon attacks G.
a. This time E. can't stop them.
C. Mutates join in.
1. It's curtains for Goliath and Sev.
D. Sev tries to save his skin with the cure.
1. There's enough here for one.
b. But he can make enough for all four.
2. Talon and Fang don't care.
a. Claw and especially Maggie care a great deal.
b. Maggie reaches out to Talon.
i. What's more important?
ii. Vengeance or Humanity?
3. For her sake, he relents, and gives her the serum.
a. Maggie clutches the serum like it was a diamond.
4. Sev tries to get Talon to take it instead of Maggie.
a. Which makes everyone suspicious.
b. Situation on verge of heating up again.
E. Armored Xanatos steps out of shadows.
1. Rescues Sev.
2. Things seemed under control.
a. But Sev overplayed his hand, as usual.
3. Talon finally gets message about X.
4. X: "So sue me." or some such.
5. He takes off with Sev.
a. Parting shot from Sev: "Serum's poison."
F. Maggie still wants to take it.
1. She thinks Sev lied to preserve his "creations".
a. It's a risk she's willing to take.
b. Because it's better to die than to live a monster.
2. Talon disagrees strongly.
a. Life is more important than normalcy.
b. Besides, he's a monster too.
3. She thinks he's stronger than she is.
4. But Talon couldn't have made it without her.
a. Neither are strong alone.
b. They are strong together.
5. She puts the serum aside.
G. Goliath offers Mutates a home with his gargoyle clan.
1. Thanks, but no.
2. Talon has his own clan (i.e. Mutates).
3. And his own family...
XVI. CYBERBIOTICS UNDERGROUND LAB - A few NIGHTS later.
A. Elisa brings Peter, Diane and Beth.
1. They are reunited with Talon.
a. Hint Maggie.
b. Fang and Claw in b.g.
B. Goliath watches, pleased.
C. Sevarius' cage sits empty. The door wide open.
Chapter XXXI: "Protection"
Watched "Protection" last Saturday with my wife and kids. Here's a ramble:
CAST
I'm immediately struck by our large supporting cast. Probably because so few of our regulars (Elisa, Goliath, Broadway only) appear in the episode.
THE CROOKS: Dracon, Glasses and Pal Joey. (All very fun to write for.)
THE COPS: Matt, Maria, Morgan. (All three go undercover and do a bit of play-acting, which is also fun.)
THE CIVILIANS: Art, Lois, Dave, Mr. Jaffe, Travis Marshall. (Each is characterized rather quickly, but memorably, I think. It was particularly cool to play off the Matt/Jaffe relationship previously referred to in "Reawakening".)
As for our regulars, we intentionally reduced the number of 'goyles in this one so that we had the space in our short 22 minutes to focus on other things. Goliath and BW seemed the appropriate two to bring along for various reasons -- established most obviously in "Deadly Force" and "The Silver Falcon".
I liked how Goliath reacted to the perversion of the concept of "Protection" and how the movie-savvy BW shakes his head but takes it in stride.
ELISA
Okay, I figure we didn't fool many of you into thinking that Elisa had actually gone bad. I was pretty sure we wouldn't. At least not the older fans. So I tried to fool you another way in the first few minutes. Glasses tells Dracon about a lady cop, but doesn't mention who. Chavez accuses Elisa, but Elisa pleads her innocence. Did anyone think that Elisa was being framed?
My daughter did. But in a way that I hadn't considered, despite the fact that "Double Jeopardy" was part of the same tier and naturally led to her conclusion.
--Erin: "That's not Elisa, is it?"
--Benny: "Yes, it is."
--Erin: "Yeah, that's not her. She never dresses like that."
--Benny: "It's a wig. How'd she get her hair like that?"
--Erin: "It's a clone."
A clone? Of course! That's the problem with introducing so many concepts. Too many options for the viewer. Did anyone else think clone? Erin maintained this idea right until the end of the episode. She kept saying with increasing frustration: "That's not Elisa. It's not."
SPEAKING OF NEW CLOTHES...
I loved Elisa's new outfit, I only wish the animation -- the character modeling -- in the episode had been better. It's not always very flattering to her. Sometimes it seems to WAY flatten her out. Other times, it makes her huge. (Yes, I'm focused on her breasts. I'm a heterosexual male. What do you want from me?) But it never makes her look real. Still, it's just nice to see her wearing something -- ANYTHING -- different. I wish we had had the resources to give her more clothing options in general.
DIALOGUE
Some nice lines in this one...
Elisa to Goliath: "What are you, a puppy?"
Elisa to Glasses, et al: "You tough guys just gonna stand there all night?"
Goliath to Elisa & Dracon: "Money and power sound very appealing."
Dracon to Elisa: "Keep the jar."
Elisa to Broadway: "Keep the jar."
Dracon to Goliath: "So she's your woman. You have good taste."
Broadway to himself: "Why are bad guys always in such a hurry."
Broadway to Pal Joey: "Sorry, Pal."
Broadway's slightly dated black & white movie gangster lingo.
All of Dracon's on-going Honey, Sugar, etc. references and Elisa's reaction to them. Makes me smile still.
JALAPEÑA
You've all heard this story, right?
Okay, BRIEFLY...
Keith David used the exclamation "Jalapeña" all the time. More or less as a replacement for Halleluia. It was an expression he had gotten from a female jazz singer (whose name escapes me at the moment -- as it usually does for some reason). One day in the control booth, voice director Jamie Thomason turned to me and said, "I bet you can't get that into a script." I said, "I bet I can."
Shortly thereafter, poor innocent writer/story editor Gary Sperling turned in a perfectly normal script. I then added this entire "Jalapeña" subplot. (I had to add all this stuff about room service, jars, etc. to justify the last word in the episode.) I fell in love with the idea. I thought it would give us a curse word, basically. (That's how BW uses it in the ep.) Most everyone else hated it. But directors Frank Paur, Dennis Woodyard and Butch Lukic didn't know how far I planned on taking it. They thought it would be a one episode thing, so they indulged me here. In fact, they suggested the massive "Jalapeña!" echoes at the end of the episode. ("If you're gonna do it, do it!")
Jamie would later goad me by saying things like, "Yeah, but I bet you can't get Hudson to say it." And so one by one, everyone said it. Again, I thought it was fun and useful.
But eventually the art staff literally revolted against it. Frank told me I HAD to stop. So what you'll notice is that starting with this episode we ramp up and begin to use the word a lot. And then it peters out and disappears entirely from the show -- until "The Journey" my farewell episode. I put one "Jalapeña" in that. Disney executive Jay Fukuto asked me why I had done that: "I thought Frank hated it." That's why I did it, to annoy Frank and gratify myself.
Frank and I are all good again now. We look back on our Garg days and realize that we didn't even know how good we had it. But I'd say that in 1996 our relationship had deteriorated a bit. The stress of doing 65 episodes had taken a bit of a toll. We weren't at each others' throats or anything. But we were just a bit on edge. Like I said, ancient history. I'd love to work with Frank again now. But there you have it.
DRACON & GLASSES
Lots of loyalty from Glasses. These second banannas always fascinate me. Of course, Xanatos usually treats Owen with the utmost respect. Dracon isn't quite as good a boss. He has a line of contempt after Glasses tells Dracon that the shopkeep [Matt] wants to meet with the boss. Dracon to Glasses: "And he knows it's not you." You wonder why Glasses puts up with it.
I love how quickly Dracon adjusts to the Gargoyles too. The concept of controlling them is so appealing, it submerges his fears. He quickly starts referring to them as Guests, and then as Partners. He even puts a hand on Goliath's shoulder -- briefly.
BOMBS OVER BROADWAY
This guy seems to deal with bombs a lot. This time he hold it in his teeth, which I thought was cool.
THE GROCERY STORE
Poor Mr. Jaffe. He gets robbed all the time. Then he has to put up with a Werefox attack. And now a particle beam battle.
And what's with those giant bags of flour? Who buys those?
And I wish those hidden cameras had actually been hidden.
I'm not in love with the battle choreography here. Elisa gets the jump on Dracon, which is okay, I guess, as he was hoping he could trust her. But then Dracon gets the jump right back. She should have been better prepared. It's all a touch clumsy.
Goliath's roar is interesting. Usually we use more effect and less Keith. This one is more Keith. A lot more Keith.
G's eyes are glowing as he takes Dracon into the air. But you'll notice they stop glowing just before he drops Dracon. This is a clue that he never really intended to let Dracon die. His anger has already ebbed. And after all, "Gargoyle justice is not human justice." Had this been Gargoyle justice, you get the sense that Dracon would have wound up, dare I say it, "Street Pizza."
Things wrap up. Chavez of course is still largely in the dark. But you'll notice that things were staged so that you could believe that Matt may or may not have been in the dark too. Since this episode was part of the same tier as "Revelations" we didn't 100% know for sure whether or not Matt would know about the Gargoyles by the time this aired. So we tried to play it ambiguously here.
ELISA & GOLIATH
Jalapeñas aside, I like the final scene between E&G. They reaffirm their mission and their love for each other. The first explicitly. The second implicitly.
Also we use the scene to justify why Dracon would buy something that I knew the audience wouldn't. "The corrupt are the first to believe that others can be corrupted." If you never thought for a moment that Elisa was dirty then there's hope for you yet. Either that, or your hopelessly cynical about the rules of television.
But did you still think she was a clone?
Anyway, that's my ramble. Where's yours?
"PROTECTION" Memo
[In prep for my ramble on "Protection", here's the memo I faxed to Story Editor/Writer Gary Sperling. (Actually, I'm retyping it -- old typos and maybe some new ones included -- because I don't have a computer file. Just the hard copy.) You'll notice that it's more abbreviated than usual. Note the date. I was on vacation at the time. Plus, the outline may have been in better shape. Also note that the episode's original title was "Undercover". But we realized that Elisa wasn't so much going undercover, and that we'd save that concept for what eventually became "Turf". Besides the one word title, "Protection", was hard to resist given our on-going themes.]
WEISMAN 12-29-94
Notes on "Undercover/Protection" Outline...
BEAT SHEET
ACT ONE
1. Restaurant blows up. Keep very brief.
2. Glasses joins Tony in the limo. Glasses has heard that dirty cops are muscling in on their protection racket.
3. News report to Gargoyles. PRoTECTION RACKET. Goliath wants to see Elisa. She hasn't stopped by in days. Where has she been?
4. ChAvez asking Matt same question. As MATT brings in #3 to question him about restaurant bombing. Elisa arrives late. Matt: "Where you been?" Don't crowd me Bluestone. Asks for time alone with #3 Matt gives it. Elisa starts to talk obliquely about her moving in. Chavez interrupts and suspends her while she's under investigation. Maza protests that she's innocent. HAs to turn in badge and gun.
5. Elisa storms outside. Goliath and Broadway follow.
6. #3 calls Dracon.
7. Pool Hall - reveal Elisa.
ACT BREAK??
Glasses and #3 comes in.
8. Pursuit.? or HUSSLES ELISA OUT.
9. Goliath and Broadway intervene. CHASE.
Elisa pulls the rug out from under G. She leaves w/Glasses.
Goliath says she's under a spell. BW says maybe there's another explanation.
10. Glasses and Dracon. Elisa in the next room. Send her in. You guys get to work.
Elisa and Dracon.
11. Grocery Store: MATT (disguised) and owner. Matt and Glasses.
12. Some phony store. Maria, Morgan and #3. After #3 leaves they make reference to one of their plans is sure to nail Dracon.
13. Goliath and Broadway have gone bad at Dracon's Penthouse.
ACT BREAK
Finish out 13.
Intercut:
14. Broadway helps Maria and Morgan against #3 (and Glasses?)
15. Matt and Elisa nab Dracon. He's ready with men and bomb.
Goliath and Elisa work together to diffuse situation.
(Matt and Goliath relationship should be vague.)
Elisa gets her shield and gun back.
16. Reveal clearly what everyone probably knows by now. Elisa was undercover. BW figured it out and tipped off G. Some PROTECTION TAG.
DRACON OUT ON BAIL?????????
Chapter XXX: "Upgrade"
Here's a new ramble for ASK GREG & the DCV...
As usual, I watched the episode recently with my family.
And as usual, everytime my five year-old Benny, sees Xanatos and Fox, he tells his seven year old sister Erin, "You were her. I was Xanatos and you were Fox." [All quotations (both from my kids or from the episode) are approximate.]
ATTITUDES
This is a big episode for attitudes.
Xanatos and Fox pit multiple individuals against each other in life and death circumstances and regard it all as a game.
Lex still hates the Pack.
Dingo is disgusted with the Pack's life of crime, and then even more disgusted with what his teammates do to their bodies. Cool lines like "Save the horrorshow..." or "I hope you don't eat your catch..." or "You're barely our species..." or "I still can't get over what you three did to yourselves..." or "I'm a partner in a freakshow..." or "...after they went Frankenstein on me..." all help distinguish him, perhaps for the first time. We had a notion of where Dingo was going. And this episode helped bridge the gap to "Walkabout". And eventually to the development I did with Gary Sperling, Bob Kline, Troy Adomitis, Doug Murphy and Patrick Archibald on "BAD GUYS," which some of you have seen at the Gathering.
How the mighty have fallen. My point-of-view and Dingo's matched up. The Pack were beginning to feel pathetic. The problem with villains is that after the heroes keeps beating them over and over, you need to find a way to keep them competitive. This episode (reflected in its title, which may or may not have been one of mine, but which I latched onto EARLY and stuck with) was always part of my plans for the Pack. Intro them in the first season as humans. This was necessary, because the world of our first season was MUCH more normal. I wanted to weird the world up in small steps. Don't intro Oberon first, intro Puck. That kind of thing. So once the science was established, we'd upgrade.
This dovetailed nicely with the need for Goliath to 'upgrade' one of his warriors to Second-In-Command. Goliath had been Hudson's second. Demona had been Goliath's. But it was past time to name a new successor. We always had Brooklyn in mind for that roll, but I remember asking Gary whether he felt we had succeeded in establishing that without ever having stated it. He felt we had. What did you guys think when you first saw the episode?
The battle at the bank. On my tape, there's an animation glitch where Dingo hits his head and then seems to intentionally hit his head again. I'm hoping it got fixed for later airings.
Anyway, the battle winds down. No one's done very well. But the Pack is on the run. Erin at this point says, "There's no messing with the big boys." Proving that the Pack was no longer competitive.
Wolf yells, "This isn't over!" sounding very much like Hakon to my ears.
Lex wants to pursue, but Brooklyn already the subconscious leader of everyone's choice, says, "Helping Goliath is more important."
Hudson gooses Goliath to choose a second. Refuses the job himself. This is another example of Hudson being the guardian of tradition. He knows they live in a brave new world. But he wants to preserve what worked in the old one as well.
Erin says, "I think Goliath's going to choose the red guy." Meaning Brooklyn. I am briefly horrified that my own kids don't reliably know the names of the lead characters. (Of course, before last week, we hadn't watched the series in a year. But still...)
I love the idea of Coyote's head knocking on the door of the Pack's ship. For starters it's so odd to get a knock while in flight. Second, how did he knock. Why with his forehead of course...
The trio begin their competition. Bronx is disgusted.
The new Pack is revealed. What was everyone's reaction? The Coyote-Head had laid out the options, but were you at all shocked at the upgrades when you first saw them?
I like the creepy Addams Family moment with Jackal's arm. I like that this Wolf and Dingo are now competitive in strength with Goliath.
I find it interesting that we had Goliath say, "What manner of trickery is this?" instead of "What sorcery is this?" I mean, who were we kidding, right?
Hudson then brings up the Archmage's sorcery. Just a reminder that the Archmage existed for what we knew was coming in Avalon.
I don't know if this was fixed for reairing, but their's a big mistake in this first battle. Goliath spots COYOTE the robot flying off and goes off alone in pursuit. This was supposed to be him spotting just the little head. He goes off after the head, thinking he'll find Xanatos or something. Then the giant Robot steps forward. Would have been a much better reveal.
I love the interaction as the Pack chooses a leader.
Cree is great reading: "Coyote, honey..." and "I find him very attractive." Hyena's attraction to Coyote was a fun running gag. But did it influence her choice of upgrades?
Jackal is grossed out, proving as ever, that he's just a tad saner than his sister. "Well, that's sicker than usual." He sides with Wolf, just for that reason.
Leaving Dingo with the deciding vote.
More animation errors that I hope got corrected eventually: Fox's lips don't move. So suddenly we're hearing her internal monologue.
Note that Broadway actually foils the most crime in their nightly competition. We did that on purpose. To show that was never the point.
Xanatos says, "Clever move." to end an act.
Then we come back, and he's confident saying, "I think I've still got the edge." Of course that line was a literal reuse of the line from "The Edge". We had a lot of so-so animation in this episode. It forced us to cut the show tight enough that we had to add footage. So we reprinted the shot of X&F playing chess and reused the old line to fill the space.
Final battle.
Everytime Hyena's hand folded backwards, Erin would say: "Eww, that's disgusting!"
CONTINUITY: Just as Lex dislikes the Pack, Bronx seems to particularly dislike Coyote. He's always chewing on that bot, forcing Coyote to threaten to "send this puppy into orbit!"
I love Hyena's line: "I wonder if Gargoyles taste like chicken?" Can't help thinking she'd sincerely like to know.
Frank Paur had this idea that when Wolf got angrier, he'd morph even wolfier. But the animation never quite worked on that. It was a great idea, but the transformation doesn't play dramatically, so it just looks like the model changes part way through the fight.
Coyote's demise was heavily influenced by the first Terminator movie. We keep destroying the darn bot, but it just keeps getting up.
Morgan reappears. I was never wild about his "Hospital, Machine Shop or Vet" line. It's okay, but it seemed a bit too flip.
Goliath, like the production staff, had his choice in mind all along. Brooklyn. By now the trio's come around to the same idea, except Brooklyn himself, who suddenly realizes the weight he'll be carrying around. A prelude to "Kingdom", as he says to Goliath, "Be careful. I'm in no hurry to take your place."
(Nice moment in their when Hudson pets Bronx. It has nothing specific to do with anything else, but it's a nice touch.)
Fox & Xanatos make such a cool couple. I love that he doesn't mind losing to her. Happier to have found a true equal.
And I love that chilling, funny ending: "Care to play again?"
Ever wonder about their next game?
Anyway, there's my ramble. Where's yours?
"Upgrade" MEMO
[In preparation for my new ramble for ASK GREG & the DCV, here's my original memo to Story Editor Gary Sperling on Adam Gilad's first draft outline of the episode "Upgrade". Note the date. At the time I wrote this, "Deadly Force" had just recently aired, but the rest of the first season was being saved for early 1995.]
WEISMAN 11-30-94
Notes on "Upgrade" Outline...
GENERAL
TRIO
My big fear is that Brooklyn didn't feel like leader material in this. To our audience he's going to come off as cautious and wimpy throughout most of the episode, with the added problem that he's subject to peer pressure. This is particularly problematic in that Brooklyn has always been defined as the MOST adventurous of our trio. Ultimately, the qualities that will define him as a leader include strategic abilities, common sense, a willingness to sacrifice... and, yes, knowing when to retreat and/or call for help. But if we make the latter quality into Brooklyn's first instinct, it will overshadow the others. And our audience won't buy him as leader. Maybe more important than all of this should be a natural unconscious quality of leadership, which parallel's Broadway and Lexington's roles as followers. When they stop thinking and slip into automatic pilot, Brooklyn naturally seems to give the orders and the others naturally follow.
These guys do work well as a team, don't be afraid to show that. We've got a competitive thing going between them that will tend to screw up their natural teamwork, but if we're going to prove our point, then we need to see moments when they forget to be competitive and just cooperate. In any case, let's not make them infantile. When you define competitiveness think Tom Cruise and Val Kilmer in Top Gun. These are young warriors, not children elbowing each other as they fly.
Let's also avoid setting up non-existent flaws in Lex and Broadway. Things like Broadway being slow to awaken is just not born out in any of our other episodes. They all wake up within a few seconds of each other at sunset.
Having said all this, you'll see below that I gave them less screen time, mostly because it choreographed cleaner, but also because it really put something at stake other than the contest for leader (i.e. the lives of their friends). Plus I've isolated them from everyone that usually provides them with help or advice (Goliath, Hudson, Elisa and even Bronx). So I'm crossing my fingers that what we lose in quantity time, we will make up for in quality.
PACK
I'm also concerned that we've Upgraded the Pack, only to make them seem even more incompetent than ever. They've got to feel considerably more dangerous. We need to believe the Gargoyles barely survived this go 'round. The Pack's leadership issues cannot get too far in the way of their success. Ultimately the gargoyles do triumph because their teamwork under Brooklyn defeats a divided Pack. But if the Pack members are just at each others throats through the whole program, they'll never feel like a viable threat. Remember, despite the dangerously unstable personalities involved (including Coyote, but not Dingo), the Pack's fighting style is based on teamwork by definition. Let them play to their strength, that way it'll be even more ironic when the gargoyles defeat them through teamwork driven by sound leadership.
PACK UPGRADE SPECS
What follows may be what you had in mind, but I want to make sure we're all operating off the same page.
WOLF - gets turned into a werewolf. The biggest and most obvious change will be to his head, which will have a canine shape. Like Talon and his mutants, Wolf will be covered with hair all over, his hands will be clawed, and he'll have haunches. He cannot fly, but he can leap far distances. He'll probably have a better sense of smell and hearing, but I want to downplay these last qualities, because I think they can come off as silly. (Let's not make him an object of ridicule to his teammates simply because he's gotten more dog-like. They are all themed off canines. Both Coyote's head and Dingo's helmet will be dog-shaped as well. I would think that Jackal, Hyena and Coyote would all respect the power which came with his choice of Upgrade. Hyena might make an obnoxious comment here or there, but the only one who's really attacking his choice is Dingo -- and obviously it's not for aesthetic reasons.) Wolf will be much stronger than he was, now on a par with Goliath.
JACKAL & HYENA - become Cyborgs. Half human. Half machine. And the machine parts are NOT camouflaged as human. They have built in weapons. Cyborg legs will also allow them to leap far distances. Maybe even built in flight capabilities. And their strength will increase to Gargoyle level. Maybe not as strong as Goliath or Broadway, but equal or above the others.
DINGO - wears full body armor, including a helmet. Sort of like what we thought Xanatos was wearing as Coyote (in "Leader of the Pack") before we found out Coyote was a robot. (Model sheets are available for Coyote if you're unclear.) The focus should be on his armor, not on "weapons". All the weapons are built in. And the armor should be as flexible and powerful as Xanatos' own Gargoyle armor (screen "The Edge"), plus whatever latest innovations were thrown into this design. That means Dingo should be able to fly. Rocket jets in his boots. Or a rocket pack on his back. Probably not as maneuverable or graceful as a Gargoyle, but he can hover, which they can't do. Again, his strength level is now increased. Probably just under Wolf and Goliath range. (Note: Dingo also has less screen time than I'd like to be able to give him here, so we've really got to make his moments of uneasiness about his partners count. One visual clue that I think will help is the fact that Dingo removes his helmet every chance he gets. He subconsciously needs periodic reassurance that the helmet isn't a part of him and that he hasn't in fact relinquished his humanity.)
COYOTE - Although he's still programmed to have a slightly more vengeful version of Xanatos' personality, Coyote doesn't look like Xanatos anymore. What would be the point? He looks like a huge exaggerated version of the original Coyote. Mighty Joe Young may be a little too big, but you get the idea. If Goliath is eight feet tall than Coyote-II is more like ten or eleven, and built like a gorilla. Coyote is definitely stronger than Goliath, and he can fly. Being huge may have it's disadvantages, but not too many. This is the most powerful and sophisticated robot that Xanatos has built yet. It's computer brain (at least part of which should be the damaged head from "Leader") is well-protected in the robot's chest.
PACK ATTACK VEHICLE - This isn't and never was a van. It flies. It submerges underwater. This is super high-tech. I'm not sure if it even has an exhaust pipe. Model sheets exist if you need to see them.
OWEN vs. COYOTE'S HEAD
You can't have Owen. He's a stand-in for Xanatos, and you've already got one of those: the damaged head of Coyote from "Leader".
LEXINGTON'S TRACKING DEVICE vs. FOX
You can't have this device either. I don't want to ever make the gargoyles too high-tech in their crime-fighting. If we give Lex the ability to make one of these here, we're stuck with him having this knowledge and wondering all the time why he doesn't use it over and over. Besides, why would he create a device that tracks, but only tracks when it's inhaling carbon monoxide fumes?
At any rate, the gargoyles may not need the device. They have a secret ally that even they are not aware of: Fox. It's obvious here how Xanatos is manipulating his chess pieces. But Fox doesn't seem to be moving hers in opposition. She's simply counting on them to defeat the Pack. In some subtle way, let her "move" her pieces too. [Note: the method I use below is semi-goofy at best. If you like it you can use it, but feel free to come up with something better.]
Also, please be careful that Xanatos doesn't say anything that might imply that he threw the match. If he wasn't trying his best to win, he wasn't respecting Fox as an opponent.
MONTAGE vs. NO MONTAGE
Sorry. After cuts were made for both S&P and for things that I did not want to reveal, there wasn't anything left. So out it went.
HUDSON
All gargoyles sleep as stone to recharge during the day, which allows them to operate at their peak throughout the night. Hudson's peak may not be what it once was, but he doesn't need extra downtime at night.
BEAT OUTLINE
ACT ONE
1. Night. Bank job being carried out by what's left of the PACK: WOLF, JACKAL, HYENA and DINGO. There's an air of desperation here. They need money because they are on the run. They get to the roof, where their PACK ATTACK VEHICLE is hovering. And where it has attracted the attention of the patrolling gargoyles: BROOKLYN, LEXINGTON, BROADWAY and GOLIATH. There is a battle. The Pack is a bit out-classed, but only just. The Pack has the weapons and technology. What they lack is flight capability, brute strength (Wolf is incredibly strong for a human, but no match for Goliath) and leadership (Wolf acts like he's the leader, the others just don't naturally follow him). In contrast, Goliath leads his troops effectively. Give the Pack credit for figuring that out. They agree to take out the leader. And they do. Goliath is injured.
The Pack get away in their vehicle, but without the money. Lex momentarily wants to pursue his hated enemies, but as sirens approach, Brooklyn thinks the priority should be to get Goliath back to the safety of the CLOCK TOWER. He asks Broadway to help him carry Goliath. Neither Lex or Broadway question Brooklyn's leadership at this stage. Nor do any of the three, including Brooklyn, make a point of saying that Brooklyn is in charge. He just says some very common sense things and the others see the sense in it and follow his lead.
2. Meanwhile, the Pack Vehicle flies through the Manhattan Night. Maybe some brief sniping between the members, before there's a knock on the door... which seems odd at this altitude. Almost despite himself, Dingo opens the hatch to reveal COYOTE'S HEAD flying alongside on it's little mini-rocket. It still has half of Xanatos' face, and it asks politely in Xanatos' voice if it can come in. (There's also a model sheet completed on this damaged head. It looks pretty cool if you want the reference.)
3. Back at the Clock Tower near dawn, HUDSON tends to Goliath. It's a bad laser burn, but it'll heal when the sun rises and they turn to stone. But it brings up something that's concerned Hudson for awhile. He hates to even say it, but next time Goliath might not be so lucky. Goliath needs to name a second-in-command. Goliath chooses Hudson, of course. But Hudson declines. Goliath was Hudson's lieutenant and became his successor when it was time for Hudson to step down. Goliath needs to choose one of the trio. But first Goliath must sleep. The trio hear all this. Hudson has intentionally made no attempt to hide the conversation from them. They all straighten-up, leader-like. And the sun rises. Goliath turns to stone still cradled in his comrades arms.
4. Because the sun has risen, the Pack Vehicle dives beneath the surface of the Hudson River (or the East River or the Bay or whatever). It comes to a stop on the bottom and rests.
Inside, the Coyote Head has literally latched itself onto the ships computers. He's lowered a screen and is starting his sales pitch. Tired of being out-classed by the gargoyles? Ready to be as strong as them? To fly like them? Etc.? Well, let me show you what we can do. Is Genetic-Engineering your passion? (He shows footage of TALON in action trashing Goliath.) Or is Cybernetics more your style? (He shows footage of COLDSTONE trashing Goliath.) A little high-tech haberdashery, perhaps? (Footage of XANATOS in his GARGOYLE ARMOR trashing Goliath, with at least one shot of Xanatos with the helmet off.) Or my favorite, Robotics? (Footage of COYOTE trashing Goliath. This obviously doesn't apply to the four humans, but I want to get it in here to hint at Coyote's rebirth as well.)
Obviously, they are all very interested. Dingo goes for the armor and pretty much writes off the rest as horror show. The other three don't state their preferences. Coyote Head: "All made possible by the men and women of XANATOS ENTERPRISES." Where is Xanatos? Occupied at the moment, but happy to be of assistance.
5. At the castle, Xanatos and FOX seem to be playing chess, but we don't get to see the game board or the pieces. Xanatos has made the first move.
6. Super: ONE MONTH LATER. Clock Tower. The trio are just leaving to patrol the city separately and in competition. They've hardly done anything else, each is so intent on being Goliath's second in command. Hudson's in his comfy chair with the t.v. set on, but he's not watching. After the trio leave, he chides Goliath, who has to decide between the three young warriors. Goliath seems strangely reluctant to choose.
Just then ELISA enters. The desk sergeant just received an "anonymous" tip on the Pack's location. S.W.A.T. Teams from three precincts are mobilizing. But Elisa has listened to a recording of the tip and recognized the voice as Xanatos'. She'd like to be there in an unofficial capacity. Goliath agrees. No time to wait for the trio, but the Pack can be tough, so they'll take BRONX. They leave in such a hurry, Hudson doesn't bother to turn off the t.v.
7. An abandoned building scheduled for demolition, which the police have totally surrounded. The S.W.A.T. LEADER talks through a megaphone, giving the Pack a chance to surrender peacefully. There is no response. Tear gas canisters are shot through the windows -- followed by an explosion that practically levels the building. The tear gas couldn't have caused that. The building must have been rigged to blow.
Goliath, Elisa, Hudson and Bronx watch from a nearby rooftop. At first they don't notice the little Coyote Head, which zips around the site like a humming bird looking for food. Then the head spots them and approaches. It tells them that this little display was just designed to attract their attention. If the gargoyles really want to find the Pack, they're going to have to follow the head, which they do.
8. Goliath, Elisa, Hudson and Bronx follow the Head to a construction site. It's the skeletal beginnings of a skyscraper. As soon as they arrive the new ARMORED DINGO flies in. After Dingo, comes the new CYBORG JACKAL and HYENA, followed finally by the new WERE-WOLF. Our heroes are surrounded.
ACT TWO
9. Picking up where we left off, we have a fight. The Coyote-Head zips away and with Hudson's blessing Goliath follows it. (He thinks it will lead to the source of the trouble.) Although the Pack works together, there are hints that they are in some competition with each other. Ultimately, the Pack knocks out Hudson, Elisa and Bronx, with Wolf personally taking down Hudson.
Elsewhere in the structure, Goliath catches up to the Head which says that it would like to introduce Goliath to its "better half". A huge shadow looms.
Back with the Pack, where we get a sense of the tension between the members. As Dingo takes off his helmet, hint that he hasn't been able to get over the horrific things that his teammates have had done to their bodies. We also find out they've been fighting over who should lead. They agreed before the fight that whoever took out the biggest gargoyle, would get to be the leader. Wolf took out Hudson, so he feels entitled.
On cue, Goliath is knocked through a brick wall. He falls unconscious at their feet. And then the rest of the wall is knocked down to reveal the new robot COYOTE-II: "Sorry, Wolf. I think my Goliath tops your Hudson."
The Pack are all stunned, but for Hyena it's love at first sight: "Coyote, honey, is that you?" A panel slides open inside Coyote's chest to reveal the Coyote Head literally plugged into the inner workings of this huge machine. No way Wolf is taking orders from a machine. No one ever said Coyote was part of the contest. Wolf is still leader. But Hyena disagrees, she's siding with her new boyfriend. Jackal can't believe his sister has fallen in love with a glorified toaster oven. He's not exactly Wolf's biggest fan, but he's got to go with old furball. They all turn to Dingo to break the tie. Dingo looks at his helmet. He makes it clear that he's not wild about his options: a robot who thinks he's human or a lunatic who gave up his humanity. But he turns to Coyote and says, "O.K. boss, what's our next move?"
10. Back at the Clock Tower, the trio are each getting back after a night of competitively patrolling the city alone. Lex prevented two muggings. Brooklyn prevented one mugging and scared off a burglar. Broadway stopped three muggings and an armed robbery: "Just have to know where to look," he says proudly. Then they realize that the tower is empty. Even Bronx is gone. And if Hudson and Goliath lugged Bronx along with them it must have been trouble.
11. Cut to the interior of some kind of hanger for the Pack Attack Vehicle. We do not get an exterior to show us where we are, but we do hear a train go by every minute or so. Goliath, Hudson, Bronx and Elisa are in a glass chamber filled with a colored gas that keeps them unconscious. Wolf isn't at all pleased about waiting around. How is sitting on their hands going to help them find the other gargoyles? But Coyote has a plan. It's midnight now. At 4:30 am they'll release Bronx from the chamber. He'll almost definitely lead them straight to the Gargoyle's Home Base. And he should get there just before sunrise, allowing the Pack to arrive just after sunrise and smash the remaining gargoyles into gravel.
12. In Xanatos' office, he and Fox are still playing chess. Xanatos: "You're in check, my dear."
ACT THREE
13. The trio are still waiting for Goliath et al at the clock tower. It's 3 A.M. and they are very worried. It's only a couple hours 'til sunrise. And no sign of Elisa either. And the tension isn't doing wonders for their dispositions. They argue over what to do. The television gives them a clue when a report comes in about the bombing at the abandoned building. The report mentions that the fire was contained because the police were already on the scene, having received a false tip that those escaped felons (and former television stars) known as the Pack were there. They're about to head out to investigate, when they hear "The following is a paid commercial message." Lex recognizes the voice as Fox's. Brooklyn didn't think Fox was still in the Pack. But the commercial continues. "Tired of walking up Lexington Avenue? Sick of taking the bus down Broadway? Fed up with driving your car to Brooklyn? Then take the subway!" And an image appears on the screen of a place where multiple tracks criss-cross above ground. Well, that can't be a coincidence. One of them recognizes the location, he's flown over it. But is this a tip or a trap? Well, what choice do they have? Off they go.
14. Trio arrive at Train crossing. Again, there are multiple tracks crossing in multiple directions, and every minute or so, another train rushes by at high speed. They find a large metal shack, that's supposed to house train cars or something, but is acting as a hangar for the Pack Vehicle instead. They sneak in and get a look at the upgraded Pack and their sleeping friends. Broadway and Lexington are all for mounting an immediate attack. Brooklyn is reluctant. Just look at the size of Coyote, who's in the middle of putting a tracking device on Bronx. They need help to defeat these guys. But where are they going to get help? From Goliath and the rest. Our priority should be freeing them. Both Broadway and Lex try to peer pressure him. Maybe he's afraid to fight without Goliath, but they're not. But Brooklyn isn't biting. He's not scared, and he's also not stupid. They need a plan.
A little bit later, Brooklyn makes his presence known and then takes off as a decoy. Coyote figures as much, but Wolf and Jackal won't listen to reason and take off after him. And right after they leave, the power goes out inside the hanger, thanks to Lex. Dingo reaches for his helmet, but it's not there. Broadway has it and throws it with all his might at the sleep chamber. The helmet smashes a hole in the chamber, allowing the gas to pour out. But meanwhile things don't look good for the trio. Coyote slams into Broadway carrying them both outside. Hyena and Dingo pursue Lex.
So outside the battle continues amid the backdrop of unpredictable and speeding trains shooting past on random tracks. Eventually, however, Brooklyn's delaying tactic pays off. The others have been given the opportunity to recover from the sleep chamber. They join the fight, and the tide of the battle turns. The Pack is defeated. GARY, LET'S DISCUSS WHAT HAPPENS TO THE PACK AT THE END OF THIS SHOW.
15. Back at the clock tower, Goliath realizes that tonight's events only prove what Hudson has been saying all along. He must choose a second in command. He's had a choice in mind for weeks, but has been reluctant to reveal it, because he was afraid that it would drive a wedge between the trio. But tonight they worked together and saved the clan. He has to trust that they are mature enough to handle this. He chooses Brooklyn. (This without being aware of who spear-headed tonight's success.) The others are genuinely happy for Brooklyn. He proved himself to them. They take their places outside and Brooklyn looks across the city. A siren wails. He shakes his head and tells Goliath to be careful. He's in no hurry to take his place. They turn to stone.
16. Dawn. Fox says checkmate, and we reveal the board with its pieces based on our characters. She knows her husband doesn't like to lose. Is he upset? Of course not, he's happy to have an opponent to match his skill. Made the game more fun. "Care to play again?" FADE OUT.
Chapter XXIX: "Double Jeopardy"
My family and I watched "Double Jeopardy" a few nights ago for the DCV and for my (belated) but on-going Ramblings on each of the Gargoyles episodes...
(This 'chapter'/episode was written & Story Edited by my old buddy Cary Bates.)
It's literally been over a year since my kids or my wife have seen an episode of Gargoyles. I've occasionally had to check out individual scenes and/or credits for things I've been working on, but I don't think I've sat down to watch a whole episode beginning to end in quite some time either.
Watching the opening titles, my five year old son Benny remarked to his seven year old sister Erin: "You have [Brooklyn] and I have Goliath." He's referring to the Kenner toys I gave them a couple Christmas' ago. Erin, I believe has Brooklyn, Broadway and the Steel Clan robot. Benny has Goliath, Lex and Xanatos.
Then when Benny saw Xanatos in the credits, he said, "I was Xanatos last year." Here, he's referring to the fact that he dressed up as Xanatos for the costume ball at G2000. I had to point out that that was nearly TWO years ago.
TITLE
Cary must have come up with this one, I think. I tend to favor one-worders myself. His original title was "Thailog Rules", which I didn't care for. I liked "Reversals" but he must have convinced me to go for "Double Jeopardy".
Erin, who can now read, asked what "Jeopardy" meant. I said "Trouble". And she was very amused that the title 'translated' as "Double Trouble". She liked that better, I think. She also enjoys reading the various on-screen scrawls, like "One Year Ago" and "One Year Later". Reading is like a super-power to her now. I hope she doesn't lose that.
THE FLASHBACK
So we open with a touch of continuity. Or retcon, I suppose. Though to me retcon is a nearly derogative term suggesting that continuity has been abused to fit new circumstances and I think our little flashback here fits in nicely with what we already knew of that time. A Steel Clan Robot interrupts Elisa trying to convince G that they need to find a new home. Goliath puts the bot down hard and fast. It's a cool and well-timed scene.
It's nice to see Goliath's old stubbornness there too.
Now, to the present. There's a color error (or perhaps cheat) where we see a flash of what will eventually turn out to be Thailog's arm. It's Goliath's color, not Thailog's.
Then we hear the maniacal laughter, which Hudson will later comment on: "Do you even know how to laugh maniacally?" he'll ask Goliath. The answer, surprisingly, is yes. Though I had forgotten, Goliath laughs pretty darn maniacally in "Enter Macbeth" after Macbeth suggests that Demona will come to Goliath's rescue. Still, one of the impulses that made me want to create Thailog was Keith David's talent. The fact that he was brilliant as Goliath, but that Goliath didn't allow us to show but a fraction of Keith's true range. Creating Thailog allowed Keith to do things that he otherwise wouldn't. And I think he's amazing. There's never any question as to which character is speaking whether that character is on-camera or not. And he does it all with acting. The voice itself is the same. Thailog lets Keith cut loose and just be BAD.
Also, a touch of Jeff Bennett's amazing flexibility too. Jeff does a Schwartzenegger impersonation for the mercenary. Beth immediately recognized it as an Arnold takeoff, but didn't know who was voicing it. She was suitably impressed to find out it was yet another creation of JB's.
I like Lex's line: "Made my hair stand on end... if I had any". (Note, all quotations are approximate.)
I had some fun trying to mess with the audience's minds. Which is tough, because honestly you guys (tv watchers in general these days) are pretty savvy people who know most writer-tricks. When you saw Thailog frozen in stone on the parapet, before the real Goliath & Brooklyn appeared in the episode, what did you think was going on?
Benny (still focused on the prologue) theorized: "It's a robot that also can be turned to stone."
Erin knew it wasn't Goliath. And after a few minutes wondered if the robot had cloned Goliath. (NOTE: Both kids have seen the episode before. But long ago. And for Benny, so long ago, that there's really no possible way he could remember it. Erin doesn't remember either, at least not consciously, but she may have more of a sense of it buried in there somewhere.)
CONTINUITY:
The Emir is mentioned again. I think, though I can't remember for sure, that by this time, I had some vague notion of picking up on the throw away mention of this guy in "The Edge" and using him as a character later. So we mention him having deadline problems. In theory, he's already working on the Anubis plan that Xanatos agreed to bankroll back in "The Edge" -- but which wouldn't come to fruition until "Grief".
Owen is fun here too for me: "Is this a plan you neglected to mention?" A reasonable possibility, though it's hard to imagine that Xanatos would work anything behind Owen's back. I also like the bit about how Xanatos has never lacked for formidable enemies.
And Arnold's line about Sevarius giving him the creeps is truer now than ever before. Sitting in front of me is an article from this past Sunday's L.A. Times about Dr. Severino Antinori's real life cloning experiments. I even have a picture of the guy. He doesn't look much like our Anton. But the name and the sliding ethics sure sound spookily like Dr. Sevarius. As far as I know, that's a name that Michael Reaves made up out of the blue. It's really weirding me out.
Owen & Xanatos figure out that the kidnapper is Sevarius, and Xanatos has that great resigned villainous speech about how "An example must be made." It's funny. We have to work to get him to do anything that an everyday cartoon villain would do without breaking a sweat.
Also, we get the first mention of the "Thailog Project". The word "Thailog" itself, as I may have mentioned before, was another major impetus (is that spelled right) for creating the character.
While we were mixing the 35mm movie version of the pilot, there was one scene that was giving us trouble. The guys at Disney Sound kept rewinding across this scene over and over and I kept clearly hearing the same word "Thailog" over and over again. I eventually realized it was Elisa saying Goliath backwards. I just liked the sound of Thailog and that gave me the idea of creating an evil (i.e. backwards) Goliath. Again, that would also give Keith some fun opportunities.
But one thing I didn't want to do was to make Thailog a true dead-ringer for Goliath. I felt that had been done to death. It was fun to misdirect in the first act. But after that, I wanted something different. Thus we have the 'pigmentation' change brought on by the accelerated aging process. (This was another thing that mattered to me. Clones who miraculously are the same age as the original bug me. I wanted to at least pay lip service to the notion that theoretically a clone should age normally. The color change was an attempt to kill two birds with one stone.)
The specifics of the color change were actually inspired by John Byrne's tenure on the FANTASTIC FOUR at Marvel. He did a bunch of issues where the FF went to the Negative Zone, and when they emerged, their uniforms were altered from black and light blue to white and dark blue. It always seemed like a simple but stunning change. So Thailog was a nega-Goliath. (And, yes, Darkwing's foe Negaduck also had an influence, I'm sure.)
MORE CONTINUITY
Broadway's ongoing 'learning to read' subplot is advanced. Lex has put two and two together and guessed that what they saw might just be a clone. Which is smart o him, I think. But BW has to figure out what Lex was spelling out. Perhaps even more of a challenge for a guy that didn't care about the written word, just a few short months before.
Erin saw her birthday on the Thailog project logs, and was very tickled. (Of course, it's really no coincidence.) I felt a little bad, since Benny's birthday never appears in the show. (Since he wasn't born yet.)
BW: "This is bad news."
LEX: "You can say that again."
BW: "This is bad news."
Erin: <LAUGHS> "He said it again."
Love the X & Sev scenes. It's always fun to give Tim Curry a chance to really HAM it up. (You can see how a lot of our work was inspired by the talents of our cast.) But I just love cross-purpose conversations in general. And this one is a blast. It's also nice to see Xanatos confused for a change. Props to Jonathan Frakes, who always gave us a very non-showy but spot on performance. Particularly once the voice and animation were put together.
X: You're the kidnapper.
Sev: I guess I am at that.
Goliath sees Thailog for the first time and reacts very badly. I think it's (dare I say it) very human of him. He thinks Thailog is an abomination. I love the "...pieces out my soul" line. Love it.
***HEY! I know I've said this before, but in case everyone's forgotten... These ramblings are admittedly a little obnoxious. I'm like praising my own work here. Except (a) some of it isn't my work, but the work of my colleagues and it still impresses me and (b) I'm genuinely fond of all this stuff so forgive the indulgence.****
Anyway, Elisa points out that Thailog is almost Goliath's son.
This was another ongoing point of behind-the-scenes contention. Since Thailog appears to be Goliath's evil twin, Cary and others thought we should play them as brothers instead of father & son. But that just seemed wrong to me. That wasn't the relationship either genetically or otherwise. And I liked the notion of Thailog having three fathers that he was in constant conflict/competition with.
All the father/son stuff is great.
I love the "Chip off the old block" "All the old blocks" exchange. Pun intended of course.
And Thailog's line "...just to raise a fool."
And Sev's "You do and do and do for them."
Thailog laughs maniacally multiple times. YAY!
Round about here, Erin muttered: "This is an odd episode."
Note that Thailog is attracted to Elisa from the start. Creepy. But also he's more in touch with his body chemistry than Goliath is. Guess it helps if you haven't had a decades of socialization.
Actually, everyone admires Elisa. X for her delicate wrists. The bit with Elisa slipping out of her manacles always seemed like a bit of a cheat to me. (See, sometimes there are things I don't like.) The handcuffs line was a semi-feeble attempt to cover.
I like the idea that Sev had worked up a garg specific knock-out gas that Thailog used.
I liked the animation and sound work on Thailog tearing open the oil barrels.
I liked Thailog's line "Now I know where I got the temper." But does he really have much of a temper. He seems much more Xanatosian than Goliathesque in that regard. But I do think he holds more of a grudge. He just hides it.
Tangent, but I believe that this maybe explains his relationship (still to come) with Demona a bit. I think he knows on some level that Demona likes him because he's the Goliath she always wanted. And Thailog is very into being his own man. He wants nothing from his fathers that he hasn't TAKEN.
Thailog won't leave without his money. I'd ask in hindsight whether or not at that point the money was even still in that briefcase.
Goliath by the end is now fully on-board with the notion of Thailog being his son. His clannish instincts have taken over. And he feels that all of Thailog's rookery fathers (X, Sev and G) have failed Thailog. The notion of multiple fathers is something that's easy for him to grasp. But of course, he takes his own failure to heart more than the others. Cuz he expects THEM to be jerks.
And now our patented Xanatos Tag. Only it's flipped into a Thailog tag. I love Owen's line: "He's out there, he has the money, he's as powerful as Goliath and he's smarter than you." Only Owen could slam X like that with impunity. And X's return: "Owen, I think I've created a monster." Love that too.
Still not sure whether I love the super-imposed Thailog head. But I do like Thailog's maniacal laughter. Never get enough of that.
Erin: "[Thailog] practically is a monster. Gargoyles are supposed to be monsters. Only they're nicer. Thailog is a monster."
Anyway, that's my ramble. Where's yours?
Double Jeopardy Outline Notes
[With the DCV moving into episodes that my rambles haven't yet covered, I'm again going to try to reprint old memos from the series. What follows are my notes on writer/story editor Cary Bates' outline for what eventually became "Double Jeopardy". By the time we wrote this memo, we'd clearly gone through three iterations of the story (which I no longer possess). This version related below, is darn close to what we finally wound up with, and should give you an idea of how closely I worked with the story editors, though it reveals little about who came up with what, since even I don't remember how much of what follows was new to this document and how much was part of what came before. Enjoy.]
WEISMAN 12-24-94
Notes on "Thailog Rules" Outline...
GENERAL
O.K. You're last beat sheet was a big improvement. Particularly the Sevarius stuff. But something still seemed missing. So I reviewed all three versions of this thing and after dancing them around in my head a bit, came up with the following. It preserves the mystery of Goliath's strange behavior a little longer, but keeps the plotline moving along fast.
TITLE
I'm afraid "Thailog Rules" tips our hand too much. What do you think of the title "Reversals"? Or something similar with the word "negative" in it? Or something like "Sins of the Fathers"?
FIRST ENCOUNTER
I traded Brooklyn for Elisa. That way, we could get rid of the awkward phony weapons bit. Thailog (or Sevarius) could have left an anonymous tip for Elisa that brought her (and Lex and Broadway) past the right place at about the right time.
THAILOG'S DICTION
Can be very colloquial. Direct. Like his menacing laugh, it'll be weird for our audience to hear Keith's deep voice comfortably use edgy modern parlance.
BEAT SHEET
ACT ONE
1. Prologue. One year ago at Eyrie Building. Night. Keep very brief and simple. ELISA is trying to convince GOLIATH that he must find a new home, before Xanatos is released from prison. Suddenly, a STEEL CLAN ROBOT goes berserk, making a bee-line for Elisa. Goliath puts it down hard. OWEN apologizes and "treats" Goliath's small cut.
2. One year later. On a stormy night, Elisa is driving along Riverside Drive in upper Manhattan, where there's a bit of a cliff down to the water. LEXINGTON and BROADWAY are gliding through the storm above her. Lex wears a radio headset like the one he wore in "Legion". He uses it to communicate with Elisa, letting us in on the anonymous tip that brought them up here, and how it must have been a crank call, since it turned up nothing. (We need to believe that whatever this call claimed to reveal was something that would have led her to bring Lex and Broadway instead of Matt.) Just off shore, we should see an old oil rig platform. Suddenly, Lex and Broadway are attacked, and Elisa is "strafed" and nearly forced off the road and over the cliff. (Keep her point of view very tight and claustrophobic inside her car. Between the poor visibility and multiple "blind spots", she won't know where the next attack will come from.) As dangerous as the whole thing is, there's something almost childish about the attacks. Ultimately, Elisa gets control of her car, pulls over and gets out. Lex and Broadway land next to her, and they see their attacker. It's clearly "Goliath", though we only see him in silhouette, laughing. Then he is gone.
3. At Gen-U-Tech, DOCTOR SEVARIUS is making a down payment to LEAD MERCENARY. The Doctor's having a damn good time.
4. At the Clock Tower, just before Dawn, Elisa, Broadway and Lex have just finished describing Goliath's strange behavior to HUDSON. No one has a clue as to why Goliath would act that way, and they'll have to wait until sunset to find out. He and BROOKLYN were supposed to be out patrolling, and with Dawn fast approaching, they probably found a ledge to spend the day on: somewhere Goliath would feel safe.
5. Daytime at Eyrie Building. "Goliath" is frozen in stone on the highest tower of the Eyrie Castle. (Note: when "stoned" there's no way to tell the difference between Goliath and his counterpart.) XANATOS chats with Owen about how nice it is to have "him" here, guarding the castle. (Since they both know who they are talking about, they don't have to mention him by name.) Suddenly, MERCENARIES led by Sevarius' Lead Mercenary, land. Xanatos and Owen are caught off guard. Mercenaries leave with stone "Goliath" and Xanatos can't shoot them down without risking the gargoyle's life.
6. From his helicopter, the Lead Mercenary calls Sevarius by Video Phone, telling him that the mission is accomplished. They have the statue in the cargo hold in back. Sevarius is pleased and tells them to bring it to the rendezvous point, but not until after dark.
7. Night at the clock tower: Elisa, Hudson, Broadway, Lex and BRONX watch Goliath and Brooklyn come in for a landing. Goliath is bombarded with questions, but he doesn't know what they're talking about. Brooklyn confirms that Goliath has been with him the whole time. Well, if that wasn't Goliath they saw, then who was it?
8. In their helicopter, the mercenaries rendezvous with Sevarius at the abandoned oil rig platform. Sevarius is carrying a tranquilizer gun, which mystifies the lead mercenary. What's he gonna do, tranq the statue? The mercenaries open their hold, only to be confronted by THAILOG -- shock white hair, photo-negative colors, bad attitude, but otherwise a dead ringer for Goliath. (Incidentally, this is the last we'll ever see of these particular mercenaries.)
ACT TWO
9. Lex and Broadway have brought Goliath to the riverside location of the previous' night's "attack". They find a Gen-U-Tech tracking bracelet (like the one in "Metamorphosis"), right where "Goliath" had been standing. Lex wants to check out Gen-U-Tech. Goliath sends him and Broadway to do it, while he and Elisa look around for whoever or whatever that phony Goliath was.
10. Back at the Eyrie Building, Owen hands Xanatos the phone. The voice on the other end has been electronically altered beyond recognition, which doesn't prevent it from demanding a ransom for Thailog: $20 million in cash to be delivered to Oil Rig Platform #18 (or whatever). Owen tries to trace the call. No luck. But he can trace Platform #18. It doesn't belong to Demona, Macbeth or Renard. In fact, it belongs to Xanatos Enterprises. That's all Xanatos needs to hear. He can barely believe it, but Sevarius must have betrayed him. It all fits. Sevarius works for X.E. and he's the only other person who knew that Thailog existed. Xanatos hates to lose a talent like Sevarius, but he can't permit this kind of behavior from his employees. He's just going to have to make an example of Dr. Sevarius.
11. At Gen-U-Tech, Lex and Broadway break in. Lex has an idea. He types "C-L-O-N-E" into the computer and gets the scoop on Project Thailog.
12. Goliath and Elisa have been searching the area. They've looked everywhere and found nothing. Almost everywhere. Goliath points to the oil rig.
13. Xanatos, wearing a trench coat and carrying a suitcase, has taken a launch out to the oil rig. He is greeted warmly enough by Sevarius. He shows Sevarius the money. Sevarius: "What? Oh, the money. You know in all the excitement, I almost forgot about it. Actually, I've never seen that much money in one place. Mind if I take a peek?" And while he does, Xanatos removes his coat, to reveal that he is wearing armor. Thinner, lighter than his Gargoyle armor. Not as effective in a huge battle, but still formidable and obviously, easier to conceal. He grabs hold of Sevarius and explains, that although he's not by nature a vengeful man, Sevarius has forced him to make an exception.
14. Pull back to reveal, Goliath and Elisa watching all this from above. She wonders what could set Xanatos and Sevarius against each other? "Some new abomination they created together." They decide to take a look around.
15. Meanwhile, Sevarius is stunned at Xanatos' attack. What did he do wrong? Xanatos can't believe he's asking. Kidnapping, extortion, betrayal -- how's that for a start? Sevarius suddenly gets conspiratorial and whispers, "Oh, I get it. Somebody's watching us. Don't worry. I'll make it look good." Then he hams it up big time: "YES, I BETRAYED YOU!! YOU TOOK MY CREATION AWAY FROM ME!! IT WAS ONLY AN ACT OF JUSTICE TO STEAL IT BACK!!" And then he whispers to Xanatos, "How was that?"
16. Goliath and Elisa find Thailog chained up in an oil storage tank. Goliath is horrified. How can this be? Thailog explains very briefly that he is a clone of Goliath, created from his blood. Goliath feels violated and speaks rashly about the horrors of modern science and the evil of Xanatos and Sevarius. Thailog seems hurt and glowers angrily at Goliath. Elisa yanks Goliath aside. "Listen, you have a right to be angry, but you shouldn't take it out on Thailog. It's not his fault he was created. And however it happened, he's still a gargoyle. In a way, he's kind of your son. And you're rejecting him."
17. A very perplexed Xanatos is finally putting it together. Sevarius thinks this is all an act. Now Sevarius is confused. Isn't it an act? I only followed your instructions. What instructions? Sevarius had gotten instructions from Xanatos' office over electronic mail to do everything he had done. Far from betraying Xanatos, he had thought he was helping Xanatos in his latest Machiavellian scheme. Except Xanatos doesn't know anything about this. Who else has access to his personal computer? Sevarius: "Owen? Fox?" Xanatos: "Don't be ridiculous." "Well, has anyone else had access to the castle?" Xanatos thinks about it, and then... laughs.
18. Back in the oil tank, Goliath knows that Elisa is right. He goes to free Thailog. But Thailog says it won't be necessary. The shackles weren't locked. He grabs Goliath, puts him in a wrestling hold and slams a gas mask over Goliath's mouth and nose. Before Elisa can do anything but gasp, Goliath slumps unconscious in Thailog's arms. And Thailog laughs.
ACT THREE
19. Xanatos is still laughing. He's figured out that it was all Thailog's plan, and he's proud of his boy. Thailog comes out, smiling. And he's carrying a little bonus -- an unconscious Goliath and Elisa. (He took her out during the commercial.) Better and better. The kid is a real chip off the old block. "Yes, I am... All the old blocks." And he slaps an electro-disk onto Xanatos, shorting out his armor and knocking him unconscious. Screen goes black.
20. When Xanatos regains consciousness, he is chained next to Goliath, Sevarius and Elisa (in the oil tank maybe). Thailog enters with murder in mind. He's learned from all of his "proud fathers". But he has no intention of going through life as Sevarius' guinea pig or Xanatos' stooge. It's time to leave the nest. And twenty million should help him make his mark. Sevarius protests: How are you going to spend it? You can't exactly open a checking account. But Thailog has learned enough from Xanatos to know that with that much money, he can find a way to make it work for him. After all, he set all of them up without any cash incentives. Imagine what he could do with 20 mil? Goliath tells Thailog that he doesn't need the money. He can join the gargoyle clan. Thailog: "Do I look like a sap to you?" He has no desire to waste his time acting as guardian angel to a city full of ignorant humans. He had toyed with the idea of sharing the money with Goliath. That's why he had arranged for Goliath to join the party. But their little family reunion pissed Thailog off. "So I've decided to hate you too." He approaches Elisa, caresses her face. It seems like a waste, but she's going to have to die too. Nothing personal. He leaves, activating a death trap. (Maybe the oil tank starts filling with oil or something.) At any rate, the four work together to escape the trap. Though they set the rig on fire in the process.
21. Topside, they arrive just in time to stop Thailog from escaping with the cash. Thailog is furious that they've escaped. Big battle mostly between Thailog and Goliath. Broadway and Lex finally arrive but by this time the rig is about to collapse. Goliath tries one last attempt to reason with Thailog. They must escape. Thailog won't leave without the money. He goes after it, is caught in an explosion and apparently dies. Xanatos and Sevarius escape in Xanatos' launch. Broadway, Lex and Goliath leave with Elisa. They've survived. But at such a great cost. Goliath would like to blame Xanatos and Sevarius for corrupting Thailog. But all of Thailog's fathers hurt him. Goliath cannot exonerate himself.
22. Epilogue: One week later. Xanatos, Sevarius and Owen are talking about a brand new, more secure computer system. Price tag: just under $20 million. Xanatos chuckles at the irony, and then almost chokes on the chuckle. He suddenly realizes that if he had been in Thailog's shoes, he would have planned a contingency for their escape from his death trap. He would have faked his own death so that he could get away with the money. Sevarius: "You mean that monster's still out there. It has the money... and it's smarter than you?" Xanatos, dead serious: "Owen... I think I've created a monster."
Grad Thesis semi-Answers
I got the following e-mail from Gore the other day. I don't usually encourage going around the system this way. But the guy seemed to be under deadline pressure, so I cut him some slack and moved him to the head of the line. I'd ask that others not abuse the process. Thanks.
Subject:
[Fwd: Graduate Student needs Greg's Help]
Date:
Thu, 14 Mar 2002 20:21:44 -0500
Just forwarding something that was sent to me.
-[Gorebash]
-------- Original Message --------
Subject: Graduate Student needs Greg's Help
Date: Sun, 10 Mar 2002 14:21:57 -0500
Dear Mr. Weisman,
My name is John Diego Hernandez. I am a full time graduate student in public relations at Rowan Univeristy in Glassboro, New Jersey. My research topic for my thesis is "toys and cartoons" and how the two fields relate to one another when it comes to development of both toy lines and animated serials. As part of my thesis research I am required to survey individuals who pertain to my investigative studies. As creator of an animated television serial, your knowledgeable expertise would be an invaluable
wealth of information that would remain in my thesis throughout perpetuity.
The survey consists of 12 short questions posted below. It will only take 20 minutes of your time - no longer. If you can find some time from your busy schedule, I would be most indebted. You do not have to answer all the questions if you choose not to. If you wish to remain anonymous, I will not put your name or personal data in my thesis.
Thank you for your time,
John Diego Hernandez
1. Do toys affect what cartoons you make?
Yes. The profit margins on children's programming are so slim these days (largely because of misguided government regulation coupled -- ironically -- with the deregulation that has allowed entertainment companies to vertically integrate) that potential money from consumer products (including but not limited to toys) has become a greater factor than when I started in the business in 1989. Toy companies can help fund programming -- for better and for worse -- that might not otherwise get made. And even original properties benefit if there are multiple forces (e.g. a toy line) that maintain incentives to keep a show alive.
2. Do you choose what toys are made?
Never.
3. How significant is a hit animated show to sales of toys?
It can be very significant, in that an animated series can virtually act as a 30 minute daily commercial for the toy -- a commercial that establishes play patterns and allows the audience to invest in both characters and the property as a whole.
4. How many cartoons a year are related to toy lines?
I have no idea.
5. Must the toy manufacturer pay royalties to cartoon producers?
Depends on the origin of the property.
6. Does a successful cartoon guarantee a hit toy line?
No. Some shows are not considered 'toyetic'.
7. Does a successful toy line guarantee a hit cartoon?
Never. But it doesn't hurt.
8. When your company is in search of a new animated serial, where do they look first - current toy lines or creative innovators?
There's no one place. (And that either/or you just gave me is ridiculously simplistic. Implicitly biased even. There are plenty of creative innovators working at toy companies, for example. And there are more than just two places where you might look for inspiration or series springboards.)
9. Approximately how much do cartoon producers allocate to the funding of toy lines?
Doesn't work that way. Toys help fund cartoons (in simplistic terms) not the other way around.
10. Which usually comes first - the toy line or the cartoon?
Again, there's no one rule. In certain countries, like England, if a toy line exists already then you CAN'T air the property at all. But here in the U.S. it can go either way. Though often the cartoon will appear first to help promote the toy line.
11. May I attribute your responses? Yes / No
Yes.
12. If yes, please list name and/or title and company name:
Greg Weisman
Freelance Writer/Producer
While I'm thinking of it....
Behold the following exchange (then skip to the bottom):
Received from pc-17.di.uoa.gr on Monday, September 17, 2001 04:52:03 AM
Aris Katsaris writes...
'kay, you were in your Disney office and couldn't answer this the last time I asked it, so you told me to repost it... Here goes:
<g> Another timeline thingy - this time less of a question though and more of a possible correction (unless I'm missing something)...
You recently said that Tom, Katherine and Magus entered Avalon on September 28th 995. But we also know that the eggs would normally hatch on the spring equinox (about March 21st) of 998. This means that there normally remained 2 and 1/2 years for the eggs to hatch... This time they spent on Avalon.
You can probably see where I'm going... Multiply by 24, and we see that they had to spent 60 years (Earth time) on Avalon. This takes them all the way to 995+60 = 1055.
Obviously the closest "20-year circle of the earth" was 1058... Quite near by. So why did you have them hatch on 1078, 20 years later, instead?
I don't think I've made any errors with the math... :-)
Greg responds...
The eggs were laid in 988. From 988 until 995 (seven out of the normal ten years for gestation) time passed normally. That means they needed @three more years to hatch once they arrived on Avalon. One year on Avalon equals 24 in the real world, as you noted. 3 x 24 = 72. 995 + 72 puts us at 1067. Making the closest twenty year cycle at 1078, as I noted.
You're calculations assume two and a half years instead of three to hatch. And that makes sense given the dates listed. The obvious dopey answer is that I was not calculating to the month but to the year. And so I could acknowledge the mistake and redo everything. And maybe on my next pass through the timeline, I'll do just that.
But to be honest, maybe I won't. When dealing with Avalon's mysterious flow of time, I believe my calculations are close enough. If the eggs weren't ready until March of 1059 even, then I'm still correct -- so it's not quite as big an error as it appears at first glance. Four years passing in the real world represents only two months on Avalon. Perhaps all that traveling and magic, etc. set the eggs back just a bit. If it set them back two months, then I'm right, and they're just slightly late bloomers.
And yes, I'm making excuses. So I'll save this exchange and decide at a later date.
For now, I'm sticking with my current calculations.
recorded on 03-04-02
With all this in mind...
I know I've established -- both here and in my own head (particularly with regards to G2198) that eggs hatch on the Spring Equinox.
But does anyone remember whether (and where) I've established what month the eggs are laid in?
I can't recall if this has come up yet.
Anyone know? And would this solve my problems at all?
GOLIATH AND DEMONA: A RESPONSE
Here's another post I just know I'm going to regret. But I can't seem to help myself.
Mooncat, please don't take this personally, but I think you're viewpoint on Goliath's "shallow" love for Demona is misguided.
Let me make a few parallel changes to illustrate my point.
1. Let's say both Goliath and Demona were humans.
2. Let's say Goliath was a woman named Gina.
3. Let's say Demona was a man named Dan.
4. Let's say that instead of taking place atop rooftops and castles, these events were taking place in a two-bedroom house in suburbia.
5. Let's say that instead of using laser bazookas and the like, Dan was simply using a baseball bat. Or his fists.
Now take your scenario. Once upon a time, when they were young, Gina swore undying love for Dan. They got married. Spent years together. Even had a daughter together. There may have been hints along the way as to Dan's troubling nature, but Gina ignored those hints. She still loved Dan.
But, hey, sometimes things change. They go from good to bad to worse. Now Dan beats her. He hurts her. He's tried to kill her more than once and has nearly succeeded. He runs off. Shows up again, and behaves the same way. He has successfully killed other people in cold blood. Sometimes Gina reaches out to him. Sometimes he pretends to be good. And hey, he never, ever hurts their daughter. But he always winds up hurting Gina again. I can't tell you how many times Gina has been taken to Sunrise Hospital for treatment. Well, I could tell you. You could count for yourself, I guess. But once is too many, and we both know it.
Whatever oath Gina took once upon a time is, as I see it, moot. No one should stay in an abusive relationship. I wouldn't want my daughter to do it. I wouldn't want my son to do it. And I wouldn't want Gina or Goliath to do it either. To not respect Gina for moving on with her life given Dan's behaviour, is IMHO kinda horrendous.
Now I'm not saying Dan is Satan. He may have a decent side to him. He may have taken some hard knocks himself, maybe even as a child. He's certainly lonely as hell inside his own skin. All mitigating factors. Certainly Dan needs help. Would benefit from counseling. But to put that all on Gina's shoulders, the VICTIM, is beyond unreasonable. Love is NEVER enough in these situations. You may feel that Goliath didn't make a big enough effort, but you weren't the one being shot at. (And my comment in the CR about how maybe Goliath looked for her between episodes, was way beside the point as well.)
Personally, I have tremendous empathy for Demona. Not mere sympathy but empathy. I feel that there but for the grace of God, go I, more often than I care to admit. But empathy or sympathy doesn't cut it. She's committed cruel and violent (murderous) acts against other living beings.
And to use your own example, if Elisa went "Dark" and Goliath had to chose between saving her and an innocent. I'd hope he'd save the innocent. I hope that's the kind of guy he is. That he does the right thing, no matter how personally painful.
And if you think what happened with Demona wasn't personally painful for him on every level, then I failed as a storyteller.
Testing, one, two, three...
Just checking to make sure this is working.
OH, YEAH...
I was watching Gilmore Girls the other night and I realized that I've neglected to mention a show that was a subconscious influence on Gargoyles.
I LOVE LUCY
Here was a series set in Manhattan that periodically took its main characters on trips to other 'more exotic' locations. Like Europe, Cuba, Hollywood, etc.
Just thought I should mention it.
Where have I been?
Around.
True, my computer crashed last Thursday, and because I took my daughter to Catalina Friday-Sunday, I wasn't able to get it fixed until yesterday.
But that's not really why I haven't been answering questions here.
The reason, which is perhaps obvious, is September 11th.
Like just about everyone, I've been deeply effected by the events of that day and by what has followed. I'm at a loss, to say the least.
I can't see my way clear to an end... Even in a strictly fantasy sense, given super-powers or magical assistance, I can't imagine a satisfying conclusion. It's not like I see the world ending. (And perhaps I've been living in blissful ignorance for too long...) But the world just seems so ugly right now, and I don't see that changing. Don't know how it changes at this point. And thus I'll admit I'm having trouble getting back into a daily routine -- even a full four weeks later.
It probably doesn't help that (a) I'm unemployed. There's no structure to my days beyond the structure that I impose. And (b) I'm naturally lazy. Any excuse, right?
But I'm going to try. I've lost all the time I gained during the August break, and I still don't think I'm ready to power through all your questions. But I have to start somewhere, sometime. And, heck... maybe a few of those lightbulb jokes will cheer me up.
Keith David, Live and In Person
For those of you in the Greater Los Angeles area looking for some much needed diversion...
Keith David (the voice of Goliath, of course) will be singing and performing live at CINEGRILL inside the Hollywood Roosevelt Hotel at 7000 Hollywood Boulevard (between La Brea & Highland) at 8pm on both Friday, September 21st and Saturday, September 22nd, 2001. My wife and I will be going Friday night. It would be great to get a nice garg-fan turnout. And I know that I personally can use the break from news reports, etc. Reservations are suggested but not required. Call: (323)466-7000.
Hope to see at least a few of you there.
September 11, 2001
There's not much I can say. I'm in shock like the rest of you. I voted in a local election, and I'm going to try to donate blood later today. It's all I can think to do.
Everyone, just take care of each other.
Greg
Thank Heaven...
July (and thus August) ASK GREG questions are done.
Now I'm just over a week behind. I can live with that.
FYI, for any fans living in the Los Angeles area:
Keith David (the voice of Goliath and Thailog and Officer Morgan) is performing live at the Cinegrill (at the Hollywood Roosevelt Hotel on Hollywood Boulevard) at 8pm on Friday and Saturday, September 21st and 22nd, 2001.
I'll be going on the 21st, and I hope to see at least a few of you there.
If you've never heard Keith sing, you are SO in for a treat. The guy is brilliant.
Feeling like this is still pertinent...
I'm reprinting this.... and yes, I know that the questions I'm currently answering were all posted LONG before the first time I posted this. But since I cleared the room, I wanted to repost his message so that people keep it square in mind when posting NEW questions....
Paranoia... possibly.
So maybe it's me...
But lately I've been feeling like people are popping in to ASK GREG with the deliberate intent of catching me in a mistake or inconsistency. Like they are trying to trip me [or the series] up.
If not, my apologies.
But if so... CUT IT OUT, OKAY!!!!
It's just not much fun for me.
And before anyone else gets personally paranoid, this isn't directed at any one person. I've just had this general sense that somehow this is the new contest here. Who can make Greg look stupid. Believe me guys, I don't need much help in that department.
If you have a legitimate question you're curious about, then ask away. But if you're just posting to make me look foolish and/or to prove that the show wasn't perfect... well, how 'bout I just acknowledge both things here and now, and we let that drop.
Okay?
CLEARED THE PAGE...
I've been trying to answer questions here at ASK GREG pretty consistently for the last few weeks.
I'm guessing that the "Latest Response Page" is starting to get pretty unmanagable.
So I've cleared it, despite the fact that I've added to it as recently as yesterday.
So if you missed anything recent, please check the following archive:
RESPONSES 2001-9 (Sept)
That'll only give you questions and rambles from this month.
LIFE IN THE REAL WORLD
This is something I wrote YEARS ago. But I don't think it's here in ASK GREG, or if it is, it's only in the old archives. Vash dug it up recently, and I thought I'd reprint it here, verbatim, I've added a few notes in [brackets]:
Life in the real world.
I know I've said this stuff before. Please read this carefully. I have a real fear that this might sound defeatist or condescending, but you can't possibly succeed in "saving" the show if you don't come to terms with these hard truths. I don't know what you've been told by other people. But I do know a few things about today's animation market. I've told you before that I did not believe that Gerry Leybourne was single-handedly responsible for not renewing the show. Dean Valentine is also not single-handedly responsible. Neither is Eisner. If the fans insist on looking for a VILLAIN to blame, they stand no chance. [Neither Leybourne or Valentine are at Disney anymore.] You say you're looking for a straight answer. But really you've been given and have ignored straight answers and what you are looking for is for simple answers. There are none. Here are some (but not all) of the many factors that have probably played into the non-renewal:
1) Quantity. A normal syndication package for any children's show is 65 episodes. If you don't make it up to 65 then you are considered something of a failure. If you make 65, then you have created a show that can have ongoing library use. That's a success. Anything above 65 is gravy and NO SHOW makes more than 65 episodes without significant financial incentive. They made 78 gargoyles (including Chronicles). The financial incentive for the last 13 was that ABC needed a boys action show with some "Marquee" attached to help fill out it's Saturday Morning line-up. You'll notice that no new episodes were made for syndication. There was no financial incentive in syndication. So they didn't make any more for syndication. [These days a syndication package can be as few as 39.]
2) Ratings. The ratings for Goliath Chronicles are, or so I'm told, lousy. Forget about the why for a moment, and just absorb this fact. If the ratings are lousy, we've just lost the financial incentive to make any more beyond the 13. On that level, Goliath Chronicles objectively failed. Gargoyles did a bit better in its day, but it never broke out and knocked down the competition. Aladdin did better business for Disney. And they're not making any more new Aladdin tv episodes either.
3) Shelf space. The Disney Afternoon, as we know it, is dead. The rise of FOX, the WB and UPN ate up almost all of the existing independent stations that aired the Disney Afternoon or (in lieu of the full two hour block) the individual shows that made up The Afternoon. We've known this was coming for awhile. Existing contracts kept the Afternoon alive through the end of this season. But after that it is gone in it's present form. Now, as I understand it, Disney has made a deal with Kelloggs to do a reduced version of the Afternoon. I think it's supposed to be an hour and a half long, with one new show and two library shows. The new show for next season is 101 Dalmations. For fall of 98, it's supposed to be HERCULES. There isn't room for new Gargoyles in syndication. ABC has similar problems. As a broadcast network, they've committed to air 3 hours of FCC/Kid friendly programming per week. That means 3 hours of their morning have to be reserved for that kind of programming, because unlike Fox, they don't have any other place in their schedule to air this FCC stuff. That only leaves them with about one and a half hours to fill their morning. They have an existing commitment to the Bugs Bunny cartoons that they air for an hour. That leaves them with one half hour slot to fill. Given Goliath Chronicles ratings, it just doesn't make sense to fill that one slot with a show that's failing, when you can take a chance on something new that might succeed.
4) Resources. The fans seem to regard Disney as this Giant that can do whatever it wants, and that's true up to a point. But Disney TV Animation has limited resources. There are only so many talented animators and storyboard artists out there. There's only so much money they can spend without profits to justify the expense. From Disney's point of view, Gargoyles had its shot. You and I may quibble about how that shot was handled. Whether it could have been handled better. I think everyone would acknowledge that mistakes were made. But not intentionally. EVERYONE at Disney wanted the show to be a huge success. IT WAS NOT. I wish I could tell you different. Creatively, I'm very proud of the show. We touched a substantial group of people. But an even more substantial group preferred POWER RANGERS on a consistent basis. They cleaned our clock. Disney has to decide how to allocate limited resources. If Gargoyles had 78 shots to be a hit, and didn't quite make it, you can see why they might think it's time to allocate their resources to something else.
5) Quality. Resources came into play with Goliath Chronicles. The decision was reached to allocate priority resources to shows and home videos that they believed had a better chance to break out. That's why Chronicles looks the way it does. In my opinion, the show is inferior to the original on almost every level. This doesn't mean that a lot of good people didn't work their butts off to make it as good as it could be. But limited resources result in limited success. The resource issue was the major reason why I walked away. I regret it now. The animation has been weak, but I should not have passed up the opportunity to tell twelve more of my stories. But that's spilled milk. Eric Lewald was under the gun from the moment he came on board the show. There wasn't adequate time to make the show at its previous quality level. There wasn't even adequate time for Eric to become as familiar with the show as I'm sure he would have liked to. I tried to help. I was paid to consult. But...
6) Time. Along with limited resources, the main reason Chronicles isn't up there is Time. The show didn't get a go ahead until late november '95. I began "The Journey" in December. Eric didn't really come aboard until January '96, as I recall. Look at where we are now. It's late February [1997]. Do you really want to see the GARGOYLES episode that would result if it started from scratch now and had to air in September [1997]? I WOULD NOT.
7) Expectations. I do believe that Disney in general views the show as a disappointment. They had tremendous high hopes for it. They rushed 52 episodes into production for it's second year despite my warning that they'd have to air a lot of reruns in between new episodes. The reruns, the weaker stations we were on and many other factors, including series content resulted in a solid but decidedly unspectacular performance. I do believe that the high expectations that many at Disney had for the show, led to greater disappointment in its real failure to break out and its perceived failure in general. That disappointment doesn't make a lot of people feel inclined to make more.
8) Strategy. O.k., I'm not at Disney anymore, so I'm not privy to their strategy meetings, but from outside observation, it doesn't seem like Gargoyles fits in their overall strategy plans. Maybe it never truly did. Now we can be mad about this. We can even try to change it. But first and foremost, we should be glad they made the show at all. Next we should realize that if it doesn't fit their plans, they aren't going to be too inclined to change them IN THE SHORT TERM.
9) Management. (The one I suppose you've been waiting for if you still insist on playing the blame game.) There has been a lot of management shake ups at Disney. Jeffrey Katzenberg, Rich Frank, Gary Krisel and Bruce Cranston all left. So did I. We were all supporters of the show. But Eisner didn't leave and he was a supporter too. I haven't talked to him recently. I don't know what he thinks about the show. Maybe he's disappointed. Maybe he's not. Maybe for him it's just the resource issue. Gotta take a shot with something new. Maybe he's not involved in this decision in a significant way. No way to know. But I wouldn't be so quick to label him a villain. It doesn't hurt to let him know that you love the show, but it can't help to blame him for its demise.
I don't know Gerry at all. I've never met her. I'm also a little vague on her responsibilities at Disney, thought I've heard she's responsible for scheduling ABC's Saturday morning. But before you blame her, or even guess at what she personally feels about the show, reread all the above, particularly the section on shelf space, strategy and ratings. Now she may not like the show. I have no idea. Neither do you. If she doesn't care for the show, I'd personally be curious to know what she bases her dislike on. Goliath Chronicles? Gargoyles? Both? Whatever, she's entitled to her opinion.
I've met Dean. I've heard that Gargoyles isn't his thing. I've heard that he believes that it may not be Disney's thing either. But I don't know any of that. And again, Dean's personal view of the show is, positive OR negative, way down on the list of reasons not to make more. See above.
Buena Vista. Mort Marcus ran Buena Vista at the time I left Disney. I have no idea if he's still there. Mort was a big early supporter of the show. He was also very disappointed when it didn't perform up to expectations. Buena Vista is taking its next shots with Dalmations and Hercules. But even if the Afternoon had survived, there wouldn't be any new episodes of Gargoyles in syndication. Look at the Disney Afternoon's history. A new show premieres with new episodes. Over the next few years, the reruns move down through the Afternoon. That's cause they couldn't afford the MILLIONS of Dollars that it would take to make new episodes for early time slots that don't deliver very many kids. If there aren't any (or many) butts sitting in front of the t.v. then advertisers don't want their products advertised there, in which case they don't pay much for commercials. So networks won't pay much for the shows, so the shows operate at HUGE budget deficits. Gargoyles operated at a huge deficit. Ultimately, I'm sure it will make an overall profit for the company. It may have already. But let's not pretend this was the LION KING.
Other divisions. Some did better than others. But no one is clamoring for more gargoyles product, so none of the other divisions are clamoring for more shows.
SO WHAT DO WE DO?
We begin by admitting, at least to ourselves, that in the short term, we lost the battle.
Then we go on and try to win the war.
We have one big chance and a general small chance. Both are long shots.
The Big Chance is the Touchstone Live Action Feature. If this ever gets made and if it succeeds, then there will be renewed interest in the show.
The general chance is that television is cyclical. He-Man rules until DuckTales comes along. Rescue Rangers rule until Batman comes along. Soft and quirky is big now. But times change. And Gargoyles has a marquee. (It's a trifle damaged, but it's real.) There's a chance it could come back.
The best thing we can do is keep the flame burning. Keep executives, particularly if there's any executive turnover, informed that there is a fan base for the property. Write letters to Buena Vista, to Eisner, to ABC, to Disney TV Animation, to Touchstone. Write letters to local stations, asking them to air reruns. Write letters to the Disney Channel for the same thing. If the reruns are airing in the U.S., we have a much better chance of someday making new episodes. Keep these letters respectful. Don't try to assign blame. My god, what difference does that make. If I thought it would help I'd take 100% of the blame myself. I certainly deserve some of it. Just let people know that you loved the show. Praise it's virtues. Show "Deadly Force", "Lighthouse..." and "The Green" at grade schools. Make the GATHERING a yearly event. Increase it's budget and scope on a slow and steady basis until it becomes an important event. (Don't try to get too big too fast. If you go bust early on, you won't get a second chance.) Keep the fan base excited about the show. (This to me is the main virtue to the whole fanfic thing, which I have many mixed feelings about. If it keeps the fans interested, great.) Don't let the fans marginalize themselves with hostility or esoterica. If they get territorial they keep new fans out. No new fans. No new episodes. Prove to Disney that you are part of that great consumer demographic that they are hunting for. BUY STUFF. Buy all the stuff you can find. Prove that the show can still make money for the company. Buy all the videos off the shelf. Then write Disney's home video division and have them make more. More copies of existing tapes and more episodes on tape. Show those taped episodes to new fans. Particularly young fans. Adults and college kids are great too, but if kids don't like the show, we are doomed. Try to convince Disney records to release Carl's music on C.D. Buy animation cells from authorized Disney dealers. Talk it up.
As for the petition, hell, make copies. Send it a lot of places. Buena Vista for sure. Don't worry about whether or not it's read cover to cover by the president of the division (Mort Marcus, I think). It'll make an impression. But I don't see why you shouldn't send it to Gerry too. Send it to Dean Valentine at Disney T.V. Animation. Send it to Barry Blumberg (at the same place). Have someone in every market send it to their local ABC affiliate. Gerry isn't giving you bad advice there. If the local stations want the show, they'll make their voices heard at the network. (But remember, you need locals to send it to local stations. A petition postmarked Newark won't be taken very seriously in Cleveland.) Send it anywhere you think it might help. But you might want to read it over first. If it's full of hostile and antagonistic attacks, then we've marginalized the petition. Also try to make sure that there's no doubling up. If people signed the petition twice and Disney figures that out, then they'll figure the entire document is compromised, and they'll freely ignore it. If it's a rational statement from real existing fans than I promise you it'll make a positive impression.
But I don't want to kid you. We are probably past the point of no return, at least for this coming fall [1997]. I appreciate that you refuse to give up, and I'm not telling you to. But if you want to save yourself some heartbreak, I think you might want to start focusing on the long term instead of the short term. Even if we could change everyone's minds overnight, we've all but run out of time to put new episodes of any quality on the air by September. I don't like saying that, but I figure it doesn't help anyone to beat around the bush.
Now let me say in advance that most of this won't work. Sorry. The odds are against us. I take some consolation in knowing I was involved with 66 episodes that I can be proud of. I told the stories I wanted to tell. Not nearly all of them, but many. I ended it with Hunter's Moon and Journey, in a way that gave us some small closure but left it open in case I get another shot. A shot I'm longing for. All this offers some consolation. I hope you and the other fans feel the same. It's something to hold onto through what's bound to be a LOT OF REJECTION. There are no guarantees that we'll ever get the show back on the air in any form. But what I've written above is the most practical plan I can think of. If I can help in any way, let me know.
Otherwise, Good Luck. You are going to need it.
GREG
THE FAQ
I just read through the entire ASK GREG FAQ. WOW!!!!!
JEB and GXB!!! THANKS GUYS!!!!
Four corrections:
1. In 2198 there are only twelve clans. Queen Florence is added later. Paris, later still.
2. "Hobgoblin of Little Minds" and "The Weird Macbeth" (formerly "Puck's Macbeth") were two different story ideas. The one described in the FAQ is "The Weird Macbeth". So far, I have given no details on "Hobgoblin".
3. There have been at least six writers (that I know of) on the Live Action Gargoyles movie.
4. I never worked on the Disney Tarzan Animated series. I was offered a job on it, but I was busy voice directing 3x3 Eyes at the time, so I had to pass.
But given all that information, I'm amazed that there's so little for me to correct. Again, thank you. (Now, let's hope people look at it.)
Paranoia... possibly.
So maybe it's me...
But lately I've been feeling like people are popping in to ASK GREG with the deliberate intent of catching me in a mistake or inconsistency. Like they are trying to trip me up.
If not, my apologies.
But if so... CUT IT OUT, OKAY!!!!
It's just not much fun for me.
And before anyone else gets personally paranoid, this isn't directed at any one person. I've just had this general sense that somehow this is the new contest here. Who can make Greg look stupid. Believe me guys, I don't need much help in that department.
If you have a legitimate question you're curious about, then ask away. But if you're just posting to make me look foolish and/or to prove that the show wasn't perfect... well, how 'bout I just acknowledge both things here and now, and we let that drop.
Okay?
LIGHTBULB CONTEST
Poor Fang. Never even got to say the punchline...
Here's the set-up:
"Hey, Goliath, how many gargoyles does it take to screw in a lightbulb..."
Time for our next ASK GREG contest. It's simple and subjective. Finish the joke. The punchline that gives me the biggest laugh wins a prize of no real value, but hopefully of some mild interest.
A few rules:
1. Since we're giving out a prize, no anonymous entries will be accepted. I'll ask Todd to delete them before I even see them.
2. All posts must be clearly marked with "LIGHTBULB CONTEST" in capital letters at the head of the post.
3. Don't ask additional questions with your entry. In fact I'd recommend that you don't include anything that might distract me from laughing at your joke.
4. Spelling COUNTS!!!
5. You may enter as many times as you wish. But each entry MUST be posted seperately. Try to be selective and funny. BEWARE!!! If I sense that you're just taking multiple random stabs at it in order to try and win by the shotgun method, it may prejudice me against you.
6. I'm acknowledging up front that this is a completely subjective contest. You (many or even all of you) may not agree with my final choice. But the decisions of the judges (i.e. yours truly) are final.
7. We will accept entries posted before the end of September, 2001. I'll decide on the winner AFTER I've read all the September posts. (So figure on November, HOPEFULLY.)
One last bit of random incentive, if we ever do make BAD GUYS, I will give Fang the opportunity to complete his joke, using (with permission) the winning entry.
GLITCH
okay something very weird just happened. I was answering a question that Matt posted about the 'chameleon gene'. Then suddenly, the question just changed. My answer (which I was in the process of writing) remained , but there was now a new question listed above it.....
Hmmmm.... Okay, I think Gore just re-activated the question answering function while I was typing and we had a little glitch here. Matt's question was lost. I'll try to recreate it a bit...
1. Matt wrote something like, "I know you're not a biologist, but how does this chameleon gene' work."
2. Matt thought gargoyles were the sources of various legends, but does the chameleon gene cause gargoyles to look like legendary characters.
3. He asked whether the gene would start changing the looks of familiar clans over time. Or something like that.
4. He stated that he had his own theories as to heredity, etc. And he challenged me to 'sell' him on my chameleon gene theory.
5. He had at least a fifth part to the question (maybe more) but I didn't even get the chance to read it.
My answers to his original question; not to the paraphrased versions above. (Man, this is a mess.)
1. I have no idea. It was just a random thought.
2. No. Definitely not. You're first thought was correct.
3. Natural Mutations (not the Sevarius kind) are likely to occur. They occur to some degree in all species. I was simply positing (and only positing) that Gargoyles might have a gene that causes mutations to occur more frequently. But mostly, garg appearance is defined by heredity.
4. I don't have to sell you on anything. For starters, I'm not sure I've sold myself on it. Second, I'm under no obligation to compete with your personal beliefs. Third, if it isn't in the 66 -- I'm not guaranteeing it. Even some of that is suspect. Sevarius theorized that gargs absorb solar energy while stone. But that was just a theory. He may have been right. He may have been wrong. He may have been partially right. Or he may have been lying intentionally. See?
ANNOUNCEMENT
Tomorrow (or today I guess -- July 31st, 2001), I'm going on vacation for a week. Don't know whether or not I'll have internet access, so I don't know whether or not I'll be able to answer any more Ask Greg questions while I'm away. This is the trip that I was supposed to take in June, but didn't because I got pneumonia.
Later this month, I'm taking another week off (it helps to have no job). And that's another week when I don't know if I'll be able to answer questions.
In between, I'm job-hunting and novel-writing and still trying to have a life and answer ASK GREG questions all at the same time.
And everytime I start to get close to catching up, you guys FLOOD this place with more questions.
So here's what's going on. FLOOD AWAY. Today. Because the question posting function at ASK GREG is going on vacation for the entire month of August. I'll still answer questions when I can. And on September 1st, Gorebash will promptly turn the question posting function back on. Todd will review the questions and send them to my queue.
But for August, we're on question posting hiatus. Vacation. So relax. There's plenty of questions already posted to keep me busy. Plus you have just under 24 hours to post those last minute questions that you just can't wait on.
And we will be back one short month from now. Enjoy your summer. See you soon.
And thanks, as always, for your continued support of the show.
DISAPPOINTING NEWS...
On Friday the 13th, July 2001, the staff and etc. of Disney's Team Atlantis was informed that the series was being scrapped. Being a freelance Voice Director, I wasn't at the meeting, but I've been told that the company is disappointed with the box office of the Atlantis film and have decided not to spend additional monies on a series.
(There may still be a direct to video sequel. That had not been decided as of Friday.)
So basically we're all unemployed and all the work that we did up to this point just gets tossed into a file cabinet. WHOOPIE!
On the plus side, as long as I continue to be involved with killed projects we will never lack for Radio Play materials at future Gatherings.
RANDOM STUFF
Another thing I REALLY wish I had seen at the Gathering is Keith David wielding a sword and quoting from Othello.
I heard that Michael Reaves has a brilliant (because it's simple) solution for how Goliath, Hudson and the Trio could speak modern English upon waking at the castle. Demona used a spell from the Grimorum on them the night before they woke up. Perfect. They'd never even have to know that there was a change in the language. I love it. (Wish I had thought of it.)
GATHERING 2001 DIARY: Part Five
Monday, June 25, 2001
Once more, Kathy knocked on my door to wake me for the staff breakfast.
Once more, I ignored the first knock.
Once more, she didn't give up.
Once more, I got up and answered the door, telling Kathy I wouldn't make it to the breakfast.
Once more, I did get down there in time to catch the tail end of the breakfast and get some juice.
I checked out of the hotel and put my stuff in my car.
The first panel of the day was for Roughnecks: The Starship Trooper Chronicles. This was actually the panel I had been most nervous about. The reason? Well, we had gathered an impressive list of guests: David DeLuise, Jamie Haines, Alex Polinsky, Rino Romano, Steve Staley, James Horan, Jason Marsden, Sue Blu, Wayne Boon, Vince Edwards, Russ Isler, Joe Lawson, Dave Hartman, Lydia Marano, Jay Oliva and Tom Pugsley. But the panel was scheduled for 10am on Monday the night after the Masquerade. I was afraid that our panelists would outnumber the attendees. Fortunately, that wasn't the case. I played an episode from the series: "Funeral for a Friend". Mostly because it's my personal favorite. Yes, I wrote it. But I just love how it turned out, particularly the epilogue funeral itself. Then we gathered for the Q&A, which was fun. A lot of these guys hadn't seen each other for awhile. Then a short signing. Finally, I had to clear the room for the next panel.
3x3 Eyes. Guests included Thom, Jonathan Klein, Taliesin Jaffe, Mia Korf and Susan Chesler. This was a nice little panel too.
Then a short break and closing ceremonies. Lots of people getting thanked....
I hung out downstairs for awhile, then Brynne and Russ and I meandered up to the con suite. The Dead Dog Party took a while to get started. But we shared a pizza with the constaff. And then I had to take off. (My family missed me.)
And that, was the con.
But once again, I'd just like to thank everyone involved. Jen and the whole constaff, in particular. But also the guests and supporting members. And especially the fans who shelled out and showed up. It was great meeting you/seeing you again, etc. It makes my year. I'm already psyched about Virinia Beach in August, 2002. And, although, I wouldn't wish the workload on any of my friends on the G2001 staff again, I do hope that sometime we have the chance to do the con in L.A. once more. In terms of Gathering the cast and crew that worked on the show, you just can't beat proximity to where they all live. You guys always treat me wonderfully, but it was also very gratifying to see everyone else on the show get a chance to share in your respect and appreciation. GARGOYLES was never a one man operation, and I'm glad you all got the chance to meet each other.
I'd also like to point out, what I'm sure you're all very aware of -- how feeble my Gathering diary is. I have no defense. Except that I'm a fiction writer not a journalist. I've been lurking around though, and diaries by Christine, Lexy, Aaron, BrooklynX, Greg Bishansky, Shan, etc. have really put mine to shame.
And I'm also sorry that I missed a few things at the con. I was so busy, I didn't ever get to see Crispin's mythology seminar. I spent almost no time in the video room and it would have been fun to watch some of the shows with you guys. And although, I did get to the art room, I never had time to just hang there and really absorb everything (I never had time to vote, for example), and I somehow completely missed seeing the MAP that won the big prize. If it's scanned online and there's a link, I'd sure appreciate someone sending the link my way.
Thanks, gang. You rock. (Pun intended.)
Greg
GATHERING 2001 DIARY: CHAPTER FOUR
Well, again, I've completely mixed things up. I'm too lazy to start over so I'll just keep correcting myself after the fact.
Saturday night, after the dinner at CityWalk and a little con suite fun, we all headed up to check out the Rooftop Garden Ballroom. This is the room where the "Better than Barney" story actually took place all those years ago. But I'd never been up there at night before. It was gorgeous. I pointed out all sorts of random stuff. Where 3x3 Eyes was recorded. Where Disney TV Animation used to be housed. Where we used to sneak into the Texaco Commissary. Where Gargoyles was On-Lined. Etc. Then we just hung out for awhile. Talking quietly. It was calm and nice. This kind of stuff is actually my favorite part of the con.
SUNDAY, JUNE 24, 2001
Kathy knocked on my door to see if I was coming to breakfast. I said no, though I managed to get down there for the tail end and grab a glass of juice.
Then it was time for my mug-a-guest. Got some interesting questions. Hope I gave interesting answers.
It ended in time for me to participate in the tail end of the Design and Direction panel with Bob Kline, Doug Murphy, Frank Paur, Dennis Woodyard and Bob Schaefer. Frank (or someone) had brought a ton of development and pre-production and production art and spread it out on the long table. My sister Robyn arrived. And then my folks. And then my wife and kids. It was kinda cool.
That panel segued right into the massive Series Production panel. All of the above were there, plus Bob Birchard, Denise Byrne, Craig Kemplin, Brynne Chandler, Ray Leonard, Marc Perlman, Laurel Whitcomb, Paca Thomas, Jamie Thomason, Mark Von der Heide and Thom Adcox (and again I apologize if here or anywhere I've left someone out). It was great to see such a big turn out both on the panel and in the audience. Jay Fukuto, one of my old bosses on Gargoyles and currently Vice President of Creative Affairs at Disney TV Animation, came in just a bit late. I think Jay was really impressed with the con. He's currently talking to people around the company about exploiting the property a bit. Specifically, he's asking about DVD production, so the Convention's Job One was a success.
My family took off. And the actors began to arrive. Thom Adcox and Crispin Freeman, of course. But we also had Jeff Bennett, Neil Dickson, Elisa Gabrielli, Gregg Rainwater, Cree Summer and Keith David. Cree came despite the fact that she had a sinus infection. Keith brought his son Owen, who was also feeling under the weather. It was really gratifying that they all came.
The Q&A was terrific. I tried to moderate and otherwise keep my mouth shut as much as possible so that you guys could here them talk. Then there was the cast autograph session... the line was literally out the door. Way out the door. Cree was feeling awful and had to take off. And Keith too eventually. I'm sorry if anyone missed them, but it was great that they came at all.
The auction started, while the crew guests signed stuff. I think I signed fewer autographs this year than at any previous con. Finally, you guys are getting your fill of me.
My shrinky-dink Brooklyn necklace sold to Aaron for $65. Beth and I were arguing what it would go for. I guessed twenty. She guessed forty. Greg Bishansky bought the signed copy of "The Journey." Though I'm not sure what he paid. I don't know what the Roswell script went for or who it went to. But I gather the auction was a success. Major kudos to Kathy, Patrick, Myhrr and Draconis.
We had some time off before the Banquet up in the Rooftop Garden. Beth came back to join me for dinner. We wound up sitting with Todd Jensen, Tigris, Kelly and her fiance, and a couple more people that I'm blanking on, unfortunately (sorry). Beth did most of the talking. It may come as a surprise, since I seem to be such a big mouth, but in our house, Beth is the talker.
After dinner came the Masquerade. We had about a million judges, which was unwieldy but fun. There were, as usual, some great costumes and some fun Cosplay. Slash came out and played his guitar. It was fun, but at the end of the night it started to go on a touch too long. People wanted to get to the awards and Dreamie and Demona May came out to hook him. We gave a joke award to the ladies for that, and I'm afraid that Slash might have misinterpreted that. Slash, it was great of you to get up there. Sorry if there were any hurt feelings.
As usual, we gave out the Gorebash Memorial Award. Of course, Gorebash isn't actually dead. He's just been seemingly M.I.A. for a bit. He's firmly back now. Just check out his comment room. Anyway, that award went to Mara and Aaron for their cross-dressing Xanatoses. Thom got to drop his pants. Thom and Crisping made out repeatedly. Myhr was his usual amazing self. It was a blast.
The hotel shut down the DJ a touch early. But frankly that worked for me fine. Again, I got to spend time in the dark and quiet rooftop garden with a bunch of you guys. Including people who have become good friends. Jennifer, Steph, Seth, Patrick, Kathy, etc. I'd have probably stayed there all night, but I started on a coughing jag -- left over from my pneumonia, and I just couldn't stop it. So I called it a night, went downstairs and took some cough medicine.
One day left...
Stay tuned.
GATHERING 2001 DIARY: PART THREE
First, standard disclaimer. I apologize in advance if I leave people out. Sorry.
Second, an invitation. I'd love to hear others' responses to the Gathering. Feel free to post them here.
Third, a correction. I got confused writing Part Two of my Gathering Diary. That dinner I described at the Japanese Restaurant at CityWalk actually took place on Saturday, June 23rd. Here's what we did Friday night...
After opening ceremonies, we had a staff meeting over dinner at the restaurant in the Hotel. Jordan, Carol, Patrick, Jennifer, Kathy, Cindy, Kenna, Meredith and Thom Adcox and myself. (Am I leaving anyone out?)
When that dinner was over, I strolled over to the next table where Frank Paur, Dennis Woodyard, Bob Birchard and Loren McLaughlin were eating. Joined them and we talked and bitched and told stories for a while longer.
Then I wandered back to our main rooms, where the MST session was in progress. I stayed for all of "The Gathering, Part One". It was fun, but so many people were talking, it was a little hard to hear each individual joke. I left after that. Later, I was told that people were afraid I was offended. I absolutely WAS NOT. Just tired.
Anyway...
SATURDAY, JUNE 23, 2001
I got up in time for the Staff Breakfast in Performers. A nice calm before the storm. After, I took a quick peak into the art room again. Then my brother showed up. He and I went upstairs to get the stuff I needed for my various panels.
Then I had my first Q&A. Series Develoment. I was on a panel with:
Greg Guler - Development Artist and Character Designer
Bob Kline - Development Art Director and Producer/Director
Dave Schwartz - Development Art Director
Tad Stones - Producer of multiple other animated tv series.
Tad was the star of this panel. He told the story of how he basically gave me the idea of Goliath, but his story took him off on a bunch of fascinating tangents. He also talked quite a bit about Team Atlantis. This sort of surprised me. I had been under the impression that he wanted to keep mum on that subject. But it was nice of him to reveal what he did.
After that, I had a Voice Acting Technique Seminar. Originally, I had been scheduled to be in the "Writing for TV Animation Seminar" that was going on at the same time. But I switched over for a couple reasons.
1. I did that seminar last year in Florida. Don't have much new to say.
2. I've been doing much more voice directing these days then writing. It seemed more honest in a way.
So the voice seminar was a blast. Morgan Sheppard was on the panel. And Crispin Freeman and Jonathan Klein and Taliesin Jaffe. They had all just finished a Voice Acting Technique Q&A minutes before, so we made ours into more of a workshop.
I had brought some sides. Morgan read Petros Xanatos with a couple of different attendees trying their mouths as David Xanatos. Then Crispin took on the roll of Griff with two casts of Leos, Unas and Goliaths.
We auditioned people for various rolls from Gargoyles, just to give them an understanding of the audition process.
Then Crispin set up his computer and monitor so that people could try their hands at dubbing some anime. By this time, my wife Beth and our kids Erin and Ben had arrived. (Their first day at the con.) Erin wanted to try her hand at ADRing. She did pretty good, but I think she realized that it's harder than it looks.
Taliesin then set up his own little anime dubbing exercise. It was all fun and I gave away the sides at the end.
From there, I headed over to the "Writing for Gargoyles" Q&A. This panel consisted of myself and...
Brynne Chandler - Writer/Story Editor
Gary Sperling - Writer/Story Editor
Lydia Marano - Writer
Tuppence Macintyre - Researcher (and a Los Angeles Deputy District Attorney)
Monique Beatty - Currently a producer in her own right, but on Gargoyles she was my assistant.
This was another fun panel with a lot of good questions asked and some fun stories. Todd Jensen, I believe, was in the audience, though I didn't yet know who he was. He and I had a little bit of time to talk later, though less than I would have liked. (I was too crazed, and I think he was too respectful to be pushy.)
My various family members took off, as I headed into the Radio Play rehearsal. (I listed the cast in the last part. I won't repeat it here.) The rehearsal went fast and easy, and because this year's radio play was shorter than previous, we had time to run things twice. And we still finished with time to spare.
Again, I ran around a bit. Checking out the dealer's room and art show. Then I joined Jordan Mann and Morgan Sheppard for an extremely late lunch. Morgan told us some great stories. It was fun. (Everything was fun.)
We gathered in the main room to set up for the Radio Play. Minor crisis involved the little stage the hotel had put up for us. Not big enough for everyone. But too big to move. I had to quickly rethink where everyone sat. (This is only a problem because I'm so anal.) Anyway, there were a few nervous moments as neither Nicole or Rebecca had gotten the message to show up early. I thought for a second we'd be subbing in two more of our understudies. But they both showed just before the show.
We put the cast in our "Green Room". Actually out a door that led outside. Brought in the fans. I intro'd the cast one by one, ending with our ringers, ending with Thom who was playing Lexington of course.
We then performed the thing. It has some sequences you never saw on tv, including a nice little chase through the Paris catacombs and a sweet scene between Jason and Elisa at the ruined clock tower. But I think the single line that got the best response was Charles Canmore saying, "We can no more stop hunting the Demons than breathing the air." Or something like this.
This year, I had/took the time to cut the narration way down before hand. WAY DOWN. But during the performance, I kept noticing other things I should have cut. Hopefully next year I'll do better.
Still, people seemed to enjoy it. And I had a blast. Jen was a very fun Demona. Zehra's Elisa was terrific. The audience went nuts for Brooklyn and Bronx and all the minor rolls. And especially for Thom as Lex and Crispin as a very Faggerbakke-esque Broadway.
When that was over, we went to dinner up at CityWalk. But I accidentally wrote about that in the last entry, so that's it for now.
Stay tuned for PART FOUR: Sunday.
GATHERING 2001 DIARY: PART TWO
Friday, June 22nd, 2001
[Assume the usual caveats. I'm bound to forget someone or many. I apologize in advance. Also, I'd love to see other peoples Gathering diaries. Feel free to post them here.]
Well, I got up Friday morning at home. Packed a small duffle and my box of Gathering crap and headed to Universal City.
I checked in, but my room wasn't ready. An obvious question is why was I staying at the hotel when I live about twenty minutes away.
The answer begins with the Gathering Staff's generosity. But I hope they got their money's worth. By staying at the hotel, it allowed me to be at the con both earlier in the morning and later (much, much later) at night. My kids missed me. But my family's very understanding, thankfully.
Anyway, after checking in, I dropped my Gathering box off at the con suite and then went back downstairs to look around and see if I could help in any way. All day Friday and Saturday I wore the Shrinky-Dink Brooklyn necklace that I made with my kids. It seemed like wearing it around the con might just up its price at the auction. You'll have to ask Aaron if that ploy worked.
I gave Cindy and Jules the two pieces of artwork that my daughter Erin drew. One was "Gargoyle Babe", which she did herself. The other was "Daddy and Daughter's Night Out". A picture of Goliath and Angela disco dancing which she and I drew together. Erin eventually decided to put both pictures up for sale for charity. I think Dreamie bought "Babe". And Jules bought "Night Out". In turn, Erin wound up buying a piece from Dreamie and a bunch of stuff from David Wong. My son Ben bought a piece from Kelly and a Goliath yoyo. But I'm getting ahead of myself.
I gave Kenna some Roughneck video tapes that Sony had donated. Over the last couple months, I had already loaned Jen all my Gargoyles episode tapes for her to copy. (She still has all of season two and "The Journey".) So we had plenty to keep the video room busy.
I put some things in for the auction. Some more Sony donations. A signed copy of my original script for "The Journey". And a signed copy of my original pilot script for "Roswell Conspiracies". (You know, the one we did as a Radio Play in Dallas.)
And speaking of Radio Plays, it was time for auditions. I met up with Thom Adcox and Jordan Mann and we began the process. As usual it was a lot of fun. Because I knew we were going to be doing "Hunter's Moon, Part Three", but the auditioners didn't, I got to here a lot of Scottish accents, and I got to ask everyone to bark like a dog (for Bronx).
We got a fairly good turnout. Better than last year in Orlando, when we had to beg people to participate. Still not as good as in Dallas or New York, when we were so overwhelmed by the numbers of those auditioning that the whole rest of the day ran late. It helped, I think to hold auditions Friday when the show was Saturday.
We powered through the auditions, taking a few breaks. Seth, who's easily distracted, was in line to audition. Took off while we were on break, and came back too late to audition. He tried to wheedle his way into the show later. And it was tempting, since he's been a member in good standing of the Gathering Players (he was our male lead in New York and Orlando). But the show was cast. Too late, Seth. Sorry. ;P
Most everyone who auditioned was pretty good. Casting was difficult, because we hated to leave anyone out. But I think we came up with a good mix of the old guard, new blood and RINGERS.
We had Lanny back. As usual, in the auditions, I offer people a choice of reading whichever original Gargoyle "side" they feel like reading. Lanny chose Goliath, and I told him I was hoping he'd pick that. He didn't know what I meant until that night when he found out he'd actually be playing Goliath. And we had Jen and Jordan and Alex and Sara and Heather back in the show again. It's great to have some continuity.
Plus we had Thom playing Lex of course. With Morgan Sheppard (the voice of Petros Xanatos) playing Hudson and Crispin Freeman doing his dead-on Broadway imitation. (It SO cracked us up in our auditions, Jordan, Thom and I KNEW we had to cast him as Broadway.) Elisa Gabrielli was supposed to play Maria Chavez (as she had in "Revelations"). But there was a miscommunication and she didn't make it Saturday. (Fortunately, she came Sunday, which is when we really needed her.) The good news is we had three understudies this year. Last year, we lost a cast member at the last minute. Jesse was forced to play two rolls. This year we were ready, and Jennifer Mallon jumped in to take Elisa's place.
And we had some great new finds. Zehra just blew us away with her Elisa audition. She was great. And Nicole was a fine Scottish Canmore. Actually, everyone did great.
Here's the full cast:
ELISA MAZA... Zehra Q. Fazal
GOLIATH... Lanny Fields
LEXINGTON... Thom Adcox
BROADWAY... Crispin Freeman
BROOKLYN... Sara Hutchinson
ANGELA... Batya Wittenberg
HUDSON... W. Morgan Sheppard
BRONX... Rebecca Gold
JASON CANMORE... Jordan Mann
JON CANMORE... T.J. Ferraro
ROBYN CANMORE... Nicole Dubuc
CHARLES CANMORE... Chris Rogers
DEMONA... Jennifer Anderson
DAVID XANATOS... Johnney Muije
FOX... Kelly Creighton
OWEN BURNETT... Kevin de Caccia
MATT BLUESTONE... Joshua Poole
MARIA CHAVEZ... Jennifer Mallon
MORGAN... Loren G. McLaughlin
PILOT... Alisa Christopher
MARGOT YALE... Heather E. Rice
BRENDAN... Rahsaan Footman
VINNIE... Alex Wittenberg
TRAVIS MARSHALL... Kristen de Caccia
UNDERSTUDIES... Sean Camanyag and Gabriel Guerrero
I'd like to give a special thank you to both Thom and Jordan for being my partners in crime on the auditions.
Anyway, casting done, we got back downstairs just as various guests began to arrive. I saw Michael Reaves for about a second before he took off. But I got to spend a bit of time with Dennis Woodyard, Bob Birchard, Frank Paur, Tuppence Macintyre, Brynne Chandler, etc.
I'd like to extend another special thank you, this time to Carol Wagner, who did such an amazing job at guest wrangling both in the weeks before the con and during. Also to Patrick for making registration for the guests such a smooth and generally painless process.
I checked into my room. Just down the hall from the Con Suite and the staff room. I saw a bunch of familiar faces. Leva. Greg Bishansky. Aaron and Mara. Hudson. Kythera (who also helped out at Auditions with Johnney). Saw Vash in here somewhere. Demona May. Noel. Ah, I know I'm forgetting people. Sorry. Or mentioning them on the wrong day. I ran into Ashley at one point. It was great to see her again.
Bill Faggerbakke arrived, and folks almost literally lined up around the block for his autograph. It delayed opening ceremonies a bit. But not too badly -- not relative to the Gathering's track record, anyway. Jamie Murray got things rolling, introducing the staff, etc. I won't repeat the con virgin joke. Other people have mentioned it, and the truth is I didn't hear it at the time. I was antsy. Getting up and sitting down and getting up again.
As you all may have gathered, I rather like speaking in public. (I'm lousy at small talk and shy in social situations with people I don't know VERY well, but I'm a decent public speaker. Go figure.) But I generally get pretty wired just before I'm about to go "on".
Anyway, Jamie intro'd me. I intro'd our guests. Ending with Thom. (I just want to say that Thom and I always got along well during production of the show. But it's during the last few years since he came to the Dallas Gathering that he and I have really become close friends. He's such a great guy. I'm not sure how we made it through the first two NYC Gatherings without him.) Thom intro'd Lexy and gave her her FAN GUEST OF HONOR AWARD. This was a complete surprise to her. Something the staff agreed on secretly to thank Lexy for her amazing recruitment work. She seemed genuinely touched. It was pretty cool.
Then I began my schpiel. Considering you have heard and I have told ALL these stories about a THOUSAND times, I thought that this time I was amazingly scatter-brained. You'd think I'd have them down to memory. But I kept forgetting things. Remembering them later. Telling things out of order, etc. I belatedly remembered that I had a letter from Ed Asner to read to all attending, and then couldn't find the letter. It must have taken me forever to realize I was holding the letter in my hand. I had folded it up and had written a note to myself on it. D'Oh.
Anyway, it was fun to tell the "Better than Barney" story in the Hotel where it originally took place, with Bill F. there. I'm not sure whether he remembers saying that. Perhaps I made the whole thing up. (And my garage band will be playing at the Whiskey this week-end.)
I showed the pitch, the promo. The New Olympian and Dark Ages development. The Bad Guys reel. It was terrific to have that video projector. Finally people could get a decent look at what I was showing them.
I rambled forever. Then finally relinquished the floor.
Afterwards, a bunch of us went up to CityWalk for Sushi and a staff dinner. Crzy's husband Alan Anderson was there (with Kathy Pogge as his date). My date was Jen. *Yes we're a strange bunch, and I'm happy to include myself in that assessment.*
Meredith was there. Patrick. Crispin and Izobel. Cindy? Kenna? The Morgans? Carol? I can't remember, I'm sorry. Dinner was the typical "Hey, it's CityWalk, expect to wait forever!" marathon. But the food was good. And so was the company.
We headed back to the con suite, where Aimee and Steph (Hi, Pickles!) began decorating me with post-it notes depicting various characters from the show. I've kept them all. Except for that nasty one of me. [Wait, did this happen Friday night or Saturday? My memory is just a blur.]
I called it a night relatively early (for me). I was still a bit nervous about a pneumonia relapse. Walked down the hall to my hotel room. Watched some TV and then crashed.
Stay tuned for Part Three...
I'm only one month behind!!
That's all I wanted to say.
GREG'S GATHERING REPORT: PART ONE
[Disclaimer: It is the nature of these things to forget more than one remembers. The feelings remain. The details are fuzzy. I apologize in advance if I get something wrong or leave something out.]
Thursday, June 21st, 2001
Yeah, I know, the Gathering 2001 didn't start until Friday, but for me it started last August in Orlando. I'd been working pretty closely with this year's staff to help them gather special guests. At G2000, I rashly promised over twenty guests would attend. By June 14th, 2001 we had over 50. And then I got pneumonia and it looked like I'd be the one guest who wasn't going to make it.
Fortunately, my doctor got me on antibiotics immediately. Within 48 hours I was feeling about 90% better. I was even able to go to a Team Atlantis recording session on Wednesday the 20th. Good thing to, because that was the day I secured Cree "Hyena/Kida" Summer to attend our little party.
Anyway, by Thursday the 21st, I was feeling world's better, and I attended the pre-con dinner at Camacho's at CityWalk. Carol Wagner, a former student of mine and our phenomenal guest liaison (who absolutely picked up tons of last minute slack in handling detail work on most of the guests), was the first to join me at the restaurant. But soon, Jennifer Anderson arrived with most of the gang, including Patrick, Kathy, Meredith, Kenna, (Cindy were you there?) and the Morgans. Tim had to take off with Becca, but Christine stuck around. Jen introduced me to Crispin Freeman and his girlfriend, the lovely and talented Izobel. Dinner was fine -- though the service was SLOW!
Then we hiked down to the hotel to get a tour of where everything was going to be. Thursday night it all seemed TOO spread out to me. But by Friday, I realized it was all close enough together. We elevated up to the con suite and sat around a bit. But I didn't want to stay up to late Thursday, so I took off at a semi-reasonable hour. Carol and I hiked back up to CityWalk. I drove home. Very excited. Like a kid, it was hard to sleep.
GARGOYLES 2198 CONTEST RESULTS
FINALLY! It's over!
Matt got the last correct answer (though it was the only answer he got), and we're all very grateful. He gets a prize.
The other prize goes to the individual who got the most answers correct first. Here are the results...
TIED FOR EIGHTEENTH PLACE:
Dracolich - 1
Faieq - 1
Fireball - 1
Matt - 1
Melissa - 1
The Guppi - 1
The Mighty Thor - 1
Vashkoda - 1
TIED FOR FIFTEENTH PLACE:
CZ - 2
Graymonk - 2
Slow - 2
IN FOURTEENTH PLACE: Bud-Clare - 4
IN THIRTEENTH PLACE: Coyote the Bando - 5
IN TWELFTH PLACE: Shari B. - 6
IN ELEVENTH PLACE: Leva - 7
IN TENTH PLACE: Todd Jensen - 8
TIED FOR EIGHT PLACE:
Aris Katsaris - 12
Demonskyre - 12
IN SEVENTH PLACE: Kalafarski - 31
IN SIXTH PLACE: DragonWolf - 32
IN FIFTH PLACE: Ray Kremer - 33
IN FOURTH PLACE: Galvatron - 35
IN THIRD PLACE: Kelly L. Creighton/Kya White Sapphire - 42
In SECOND PLACE: Adam - 101
AND IN FIRST PLACE: Phil - 183
Phil got nearly 35% of the answers single-handedly.
So the winners are matt and Phil. But I'd like to thank everyone who participated.
As for the prizes, I'm first wondering if either matt or Phil are coming to the Gathering, so that I can hand-deliver their prizes. If not, I'll mail them out after the Gathering. (Too swamped to deal with it now.)
AND NOW THE COMPLETED BLANK-FILLED CONTEST:
GARGOYLES 2198
(Fill-in-the-Blank Contest / 9-21-00)
Written by
Greg Weisman
One thousand years ago…
Superstition and the sword ruled.
It was a time of darkness.
It was a world of fear.
It was the age... of gargoyles!
Stone by day, warriors by night,
We were betrayed by the humans we had sworn to protect,
Frozen in stone by a magic spell for a thousand years.
Finally... the spell was broken, and we lived again!
But our struggle was far from over...
For the last two hundred years we have faced the future,
Navigating an uneasy truce with the human race.
But now the planet Earth itself is under attack!
Humanity is helpless!
And we may be your last hope for freedom…
We are defenders of the night!
We are protectors of this world!
The year is 2198.
And we… are GARGOYLES!
In 1996, humanity and the world at large discovered there were gargoyles living among them. Fortunately for the human race, Gargoyles are by nature a protective species. Unfortunately for the gargoyle race, humanity is by nature an intolerant species. Humans did not welcome having to share their world with other sentient creatures. Many were quick to label the gargoyles as beasts, monsters, demons or worse. Gargoyles were denied basic "human" rights. They were discriminated against. Experimented upon. Attacked. Caged. And sometimes destroyed.
Despite this, GOLIATH, the leader of the gargoyles, maintained hope that one day humans and gargoyles would live in peace. Eventually, that day came. The "GARGOYLE MINORITY PROTECTION ACT" was adopted by the UNITED NATIONS. Gargoyles were granted full "sentient rights". Though Gargoyle clans were scattered across the globe, they were collectively granted special status as an indigenous nation. Hunting Gargoyles became a crime.
True acceptance, however, is not so easily legislated. At best, Gargoyles were still barely tolerated by their human neighbors. Real peace would have to wait.
But the gargoyles would take what they could get. The species, once on the verge of extinction, began to make a comeback. Clans that were thriving helped to repopulate those that were not. By 2188, TWELVE CLANS comprised the GARGOYLE NATION. Each was strong in number and tradition. Now it was time to expand again. As a potent act of symbolism, every clan brought its GARGOYLE EGGS to QUEEN FLORENCE ISLAND, off the West Coast of Canada. The eggs would hatch together to demonstrate gargoyle unity. Some of the hatchlings would eventually return to the other Twelve Clans. But many would stay to form the basis of a new clan. A thirteenth clan.
Someone should have told the gargoyles that thirteen is NOT a lucky number.
March 21st, 2198. Queen Florence Island. From around the globe, human Heads of State and all Twelve Gargoyle Clan Leaders have come to this small island for the HATCHING. They wait within the caldera of the Island's dormant volcano to witness the new generation of gargoyles bursting out of their shells. Meanwhile, Samson, a young gargoyle warrior is stuck on ceremonial guard duty at the base of the mountain. Out of nowhere, an immense SPACESHIP materializes above the volcano. It emits a blinding beam of light that stabs down into the caldera. Samson races up the slope, but it's too late. The caldera is empty. No eggs. No gargoyles. No humans. No World Leaders!
Simultaneously, another giant spacecraft hovers over Antarctica. Another beam stabs downward. And Earth's MASTER MATRIX Computer -- the operating system for nearly everything on the planet -- vanishes.
It all happens so fast, there's no time to react. Earth is paralyzed and leaderless when the alien SPACE-SPAWN invades. In less than twenty-four hours, the planet is occupied, absorbed into the SPACE-SPAWN EMPIRE. There is very little loss of life. Very little damage done. Unless freedom matters to you.
It matters to Samson, the new leader of the RESISTENCE. One by one, he gathers his team…
SAMSON - Samson of the Manhattan Clan hatched in 2158. Though his coloring is different, it's obvious to anyone who'd care to look that he is descended from Goliath. Still no one knows how many biological generations removed from Goliath he is. He might be the biological grandson of either Artus or Gwenyvere, Angela and Broadway's first two biological children, or he might be the biological son of Lancelot, their third born. Frankly, it doesn't really matter. There were many eggs in that rookery. All raised collectively by the Manhattan Clan.
By 2198, Samson is forty years old, but only twenty biologically. He has been trained as a Gargoyle Warrior both in Manhattan and in Ishimura. He demonstrated enough promise to have recently been named Second-In-Command of the Manhattan Clan. Now, a reluctant Samson must become leader not just of his clan, but of the entire Resistance.
DELILAH - Delilah of the Labyrinth Clan is a half-breed. Mostly Gargoyle… but part Human as well. Her ancestors include her namesake, the Delilah that Anton Sevarius cloned by combining the DNA of ELISA MAZA with that of DEMONA. Being genetically part of both races has left Delilah feeling like she's not truly a part of either. Upon learning of her "heritage", humans seem to react with fear and even disgust. And Delilah has never been confident that the gargoyles she was raised with don't feel the same way. All this has made her tough on the outside, but desperately insecure on the inside. Nevertheless, she's a fierce young Gargoyle Warrior (the same age as Samson), and Samson makes her his Second in the Resistance.
ZAFIRO - Zafiro of the Mayan Clan hails from the rain forests of Guatemala. He's a descendent of Obsidiana and the Zafiro from "The Green". He has feathered wings, reptilian features and skin the color of sapphires. From the waist down, he looks like a giant snake. He's Samson's contemporary and close friend. Samson, Delilah and Zafiro all trained together as Gargoyle Warriors, studying bushido in Ishimura; they have a Three Musketeers kind of rapport. Zafiro isn't quite the fighter that the other two are, but he has other strengths. He's more spiritual, more intellectual, more book-smart. He has also been entrusted with his clan's ancient and sacred Sapphire Amulet; this magical Mayan talisman prevents him from turning to stone during the day.
GUARDIAN - Seventeen year old Nicholas Natsilane Maza is a scion of both the Natsilane and Maza families (which technically makes him a distant relative of Delilah's). Nick was raised among gargoyles and has taken the family tradition to heart. He too has traveled to Ishimura to join the ORDER OF THE GUARDIAN. He has trained as a Gargoyle Warrior, embracing the Gargoyle Way of Protection & Service. He's as much a gargoyle as a guy can be and not have wings. He's eager, perhaps a little too eager, for a chance to prove that he can hold his own with any other gargoyle. Only he's not a gargoyle. He's one hundred percent human, with a human being's unique strengths and weaknesses.
SENTINEL - NOKKAR (the original model for the mysterious moai statues of Easter Island) landed on Earth centuries ago to stand sentinel and protect our world from the Space-Spawn. But by the time the Space-Spawn actually arrived, their technology so far surpassed his, he was completely caught off guard. Now, there's nothing he can do but join Samson's Resistance cell and try to pitch in. Nokkar is deeply shamed by his failure to protect his adoptive world. He would gladly sacrifice his life to redeem himself.
OWEN BURNETT - OWEN BURNETT was Chief of Staff of the United Nations. An indispensable aide to Secretary General ALEXANDER FOX XANATOS IV. In fact Owen has been an indispensable aide to the Xanatos family since before Alexander was born. But now the Secretary General is gone. Taken by the Space-Spawn and put in stasis with the rest of the world's leaders. The new acting Secretary has surrendered the planet to the enemy. He has no use for Owen's quiet efficiency and intensity. And Owen has no use for a man who won't fight. So Owen has left public service to rejoin the private sector. Secretly, he has placed all the resources of the Lexington-Xanatos Corporation at Samson's disposal. Of course, we all know that Owen is really the Puck. But since he already failed to protect his charge, and certainly has no opportunity to teach him anything at the moment, he's stuck as Owen, stone hand and all.
LXM - LXM (a product of the Lexington-Xanatos Corporation) stands for Lexington-Xanatos-Matrix, a line of robotic personal assistants that were all but ubiquitous in 2198. Almost everyone who was anyone had one of the cute little, five-foot tall, Lexington-shaped chrome robots. Each robot was directly connected via satellite to the Master Matrix in Antarctica, giving each one the ability to instantaneously summon any or all of mankind's collective knowledge. But when the Space-Spawn attacked, one of their first acts was to steal the Master Matrix. Now each LXM is on its own. Each one still has a powerful computer brain with crude artificial intelligence and long-term adaptive programming. But now, knowledge is finite, and experience is becoming the best teacher. Actually, two of these robots, LXM-994 and LXM-1057 will play a role in our series. When we open, these robots will be all but indistinguishable from each other. Automatons, merely. But as the series progresses, each will slowly develop its own personality.
DEMONA - For over a thousand years, Demona has plotted against humanity, blaming them for crimes against the gargoyle race. Now that a greater threat, the Space-Spawn, has reared it's many ugly heads, Demona has reluctantly joined Samson's Resistance cell. But no one, including Demona herself, is fully confident that she'll continue to fight on the side of the angels. This may be her last chance at redemption... or her final opportunity to annihilate the human race. Still, Samson felt it necessary to actively recruit her. It's hard to pass up the help of a warrior who's survived a millennium's worth of battles, a sorceress who knows how to combine ancient magic with modern technology. And then there's that bit about her turning into a human during the day. The only question is how she will use her talents. For now, she's siding with the Resistance. But can that last?
BROOKLYN - Brooklyn is a young gargoyle warrior from our own present day. In our second episode, he'll timedance forward to 2198. The future is as new and strange to him as it is to our audience, and often Brooklyn will be the point of view character to introduce us all to this brave new world. Brooklyn does hope to return to his own time someday, and so makes a special effort not to learn too much about his own "future". But he has no intention of abandoning Samson or Earth in their time of need. Someday, however, he may have to make a choice.
FU-DOG - FU-DOG is a Gargoyle Beast bred by the Xanadu Clan in China, who arrives in 2198 with Brooklyn. Fu-Dog is fiercely loyal (especially to Brooklyn). The ultimate watchdog.
[NOTE: Eventually, the large cast will be split in half. Nokkar will take Demona, Zafiro, Guardian and LXM-1057 into space to hit the Space-Spawn where they live. Samson, Delilah, Brooklyn, Fu-Dog, Owen and LXM-994 will remain on Earth, thwarting the aliens at every turn and engaging in many non-Space-Spawn stories.]
Anyway, those are our heroes. (Other characters will be added over time.) Here's who they're up against…
THE SPACE-SPAWN - Our main antagonists. This alien race was literally "spawned in space", born amidst the fury of an exploding star. For thousands of years, they have expanded their Empire in all directions, and nothing has been able to stand in their way. Their technology is far superior to anything we had on Earth. They possess faster-than-light space travel, cloaking devices, powerful force shields and molecular transporters. They also have weapons capable of destroying the entire planet in a matter of minutes. This creates a dilemma for Samson's Resistance. If Earth becomes more trouble than it's worth, the invaders will simply evacuate the globe and annihilate it.
THE QUARRYMEN - Decades ago, the Quarrymen organization fell out of favor. They were no longer "politically correct". But the events of March 21st, 2198 changed all that. Because most of the world's leaders were abducted while attending the Gargoyle Hatching, many humans became convinced -- at least in part due to Quarrymen propaganda -- that the Gargoyles had conspired and collaborated with the aliens. Now the Quarrymen are making a comeback. They don't much care for the Space-Spawn, but their scapegoat of choice is still the Gargoyles.
THE ILLUMINATI - Of course, the Gargoyles are not collaborators. But THE ILLUMINATI SOCIETY is. The Society is an ancient fraternal organization made up of almost all the true movers and shakers on planet Earth. Many of the world leaders abducted by the Space-Spawn were secretly members of the Illuminati -- proof that the Society definitely did NOT have advanced warning of the invasion. But once the occupation was complete, the Illuminati wasted no time capitalizing on it. They negotiated a secret treaty with the aliens, promising to infiltrate, sabotage and expose any sign of resistance. In exchange, the Space-Spawn promised to release those world leaders that the Society was prepared to vouch for. This devil's agreement was the beginning of a profitable arrangement for all concerned -- and the onset of a major headache for the Resistance.
COYOTE-X - COYOTE-X is a super-advanced robot with a highly evolved and Machiavellian artificial intelligence. He has multiple robot and cyborg operatives, and any number of android bodies that can accommodate his software. Once upon a time, Coyote-X had designs on taking over the world. But that was before the Space-Spawn showed up and rebooted his operating parameters. Now anything less than total control of the entire galaxy would strike him as under-achieving.
And that's the series in a nutshell.
GARGOYLES 2198. The future is now!
Apologia (June, '01)
Sorry, I've been so derelict in "Answering Greg" recently.
It's true that voice directing Team Atlantis has filled a bit of my time, but the fact is that what's really keeping me busy is preparations for the GATHERING (June 22-25 at the Universal Sheridan in Los Angeles).
We've been confirming guests for the last few weeks, and though unfortunately we've lost four of what might be described as "our heavy hitters", the fact remains that we have confirmed OVER FORTY special guests for the convention. Since the most we've EVER had was FOUR, I think you'll agree that this is likely to be the biggest and best Gathering to date.
Anyway, I have about twenty minutes now to answer some questions... and right before the Gathering, I'm going to my in-laws for a few days. If they've got their Web-TV set up, I should have some free time to answer a bunch of questions while I'm there. So keep your fingers crossed.
And I'll see you at the Sheridan.
Finally...
I thought I'd never get through the February 2001 questions.
Chapter XXVIII: "Revelations"
Time to Ramble...
Fueled by (what I perceived in my own mind to be) the success of "City of Stone", I began to get more daring in my story structure. In Revelations, Cary and I utilized the time-honored tradition of "in medias res", where a story starts in the middle and catches the viewer up along the way. (Thanks, Homer.)
We also used voice over narration for the first time. It's interesting because Matt just seemed like a perfect character to do that kind of Philip Marlowe naration. But at the same time, it was daring, because of course, Matt is not a regular. The audience didn't know him that well. I think it showed the strength of our supporting cast that Matt could carry a show like this. Of course, having the massively talented Tom Wilson playing Matt helped. I knew he could handle it. And he did. Tom is terrific and VERY funny in the booth. I hope someday he gets his own tv show. (I also loved him as Coach Fredericks on Freaks & Geeks.)
The basic springboard for this episode came from four sources.
1. The notion that eventually Matt would have to find out about the Gargoyles. We didn't want to just throw it away or constantly come up with new excuses why he had "just missed them" or whatever.
2. Matt's pursuit of the Illuminati. What began as a Michael Reaves throwaway line in "The Edge" had evolved into its own subplot. Cary's "Silver Falcon" had taken us to the next level of hearsay. It was time to finally bring the Society into the series.
3. Disney's desire to do a cross-over event with their new "TOWER OF TERROR" ride down in Orlando. Unfortunately, they had wanted this much earlier -- in 1994. We had piggy-backed our World Premiere Screening of Gargoyles down in Florida in September of 1994 with the press event for the Tower's Grand Opening. (That's how Keith David, Marina Sirtis, Salli Richardson, Gary Krisel and I wound up riding the Tower of Terror together on the night before it opened to the general public.) But this was the soonest we could fit the notion into our continuity. You'll see in the memo that I just posted previous to this ramble, that when we were at the outline stage, I was still trying to more firmly tie the two properties together. Partway through the script process, someone at Disney changed their mind. They didn't want the tie-in anymore. I shrugged, I think. And the HOLLYWOOD TOWER became the HOTEL CABAL.
4. An episode of the British TV series, THE AVENGERS, called something like "The House That Jack Built". This was a classic that we ripped off shamelessly. (Wait, wait, I mean we paid it homage shamelessly.) It was about this nutty house designed, I believe, to trap spies inside and drive them bonkers and break them. Sound familiar? John Steed and Emma Peel redone as Goliath and Matt. Didn't you notice the resemblance?
(Gee, so far I've credited Raymond Chandler, Homer and THE AVENGERS as influences. What a fun episode.)
We reintroduced Hacker, mostly so that we could bookend him at the end as Matt's new Illuminati contact. This was something that Cary and I planned as far back as Silver Falcon. We always had to keep Hacker's agenda straight. Make sure any info he gave Matt was a wild goose chase, at least as far as Hacker knew.
In this episode, and only in this episode, Maria Chavez is played by the talented Elisa Gabrielli (also known as Obsidiana). Rachel Ticotin, our usual Chavez, was just unavailable. So Elisa filled in. She has a lighter sound. But I think it works. Did anyone notice? Both Elisa and Rachel are great. I used Elisa as the Doll Demon in 3x3 Eyes (now available on VHS and DVD).
My 3 year old son Ben, who at this point is used to me writing down what he and his older sister says during these viewings told me to write down the following: "When it's night, Demona's a gargoyle. When it's day, she's a human. He likes it when Demona's a human." This had absolutely nothing to do with this episode, but hey, who cares?
I really loved what Ed Asner did with the throwaway character of Jack Dane. "Tell him he's a bum." Dane was so much fun, I brought him back for TURF later.
CONTINUITY
Matt climbs into the clock tower and finds the TV he helped Elisa with on the day they met. That was fun. This whole episode ties back to Matt's Illuminati musings in "The Edge". It was nice to find another connection. Also, Elisa's been lying to him as long as they've known each other. Nice to remind the audience of that as well.
I like the "family of gorillas" line.
"The Dental Plan" line is vintage Cary Bates.
Elisa: "Matt, you haven't said three words all night..."
Matt: "Let me drive." HEY! THREE WORDS! :) This is fun because, I always thought of Elisa as someone who was such a control freak, she never let her partner drive her car. A big part of this episode, though it could easily sneak past you what with everything else going on, is revealing more facets of Elisa's personality. We learn much more about her and she grows here too.
It's fun to establish Xanatos as "a lower eschelon member". Immediately makes the Illuminati impressive, if Xanatos barely registers on their scale. Also sets up eventual conflicts with him.
First act cliffhanger: Here the threat is Matt. Again, how well did you all think you knew Matt? Here we're inside his point of view -- his narration. But we still try to play him edgy enough that we don't know if he'll kill them both. It helps that we opened with the shocker that he betrayed Goliath to Mace. How many people bought that? Thought Matt was the Judas that Mace said he was?
Anyway, I really like this scene. Elisa yelling at Matt. Matt getting out of the car and yelling at... no one. And Elisa's quiet revelation that Matt isn't crazy... "They don't follow me everywhere." Again, this line was as important for Elisa as for Matt. Sure she can count on the Gargoyles for help. But I never wanted it to seem like Lois and Superman. Like he was always around or would here her with super-senses everytime she screamed. Most of the time, Elisa's on her own.
"This time I'll drive."
Fun to see the gargoyles reactions when Matt is introduced. Goliath's not upset. He appreciates that Elisa has a loyal partner and probably gave her permission to bring Matt in from the cold long before. The truth is they know Matt already.
Elisa: "better late than never".
And then immediately Goliath is suspicious. "Trust is not... to be bartered."
As creators, we were playing both ends here. Omitting pieces of conversation. Trying to get the audience to believe that Matt might in fact be betraying G. But also making it believable that in hindsight, he wasn't. Not cheating, in other words.
At this point, my six year old daughter Erin said: "I don't like Bluestone in this one. He's usually very nice. But in this one he's mean." That's how she saw him. Not righteously angry with Elisa for the lies. Just mean.
It took remarkably more effort than I'd have expected to get things to hook up with our Teaser from the beginning of the act. To help, I reused a couple of Mace's line as prompts to the audience.
It's fun to hear Tom Wilson playing Matt playing at being a bad guy.
I like all the hotel references. "Check out time" etc.
Mace falls down the shaft and grabs the cables with his bare hands. One hundred years old or not, that's gotta hoit.
I like Matt using his coat as a parachute. That wouldn't be necessary except for that darn Gallileo. If it weren't for him, Goliath, being heavier, could have fallen faster than Matt to catch up to him. :)
And of course, I enjoy the irony of Mace being trapped in a Hell of his own making. And i like the notion that the Illuminati just left him there to rot. He had outlived his usefulness. A non-member had found him thanks to his annoying sentimental habit of visiting Pine Lawn. AND he had failed to hold the Gargoyle in the Cabal. Breaking a perfect record. Woops.
Goliath refers to Bluestone as his friend. That's to make sure the audience is clear that Goliath was in on the plan from the beginning. Later, I gathered, some people still didn't get that.
We have a great Turning to Stone sequence here. Every once in a while it's nice to remind the audience that this is unique and special. Seeing it through a new characrer's eyes is a great way to do that.
I love Elisa and Matt's conversation. Elisa reveals that she's subconsciously been keeping the gargs to herself because it made her feel special. Explains a lot about "Her Brother's Keeper", doesn't it? And Matt admits to something similar. I think we all do little things to help ourselves stand out, even if no one notices them but us.
Maria then helps us see that Matt and Elisa are going to be okay.
And finally, our Hacker tag. (This episode had like six tags.) Matt gets his pin. I thought that was kinda cool...
What say all of you....
Revelations Story Memo
In Prep for my coming RAMBLE on REVELATIONS, here's the memo I wrote to Story Editor Cary Bates in response to his outline...
WEISMAN 1-15-95
Notes on "Revelations" Outline...
GENERAL
NEW STRUCTURE
I was very concerned that the first act and much of the second act came across as prologue to our adventure. And yet most of it is necessary stuff. So I think we should open the story with GOLIATH trapped in the "house that Jack built" (HTJB) and flashback from there. Probably with MATT narrating the whole story in Voice Over.
I've suggested act breaks, but you don't have to feel married to them, if the timing or page count seems wrong.
Also, I didn't suggest any specific revisits to the HTJB (after the prologue) until our story brings us back there chronologically. If you want to revisit the present in the HTJB a few times to remind the audience of the current situation and to up the action with Goliath facing another death trap, go for it. Totally up to you.
I also moved the Hacker scene up, so that he can bookend the show a little more. In his first scene, he'll still be telling Matt that the Society is a myth. In his last scene, he'll be inviting Matt to join.
HTJB/MOUNTAIN RETREAT/TOWER OF TERROR/SEEDY HOTEL
It's a bit of a stretch to believe that Goliath would go to this "Mountain Retreat" with Matt. What do they hope to accomplish there, besides illegal search and seizure? Matt's "informant" is fishy beyond belief. So is the gizmo that gets them past the security perimeter. The point of which is lost on me, since they are immediately spotted by security forces. How does defeating these forces help? THEY'VE BEEN SPOTTED. What can they hope to accomplish now? These security guards can't radio inside to hide or destroy whatever data there might be? It's all adding up to a big old fishy mess. And yes, I realize that the Illuminati want Goliath inside and that Goliath wants to get "trapped" in order for Matt's plan to work out, but it's too convenient to say everyone is intentionally acting like idiots. The audience won't be in on it. They'll just be getting frustrated. By the time we reveal the truth, they'll just generally feel the whole story was contrived.
So let's start by ditching the mountain retreat. I like the Seedy Hotel better. Someplace that from the outside seems like a totally non-descript Manhattan building. Maybe it's boarded up and condemned. Getting in is not a problem. They land on the roof and sneak inside. But getting out is impossible.
The hotel is really the "House That Jack Built". Yes, steel shutters slam shut, trapping Goliath, but more importantly, we should really lose our bearings inside. Goliath rips open a window that he thinks leads outside, only to find it's a false facade that leads into another room. At another point, he thinks he has gotten back onto the roof. But this turns out to be another interior room, with a domed ceiling painted with stars. Another room has all the furniture on the ceiling and the razor sharp ceiling fan on the floor. Maybe another room rotates. Think about optical illusions, Escher paintings, etc. The death traps are fun, but we've done them before, so it's the mind-bending surreal stuff that will make this place special.
Also since the powers-that-be have asked, and since it fits our story, please refer to this place at least once as the "TOWER OF TERROR" and do at least one death trap with a rapidly falling elevator. This is "Synergy" with the Disney/MGM theme park's TOWER OF TERROR ride in Florida. I wouldn't suggest it if it didn't fit, but it fits just fine and that kind of goodwill never hurts. The name of the hotel should be the Hollywood Tower, cause that's the name in the ride. Now I know that seems like a weird name for a manhattan hotel, but if you figure it was built in the thirties or forties, during Hollywood's heyday, you can RATIONALIZE that even a New York Hotel would want to associate itself with the glamour of Hollywood. O.K. It's a stretch, but go for it.
MATT AND SECRECY
THE THEME OF OUR STORY IS TRUST. Hit it as much as possible. However, I don't want to replay Matt's emotional arc from Silver Falcon. He learned his lesson in that story. He no longer runs off without telling Elisa where he's going or what he's doing. Matt's honesty at the beginning of the story will contrast nicely with Elisa's deception about the gargoyles and with Matt's later bitter, furtive behavior. He can't feel too betrayed by Elisa's lies if he opened the story lying to her as well.
GOLIATH
In your beat #9, Goliath is behaving completely out of character. He may never have been introduced to Matt, but he's seen him from a distance and knows who he is. He must know from Elisa that Matt is a good guy. His long-term goal in Manhattan is to find acceptance with a growing number of humans. Elisa was the first (and is still the foremost), but Renard is a friend of Goliath's now. Jeffrey Robbins the novelist is a friend of Hudson's. Goliath tried to convince Elisa to tell the truth to her brother, etc. And in any case, he's not likely to physically assault someone for doing nothing else but looking at them. I know you want to set up a tense dynamic, but the one in beat 9 is totally artificial. So drop it.
BOTHERSOME QUESTIONS THAT MUST BE DEALT WITH IN THE SCRIPT
1. Why was it necessary for Mace to vanish in the twenties? (Perhaps he was recruited by the Illuminati, but was about to get busted for his criminal operations with Dracon. So he vanished with the money, and the Illuminati set him up with a new life. But why did they want him? Why would they bother?)
2. Why would Mace give up his glamorous gangster life to live in a seedy hotel for the Illuminati? (He obviously wouldn't. So let's not imply that he did.)
3. How did Matt make the connection between Mace and the Illuminati in the first place? (This question must get answered in this episode. In "Silver Falcon", the old photo of Mace and Dominic will depict Mace wearing the Illuminati pyramid/eye emblem. But don't count on the audience noticing or remembering that. And don't forget that Matt thought Mace was involved with the Society long before he saw that photo in Benton's office.)
4. Did Matt just get phenomenally lucky that he happened to go to Flo's grave at the same time as Mace? Was he planning on setting up 24 hour surveillance? Did he have some way of knowing that Mace visits and when?
5. How does Mace being alive prove the existence of the Illuminati? (Hint: it doesn't, by itself. See question #3.)
MALONE
Mace was a prominent gangster when he disappeared in 1924. If you figure he was about thirty, he'd be 100 now give or take five years. I think we should make a point of this. He looks great, thanks to the Illuminati's rejuvenation techniques. Like a man of 75 or 80. But he proudly tells Matt that today's his 100th birthday, or something like that.
BEAT OUTLINE
ACT ONE
1. Establishing shot of the Seedy Hotel. It's Friday night. Inside, Goliath is already alone. The steel shutters slam shut, trapping him inside, a mysterious voice (Mace) welcomes him to the "Tower of Terror". Maybe activate a death trap or two. Maybe Goliath finds an open window, but it leads back inside. Maybe the ceiling comes down on him or something.
2. Cut to the control room, where we see Goliath on a monitor. Mace is at the controls. (We don't yet know who he is.) And then pull back to see Matt looking over Mace's shoulder. We can't believe Matt is helping to trap and kill Goliath!! Push in on Matt. In his voice over, we find out he can hardly believe it either, it all began last Tuesday....
3. First flashback begins. Last Tuesday. It's the FBI target range and the scene with MARTIN HACKER. (Don't take for granted that the audience knows Hacker. Reintroduce all the necessary, pertinent info about him, Malone and the Illuminati -- pretend they've never been mentioned before this episode.) Hacker can't believe Matt is still chasing Mace Malone and the Illuminati. It's a wild goose chase that got him fired from the Bureau. When will he learn his lesson? But Matt is determined. He's going to prove the existence of the Illuminati, prove that he's not a nutcase. So Hacker gives him the info that he asked for: the location of Malone's step-son, a mobster who's part of the Federal Witness Relocation Program. (Hacker gives him this location because he knows that Malone's step-son has no idea where Malone is.)
4. Tuesday Night. Later at the precinct house, Matt sees Captain Chavez coming out of the Ladies room. He asks her if Elisa is in there. She says no. Matt doesn't get it. Her car is here, but he can't find her.
He finally finds Elisa exiting the broom closet. Has she been sitting in a closet for the last twenty minutes? Of course, not. She was just, uh... returning a mop. One of the sinks in the ladies' room overflowed. That's where she's been (yeah, that's the ticket) cleaning up a flood in the Ladies' Room. Matt is so stunned by her obvious and clumsy lie, that he doesn't immediately confront her with it. Unaware that she's been caught in a lie, Elisa quickly changes the subject. Why was Matt looking for her? He's got a lead on the Illuminati. After the Silver Falcon debacle, he's learned his lesson about keeping his partner in the dark. (He says pointedly.) He just wanted to let her know where he's going to be tomorrow. (As with Hacker, Elisa likes Matt but seems to only tolerate his obsessions. There's the tiniest bit of a patronizing attitude toward them. Perhaps Matt invites her along on his investigation, but she thinks it's a waste of time. She's nice about it, but Matt's V.O. narration lets us know that he knows she thinks he's a kook. Same with Hacker in the scene above.)
5. Wednesday. Matt confronts Malone's step-son, JACKSON DANE (or whatever) at the gym (or wherever). (Jackson's 80 if he's a day, but he can have Ferrigno-sized goons. Though you need to be careful that Matt doesn't come across as a dirty or rogue cop. I don't want him to break any laws.) Matt asks Jackson about Mace. Dane hasn't seen Mace since he was a little kid. Matt pulls out a photo that was taken at the memorial service for Jackson's mother (Mace's ex-wife), actress Flo Dane, when she died fifteen years ago. It was a big deal thing. We see a picture of Jackson in the front row. Did Jackson see Mace at the funeral. No. Matt takes out a second picture. A blow up of people in the back row. He points to one. Jackson looks carefully, and whaddaya know? It's Mace. Now Matt wants to know where Flo Dane is buried. Jackson says that his mom didn't want her grave to become a tourist attraction, so she was buried under her real name, FLORA DREEDLE. Did Mace know that name? Yes, he did.
6. Wednesday, just before sundown. Back at the precinct, Elisa asks Chavez if Matt's checked in yet. No. Elisa goes up to see the gargoyles. We follow her into the broom closet. The pull-down ladder is already down. She nervously pulls her gun and goes upstairs. Only to find Matt there. She's under time pressure to get him out of there, since it's nearly sunset. He points to the t.v. set. He remembers helping her bring that into the precinct the day they met. She had said it was for a friend. She pretends that this is her little getaway spot when police life gets too intense. Some getaway spot. An old lounge chair. A hot plate. Video game equipment. Books. Enough food for a family of gorillas. She says she may be bending a few regulations, but she's not breaking any laws. Don't tell Chavez, o.k.? (She has got to get him downstairs.) So how'd it go with Mace's step-son? He's still highly suspicious, but enthusiastic enough about filling her in on Mace that he allows her to guide him back downstairs. Matt has checked with the funeral home. Some old man shows up there every Thursday and leaves a rose for Flora Dreedle. It's a long shot but Matt is going to be there tomorrow to find Mace Malone.
7. Thursday. Matt finds Mace Malone, who goes into a bit of denial, but we'll give him an Illuminati tattoo on the palm of his hand (or something). Mace relents, impressed. The Illuminati has been aware of Matt's quest. They've thrown multiple roadblocks in his way, and still Matt found Mace. The Society has clearly underestimated the boy. Mace offers Matt membership based on a loyalty test. Matt: You want me to prove my loyalty? How do I know I can trust you? Mace: Fair question. What if I prove good faith by revealing a bit of information donated by one of our lower echelon members, David Xanatos. Matt's listening.
8. Very late Thursday night. Elisa and Matt are driving in her car. She's driving. She asks him if everything's all right. The shift's almost over and he hasn't said three words all night. "Let me drive," he says [exactly three words]. No way -- it's my car, she replies, only half-kidding. He INSISTS. She relents, realizing he's pretty upset about something. It's a very awkward moment. She has to stop the car, get out and switch sides with him. He's silent the whole time. He drives. Where are they headed? He ignores the question, but tells her that today he found Mace Malone. That's great, she says, but you're driving awfully fast. He ignores that too, saying he feels like he's on a streak. Now that he's proven the Illuminati exists, he's about to prove the existence of another urban myth that he's been taunted for believing in. Matt, she yells, you're driving us right into the path of some kind of danger!! That's right he says, and the only way we can be saved is if your gargoyles save us.
ACT TWO
9. Elisa manages to wrest the wheel from him and turn the car into a very uncontrolled 360° skid. Thank god for seat belts. They barely survive. Elisa is furious at Matt! What the heck does he think he's doing?! He's trying to get his partner to tell him the truth. He gets out of the car and yells to the sky. "I know you're out there! Show yourself!" Nothing happens. No gargoyles appear. Elisa gets out of the car. Matt's expecting another lie. But all she says is, "They don't follow me everywhere I go." They look at each other. C'mon, she says. I'll drive. (NOTE: I don't think we need to bring up informants. Elisa can believe that Matt has put two and two together from all the lies she's had to tell in the first act.)
10. But by the time they get back to the precinct it's dawn, early Friday morning. Too late, she says. He doesn't buy it. He knows that set-up in the clock tower must be for them. She's still reluctant to tell him the whole truth. Look, she says, you have to be patient for a little while longer. (Note: she has not actually apologized yet.) Meet me back here this evening. Ten minutes before sunrise.
11. Friday. Mace and Matt meet again. Has Matt seen the gargoyles yet? Tonight. But the information was correct? Yes, she friends with them. The Society has demonstrated good faith. Does Matt still want to join? Yes. Then you're willing to take the loyalty test? Yes, what do I have to do? Bring us a gargoyle.
12. Friday at twilight. Matt and Elisa head out the clock face's door (at roman numeral VI) Matt sees the statues of the gargoyles and gets pissed again. No stone statues are going to fool him. He knows they're flesh and blood. He's seen them (in previous episodes). She says hold on and stand back. The sun goes down. The gargoyles explode from stone. Milk this for all the awe and majesty, etc., that it's worth. Seeing it from Matt's point of view, we should all feel like we're seeing it again for the first time. The gargoyles approach. They all know Matt, even if he doesn't know them. Even Bronx is friendly. Matt is awestruck. Speechless. Elisa tells Matt that the Gargoyles have adopted the city and protect it as they once protected their castle in Scotland long ago. She asks him to keep the gargoyles' secret. He says he will, but he wants something in return. Goliath doesn't love the idea of being blackmailed into anything. Matt says he's tracked Mace to a seedy condemned hotel. He's sure he can get proof of the Illuminati's existence if he could just get into the hotel, but it's locked and boarded up on the ground floor. He needs Goliath's help to enter via the roof. The other gargoyles offer to help, but Matt isn't trying to lay siege to the place, he just wants to sneak in and sneak out. All he needs is Goliath. Elisa wants to go, but Matt specifically doesn't want her to. Why? Because I want to find out once and for all whether you trust me. So Goliath takes off with Matt. (AND I think we can assume that Matt filled Goliath in on his plan on the flight over to the seedy hotel.)
13. Friday night. They land on the roof of the hotel. With Goliath's help, they break into the stairway and go inside. Almost immediately, Matt is forcibly separated from Goliath and spirited away to join Mace in the control room. Mace is very pleased with Matt. He presses a button and steel shutters slam home in a repeat of scene 1. Which brings us up to date, end on a cliff hanger and go to commercial.
ACT THREE
14. Play Goliath in the HTJB. Have fun with it. You've got most of the act. Meanwhile, Matt asks Mace how long they plan to keep Goliath here. Why, we can keep him here forever. He'd never find his way out without help. So Matt has to secretly help Goliath. But you can't have that signal device. Where would Matt get it from? He's not Batman. So think of something else. Ultimately, they escape leaving Mace hopelessly lost inside the surreal world of his own making. (That's the Illuminati's punishment for him. He can die of dehydration there, some time in the future and we don't have to portray it or worry about S&P.) All this is done in such a way that the Illuminati would later blame Mace not Matt. If you need help to choreograph this, give me a call.
15. Pre-Dawn Saturday morning, Goliath and Matt return to the clock tower where Elisa and the others are waiting. We find out definitively that Matt tipped Goliath off to his plan on the way to the seedy hotel. He was hoping to join the Illuminati -- so he could bust them from the inside, but in order to escape, they had to trap Mace, his only Illuminati connection, in the HTJB, so it was all for nothing. Matt watches with Elisa as the Gargoyle's turn to stone. (Again, milk this. Through Matt's eyes it should feel like the first time.) Elisa and Matt have their little scene. She finally apologizes. He asks why she kept it a secret from him. And etc.
16. Matt walks outside and there's Hacker, who reveals that he's a member of the Illuminati who had been assigned to Matt to keep him away from the Illuminati. Matt can't believe it: Hacker helped him with info. Only info that Hacker thought led down a dead end. Matt just figured a way to do an end run around the dead ends. No hard feelings. Anyway, he always liked Matt, so he's proud to give him his official Illuminati membership pin. Matt doesn't get it. The society lost the gargoyle. Mace's fault, not Matt's. Hacker promises to keep in touch. He hops in an unmarked car and drives off. After he's gone, Matt says something determined about keeping in touch too. This isn't over.
Back to the pilot...
On July 6th, 1993, Writer Eric Luke turned in an outline for the pilot. It still had the Pack, and introduced the concept of the Gargoyle Eggs. Here were our notes on that outline, as we sent him to script.
To: Eric Luke Date: 7-15-93
From: Greg Weisman Ext.: (818)-754-7436
Subject: Notes on 7/6 Gargoyle Outline
Ta Da!! Let's go to script....with notes...sorry. Actually, we're real happy with the outline, we just want to send you forward with a few things in mind.
One general note comes from Gary, who's pretty much decided that the Gargoyles cannot fly like birds, but rather can glide like flying squirrels. We're going to take a lot of liberties with this. Play a lot with updrafts and downdrafts, i.e. cheat a lot, but the big basic no-no is the idea that they can start at ground level and just muscle themselves into the air with their wings. Gary doesn't want to just make this a rule, he wants to make use of it in the script as a vulnerability for the gargoyles. For example, if Goliath and Elisa are surrounded by the Pack, he can't just pick her up and fly away. He's trapped, unless he can get some height to get some air. Another thought comes earlier when Goliath saves Elisa's life at their first meeting. Maybe he grabs her in mid-air and then arcs up to re-land on the castle ramparts. And maybe he can't quite make it to the top and has to grab hold of the building and use his talons to claw his way back up to the landing, with her holding on to him for dear life. (These are just examples that occur to me...use, embellish, come up with your own as it fits the script.) Anyway, you get the idea.
PAGE 1
I think we can heighten the drama of the opening by referring to the original beat outline depicting Robby and his Mom desperately running up the hill to the castle w/the Marauders close behind. It's sunset. Cole and crew don't have long to wait for it to get too dark for the archers to target them.
PAGE 2
Re: the Wizard. The scariest thing about Goliath's looks is his tremendous threatening bulk, claws and teeth. His non-human appearance, wings and skin color play into the wizard's fears as well. But it's the potential physical threat that's the most frightening. I'm not sure that this will specifically come out in dialogue, but...
Teen 'goyles should probably be doing minor mischief until Robby's mother refers to them as monsters. This pisses them off (particularly Brooklyn) and they decide that if they're gonna be treated like Monsters they might as well act like monsters, and perhaps they do something that is flat-out malicious. Goliath comes in while they're "acting like monsters", doesn't know why and banishes them from the courtyard. They feel bigtime jipped.
Eggs in the rookery really intrigues us. It raises HUGE questions. Do Gargoyles lay eggs? What do they look like? Gary pictures rough spheres like cannonballs made of stone. Do the eggs survive Cole? I guess they must since Bronx and the trio do. Do they survive the centuries? What's the gestation period of a gargoyle egg? Did Demona gather up the eggs? Were they effected by the wizard's spell? When Xavier moves the castle to Manhattan, is the Rookery, eggs and all, left in tact in Scotland? None of these questions need to be answered in the pilot. It's just a great seed to plant for future episodes, so don't make too big a deal of it here; we want careful viewers to be curious, but most to be unconcerned, since they won't get the answers to these questions in this movie.
Was Broadway raised in the Rookery? Or has it been out of use for decades? If he was, we need to be careful that our trio aren't telling each other things that they all already know.
PAGE 3
Again, in the final battle against the Captain, Cole and his marauders, refer to the original beat outline for choreography. We need Cole and the Captain to drag the queen away from the battlefield, luring Goliath away too, alone. We need the Wizard left alone, believing the Queen is dead, w/only one remaining spellbook to confront the rest of the 'goyles and turn them to stone, etc.
PAGE 5
Perhaps when the Pack first attacks, Goliath and company jump to defend the castle without any request from Xavier. It's that instinctive. Afterwards, (p.6), Xavier asks for their continued protection, and Goliath agrees, largely because at this point, he's already got one foot in the water, so-to-speak.
PAGE 8
We still have the three night structure, but we've lost Elisa asking Goliath to give her three nights to show him all that her world has to offer. That always struck me as a nice moment. Was there a reason we took it out? I'm not saying we need it back in, I'm just curious.
PAGE 9
Adrienne Bello is our executive here in charge of Standards and Practices. We showed the final version of the outline to her, and she had a concern here regarding our depiction of latchkey kids. Basically, it's a weighty issue, and we really don't have the space to do it justice here. That gave me a thought. Another (easily-solved) problem in the scene is that Goliath doesn't seem to be a participant. No one reacts to him. If we change that, we can see a number of kids (maybe out on the stoop, early evening) reacting differently to him. All should be scared at first, but some are quickly reassured and think Goliath (and Bronx) are way cool. Littler kids might still be frightened, and Goliath sees Elisa comfort and reassure them. Teaching them not to be prejudiced, in essence. Or something. We don't have to make them latchkey kids. Taggers? Just neighborhood kids w/no crime involved? Maybe we create a 20th century counterpart to Robby? Anyway, give it some thought.
PAGE 10
This could play into the attack by the Pack. Perhaps our Robby-counterpart witnesses it. And the noise brings more people. They root for the Pack to win out over the "Monster" Goliath. They think the Pack is saving them. Our "Robby-counterpart" could really be confused as to who's good and who's bad. Maybe the crowd helps the Pack? (The right thing to do, as they perceive it, but unfortunately, they've picked the wrong side to help.) Elisa may try to flash her badge, and is knocked aside/out before she can identify herself as a cop. What Fox says to Goliath in the clinches, doesn't have to be heard by the crowd. Maybe the Pack even pretends to try to rescue Elisa from Goliath, making it clear to Goliath and our audience, though not the crowd, that if they get her away from him (and Bronx) she's doomed. [Again, though Bronx is largely a comic relief character, he can be helpful in a fight. Just as Goliath--though basically a dramatic character--has a sense of humor, and can be used in lighter, comic situations.] Goliath has little choice but to retreat with Elisa, with the crowd thinking he's the villain getting away w/a victim (or perhaps accomplice). Then he expresses his frustration that humans could so confuse the heroes and villains, based solely on appearances. If Elisa's conscious at this point, she might try to argue with him.
It's unclear why Goliath thinks the Pack is bent on revenge. What does he think they have to revenge? So far, they've been basically successful in both encounters. At worst, you could say they've fought to a draw.
PAGE 11
If Xavier spotted Demona in a book, it was probably an art book, not a history book. Gargoyles didn't make the history books. I know this is just a story Xavier tells Goliath, but we might as well make it as realistic as possible.
Also Demona does not "seem" to be "genuinely pleased" to see the gargoyles; she IS genuinely pleased to see them.
PAGE 12
Xavier should claim that the disks will benefit all mankind AND ALL GARGOYLES as well.
Xavier should make his contingency plans w/Owen. That way, we don't have to have him talking to himself, or reveal that he and Demona are in cahoots.
Goliath should probably find Elisa at her place, (maybe he followed her from the police station). As opposed to just happening to spot her on the streets.
Also want to make sure I have all the corporate names straight. XAVIER ENTERPRISES (XE) is Xavier's big conglomerate. SCARAB CORP. is the robotic and cybernetic arm of XE. PACK INC. is the "marketing firm" that handles the Pack, which is owned by a company, which up the ladder is eventually owned by XE. CYBERCORP is Xavier's basically honest competitor and the creators of the anti-grav technology that's on the disks.
PAGE 13
The idea of Goliath just sitting on the disks for a night in a warehouse still strikes us as artificial. Maybe Xavier asks Goliath to deliver the disks to someone, at the warehouse or wherever, and then arranges for Elisa to be there.
Angelica/Demona's statement about "If you'd only taken the others away..." isn't enough of a tip-off to make Goliath suspicious. It doesn't sound like she knows something, it sounds like she's using 20-20 hindsight to make him feel bad. At any rate, that would be the natural thing for him to think. Maybe it begins with this, but she takes it a step farther, and that tips Goliath off.
In her explanation of what went wrong, we need to include the notion that the Captain promised her he'd protect the gargoyles, but at the last minute she panicked and left.
We're also unclear how all this has led her to join up with Xavier. Maybe she sees the destruction of humanity in his evil, and she's anxious to help. Or maybe he plans on conquering humanity, and then she plans to take the reins of power from him. Lots of possibilities; we just need to clarify.
PAGE 14
Did Xavier send anyone besides Demona (and Elisa) to the "loyalty test". Maybe Owen has been watching from the shadows.
The reason Xavier didn't take Goliath out immediately after the loyalty test can probably be tied to Xavier's intelligence. He knows that the best time to attack the Gargoyle's is during the day, when they're frozen. I think we should make use of this. Have a scene where the Pack (carrying sledgehammers) searches for the Gargoyles in daylight. Elisa hides the gargoyles and/or protects them, and/or lures the Pack away from their location at great personal risk. Now she and Goliath have saved each other. A human he can count on. Etc. At this point, Xavier doesn't want to leave the loose ends untied for too long. He's confident in his new robot creations. (Perhaps there's one that's specifically been modeled after Goliath.) He decides to just get the battle over with. Or maybe it's Goliath and the gargoyles who decides to take the castle back, (with Elisa's help). They attack Xavier. Demona, the steel gargoyles AND the Pack (and Xavier, for that matter) are there to defend the castle. That's kinda ironic and cool.
And that's it. Give me a call if you have any questions. I'd also like to get an approximate target date when you think we'd have the first draft screenplay. Despite all the notes, we're getting really psyched. Good luck.
cc: Gary Krisel, Bruce Cranston, Paul Lacy
Ducks in a row...
Disney's Japanese Studio was collectively the true unsung heroes of the first season of Gargoyles. This is a memo from Mr. Tokunaga, who was the head of that studio. It mentions the Little Mermaid episode that they were currently animating, but is mostly about recommending certain individuals on their staff to be creative forces for the Gargoyles series.
CC: B. FERRO
L. HUME
FAX CONTROL
#ODU-2688
FACSIMILE(0422-51-8229)
DATE: July 10,1993
TO: Ms. Lenora Hume
FROM: Motoyoshi Tokunaga cc. Shin Matsumoto/Sheri Shimada
RE: Gargoyles
Dear Lenora,
Yesterday, I have asked several animators to try on rough designs for this projects characters. We will need one week to finish this work. Therefore. we will be able to tax you these drawings on 7/17. Also, we have sent you the followings together with Take-l's workprint for the Mermaid show #015.
1) Storyboards
*Gadget - storyboarded by Saburo Hashimoto.
*Reporter Blues - storyboarded by Kazuo Terada.
*Soccer Boy - storyboarded by Kazuo Terada.
As a reminder, in Japan we set the maximum number of cels that the show can spend before we start the production. And directors should draw storyboards within this limitation. Since these storyboards were drawn under these circumstances, I fear they might not give you the insight into the artists' creative aspects.
2) Videos
*Ulysis 31: This was produced 12 years ago and directed by Terada.
I hope you could use this as a reference of how he divided the scenes and
the camera angles. But, please do not refer to the animation.
*Batman; which was animation directed by Kazuyoshi Takeuohi.
We have sent this to you because we would like to know if you are thinking of any certain level of animation quality and timing. Please let us know if this is the kind of animation you expect from us for Gargoyles series.
Beat regards,
Motoyoshi Tokunaga
MT/my
Being SANTA CLAUS is stressful.
I think these two memos are fairly self-explanatory. So the only comment I'll make is that although few of these people still work for Disney, none of them had to give back their toys. (And I still have the Nerf stuff.)
MEMO #1:
[1] From: Greg Weisman 7/8/93 4:10PM (751 bytes: 10 ln)
To: Bruce Cranston
cc: Greg Weisman
Subject: TOYS FROM KENNAR
------------------------------- Message Contents -------------------------------
Bruce,
As you know, I received a large box of toys from Kennar, which I am officially giving to the Development department. Some of these will be on display in their original packaging in my office, per Gary Krisel's suggestion. Some will be used in creative meetings to help generate ideas and reduce tension. The rest will be distributed among the development staff for research and display, on the understanding that they belong to the company and not to the individuals involved.
MEMO #2:
[1] From: Greg Weisman 7/9/93 2:25PM (2200 bytes: 47 ln)
To: Mary Nguyen, Bonnie Buckner, Hali Helfgott, Lisa Melbye, Adrienne Bello, Paul Lacy, Fred Schaefer, Kathy Fair, BAMBI MOE, Ellen Gurney, Ann Catrina, Brad Vielock
cc: Bruce Cranston, Melinda Farrell, Jay Fukuto, Greg Weisman
Subject: TOYS
------------------------------- Message Contents ------------------------------
cc: Dave Schwartz, Sharon Morrill
As many of you know, Kennar sent me a large box of toys. Too large for me to keep them as a gift w/out a conflict of interest arising. So I am officially giving these toys to the company. Gary instructed me to keep some of them unopened on display in my office, (he's sent some to Lucasfilms already, and we may need them for similar purposes at some point), and to break open the Nerf stuff for creative meetings (you know, to relieve tension, etc.). But there are still a number of toys left, more than I have room for, so I'm going to pass them out to all of you for research and display in your offices, on the official understanding that they belong to Disney and should stay with the company.
I put everyone's name in a hat and Hali pulled the names, and this's the order of toy picking:
Bambi
Brad
Ellen
Dave
Lisa
Fred
Paul
Kat
Ann
Adrienne
Hali
Bonnie
Mary
I think you can see by Hali's placement on the list that her picks were not biased. It was totally random. Don't blame her.
And if you're low on the list, you can at least take consolation in knowing that the bigshots (Bruce, Mindy, Jay and Sharon) don't get any toys at all. Sorry. There weren't enough to go around.
Bambi's first on the list, and she'll be back Monday, so that's when distribution will begin.
Remember, no friction. This is a small good thing. That's all.
Prepping Production
The first season of Gargoyles was largely pre-produced in Japan. And our Japanese Studio was very involved in getting the show up on its feet. This is a memo from Lenora Hume, who was at the time the head of International Production for our division. The memo is addressed to Mr. Tokunaga who was the head of Walt Disney Television Animation Japan.
WALT DISNEY Television Memorandum
To: Motoyoshi Tokunaga Date: July 2,1993
From: Lenora Hume Extension: (818) 754-7150
Subject: FAX: 011-8142-251-8229
PAGE: -1- of -1-
As a follow up to our conversation, we would like to proceed to do some preliminary development work on Gargoyles as outlined below.
1) We would like you to send us some design and storyboards samples of the artists you intend to use on this project. If you have any tapes of shows that these individuals have been involved in that would be very helpful as well.
2) On Tuesday, we will fax your descriptions of the characters we would like you to work on.
3) Based on the information we send you on Tuesday, we would like budget on a schedule prepared for this preliminary design work.
At this stage we would like to see rough drawings of a variety of styles and ideas based on the information we have supplied. There is no need to edit your preliminary work. We would like to see a number if different approaches. If you have a preference as to which approach you prefer please by all means let us know your choices.
4) Once this preliminary design work has been submitted we will review the materials in Los Angeles and give you our comments, along with instructions as to what the next phase will be.
If you have any questions or comments about this first phase of development, please feel free to contact us.
Best regards,
Lenora Hume
cc: B. Cranston
G. Weisman
P. Lacey
RECEIVED BY
JUL 06 1993
GREG WEISMAN'S OFFICE
Evidentally, I went out of town in late June / early July of 1993. My very capable and talented Development Associate Paul Lacy was holding down the fort.
Walt Disney TV Animation Japan had been asking for a more creative role in the division. Gargoyles would represent a new opportunity for them. (Something that I believe Roy Sato could comment on more directly.) Paul wrote up some character descriptions for Goliath and the Trio to get them started. This document, as far as I can tell, is the first one in which Brooklyn and Lex were assigned the basic personalities that they'd wind up with. Previous to this, the two characters had always been assigned each others traits. So I think we can credit Paul (or his confusion, at least) with giving us the Brooklyn and Lex we now know and love.
Also by this time, we had moved away from a female Broadway. One of my bosses, Bruce Cranston, still raised the suggestion that we go back. But I believe my other boss, Gary Krisel (and Kenner) wanted as many males in the group as possible.
July 2, 1993
Greg,
Gary wants to give Tokunaga, the head of the Disney Studio in Japan, a shot at showing us what they can do design-wise with the GARGOYLES, so he wants us to send them descriptions of GOLIATH, BROOKLYN, LEXINGTON and BROADWAY. The descriptions need to be brief and put in general terms to allow them room to be creative.
I've enclosed my pass at these descriptions for your changes. Although I remember the "types" we were thinking of for Brooklyn, Lexington and Broadway, I don't remember who was assigned which attribute. Bruce asked about making one of the kids a female, should we open that up to the Japanese as an option?
Gary and Bruce looked at these today and I incorporated their changes. We need to get these to Lenora Hume early Tuesday so she can fax them to Japan.
Hope you had a great trip. See you on Tuesday.
Paul
And here's Paul's memo to the Japanese Studio.
GARGOYLE DESCRIPTIONS (Lacy 7/2/93)
Below are general descriptions of the look and feel of GOLIATH and the three teen-aged Gargoyles, BROOKLYN, LEXINGTON and BROADWAY.
GOLIATH
The Gargoyle-master. Physically imposing, muscular. At least a head taller than an average human. Weighing approximately 500 pounds, Goliath is solidly built. Although he possesses many human-like features, Goliath's gargoyle features set him apart from man. When angered he resembles a raging beast. When relaxed there is a gentle nobility to his appearance ... in a strange, rugged way, he's handsome. Goliath's wings enable him to glide and, as such, must be big enough to support his weight. They are not simply attached to his back. Rather, they are an integral part of his skeletal and muscular structure, as organic to him as arms and legs are to humans. When sitting, Goliath's wings drape around him like a cape. When spread wide, they act as a backdrop that frames his body.
BROOKLYN, LEXINGTON AND BROADWAY
As adolescent gargoyles, they're awkward and not as physically developed as Goliath. To a human, however, they're still imposing and beastly. Although the three are part of the same species, each one is physically different enough to establish their individuality.
BROOKLYN: If there's a leader of the group, it's Brooklyn. He's the most physically fit of the group and is the one who most aspires to be a gargoyle warrior like Goliath. In the modern world Brooklyn wants to be "cool" and stylish, following all the current trends.
LEXINGTON: The smallest of the group. He's not as muscular as his pals, though he still is powerful. Lexington natural resting position is more a squat than the other two. Lexington is fascinated by gadgets: in medieval times it's catapults and siege engines. In modern times it's airplanes, traffic lights, video games, etc.
BROADWAY: The chubby one, Broadway's also bigger than the other two. Despite his fat, he has well defined muscles like the other gargoyles. Broadway is happy go-lucky, always looking for a good time.
Some of different wing types for these three characters include sprung from the back (like Goliath) for gliding, attached to the back but too small to be of any use, draped from the arm (like a bat), or non-existent.
The word from Kenner Toys...
So the meeting between us and Kenner happened, most likely on June 30th, 1993. They brought this document to the table. It's very enlightening, I think, as to how a major toy company thinks. You'll notice that their "main concerns" didn't cause us to alter the show at all. Save for adding in a motorcycle and helicopter here and there. There were some things that they were concerned about that we were just able to reassure them about. That the Trio would not just be silly. That Xanatos would eventually get down and dirty with his own armor, etc.
My handwritten notes at the bottom were things we discussed at the meeting, also to help aleviate their concerns. "Franken-goyle" eventually became Coldstone. "X's Metal/Steel/Titanium Gargoyles" became the Steel Clan Robots. We were trying to show Kenner that we'd have some "male villain gargoyles" in addition to Demona.
GARGOYLES
MAIN STORY ELEMENTS
Conflicts
* Ageless goodness and loyalty vs. modern opportunism.
* Powerful myths.vs. powerful high tech "realities".
* Goliath vs. Demona.
* Goliath vs. Xavier.
Partnerships
* Goliath and his five ancient gargoyles.
* Elisa and her gargoyle team; especially Goliath.
* Xavier and Demona.
* Xavier and his subordinates.
Goliath Characteristics
* Huge, powerful, and ugly.
* Immortal by night; inert and powerless by day.
* Ancient, decent, loyal, and wise.
* Possesses leadership qualities.
ISSUES
Main Likes
* Visual power, strength of living gargoyles.
* Day vs. night power phases of protagonists.
* Humorous possibilities of gargoyle assimilation into contemporary New York.
* Traditional good vs. evil conflict.
Main Concerns
* Severe visual contradiction of scary/ugliness as good (Goliath); deceptively normal is bad (Xavier, his gladiators, etc.)
* Limited number of heroic characters.
* Key human ally is female (Elisa).
* Key/only evil gargoyle is female (Demona).
* Industrialist as the evil adversary is very familiar and very difficult to translate into an exciting toy. A visually more powerful and more unique enemy would be preferable or increase his powers through armorment [sic].
* Lack of significant special hardware and vehicles for both good and evil.
* Described back story (especially enduring- love/hate relationship between Goliath and Demona) may be too complex for 5-year old boys.
* Four of the six gargoyles (Trio and Dog) appear less aggressive and silly than heroic.
* Breaking the Gargoyles kills them.
[My handwritten notes on the document follow:]
* Franken-goyle & Demona
* Pack / Xavier / Scarab Corp / Vehicles etc.
* X's Metal / Steel / Titanium Gargoyles
Chapter XXVII: "Outfoxed"
Time to Ramble...
My three year old son Ben watched the opening titles for about the five hundredth time. On the one hand, he made the point that it was getting dull seeing this same opening. He wanted me to fast-forward to the actual story.
On the other hand, he spent the time reviewing "the rules". How the gargs turn to stone during the day. How Goliath is the leader. Etc.
One thing we always cheated on was how Fortress-2 landed. There it is on the ground awaiting it's maiden voyage, and I just don't see any landing gear.
Vogel is introduced. This is another thing where I had to carefully explain my long-term intent behind the screen in order to get a model for the character that really looked like Owen but wasn't his twin. I remember a lot of people on the Disney Afternoon mailing list reacting negatively to Preston in this episode. Like he was a feeble imitation of Owen. Like we didn't know how to do any other kind of executive assistant. I was simultaneously amused and annoyed by those kind of comments. So now I'm curious. What was your initial reaction to Vogel? And what do you think of him now?
As usual, Travis has old-school attitude when interviewing his subjects. I like that. Makes him more of a character and not just a reporter place-holder.
Fox in casual clothes. With a very casual, yet strangely intense attitude. "I know what happens next," Fox says to David.
My six year old daughter Erin asked, "Why is she watching [Travis' report] like that?" She could tell something was up there.
And in fact, like UPGRADE, this was another episode where we were intentionally trying to show that Fox was David's equal. We show it physically in their martial arts work out. And we show it by giving her a ruthless and complex plot to take Cyberbiotics. In fact, in this episode, when you add in the fact that David is clearly in the dark about her pregnancy test, she seems to be a little equaler than he is.
Fortress-2 takes off. And Goliath sends us into flashback. This is flat-out padding. For some reason, though the script is the same basic length as any of our scripts, this one timed out short after story-boarding was done. (Most of my stories time out too long.) So we added this flashback. I think it was a mistake. It kills the stories momentum, and we already had the sequence later where Renard shows all the important scenelets to Goliath. Those become incredibly redundant. When you add in the "Previously on Gargoyles" opening, it was just too much.
Elisa reveals the show's Hill Street Blues influence by telling Goliath to "be careful out there."
Goliath gets attacked by cybots. As noted, any individual cybot is no match for him. But they have strength in numbers. I wanted to show that Goliath can still kick some ass when motivated. So the cybots shoot at him. And his only response is "That. Stings." Very intense. Unfortunately, I think sound-wise the line gets buried.
And that's a general problem with the episode. On a technical level this just wasn't one of our best. The animation isn't awful, but it's mediocre. Goliath's size relationship gets screwed up here and there. (Particularly in the brig sequences.) The story's padded by flashbacks. Our normally great sound team, didn't do the most inspiring job on this one either. It just generally feels like one that got away from us.
I still think there's some great stuff in it. And the revelation of Fox's pregnancy actually makes it something of a landmark (both for our series and for animated series in general), but the execution never quite lived up to its potential. Oh, well.
CONTINUITY & INTRIGUE
Did anyone remember Cyberbiotics before this ep? Had you ever wondered who Xanatos was stealing from in the pilot? We knew that Cyberbiotics abandoned their underground base, which became the home of the Mutates. Now we were rebuilding the air fortress and revealing that the CYberbiotics Tower is still in business.
Also, Renard mentions Gen-U-Tech. And the revelation that Sevarius and Burnett used to work for Cyberbiotics. Of course, Renard thinks that Xanatos stole Sevarius and Owen away. We know better. We knew even then that Sevarius is much better suited to work for a man like Xanatos than Renard. And of course, now we know why Owen was Xanatos-bound as well. But what did you guys think of that minor revelation at the time?
Renard's opinion of Xanatos is probably colored by his relationship to his daughter: "And that's the least that viper has stolen from me." Did you stop at that moment to consider what that meant and what he meant by the "My Anastasia. My Janine." line? Did anyone (from Renard's name, if nothing else) guess that Fox was his daughter, before the tag? Who did you think Anastasia and Janine were at that time? Or did Goliath's follow up line, "My angel of the night." distract you from considering these questions?
At this point, just before the Janine line, Erin (who has seen these before, but not recently) remembered: "That's Fox's daddy!"
Goliath has some cool lines here too. "I belong to no one." "I serve no master."
And Renard (voiced by Robert Culp to perfection) has some great lines too: "Not my fault, not my fault. You sound like every human employee I've ever FIRED." and "Take some responsibility."
What was fun for me, although maybe for no one else, was (a) to get some hard thoughts about both the need and the difficulty of maintaining personal integrity up onto the screen and (b) doing that by lecturing to Goliath, arguably one of the most "integrous" characters I've ever written. (b) served (a), by showing that even Goliath can be prone to slipping.
The thing is that integrity really matters to me. And yet, I don't know how much of it I exercise in my own life. I really do try. But it's so hard. And not because I'm a dishonest person, but more because I'm lazy. It's easier to shift blame, to tell white lies, etc. The alternative takes effort and vigilance. I think the rewards are immense, even if the costs are too. But I ain't kidding myself about the difficulty.
The martial arts scene. Reminiscent of the scene from the Edge where Owen toppled David. Here we hinted even more strongly that Fox is Renard's daughter. David is basically giving her permission to back out of the plan, to save face and exit, BEFORE she destroys her father. It's not that David really cares about Halcyon. I think he's thinking about his relationship to his own father. David likes to believe (at this stage in the series) that he's evolved beyond the need for a parental relationship. But "Vows" sort of demonstrates that his relationship with Petros is much more complex than that. David still needs parental approval and is somewhat amazed (at least subconsciously) that Fox does not. Again, in this episode, Fox is more than his equal.
And now the doctor calls with test results. David shows legitimate fear here for a moment. He's not thinking pregnancy. He's worried maybe she's sick or something. She enjoys toying with him. Maybe she's just in a mood. But her armor is on in force in this ep. We won't really get INSIDE Fox until "The Gathering" two-parter.
Finally, Goliath acknowledges his crime: "I was wrong." Cary had this great line for Renard: "I'm glad you're gargoyle enough to admit it."
Robert Culp and Peter Scolari were an interesting pair as Renard and Vogel. Culp was tough in the booth. Very precise. Very clear ideas about how he wanted to play the character. Tougher on his performance than Jamie and I were. And the results show.
Peter was a dream to work with. We spent an hour talking after the recording (about Busom Buddies, mostly). He's an incredibly nice guy. And he picked up the character right away. Despite the fact that we didn't have Jeff Bennett there to do a little Owen for him. He just got it.
Until the end, Vogel really plays Renard in this. He knows how much Renard hates whining blame-shifters, so he's constantly saying things like "You can place the blame on me if you like." in order to defuse any of Renard's suspicions.
But in a more subtle way, Renard is unwittingly playing upon Vogel as well. He doesn't intrude on Vogel's phone calls. He treats him with respect and gives him credit ("You and I built this ship together"). Insists that Vogel save the people in the tower, even if it means Renard's own life. We can see that Vogel was willing to take Fox's money for a bit of corporate espionage. But Vogel is not a killer. (It's important to see that he views Goliath as a creature.) This partially explains his turnaround at the end. (Which some people complained about.) All along he's been trying to get Renard to GET OFF THE SHIP. But Renard forces his hand. And when push comes to shove, Vogel likes Renard too much to see him die. "Mr. Vogel, I knew you wouldn't let me down." "You have that effect on people." And then Goliath basically bluffs him at the end there into confessing, screwing up their relationship.
But Goliath fixes it again. His last discussion with Renard sets up the reconciliation between them that must have taken place before "Golem".
At any rate, it's also nice to see Goliath make a NEW friend. This was important, because that has always been Goliath's goals. To make friends with humans on his own terms. Every once in a while, we had to show it working. Couldn't just be ONLY Elisa forever.
Ben weighed in at this point and said, "Daddy, I love Xanatos. And I love Fox." Of course, Ben and Erin dressed up as David and Fox at the last Gathering. In fact they dressed up in the martial arts outfits from this episode. Thus the affinity. I once played Theseus in the play THE WARRIOR'S HUSBAND. And Edmund in KING LEAR. It gave me an on-going affinity for both characters and awakened my interest in "The Bastard" archetype.
Now the tag. I'm usually pretty proud of our tags. They often advance the overall story as much as the entire episode. But this is one of my favorites. "Hello, Janine." "Hello, daddy." Was anyone ready for that? And her attitude: "Almost got you that time, didn't I?" The whole sense that Fox is in all this just for kicks. She's not as acquisitive as her husband. He'd always take the path of LEAST resistance to a goal. If Renard would give Janine the company, X would suggest she ask for it. But she doesn't care about the company. ONLY the game. X likes the game. But he's about RESULTS. All established in one little scene.
And of course that slick little pregnancy revelation. I think that was one of the most revolutionary and flat-out subversive things we did on the whole show. Was anyone ready for that? We had hinted at it with the "genetically compatible" line in "Eye of the Beholder" and obvioulsy with "It's your doctor... with test results." But I think it was quite the shocker.
And Fox is so tough. Pregnant and back on the hang-glider. I love it.
Okay, I'm done. You're turn. Ramble away...
Kenner weighs in...
Kenner had competed for the Gargoyles toy license and won. They were enthusiastic partners. This was pretty early on in the process, but their initial main objection was that we still had the gargoyles able to fly under their own power at this stage. They didn't like that, because it removed the need for kids and parents to buy flying vehicle accessories. We eventually acquiesced (over my initial objections) because my boss Gary Krisel felt that it could be to our advantage to only allow the gargs to glide on "currents of wind" instead of fly. It hampered them some. I was dubious, but this turned out to be all for the best. So thank Kenner -- for that at least.
Me, I still have the Nerf guns.
RECEIVED By
JUN 25 1993
GREG WEISMAN'S OFFICE
KENNER PRODUCTS
A Tonka Division
June 23, 1993
Mr. Gregory David Weisman
Wait Disney Television
5200 Lankershim Boulevard
Suite 600
North Hollywood, CA 91601
Dear Greg:
We're looking forward to seeing you and Gary next week and getting further into the Gargoyles concept (are they still flying?).
I'm bringing Rm Hayes again (VP of Product Concepts) as well as Howard Bollinger, really, (Sr. VP of Product Concepts), Bruce Stein (Kenner's President), and possibly Ginger Kent (Sr. VP of Marketing). We've spent Kenner development time on the project and will have something to show you during our discussions on June 30.
I'm sending you some of our current action figures from Aliens, Batman and Jurassic Park to refresh everyone's awareness of how we market our action figure toys. The Nerf weapons in the package are for your internal entertainment and are not to be used on us if you don't like what we've done on Gargoyles. Enjoy!
See you next Wednesday at 5:00 p.m.
Best Regards,
James R . Black
Vice President, Licensing
JRB/jav
CC: R. Hayes
Still honing the pilot...
Eric Luke turned in an outline on our multi-part pilot on 6-3-93. I'm afraid I don't have that document anymore. But my response (from a week later) is still in my computer files. And it does give a sense of what he was up to. But more, it gives a sense of where I wanted to take the story.
One might argue that my greatest strength as a writer is in fact... that I'm a good editor. I do think I have a knack for taking solid work by other professionals, and finding the core story inside that work. Bringing that story out and helping it to shine. I think I have a good mind for both the big picture and the little details. (At any rate, that's largely been the basis of my career.)
So that's what I was attempting to do here. And I think you can begin to see the details of the story beginning to see the light in my notes here.
To: Eric Luke Date: 6-10-93
From: Greg Weisman Ext: 818)754-7436
Subject: Notes on 6/3 GARGOYLE Outline
Hi, Eric. Big improvement. I've collated a bunch of specific page notes, and I apologize in advance for their length. But we are getting so close, we wanted to make sure everything's nailed dead-to-rights. As before, we're largely concerned that everything tracks logically and that we've fully explored the relationships between our leads. So here goes.
Page 1
Don't overdue the notion that no one's ever seen a gargoyle (in the tenth century). They are rare. But not that rare. Basically, Cole, the lead Marauder assumes that like most castles, this one has "bluff" gargoyles made of actual stone. He's taking a calculated risk. A risk he may feel absolutely confident in taking, but a risk nonetheless.
Although you DON'T have to use them in the treatment, when we get to script, we'll probably want to bring back the boy, Robbie, and his mom, so that we can play the anti-gargoyle prejudice beats. These will parallel w/Goliath's anti-human prejudice in the modern day sequences, and help give an overall theme to the piece.
We might want to show the Captain helping out in this battle, in some (perhaps minor) way, so that we see that he and Goliath are comrades-in-arms. [We've abbreviated the events of the 10th century sequence by cutting a day from the original beat outline. That's o.k., but it makes it tougher to show Demona and the Captain's complex motivations and loyalties. We have to compensate in other ways.]
The "after you, alphonse" dialogue seems a little on the silly side. It might play in script.
Right now, Gary is leaning toward a male Broadway.
Page 2
At the bottom of page, it's unnecessary for Goliath to suspect treachery at this point. He's merely horrified at what he finds. The Captain's treason comes as a greater surprise when Goliath confronts him a bit later.
Page 3
Remember, Captain (and Demona) had hoped to remove the gargoyles to safety. Goliath (unwittingly) had not cooperated. That's what left the gargoyles vulnerable to Cole. (From Demona's point of view, the plan backfired in a big way.)
Just a cautionary, but we don't want to flag early on that Xavier is a villain. At first we should consider him a rich eccentric. Cheerful, even.
Page 4
Remember, when the Gargoyles awaken, they burst free of their stone shells, shattering them.
Xavier should not be so matter-of-fact about the Gargoyle's appearance. Remember, he's pretending this is the first time he's ever seen this reawakening. He should be appropriately impressed.
One of the elements that we want to be able to play with the Pack is the notion that they are the heroes of their own American Gladiatoresque t.v. show. For example, that's how Elisa would know them, as pseudo-athletes, not villains. If we don't have room to play that here in the pilot, than perhaps the Pack isn't the best villain team to use. Another notion we had was a group of armored villains w/names revolving around a demolition motif (the natural enemies of the sometimes-stone gargoyles): i.e. Piledriver, Bulldozer, etc.
Page 5
If you do use the Pack, the twins are Jackal (male, cunning and vicious) and Hyena (female and practically psychotic).
The robot is CY.O.T.I. (CYber-Operational Technical Intelligence), and his bodies are interchangeable, not his head.
Elisa is a plain clothes detective, and therefore doesn't drive a black and white. Though she could have one of those removable cherry-tops on her car.
Xavier could help the gargoyles fight, to show (a) how tough and formidable he is for a "normal" human and (b) how trustworthy he is...paralleling the Captain's actions from the 10th century.
Perhaps the Pack (or whoever) pretends to get away w/stealing something. (Xavier will later claim it was the 3 disks.) After all, this whole attack was staged.
The whole notion of the Gargoyles not appearing on videotape because they're magical creatures doesn't work for us and doesn't seem necessary. It adds a fairly sophisticated new rule (usually associated w/vampires) and confuses the issue as to whether the gargoyles are their own race of creatures, as opposed to magically animated stone. They exist. They're real. We think they show up on tape.
In this particular scene, we think we can leave out the camcorder and the scene at the police station. Elisa's fairly independent. Also, she doesn't necessarily need to see what's happening from the ground. Better if she doesn't know she's looking for "creatures" 'til she finds them. She could just be investigating the falling debris, though that sounds like something a building inspector would do. It would be nice if there was something that would attract a police detective's attention. (Laser-fire?) Some sign of a crime.
Does she initially question or try to question Xavier? Does she suspect him?
Page 6
The gargoyles should probably be the first bizarre entities that Elisa (and the city) encounters. If she's been dealing w/super-villains the last few weeks, than Goliath won't seem that strange. Also, her initial fear of him should not be based specifically on the notion that he is one of a group of villains, but on a visceral reaction to his appearance and threatening size. Prejudice. And the fact that there are a lot of Gargoyles doesn't hurt either.
The idea that "the whole city is her responsibility and she has a right to know what's going on" anywhere in it, sounds a bit egocentric or even vaguely fascist to me. This may not be the right moment for bravado. Again, she can be legitimately scared at this point. No shame in it. She doesn't have to ask about turf wars, or even be aware of what took place. In essence, we can reduce the talkiness of this scene by having her react the way any of us would.
Obviously, when Goliath saves her life, it'll have a profound effect, probably on both of them. It's a powerful event. It probably signals a truce, an end to hostility. And their mutual insight might hint at what's to come, but they're a long way from friends yet...or even trusted allies.
Here's where they can start to talk a bit. Get the basics on each other. Since we want the Gargoyles to lead weirdness into the modern world, she doesn't recruit him to fight super-villains, rather she offers to show him the best and worst of his new home. Maybe, she's hoping he'll see for himself it's worth fighting for, or maybe she hasn't thought it out that far. Maybe she plays on his need to get acclimated to his new surroundings. He needs a tour guide in this brave new world, she offers to be that guide. From his point of view, he's had bad luck leaving the castle, which would tend to make him reluctant to take her up on her offer. His agreeing is probably a sign of things to come coupled with the admission that he doesn't know what he's up against in the 20th century. He needs to learn, and learning does appeal to him.
Page 7
Goliath probably can't be goaded into joining her. He knows enough about "puny" humans and their betrayals to WISELY be afraid of what they are capable of. She needs to appeal to his better nature--as above, his curiosity and desire to learn, and perhaps a hidden desire to find (or be reminded of) the good in humans that he once recognized.
Again, we don't need to make the Gargoyles invisible to electronics for them to steal the disks. Make the three sites where the "stolen" disks are being held, three entirely separate locations, each uniquely inaccessible to a normal human. Also, Xavier can claim that these disks were stolen from him during the previous night's attack by the Pack (or whoever). He doesn't want to go to the police, because they'd investigate the site of the theft and the signs of battle that might lead to the Gargoyle's being revealed. Xavier's not making "a proposition", he's "asking" for Goliath's help. Coupled w/Elisa's request, Goliath may be on the verge of softening toward humans again. As you wrote, he'll think about it.
After Goliath leaves, perhaps Xavier talk to a shadowy figure (Demona) about how everything is going according to plan. He's confident that Goliath will come around.
Page 8
I apologize, but I think I led you astray when we discussed how "super-heroey" this universe is. Though we are eventually going to have multiple paranormal characters, we don't want to make their introduction casual, nor their existence commonplace. I like the idea that Xavier is stealing technology in order to power up his operatives or build Scarab Corp robots or both, but I don't think he'd be giving out this or any technology so that "the Crippler", et al, could wander the streets doing as they please. Too wasteful for Xavier.
Is Xavier aware of Goliath's deal w/Elisa? If so, would he want to use it to his advantage, perhaps staging another conflict with the same villain team that attacked the castle? Something to convince Goliath that he must help Xavier recover the disks? [The trick to these villains obviously, is to make them powerful enough to be threatening to Goliath and Company, but missing some necessary ability like flight or stealth, that would have enabled them to liberate the disks for Xavier (something other than the invisible-to-video rule). Their abilities can be enhanced for the climax when Xavier makes use of the stolen info on the three disks.]
Boots on Brooklyn are a bit awkward design-wise. Let's trade Doc Marten's for Ray-Bans or Aviator sunglasses.
It's an interesting question whether or not the teen gargoyles can read, but let's not address it here.
Let's have Bronx chewing up the car interior, instead of stinking it up. He's an omnivore.
Goliath's attitude on the first night that humanity is not worth saving doesn't seem to follow. He's always known, even before the Captain's betrayal, that there were bad humans. He used to think there were also good humans worth saving. Since the Captain, he's lost faith in that. Now that he's met Xavier and Elisa, he's probably regaining his faith, despite himself. The way to bring him back to his prejudices is with an ungrateful victim that he has saved. Some modern day equivalent to the queen or wizard. Humans will never stop fearing, blaming or hating the gargoyles. They don't deserve his assistance. Elisa, as a cop, can actually relate to this. But by example, she's trying to show him not to give up on humanity and it's potential.
Page 9
To cement Goliath's gratitude, it's probably better if Xavier claims to have sought Demona out. Found her for Goliath. This was always part of Xavier and Demona's plan. Although Goliath will be overwhelmed by her reappearance, all the Gargoyles should be very glad to see her. And she, sincerely glad to see them. (She still hopes to turn them to the dark side.)
Again, we don't need non-detectability. Let's put the three disks in three very separate locations in the city. Let's send Goliath and Demona after one. The trio after another, and stick Hudson (much to his annoyance) w/Bronx to go after the third.
The disks must be largely inaccessible. (One in a tower; one in an underground vault, etc.) And they should each be protected by security systems and well-armed human guards. But only a guy like Xavier would create Spiderbots and Wardroids, so let's keep things clean by leaving them out. However, a good complication would be for the disk's real owners to call the police. Elisa, who's been waiting for Goliath to show, takes the call. She confronts Goliath and Demona. It's a horrible moment for everyone. He flies away w/the disk. But after turning it over to Xavier, he insists on going back to talk to Elisa. Demona would be against it. She'd relate Elisa to the Captain. Xavier might start making contingency plans...if Goliath is so honorable that he has to clear his conscience with the authorities, then it may not be so easy to turn him and keep him turned.
The trick is probably not to let Goliath come off as a big dope. It's o.k. that he's been fooled, as long as it's been a convincing con. He's a smart guy.
Page 10
We need to contrast Elisa's responses w/Demona's knee-jerk ones. Elisa could be deeply disappointed. Goliath could try to explain why he did what he did. To Elisa it all sounds fishy, and at any rate, he shouldn't have taken the law into his own hands. That's where he might scoff at human law...and humans, in general. Don't let him get pouty. He's got legitimate gripes. But this disappoints Elisa further. She thought they had connected. Plus, she's been put in an awkward situation. He's a criminal now. Does she arrest him? He takes that decision out of her hands by leaving.
We're not clear on the meaning of Elisa's: "You're blaming humans because you can't face the blame yourself!" What blame?
If we use the Trio in the action-packed disk-raid, then we can cut the Artless Dodger. Again, we don't want to make "paranormals" too commonplace.
It's tough to believe that the Pack (or their replacements) would really think the gargoyles had stolen their money. And it's impossible to believe that Fox would betray her boss by giving away his well-mapped out plans. Xavier's control should be fairly complete. Basically, the multiple changes that these notes have suggested are going to require some major restructuring of the last few pages.
Xavier's "contingency plans" from above could help set the final act in motion. Maybe, he decides to test the gargoyles' loyalty to him once and for all. This is important, because Xavier would not just toss aside valuable "assets" like the Gargoyles, just because they had already accomplished the specific mission he acquired them for or because their talents were now largely redundant. If he thought there was a chance to keep them, he'd go for it. Maybe the loyalty test involves Elisa. That way, we can get that moment when Goliath refuses to betray Elisa. This cements Goliath and Elisa's relationship. Further enrages Demona, etc.
When Goliath fails the loyalty test, Xavier can then decide to destroy Goliath (and probably the other gargoyles as well). He can utilize the disk technology that the gargoyles stole which he has already used to enhance the Pack (or whoever) or build killer robots (or whatever). This personalizes the final battle. They're not saving the city. But themselves.
Page 11
It's unlikely that Xavier would give away his plans just to gloat. He's too smart for that.
We want to reveal Demona's true colors to Goliath and our audience at the same time. The last great shocking secret revealed. Perhaps Goliath discovers the truth after failing the loyalty test. She tries to convince him one last time to change sides. If in the course of the loyalty test, he was physically defeated, this'll be like kicking him when he's down. And then it's Elisa who saves him and helps rally his spirits for the coming final confrontation.
How did Demona stay young for a thousand years?
Given the above, it's hard to see how the trio could refuse to help Goliath.
Page 12
Obviously, we can now lose the army of paranormals. I'll miss Mister Billious the most.
We can probably reduce the talky-nature of the final battle scene by giving Elisa and Goliath a moment of calm before the battle begins. Remember, the key relationship is theirs. She may fear that the betrayals of Xavier and Demona will drive Goliath further into his shell. But she has unwittingly kept her promise. She has shown Goliath that humanity is worth saving, because she has shown Goliath herself. And it's enough, because she's a very special individual who considers herself fairly typical of humanity.
Demona can be armed with "modern" bazooka-laser Kirbyesque weapons to even out the odds in her and Goliath's one-on-one final battle.
Page 13
Xavier's "death" may need to be rethunk. Perhaps Demona, who's been our secret betrayer from the beginning, should "die". (Maybe her weapon explodes?) Xavier, the human villain can be arrested by Elisa. He's not worried though, he'll have the best trial money can buy...or as Elisa counters: "The best cell."
Whew. That's it. Let me know if you have any questions.
cc: Gary Krisel, Bruce Cranston, Paul Lacy
Memo on "Outfoxed"...
In anticipation of watching "Outfoxed" anyday now, I'm going to go ahead and post the memo I wrote to Cary Bates, after he turned in his outline for that episode, originally titled, "After the Fox".
WEISMAN 11-27-94
Notes on "After the Fox" Outline...
GENERAL
Well, one of the advantages of having you as one of my story editors is that I can be brutally honest. We got some problems here. The main one being that the story doesn't get going in earnest until the last scene of Act Two. We're horribly padded here. Normally, I would give this back to you for a second draft outline, but -- my fault -- I didn't read it in time. So I'll beat it out here.
FOX vs. RENARD
First off, let's make Renard the last name. I know I said it was o.k. to make Renard the first name, but the more I thought about it, the more I didn't want Fox's only connection to the Renard/Fox name to be that it was her father's first name. I don't think she could admit to herself that she was borrowing anything from him. So let's make her given name Janine Renard. He still calls her Janine. She rejects that and has her name legally changed to her nom de guerre: Fox. (Like Cher or Madonna, it's just the one word. Remember, she was a performer.) The "Fox" is the part of herself that she believes in. The irony, of course, is that the name did come from her father.
I don't think Fox consciously hates her father. I don't think she consciously admits to having feelings that could cloud her judgment. There's no vengeance kick here. No line of dialogue where she says she wants to see him suffer or that she only saved his life so she can continue to torture him. That all may be subconsciously true, but if so, she doesn't realize it. Remember, she's Xanatos' perfect mate. Neither her nor her husband get that emotional. They enjoy the game for its own sake. Playing it against her father may give it a special tang, but from her point of view, there's only one reason to do this: Cyberbiotics. She wants it, so she decides to take it. If it wasn't worth having, she wouldn't have bothered.
CYBERBIOTICS
The investor scenario doesn't work. Just because the investors aren't killed, doesn't mean these five terrorized guys are now gonna invest. The damage is done. The stock price will still fall and Cyberbiotics will still belong to Fox by close of business tomorrow.
The solution, I believe, is to change the location. Renard has just rebuilt the CYBERBIOTICS AIR FORTRESS. He's determined to prove that it's safe and effective. It's a corporate icon, like the Good Year Blimp -- and the public does think it's really cool -- but it's still not the smartest investment. It's hybris. Worse... it's Euro-Disney. Renard's had to invest way too much to rebuild it. If it's destroyed so soon after it's reconstruction, Cyberbiotics will be bankrupt and easy prey for Fox. This'll tie in nicely with Goliath's growing sense that he owes Renard a debt. Goliath helped destroy the first Air Fortress. Now, he must save the second one. And if you save the ship, you save the company from Fox.
INTEGRITY: GARGOYLE vs. HUMAN
For once, this should not be an issue. Renard accuses Goliath of not having as much integrity as humans do. But Renard doesn't believe humans have very much integrity -- that's why he's automated his operations -- so we're arguing the wrong premise. Integrity is not the province of either race. Deep down, Goliath may have a vague prejudice that gargoyles are generally more honest than humans, but in his head he knows that his race does not have a monopoly on integrity. Thanks to the events of our pilot, Renard may have a general mistrust of gargoyles, but that's not the point he should be making. Renard firmly believes that integrity is an absolute. You have it. Or you don't. Cut and Dry. Black and White. He's got it. Most humans don't, including Xanatos and his daughter. Machines can be programmed with absolutes. People can't. So he's populating his world with machines. His assumption is that Goliath is no better than Xanatos and that all of the creature's protestations about being duped are nothing more than whining excuses. Will Goliath take responsibility for his actions or won't he? Let's not distract this important theme, with issues of race.
Though I loved the line: "You're gargoyle enough to admit it."
VOGEL
Who is this guy exactly? Security man? Computer programmer? Born-again? Was he hired on a project basis to complete the automation? Is he helping Fox because he knew Renard was going to fire him? Has Vogel automated all of Renard's operations or just the security? If it's just the security, than what are they securing? Why does he repent? Basically, the character is coming across as very vague and contradictory. We have to clean this up.
Let's also make sure we fit Vogel into our theme. He is corrupted by Fox. Ultimately, Renard will use Vogel as another example of why humans cannot be trusted. But Goliath will point out that the cybots were just as corruptible, while incapable of experiencing a change of heart, as Goliath has had.
THE TITLE
"After the Fox"... I don't get it. Am I missing something?
BEAT OUTLINE
ACT ONE
1. Open quietly with FOX at the EYRIE BUILDING. She turns on the evening news. TRAVIS MARSHALL is on the air, reporting from JFK or LaGuardia or wherever. It is the Maiden Voyage of FORTRESS-2, the CYBERBIOTICS airship. Marshall had hoped to get an interview with the reclusive head of Cyberbiotics, HALCYON RENARD, but has to settle for Renard's right-hand man VOGEL. Fox watches all this with some interest.
2. Out at the airfield, Marshall, a tough journalist, questions the wisdom and expense of Fortress-2, particularly since FORTRESS-ONE crashed into the river last year. Vogel counters that the cause of that crash was an act of corporate espionage that was only successful thanks to human error on the part of Fortress-One's crew. Fortress-2 is fully automated, run by patented CYBOTS. Human error is not possible. No humans aboard at all? After this test flight, human scientists will occupy it's laboratories to research new wonders, but there is no human crew, except for Vogel and Mr. Renard, himself. Marshall asks if it's true that Renard has invested all of his personal fortune into Fortress-2, and that if it doesn't perform both he and Cyberbiotics will be ruined. Vogel has no comment on that, and heads inside the ship.
3. We follow Vogel, as he heads for the command center. Everything is automated, and there are little Cybots everywhere. All with very specific functions. No waste. At the command center, Vogel contacts Renard in his private office, elsewhere on board. Cut briefly to a shadowed Renard hovering in his ultra-chair, watching Vogel on a vid-screen. Renard gives permission to launch.
4. Fortress-2 launches. Huge turbines and compressors roar. And GOLIATH and ELISA watch from a nearby roof or hilltop. Goliath claims to be here because he is concerned that XANATOS might attempt to attack this ship, just as he tricked Goliath into attacking the first one. But Elisa probably knows that the air fortress is a symbol of Goliath's own guilt -- a guilt that Goliath has yet to come to terms with. Goliath decides to follow the airship, just to be safe.
5. In the air above Manhattan, a cybot alerts Vogel to their pursuer [Goliath]. Vogel informs Renard. Renard says Vogel knows what to do. (It doesn't hurt if we briefly misdirect the audience into thinking that Renard is a villain.)
6. Goliath glides a short distance behind the airship. Suddenly, flying cybots swarm out of a Fortress-2 hold. There're not very big, and they have very simple attack programming. They fire medium strength stun bolts and they miss more often than they hit. Goliath can swat them away easily. Clearly, these cybots don't seem to be on a par with Xanatos' STEEL CLAN. But if results are what counts, they turn out to be superior. There are just too many of the little things. No matter how many Goliath trashes, there are more coming at him. They hover, which Goliath can't do. And eventually, the stun beams add up. Finally, he gets hit with a barrage of them and passes out. Two larger cybots are waiting to catch him and bring him into the airship. (Let's consistently depict the cybots as mono-functional. Each model capable of doing only one thing.)
7. Inside the airship, Goliath regains consciousness in the brig. The bars on the cell might be bendable for Goliath, but he is forced back by Cybot guards with built-in cattle prods. Vogel is there, and a large metal pneumatic door slides open to finally reveal Halcyon Renard. He floats in on his hover chair. He has silver hair and a very sharp mind -- but he is definitely not "robust and vital".
Renard hovers around Goliath, sizing him up. "So this is what the boys at Gen-U-Tech have been up to. Xanatos must be very proud." Goliath responds that he is neither Gen-U-Tech's creation nor Xanatos'. Renard laughs. Goliath demands to know why he is being held prisoner. "Because if you're my prisoner, than I know you can't destroy Fortress-2 for your master." Goliath: "I have no master." "No? Then why did you do this?" Renard flicks a remote button on his chair, and the walls slide back to reveal a large screen. Another button, and video clips from "Awakening, Parts IV and V" show Goliath's participation in the destruction of Fortress-One. Chastened, Goliath tries to explain that he had been duped by Xanatos: "It wasn't my fault." But Renard doesn't let up: "It's not my fault. It's not my fault. You sound like all my human employees. My former human employees. Crush them all together and you couldn't squeeze an ounce of personal integrity from the lot of them. Don't make excuses, creature! Take responsibility for your actions! Stop whining!"
"I DO NOT WHINE," says Goliath, as he rips the bars off his cell and uses them to smash his cybot guards. But Renard doesn't even flinch. "You don't whine, but you also don't hesitate to destroy more of my personal property." He presses another button, and two stun cannons on his chair blast at Goliath until he is knocked out again.
Vogel apologizes. "All my fault, sir. I'll make sure he can't get out of the next cell." We see that Renard respects Vogel for taking the blame. A cybot informs Vogel that he has an incoming personal call. Renard exits, not wanting to impose on Vogel's privacy.
As Cybots drag the unconscious Goliath away, Vogel turns to a vid-screen and activates it. Reveal Fox on the other end. Is it safe to talk? Mr. Renard always respects my privacy. Is Vogel ready to sabotage Fortress-2? He is if the money's been deposited in his Swiss Bank Account. All taken care of. Vogel: "Then we're ready. And the good news is..." He looks at Goliath. "We've got a perfect candidate to take the blame."
ACT TWO
8. A short time later, Goliath awakens shackled to a wall in a new cell, with MUCH thicker bars, and even more cybot guards. Renard is there in his hover chair, brooding. If only Goliath could make him understand that Xanatos is to blame. But Renard: "Oh, I have no doubt of that. You aren't the first poor soul Xanatos has corrupted. Owen Burnett. Anton Sevarius. They both were Cyberbiotics employees... and they're the least of what that viper has stolen from me. I've no doubt he was behind the attack and no reason to doubt that he tricked you into participating." But if that's so, than why does Renard hold Goliath responsible? "Someone has to. And you obviously don't." It doesn't matter to Renard whose idea it was. It doesn't matter whether Goliath believed he was doing the right thing. Now he knows the truth. What's he going to do about it? Goliath grimly rattles his chains, then says, "I think a better question might be, what are you going to do about it."
9. Xanatos and Fox are working on their Kung Fu at the Eyrie Building. Make a point of showing that they are evenly matched. While they fight, they talk casually. Xanatos: "Weren't you mounting a hostile take-over of Cyberbiotics today? Your not having second thoughts about taking it from old man Renard?" Before she can answer, OWEN enters to alert Fox of a phone call from her physician. When Xanatos looks concern, she misinterprets and tells him not to worry: Cyberbiotics will be hers before morning. And as she says hello into the phone, we cut...
10. In the command center, Vogel instructs a random cybot to shut down for repairs. When it does, he opens it up and installs a chip into it's programming matrix. Then he reactivates the cybot, but when it turns on, an arc of electricity flashes around it, briefly. Vogel taps it on the head. Off you go.
11. Goliath and Renard are still talking practical philosophy. Renard has been brooding over the question of what to do with Goliath. He's trying to decide what the honorable thing would be. He'll probably just turn him over to the authorities. Goliath is aghast. "Look at me, human. Is that an equitable punishment? Was my crime against you heinous enough to justify turning me into a laboratory specimen?" Renard smiles. "Well, we're making progress. You've finally acknowledged that you committed a crime."
12. Elsewhere on the ship, the first cybot that Vogel infected passes another cybot. The same arc of electricity shoots out of the second 'bot. Then both 'bots move off and infect two more...and so on... and so on... and so on...
On Vogel's read-out screen, the percentage of cybots infected keeps rising. 13%... 27%... 32%...
13. Goliath eyes Renard. Almost despite himself, Goliath is beginning to regard the man with a grudging respect. "All right. I've admitted I was wrong. No more excuses. Now what?" But Renard doesn't have any easy answers for him. "Integrity is not easy. It is a daily struggle. A costly struggle. If you only knew what it cost me. My Anastasia. My Janine." Goliath lowers his head, "...my angel..." Renard looks at him closely. "So you do know." Goliath speaks slowly: "I know I owe you a great debt for what I did a year ago. And a greater debt for the education I received tonight. If the text was not new to me, it was at least... worth revisiting."
Now during this entire conversation, a cybot enters and approaches a guard cybot by the door. The guard cybot is infected, and approaches the other cybot by the door and infects it. Neither Goliath nor Renard notice until the cybots flanking Goliath's cell are infected and the arcing electricity catches the attention of both.
14. On Vogel's screen the percentage goes up from 99% to 100%, and "Right on cue" he gets a vid-call from Renard. He affects panic. Somehow that creature in the brig has infected every cybot on board with a computer virus. Renard says, "Nonsense. I've been sitting here talking with him the whole time." Vogel doesn't know how Goliath did it. But the Cybots are not responding to commands. They've set Fortress-2 on a collision course with the CYBERBIOTICS TOWER. They must abandon ship and activate the emergency self-destruct mechanism or both installations will be destroyed, and Cyberbiotics will be history. Renard is beside himself: If Fortress-2 is destroyed than Cyberbiotics is ruined anyway. Vogel shakes his head, flips a switch and a 10 minute time counter appears on the vid-screen. "I'm sorry, sir. You can place the blame on me if you must, but now we have no choice. At our present rate of speed we will hit the tower in ten minutes. You have nine minutes to meet me at the escape pod. After that I will jettison, and use my access code to destroy Fortress-2."
ACT THREE
15. Goliath offers to help Renard try to save the ship. Renard is so furious, he's half ready to believe that Goliath was responsible. But Goliath knows that Renard doesn't really believe that. Goliath helped destroy Fortress-One. "Let me help to save Fortress-2." Renard agrees and presses a button on his chair which releases Goliath. The Cybot guards interpret this as an escape attempt. Renard cannot override them. But between Goliath and Renard's hover-chair, they manage to destroy the cybot guards. They leave the brig. The seconds tick away.
16. Vogel monitors them from the comfortable escape pod. He can't believe the old fool is going to try to save the ship. Why doesn't he just admit defeat and head for the escape pod? Vogel's made sure that route is clear of cybots. He'll just have to discourage anymore heroics. He orders all the cybots to kill the creature and drive Renard toward the pod. (Note: he does NOT want to kill Renard.)
17. Now every cybot on the ship is against Goliath and Renard. The little flying ones that knocked Goliath out in the first place. The big ones that carried him inside. More cattle-prod guard 'bots. Zippy little messenger 'bots. Maintenance 'bots. All of them. The good news is that in the airship's small corridors, there are only so many that can go at our heroes at once. But the situation is intolerable. They can't destroy the 'bots one at a time. They need to cut off power to all the cybots at once. And it's possible. There's a power station at the center of the ship that transmits power to all the cybots. But if they destroy that then they destroy the cybots that pilot the ship. There won't be time to get to the power station, shut it off and then go to the bridge. They have to split up. And time is ticking away. And the Tower gets closer and closer.
18. Intercut between Goliath fighting his way to the power station; Renard fighting his way to the bridge, and Vogel getting very nervous in the escape pod. [Turns out that even Vogel didn't know how much the old guy had grown on him. Destroying his empire is one thing. But Vogel is no killer. He doesn't want Renard's death on his conscience. And/or he had explicit instructions from Fox that Renard not be killed.] And time is ticking away. And the Tower gets closer and closer.
19. Goliath gets to the power station and destroys it. All the 'bots shut down. But time is ticking away. And the Tower gets closer and closer.
20. With the cybots down, Renard is able to zoom the rest of the way to the bridge quickly. He puts Fortress-2 on manual override, but time has passed the nine minute mark. The tower looms right in front of him and navigation and the helm are located on two different consoles. At the last second, Vogel appears and between the two of them, they are able to turn the ship away from the tower and save it.
21. Aftermath between Renard and Goliath. At first, Renard is bitter. Vogel has confessed his betrayal. Further proof that the human species is devoid of integrity. But Goliath disagrees. Vogel's example hardly proves the wisdom of putting one's trust in single-minded automatons. Automatons are tools. They know nothing of honor or betrayal. They do what they are programmed to do. But a living being knows nothing of programming. A living being must choose. And, ultimately, Vogel chose honor.
Renard lets all that sink in. He's got a lot to think about, but one thing he knows is that Goliath has paid his debt. A ship for a ship. Renard: "We are even." But Goliath: "No... We are friends."
22. Goliath soars off into the night. And he doesn't notice a small hang-glider land on the now defenseless airship behind him. The newcomer abandons the glider and tosses a cloudy ball against the metal hull. The ball shatters and a corrosive substance is released that quickly burns a hole in the hull. The stranger enters the airship, and as she does, we finally get a look at her. It is Fox.
23. Back in Renard's office. He sits in his chair. Quietly. Fox enters behind him, and for a moment we think she's there as an assassin. But he seems to be expecting her. "Hello, Janine," he says. "Hello, Daddy," she replies. "I almost got you that time." "Yes, but why? I built this company for you. I'd have given it to you by now if you hadn't married that villain Xanatos. I'd still probably give it to you if you just stood up and asked me for it honestly." "Oh, Daddy. You and your integrity. Asking for it wouldn't be any fun at all." Renard: "And fun is more important to you than honor. I can't understand that." Fox: "Well, maybe you'll have better luck with the next generation." Renard: "What?" Fox: "That's right, Daddy. You're going to be a grandfather."
FADE OUT.
Back at work on the pilot...
Our second Garg writer, Eric Luke turned in his first draft on our pilot outline. This memo was my response.
What you may be able to see here is that the structure of the story was beginning to come together in my mind. (If not Eric's.) The brief prologue. Xavier's [Xantos'] motivations, etc.
To: Eric Luke Date: 5-17-93
From: Greg Weisman Ext: 818)754-7436
Subject: Notes on GARGOYLE Outline
Hi. A few major notes for the rewrite, before we get to the page-by-page stuff. First, we really believe we need to focus most of our attention on the Goliath-Elisa relationship. Really give it an arc and a progression. Elisa is intuitive, but she's only human, and when she first sees a monster, she has to be freaked out by it. Even after they stop perceiving each other as potential threats (and we don't think this can all happen in one scene), there needs to be an uneasiness at first. And then, a growing friendship that is the focus of our tele-film. They need obstacles to overcome, not all of which are plot-driven. Again, this is the most important relationship in our story. We must explore it, not just establish it.
The second major note is more plot-oriented. We believe that Xavier needs a more specific plan and motivation. The desire for human chaos and anarchy might sound good to Demona, but for Xavier it seems counterproductive. What good is all his current wealth if the world economic system crashes? What good his bribed officials if the government collapses? And anyway, how would the escalation of gang wars and crime really activate all this? Xavier is basically an acquisitive guy. He sees something. He wants it. If he can buy it or possess it legally, he probably will, because it's safer and easier. If he can't, he'll find a way to take it. This "it" could be an object of art or a huge cash reserve or power or some kind of weapon...the list is endless. If he can perceive it, he'll want it and go for it. A specific plan, visual and exciting, ala Goldfinger or something, would probably serve us well. Part and parcel of this should be a specific need for Goliath and the rest of the gargoyles. Having Goliath run an errand that any messenger could handle isn't effective enough. Xavier should have some larger purpose in mind for our heroes.
We don't think we can get too far into our story and still have our full flashback. Perhaps we could have just an extremely brief prologue in the present, where Elisa discovers the claw marks or somesuch, before segueing back to the tenth century. Our prologue is too short to reveal anything beyond the fact that something mysterious is going on in the present...something that we'll come back to. We don't even reveal the castle atop the skyscraper. We just spend enough time for Elisa to ask the question: "What could have caused this?" and then we fade back 1000 years. (Of course, this transition is tricky too, but we think it accomplishes our goals more smoothly.) We end our backstory and flash forward to the twentieth century with Xavier buying the castle and ordering it's transportation to Manhattan. Since we've in essence told the story chronologically, we can now have fun with the Gargoyles awakening in the modern world. Reveal the castle in the clouds. See their first reactions. They're first meeting w/Xavier, and how he comes across. From the audience's point of view, Elisa's search (activated in our prologue) is an open (i.e. Columbo-style) mystery. They know that she's gonna discover the gargoyles. The fun is how.
PAGE NOTES
Page 1 - Remember, Elisa is a plain clothes detective. She doesn't need a uniform.
Is the "promotional ladder" really an issue with her? It doesn't seem to pay off.
Do we want a crooked Captain McCoy? That didn't really pay off either. If he is crooked, how should he act on the surface? If we decide to make him honest, what should he be like?
Page 2 - Remember, Goliath is not stone at night. Though he's got tough hide-like skin, he's flesh and blood.
We need to avoid talky scenes, between Elisa and Felix, between Elisa and Goliath, etc.
Also, the mystery should last longer than it does. Perhaps we can build up Elisa's investigation. Perhaps she's been investigating Xavier for weeks. (Maybe she's undercover in his organization.) Or perhaps she's been investigating, Gargoyle related stuff for weeks...(really a clue that Demona's been around for longer than she claims.) There are a lot of options.
Is Goliath really afraid of the police? Does he even understand their significance?
Let's not make Elisa too perfect. Her initial reaction to Goliath should be one of real fear. And we need to discover what changes that for her. Does he save her life or do some other admirable thing?
Page 3 - Keep in mind that in the 10th century, Gargoyles are not considered a myth...just rare. With a lot of phony gargoyle statues placed on castle walls, to scare off attackers.
Remember that Brooklyn, Lex and Broadway are teens, not kids.
The flower picking bit didn't go over too well here.
Page 6 - Why have the trio been reluctant to explore the city up to this point?
The generic crimes that Goliath and Elisa fight on night one should probably wind up being clues, part of the puzzle toward Xavier and Demona's master plan.
Page 7 - Again, we have to track Elisa and Goliath's relationship clearly. Particularly Goliath's mindset. He thinks humanity's past saving? Does he include her at this point? Does he feel "some excitement" or is he "dejected"? He's basically territorial; how did Elisa convince him to help protect more than the castle in the first place? When he rediscovers Demona, is he fooling himself about how good the good old days were?
Is this all Xavier needed him for?
Page 8 - We're concerned that the rock band stuff might be a bit hokey, not visually fun enough. Particularly, without real rock music. Also, have the gargoyles found a use for money?
How does Elisa feel about Demona? What is the state of Elisa and Goliath's relationship at this point?
Is "electronic detective work" exciting visually? Would computer bank accounts literally list "The Raven" as depositor?
Why does Xavier send his Wardroids to attack Goliath at this point in the story?
Page 9 - How does Elisa find out about the weapons shipment? Does she suspect McCoy?
Do we want to reveal Demona's betrayal here, or do we want the audience to find out at the same time as Goliath? Our last surprise.
How did Demona survive into the present?
Page 10 - Where does this scene between Goliath and Elisa take place?
What changes Goliath's attitude?
Page 11 - A lot of talking is theoretically going on during an extended fight scene.
What does Goliath admire about humanity? How is he different from other Gargoyles, particularly Demona? Is there anything in humans that he aspires to? Does he shift from being instinctually territorial and protective of a specific location to being protective of humans (and gargoyles) in general?
cc: Gary Krisel, Bruce Cranston, Paul Lacy
"High Noon" story memo.
Late 1994. Writer Lydia Marano and Story Editor Brynne Chandler Reaves had turned in an outline entitled "Thieves in the Night". This memo and beat outline was my response to their work.
And before you ask... I have no memory of "the Zompanos". Perhaps a pre-cursor to the Sopranos? :)
WEISMAN 11-16-94
Notes on "Thieves in the Night" Outline...
GENERAL
The main problem for me here is the first act. From a plotting standpoint, everything with the Zompanos is largely immaterial to what follows. As with the outline for "The Mirror", the action of this story only begins at the end of Act One, when Mac and Demona stage their first attempt to steal stuff. We have to move that event up to the beginning of the act.
FOCUS ON COLDSTONE
Let's fool the audience into thinking he is the focus of the whole thing. It's a Coldstone story that turns out to be the set-up for something more dangerous. (Avalon.) To accomplish this, let's misdirect even more than we are.
MATT
I've basically cut Matt out of this story. I didn't like doing it, because I thought you gave him and Elisa a lot of nice character stuff. I even added some stuff to what you had done -- stuff that I also wound up cutting. The story was just too crowded and unwieldy with him there. (And thematically, the Elisa/Matt arc was just slightly off point.) Every time I worked on a scene, Matt got in the way. I wouldn't mind revealing just a little to him here, but there didn't seem to be any way to reveal "just a little". (Matt's not the type to just let things go or to settle for a partial explanation. And he's certainly shown a willingness to stick close to Elisa even when she's made it clear he's not welcome.)
I also would not be opposed to revealing the whole truth to Matt, but this story seemed to be too complicated to reveal just the simple truth about Goliath and company. We'd also have to tell him about Macbeth, Coldstone and maybe even Demona. It was just too much. But don't lose track of these ideas for Matt. We'll get to them all eventually.
THEME: HIGH NOON
"All that is necessary for evil to triumph is that good men do nothing." Or put another way, "You can't crawl into a hole, no matter how nice the hole is, while others suffer." Obviously, this is Othello's arc to a tee.
I'm also giving it to Elisa. And since this is a lesson that Elisa really has already internalized 100%, I'm putting her through the wringer, so that in her exhaustion, she can have a moment of weakness, a crisis point where she can consciously reaffirm her belief. It's high noon, she tells herself. Is she gonna fight the good fight or not?
To a lesser extent, Goliath and the gargoyles reaffirm this belief every time they knowingly walk into a trap. Because the only alternative -- to do nothing -- is unacceptable to them.
CLOCK TOWER
We can't destroy the clock tower or even "all but destroy" it without attracting considerable attention from the precinct full of cops downstairs. A thunderstorm can cover a lot of noise, I suppose, but not extensive damage or explosions that might shake the building.
BACKSTORY
I don't want to count on the fact that our audience will have seen either "City of Stone, Part Four", "Legion" or "The Mirror". I don't want to be ham-fisted in our exposition, but I do want to make sure that we find a way to reveal that when we last saw Demona and Macbeth, they were in the custody of the Weird Sisters. Also that Coldstone has three personalities due to the fact that he was created from pieces of three separate gargoyles. And finally, that thanks to Puck's spell, Demona is now human during the day -- a situation which pissed her off at first, until she discovered the benefits of it.
COLDSTONE'S HEAD
The "tentacle vines" and the "vortex" were all the result of the computer virus. I think we can assume by this time that the virus has wiped out all programming, including itself. All that is left inside is the personality of the three gargoyles and whatever fantasy they create inside their mutual mind.
SHARED PAIN
Don't forget that Macbeth and Demona feel each other's pain. And also, as you had it in the outline, that they each share the opinion that the other is a royal pain.
BEAT OUTLINE
ACT ONE
1. Prologue: Coldstone's Mind. Othello and Desdemona enjoy an idyllic life in a virtual reality fantasy world that they've created. Electricity water-falls. A circuit-shaped moon. Whatever. They know it's not real, but it's close enough. They are together.
They are also aware of Iago's presence hovering darkly on the outskirts of their paradise, but he no longer has the power to come between them. They are content to let him hover.
2. Clock Tower -- Shortly before Dawn. Elisa has just ended a long night's shift and is stopping upstairs (via the broom closet) to see Goliath & co. before she heads home for some much needed sleep. Brooklyn is helping Hudson and Broadway with their reading lessons. Lexington is off in a corner working on Coldstone. Lex has opened up a metal plate on Coldstone, to get access to the circuits inside. He's hooked his laptop up to it and is checking things out. Goliath asks: is there any real hope of bringing him (her, them) back? As far as Lex can figure, the computer virus that attacked Coldstone has wiped its programming clean. Nothing's functioning, but nothing's broken. It's a blank slate. Even the virus is gone. After it finished attacking Coldstone's programming, it devoured itself. But none of that should have affected the souls of the three gargoyles that were used to create Coldstone. They were put there by magic, not programming. They've got to be in there somewhere. If Lex could devise a simple operating program, they might wake up. Well, he'll work on it some more tomorrow night. The gargoyles take their places. Sun rises. They get stoned.
3. Police Precinct -- Minutes later. Elisa's heading out the door, saying good-bye to Officer Morgan, who's also heading home. Coming in, is a uniformed female cop with red hair, pushing a felon who's got his cap pulled low over his eyes and his hands handcuffed in front of him. [Obviously, this is the human Demona and Macbeth.] Elisa pauses, and watches them head into the building and out of view. They both looked vaguely familiar, but she can't place either of them. Does Morgan know them? No, but the cop is obviously a rookie. Why else would she have cuffed the guy with his hands in front of him? Especially a guy that big.
Yeah, someone should tell her. Elisa heads back in. She spots them heading up the stairs. Sees them going around a corner. Always a step behind. Finally she sees them head into the broom closet. Horrified by what that might mean, she draws her gun, and follows them up into the clock tower.
4. Despite her precautions, she is ultimately jumped by the "felon" and the "cop". There's a struggle. And Elisa recognizes Macbeth, just before she is stunned into unconsciousness by Macbeth's lightning gun. Sweet dreams, he says. And the screen goes black.
5. Inside Macbeth's Airship - Twenty minutes later. Macbeth and the "cop" are flying along. The "cop" is angry that Macbeth wouldn't let her kill the gargoyles and especially Elisa, once and for all. Macbeth won't apologize for having a code of honor. But he's in a good mood. Their stolen cargo is safely stowed away in back, plus they got away without anybody else spotting them. "So lighten up... Demona!"
6. Clock Tower - Several hours later. Elisa comes to. She feels lousy, but she's basically all right. How long was she out? She checks her watch. Wow, most of the day. She looks around. Coldstone is gone!! Obviously taken by Macbeth and that woman. But how did they get him out of here in broad daylight? They couldn't just walk him out the door or even fly Macbeth's airship in to pick them all up without somebody noticing. Still, how they succeeded in doing it isn't as important as the fact that they did. She slumps into Hudson's recliner. "Might as well stop talking to myself and wait. It'll be sunset soon."
7. Macbeth's Mansion - Just before sundown. Human Demona is waiting for the sun to go down. Macbeth's a bit impatient. He thinks that despite her appearance, Demona's still thinking like a gargoyle. Why wait for night? Put the disk in now. She refuses. Coldstone doesn't know Macbeth, and wouldn't recognize her in her present form.
The sun goes down. Demona changes from a human into a gargoyle. The process is not without some pain. As she catches her breath, she wryly observes that despite an initial distaste for the human form, she's come to appreciate Puck's gift, although the fact that he made the transformation painful was probably his way of keeping her from appreciating it too much.
But, to work. They insert the operating program disk into Coldstone. And we push in hard and fast on Coldstone's eyes!!
8. Inside Coldstone's mind -- Same time. A tunnel of electric light appears before Othello and Desdemona. Des wonders if they should investigate, but before Othello can answer, Iago pushes them aside and glides down the tunnel out of sight. Now Desdemona is convinced they should stop or at least follow him. But Othello talks her out of it. Let him go. We are here and happy and together. What else matters?
9. Macbeth's Mansion -- Right then. Coldstone awakens and Iago is in control. He recognizes his rookery sister. (It doesn't really matter if Demona knows about Coldstone's multiple personality disorder.) She asks him how he feels. He quietly responds: vengeful. Demona and Macbeth smile at each other. They've found a friend.
ACT TWO
10. Clock Tower -- About the same time. The gargoyles woke up and got the gist of Elisa's story while we were at commercial. But everyone has questions. Goliath left Macbeth with the Weird Sisters, how did he escape them? And how did Macbeth know about the clock tower? And who was the human woman with him? Did Elisa recognize her? She seemed really familiar, but Elisa can't quite place her. Well, there's one thing they do know: Macbeth stole Coldstone. They have to get him back. So it's off to Macbeth's mansion. Elisa'd like to go with, but she's supposed to report to work in thirty minutes. Goliath assures her the six of them can handle it. She has an entire city to protect. She's not happy about being left out, but she can see his logic. She heads downstairs, talking to herself again. (Good thing I got that long enforced nap.)
11. Macbeth's Mansion -- A short while later. The place is very quiet. The gargoyles split up to search for Coldstone. Lex with Goliath. Brooklyn and Bronx. Broadway and Hudson.
12. Macbeth's Control Room. -- A bit later. Lex and Goliath break in, prepared to battle Macbeth. He's not there. Lex hits the control panel and soon he's found Coldstone on one of the screens. And what's more, he's found the creature awake and straining against chains that bind him to the floor of the dungeon. It must be a trap, but Lex can't figure out what the trap is. Goliath's all for heading straight down to the dungeon to free Coldstone, but first Lex reminds Goliath of some hard truths. Somehow, Macbeth got Coldstone operational again. That's the good news. But there'll be no way of knowing which of Coldstone's three personalities will be in control. One of the three hates Goliath's guts. Goliath has to be careful.
13. Another area in the mansion -- about the same time. Demona attacks Brooklyn and Bronx. They weren't expecting her at all, and it looks like she's got the upper hand.
14. Another area in the mansion -- about the same time. Broadway and Hudson find Macbeth. This is exactly who they expected to find and they're ready. It's a tough battle, but the good guys win.
15. Same as Scene 13. -- exactly the same time. When Macbeth is taken out by Broadway and Hudson, Demona doubles over in pain. She recovers quickly, but she's lost the upper hand, and Brooklyn is not about to let her get it back. He and Bronx defeat Demona.
16. Dungeon -- a few minutes later. Goliath and Lex approach Coldstone. Coldstone yells a warning: It's a trap!! But from another door, Broadway's voice calls out: "Not anymore!" He and Hudson enter, toting an unconscious Macbeth. But Coldstone still warns them away. Demona is still out there. And from a third door come Brooklyn and Bronx with the unconscious Demona as well. Goliath is surprised. Demona and Macbeth obviously escaped the Weird Sisters together, but who could have predicted they'd team up? They hate each other. But he can't worry about that now. He turns to Lex. Coldstone's warnings would seem to indicate that the right rookery brother is in control. Lex: "It's probably o.k. Just stay on your guard." So Goliath and Broadway help Coldstone break his chains. He greets them all warmly. Then approaches the fallen Macbeth and Demona. He effortlessly lifts them up by their shirt fronts, in a very threatening manner. But then his rocket jets turn on and he hovers a foot above the floor. Before the gargoyles have time to react, he says, "Now." Macbeth, who, like Demona, was only faking, has a small one-button remote control hidden in the palm of his hand. He presses it. The entire floor of the dungeon electrifies and all six gargoyles are knocked out.
17. Coldstone's Brain -- right then. Othello and Desdemona hear the deafening sound of Coldstone's laughter.
ACT THREE
18. Coldstone's Brain, in front of the electric tunnel -- a few seconds later. Obviously, Iago's up to no good. But Othello's being stubborn. Let someone else take up the cause. We have earned this peace.
19. Clock Tower -- Several hours later, just before sunrise. An exhausted Elisa is there (wearing at the very least, a different colored t-shirt, one would hope). She anxiously awaits the return of the Gargoyles. She tells herself that if they're not back by sunrise, she doesn't know what she's going to do. But before she can figure it out, she sees a winged silhouette approaching. She's initially relieved, until seconds later when Demona comes in for a landing. Elisa isn't exactly terrified. After all, the sun's coming up right now: Demona's about to turn to stone. But Demona merely laughs. And then transforms into the human woman that Elisa had seen 24 hours ago. As Demona grimaces from the pain of transformation, Elisa, despite her shock, draws her gun. If Demona's human, then she's subject to human law and under arrest.
But even unarmed, Demona has the upper hand. She, Macbeth and Coldstone have the gargoyles. If Demona doesn't return, the gargoyles won't either. She tells Elisa why she came. Before she kills Goliath, she wants to prove to him once and for all what humans are really like. So she's inviting Elisa to a high noon rendezvous at Belvedere Castle in Central Park. She warns Elisa that her only chance of surviving the encounter is to avoid it. Either Elisa dies or Goliath sees what human loyalty is really worth: either way, it works out fine for Demona, who then calmly takes her leave via the trapdoor. After a defeated beat, Elisa follows.
20. Ext. Precinct house. Elisa gets outside in time to see the Human Demona hail and get into a yellow cab. The cab pulls away, and for a second Elisa starts to follow, but then she says to herself, what's the point. I know where she's going. Officer Morgan exits the building, again on his way home. "We gotta stop meeting like this, Detective," he jokes. She's a bit dazed and just says, "I'm sorry, what?" He looks at her with concern. "You're looking a bit frayed around the edges."
Elisa: "Maybe that's because I haven't gotten any real sleep in the last 40 hours. I'm tired, hungry and, yes, afraid. I could just go home now and go to bed. When I woke up, it would be over for me. The world would suddenly be normal again. No more monsters -- good or bad. Just normal life."
Morgan: "Normal life would be nice."
Elisa: "But it isn't nice enough, Morgan. My life could never be nice enough or normal enough to make up for letting them down now. I can't crawl into a hole by myself and pretend that no one else matters."
Morgan, thinking he's finally getting it: "That's why you put on the badge."
Elisa: "Yeah, that's exactly why. Thanks, Morgan. You've been a big help." And she takes off.
Morgan, still a bit confused: "Sure, detective, anytime."
21. Belvedere Castle -- a few minutes before noon. The gargoyles are there in stone and in chains. Coldstone/Iago, Human Demona and Macbeth are there as well. Coldstone can't get over seeing the sun. He doesn't understand why he didn't turn to stone. Demona explains that he is no longer a gargoyle: day or night, he is Coldstone. Fine. But that doesn't explain how come no one in the park seems to notice their presence. Macbeth answers: "It's enough that they don't. Don't concern yourself with it." The answer satisfies Coldstone for the time being. He's in too good a mood to argue.
22. Inside Coldstone's Brain -- same time. Desdemona isn't sure that she and Othello are doing the right thing. Is this the gargoyle way? Othello tells her they are no longer really gargoyles. But he turns away, when he says it. He can't look her in the eye, cause he knows he's doing the wrong thing. But when he looks at her again, instead of seeing one Desdemona, he sees three. One with Blonde hair, one with Silver hair and one with Black hair. The Weird Sisters doing their thing.
23. Belvedere Castle -- Noon. Elisa arrives. Demona is surprised, but not upset. She lifts her plasma cannon. But Elisa says she's unarmed. Demona doesn't care, but Macbeth gets the message. This doesn't sit well, with his own strange code of honor. What's wrong, Demona? Afraid to face her on an even playing field? Thus Human Demona is goaded into a hand-to-hand match against Elisa. Demona's had a thousand years of warrior training. But not as a human. So it's pretty evenly matched.
24. Coldstone's mind -- Same time. The three Desdemona Weird Sisters confront Othello. Would he really be happy here in this false paradise knowing that he could have stopped all the damage that Iago is doing in the real world. Othello finally admits that he couldn't. The three Desdemona's merge together, leaving the real one there, a bit woozy, but still determined to help Othello fight Iago. They head down the electric tunnel together.
25. Belvedere - Right then. Coldstone/Iago suddenly cries out that he's under attack, then freezes up.
26. Inside Electric Tunnel - Right then. Iago blocks Othello and Desdemona's path. They fight. Desdemona will hold Iago at bay so that Othello can take control of Coldstone and try to repair the damage that Iago has done in the real world. With a last look back, Othello heads toward the light at the end of the tunnel.
27. Belvedere - That second. Coldstone/Othello awakens. Macbeth asks if he is all right. Coldstone simply asks for a moment to access his memory banks. He does. And then he attacks Macbeth. This catches both Macbeth and Demona off-guard and helps give Elisa the upper hand in her battle against Demona. Ultimately, Macbeth is forced to grab Demona and flee. (Maybe he summons his airship?) Coldstone starts to pursue, but Elisa needs him to help her get the chains off the guys, besides there's been enough fighting for one day. Coldstone uses his wrist cannon to snap the hold on all six. When they wake up at sunset, they should be able to shrug the chains off. Elisa asks him to stay. She knows that's what Goliath wants too. But Coldstone knows that Desdemona and Iago are still at war inside of him. The other gargoyles aren't safe from "Coldstone" until that battle is decided. He promises, that if he can, he will return someday. Then he rockets off into the sky. A few seconds later, a jogger jogs by. "Hey, where did those statues come from." Elisa heaves a big sigh. She sits down and leans back against Goliath. "Don't ask me. I'm just taking a nap."
28. Macbeth's Mansion - That night. Macbeth and Gargoyle/Demona are summing up. Demona's pissed that they failed to kill Elisa and the gargoyles, but that wasn't the primary objective. Plus they lost Coldstone, but that was always just a blind anyway. They've got the Grimorum, the Eye and the Portal-to-Avalon-Talisman. They stole all three when they took Coldstone. (They even used a spell from the Grimorum to hide their escape from the clock tower and to keep their fight in the park private.) If they had left Coldstone in the tower and only stolen the magic items, Goliath wouldn't have rested until he got them back. This way, it will be weeks before he notices that they're even gone.
But then they start to question they're own motivations: why did they want these items so badly? How did they know their secret location in the clock tower? For that matter, how did they know that the gargoyles lived at the clock tower at all? And why the heck are they working together when they hate each other's guts?
Just when they're about to murdilize each other, the Weird Sisters step in and put them both into a trance. They just made it under the wire. The "geas" spell on Demona and Macbeth was about to wear off. And of course they had no spell on Coldstone, which was why they wanted him separated from the other two. Besides they don't need Coldstone. Each of the three Sisters picks up one of the magical items. These will do quite nicely in the coming battle.
ONE LAST QUESTION: Given the above changes, does the title still work for you? I'm kind of mixed on it now.
Chapter XXVI: "High Noon"
Following fast on the heels of City of Stone, here's my ramble on High Noon...
The recap is interesting here. It's all Coldstone oriented. Demona, Macbeth and the Weird Sisters aren't mentioned. Nothing from City of Stone, despite this being a direct sequel to those events. The reason is that the recaps got early criticism on a Disney Afternoon mailing list for giving too much away. We'd show a villain who didn't appear until the end of Act One, thus cueing our audience to expect that villain all along. A valid criticism. So we tried to adjust here. Coldstone's participation wasn't a secret. The episode opens in his "internal cyber-world" and he's shown dormant in the Clock Tower in the very next scene. But when Demona and Macbeth first walk past Elisa and Morgan, we're not supposed to know who they are. So I intentionally kept them out of the recap to preserve that reveal.
The heather Othello gathers has no scent. Why not? Everything in that world, except for the souls of the three gargs was simply a mental construct. Sight, sound, touch. So why not smell? No chemical senses, you might argue. But why no chemical senses? Why touch and not taste? I think that the lack of smell was an unconscious or subconscious boundary that Desdemona did not want to cross. Something to remind her that this world is not real. For all we know, Othello and Iago could smell whatever they imagined they could smell.
I like seeing Hudson and Broadway learning to read. We cheated a bit. I'm not sure they could have progressed as fast as they did in the short time since "Lighthouse". But we took that liberty to show that they had been working assiduously at it.
I have mixed feelings about Hudson's "Why would she want to 'hit a sack'?" line. On the one hand, I'm not sure we ever did enough of this. Playing with the contrasts in language and expression between their world and ours. On the other hand, it just seemed a bit late in the game for Hudson not to have heard this one already. (And for that matter, I have no idea when that particular phrase originated. For all I know they've been hitting the sack since the Middle Ages.)
Elisa makes a point of saying that she's "no hero". Just a gal doing a job. But of course, we know that's not true. It's simply how she'd prefer to view herself -- particularly when she's so tired. I tried to use this episode to emphasize that Elisa works the night shift. That she gets off work just before sunrise. Starts work just after sunset. (I actually imagine that she works a four day ten hour shift, plus mucho overtime.) Sometimes it seemed like the fans had forgotten that. I got a lot of questions back then like: "She works during the day and hangs with the gargoyles at night. When does she sleep?"
Morgan has a real nice role in this one. Keith is great as Morgan. So distinctive from Goliath in a part that was a mere throwaway in Awakening, Part One. Morgan and Elisa's easy rapor in this episode and Avalon One is what gave me the idea that he might someday ask her out (on that 2nd Halloween episode I've mentioned a few times). And the notion of a Keith-Salli-Keith triangle tickled me a bit.
Enter Macbeth as a perp with a human Demona dressed as a cop. (Always nice to show our characters in different costumes on occasion.) I'm curious how many people IMMEDIATELY recognized Demona as herself? After all, you'd only gotten a BRIEF glimpse of her human form in "The Mirror". And we hadn't shown it at all in "Vows" or "City of Stone". In fact, City of Stone began what we then called our Third Tier of stories. (Tier One was the first season. Tier Two was the first eight episodes of the second season: Leader, Legion, Metamorphosis, Lighthouse, Silver Falcon, Mirror, Eye of the Beholder, Vows.) And of course, City of Stone was transitional, so one could argue that Tier Three was beginning here with High Noon. Anyway, Demona's in atypical dress and species. Who knew it was her?
And once you did know, what were you thinking? The gargoyles have the same questions, I'd imagine. Last they (and you) saw, Mac and Demona hated each other, and had been taken away by the seemingly benevolent Weird Sisters. What was going through your heads about all this? Did you wonder at the seeming inconsistencies, like their knowledge of the Clock Tower? Their ability to get Coldstone out of the tower in daylight, unseen?
When my son Ben saw Demona, he thought it was one of the "triplets", which is what he calls the Weird Sisters. (They've fast become his favorite characters.) When I pointed out that she had red hair and not white, yellow or black, he was resistent to giving up on the idea that they weren't going to appear. (I was glad they eventually did. And now I wonder what he's going to think about the next seven episodes in which they do NOT appear.)
Throughout this, we cheat a bit on Elisa's exhaustion. We knock her out, but keep her tired. The subtle differences between various means of being unconscious and their effects on how tired one is confuse me.
I love Mac and D's exchange...
Mac: "You're still thinking like a gargoyle."
D: "I am a gargoyle." And don't you forget it.
Again, back in those days I just thought the audience would get revved up merely because we were teaming up THREE of our major villains. Macbeth, Demona and the villainous side of Coldstone. In Batman or Superman that would be a BIG EVENT. A huge threat to the hero. Did it have that effect on you guys? I feel vaguely that in a strange way, it did not. That our villains were so complex, that for once they backfired on us. That it wasn't viewed as, "Wow, our heroes have barely survived an encounter with one of those guys, how will they handle three?" Rather, the conflict was less interesting than the machinations and personalities. Am I being clear? Your thoughts?
This episode had some truly gorgeous animation in it. And the transformation scenes are both very cool. The Pain Link plays well here, though occasionally seems more geared to comedy than drama for some reason. The theme of gifts coming with a price... particularly the gifts of tricksters is emphasized in this scene.
Meanwhile Othello is desperately trying to remain an ostrich with his head in the sand. A position that on at least one level, Elisa 'believes' she'd like to take as well. With Othello, I think it's a real possibility that he will never act. With Elisa, I don't think we believe it for a moment. That's part of the reason they're both in there. To make sure that the theme of "Standing Up" is emphasized. Which brings us to the title, "HIGH NOON". That was one of mine, I believe. And I stole it right from the Gary Cooper movie. Sure we'd have a battle at High Noon. Because this was Elisa's story, not the gargoyles. Because the gargoyles would be asleep and vulnerable. But also because it was that kind of archetypal the-hero-stands-alone western battle.
You may notice that Xander Berkeley (the voice of Iago) does not appear in this episode. Because Iago has no lines when he's not in control of the Coldstone body. Again, I'm always so impressed with what a great job Michael Dorn does contrasting the Othello and Iago personalities without actually changing his voice.
I like Elisa's line when Brooklyn asks her if she recognized the woman with Macbeth. "She seemed familiar." Think about this for a second. If this was real life and not a cartoon, do you think you'd recognize Demona in Dominique? And yet I completely buy that Elisa recognized something in there. There's a strange nega-intimacy between Elisa and Demona. (Which is one of the sick reasons why I created Delilah, later.)
Goliath and Elisa engage in a little dueling patronizing here. Elisa has to go back on shift, so can't accompany the 'goyles to Mac's place. Goliath is pretty smug when he says the six of them can handle it. (The smugness, I hope, is undercut when he follows it up by saying, "You have a whole city to protect." Which is how he views it.) Then Elisa talks to them like they're little kids. She wants a full report when they get back. (Who says these two weren't made for each other?)
Lex, who has been and will continue to be very adept at breaking alarm systems, etc., for once admits that it's all too easy.
I like the moment when Goliath taps the camera with his wing. A nice little touch. And very well animated.
Lex is always the voice of warning in regards to Coldstone. This is important. Goliath listens to Lex this time. And Lex is fooled when Coldstone reveals Demona's involvement, seemingly before they know Demona is involved. I thought that was very clever on the villains' part.
Bronx smells Demona behind the closet, just as he did behind the tapestry.
I like how the marble bust flies and crashes. Another nice touch in the boarding and animation. Nice weight to the whole Brooklyn-Demona-Bronx fight scene.
I liked staging the Macbeth, Husdon, Broadway fight in a library. Felt like a thematic rematch from "Lighthouse".
The pain link here is a BIT of a cheat. Usually with them in different rooms on different floors, it wouldn't be quite this intense. Maybe the library is directly above whatever room Demona was in.
Lex is sure Coldstone's wrong about Demona. Brooklyn's "Uh, guess again." line is fun.
The entire battle at Macbeth's place is part of a technique I enjoy using on occasion called "Suspended Structure". This is really an Elisa and Othello Story. But we let the gargs carry the action for a period of time, while the true protagonists can't or won't take action. This keeps the story moving, without compromising the inaction of our "leads".
Demona confronts Elisa at the clock tower. The animators get a little carried away here with some of Demona's body language. God knows, it's fun to watch. But would she really do all those sexpot poses? Is that in character?
It is fun to see her hail a taxi though.
Morgan's back. Elisa now looks VERY tired. Again, great work from the animators. It's all in the eyes. Morgan helps Elisa though he thinks she's just talking about normal copwork. It only proves there's really no such thing as a "Normal Life". Morgan certainly doesn't think he has one.
Meanwhile Desdemona's gettin antsy. It's the "in" that the Weird Sisters need. They take over. Unfortunately, here, the animators screwed up. The three Desdemona's were supposed to have silver, gold and raven hair. Instead, in most shots, they just look like three Dessies. Then when they finally do get the hair right, it's just before they merge back into one Desdemona. At which point, the hair color should have been Des'. Instead, I think it's Luna's -- briefly. Oh, well. Anyway, I could have just done this with Desdemona herself. But I wanted to give the audience a hint that the Weird Sisters were still involved. Ben was thrown by the hair. He almost didn't believe these were the triplets.
I like the line: "Even shadows must be true to their shade."
High Noon at Belvedere Castle. Coldstone wonders that he can see the sun. Again, that's me making sure people are clear that Coldstone is RE-ANIMATED STONE, not flesh. I don't think it's visually clear. (Part of the problem being that Othello's coloring is too similar.)
Then Elisa arrives -- counting on Macbeth's honor to keep Demona from shooting her. For that reason, she intentionally doesn't bring her service revolver to the party. Quite the gambit. Elisa also counts on Demona's temper -- and on the fact that Demona is unaccustomed to fighting with reduced human strength. She goads Demona: "I'm here to save him." and "You fight like a rookie." I love, positively LOVE, the former of those two lines. Elisa is a hero in her own right. Though Goliath has rescued her on occasion, I felt we did a pretty good job of always evening the score. She's no damsel in distress.
Mac & Coldstone: "This is diverting." "You have no idea." (Quotations approximate.) I like that. A tip of the hat to my being a guy, if you will.
We cheat a bit here on the pain link too. One could argue that Mac IS feeling the pain. But he's ready for it and covering. He does seem to be grimacing a bit when he says, "You have no idea." But still, I think we cheated.
I love the animation on the Othello, Desdemona, Iago fight.
Battle over, Coldstone leaves. Sends himself into exile. This is the gargoyle way.
And hey, our jogger is back. Again wondering where all these statues are coming from. That's just fun continuity for me. And Elisa: "Don't ask me. I'm just taking a nap."
And then the whole final scene between Mac and D and the sisters is so much fun. I love the sense of the fog lifting from their eyes. "What Primary Objective?" "Why are we working together?"
And I'm also proud of the trick. A very Xanatosian tag here. Steal Coldstone to distract the gargs from noticing the thefts of the gate, book and eye.
And how about that reference to "The coming battle..." that the Sisters end the episode on? What did you all think of that at the time?
I'll try to post the High Noon writer's memo tomorrow. (Meant to do it yesterday, but I forgot.) Anyway, Done rambling. You're turn. (Again, I'm interested in both your original and current responses to the episode.)
Pathetic...
You know once upon a time -- particularly when Cary Bates and I lived in NYC and had no real life outside DC Comics and spent every free moment going to movies -- I used to see over two hundred movies a year. I'm not kidding.
But no longer.
The oscar nominations were announced. And I went down the entire list and realized I've only seen EIGHT of the nominated films. That's 8 out of ALL the films nominated in ANY category.
Gladiator
Crouching Tiger, Hidden Dragon
Cast Away
Almost Famous
The Grinch
102 Dalmations
Meet the Parents
The Emperor's New Groove
Not that anyone asked, but here's my assesment of the eight. (Obviously, I can't speak to any of the others.)
Gladiator - I was really enjoying this film most of the way through. I never thought it was Oscar callibre, but I liked it --right up until the end. I thought the ending however was so preposterous and awful, it spoiled my enjoyment of the whole film. Blech.
Cast Away - I just thought this was plain awful all the way through. The only section I was interested in was what happened (SPOILERS) after he got off the island. But that was given preposterously short shrift. Double Blech.
Meet the Parents - I disliked this so intensely, I walked out of it partway through. Went to a bookstore while my wife and friend Tuppence finished watching the movie. This is only the second film I've walked out on in my entire life. (Not counting movies I had to leave because of baby-sitting emergencies or bomb threats.) Triple Blech.
102 Dalmations - Oh, how I wish I could have walked out on this. But I was there with my kids. They enjoyed it well enough at the time, but have already forgotten about it. Double Blech.
Now the good news.
Almost Famous - I really enjoyed this one. Very well-acted, well-written. Funny. I didn't LOVE it the way some of the critics did. But I was really surprised it didn't do better at the box office. Smile.
Crouching Tiger, Hidden Dragon - I really enjoyed this. Structurally, it's a bit odd. But I liked it a lot. Definitely one of the best films I saw this year... but as you can see, that's not saying much. Double Smile.
The Grinch - Another film I took my kids too. I enjoyed this one though. No, it's no classic the way the old Christmas special was. But there's a lot to recommend. And I had fun. Smile.
The Emperor's New Groove - A third film I took my kids too. This was a very pleasant surprise. A straight-forward simple story played for laughs. From the previews, I didn't think I'd like it. But, hey, I liked it a lot. Smile.
Now as for the nominations...
Picture - I have only two to choose from Gladiator and Dragon. Obviously I'd pick Dragon.
Actor - Russell Crowe over Tom Hanks. I liked Crowe's performance. (I just find it hard to believe it was the best performance this year.)
Actress - I saw none of the nominated performances.
Director - Again, I'll pick Ang Lee for Crouching over Ridley Scott for Gladiator.
Supporting Actor - Joaquin Phoenix by default. The only one of the performances I saw. But I thought he was much better in THE YARDS.
Supporting Actress - This is tough. I think I'd pick Frances McDormand over Kate Hudson (both from Almost Famous). But it's close.
Original Screenplay - Cameron Crowe's for Almost Famous over the three guys from Gladiator in a second.
Adapted Screenplay - The three guys from Crouching by default. (I don't think the screenplay was this movie's strong suit.) Does anyone remember if High Fidelity was a 2000 release? I loved that movie and can't believe it wasn't nominated.
Foreign Film - Crouching by default.
Art Direction - I think I will pick Grinch over Gladiator and Crouching.
Cinematography - Crouching over Gladiator.
Costume Design - Crouching over Gladiator, Grinch and 102 Dalmations.
Documentary Feature - I've seen none of these.
Documentary Short - I've seen none of these either.
Film Editing - Almost Famous over Crouching and Gladiator.
Make-up - Grinch by default.
Original Score - Gladiator over Crouching.
Original Song - "My Funny Friend and Me" by Sting and David Hartley from Emperor's Groove over "A Fool in Love" by Randy Newman from Parents and "A Love Before Time" from Crouching.
Animated Short Film - I've seen none of these. Which is odd.
Live Action Short Film - I've seen none of these. Which isn't odd.
Sound - Gladiator over Cast Away.
Sound Editing - I've seen neither of the nominees.
Visual FX - Gladiator by default.
Of course, there's a slim possibility that I'll see a couple more of the nominated films before the award show itself. I'll let you know if my opinions change.
But mostly I reiterate the word I started with. Pathetic.
Just to be complete...
I apologize for all the repetition of late, but I wanted this "Originial Development File" Archive to be as complete as possible.
Last pitch you saw was the tenth version, designed specifically for Tod McFarlane. Don't know what happened to version 11. But here's version twelve, marked FINAL. Not many changes that I notice. But worth a skim... (And this is the version I show on tape at the Gathering.)
GARGOYLES Pitch Twelfth & Final Pass (Weisman / 4-8-93)
1. Trio of typical stone GARGOYLES.
"These are GARGOYLES. Ugly, stone statues that squat on the roofs of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."
2. GOLIATH, the GARGOYLE-MASTER leading attack.
"But when the sun went down, GOLIATH, the GARGOYLE-MASTER would lead his gargoyle-warriors in defense of the king's castle."
3. Goliath reading in library, sitting on small gargoyles.
"And if there was no battle to be fought, he'd retreat to the library to read and learn, all the while making sure that the other gargoyles stayed out of trouble."
4. HUMANS scorning Goliath.
"For all these efforts, Goliath received no reward, no thanks or even kindness. In fact, the people of the castle treated all gargoyles with nothing but contempt."
5. Goliath, alone in the throneroom.
"Still Goliath could no more stop guarding the castle than breathing the air. It's part of a gargoyle's nature to be territorial, protective. And so for years, he maintained his lonely vigil. Then one night, Goliath was betrayed and lured away from his post."
6. SORCERER curses Goliath and the other gargoyles.
"The castle was overrun and sacked. Goliath and the surviving gargoyles were unfairly blamed. The kingdom's SORCERER laid a curse upon them, and they fell into a stone sleep--that lasted a thousand years."
7. Castle on the skyscraper.
"New York City, 1994. A rich and powerful man has decided there's a better place for a medieval castle than a picturesque hill in Scotland. He's moved the whole deal--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan."
8. Police Detective ELISA CHAVEZ.
"All of which means absolutely nothing to New York City Police Detective, ELISA CHAVEZ. She doesn't care about castles, and she doesn't believe in curses. She's hot on the trail of a major badguy."
9. Goliath observes her ambushed on rooftop by THUGS.
"A trail that leads her right into an ambush. Fortunately, a shadowy figure sees what's happening and decides to help."
10. Reveal THE GARGOYLE, as he dives into fray.
"That shadowy figure is THE GARGOYLE."
11. Goliath battles three thugs.
"Now when you're as strong as Goliath, benchpressing two badguys is easy. And that stone-like hide of his makes him practically invulnerable..."
12. Goliath & Elisa, in moonlight.
"...To everything but Elisa's kindness. She is the first human being who's ever offered him understanding and friendship, hope..."
13. From the skyscraper, Elisa shows Manhattan to Goliath.
"...And a sense of purpose. She introduces him to his new home, Manhattan, and asks for his help in protecting it against modern-day barbarians."
14. HUDSON.
"Fortunately, our hero doesn't have to face those barbarians alone. This is Goliath's old friend HUDSON, a veteran Gargoyle-Warrior. Hudson helps out by keeping an eye on the young Warriors-in-Training..."
15. BROOKLYN, LEXINGTON and BROADWAY.
"...BROOKLYN, LEXINGTON and BROADWAY. (Uh, they picked their own names.)"
16. BRONX, the DOG. (Multiple poses.)
"And then there's BRONX, the angst-ridden Gargoyle-dog. He's not a big fan of adventure."
17. Bronx (two poses) chewing on a fire hydrant and flying.
"He just likes to eat a lot, sleep a lot and make a general mess."
18. Goliath and Elisa on the subway.
"Now, Goliath has wider interests...but it can be hard for a seven-foot medieval monster to squeeze into the modern world."
19. XAVIER.
"Especially with XAVIER around. Rich, powerful and arrogant, Xavier bought the gargoyles' castle. Now he thinks he owns the gargoyles as well."
20. Robot attacks Goliath.
"If something rotten is happening in New York...odds are Xavier's behind it."
21. Goliath battles DEMONA.
"But Goliath's greatest foe is the evil gargoyle DEMONA. Once she and Goliath were friends. But a thousand years ago, it was her betrayal that cost him the castle. Now she's his sworn enemy, and she won't rest until she owns the night..."
22. Stone version of Goliath in daylight.
"And the night is all that matters, because the gargoyles still sleep as stone statues during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."
23. Goliath with Elisa and the other Gargoyles.
"But when the sun goes down, they're our only protection against the city's dark terrors."
24. 'GARGOYLES' Logo.
"They are...the GARGOYLES."
25. KID at Disneyland.
"Joining the Disney Family in 1994."
NEW WRITER ON PILOT
After trying for a couple months, we went our seperate ways with our first writer. (Hopefully parting on good terms.)
Writer #2 was Eric Luke, another very talented guy. This document is largely a rehashing of what had already been done to that point, collated together for Eric's benefit as he started work on the pilot.
GARGOYLES March, 93
Notes on the opening to the Gargoyle T.V. Movie:
--We want to keep the story largely from Goliath's point of view. His problems. His tragedies. But we don't want him to be a morose character. He's optimistic. He believes that in time humans and gargoyles will learn to get along better. He has a sense of humor. He's heroic not dour.
--Hudson is Goliath's aide and advisor. He is NOT a baby-sitter to the kids. In fact, if Goliath requested him to act as baby-sitter, he'd probably refuse. From Hudson's point of view, Goliath's the gargoyle-master, and the kids are his responsibility.
--Anyway, we'd like to establish the kids independence from the get-go, to help establish them as being more teen-age in nature than real young. They don't need a chaperone. They're cocky and gung ho.
--We also feel strongly that the castle should be home to both the gargoyles and the humans in 994 A.D. We discussed the following back-back-story as rationale:
Long before 994, there was a gargoyle rookery high on a rocky promontory overlooking the sea. Medieval man sought out these rookeries as prime real estate for building their fortresses or castles. For one reason, the cliffside protected there backs, and the only accessible wall was easily manned by archers, etc. Secondly, medieval man knew that the gargoyles were instinctively territorial and protective of the rookery's inhabitants, whether those inhabitants were gargoyles or humans. If the humans of the castle could put up and co-exist with the gargoyles they'd have a built in group of warriors at night. And it was mutually beneficial: the gargoyles received human protection during the day.
Though not as rare in Europe as, say, the giraffe, even then Gargoyles and their rookeries were scarce. A castle-builder who couldn't find one to build on might carve stone gargoyles to fool and thus scare away would-be attackers. (Back then everyone knew about gargoyles.)
But our castle in Scotland was built on a rookery. And the gargoyles and humans have coexisted there for years. But as our story opens, relations are tense. Humanity as a race is taking on airs. To the humans, the gargoyles are uncouth. Grotesque. Ill-mannered. Nocturnal, and therefore noisy at night when humans are trying to sleep. Considered, at best, a necessary evil.
--The following "outline" is only designed to track the opening of the story and lay out the serious, emotional underpinning. It still needs to be injected with fun, humor, exciting action, etc. It comes to a tragic conclusion, but we aren't looking for 20 minutes of depressing tragedy. Obviously, it can be improved upon. Also, most of these scenes can be very quick.
ACT ONE
I. Open with peasants struggling on foot up the hill toward the castle on the promontory. It is minutes from sunset.
A. Intro ROBBY (a peasant boy) and ROBBY'S MOM. She's hurrying her son along (with other peasants) so that they reach the safety of the castle walls before the advancing army of MARAUDERS.
1. They enter the castle. The gates are closed.
B. CAPTAIN of the Guards has all his archers at the ready on the castle battlements. We establish hideous stone gargoyle statues.
C. Outside the castle, just out of arrow range, the Marauding Army waits for sunset. It's a large force.
1. COLE, purely evil leader of the Marauders, is keeping his men in line. (Perhaps violently.)
2. One MARAUDER asks Cole why they wait: "What about the Gargoyles?"
a. Cole tells him that every castle in Scotland claims to have Gargoyles. Most are just statues. Soon it'll be dark. The archers won't be able to pick them off. They'll attack.
D. Darkness falls. Silently, the marauding horde climbs the hill. The Captain tells his men not to waste their arrows.
1. Marauders attack, perhaps with grappling hooks and ropes, their own archers, etc. Perhaps one grappling hook flies toward the largest of the stone gargoyles.
a. GOLIATH, the GARGOYLE-MASTER, suddenly comes to life, catching the hook. Play up the transformation big time. (Maybe as he awakens, he shatters a thin outer layer of stone, like shedding a new skin every night. Then again, maybe not.)
2. Goliath flies down upon the marauders, closely followed by many GARGOYLE WARRIORS. Fun action.
a. Maybe it looks for a moment as if Goliath has been dragged down by three or four marauders, but soon he's shrugged them off.
3. Prominent among the warriors is [DEMONA] a FEMALE GARGOYLE, that Goliath seems to favor.
4. Intro ELDER Gargoyle [HUDSON], who coaches from the battlements.
5. Also intro TRIO of "teen-age" Gargoyles [BROOKLYN, LEXINGTON, BROADWAY] and their GARGOYLE-DOG [BRONX]. One in particular [Lex] can't wait to be a gargoyle warrior himself.
a. The trio participates in action, but the way they fight brings in humor. More prankish. They make fools of enemy.
E. Gargoyles rout the Marauders who sound the retreat. The battle is over.
II. In throne room, intro the spoiled, beautiful, young QUEEN and her rich, foppish court.
A. Intro semi-dottering old WIZARD. Sweet, but largely ineffectual. Establish that his powers are on the wain. He needs to have his books of spells in front of him to perform any magic.
B. Captain enters with Goliath. They report the victory.
1. Though the Queen is polite on the surface, we can tell she took the victory for granted. We can tell she takes these two for granted. In fact, holds them in contempt.
a. Captain may be a bit of a pig. Tobacco-spitting kinda slob. Queen assumes Goliath's just like him.
b. Queen might also suggest that after this Marauder episode is done with, the Captain will be reporting to LORD FOPWORTH over here. Captain's clearly steamed.
2. Captain and Goliath exit, but before they're out of earshot, they hear the queen make snide, contemptuous comment about Goliath and Gargoyles.
C. Outside the throne room, the Captain and Goliath are joined by the old one [Hudson] and the female [Demona].
1. Captain is really burned up about the way Queen treats Goliath. Wants to know why Goliath puts up with it? Why he stays?
a. Female agrees.
b. Goliath responds on another level. He has the patience to wait for a better day. He sees a lot that's positive about humanity. And he's proud of his own race. Someday, things will get better. Besides, this is his ancestral home. The castle was built on Gargoyle Rookery. Gargoyles are instinctively and atavistically territorial beings. Where would he go?
c. Old Gargoyle is satisfied with answer. He and Goliath walk off.
d. We see that neither the Female nor the Captain find the situation satisfactory.
III. In open courtyard, where peasants are "camped out", we see Gargoyle dog and trio of young 'goyles wreaking havoc. A. They're waking people. Eating food, sloppily. Making a general mess. But not maliciously. They're just having a good time. (This should be a real fun, good time scene.)
1. It looks like fun to Robby the young peasant boy, and he moves to join them.
a. Robby's mom pulls him away. Gargoyles are dangerous and untrustworthy.
b. This really hurts the de facto leader of the trio [Lex]. He decides to live up to the gargoyle reputation and scare them.
c. He succeeds. Robby now believes Gargoyles are bad.
d. Goliath intervenes. Maybe even disciplines. (Though he's not humorless.) It's getting close to sunrise anyway.
2. Gargoyles all move to the battlements and strike a pose. They freeze into stone at daybreak. (We need to really play this up too.)
IV. Daytime in Cole's camp. Marauders are nursing their wounds.
A. Cole is visited by a mysterious shrouded figure who wants to make a deal. (Maybe to misdirect the audience, we will put this stranger in the voluminous robes of the Wizard.)
1. In exchange for a fair share of the profits, stranger promises to secure entry for Cole and his men.
a. And they won't have to worry about Goliath or his Gargoyles.
ACT TWO
V. That night, Captain talks to Goliath, Female Gargoyle and Old One. (Perhaps in front of Queen, as well.)
A. Captain urges Goliath to take all his Gargoyles and chase Cole's army out of the county.
1. Goliath doesn't like the idea. He basically believes in DEFENSE, not OFFENSE.
2. Captain, with some support from Female, argues that the best Defense is a good Offense.
a. Besides, Goliath doesn't have to battle Cole's forces, he just has to put a good scare into them so they'll never come back.
3. Goliath reluctantly agrees, but he's not going to take all the gargoyles with him. He'll go alone.
4. Female takes him aside. It isn't safe. He could never fight off all of Cole's army alone. She's worried about him.
a. But Goliath has no intention of fighting. And he can be plenty scary enough, by himself. (Makes a scary gargoyle face to prove it.)
b. She says, at least, let me go with you for back-up.
c. He claims he needs her (his best warrior) to stay behind at the castle. (But it's clear that truthfully, he doesn't want to put her at needless risk.)
d. To make her feel better, he agrees to take Old One with him, in case something goes wrong. But the rest will maintain their nightly vigil.
5. Goliath and Old One take off after Marauders.
B. Cole gets word from the traitor: there's been a slight change in plans.
VI. Intercut between the following:
A. Goliath and Old Gargoyle follow the tracks of the Marauders by starlight.
1. Goliath is impressed by how fast the army has traveled in one day.
B. Another fun scene with the Trio and their dog, before they are chased off by frightened and annoyed humans.
1. They explore the bowels of the castle and find the ancient caverns of the Gargoyle rookery that the castle was built on.
C. The Captain is giving some odd orders to his night guards. Sending them away from weapons' room. Etc.
1. He is examining their bowstrings, etc.
VII. Goliath and Old Gargoyle catch up with "army", only to discover it is a small band of men running abreast without equipment.
A. Goliath realizes something's definitely wrong. He and the Old One head back to the castle. But it's almost dawn.
B. The sun comes up.
1. Goliath and Old One are frozen, en route back to castle.
2. Trio and Dog are frozen in bowels of castle.
3. Gargoyle warriors are frozen on parapets.
4. Archers take up their stations, unaware that their bows have been sabotaged.
5. The captain (i.e. the traitor) gives the signal for Cole's men to attack.
VIII. Cole and his army attack.
A. Each bowman gets off one shot, before their bowstrings snap. (The Captain had tampered with them.)
1. Soon the castle is overrun.
2. And it doesn't help that the Captain opens the gates as well. This is probably all we see. The rest [in brackets] is just for story-tracking purposes.
[ 3. The battle is short.
B. The castle is sacked.
1. Anything worth anything is taken by the marauders.
2. All the humans including the Queen and the Wizard and Robby and his mom are put in chains and dragged off.
C. Cole's men begin to destroy the stone Gargoyles with maces.
1. Captain tries to stop it. This wasn't part of the deal and isn't necessary anyway.
a. If Marauders leave territory with their slaves and booty, the gargoyles won't follow. It's not in their nature.
2. Cole isn't taking any chances. All the gargoyles are destroyed.
a. Ultimately, the Captain has no choice.]
IX. Fade to sunset. Goliath and Old One awaken and hightail it back to castle.
A. They arrive long after Cole has left. A small fire still burns here and there.
1. The castle has been sacked of all valuables.
2. There are no people.
3. And worst of all, the Gargoyles have all been destroyed, i.e. murdered.
a. They lie in stone rubble all around him. Partial pieces, etc.
b. There is no particular sign of the female; Goliath assumes that she is among the rubble. Big time FURY.
ACT THREE
X. The trio and dog emerge from rookery caverns. (Maybe they were temporarily trapped there by damage done during the battle.) They are torn up by what they find.
A. Goliath and Old One are relieved that someone survived. But that doesn't abate their anger.
1. Together, the six gargoyles fly off to get their revenge.
XI. Cole's army has encamped for the night.
A. We see our Marauder taunt Robby and his mother outside in chains.
B. Inside his tent, Cole and the Captain discuss how much ransom they can get for the Queen.
1. They figure the wizard is probably worthless.
a. Wizard wishes he could just get his hands on his books of magic.
b. Cole taunts him with the books, burning them one by one. (Only one left.)
C. Outside the gargoyles attack. Lots of fun and action here.
1. Gargoyles are way out-numbered.
2. Old one is old. But he picks up a sword and holds his own.
3. Trio and Dog have little fighting experience.
a. Trio leader [Lex] makes use of some of the "scare" techniques that worked on the peasants in act one.
b. [Lex] saves Robby's mother from Marauder.
c. Robby saves him from one too.
4. Goliath is a holy terror. Wading into the hordes. Tossing them aside. Scaring the stuffing out of them.
D. Cole and Captain hear the noise and look outside.
1. Despite the overwhelming odds, the Gargoyles are winning.
2. Captain says they better get out now.
3. Cole dumps the last magic book and grabs the queen.
a. Wizard tries to stop him, but is pushed aside.
b. Cole says he'll never see the queen again.
c. Wizard assumes they're going to kill her.
4. Cole and Captain flee with Queen in tow.
5. Goliath sees them go. Follows alone.
E. Wizard stumbles out of tent with last magic book.
1. Battle is winding down.
a. Freed peasants and guards are now helping gargoyles.
b. Marauders retreat, scatter.
c. Queen is nowhere in sight.
2. Irrational Wizard blames gargoyles for causing the queen's death.
a. Using his spell book, he curses them. [See spell options below.]
XII. Goliath catches up with Captain and Cole.
A. Captain tries to reason with Goliath.
1. Tells him he never meant for Gargoyles to be destroyed.
2. Besides, what does Goliath owe the queen anyway. Now he can return to his rookery and be left in peace.
B. Goliath rejects Captain's excuses.
1. The Captain had taught him to go on offensive. "See what your lessons have wrought." Etc.
C. Goliath defeats (kills?) Cole and Captain.
1. Rescues grateful (and much changed and matured) Queen.
XIII. Goliath and Queen return too late.
A. Though it is still night, the other Gargoyles have been turned to stone.
B. Wizard feels like garbage when he finds out the truth.
1. But he can't undo the spell. Cole burned his other books.
C. Queen says that her people will not return to the cursed castle. They will start a new life/build a new castle elsewhere in the kingdom.
1. She sincerely invites Goliath to join them.
D. Goliath says no. He will return to the rookery.
E. Only gift that Wizard can offer is to cast the same spell on Goliath that he cast on the other gargoyles. (Or perhaps a slight variation.)
1. Goliath agrees to this.
XIV. The stone Gargoyles are perched on the abandoned castle walls by the humans. Robby waves goodbye.
A. One DAY, 1000 years later.
1. XAVIER is looking over his newly purchased ancient castle.
a. "Terrific," he says, "Now move it to Manhattan."
END OF PART ONE
[NOTE: DEMONA's story tracks as well. Like the Captain, she hates to see the way Goliath and the Gargoyles are treated by the spoiled Queen. She and the captain make a deal. They will convince Goliath to temporarily remove the Gargoyles from the castle. Cole will sack it and take away the humans as slaves, leaving the empty castle for Demona, Goliath and the rest of the Gargoyles.
Goliath screws up the plan by refusing to take all the Gargoyles away. Captain says, no problem. He'll sabotage his archers and the attack can take place during the day. He promises to protect the frozen Gargoyles.
Demona agrees, but just before dawn she gets nervous and flies away to hide.
She returns at some point (though Goliath won't see her). She sees the destroyed 'goyles and realizes that Goliath would never forgive that. She flies away to find a new life. Somehow, she will survive into the twentieth century, by which time, three factors will have turned her bitter and evil and eventually make her Goliath's worst enemy. (1) Her largely negative and criminal experiences since she last saw Goliath. (2) Goliath's inability to forgive her, (as much as he might wish he could). (3) Goliath's modern loyalty to humans, particularly Elisa Chavez.
In light of this, we should probably bring her back in the latter half of the telepic. She eventually teams up w/Xavier, raising the stakes, and tying the medieval stuff to the rest of the story. However, though we should plant the clues, we shouldn't give any real indication that she was part of the Captain/Cole conspiracy in Part One. All the revelations about her roll in the betrayal should wait until we see her again in 20th Century.]
SPELL OPTIONS
For initial spell that Wizard casts upon Old One, Trio and Dog in anger...
1) Frozen in stone for 1000 years.
2) Frozen in stone 'til castle rests in the clouds.
3) Frozen in stone so long as this castle stands on this ground.
For spell Wizard casts upon Goliath, as the best he can do for him.
1) Same, or maybe the slight variation of 999 years, giving Goliath a headstart, and an ability to see if it's safe.
2) Same.
3) Same.
4) He will continue his endless cycle of sleeping as stone in day, guarding the castle and his friends at night until either 1), 2) or 3) occurs.
Advantages and Disadvantages to various choices:
The main question, is whether or not Goliath has been awake and alone every night for a thousand years. (Goliath option 4)). If he has, it would allow him to be at least passingly familiar that modern technology exists. I.e. when we get him to NYC and he sees an airplane, he won't think it's a dragon. Plus there's the tragedy of that much loneliness. And the possibility down the road of one or two flashback episodes (Goliath fights in WWII or something). Disadvantages include that it adds a layer of complication to the spell. And maybe we like the idea that he thinks an airplane is a dragon. (Although keep in mind, we can always play those beats with the other 'goyles.)
As to the other gargoyles, the main issue is when do you want them to wake up. If it's not until after the castle is installed at the top of the skyscraper, than option 3) doesn't work. 1000 years makes a nice round number, but is it a stiff coincidence that the 1000 years ends in NYC? Probably no more so than the Castle in the Clouds curse, though the latter may have more ambience.
And again, if we want Goliath awake BEFORE the castle arrives in NYC, i.e. on the boat, than we have to vary the spell with him to some degree or else it won't be possible.
Right now we're leaning toward Goliath Option 4) "the endless cycle" coupled w/ Option 2) "the castle in the clouds". There is some concern that the Wizard casting two spells may be awkward though. So it's still open for discussion.
That's it.
CONCEPTION
A random bit of information that I thought I'd post while I'm thinking of it. Based on my current research, Alexander Fox Xanatos was conceived sometime between September 6th, 1995 and November 16th, 1995.
This may change, or I may eventually be able to pin it down more. But right now, that's my most current info.
Chapter XXV: "City of Stone, Part Four"
Time to ramble...
Picking up right where Part Three leaves off, Demona is forced to back off on killing Elisa right away because of Bronx. I really like that scene, mostly for how it illustrates Bronx's level of sophistication. It's not like he understands English, beyond a few simple names and commands. But he understands tone of voice. Something that Demona uses. She talks him down by saying nasty things in a nice tone of voice. He's still suspicious. But as long as her actions and tone don't get hostile, he's content to back off. At one point though, she can't restrain her venom, and he starts to growl again. And she has to regain her composure.
FLASHBACK
Great Choral music during the battle. Carl Johnson and music editor Marc Perlman (both of whom will be attending the Gathering this June in Los Angeles) did a magnificent job with this.
And there's some great fog as well.
It's also nice to see a legitimately joyful Demona, hoisting Macbeth into the air. He laughs, but his mind's on other things, wondering why Bodhe wanted to talk to him without Demona present. Perhaps he's feeling guilty. Perhaps she picks up on that, which is why she eavesdrops.
A tragedy of bad timing: My sense is that Macbeth is about to read Bodhe the riot act, when Luach interrupts. Mac essentially agrees with Luach, but not with his manner. He takes JUST the wrong moment to teach him a lesson about being a good king. Luach reacts badly and storms out. And it is Luach's behavior that Macbeth is considering when Demona leaves. Two seconds later, I'm quite sure the conversation went like this:
Bodhe: "Well, sire?"
Macbeth: "Well, what?"
Bodhe: "The Gargoyles, sire. You must disavow them!"
Macbeth: "Don't be a fool." etc.
The siege is pretty cool too. (Though you'd think boulders dropped from the battlements would be a touch more effective.)
Mac rescues Gruoch. Even at this age, I still think they're a sexy couple.
I like the scene where Canmore removes his Hunter's Mask. Like Gille before him with Demona, he's truly annoyed when Mac doesn't immediately recognize him.
"Never would I have done so! We have been allies for thirty-seven years!!" Demona ain't a great judge of character.
Luach and Bodhe show up. I like this scene too. (O.K., I'm partial. What can I tell you?) Bodhe has an interesting moment. One of two things happens here. Either he's pleased to finally have one of his own blood (i.e. his grandson) installed as King or the death of Macbeth has finally awakened the hero inside him. Or both. For once, I tend to give Bodhe the benefit of the doubt. I think, at this late date, he's finally come into his own. I like to think he died a good warrior's death at Luach's side.
Demona wakes up. She claims not to believe Gruoch's admonishment, but NOTE, she does not kill Gruoch. Underneath it all, she knows that Gruoch is right and feels chastened.
Macbeth wakes up. Here we have our final scene on Lunfanan Hill. It parallels the previous break-up of Mac and Gru. That time Mac sent her away, but he loved her still. This time she sends him away. She loves him too. But this parting is permanent. Very moving to me. "I will always love you." And because of that, he must leave her. But we know he hasn't forgotten her even into the present. Her loss informs what follows.
Back to the present. Over episodes two and three, things in the present have been progressing very slowly. Now the present takes center stage.
Demona echoes what I'm sure by this time we were all thinking: "Take off that mask. You aren't fooling anyone... Macbeth." And he explains that he wears it as a symbol of her betrayal. (And for a psychological edge, no doubt.)
Meanwhile, we have that semi-feeble exchange between Goliath and Xanatos in the air. Feeble (a) because in one little scenelet, the mouth on Xanatos' armor is moving like it had lips; and (b) because the whole tapestry thing was a fairly forced way to get X and Goliath back to the castle.
I like Demona's line: "Let's not start that again. You blame me. I blame you..." etc. It's a very rational Xanatosian moment for her. But that rationality is born from the knowledge that she can't kill Macbeth without killing herself. Her usual vengeful attitude is useless. What she doesn't know is how suicidal he is. "Revenge is a dish best served cold. And I have waited 900 years for mine." Hey, leave a dish out for 900 years and it will get pretty cold.
There's always a bit of comedy in the pain-sharing battles of D&M.
When the floor starts to give way, it reminds me of a scene that was WAY better animated in the DuckTales pilot. Where the bricks of gold fall away in a simlilar vein. It's nice here, but it was awesome there.
I also like when Demona has Mac's E-M gun, tosses it and catches it to fire at X and G. Nice little touch.
And Xanatos' truly frightened yet underplayed: "This is bad." when he sees the computer screen.
I like the multiple falls that get us down to the Atrium -- a wonderful setting for the final confrontations.
And Goliath's speech: "...Death never does."
Again we get multiple images of the Sisters throughout this scene. And again, I had to fight for that.
Each Sister gets to take a mental punch to weaken first Macbeth and then Demona. Are they being hypocrites here? One aspect of their persona is, certainly. But there's more going on, some of which I still haven't revealed.
But the key thing in terms of this scene (and the events of AVALON) is that both Mac and Demona need to be mentally weakened for the spells of control that the Sisters are going to use on them in HIGH NOON and AVALON. And M&D need to borderline volunteer to relinquish control over themselves. Macbeth, who has been suicidal, is tired and willing. Demona's tougher. But even she doesn't put up much of a fight. "You tricked me." she says. And certainly they have, but she can't break the grip of three children, and though of course they are not ordinary children, one must wonder if she really wanted to.
Goliath: You have learned nothing.
The sisters (as children) say their cool (and ironic) line: "We have written their stories. They are our responsibility. They are our children." My three year old son Ben says: "I love the triplets."
But theirs is a story for another day.
Xanatos really has to sweat in this one. Unusual for him. I love his line to Bronx: "What are you looking at?"
But once the skies burn, he's back to his old self: "Magnificent." Believe it or not, it took some effort to really get the skies burning. The animation came back with only a few contrails of gas burning. We used video tricks to get that whole sky-burning effect that was SO important to the story.
When the gargs rush back inside they were supposed to lift Elisa up into the air in their joy at seeing her unstoned again. Thus you have contrast to explain Xanatos' line to Owen, "You'll forgive me, if I just shake your hand." (But you also have to wonder how he'd respond to Fox when next he saw her.)
And Xanatos gives a line I'd been waiting to use for a year. "I always wondered why I allowed you gargoyles to live. You come in handy now and then." I had always worried that an audience raised on certain villain cliches would just assume that the reason Xanatos never killed the gargs on one of the myriad occasions when he had the chance, was because we were bad writers. This X/G exchange was here to demonstrate that X wasn't that kind of villain. That he was never wasteful. Maybe at this point in the series, it wasn't necessary to spell it out. But it was still nice to get the sentiment across.
Of course, this ends the Xanatos/Demona partnership. Uneasy though it had been. It's why VOWS had to come first.
And that's my ramble...
Where's yours?
My Journey to Oregon...
Around March of 1993, my boss at Disney, Gary Krisel, became fascinated with comic books -- mostly because his sons were collecting. At the time, no one was more successful than Tod McFarlane. He had launched SPAWN, and for awhile at least was bringing in multi-millions of dollars per month. WOW. I had worked briefly with Tod at DC Comics in the mid-eighties, when he was penciling INFINITY INC. for Roy Thomas, and I was Roy's Associate Editor on the book. At the time, Roy was a huge fan of Tod's. Most everyone else at DC thought his work was too eccentric. What did they know?
So anyway, Gary had me contact Tod. He wanted to see if he could get Tod interested in participating in GARGOYLES. We arranged a meeting at Tod's new home in Oregon. I prepared yet a tenth pass at the pitch, and Gary and I flew up north for an hour meeting with Tod. I did pitch the show, but Tod was way too focused on SPAWN to have any real interest. He and Gary talked about strategies for turning Spawn into a movie, and then we flew home. Nothing ever came of it. But here's the pitch, I pitched Tod:
GARGOYLES McFarlane Pitch
Semi-Modified Tenth Pass (Weisman / 3-4-93)
I. Trio of typical stone GARGOYLES.
"These are GARGOYLES. Ugly, stone statues that squat on the roofs of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."
II. GOLIATH, the GARGOYLE-MASTER. Proud and Noble.
"But when the sun went down, GOLIATH, the GARGOYLE-MASTER would lead his gargoyle-warriors in defense of the king's castle."
III. HUMANS scorning the Gargoyles.
"For these efforts, Goliath received no reward, no thanks or even kindness. In fact, the people of the castle treated all gargoyles with nothing but contempt."
IV. The Gargoyle-Master alone in the throneroom.
"Still Goliath could no more stop guarding the castle than breathing the air. It's part of a gargoyle's nature to be territorial, protective. And so for years, he maintained his lonely vigil. Then one night, Goliath was betrayed and lured away from his post."
V. SORCEROR curses Goliath and the other gargoyles on the castle ramparts.
"The castle was overrun and sacked. Goliath and the surviving gargoyles were unfairly blamed. The kingdom's SORCEROR laid a curse upon them, and they fell into a stone sleep--that lasted a thousand years."
VI. Castle on the skyscraper.
"New York City, 1994. A rich and powerful man has decided there's a better place for a medieval castle than a picturesque hill in Scotland. He's moved the whole place--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan."
VII. Police Detective ELISA CHAVEZ.
"All of which means absolutely nothing to New York City Police Detective, ELISA CHAVEZ. She doesn't care about castles, and she doesn't believe in curses. She's hot on the trail of a major badguy."
VIII. She's ambushed on a rooftop by multiple THUGS. She's got the drop on most of them. But someone's about to nail her from behind. (And from another rooftop, someTHING is watching in the shadows.)
"Too bad that trail leads her right into an ambush. But thank goodness, a shadowy figure sees what's happening and decides to help."
IX. Reveal THE GARGOYLE, determined, as he dives into fray from above.
"Thank goodness for THE GARGOYLE."
X. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide.
"Goliath benchpresses two badguys easy. And that stone-like hide of his makes him practically invulnerable..."
XI. Romantic shot in moonlight. Close in. She reaches up to touch his face gently. He looks handsome and noble and just a bit uncomfortable and sad.
"...To everything but Elisa's kindness. She is the first human being who's ever offered him understanding and friendship, hope..."
XII. From atop the skyscraper, she shows him Manhattan. The city as fortress. This is our showpiece card.
"...And a sense of purpose. She introduces him to his new home, Manhattan, and asks for his help in protecting it against modern day barbarians."
XIII. HUDSON. (One pose, plus two headshots.)
"Fortunately, our hero isn't alone. This is Goliath's old friend HUDSON, a Gargoyle-Warrior long past his prime. Hudson helps out by keeping an eye on the young Warriors-in-training..."
XIV. Trio of young Gargoyles, BROOKLYN, LEXINGTON and BROADWAY. Same as card 1. (But in color, perhaps?)
"...BROOKLYN, LEXINGTON and BROADWAY. (Uh, they picked their own names.)"
XV. BRONX, the DOG. (Multiple poses.)
"And then there's BRONX, the Gargoyle-dog. He's not a big fan of adventure."
XVI. Bronx (two poses) chewing on a fire hydrant and flying.
"He just likes to eat a lot, sleep a lot and make a general mess."
XVII. Goliath and Elisa try to be inconspicuous on the Subway.
"Goliath has wider interests, but it can be hard for a seven-foot medieval monster to squeeze into the modern world."
XVIII. Interior of Gargoyle lair.
"Sometimes he just needs to retreat back to the old castle and let time stand still. Of course that can be tough too..."
XIX. XAVIER.
"Especially with XAVIER around. Rich, powerful and arrogant, Xavier bought the gargoyles' castle. Now he thinks he owns the gargoyles too."
XX. ROBOT climbing building toward Gargoyle.
"If something rotten is happening in New York...odds are Xavier's behind it."
XXI. DEMONA with BIG GUN.
"But Goliath's greatest foe is the evil gargoyle DEMONA."
XXII. Demona vs. Goliath, above the city.
"Once she and Goliath were friends. Now, she's his sworn enemy, and she won't rest 'til she controls the night..."
XXIII. Stone version of our Gargoyle. Looking vicious and scary. Daylight.
"And the night is all that matters, because the gargoyles still sleep as stone statues during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."
XXIV. Night. Goliath, handsome and noble again, on top of a skyscraper with the full moon, Elisa and the other Gargoyles right behind him. Gothic mood, but clearly set in the present.
"But when the sun goes down, they're our only protection from the city's dark terrors."
XXV. Title Card: "GARGOYLES".
"They are the GARGOYLES."
XXVI. KID at Disneyland.
"Joining the Disney Family in 1994."
Chapter XXIV: "City of Stone, Part Three"
Time to ramble...
So the sun rises on the next day. Elisa IMMEDIATELY starts talking, even though she's facing the wrong way, putting to the lie all those nice fans who tried to make excuses for why she was animated facing that direction.
It's also kind of cool to watch Goliath and Brooklyn turn to stone and then see Owen turn from stone to flesh. He's got that URGENT-Owen tone going there for a sec, then quickly regains his usual Owen composure. It's fun.
There's a line in here about mixing magics, which was supposed to be a vague, vague cover for later revelations that Owen is Puck. Owen suggests getting the Grimorum from Goliath. X responds it wouldn't do any of them any good since none of them are sorcerors and MIXING MAGICS is supposed to be dangerous. That last phrase is REALLY a reference to a notion in X's head, that Puck might be able to help. X than rejects the notion himself. He's right about mixing magics, but that isn't the main reason that Puck won't help. Puck won't help because that's not the deal that Owen made with Xanatos.
I like Xanatos' casual confidence though: "We'll just have to set the sky ablaze."
Travis scene is fun for me too. Gives me one of those oblique opportunities to semi-break the fourth wall. A woman comes up, tells Travis the truth. He discounts her story, nominally because she doesn't watch television. Anyone who doesn't watch television must be a kook. Now a report on Mass Hypnosis... (That last bit is in there to explain in passing what the world response to the City of Stone events is likely to be.)
FLASHBACK TIME: Duncan has a beard. "Some cousins are not that close." I love how Neil Dickson read that line. And I love Duncan's genuine surprise when Mac saves his life.
Mac saves Demona again. Proving what a good, loyal guy he is.
And then we bring in the Weird Sisters, in the most SHAKESPEAREAN scene in City of Stone.
But first let's talk about the title. I LOVE that title. "CITY OF STONE". I think it was one of mine. But I have to admit it's flawed. Though it's spooky and evocative it really only covers the present day story. The present day story is certainly important, but I think we'd all agree that the real juice in this four-parter is in the tenth and eleventh centuries. And the title doesn't really cover that stuff at all. I didn't notice it at the time, because the importance of the flashbacks snuck up on me. At first I thought they would simply inform the action in the present. But it wound up being more of the reverse. Still I like the title. It sounds like a Movie title to me. What do you guys think?
Anyway, we bubble, bubble, toil and trouble it a bit. I love the nasty expressions that Canmore and Luach shoot each other. [I also love J.D. Daniels work as Canmore. He's such a little nasty. Great contrast to his work as the goody-good kid Tom.]
I'm fairly certain that we screwed up on Luach's name. The name should have been Lulach. But a typo got us stuck on Luach. At first I thought maybe either name would be accurate, like Malcolm and Maol Chalvim. But now I think we just blew it.
I love Luna's line: "You would lecture US on fate."
Erin, my six year old daughter, began to get very annoyed with Duncan here. "Why doesn't he give Macbeth one chance? He just saved his life! Duncan is a fraidy-cat. And stupid." I love a good judge of character. When Bodhe ("Be reasonable, Macbeth") tells Mac that Duncan's after him, and Mac can't believe it, Erin felt quite vindicated, "See, [Mac] just asked the same question that I did."
I like Mac's sad line to Gruoch: "The Journey will be brief."
And I like D and Mac's exchange:
Mac: "You are the answer."
D: "I'm uninterested in the question."
Ben, my three year old son, was having a little trouble with how fast everyone was aging. He didn't always get that the flashbacks weren't taking place right after each other. He got the difference between past and present. But not that we kept leaping forward from say 1032 to 1044 etc. "That's a different Demona," he would say, before I explained that she was just getting older. It then occured to me that I'm not even sure if he knows that white hair specifically signifies old age in a cartoon. After all, Brooklyn's hair is white. So's Luna's, in all her forms. (It's supposed to be silver, but it looks white most of the time.)
Mac is surprised, and not a little freaked out, to hear that there's still a Hunter out there. With Gill dead, he has no clue who it could be.
He offers an alliance, and Demona -- clearly thinking of the Captain of the Guard -- says, "You sing an old song." That, for me, helped tie in our Wyvern flashbacks to the whole Mac/Demona story. I was always afraid they weren't really related enough.
The whole thing with the Sisters looking different depending on the point of view, was another idea of mine that most people thought I was nuts about. (Like having characters unaware of the change in themselves in "The Mirror".) It worked just fine, and in many ways is clearer than any alternative I can think of. But man, I had to WORK to convince people.
The sisters are pretty tricky here, they use the barest excuse of an offered trade to more or less enforce their will on Mac and D. Bending Oberon's law without breaking it. That's not too important here, but will obviously be important in later episodes.
The clues of course are planted in the spell. "Forever and eternal bound and each the other's pain resound." How many people got the implication here as opposed to figuring it all out when the sisters explained it near the end of part four?
Seline handing Mac that magic ball was another instance of us cheating a bit. We were sick of using the fall to the death shtick. But we couldn't just have Duncan skewered. So this was an S&P compromise. The good news was it looked pretty cool. Brief but scary. It even seems to scare Mac.
When Gruouch says that she's afraid Mac's made "a bad bargain," she was supposed to touch his hair to give a visual reminder that he had given up his youth to protect his clan -- and that it scared and saddened her more than a little. I gave that note over and over, but somehow it never got in there. It still works, but I really wish she had run her fingers through his hair there.
D likes Mac and Gruoch here. Look at her face. Maybe she sees a bit of herself and Goliath in them. (With Gruoch as Goliath, of course.)
I like the battle too. It's very economical staged, yet it feels kinda epic to me. Very smartly story-boarded. I really like Demona's clean sweep of Duncan's cavalry off their horses.
Mac says: "You fight like a demon." Laying the groundwork for Demona to get named. This was a bit of an argument with S&P. "Demon" was supposed to be an off-limit word for us. I convinced Adrienne Bello it was important to justify Demona's name. And my bosses backed me up. (That never happens anymore, by the way.)
There's a character in here that we never name except in the credits. He's Duncan's right hand man and Demona appears to brain him by flying him head first into a big rock. He's called MacDuff in the credits. Obviously, another name from Shakespeare. I think maybe he didn't die, but became an ally of Canmore's in part four. But I'm not sure. I know that in part Three, Charlie "Travis Marshall" Hallahan did his voice. In part Four, the character I'm thinking of (both of whom have red hair at least) is voiced by Jeff Bennett.
M&D find the mask with Duncan, and Mac says, "so the battle is truly over for us both." Which is majorly ironic, since we know the battle will continue for at least 900 years.
Bodhe comes out from the background only after "THE NIGHT IS WON!"
Bodhe, though contemptuous, is a very fun character to write. I love his little aside about Canmore: "He'll be trouble; slay him now." We like Mac better that he won't kill a child. But you'll notice that Demona won't kill the kid either.
The coronation is fun. That whole naming sequence is fun.
M: "They will learn to respect you."
D: "I'd rather they feared me."
M: "They'll do that too... 'Demona'"
A nice bow tied on that "Know her?!! I named her!!" line from way back in "Enter Macbeth".
Now as we prepare to segue back to the present, Erin recognizes the three sisters as serving wenches "Because of their hair". To which Ben says, "Me too". But when we get to the present, neither realize that the sisters are also posing as cops. Mostly, because they're police hats largely cover their hair.
Now finally, back to Elisa. Confused as hell, but beginning to catch on at the mention of PackMedia Studios. She heads for the Eyrie. X's response: "Ah, the charming Detective Maza." Love that guy.
Owen and Elisa do their little dance and we get to play a gargoyle recurring bit with them as they freeze into stone mid-argument. At this point my kids catch on to the basic rules. (All of which might have been clearer if we hadn't had such a big gap between watching part two and part three). Erin: "So the humans are the opposite of the Gargoyles. When they turn to stone, the others wake up."
Xanatos starts explaining the plan, and my son turns to me and says, "Daddy, I have to tell you something." [Which is how he starts most conversations these days.] "I had a lot of dreams about fire in the sky." I'm not sure if I believe him, but it was a nice conversation piece.
I like the way Goliath looks at Elisa when he says, "This has to work." Feelings showing.
Then everyone leaves to go pass gas. :) [I know. I'm really mature.]
Bronx goes after the tapestry. We wanted to keep that subtle so that we weren't tipping our hand. Did anyone wonder about that or did it just slide by? Did anyone remember at the cliffhanger that Bronx had been left behind to save Elisa?
Anyway, there's my ramble. Where's yours?
FOCUS TESTING
Perish the thought that a yes answer can just be a yes answer. We had approval to proceed, but the powers that be at Disney were still not sure about doing this kind of cartoon at Disney. So they decided to focus test it with kids. Of course, we didn't have an episode produced yet to focus test. So they decided to put the pitch on video, and here I was doing a "Modified Ninth Pass" on the pitch, for this test.
In a focus group test, for those of you who've never heard of one, they pull a bunch of kids more or less off the streets (or out of malls) and put them in a room to watch a cartoon or something. Then a moderator asks questions, while we watch behind a one-way mirror and/or on closed-circuit t.v. The process, from my point of view, is WAY less than scientific, as one strong personality can push an entire group into saying almost anything. Some kids try to guess what answers the moderator wants, and try to make him happy or piss him off. The mere fact that they try this skews the results whether they're successful or not. Also answers get confused, particularly with kids. A kid will say, for example, that he or she "didn't like the villain." That might mean that he or she thinks it's not a very scary or interesting villain. Or it might mean they think it's a GREAT villain to hate.
Personally, focus groups are fascinating to watch in the way a train wreck is fascinating. You can't take your eyes off it. But as feedback goes, I don't hold much store by them.
GARGOYLES FOCUS GROUP VIDEO-SCRIPT
Modified Ninth Pass (Weisman / 1-29-93)
1-A. Trio of typical stone GARGOYLES.
"These are GARGOYLES. Ugly, stone statues that squat on the roofs of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."
2-B. GOLIATH, the GARGOYLE-MASTER. Proud and Noble.
"But when the sun went down, GOLIATH, the GARGOYLE-MASTER would lead his gargoyle-warriors in defense of the king's castle."
3-C. Goliath reading in library, sitting on small gargoyles.
"And if there was no battle to be fought, he'd retreat to the library to read and learn, all the while making sure that the other gargoyles stayed out of trouble."
4-D. HUMANS scorning the Gargoyles.
"For all these efforts, Goliath received no reward, no thanks or even kindness. In fact, the people of the castle treated all gargoyles with nothing but contempt."
5-E. The Gargoyle-Master alone in the throneroom.
"Still Goliath could no more stop guarding the castle than breathing the air. It's part of a gargoyle's nature to be territorial, protective. And so for years, he maintained his lonely vigil."
6. Close-up of Goliath.
"Then one night, Goliath was betrayed and lured away from his post."
7-F (and/or 7-Alt). SORCEROR curses Goliath and the other gargoyles on the castle ramparts.
"The castle was overrun and sacked. Goliath and the surviving gargoyles were unfairly blamed. The castle SORCEROR laid a curse upon them, and they fell into a stone sleep--that lasted a thousand years."
26. Xavier.
"Now it's 1994. A rich and powerful man has decided there's a better place..."
Pre-8. Castle.
"...for a medieval castle than a picturesque hill in Scotland."
8-G. Castle on the skyscraper.
"He's moved the whole place--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan."
9-H. Police Detective ELISA CHAVEZ.
"All of which means absolutely nothing to New York City Police Detective, ELISA CHAVEZ. She doesn't care about castles, and she doesn't believe in curses. She's hot on the trail of a major badguy."
10-I. She's ambushed on a rooftop by multiple THUGS. She's got the drop on most of them. But someone's about to nail her from behind. (And from another rooftop, someTHING is watching in the shadows.)
"Too bad that trail leads her right into an ambush. But thank goodness, a shadowy figure sees what's happening and decides to help."
11-J (and/or 11-Alt). Reveal THE GARGOYLE, determined, as he dives into fray from above.
"Thank goodness for THE GARGOYLE."
12. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide.
"Goliath benchpresses two badguys easy. And that stone-like hide of his makes him practically invulnerable..."
13-K. Romantic shot in moonlight. Close in. She reaches up to touch his face gently. He looks handsome and noble and just a bit uncomfortable and sad.
"...To everything but Elisa's kindness. She is the first human being who's ever offered him understanding and friendship, hope..."
14-L. From atop the skyscraper, she shows him Manhattan. The city as fortress. This is our showpiece card.
"...And a sense of purpose. She introduces him to his new home, Manhattan, and asks for his help in protecting it against modern day barbarians."
15-M. HUDSON. (One pose, plus two headshots.)
"Fortunately, our hero isn't alone. This is Goliath's old friend HUDSON, a Gargoyle-Warrior long past his prime. Hudson helps out by keeping an eye on the young Warriors-in-training..."
16-N. Trio of young Gargoyles, BROOKLYN, LEXINGTON and BROADWAY. Same as card 1. (But in color, perhaps?)
"...BROOKLYN, LEXINGTON and BROADWAY. (Uh, they picked their own names.)"
20-O. BRONX, the DOG. (Multiple poses.)
"And then there's BRONX, the Gargoyle-dog. He's not a big fan of adventure."
21-P. Bronx (two poses) chewing on a fire hydrant and flying.
"He just likes to eat a lot, sleep a lot and make a general mess."
23-Q. Trio uses Bronx to play trick on Hudson.
"All in all, it's a lot for Hudson to handle."
24-R. Goliath and Elisa try to be inconspicuous on the Subway.
"Not that Goliath has it any easier. It's hard for a seven-foot medieval monster to squeeze into the modern world."
Pre-25 (and/or Pre-25-Alt). Exteriors of castle.
"Sometimes he just needs to retreat back to the old castle..."
25-S. Interior of Gargoyle lair.
" and take it easy. Unfortunately, he doesn't get much time for relaxation..."
26. XAVIER.
"Not with XAVIER around. Rich, powerful and arrogant, Xavier bought the gargoyles' castle. Now he figures he owns the gargoyles too."
30. ROBOT climbing building toward Gargoyle.
"If something rotten is happening in New York...odds are Xavier's behind it."
31. CATSCAN is discovered by Goliath and Elisa.
"Then there's CATSCAN. A scientist mutated by his own experiments..."
32. Catscan, in full pose and "Night Vision" head shot.
"...Into a bitter criminal with deadly Night-Vision."
33. DEMONA with BIG GUN.
"But the toughest villain of them all is the evil gargoyle DEMONA."
34. Demona vs. Goliath, above the city.
"Once she and Goliath were friends. Now, she's his sworn enemy, and she won't rest 'til she controls the night..."
35-T. Stone version of our Gargoyle. Looking vicious and scary. Daylight.
"And the night is all that matters, because the gargoyles still sleep as stone statues during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."
36-U. Night. Goliath, handsome and noble again, on top of a skyscraper with the full moon, Elisa and the other Gargoyles right behind him. Gothic mood, but clearly set in the present.
"But when the sun goes down, they're our only protection from the city's dark terrors."
37. Title Card: "GARGOYLES".
"They are the GARGOYLES."
38-V. KID at Disneyland.
"Joining the Disney Family in 1994."
Still at work on the pilot...
This is still us trying to work out the story we wanted to tell with the first writer we hired for the project (one previous to Eric Luke and two previous to Michael Reaves). I remember this writer felt that having the gargs turn to stone EVERY night was too limiting. He asked us to drop that. I didn't want to, but checked with my boss Gary Krisel for confirmation. Gary agreed with me, so the first order of business was confirming that rule.
Much of the rest of this is a repeat of stuff that already got said. The fact that I had to keep repeating myself was probably not a good sign that we had the right person for this particular project. (I've mentioned before, that I very much admire this writer; it was simply two people seeing things two different ways.)
GARGOYLES 1-22-93
Notes on First Part of multi-parter.
GENERAL NOTES
The following combines (in as coherent a form as we could manage) the General Notes of all concerned.
--First off, we raised the issue of the stone/day - alive/night rule and the problems it can potentially cause. The consensus was an acknowledgement of the difficulty, but a real desire to keep that element. Gary, in particular, felt very strongly that it was one of the main appeals to the concept: an automatic ticking clock to every story, kryptonite, etc.
--Though we all agree that the ECLIPSE would make a great episode some day, we're very concerned about establishing the gargoyle rules here in the first part. We don't want to confuse the issue with an eclipse.
--We want to keep the story largely from Goliath's point of view. His problems. His tragedies. But we don't want him to be a morose character. He's optimistic (until the very end). He believes that in time humans and gargoyles will learn to get along better. He has a sense of humor. He's heroic not dour.
--The-not-yet-named-Hudson is Goliath's aide and advisor. He is NOT a baby-sitter to the kids. In fact, if Goliath requested him to act as baby-sitter, he'd probably refuse. From his point of view, Goliath's the gargoyle-master, and the kids are his responsibility.
--Anyway, we'd like to establish the kids independence from the get-go, to help establish them as being more teen-age in nature than real young. They don't need a chaperone. They're cocky and gung ho.
--We also felt strongly that the castle should be home to both the gargoyles and the humans in 994 A.D. We discussed the following back-back-story as rationale:
Long before 994, there was a gargoyle rookery high on a rocky promontory overlooking the sea. Medieval man sought out these rookeries as prime real estate for building their fortresses or castles. For one reason, the cliffside protected there backs, and the only accessible wall was easily manned by archers, etc. Secondly, medieval man knew that the gargoyles were instinctively territorial and protective of the rookery's inhabitants, whether those inhabitants were gargoyles or humans. If the humans of the castle could put up and co-exist with the gargoyles they'd have a built in group of warriors at night. And it was mutually beneficial: the gargoyles received human protection during the day.
Though not as rare in Europe as, say, the giraffe, even then Gargoyles and their rookeries were scarce. A castle-builder who couldn't find one to build on might carve stone gargoyles to fool and thus scare away would-be attackers. (Back then everyone knew about gargoyles.)
But our castle in Scotland was built on a rookery. And the gargoyles and humans have coexisted there for years. But as our story opens, relations are tense. Humanity as a race is taking on airs. To the humans, the gargoyles are uncouth. Grotesque. Ill-mannered. Nocturnal, and therefore noisy at night when humans are trying to sleep. Considered, at best, a necessary evil.
STORY NOTES
--The following "outline" is only designed to track the story and lay out the serious, emotional underpinning. It still needs to be injected with fun, humor, exciting action, etc. It comes to a tragic conclusion, but we aren't looking for 22 minutes of depressing tragedy. Obviously, it can be improved upon. Also, most of these scenes can be very quick.
ACT ONE
I. Open with peasants struggling on foot up the hill toward the castle on the promontory. It is minutes from sunset.
A. Intro ROBBY (a peasant boy) and ROBBY'S MOM. She's hurrying her son along (with other peasants) so that they reach the safety of the castle walls before the advancing army of MARAUDERS.
1. They enter the castle. The gates are closed.
B. CAPTAIN of the Guards has all his archers at the ready on the castle battlements. We establish hideous stone gargoyle statues.
C. Outside the castle, just out of arrow range, the Marauding Army waits for sunset. It's a large force.
1. LOCHTER, purely evil leader of the Marauders, is keeping his men in line. (Perhaps violently.)
2. One MARAUDER asks Lochter why they wait: "What about the Gargoyles?"
a. Lochter tells him that every castle in Scotland claims to have Gargoyles. Most are just statues. Soon it'll be dark. The archers won't be able to pick them off. They'll attack.
D. Darkness falls. Silently, the marauding horde climbs the hill. The Captain tells his men not to waste their arrows.
1. Marauders attack, perhaps with grappling hooks and ropes, their own archers, etc. Perhaps one grappling hook flies toward the largest of the stone gargoyles.
a. GOLIATH, the GARGOYLE-MASTER, suddenly comes to life, catching the hook. Play up the transformation big time. (Maybe as he awakens, he shatters a thin outer layer of stone, like shedding a new skin every night. Then again, maybe not.)
2. Goliath flies down upon the marauders, closely followed by many GARGOYLE WARRIORS. Fun action.
a. Maybe it looks for a moment as if Goliath has been dragged down by three or four marauders, but soon he's shrugged them off.
3. Prominent among the warriors is [DEMONA] a FEMALE GARGOYLE, that Goliath seems to favor.
4. Intro ELDER Gargoyle [HUDSON], who coaches from the battlements.
5. Also intro TRIO of "teen-age" Gargoyles [BROOKLYN, LEXINGTON, BROADWAY] and their GARGOYLE-DOG [BRONX]. One in particular [Lex] can't wait to be a gargoyle warrior himself.
a. The trio participates in action, but the way they fight brings in humor. More prankish. They make fools of enemy.
E. Gargoyles rout the Marauders who sound the retreat. The battle is over.
II. In throne room, intro the spoiled, beautiful, young QUEEN and her rich, foppish court.
A. Intro semi-dottering old WIZARD. Sweet, but largely ineffectual. Establish that his powers are on the wain. He needs to have his books of spells in front of him to perform any magic.
B. Captain enters with Goliath. They report the victory.
1. Though the Queen is polite on the surface, we can tell she took the victory for granted. We can tell she takes these two for granted. In fact, holds them in contempt.
a. Captain may be a bit of a pig. Tobacco-spitting kinda slob. Queen assumes Goliath's just like him.
b. Queen might also suggest that after this Marauder episode is done with, the Captain will be reporting to LORD FOPWORTH over here. Captain's clearly steamed.
2. Captain and Goliath exit, but before they're out of earshot, they hear the queen make snide, contemptuous comment about Goliath and Gargoyles.
C. Outside the throne room, the Captain and Goliath are joined by the old one [Hudson] and the female [Demona].
1. Captain is really burned up about the way Queen treats Goliath. Wants to know why Goliath puts up with it? Why he stays?
a. Female agrees.
b. Goliath responds on another level. He has the patience to wait for a better day. He sees a lot that's positive about humanity. And he's proud of his own race. Someday, things will get better. Besides, this is his ancestral home. The castle was built on Gargoyle Rookery. Gargoyles are instinctively and atavistically territorial beings. Where would he go?
c. Old Gargoyle is satisfied with answer. He and Goliath walk off.
d. We see that neither the Female nor the Captain find the situation satisfactory.
III. In open courtyard, where peasants are "camped out", we see Gargoyle dog and trio of young 'goyles wreaking havoc. A. They're waking people. Eating food, sloppily. Making a general mess. But not maliciously. They're just having a good time. (This should be a real fun, good time scene.)
1. It looks like fun to Robby the young peasant boy, and he moves to join them.
a. Robby's mom pulls him away. Gargoyles are dangerous and untrustworthy.
b. This really hurts the de facto leader of the trio [Lex]. He decides to live up to the gargoyle reputation and scare them.
c. He succeeds. Robby now believes Gargoyles are bad.
d. Goliath intervenes. Maybe even disciplines. (Though he's not humorless.) It's getting close to sunrise anyway.
2. Gargoyles all move to the battlements and strike a pose. They freeze into stone at daybreak. (We need to really play this up too.)
IV. Daytime in Lochter's camp. Marauders are nursing their wounds.
A. Lochter is visited by a mysterious shrouded figure who wants to make a deal. (Maybe to misdirect the audience, we will put this stranger in the voluminous robes of the Wizard.)
1. In exchange for a fair share of the profits, stranger promises to secure entry for Lochter and his men.
a. And they won't have to worry about Goliath or his Gargoyles.
ACT TWO
V. That night, Captain talks to Goliath, Female Gargoyle and Old One. (Perhaps in front of Queen, as well.)
A. Captain urges Goliath to take all his Gargoyles and chase Lochter's army out of the county.
1. Goliath doesn't like the idea. He basically believes in DEFENSE, not OFFENSE.
2. Captain, with some support from Female, argues that the best Defense is a good Offense.
a. Besides, Goliath doesn't have to battle Lochter's forces, he just has to put a good scare into them so they'll never come back.
3. Goliath reluctantly agrees, but he's not going to take all the gargoyles with him. He'll go alone.
4. Female takes him aside. It isn't safe. He could never fight off all of Lochter's army alone. She's worried about him.
a. But Goliath has no intention of fighting. And he can be plenty scary enough, by himself. (Makes a scary gargoyle face to prove it.)
b. She says, at least, let me go with you for back-up.
c. He claims he needs her (his best warrior) to stay behind at the castle. (But it's clear that truthfully, he doesn't want to put her at needless risk.)
d. To make her feel better, he agrees to take Old One with him, in case something goes wrong. But the rest will maintain their nightly vigil.
5. Goliath and Old One take off after Marauders.
B. Lochter gets word from the traitor: there's been a slight change in plans.
VI. Intercut between the following:
A. Goliath and Old Gargoyle follow the tracks of the Marauders by starlight.
1. Goliath is impressed by how fast the army has traveled in one day.
B. Another fun scene with the Trio and their dog, before they are chased off by frightened and annoyed humans.
1. They explore the bowels of the castle and find the ancient caverns of the Gargoyle rookery that the castle was built on.
C. The Captain is giving some odd orders to his night guards. Sending them away from weapons' room. Etc.
1. He is examining their bowstrings, etc.
VII. Goliath and Old Gargoyle catch up with "army", only to discover it is a small band of men running abreast without equipment.
A. Goliath realizes something's definitely wrong. He and the Old One head back to the castle. But it's almost dawn.
B. The sun comes up.
1. Goliath and Old One are frozen, en route back to castle.
2. Trio and Dog are frozen in bowels of castle.
3. Gargoyle warriors are frozen on parapets.
4. Archers take up their stations, unaware that their bows have been sabotaged.
5. The captain (i.e. the traitor) gives the signal for Lochter's men to attack.
VIII. Lochter and his army attack.
A. Each bowman gets off one shot, before their bowstrings snap. (The Captain had tampered with them.)
1. Soon the castle is overrun.
2. And it doesn't help that the Captain opens the gates as well. This is probably all we see. The rest [in brackets] is just for story-tracking purposes.
[ 3. The battle is short.
B. The castle is sacked.
1. Anything worth anything is taken by the marauders.
2. All the humans including the Queen and the Wizard and Robby and his mom are put in chains and dragged off.
C. Lochter's men begin to destroy the stone Gargoyles with maces.
1. Captain tries to stop it. This wasn't part of the deal and isn't necessary anyway.
a. If Marauders leave territory with their slaves and booty, the gargoyles won't follow. It's not in their nature.
2. Lochter isn't taking any chances. All the gargoyles are destroyed.
a. Ultimately, the Captain has no choice.]
IX. Fade to sunset. Goliath and Old One awaken and hightail it back to castle.
A. They arrive long after Lochter has left. A small fire still burns here and there.
1. The castle has been sacked of all valuables.
2. There are no people.
3. And worst of all, the Gargoyles have all been destroyed, i.e. murdered.
a. They lie in stone rubble all around him. Partial pieces, etc.
b. There is no particular sign of the female; Goliath assumes that she is among the rubble. Big time FURY.
ACT THREE
X. The trio and dog emerge from rookery caverns. (Maybe they were temporarily trapped there by damage done during the battle.) They are torn up by what they find.
A. Goliath and Old One are relieved that someone survived. But that doesn't abate their anger.
1. Together, the six gargoyles fly off to get their revenge.
XI. Lochter's army has encamped for the night.
A. We see our Marauder taunt Robby and his mother outside in chains.
B. Inside his tent, Lochter and the Captain discuss how much ransom they can get for the Queen.
1. They figure the wizard is probably worthless.
a. Wizard wishes he could just get his hands on his books of magic.
b. Lochter taunts him with the books, burning them one by one. (Only one left.)
C. Outside the gargoyles attack. Lots of fun and action here.
1. Gargoyles are way out-numbered.
2. Old one is old. But he picks up a sword and holds his own.
3. Trio and Dog have little fighting experience.
a. Trio leader [Lex] makes use of some of the "scare" techniques that worked on the peasants in act one.
b. [Lex] saves Robby's mother from Marauder.
c. Robby saves him from one too.
4. Goliath is a holy terror. Wading into the hordes. Tossing them aside. Scaring the stuffing out of them.
D. Lochter and Captain hear the noise and look outside.
1. Despite the overwhelming odds, the Gargoyles are winning.
2. Captain says they better get out now.
3. Lochter dumps the last magic book and grabs the queen.
a. Wizard tries to stop him, but is pushed aside.
b. Lochter says he'll never see the queen again.
c. Wizard assumes they're going to kill her.
4. Lochter and Captain flee with Queen in tow.
5. Goliath sees them go. Follows alone.
E. Wizard stumbles out of tent with last magic book.
1. Battle is winding down.
a. Freed peasants and guards are now helping gargoyles.
b. Marauders retreat, scatter.
c. Queen is nowhere in sight.
2. Irrational Wizard blames gargoyles for causing the queen's death.
a. Using his spell book, he curses them. [See spell options below.]
XII. Goliath catches up with Captain and Lochter.
A. Captain tries to reason with Goliath.
1. Tells him he never meant for Gargoyles to be destroyed.
2. Besides, what does Goliath owe the queen anyway. Now he can return to his rookery and be left in peace.
B. Goliath rejects Captain's excuses.
1. The Captain had taught him to go on offensive. "See what your lessons have wrought." Etc.
C. Goliath defeats (kills?) Lochter and Captain.
1. Rescues grateful (and much changed and matured) Queen.
XIII. Goliath and Queen return too late.
A. Though it is still night, the other Gargoyles have been turned to stone.
B. Wizard feels like garbage when he finds out the truth.
1. But he can't undo the spell. Lochter burned his other books.
C. Queen says that her people will not return to the cursed castle. They will start a new life/build a new castle elsewhere in the kingdom.
1. She sincerely invites Goliath to join them.
D. Goliath says no. He will return to the rookery.
E. Only gift that Wizard can offer is to cast the same spell on Goliath that he cast on the other gargoyles. (Or perhaps a slight variation.)
1. Goliath agrees to this.
XIV. The stone Gargoyles are perched on the abandoned castle walls by the humans. Robby waves goodbye.
A. One DAY, 1000 years later.
1. XAVIER is looking over his newly purchased ancient castle.
a. "Terrific," he says, "Now move it to Manhattan."
END OF PART ONE
[NOTE: DEMONA's story tracks as well. Like the Captain, she hates to see the way Goliath and the Gargoyles are treated by the spoiled Queen. She and the captain make a deal. They will convince Goliath to temporarily remove the Gargoyles from the castle. Lochter will sack it and take away the humans as slaves, leaving the empty castle for Demona, Goliath and the rest of the Gargoyles.
Goliath screws up the plan by refusing to take all the Gargoyles away. Captain says, no problem. He'll sabotage his archers and the attack can take place during the day. He promises to protect the frozen Gargoyles.
Demona agrees, but just before dawn she gets nervous and flies away to hide.
She returns at some point (though Goliath won't see her). She sees the destroyed 'goyles and realizes that Goliath would never forgive that. She flies away to find a new life. Somehow, she will survive into the twentieth century, by which time, three factors will have turned her bitter and evil and eventually make her Goliath's worst enemy. (1) Her largely negative and criminal experiences since she last saw Goliath. (2) Goliath's inability to forgive her, (as much as he might wish he could). (3) Goliath's modern loyalty to humans, particularly Elisa Chavez.
In light of this, we should probably bring her back in @part Four of five-parter. She eventually teams up w/Xavier, raising the stakes, and tying part one to the rest of the story. However, though we should plant the clues, we shouldn't give any real indication that she was part of the Captain/Lochter conspiracy in Part One. All the revelations about her roll in the betrayal should wait until we see her again in 20th Century.]
SPELL OPTIONS
For initial spell that Wizard casts upon Old One, Trio and Dog in anger...
1) Frozen in stone for 1000 years.
2) Frozen in stone 'til castle rests in the clouds.
3) Frozen in stone so long as this castle stands on this ground.
For spell Wizard casts upon Goliath, as the best he can do for him.
1) Same, or maybe the slight variation of 999 years, giving Goliath a headstart, and an ability to see if it's safe.
2) Same.
3) Same.
4) He will continue his endless cycle of sleeping as stone in day, guarding the castle and his friends at night until either 1), 2) or 3) occurs.
Advantages and Disadvantages to various choices:
The main question, is whether or not Goliath has been awake and alone every night for a thousand years. (Goliath option 4)). If he has, it would allow him to be at least passingly familiar that modern technology exists. I.e. when we get him to NYC and he sees an airplane, he won't think it's a dragon. Plus there's the tragedy of that much loneliness. And the possibility down the road of one or two flashback episodes (Goliath fights in WWII or something). Disadvantages include that it adds a layer of complication to the spell. And maybe we like the idea that he thinks an airplane is a dragon. (Although keep in mind, we can always play those beats with the other 'goyles.)
As to the other gargoyles, the main issue is when do you want them to wake up. If it's not until after the castle is installed at the top of the skyscraper, than option 3) doesn't work. 1000 years makes a nice round number, but is it a stiff coincidence that the 1000 years ends in NYC? Probably no more so than the Castle in the Clouds curse, though the latter may have more ambience.
And again, if we want Goliath awake BEFORE the castle arrives in NYC, i.e. on the boat, than we have to vary the spell with him to some degree or else it won't be possible.
Right now we're leaning toward Goliath Option 4) "the endless cycle" coupled w/ Option 2) "the castle in the clouds". There is some concern that the Wizard casting two spells may be awkward though. So it's still open for discussion.
That's it.
I'm losing my touch...
I'm feeling like my smart-ass responses just haven't been very sharp lately.
So appropos of nothing, I'm taking a poll.
If you've got a few minutes, go through the smart-ass response archive and copy and paste your favorite one.
Maybe if you guys point out the "classics" to me, it'll help me redefine my mission on this score.
I'M TRYING!
Hey guys,
For the last couple hours, I've been trying a new system wherein in addition to my responses/answers/rambles/rants being placed in there appropriate subject-based archives, I'm also supposed to automatically add them to a chronological archive. In this case "RESPONSES 2001 - 2 (Feb)"
Unfortunately, I didn't start this first thing this morning. It was a good idea that came later in the day from one of your fellow fans. So some early-in-the-day responses won't make it into this new archive.
And, unfortunately again, I'm trying to learn a new habit here. It isn't literally automatic. I have to remember to do it. And I've forgotten to click that button on a couple of messages. Sorry.
I'll try to do better.
At work on the pilot...
We were still working with the first writer on the pilot story. This was a story that those of us at Disney, who had been working on this show since 1991, felt VERY strongly about. So I was taking a much stronger hand than I normally would (or should) as a development executive. Though I wasn't yet conscious of it, I was already moving toward being a producer of the series.
Among other little details, you'll notice that our enemy is "marauders" at this point. Not Vikings. You'll notice that we still have the personalities of Lex and Brooklyn switched, and in general they come off more as kids than young teen warriors. Tom is called Robby. (Later, I'd use the name Robby for the Captain.) Princess K is a queen. And the Magus is old and dottering.
GARGOYLES 1-20-93
Notes on First Part of multi-parter. (Weisman)
BEAT OUTLINE
ACT ONE
I. Open with peasants struggling on foot up the hill toward the castle on the promontory. It is minutes from sunset.
A. Intro ROBBY (a peasant boy) and ROBBY'S MOM. She's hurrying her son along (with other peasants) so that they reach the safety of the castle walls before the advancing army of MARAUDERS.
1. They enter the castle. The gates are closed.
B. CAPTAIN of the Guards has all his archers at the ready on the castle battlements. We establish hideous stone gargoyle statues.
C. Outside the castle, just out of arrow range, the Marauding Army waits for sunset. It's a large force.
1. LOCHTER, purely evil leader of the Marauders, is keeping his men in line. (Perhaps violently.)
2. One MARAUDER asks Lochter why they wait: "What about the Gargoyles?"
a. Lochter tells him that every castle in Scotland claims to have Gargoyles. Most are just statues. Soon it'll be dark. The archers won't be able to pick them off. They'll attack.
D. Darkness falls. Silently, the marauding horde climbs the hill. The Captain tells his men not to waste their arrows.
1. Our Marauder reaches the foot of the wall and tosses a grappling hook tied to a rope up toward the battlement. Toward the largest of the stone gargoyles.
a. GOLIATH, the GARGOYLE-MASTER, suddenly comes to life, catching the hook.
2. Goliath flies down upon the marauders, closely followed by many GARGOYLE WARRIORS.
a. Prominent among the warriors is [DEMONA] a FEMALE GARGOYLE, that Goliath seems to favor.
3. Intro ELDER Gargoyle [HUDSON], who coaches from the battlements.
4. Also on the sidelines, intro TRIO of "teen-age" Gargoyles [BROOKLYN, LEXINGTON, BROADWAY] and their GARGOYLE-DOG [BRONX]. One in particular [Lex] can't wait to be a gargoyle warrior himself.
E. Gargoyles rout the Marauders who sound the retreat. The battle is over.
II. In throne room, intro the spoiled, beautiful, young QUEEN and her foppish court.
A. Intro semi-dottering old WIZARD. Sweet, but largely ineffectual. Establish that his powers are on the wain. He needs to have his books of spells in front of him to perform any magic.
B. Captain enters with Goliath. They report the victory.
1. Though the Queen is polite on the surface, we can tell she took the victory for granted. We can tell she takes these two for granted, particularly Goliath.
2. Captain and Goliath exit, but before they're out of earshot, they hear the queen make snide, contemptuous comment about Goliath and Gargoyles.
C. Outside the throne room, the Captain and Goliath are joined by the old one [Hudson] and the female [Demona].
1. Captain is really burned up about the way Queen treats Goliath. Wants to know why Goliath puts up with it? Why he stays?
a. Goliath responds on another level. True, it saddens him that his loyalty means nothing. But this is his ancestral home. Explains castle was built on Gargoyle Rookery. Gargoyles are communal, territorial beings. (Perhaps explain here why Goliath is the only garg. w/a name.) He cannot leave. Where would he go?
b. Old Gargoyle is satisfied with answer. He and Goliath walk off.
c. We see that neither the Female nor the Captain find the situation satisfactory.
III. In open courtyard, where peasants are "camped out", we see Gargoyle dog and trio of young 'goyles wreaking havoc.
A. They're waking people. Eating food, sloppily. Making a general mess. But not maliciously. They're just having a good time.
1. It looks like fun to Robby the young peasant boy, and he moves to join them.
a. Robby's mom pulls him away. Gargoyles are dangerous and untrustworthy.
b. This really hurts the de facto leader of the trio [Lex]. He decides to live up to the gargoyle reputation and scare them.
c. He succeeds. Robby now believes Gargoyles are bad.
d. Goliath intervenes. It's getting close to sunrise anyway.
2. Gargoyles all move to the battlements and strike a pose.
IV. Daytime in Lochter's camp. Marauders are nursing their wounds.
A. Lochter is visited by a mysterious shrouded figure who wants to make a deal. (Maybe to misdirect the audience, we will put this stranger in the voluminous robes of the Wizard.)
1. In exchange for a fair share of the profits, stranger promises to secure entry for Lochter and his men.
a. And they won't have to worry about Goliath or his Gargoyles.
ACT TWO
V. That night, Captain talks to Goliath, Female Gargoyle and Old One. (Perhaps in front of Queen, as well.)
A. Captain urges Goliath to take all his Gargoyles and chase Lochter's army out of the county.
1. Goliath doesn't like the idea. He basically believes in DEFENSE, not OFFENSE.
2. Captain, with some support from Female, argues that the best Defense is a good Offense.
a. Besides, Goliath doesn't have to battle Lochter's forces, he just has to put a good scare into them so they'll never come back.
3. Goliath reluctantly agrees, but he's not going to take all the gargoyles with him. He'll go alone.
a. Female balks. It isn't safe. He could never fight off all of Lochter's army alone.
b. But Goliath has no intention of fighting. And he can be plenty scary enough, by himself. (Makes a scary gargoyle face to prove it.)
c. He agrees to take Old One with him, in case something goes wrong. But the rest will maintain their nightly vigil.
4. Goliath and Old One take off after Marauders.
B. Lochter gets word from the traitor: there's been a slight change in plans.
VI. Intercut between the following:
A. Goliath and Old Gargoyle follow the tracks of the Marauders by starlight.
1. Goliath is impressed by how fast the army has traveled in one day.
B. The Trio and their dog are chased off by frightened and annoyed humans.
1. They explore the bowels of the castle and find the ancient caverns of the Gargoyle rookery that the castle was built on.
C. The Captain is giving some odd orders to his night guards. Sending them away from weapons' room. Etc.
1. He is examining their bowstrings, etc.
VII. Goliath and Old Gargoyle catch up with "army", only to discover it is a small band of men running abreast without equipment.
A. Goliath realizes they've been fooled. He and the Old One head back to the castle. But it's almost dawn.
B. The sun comes up.
1. Goliath and Hudson are frozen, en route back to castle.
2. Trio and Dog are frozen in bowels of castle.
3. Gargoyle warriors are frozen on parapets.
4. Archers take up their stations, unaware that their bows have been sabotaged.
5. The captain (i.e. the traitor) gives the signal for Lochter's men to attack.
VIII. Lochter and his army attack.
A. Each bowman gets off one shot, before their bowstrings snap. (The Captain had tampered with them.)
1. Soon the castle is overrun.
2. And it doesn't help that the Captain opens the gates as well.
3. The battle is short.
B. The castle is sacked.
1. Anything worth anything is taken by the marauders.
2. All the humans including the Queen and the Wizard and Robby and his mom are put in chains and dragged off.
C. Lochter's men begin to destroy the stone Gargoyles with maces.
1. Captain tries to stop it. This wasn't part of the deal and isn't necessary anyway.
a. If Marauders leave territory with their slaves and booty, the gargoyles won't follow. It's not in their nature.
2. Lochter isn't taking any chances. All the gargoyles are destroyed.
a. Ultimately, the Captain has no choice.
IX. Fade to sunset. Goliath and Old One awaken and hightail it back to castle.
A. They arrive long after Lochter has left. A small fire still burns here and there.
1. The castle has been sacked of all valuables.
2. There are no people.
3. And worst of all, the Gargoyles have all been destroyed, i.e. murdered.
a. They lie in stone rubble all around him. Partial pieces, etc.
b. There is no particular sign of the female; Goliath assumes that she is among the rubble. Big time FURY.
ACT THREE
X. The kids emerge from rookery caverns. They are torn up by what they find.
A. Goliath and Old One are relieved that someone survived. But that doesn't abate their anger.
1. Together, the six gargoyles fly off to get their revenge.
XI. Lochter's army has encamped for the night.
A. We see our Marauder torment Robby and his mother outside in chains.
B. Inside his tent, Lochter and the Captain discuss what to do with the Queen.
1. They figure the wizard is probably worthless.
a. Wizard wishes he could just get his hands on his books of magic.
b. Lochter taunts him with the books, burning them one by one. (Only one left.)
C. Outside the gargoyles attack carefully.
1. They are way out-numbered.
2. Old one is old. But he picks up a sword and holds his own.
3. Trio and Dog have no fighting experience.
a. Trio leader [Lex] makes use of some of the "scare" techniques that worked on the peasants in act one.
b. Saves Robby's mother from Marauder.
c. Robby saves him from one too.
4. Goliath is a holy terror. Wading into the hordes. Tossing them aside. Scaring the stuffing out of them.
D. Lochter and Captain here the noise and look outside.
1. Despite the overwhelming odds, the Gargoyles are winning.
2. Captain says they better get out now.
3. Lochter dumps the last magic book and grabs the queen.
a. Wizard tries to stop him, but is pushed aside.
b. Lochter says he'll never see the queen again.
c. Wizard assumes they're going to kill her.
4. Lochter and Captain flee with Queen in tow.
5. Goliath sees them go. Follows alone.
E. Wizard stumbles out of tent with last magic book.
1. Battle is winding down.
a. Freed peasants and guards are now helping gargoyles.
b. Marauders retreat, scatter.
c. Queen is nowhere in sight.
2. Irrational Wizard blames gargoyles for not protecting castle in first place and for starting this fight which caused the queen's death.
a. Using his spell book, he curses them. [See spell options below.]
XII. Goliath catches up with Captain and Lochter.
A. Captain tries to reason with Goliath.
1. Tells him he never meant for Gargoyles to be destroyed.
2. What does Goliath owe the queen anyway. Now he can return to his rookery and be left in peace.
B. Goliath rejects Captain's excuses.
1. Captain taught him to go on offensive. "See what your lessons have wrought." Etc.
C. Goliath defeats (kills?) Lochter and Captain.
1. Rescues grateful (and much changed and matured) Queen.
XIII. Goliath and Queen return too late.
A. Though it is still night, the other Gargoyles have been turned to stone.
B. Wizard feels like garbage when he finds out the truth.
1. But he can't undo the spell. Lochter burned his other books.
C. Queen says that her people will not return to the cursed castle. They will start a new life elsewhere.
1. She sincerely invites Goliath to join them.
D. Goliath says no. He will return to the rookery.
E. Only gift that Wizard can offer is to cast the same spell on Goliath that he cast on the other gargoyles. (Or perhaps a slight variation.)
1. Goliath agrees to this.
XIV. The stone Gargoyles are perched on the abandoned castle walls by the humans. Robby waves goodbye.
A. One DAY, 1000 years later.
1. XAVIER is looking over his newly purchased ancient castle.
a. "Terrific," he says, "Now move it to Manhattan."
END OF PART ONE
[NOTE: DEMONA's story tracks as well. Like the Captain, she hates to see the way Goliath and the Gargoyles are treated by the spoiled Queen. She and the captain make a deal. They will convince Goliath to temporarily remove the Gargoyles from the castle. Lochter will sack it and take away the humans as slaves, leaving the empty castle for Demona, Goliath and the rest of the Gargoyles.
Goliath screws up the plan by refusing to take all the Gargoyles away. Captain says, no problem. He'll sabotage his archers and the attack can take place during the day. He promises to protect the frozen Gargoyles.
Demona agrees, but just before dawn she gets nervous and flies away to hide.
She returns at some point (though Goliath won't see her). She sees the destroyed 'goyles and realizes that Goliath would never forgive that. She flies away to find a new life. Somehow, she will survive into the twentieth century, by which time, she will be bitter and evil and Goliath's worst enemy.
Which again raises the question, are we sure we don't want her teaming up with Xavier in parts 2-5?]
SPELL OPTIONS
For initial spell that Wizard casts upon Old One, Trio and Dog in anger...
1) Frozen in stone for 1000 years.
2) Frozen in stone 'til castle rests in the clouds.
3) Frozen in stone so long as this castle stands on this ground.
For spell Wizard casts upon Goliath, as the best he can do for him.
1) Same, or maybe the slight variation of 999 years, giving Goliath a headstart, and an ability to see if it's safe.
2) Same.
3) Same.
4) He will continue his endless cycle of sleeping as stone in day, guarding the castle and his friends at night until either 1), 2) or 3) occurs.
Advantages and Disadvantages to various choices:
The main question, is whether or not Goliath has been awake and alone every night for a thousand years. (Goliath option 4)). If he has, it would allow him to be at least passingly familiar that modern technology exists. I.e. when we get him to NYC and he sees an airplane, he won't think it's a dragon. Plus there's the tragedy of that much loneliness. And the possiblity down the road of one or two flashback episodes (Goliath fights in WWII or something). Disadvantages include that it adds a layer of complication to the spell. And maybe we like the idea that he thinks an airplane is a dragon. (Although keep in mind, we can always play those beats with the other 'goyles.)
As to the other gargoyles, the main issue is when do you want them to wake up. If it's not until after the castle is installed at the top of the skyscraper, than option 3) doesn't work. 1000 years makes a nice round number, but is it a stiff coincidence that the 1000 years ends in NYC? Probably no more so than the Castle in the Clouds curse, though the latter may have more ambience.
And again, if we want Goliath awake BEFORE the castle arrives in NYC, i.e. on the boat, than we have to vary the spell with him to some degree or else it won't be possible.
GENERAL NOTES
Finally, the following combines (in as coherent a form as I could manage) the General Notes of all concerned.
--First off, I raised the issue of the stone/day - alive/night rule and the problems it can potentially cause. The consensus was an acknowledgement of the difficulty, but a real desire to keep that element. Gary, in particular, felt very strongly that it was one of the main appeals to the concept: an automatic ticking clock to every story, kryptonite, etc.
--Though we all agree that the ECLIPSE would make a great episode some day, we're very concerned about establishing the gargoyle rules here in the first part. We don't want to confuse the issue with an eclipse.
--We want to keep the story largely from Goliath's point of view. His problems. His tragedies.
--The-not-yet-named-Hudson is Goliath's aide and advisor. He is NOT a babysitter to the kids. In fact, if Goliath requested him to act as babysitter, he'd probably refuse. From his point of view, Goliath's the gargoyle-master, and the kids are his responsibility.
--Anyway, we'd like to establish the kids independence from the get-go, to help establish them as being more teen-age in nature than real young. They don't need a chaperone.
--We also felt strongly that the castle should be home to both the gargoyles and the humans in 994 A.D. We discussed the following back-back-story as rationale:
Long before 994, there was a gargoyle rookery high on a rocky promintory overlooking the sea. Medieval man sought out these rookeries as prime real estate for building their fortresses or castles. For one reason, the cliffside protected there backs, and the only accessible wall was easily manned by archers, etc. Secondly, medieval man knew that the gargoyles were instinctively territorial and protective of the rookery's inhabitants, whether those inhabitants were gargoyles or humans. If the humans of the castle could put up and co-exist with the gargoyles they'd have a built in group of warriors at night. And it was mutually beneficial: the gargoyles received human protection during the day.
Though not as rare in Europe as, say, the giraffe, even then Gargoyles and their rookeries were scarce. A castle-builder who couldn't find one to build on might carve stone gargoyles to fool and thus scare away would-be attackers. (Back then everyone knew about gargoyles.)
But our castle in Scotland was built on a rookery. And the gargoyles and humans have coexisted there for years. But as our story opens, relations are tense. Humanity as a race is taking on airs. To the humans, the gargoyles are uncouth. Grotesque. Ill-mannered. Nocturnal, and therefore noisey at night when humans are trying to sleep. Considered, at best, a necessary evil.
That's it.
Chapter XXIII: "City of Stone, Part Two"
Time to ramble...
Xanatos again does equally well as hero and villain, as he opens the episode saving his and Fox's lives.
He's got some nice lines here too:
Another reprise of Launchpad McQuack's old: "Any landing you can walk away from..."
"At least she's not chipped."
"Demona and I need to have a little talk."
"No sense hailing a cab." Or stealing one. I'm not sure if it's clear, but we wanted to give the impression that traffic was hopelessly stalled by all the stone people behind the wheels of their cars. And that Xanatos would have to hoof it.
And then it's back to the clock tower where my favorite line is Brooklyn's as he's looking at what he thinks is a statue of Elisa:
"The nose is all wrong." Gotta love a critic.
Goliath doesn't objectively know that the statue is really Elisa, but his instincts are clearly firing up early warning signs.
Meanwhile, my daughter Erin is busy advising all of us: "They should make sure... cuz that's really her!" and "I bet they're going to Elisa's house." Which they weren't.
CONTINUITY
Originally, we had planned to (as usual) leave Hudson behind with Bronx. But we switched it to Broadway, so that Hudson could come with and reestablish his fine relationship with Robbins. I should point out that we BEGAN work on City of Stone before Lighthouse. We knew we needed a blind man for City. That blind man was then developed for Lighthouse, making for a great scene in City. Sometimes, things just seemed to work.
Brooklyn still hates Demona intensely. Forcing Goliath to compensate.
My son Ben was all nervous that "They're gonna turn to stone again." He was vague on who the "THEY" were.
Demona's reign of terror on the statues presented us with interesting S&P problems -- and some bizarre but VERY FUN solutions. Adrienne understood the necessity of having Demona blow up and/or smash a few of the stone humans. Even though the implication was death for those people. She was okay with it on the condition that we didn't spell it out, because, at worst, the death's were so fanciful, they certainly weren't imitatible. But she did want us to limit the number of deaths. So at one point she nixed the idea of blowing up yet another statue, but allowed us to blow up the shopping bags (and hand and arm) of one. This seemed less harsh to her. Of course, bloodthirsty lot that we were, we loved it. Because if you think about it, it was certainly more horrific come sunrise.
I finally saw the two statues that people thought were Brendan & Margot. Certainly, they looks like them a bit. But trust me. Two different people got destroyed. That woman was a brunette. And the guy was wearing a toupee.
At this point, Benny became as concerned as Goliath that Demona would shoot Elisa.
Then we segued into our flashback and Benny was still trying to figure out why Demona scratched Gillecomgain in the previous episode. Erin, meanwhile, wanted to know why Gille was wearing a mask.
Me, I'm still fascinated with Bodhe for some reason. I love how he talks big at first, until Mac makes it clear that he's not going to obey. Then he goes into pleading mode.
I also love the scene with Gruoch on Lunfanan Hill. Very heartbreaking and romantic. Did kinda make me wonder what would have happened if Macbeth had just said "Screw it!" and spirited Gruoch away with him. What would there lives have been like then?
The Weird Sisters are fun at the wedding. I like the line: "Certainly not our hero." It's one of those self-aware-tv-moments-that-ride-the-edge of which I'm so fond.
I also really like Duncan's scene with Macbeth after the wedding. He's such a manipulative bastard.
And now we begin to parallel similar scenes in City One. The Weird Sisters again go to Demona to get her to ally with Mac.
Demona: "Ally with a human. Never Again." Well, obviously Demona should never say never again, but in this context she's thinking about her alliance with the Captain and the tragedy that led to.
There's a nice little beat with Gruoch's rose. Gruoch seems cold to her new husband Gillecomgain. We wonder if we should feel some sympathy for a man who has married a woman who loves another. We wonder if he has feelings for her as he gently takes up the rose she was sniffing. But then he crushes it underfoot, so basically we feel okay about hating him again.
Erin asked: "Why'd he step on it?"
And I didn't want to answer, because the writers are trying to manipulate you.
Ben answererd for me: "Because he's a bad hunter." A much cleaner explanation, don't you agree?
Notice here that Mac is not yet the fighter that he someday will be.
Notice also if you watch all four parts of City of Stone together that Emma Samms who voiced Gruoch -- but had never done voice work before -- gets progressively better with every episode. She's somewhat stiff in City One. As with many live-action actors, she's unused to using her voice alone to project subtleties. She's a bit better here. But by City Four, she's rockin' the joint with some really powerful work. I can't remember when I've ever seen any performer push the learning curve that quickly. Most either get it or don't. A few of those who don't, slowly improve with practice. Emma just revved UP.
Did anyone else feel that we went to the well with that long drop from the Terrace at Castle Moray once or twice too often? Again, we were trying for parallelism, but I hope it didn't get boring.
Erin: "I like Macbeth when he was a little boy. I don't like him when he's a grown up." (I think she meant she liked the younger red-headed heroic Macbeth in general in these City flashbacks. Didn't like him as a present day villain in Enter Macbeth, etc. This actually pleases me a great deal. It's the ability to create sympathy in villains that separates Gargoyles from many of its rivals.)
I love that moment when Demona rips the mask off. Gille indicates his scars, "'Tis you're handiwork, remember?" And Demona honestly and simply answers "No." And he goes BERSERK! Bad enough she scratched him and altered the entire course of his life. But that the event was so insignificant to her that she doesn't even remember it...! Now THAT pisses him off.
Gillecomgain should have known: "Live by the drop, die by the drop." As he follows Findlaech's course to doom.
I also like the little moment o' connection between Mac, Gruoch and Demona. Demona actually says Thank You to a human.
And another wedding. Two in one episode. Bodhe introduces: "Lord and Lady Macbeth!" I wanted to get the designation 'Lady Macbeth' in here somewhere. Just to provide more obvious contrast between our version of Gruoch and Shakespeare's.
I also get a kick out of the chilling little scene back in the present with Brooklyn & Goliath. Brooklyn bringing up the "Massacre at Castle Wyvern". Fearing that Elisa could wind up a victim too. This sets Goliath off to the point where he is CLEARLY thinking that he needs to KILL Demona now. "Once and for all." And then those creepy little stone Weird Sisters. Yikes.
Then Xanatos has finally made it across town and is back in hero mode. He saves Owen. And shuts off the broadcast, clearly thinking that that will break the spell. At least, I hope that was clear. Honestly, I'm not sure if it was. I wanted the audience to think that would work. Then be surprised when it doesn't. Did that work for anyone?
The "Hunter" shows up. Demona at first recognizes only the mask. How many times must I destroy you?! she says. A hint to events in the past of both City and Hunter's Moon. But than when she sees him feeling her pain, she knows exactly who's behind that mask. I'm curious how many people picked up on that. This was the first time we showed them feeling each other's pain. The first time we had them in real proximity to each other.
Their fight is kinda cool. There's a neat moment when Macbeth is flying Demona like a kite. And he's very gutsy throughout, leaping after her. Of course, he's semi-suicidal, so it's no surprise he's fearless. But we don't know that yet.
And finally, our cliffhanger. X is so sanguine. "You want vengeance or a solution?" And we end on a surprising image: Goliath and Xanatos shaking hands. Now, it's like no big deal. They ended up teaming upfrequently. But I thought that then, it would be startling.
WHAT DID YOU ALL THINK?
More work on the pilot...
In January of 1993, we were still working with our first writer (two previous to Michael Reaves) on the outline for our pilot. We weren't quite seeing things eye-to-eye. No one's fault. Just a few creative differences of opinion.
GARGOYLES 1-19-93
Notes for 1st Part of 5-part Outline
The following combines (in as coherent a form as I could manage) the notes of all concerned.
First off, I raised the issue of the stone/day - alive/night rule and the problems it can potentially cause. The consensus was an acknowledgement of the difficulty, but a real desire to keep that element. Gary [Krisel], in particular, felt very strongly that it was one of the main appeals to the concept: an automatic ticking clock to every story, kryptonite, etc.
We also felt strongly that the castle should be home to both the gargoyles and the humans in 994 A.D. We discussed the following back-back-story as rationale:
Long before 994, there was a gargoyle rookery high on a rocky promintory overlooking the sea. Medieval man sought out these rookeries as prime real estate for building their fortresses or castles. For one reason, the cliffside protected there backs, and the only accessible wall was easily manned by archers, etc. Secondly, medieval man knew that the gargoyles were instinctively territorial and protective of the rookery's inhabitants, whether those inhabitants were gargoyles or humans. If the humans of the castle could put up and co-exist with the gargoyles they'd have a built in group of warriors at night. It was mutually beneficial. The gargoyles received human protection during the day.
Though not as rare in Europe as, say, the giraffe, even then Gargoyles and their rookeries were scarce. A castle-builder who couldn't find one to build on might carve stone gargoyles to fool and thus scare away would-be attackers. (Back then everyone knew about gargoyles.)
But our castle in Scotland was built on a rookery. And the gargoyles and humans have coexisted there for years. But as our story opens, relations are tense. Humanity as a race is taking on airs. To the humans, the gargoyles are uncouth. Grotesque. Ill-mannered. Nocturnal, and therefore noisey at night when humans are trying to sleep. Considered, at best, a necessary evil.
OTHER GENERAL NOTES:
Though we all agree that the ECLIPSE would make a great episode some day, we're very concerned about establishing the gargoyle rules here in the first part. We don't want to confuse the issue with an eclipse.
We want to keep the story largely from Goliath's point of view. His problems. His tragedies.
The-not-yet-named-Hudson is Goliath's aide and advisor. He is NOT a babysitter to the kids. In fact, if Goliath requested him to act as babysitter, he'd probably refuse. From his point of view, Goliath's the gargoyle-master, and the kids are his responsibility. Anyway, we'd like to establish the kids independence from the get-go, to help establish them as being more teen-age in nature than real young. They don't need a chaperone.
Sold...
Although the Eighth Draft of the Pitch was far from final, by December of 1992, we had finally sold Eisner on doing the Gargoyles series. We quickly (before anyone could change their minds) began work on the pilot multi-parter.
Keep in mind, this was before Michael Reaves or Frank Paur came aboard. This was even before I knew that I'd be producing the series. But I suppose I should have known. We received an outline from a writer, which wasn't bad but wasn't the series I wanted to make. So I tried to redirect things. You can see below that I'm still floundering around with a whole bunch of different thoughts. But the pieces are starting to come together.
GARGOYLES 12-4-92
Notes on 5-part Outline
GENERAL NOTES
--We want to stick closer to the original pitch. Keep the story solidly from Goliath's point of view, with his relationship with Elisa as the central emotional arc.
--We want to clarify what a Gargoyle is and what the "rules" are:
1. Gargoyles were not created by an individual. One thousand years ago, they were real living creatures, a now extinct race that even then was scarce.
2. Gargoyles are nocturnal. At sun-up they transform into stone statues as a protective measure. Theoretically, there may be some magic involved, but from a gargoyle's P.O.V. it's a natural biological process.
3. They cannot wake up at will. They cannot turn back and forth from stone at will. Daytime, they are sleeping. Frozen in stone. That makes them fairly protected, though if someone took a sledgehammer to them, it would kill them. At night they are not stone, they are strong and powerful, and they can fly, etc. But they are not invulnerable.
4. Gargoyles don't have any special instinct or telepathy for danger. What they do have, instinctively, is a territorial and protective nature. Up to this current story, that never extended beyond the castle walls. One of our main objectives is for Elisa to give Goliath a wider definition of his territory...extending it across all of Manhattan (all of NYC?). She gives him hope and a revived sense of purpose.
5. Naming is a human trait. The medieval humans deal w/Goliath so he gets a name. The others have none until they get to the twentieth century, when Elisa encourages/insists on it. Then they pick their names.
CHARACTERS
--We have to know and sympathize w/Goliath much sooner on in the story. We should largely see it through his eyes. His concern for Elisa should drive the latter half of the story, much more than any desire to foil a crime.
--The absolute key to this is the relationship between Goliath and Elisa. We need to develop this slowly. She's got to get used to him in a big way, and for his part, he's not comfortable around humans, and definitely unused to human kindness. He's awkward. Maybe even stunned. We don't have to play it for romance, per se. Even friendship from a human is a foreign concept.
--Hudson is an ex-gargoyle warrior, long past his prime, who now acts as Goliath's advisor. He tends to knock around the castle. Maybe, he likes television. He is not and would refuse to act as a baby-sitter for the younger kids. THIS IS VERY IMPORTANT. Goliath is the Gargoyle-Master. The other gargoyles are HIS responsibility, not Hudson's.
--We'd like to play the younger Gargoyles (Broadway, Brooklyn and Lex) more as teens than little kids. Very eager to explore the new world as you have it, but with a more adventurous sensibility.
--Bronx, the gargoyle-dog does not have wings. His ears allow him to hover a bit for short periods of time. But it's hard. (Keep in mind, he has a weighted tail, like a mace.) He can't really fly. He CAN scurry all over the place, up straight vertical walls, across the ceiling, etc. He has claws that really allow him to dig in.
--Our fault, but we don't think the Bannister character is adding anything. We can probably drop him.
--Xavier needs to be much more imposing. Not bordering on broke. Though obviously, he's not in Goliath's league in terms of brute strength, underneath that three-piece suit he should be a powerful man. As men goes, he should be very strong. And brilliant. On the surface, a rich powerful man, but underneath with his hand in all-things nefarious. He should not be petulant. He should always feel menacing threatening. If, at the end, we do send him to prison, we should not weaken or reduce him. He should go off like Al Capone, with an attitude like "You don't expect prison walls to stop me, do you?"
--We don't necessarily have to use the Gladiator-esque PACK, but if we do, we should keep their strengths clear in mind. The television aspect is a front, but one we might need to see in order to understand why the public regards them as good guys. Since clearly, no single member could be as strong as Goliath, their strength lies in the pack mentality. Goliath tosses one aside, their are five others leaping on top of him, etc. Also keep in mind, that our toughest pack members as they were originally designed were probably Wolf, Jackal and Hyena. Dingo, Fox and Coyote were never designed to be very threatening on their own. Another possiblility might be the SCARAB CORP. Robots from the pitch. (Scarab could also be a division of Xavier Enterprises.) However, feel free to create new villains or a different threat.
PART ONE
We want to get to know Goliath right away. Preferably, all the beats we played in the pitch.
1. He and his fellow Gargoyle warriors defend the castle from "barbarians". We establish his territorial and protective nature.
2. For their pains, they get no thanks or even kindness. Humans look at them as necessary evil.
3. Goliath spends his time reading and keeping the younger Gargoyles out of trouble.
4. We might want to plant a seed for the Demona character here. Establish her as the gargoyle he cares for the most.
5. Also establish Hudson, his advisor, and the younger gargoyles.
6. Goliath and Hudson are sent or lured away from the castle (perhaps by Demona, though the viewers don't have to know she betrayed them). They do not get back before sunrise.
7. The trio of younger gargoyles chase Bronx down into some hidden dungeon. At daybreak they are frozen their.
8. During that day the castle is overrun and sacked.
9. When Goliath and Hudson return that night, Goliath is horrified to discover that the rest of his Gargoyles have been destroyed. Someone took the equivalent of a sledge hammer to them during the day. Demona, his love, is probably part of the rubble. (We don't have to revisit her in the five parter. She can be an element of the tragedy of Goliath. We can bring her back in an episode if this goes to series).
10. Bronx and the younger Gargoyles survived, because they were hidden from the attackers.
11. It may be stronger for Goliath not to be cursed into a thousand year sleep. He takes responsiblity for the disaster. Hudson and the others are cursed to sleep "Until the castle rests in the clouds." (I.e., theoretically, until kingdom come.) Goliath is forced to guard them (the last of his race) alone for a thousand years. This means that he won't be totally ignorant of planes and cars etc. He's seen them over the years. And it might increase his tragedy. At any rate, we don't want to bring up the issue of exorcisms. Dangerous ground.
PARTS TWO - FIVE
1. Let's keep in mind that the whole castle is moved to New York. It can be dismantled, but the human focus should be on moving this castle to the top of the skyscraper. The gargoyles are nothing more than decoration to the humans.
2. There's probably something to Goliath being on a castle top in Scotland one night. Falling asleep and waking up crated in the bowels of a ship, the next night. But we probably want to go for a more dramatic problem than him leading them with a lamp.
3. The other gargoyles, Hudson and Bronx included, don't wake up until the first night after they are installed on top of the castle in the clouds. They've gone from riding a parapet a 100 feet above the ground, to the top of this mega-story skyscraper. It's a pretty hefty transition for them.
4. Art thefts and Bank thefts aren't nearly as crucial as putting Elisa in danger and involved in the case. That's what brings Goliath in. Perhaps we should open with her undercover, infiltrating Xavier's organization. Perhaps that leads her to the Pack training grounds or some other aspect of Xavier's operation. Make her a vital and integral part of the Xavier story. Not simply on the trail of it. And though we don't want to make her helpless, we do need to put her in jeopardy.
5. We're not sure what the red herring of blaming the gargoyles for Xavier's crimes buys us. Not opposed to it, but does it just force us into awkward moments? Lots of talk about guys in gargoyle suits. That's not really a major issue for the series.
City of Stone Outline Notes
Since I just did my ramble on City of Stone, Part One, I thought I'd reprint the "memo" on that episode. Actually, it's a memo on all four episodes. My "NOTES ON OUTLINE" to Michael Reaves. Michael's story was a three-parter and we were still hoping to turn City of Stone into a home video, so I expanded it to a four parter.
Greg Weisman 7-12-94
NOTES ON OUTLINE for "City of Stone"
O.K. O.K. I changed a lot. (Less than you probably think, but a lot.) You gave me great raw material, but I wanted to focus it more. Also since you wrote the three-part outline, this movie thing came up. Gary's informed me that they can sell it better if it's more in the 75 - 80 minute range. That freed me up to add a little more material for clarity. If we don't use it as a video, we'll make it a 4-parter instead of three. If it turns out short, we can add the bit about "Birnam Wood coming to Dunsinane", which I've left out for now. We discussed some of the other changes at our lunch with Frank. But I'll reiterate them, and the reasons why, below.
General Notes...
Weird Sisters - The more I thought about this story, the more I came to believe that the Sisters were the key to cracking it open. Currently their role is limited, and yet they are the only characters who could see the whole picture. I definitely wanted to expand their role, particularly in the 20th century segments. But as I worked on achieving that goal, I realized that I wasn't clear on their motivation. I'd be happy to take you through all my thinking (there are probably two or three good story ideas in the stuff I rejected for the Sisters), so if you're ever curious, let me know. But cutting to the chase, here is what I wound up with...
Presentation: The three sisters (Phoebe, Seline and Luna) will always be depicted as triplets and female. The only physical distinction will be their hair color. Phoebe has golden hair, Seline has black hair, Luna has silver hair. (The same voice actress will play all three parts.) The three will rarely be seen apart. These will be the consistent visual (and aural) elements that will allow us to recognize them, because otherwise their appearance will vary from scene to scene, and sometimes within scenes. In the eleventh century, Macbeth sees them as old human crones, but Demona would see them as three old female gargoyles, even if they're both looking at them simultaneously. In the twentieth century, they might appear as three fashion model types in modern clothes. In our opening sequence Goliath will see them as three strange little nine year old girls. When speaking to others they present a united front. But personality-wise, particularly for conversations between themselves, I'd like to give them subtle differences. Phoebe is optimistic and cheerful. Seline is a cold realist. Luna is spiritual and distant.
Motivation: The sisters work hard to put Demona and Macbeth together in the eleventh century: to save them both, to hook them up and then to secretly add in the immortality thing. WHY? Obviously, they need these two for something. Something that isn't going to happen for centuries, or else why make them immortal. The obvious answer seemed to me to be the attack on Avalon. The sisters need powerful foot soldiers to attack Avalon for their master (probably a reworked Archmage [David Warner]). For a reason to be figured out later, the master won't be ready to attack until 1996. So the Sisters have time to plan ahead. They've decided that Macbeth and Demona would make the perfect foot soldiers. So they create immortal warriors who they then let walk around for a millennium. D & M become embittered and borderline nuts. Vulnerable to the Sisters machinations. Demona's "City of Stone" thing falls right into their hands. We have to assume that the Master is almost ready to attack Avalon. Time for the Sisters to take direct control of D & M. But over the millennium, D & M have become pretty savvy magically. It makes them more useful to the sisters but harder to control. The sisters help Goliath and Xanatos defeat Demona and Macbeth in this story so that they will be weak, defeated and vulnerable to the Sister's control.
Revelation: The cool thing is we don't have to reveal hardly any of the above in this story. In fact, we can almost present the exact opposite face. In the eleventh century sequences the Sisters will seem to really help the sympathetic Macbeth and largely sympathetic Demona defeat the nasty Gillecomgain and Duncan. In the 20th century sequences, they will help Goliath defeat Demona and Macbeth, and will again seem like three really useful ladies. There's no need to mention the master, the plan or Avalon. Our audience will think these three are great. Then if/when we get to do the Avalon story, we'll reveal the truth. The audience will hate them more cuz they'll feel as used and manipulated as Demona and Macbeth and Goliath, etc. were. The most we'll do is leave D & M under the Sisters' power at the end. We won't even hint at their malevolence.
Macbeth - Mac was great in the eleventh century stuff, but he and Xanatos seemed redundant in the present. I think we need to get clearer on his present motivation as well. Xanatos wants to save his city. I don't think Mac cares. Think of him as a nihilist. Past caring about anything. He wants Demona for the reasons we've already discussed. He's not interested in helping Manhattan. He's not part of the solution. He's a wild card who should in effect be part of the problem. We should see that immortality has done about the same to his disposition as it did to Demona's. He's honorable, but only up to a point. Reference his first appearance... he wouldn't attack the gargoyles as stone statues, but he had no compunction against kidnapping them to lure Demona to him. That's a fairly skewed definition of honor. Frankly, this yarn is more Macbeth's story than anyone's. We take him from youth to immortality. Through and beyond his entire natural lifespan. He's the one who learns something: Life is precious; vengeance and death accomplish nothing. Demona never learns this lesson. And Goliath really already new it. So we should emphasize the theme with Macbeth as much as possible. In many ways, he's carrying the emotional and thematic weight of our story.
Macbeth & Demona's Link - From 1040 on, neither can die unless both do simultaneously. If one kills the other, then both die. But if a third party tries to kill one without the other, then they both live. But there must be a penalty. I think they both feel each other's pain. (At least each other's physical pain.) We don't have to worry about cuts and scrapes, but any major blow that one feels, the other feels as well.
Reversing Demona's Spell - Since Mac won't be helping with a magical cure, I think we need another solution. (Kat Fair also pointed out that almost everyone would have their t.v.'s off and thus miss the counterspell.) I keep returning to the notion of a time limit to the spell that equates to "until Judgment Day". For our first spell, we had "until the castle rises above the clouds". From the Grimorum's point of view, that meant "until hell freezes over" or some equivalent. We can do the same thing here. Remember, Demona is getting this spell from a book that was written with no knowledge of modern science (let alone cartoon extrapalatory science). Heck it's in Latin. For example, "You will turn to stone at night until the seas boil and the skies burn." The solution to this is for Xanatos and Goliath to team up and find a way to make the seas boil and the skies burn, while simultaneously stopping Demona, saving the "statues" and dealing with Mac. That will focus their quest. It will also help give Xanatos something real to do. Only he has the technology to make the sky burn and the sea boil. I know you're concerned that this will be perceived by our audience as a cheat. We did the clever cheat once when we brought Goliath out of Demona's trance. But I see this as different. This equates with our original spell. The one that put our gargoyles to sleep for a thousand years. The solution was not a cheat. It took Xanatos' Herculean resources to match the spell's condition for reversal. The same can be true here. At first let's give the false impression that just by turning off Demona's broadcast, the spell will be reversed. Then when that fails, I'm gonna use the burning skies in what follows, but if you've got another idea for the spell's limit or reversal, that's cool. It's just a 'for instance'.
All them Scotsmen - A lot to keep track of. Let's simplify by focusing our villainy on Duncan & Gillecomgain. We won't ever see King Malcolm II. The nasty machiavellian thug Gillecomgain will work for the nasty machiavellian Prince Duncan, who later becomes the nasty machiavellian King Duncan. We will also introduce his young son Malcolm III, but we'll let him go by his alternate name Canmore so as not to confuse the audience. Canmore won't be evil, just misguided and righteous; he believes that Macbeth and Demona are evil. There are still a lot of characters, but subtracting Malcolm II will clean things up, I promise.
The Hunter - I've also added an element. The Mask of the Hunter. It belongs to Gillecomgain. After his death, Duncan takes it. After him, Canmore. In modern times, Macbeth will wear a modernized version of it. The identity of the Modern wearer will be a mystery to some of our audience until the end. Of course, anyone who saw "Enter Macbeth" will guess soon enough, but the Mask itself will carry frightening meaning -- the equivalent of a KKK hood -- and for those who guess it's Macbeth, the mystery will be why this Macbeth, who is so sympathetic in the past, would wear this horrible mask in the present. As we go through the eleventh century flashbacks chronologically, the conceit of the Hunter's mask will, I believe, help to focus our audience to differentiate between all the Scots, and even keep a few of them guessing as to the identity of the Modern Hunter.
Matt Bluestone - I definitely don't want Matt to have found out about the gargoyles in between the first and second seasons. He should be right where we left him. He knows they exist. He's seen them twice. But he doesn't know anything about them. And he certainly doesn't know that Elisa knows them. That's a great episode in and of itself. We don't want to toss it away in an off-hand line.
Flashbacks - I definitely want to intercut between the 10th/11th century sequences and the 20th century sequences. Without that intercutting, I'm afraid the two stories will seem largely unrelated. As often as possible, flashbacks should have a point of view: Demona's, Macbeth's or maybe the Weird Sisters', but they don't have to be presented to our other characters as stories unless that works in a given instance. Basically, we're using the same format that we used in "Long Way To Morning". Often the appearance of Demona, the Weird Sisters or the Mask of the Hunter will work as a convenient visual bridge between past and present.
Timeline - You may notice a few slight discrepancies here from the "Gargoyles Timeline" that you have. Here are the changes I made:
1. I placed Gillecomgain's birth at year @ 978 so that he would be @ 16 years old in 994 when he first meets Demona; @ 42 in 1020 when he kills Findlaech; and @ 54 in 1032 when he buys the farm.
2. I moved the wedding of Gillecomgain and Gruoch from 1030 (which was an approximate date anyway) to @ 1032, in order to compress events of that period into a more cohesive flashback.
3. Since I moved the wedding two years forward, I moved Luach's birth two years forward as well, from 1031 (another approximate date) to @ 1033. This makes Luach @ 7 years old in 1040 when his father becomes king; @ 24 in 1057 when he becomes king; @ 25 in 1058 when he is murdered.
You may want to note these changes on your timeline for future reference.
Demona - This yarn tells Demona's story. But she doesn't learn from it. We have to make sure that the audience is getting more than just a simple chronological depiction of her history. Since she doesn't learn the lessons of the past, we have to make doubly sure the audience does: Life is precious; vengeance and death accomplish nothing.
Goliath - Although this story belongs to our villains more than anyone, I think we need to thematically make it one of our leads as well. Goliath, obviously, gets the nod. Again, the theme is: Life is precious; vengeance and death accomplish nothing. If he forgets that, he will become like the villains he battles. "Every life is precious" applies to how he feels about all those human statues (particularly Elisa), but also -- and this is the key -- to how he feels about Demona, as well. Goliath has to work very hard to stop Demona, and then very, very hard to save her life. (Deep down, it may have something to do with her being the last female gargoyle that he knows about and/or their past relationship, but we can generalize to the notion of life's "preciousness".) The Weird Sisters can help reinforce this. (Of course, they're lying. They want Demona alive for their own personal use. But the message will sound right here.)
BEAT SHEET
1995
I. Hostage situation - Manhattan - Night.
A. ELISA & MATT outside.
B. LEAD TERRORIST inside says the cause means everything to her.
C. Our six Gargoyles take out terrorists.
1. GOLIATH approaches terrified Lead Terrorist.
a. Leader is willing to sacrifice her men to save herself.
b. Goliath is disgusted.
c. Leader flees and nearly gets herself killed.
d. Goliath saves her, almost despite himself.
D. Hostages are clearly more frightened of Gargoyles than terrorists.
1. Trio's frustration with ungrateful humans.
E. But three hostages approach Goliath.
1. We don't yet reveal that they are WEIRD SISTERS.
a. 3 nine-year old girls named PHOEBE, SELINE & LUNA.
b. Identical triplets except for hair color.
2. They are strangely unafraid of Goliath.
a. They comment on Lead Terrorist. Something like:
i. Seline: "The cause is everything until her own life
is threatened. But it's good you saved her."
ii. Phoebe: "If you forget what she has forgotten:
that every life is precious, you'll be no different
than she. "
iii. Goliath: "I'll never be like that terrorist."
iv. Luna: "We weren't talking about this terrorist."
3. Goliath looks at lead terrorist.
a. When he looks back, the Sisters have vanished.
b. This is strange. Who could they have been talking about?
II. DEMONA... wings through Manhattan skies - Night.
A. She clutches a torn piece of parchment.
B. Push in on her for flashback.
994
III. Wyvern Castle before the Massacre - Scotland - Night.
A. Repeat pp. 23-24 of 4319-001.
1. CAPTAIN & Demona try to convince Goliath to take all the
gargoyles to harry the Vikings away.
2. Instead Goliath assigns Demona to guard the castle with most of
the gargoyles.
3. Goliath leaves.
B. Demona & Captain discuss situation.
1. Original plan is blown.
a. HAKON would've attacked while gargoyles were away.
b. Gargoyles would have returned to human-free castle.
2. Captain reassures her that plan can still work.
a. He'll have Hakon attack during day.
b. Humans will still be dragged away.
3. Demona worries Gargoyles will be vulnerable.
a. Captain promises to protect them.
4. Demona agrees.
IV. Just before Sunrise - Wyvern. Demona is clearly antsy.
A. For a second she may consider revealing truth to PRE-COLDSTONE.
1. But she wimps out.
B. She takes off and hides in nearby woods or somewhere.
1. She turns to stone as the sun rises.
V. Smash Cut to sunset, she explodes out of her shell .
A. She rushes toward Castle which has clearly been sacked.
B. She sees dead gargoyle rubble.
C. She sees Goliath and HUDSON approach.
1. She can't face them and flees.
2. She's losing it. talking to herself.
a. She'll return later with some excuse.
b. He'll be so glad she's alive.
VI. She returns to castle and watches from a distance - Night.
A. Just in time to see Goliath in stone at night being placed on the castle.
1. Near the stone forms of Hudson, BROOKLYN, LEXINGTON,
BROADWAY & BRONX.
B. She watches KATHARINE, MAGUS, TOM and others leave.
1. They take wagon loads of Gargoyle eggs with them.
C. She takes off in opposite direction.
VII. Weeks later at a Scottish farmhouse, a starving Demona scavenges for food.
A. A sixteen year old boy [Gillecomgain] investigates the noise.
1. He holds a pitchfork, defensively.
B. Like a trapped animal, Demona slashes at him with her claws.
1. His face is hurt, but he falls back into the shadows, so we can't
see.
2. In the shadows, the boy's eyes glower at Demona accusatorily.
C. Demona flees, saying that'll teach those humans to betray us.
1995
VIII. Return to Present as Demona lands at Packmedia studio- Night.
A. XANATOS & OWEN are there.
1. All is ready. X had necessary equipment brought in & set up.
a. It can over-ride every broadcast channel in Manhattan.
i. Cable too.
B. She has the last stolen page from the Grimorum.
1. With it, she claims, she can steal time from other people.
a. This, she claims, is how she has remained immortal.
i. Stealing a little time at a time on a small scale.
C. By combining spell with broadcast technology...
1. They can steal one minute from the lives of everyone who watches broadcast.
2. She & X will share stolen time.
3. Given the number of people they'll reach, this'll keep them
young for a long while.
4. Spell will broadcast through the day
a. Culminate after sunset tomorrow.
i. Xanatos should return then.
D. Xan likes idea, but he's not without his suspicions.
1. Tells Owen to keep an eye on her.
2. Warns him not to simultaneously look AND listen to spellcast.
a. Xanatos leaves.
E. Demona videotapes spell.
1. Incantations; gestures; magical light show.
2. Owen listens but does not look.
a. He knows Latin and knows spell isn't what she claimed.
i. Don't tell audience what it is yet.
3. Owen puts up a good fight, but she takes him out.
a. She ties him up. Tapes his eyes open in front of monitor.
4. Puts tape in machine. Sets broadcast override. And leaves.
IX. Elisa's Apartment - Afternoon.
A. Elisa gets out of the shower and turns on t.v.
1. Remember, Elisa works the Nightwatch
a. She has slept thru the day's broadcast.
b. CAGNEY's present but ignores t.v.
2. Demona's tape plays spell over and over on t.v.
a. Elisa watches it, switching channels. But it's everywhere.
3. She plans on telling Gargoyles as soon as they wake up.
B. She heads for precinct.
X. Manhattan sidewalk - Afternoon.
A. Weird sisters watch Demona's broadcast in store window.
1. They appear to be three attractive NY fashion models.
2. A crowd of confused New Yorkers are also watching sets.
B. They discuss situation calmly.
1. Phoebe: "This is exciting. It's begins again."
2. Seline: "Concentrate, sister. Or it will all end here."
3. Luna: "There are no beginnings or endings."
a. "Remember -- it was only 975 years ago."
4. Or some such rot as they calmly walk away.
a. Tight on Demona's face on t.v. screen.
1020
XI. Dissolve to Demona's face, older, lined by time & hardship - Dunsinane,
Scotland - Night.
A. (She's biologically in her early 40's.)
B. Demona leads a small band of gargoyles in smash and grab.
1. She uses medieval human weapons.
C. Human soldiers curse gargoyles.
1. It won't be long before the "HUNTER" wipes them out.
XII. Demona & Co. return to their Cave on Lunfanan Hill - Night.
A. She makes sure that even the gargoyles who were too weak to
participate in the raid get food.
B. Establish that she's gathered last surviving gargoyles etc.
1. The Gargoyle-Hunter has hunted them to near extinction.
2. Demona keeps them alive by sheer force of will.
C. When another gargoyle suggests making peace with humans...
1. She takes him down brutally. (As she did with Owen above.)
2. She brooks no challenge to her authority.
D. Three old, female gargoyles (Weird Sisters) arrive.
1. Demona doesn't know them, but she has no reason to fear them.
2. Sisters have spotted the Hunter near Castle Moray.
3. Now's Demona's chance to get him.
XIII. FINDLAECH, High Steward of Moray, entertains at his castle - Night.
A. Also present is his fifteen year old son MACBETH.
1. There is a strong resemblance between father and son.
B. The guests are the beautiful young GRUOCH and BODHE, her Father .
1. Clear attraction between Gruoch & Macbeth.
C. Adults discuss Macbeth's cousin, PRINCE DUNCAN.
1. A flawed young man.
2. They have their doubts about his ability to someday rule.
3. But he is to be king someday. They are loyal.
D. Gruoch and her Father go up to bed.
1. Findlaech calls for servants to clean up dinner.
a. None answer his call.
E. The Hunter steps out of the shadows.
1. He wears a distinctive mask that completely covers his face.
a. Black with red claw marks painted across it.
b. Obviously, there are eye-holes, so he can see.
2. He attacks Findlaech. No explanation or reason.
a. There is a fight, but Findlaech is killed.
[Note: Adrienne is o.k. with this death. But not with the method depicted in the outline. It would be best if we could come up with some unique (and semi-fanciful) method of killing that we can use consistently throughout movie. Talk to me and/or her about this.]
F Upstairs, Gruoch hears the fighting and rushes to help.
1. Against her cowardly father's wishes.
G. Hunter goes to kill Macbeth when Demona arrives.
1. Fierce battle between Hunter and Demona.
2. At a crucial moment, Demona must choose between saving Mac and preventing the Hunter's escape.
3. Without thinking, she saves Mac, allowing Hunter to escape.
a. Perhaps Gruoch's concern for Mac touched some long buried feelings?
H. Mac & Gruoch are grateful, but Demona leaves, disgusted with herself.
XIV. 19 year old Prince Duncan paces the floors of Edinburgh Castle near dawn.
A. The Hunter enters by a secret door and is welcomed by Duncan.
1. Hunter removes mask.
2. His face has scars matching the painted claw marks of his mask.
a. We realize that this is the boy that Demona attacked in the
farmhouse, above.
3. He is identified as GILLECOMGAIN (age 42).
B. Gillecomgain reports that Findlaech is dead as ordered.
1. Though Mac lives.
C. Duncan is largely pleased.
1. Findlaech was popular.
2. With his support, Mac might have become King.
3. Without his father, Mac is just another poor relation.
D. As a reward, Duncan makes Gillecomgain the High Steward of Moray.
E. Duncan calls for a celebration.
1. Three serving wenches (the weird sisters) approach with a feast.
2. Tight in on Gillecomgain's discarded hunter's mask.
1995
XV. An unseen man watches Demona's broadcast, muted - late afternoon.
A. He puts on a modern version of the Hunter's mask.
1. (It has no visible eye-holes. It must use special one-way lenses).
B. This new HUNTER clicks off the t.v.
1. Note: This is MACBETH in his mansion, rebuilt since 4319-008.
a. He can be dressed in his modern battle armor and duster.
b. It's o.k. if many of our viewers realize it's him, we still
won't reveal it yet.
XVI. Elisa arrives at precinct house - just before sunset.
A. Precinct phones are ringing off the hook cuz of Demona.
1. Matt & MARIA CHAVEZ dealing with calls and complaints.
B. Elisa slips upstairs to be there when Gargoyles awaken.
XVII. Xanatos' castle near sunset.
A. He gets in his helicopter heading for Studio, with Derek at pilot.
1. Derek asks if Xanatos saw Gargoyle broadcast. (Derek saw it.) a. Xanatos made a point of skipping it.
B. Phone rings. It's Owen calling from Packmedia Studios at sunset. 1. Owen has just freed himself from his bonds.
2. Owen turns to stone before he can say anything too revealing.
C. Suddenly, the copter starts to drop.
1. Derek has turned to stone next to Xanatos.
2. Chopper's going down.
XVIII. At clock tower, the Gargoyles explode out of their shells and come to life.
A. They move inside, ignorant of the day's events.
B. Elisa's "statue" stands just inside of the clock face.
[If and/or when we divide into multiple parts, I think this is where part one ends.]
1. They don't realize the statue is Elisa.
2. They assume it's a statue of her.
a. Keep in mind that gargoyles (except Goliath) haven't seen
each other as stone, because they are always stone at the same time.
3. But how did statue get here?
4. Who else but Elisa would leave it?
5. Why would Elisa give them a statue of herself?
6. And why wouldn't she wait to see their reaction?
7. And if it wasn't her, who left this here and how and why? Etc.
C. Only Goliath has seen his friends as stone.
1. He doesn't necessarily state his fear. But he's uneasy.
2. He assigns Hudson and Bronx to guard the statue.
3. He and the trio will patrol the city, as usual.
XIX. Xanatos fights to save his life.
A. Pulls chopper out of dive and brings it in for rough landing.
1. Any landing you can walk away from, hmm, Derek?
2. Derek doesn't answer. At least he's unchipped.
B. Xanatos looks around him. Everywhere people are "stoned".
1. Obviously, Demona and he need to have a little talk.
2. Pulls a mega-weapon out of the first aid kit or whatever.
3. Heads off to PackMedia Studio on foot.
XX. Goliath & Trio patrol the night skies.
A. From a height, everything seems peaceful at first.
B. But eventually they discover the "stone" populace.
1. Maybe a single blind man & his seeing-eye dog are unaffected.
a. Brooklyn talks to blind man over the barking of dog.
i. Dog is freaked out by gargoyles, not "statuary".
ii. Man doesn't realize he's talking to gargoyles.
b. Gargoyles learn about broadcast from blind guy.
i. He heard it and was told about it, but didn't see it.
ii. Gargoyles figure out the truth (including Elisa).
iii. Brooklyn is furious at Demona as usual.
c. They tell the blind man he'd better stick close to home.
C. Goliath says they'll have to split up to find Demona.
1. Brooklyn will stay with him.
a. Goliath's afraid Brooklyn's a loose cannon.
2. As for Broadway and Lex...
a. He tells them to stop by clock tower.
i. Fill Hudson in.
ii. Send him and Bronx off as a third team.
b. Broadway worries about leaving Elisa unattended.
i. G: "She's as safe in the tower as anywhere."
c. The priority now is finding Demona.
i. Lex: "But How?"
ii. Goliath is afraid that, unfortunately, finding her
will be all too easy.
XXI. On Manhattan streets we follow a highly visible trail of rubble and destruction...
A. To Demona, who is having a grand old time with the "stoners".
1. Here she blasts one with a laser-cannon.
2. There she smashes one with a medieval mace.
3. She's practically giddy, talking to herself and the "stoners".
B. She remembers her appointment with Xanatos at the studio.
1. Can't let him turn off the broadcast.
2. She heads off with impunity in that direction, continuing the
destruction as she goes.
XXII. The New Hunter [Macbeth] is flying his hover-jet through NY's night
skies.
A. Demona's broadcast silently plays over and over on a small monitor.
B. A computer voice tells us that it is tracking the t.v. override signal.
C. Soon. He says. Soon. Fade into flashback.
1032
XXIII. Dunsinane, Near Moray -- The Original Hunter [Gillecomgain -- age 54,
but still as fit as any warrior] battles Demona (age 47).
A. It could go either way, but the sun is rising and she must flee.
B . Both swear to finish it later.
XXIV. At Castle Moray, Macbeth (age 27) and Gruoch's Father converse.
A. Mac can't believe that Bodhe is marrying his daughter off to
Gillecomgain.
1. He threatens to run away with Gruoch.
B. Bodhe protests.
1. Prince Duncan has ordered the marriage.
2. If they defy the Prince, it's equivalent to capital treason.
a. There'll be no safe place for them to run.
i. Which is fine for Macbeth, but think of my
daughter.
XXV. Mac & Gruoch rendezvous on Lunfanan hill as planned to run away.
A. But Mac is distant, unfeeling, unloving.
1. Tells Gruoch to marry Gillecomgain but won't give real reason.
a. Because he knows she would risk anything for him.
B. She's clearly devastated by his cold dismissiveness. (So's he.)
XXVI. The Wedding of Gillecomgain & Gruoch at Castle Moray.
A. Macbeth lurks in the back.
B. Prince Duncan (age 31) is there.
1. He's showing off his one year old son PRINCE CANMORE.
C. Maybe Gruoch's bridesmaids are the Weird Sisters.
D. After the ceremony, Duncan & Gillecomgain confab.
1. Duncan wants Gillecomgain to tie up the last loose end.
a. Kill my cousin Macbeth.
2. But Macbeth is Gille's insurance.
a. Mac's an heir to the crown and popular.
b. If Duncan gets out of line, Gill will reveal that Duncan
ordered Findlaech's death.
i. Which cousin will wind up King then?
3. Duncan is major league steamed.
XXVII. Macbeth is summoned to Prince Duncan at Edinburgh.
A. Baby Canmore plays nearby.
B. Duncan plays Mac like a lute.
1. He's just discovered something truly shocking and horrible.
2. He knows who the mysterious Hunter is...
a. The man who killed your father...
b. It's Gillecomgain.
3. Duncan laments that Gil fooled him completely.
4. Oh, if only Gillecom were gone, Duncan would:
a. Give Macbeth his rightful title: High Steward of Moray.
b. Give him Gruoch's hand in marriage.
5. But Duncan doesn't dare attack Gille openly.
a. It could start a civil war between Moray and rest of
Scotland. All would suffer.
6. Duncan shakes his head. What can be done?
XXVIII. At Moray, in a scene parallel to the death of Findlaech:
A. Macbeth steps out of the shadows to battle Gille.
B. Gruoch hears fight and comes downstairs.
C. Gill is ready to kill Gruoch to save himself.
1. He taunts paralyzed Mac.
2. He slips on the Hunter mask as final insult.
D. But Demona is here watching.
1. She had been tipped off by Weird Sisters again.
2. She didn't know which of them was the Hunter.
E. Tables turn. Mac rescues Gruoch while Dem fights Hunter.
1. Maybe in here, Gil reveals to her that he was the boy she scarred
for life.
F. Mac rescues Demona in some way.
G. Gille/Hunter buys the farm in some way.
1. Preferably by whatever method Gill used on Findlaech.
H. There is a brief moment of respect between Mac & Demona.
1. Then off she goes.
XXIX. Outside Castle Moray just after the wedding of Macbeth and Gruoch.
A. Prince Duncan puts on the Hunter's mask himself.
1. There will always be a Hunter, he says to his baby son.
a. The boy is attended by the Weird Sisters.
2. And there will always be the Hunted.
1995
XXX. Manhattan/Night. Goliath and Brooklyn come across Demona's trail of
human rubble.
A. Goliath and Brooklyn are devastated.
1. This reminds them of the massacre at Wyvern.
2. Goliath: "Every life is precious."
3. Brooklyn hates Demona. "This could be Elisa."
4. Goliath erupts. NEVER!!
5. Goliath swears to put an end to Demona's evil once and for all.
B. Suddenly, three stone figures begin to speak to Goliath without
transforming back from stone -- very spooky.
1. The Weird Sisters as speaking stone versions of the nine-year old
girls that Goliath met earlier.
2. They agree that Demona must be stopped.
3. But they remind him of his own words -- every life is precious.
a. Stop her, but don't become like her.
b. Vengeance begets nothing but a vicious cycle of further
vengeance.
4. They advise him to follow the trail of rubble.
5. Then they crumble into rubble themselves.
C. Goliath and Brooklyn follow trail of rubble.
XXXI. Xanatos & Demona arrive at PackMedia almost simultaneously.
A. Xanatos is determined to turn off broadcast.
B. Demona is determined to stop him.
C. Big fight. (Stone Owen at risk.)
D. The New Hunter [Macbeth arrives].
1. Just seeing that mask drives Demona to fury.
2. But she's not nuts, she flees.
3. Hunter fires off a cable attachment that wraps around her ankle.
4. As she flies off, he holds on by cable -- determined.
E. All this allows Xan to shut down broadcast.
1. He expects Owen to turn back to flesh.
2. Owen does not.
XXXII. In the skies above Manhattan, the Hunter tries to hold on and nail
Demona.
A. Big aerial sequence.
B. Ultimately, Demona shakes him (roughly) and flees.
1. Let's subtly indicate somewhere in here that when one is hurt
both feel pain.
C. He summons his hover-thing. He hasn't given up.
XXXIII. Goliath and Brooklyn arrive at PackMedia Studio.
A. They find Xanatos (and stone Owen) and evidence of battle.
B. Goliath is accusatory, but Xan disarms him by copping to his mistake.
1. "Do you want vengeance...or a solution?"
C. They declare a temporary truce and form an uneasy alliance.
1. They shake on it.
[And this is where Part II would end if and/or when it becomes a Multi-Parter.]
XXXIV. Morning at clock Tower. Elisa transforms back to flesh and blood.
A. Note: she does not explode out of stone shell. She transforms back.
1. Difference between Gargoyles organic process and her magical
one.
B. She has no idea what happened to her.
1. But "two seconds ago" it was sunset.
2. Now it's sunrise and the gargoyles have vanished.
3. Did she lose the entire night?
4. She exits clock tower.
XXXV. Back at the Studio, Owen has transformed to Flesh in front of Xanatos.
A. Xan starts to explain what happened to Owen.
1. But Owen's figured it out.
2. So Xan tells Owen about Gargoyle alliance.
a. Good. Owen suggests searching Grimorum for
counterspell.
b. No good. Even if there's one in there none of us "good
guys" knows how to use magic.
3. Xanatos asks Owen for the exact terms of spell.
a. Owen translates from Latin:
i. "You will turn to stone each night until the sky
catches fire."
4. Xanatos: "Then we'll just have to set the sky ablaze."
a. "Hurry. We've only got 12 hours."
XXXVI. TRAVIS MARSHALL reports.
A. People are panicked.
B. The mysterious broadcast has ceased.
C. But most everyone in the city, including this reporter, has no memory
of the past night.
D. He interviews hysterical woman who claims everyone turned to stone.
2. Incidentally, she missed the broadcast. Doesn't watch t.v.
a. Therefore, she must be crazy.
E. Experts theorize mass hypnosis?
XXXVII. New Hunter [Macbeth] watches report.
A. He can't believe Demona slipped through his grasp again.
B. Fade into flashback.
1040
XXXVIII. The royals hike leisurely up Lunfanan Hill on a gloomy, foggy
morning.
A. Duncan (age 39) is there. He is now High KING of Scotland.
1. With him is his son Prince Canmore (age 9).
B. Macbeth (age 35) is also there with his son LUACH (age 7).
C. All are trying to make nice.
D. Duncan nearly falls to his death. Macbeth saves him.
E. Duncan is more stunned at Mac's loyalty than grateful.
1. He tells Mac he had his doubts, but now he's convinced Mac's a
loyal subject.
F. Suddenly, they come upon cave of stone gargoyles including Demona.
G. Duncan goes to destroy them starting with Demona.
H. Macbeth intervenes; pleads for them.
1. Duncan reluctantly acquiesces.
a. Doesn't like it, but the guy did just save his life.
I. They start down the mountain.
J. They meet the Weird Sisters in their Old Crone Shakespearean guise.
1. "Double, double toil and trouble: Fire burn; and cauldron
bubble."
2. The Weird Sisters hail all four of them as Kings of Scotland.
3. Macbeth protests. Duncan is king.
a. Sisters: King now. But each of you shall be king in turn.
b. Mac: Certainly Prince Canmore, but not him & Luach...
c. Sisters: We have spoken.
K. The sisters vanish.
1. The two boys look at each other suspiciously.
2. Macbeth tries to write it off as nonsense.
3. Duncan (who's been quiet) agrees.
a. But we can see he's already plotting. Dissolve...
XXXIX Lunfanan again, later that day, with Duncan and some men.
A. Suspicious of Macbeth's relationship to the gargoyles.
B. He plans on attacking Macbeth with his army.
1. Doesn't want gargoyles to help Macbeth.
C. Hates to attack so near to sunset, but tomorrow he might not be able to
find them.
D. He puts on the Hunter's mask.
E. He gets up mountain in time to destroy maybe one or two gargoyles.
F. But the sun sets and Demona (age 51) and the others explode to life.
1. Still, all Demona can do is flee with her band.
2. She's getting old, weak.
a. Who will lead after she's gone?
b. If only there were some way to regain her strength and
youth.
i. She must seek the Weird Sisters.
XL. Castle Moray. Old Bodhe warns Macbeth that Duncan's bringing an
army.
A. Macbeth has his loyal retainers, but they can't defeat Duncan.
B. He can't protect his family.
C. Old Bodhe (cowardly as ever) suggests Mac surrender.
1. If he does, Duncan might spare Luach and the rest.
D. Macbeth agrees.
1. He says a cryptic "I love you" to wife and child and rides away.
XLI. Night in the misty wilderness. Lost, Macbeth and Demona stumble upon
each other.
A. Mac begs Demona to help him defend his family.
1. He promises to help her keep the gargoyles safe.
2. She's heard that before. What guarantee does she have?
B. Suddenly, the Weird Sisters appear from the mist.
1. We see that Mac sees them as Old Human Crones.
2. While Demona simultaneously sees them as Gargoyle crones.
C. Sisters suggest an act of good faith. Is there anything Demona wants?
1. Demona wants youth.
2. Would Mac be willing to trade?
3. Anything to save his family.
D. Sisters arrange trade. Magic light show, incantations and morphing.
1. Demona becomes the young Demona we are familiar with.
a. A permanent change from this point on.
2. Mac becomes the older Macbeth we are familiar with.
a. From this point on, he's permanently in his early fifties.
3. Any of our audience that speaks Latin will learn about the
immortality link.
E. Sisters send the new allies off with one last tidbit:
1. "Duncan gave Gillecomgain all his orders."
XLII. Bothgoanan, Scotland. Night. Mac's forces and Duncan's are ready to
battle.
A. Calm before storm. Gruoch and Luach are there.
1. She touches Mac's grey hair gently.
2. She's afraid he made a bad deal.
B. Demona enters tent. It is time.
C. Old Bodhe takes Gruoch and the boy behind the lines to safety.
D. Mac and Demona go to join there forces and face the enemy.
XLIII. The Battle of Bothgoanan. Night.
A. With the gargoyles help, Mac's forces are winning.
1. Mac calls admiringly to Demona: "You fight like a demon!"
B. Duncan is killed in some way. (Preferably the same way Find & Gil
bought it.)
1. Hunter's mask is found as evidence he was responsible for
Findlaech's death.
2. Macbeth is hailed as new High King of Scotland.
C. Prince Canmore is brought forward.
1. Old Bodhe urges the young boy's death.
2. Macbeth refuses. He will banish the boy.
a. Send him to stay with relatives in England.
b. No one notices that Canmore steals the Hunter's mask.
XLIV. The coronation of Macbeth at Scone. Night.
A. Demona, Luach, Gruoch and Old Bodhe are all there and happy.
B. Macbeth makes Demona his primary advisor.
1. He promises a golden age in human/gargoyle relations.
2. He promises that the humans will learn to respect her.
a. She'd rather be feared.
b. Mac: "They'll do that too... 'Demona'"
i. She likes her new name.
3. The happy golden age begins.
a. Everyone cheers. Humans and gargoyles alike.
b. The Weird Sisters, disguised as serving women, smile.
1995
XLV. Precinct, late afternoon. The Weird Sisters, disguised as cops, help out cheerfully amid the panic.
A. Elisa confers with Matt and Maria.
1. FCC has tracked down source of Broadcast.
a. Packmedia Studios show signs of conflict, but no hard
leads.
b. But Elisa knows who owns Packmedia.
i. But she's not saying anything 'til she knows the
extent of gargoyles involvement.
XLVI. In the Great Hall of Xanatos' Castle before sunrise, Owen and Xanatos (in
his armor sans helmet for the time being) are hard at work.
A. They are outfitting all of the Steel Clan robots with special packs.
1. Including Xanatos' own armor.
2. They have extra packs for the gargoyles who should arrive just
after sunset.
3. The audience doesn't yet know what the packs are for.
4. There's a lot of other temporary equipment set up, as well.
B. Elisa arrives ready to blame Xanatos for everything.
1. Owen: "Mr. Xanatos is trying to fix things. What are you
doing to help?!"
C. Before she can answer, the sun goes down.
1. Owen and Elisa turn to stone.
2. X: "That's one way to settle an argument."
D. All six of our gargoyles arrive.
1. Hudson & Broadway carry Bronx between them.
E. Xanatos explains plan.
1. Steel Clan Robots, Gargoyles and Xan will fly in pre-arranged pattern over the island of Manhattan.
2. They will carry packs that will distribute a harmless gas.
3. At a pre-set time, the packs will explode, igniting gas.
a. A time-counter on the computer screen indicates the time
before detonation.
b. Obviously, by that time, Xanatos & gargoyles must be out
of the upper atmosphere and clear of their packs.
c. Xanatos' robots will be sacrificed to ignite gas.
4. For ten seconds the entire sky will appear to be on fire.
5. Hopefully that will break the spell.
F. Sometime during all this, Bronx starts clawing at a tapestry.
1. Xanatos tells Brooklyn it's worth a hundred grand.
2. Brooklyn shoos Bronx away.
3. A distracted Goliath sees none of this.
4. Make sure this isn't too obvious a foreshadowing.
5. Let's loose track of Bronx after this for awhile.
G. Everything's ready. Xanatos puts on his helmet.
1. Goliath approaches Elisa. This has to work.
H. Steel Clan, Xanatos, Hudson, Trio and Goliath take off with packs.
1. Keep Bronx out of sight and out of mind for now.
XLVII. Steel Clan, Xanatos and gargoyles criss-cross the night sky distributing
the gas.
XLVIII. Back in Great Hall, a panel slides open behind Tapestry.
A. Demona steps out.
1. There are secrets about castle that even Xanatos doesn't know.
2. She can use computer set up to spoil Xanatos' plans.
3. But first she's gonna have some fun.
a. She approaches Elisa's stone form with her mace.
b. Didn't know this meddling human was still alive.
i. That can be rectified.
[And this ends part 3, if and/or when we go to four parts.]
B. Bronx intervenes between Demona and stone Elisa.
C. Demona temporarily backs off. She talks in a soothing voice, but:
1. She approaches computer terminal.
2. She reprograms gas-packs to explode early.
a. The computer screen time counter skips ahead quickly.
b. Xanatos & Gargoyles will die in explosion.
i. Intercut to Xan, gargs and robots in sky.
c. Not enough gas will be released to ignite the sky.
d. Then she'll use her laser-cannon to blow away Bronx,
Owen and especially Elisa.
e. Then there'll be no one left to stop her.
D. "What about me?", The Modern Hunter [Macbeth] steps out of the
shadows.
1. In a frozen city, it wasn't hard to spot all those robots and
gargoyles taking off from the world's tallest building.
2. He decided to investigate and found exactly who he was looking
for.
E. But Demona has already reprogrammed the computer access code.
1. It's too late to save the gargoyles and the city.
a. She presses a last button, locking out access to the
computer.
b. The time counter returns to a normal pace.
c. But a lot of time has been shaved off the countdown
before the pre-mature explosion of the gas-packs.
2. The Hunter doesn't care about any of that.
3. He just wants it over between them.
1057
XLIX. At Dunsinane, the Hunter [Canmore -- age 26] leads English soldiers.
A. He is met by Demona leading a combined platoon of gargoyles and
human Scottish soldiers.
B. It's maybe a minor victory for the Hunter; more of a stalemate, really.
C. Demona leaves to inform Macbeth.
1. Demona's still confident that together, she and Mac can put
these English down & destroy the accursed Hunter for good.
a. We get sense that Mac's golden age has been working.
b. We've never seen Demona so happy and at peace with
herself.
L. Castle Moray. Macbeth confers with Old Bodhe and Luach (now age 24).
A. Macbeth wants to know why Bodhe wanted to meet without Demona.
B. Bodhe explains that the Hunter has convinced the English that Mac is
evil because Mac associates with gargoyles.
1. English got rid of their gargoyles long ago.
C. If Mac gets rid of the gargoyles, the Hunter will lose his English
support.
D. Luach can't believe his father is listening to this crap.
1. Luach's about to leave to fetch reinforcements.
2. They haven't lost. There's no need to betray their gargoyle
friends.
E. But Macbeth says a wise king must consider all his options and then
make the correct choice.
1. He doesn't let us in on his choice.
F. And he doesn't realize that Demona has heard the whole thing.
1. She's sure Mac is going to betray the gargoyles.
LI. Demona approaches the Hunter in his camp.
A. She promises to keep her gargoyles out of his battle against Mac if the
Hunter will promise them protection.
B. He agrees.
LII. At Castle Moray, the Hunter launches his attack.
A. Macbeth is suddenly informed that the gargoyles are missing.
1. He's based his defense strategy on their aid.
a. The gargoyles were supposed to help hold off the English.
b. Long enough for Luach to launch a surprise counter-
attack with reinforcements from behind.
B. The battle is lost before Luach can arrive.
C. Gruoch begs Mac to flee with her, and he reluctantly does.
1. They take a pre-arranged escape route.
LIII. But on Lunfanan Hill, The Hunter is waiting for Mac & Gru with Demona.
A. Hunter takes off his mask, revealing himself as Canmore.
1. He is here to avenge his father Duncan and take back what he
considers to be his rightful crown.
B. Macbeth is stunned at Demona's betrayal.
1. But she knows Mac was planning to betray her first.
2. He furiously denies it, and while they fight...
C. Canmore kills Macbeth.
1. Demona doubles over with pain and seems to die as well.
2. As Gruoch cries over her husband...
3. Canmore confirms his belief that Demona & Mac were linked by
sorcery.
a. If one dies, both die.
b. Well, Canmore says, she betrayed Macbeth.
c. She ultimately would have betrayed me as well.
d. So it's a good thing I had all her gargoyles secretly
destroyed.
e. Hers was an unholy race and didn't deserve to live.
D. An Englishman alerts Canmore that Luach has arrived with Scottish
reinforcements.
1. He performs the better part of valor and retreats for now.
E. Luach and Old Bodhe arrive and find Gruoch crying over Macbeth.
1. The horrible sight makes Luach more determined than ever to
stop the English.
2. Even Bodhe's courage finally seems to awaken inside him.
a. He takes Macbeth's crown and gives it to Luach.
b. Luach is the new High King of Scotland.
c. Together, they will fight the English to the last man.
3. Gruoch asks for some time alone. Her father and son depart.
F. Weird Sisters appear in their Old Crone guise.
1. They approach Demona.
a. "The pain is great, child."
b. "But you are unharmed."
c. "Waken to the fate you've made for yourself."
2. Demona stirs.
a. Gruoch, still furious at Demona's betrayal.
i. She tells Demona that Canmore betrayed her.
ii. "Your people are gone, monster."
iii. "You are the last of your duplicitous race."
iv. Or something like that.
3. Demona flies off alone.
G. Weird Sisters now approach Macbeth.
1. For Canmore got it wrong.
a. He said when one dies, both die.
b. "But when one lives, both live."
c. And they vanish into the mist.
2. And then Macbeth stirs.
3. Far from being pleased, Gruoch is frightened.
a. Is it him or his ghost?
4. Macbeth assures her that he is alive.
a. Macbeth wants to join Luach in battle.
b. But Gruoch says no.
i. If he returns now, he undermines Luach.
ii. The English already accuse Mac of sorcery.
iii. This will be the final proof.
iv. It would divide even the most loyal of Scotsmen.
v. Luach & Scotland's only hope is for Mac to remain
dead.
c. Macbeth: But I'm not dead.
d. Gruoch: Then you must disappear.
i. Leave Scotland forever. It is the only way.
5. They share one last kiss, and she departs out of his life forever.
1995
LIV. Back in Great Hall, Demona & Hunter [Macbeth] in stand-off.
A. A confused Bronx looks on. All he knows to do is guard Elisa.
B. Hunter has sought Demona across the centuries for his vengeance.
C. She is unimpressed.
1. Take off that stupid mask. She knows he's Macbeth.
a. He takes it off.
D. Nearby, the counter continues to count off the time until the pre-
mature explosions of the gas-packs.
LV. In the skies above Manhattan, Xanatos & Goliath fly abreast for a moment
as they "pass gas".
A. Xanatos says it's working. Now if that dog of yours leaves my tapestry
alone.
B. Goliath quickly figures out the truth.
C. He and Xanatos head back for the castle.
LVI. Back at the Great Hall, Macbeth holds up the Hunter's Mask.
A. He only wore it as a reminder of her betrayal.
1. She says, "Let's not start that old argument. It's pointless."
2. Besides, what's he gonna do. To kill her, he must die as well.
B. Macbeth has lived so long he no longer fears death.
1. And, indicating "stoners", he has no desire to live in the kind of
world her evil is creating.
2. He'll do what he has to do to get his revenge.
C. They fight.
D. Xanatos & Goliath arrive just as a stray laser cannon blast takes out a
huge piece of the floor.
1. Goliath is just in time to catch Elisa and keep her from falling
down the hole to smash on the lower floors.
E. Macbeth & Demona largely ignore the new-comers.
1. They tumble down to the floor below.
F. Xanatos checks the computer.
1. She's locked him out by changing access code.
2. And pack's are set to go off pre-maturely.
3. We need to save her to save the others and the city.
G. Goliath orders Bronx to guard Elisa.
1. He and Xanatos follow the fight down.
LVII. On a lower dungeon-esque floor of the castle, Xanatos & Goliath catch up
with Demona & Macbeth.
A. Demona & Macbeth are in a berserker rage.
B. Xanatos & Goliath try to just separate them -- no luck.
C. So they wade in to incapacitate them.
D. The battle takes them down again onto a lower floor.
LVIII. The quartet of combatants fall down from the lowest floor of the castle
into the Arboretum beneath it.
A. Goliath & Xanatos use teamwork to come through the drop all right. 1. Demona and Mac hit harder, down through trees, etc.
2. G&X take advantage of this to take them out.
3. Demona is knocked out.
4. Macbeth nearly so, by her injury.
B. But the injured Mac grabs Demona and prepares to do away with her...
1. (And thus himself.)
C. Goliath: "Killing her won't solve anything."
D. "He's right, Macbeth." This from the Weird Sisters.
1. They step out from among trees as NY fashion model types.
a. Though we see that Macbeth sees them as the Crones.
2. They question Macbeth:
a. Duncan was afraid that your father would make you king.
Did your father's death stop you from becoming
king?
i. Mac: "No!"
b. You wanted revenge for your father. Did Gillecomgain's death settle that score?
i. Mac: "No."
c. Did your own "death" save Luach from Canmore?
i. Mac: "...no..."
ii. And the last 'no' breaks his heart.
3. Goliath pipes in. "Death is never the answer."
a. "Life is. Precious, precious life."
4. Macbeth: "I'm just so tired."
5. Sisters: "Then sleep."
6. Macbeth drifts off.
E. Xanatos doesn't know what the hell is going on.
1. He just knows he needs the access code.
2. Intercut timer and trio flying around at risk.
F. Seline wakens Demona, who is groggy, as if in a trance.
1. Phoebe asks Demona for the code.
2. Demona answers like she's talking in her sleep.
a. But she still refuses.
i. She will have vengeance for the betrayal of her
people. Vengeance for her pain.
3. Sisters: "But who betrayed her people? Who caused this pain?"
a. The Vikings destroyed her clan.
i. Who betrayed castle Wyvern to the Vikings?
b. The Hunter exterminated every gargoyle he found.
i. Who created the Hunter?
c. Canmore killed the last of her race.
i. Who betrayed Macbeth to Canmore?
4. Goliath: Your thirst for vengeance created nothing but more
sorrow.
a. End the cycle. Give us the code.
5. She does.
6. Armed with it, Xanatos shoots up through the hole in the roof.
LIX. Xanatos enters through the hole in the floor of the Great Hall.
A. He enters the access code into computer and stops clock with seconds
to spare. Whew.
B. Bronx looks on without a clue.
LX. Back in Arboretum, Demona begins to shake off her trance.
A. Her denial's kicked in. It was the humans' fault, not hers.
1. She wants her revenge.
2. She's learned nothing.
B. Sadly, the Weird Sisters (nine year old girl version) tell her she's tired.
1. She falls back into a trance beside Macbeth.
C. Goliath wonders what to do with Demona & Macbeth.
1. Sisters feel responsible for them.
2. They will take Demona and Macbeth and try to help them.
3. Goliath asks who or what the sisters are?
a. But that's a story for another day.
D. The three sisters vanish along with Macbeth and Demona.
LXI. Hudson & Trio fly over the river and drop their empty gas packs.
A. They head back for the castle.
LXII. Goliath joins Xanatos in Great Hall. It's time.
LXIII. In the skies over Manhattan, the Steel Clan Robots and their packs
explode.
A. The sky is ignited and for ten seconds is aflame for as far as the eye can
see.
LXIV. In the outer courtyard, Xanatos and Goliath watch the flaming sky.
A. Hudson and the trio land beside them.
B. A moment of true awe for everyone.
C. Bronx howls from back inside the Great Hall.
1. They rush inside.
LXV. Xanatos and the gargoyles arrive back in the Great Hall, in time to see the
stone melt away from Elisa and Owen.
A. Goliath is so happy he lifts Elisa up into the air.
1. She laughs. She doesn't have a clue what's going on.
B. Owen and Xanatos shake hands calmly.
1. Owen knows exactly what's going on and is pleased it worked.
C. Xanatos approaches Goliath just before the good guys are about to
leave.
1. They made a pretty good team.
2. All this time Xanatos has been wondering why he allowed the
gargoyles to live.
3. Now, he knows.
4. Occasionally, they come in handy.
D. Goliath starts to get angry, but then admits that occasionally...
1. Xanatos comes in handy, as well.
LXVI. The Gargoyles fly away from the castle.
A. Goliath carries Elisa. Broadway carries Bronx.
B. Everywhere below them are the signs and sounds that Manhattan is
waking up from it's stone sleep.
1. Safe once more, thanks to the gargoyles.
THE END.
That's it. Finally. As ususal, if you have any questions, don't hesitate to ask. Sorry it took so long to get this to you. A few last reminders: just write the script as one piece; ignore the part designations for now. Also, do not be afraid to over-explain things. Be as clear as possible. We do not yet know for sure where this is being story-boarded. With all the time shifts and differing ages in different scenes it could confuse anyone. Also don't assume familiarity with previous episodes. Don't hesitate to cite specific references to page or episode numbers of past scripts. Good luck.
Trying again to sell the thing...
Well, if you've been following the early nineties adventures of Greg Weisman and his development staff, you've watched him fail to sell Gargoyles TWICE. First as a comedy. Then as a drama. Now (October, 1992) we were preparing to try again. Again as a drama. We liked the show we had developed, so we weren't actually planning on redeveloping it a third time. We simply wanted to rework the pitch, which mostly meant SHORTENING it.
Now, finally, Goliath sleeps for a thousand years.
GARGOYLES PITCH Reduced Eighth Pass (Weisman / 10-21-92)
A. Trio of typical stone GARGOYLES.
"We all think we know what GARGOYLES are. Ugly, stone statues squatting on the roofs of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."
B. GOLIATH, the GARGOYLE-MASTER. Proud and Noble.
"But when the sun went down, GOLIATH, the GARGOYLE-MASTER would lead his gargoyle-warriors in defense of the king's castle."
C. Goliath reading in library, sitting on small gargoyles.
"And if there was no battle to be fought, he'd retreat to the library to read and learn, all the while making sure that the other gargoyles stayed out of trouble."
D. HUMANS scorning the Gargoyles.
"For all these efforts, Goliath received no reward, no thanks or even kindness. In fact, the people of the castle treated all gargoyles with nothing but contempt."
E. The Gargoyle-Master alone in the throneroom.
"Still Goliath could no more stop guarding the castle than breathing the air. It's part of a gargoyle's nature to be territorial, protective. And so for years, he maintained his lonely vigil. Then one night, Goliath was betrayed and lured away from his post."
F. SORCEROR curses Goliath and the other gargoyles on the castle ramparts.
"The castle was overrun and sacked. Goliath and the surviving gargoyles were unfairly blamed. The kingdom's SORCEROR laid a curse upon them, and they fell into a stone sleep--that lasted a thousand years."
G. Castle on the skyscraper.
"New York City, 1994. A rich and powerful man has decided there's a better place for a medieval castle than a picturesque hill in Scotland. He's moved the whole place--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan."
H. Police Detective ELISA REED.
"All of which means nothing to New York City Police Detective, ELISA REED. Castles and curses don't even enter her mind. She's hot on the trail of a major badguy."
I. She's ambushed on a rooftop by multiple THUGS. She's got the drop on most of them. But someone's about to nail her from behind. (And from another rooftop, someTHING is watching in the shadows.)
"Too bad that trail leads her right into an ambush. But thank goodness, a shadowy figure sees what's happening and decides to help."
J. Reveal THE GARGOYLE, determined, as he dives into fray from above.
"Thank goodness for THE GARGOYLE. When you're as strong as Goliath, benchpressing two badguys is easy. And that stone-like hide of his makes him practically invulnerable."
K. Romantic shot in moonlight. Close in. She reaches up to touch his face gently. He looks handsome and noble and just a bit uncomfortable and sad.
"...To everything but Elisa's kindness. She is the first human being who's ever offered him understanding and friendship, hope..."
L. From atop the skyscraper, she shows him Manhattan. The city as fortress. This is our showpiece card.
"...And a sense of purpose. Because by nature, a gargoyle protects his home from 'barbarians at the gate'. And Goliath's new home, Manhattan, has its fair share of barbarians."
M. HUDSON. (One pose, plus two headshots.)
"Fortunately, our hero doesn't have to face them alone. This is Goliath's old friend HUDSON, a Gargoyle-Warrior long past his prime. Hudson helps out by keeping an eye on the young Gargoyles-in-training..."
N. Trio of young Gargoyles, BROOKLYN, LEXINGTON and BROADWAY. Same as card 1. (But in color, perhaps?)
"...BROOKLYN, LEXINGTON and BROADWAY. (Uh, they picked their own names.)"
O. BRONX, the DOG. (Multiple poses.)
"And then there's BRONX, the angst-ridden Gargoyle-dog. Bronx doesn't like adventure. Doesn't like new technology."
P. Bronx (two poses) chewing on a fire hydrant and flying.
"He just likes to eat a lot, sleep a lot and make a general mess."
Q. Trio uses Bronx to play trick on Hudson.
"All in all, it's a lot for Hudson to handle."
R. Goliath and Elisa try to be inconspicuous on the Subway.
"Not that Goliath has it any easier. It's hard for a seven-foot medieval monster to squeeze into the modern world."
S. Interior of Gargoyle lair.
"Sometimes he just needs to retreat back to the old castle and let time stand still. Of course that can be tough too. Particularly when you're constantly facing yet another bizarre and dangerous criminal of the night..."
T. Stone version of our Gargoyle. Looking vicious and scary. Daylight.
"And the night is all that matters, because the gargoyles still sleep as stone statues during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."
U. Night. Goliath, handsome and noble again, on top of a skyscraper with the full moon, Elisa and the other Gargoyles right behind him. Gothic mood, but clearly set in the present.
"But when the sun goes down, they're our only protection from the city's dark terrors. They are the GARGOYLES."
V. KID at Disneyland.
"Joining the Disney Family in 1994."
Chapter XXII: "City of Stone, Part One"
Time to Ramble on "City of Stone, Part One", which I watched the other night with my family....
Story Editor: Michael Reaves
Story: Michael Reaves
Teleplay: Brynne Chandler Reaves & Lydia Marano
Well, over a year had passed since we had revealed in "Enter Macbeth" that Macbeth had named Demona. Now we were gearing up to explain that little tidbit of info. I'm curious to know how many people were still focused on that before the "PREVIOUSLY ON GARGOYLES..." reprised it.
City of Stone was a story I had conceived originally (but briefly) as a Direct to Video movie. My boss Gary Krisel rejected it. He felt that a movie featuring the Gargoyles needed to feature our heroes a LOT MORE than this story did. Nevertheless, he liked the concept of the HUNTER a lot. So I got him to agree to let us do City of Stone as a multi-parter for the series. And I promised that Michael and I would come up with a new Hunter story that focused more on our heroes. Thus Hunter's Moon was born -- as a Home Video, originally, and we had an ending to shoot at for the entire second season.
Meanwhile, I couldn't actually disagree with Gary too much. This was Demona and Macbeth's story. The origin of two of our major villains. We had some great animation on this from Koko in Korea. Not as strong as our WDTVJapan stuff, but still very good.
What was the terrorists' cause, you might ask? I'm not telling. At the time, I had no answer. We were vague on purpose. Since then, I've come up with an answer. Now I'm being evasive on purpose.
I love Matt as a hostage negotiator.
But not as much as I love Brendan & Margot as hostages. They're a hoot.
How fast was everyone on the uptake with the Weird Sisters? Those three little girls. Even before the gargs showed, one was saying something like: "Don't worry, it'll be over soon." Did you think they were odd then? Did you notice them?
I like Brooklyn's "Don't gush" line.
When the Weird Sisters tell Goliath they weren't talking about THAT terrorist, my six year old daughter Erin said: "I think they were talking about Demona." For Chanukah, I gave Erin a Kenner Brooklyn, Broadway and Hard-Wire Goliath (which I told her was a Goliath robot). My three year old son Benny got Goliath, Lex and Xanatos. So for the first time, while they watched they could play with the toys.
It's interesting to watch the first flashback SET. All sorts of old footage from Awakening Part One, mixed with new footage. It's all very seemless thanks to great editing by Bob Birchard. And it wasn't easy. Because there was considerable confusion overseas throughout City of Stone, in terms of which model of Demona to animate. We had her standard model. Plus one that was slightly older, for the second set of flashbacks in this episode. They were constantly mixing the models up. We'd call retakes whenever we could, but sometimes we decided just to make due. So you have the flashback from Awakenings, where Goliath tells Demona to stay behind. That's followed by us finally seeing what Demona and the Captain said to each other after Goliath left. No great revelation in that scene, but we figured it would be nice to finally reveal it. Plus we wanted to clarify things from Demona's point of view. But in some of those shots, Demona appears to have aged a bit.
We see Othello & Desdemona. We are allowed to do something in this episode that we couldn't really do for S&P reasons in Awakening. To personalize the victims of the massacre a bit. In Awakening, we only got to meet the survivors. Finally we meet the victims. Of course, we're still cheating a bit, since my excuse to S&P was that our audience already knew (1) that these two died and that (2) they survived in a sense in Coldstone. But it did, independent of previous episodes, allow the startling moment when Demona picks up a fragment of Othello's face. Of course, I tried to get tha fragment -- and all those fragments in the immediate vicinity -- to be the pieces that survived into Coldstone. I think that was semi-successful.
Demona's cowardice overwhelms the courage of her strongly held convictions. She flees. Benny: "The sun's gonna come up." Yep. She turns to stone, shedding a tear. That "TEARS OF STONE" image was so effective that I allowed it to repeat in the episode. Later, her tear drops onto the stone Goliath and seems to be coming from his eye. A nice visual variation on a theme.
Demona: "It worked! At last my clan is free of human rule!"
Erin: "No. It didn't work."
Later Erin sees Demona watching Goliath holding some smashed gargoyles' remains and crying "my angel of the night". Erin says: "He thinks that was her [Demona]." Now you may be wondering why I'm reprinting such obvious responses here. But they interest me. It really struck me this viewing that in this episode, despite the "Previously" segment and all the flashbacks, that you really would be lost if you were a new viewer. Is there anyone out there for whom City of Stone was your first Gargoyle experience? If so, I'd love to hear from you. Did you have a clue as to what was going on?
Demona's classic neurotic short-circuit: "What have I -- What have THEY done to you?" The motivation that writer's live for.
And a little hint of Avalon things to come, as we see Tom, Princess K and Magus depart with the eggs. How many people had given the eggs any thought since Xanatos told the gargs back in Awakening Two that they were the last of their kind? And did this little tidbit whet the appetite, or did you forget about it immediately? I was already planning the Avalon/Archmage/World Tour/Angela stuff.
Benny (out of nowhere) asks: "What happens if someone is frozen in the sky?" We discussed various possibilities. But we're still weeks away from getting around to seeing "The Price". So I didn't want to spoil that one for him.
The intro of Gillecomgain. Erin (who has seen these before once, long ago) suddenly remembers: "His face is gonna get scratched."
Now, back in the 20th century, Owen points out that Xanatos' tv override works for "Cable, as well." I always liked that.
I also like Demona's VERY convincing lie. At this point, we don't know how she's survived through the centuries. Maybe she did do it by stealing minutes of life from thousands of people. And maybe now, she and Xanatos will do the same on a citywide scale. I always thought it was a very elegant lie. What did you guys think? Did you buy it?
The "Watch or Listen but not both" stuff regarding the magic, wasn't just a convenient excuse to give us a Robbins expository scene later. I always felt that the magic our various sorcerors did couldn't be as simple as it seemed. Anyone who reads the spell out loud can do it? No. There are complex inflections, movements, etc. involved. Study and willpower, etc. This was an attempt on my part to demonstrate that it was about more than just being in range with someone who has a copy of a Grimorum page.
On the other hand, I do think we cheated a bit to trap Owen. That spell she reads is the City of Stone spell. Yet it seems to put Owen, of all people, into a trance. We talked about her nailing him some other way first. But it was too clumsy and time consuming, so we just cheated.
Gathering Clue: Demona to Owen: "You are the tricky one." And she wraps him up in iron cable.
Elisa's watching Casablanca. Great movie.
Phoebe is looking at Seline when she speaks to Luna. Like Demona aging, we had a hell of a time getting the overseas studio to keep the three sisters straight. I began to insist that each of their appearances on the storyboard was accompanied by a hair color chart. And once more, it's black for Seline, blonde for Phoebe and silver for Luna.
We also made a real effort to put subtle character distinctions between the three sisters. Seline is the hard case. Phoebe is the gentle one. Luna is the mystic. It was part of hinting that the Sisters would serve multiple purposes in the series. Some of which I still have not revealed.
Back to the past. The guard says "Maybe they won't come." Erin asks: "Maybe who won't come?" And then the gargoyles come. The guards are taken down, and Demona raises her mace into the air. Erin asks: "Are they dead?" And dad... equivocates.
I like that gargoyle (Demona's second) with the breast plate. John Rhys-Davies did his voice.
At this stage, Demona believes that these scattered gargoyles are all that are left in the world. A second later, three gargoyles she's never met show up. (Now, true, they're the Sisters. But I was trying to make a general point, hinting that sometimes characters make absolute statements when they flat out don't know what they're talking about. Audience members beware.)
Benny immediately figured out that the three old gargoyle females were the weird sisters, or as he put it: "They're the humans. The one's that disappeared." I.e. the kids that disappeared in the first sequence of the episode. That made me feel a little better. People are always telling me that I write stuff that is too adult for kids to get. I tell them that I try to write on multiple levels. So that the kids get what they need to get and that adults, etc. get more. But it's nice to get confirmation that the kids do get it on occasion. Particularly in an ep as complicated as this one.
Intro Findlaech, Gruoch, Bodhe and young Macbeth. I like how quickly they are all characterized in that scene. F is loyal. B is equivocal at best. Bodhe is already thinking about how to marry G off to advantage. "What about Macbeth? Is he a match for the lass?" Yeah, sure he's talking about chess. I came to have a great deal of contempt for the character of Bodhe. (Too be fair, I have no idea what the historical Bodhe's character was like.) And yet, almost simultaneously, I became fond of him too. He was SO human. SO flawed. SO afraid of the world. And yet SO desperate to tread water in it.
We also establish the "SIGIL OF MORAY" which will become an important prop throughout.
I like that little blushing moment of G & Mac's. But mostly, I like it because of B & F's reactions. Bodhe is suddenly nervous that Gruoch might, shall we say, lose something with Macbeth prematurely. Though he pushed them together, he now rushes to separate them. But it's too late. The connection has already been made. F just laughs.
Now... Enter the HUNTER. The Hunter got a sort of Steve Canyon intro. That is, he's been talked about by various people for the last few minutes, though we haven't gotten a look at him. (This was the technique used when Steve Canyon was first introduced in the comic strips.) Now he shows up, and I trust he isn't disappointing. Benny immediately says: "THat's the one that got scratched." Sharp boy. (Keep in mind, that we haven't yet seen the adult Gille, so we haven't seen his scarred face yet.)
I love this sequence. It's a great fight, full of great little touches, flourishes, etc. Great storyboarding work here.
Again, characters are revealed in a nutshell. Gruoch's already loyal. Bodhe's revealed to be a coward. Even when his daughter rushes downstairs, he stays above.
Findlaech dies. It's a classic Disney fall-to-one's-death death. But there is a difference. F is the good guy. Usually, that's done with the villain. Was anyone shocked?
I love how at this point, Macbeth is nothing but an annoyance to both Demona and the Hunter. I also love how complex Demona is. Under it all, she's really something of a romantic. She rescues the young lovers. Then can't believe she did it. She's trying to will herself to be cold. So that she won't feel anything. But it isn't natural. She's not a cold woman, though her plans often are. It's that divide that's generally gonna screw her up everytime.
When the Hunter first enters on Prince Duncan, we were supposed to (BRIEFLY) think he was there to attack the Prince as well. But I don't think that comes off even slightly.
And o.k., yes, Gillecomgain has a face to match the Hunter's mask. It's worse than Clark Kent and those glasses. Does Scotland really not know it's him? Believe it or not, that never even occured to me initially. (Yes, I'm a dope.) Now, I'll chalk it up to the notion that everyone figures he's TOO obvious a suspect. You can almost here the water cooler talk:
MacMorris: "Hey, MacTavish, have you ever noticed that that Gillecomgain guy has scars across his face just like the red marks on the Hunter's mask?"
MacTavish: "What are you saying, MacMorris? That Gillecomgain is so stupid, he'd wear a mask and then put his scars ON the mask? Not much of a disguise. Know what I think. I think the Hunter is trying to throw suspicion onto old Gilley."
MacMorris: "Oh, give me a break."
MacTavish: "Hey, pal, it worked with you."
I made a real effort to just have the Weird Sisters EVERYWHERE.
Back to the present. Someone dons a Hunter's Mask. How many knew it was Macbeth right away? I figured at the time that regular viewers would figure that out pretty darn quick. That didn't bother me. For them, I figured the mystery would be "WHY IN THE WORLD WOULD MACBETH DON A HUNTER'S MASK, WHEN THE HUNTER KILLED HIS FATHER?" I thought that mystery was at least as intriguing. Do you guys agree or disagree?
I also liked the variation on the mask. No eyes. Nothing. Modern technology.
Fox. Fox presented an interesting dilemma. What was Xanatos' attitude toward her in this? We already know he loves her. But he doesn't include her in the immortality thing with Demona. Why? Demona won't allow it? Or he thinks Demona won't? Or he doesn't fully trust D and won't risk Fox until he knows the set-up works?
And then he finds out that she did watch the broadcast. He had told her not to, but she did. He doesn't fill her in. (Not that there's much time.) Is he prepared to let her lose a minute from her life (as he believes has happened)? How would he have felt if Demona wasn't lying about that? At the end of her life, would an immortal Xanatos be desperate to give her that one minute back? Of course, given Fox's heritage, which I didn't know yet, it's possible, she'll outlive him by quite a bit. Course, anything's possible.
How's the cliff-hanger? We haven't seen the city yet, but we do get to see Owen, Fox and Elisa all turned to stone. We're so used to the Gargoyles in stone, but not humans. I thought it was sort of chilling. The more chilling, because we know from earlier in this very episode, what can happen when living beings are turned to stone. (The Wyvern Massacre.) Now we've seen this four-parter a bunch of times and we're used to it. But I'm curious as to how you all felt the first time you saw Part One.
Another interesting aspect, is that 3/4 of the threat is to characters that we consider to be villains. Or more than 3/4. In the past, young Macbeth has lost his father and is clearly at risk. And Demona is being hunted. In the present, Fox and Owen are stone. And Xanatos and Fox appear to be falling to their deaths. Sure, the clincher is Elisa. But I think it's a tribute to how well-rounded are villains are that we care what's going to happen to them. Can you imagine most cartoons making the death of the villains a cliff-hanger? People would simply cheer.
One little flaw: Elisa's facing the wrong way. It was easier to board that way, I'm sure. But I can't figure out why she would have been standing and facing that direction at sundown.
Comments welcome, as usual...
Another pass at a test...
Still May. Still 1992. (More than two years before the first episode would air.) Ten days after my previous attempt, I took another pass at outlining a five minute animation test (which was never made). It's labeled as a "2nd Draft", but is in fact a third. Bronx is still a comedic character. Issues of scale with him are confused at best.
GARGOYLES (Weisman / 5-18-92)
2nd Draft Outline for five-minute animation test.
DISTRIBUTION: Cranston, Fair, Kline, Krisel, Lacy
I. Sundown.
A. Cityscape of Manhattan (at an angle) just before sundown. (Camera is "flying" west toward the setting sun.)
B. We quickly "fly" by castle-skyscraper.
C. We see the sun go down as we come upon the municipal building.
1. We push through an arch into rotunda of municipal building and hold on a giant stone gargoyle, frozen in a frightening pose in front of the clockface interior.
2. Tight in on gargoyle, as it gets dark, we see cracks forming in the stone.
3. Cut to exterior, silhouette of GOLIATH the GARGOYLE as seen through the face of the clock, bursting out of his shell. Fragments fly everywhere.
4. He suddenly leaps into the air and flies out thru top of rotunda and away from us. Roaring thru the new night. We do not get a clear view of him yet.
II. The Fight.
A. We continue our "flight" over the city and push in again on a slum neighborhood rooftop. Night has completely fallen.
B. ELISA (in plainclothes) is climbing up a fire escape ladder and onto the roof.
C. Suddenly, she is surrounded by three THUGS coming out from the shadows. (Two carry crowbars; one, a gun).
D. Pull back, we see glowing, inhuman eyes, watching the scene from the shadows of a higher rooftop.
E. The Gargoyle leaps down upon the criminals--this is our first clear view of him.
1. Elisa dives out of harm's way.
F. Quick cuts: The thug with the gun shoots at Goliath.
1. The bullets, glance off his stone-like hide, chipping off stone fragments.
G. Meanwhile the other two thugs, try to brain Goliath with their crowbars.
1. Goliath catches the downward swing of each crowbar in either hand.
2. He yanks the crowbars out of the hands of the two thugs.
3. He twists the crowbars into a pretzel.
H. The first thug runs out of bullets, turns to run, followed by #2.
1. Thug #3 starts to run as well, but he's not getting anywhere.
a. Goliath has a grip on his shoulder.
b. He lifts the thug to eye-level, and grins evilly. (Does the thug faint?)
2. From off-screen, the Gargoyle tosses Thug #3 at the other two, bowling them over.
I. Gargoyle drives his claws into the roof, peeling up a section (as if it were carpet) and rolls all three thugs up into it.
1. Imprisoning them in a "cylinder" of rooftop.
III. Romance Interruptus.
A. Elisa approaches the hulking Gargoyle from behind. What will happen to her?
1. He turns to face her, and we see they are already acquainted. She has a big grin on her face. He looks sheepish, puppy-dog like.
B. She touches the place where the bullet chipped his hide. Platonic, caring, gentle, concerned, etc.
1. He winces, less from pain, than from not being used to a kind touch.
2. Then he smiles. A romantic beauty medium two-shot in the moonlight.
C. Suddenly, BRONX tears between them.
1. Elisa looks amused; Goliath, perturbed.
2. Very dog-like, Bronx chews on the crowbar pretzyl.
3. Also very dog-like, Bronx takes off playfully, as soon as Goliath comes near him.
a. Bronx runs at full speed vertically down the side of the building.
E. Bronx runs into the street and right into the path (and headlights) of an oncoming truck, which breaks to a stop, right in front of him.
1. As the large TRUCK-DRIVER gets out of his cab to investigate, Bronx flaps his ears in an attempt to fly away. He never quite gets off the ground. His mace-like tail is too heavy.
2. The angst-ridden Bronx cowers, as the shadow of the Truck-Driver falls over him.
3. Suddenly a larger shadow looms over the Trucker.
4. Goliath stands there, relatively benign, but incredibly huge, and lifts Bronx by the scruff of the neck.
5. Truck-driver watches in absolute shock as Goliath majestically takes to the sky with Bronx in one massive hand.
F. Goliath (with Bronx in hand) wings over the slum rooftop.
1. Elisa already has two of the thugs handcuffed to the fire escape.
2. She's helping the third out of the "cylinder" of roofing.
G. The Gargoyle flies high above the city he's sworn to protect. Patrolling.
1. Bronx, scurries up and perches on Goliath's massive shoulders.
2. They fly into the moonlight and away from us.
IV. Sunrise.
A. Dissolve to a random Manhattan rooftop, just before dawn. Goliath and Elisa are sitting quietly, watching the sun come up.
1. Bronx is already asleep, snoring loudly in a gargoyle-esque "crouch" position.
B. Elisa mimics a Gargoyle pose. Goliath shakes his head.
1. She tries another. Still not right.
2. She tries a third, and he nods.
B. She pats him on the shoulder and walks away, turning to look over her shoulder as the first rays of the sun peak through.
1. He strikes her third pose, and though she looked pretty silly, he looks pretty frightening.
C. The sun rises and he freezes quite suddenly into a stone gargoyle perched on a ledge.
D. We pan back from him, past Elisa who is climbing down the fire-escape and then across our just waking city.
V. "GARGOYLES" logo.
2nd Draft of Animation Test
Here's my second attempt to outline the Animation Test that we never did. The biggest change is that it's simply longer. Note that the [bracketed] material below is part of the original document.
GARGOYLES (Weisman / 5-8-92)
Outline for five-minute animation test. No dialogue.
DISTRIBUTION: Cranston, Fair, Kline, Krisel, Lacy
I. Cityscape of Manhattan (at an angle) just before sundown. (Camera is "flying" west toward the setting sun.)
A. We quickly "fly" by the castle at the top of Xavier's skyscraper.
1. We pause briefly to see XAVIER dressing down his SUITS inside his "throne-room" office.
B. We see the sun go down as we come upon the municipal building.
II. Top of municipal building, as the sun vanishes, we push through an arch into rotunda and hold on a giant stone gargoyle, frozen in a frightening pose in front of the clockface interior.
A. Tight in on gargoyle, as it gets dark, we see cracks forming in the stone.
B. Cut to exterior, silhouette of GOLIATH the GARGOYLE as seen through the face of the clock, bursting out of his shell. Fragments fly everywhere.
C. He suddenly leaps into the air and flies out thru top of rotunda and away from us. Roaring thru the new night. We do not get a clear view of him yet.
III. We continue our "flight" over the city and push in again on a slum neighborhood rooftop. Night has completely fallen.
A. ELISA (in plainclothes) is climbing up a fire escape ladder and onto the roof.
B. Suddenly, she is surrounded by three THUGS coming out from the shadows. (Two carry crowbars; one, a gun).
C. Pull back, we see glowing, inhuman eyes, watching the scene from the shadows of a higher rooftop.
IV. The Gargoyle leaps down upon the criminals--this is our first clear view of him.
A. Elisa gets out of the way.
B. Quick cuts: Goliath reaches into shot and grabs crowbars out of the hands of the first two thugs.
1. He twists them into pretzels.
C. He lifts these two thugs easily, while the third thug shoots at him. The bullets, glance off his stone-like hide, (maybe chipping off stone fragments).
D. From off-screen, the Gargoyle tosses each thug, one by one, onto a "thug pile".
E. Gargoyle rips up a section of the roof and rolls all three thugs up into it.
1. Imprisoning them in a "cylinder" of rooftop.
V. Elisa approaches the hulking Gargoyle from behind. What will happen to her?
A. But when he turns to face her, we see they are already acquainted. She has a big grin on her face. He looks sheepish, puppy-dog like.
B. She touches the place where the bullet chipped his hide. Platonic, caring, gentle, concerned, etc.
1. He winces, less from pain, than from not being used to a kind touch.
2. Then he smiles. A romantic beauty medium two-shot in the moonlight.
VI. Suddenly, BRONX tears between them, followed by LEX, BROADWAY and BROOKLYN.
A. Bronx has half-eaten hockey stick in his mouth.
1. The others are outfitted w/roller blades, skating helmets, and hockey sticks.
a. Lex is without his stick since Bronx is eating it.
2. Elisa looks amused; Goliath, perturbed.
B. Bronx runs at full speed vertically down the side of the building.
1. The young gargoyles give chase.
C. Bronx runs into the street right into the path (and headlights) of an oncoming truck, which breaks to a stop, right in front of him.
1. The other gargoyles scatter.
D. The angst-ridden Bronx cowers, as the large TRUCK-DRIVER gets out of his cab to investigate.
1. He stands over Bronx.
2. Suddenly a shadow falls over him.
3. Goliath stands there, relatively benign, but incredibly huge, and lifts Bronx by the scruff of the neck.
4. Truck-driver watches in absolute shock as Goliath majestically takes to the sky with Bronx in one massive hand.
VII. The other three gargoyles fall into line behind Goliath, and the group wings over the slum rooftop.
A. Elisa waves to them as she handcuffs a thug to the fire escape.
1. One is already secured, the third is still stuck halfway inside the "cylinder" of roofing.
B. Following the flight of our gargoyles as they fly back the way we came.
1. Past the municipal building.
a. He drops off Bronx and the kids with HUDSON, who was waiting there annoyed as Uncle Charlie.
2. Past Xavier's castle skyscraper.
a. DEMONA makes a move to attack him, but Xavier restrains her.
C. The Gargoyle flies high above the city he's sworn to protect. He seems to hang in the air for a beat, framed by the over-sized moon, as if listening, watching...
1. Below we hear sirens and the red flashing light of a police cherry top.
2. And Goliath dives down suddenly into the city toward the unseen trouble spot. Leaving us.
[Note: Depending on how long a test we want, we could end here and bring up the "GARGOYLES" logo, or we could continue on.]
VIII. Goliath lands on a deserted street. The siren and flashing red light are emanating from a box in the middle of the street between two manholes. There is a water tower overlooking the street.
A. He studies the box with curiosity. Obviously, he was expecting to find cops, trouble, a crime.
1. On either side behind him, robotic tentacles lift the manhole covers up silently.
2. The tentacles rear back and then slam the manhole covers like cymbals against the unsuspecting Goliath.
B. While Goliath reels from the attack, we pull to a wide shot as the street cracks, collapses and shatters around him.
1. A SCARAB CORPORATION ROBOT bursts out from underground and presses it's attack.
a. The tentacles wrap around Goliath, pinning and strangling him.
C. Goliath looks doomed, he's being crushed by the robot.
1. Finally, he grabs hold of one tentacle with each hand, and with great effort, rips them right out of the robot.
a. The damaged robot, sparks with power from exposed circuits and wires.
D. Goliath tosses the tentacles aside and takes off like a shot into the air.
1. He crashes at an angle up through the water tower.
2. The water pours out onto the short-circuiting robot.
a. There is a flash of electricity, and then the whole thing explodes.
3. Tight in on the Gargoyle. Grimly triumphant.
a. He flies away.
IX. Dissolve to a random Manhattan rooftop, just before dawn. Goliath and Elisa are sitting quietly, watching the sun come up.
A. She mimics a Gargoyle pose. He shakes his head.
1. She tries another. Still not right.
2. She tries a third, and he nods.
B. She pats him on the shoulder and walks away, turning to look over her shoulder as the first rays of the sun peak through.
1. He strikes her third pose, and though she looked pretty silly, he looks pretty frightening.
C. The sun rises and he freezes quite suddenly into a stone gargoyle perched on a ledge.
D. We pan back from him, past Elisa who is climbing down the fire-escape and then across our just waking city.
E. "GARGOYLES" logo.
ANIMATION TEST
Well, I'm reconstructing events from memory. But I believe in March or April of 1992, we pitched the series to Michael Eisner, who rejected the 38 card pitch (version seven) which I posted here yesterday. Jeffrey Katzenberg, however, saw something in the show and told us to pursue it further. One idea that my boss Gary Krisel came up with was to do a five minute animation test, in the hopes that that would sell everyone on the idea. Now, before you ask to see it, let me say right off that WE NEVER MADE THE ANIMATION TEST. But we sure spun our wheels on it for a long while. This was my first pass on what that test would contain.
You'll note that we still had the gargoyles capable of real flight. Also, the garg's skin, even at night, is stone-like. Both of these attributes would eventually change to make them more vulnerable, less all-powerful in battle.
GARGOYLES
Outline for five-minute animation test. No dialogue.
(Weisman / 4-23-92)
I. Cityscape of Manhattan (at an angle) just before sundown. (Camera is "flying" west toward the setting sun.)
A. We quickly "fly" by the castle at the top of Xavier's skyscraper.
1. We pause briefly to see XAVIER doing business inside his "throne-room" office.
B. We see the sun go down as we come upon the municipal building.
II. Top of municipal building, as the sun vanishes, we push through an arch into rotunda and hold on a giant stone gargoyle, frozen in a frightening pose in front of the clockface interior.
A. Tight in on gargoyle, as it gets dark, we see cracks forming in the stone.
B. Cut to exterior, silhouette of GOLIATH the GARGOYLE as seen through the face of the clock, bursting out of his shell. Fragments fly everywhere.
C. He suddenly leaps into the air and flies out thru top of rotunda and away from us. Roaring thru the new night. We do not get a clear view of him yet.
III. We continue our "flight" over the city and push in again on a slum neighborhood rooftop. Night has completely fallen.
A. ELISA (in plainclothes) is climbing up a fire escape ladder and onto the roof.
B. Suddenly, she is surrounded by three THUGS coming out from the shadows.
C. Pull back, we see glowing, inhuman eyes, watching the scene from the shadows of a higher rooftop.
IV. The Gargoyle leaps down upon the criminals; Elisa gets out of the way.
A. He lifts two easily, while the third thug shoots at him. The bullets, glance off his stone-like hide, (maybe chipping off stone fragments).
B. From off-screen, the Gargoyle tosses each thug, one by one, onto a "thug pile".
V. Elisa approaches the hulking Gargoyle from behind. What will happen to her?
A. But when he turns to face her, we see they are already acquainted. She has a big grin on her face. He looks sheepish, puppy-dog like.
B. She touches the place where the bullet chipped his hide. Platonic, caring, gentle, concerned, etc.
1. He winces, less from pain, than from not being used to a kind touch.
2. Then he smiles. A romantic beauty medium two-shot in the moonlight.
VI. Suddenly, BRONX tears between them, followed by LEX, BROADWAY and BROOKLYN.
A. Elisa looks amused; Goliath, perturbed.
B. Bronx has half-eaten nunchaku in his mouth, as he runs at full speed vertically down the side of the building.
1. The young gargoyles give chase, outfitted like karate blackbelts.
C. Bronx runs into the street right into the path (and headlights) of an oncoming truck, which breaks to a stop, right in front of him.
1. The other gargoyles scatter.
D. The angst-ridden Bronx cowers, as the large TRUCK-DRIVER gets out of his cab to investigate.
1. He stands over Bronx.
2. Suddenly a shadow falls over him.
3. Goliath stands there, relatively benign, but incredibly huge, and lifts Bronx by the scruff of the neck.
4. Truck-driver watches in absolute shock as Goliath majestically takes to the sky with Bronx in one massive hand.
VII. The other three gargoyles fall into line behind Goliath, and the group wings over the slum rooftop.
A. Elisa waves to them as she handcuffs the third thug to the fire escape. (The other two are already secure.)
B. Following the flight of our gargoyles as they fly back the way we came.
1. Past the municipal building.
a. He drops off Bronx and the kids with HUDSON, who was waiting there annoyed as Uncle Charlie.
2. Past Xavier's castle skyscraper.
a. Inside Xavier and DEMONA scheme.
C. The Gargoyle flies high above the city he's sworn to protect. He seems to hover for a beat, framed by the over-sized moon, as if listening, watching...
1. And then he dives down suddenly into the city toward some unseen trouble spot. Leaving us.
END
Pitch version 7
I know what you're thinking. "What happened to Version 6?" Answer: I'm not sure. I don't seem to have that one anymore. But as you can see there aren't THAT many changes between five and seven. Six would have been probably just a couple more minor nuances.
THE major change here, is that now, finally, Goliath is also put to sleep for a thousand years. Up to this point, we had kept him awake and alone for a thousand years. It was such a tragic idea, I personally had been reluctant to abandon it. But ultimately it was unworkable. For starters, why hadn't he aged? And then it also prevented the full culture shock we wanted to put him through in twentieth century Manhattan. I'd just have to find another way to do the Battle of Britain story that I so wanted to do.
Also notice that with the renumbering this pitch consisted of nearly 40 cards. That would prove to be a problem later. Too much information.
GARGOYLES PITCH Seventh Pass (Weisman / 3-3-92)
1. Trio of typical stone GARGOYLES.
"We all think we know what GARGOYLES are. Ugly, stone statues squatting on the roofs of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."
2. GOLIATH, the GARGOYLE-MASTER. Proud and Noble.
"But when the sun went down, GOLIATH, the GARGOYLE-MASTER would lead his gargoyle-warriors in defense of the king's castle."
3. Goliath reading in library, sitting on small gargoyles.
"And if there was no battle to be fought, he'd retreat to the library to read and learn, all the while making sure that the other gargoyles stayed out of trouble."
4. HUMANS scorning the Gargoyles.
"For all these efforts, Goliath received no reward, no thanks or even kindness. In fact, the people of the castle treated all gargoyles with nothing but contempt."
5. The Gargoyle-Master alone in the throneroom.
"Still Goliath could no more stop guarding the castle than breathing the air. It's part of a gargoyle's nature to be territorial, protective. And so for years, he maintained his lonely vigil."
6. Close-up of Goliath.
"Then one night, Goliath was betrayed and lured away from his post. The castle was overrun and sacked."
7. SORCEROR curses Goliath and the other gargoyles on the castle ramparts.
"Goliath and the surviving gargoyles were unfairly blamed. The castle SORCEROR laid a curse upon them, and they fell into a stone sleep--that lasted a thousand years."
8. Castle on the skyscraper.
"New York City, 1994. A rich and powerful man has decided there's a better place for a medieval castle than a picturesque hill in Scotland. He's moved the whole place--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan."
9. Police Detective ELISA REED.
"All of which means nothing to New York City Police Detective, ELISA REED. Castles and curses don't even enter her mind. She's hot on the trail of a major badguy."
10. She's ambushed on a rooftop by multiple THUGS. She's got the drop on most of them. But someone's about to nail her from behind. (And from another rooftop, someTHING is watching in the shadows.)
"Too bad that trail leads her right into an ambush. But thank goodness, a shadowy figure sees what's happening and decides to help."
11. Reveal THE GARGOYLE, determined, as he dives into fray from above.
"Thank goodness for THE GARGOYLE."
12. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide.
"When you're as strong as Goliath, benchpressing two badguys is easy. And that stone-like hide of his makes him practically invulnerable."
13. Romantic shot in moonlight. Close in. She reaches up to touch his face gently. He looks handsome and noble and just a bit uncomfortable and sad.
"...To everything but Elisa's kindness. She is the first human being who's ever offered him understanding and friendship, hope..."
14. From atop the skyscraper, she shows him Manhattan. The city as fortress. This is our showpiece card.
"...And a sense of purpose. Because by nature, a gargoyle protects his home from 'barbarians at the gate'. And Goliath's new home, Manhattan, has its fair share of barbarians."
15. HUDSON. (One pose, plus two headshots.)
"Fortunately, our hero doesn't have to face them alone. This is Goliath's old friend HUDSON, a Gargoyle-Warrior long past his prime. Hudson helps out by keeping an eye on the young Gargoyles-in-training..."
16. Trio of young Gargoyles, BROOKLYN, LEXINGTON and BROADWAY. Same as card 1. (But in color, perhaps?)
"...BROOKLYN, LEXINGTON and BROADWAY. (Uh, they picked their own names.)"
17. Lexington. (Central pose, ninja pose and gun-biting pose.)
"Lexington (or Lex) is the ring-leader. He's always looking for adventure. Always looking for trouble."
18. Broadway. (Central pose, party pose and banana pose.)
"Broadway, on the other hand, is always looking for a good time. She's been asleep for a thousand years, and now she's ready to party."
19. Brooklyn. (Central pose, motorcycle pose and hockey pose.)
"Brooklyn is fascinated with the twentieth century. He thinks watching television is great. Of course, he also thinks watching a traffic light change colors is great. He's ready for anything this brave, new world has to offer."
20. BRONX, the DOG. (Multiple poses.)
"Unlike BRONX. This Gargoyle-dog is one angst-ridden pet. Doesn't like adventure. Doesn't like new technology."
21. Bronx (two poses) chewing on a fire hydrant and flying.
"Just likes to eat a lot, sleep a lot..."
22. Trio chases Bronx through a fancy restaurant.
"...And make a general mess."
23. Trio uses Bronx to play trick on Hudson.
"All in all, it's a lot for Hudson to handle."
24. Goliath and Elisa try to be inconspicuous on the Subway.
"Not that Goliath has it any easier. It's hard for a seven-foot medieval monster to squeeze into the modern world."
25. Interior of Gargoyle lair.
"Sometimes he just needs to retreat back to the old castle and let time stand still. Of course that can be tough too..."
26. XAVIER.
"Particularly when you have to face villains like XAVIER. Rich, powerful and arrogant, Xavier is the master of behind-the-scenes manipulation. If something nefarious is happening in New York...odds are Xavier's behind it."
27. WOLF and FOX.
28. JACKAL and HYENA.
29. DINGO and CY.O.T.I.
"Then there's THE PACK. WOLF, FOX, JACKAL, HYENA, DINGO and their mechanical helper CY.O.T.I. To the public they're television's greatest Wrestling-Gladiator Team. But to the Gargoyle, they're the most dangerous enforcers he's ever faced."
30. ROBOT climbing building toward Gargoyle.
"Except maybe the ROBOTS built by the SCARAB CORPORATION. Modern-day nightmares worse than anything Goliath saw in the dark ages."
31. CATSCAN is discovered by Goliath and Elisa.
"But no worse than CATSCAN. A scientist mutated by his own experiments..."
32. Catscan, in full pose and "Night Vision" head shot.
"...Into a bitter criminal with deadly Night-Vision."
33. DEMONA with BIG GUN.
"Still, the toughest villain of them all is Goliath's old friend DEMONA, who's taken to the Twentieth Century like bullets take to guns."
34. Demona vs. Goliath, above the city.
"Once she was his most trusted Gargoyle-Warrior. But a thousand years ago, it was her betrayal that cost him the castle. Now she's his sworn enemy, and she won't rest 'til she owns the night..."
35. Stone version of our Gargoyle. Looking vicious and scary. Daylight.
"And the night is all that matters, because the gargoyles still sleep as stone statues during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."
36. Night. Goliath, handsome and noble again, on top of a skyscraper with the full moon, Elisa and the other Gargoyles right behind him. Gothic mood, but clearly set in the present.
"But when the sun goes down, they're our only protection from the city's dark terrors."
37. Title Card: "GARGOYLES".
"They are the GARGOYLES."
38. KID at Disneyland.
"Joining the Disney Family in 1994."
PITCH 5.0
My fifth attempt to come up with a pitch for the show. (You'll notice it isn't THAT different from version 4. We really nuanced the hell out of these things back then.) Also note that [bracketed] material was original to the document. I'm guessing we were gearing up for a big pitch in March of '92.
I also think it's interesting that I was already targeting 1994 as our start date, despite the fact that I was writing this early in '92. Shows how long it takes for things to get going.
GARGOYLES PITCH
Fifth Pass (Weisman / 2-7-92)
[Information in Brackets [] is in preparation for March.]
1. Trio of typical stone GARGOYLES. (B&W)
"We all think we know what GARGOYLES are. Ugly, stone statues squatting on the roofs of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."
2. GOLIATH, the GARGOYLE-MASTER. [Proud and Noble.]
"But when the sun went down, GOLIATH, the GARGOYLE-MASTER would lead his WARRIORS in defense of the king's castle.
[2a. HUMANS scorning the Gargoyles.]
"For these efforts, the gargoyles received no reward, no thanks or even kindness. In fact, the people of the castle treated the Gargoyles with nothing but contempt. Still the Gargoyles could no more stop guarding the castle than they could stop breathing the air. It's their nature to be territorial, protective."
3. Close-up of Goliath.
"But one night, Goliath was betrayed and lured away from his post. The castle was overrun and sacked."
4. Medieval Flashback continues: SORCEROR curses Goliath.
"Goliath was unfairly blamed. The SORCEROR MALACHITE laid a curse upon him, condemning Goliath to guard the empty rooms and ramparts of the castle...`til its spires touch the clouds.'"
[5. Goliath reading in library, amid stone gargoyles.]
"Now that's the kind of curse that's designed to last forever. The other gargoyles fell into a stone sleep and could not be roused. But Goliath was not granted that peace. Left with only the King's library for company, he passed the time reading, learning, changing..."
5[a]. Last Medieval Flashback: The Gargoyle-Master alone in the throneroom.
"And guarding that castle--for a thousand years."
6. Castle on the skyscraper. (Now, for the rest of the pitch, we're in color.)
"New York City, 1994. A rich and powerful man has decided there's a better place for a medieval castle than a picturesque hill in Scotland. He's moved the whole place--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan, where its spires can finally touch the clouds, ending the curse."
7. Police Detective ELISA REED. (Following a CROOK? If so, it's nighttime.)
"All of which means nothing to New York Police Detective, ELISA REED. Castles and curses don't even enter her mind. She's hot on the trail of a major badguy."
8. She's ambushed on a rooftop by crook and multiple THUGS. She's holding her own. But someone's about to nail her from behind. (And from another rooftop, someTHING is watching in the shadows.)
"Unfortunately, that trail leads right to an ambush. Now, Elisa is tough. She can hold her own. But she doesn't have eyes in the back of her head."
9. Reveal THE GARGOYLE, as he dives into fray from above.
"Fortunately, someone else was watching out for her."
10. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide.
"The strength that served the Gargoyle so well in the past is doubly-dangerous today. And that stone-like hide of his makes him practically invulnerable to his enemies."
11. Romantic shot in moonlight. Close in. She reaches up to touch his face gently. He looks handsome and noble and just a bit sad.
"Though all too vulnerable to Elisa. She understands him, like no one else ever has. Goliath's been alive for one thousand years, but in all that time, she is the first human being who's ever offered him kindness and friendship, hope..."
12. From atop the skyscraper, she shows him Manhattan. The city as fortress. This is our showpiece card.
"...And a sense of purpose. Because if a gargoyle is supposed to protect his home from barbarians at the gate, then this one has found the right place to live. `Fortress Manhattan' has its fair share of barbarians."
13. XAVIER.
"Take XAVIER, for example. Rich, powerful and arrogant, a master at behind-the-scenes manipulation, Xavier is the man who's usurped possession of the Gargoyle's castle... and turned it into his own personal headquarters."
14. The PACK. WOLF, FOX, HYENA, JACKAL, DINGO and the CY.O.T.I. [All of them attacking our Gargoyle.]
"Then there's THE PACK. To the public they're television's greatest Wrestling-Gladiator Team. But to the Gargoyle, they're the most dangerous enforcers he's ever faced."
14a. Wolf and Fox.
"WOLF and FOX."
14b. Jackal and Hyena.
"The twins: JACKAL and HYENA."
14c. Dingo and CY.O.T.I.
"DINGO and the CY.O.T.I."
14d. CY.O.T.I-SHIP, etc.
"A versatile little fellow capable of transferring between multiple bodies or piloting the CY.O.T.I.-SHIP. The Pack purchased this technology from the SCARAB-CORPORATION."
15. ROBOT climbing building toward Gargoyle.
"But it's the least of their inventions. Most of their ROBOTS are modern-day nightmares worse than anything Goliath saw in the dark ages."
16. CATSCAN (grappling w/Gargoyle), blasting away w/"Night Vision" from his eyes.
"But no worse than CATSCAN. A scientist mutated by his own experiments into a bitter criminal with deadly `Night Vision'."
17. DEMONA facing off with BIG GUN.
"Still, the toughest villain of them all is an old friend. DEMONA was once Goliath's most trusted Gargoyle-Warrior. But she betrayed him. Now she's his sworn enemy, and unfortunately, Demona's taken to the twentieth Century like bullets take to guns."
18. HUDSON. (One pose, plus two headshots.)
"Fortunately, our hero doesn't have to face these villains alone. In addition to Elisa, Goliath has help from his old friend HUDSON. When the curse was lifted, the few remaining Gargoyles who survived the attack on the old castle woke up for the first time in 1000 years. Hudson is an old Gargoyle-Warrior long past his prime. Now his main duty is to keep a close watch on the young Gargoyles-in-training..."
19. Trio of young Gargoyles, BROOKLYN, LEXINGTON and BROADWAY. (Same as card 1 but in color, perhaps?)
"...BROOKLYN, LEXINGTON and BROADWAY. (Uh, they picked their own names.)"
20. Lexington.
"Lexington (or Lex) is the ring-leader. He's always looking for adventure. Always looking for trouble."
21. Broadway.
"Broadway, on the other hand, is always looking for a good time. She's been asleep for a thousand years, and now she's ready to party."
22. Brooklyn.
"Brooklyn's been asleep too, but he's just fascinated with the world he's woken up in. He thinks watching television is great. Of course, he also thinks watching a traffic light change colors is great. He's ready for anything this brave, new world has to offer.
23. BRONX, the DOG. (Multiple poses, definitely.)
"Unlike BRONX. This Gargoyle-dog is one angst-ridden pet. Doesn't like adventure. Doesn't like new technology. Just likes to eat a lot, sleep a lot, and make a general mess.
24. Exterior of municipal building.
"Together, they've all left the old castle behind and taken up residence in MUNICIPAL HALL."
25. Interior of municipal building.
"There, above the police station, above the library and the mayor's office, Elisa has found them the perfect home."
26. Stone version of our Gargoyle. Looking vicious and scary. Daylight.
"They still sleep during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."
27. Night. Goliath, handsome and noble again, on top of a skyscraper with the full moon, Elisa and the other Gargoyles right behind him. Gothic mood, but clearly set in the present.
"But when the sun goes down, they're our only protection from the city's dark terrors."
28. Title Card: "GARGOYLES".
"They are the GARGOYLES."
THE PITCH: Version 4.0
We were still working on perfecting our pitch for Michael Eisner and Jeffrey Katzenberg. You'll note we now had names for ALL the gargoyles, including Goliath.
You'll also note that Goliath still has Demona's curse of living through the thousand years. That Broadway is still a chick. That Brooklyn and Lex still have each other's personalities. That Elisa's last name is still Reed (a name we eventually gave to Maggie) and that at one point I forgot to correct her first name from Maria. That Catscan still combines Talan and Sevarius in one person. That Xanatos is still Xavier. That Coyote is still C.Y.O.T.I. and that he was an original member of the Pack. Etc. But we were definitely closing in on the show we wanted to make and sell.
Another interesting thing -- something I had completely forgotten -- is that the Magus was then called Malachite, which I believe wound up being the name of a villain on Sailor Moon.
GARGOYLES PITCH
Fourth Pass (Weisman / 2-6-92)
1. Trio of typical stone GARGOYLES. (B&W)
"We all think we know what GARGOYLES are. Ugly, stone statues squatting on the rooves of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."
2. GOLIATH, the GARGOYLE-MASTER. (Medieval Flashback: G-M in fg, HUDSON and DEMONA in bg tossing human barbarians off the ramparts of the castle.)
"But when the sun went down, GOLIATH, the GARGOYLE-MASTER would lead his WARRIORS in defense of the king's castle. For these efforts, the gargoyles received no reward, no thanks or even kindness. In fact, the people of the castle treated the Gargoyles with nothing but contempt. Still the Gargoyles could no more stop guarding the castle than they could stop breathing the air. It's their nature to be territorial, protective."
3. Close-up of Goliath.
"But one night, Goliath was betrayed and lured away from his post. The castle was overrun and sacked."
4. Medieval Flashback continues: SORCEROR curses Goliath.
"Goliath was unfairly blamed. The SORCEROR MALACHITE laid a curse upon him, condemning Goliath to guard the empty rooms and ramparts of the castle...`til its spires rest among the clouds.'"
5. Last Medieval Flashback: The Gargoyle-Master alone in the throneroom.
"Now that's the kind of curse that's designed to last forever. The other gargoyles fell into a stone sleep and could not be roused. But Goliath was not granted that peace. He guarded the castle alone--for a thousand years."
6. Castle on the skyscraper. (Now, for the rest of the pitch, we're in color.)
"New York City, 1994. A rich and powerful man has decided there's a better place for a medieval castle than a picturesque hill in Scotland. He's moved the whole place--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan, where it's spires can finally touch the clouds, ending the curse."
7. Police Detective ELISA REED. (Following a CROOK? If so, it's nighttime.)
"All of which means nothing to New York Police Detective, ELISA REED. Castles and curses don't even enter her mind. She's hot on the trail of a major badguy."
8. She's ambushed on a rooftop by crook and multiple THUGS. She's holding her own. But someone's about to nail her from behind. (And from another rooftop, someTHING is watching in the shadows.)
"Unfortunately, that trail leads right to an ambush. Now, Elisa is tough. She can hold her own. But she doesn't have eyes in the back of her head."
9. Reveal THE GARGOYLE, as he dives into fray from above.
"Fortunately, someone else was watching out for her."
10. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide.
"The strength that served the Gargoyle so well in the past is doubly-dangerous today. And that stone-like hide of his makes him practically invulnerable to his enemies."
11. Romantic shot in moonlight. Close in. She reaches up to touch his face gently. He looks handsome and noble and just a bit sad.
"Though all too vulnerable to Elisa. She understands him, like no one else ever has. Goliath's been alive for one thousand years, but in all that time, she is the first human being who's ever offered him kindness and friendship, hope..."
12. From atop the skyscraper, she shows him Manhattan. The city as fortress. This is our showpiece card.
"...And a sense of purpose. Because if a gargoyle is supposed to protect his home from barbarians at the gate, then this one has found the right place to live. `Fortress Manhattan' has its fair share of barbarians."
13. XAVIER.
"Take XAVIER, for example. Rich, powerful and arrogant, a master at behind-the-scenes manipulation, Xavier is the man who's usurped possession of the Gargoyle's castle... and turned it into his own personal headquarters."
14. The PACK. WOLF, FOX, HYENA, JACKAL, DINGO and the CY.O.T.I. (All of them attacking our Gargoyle.)
"Then there's THE PACK: WOLF, FOX, JACKAL, HYENA, DINGO and the CY.O.T.I. To the public they're television's greatest Wrestling-Gladiator Team. But to the Gargoyle, they're the most dangerous enforcers he's ever faced."
15. ROBOT climbing building toward Gargoyle.
"Except maybe the ROBOTS from SCARAB-CORP. Modern-day nightmares worse than anything he saw in the dark ages."
16. CATSCAN (grappling w/Gargoyle), blasting away w/"Night Vision" from his eyes.
"But no worse than CATSCAN. A scientist mutated by his own experiments into a bitter criminal with deadly `Night Vision'."
17. DEMONA facing off with BIG GUN.
"Still, the toughest opponent of them all is an old friend. DEMONA was once Goliath's most trusted Gargoyle-Warrior. But she betrayed him. Now she's his sworn enemy, and unfortunately, Demona's taken to the twentieth Century like bullets take to guns."
18. HUDSON. (One pose, plus two headshots.)
"Fortunately, our hero doesn't have to face these villains alone. In addition to Elisa, Goliath has help from his old friend HUDSON. When the curse was lifted, the few remaining Gargoyles who survived the attack on the old castle woke up for the first time in 1000 years. Hudson is an old Gargoyle-Warrior long past his prime. Now his main duty is to keep a close watch on the young Gargoyles-in-training..."
19. Trio of young Gargoyles, BROOKLYN, LEXINGTON and BROADWAY. (Same as card 1 but in color, perhaps?)
"...BROOKLYN, LEXINGTON and BROADWAY. (Uh, they picked their own names.)"
20. Lexington.
"Lexington (or Lex) is the ring-leader. He's always looking for adventure. Always looking for trouble."
21. Broadway.
"Broadway, on the other hand, is always looking for a good time. She's been asleep for a thousand years, and now she's ready to party."
22. Brooklyn.
"Brooklyn's been asleep too, but he's just fascinated with the world he's woken up in. He thinks watching television is great. Of course, he also thinks watching a traffic light change colors is great. He's ready for anything this brave, new world has to offer.
23. BRONX, the DOG. (Multiple poses, definitely.)
"Unlike BRONX. This Gargoyle-dog is one angst-ridden pet. Doesn't like adventure. Doesn't like new technology. Just likes to eat a lot, sleep a lot, and make a general mess.
24. Exterior of municipal building.
"Together, they've all left the old castle behind and taken up residence in the old MUNICIPLE HALL."
25. Interior of municipal building.
"There, above the police station, above the library and the mayor's office, Maria has found them the perfect home."
26. Stone version of our Gargoyle. Looking vicious and scary. Daylight.
"They still sleep during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."
27. Night. Goliath, handsome and noble again, on top of a skyscraper with the full moon, Elisa and the other Gargoyles right behind him. Gothic mood, but clearly set in the present.
"But when the sun goes down, they're our only protection from the city's dark terrors."
28. Title Card: "GARGOYLES".
"They are the GARGOYLES."
Closing in...
[My immediate boss, Bruce Cranston, also responded to my call for names. Here are his choices, a few of which he marked with asterisks:]
Walt Disney Television
Bruce P. Cranston
LAFAYETTE
*HUDSON
STEALTH
VIDEO
MICROWAVE
QUARK
MERANGUE
MOUSSE
*BROADWAY
*BURBANK
BEDFORD STUYVESANT
AVE OF THE AMERICAS
GRAMMERCY
CARLYSLE
AMSTERDAM
COLUMBUS
CHELSEA
STEROID
MADISON
5TH
BROOKLYN
LEXINGTON
SOHO
GREENWICH
TRIBECA
BRONX
BATTERY
TOPEKA
BURBANK
SKIDMORE
RADCLIFFE
McGUIRE
McPHERESON
McKAY
McTAVITCH
McINTOSH
McINTYRE
McKANE
[My memory fails, but it certainly seems like the conceit of naming most of the gargs after New York locations was Bruce's idea. On the back of his note, I hand-wrote the following:]
[blank] - Master [Proto-Goliath]
Lexington - Cubbi
Brooklyn - Kramer
[blank] - Demona
Bronx - Dog
Broadway - Belushi
Hudson - RALPH
[Obviously, and finally (thanks to Bruce's inspiration), I found names that I liked. These names stuck, even through Broadway's gender switch. Cubbi, who looked like Lex but had Brooklyn's personality got the Lexington name. And that stuck, even when the personalities got switched. Same (in reverse) for Kramer/Brooklyn. The name stuck with the character's look, not his persona.]
Still searching...
Bob Kline, our Development Art Director also answered my call for name suggestions for our characters. These are his suggestions:
NAMES AND MORE NAMES (GARGOYLE)
GARGOYLE MASTER:
OBSIDIAN
GRANITE
TITAN
RAGNAR
DEMONA:
SHALE
SLATE
MALACHITE
ANTHRACITE
RALPH:
BATHOLITH
TALUS
FELDSPAR
MARTIN
CUBBI: FLASH, ACE, KILLER, LANCE
BELUSHI: JENNIFER, MARILYN, LIZA, ANNETTE
KRAMER: HOWARD, MORTIMER, WALTER, FRANKLIN
DOG: REX (WRECKS), BUBBLE, DUMBO, PIGEON
XAVIER:
WINSTON SHARP
MATHEW SKRAG
LESLIE SLEAN
SIMPSON DEALE
CATSCAN:
JONATHAN RAGE
RICHARD SLASH
MARCUS KLAW
TRENTON PROWL
T.E.:
TERROR ENVOY
TECHNICAL EXPERT
TRANSMUTATE ENSIGN
ROBOT ORGANIZATION:
GENERAL MECHANICS
GENERAL AUTOMATICS
ELECTROSERV CORPORATION
GENERAL DYNATRON
SENSOSERV INC,
SERVOSENSE INC
Still searching for names...
Tad Stones weighs in to suggest some names...
[3] From: Tad Stones 2/3/92 10:23AM (448 bytes: 12 ln)
To: Greg Weisman
Subject: Rock names
------------------------------- Message Contents -------------------------------
Good idea as long as no one takes them for granite!
hahahahahahahahahahahahahahahahahahhahahahahhahahha
Actually I like Malachite as a name. Jaspar for a goofy type.
Agate
Feldspar - old guy?
Onyx
Obsidian
Pyrite - fool's gold
Must you humans name everything...
...Actually, yes, we must. Names are very important to me. I love the names we wound up with on the show, but getting there wasn't quick or easy. (Except with Demona.) As you may recall, I had asked everyone on the development team to come up with new names for our characters. Here was Fred Schaefer's submission. Note how proud he was of it, he didn't want anyone but me to see it. Guess (nearly nine years later) I'm breaking a confidence. :)
Note that the stuff in [brackets] is Fred's comments on his own stuff. Not mine. My comments are in {fancy brackets}.
THE GARGOYLE -- NEW NAMES (Schaefer 2-3-92)
DISTRIBUTION: For Weisman's eyes only ...
THE GARGOYLE-MASTER {PROTO-GOLIATH}
Pleiades
Sirius
Procyon
Titan
Darius
Sparta [Greek city-state that emphasized training children (our smaller gargoyles) to be soldiers]
Cato
Mortar
Palisade [See how I cleverly slip in this name and the previous one, in the hope that the weis one
won't notice he's seen them before.]
Rubicon [A river in northern Italy. "Crossing the Rubicon" is an expression for taking a dangerous,
decisive, and irreversible step.]
Argus [constantly on alert]
Gauntlet [as in "fling down the..."]
DEMONA {PROTO-DEMONA}
Gelignite
Javelin
Fury
Electra
RALPH (The Caretaker) {PROTO-HUDSON}
Epoch
Stratus
Igneous
Stony
Shale
Millstone
Ockham
CUBBI {PROTO-BROOKLYN, though he looked more like Lex}
Crag
Pyrite
Stony
Shale
BELUSHI {PROTO-BROADWAY, but female}
Boulder
Eddy
KRAMER {PROTO-LEXINGTON, though he looked more like Brooklyn}
Cobble
Bluff
Clod
Clay
DOG {PROTO-BRONX}
Hydrant
Concrete
Asphalt
Bassett
Clod
Canis
MARIA CHAVEZ {PROTO ELISA MAZA}
Claire Porter
Katherine Duncan
XAVIER {PROTO-XANATOS}
Gordian
Mars
Marlowe
Tarnas
Iacoaca
MORE SCIENTIST NAMES_(aka CAT SCAN) {PROTO TALAN/SEVARIUS combo}
Dr. Gordax
Dr. Mortirip
Dr. Orthrag
Dr. Parox
Dr. Thenogen
Dr. Toral
Dr. Pendoom
Dr. Athalon
Dr. Penalt
Dr. Tath
Chapter XXI: "Vows"
Written by Shari Goodhartz
Michael Reaves, Story Editor
Benny: "But Daddy, when it's dark they get alive. But when it's light, the get frozen like a statue."
Last night, the kids, my sister, my wife and I all watched "Vows" together. Time to ramble.
Back to the Golden Cup Bakery Building. As I noted in the previously posted memo about this episode, I wanted a little opening battle, but I didn't want to waste time in a tight, packed script explaining how this came about. It does beg the question though. Assume that X contacted Elisa. She told Goliath. He went ALONE? His friends allowed this? Hmmm.
Xanatos knows from the letter to himself what to do, but I sometimes wonder just how detailed the letter was. I like to think it was fairly sketchy. That exactly HOW Xanatos got Goliath to come was his own machinations. Otherwise, though he takes the credit for the letter, the truth is that the plan itself wasn't his idea. He got the idea from the letter. And he wrote the letter based on what he had done, which he had gotten from the letter. None of this is really his to own, though he does claim ownership. So I like to think that at least some of the details were X's. For example, X knows what G will respond to, i.e. Demona.
Hudson, on hearing about the wedding, suddenly makes the connection to the long ago incident when he met the Goliath from the future. So he's strangely ambivalent. Elisa on the other hand, seems flat out jealous to me. After the events of "The Mirror" and "Eye of the Beholder", she's much more aware and focused on her feelings for Goliath. SHE DOES NOT WANT TO ACT ON THOSE FEELINGS. At this time, she thinks it's impossible. But that doesn't change how she feels. And now, she's jealous. Goliath's feelings for Elisa are just as intense, but so are his feelings for the "Angel" of his youth. He HAS to give it one last chance. (And this will be the last chance. The final nail in the coffin of his and Demona's "marriage".) Brooklyn, meanwhile, is just knee-jerk against anything involving Demona.
PETROS XANATOS is introduced. Again, I wonder why he was invited. Was he also included in the letter? Or did Xanatos invite him to prove something to his father. Is X that needy? Or did X invite him to the wedding, because of course he'd invite his father to his wedding, and his already planned "honeymoon" to 975 shouldn't alter his decorum. Perhaps he's mildly surprised his father winds up coming along? Anyway, Petros was a fun character. A tough hard physical man. With morals. A great contrast to the son. I knew even then that we'd give Petros and David an arc to their relationship, (one that eventually would culminate in Gathering2).
"Oh, reason not the need." A little King Lear is always nice. And I love Petros' attitude on the line, "And the armor?" I mean what would you say to your son if you saw him dressed like that? I'd like to know how many people had sort of forgotten that X was even wearing armor (we're so used to it) until Petros made an issue of it?
I love all the irony in the dialogue between Petros and David. David knows what he's planning. He must be smiling when Petros says "I'd like to get my hands on the man who gave you that coin." And when David says, "Someday, I'll prove to you that I'm a self-made man," he must really be patting himself on the back.
I love the voice work of Keith and Marina when doing their teen-age counterparts. So subtle, yet it's always clear which Goliath and Demona is talking at any given moment.
CONTINUITY:
Gotta love that storage room in the clock tower. The Eye of Odin, the Grimorum, half the Phoenix Gate, and, oh, yes, a comatose Coldstone. By the way, despite what the memo said, I think generally, Goliath carried that Gate in the pouch attached to his belt. Not behind some brick. We hadn't actually come up with that pouch yet, not until the World Tour. But using RetCon, I think that's where he kept it until they moved to the clock tower and Demona tried to kill him, Hudson and Elisa in "Long Way to Morning".
One interesting thing: this is the first episode where we actually CONFIRM that the ILLUMINATI does exist. Matt's mentioned it. Even chased it in SILVER FALCON, but we've never been shown any proof of it's existence until now. Was anyone surprised by that?
Judge Roebling was interesting in theory, though not so much in the episode. I'd like to do more with him some day. I also thought that it was interesting that despite seeing the tape of the Gargoyles in advance. And not reacting outwardly when he saw Goliath, he still gasps when Demona enters. What is it about her? When she entered, Benny turned to me and said: "She's queen of the Gargoyles." Oh. So that's it.
(And everytime Xanatos and Fox are on screen together, Benny likes to point out that he and Erin dressed up as them at the last Gathering. "That's me. That's you, Erin.")
To some extent, X must have filled D in on his plan. I love her "acting" when she enters and gives her bitter "excuse" for being there to Goliath. She's playing hard to get!
I love Petros: "Unnacceptable." He's still trying to teach David the error of his ways.
The Gate itself is very idiosyncratic. It's size, the size of its portal, and the duration the portal stays open seems to vary not just from episode to episode but from scene to scene. Sometimes it annoys me, like when Princess Elena removes the Gate from her sleeve, and suddenly it's bigger than her hand. But now I'm just amused by it. Again, if you think of it as a steam valve for the timestream, it explains a lot.
I love the little sound that Paca put in when the two pieces of the Gate first come together. What a tip-off that was, yet it's subtle. Did anyone think about the significance of the talisman that Demona had shared with Goliath before she started speaking in Latin and flames appeared out of nowhere?
It was hard to make people understand the time loop a bit. But it seemed really hard to make them see why I kept wanting to repeat scenes to show the connective tissue. We had to squeeze in Owen's "Honeymoon" line the second time. No one left space for it.
For the first of many times in the series, someone (X) says the line: "It's not where, it's when". (Erin: "I know when.")
I love X & Fox's relationship. "Having fun." "A marvelous time." Great stuff.
Hudson gets a close look at 1995 Goliath and immediately sees the age and wear and tear on the guy. (I love the shot of Goliath gagging him.) That says a lot for Hudson, because the visual difference between the two Gs was extremely subtle in the animation -- when it existed at all.
Knowing what we had planned (more or less) for Avalon, we were already laying groundwork here for that. Setting up the combined power of the Gate, Grimorum and Eye. Setting up the Archmage's desire for that power. Further demonstrating his enmity for the people he'd wind up using. Of course, making Demona his apprentice was fun. Tells a lot about her own desire for power that even when she was a good girl, she was still willing to work for the Archmage in order to learn his secrets. Willing even to steal for him.
The Norman Ambassador and Prince Malcolm make a BIG deal about how odd the Xanatoses' clothes are. But were they THAT strange? Was Fox's wedding gown that odd? And even if they were strange, did they look as shabby as Prince Malcolm seemed to suggest?
Not every episode gives you a double wedding. Fox and David. Elena and Malcolm. Hey, did anyone notice that we married off our lead villain? That was very daring, and we all but threw it away in Act One. Was anyone expecting Fox and X to really get married? And once they were, did you think you'd see them have a kid by season's end? I think we broke new ground there.
I like the exchange between Goliath and Hudson. Goliath's trying to explain that he's not a creature of sorcery, but a time traveler. H: "And I suppose you came back in time on the wind." O.k., well sorcery was involved if you're gonna get technical. And Goliath has some amusing tense problems while trying to describe what happened in his recent past, Hudson's FAR future. Then Hudson looks him in the eye and decides to trust him on no further evidence. Cool.
I knew a girl named Bryant from Bar Harbor, Maine once. That's where we got X's home town.
Fox is so proud of her man. But I love Petros' "Mr. Big-Shot Time Traveler" line. Or rather I love the way Morgan Shepard read the line.
How hard did Demona try to do things differently from the way she remembered them being done? She knows Goliath is going to fly down to try and join her and her younger self. She tries to leave before he can get there. But the gate stays open long enough for him to go with. Did it ever occur to her to go somewhen else other than 994? I guess part of it could be chalked up to dim memory. It was over a thousand years ago. And Demona lived through that 1000 years. Even for a very significant event in her life, it must still be very hazy.
That exchange between Demona and Demona is a lot of fun. Demona is so brutal to Demona. (And, hey, she spells out the Gate's power to any audience member who hasn't yet caught on.) "Do not share it with-- Do not share it!" I love that line. Also:
"I am what you will become."
"I will never be like you."
"I don't want to hurt you."
"And I don't want to BE you."
pretty cool stuff.
I also like the moment when we have two gates rolling about on the floor and young Demona and older Goliath both bend over to pick them up. At first we had a lot of discussion as to who should pick up which gate. But the discussion became moot, since after the gate pieces were reunited, they almost always seemed like they had never been broken in the first place. Magic.
And the young Demona, older Goliath scene is also gorgeous.
"What am I to do?"
"Nothing."
Love that. Love his whole "Do nothing/attend the petty jealousy" speech. I think it's very pretty. Very sad. At that moment, does Goliath hope he's changing the future? Or is he simply trying to spare this young Angel a couple extra decades of pain?
Showing Demona's natural bents again: Goliath isn't sure if he remembers the incantation, though he's heard it multiple times by this point. Young Demona, having only heard it ONCE, does remember and uses the Gate perfectly.
"Time Travel's funny that way." At least it is in the Gargoyle Universe with the strict, strict rules that I imposed. Of course, I've always thought that those strict rules made the stories more challenging for the writer and, yet, more fun and satisfying for the viewer.
I also really like Petros' "American Penny" speech. For once the "Xanatos Tag" of victory doesn't go to David.
Where did the expression "More's the pity." come from? I've heard it many times. I know what it means, though that's more from sound and context than from the words themselves. What am I quoting when I use it? Does anyone know? (This isn't a contest. I really don't know.)
Finally, my tape has the weird mistake ending that first aired, which shows Demona and Goliath in the clock tower. It's pretty, but it drives me nuts and I think it's really confusing. But I've talked about that many times before, and I'm sick of it, so this time, I'll let it go.
COMMENTS WELCOME!
VOWS memo
Saw "VOWS" last night with the family. I'll ramble on that one shortly, but here's the memo from November '94. Shari Goodhartz wrote the outline, which Michael Reaves edited. Shari's entire story was more or less set at the Eyrie Building. It was about Demona and Xanatos using the wedding to get half of a magical talisman from Goliath. Goliath prevents them from using this macguffin, but realizes once and for all that he and Demona are over.
As I noted below, it seemed like that wasn't enough. So I took ALL of Shari's story and CRUSHED it into Act One. Then I came up with the Time Travel story that was the heart of VOWS. All of Acts Two and Three as presented in the memo below are my work. But I think Shari and Michael did a great job of executing it in this jam-packed episode.
One little tidbit. Petros was my original name for Xanatos' father. (I went to college with a guy named Petros.) But Shari and/or Michael named the dad "Stefan", which I went with here. At the recording session, Marina Sirtis pointed out that the name didn't work for some reason that I can no longer recall. (Aris, any thoughts?) So I jumped in and rechristened him Petros. Later we realized that both Elisa and David had fathers who had been named variations on Peter. To me, that was a very cool thing.
WEISMAN 11-25-94
Notes on "Vows" Outline...
GENERAL
Basically, it still didn't seem like we had enough story. So I compressed what was here and tried to extrapolate forward to fill out acts 2 and 3.
THE TALISMAN
I'm calling it the PHOENIX GATE. It can be used as a gateway to anywhere and anywhen. (The Gate will, I believe, eventually give us our Battle of Britain Story. And give the Archmage a powerful weapon for reaching and conquering Avalon.) By combining the two halves of the Phoenix Gate and invoking the Latin translation of the phrase: "Burn down the walls of time and space!", the gate opens in flame and sucks up anyone in the immediate vicinity, transporting them to the place and time chosen by the invoker. But choosing requires incredible concentration. Otherwise, the chooser's emotional or mental whim of the moment may cause the gate to drop everyone off at Burger King instead of Fort Knox.
TIME TRAVEL
So we're going to do a time travel story. Which means we need to establish traveling rules for our series. I'm going with the most conservative, most restrictive rules possible, because more than any other type of fantasy or science fiction convention, time travel is really subject to logic abuse. So...
Whatever's happened in the past has already happened, including the actions of our time travelers. Recorded history may be incomplete or incorrect, but true history cannot be changed. When Demona and Goliath go back in time to meet the young Demona, both of the older gargoyles are seeking to change or influence the young Demona's history. But this meeting already took place. The older Demona remembers it. (Maybe not every precise detail, and maybe she didn't fully understand the event at the time, but she does remember it.) Whatever influence the modern gargoyles had on her has already been figured into the events that followed, many of which have already been depicted in other episodes. (Sadly, in this case, neither Goliath or Demona had any real sustained influence on the younger Demona at all. That's the tragic flaw of both Demonas. They just never learn.)
WHERE AND WHEN ARE WE GOING?
Castle Wyvern. 975 A.D. The castle is ruled by the 21 year old Prince Malcolm of Wyvern. Malcolm's chief advisors are the 35 year old Captain of the Guard [NOTE: per my recent work on the timeline, the Captain was 29 years old in 975.]; the Archmage (nine years younger than when he appeared in "Long Way to Morning"), and Hudson who is biologically 49. Young warriors, Goliath and Demona are both biologically 19, (in "Long Way..." they were more like 23). If you have space for them, Brooklyn, Lexington and Broadway are all biologically nine. Bronx hasn't hatched yet. In contrast, our modern Goliath is biologically 29 years old and Hudson's 59.
VOWS
That's the theme. Vows. When you keep them. When you can't. Why you do or don't. Don't hesitate to play it up.
STEFAN
In thinking about it, I think Stefan Xanatos should be a naturalized American Citizen living in a north eastern fishing community. Maybe somewhere in Maine. He's still Greek, but he emigrated before David was born. That way, David Xanatos could have been born and raised to pursue (and pervert) the American Dream.
BEAT OUTLINE
ACT ONE
1. Night by some landmark, (maybe the Goldencup Bakery Building or the Cyberbiotics Tower). DAVID XANATOS (in armor) and GOLIATH fight. No stolen Cyberbiotics devices. I really don't want to sweat this scene too much. There are a hundred ways that this could have begun, and in the interest of getting to our main story quicker, I don't want to spend a lot of time "prologing" our prologue. But for the sake of consistency, I'll posit the following: Xanatos left a vaguely menacing message for Goliath with ELISA, whom he can reach easily enough at the precinct house. (The location of the rendezvous itself may have suggested bad news.) Goliath, prepared for a trap but not about to hide from danger, went to the stated rendezvous and, expecting the worse, waded into battle before Xanatos could get a word in edgewise. Well, Xanatos is always up for a little workout, so he fought back with relish, taking his time to reveal the real reason he had asked Goliath to come: He wants Goliath to be best man at his wedding tomorrow night. As a little incentive, he's invited DEMONA, and wrested a promise that she'll be on her best behavior throughout the event. [Reveal as much or as little of the "prologing" as necessary in order to make the scene play.]
2. Clock Tower just before Dawn. HUDSON seems strangely ambivalent, but Elisa and BROOKLYN can't believe Goliath would even consider going to the wedding. They have a hundred reasons each why it's obvious lunacy. Goliath doesn't put up much of a counter-argument. He knows they're right. He won't go. Dawn comes. They all turn to stone. Elisa heads home.
3. Castle during the day. In the courtyard, Xanatos waits for something, still in his armor but with the helmet off. A helicopter lands, piloted by FOX and carrying STEFAN XANATOS, a big, tough, weathered but honest Greek fisherman. Stefan is a little put off by his son's armored attire, but tries at first to make the best of an awkward situation. He is teasingly superstitious about his son seeing Fox on the day of the wedding, but the happy couple make their own luck and patronizingly ignore his concerns, which darkens Stefan's mood. Fox exits to get dressed. David asks his dad, what he thinks of the place. Stefan is frankly appalled by the conspicuous consumption. Why does his son need a place like this? "Oh, reason not the need, father. I wanted it. So I took it." Stefan is disgusted by his son's attitude. Why does he need to wear armor? David assures him, the armor is purely defensive. Defense against what? What kind of life does his son lead? He think David would have been better off being a humble fisherman, like himself: "In fact, if I ever get my hands on the man who sent you that coin, I swear I'll teach him a lesson for meddling with my family." David smiles when his Dad brings up "the coin". That's ancient history, Pop. Besides, that coin was only worth about 20 grand. David's now worth "considerably more". But Dad's not letting him off the hook. If he had never received that coin anonymously, he'd never have become what he is now. "You know, Dad, someday I'm going to prove to you that I really am a self-made man. And that's a promise." Besides, if the castle and the armor upset you, wait until you meet the best man.
On cue, OWEN enters with the JUDGE who is to perform the ceremony. Owen has prepared a little videotape of the gargoyles for Stefan and the Judge to watch. That way, they won't swallow their tongues when they see Goliath and Demona. As they all head inside, Owen questions whether this is necessary, will Goliath really show? He'll be here, Xanatos assures him, "I'd take an oath on it."
4. Back at the clock tower during the day, we push in on the stone Goliath and ripple dissolve to his dream/memory.
5. Castle Wyvern, 975 A.D., night. YOUNG GOLIATH finds YOUNG DEMONA standing on the tower with YOUNGISH HUDSON. Demona seems ridiculously happy to see him. Goliath doesn't want to miss PRINCE MALCOLM'S Wedding. She seems a bit distracted. She looks at Hudson, who says "Go on, then." She and Goliath glide down to one of the upper windows of the Great Hall. From there, they watch this strange human ceremony of bonding, including the exchange of rings. Goliath comments on the beauty of the symbolism or something, and Demona takes out the PHOENIX GATE. She separates the two pieces and hands him one. She swears she will never stop loving him. (If she seems a little too intense, we'll chalk it up at this stage to the emotion of the moment.) Goliath takes his half of the gate, and somewhat awed by her intensity, makes a similar vow. They embrace, stroking each other's hair. (The Gargoyle equivalent of kissing.)
6. Dissolve back out to the Clock Tower at Dusk. Goliath and the others explode awake. Goliath goes to a secret hiding place in the clock tower. (Behind the comatose, COLDSTONE, perhaps.) We see the GRIMORUM and the EYE OF ODIN, as well as Goliath's half of the Gate. (He had hidden it a thousand years ago in a hollow brick at the castle, which Xanatos had transported to NYC unaware of its contents. Goliath had retrieved it before moving to the Clock Tower.) He clutches the gate-piece in his huge hand and leaves, never giving the other gargoyles a chance to talk him out of what even he must realize is a foolhardy quest. Hudson watches him go.
7. Night at the castle. Xanatos and Owen wait in the courtyard for Goliath. Both are now dressed in tuxedos, and Xanatos is wearing a lapel pin that depicts a pyramid with an eye at its apex radiating light. Owen questions whether he should be wearing the emblem of the ILLUMINATI SOCIETY in public. Xanatos says cryptically that it's a necessary risk. [By the way, I have no idea if this is an Illuminati symbol or not. But it seems to fit.] Goliath arrives. Owen offers him a bow-tie. Goliath is not amused. Xanatos gives him Fox's wedding ring to hold. That's what the best man does, you see. Hold the ring, until the couple exchanges vows.
The three enter the Great Hall. Everyone is there. The judge and Stefan have already seen Demona, but Goliath is even more startling thanks to his imposing size. Fox is wearing a white dress, but something non-traditional and sexy. And Demona broods. Goliath approaches her, clutching the gate-piece tightly in his fist. She does not even want to talk to him. She feels she has to attend this farce because Xanatos insisted, and she needs to keep him as an ally. But she cannot fathom why Xanatos wants Goliath here. Goliath attempts to remind her of the last wedding they attended together, but she is not interested in reminiscing.
The wedding ceremony begins, rather informally at first. Keep it very short. (At some point, the Judge should ask Fox's real name. Fox coldly informs him that "Fox" is legally her real name now.) We get to the exchange of rings. Goliath hands Xanatos one for Fox. Demona hands Fox one for Xanatos. Demona looks across at Goliath and seems to break down. Just as the Judge pronounces David and Fox, HUSBAND AND WIFE, Demona runs from the Hall. Goliath pursues. Xanatos & Fox, exchange glances. "Now the fun really begins." They start to follow the gargoyles. Stefan tries to restrain his son: What are you up to now? You'd interrupt your own wedding to engage in Machiavellian scheming? But Xanatos is in a bit of a hurry. He and Fox head out the door pursued by Stefan. The Judge turns to Owen very confused. Owen says something dry and witty. And then both men follow the rest.
Outside, Goliath catches up with Demona before she can glide away. Does she remember their vows? Is there still a chance for them? He shows her his gate-piece. He's always kept it. She gently removes it from his hand and takes out hers. So has she. She puts the interlocking pieces together to form the PHOENIX GATE. And then... she laughs. Goliath is such a fool. He's fallen right into Xanatos and Demona's sentimental trap. Now she has the Gate. And she intends to use it. And just as the Xanatos clan approaches, she speaks the incantation. A huge bird of fire seems to engulf Goliath, Demona, David, Fox and Stefan Xanatos. The fire consumes itself. Owen and the Judge arrive just in time to see the last spark go out. There is no sign of the wedding party. Owen: "It seems the honeymoon has begun earlier than expected."
8. Wyvern, Scotland, on the cliffside near the forest overlooking Castle Wyvern. (This is where Hudson and Goliath froze the morning of the gargoyle massacre of 994 A.D. Only now, it's 975 A.D. -- the night of Prince Malcolm's wedding.) Our five time travelers materialize out of the flaming gate. Stefan asks "Where are we?" David: "The question isn't where... but when?"
ACT TWO
9. Pick up right where we left off. Demona laughs and launches herself off the cliff. Goliath pursues, leaving the humans behind. Xanatos doesn't waste any time. "Follow me!" He runs back into the forest followed by Fox and a very confused Stefan.
10. Air chase. Demona manages to put some distance between herself and Goliath. She chants the incantation and vanishes into the flaming "Gate", leaving Goliath alone.
11. In the forest, Clan Xanatos comes upon TWO HOODED RIDERS who are being attacked by FOUR ARMED BANDITS on horseback. Although he is unarmed, Xanatos never hesitates, wading right in against the bandits. Xanatos, Fox, the larger of the two riders and even Stefan make short work of the bandits. The bandits are forced to flee without their horses, which Xanatos commandeers for his family. The large rider is grateful but suspicious of these strangers in bizarre garb. Then he notices Xanatos' Illuminati pin and warms up fast, briefly drawing back his cloak, to reveal that he wears the same Illuminati emblem. He tells Xanatos that he is the NORMAN AMBASSADOR. He and his "companion" bring "priceless gifts" to Prince Malcolm of Wyvern. Xanatos may wear strange garb, but he's a great fighter (and a fellow Illuminatus). The Ambassador would be honored if Xanatos' would accompany them the last few miles to Castle Wyvern. He also promises that Prince Malcolm will be very grateful for their help as well.
12. Having lost Demona, Goliath soars closer to the castle, debating with himself whether or not he should land there. Then he spots Demona again from a distance. He circles to intercept her, but as she lands on a castle battlement, she is greeted by a young Goliath. And the adult Goliath realizes that he wasn't tracking his enemy, but her younger counterpart. He comes in for a landing on one of the high towers of the castle, and surreptitiously watches the young lovers below him. It almost tears his heart out. And then he hears Hudson's voice behind him, demanding to know what he's doing up on the tower when he had been assigned to hold watch on the battlement. Adult Goliath turns to see his MENTOR, (the YOUNGER HUDSON). When Hudson gets a good look at him, he immediately sees that something is wrong. And when Hudson sees young Goliath and young Demona, below on the battlement, he's ready to cry sorcery, and Adult Goliath has to slap a hand over his mouth.
13. At the gates of the castle, Xanatos, Stefan, Fox, the Ambassador and the hooded rider are greeted by young Prince Malcolm and the ARCHMAGE. The rider is revealed to be PRINCESS ELENA of Normandy. (I made this name up, and have no idea if it's accurate to tenth century Normandy.) The Ambassador had hoped that by arriving in secret, he and the Princess would avoid just the kind of trouble that Clan Xanatos saved them from. Malcolm is very grateful. He was to marry Elena tomorrow, but because the princess was attacked, he has decided to move up the wedding to this very night. He tells his SERVANTS to prepare the Great Hall. At the Ambassador's prompting, Elena pulls out her father's wedding gift. It is a priceless golden treasure known as the PHOENIX GATE, which she will officially present to the Prince after the ceremony.
14. Meanwhile, with great difficulty, Goliath is trying to convince Hudson that he is not a sorcerous creature, but a visitor from the future. (He does not choose to reveal how far in the future.) Goliath is a bit flustered himself: he doesn't know how much to reveal, and he has to remind himself not to use anachronistic names like Hudson and Demona. He manages to babble out the fact that sometime in the future, he attended the wedding of an enemy and that he and his... enemies were sent back in time by some kind of sorcery. He is particularly concerned for the younger versions of himself and Demona. He needs his MENTOR's help. (This conversation will explain the older Hudson's ambivalence in Scene 2. He remembered meeting the adult Goliath after the latter had attended the wedding of an enemy.) Hudson isn't sure what to believe, but he looks deeply into adult Goliath's eyes and decides to trust him.
15. The Archmage returns to his laboratory. He is furious. At first we think he's ranting to himself, but then we realize he's talking to his apprentice, who cowers a bit in the shadows. It turns out that the Archmage hired the bandits to steal the Phoenix Gate from the Normans. To Malcolm, it is just a gaudy bauble, but to him it is the second talisman of power that he needs. (He has the Grimorum. Doesn't yet have the Eye of Odin.) With it he can transverse space and time in a thought. He needs his apprentice to steal it from the Princess before the wedding. Hesitantly, the apprentice steps forward out of the shadows. It is the young Demona.
16. Fox and Stefan watch as Xanatos hands the Ambassador a letter, and returns to face his father. He tells him that the letter contains instructions for the Illuminati society and two sealed envelopes. The Society is to wait 1000 years and then deliver the first envelope to a young David Xanatos of Bar Harbor, Maine. The envelope contains a small coin, a minor reward requested of the Prince for saving the Princess. The coin is practically worthless in 975, but by 1975 it will be worth about 20 grand. The second envelope is to be delivered twenty years after the first. It contains a detailed account of how the coin was obtained. That's how Xanatos knew how to set all this up. He had received instructions from himself last week. "So you see, Pop. I am indeed a self-made man." Fox beams with pride. Stefan is quiet for a beat. Then asks: "All right, Mr. Big Shot Time Traveler. You sent yourself your little letter before you answered one important question: How do we get home?"
17. Young Demona sneaks into the Princess' room through a window and grabs the Phoenix Gate, while Elena's back is turned. She leaves by the same window, but she doesn't get very far. Suddenly, her older counterpart appears before her in a fiery flash of Phoenix flame.
ACT THREE
18. Up on the tower, the burst of Phoenix flame attracts the attention of Goliath, Hudson -- and Young Goliath down on the battlement! Adult Goliath knows the flame signals the arrival of his... enemy. But his younger counterpart MUST NOT investigate. Hudson agrees to waylay young Goliath. Adult Goliath takes off in the direction of the fading flame.
19. Meanwhile, the older Demona confronts her younger self. Both hold a complete version of the Phoenix Gate. (Don't you just love time travel stories?) Anyway, the younger Demona is obviously stunned by what she sees. The older one is right to business. She knows for a fact that her arrival is about to attract some unwanted attention. They need to go somewhere private to talk! She invokes the Latin spell and her gate opens into fire that sucks in both Demonas. At the last possible second, Adult Goliath flies into the fiery gate, and all three vanish.
20. Castle Wyvern. The highest tower. 994 A.D. A few nights after the Massacre. The 994 counterpart of Goliath is frozen in stone (in Thinker pose) at night! Small fires still burn. Fragments of other gargoyles litter the ground. On the cut, the Phoenix Gate deposits Young Demona, Adult Demona and Adult Goliath a few yards above the tower. The Demona's drop down gently enough, but Goliath's momentum from scene 19 sends him crashing into the stone floor of the tower. Adult Demona seems ready for this as well. Before Goliath can recover, she slams him across the back with all her might, plus both fists and the anger of 1000 years. He is knocked unconscious.
And then her real work begins. Young Demona is still in a state of semi-shock. Adult Demona wastes no time. Yes, she is her older self returned from the future with a warning. See the destruction. The death. Goliath frozen in stone at night! Humans did this! And you can stop it! You have the Phoenix Gate. All you have to do is think of a place and time. Hold it in your mind, and by speaking the incantation you are there. With its power you can accomplish anything. Do not give it away to the Archmage. Do not share it with... Do not share it! USE IT!! Destroy all the humans! Rule the Gargoyles! Rule the world!! It's all within your grasp!!!
Goliath starts to come to. Young Demona rushes to his side. Adult Demona intercepts her. "Believe me, I know exactly how you feel." But you cannot trust Goliath. He is weak. He cares more about the humans than the gargoyle clan! The greatest favor you can do him would be to put him out of our misery. (And here is where our Demona has made her big mistake. A mistake made despite the power of hindsight. Because Demona never learns. And because at this time, the younger Demona loves Goliath with all her heart.) Adult Demona: "You must know I'm right! Can't you see I am what you will become?!" And young Demona, still largely innocent and good, snaps: "I will never become like you!" Young Demona attacks adult Demona! Fight scene. Frankly, Young Demona wouldn't be a match for adult Demona, except that the latter is a bit reluctant to trash "herself". Still, it's for her own good.
Goliath regains consciousness and joins the battle. The tide turns and Adult Demona is knocked out this time. Goliath takes her version of the Phoenix Gate from her. Young Demona is pretty near shattered by this whole experience! She turns to Goliath, pleadingly. What should she do?
Goliath is reluctant to use Adult Demona's methods. But he also wants to undo some of the damage the Adult Demona did. Young Demona is touching the frozen version of Goliath. Our Goliath approaches her. Tells her not to worry about this. Not to fear it or look for it. It is not the big catastrophes that must concern her. It is the little slights. The little jealousies and angers that prey upon the heart. Fortify yourself with love and trust, and you need not fear this future.
Goliath looks at Adult Demona. He holds up her Gate. He's not sure he knows how to use it. The younger one lifts her version. She knows how. She speaks the words and the three of them disappear in flames.
21. They reappear in flame on the same tower in 975. Xanatos, Fox and Stefan are there. (The highest point on the castle was the logical place to watch for the Phoenix flames.) Goliath would be tempted to leave Xanatos behind if he wasn't afraid of the damage the guy could do to the future. Goliath says good-bye to young Demona. By now, he's figured out how the gate works. Young Demona steps back out of range. With some hesitancy, Goliath speaks the Latin and our five time travelers disappear.
Young Demona is left alone. She still has her version of the Phoenix Gate, which she holds tightly behind her back. The Archmage comes running up the stairs, clutching the Grimorum. He had seen the Phoenix fire and jumps to the conclusion that young Demona let somebody else get away with the Gate. Before she can reveal that she still has her Gate, he punishes her with a bolt of lightning, and threatens to tell the Prince that she stole the Gate. Hudson glides in, landing between Demona and the Archmage. Hudson wonders why the Archmage would expect Demona to have the Prince's wedding present? If Demona did steal it, who would she be stealing it for? The Archmage takes the hint, begrudgingly. But he won't forget this. He heads back downstairs, grumbling: Those strangely dressed strangers have disappeared. The theft of the Gate can be blamed on them. Obviously, Young Demona never reveals that she still has the Gate.
Young Goliath glides in and in a repeat of the first half of scene 5, Demona seems ridiculously happy to see him. Goliath doesn't want to miss Prince Malcolm's Wedding. Demona seems a bit distracted. She looks at Hudson, who says "Go on, then." She and Goliath glide down to one of the upper windows of the Great Hall.
22. Xanatos' Castle in Manhattan, 1995. A repeat of the end of scene 7: Owen and the Judge arrive on the scene just in time to see the last spark go out. There is no sign of the wedding party. Owen: "It seems the honeymoon has begun earlier than expected."
Our five time travelers reappear. Demona is recovering. Goliath may have defeated her, but he failed too. Demona remembers his little speech from when she was young. She never forgot it. And it didn't change anything. "More's the pity," he says. And he glides off with the Gate.
In excellent spirits, Xanatos approaches his father. "Did you have a good time at the wedding?" Xanatos Senior takes a penny from his pocket and flips it to Xanatos Junior. David catches it and asks, what's this? Stefan says, "It's called a penny. It's not worth much now, but in a 1000 years, who knows. It's my wedding present to you. Because it's all you seem to care about." Stefan turns his back on his son, and walks away.
23. Goliath arrives back at the Clock Tower. Elisa and Brooklyn are there, ready to blast him for going to the wedding. But Hudson takes one look at Goliath and stops them. Goliath puts the Phoenix Gate back in its hiding place with the Grimorum and the Eye. When he turns to face us, there's a single tear rolling down his cheek. Push in on him and ripple dissolve...
24. Castle Wyvern, 975 A.D., night. M.O.S., Young Demona separates the two pieces of the Phoenix Gate and hands one to Young Goliath. They embrace, stroking each other's hair. FADE OUT.
EYE OF THE BEHOLDER MEMO
Last week, I posted my ramble on EYE OF THE BEHOLDER. But I forgot to post the memo from that episode. Here it is.
This is from October of '94, though the episode wouldn't air until September of '95.
Steve Perry wrote a first draft script (which I know longer have), edited by Michael Reaves. This was my memo to Michael in response to that first draft. Usually, these memos come at the outline stage. I'm not sure why this waited until the script stage. Making changes at this stage creates pressure. And I think that pressure is reflected in my brusker tone. (A tone which I regret in rereading it now.)
WEISMAN 10-11-94
Notes on "EYE OF THE BEHOLDER" Script...
This will be a fairly extensive rewrite. Mostly necessitated by Xanatos coming across as weak and moonstruck for the entire episode. We've got to do some restructuring to solve that problem. Sorry.
GENERAL STUFF
XANATOS
We cannot weaken Xanatos to the degree we do here. He should appear to be his normal machiavellian self through the whole episode. Going through life, despite minor setbacks, with an ever-present ace up his sleeve. With only two exceptions... at the crisis point, when he finally has to admit to Goliath and himself that he cares about Fox, and at the end when he feels Goliath has the goods on him. Both of these are important but brief moments. At the very end, we need to feel like Xanatos is more well-rounded, but still formidable.
FOX
In the first scene, please mention Fox's facial tattoo in description. No matter how fancy she dresses, it's a reminder that she still has the beast within. Like Xanatos, let's not play her sappy or moony. She's cut from the same cloth as he is. She may truly love him. But she's not gonna easily be carried away by those feelings. Do we want to give Fox a real name? I feel like she would have had hers legally changed. Maybe not. But how about Janine instead of Janet? Sounds slightly more exotic. Do we want the Werefox to be proportioned like a bodybuilder? She'll have super-strength of course, but shouldn't her proportions remain similar to Fox's design?
TRAVIS, etc.
You'll see below, that I've added a bit for Travis Marshall. If you can figure a way to get the exposition smoothly across without Travis, you can skip him. In either case, during Elisa's first battle against the Werefox in the grocery store, let's reuse the store and store keeper from -013. Charlie H. did that voice and you'll probably need him for Travis. (This doesn't mean the store keeper has to speak, it just gives us a convenient option and saves our artists some work.)
IT'S A CHOKER NOT A PENDANT
I know we discussed that.
TODAY'S THEME: VULNERABILITY
It's there, but I think we could be hitting it harder. (It's not that I advocate a lack of subtlety, but in our scripts we need to emphasize the theme to maintain the audience's focus. We always have so much going on that it would be easy for them to feel like it's just a lot of fighting and not about anything.)
NO 40 PAGE SCRIPTS
I don't want to see any script that is longer than 39 pages. Even at the first draft stage. Please make sure that this is to length. This shouldn't be tough. The script seemed heavily padded to me. There are entire scenes that can come out.
CAST LIST
Please make sure that this is complete. Elisa was left off. I've cut Dr. Stein. Also don't forget to include characters with no lines. They are still needed for design purposes. And describe the costumes of Elisa, Brooklyn, Broadway, Lexington and the costumed man. You don't have to go into great detail. Just make sure that it's noted that they appear in normal garb and in these other costumes.
BEAT SHEET
ACT ONE
1. SUPER: OCTOBER 1st. Our prologue. Xanatos proposes, in a decidedly business-like manner. We don't get to see the Eye. (This scene is largely successful in Steve's draft.)
2. SUPER: OCTOBER 31st. On the streets, late afternoon. Halloween prep going on. Wind, leaves. And Elisa walking with her (unrevealed) costume by the store as the bookrack flies through the store window. She goes in, coming into conflict with this monster WEREFOX. We should see the Werefox eating. Establish that basic motivation. We should also see the EYE. Werefox escapes.
3. Time cut to aftermath. Brief moment between Elisa and Morgan, as Travis Marshall reports live. This is not the Werefox's first sighting.
4. Back at the castle, Xanatos and Owen click off the television (and the Travis Marshall report) as Fox enters. She's got an overcoat pulled tight around her neck. Xanatos asks her if she is wearing her engagement present. She says nervously, that she never takes it off. She exits. He and Owen look at each other. They clearly suspect something.
5. At clock tower, gargoyles EXPLODE awake. Elisa's there. Tells what happened. Brooklyn figures that blows his theory that the Monster sightings were all pre-Halloween shenanigans. (Let's get in here that they are excited about Halloween and being able to appear in public. Hudson's less sanguine.) Goliath takes Elisa aside: "I should have been with you." But Elisa won't let him feel guilty. He can't be with her all the time anymore than she can spend every hour of daylight guarding him. They're all vulnerable. It's scary, but knowing someone cares whether they make it through the day makes it worthwhile. (Or something like that.)
6. Back at the castle, Xanatos calmly approaches Fox and asks for her engagement present. He wants to have it engraved. She tries to demure. He insists, gently pulling her collar away from the EYE!!! She slams him back and transforms into the werefox!
ACT TWO
7. Xan was more-or-less ready for this, he has a tranquilizer gun, but she's much more powerful than he anticipated. The dart doesn't seem to slow her down. Owen enters prepared, with what appears to be another tranquilizer gun. But it's really a tagging device of some sort. The Werefox escapes. (This is tricky, given the setting.) Xanatos: "So much for doing things the easy way." Owen's tagger tracks the beast and sends back vital signs. Owen explains that her metabolic rate is skyrocketing, explaining why the tranquilizer had no effect, and also revealing that she's gonna burn out and die. Xanatos seems unconcerned. (This is a facade, but even he doesn't realize it yet.) He needs to get the Eye of Odin back. If he had known it was anything more than a fancy jewel he'd never have given it away. "Oh, well. On to plan B."
8. Elisa finds Goliath in the library. She's gotten an anonymous tip about where to find the Werefox. (She doesn't know it, but it's from Xanatos.)
9. Xanatos in his battle armor, tracks and confronts the Werefox on the rooftop. (Of a bakery? Or a meat packing warehouse? In any case, reestablish her metabolic hunger.) He tries to get in close enough to remove the Eye. Goliath and Elisa arrive and, thanks to a little play-acting by Xanatos, become convinced that the Werefox is another of Xanatos' victims (ala Maggie Reed). They try to intervene, but obviously the werefox isn't too helpful. Xanatos takes this opportunity to make his grab for the Eye. He's blasted by magical energy. And the Werefox trashes his armor. He's forced to flee. Goliath tries to talk to Werefox, but she slams him into Elisa, nearly knocking the latter off the rooftop. Goliath and Elisa recover, by which time, Werefox is gone. They confer. Elisa is convinced that Xanatos has victimized this poor creature just as he did her brother. He's clearly after the eye. They have to gather all the gargoyles and make sure they get it first. Goliath looks suspiciously toward the Castle in the distance. Maybe he can barely see Xanatos limping toward it.
10. Xanatos comes in for an unsteady landing at the castle. He's greeted by Owen: "So much for plan B." And Xanatos: "True. But now plan C is activated. Goliath and company are, as usual, determined to thwart me. They'll pull out all the stops to get the eye off Fox before I do. They'll do all my work for me." Owen is confused. How will this help him recover the eye? (This is a hint that the eye isn't really Xanatos' main concern.) But before Xanatos can address that question (or even give conscious thought to the answer), Goliath and Elisa dramatically reveal their presence. It's clear they've heard everything. (Or almost everything.)
ACT THREE
11. Goliath is major angry. (But kind of proud of himself that he didn't get fooled again.) Xanatos can do his own dirty work. Goliath and Elisa start to go. And suddenly, almost against his own will, Xanatos stops him. Reveals to himself, Goliath and audience that he really cares for Fox. He needs help to get the eye off of her. The legend says that this is what the Norse God Odin traded for POWER AND INSIGHT. He had no idea the legend had any basis in fact or that the eye had any real metamorphic abilities. Goliath comments wryly that it should give Xanatos some "insight" as to Fox's true bestial nature. It's made her more like herself. (Xanatos does not find that unattractive.) Why should Goliath help? Xanatos makes the Demona reference. (At some point in here, Xanatos should make physical contact with Goliath. Touching his arm. Needing his help.) Goliath starts to waiver, but Elisa's convinced that this is just another scam. A plan D, if you like. Goliath nods agreement. In any case, it's Xanatos' mess. He can fix it himself. They leave. Xanatos seems momentarily desperate, but then controls himself. Asks how long it will take for armor repair. Owen says a couple of days and then takes a quick look at his tracker/scanner. Fox doesn't have that long.
12. Greenwich village. The party. Let's take some time to play this. The trio and their costumes. And particularly, play the beauty of Goliath and Princess Elisa. Maybe a band is playing something classical on Bleeker Street and they dance. Suddenly Goliath spots the werefox. He grabs the creature. Only to discover it's a guy in a costume. But it starts him thinking. He's going to help Xanatos. Elisa protests (not too strongly; she's not immune either). But Goliath has good reasons. The Werefox is dangerous to his "castle". But truly, if a man like Xanatos can love...well, there's hope for the whole world. From behind Xanatos agrees. How did he find them? Almost embarrassed, Xanatos pulls a Scarab transmitter off Goliath's arm. Old habits die hard. He pulls out the scanner. Come with me.
13. Elsewhere in the village, there's a lot of free food being given out at booths. (I know this would never happen in real life, but let's just assume that local restaurants are looking at it as an advertisement expense.) All the trio, not just Broadway, are partaking. But the Werefox is hungry too. Her attack is closely followed by Goliath, Elisa and Xanatos' arrival. Ultimately, Goliath gets her in a full-nelson that allows Xanatos to reach in with his gauntlet-covered hand and painfully remove the Eye. Fox transforms back, in Goliath's arms. Goliath demands the Eye; he won't trust Xanatos with it. (Xanatos will assume he's being asked to trade the eye for Fox. This is not Goliath's intent, but leave it ambiguous.) For once, Xanatos can't refuse. The exchange is made. Xanatos, cradling Fox in his arms: "Well, Goliath, now you know my one weakness." Goliath regards him with disdain: "Only you would regard love as a weakness." He, Elisa and the Trio depart with the Eye. As all this is happening, Owen has pulled up in the limo. He caught the tail end of the conversation. He agrees with Goliath: "Frankly, Mr. Xanatos, you've never looked quite so formidable." Xanatos smiles. Fox awakens. He says something tender, but it's clear he's back to his old self, just as dangerous as ever.
Still reworking the pitch...
Another draft of the pitch. Note I forgot to change the heading at the top of the page, but in the actual pitch the show is no longer "The Gargoyle" but is once again "Gargoyles".
Note also that we were still thinking that Goliath was awake for a thousand years, something we'd eventually transfer to Demona.
Also, at the time, we were thinking that gargoyles had stone-like skin even when awake.
For once the information in [brackets] below is from the document itself, not my 21st century additions.
THE GARGOYLE
(Weisman / 2-2-92)
DISTRIBUTION: Cranston, Fair, Felix, Guler, Kline, Krisel, Ryan, Schaefer, Stones
PITCH BREAKDOWN
(Third Pass)
[Please note the "dialogue" is rough. The main purpose of this draft is to lay out the art cards. In addition, we are working on new names for all the characters.]
1. Trio of typical stone gargoyles. (B&W)
"We all think we know what GARGOYLES are. Ugly, stone statues squatting on the rooves of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."
2. Medieval Flashback (B&W): GARGOYLE-MASTER in fg, RALPH and DEMONA in bg tossing human barbarians off the ramparts of the castle.
"But when the sun went down, the GARGOYLE-MASTER would lead his WARRIORS in defense of the king's castle.
"Then one night, the Master was lured away from his post. The castle was overrun. Sacked. The people dragged away in chains."
3. Medieval Flashback continues (B&W): WIZARD curses the Gargoyle-Master.
"The Gargoyle-Master took full responsibility. And the WIZARD of the castle layed a curse upon him: `Your task was simple. You failed. As punishment, you will guard the empty rooms and ramparts of this castle, 'til its spires rest among the clouds.'"
4. Last Medieval Flashback (B&W): The Gargoyle-Master alone on the castle ramparts, howls in loneliness at the moon. (Or nobly accepting his fate?)
"Now that's the kind of curse that's designed to last forever. The other gargoyles fell into a stone sleep and could not be roused. But the Master was not granted that peace. For a thousand years, he waited...alone.
5. Castle on the skyscraper. (Now, for the rest of the pitch, we're in color.)
"New York City, 1994. A rich and powerful man has decided there's a better place for a medieval castle than a picturesque hill in Scotland. He's moved the whole place--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan, where it's spires can finally touch the clouds."
6. Police Detective MARIA CHAVEZ. (Following a CROOK? If so, it's nighttime.)
"All of which means nothing to New York Police Detective, MARIA CHAVEZ. Castles and curses don't even enter her mind. She's hot on the trail of a major badguy."
7. She's ambushed on a rooftop by crook and multiple THUGS. She's holding her own in the fight. But someone's about to nail her from behind. (And from another rooftop, someTHING is watching in the shadows. Keep this subtle though.)
"Unfortunately, that trail leads right to an ambush. Now, Maria's tough. She can hold her own in a fight. But she's outnumbered here...and almost out of time."
8. Reveal GARGOYLE-MASTER, as he dives into fray from above.
"But not out of luck. Maria, meet the new kid in town."
9. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide. (Basic demonstration of his strength and invulnerability.)
"The strength that served the Gargoyle-Master so well in the past is doubly dangerous today. And that stone-like hide of his makes him practically invulnerable to his enemies."
10. Romantic shot in moonlight. Close in. She reaches up to touch his face gently. He looks as handsome and noble as we can manage.
"Though all too vulnerable to the kindness of his new-found friend. He tells her his story. Tells her of the thousand years he's spent in solitude. She offers him hope, real human friendship..."
11. From atop the skyscraper, she shows him Manhattan. The city as fortress. This is our showpiece card.
"...And a sense of purpose. Because if a gargoyle-master is supposed to protect his home from barbarians at the gate, then this one has found the right place to live. `Fortress Manhattan' has its fair share of barbarians."
12. XAVIER.
"Take XAVIER, for example. Rich, powerful and arrogant, a master at behind-the-scenes manipulation, Xavier is the man who's usurped possession of the Gargoyle's castle... and turned it into his own personal headquarters."
13. The PACK. WOLF, FOX, HYENA, JACKAL, DINGO and the CY.O.T.I. All of them attacking our Gargoyle.
"Then there's THE PACK: WOLF, FOX, JACKAL, HYENA, DINGO and the CY.O.T.I. To the public they're television's greatest Wrestling-Gladiator Team. But to the Gargoyle, they're the most dangerous enforcers he's ever faced."
14. ROBOT climbing building toward Gargoyle.
"Except maybe the ROBOTS from SCARAB-CORP. Modern-day nightmares worse than anything he saw in the dark ages."
15. CATSCAN grappling w/Gargoyle, blasting at him w/"Night Vision" from his eyes.
"But no worse than CATSCAN. A scientist mutated by his own experiments into a bitter criminal with deadly `Night Vision'."
16. DEMONA facing off with BIG GUN against our Gargoyle.
"Still, the toughest opponent of them all is an old friend. DEMONA was once the Master's most trusted Gargoyle Warrior. But she betrayed him. Now she's his sworn enemy, and unfortunately, Demona's taken to the twentieth Century like bullets take to guns."
17. RALPH. (Two poses, perhaps?)
"Fortunately, our hero doesn't have to face these villains alone. In addition to Maria, the Master has help from his old friend RALPH. When the curse was lifted, the few remaining Gargoyles who survived the attack on the old castle woke up for the first time in 1000 years. Ralph is an old Gargoyle Warrior long past his prime. His primary duty has always been to keep a close watch on the young Gargoyles-in-training..."
18. Trio of young Gargoyles, KRAMER, CUBBI and BELUSHI. (Same as card 1 but in color, perhaps?)
"...KRAMER, CUBBI and BELUSHI. (Uh, they picked their own names.)"
19. Cubbi. (Multiple poses?)
"Cubbi is the ring-leader. He's always looking for adventure. Always looking for trouble."
20. Belushi. (Multiple poses?)
"Belushi, on the other hand, is always looking for a good time. She's been asleep for a thousand years, and now she's ready to party."
21. Kramer. (Multiple poses?)
"Kramer's been asleep too, but he's just fascinated with the world he's woken up in. He thinks watching television is great. Of course, he also thinks watching a traffic light change colors is great He's ready for anything this brave, new world has to offer.
22. The DOG. (Multiple poses, definitely.)
"Unlike DOG. Dog is one angst-ridden pet. Doesn't like adventure. Doesn't like new technology. Just likes to eat a lot, sleep a lot, and make a general mess.
23. Exterior of municipal building.
"Together, they've all left the old castle behind and taken up residence in the old MUNICIPLE HALL."
24. Interior of municipal building.
"There, above the police station, above the library and the mayor's office, Maria has found them the perfect home."
25. Stone version of our Gargoyle. Looking vicious and scary. Daylight.
"They still sleep during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."
26. Night. Gargoyle-Master, handsome and noble again, on top of a skyscraper with the full moon and Maria (& other Gargoyles?) right behind him. Gothic mood, but clearly set in the present.
"But when the sun goes down, they're our only protection from the city's dark terrors."
27. Title Card: "THE GARGOYLES".
"They are...THE GARGOYLES."
A random thought that went nowhere...
We were still struggling to come up with some kind of motif or at least consistency for the names of our gargoyle characters...
[3] From: Greg Weisman 2/2/92 4:39PM (375 bytes: 4 ln)
To: Gary Krisel, Kimberlee Mozingo, Greg Weisman, Bruce Cranston, Kathy Fair,
Fred Schaefer, Mike Ryan, Hali Helfgott
Subject: Addendum to Gargoyle names
------------------------------- Message Contents -------------------------------
What if all the gargoyles were named after types of stone or rock?
Just a thought.
[On the back of my copy of this memo, I hand wrote the following:
CRONOS (I crossed this out.)
KRONOS
ORESTES
Prometheus
Connery
AJAX (I crossed this out too.)
TYR]
[Two days later, my boss Gary Krisel returned his copy of my memo to me.]
RECEIVED BY
FEB 04 1992
GREG WEISMAN'S OFFICE
From: Greg Weisman
Date: 2/2/92 4:39PM
To: Gary Krisel Kimberlee Mozingo
Greg Weisman
Bruce Cranston
Kathy Fair
Fred Schaefer
Mike Ryan
Hali Helfgott
Subject: Addendum to Gargoyle names
What if all the qarqoyles were named after types of stone or rock?
Just a thought.
[At the bottom of the page, Gary handwrote the following:
Greg
Pls. use names. It gets too cumbersome when we appropriate nouns for names
GK]
NAMES
It's February, 1992 and we're circling in on our concepts. Trying to find names for our characters. Here's a memo I wrote to organize an effort to get the names once and for all. The people addressed include my bosses Gary Krisel (President of TV Animation) and Bruce Cranston (Vice President of Development for TV Animation), Gary's assistant Kim Mozingo (who was copied to make sure that Gary actually got this e-mail). My assistant Hali Helfgott (who I asked to copy the e-mail to the artists who didn't have computers, including Art Director Bob Kline, character designer Greg Guler and development artist Paul Felix.) Also copied were Development Associates Kat Fair, Fred Schaefer and Mike Ryan. This, at the time, was the team involved in developing the series.
[3] From: Greg Weisman 2/l/92 8:13PM (4538 bytes: 86 ln)
To: Gary Krisel, Kimberlee Mozingo, Greg Weisman, Bruce Cranston, Kathy Fair,
Fred Schaefer, Mike Ryan, Hali Helfgott
Subject: GARGOYLE NAMES
------------------------------- Message Contents ------------------------------
Hali, please copy Bob, Paul and Greg.
We need to come up with new names for most of the characters in Gargoyles. The method we used for "Wind-Ryders" seemed fairly successful, so we'll try it again. [Wind-Ryders was another series we developed and failed to sell. Wind-Ryders was just one of its names. It was set in a VR world. The Cade & Togo characters mentioned in a previous memo came from Wind-Ryders.] Please take a few minutes to write up your suggestions and then turn them into me a.s.a.p.
I've included our theory on names. It's only a working theory, however, so if you've got a great name that doesn't fit, don't hesitate to include it. (Though you might also try to give me one that does fit the theory just in case.) I'll collate all the entries and we'll put em to a vote again.
Gary and I discussed the notion that naming things is a human peculiarity. [This actually became the key to solving our name problems. I think deep down I realized that. But I didn't yet have confidence in it.] Gargoyles don't normally do it, referring to each other by their job-descriptions, (e.g. Gargoyle-Master or Gargoyle-Warrior) or by "Hey, you!"
When they all wake up in the 20th century, their new friend detective Maria feels that they need names. My guess is the three kids each pick their own fun names and also choose a name for the dog. [See. We did that.] Demona might pick her own name as well, either before or after she leaves them to join Xavier. [Back then, we had Demona waking up WITH the other gargs. Then switching sides. (As you may recall, the Demona name was left over from the old comedy development. When Dakota became Demona.]
Ralph probably can't think of a name, so Maria picks one for him. [This more or less happened with Hudson, except that Hudson's naming, became the catalyst and key to our other New York City inspired names. This THEMING of all the names was eventually very important to give us all something to hold onto, instead of having a bunch of random names, as listed below.]
The Gargoyle-Master might choose his own name or Maria might choose it for him. Shouldn't matter much, we still want something heroic and classical, I think. [We eventually allowed the tenth century humans to name this guy, instead of Maria/Elisa.]
Here are the characters we need names for:
THE GARGOYLE-MASTER (I'd rather not have anything reminiscient of "Vincent" the name of the live-action T.V Beast. Whether he chose his own name or not, we might want to wind up with something Shakespearean or Mythological. Something that sounds heroic, certainly, but might have an edge of sadness to it. This is the tough one.) [I wrote a few notions of my own on my copy of this memo: "ATLAS, STONE, CALABAN, PROMTETHIUS, TITAN". You can see that I didn't have the name "Goliath" yet, but I had the feeling I wanted in mind.]
DEMONA - (We might still use this name, but Gary is concerned that it might be too on the nose for the pitch. Would she pick a name that labels her as a villain? Does any villain think of him or herself as a villain?) [I wrote: "Angelica, Carve, Dagger". When Demona's "origin" was altered (to in effect take over the tragic idea of a gargoyle being ALIVE AND AWAKE for a thousand years) this dilemma went away. The idea of Macbeth naming her and her liking the name came later. But you can see that the Angelica/Angel/Angela (opposite of Demona) name was already roaming about in my head.]
RALPH - This is our old past-his-prime former Warrior. Caretaker for the young gargoyles. [I wrote: "ROLF, RALPH, ROCK" For some reason, I really liked the name Ralph for this character, this proto-Hudson. I was stuck on it for awhile.]
CUBBI - This is the small, male, trouble-making, adventure seeking Gargoyle. [I wrote: "NASTI, AMP, STATIC, MOE". This was the garg that looked a bit like Lex, but had Brooklyn's personality. He had been called (at least briefly) "Amp" in our old comedy development. I was still stuck on that. Cubbi, of course, was the name of a Gummi Bear, another of our inspirations.]
BELUSHI - This is our larger, female, party-animal gargoyle. [I wrote: "BELUSHI". This was our female proto-Broadway character. The one who was called Coco in the comedy development. Of course, years later, we'd cast Jim Belushi as Fang. But the inspiration here was Jim's late brother John.]
KRAMER - This is our sorta out-there, easily distracted, easily fascinated gargoyle. Modeled after the Kramer character on Seinfeld. [I wrote: "LASSIE, WEDGE". This character looked vaguely like Brooklyn but had a bit of Lex's personality. Though more of an idiot savant, than Lex's technically brilliant guy.]
DOG - Our angst-ridden pet. [I wrote: "LASSIE, DOG". Our proto-Bronx.]
MARIA CHAVEZ - When we actually do the show, we might be able to go back to this name. (We'll try anyway.) For purposes of the pitch, however, we don't want a name that emphasizes that she is hispanic. [I wrote: "LISA REED, ELISA". This paragraph is really embarrassing. I had been told by my bosses that we couldn't SELL the show with an Hispanic human lead. And so I pandered to get it sold, with every intention of going back to "Maria Chavez" once I was definitely in business. In the interrum, I fell in love with the first name Elisa. So she became Elisa Chavez. (And we did end up using that name in the pitch. Later when we cast African-American/Native-American actress Salli Richardson, Elisa's last name changed to "Maza". But we used the Maria Chavez name for her boss and Captain. So I feel good about the end result. But I'm ashamed that I didn't demonstrate the courage of my convictions throughout the process.]
XAVIER - Marvel has a semi-prominent character named Xavier. So we just need a new name that gives us the same effect. [I wrote: "MR JONAH, CARRIOS, SKANE". Yuck.]
CATSCAN - Catscan is fine for his super-villain name. We need a name for the scientist, before he becomes Catscan. The first name should probably be fairly normal. The last name (though it doesn't have to be an existing word) should probably have an ominous or dangerous sound to it. [I wrote: "DR. SKANE". I'm surprised I didn't revive this Skane name for Sevarius. But it obviously didn't stick with me.]
CY.O.T.E. - CYber-operational works great for me, but I'd like to get some other options on the T. and E. [I wrote: "C.Y.O.T.I CYber-Operational Transferable Intelligence". Ultimately, C.Y.O.T.I. became just Coyote, because we didn't want to tip that he was a robot right away.]
ROBOT & ROBOT ORGANIZATION - Could be the same name. (I.e. if the organization is called TOBOR CORP. Than the Robot could be called the TOBOR-1 or something.) [I wrote: "SKARAB, R-CORP". We wound up keeping the Scarab Corp. name. But we barely used it in the show.]
Thanks, G.W.
CONTEST UPDATE
Six left:
74
129
510
517
518
519
More on villains...
Fred Schaefer was still working on villains. We had one great art card of Goliath confronting an insect-like robot scaling a building. Those of you who have seen the final pitch at a Gathering have seen it. I'm guessing -- cuz I don't remember for sure -- that the art came first and that Fred was writing up info based on that. But it's possible it's the other way around. Anyway, we were still working on Catscan (the proto-Talon/proto-Sevarius). We were looking for Catscan's real name. Fred's picks seemed too goofy to me, which is why my initial impression of the name Sevarius was negative. Too hokey. Now I'm used to it.
As for the robot, it never appeared in the actual series, but I liked the "Scarab" name and made it (at least unofficially) the name of Xanatos' robotics company.
RECEIVED BY
JAN 29 1992
GREG WEISMAN'S OFFICE
THE GARGOYLE -- VILLAINS
(Schaefer 1-29-92)
DISTRIBUTION: Cranston, Fair, Felix, Guler, Kline, Krisel, Ryan, Stones, Weisman
CAT SCAN -- Thumbnail Sketch
CAT Scan is a ruthless mutant [I altered "mutant" to read "mutate"] -- part man, part panther -- who was once a dedicated scientist working for our master villain, Xavier. The victim of a grisly lab accident, he was forced to abandon his life as a scientist and become one of Xavier's most deadly weapons.
Too bad for our nocturnal Gargoyle who can't hide from the doctor's panther-like night vision and power blasts.
Alternative (non-code) names for CAT SCAN
Dr. Rapier
Dr. Havelock
Dr. Skulk
Dr. Lurk
Dr. Jag
Dr. Panzer
Dr. Pincer
Dr. Sinew
Dr. Jag Sinew
Dr. Flint Kragmore
[I wrote "Too Silly" next to all these names.]
(Does it make sense to give this character a tough, evil sounding name, when he doesn't begin as a villain? He's a dedicated scientist who later gets screwed by Xavier. He's mortified over his metamorphosis and becomes very bitter and dangerous.) [Next to this paragraph I wrote: "Think SOUND like we did w/Cade & Togo, Not Words." Cade & Togo were two characters from another show we were developing set in a virtual reality world.]
THE ROBOT -- (A Possible) Thumbnail Sketch
Part insect. Part crustacean. All machine. It's an indestructible robot that's been developed by Tech-Pod Industries (whatever). It's controlled via remote from corporation headquarters. It can scale buildings using its powerful front claws and, although massive in weight, can leap from building to building with amazing ease. Deadly. Relentless. Inexhaustible.
A termite eats through wood -- this baby eats through stone, steel, and glass. Can draw blood from a gargoyle. [I wrote "GOOD" under this.]
Possible names for the robot:
SCARAB [I put "++++" next to this, indicating that I liked the name.]
THE KRAW
THE LOCUST
THE CUSP
DECAPOD ["+++" by this one.]
DECAPODA
DECAPITATOR (because of its massive front claws)
THORAXIAN
THE TECH-POD
The Robotics Organization---(A Possible) Thumbnail Sketch
This corporation is involved in the cutting edge of robotics. Some of its divisions are clandestine, particularly the one that's a member of the Business Alliance of Infra-world Technology (B.A.I.T.). The Alliance is a [sic] underground network of weapons facilities and research labs that sells technology to worldwide crime syndicates.
Possible names for the robotics organization:
SCARAB MACHINES
SCARABEOUS, INC.
KRAY-BOTICS
KRAW-BOTICS
LOCUST, INC.
BIOCHINE, INC.
HUMACHINES, INC.
HUMECHANICS, INC.
ANTHRO-TECH, INC.
TECH-POD INDUSTRIES
[Next to all this "Robotics organization" material, I wrote: "fine don't need it now" Indicating that we wouldn't use the organization for the pitch. Just the robot itself.]
QUEUE'S EMPTY...
Here's a contest update.
The following blanks remain unfilled:
74
129
293
446
510
517
518
519
Only eight left, though it seems like people have really slowed down on guessing. The funny thing is that none of these are particularly series-specific. I never would have predicted that any of these would have been the last to go. Some of them, frankly, seem kind of obvious to me, but of course, I'm coming from a very different perspective. In hindsight, that last set of three may really be tough because there's less context.
But anyway, keep at it. I want this over with.
Chapter XX: "Eye of the Beholder"
Written by Steve Perry. Story Edited by Michael Reaves.
It's really just a coincidence that we watched this so close to Halloween (11-2-00). I wasn't trying for that. This was just the next episode in the sequence. Still, when I mentioned before we started that this was the Halloween episode of Gargoyles, the kids got very excited. Erin pointed at the framed cell we have in our bedroom which depicts Goliath and La Belle Elisa dancing. She remembered that it came from the episode we were about to watch. Benny then commented that Elisa and Goliath are going to get married. Erin, who has a clearer memory of the last time we completed the 66 episode sequence corrected him. But I said something cryptic, like you never know. Erin said I needed to make more episodes so that we could find out. From her mouth to God's ears.
In general, the kids were very verbal during this episode, or at least Erin was. Benny started out verbal, but fell asleep with his mom rubbing his tummy somewhere during Act One.
In the opener, a classic scene I think, when he first saw Xanatos and Fox together he said: "That was you, Erin. I was him." in reference to the Fox and Xanatos costumes they wore to the Gathering 2000's masquerade.
Erin really bought into the tension of the episode. And it is very tense. Some terrific pacing to this. She remembered this one with much greater clarity than most. "Uh oh. That's not just any necklace." Etc. Personally, I just love Xanatos' pragmatic proposal. The truth is X should have already known that he was truly in love with Fox. I've just done some research into sentencing while working on and reworking my Gargoyle timeline. Fox & Wolf each received a 16 month sentence for briefly holding that model hostage in "Thrill of the Hunt". They had the opportunity to be parolled after eight months. They were rejected. Instead of waiting a mere eight more months for them to be released free and clear, an impatient Xanatos sets up the events in "Leader of the Pack". Is that a man in love or what? Nevertheless, we get his whole "We're genetically compatible and have the same goals" speech. She asks about love, and he feels himself largely incapable of the emotion. He thinks he's too amoral for that. "I think we love each other as much as two people like us can." (Or something like that. I'm approximating all these quotations.) It's fun.
Then comes the sequence in Mr. Jaffe's store. Erin is still very tense: "Uh oh, that's Fox. She's wearing the necklace." and "She wants to stop it [the necklace] with one arm. But she doesn't want to with the other." Here, Erin's hit right on Fox's internal conflict. Part of her is fighting the Eye, but part of her wants to surrender to its power. When X first confronts her in her bedroom, and when the Werefox emerges and attacks, it doesn't shred him. It throws him down on the bed. There's some powerful primal energy swirling 'round that room. Lucky thing Owen is there, or I'm not sure Xanatos escapes with his dignity intact.
Xanatos takes note and activates Plan A, which will be followed by B and C. And a makeshift D. It becomes almost a parody of all his contingencies and "Xanatos Tags" from previous episodes. For once, he's out of control. And he can't bear to admit it. He pretends (even to himself) that he just needs to recover the valuable Eye of Odin, when what he obviously really wants is to save Fox. "...I'd never have just given it away. Ah, well, spilled milk." (I always thought that was a great and yet feeble cover for his real feelings.)
Speaking of the Eye, how many knew back when it was intro'd in "The Edge" that it would be so important? As I think I've mentioned, the Eye was actually the creation of Disney Interactive which was working on a GARGOYLES VIDEO GAME at the time. They told us about the Eye, and I loved the idea and decided to incorporate it into the show. Unfortunately, we didn't use their design, which had this great crow/raven theme to it, appropriate to Odin. Instead, our design always looked vaguely Egyptian to me. I can't remember, but I think that maybe they're design wasn't ready when we needed to complete our model for "The Edge". Or it might have been poor communication. The Eye was designed at Walt Disney Animation - Japan. At any rate, we knew from the gamer folk that the Eye had metamorphic powers. But I wanted to be more specific. Yes, it would grant power, but it had to grant power that suited the legend of Odin's Eye. The Eye traditionally provided Mimir with the gift of sight. That easily translated to "insight" for me. Which is a kind of power in its own right. The Eye in the Gargoyles Universe would externalize and amplify a major trait of the wearer. And, yes, even then I had plans to eventually intro Odin himself and have him stick the thing back in his empty socket.
I think that shot from inside the elevator shaft when Fox smashes her way in is very cool.
Owen with an Elvis tribute: "Fox has left the building."
CONTINUITY
--The Eye of Odin, of course.
--Mr. Jaffe's poor grocery store.
--X's commando squad (including Bruno) is at the ready, yet still unprepared for the Werefox's fury.
--Since "The Mirror", Goliath is more open about his growing feelings for Elisa. She again defuses things by turning his concerns for her into a more objective statement about friendship.
--Goliath is back in the library. This time studying Werewolves. The information won't be useful, but isn't that just like him?
--Elisa immediately jumping to the conclusion that the were-thing is another of Xanatos' mutated victims like her brother.
HALLOWEEN - The trio are very excited to be able to stroll into the open. "No one'll know who we are." Better yet, "No one will know WHAT we are." The taste of conformity they got in "The Mirror" has opened a window on their need to be a part of something larger than the clan.
Another cool visual: Fox and Goliath circling each other, with Fox on all fours.
I love when Goliath tries to reason with Fox. "If Xanatos is your enemy, then believe me, WE are your friends." How little he knows. The Werefox immediately attacks him. Still conflicted. Throughout the story, Fox fights, but the Eye reasserts.
Time for Plan C. But Owen has noticed the flaw in Xanatos' usually stellar power of contingency. X claims that all he cares about is the Eye. But he's only setting things up so that the gargs will get the eye. Subconsciously, all he wants is Fox. But we have Goliath arrive and interrupt just at that moment so that neither X or the audience has time to focus on the contradicition.
X breaks down. Appeals to Goliath. He's out of control. Up to a point. ("Old habits die hard -- he still has the forsight to plant a bug on Goliath ala "Awakening, Part Three".
Gotta love Goliath's line: "Not a good night for you." It's great as a writer when you can legitimately turn the tables and give Goliath a Xanatos line.
HALLOWEEN 2
Broadway REALLY wanted to dress up as a Detective. So he's got a new trenchcoat and hat. Brooklyn, ever the swashbuckler, is a pirate. And Lex... hmm... what should we make Lex. We settled on a pilot, in keeping with his helicopter prowess, I guess. But it was never too clear what Lex would or should be, and I can't help thinking that Lex had trouble deciding on a costume too.
Of course, Goliath doesn't wear a costume.
Vinnie has a line here. Though officially, it's not Vinnie's first appearance, this one line of Jeff Bennett spoken dialogue "A costume over a costume." is the obvious inspiration for all that followed with the Vinster.
And I love Keith as that witch saying "That is a great, great costume." What a great, great line reading.
BEAUTY & THE BEAST. Finally, we get to hit the nail on the head. A moment so romantic (in a very romantic episode) that even the characters take note. Elisa lets her self go for a moment. Goliath just is. The kids are happy for them.
But "Things are not always as they seem". Goliath breaks the moment by attacking a guy in a werewolf costume.
Note: That Goliath now refers to Manhattan as "My castle, my city." A year earlier (more or less) he was calling it Xanatos' city. I love the notion that Goliath sees hope in Xanatos LOVING someone. And of course, he's right. Xanatos' love for Fox (and later Alex) will result in Goliath getting the castle back. Not war, but love.
Brooklyn and Lex finally get to eat pretzyls. Remember that in Awakening, Broadway ate them all. Meanwhile Broadway eat's a hot dog and BELCHES MIGHTILY. This was really more about all of us indulging ourselves in low humor. We put the burp into the script. Bill Fagerbakke burped loudly. But our sound effects guy Paca Thomas, put in the burp to end all burps.
CONTINUITY AGAIN
--Lex gets very intense (briefly) and wants to go after FOX. He still hates anything or anyone connected to his Pack experience.
--The return of Brendan & Margot.
Gotta love Elisa's costume. Holster for a garter belt. Very sexy. Solved our nudity problem with Fox too. I'm amazed we got away with that.
In a larger sense, I'm amazed we got away with the entire episode. I was very nervous that the notion of X and Fox getting engaged would be rejected. But the BIG BOSSES didn't focus on the fact that the engagement might lead to marriage. And fortunately, they weren't paying attention when that engagement led to marriage, pregnancy and a kid. I don't think they would have allowed it.
I could have done without Broadway eating his hat.
Fox's internal conflict is visualized when she sees Elisa as herself and attacks to silence that human voice inside her once and for all.
When, in slow motion, Goliath intercepts Fox and saves Elisa (who's usually fairly self-sufficient) it may be the purest moment of Hero saving damsel we have in the series. The dress helps of course.
A little HIGHLANDER inspiration here with Fox and the exploding sign.
I love that Owen's right there with the helicopter.
X is still trying to interpret things to suit his old (and dated) world view. He thinks Goliath is trading the Eye for Fox, which of course he wasn't. Goliath doesn't think that way.
"Now you know my weakness."
"Only you would consider love a weakness."
"You've never looked more heroic."
"A momentary lapse, I assure you."
All great lines.
Let's go home.
And Owen, who signed on BECAUSE Fox and Xanatos were so interesting to the Puck, SMILES.
And now a word about the episode from Erin Sydney Weisman (she typed this herself):
I am most interested in this episode. And the episode I watched was a spooky episode. And I liked the episode, because it was a very enchanting episode.
MARINA SIRTIS
I'd just like to point out that I'm a man of my word. At the 2000 Gathering in Orlando, I vowed that the 2001 Gathering in L.A. would have a MINIMUM of 20 special guests. As of today, we officially have 21. And we're not done by a long shot.
Of course, the big news is MARINA SIRTIS, the voice of Demona, will be attending.
Here's the official announcement reprinted by permission of the G2001 staff:
The Fifth Annual Gathering of the Gargoyles
The Gathering 2001: City of Angels
June 22-25, 2001 -- Los Angeles, CA
UPDATES!
The staff of The Gathering 2001 is pleased and excited to announce the addition of SIX NEW GUESTS. We're most excited because the list of new
additions starts with the voice of Demona herself, MARINA SIRTIS! Also well known for her role as Counselor Deanna Troi in the "Star Trek: The Next
Generation" television series and films, Ms. Sirtis joins the voice of Lexington, Thom Adcox-Hernandez, on the sure to be growing list of "Gargoyles"
voice actors and actresses who will be in attendance at The Gathering 2001.
But wait, that's not all! We also have five new names joining our guest roster from the "Gargoyles" staff and production crew: Lisa Salamone, Jamie
Thomason, Karen Peterson, Dave Schwartz, and Julie Morgavi. Many said it couldn't be done when we promised at least 20 guests - more than every
previous Gathering combined - but our complete list is now up to 21! And even more are sure to be added in the future!
For the complete guest list and most recent info, visit:
http://gathering.gargoyles-fans.org/guests.htm
With such a terrific guest list and so many exciting events planned, it's a sure bet that The Gathering 2001 is going to be THE place to be for "Gargoyles"
fans next June. Our goal is to have 500 people or more in attendance at what will be the BIGGEST and BEST Gathering yet, and only YOU can make it
happen. If you have already registered and purchased your membership, we thank you! But if you haven't, please don't wait too much longer! The
early-bird membership rate of $30.00 for adults ($15.00 for children ages 10 to 14) will only last until December 31, 2000! Don't lose out on what could
be as much as a 50% discount! The rate goes up to $40.00 for adults ($20.00 for children) as of January 1, 2001, and the adult membership rate at the
door will $60.00.
And while you're signing up for your membership, don't forget to reserve a place at the Gala Awards Banquet! Many of our special guests - including
Marina Sirtis, Thom Adcox-Hernandez, and Greg Weisman - are scheduled to be in attendance at this special event, and we hope to see YOU there, as
well. Tickets are only $60.00 per person and they are going fast! Seating is limited, so don't delay!
For more information about the convention, visit us on the web at:
http://gathering.gargoyles-fans.org/
Or contact us by e-mail at gathering2001@art-chicks.com
We hope to see YOU in Los Angeles next June!
CONTEST UPDATE
The following blanks remain to be filled:
42
44
74
129
293
446
510
517
518
519
Down to the last ten.
Still trying to find focus...
Again, I went to work on putting a pitch together on the series. Now again called "GARGOYLES" instead of "The Gargoyle". I was still stuck on the poignancy of the proto-Goliath having been alive and alone for the thousand years, something that we'd eventually trade over to Demona, where it sat better.
GARGOYLES Mini-pitch
(Weisman / 1-29-92)
We all think we know what GARGOYLES are. Ugly, stone statues squatting on the rooves of old buildings...
(Card 1: trio.)
But a thousand years ago, gargoyles were real, living creatures.
At night, they were the kings defenders.
Led by the Gargoyle-Master...
(Card 2: The Gargoyle.)
All the gargoyle warriors and squires would guard the castle from attack.
Everyday, they slept. Frozen in stone on the ramparts.
(Card 3: Stone.)
The one day the castle was overrun. Sacked. The people dragged away in chains. Most of the gargoyle warriors were destroyed.
The Gargoyle-Master took full responsiblity.
As punishment, a wizard layed a curse on him. He said, "Your job was to safeguard the people of this castle.
You failed. Now you will guard this empty relic alone, until it rests in the clouds."
Now, that's the kind of curse that's designed to last forever.
And our tragic hero does in fact guard the castle alone for a thousand years.
The few young gargoyles who survived the attack stay frozen in stone both night and day.
The Gargoyle-Master despairs.
Then the castle is purchased by an American.
It is moved to the top of a sky-scraper in Manhattan.
(Card 4: Castle on skyscraper.)
...Where it rests in the clouds; the curse is lifted.
And the Gargoyle is no longer alone...
He meets a young police detective who can see past his ugly form.
(Card 5: Detective.)
She offers him hope, a sense of purpose.
(Card 6: Moonlight.)
Together they'll fight tough villains...
(Card 7 & 8: Catscan and the robot.)
...and try to keep the newly awakened young gargoyles out of trouble.
NEW CONTEST UPDATE
NOTE:
The two contests are now for
1) Who gets the most points for filling in the most blanks.
2) Who fills in the very LAST blank. (Not #525 which has already been filled in, but the last empty unfilled blank, whatever number that is).
We're no longer going to award a prize for reprinting the whole essay filled in. I'll do that (for free) when we're done.
The following blanks still need to be filled:
42, 44, 74, 129, 233, 292, 293, 408, 446, 510, 517, 518, 519
That's only thirteen left.
CONTEST UPDATE
The following blanks remain to be filled:
42, 44, 74, 125, 129, 133, 134, 233, 244, 292, 293, 314, 322, 327, 328, 408, 433, 444, 446, 490, 508, 510, 517, 518, 519.
That's only 25 left out of 525. Very good work, people.
Now the "bad" news. I'm cancelling the second part of the contest, the part where the first person to list the entire essay correctly gets a prize. I apologize, but the whole thing just became unwieldy, and I can't imagine having to go through twenty or thirty of the full-length essays just to find one or two words wrong in them.
Whether or not you think you have enough points to win the other part of the contest, I still urge everyone to keep guessing these last 25 blanks. First of all, I want this monster over. And second, I can't answer ANY questions about 2198 until the contest is completed. And third, well, it's just nice for everyone to be working together to solve the thing.
Thanks,
Greg
CONTEST UPDATE
The following blanks remain to be filled:
42, 44, 74, 125, 129, 133, 134, 233, 244, 292, 293, 314, 322, 327, 328, 408, 433, 444, 446, 490, 508, 510, 517, 518, 519.
That's only 25 left out of 525. Very good work, people.
"The Gargoyle" still taking form...
In late January of 1992 we were still searching for our series. Ultimately, we'd return to a more dramatic version of our old comedy development. But here was an earlier version where our proto-Goliath is still an immortal magical construct.
THE GARGOYLE
(Weisman / 1-24-92)
DISTRIBUTION: Cranston, Fair, Felix, Guler, Kline, Krisel, Ryan, Schaefer, Stones
PITCH BREAKDOWN
(Third Pass - Version 1/Backstory...?)
[Please note that the dialogue is just here to show the flow of the pitch. It's not intended to be even a first pass at the correct words.]
1. Typical stone gargoyles. (Perhaps stone versions of our squire characters.)
"We all think we know what GARGOYLES are. Ugly, stone statues squatting on the rooves of old buildings..."
2. OPTIONAL - "Medieval Woodcut" showing gargoyles repelling barbaric invaders from the castle walls.
"But there was a time when gargoyles were real, living creatures. The kings defenders...[or something]..."
3. Modern day, beauty shot of our Gargoyle on top of a skyscraper with the full moon behind him.
"That time has come again."
4. Castle being lowered onto skyscraper by giant airships. Laputaesque. It's sunset.
"Manhattan, 1994. And an ancient scottish castle is the newest addition to the New York skyline."
5. Our FEMALE POLICE DETECTIVE hot on the trail of a major badguy.
"But JANE DOE, New York Police Detective, doesn't have time to worry about that now. She's hot on the trail of a major badguy."
6. She follows him onto a rooftop. But it's an ambush by multiple baddies. (By now it's nighttime.)
7. She's doing o.k. in the fight. Holding her own. But someone's about to nail her from behind. And from another rooftop, someTHING is watching in the shadows.
8. Reveal THE GARGOYLE, as he dives into fray from above.
9. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide. (Basic demonstration of his strength and invulnerability.)
10. OPTIONAL - Then he's gone, as quickly as he came. Leaving her to wonder.
11. OPTIONAL - But she's a born detective, innately curious. Tracks him down. They meet. Quiet moment. He'll tell her his story.
12. 1000 years ago, EVIL WIZARD creates our very menacing GARGOYLE. (Does Gargoyle have a name?) Wizard is perverting a gargoyle's true protective function, wants Gargoyle to destroy the near-by castle of the good princess.
13. PRINCESS (does she look like our detective?) convinces Gargoyle to fight for good and not evil. Touches his heart.
14. Gargoyle prepared to fight for Princess...just as the sun begins to rise. (Castle folk open gates to let Gargoyle out?)
15. Gargoyle turns to stone at rise of sun. (As the wizard's army attacks thru open gates?)
16. Sunset. The castle has been sacked. The princess is gone. Our Gargoyle is heartbroken. (More TRAGIC than pathetic.) He's failed.
17. The years pass. He haunts the ruined castle. Howling in front of the full moon?? Years spent in solitude.
18. Occasional forays into humanity? (Stealing books from library?) (World War II? Ripping the wings off a German plane?)
19. Back in present, he tells Detective how all he has left is isolation and futility. Nothing for him in this world. Nothing for 1000 years.
20. But now there's her. She offers him hope, a sense of purpose. And real human friendship. If he sees humanity as an unchanging blight on the planet, she sees humanity as an unending source of potential. She is not naive. She's a cop. She's seen good men corrupted as often as she's seen Bad men redeemed. Working to make things better is the only way they'll get better.
21. From atop the skyscraper, she shows him Manhattan. (Beauty shot of the city in the moonlight.) If Gargoyles are supposed to protect from Barbarians at the gate, then he's found the right town. Manhattan is full of "Barbarians".
22. Gargoyle fighting crime. A mugging? A car full of bank robbers?
23. Escalate. Major villain card. XAVIER perhaps.
24. Escalate. Major villain. One of the Crazies.
25. Escalate. Even tougher villain card. One of the Big Guys. (Gargoyle and Big guy fighting?)
26. Escalate. The toughest villain card. The Wizard in his new incarnation. (Any relation between Xavier and the wizard?)
27. Discussion of mood and tone. Gargoyle in city atmosphere. Emphasize gothic melodrama in very modern setting.
28. Supporting characters. (Other gargoyles, perhaps, or our lead girl's kid? Other cops? The old librarian?)
29. Where does he live? Still in Xavier's tower? With Xavier? The library maybe?
30. Other types of stories?
31. End Card.
Some possible names for our Gargoyle:
Gargoyle
Gar
Griffin
Gryphon
Lear
Calaban
Othello
Danger!
January of '92 was a busy month for Gargoyles Developers. Tad was working on other projects. Maybe Darkwing Duck (if "LP" below stands for "Launchpad"). But he was still helping us out with advice on our show. As I noted earlier, some of Fred Schaefer's villains were problematic. Too dark even for our series. I tended to agree with Tad about Catscan (the proto-Talon). But we did wind up incorporating a bit of the attitude that Tad was concerned about into Fang. (Which makes Catscan the proto-Talon, proto-Sevarius and proto-Fang all rolled into one.)
[2] From: Tad Stones 1/17/92 8:25AM (712 bytes: 11 ln)
To: Greg Weisman
Subject: Cat-scan
------------------------------- Message Contents -------------------------------
Read the villain stuff on Cat Scan. Considering I'm getting notes from Michael Webster about cutting scenes that show LP littering, and GK is worried about doing gags about coffee and showing a gorilla wearing a dress ... do you really want to portray a character who's pumped up by violence, who says he's never felt more alive than when he was fighting?
Even though he's a villain, he's attractive because he's smart and powerful. I think this guy is over the line, however fuzzy that line is.
CHAPTER XIX: "The Silver Falcon"
It's been awhile, but I watched "The Silver Falcon" with my kids the other night, so here's my ramblings on the episode:
This was Cary Bate's first GARGOYLES script as writer and story editor. And it feels very Cary to me. The love of old movies. The twisty-turny detective story, etc. But the main thing I remember is that Cary consciously wanted to start out slow. Not to have to be immediately fluent in each and every member of our large cast. So we focused this on Elisa and Broadway.
CONTINUITY:
Broadway likes b&w genre flicks. First SHOWDOWN. Now this detective film.
Elisa keeps her gun in a lockbox now.
Broadway hates Dracon, but can't immediately place Glasses.
Broadway is extremely protective of Elisa.
Broadway has trouble reading, but he's clearly been studying.
Dracon now has a white streak in his hair. This was primarily done because I thought Tony's model looked too bland. But it made for some cool continuity, given how frightened he was in "Deadly Force". I actually had a brief weird notion to also give Glasses that white streak, but fortunately decided against that weird coincidence.
FUN LINES:
"Ears like these don't miss much."
"This is for my apartment, jerk!"
Picking up on Michael Reaves' suggestion that Matt is a conspiratorialist, we lay the groundwork for the Illuminati's eventual surfacing -- while simultaneously leave it open here to still think that Matt is way off base. Still Martin Hacker is intro'd here. He helps Matt out this time, because he knows the DD angle is a dead end Illuminati-wise. Mace is also mentioned and we see a photo of him. I already knew we'd be bringing back Hacker and meeting Mace soon enough. I knew they were both Illuminati.
Matt's FBI background is also revealed here for the first time. I always like filling in the blanks on characters we think we know.
We into Pal Joey here. Primarily, because Glasses made too BIG of an impression in Deadly Force. We needed someone that the audience (and Elisa and Broadway) wouldn't immediately recognize as a Dracon flunkee. Glasses (his name, his design and Rocky Carroll's performance in what was designed to be a throw-away role) made a strong impression on all of us. Maybe, it's the Owen syndrome. But I always wanted to do more with Glasses.
When Elisa heads for Matt's apartment, we weren't supposed to know it was Broadway hiding on Matt's balcony. The idea was to have multiple levels of suspence. A man in a ski-mask (Joey) ransacking Matt's place. Another man in a trenchcoat watching him from the balcony. Elisa about to enter. Who's on who's side? But instead, it's obvious from moment one that it's Broadway in the coat and on the balcony. Undercutting the suspense instead of expoiting it.
Where did Broadway get that trenchcoat on such short notice? Obviously, it was his Halloween costume. And obviously, since this coat wound up getting destroyed, he had to rush out and get a new one for Halloween.
The trenchcoat and hat is a tribute of sorts to Ben Grimm, alias Thing of the Fantastic Four. The oversized guy in the trenchcoat and hat was a Kirby trademark. Also that moment at the end, where Broadway knocks Tony out by simply flicking him with his finger a couple times. That was very Thing.
Elisa nearly shoots Broadway by accident, while he's pursuing Joey in the hallway at Matt's apartment building. It's a nice moment. And loaded with potential irony.
Originally, Benton and DD were two different people. Development Associate (now Story Editor/Writer) Eddie Guzelian suggested making them one and the same to add a last complication to the story. You can see that at the end. Matt deals with Pal Joey -- in a kismet kind of retaliation for the destruction of Matt's apartment. Broadway deals with Dracon, paralleling the old movie we saw at the beginning. And the story seems to be over. (Which originally it was.) Broadway even says: "Case closed." But then Elisa still has a villain to face. Dominic Dracon. Brought back to tie up loose ends, and add one more twist. Now my question is, how many people guessed that DD and Benton were one and the same? Cuz originally they weren't.
I'd have liked a little more visual clarity on the "Falcons" where the jewels were hidden. I'd have liked it better if they had been BLACK with grime and city soot. Then I'd have liked to have seen them shine like silver when Elisa does her quick polish act at the end. It basically works, but the clarity isn't quite their. Because the falcons are neither very black when dirty nor very silver when clean.
Finally, we made clear in this episode that the Gargoyles transformation to and from stone was really driven by an internal clock, not the sun itself, as Broadway turns to stone while underground. This was done, at least in part, to try and make it clearer that the gargs were not magical creatures but a mortal, biological species.
Developments converge...
Having gotten very far afield, we began to re-incorporate our old comedy development into our new drama. Demona, Ralph (proto-Hudson) and "Lassie, Belushi, Goslyn" (proto-Trio) are back in the show. The Master-Gargoyle (proto-Goliath) is no longer a magical creation but the leader of a different species. We've still got him living through the thousand years -- something we'd eventually give over to Demona -- but we're getting closer to where we want to be.
The following document is notes written up after a development meeting. I'm guessing the write-up is by Fred Schaefer, but I'm not sure.
RECEIVED BY
JAN 20 1992
GREG WEISMAN'S OFFICE
GARGOYLE: Notes from meeting 1/16/92
GK, GW, KF
The Gargoyle pitch needs to show the Master gargoyle as sympathetic and exciting. Need to emphasize empathy, emotion, heart and humor in series. Open in the city and flashback to brief backstory? (No mention of princess or wizard. Optional Messerschmitt card.)
Long ago there were lots of gargoyles - not millions, but thousands, all over the world. They were killed in vast numbers by humans because they were ugly, powerful, and too hard to control, although they did protect the humans by night. By day, the gargoyles sleep. A protective crust covers them, and this is shed when they wake up as the last rays of the sun disappear. Gargoyles are instinctually protective and territorial. They are not impervious to bullets, it hurts when they get shot, but bullets bounce off their thick skins. Lasers and bombs do not.
Master Gar has lived 1000 years. He tried to save as many gargoyles as he could from extinction. Put them to sleep? Has been waiting until for a time that is safe to awaken them. Detective convinces him now is the time, they're needed?
Master Gargoyle lives in the locked attic rotunda of a large downtown municipal building. Lots of arches, arched windows and outside entrances. Gar had to leave his old haunt, now owned by evil Xavier. Female police detective has key to rotunda. (Some stories with janitor accidentally coming in. Lots of boxes, some of the boxes are a door?)
CAST:
Master Gargoyle (1) - Educated, sad, world-weary.
Girl detective (1) has seen a lot, but not totally cynical. Still believes there's some good in humans.
Gargoyle Warriors (1 - Demona) - adult, vicious brutes
Gargoyle Elders (1 - Ralph) old gargoyle warrior, caretaker of the apprentices.
Apprentice/squire gargoyles (3 - Lassie, Belushi, Goslyn) - young (teen), playful, uneducated, emulate the Master.
Villains - (3 - Xavier, Cat Scan, 1 other (a gargoyle warrior?)
Need to stay away from a fatherly relationship between our Master Gargoyle and the little gargoyles.
CONTEST UPDATE
These forty-one blanks remain unanswered:
42, 44, 74, 76, 125, 129, 133, 134, 233, 235, 236, 238, 241, 244, 254, 290, 292, 293, 306, 307, 314, 322, 327, 328, 333, 335, 408, 409, 420, 433, 444, 446, 450, 455, 490, 507, 508, 510, 517, 518, 519.
That's more than I thought, but still not that many left, considering.
Enter "The Sculptor"...
I don't know who came up with this guy. There's no name on it. The character as described here was too horrific for the tone of our show, but touches of him survived. In Coldstone particularly. But also in Jackal and Hyena. Particularly in that fantasy sequence where Jackal "redesigns" Goliath in THE GREEN.
[Read by GDW on 1/15/91]
GARGOYLES: Villains
THE SCULPTOR: Was a well-known eccentric artist until shark attack. Now he sculpts his victims as he was sculpted by shark. "You'd be surprised how many body parts you can do without." [Next to these first few sentences, I wrote: "Yikes".] Lives in a dim, open, downtown loft. Carefully chooses his victims, stalks them, kidnaps them and takes them to the loft for "redesigning." He's missing a right foot, a left hand, a left ear, a lower right arm, a chunk from his left thigh, and his nose. He's replaced his missing parts with cybernetics, giving him super-human (machine) strength and endurance in those parts (maybe he can run super fast or for long distances, super hearing, one strong hand for crushing, etc.). The nose just looks nasty.
I'm back... and so is Catscan...
Hi. I'm back from my sojourn in Louisiana (hi Green Baron). And it's time to continue our reprinting of old development documents from the show...
This one features two villains, Catscan & Shard, that were created by Fred Schaefer, who coincidentally traveled with me in New Orleans this past week. Catscan would eventually split into Sevarius and Talon. Shard would fade away -- too violent and without enough imagination or flare to make the cut.
[Read: GDW 1/15]
THE GARGOYLE -- VILLAINS
(Schaefer 1-13-92)
DISTRIBUTION: Cranston, Fair, Felix, Guler, Kline, Krisel, Ryan, Stones, Weisman
CAT SCAN -- Part man; part panther. Has a muscular, taut, and sleek body. Walks upright most of the time, but can hit some whopping speeds on all fours. His powerful hind legs allow him to leap from one rooftop to another. He also has x-ray night vision, which is capable of duplicating objects (living or non-living) in 3-D. He uses these convincing (if short-lived) holograms as decoys to fool his enemies. He's highly dangerous (razor-sharp claws and teeth), and can kill very quickly. [Greg wrote: "Fitting the name/ May not fit origin" beside this paragraph.]
FIRST EPISODE INTRODUCING CAT SCAN
Dr. Grun is a shamelessly ambitious scientist doing top secret research on vision -- human vs. animal -- for Xavier's corporation. Xavier is involved in developing a highly-advanced "night vision" for jets and a new revolutionary decoy device using holograms. Unfortunately, Dr. Grun's experiments requires an enormous amount of animal research. Mostly on wild cats.
One day, an animal rights group infiltrated his lab. [I underlined this sentence and wrote "Makes them villians".] A violent clash ensues; Dr. Grun accidentally receives a massive dose of his own newly developed x-ray, a controversial device that melds CAT Scan technology with genetics. [I circled "CAT" and wrote "abbreviation has nothing to do w/Cats."] He's hospitalized in Xavier's in-house medical center.
Dr. Grun's body begins to undergo some drastic and extremely painful mutations. Slowly, he turns into a panther/human. He becomes angry, bitter, self-denigrating -- his career as a scientist is over! [I wrote: "Why"] Xavier becomes angry (and sickened by Grun's pathetic self-loathing; remember, powerlessness is Xavier's biggest fear); he reprimands Dr. Grun, telling him that he has acquired skills that no other human possesses. He is powerful and dangerous. Xavier wants to recruit him in his villain team.
At first, Dr. Grun is mortified. The life of a criminal is no substitute for the intellectual life of a scientist! Indignant, Dr. Grun storms out of Xavier's headquarters. That night, while wandering through dark back alleys, Dr. Grun is hounded by a beggar. In a fit of fierce anger (coupled with his feelings of frustration and self-revulsion) he lashes out and attacks the man. The Gargoyle comes to the man's rescue. He and Dr. Grun battle. Dr. Grun escapes.
Safe from the Gargoyle, Dr. Grun reflects on the violence. Surprisingly, he admits that he's never felt more vigorous in his entire life. Pumped up. visceral. ALIVE!!!! (He returns to Xavier as the self-proclaimed CAT Scan, and joins his team.)
THE SECOND EPISODE FEATURING CAT SCAN
[I crossed this out and added an arrow to the paragraph below to move it up with the previous.]
CAT Scan confronts the Gargoyle while trying to pull off one of Xavier's crimes. CAT Scan has been waiting for this moment ... a chance to face his very first opponent again. Only this time, he's more powerful and more skillful at using his CAT Scan vision. It's a tough, grueling fight.
CAT Scan loses, but not by much. He vows to get even. The score is not settled.
THE THIRD EPISODE FEATURING CAT SCAN
CAT Scan discovers that the raid on his lab a long time ago was a hoax perpetrated by Xavier himself. It was no accident that Dr. Grun was dosed by the replicating device. Xavier's rationale was: who better to understand and deal with the psychological stress of becoming a panther than a man who's studied wild cats all his life. A man who understands the physical effects of genetic mutations and the capabilities of the advanced CAT Scan x-rays. Dr. Grun was simply a tool ... and now he's a freak. An enslaved freak. He decides to kill Xavier.
The Gargoyle now finds himself in the odd position of protecting Xavier from CAT Scan. In the end, though, CAT Scan is defeated again.
HERE'S ANOTHER ONE ...
SHARD -- Randall Craig is a New York window cleaner. He's a large man, and yet has an amazing sense of balance; his bulk belies his agility. He's comfortable scaling skyscrapers and definitely not afraid of heights. Some of his coworkers think he's a little too casual on the job.
Although bulky, he's really a shy, somewhat innocent-looking man. A man who's hiding a deep secret: he has an uncontrollable violent streak in him that's triggered when he's being mocked, condescended to, or is ridiculed. Unfortunately, his co-workers make fun of him all the time, but he resists smashing their skulls in because he doesn't want to get fired. [By this section, I wrote: "We all feel this way".] He internalizes his rage and late at night releases it on innocent victims on the streets of New York. [By this I wrote: "can't be to [sic] uncontrollable".]
One day on the job, he cracks up. He crashes through the window of an office tower and beats the [expletive delted] out of an executive who he thought was mocking him as he worked. The broken glass severely scars his face. He's fired.
Plastic surgery can correct the damage, but he decides that he ' likes his new look -- the scars, covering most of his face, resemble a shattered mirror or window. [By these last two paragraphs, I wrote: "Won't be able to do this".]
After the incident he becomes a recluse. He always was an outsider, a loner, but now he disappears for a long period of time. When he resurfaces, it's as a maniacal, senseless murderer. Now he has an "occupation" that people will respect ... even fear. It's hard to be condescending the moment before you're murdered!
Shard spends his nights scaling skyscrapers. When-he sees his next victim, he swoops down on a rope and snatches them from the sidewalk. As he climbs up the building (to the rooftop where his crimes are committed), his victims quickly stop struggling. They are so high up, so quickly, that they don't want him to let them go. Unfortunately, they don't know what awaits them on the roof.
At the scene of Shard's crimes (always on the top of skyscrapers, leaving the police puzzled about how the killer and the victim got up there without anyone noticing them), he leaves a shard of glass -- perfectly clean, like a diamond; no fingerprints, no smudges. And as sharp as a knife. His repeated murders make the headlines of the New York Times.
Xavier relishes the mystery and the ferocity of the killer's crimes, so he sends his men out to track him down before the police do: Xavier wants him on his team! [I circled the word "team" and put a question mark beside it.]
One night, Shard swipes one of Xavier's men and begins scaling a skyscraper to the man's final resting place -- on the roof! The Gargoyle tries to save the man (unknowingly saving one of Xavier's henchmen); a high wire fight ensues; Xavier shows up in a helicopter, joins in the battle against the Gargoyle, but all of the villains are defeated... just barely.
Later, Shard is confronted by Xavier who is eager to recruit him. Shard, however, is furious and almost drops Xavier off the side of a building: he doesn't need him; the world doesn't need him; the world has Shard! Xavier, however, is amused with Shard's look on life. He can't help but laugh. Here is a man who understands ego and power! (Of course, Xavier concludes, he's not bright enough to properly use it; that's why he needs Xavier.) Shard thinks Xavier is laughing at him, so he drops him from the building top. Halfway to the ground, Xavier's saved by his helicopter. Undaunted, apparently not even angry that Shard almost killed him, Xavier laughs out loud and vows to recruit Shard one day... one day.
THE SECOND EPISODE FEATURING SHARD
Well, that day comes soon enough. Cut to the action: Shard is trapped; he's going to be captured by the Gargoyle. Only Xavier can save him, but he'll do so only if Shard vows to work for him. Reluctantly, he agrees, and is saved by Xavier, who laughs demonically at his catch. Shard is having second thoughts...
[I wrote: "Xavier doesn't have to be in everything".]
New Orleans...
I'm heading down to Louisiana tomorrow to do some research and to attend the wedding of former Gargoyles Casting & Voice Director Jamie Thomason to former Gargoyles Talent Coordinator (and now a talented voice director in her own right) Julie Morgavi.
So I won't be on-line for about a week.
Take good care of each other.
CONTEST UPDATE
Well, we're still answering more apace. Don't know if anyone's keeping track, but by my records here's what still remains unanswered:
17, 42, 44, 67, 68, 74, 75, 76, 108, 124, 125, 127, 129, 133, 134, 148, 214, 225, 226, 227, 233, 235, 236, 238, 241, 244, 253, 254, 256, 290, 292, 293, 306, 307, 313, 314, 321, 322, 326, 327, 328, 333, 335, 336, 356, 395, 404, 408, 409, 410, 420, 421, 433, 444, 446, 447, 450, 455, 472, 490, 502, 506, 507, 508, 510, 517, 518, 519.
Only sixty-eight blanks left out of five hundred twenty-five.
Wow.
More e-mails: CATMAN
Another e-mail exchange here. This one is from Fred Schaefer who was creating our proto-Talon character. He wanted some background on DC's Catman character. So I gave it to him.
[2] From: Greg Weisman 1/13/92 10:47AM (5292 bytes: 87 ln)
To: Fred Schaefer
bcc: Greg Weisman
Subject: GARGOYLE VILLAIN
------------------------------- Message Contents ------------------------------
[FRED WROTE:]
Greg, I've created a villain (yes, he's big and powerful) called CAT SCAN. Later, I realized that you said avoid silly villains, using Cat Man as an example. What do you know about Cat Man, so I don't duplicate the character? I doubt that I have, though.
fs
[GREG RESPONDED:]
Catman is a batman villain. At his worst, he was just a guy who liked to steal cat related items. The Egyptian Cat god statue or a gold cat with ruby eyes. He was a former big game hunter who took on the identity of Catman when he got bored, I think. He'd use cat-related items to commit crimes, like a cat-o-nine-tails or a Cat-amaran or a catalogue. (I'm not kidding. At this level, he was simply stealing all the sillier aspects of the Catwoman's schtick.)
At his best, he had a couple of other twists that made him a bit more interesting. He had this cape, that he claimed gave him 9 lives. It was left intentionally vague whether he was just lucky to escape all these dangerous situations, or whether because he believed in the cape he had the confidence to survive, or whether the cape actually worked. One time when Batman ripped off part of the cape while Catman was trying to escape, Catman survived jumping thru a "wall" of high temperature steam. The next time he resurfaced, part of his face was scarred (sound familiar) and burnt by the steam. He blamed Batman, and the fact that a piece of the cape was torn. Even after that, it was still intentionally unclear whether he was just lucky to have survived at all, or whether the cape was in some way responsible. Since then writers have often forgotten that story, and Catman has been fairly inconsistent. Plus since he's now been around for many years, he's used up his nine lives (assuming he ever had them), and writers try to beat around that bush as well.
Another interesting element to the character was the rivalry between Catman and Catwoman, with Batman in the middle. Catwoman & Batman have this love-hate thang going. Plus she occasionally tries to go straight for his sake. (In one old story, that is no longer part of the "cannon" of the DC Universe, Batman and Catwoman got married and had a daughter who grew up to become a heroine named "The Huntress".) Catman and Catwoman used to fight over who had the right to the name, etc.
The key thing however is motivation, look and goal. Catman is a good example of a silly villain, because he has no real motivation beyond liking catstuff. No good reason to even like catstuff. His goal of stealing is just the kind of thing cops should handle. He's not dangerous enough. In later stories, his goal became more murderous. He wanted revenge on Batman and/or Catwoman, but that was because they had defeated him while he was just a glorified catburglar. Finally, his look is silly. He wears a mask with little cat ears, and he wears traditional superhero tights and a cape with a "CM" on his chest. I can bring in a shot of him tomorrow if you want.
There you go, more than you ever needed to know about him.
Except this: when I set out to write my Black Canary mini-series, which never got published, I thought that cats would be natural enemies to a canary, so I teamed up Catman with a Wonder Woman villainess called the Cheetah. I gave them a romance, because Cheetah was mentally scarred (i.e. crazy) and Catman's face was scarred by the steam. They loved each other because no one else would. This was done to off-set the fact that Black Canary's love-life (with another superhero named Green Arrow) was stagnant and hollow. "Even the badguys can have a committed relationship." It was the first issue of the four parter which would act as a catalyst for the two heroes to marry. The series was killed, because DC was approached by a very popular artist/writer who wanted to do Green Arrow. But wanted to keep the character single.
There. Now that's really more than you ever needed to know.
A species is born (again)...
More e-mail. Same day. Tad sends me back word that he can't go to the comic book store, and that I worry too much about Marvel.
But it's clear here that my own thinking is starting to crystalize a bit. I don't want our proto-Goliath to be a cursed/transformed human. In fact, I'm clearly leaning away from him being "created" at all. I'm leaning toward a species with multiple members. I'm bringing it back toward the comedy development but through the dramatic prism.
The Zot! reference below goes like this. I once (more than once actually) tried to get the various companies that I have worked for to option Zot! for animation. Someone once suggested to me that I just create my own Zot!. Obviously I balked at the notion of stealing the essence of someone else's idea. Here on Gargoyles, I felt we had developed something unique and our own. I didn't want, after the fact, to have been accused of stealing someone else's idea. As it turned out, I was accused of that anyway. But at least I could document that it wasn't true.
[20] From: Greg Weisman 1/10/92 11:55AM (1799 bytes: 28 ln)
To: Tad Stones, Mike Ryan, Kathy Fair, Fred Schaefer
cc: Hali Helfgott
bcc: Greg Weisman
Subject: Gargoyle
------------------------------- Message Contents -------------------------------
[TAD WROTE:]
Sorry, I have a lunch today.
I think human to gargoyle is open territory because it's traditional horror transformation and certainly fairy tale stuff. Beauty and the Beast is the direct reference. The fact that both Marvel and DC have those characters shows that it's open territory. Not that I think the human to beast idea is necessarily the way to go.
[GREG RESPONDED:]
Personally, I don't like Human to beast. I feel a) like it's been done to death and b) like no matter how many times he says he can't be cured, you're gonna look for the cure and get frustrated when it doesn't come in a series.
It seems more unique to me if we are creating this new breed. They existed. He may be the only one left, though I might argue both sides of that issue, but it was something that has it's own traditions and mythology. Just another guy transformed ugly, Thing, Hulk, Beast, Beast, Gargoyle, Demon. That doesn't strike me as special.
And I think you underestimate the trouble that Marvel's Gargoyle might give us. We've developed to this character in a natural progression from an original notion. I personally would like to avoid taking turns that would make it look after the fact like we were copying them. It's like the Zot! situation in reverse.
Whew....
I thought this was gonna be a marathon, but it's turning into a sprint. We're WAY past the halfway point already.
Now I'd just like to facilitate people not posting answers to blanks already filled.
So here -- according to my records -- are the blanks that haven't yet been guessed correctly:
7, 16-17, 19, 22, 42-44, 53, 57-61, 66-68, 72-77, 104, 108, 112, 117, 119, 124-125, 127, 129-130, 133-134, 148, 151, 155, 158, 183, 186, 214, 225-227, 233, 235-236, 238, 241, 244, 253-254, 256, 290, 292-293, 296, 298, 306-314, 316-318, 320-322, 326-328, 332-336, 338, 356, 371, 374, 395, 404, 407-410, 420-421, 433-435, 444, 446-447, 450, 455-456, 464-465, 467, 472, 474, 478-479, 490, 498, 502, 506-510, 517-520.
Only 122 blanks left to fill out of 525.
Like I said, "Whew..."
More Tad e-mails...
Here's more of the e-mail exchanges between Tad Stones and the development department. Tad reminds me to be more adventurous (in more ways than one).
At the end, I ask if he's "geekin'", which was our word for going to the local comic book shop during lunch hour. (Or was that obvious?)
[3] From: Greg Weisman 1/10/92 11:41AM (1483 bytes: 26 ln)
To: Tad Stones, Mike Ryan, Kathy Fair, Fred Schaefer
cc: Greg Weisman, Hali Helfgott
Subject: Gargoyle
------------------------------- Message Contents -------------------------------
[TAD WROTE:]
We should be careful with any "boy adventure" show we do. We've trained ourselves away from it to such an extent, that it's a kind of release to finally be able to handle different subject matter. You might rush in and put a good, solid show together ... without taking the time to make it special. I'm talking about more than good stories and characters ... we have to take the time to make it different, as different as DuckTales was from other funny animal shows. I think the romance might help give it a special tone.
[GREG'S RESPONSE:]
I don't disagree. And I'd love to have romance. (Sex and Death are the two things I miss from comic books.) I just don't know how much we're allowed to get away with romance-wise. Far from the "release" causing me to leave it out, is the conservative approach that the last two years have taught me.
And by the way, we can't do him as a human cursed to Gargoyle form. Both DC's Demon and Marvel's Gargoyle are humans cursed to monstrous form.
Are you geekin?
Mike responds to the guru...
Yesterday, I posted Tad Stones' response to our new "THE GARGOYLE" development. Here's staff assistant Mike Ryan's response to Tad.
Coincidentally, I had lunch with Mike yesterday. And he and Tad and I chatted briefly walking over to the Disney commissary.
[2] From: Mike Ryan 1/10/92 8:29AM (907 bytes: 16 ln)
To: Tad Stones, Greg Weisman, Kathy Fair, Fred Schaefer
Subject: Gargoyle
------------------------------- Message Contents ------------------------------
Tad,
It's great to get a "fresh" perspective on this stuff. I was having the same nagging problem with the princess in the backstory, but couldn't quite pin down what the problem was. She really has no place in this show.
I think we sometimes we underestimate [executive] intelligence (you don't hear that statement too often!) and we are overexplaining everything in this pitch. Even if [an executive] doesn't know exactly what gargoyles were created for, he does have an idea of what they are. We can assume that much for all of our audience.
Finally, I agree that we're making a mistake to sidestep the romance.
CONTEST CORRECTION
Vashkoda pointed out an error:
The clue to 155 should read:
8 letters + "'s"
hopefully that's the first and last mistake I've made.
Sorry. (But I warned you.)
My guru speaks...
When I started at Disney in 1989, my boss Bruce Cranston was immediately sent to Europe for SIX MONTHS to help open two studios there. That left the entire development department in my hands. And I had been there all of four days. It was a tremendous time for me. I learned a ton. And one of the guys I learned the most from was Tad Stones. We developed DARKWING DUCK together. (Or rather he developed it and I tried to help.) Tad was instrumental in convincing us to switch our comedy development to dramatic action. The idea of a proto-Goliath was really his. I gave him a copy of our latest pitch breakdown (already posted here, check the Archive). Here's his feedback, sent by e-mail.
[2] From: Tad Stones 1/10/92 7:17AM (5251 bytes: 85 ln)
To: Greg Weisman, Kathy Fair, Mike Ryan, Fred Schaefer
Subject: Gargoyle
------------------------------- Message Contents -------------------------------
The latest presentation list looked pretty good. Just a few thoughts:
Don't shy away from romance. It's more than friendship between the girl and gargoyle.
I'd dump the Princess in the backstory. You don't need the parallel to- present day, and it weakens the present day relationship. He loves her for who she is ... not because of a guilt trip in the past or emotional transference.
Backstory: You don't need it except for the tragic betrayal, and that should be simple. Should the wizard literally create the gargoyle? Or is that too godlike? Two thoughts on gargoyle creation: 1) Start the pitch with a drawing of a stone gargoyle... or a photo from Notre Dame. "People think of gargoyles as grotesque decorations left from another age..." Then a medieval woodcut showing a gargoyle tossing knights over castle ramparts. "But there was a time when they were real." Then go to your Manhattan/Gargoyle beauty shot, "That time is today!" Actually, that last line is catchier than it is clear. The point is - don't waste time and art explaining gargoyles any more than you'd explain dinosaurs. They were demonic creatures. Period. I got it. Unless you tell me different, I'll assume there were all sorts, good and bad. You can go into all sorts of backstory in the two hour movie but it's not necessary for the pitch. There was the "king" of the gargoyles who protected the castle of Arthur (or whoever) but he was set up (framed) by the evil wizard. The walls of Camelot were breached and the Gargoyle is seen as a betrayer. Merlin has him sleep a petrified slumber as punishment. "You failed to guard it this night. Then you shall guard it for all eternity!!" As simple as possible, probably avoid using names because that complicates it.
2) He was human and framed. His punishment was a spell of petrification. But this spell has no cure, no princess's kiss or beauty's love will change him back.
The sunlight/sleep aspect of the gargoyle could be saved for a explanation of powers/weaknesses in the present day.
Art: Lose cards #2, 3 (redundant), 5 (seems like the gargoyle is taking action while the castle is still being lowered), 9 (one action card, not three. The guy has wings so I assume he can fly. Have him about to toss a truck while bullets bounce off him - show scared crooks and the cop amazed in the BG), 10 (for now - you can add it later if you need it), 12-18 (Simplify as discussed. WWII stuff fun but I'm not sure what it adds to the pitch. Isn't it more special that he hasn't helped until now - because of the love of the girl?) 19 and 20 (What kind of visual could Bob possibly draw. Pitch gets preachy and deadly) 21 (The "beauty shot" aspect fights what she's saying - Modify. Make it a poster, city as castle. It's the hook of the show, design this card as a showpiece.) 22 (We've already seen this when he saved her), 27 (redundant - if they don't have it by now, give up.) 28 through 30 (If you have great ideas on this stuff, add them. Is there a way to make them as fun as the crockery in Beauty and the Beast without making them gargoyles? Put your time in the villains. That's what Hasbro and the boy audience will be interested in. Supporting characters should be developed by the story editor anyway, not needed for the pitch.)
One last thought: He is the only gargoyle. No goofy gargoyles. No evil gargoyles (except MAYBE late in the series). Keep him special and unique one against the world - that's the gothic/heroic/tragic/romantic element. Don't diffuse it.
Put the pitch together without the art cards I've noted and write a pitch. Only then should you put the shackles on Bob to do the "Would be nice if you have the time" stuff. You might find you want completely different shadings. But run it by GK/JK [Gary Krisel and Jeffrey Katzenberg] before you go farther. Consider painting/airbrushing card 21 - the poster.
Neat stuff. Wish you had more time.
G-2198 CONTEST CLUES
Here are the promised clues. Most of them are incredibly straight forward. Blank #1 for example is an 8-letter word. A few are fancier. But not very. The last two words (524 & 525) are clueless. Didn't want to make it too easy.
And, yes, I am a bit evil. But just a bit. Between the contextual help and these clues, I don't think it'll be too hard.
1. - 8 letters
2. - 3 letters
3. - 4 letters
4. - 3 letters
5. - 7 letters
6. - 5 letters
7. - 6 letters
8. - 6 letters
9. - 5 letters
10. - 5 letters
11. - 4 letters
12. - 6 letters
13. - 5 letters
14. - 5 letters
15. - 6 letters
16. - 8 letters
17. - 8 letters
18. - 2 letters
19. - 4 letters
20. - 4 letters
21. - 4 letters
22. - 7 letters
23. - 9 letters
24. - 5 letters
25. - 10 letters
26. - 4 letters
27. - 5 letters
28. - 4 letters
29. - 4 numbers
30. - 2 letters
31. - 9 letters
32. - 8 letters
33. - 9 letters
34. - 5 letters
35. - 6 letters
36. - 8 letters
37. - 6 letters
38. - 6 letters
39. - 5 letters
40. - 6 letters
41. - 13 letters
42. - 12 letters
43. - 8 letters
44. - 5 letters
45. - 9 letters
46. - 8 letters
47. - 8 letters
48. - 10 letters
49. - 3 letters
50. - 6 letters
51. - 7 letters
52. - 7 letters
53. - 8 letters
54. - 6 letters
55. - 5 letters
56. - 9 letters
57. - 7 letters
58. - 6 letters
59. - 10 letters
60. - 6 letters
61. - 7 letters
62. - 7 letters
63. - 5 letters
64. - 10 letters
65. - 8 letters
66. - 8 letters
67. - 10 letters
68. - 4 numbers
69. - 6 letters
70. - 5 letters
71. - 8 letters
72. - 6 letters
73. - 6 letters
74. - 9 letters
75. - 6 letters
76. - 9 letters
77. - 8 letters
78. - 4 letters
79. - 5 letters
80. - 8 letters
81. - 6 letters
82. - 4 letters
83. - 5 letters
84. - 6 letters
85. - 4 letters
86. - 5 letters
87. - 5 letters
88. - 10 letters
89. - 6 letters
90. - 3 letters
91. - 10 letters
92. - 8 letters
93. - 6 letters
94. - 5 letters
95. - 4 numbers
96. - 5 letters
97. - 8 letters
98. - 6 letters
99. - 6 letters
100. - 4 letters
101. - 7 letters
102. - 6 letters
103. - 8 letters
104. - 7 letters
105. - 7 letters and an apostrophe
106. - 7 letters
107. - 10 letters
108. - 8 letters
109. - 6 letters
110. - 6 letters
111. - 7 letters
112. - 10 letters
113. - 5 letters
114. - 4 letters
115. - 9 letters
116. - 7 letters
117. - 7 letters
118. - 6 letters
119. - same as 117
120. - 4 letters
121. - 10 letters
122. - 10 letters
123. - 7 keystrokes
124. - 6 letters
125. - 6 letters
126. - 8 letters
127. - 9 letters
128. - 5 letters
129. - 10 letters
130. - 5 letters
131. - 5 letters
132. - 5 letters
133. - 7 letters
134. - 8 letters
135. - 5 letters
136. - 5 letters
137. - 6 letters
138. - 7 letters
139. - 6 letters
140. - 6 letters
141. - 10 letters
142. - 6 letters
143. - 6 letters
144. - 9 letters
145. - 4 digits
146. - 8 letters
147. - 7 letters
148. - 10 letters
149. - 7 letters
150. - 7 letters
151. - 8 letters
152. - 5 letters
153. - 9 letters
154. - 6 letters
155. - 8 letters
156. - 8 letters
157. - 3 letters
158. - 8 letters
159. - 4 letters
160. - 7 letters
161. - 9 letters
162. - 4 keystrokes
163. - 6 letters
164. - 5 letters
165. - 6 letters
166. - same as 144
167. - 8 letters
168. - 6 letters
169. - 2 letters
170. - 7 letters
171. - 9 letters
172. - 6 letters
173. - 6 letters
174. - 10 letters
175. - 7 letters
176. - 7 letters
177. - 9 letters
178. - 4 letters
179. - 5 letters
180. - 4 letters
181. - 5 letters
182. - 9 letters
183. - 7 letters
184. - 5 letters
185. - 8 letters
186. - 6 letters
187. - 3 initials
188. - 5 letters
189. - 4 letters
190. -6 letters
191. - 11 letters
192. - 5 letters
193. - 7 letters
194. - 8 letters
195. - 7 letters
196. - 9 letters
197. - 8 letters
198. - 7 letters
199. - 6 letters
200. - 6 letters
201. - 6 letters
202. - 10 letters
203. - 6 letters
204. - 6 letters
205. - 5 letters
206. - 4 letters
207. - 7 letters
208. - 9 letters
209. - 9 letters
210. - 6 letters
211. - 5 letters
212. - 9 letters
213. - 9 letters
214. - 9 letters
215. - 5 letters
216. - 5 letters
217. - 5 letters
218. - 7 letters and a bonus keystroke
219. - 6 letters
220. - 7 letters
221. - 6 letters
222. - 7 letters
223. - 8 letters
224. - 6 letters
225. - 9 letters
226. - 7 letters
227. - 8 letters
228. - 6 letters
229. - 5 letters
230. - 8 letters
231. - 5 letters
232. - 3 letters
233. - 8 letters
234. - 9 letters
235. - 8 letters
236. - 9 letters
237. - 4 letters
238. - 9 letters
239. - 4 letters
240. - 8 letters +
241. - 4 letters
242. - 6 letters
243. - 8 letters
244. - 8 letters
245. - 3 letters
246. - 10 letters
247. - 7 letters
248. - 8 letters
249. - 5 letters
250. - 3 letters
251. - 5 letters
252. - 5 letters
253. - 7 keystrokes
254. - 8 letters
255. - 6 letters
256. - 4 letters
257. - 6 letters
258. - 6 letters
259. - 5 letters
260. - 9 letters
261. - 8 letters
262. - 5 letters
263. - 5 letters
264. - 5 letters
265. - 5 letters
266. - 5 letters
267. - 10 letters
268. - 8 symbols
269. - 10 letters
270. - 6 letters
271. - 5 letters
272. - 4 letters
273. - 7 letters
274. - 4 letters
275. - 7 letters
276. - 5 letters
277. - 6 letters
278. - 7 letters
279. - 9 letters
280. - 9 letters
281. - 3 letters
282. - 7 letters
283. - 4 letters
284. - 7 letters
285. - 9 letters
286. - 9 letters
287. - 5 letters
288. - 5 letters
289. - 9 letters
290. - 5 letters
291. - 6 keystrokes
292. - 5 letters
293. - 10 letters
294. - 4 letters
295. - 4 letters
296. - 9 letters
297. - 7 letters
298. - 11 letters
299. - 7 letters and help
300. - 4 letters
301. - 4 letters
302. - 7 letters
303. - 5 letters
304. - 4 letters
305. - 4 letters
306. - 3 initials
307. - 3 initials
308. - 7 letters
309. - 9 letters
310. - 7 letters
311. - 11 letters
312. - 9 letters
313. - 7 letters
314. - 6 letters
315. - 7 letters
316. - 4 keystrokes
317. - 4 letters
318. - 9 letters
319. - 6 letters
320. - 5 letters
321. - 6 letters
322. - 6 letters
323. - 10 letters
324. - 5 letters
325. - 5 letters
326. - 6 letters
327. - 6 letters
328. - 3 keystrokes
329. - 8 letters
330. - 10 letters
331. - 11 letters
332. - 6 letters
333. - 3 initials
334. - 3 numbers
335. - 3 keystrokes
336. - 4 keystrokes
337. - 6 letters
338. - 10 letters
339. - 11 letters
340. - 6 letters
341. - 8 letters
342. - 6 letters
343. - 8 letters
344. - 6 letters
345. - 4 letters
346. - 5 letters
347. - 5 letters
348. - 6 letters
349. - 6 letters + "'s"
350. - 10 letters
351. - 6 letters
352. - 5 letters
353. - 4 letters
354. - 6 letters
355. - 10 letters
356. - 10 letters
357. - 4 letters
358. - 6 letters
359. - 7 letters
360. - 12 keystrokes
361. - 9 letters
362. - 5 letters
363. - 10 letters
364. - 5 letters
365. - 3 letters
366. - 3 letters
367. - 3 letters
368. - 10 letters
369. - 8 letters
370. - 8 letters
371. - 3 letters
372. - 7 letters
373. - 9 letters
374. - 7 letters
375. - 4 numbers
376. - 6 letters
377. - 8 letters
378. - 5 letters
379. - 3 letters
380. - 5 letters
381. - 8 letters
382. - 6 letters
383. - 3 letters
384. - 4 letters
385. - 5 letters
386. - 6 letters
387. - 6 letters
388. - 5 letters
389. - 2 letters
390. - 3 letters
391. - 2 letters
392. - 3 letters
393. - 8 letters
394. - 5 letters
395. - 4 letters
396. - 6 letters
397. - 5 letters
398. - 4 digits
399. - 8 letters
400. - 2 letters
401. - 3 letters
402. - 5 letters
403. - 8 letters
404. - 8 letters
405. - 6 letters
406. - 6 letters
407. - 6 letters
408. - 8 letters
409. - 3 "letters"
410. - 4 numbers
411. - 5 letters
412. - 5 letters
413. - 5 letters
414. - 6 letters
415. - 7 letters
416. - 8 letters
417. - 2 letters
418. - 3 letters
419. - 4 letters
420. - 3 initials
421. - 3 numbers
422. - 5 letters
423. - 6 letters
424. - 5 letters
425. - 5 letters
426. - 6 letters
427. - 5 letters
428. - 5 letters
429. - 11 letters
430. - 5 letters
431. - 7 letters
432. - 5 letters
433. - 4 letters
434. - 9 letters
435. - 4 letters
436. - 6 letters
437. - 7 letters
438. - 10 letters
439. - 8 letters
440. - 5 letters
441. - 6 letters
442. - 5 letters
443. - 5 letters
444. - 8 letters
445. - 7 letters
446. - 9 letters
447. - 12 letters
448. - 7 letters
449. - 10 letters
450. - 5 letters
451. - same as 299
452. - 10 letters
453. - 5 letters
454. - 8 letters
455. - 5 letters
456. - 10 letters
457. - 9 letters
458. - 9 letters
459. - 4 digits
460. - 5 letters + "'s"
461. - 8 letters
462. - 8 letters
463. - 6 letters
464. - 9 letters
465. - 10 letters
466. - 9 letters
467. - 12 letters
468. - 6 letters
469. - 9 letters
470. - 5 letters
471. - 5 letters
472. - 9 letters
473. - 10 letters
474. - 13 letters
475. - 10 letters
476. - 7 letters
477. - 7 letters
478. - 7 letters
479. - 9 letters
480. - 7 letters
481. - 6 letters
482. - 5 letters
483. - 5 letters
484. - 5 letters
485. - 5 letters
486. - 8 letters
487. - 10 letters
488. - 7 letters
489. - 8 letters
490. - 10 letters
491. - 10 letters
492. - 6 letters
493. - 10 letters
494. - 5 letters
495. - 5 letters
496. - 7 letters
497. - 7 letters
498. - 7 keystrokes
499. - 10 letters
500. - 6 letters
501. - 6 letters
502. - 8 letters
503. - 5 letters
504. - 10 letters
505. - 12 letters
506. - 5 letters
507. - 6 letters
508. - 7 letters
509. - 6 letters
510. - 8 letters
511. - 6 letters
512. - 1 letter
513. - 4 letters
514. - 5 letters
515. - 5 letters
516. - 5 letters
517. - 8 letters
518. - 9 letters
519. - 10 letters
520. - 6 letters
521. - 8 letters
522. - 9 letters
523. - 4 keystrokes
524. - no clue
525. - no clue
GARGOYLES 2198: THE CONTEST
GARGOYLES 2198
(Fill-in-the-Blank Contest / 9-26-00)
Written by
Greg Weisman
Well, here it is. This contest took me almost as long to put together as it did to develop the show it's based upon. Below is a good-sized document on GARGOYLES 2198 with tons and tons of info about the proposed spin-off series, its characters, settings and situations. The only problem is that there are five hundred and twenty-five blanks making it slightly difficult to read. Actually, those aren't quite blanks. They're place-holders. Numbers. Each number has a corresponding clue which I'll post right after I've posted this. Those clues should help you RE-place those holders.
As requested, there are two prizes to be handed out. One is for the person who contributes the most answers overall. The other is for the first person to TOTALLY COMPLETE the puzzle.
At this early stage, I think it's pretty useless for people to reprint the entire essay attempting to fill in ALL the blanks at one fell swoop. So early entries should read like this:
212: Mayberry
303: Andy
444: Opie
521: Fife
Notice, there's no need to guess all of them every time. (And please don't.) Just guess the ones you think you know or we'll be here forever. Capitalization does NOT count. But spelling does. [I do reserve the right to admit later that I made a mistake here and there. I don't think I have, but it's been quite an undertaking, so who knows…]
Let's say in the above answer that "Mayberry", "Opie" and "Fife" were right, but Andy wasn't. The person who posted it would get three points. UNLESS, someone's already posted the correct answer to, say, 444. In which case, this poster only gets points for Mayberry and Fife. Clear? Obviously, it's important that you use a consistent screen name to post your answers in order to get credit for all your points. Anonymous postings will be deleted by Todd in advance. (Waves at Todd.)
I know the contest looks imposing, but in many ways, I think this is easier than the Clan Contest. There are a lot more clues and you all have a lot more information. Once we've filled in a bunch of the blanks (say 500 out of the 525) then we can start seeing completed answers being posted with the blanks filled in.
I encourage teamwork. And everyone remember that this is just a game. Just a diversion. Just some fun. Don't take it too seriously. As usual, the prizes (again, one for points and one for the completed answer) will be of no real value. Hopefully, they'll be interesting though.
I'm hoping we'll have finished this by next June's Los Angeles Gathering. Go to it…
One thousand years ago…
Superstition and the sword ruled.
It was a time of darkness.
It was a world of fear.
It was the age... of gargoyles!
Stone by day, warriors by night,
We were betrayed by the humans we had sworn to protect,
Frozen in stone by a magic spell for a thousand years.
Finally... the spell was broken, and we lived again!
But our 1 was 2 from 3...
For the last 4 5 6 we have faced the 7,
Navigating an 8 9 with the 10 11.
But now the 12 13 itself is 14 15!
16 is 17!
And 18 may be 19 20 21 for 22…
We are 23 of the 24!
We are 25 of 26 27!
The 28 is 29.
And 30… are 31!
In 1996, humanity and the world at large discovered there were gargoyles living among them. Fortunately for the human race, Gargoyles are by nature a protective species. Unfortunately for the gargoyle race, humanity is by nature an intolerant species. Humans did not welcome having to share their world with other 32 33. Many were quick to 34 the gargoyles as 35, 36, 37 or worse. Gargoyles were 38 basic "39" 40. They were 41 against. 42 upon. 43. 44. And sometimes 45.
Despite this, GOLIATH, the leader of the gargoyles, maintained hope that one day humans and gargoyles would live in peace. Eventually, that day came. The "46 47 48 49" was adopted by the 50 51. Gargoyles were 52 full "53 54". Though Gargoyle 55 were 56 across the globe, they were collectively granted 57 58 as an 59 60. 61 Gargoyles became a crime.
True acceptance, however, is not so easily legislated. At best, Gargoyles were still barely tolerated by their human neighbors. Real peace would have to wait.
But the gargoyles would take what they could get. The 62, once on the 63 of 64, began to make a 65. Clans that were 66 helped to 67 those that were not. By 68, 69 70 comprised the 71 72. Each was strong in 73 and 74. Now it was time to 75 again. As a potent act of 76, every clan brought its 77 78 to 79 80 81, off the 82 83 of 84. The 85 would 86 together to demonstrate gargoyle 87. Some of the 88 would eventually return to the other 89 Clans. But many would stay to form the basis of a 90 clan. A 91 clan.
Someone should have told the gargoyles that 92 is NOT a lucky 93.
94, 95. 96 97 98. From around the globe, human Heads of State and all 99 Gargoyle 100 101 have come to this small 102 for the 103. They wait within the 104 of the 105 dormant 106 to witness the new 107 of gargoyles 108 out of their 109. Meanwhile, 110, a young gargoyle 111 is stuck on 112 113 114 at the base of the mountain. Out of nowhere, an immense 115 materializes above the 116. It emits a blinding beam of light that stabs down into the 117. 118 races up the slope, but it's too late. The 119 is empty. No 120. No gargoyles. No humans. No World Leaders!
Simultaneously, another giant 121 hovers over 122. Another beam stabs downward. And 123 124 125 126 -- the 127 system for nearly everything on the planet -- vanishes.
It all happens so fast, there's no time to react. 128 is paralyzed and 129 when the 130 131-132 133. In less than twenty-four hours, the planet is 134, absorbed into the 135-136 137. There is very little loss of life. Very little damage done. Unless 138 matters to you.
It matters to 139, the new 140 of the 141. One by one, he gathers his team…
142 - 143 of the 144 Clan hatched in 145. Though his 146 is different, it's obvious to anyone who'd care to look that he is descended from 147. Still no one knows how many 148 generations 149 from 150 he is. He might be the biological 151 of either 152 or 153, 154 and 155 first two biological 156, or he might be the biological 157 of 158, their third born. Frankly, it doesn't really matter. There were many 159 in that 160. All raised collectively by the 161 Clan.
By 162, 163 is 164 years old, but only 165 biologically. He has been trained as a Gargoyle Warrior both in 166 and in 167. He demonstrated enough promise to have recently been named 168-169-170 of the 171 Clan. Now, a reluctant 172 must become 173 not just of his clan, but of the entire 174.
175 - 176 of the 177 Clan is a 178-179. Mostly Gargoyle… but 180 181 as well. Her 182 include her namesake, the 183 that 184 185 186 by combining the 187 of 188 189 with that of 190. Being 191 part of both 192 has left 193 feeling like she's not truly a part of either. Upon learning of her "194", humans seem to react with fear and even disgust. And 195 has never been confident that the 196 she was raised with don't feel the same way. All this has made her tough on the outside, but desperately insecure on the inside. Nevertheless, she's a fierce young 197 198 (the same age as 199), and 200 makes her his 201 in the 202.
203 - 204 of the 205 Clan hails from the 206 207 of 208. He's a descendent of 209 and the 210 from "The 211". He has 212 wings, 213 features and skin the color of 214. From the 215 down, he looks like a 216 217. He's 218 contemporary and close friend. 219, 220 and 221 all trained together as Gargoyle Warriors, studying 222 in 223; they have a Three Musketeers kind of rapport. 224 isn't quite the fighter that the other two are, but he has other strengths. He's more 225, more intellectual, more book-smart. He has also been entrusted with his clan's 226 and sacred 227 228; this magical 229 230 prevents him from turning to 231 during the 232.
233 - 234 year old 235 236 237 is a scion of both the 238 and 239 families (which technically makes him a distant relative of 240). 241 was 242 among gargoyles and has taken the family tradition to heart. He too has traveled to 243 to join the ORDER OF THE 244. He has trained as a Gargoyle Warrior, embracing the Gargoyle 245 of 246 & 247. He's as much a 248 as a guy can be and not have 249. He's eager, perhaps a little too eager, for a chance to prove that he can hold his own with any other gargoyle. Only he's 250 a gargoyle. He's one hundred percent 251, with a 252 253 unique strengths and weaknesses.
254 - 255 (the original model for the mysterious 256 statues of 257 258) landed on 259 260 ago to stand 261 and protect our 262 from the 263-264. But by the time the 265-266 actually arrived, their 267 so far surpassed his, he was completely caught off guard. Now, there's nothing he can do but join 268 269 cell and try to pitch in. 270 is deeply shamed by his failure to protect his adoptive 271. He would gladly sacrifice his life to redeem himself.
272 273 - 274 275 was Chief of 276 of the 277 278. An indispensable aide to 279 General 280 281 282 IV. In fact 283 has been an indispensable aide to the 284 family since before 285 was born. But now the 286 General is gone. Taken by the 287-288 and put in stasis with the rest of the world's leaders. The new acting 289 has surrendered the 290 to the enemy. He has no use for 291 292 293 and intensity. And 294 has no use for a man who won't fight. So 295 has left public service to rejoin the private sector. Secretly, he has placed all the resources of the 296-297 298 at 299 disposal. Of course, we all know that 300 is really the 301. But since he already failed to 302 his charge, and certainly has no opportunity to 303 him anything at the moment, he's stuck as 304, stone 305 and all.
306 - 307 (a 308 of the 309-310 311) stands for 312-313-314, a line of 315 personal assistants that were all but ubiquitous in 316. Almost everyone who was anyone had one of the cute little, 317-foot tall, 318-shaped chrome 319. Each 320 was directly connected via satellite to the 321 322 in 323, giving each one the ability to instantaneously summon any or all of mankind's collective knowledge. But when the 324-325 attacked, one of their first acts was to steal the 326 327. Now each 328 is on its own. Each one still has a powerful 329 brain with crude 330 intelligence and long-term adaptive 331. But now, knowledge is finite, and experience is becoming the best teacher. Actually, two of these 332, 333-334 and 335-336 will play a role in our series. When we open, these 337 will be all but indistinguishable from each other. 338, merely. But as the series progresses, each will slowly develop its own 339.
340 - For over a 341 years, 342 has plotted against 343, blaming them for 344 against the gargoyle 345. Now that a greater threat, the 346-347, has reared it's many ugly heads, 348 has reluctantly joined 349 350 cell. But no one, including 351 herself, is fully confident that she'll continue to 352 on the 353 of the 354. This may be her last chance at 355... or her final opportunity to 356 the human 357. Still, 358 felt it necessary to actively 359 her. It's hard to pass up the help of a warrior who's survived a 360 worth of battles, a 361 who knows how to combine ancient 362 with modern 363. And then there's that bit about her turning into a 364 during the 365. The only question is how she will use her talents. 366 367, she's siding with the 368. But can that last?
369 - 370 is a young gargoyle warrior from our 371 372 day. In our second episode, he'll 373 374 to 375. The 376 is as new and strange to him as it is to our audience, and often 377 will be the point of view character to introduce us all to this 378 379 380. 381 does hope to 382 to his 383 384 someday, and so makes a special effort not to 385 too much about his own "386". But he has no intention of abandoning 387 or 388 in their time of need. Someday, however, he may have to make a choice.
389-390 - 391-392 is a 393 394 395 by the 396 Clan in 397, who arrives in 398 with 399. 400-401 is fiercely 402 (especially to 403). The ultimate 404.
[NOTE: Eventually, the large cast will be split in half. 405 will take 406, 407, 408 and 409-410 into 411 to hit the 412-413 where they live. 414, 415, 416, 417-418, 419 and 420-421 will remain on 422, thwarting the 423 at every turn and engaging in many non-424-425 stories.]
Anyway, those are our 426. (Other characters will be added over time.) Here's who they're up against…
THE 427-428 - Our main 429. This 430 race was literally "431 in 432", born amidst the 433 of an 434 435. For thousands of years, they have expanded their 436 in all directions, and 437 has been able to stand in their way. Their 438 is far 439 to anything we had on 440. They possess 441-than-442 443 travel, 444 devices, powerful force 445 and 446 447. They also have 448 capable of 449 the entire 450 in a matter of minutes. This creates a dilemma for 451 452. If 453 becomes more trouble than it's worth, the 454 will simply evacuate the 455 and 456 it.
THE 457 - Decades ago, the 458 organization fell out of favor. They were no longer "politically correct". But the events of March 21st, 459 changed all that. Because most of the 460 leaders were abducted while attending the 461 462, many 463 became convinced -- at least in part due to 464 465 -- that the 466 had conspired and 467 with the 468. Now the 469 are making a comeback. They don't much care for the 470-471, but their 472 of choice is still the Gargoyles.
THE 473 - Of course, the Gargoyles are not 474. But THE 475 476 is. The 477 is an 478 479 organization made up of almost all the true movers and 480 on 481 482. Many of the 483 leaders abducted by the 484-485 were 486 members of the 487 -- proof that the 488 definitely did NOT have advanced warning of the 489. But once the 490 was complete, the 491 wasted no time capitalizing on it. They negotiated a secret treaty with the 492, promising to infiltrate, sabotage and expose any sign of 493. In exchange, the 494-495 promised to release those world 496 that the 497 was prepared to vouch for. This 498 agreement was the beginning of a profitable arrangement for all concerned -- and the onset of a major headache for the 499.
500-X - 501-X is a super-502 503 with a highly evolved and Machiavellian 504 505. He has multiple 506 and 507 operatives, and any number of 508 509 that can accommodate his 510. Once upon a time, 511-512 had designs on taking 513 the 514. But that was before the 515-516 showed up and 517 his 518 519. Now anything less than total control of the entire 520 would strike him as under-achieving.
And that's the series in a 521.
522 523. The 524 is 525!
WELCOME TO 2198...
As many of you know, one of the proposed Gargoyles spin-offs developed at Disney in 1996 (by myself and Gary Sperling) was set in the year 2158. The original title of the series was "GARGOYLES: FUTURE TENSE". But later, working here at Ask Greg, I came to two conclusions. (1) That it was too confusing having a spin-off series and an episode of the original series with the same title. (2) "Future Tense" wasn't that great a title for a spin-off series. So the series was renamed GARGOYLES 2158, which frankly sounded cooler and more immediate.
A couple months ago, however, I took a close look at the development for that series. And lots of stuff started bugging me. Some of it was literally MATH related. I had clearly made some mistakes in calculating WHEN certain things would happen. But creatively, I decided I wanted to make some changes as well. So I started from scratch. Everything was up for grabs. And I rebuilt the show.
The result is "GARGOYLES 2198". The immediate benefit is that I think this is an even better title. Being closer to the end of a century mark seems slightly more dramatic to me (an incidental benefit, since that wasn't why I did it). But beyond that, I think the idea is now much stronger, more cohesive and powerful.
But you won't have to take my word on that. You can read all about it...
Assuming you like contests, that is. Instead of just telling you guys everything, I've turned it all into our latest contest here at ASK GREG.
And I WON'T BE ANSWERING ANY QUESTIONS ABOUT 2198 until the contest is OVER!!
Enjoy...
Farewell to 2158...
Say good-bye, finally, to GARGOYLES 2158.
The proposed GARGOYLES spin-off series originally known as "GARGOYLES: FUTURE TENSE" and later retitled "GARGOYELES 2158" has been redeveloped.
For more information, check out the "GARGOYLES 2198" ASK GREG archive.
More on villains...
The same day as our last memo, Fred re-submitted the villain guidelines (his interpretations of stuff I told him) along with some notes on proto-Xanatos and proto-Magus/Arch-Mage.
RECEIVED BY
JAN 09 1992
GREG WEISMAN'S OFFICE
THE GARGOYLE -- WEISMAN GUIDELINES FOR VILLAINS
(Schaefer 1-9-92)
DISTRIBUTION: Cranston, Fair, Felix, Guler, Kline, Krisel, Ryan, Stones, Weisman
THE CRAZIES
-- Batman-esque villains. E.g. The Joker; Two Face (half of face scarred by acid; duality); Scarecrow (plays on people's fears, scares them to death). Avoid silly villains (e.g. the Penguin, the Riddler, Cat Man, Mr. Freeze).
-- The villains' craziness should be life-threatening. Attempted murder represents the majority of their crimes.
THE BIG GUYS
-- Considering what they'll be up against (The Gargoyle), physically they should be BIG, perhaps MUSCULAR, villains. Some may be hired by Xavier.
-- Fantasy-based. ogres, Trolls, etc.
-- Horror-based. A Mummy, A Werewolf, etc.
-- Empower the villains; make them formidable!
[Of course, there will be overlapping between the above two categories.]
AND THEN THERE'S XAVIER...
Very big, very rich, and very powerful. On a good day, he's vain, ruthless, lecherous, wicked, deceitful, unscrupulous, and vile. His corrupt hand is involved in a slew of nefarious endeavors. A self-taught Machiavellian; a manipulator, by nature.
He's a big, muscular man. His three-piece suit can scarcely contain his conspicuous bulk, much less maintain the air of civility desired by most businessman. But Xavier disdains most businessmen; they're weak, spineless cogs. Worker ants. Cowards. Powerless.
Powerlessness. Xavier abhors this more than anything in the world. It's his one big fear and the root cause of most of his frustrations.
A FINAL VILLAIN CATEGORY ... THE ANCIENT WIZARD
This is the Brit who created The Gargoyle 1000 years ago. Now he's back and he's mad as hell, but he doesn't know who to take it out on. The princess who turned the Gargoyle against him is long since dead. Of course, there's the Gargoyle. Well, what should the Ancient Wizard do? What's his big plan? Does he have a talisman that can place the Gargoyle (and the little gargoyles) under his power? How does it work? And how much power does it exert over them? Maybe Xavier discovers the Wizard's existence and views him as a threat. After all, the Wizard has powers that Xavier can never have and they both want the same thing -- The Gargoyle.
Finally...
The queue is again empty.
But this time, I don't think Todd has fallen behind. I think finally, after, what, three years, I have caught up. Completely, totally, caught up.
I know it won't last. Won't even last a day, probably. But let me revel in the moment.
I'm caught up. I'm caught up. YES!
Villain-work...
After Fred Schaefer's attempt at Villains like Mortify, I must have sat him down to give him some pointers on more dramatic villains for our new dramatic series. He wrote up the following:
THE GARGOYLE -- WEISMAN GUIDELINES FOR VILLAINS (1-9-92)
DISTRIBUTION: Cranston, Fair, Felix, Guler, Kline, Ryan, Stones
-- Batman-esque villains. E.g. The Joker; Two Face (half of face scarred by acid; duality); Scarecrow (plays on people's fears, scares them to death). Avoid silly villains (e.g. the Penguin, the Riddler, Cat Man, Mr. Freeze).
-- The villains' craziness should be life-threatening. Attempted murder represents the majority of their crimes.
-- Considering what they'll be up against (The Gargoyle), physically they should be BIG, perhaps MUSCULAR, villains. Some may be hired by Xavier.
-- Fantasy-based. Ogres, Trolls, etc.
-- Horror-based. A Mummy, A Werewolf, etc.
-- Empower the villains; make them formidable!
(Compiled by Schaefer 1-9-92)
And now "THE GARGOYLE:
Now that we had left the comedy development behind, it was timE to start working on a pitch to sell our new dramatic development. I wrote what follows, breaking it down so that our artists could figure out what pictures they might need to draw.
NOTE: The show was (briefly) retitled "THE GARGOYLE". And the Gargoyle (proto-Goliath) was a magical creation who lived in despair through the thousand years. Some of which background was later better incorporated into Demona's story.
THE GARGOYLE
(Weisman / 1-7-92)
DISTRIBUTION: Cranston, Fair, Felix, Guler, Kline, Krisel, Ryan, Schaefer, Stones
PITCH BREAKDOWN
(First Pass)
1. Title Card
2. Typical stone gargoyles. (Perhaps stone versions of our mini characters.)
3. Pull back, we see them on the ramparts of a castle under seige by the evil army of the WIZARD. Stalemate.
4. Evil Wizard creates our GARGOYLE king.
5. GARGOYLE sets out very menacing to do the wizard's bidding.
6. PRINCESS turns our Gargoyle to the side of good. Touches his heart.
7. Gargoyle prepared to fight for Princess...(with small goofy army of little gargoyles?)...just as the sun begins to rise.
8. Gargoyle turns to stone at rise of sun. (As the wizard's army attacks?)
9. Sunset. The castle has been sacked. The princess is gone. Our Gargoyle is heartbroken. (More TRAGIC than pathetic.) He's failed.
10. The years pass. He haunts the ruined castle. Howling in front of the full moon??
11. Years in solitude. (Stealing books from library??)
12. Occasional forays into humanity? (World War II? Ripping the wings off a German plane?)
13. Always left with sense of isolation and futility. Nothing for him in this world. Nothing for 1000 years.
14. Than everything changes. Castle lifted by giant airships. Laputaesque.
15. Castle lowered onto XAVIER'S skyscraper.
16. Introduce NEW menacing XAVIER??? (Maybe save til later?)
17. Introduce our heroine. Female police detective? (Do we reuse the Princess model??) How does our Gargoyle meet her?
18. As before, this woman gives him hope, a sense of purpose. And real human friendship.
19. Gargoyles protect from Barbarians at the gate. Manhattan is full of "Barbarians". Gargoyle stops a mugging?
20. Escalate. He stops a car full of bank robbers in it's tracks.
21. Escalate. Major villain card.
22. Escalate. Even tougher villain card.
23. Escalate. The toughest villain card. (Show villain and Gargoyle fighting?)
24. Gargoyle in city atmosphere. Gothic melodrama in very modern setting.
25. Maybe introduce Xavier here? Or perhaps in some way, shape or form, reintroduce threat of the Wizard? Are these two related?
26. Supporting characters. (Other gargoyles, perhaps, or our lead girl's kid? Other cops? The old librarian?)
27. Where does he live? Still in Xavier's tower? With Xavier? The library maybe?
28. Other types of stories?
29. End Card.
Open to suggestions and input. (Particularly from you, Gary. Call me if you get a chance. I don't want to lose time while your out of town.) There are a lot of open issues here. Most important, is this the structure your looking for, or do we want to begin in the present, with a compact flashback for explanation? It's harder to get the capital-T Tragic element in that way, but we're less likely to get the question "So this takes place in the past?" from JK or ME at the end of the pitch.
Clarification...
Someone asked me whether or not gargoyles would accept a homosexual gargoyle into the clan with open arms.
My response:
"The world isn't perfect. I think generally they would be tolerant. (Tolerant, in my book, is unsatisfactory.) But generalities do not
define individual reactions to individual revelations. Open arms would exist in many cases. "
My brother read that and wrote:
"I think writing "Tolerant is unsatisfactory"could be interpreted as you saying that they should not be tolerant, that you are against
tolerance rather than tolerance being insufficient."
So, just to be clear, I was saying that I find tolerance insufficient. Certainly, tolerance is better than hostility or neutrality, but I'd prefer acceptance.
brainstorming villains...
Now that we had put our comedy development aside and moved on to an action-drama approach, I must have asked Fred Schaefer to come up with (a) some possible names for our new lead gargoyle (the proto-Goliath) and (b) some possible villains for him to combat. Unfortunately, the results were a bit underwhelming. But this was a new area to Fred. We had never developed a show like this before at Disney. It was an adjustment for all of us.
GARGOYLE DEVELOPMENT
(Schaefer 1-6-92)
[My handwritten notes in brackets.]
OUR MAIN GARGOYLE -- POSSIBLE NAMES
Griffin
Crag
Palisade
Dover (carved from the Cliffs of Dover, Wales)
Mortar
Igneous
Granite
GARGOYLE - POSSIBLE VILLAINS
MORTIFY- A sleazy unemployed (yellow) journalist. Humiliation and embarrassment are his weapons. He's a walking tabloid magazine (not literally), eager to expose people's emotional weaknesses. He gets under people's skin the way Hannibal Lector does, by prying into their personal affairs, but he's much more outlandish and not as gracious and composed as Lector. Mortify obviously relishes an awkward or scandalous moment.
Perhaps he wears a yellow suit with matching hat. He used to be a newspaper reporter, but his journalistic methods were so sloppy and immoral that he was fired and never hired by another paper. So, he decided that he doesn't need to work for a tabloid newspaper to do that damage he loves to inflict. He goes directly to the source -- the innocent citizens of Manhattan. [By these two paragraphs I wrote: "Does our audience 'get' yellow journalism?"]
(E.g. A CEO receives flowers at her home from her secretary. She's confused, but her spouse is obviously perturbed (is she having an affair?) and an argument ensues. Of course, it was Mortify who sent the flowers. In fact, he delivered them himself so he could see the disconcerted reaction of his victim. Now the CEO has been emotionally weakened and Mortify can sabotage the business further (in whatever devious plan he ultimately was up to). [By this paragraph, I wrote "Very subtle."]
LICHEN -- a strange, demented man who lives in the tree tops of Central Park; responsible for your basic muggings, but revels in terrorizing his victims beforehand. He claims that South Central Park is his territory and he won't stop his reign of terror until everyone refuses to enter it again. He's skinny, agile, resembling a spider monkey without the tail. He's petrified of cement -- sidewalks, actually -- and won't venture out of the park. [I wrote "too weak" here.] Strangely, he seems to have control over a large pack of rats that inhabit the Park. Like Willard, they obey his every command. Scary. (Aka Tree Rot, because of his fungus, lichen-encrusted face; and Tree Rat, for obvious reasons.)
VAL STARCH -- Owner of a string of second rate cleaners which are fronts for his illegal business -- counterfeit fashion. Fake name-brand clothes. He always wanted to be a fashion designer, but had none of the talent. Now he doesn't need it as he leeches off the fashion industry and makes a bundle doing it. His ulterior goal, however, is to destroy the New York fashion industry and its most creative talent. On a small scale, he occasionally loves ruining people's clothes at his cleaners. (So he loses a customer, big deal, that's not where he makes his money!) On a larger scale, Starch sabotages other fashion businesses.
(E.G. A big day in the fashion world -- Ellis Perry is unveiling his new line of clothes at the most talked about fashion show of the year. Unfortunately, Val Starch has secretly swiped the clothes and replaced them with replicas, which will fall to pieces by remote control. The fashion models are supremely embarrassed. Cameras flash. Ellis Perry faints. More camera flashes. (Perhaps this one is a co-crime venture with Mortify.) [I wrote: "Too specific. Too gymicky [sic].]
The paradigm shift...
Shortly after the last document I posted, we finally pitched the comedy version of the GARGOYLES series to Eisner, Katzenberg, etc. They passed. So it was back to the drawing board. I showed what we had to Tad Stones, producer of numerous Disney shows including Rescue Rangers, Darkwing Duck and Aladdin. Tad suggested we go the action-drama route, creating a MAIN Gargoyle protagonist who was more of a tragic figure. He pointed to the success of the Disney BEAUTY AND THE BEAST feature film, and suggested that there was something in that for us.
This, given my comic book background, of course struck an immediate cord with me. Thus the proto-Goliath known simply as "Gargoyle" was born. We deconstructed all that we had created for the comedy series (much of which would later work its way back in to the show) and started from scratch. In some ways this version is even farther away from the end result than we were at our last glimpse of the comedy development. But it was an important step.
What follows is a memo that I wrote up summarizing a development meeting we had late in 1991. Elisa's starting to take a more familiar form. So is Xavier/Xanatos. And "THE GARGOYLE":
THE GARGOYLE
(Weisman / Summary of meeting 12/19/91)
1000 years ago in barbaric Briton, an evil Wizard wanted to ransack the castle of the good princess.
Gargoyles are stone sculptures that are used to decorate castles. Inspired by this, the wizard creates his own giant (Beauty & the Beast-sized) Gargoyle. He instructs this engine of destruction to fly to the castle tonight, while the wizard's army attacks from the outside.
(Perhaps he gives the Gargoyle a powder that will temporarily bring the other little stone gargoyles to life.)
The Gargoyle, which is stone colored, even when it isn't stone, flies to the castle, intent on destroying it.
He meets the princess who teaches him the error of his ways. He will fight against the wizard. But as the sunrises [sic], he falls asleep turning to stone. A part of the spell he was not aware of.
When the sun sets again, and he awakens, it is too late. The princess is gone (dead?). The castle has been ransacked. Even the wizard has left him behind. Angry at his betrayal...He is alone. Cursed as an outsider, able to function only during night hours. Frozen as stone during the day.
He stays in the ruined castle over the centuries. Making occasional forays to the outside world. Sometimes briefly, to steal books. Sometimes for long periods to fight evil (World War II, perhaps). But always returning to the castle and his loneliness. He despairs of ever finding a true friend. Despairs of ever having a purpose to his life.
One night he awakens, and finds that some repair work has been done on the castle. Each night he finds that a little more work has been done while he slept during the day. Construction equipment has gathered outside the castle walls.
One day, as he sleeps, the castle is lifted, lock, stock and gargoyle and flown whole across the atlantic to New York, by giant airships.
It is placed on the top of the Xavier Enterprises skyscraper.
Xavier is our arrogant villain. Not comic. Evil behind the scenes. Manipulator. Respectable to the rest of the world. Untouchable.
Our Gargoyle finds himself in this strange new world. Here he meets a young idealistic girl (perhaps a plain clothes police detective) who will be his friend and teach him not to despair. That he can help make the world a better place. In New York, the barbarians are at the gate, every night. This time, he can do something about it.
He becomes a de facto super-hero of sorts, though we don't have to flag it.
Xavier can hire other minor villains, plus we need to create some real psychos, and powerful ones at that, for Gargoyle to battle. Plus the ancient wizard could return in some form. Perhaps he has put his spirit in a amulet. Whoever wears it is possesed by him.
Perhaps, our Gargoyle can still temporarily awaken other gargoyles, little mischevious things who aren't too bright, but would try to follow his orders. But when they sleep each day, they have to be awakened by the magic dust each night or they will remain as stone. Only our hero awakens by himself every night.
Does our young girl have a child?
Who else populates this world?
Is the Gargoyle named Gargoyle, or is there another name for him?
Other villains?
cc: Bruce, Gary, Kat, Bob, Mike, Fred, Tad, DoMo
[This cc list includes my bosses, Bruce Cranston and Gary Krisel, our development associates, Kat Fair, Mike Ryan and Fred Schaefer, our Art Director Bob Kline, "consultant" Tad Stones, and Dolores Morris (DoMo) who was my opposite number in developing MovieToons like "A Goofy Movie".]
The queue is empty....
Does this mean I'm finally, finally all caught up?
Or does it mean that Todd is slipping?
I'll leave that to you to decide.
Gargoyles protect...
In our next document, Kat Fair was clearly given the assignment of pulling all our various threads together, yet what I find the most interesting is my own handwritten note about gargoyles being protectors but being treated like dogs. That was me returning to the series key idea. But we weren't quite there yet:
RECEIVED BY
NOV 20 1991
GREG WEISMAN'S OFFICE
[My handwritten notes are in brackets.]
[I wrote "Protectors -- treated like dogs" across the top of the page.]
GARGOYLES
Fair 11/20/91
Long afar and way ago gargoyles were disgusting but necessary things. They were kind of like messy flying watchdogs with an aberrant sense of humor. No one really liked them much, but they were a necessary evil because they chased away nasty evil things that would come into town. In their own way, they helped keep the peace, although they were anything but peaceful.
Finally, the evil Sorceress Morgan had enough. There was a particularly annoying group of gargoyles who were spoiling too much of her fun. She enchants some talismans and tricks the gargoyles into wearing them. No sooner are the talismans around their necks than the mischievous gargoyles turn into nasty monsters, bent on destruction. Gleefully, Sorceress Morgan harnesses them to her chariot and sets about wreaking havoc on the countryside.
When good Wizard Xavier hears about this, he takes immediate action. In a confrontation with Morgan, he turns the gargoyles upside down in a monsoon. The talismans fall from their necks and into his hands. He quickly banishes the talismans across the sea (around Manhattan.) Meanwhile, the gargoyles instantly transform into their pesky selves again, furious with Morgan, whom they unceremoniously dump. Then they start fighting with each other. Accusations fly as they blame each other for falling for Morgan's trick.
*Xavier's trying to referee as the gargoyles almost come to blows, so no one sees Morgan sneaking up. She's battered, humiliated and pissed off. At the last moment, Xavier deflects her spell to zap the gargoyles into oblivion. Instead, the fighting gargoyles are frozen in sleep for 1000 years.
OR
*Battered and humiliated, Morgan returns to her castle to plot revenge. Knowing the gargoyles can't resist a party, she sends them an invitation to a gala to be held in their honor, as an apology for all the trouble she's caused them. The gargoyles are suspicious, but talk themselves into being magnanimous and accepting her apology. Once there, the gargoyles have the time of their life, singing, dancing and drinking Morgan's 'special' spiked punch, which puts them asleep for 1000 years. Gleefully, in the dead of night, Morgan puts them over the gates of Xavier's castle. Xavier is horrified and saddened by what has happened to the gargoyles, but there's nothing he can do to counter the spell. [I crossed out "spell" and wrote "drug". Then I crossed out "drug" and wrote "potion".]
Another trip to the drawing board...
Obviously, after showing Gary and Bruce our development in September of 1991, we were sent back to the drawing board to rework our backstory a bit. I'm not sure why anymore. The old one seems much cleaner than what we have here.
Anyway, the way I worked things back then was to have big brain-storming meetings with my staff. We'd all talk out ideas. Reach a general consensus, and then I'd assign Development Associates to write up what we discussed. What follows is the combined work of Kat Fair (I think) and Fred Schaefer. Kat was given the assignment to write up the tenth century backstory. Fred was given the assignment to write up the awakening in the twentieth century. Kat tried two different approaches (A and B) both of which lead into "Fred's outline". At that time, I clearly favored the notion that Xavier's ancestor was good and Morgan's evil. That way we could have a nice flip on the gargoyles and the audience's expectations when we got to the twentieth centuries.
Fred's outline changes Morgan's job (for the first time) to cop. Actually the Police Commissioner. (Elisa winding up a detective ends up being quite the step down.)
Anyway:
RECEIVED BY
NOV 14 1991
GREG WEISMAN'S OFFICE
[My handwritten notes in brackets.]
GARGOYLES BACK STORY:
A. Gargoyles were put to sleep by the evil wizard for revenge when the good wizard got the talismans.
Once upon a time gargoyles were good citizens whose main job was to fly about stopping evil-doers. They were loyal to Good Wizard Morgan (BSF), who cared for them. Everyone loved the gargoyles except Evil Wizard Xavier (WSM). The gargoyles were-always spoiling his fun, so he invented some evil talismans. When he put these around the gargoyles necks, they became evil, too, and obeyed his every command. The good people were terrified, and begged the Good Wizard Morgan to do something. Morgan warned them that a direct confrontation might mean the destruction of the gargoyles, not to mention damage to their town and possible loss of life. So, knowing the gargoyles couldn't resist a party, he and the townspeople organized a big celebration to lure the gargoyles to the town. While the gargoyles were singing and dancing, Morgan cast a nap spell, which made the gargoyles fall asleep and turn to stone, as sleeping gargoyles do. As soon as they were asleep, the townspeople quickly removed the talismans, and Morgan banished the amulets to a secret place. But before Morgan -could wake the gargoyles, Xavier came, furious that his gargoyles had been stolen. He was even angrier when he saw that the talismans were gone. The gargoyles would be no use to him now, and would become the annoying things they had been before, thwarting his evil plans. If Morgan and the townspeople wanted them asleep,then asleep they'd be. Before Morgan could stop him, Xavier zapped the gargoyles into a 1000 year sleep. . Furious Morgan threw Xavier to the other side of the ocean. [I wrote "Not necessary" by this sentence.] The townspeople, saddened by the loss of their friends, carried the stone gargoyles from the square. They hoisted them onto their favorite perch, above the gate to Morgan's castle, where they remained until they woke up 1000 years later in NYC. [Next to this paragraph, I wrote "Flip Evil Morgan Good Xavier in Back story".]
The last thing the gargoyles remember was being at a party. And wasn't it in their honor? And wasn't Morgan there? Morgan was the only one at the party with enough clout to put them asleep for so long. Boy, you'd think he'd forgive them for what they did when they were Xavier's slaves. The gargoyles can't agree what to do next. Coco wants to find Morgan, Amp tells her she's stupid - Morgan is long gone. Accusations fly as to who got tricked into wearing the talismans to begin with, and who just had to go to the party, anyway. They all fly off in separate directions, never wanting to see each other again. (see Fred's outline)
B. Gargoyles were put to sleep by the good wizard when the evil wizard controlled them through-their talismans.
Long ago and far away gargoyles were disgusting but necessary things. They were kind of like messy flying dogs with an aberrant sense of humor. No one really liked them much, but they were tolerated because they chased away vagrant evil spirits looking for work.
In a small town outside Paris, the evil wizard [I wrote "sorcerous" above the word wizard, but I think I meant "sorceress"] Morgan (BSF) [I put a question mark next to "BSF", but I now realize it means Black Single Female] thinks she could use some of these gargoyles for her own mischief, and decides to unionize the few that guard her town. She tells them they aren't getting the respect they deserve, the townspeople aren't paying them enough for the work they do. What's a few measly scraps and all the stale crepes you can eat when you are literally putting your life on the line every day? The gargoyles had never really thought about it before, but it sounds right. Morgan suggests they come to work for her. She'll feed them, give them uniforms, and make them the most respected flying force in the land. And as a gesture of good faith, she offers them matching medallions, with a new crest of their own imprinted on them. Soon everyone will know and fear - um, love - this crest. Their feats will be heralded far and wide. If they don't like working for her, they can always quit, no hard feelings. The gargoyles try on their medallions. Pretty cool. They feel different already. But when Morgan gives her first order, which is to harness themselves to her chariot, they balk - with surprising results. The medallions burn and hurt! [I wrote: "Not evil. Just forced. We want to see them as gleefully evil w/med. on"] Laughing maniacally, Morgan tells them they are now under her control, and must obey her. The amulets directly connect Morgan to them. The gargoyles valiantly try to remove the medallions, but it's no use. They get into the harness, prodded by the amulets when they move too slow. Off they fly. The wreaking havoc part isn't so bad, it's being at Morgan's beck and call that bugs them. And the food is lousy. [I wrote: "The issue of Morgan-evil etc. is independent of scenario.]
Morgan delights in her new power, and drives the gargoyles unmercifully. Morning, noon, and night, they're out burning down the fields, pillaging villages, and being a general nuisance. Morgan feels confident that she can now take on the Good Wizard--Xavier (WSM), her archnemesis. The gargoyles really don't like this. Xavier's very powerful things could get dangerous. Morgan hitches up the gargoyles and sneaks to Xavier's castle. But the gargoyles are fed up. They're tired of Morgan. If she beats Xavier, the country will be at her mercy - and she has no mercy. At the hottest moment in the heat of the battle, they freeze. In a flash, Morgan screams, the medallions burn, the gargoyles hang tough. Xavier sees his chance, zaps a spell at Morgan, who deflects it onto the gargoyles, turning them all to stone! [I wrote "sleep" here by the word stone. And I also wrote "messy" next to the whole sentence.] Xavier overcomes Morgan and banishes her to a land across the sea. In honor of the gargoyles, Xavier has their stone figures mounted on his castle-above the gate. There they stay until they wake up in NYC 1000 years later. (See Fred's outline)
GARGOYLES/ FROM FRED
The Movie in the Series:
1) Gargoyles wake up in Manhattan; they argue amongst themselves about who was responsible for their falling into Sidero's trap (and hence the 1000 year sleep) . Their argument is so-heated, they take off in different directions, furious with one another. [I crossed out "Sidero" and wrote "Evil Morgan".]
But not without being witnessed by some New Yorkers.
2) Newspapers report on the recent sightings of gargoyles flying between the buildings. Dismissed as a hoax.
3) Sidero's modern heir, Xaxier, sees a television news broadcast about the sightings and immediately knows what's happened. He plans to catch them with the talisman and make them his slaves.
4) Meanwhile, the gargoyles are off separately causing mischief.
5) Ralph and Pandora run into each other. Ralph tries to make-up with her, but she's still bitter. In the middle of their argument, Ralph is captured by one of Xaxier's 3-piece suits and taken away screaming. Pandora is horrified and desperately flies off to search for the others.
6) Morgan Reed, Police Chief of New York, throws down a tabloid newspaper that announces the city has been invaded by flying demons. She curses the media. Their crazy stories are disturbing the peace! There are no such things as gar... suddenly, she sees one ... goyles ... sleeping in a corner of her apartment. The gargoyle (AMP) wakes up and they frighten each other. Morgan backs away. It's stress... that's it ... too much stress on the job. [I wrote "Tough to swallow" by this paragraph.]
7) Ah, make that TWO gargoles, because a hysterical Pandora spots Amp and flies into Morgan's apartment, frantically rambling on about Ralph being kidnapped; the talisman; the possible evil transformation of Ralph, etc. They must find the remaining gargoyles (Lassie and Coco) before Xaxier does!
Morgan doesn't know what to make of all this. All she knows is that the Police Chief of New York can't say she's seen (much less, spoken with) a gargoyle! Reluctantly, she offers to help them out. ("Now what's this about a talisman?")
TIME TO SELL...
The following was our first attempt (in September of '91 -- NINE YEARS AGO!!!) to write a pitch to sell our new Gargoyles comedy-adventure show to our higher ups (Michael Eisner, Rich Frank and Jeffrey Katzenberg). This isn't necessarily the version they saw, however. First Kat Fair and I had to get it past our TV Animation bosses: Bruce Cranston and Gary Krisel. This is the version that went to them for approval. The phrases in parentheses describe the visual on the art cards we used. The words that follow are the "script" of the pitch. What I would say as I flipped the cards and showed the pictures. Most, if not all, of this art was drawn by Bob Kline, who was Development Art Director at that time. (I wish I had that art now.)
For those of you who have been to the Gathering and seen the final pitch of the Drama version of the show we all know and love, you'll recognize verbal echoes of that pitch here in this first one. Phrases like "there was a better place for a medieval castle than a picturesque hill in Europe [or Scotland]" and "lock, stock and gargoyle" made it all the way from this pitch to the last. (And sometimes even into the series itself.)
Other points of interest:
--Morgan's last name is now Reed (a surname we eventually gave to Maggie the Cat), and she's now a second grade teacher and amateur acheologist. This was done to give her and our 'goyles ready access to kids.
--Xavier is now Xavier's FIRST name, which I had forgotten about.
--Amp, though he still looks more like Lex, is now firmly Brooklynian.
--Coco, though still female, is very Broadway.
--For some reason, I was spelling DeMona, with a capital M in the middle. I have no memory of that either.
--And I had completely forgotten about Xanatos' multi-racial "suits", though they were clearly the origin of both his "Goon Squad" and the Steel Clan.
Anyway, here it is:
GARGOYLES PITCH Script
(Weisman/Fair: 9/17/91)
#1. (Three stone gargoyles.)
We all think we know what GARGOYLES are. Ugly, stone creatures squatting on the roofs of old buildings. But have we ever asked how they got that way?
Well, one thousand years ago, Gargoyles were mischievous, troublemakers, driving us humans up the wall.
#2. (Medieval LORD XAVIER of Glint.)
Particularly this human--LORD XAVIER of Glint, who decided he'd had just about enough of their destructive fun and games...
#3. (Lord Xavier drugging the 'goyles.)
So he threw them a party complete with ice cream, cake...and punch, spiked with a sleeping potion guaranteed to last a millennium!
And because Gargoyles automatically turn to stone when they fall asleep...
#4. (The Castle.)
He used them to decorate his castle, where they stayed for a thousand years.
#5. (XAVIER.)
Until his great-great-great-great-great-grandson, XAVIER GLINT, the President of Xavier Enterprises, decided there was a better place for a medieval castle than a picturesque hill in Europe.
#6. (Castle on the skyscraper, up-angle.)
He moved the whole place--lock, stock and gargoyle--to the top of his personal headquarters in Manhattan...just cuz he felt like it.
#7. (The six stone gargoyles.)
But as the castle settled, things got unsettled. The gargoyles...
#8. (The 'goyles stir.)
...woke up!
#9. (The 'goyles wake up.)
They've been sleeping for a thousand years...
#10. (The 'goyles rise and shine.)
...and now they're ready to PARTY!!
#11. (National Enquirer headline:"Gargoyles alive in NYC!")
Now, that may all sound pretty far-fetched, but this is the kind of world that only the National Enquirer could love. The public may not be able to decide whether the Gargoyles are a new urban myth or a full-on media hoax...
#12. (AMP flying.)
But the Gargoyles know they're real enough, and just as prone to trouble as they ever were.
#13. (Four-pose Amp composite.)
Particularly AMP. Trouble used to be his middle name--his last name, too. It's not that he's bad, he's just easily tempted by...well, uh, temptation!
Fortunately, this self-proclaimed leader has no ready followers. All the Gargoyles are too busy having fun to obey orders.
#14. (Four-pose COCO composite.)
Take Coco, for example. This female John Belushi has the soul of a dancer and the grace of a rhinoceros. She's always up for adventure in this brave, new, 20th Century world.
#15. (Five-pose PANDORA composite.)
Then there's PANDORA. The sneakiest of the 'goyles. I wouldn't exactly say she's a pathological liar, just a born actress who loves to improvise.
#16. (Four-pose LASSIE composite.)
And LASSIE. (He picked his own name.) Loyal, goofy and easily distracted, Lassie's just as likely to be fascinated with the villain's shoelaces as with his ray gun.
#17. (Four-pose RALPH composite.)
Finally, there's RALPH, who thinks adventure is a great thing to watch on television. He's a couch potato kind of gargoyle, who keeps the home fires burning...
#18. (MORGAN.)
...Which isn't always good news if you're MORGAN REED, a second grade teacher and amateur archeologist who's befriended the Gargoyles. She tries to take care of them, keep 'em fed and gives them a place to stay.
#19. ('goyles causing trouble in Morgan's apartment.)
Sometimes to her regret.
#20. (Longshot of castle-scraper.)
Still, it's better than where they used to live. Not that the location was bad, just the landlord...
#21. (Two-pose composite of Xavier looking oily.)
Our old pal, Xavier. This guy makes Gordon Gecko look like Santa Claus. Greed isn't just good, it's GREAT!!
#22. (Xavier admiring his race car.)
Whether it's gold bullion, a race car or a castle on a skyscraper, this is a guy used to getting what he wants...
#23. (Xavier burned by his race car.)
...Prone to getting what he deserves.
#24. (Three-pose composite of Xavier looking frustrated, shocked and angry.)
But now, he's set his sights on the one prize money can't buy--Immortality. If the gargoyles can live a 1000 years, so can he.
#25. (Xavier, OWEN, DeMONA and the SUITS.)
So with help from OWEN, his aardvark aide-de-camp, DeMONA, the one bad apple in the Gargoyle bunch, and his Cadre of muscular 3-piece suits, Xavier's out to steal every magical totem he can find.
#26. (Conflict card: Xavier & DeMona vs. the 'goyles.)
And only the Gargoyles can stop him.
#27. ('goyles save copter.)
You see, the Gargoyles are determined to make up for all the trouble they caused a thousand years ago. This time they wanna be the good guys.
#28. (GARGOYLES cast/title card.)
Trouble is, when you're one of the GARGOYLES, making trouble is so darn much fun.
THE LOST CAUSE DIAMOND (and other stories...)
Another old document from the file. This one doesn't have a name or a date attached. Kat Fair, maybe? It's certainly from this September 1991 era that we've been exploring recently. I don't have any specific memories of these stories, but they obviously served to plant seeds for things that would surface later. Xavier's quest for BIG DIAMONDS and IMMORTALITY surfaces. Amp (half Lex, half Brooklyn) wants to do a little joy-riding. You get the idea.
seeds... seeds....
GARGOYLES STORIES:
LOST CAUSES:
The Lost Cause Diamond has been... misplaced. And the museum wants to keep it quiet. Knowing that Xavier has always coveted it, Morgan manuvers [sic] to get assigned to retrieve the jewel before he finds out it's up for grabs. Unfortunately, Lassie accidentally spills the beans. Xavier and his crew trail Morgan, planning to let her do all the work, and then snatch the diamond from her. When Lassie takes off to rectify his mistake, the rest of the gargoyles soon realize things are too quiet around the house. They are horrified to discover Xavier is after Morgan - and she's only got Lassie to protect her! They're off to the rescue, making more trouble than Morgan and Lassie can possibly handle.
WHAT MONEY CAN'T BUY:
Xavier has always been fascinated by immortality. It's the one thing his money can't buy. Hoping to impress her boss, Demona pretends to know the hiding place of the last Flaming Zealot, who holds the secret to immortality. Amp and the other gargoyles try to foil her plans and protect the ancient and sacred FZ, who, it turns out, can protect its own nasty self from Xavier, them, and everyone else.
WHO'S GOT THE CAR?
Amp has pushed one too many of Pandora's buttons in the right sequence, and she's mad. Meanwhile, Xavier is preparing for the unveiling of his new Omnitrans. Amp sneaks in for a look, but can't resist test driving the one of-a-kind car. He returns it, but the next morning it's gone! Xavier is furious to find his car is missing, and accuses Morgan, who is arrested. Pandora confesses that she hid it, hoping to get Amp in trouble, but now it's not where she left it! The gargoyles turn the city upside down to get the car back before Morgan is put in jail.
Dakota's out. Demona's in.
A couple of new memos today. The first seems to be something that I more or less dictated to intern Regina Dixon during a meeting that took place in September 1991. Here you can see that Dakota has been removed as the leader, mostly for being too intense and serious for a comedy show.
In the second memo, which I'm only guessing was written by Kat Fair, Dakota has finally become a power-hungry Demona. She starts out as their leader, but when they won't do things her way, she teams up with Xavier. No pathos, but the early stirrings of the character.
You may also notice that I resisted the notion of "Gargoyles Protecting" for the comedy version of the series. It was inherent in the idea, but I felt for a comedy, I wanted them to have a more party-garg impulse. Protecting was NOT second nature, it would have to be something they learned -- reluctantly. I wasn't looking for NOBILITY. I was looking for jokes.
GARGOYLES
Notes from Meeting 9/6/91
Backstory - MORGAN and XAVIER
MORGAN and XAVIER are business partners. Their relationship goes way back to when they were kids and ran a lemonade stand together. Xavier financed it, and when Morgan starts giving away peanut butter crackers, business really booms. Even so, money's no substitute for Xavier's cheating ways. Morgan catches him watering down the lemonade, and overcharging people. Morgan tries to get Xavier to see they're already making lots of money, and cheating isn't necessary, but Xavier just doesn't get it.
Morgan continues to be the thorn in Xavier's side as their partnership grows and changes from lemons, to high-tech aerospace and engineering. Although they're intellectual equals, Morgan continues to outdo Xavier with her ingenious inventions. This is the last straw. Xavier's so fed up with Morgan always outshining him, and standing in the way of his evil schemes -- he cheats her out of every penny she's earned.
Now ousted from the company, Morgan is angry and vows revenge on Xavier. Soon she realizes by competing on his terms, she'll become just like him.
So Morgan retreats to her modest brownstone to collect her thoughts. To make ends meet, she'll have to take in a few boarders. A family (like the Muddlefoots) move in.
In addition to boarders, Morgan's helicopter will help her earn money and help combat Xavier's evil schemes whenever and wherever she can.
Morgan accesses the positives in her new situation: - she can now be her own woman
- she can go back to doing the things she loves
(inventing, flying aircraft, mechanical tinkering)
- she'll no longer be partners with the devil
- rather than be a victim, she can fight Xavier's schemes at every turn
As for the Gargoyles... there is no real leader as such, but AMP acts as De facto in command most times.
Except for LASSIE, and sometimes COCOA, no one is accustomed to following orders. Which means Morgan has her hands full trying to lead this motley crew.
gw:rld
RECEIVED BY
SEP 10 1991
GREG WEISMAN'S OFFICE
[Greg's 1991 handwritten notes in brackets and quotation marks.]
GARGOYLES BACKSTORY:
Once upon a time there were millions ["well, thousands"] of gargoyles, whose main job was to protect and serve. [Strangely, I crossed out "main job was to protect and serve" and wrote "No" beside it.] This was before dogs got the job, and it was because of the gargoyles' tendency to be just a little bit too smarty pants [I underlined "just a little bit too smarty pants" and wrote "Not strong enough".] that the humans finally got fed up and eliminated them in various human ways.
Our gargoyles came from Oldenberg,- a small Prussian town that no longer- exists, having been destroyed in various human ways during WWI. But about 900 years before that, [I crossed out this paragraph up to this point and wrote "Distracting".] Demona was the top gargoyle in the village, with aspirations to supervise greater realms, maybe even going as far as the next town. Her minions were many, her top aides Amp and Pandora. As a group, gargoyles aren't of the "herd" persuasion, which means orders have a 50/50 chance of being carried out. Gargoyles tend to improvise, make an assignment their own, and get sidetracked and bored pretty easily. Demona didn't have the motivational management skills needed to keep her crew in line - Pat Riley would have had a hard time with this group. Left to their own devices, the gargoyles were everywhere they weren't wanted, wreaking minor but very annoying havoc. [I wrote "light" beside this section. And, no, I no longer know what that note was supposed to mean.] They'd spill the milk, ruin the bread, sour the beer, steal the shoes put out for the elves to repair, etc. And they had the most annoying habit of laughing hysterically as they hovered overhead when their latest prank was discovered. The final straw was when they ran all the sheep through town.
So when the Oldenbergians decided to throw a big party to thank the gargoyles for their hard work, and Demona warned that it was all a trick, having been alerted by a minor kitchen gargoyle, not one gargoyle in all of Oldenberg listened, and they all wound up heavily sedated by the spiked punch. [I wrote "Why" by this sentence. But I was an executive then.] And when gargoyles sleep, they turn to stone. Demona was the last to fall. She'd been tied up and dipped into the punch bowl by a cheering crowd of humans.
Once assured that all the gargoyles were dead asleep, the townspeople then didn't know what to do with them, but finally decided they might make nice decorations. Some were placed as gateposts, others made handy hat racks in the local taverns, or were used as planters in the local gardens. A nice grouping was made over the castle gates, with Demona, Amp, and Pandora (and Lassie, Ralph, and Coco, who were just laying around extra.) The grouping served as inspiration for the townspeople in years to come, having proved to themselves that they could handle their own problems, and giving them the confidence they needed to go out and enslave their neighbors. [Next to this section, I wrote "Used to scare off minor". Minor what? Who knows?]
And so they slept. And slept. And slept. Until, just as the crane was lowering the castle onto the top of Xavier's tower, a pesky fly landed on the crane operator's nose, causing him to sneeze, which caused the castle to be placed just a little harder than planned, which finally woke up our gang.
Once awake, Demona-and the group hid out for awhile. This obviously wasn't Kansas anymore, Toto. Their cautious first forays into their new world brought wonderful new discoveries - like ice cream, TV, cars, Xerox machines, Nikes. It also gave them a chance to think about how they got there. While-Demona was drawn to Xavier and the power that he commanded, the other five decided there was too much fun to be had exploring this new world. They liked it here and wanted to stay. Maybe if they didn't cause so much trouble, no one would put them to sleep again. Demona didn't care if these puny gargoyles couldn't see the potential in siding with the brilliant and omnipotent Xavier. Let them go off on their own. Xavier promised things beyond her wildest imaginings. She'd follow her dream- head of the largest security force in the world.
[Below the memo, I wrote "1000 YEAR PUNCH". Which still sounds cool to me.]
Morgan starts to morph...
Kinda.
The following document from the old development file was written by Kat Fair to myself and Art Director Bob Kline. There's no date on this one, but I'm guessing it's from early September 1991. Morgan (Elisa) is changing from an archaeologist type to an engineer (the first change of many) and is being given a personal gripe against Xavier (Xanatos). This is the first of many career changes for the young lady.
Mr. Owen, the clumsy soon-to-be-aardvark precursor to Owen Burnett is hanging around too.
Greg and Bob:
I really didn't mean to do this from Morgan's point of view - it just came out that way. I hope this is what you were looking for, Greg. I sure had fun. I realize none of this will ever be used, unless we go to a prequel Movietoon for the series, but it might start and settle some discussion on these two base characters.
Kat
MORGAN AND XAVIER:
Ever since Morgan was a child, she's been what her father called a "tinkerer." When she was three, she fixed her first toaster. (To this day, when she's worried or upset, she starts tinkering with her toaster, or any other appliance that's handy.) When she was 9, she broke her arm testing her new invention, the Human Kite. Unfortunately, the proper materials weren't available, and she had to use an inferior substitute. Tin foil doesn't hold up as well as mylar. Her first date was a disaster. When the car broke down, she fixed it. Her first human love ended with bittersweet goodbyes when the Arco station closed, and her young mechanic moved on to oilier fields.
Morgan has always risen like a phoenix from the ashes in her life. With her trunks stuffed with blue prints, and her head filled with dreams and new ideas, Morgan started looking for a job with the largest aerodynamics corporation around, X Co. Rejected there, she quickly worked her way down to a small cargo company, who hired her as a mechanic, with permission to use the shop in her off hours. Always adept with mechanical things, Morgan soon learned to operate and repair every moving thing in the company - trucks, forklifts, small planes, cargo planes, helicopters. She finally completed the prototype for her lightweight engine, and was quickly swept up in a tornado of corporate bids for its exclusive use.
Although astonished at the money she was being offered, Morgan didn't jump at the first offer she got. She enjoyed being courted and dined and flattered. Each new meeting and meal brought bigger and bigger promises of a bright and financially secure future. Finally, the really big guns called. A Mr. Owen from X Co sent a limo to bring her to Mr. Xavier's penthouse offices in the internationally famous Castle X. Wow! X Co - the biggest, most prestigious aerodynamics corporation in the world! Everyone knew who X Co was. They built practically everything that moved in the world - jets, cruisers, missiles, satellites, space shuttles, even race cars and automobiles. With promises of being able to oversee the entire production of the lightweight engine, and, most importantly, approval on all its applications, plus her own research lab to continue work on her inventions, Morgan decided to go into business with the famous Mr. Xavier of X Co He seemed a little slimy, but with his entire company almost at her disposal, and control over the lightweight engine's applications, she felt she could keep a handle on her inventions.
Of course, from the very first day, nothing went right. She'd never had so many failures. First the Frictionless Fulcrum project ignited, and the plans for the lightweight engine were lost in the lab fire. As she struggled to redesign them, her other projects fell behind schedule, which Xavier patiently excused. Finally, Xavier called her into his office and sadly told her "it just wasn't working out" and he must regretfully terminate their business relationship. Her continued failures just made it too expensive (and too embarrassing) to keep her. Naturally, he wouldn't breathe a word of her failure to anyone else, and would help her find another position. Dejectedly, she signed her resignation.
As she was packing up her lab (and her toaster), shy Mr. Owen came by to wish her well. He'd always expressed an interest in her projects, which seemed to go beyond just keeping tabs for Xavier, and they found they shared a common interest in computers. Unfortunately, as she cried into his handkerchief about her failures, Owen let slip that all her setbacks weren't really her fault, and that he was looking at the plans on the lightweight engine just the other day and commenting to Mr. X on just how brilliant they were. Oops. Suddenly Owen was up against the wall, looking into the eyes of a very angry female. Owen wasn't up to the tapdance necessary to fool Morgan, who stormed into Xavier's office, demanding an explanation and the plans - yes, those plans spread out on his desk!
Cooly, Xavier told her exactly what had been going on over the past few months, and how she had played right into his ingenious plan. When he first heard of the lightweight engine, he had his henchmen find out all they could about her - how she broke her arm when she was 9, her first love, her penchant for repairing toasters when under stress anything and everything so he could make her an offer he knew she wouldn't refuse, but give him access to all of her inventions - especially the lightweight engine. Under his orders, Owen sabotaged each of her experiments, although Xavier had reserved the fun of igniting the Frictionless Fulcrum for himself while Owen was busy sneaking the plans out of the lab and making it look like they had been burned in the fire. And now all her ideas and work were his, everything she had brought to X Co, to do with as he pleased. Her initial agreement stated all ideas and work performed during her employment were the exclusive property of X Co, and now that she was officially gone, those properties were officially his.
Morgan realized she was beat. Calmly, she rose, told him she would never forget him, emptied his coffee cup on the plans, and with a withering glance to the cringing Owen, left the room.
Despite Xavier's attempts to discredit her, she got her old job back with the cargo company, flying exotic freight to exotic and not so exotic places. And she takes every opportunity she can to aggravate, annoy, badger, exasperate, irk, vex, peeve, and provoke X Co.
Interns again...
Intern Ideas
Continuing our reprinting of old documents from the Gargoyles Development File.
This one was written by Regina Dixon, who was a college intern working at Disney TV Animation for the summer. Refer to previously posted documents to see what she was basing these ideas comedy springboards on.
I hate to say it, but in hindsight this seems like busy work to me. We hadn't even sold the show. We were a long way from needing story ideas. Still, I suppose it was good practice.
For some reason, Regina's ideas didn't post yesterday, so I'm reposting them here along with a set of ideas from our other intern Hoyland Ricks.
July 3, 1991
Story premises for GARGOYLES submitted by H. Ricks
[Greg's handwritten notes in brackets, as usual.]
"Pandora's Box's
Pandora finds an old chest encased in stone in one of the uninspected crevices of the castle, but she doesn't realize that Sidero put it there 500 years ago when he and the gargoyles first lived. Morgan tells Pandora to leave it alone so that she can study it, but Pandora accidentally cracks it open when Morgan is absent. Out of the chest comes an evil assortment of ogres, demons, and/or trolls--all of whom were faithful helpers of Sidero's back in the 15th century. The helpers go out and cause mayhem in the city and try to keep the goyles from interfering with their actions. The helpers take Xavier as a hostage and he is forced to conjure up Sidero. Now, Sid has several workers that are loyal to him and that will carry out his evil plans to rule the world. The goyles trap the helpers in the chest once again. [I wrote "good enough" next to this paragraph.]
"The Amazing Goyles"
Xavier is about to buy a circus from Barnum Dingling, a near-bankrupt circus owner. Everything that Barnum has worked for in his life to create is about to be lost to Xavier--unless he finds a way to bring in sell-out crowds so that he can repay his debts. The gargoyles run into Barnum and he hires them to be in his show--Cocoa on the tightrope, Lassie as a clown, Pandora fire-eating, Dakota taming lions, Amp as the ringmaster, and a terrified Ralph on the trapeze. The goyles turn out to be a hit, saving Barnum from bankruptcy and keeping Xavier from taking away the man's life. [I circled the word "circus", because I knew my boss Gary Krisel hated circus stories.]
"Stargoyles (Second Season)
An evil alien being, Metero, lands on earth with plans to take it over. [I wrote "standard" above this sentence.] Sidero learns of the alien's presence from Xavier. Sid coaxes Xavier to bring Metero to him and Sid allies with the extraterrestrial. The gargoyles become aware of Metero and his plans to rule Earth with Sidero. The goyles surprisingly encounter the Stargoyles who are futuristic alien gargoyles that have travelled to earth to throw a wrench in Metero's plans. [I circled the word "Stargoyles" and wrote "saves it."] The Star- and Gargoyles team up to stop Metero and Sid, and they eventually undermine the evil duo's plans--sending Metero back to his home planet with a sense of frustration.
Story ideas for GARGOYLES
by Regina Dixon
7/3/91
[As usual, my handwritten notes are in brackets.]
"Two Good To Be True"
XAVIER'S long lost identical twin brother XELLENT [I wrote "confused" by this name], shows up on his doorstep with a handful of books and a-family tree. Xavier, thinks he's only after his money. He puts him through various tests and finally brings him to Sidero. Xellent is able to call Sidero forth and Sidero enthuses at the thought of having any other heir besides Xavier. He tells Xellent about the Goyles and sends him to capture one. Xellent watches them play, when he tries to join in, they mistake him for Xavier and run away. They prepare for combat with Xellent. He befriends them and refuses to use his magical powers to harm them. Sidero's delicious delusions of power dissipate when he learns that though Xellent is very bright, he is too kind for words and therefore useless. When Xellent refuses to go along with any of Sidero's schemes he is banished from the castle.
"Goyled Again"
Sidero muses over a book of sorcery, but one ingredient's missing. He sends Xavier and Owen off to get it. Morgan and her class are on a dig in the very area, they leave just as Xavier arrives. Morgan finds what's valuable to Sidero --an amulet. Morgan wants to authenticate her find, but their isn't enough existing data, so she takes it to the Goyles to see if they know what it is. They too recognize it as being evil and valuable to Sidero and urge her to get rid of it. Before she can, Xavier and Owen corner her; only the goyles can save her now. [I wrote "STANDARD" next to this idea.]
"T.V. HELL"
RALPH has fallen asleep in front of the t.v. and is discovered by the air-conditioning maintenance man who carts him to his truck. He gives him to his mother in law who he hates. RALPH wakes to the sound of the t.v. thinking he is still at home. He finds himself surrounded by hundreds of t.v.'s. He thinks he's in rerun heaven. Only, the maintenance man makes Ralph help with his home repair business, which keeps Ralph from watching t.v. He rigs up some kind of signal through a television set to the others. They come and break him out. [I wrote "FUNNY" below this idea.]
MUSINGS
Had a good time at the Gargoyles Adult Chatroom the other day, and it got me thinking. Someone named VP (or VJ?) made the point that everything I've done after, well, "The Journey" I guess, is fanfiction. At first, I misunderstood him. For example, I thought he was confusing Katana with Sata. But he made it clear, that he meant the quote-unquote Master Plan. My initial reaction was to balk.
But I think he's got a point.
Some of this stuff was completed while I was still on the Disney Payroll in late '95, early '96, but none of it's canon in my mind. Canon, as far as I'm concerned only includes the 66 episodes running from "Awakening, Part One" through "The Journey". The other 12 Goliath Chronicles are debatable. Because the show ISN'T on the air, I think I personally am free NOT to regard them as canon. If and/or when the show does get going again in some shape or form, then a more definitive decision will have to be made at that point about those additional 12 stories.
But putting Goliath Chronicles (and Marvel Comics and Disney Adventures, etc.) aside for the moment, that still leaves us with what to do about things like:
--"Once Upon a Time There Were Three Brothers..."
--Various ASK GREG and other revelations.
--The Spin-Offs: DARK AGES, GARGOYLES 2158, TIMEDANCER, PENDRAGON, THE NEW OLYMPIANS, BAD GUYS
--My further plans for the GARGOYLES main series itself.
Calling the work I've done on any of the above "fanfic" rankles at first, but that's largely a problem of semantics. It certainly isn't canon. At this point, legally, I have no more connection to the GARGOYLES property than any of you do. Plus, as I've said many times before, I won't be held to any of it. Hell, for all you know everything I've revealed is just one big snow-job to keep you from guessing my real plans. (It's not, but it might have been smarter of me if it was.)
I do think I'm something of an authority on the subject of Gargoyles. And I also think that if the show is ever brought back, the PTB at Disney would be likely (at least given current management) to come to me first to try and revive it. Plus I'm actively working on getting the show revived, again "in some shape or form".
But that doesn't change anything regarding the question of canon.
As many of you know, I've been working on a major revision of 2158. This is taking me longer than I thought, because -- and I shouldn't have been surprised by this, but -- it's effecting the ENTIRE chronology of the series. In addition to changing the year (and thus the title) of GARGOYLES 2158, I've already been forced to go back and make adjustments to both DARK AGES and "Once Upon A Time...Three Brothers". I now know that the last posted chapter of three brothers wound up being the last chapter of that little story period. Because "3Bros" really wound up being just a prologue to DARK AGES. And where "3Bros" leaves off is in fact right at the beginning of where DARK AGES begins.
The 2158 revamp has also necessitated minor changes in TimeDancer. And has clarified my thinking on Pendragon and Bad Guys as well.
[Thankfully, none of it has effected the Clan Contest. We should still be able to put that monster to bed soon.]
All this flux has made it difficult for me to keep certain details clear in my head. For example, at that Friday 9/1/00 chat, I revealed that Hudson had two biological children, Hyppolyta and Broadway. That was an error. Hudson had THREE biological children. (I got my dates mixed up.)
I'm hoping that the work I'm doing now will clean a lot of stuff up. I'm hoping that clarity (and my personal certainty) will return. But this flux isn't necessarily a bad thing. I know I screwed up at least a few times (Garg Universe-wise) within the 66 episodes. I tried to keep those mistakes to a minimum, but they happened. I'd like to avoid making more mistakes, even here at ASK GREG. I definitely feel like I'm getting closer to the "true" Gargoyles Universe, if that's possible and/or makes any sense.
Updates on all this should come over the next ten months. But I'm targeting Gathering 2001 for completion. I'm hoping to be able to make some big announcements there. So bear with me.
But to be fair to VP, he was right. I wouldn't call what I do "fanfiction". For starters, none of it is in the form of fiction. And so calling it that may be giving it TOO MUCH credit. But at the moment, I have no more claim to canon than anyone.
Rather, I'd say that if you like the stories I did come up with on the original 66, and think you might enjoy what I'd do next -- the way you might enjoy what Christine Morgan or Christi Smith Hayden or TGS does next -- than stay tuned. I've got more to tell you and more to reveal by and by.
Intern Ideas
Continuing our reprinting of old documents from the Gargoyles Development File.
This one was written by Regina Dixon, who was a college intern working at Disney TV Animation for the summer. Refer to previously posted documents to see what she was basing these ideas comedy springboards on.
I hate to say it, but in hindsight this seems like busy work to me. We hadn't even sold the show. We were a long way from needing story ideas. Still, I suppose it was good practice.
-------
Enter Owen -- The Aardvark!
Continuing to reprint the old Gargoyles Comedy Development...
Another document from Kat Fair and Cindy Chupack. This one brings Xavier's assistant Owen into play. What's interesting to me is that we clearly already knew that Owen had been turned into an Aardvark. It's information taken for granted in this document. It's possible that the idea originated as artwork. I do remember Bob Kline's design of Owen being pretty funny.
Morgan [the Elisa precursor] is quite different, yet still fulfills the same basic function.
Pre-Xanatos Xavier is clearly inspired by Duke Igthorn and Captain Hook. Both are favorite comic villains of mine. Of course, in the drama that Gargoyles became, Xavier would have annoyed the hell out of me. But for a comedy show, I thought he was great.
RECEIVED BY
MAY 09 1991
GREG WEISMAN'S OFFICE
[NOTE: GREG'S HANDWRITTEN NOTES in {brackets}]
GARGOYLES: Characters
(Fair and Chupack, 5/8/91)
OWEN: Owen always had trouble asserting himself, and now that he's an aardvark, well, things aren't getting any better. He's terribly defeatist and apologetic, as in "Xavier, I know you're busy and all, but do you think you might possibly make me a human again, at your convenience. I understand if you can't. I was just checking."
Occasionally Owen will suggest a solution or plan, but he only gets credit when it backfires. (Xavier thinks positive reinforcement is an oxymoron.) However, Xavier is Owen's hero. He's rich, powerful and best of all, tall. Owen strives to be like Xavier, and he's always working for his approval.
The upside to being an aardvark is that Owen doesn't have to shave anymore. The downside is that he has no social life. (Xavier likes to point out that Owen never had a social life, but that's not true. Owen was recording secretary of Knights of the Floppy Disk.) Yes, Owen is a computer geek. He can tap into anything anywhere anytime, which makes him invaluable to Xavier. Of course, he's underpaid.
Next to becoming a human, Owen's greatest aspiration is to impress Morgan.
MORGAN: Even as a young girl, Morgan was fascinated with the medieval time period. She preferred toy dragons to dolls. She dressed up as Guenivere for Halloween. She faked doctor's notes that said she had the black plague. As an archeology grad student in Europe, she was appalled to learn that some rich American brat was buying her favorite castle and taking it to the States, so she finagled her way into a curator position to keep on [sic] eye on its transport and reconstruction. {I wrote "already" next to the above paragraph.}
Morgan finds Xavier totally reprehensible--a real sleaze. Stupid to boot. She'd be perfectly content if she never saw him again, but that won't be the case because she can't resist helping the goyles. (She and Dakota have become real friends, and the goyles often go to her because she knows all the castle's secret passageways.)
Currently, Morgan does research for various historical societies by looking into past records and invariably uncovering mysterious events. The goyles are always on hand to help and/or hinder her research. {I wrote "research dull" next to this paragraph.}
Morgan might seem all business, but she has a warm heart and a nice laugh. She has a hard time tolerating the goyles' silliness, especially in a crunch, but somehow their play always turns out for the best. The goyles might even help her lighten up.
XAVIER: You can't say many nice things about Xavier, but he looks great in a tux. He's always contemplating whether to run for public office, but when it comes to real work he's a lost puppy. (Not that it stopped Dan Quayle.) Xavier is all hot air with that nasty edge that comes from insecurity. He must continually feel like he's on top, and he only drops his condescending tone when he's addressing Sidero. Since he's after acclaim and recognition, flattery will get you everywhere.
Did we mention that Xavier is completely self-centered? He is. So much so that his narrow vision often prevents him from seeing the larger evil picture. Anything that doesn't relate to him isn't worth his attention. Therefore Sidero will probably remain a smoke signal, and Owen will probably remain an aardvark.
G2K DIARY: Chapter VII
WEDNESDAY: We had a late afternoon flight and some time to kill. We asked for a late checkout from our rooms, but that still meant we had to vacate a couple hours before we needed to leave for the airport. We moved to the lobby. The kids got to spend some more time with Siryn, Heather Rice and a bunch of others. I hiked over to McDonalds and brought us back some food. And then Kellie drove us to the airport.
Everything went very smoothly on the way home. Flight was on time, and I even made it to my Wednesday night class only an hour late. (Kevin Hopps, my co-teacher, was there to cover for me.) Heck, Gathering attendee and animation writing student Carol didn't even make it. So I was pretty proud of myself.
And that's it.
Comedy development coming together...
Continuing our reprinting of old garg development documents...
Again, this is Cindy & Kat trying to pull our ideas together into one document. I had mentioned having a problem with the mundane names. So Georgette became Dakota (another step toward her being Demona). Trouble, a name I DON'T remember having problems with, became Amp. Isa Dora became Cocoa. Pan Dora could safely become Pandora. "Sorcy" became Sidero. I had them stick with Ralph for the comic value. Of course, there was no rhyme or reason to any of these names. But we weren't trying to "figure it all out" at this stage. Just have something that felt fun, cool and funny enough to sell our bosses on.
Also, note in our "Backstory" Kat & Cindy were thinking 15th century, not 10th.
GARGOYLES - From Cindy & Kat 4/25/91
DAKOTA, the leader of the goyles, is an Indiana Jones with scales. She's brave, intelligent, and quick with a comeback (usually to Amp.) Her main concern is keeping the goyles out of danger. That's easier said than done. The only thing she can't resist is Chinese food, and she's phobic of pigeons.
AMP (as in "volume and distortion") is an Eddie Murphy type. He's cool, he's with it, he's now - and he's impossible. He knows right from wrong, but only in hindsight. Amp would like to be leader, but he's just too impulsive. He'll jump into any situation to prove himself, usually with Cocoa right behind him.
COCOA is not particularly concerned with her goylish figure. She's lovable and frenetic, everyone's friend, enthusiastic about any plan just on principle. Her passion is dancing and singing, although her dancing can register on the Richter scale, and her singing has been known to crack glass. (Dakota thinks these skills might come in handy.)
PANDORA is a serious actress who nobody takes seriously. She doesn't discuss, she gives monologues. She doesn't talk, she performs. She doesn't lie, she's just great at improv, which explains why the rest of the group gives a collective groan whenever she says, "Let me handle this-" In the eyes of strangers, she is almost cute enough to pull it off. Almost being the operative word.
LASSIE (not the smartest in the group) can be described in two words: easily sidetracked. He thinks everything is equally fascinating, which means he's just as likely to become fascinated with the villain's shoelaces as the villain's death-blaster. He may be manic, but when it comes to the goyles, he's as sweet and loyal as they come.
SUPPORTING CAST
RALPH loves adventure, provided he doesn't have to go along. An older goyle, Ralph is perfectly content to stay at home and hold down the fort ... as long as he has his popcorn popper, microwave, TV, Walkman and fuzzy banana slippers. He learns about humans by watching television, which makes for some dangerous assumptions. The other goyles often go to him for advice, and to watch the soaps. Goyles love soaps.
MORGAN, an archeologist, works for the Historical Preservation Society. She got inextricably tangled up with our cast when she agreed to oversee the transfer and restoration of Xavier's castle. Morgan was always fascinated, even obsessed, with Medieval lore, maybe because it was at a safe distance. Not any more. Thanks to the goyles' contagious enthusiasm, her Felix Unger approach to life no longer works. Morgan's first reaction to the goyles (after she stopped screaming) was purely scientific. "Here's something you don't see every day." Although wary to admit it, Morgan is beginning to like the goyles, and she'll do what she can (she know the castle inside and out!) to protect them.
SIDERO was once a great, albeit evil, sorceror, but now he's just a ghost-like image that his nephew can summon, and, thankfully, shut off. He continually browbeats his nephew for thinking small. ("You can't go through life hoping cashiers will give you too much change!!!") But until he finds a way out of this Wizard of Oz-like state, he must convince his ineffectual nephew to carry out his grandiose schemes for him. He is not happy about having the goyles on the loose because he knows how one pesky goyle can ruin a perfectly sinister day.
XAVIER inherited enormous family wealth at a very young age, and from his medieval castle penthouse atop New York City's Toppling Towers high-rise, he's doing his best to spend it. Although Xavier comes from a long line of evildoers, the family genes are fading. Try as he might, Xavier's schemes will never match up to the brilliant misdeeds of his great-great-great-great uncle.
BACKSTORY
In the 15th century, there was a very evil sorceror named Sidero who spent his final years seeking the secret of immortality. Failing with cryogenics (he got frostbite) and rockology (although he got rid of a few gargoyles), he settled for a genie-like state that would preserve his soul and image, but not his body, in The Mirror. In reflection, Sidero realized there were some drawbacks. Primarily, he was no longer the master of his destiny, because he could only be summoned if a direct descendant was standing in front of The Mirror. After five centuries someone finally moved the potted plant (in fact, someone moved the whole castle) and Sidero found himself face to face with a major disappointment -- his heir. Xavier, being of little and stingy mind, tried a few small potato schemes before realizing Sid's potential. ("Let the amazing Sidero guess your weight!", "Let Sidero organize your closet!", etc.)
To Sid's dismay, when the castle was moved a few of the gargoyles' stone shells were cracked. It was dank, cold and dark in those shells. They've had plenty of sleep, and now they're ready to party!!
G2K DIARY: Chapter VI
TUESDAY:
Again, Kellie drove us to the parks. She dropped us off and we boarded the Mono-Rail to the Magic Kingdom. Rented our strollers and entered. We spent the morning on our own.
PIRATES. SMALL WORLD. Other kid pleasers.
Then we met up with Siryn, Kellie and Sara, who were just terrific with the kids. We went to ToonTown (or whatever it's called in Florida) so that the kids could get some autographs, but Benny fell asleep in the stroller. So we had Minnie and Cinderella sign his book and take pictures with him, while asleep. Erin enjoyed it though.
The weather was just a tad less hot. But it made a big difference. And we did more rides and fewer shows, so it was much more tolerable.
Saw the Morgans again, but they had a fast pass for something, so we couldn't hang.
We did the AUTOPIA equivalent. And a bunch of other stuff, including the new TIKI ROOM. We saw a couple of parades. One where the kids got to participate. And the MAIN STREET ELECTRICAL PARADE. We ate in Tomorrowland. We saw FIREWORKS.
And than we took the Ferry back to Kellie's car. She took us home. I went to get Donuts. But Dunkins was all out of Donuts, even though they weren't closed yet. Go figure.
Sorry for the abbreviated version, but my memory is already failing me.
Anyway, to be concluded... on "WEDNESDAY"!
More comedy characterizations...
Continuing our reprinting of old Garg documents...
This one is by Kat Fair and Cindy Chupack, consolidating from previous memos. Notice, we've reduced the number of 'goyles down to six. Georgette (the precursor to Dakota/Demona) is the leader. Trouble (a precursor to Brooklyn/Lex) is the second. Isa Dora (Broadway), Lassie (Lex/Brooklyn) and Ralph (Hudson) are all present. Also Xavier (Xanatos) and Morgan (Elisa). Plus "Sorcy" (an Archmage/Magus type). And Pan Dora for whom we really don't have an equivalent. Though now I know we need one. I was still, at this point very concerned that the names were to dull. Anyway, enjoy:
KAT & CINDY 4/18/91
[NOTE: Greg Weisman's handwritten notes are in brackets.]
GARGOYLES
[NAMES]
GEORGETTE, the leader of the goyles, is an Indiana Jones with scales. She's brave, intelligent, streetwise and quick with a comeback (usually to Trouble). Her main concern is keeping the goyles out of danger. That's easier said than done. Her weakness is ice cream, and she's deathly afraid of pigeons.
TROUBLE is our Dan Ackroyd [BILL MURRAY] type. He'd like to be the leader, but he's just not wise enough in the ways of the world. He'll foolishly jump into any situation, usually with Isa Dora right behind him. He knows right from wrong, but he draws the line a little farther to the left than most.
ISA DORA, the larger of the adorable Dora sisters, is not particularly concerned with her goylish figure. She's lovable and frenetic, everyone's friend, enthusiastic about any plan just on principle. Isa's passion is dancing and singing, although her singing has been known to crack glass. (Georgette thinks this skill might come in handy.)
PAN DORA is a serious actress who nobody takes seriously. She doesn't discuss. She gives monologues. She doesn't talk. She performs. And she doesn't think before talking, which explains why the rest of the group gives a collective groan whenever Pan Dora says, "Let me handle this." In the eyes of strangers, Pan is almost cute enough to pull it off. Almost being the operative word.
LASSIE (not the smartest in the group) can be described in two words: easily sidetracked. He thinks everything is equally fascinating, which means he's just as likely to become fascinated with the villain Is shoelaces as the villain's death-blaster.
RALPH loves adventure, provided he doesn't have to go along. An older goyle, Ralph is perfectly content to stay at home and hold down the fort ... as long as he has his popcorn popper, microwave, TV, Walkman and fuzzy banana slippers. He learns about humans by watching television, which makes for some dangerous assumptions. The other goyles often go to him for advice, and to watch the soaps. Goyles love soaps.
HUMANS
XAVIER inherited enormous family wealth at a very young age, and from his medieval castle penthouse atop New York City's Toppling Towers high-rise, he's doing his best to spend it. Although Xavier comes from a long line of evildoers, the family genes are fading. Try as he might, Xavier's schemes will never match up to the brilliant misdeeds of his great-great-great-great uncle Sorcy.
MORGAN, a museum curator, got inextricably tangled up with our cast when she agreed to oversee the transfer and restoration of Xavier's castle. Morgan was always fascinated by Medieval lore, maybe because it was at a safe distance. Not any more. As the castle was being uprooted from Northern England, a few of the decorative stone gargoyles fell to the ground, cracked, and came to life. Morgan's first reaction (after she stopped screaming) was purely scientific. "Here's something you don't see every day." But the goyles' enthusiasm for life is contagious. Although wary to admit it, Morgan is beginning to like the goyles, and she'll do what she can (she knows the castle inside and out!) to protect them.
OTHER
THE SORCEROR would like to be addressed as 0. Great one, but everyone calls him Sorcy. Sorcy was once a great, albeit evil, sorceror, but now he is just a ghost-like image that his nephew can summon and, thankfully, shut off. Sorcy continually browbeats his nephew for thinking small. ("You can't go through life hoping cashiers will give you too much change!!!") But until Sorcy finds a way out of this Wizard of Oz-like state, he must convince his ineffectual nephew to carry out his grandiose schemes for him. Sorcy is not happy about having the goyles on the loose because he knows how one pesky goyle can ruin a perfectly horrible day.
See you soon...
Leaving on vacation today. Don't know if I'll have internet access while I'm gone, so we this may be my last ASK GREG post for a week or so.
Have fun!
G2K DIARY: Chapter V
MONDAY: We let the kids sleep relatively late, cuz we knew they'd want to stay up to the bitter end.
Then we all packed into Kellie's car for the Journey to Disney/MGM studios. We got our double stroller and lemonade and headed into the Studio. It's a cool looking place, but MAN IS IT HOT AND HUMID. They had those TOY STORY LITTLE GREEN SOLDIERS running around shooting grateful people with water cannons. I spent the entire day literally pouring water on my head to no avail. It was kinda brutal.
The kids spotted Hercules, Aladdin, Minnie, Belle and quite a few others, so we bought them autograph books and did <surprise, surprise> some standing in line.
Then we met up with Sara and a bunch of others at a cool diner (with great food -- much better than at Disneyland) that's themed to look like a sitcom house. Sort of. Still, at this point it was family time, so we sat down and ate without the gang. Then we arranged a meeting time for later and headed out on our own.
Little Mermaid show (using a fast pass). The Movie ride inside the Chinese Theater. The Mu Lan Parade. The Doug Live Show. Muppets 3-D. Etc. Then we met up with everyone and headed over to Fantasmic. The kids loved all of it. I had fun, but man the heat.
On the way out, we spotted the Morgans, and I thought it was too bad that we hadn't spent more time together as families, but I also get the feeling that they're more adventurous than us.
Anyway, Kellie drove us home. I called Thom and said good-bye, and we all crashed.
TO BE CONTINUED... "ON TUESDAY"...
FIRST BLUSH COMEDY GARGS
Unfortunately, I don't have the next step to post. After the document I posted yesterday, we had Development Art Director Bob Kline (creator of the New Olympians) do some preliminary designs, just some inspirational stuff. Keep in mind, we were still thinking Gummi Bears. He drew nine cute little gargoyles, and I assigned Cindy and Kat to come up with short bios for each one.
You can see a bit of Brooklyn in Nick (though his picture looked more like Lex).
There's a bit of Lex in Campbell and Lassie.
Georgette is a precursor to Dakota, who was in turn the precursor to Demona.
Ralph Fullmoon (teamed with his clearly "Honeymooners"-inspired Alice) was the precursor to the couch potato Ralph that eventually became Hudson.
And Isa Dora is a clear precursor to Coco, who led us to Broadway. So the beginnings are here. And I didn't write any of it. (Thanks, Kat & Cindy!)
RECEIVED BY
APR 08 1991
GREG WEISMAN'S OFFICE
GARGOYLES: LIST OF CHARACTERS
(based on some sketches by Bob Kline)
from Cindy and Kat 4/5/91
NICK: [Greg's hand-written note in margin: Are Names too common?] This Bill Murray type is the leader of the goyles. real name is Melvin but he changed it. Nick's quick to come up with a plan---Unfortunately, his plans rarely work. Above all (gargoyles usually are) Nick loves women. Indiscriminately. However, his best lines solicit responses such as "You're not my type - of species" and "Come back when you've worked your way up the food chain."
CAMBELL: This guy is good-natured, curious and big-time naive. He looks at the modern world like a tourist, complete with camera. Subsequently no adventure is complete until he has a souvenir. He's an avid collector of everything, which comes in handy if you have time to sort through his mess of a collection. He's fascinated by the modern world. Read: easily sidetracked.
PAN DORA: The smaller of the adorable Dora sisters, Pan Dora is a pathological liar. And she's almost cute enough to pull it off. Almost being the operative word. She's as sweet as can be, but her first inclination in any situation is to lie. She takes pleasure in testing the limits of human gullibilty. Her motto is "If at first you don't succeed, lie, lie again." She rarely succeeds. Which explains why the goyles' give a collective groan when Pan Dora says, "Let me handle this."
ISA DORA: The larger of the adorable Dora sisters, Isa Dora loves to dance. Think hippo from Fantasia. But Isa Dora sings, too. She's lovable and frenetic, which makes for a dangerous hug. (We also have an alternate male version.)
ALICE FULLMOON: Think Gracie Allen--ditzy but self-assured. Alice gets into a lot of trouble, but always comes out on top. She's the eternal optimist. Which makes her the perfect contrast to...
RALPH FULLMOON: Think Al Bundy but with worse luck.
Nothing ever goes right for Ralph. Even his practical jokes backfire. In short, he's not thrilled to be awake.
GEORGETTE: Although Nick likes all women, held really like to turn to stone with Georgette. (Sorry, couldn't resist.) But she has more important things on her mind. Like keeping the goyles out of danger. Georgette is not only great with a comeback, she's fearless. She's a female Indiana Jones with scales. She should be the leader, but for some reason nobody listens to her until Nick's plan fails.
TROUBLE: As in "Here comes." If Matt Dillon was a gargoyle ... well, let's just say this is the kind of guy that gives gargoyles a bad name. Basically, he's from the wrong side of the tracks. He's a loner. He's quick to point out that trouble's not his middle name--it's his first name! He thinks the other goyles are really stupid and uncool, which makes him a good candidate for the nephew's sidekick. However, he's about as loyal as a parasite. He only looks out for himself, and when the going gets tough, he doesn't get going. He's gone.
LASSIE: Another candidate for the nephew's sidekick, Lassie is nothing like his name suggests. He continually misinterprets situations and attacks the wrong people at the wrong time. Plus he's easily distracted. We're talking the attention span of Kim Basinger. It's a wonder he found his way onto this page. He gladly accepts any mission, but only as an excuse to get out of the house. The villains try to spell out his instructions, but you can't teach a crazy gargoyle new tricks.
OTHER OPTIONS
DUMB JOCK TYPE: All talk, really cowardly.
PIGLET TYPE: Very nervous.
STEVEN WRIGHT TYPE: Extremely zoned out. Never really woke up. (We need art.)
I made it...
I really was beginning to think I'd never get to the end of July...
But I made it.
I'm less than one month behind.
Unfortunately, I'm about to leave town for a week and I don't know if I'll have net access where I'm going, so I'm bound to fall behind again. But at least we got this far...
G2K Diary: Chapter IV
SUNDAY - Got up and gave my little panel/Q&A on writing for TV Animation. Like a mini-mini-mini-version of the TWENTY WEEK class I teach through UCLA extension. (How come more of you don't take that, huh?) Anyway, it was kinda fun, and as usual, I would have kept talking forever if we hadn't had to clear the room for the auction and signing.
Thom had the time wrong and was late, but he got there eventually, and he and I and Greg G. and Vic signed stuff, while we marveled at the auction. $805 for the storyboard. $95 for the script. It makes me proud. (And sorta grumbly that I have no financial interest in GARGOYLES. Oh, well.) We raised a lot of money. You guys are all terrific. Later I re-signed the script for Lanny to personalize it. Least I could do, after $95 and four consecutive Gathering attendances.
I attended part of Greg Guler's character design session. It was very interesting. He's a good speaker. Made me sorry I missed Thom's acting session, and Vic's storyboard session. I like this stuff.
Somewhere in here, Thom and I did another Q&A. I can't remember exactly when. But it was fun. And then we screened the first two episodes of 3x3 EYES, which featured Brigitte Bako and Christian Campbell with guest appearances by Thom, myself and Keith -- in a very startling roll. I think the eps went over very well. We got a lot of roars for the Garg in-jokes I slipped in there. (But I knew that would happen. I was preaching to the converted.)
Then it was dinner time. I went back to collect my family, but Benny had passed out after another hot day of swimming and running around. So I offered to stay with him and let Beth take Erin to dinner. But she let me go so that Erin could spend some time with me. So Erin and I departed with Thom, Jen, Mitch, Kenna, the Morgans, Kathy and Patrick and Alan, I think. (As usual, I'm probably forgetting someone, sorry.) It was a very long hike to RED LOBSTER. Then I thought they'd never be able to seat us, but low and behold they did after not TOO long a wait. Jen and Erin and Kenna taught each other sign language. ERin and Becca played with a kind of sticker puzzle. And the food was great. But then service was very slow, and it soon became clear that we were going to be late to the Closing Ceremonies. We tried cell phones, but no one's worked. Finally, we forced Thom, since it was all his fault to run on ahead, as those of us with kids weren't gonna do much running at all. We hiked the long way back. And finally got there. WAY LATE.
But Closing Ceremonies were a blast. Everyone was so hyped. I made another pitch for G2001. Lots of cheers for G2K's staff. More awards. It was great.
Eventually, things calmed down a bit, and we showed two more episodes of 3x3. Bill F. was in these. They also went over pretty well. "Wu" "Wu".
When it was over, Jen, Thom, Kathy and I tried to go swimming, since we hadn't had time to get in the pool all con long. But predictably, the hotel told us it was too late. So we headed back to Patrick's room for a while. Then I took off to rejoin my family.
It was time to be a dad again. Next stop: DISNEYWORLD
To be continued... on "MONDAY"...
Early comedy development...
Continuing to reprint old documents from the development file. This one doesn't have a name attached, but I'd guess it was written by Kat Fair. The document consists of notes taken during a Development Staff Meeting where Gargoyles, among other projects, was discussed:
GARGOYLES: Staff meeting 3/20/91
LEAD CHARACTERS:
GARGOYLES:
Gargoyles will be both male and female. Debate as to how many (3-6).
Gargoyles turn to stone when asleep. Many funny gag opportunities when fall asleep at inconvenient times. Also, gives them an Achilles' heel. Hard to wake up (Discover what does wake them up.)
Gargoyles' motivations are:
1. To wake up other gargoyles;
2. Beware of sorcerer who put them to sleep for 1000 years;
3. To party!!!!! (not necessarily in that order.)
NEPHEW:
Living off of enormous family wealth from great-great-great-great uncle sorcerer; has blood line of bad guys, but has never quite matched up to sorcerer, whom he admires. Accidentally recalls sorcerer. Lives in Trump Tower with sorcerer's old castle on top. Should be some family resemblance between sorcerer and nephew.
SORCERER:
Browbeats nephew continually for thinking small in his evil deeds, and drives him on to carry out his own grandiose schemes. Not happy when learns that gargoyles are around and active, knowing how pesky they can be in foiling his plans. He's a ghost-like/Wizard of Oz-like image that the nephew can call up - and shut off.
NEPHEW SIDE-KICK:
Not decided if this character should be a sarcastic scientific experiment gone bad, a smart-mouthed robot invented by nephew and animated by sorcerer, or if necessary at all.
FEMALE CURATOR:
Guardian for gargoyles. She oversaw bringing the castle to the Tower. Gargoyles bring fun into her staid and safe life. Discussed danger of making her as focused as Gadget. Also, discussed possiblity of her having younger sister and/or daughter who will also get involved with gargoyles for smaller stories. (FYI: Julia Morgan was the name of the architect who worked with Hearst on San Simeon.)
Movie/backstory:
Counterpart princess guardian to female curator. (Idea type this: Maybe gargoyles were put to sleep for 1000 years while deflecting sorcerer's curse from princess.)
Start in past and move to future, or remain in past, leaving ending wide open for sequel/TV series.
You'll notice the early stirrings of the Elisa character in the Curator. And now I remember where we got the name "Morgan" from, which was one of Elisa's early monikers. You can also see the early comic Xavier/Xanatos in the Nephew character. And the Mr. Owen aardvark sidekick. Also the basic structure of starting in the past and waking in the present after a curse. Plus, already, we had the castle atop the skyscraper idea.
G2K DIARY: Chapter III
SATURDAY - And things were in full swing. It was a day largely dedicated to the radio play for me, Thom and Jen. We held more auditions. Again, with a mediocre turnout. (Hope this isn't the start of a trend. Do you guys still like the radio plays, or has it gotten old hat by now?)
Then Jen, Thom and I grabbed some food at the snack shop and cast the thing. Thom and I agreed that Jen was the best choice for the female lead. I was nervous about conflicts of interest, but what the hell, we just wanted the best possible show.
We posted the list. I went to get the BIG BOX OF SCRIPTS (which had been SUCH a pain to ship to Florida). And then we convened to rehearse. First problem, someone we cast didn't show. Didn't see her again for the entire convention. Wondered what happened. At first we figured she'd be there any minute, so we didn't recast. By the time we realized that she probably wouldn't be showing up at all, we figured it was too late to bring in one of the other people who had auditioned. There wasn't time to bring them up to speed. So we forced Jesse to play two parts. She did great.
Then we took a short break. I went to my room to get some water. Came back and had MORE trouble finding everyone to shove them into our "Green Room". Wanderer and Anne went off to grab a meal. They came back way late. THANKS. :) Anyway, the show got started and it went very well, I think.
Then we had another break, and I finally took some time to walk through the absolutely AMAZING art room. Stopped by the dealer's room too. Played with my kids. (I had been absent dad, so far that weekend.) And we all endured the delays caused by the blackout. Finally, dinner got started by candlelight. I shared a table with my family, Ashlee, A Fan, and a couple of other people (again, I apologize for forgetting.) We held the trivia contest. I was pleased that I knew most of the answers. Ashlee knew some that I didn't quite remember, but she wasn't always confident enough to make the rest of the gang listen. I hope she gets over that fast. Then Greg, Vic, Thom and I got up to do our Q&A, which was fun.
And there was another break, while people got costumed. Erin and Ben came as Fox and Xanatos from the Judo workout scene in "Outfoxed". (They wore their actual karate uniforms. And Jen, I think, helped them by painting a Fox tatoo on Erin and a mustache and goatee on Ben. Ben quickly tired of his facial hair however, and had his mom wash it off before the contest began.) Becca was an amazing Bronx. We sorta rushed the juvenal division of the contest into play, since it was getting pretty late for the kids. Tom, Greg, Vic and I declared it a tie between Becca and Erin&Ben. But I later went up to Christine and admitted that Becca should have won hands down.
Then the four of us sat down to judge the contest. It was terrific. Vic kept turning to me and asking "Was that character in the show?" No. No. No. Oh, wait, yes. No. No. No. Mostly.
Tim Morgan was a terrific Owen. But the freaky thing was, that without his mustache and with his hair died blond, he really looked A LOT like my college roommate from senior year, Cameron Douglas. And Aaron has always looked like a long-haired version of my junior year roommate Tom McMinn. So I had a picture taken with the three of us.
There were a ton of great costumes. We gave the big prize to Dreamie, who had real working wings. (I half expected her to glide off on them any second.) Of course, we just had to give a prize to Patrick "Chavez" Toman. The guys wanted "Most Disturbing", which I was fine with, but I wanted to also call it "The Gorebash Memorial Award". They didn't get that, but I insisted. Both designations got a big laugh.
After the contest, I hung around. Seth grabbed me and stuck me on ICQ for a couple minutes, and I gave some people a hard time for not being at the con. I also talked with a whole bunch of (mostly) new faces who asked a lot of questions, while Jen and Kelly and a few other people were, like, doing backflips on the dance floor.
Eventually, a few of us went back to Patrick and Kathy's room and hung out for a bit. Finally, I called it a night.
To be continued... ON "SUNDAY"...
G2K DIARY: CHAPTER II
FRIDAY - We ordered room service from the hotel, which was good. Then I left the kids with Beth to head over to the con for early auditions. Things were just getting started. Fairly organized chaos. It took awhile for Thom and Jen and I to gather and get started. And when we did....
Well, not too many people auditioned. I think we only had seven or eight that first day. That wasn't TOO surprising. Not everyone was there yet. We were only holding the early auditions to give us a hedge against being flooded with people on Saturday. We needn't have worried. We had a much lower audtion turnout this year than the last two. (I'm not sure why.) Even with me giving a number of the male roles to females, we still had to use EVERY male who auditioned. And nearly every female.
Anyway, with that over, I went to join my family in the pool. But they had spent the morning swimming and were just getting out. Our goal was to attend the ice cream social, but we wanted the kids to eat something vaguely healthy first, so we "repackaged" them and walked to Denny's. It took MUCH, MUCH longer than we thought it would. By the time we got back and located the Ice Cream Social, the Ice Cream had melted and nearly everyone was gone. Oh, well.
We went back to the room to kick back until opening ceremonies.
Opening Ceremonies was fun. Sara intro'd many, many people. Chris and Hudson discussed their very interesting ideas about organizing Gargoyle Fandom. Jen and I talked about G2001. Thom said hello. I introduced my family, though by this time my kids had largely lost interest and were playing with Becca Morgan in the corner.
Then I got up to do my standard schpiel. As I mentioned there, most of the attendees know it so well, they can practically recite it back to me as if it were the Rocky Horror Picture Show or something. But I showed the original GARGOYLES sales pitch. The "Power of One/Glory" Better-Than-Barney Promo. A "new" promo, i.e. one that I hadn't shown before, hosted by Jonathan Frakes. The pitches for New Olympians and Dark Ages. And the Story Reel for Bad Guys. As usual, despite the familiarity, everyone seemed pretty enthused to see this stuff again.
We had a quick G2001 staff meeting after opening ceremonies. It went well. We all got pretty excited about what we have planned for that.
I quickly slipped back to my room to exchange video tapes. Came back with SEVEN episodes of STARSHIP TROOPERS (aka ROUGHNECKS) and showed those, explaining what had gone on in the series leading up to these episodes, between them and after them. It was kinda fun, but we barely made it out of the room before the Hotel was ready to kick us out.
Then another group of twelve or so of us, including Kenna, Jen, Amy, Alison and others headed back to Denny's. We ate a bit. Laughed a lot. And headed back to the hotel...
The con was just getting under way. TO BE CONTINUED... ON "SATURDAY"...
Notes from a lunch meeting...
Continuing to post old documents from the series' early development. This is new stuff to you -- and we can thank Jordan Mann for transcribing it. The date is iffy. There's no actual date on the page, but I know this memo comes before the next one, which is dated 3-20-91.
I didn't write this. These notes were written up by one of the development associates who worked with me. Probably Kat Fair (now at Nickelodeon) who's mentioned making her comments. The Gary referred to was my boss Gary Krisel:
[Pre 3/20/91]
LUNCH W/ GARY RE: GARGOYLES:
Beauty and Beast
Science experiment gone wrong
talisman, magic rain, lightening
Look into mythology, keep as much as possible Gary not comfortable with long past history.
Greg: Ancient enemy now 3-piece suit, turned gargoyles into stone
Who is enemy and what is purpose of gargoyles? To help caretaker against her enemies, against their enemies? What is enemy trying to do? Gain power? Gain money? Take over earth to what purpose?
Any gremlin-like qualities? Get bigger when fed, multiply when wet, etc.?
KAT: Gargoyles turned to human by lucky accident when scientist (nerd female) fell asleep and knocked over vials during a lovely dream, or let something overheat and boil over. (It was this happiness and positive feelings that infused the liquids and affected/infected the 'goyles.) Scientist works for evil 3piece/ex-mage who always has her working on new projects he comes up with. Scientist (at first) goes along with these orders because he's the boss. Eventually scientist sees that what boss wants is bad, and works to thwart him at every turn (with the help of the 'goyles.
Gargoyles have been stone for hundreds of years, are now so thrilled to be alive they're goofy, joyous. Always see the positive side to the point of ridiculousness. Just love life and play, because they know that if you don't play you turn to stone - and that's what they're trying to show scientist. Goyles are more human than the human scientist.
GREG'S G2K DIARY, CHAPTER ONE...
THURSDAY - We got lucky in that both Benny & Erin no longer need car seats. They can use these seatbelt adapters, which are a heck of a lot easier to carry around. This may seem like a weird way to start my diary, but let me tell you, it changed the whole tenor of the trip for the better.
We arrived at the airport, checked our bags at the curb and proceeded to our gate, already aware that the flight was going to depart (at least) an hour late. Thom was already there. He had done the same. But we were also flying with Jen Anderson, and she was no where in sight, not even after the time when the flight should have been leaving. We got worried. While Beth took Erin and Ben to McDonalds, Thom and I called Jen on her cell phone. She had brought her bags inside and was attempting to check in at the immense line at the ticket counter downstairs. We told her to go back outside to check her bags and come up to the gate, but she insisted that she was already most of the way through the line. Turns out they wouldn't check her in, and nearly wouldn't check her bags. By the time she got upstairs, the flight was already WAY OVERBOOKED. She couldn't get on. We all felt horrible, but there wasn't anything we could do. We boarded and figured she'd get to Florida some day.
Oh, we of little faith. As I understand it, she claimed to everyone who was in range that Thom was her husband and that they were getting married on Friday. She started to cry. Everyone let her on board. She wasn't able to sit with us, but she was on the plane. Never underestimate that woman.
Anyway, the flight was largely uneventful, which is good when you have kids. They were great. The movie was "Where the Heart Is" or something like that. I was reading "Reinventing Comics" with the earphones on, but not really paying attention. Suddenly, I heard Goliath's voice. I looked up, and sure enough Keith David was on screen. I hadn't even known he was in that movie. I considered it a good omen.
When we arrived in Orlando it was pouring rain. Sara, Kellie and Heather were there to meet us. The Weismans piled into Kellie's car, and she took us to the hotel. O.K., so it was more of a motel than a hotel, and the roof in one of our rooms leaked on occasion. But it didn't spoil my time one bit.
The kids were theoretically still on L.A. time, so we thought we'd take 'em out to dinner, but they didn't want to go, and neither Beth or I saw any point in having two cranky kids along. So Beth, for the first of many times that weekend, stayed with them, so that I could head out with you guys for some dinner.
But first, Thom and I did some grocery and donut shopping for Beth and the kids.
Then about fifteen of us took off for Denny's. But they couldn't seat us in Non-Smoking, so we crossed the street and ate at IHOP. I sat with Becca and Christine and Jen. Tim was there. Thom. Lanny and Derrick. Sara. Heather Rice. Alan? Brooklyn? Oh, hell, I'm forgetting people, which is going to be a curse of this diary. I wasn't taking notes. EVERYONE please accept my apologies in advance. Please.
Anyway, I had an International Passport Breakfast with Swedish Pancakes and hashbrowns. It was great to see everyone again, and I met a couple of knew people. And I was immediately on cloud nine.
After dinner, we headed back to the hotel...
I watched some tv in my underwear. And waited for the festivities to begin...
MORE TO COME ON "FRIDAY"...
Early Thoughts...
Continuing my chronological reposting of all the early Gargoyles Development Documents. As you can see here, it's still just a notion... but all good things have to start somewhere:
GARGOYLES
[3-12-91]
They've been sleeping for a long time. It's been cramped, damp and uncomfortable up on those buildings. Now, it's time to wake up and PARTY!!!!!!!!
Gargoyles asleep for a thousand years.
Awaken in modern times.
They're the good guys.
We're working on villain.
Opportunity for a lot of broad cartoony, fun characters.
REPRINTING the first document
Sorry, I've just been swamped since I got back, but I wanted to at least get the new archive "Original Development File" started by reprinting the first gargoyles document I wrote at Disney...
GARGOYLES
[3-11-91]
They've been sleeping for a long time. It's been cramped, damp and uncomfortable up on those buildings. Now, it's time to wake up and PARTY!!!!!!!!
Only one problem: the evil DOCTOR VOMFU, who turned them to stone in the first place, is still out there making trouble for our bat-winged friends.
But, hey, NO BIGGIE. They're GARGOYLES! Vomfu won't know what hit him.
[Once again, "VOMFU" was our nickname for Cindy Chupack, a development associate at Disney who now is a writer/producer for SEX IN THE CITY and EVERYBODY LOVES RAYMOND. Notice the proximity of the letters in VOMFU to those in CINDY on a computer keyboard.]
GREG WEISMAN: THE RETURN!
He's baaaacckkkkk!!!!
To quote Greg Weisman: "Gathering 2000 kicked ass."
I really want to thank everyone who attended and helped to make it such a success.
First and foremost my thanks go out to the G2K staff, Kellie, Heather, Syrin and most of all, Sara. You guys were just terrific. Thanks.
Also a special thanks to all those people who were so kind to my kids (who had a terrific time by the way).
I'm bound to leave someone out, but...
Kellie, Heather, Syrin, Sara, Jen, Christine, Tim, Karlyn, Lexy, etc.
and of course, Becca -- who deserved to win the juvenal division of the costume contest hands down, but graciously shared the honors with Erin & Benny.
They're still talking about all of you.
Special thanks go out to Thom, Greg and Vic, who were great guests and had a great time (or so they told me). They have already spread the word around Disney. (Brad Rader was very impressed with the $805 sale of the "Mirror" board.) Making it even easier to gather guests for G2001.
Speaking of which, I had a great time with the G2001 staff: Patrick, Kathy, Kenna and of course Jen. (I know I've left some people out, sorry.) To quote Greg Weisman: "2001 is going to kick some major ass." (I'm getting way too fond of saying that.)
Already, however, I'm seeing people apologizing for not being able to make it next year. HEY! THAT'S THE WRONG ATTITUDE!!! It's too soon to decide you can't make it. You've got ten months to figure out a way. I am personally guaranteeing 20 guests from the cast and crew. Panels on writing, acting, character design and storyboards. Separate Q&A panels on Developing the series, Writing, Recording, Art and Producing. Another radio play. More Q&A at the dinner. Etc. Etc. Etc. Our goal is to get 500 people. Yep, you heard me, FIVE HUNDRED people in attendance. If we look like we're closing in on that number, I will invite every applicaple Disney Exec. We'll show them in a concrete way, the bet they are missing by not doing more with the show. If you want to get the show back on the air, there isn't a single thing that you can do that would better our chances than attending G2001 in Los Angeles. We already have SEVENTY-FIVE people attending. Yep. Pre-paid and everything. Don't be left behind.
A website for the con, will be up soon. Keep an eye out. We have tremendous momentum coming out of Orlando. Let's not let it die.
Ahem, back to the thank yous...
Kudos to the "Greg Weisman Players":
Seth, Jen, Thom, Wanderer, Lanny, Mer, Hudson, Durid, Alan, Michelle, Brian, Sara, Pogo, Jessie, Beth, Heather, Amy, Marie Noire, Sarah, Kelley, Ryan, Slash, Bud-Clare and Ann.
You all did great.
It was also great to see and talk to many fans, some who have been to ALL FOUR CONVENTIONS. WOW. I'm bound to forget some, but Hudson, Heather, Amy, Aaron, Kythera, A Fan, Noel, Scott (sorry, I can't make your Hockfest), Lexy, Lanny, Karine, Aimee, Mitch, Duncan, Denis, etc.
And it was nice to meet some new faces: Ashlee, Kelly, Dreamie, Jessie, etc.
And Carol, it was nice to see you there too.
And the costumes... Another WOW.
Anyway, now I'm back. What's up ahead...
Well, G2001, of course. I'm getting even more involved this year than ever before. (See above.)
I'm still over two months behind on ASK GREG. It could take me awhile to catch up, as I may actually be starting a paying job soon. (I'll keep you posted.) But in the coming weeks, look for:
1. My G2K Diary. (Not that I kept one, but I can always make something up.)
2. A new Archive that will be called something like: "Historical Documents". Jordan Mann has scanned a bunch of recently recovered documents into my computer. I'll soon begin reprinting them (mixed in with stuff you've already seen and other documents I already had in my computer) in chronological order. This stuff covers the entire spectrum of the development of the series in prose.
3. The revamped version of GARGOYLES 2158. Which for starters, will be set in the 23rd century at least.
4. More Ramblings on episodes as my family and I watch them at home.
5. Some info on an exciting new project that I'm working on with Gorebash and Doug Murphy (one of our storyboard artists).
6. More G2001 updates
7. And, yes, I'll even be answering your questions. Bear with me.
But finally, thanks to all of you. You always manage to make MY YEAR with this con, and all your kind words at this site. I could never thank you enough. But I'll continue to try.
Greg Weisman
UPDATE & HIATUS
Whew -- I finally made it through June of 2000. (I thought June 27th would never end.)
I'm still officially over a month behind, but I'm out of time.
Tomorrow I'll be leaving for Orlando for a week. And I won't be answering any more ASK GREG questions until I get back. (And probably not for a couple days after that until I catch up.)
So if you have questions that just can't wait -- come to the GATHERING!!!
My kids had a midsummer night's dream...
Last night there was an outdoor production of Shakespeare's "A Midsummer Night's Dream" at the Los Angeles County Museum of Art. We were told it was a very kid friendly production and it was free, so we figured it wouldn't hurt to take the kids. If they got antsy, we could always leave.
As most of you know, I have two kids: Erin (age 5) and Ben (age 3). I asked them if they wanted to see a show with Puck in it. (The only Puck they know is the one from Gargoyles.) They were very enthusiastic about wanting to go. I tried to tell them the story of the play. But it's fairly complex when compressed, and I wasn't sure if they'd gotten it.
There was supposed to be a pre-show at 6:30pm, so we got there in time for that. But there was no pre-show. Instead the show started at 7pm. Since they had already been sitting for a half hour I was sure the kids wouldn't make it through the whole play.
But, man, they loved it! Erin was riveted throughout. Benny had a couple of moments when he was more interested in the stars that had begun to appear as it got darker. He also started to sing to himself a couple times. But he never fell asleep, never got drowsy. Never ran around. Or got noisy or anything. Both of them sat on the grass and watched the show, laughing and applauding until it was over an hour and forty-five minutes later. (Obviously the play was trimmed a bit, but all the language was Shakespeare.) They loved the costumes, the magic, the comedy. When Titania ran through the audience and approached them, they were both beaming.
After the show, they ran up to introduce themselves to all the actors. They gave BIG hugs to Titania. It was pretty amazing.
And for me it represents the first step in introducing them to Shakespeare. We're not exactly there yet. But I've been missing a lot of Shakespeare Festivals since the kids were born, and soon I'll be able to take them along.
LASER DISKS
My friend and fellow producer Jonathan Klein has just informed me that the TOWER RECORDS OUTLET STORE on Hollywood Blvd (in the mall with the Galaxy Theater, just east of La Brea) has multiple LASER DISK copies of the GARGOYLES animated "movie" available for $7 each.
Now, I never knew they released this on laser disk so I have no idea which of the three versions it is.
It could be the five episodes of the pilot collected together.
It's probably the version of the pilot which we edited for the big screen premiere in Orlando in '94, which was later released on home video.
But it may be the version that somebody edited as a TV movie for syndication.
Or, since it's a Laser Disk, it's possible it contains all three. I don't know. I haven't seen it myself.
But I just thought you'd all want to know.
Good news (in the long term)...
I have found a cache of documents relating to the early comedy development of the series. Historically speaking, these are fairly interesting. Unfortunately, they are hard copies. I don't have them on computer files. Transcribing them will have to be a LONG-TERM project.
But at least we know they exist.
More...
After our comedy garg pitch was rejected (of which little documentation survives), we searched about for a dramatic version. In the long run, we wound up coming back to many, if not most, of the concepts from the comedy version of our show. But here's the earliest document that I can find on the dramatic version. As you can see, it's largely single character and very different from the final.
[Unedited as usual, except for what's in brackets]:
THE GARGOYLE
(Weisman / Summary of meeting 12/19/91)
1000 years ago in barbaric Briton, an evil Wizard wanted to ransack the castle of the good princess.
Gargoyles are stone sculptures that are used to decorate castles. Inspired by this, the wizard creates his own giant (Beauty & the Beast-sized) Gargoyle. He instructs this engine of destruction to fly to the castle tonight, while the wizard's army attacks from the outside.
(Perhaps he gives the Gargoyle a powder that will temporarily bring the other little stone gargoyles to life.)
The Gargoyle, which is stone colored, even when it isn't stone, flies to the castle, intent on destroying it.
He meets the princess who teaches him the error of his ways. He will fight against the wizard. But as the sunrises, he falls asleep turning to stone. A part of the spell he was not aware of.
When the sun sets again, and he awakens, it is too late. The princess is gone (dead?). The castle has been ransacked. Even the wizard has left him behind. Angry at his betrayal...He is alone. Cursed as an outsider, able to function only during night hours. Frozen as stone during the day.
He stays in the ruined castle over the centuries. Making occasional forays to the outside world. Sometimes briefly, to steal books. Sometimes for long periods to fight evil (World War II, perhaps). But always returning to the castle and his loneliness. He despairs of ever finding a true friend. Despairs of ever having a purpose to his life.
One night he awakens, and finds that some repair work has been done on the castle. Each night he finds that a little more work has been done while he slept during the day. Construction equipment has gathered outside the castle walls.
One day, as he sleeps, the castle is lifted, lock, stock and gargoyle and flown whole across the atlantic to New York, by giant airships.
It is placed on the top of the Xavier Enterprises skyscraper.
Xavier is our arrogant villain. Not comic. Evil behind the scenes. Manipulator. Respectable to the rest of the world. Untouchable.
Our Gargoyle finds himself in this strange new world. Here he meets a young idealistic girl (perhaps a plain clothes police detective) who will be his friend and teach him not to despair. That he can help make the world a better place. In New York, the barbarians are at the gate, every night. This time, he can do something about it.
He becomes a de facto super-hero of sorts, though we don't have to flag it.
Xavier can hire other minor villains, plus we need to create some real psychos, and powerful ones at that, for Gargoyle to battle. Plus the ancient wizard could return in some form. Perhaps he has put his spirit in a amulet. Whoever wears it is possesed by him.
Perhaps, our Gargoyle can still temporarily awaken other gargoyles, little mischevious things who aren't too bright, but would try to follow his orders. But when they sleep each day, they have to be awakened by the magic dust each night or they will remain as stone. Only our hero awakens by himself every night.
Does our young girl have a child?
Who else populates this world?
Is the Gargoyle named Gargoyle, or is there another name for him?
Other villains?
cc: Bruce [Cranston], Gary [Krisel], Kat [Fair], Bob [Kline], Mike [Ryan], Fred [Schaefer], Tad [Stones], DoMo [Dolores Morris]
Another tidbit
From the very next day...
3-12-91:
GARGOYLES
They've been sleeping for a long time. It's been cramped, damp and uncomfortable up on those buildings. Now, it's time to wake up and PARTY!!!!!!!!
Gargoyles asleep for a thousand years.
Awaken in modern times.
They're the good guys.
We're working on villain.
Opportunity for a lot of broad cartoony, fun characters.
A real fossile...
This is the earliest file I have on the series, dating back to 3-11-91. It's short. But very strange. Here it is unedited:
GARGOYLES
They've been sleeping for a long time. It's been cramped, damp and uncomfortable up on those buildings. Now, it's time to wake up and PARTY!!!!!!!!
Only one problem: the evil DOCTOR VOMFU, who turned them to stone in the first place, is still out there making trouble for our bat-winged friends.
But, hey, NO BIGGIE. They're GARGOYLES! Vomfu won't know what hit him.
Vomfu was a joke name around our office. Look at a computer keyboard. And move the natural position of your hands, one key to the left. VOMFU becomes CINDY. Cindy Chupack was one of our development associates who was working on the show with me. Cindy has since gone on to be an emmy nominated sitcom writer on such shows as COACH, EVERYBODY LOVES RAYMOND and SEX IN THE CITY.
More archives material...
It recently occured to me that I only started to post old Garg internal memos starting with "REAWAKENING". Since this info seems to be of interest, I thought I'd go back and start over by posting some of the earliest stuff I still have on file.
First up is a memo to one of the earliest (pre-Michael Reaves) writers that we tried out on the project. Note the December, 1992 date of the memo. You'll see that some of the concepts never changed at all. Others, like the notion that Goliath might Demona-like live through the 1000 years changed a lot.
Anyway, here it is unedited:
GARGOYLES 12-4-92
Notes on 5-part Outline
GENERAL NOTES
--We want to stick closer to the original pitch. Keep the story solidly from Goliath's point of view, with his relationship with Elisa as the central emotional arc.
--We want to clarify what a Gargoyle is and what the "rules" are:
1. Gargoyles were not created by an individual. One thousand years ago, they were real living creatures, a now extinct race that even then was scarce.
2. Gargoyles are nocturnal. At sun-up they transform into stone statues as a protective measure. Theoretically, there may be some magic involved, but from a gargoyle's P.O.V. it's a natural biological process.
3. They cannot wake up at will. They cannot turn back and forth from stone at will. Daytime, they are sleeping. Frozen in stone. That makes them fairly protected, though if someone took a sledgehammer to them, it would kill them. At night they are not stone, they are strong and powerful, and they can fly, etc. But they are not invulnerable.
4. Gargoyles don't have any special instinct or telepathy for danger. What they do have, instinctively, is a territorial and protective nature. Up to this current story, that never extended beyond the castle walls. One of our main objectives is for Elisa to give Goliath a wider definition of his territory...extending it across all of Manhattan (all of NYC?). She gives him hope and a revived sense of purpose.
5. Naming is a human trait. The medieval humans deal w/Goliath so he gets a name. The others have none until they get to the twentieth century, when Elisa encourages/insists on it. Then they pick their names.
CHARACTERS
--We have to know and sympathize w/Goliath much sooner on in the story. We should largely see it through his eyes. His concern for Elisa should drive the latter half of the story, much more than any desire to foil a crime.
--The absolute key to this is the relationship between Goliath and Elisa. We need to develop this slowly. She's got to get used to him in a big way, and for his part, he's not comfortable around humans, and definitely unused to human kindness. He's awkward. Maybe even stunned. We don't have to play it for romance, per se. Even friendship from a human is a foreign concept.
--Hudson is an ex-gargoyle warrior, long past his prime, who now acts as Goliath's advisor. He tends to knock around the castle. Maybe, he likes television. He is not and would refuse to act as a baby-sitter for the younger kids. THIS IS VERY IMPORTANT. Goliath is the Gargoyle-Master. The other gargoyles are HIS responsibility, not Hudson's.
--We'd like to play the younger Gargoyles (Broadway, Brooklyn and Lex) more as teens than little kids. Very eager to explore the new world as you have it, but with a more adventurous sensibility.
--Bronx, the gargoyle-dog does not have wings. His ears allow him to hover a bit for short periods of time. But it's hard. (Keep in mind, he has a weighted tail, like a mace.) He can't really fly. He CAN scurry all over the place, up straight vertical walls, across the ceiling, etc. He has claws that really allow him to dig in.
--Our fault, but we don't think the Bannister character is adding anything. We can probably drop him.
--Xavier needs to be much more imposing. Not bordering on broke. Though obviously, he's not in Goliath's league in terms of brute strength, underneath that three-piece suit he should be a powerful man. As men goes, he should be very strong. And brilliant. On the surface, a rich powerful man, but underneath with his hand in all-things nefarious. He should not be petulant. He should always feel menacing threatening. If, at the end, we do send him to prison, we should not weaken or reduce him. He should go off like Al Capone, with an attitude like "You don't expect prison walls to stop me, do you?"
--We don't necessarily have to use the Gladiator-esque PACK, but if we do, we should keep their strengths clear in mind. The television aspect is a front, but one we might need to see in order to understand why the public regards them as good guys. Since clearly, no single member could be as strong as Goliath, their strength lies in the pack mentality. Goliath tosses one aside, their are five others leaping on top of him, etc. Also keep in mind, that our toughest pack members as they were originally designed were probably Wolf, Jackal and Hyena. Dingo, Fox and Coyote were never designed to be very threatening on their own. Another possiblility might be the SCARAB CORP. Robots from the pitch. (Scarab could also be a division of Xavier Enterprises.) However, feel free to create new villains or a different threat.
PART ONE
We want to get to know Goliath right away. Preferably, all the beats we played in the pitch.
1. He and his fellow Gargoyle warriors defend the castle from "barbarians". We establish his territorial and protective nature.
2. For their pains, they get no thanks or even kindness. Humans look at them as necessary evil.
3. Goliath spends his time reading and keeping the younger Gargoyles out of trouble.
4. We might want to plant a seed for the Demona character here. Establish her as the gargoyle he cares for the most.
5. Also establish Hudson, his advisor, and the younger gargoyles.
6. Goliath and Hudson are sent or lured away from the castle (perhaps by Demona, though the viewers don't have to know she betrayed them). They do not get back before sunrise.
7. The trio of younger gargoyles chase Bronx down into some hidden dungeon. At daybreak they are frozen their.
8. During that day the castle is overrun and sacked.
9. When Goliath and Hudson return that night, Goliath is horrified to discover that the rest of his Gargoyles have been destroyed. Someone took the equivalent of a sledge hammer to them during the day. Demona, his love, is probably part of the rubble. (We don't have to revisit her in the five parter. She can be an element of the tragedy of Goliath. We can bring her back in an episode if this goes to series).
10. Bronx and the younger Gargoyles survived, because they were hidden from the attackers.
11. It may be stronger for Goliath not to be cursed into a thousand year sleep. He takes responsiblity for the disaster. Hudson and the others are cursed to sleep "Until the castle rests in the clouds." (I.e., theoretically, until kingdom come.) Goliath is forced to guard them (the last of his race) alone for a thousand years. This means that he won't be totally ignorant of planes and cars etc. He's seen them over the years. And it might increase his tragedy. At any rate, we don't want to bring up the issue of exorcisms. Dangerous ground.
PARTS TWO - FIVE
1. Let's keep in mind that the whole castle is moved to New York. It can be dismantled, but the human focus should be on moving this castle to the top of the skyscraper. The gargoyles are nothing more than decoration to the humans.
2. There's probably something to Goliath being on a castle top in Scotland one night. Falling asleep and waking up crated in the bowels of a ship, the next night. But we probably want to go for a more dramatic problem than him leading them with a lamp.
3. The other gargoyles, Hudson and Bronx included, don't wake up until the first night after they are installed on top of the castle in the clouds. They've gone from riding a parapet a 100 feet above the ground, to the top of this mega-story skyscraper. It's a pretty hefty transition for them.
4. Art thefts and Bank thefts aren't nearly as crucial as putting Elisa in danger and involved in the case. That's what brings Goliath in. Perhaps we should open with her undercover, infiltrating Xavier's organization. Perhaps that leads her to the Pack training grounds or some other aspect of Xavier's operation. Make her a vital and integral part of the Xavier story. Not simply on the trail of it. And though we don't want to make her helpless, we do need to put her in jeopardy.
5. We're not sure what the red herring of blaming the gargoyles for Xavier's crimes buys us. Not opposed to it, but does it just force us into awkward moments? Lots of talk about guys in gargoyle suits. That's not really a major issue for the series.
Whew...
Done with May...
We're now back to being only two months behind. And I hope to catch up even more. I'd eventually like to get to the point where I'm only a week behind. I don't know how realistic that is, but that's my hope.
I'm also scanning about for a new contest.
Silver Falcon story memo...
I'm not sure when I'll get around to viewing the next episode of Gargoyles with my family, but I thought I'd get ready to ramble by posting my November, '94 memo to story editor Cary Bates. This was Cary's first Gargoyles script, so he was still new to the characters, which was one of the reasons he started with a single gargoyle story. Just Broadway, Elisa and a little Matt, basically.
You'll notice in what follows that some of the big twists still weren't present at this stage. We just hadn't cracked it fully yet. As I recall, Development Associate Eddie Guzelian suggested making the OLD MAN into Dominic Dracon. I was probably resistant a bit at first, just because of how much work that change would involve. But we all realized that Eddie's idea made the story much, much better. So the change was made...
Anyway, here's the memo, unedited as usual:
WEISMAN 11-7-94
Notes on "The Silver Falcon" Outline...
GENERAL CONCERNS
My main problem is that as a mystery story, this is a bit of a dud. We want to stump our audience, but here, we're cheating to do it. There's no way they could figure out where the diamonds are. We don't show them any options but the red herring. And if we did show them the true location, the answer becomes too obvious, and frankly not tricky enough. There's a silver falcon gargoyle on top of the speakeasy. There's another on top of the building across from Malone's office. We check both. One has it. One doesn't.
We need a double entendre here somewhere. We're looking for a silver falcon, and it turns out to be something that isn't literally that. Or in this case, Malone is being literal -- the jewels are in the silver falcon across from his office. But for most of the episode, we're looking for a more obscure answer, i.e. the speakeasy itself. Best not to have a literal silver falcon gargoyle in the vault at the speakeasy.
Even so, it's pretty straightforward. So let's make the whole situation more mysterious. Let's not learn what Matt was up to quite so fast. Let's not have Elisa be a Mace Malone expert. Let's not learn about the loot at all until act three. Let's misdirect more.
We also need secondary suspects. I suggest the Illuminati. That's the name of the Secret Society that Matt's always going on about. It'll be a huge red herring, if even Matt thought he was investigating the Illuminati, when in truth he stumbled on something considerably more mundane. For us, this would accomplish two goals. One, it misdirects Broadway, Elisa and the audience. Two, it sets us up for a future story where we actually use the Illuminati.
THEME
You get major points here. The theme is partnership, and it's presented clearly. Let's just give it more of an arc. Elisa doesn't have to be thrilled to have Sam Broadway Spade as a partner at first. She learns to appreciate the back-up.
S&P
You need to start thinking about the Audience you're writing for. Vogel's murder in the other premise, was never gonna fly. Likewise, here, a major clue revolving around alcohol consumption is definitely out. I wouldn't be afraid to do a story about alcohol, if we were really going to focus on that issue, but not as a throw away.
BROADWAY
Don't make him or his rookery brothers too young. They can have the occasional childlike response, but don't overdue it. Showing them enjoying a cartoon is one thing. Generalizing that they always are watching cartoons makes them sound like kids. Think of 19 or 20 year old Viet Nam Vets. These guys are warriors.
Also, when he's stone, Broadway is WAY TOO HEAVY for Elisa to budge.
And as flesh, Broadway getting shot is like anybody getting shot. Fatal. Or maybe he'd just bleed to death before sunrise. Even if sunrise were close, without surgery to remove the bullets, he wouldn't heal. Basically, what I'm getting at is that the gargoyles are NOT invulnerable.
DRACON AND GLASSES
Dracon is young and hungry. He's tough, violent, savvy, sarcastic. It's not that he can't get angry, but please resist the temptation to show him throwing temper-tantrums -- ranting (and whining) like a cliché d foiled villain.
He's got money, but he doesn't have the high-tech resources of a Xanatos. We have to be sparing with our use of that stuff. Which does not mean we can have massive gun battles with real bullets. (For S&P reasons.)
And if Dracon is not Xanatos, Glasses is not Owen. Glasses shouldn't quietly clear his throat so that he can feed his boss a plan. It's not that Glasses is stupid, but he's not the brains behind the organization either. He's an aggressive, tough and violent street thug in expensive clothes.
Let's also keep clear on Dracon's motivations and how they differ from Elisa's. He wants the loot, but he doesn't want to have to flee to South America with it. He's crossed the line by kidnapping two cops. He's going to have to kill them.... So he frees Elisa to follow her to the diamonds? Major problems all around. 1) Why does he think Elisa will be able to find them? 2) Why does he think she's even going to try after she's freed her partner? She has no motivation for finding the loot. She's a cop who's out to save her partner and bust the guy who kidnapped them both. (It's not that I don't buy her being curious. But that can wait until after Dracon is in custody.) 3) After she drops Matt off at her place, why don't Dracon's men sneak in and kill the unconscious detective? After all, they can't let him live. What are they waiting for? For him to wake up and come take them out? Etc.
Also, blowing up Matt's apartment is cool, but it has to feel like more of a last resort. Dracon doesn't want to draw any more attention to Matt's disappearance than necessary.
And, please note in your script that Dracon has a white streak in his hair from his previous encounter with the gargoyles.
CHAVEZ & BLUESTONE
Please do not play Maria as a callous boss, who doesn't care that one of her detectives has gone missing for two days. And yes, Matt's into secret society's and the like, but he's not the type to blow off work for two days in a row. Despite Matt's paranoia/hobby, he's a good partner and a good cop, someone that Elisa and Maria can count on.
On the other hand, Matt isn't psychic. He's seen gargoyles at a distance, but he knows nothing about them. Certainly, he has no idea of Elisa's connection to them. There's no way he'd casually decide that a "gargoyle" helped them crack a case. Why would it?
And we must resist the constant temptation to knock Matt out so that he doesn't find out the truth. We don't need it here. So I cut the drugged sleep.
HACKER
Let's change Hacker into a real character that we might want to re-use later. An FBI agent who used to be Matt's partner before Matt was booted out of the bureau for investigating the Illuminati Society. The bureau doesn't officially acknowledge the Illuminati's existence. (All this will be a revelation to Elisa. She didn't know Matt had ever been in the bureau. Her surprise about this will add to the general feeling of mystery in the story.) Matt is persona non grata with the FBI, and Agent Smith (or whatever) can no longer be seen with him, which explains the clandestine meeting.
LIBRARY
For future reference, the library is the other face of the same building that houses the twenty-third police precinct, above which is the clock tower where the gargoyles live. The library is closed at nights, and Goliath often reads down there. But I've cut the library scene, so it doesn't matter here.
BEAT OUTLINE
ACT ONE
1. Make the setting someplace other than a slaughterhouse, but otherwise MATT's kidnapping can play pretty much the way you had it.
2. Two days later at ELISA's place. BROADWAY is there to watch his video of the detective movie, (because Hudson is sick of him playing it over and over again on the tv set at the clock tower). Elisa gets a phone call from CHAVEZ. (Intercut.) Matt took some personal time to investigate Bigfoot or something. But he hasn't checked back in 48 hours, which isn't like him. And there's no answer at his place. Elisa hasn't heard from him either. This isn't good. Elisa's going to check on him on her way to work. Chavez makes Elisa promise to call for back-up if there's any trouble. Elisa says, yeah, sure, whatever.... (But she doesn't really think she needs any help.) Broadway overhears and wants to come along. He'll act as her back-up, her partner until she solves the mystery of the missing Matt. But Elisa's got one partner already. She doesn't need two. She'll handle this alone.
3. Matt's apartment. Elisa's outside Matt's door. She rings bell, knocks, calls for him. What she doesn't know is that the place has already been ransacked and that the ransack-er, a man dressed all in black and wearing a black SKI-MASK, is still inside. Plus another, bigger man in a trench coat and slouch hat (think Ben Grimm) is out on Matt's small terrace/balcony. (We should momentarily think these two men are working together -- the man on the balcony acting as look-out for Mr. Ski-Mask inside, but in reality, Ski-Mask is one of Dracon's men, and the guy on the balcony is Broadway. So in fact, Ski-Mask is unaware of Broadway's presence.) Elisa reaches above the door and finds Matt's spare key on the molding. She does not take out her gun. She is not expecting trouble. But inside, as she unlocks the door, Ski-Mask has his gun out and ready. Which is more than enough justification for Broadway to rip the terrace door right off and reveal himself, in a decidedly monstrous fashion. (NOTE: He does not crash through the glass!!) The clothes he's wearing should increase the scare factor, not make him look silly. By the time Elisa gets the door open, the terrified thug is pushing right past her and high-tailing it down the empty hallway with Broadway (who pauses only to say "Got you covered, partner") in close pursuit.
Ski-Mask makes it to the waiting elevator, and the doors close before Broadway can get to them. But Broadway pulls the elevator doors open and grabs the moving cable, which strains against him, until the elevator stops. Then he leaps down (about a flight) onto the roof of the elevator, shaking it's occupant. He rips open the trap door and yanks the guy up. By the time a stunned Elisa gets to the elevator, she barely misses getting hit by the flying thug whom Broadway has tossed out of the shaft. Ski-Mask crashes into the corridor wall and is temporarily knocked out.
Broadway climbs out of the shaft only to face the wrath of...ELISA. She definitely isn't pleased. But she's not going to fight with Broadway out in the open. They'll discuss things privately, in Matt's apartment. She indicates the thug. "Better bring him too."
Inside Matt's place, Elisa searches the thug, while she verbally chews Broadway out for interfering. She removes the ski-mask, but she doesn't recognize the guy. She does find a page that the thug clearly ripped from Matt's calendar with today's date, a time and a specific location (just saying Central Park isn't enough, it's a big park). Ski-Mask starts to come to just as Broadway suggests checking Matt's computer to see if they can find any info there. The thug panics, tipping Elisa off that the thug had rigged the computer to blow. She tries to stop Broadway from flipping the switch, but it's too late.
Cut to outside Matt's window. There is a brief high-pitch whine, during which Broadway leaps out holding both Elisa and the thug -- and then BOOM!! The force of the explosion propels them across the gap to another lower rooftop. (Broadway can't spread his wings because of his trench coat.) They land hard. Broadway drops both humans and the momentum nearly takes him over the roof. Elisa helps him up, and by the time they turn around, the thug has split.
Now Elisa is really ticked off. But Broadway points out that he did just save her life. Only after creating the dangerous situation in the first place, Elisa reminds him. Broadway's embarrassed, but tenacious. Look, it's obvious that Matt was working alone and got into something way over his head. If Elisa tries to handle this alone, the same thing could happen to her. We get tight on Elisa. What will she decide?
4. Elisa arrives alone at the meeting described on the page from Matt's calendar. She cautiously approaches a man, who turns out to be Matt's ex-partner from the FBI, AGENT SMITH (or whatever). It's tense at first, but once Elisa identifies herself, Agent Smith is very cooperative. Matt's told him that Elisa is all right. A good partner. (Elisa's a little embarrassed.)
So Smith fills her in. As usual, Matt's been trying to prove the existence of the Illuminati Society. He's been investigating a gangster from the 1920's who was rumored to have ties to the Illuminati and vanished mysteriously on March 22, 1924. Matt had found a letter, that he wanted Smith to authenticate. The letter was hand-written on Malone's pre-printed stationary:
MACE MALONE
3150 Third Avenue #45D, New York
March 21, 1924
D.D.,
Our little Society is turning a nice profit.
Everyday I see the Silver Falcon, I smile. You
would too, if you knew what I knew.
Your Senior Partner (and don't you forget it),
Mace
The ink and paper do date from the 20s and the signature checks out too. The letter is legit. But where did Matt get it? Smith doesn't know. What's the Silver Falcon? Smith doesn't know. Who's "D.D."? Smith doesn't know.
Smith isn't happy to hear that Matt is missing. If he can help Elisa in any way.... But Elisa insists she can handle it from here. So Smith takes off. Elisa stands there examining the letter. She seems to be talking to herself. The only real lead it offers is Malone's address, but what good could it be 70 years later.
And Elisa may never find out. Suddenly, we discover that Elisa is surrounded by three BAD GUYS, led by Ski-Mask. It looks bad.
ACT TWO
5. Elisa calls out: "Broadway, NOW!!" And Broadway comes out from wherever he's been hiding and takes out two of the thugs. But Ski-Mask hops into a getaway car that pulls up fast and takes off faster. Elisa handcuffs the two unconscious thugs to something, but she's worried. She doesn't know if the escaped thug heard her talking about Malone's old address. They have to get there before the Illuminati blow it up like they did Matt's apartment. Broadway sweeps her up and they're off.
6. 3150 Third Avenue. 45th floor. Elisa's inside. Broadway watches from the roof. (We need to somehow establish that Elisa and Broadway both might have seen the Falcon-heads across the street -- and yet we need to do it in a way that doesn't immediately tip off our audience. One thing that would help is if the chrome falcons were now literally black with NYC soot and grime.)
There's a light on in 45D. An OLD MAN answers Elisa's knock. He's an accountant, working late. She realizes it's a long shot, but wonders if he knows anything about Mace Malone. Turns out that he's something of a Mace Malone buff. That's why he rented this particular office. He's got Mace's original desk and everything. Here, sit down.
Mace's mysterious disappearance makes him a curiosity, and every once in a while someone stops by and asks questions. Why just the other day, that nice red-headed boy was here. Elisa realizes he's talking about Matt. What did the old man tell Matt? Nothing. He ran out of here, as soon as he saw the picture. What picture? This one. It's an old photograph of Malone and a couple of other men (at least one of which is Dracon's grandfather) in front of a non-descript building. Does the old man know where this was taken? Sure, that's Malone's old speakeasy, the Silver Falcon. He gives Elisa the same lower east side address he had given to Matt, and the same caveat... the Falcon was torn down ages ago, they built something else there. Elisa thanks him as she ushers him out of his own office. It's temporarily unsafe here. She asks him to call Chavez and fill her in on everything he told Elisa and Matt, (and also about the two hand-cuffed thugs). She's heading straight to the lower eastside, as the crow flies, so to speak.
7. Elisa and Broadway arrive at the scene-one location where we last saw Matt. They soon discover GLASSES and his salvage operation. He's clearly digging for something, but what? Matt is there. Tied up and blind-folded. But before they can get near him, Broadway's weight collapses the wooden staircase, and they're discovered. A brief battle ensues. Glasses and his MEN use their semi-hi-tech construction equipment as make-shift weapons. Plus maybe a stick of dynamite or something. There's a cave-in that buries Elisa and Broadway. Glasses turns to Matt and taunts him. So much for the cavalry, Bluestone -- That was your partner. And she's dead.
8. Cut to a small cavity, with-in the cave-in. It's pitch black except for Broadway's glowing eyes. Elisa asks Broadway if he's o.k. He says he is but his voice is clearly straining. As she fumbles for her pocket flashlight, Elisa points out that there can't be much air in here. Will Broadway be able to use his claws to dig them out? Broadway has a couple of problems with that. The main one being that he's starting to feel real tired and that can only mean one thing. What? But Broadway is strangely silent and his eyes stop glowing. Elisa finally clicks on her flashlight and looks. Broadway's frozen in stone.
ACT THREE
9. Outside, the sun has come up on a new day. Inside the cavity, Elisa realizes that when the cave-in occurred, Broadway acted as a living pillar, straining under the weight of a lot of rock and dirt, protecting them both from being buried alive. Now he stands there frozen like a medieval column. There isn't anything she can do but start digging.
10. Out in the main cave, Matt convinces Glasses to try and dig Elisa out. She's probably dead anyway, but she might have Malone's letter. If she does, Glasses' boss can stop looking for it. Glasses isn't dumb. He knows that Matt is simply trying to save his partner, but he can't deny Matt's sound logic regarding the letter, so he sets his men working.
11. Dissolve to a short while later. Glasses' men are getting close to Elisa, who's dug a little of the way out but is running out of air. She can hear them getting close, and she can't let them find Broadway in his vulnerable state. So to protect him, she pulls down one of the rocks above her own little dugout, and allows herself to be buried alive. Fortunately, she's timed it right. Glasses digs her out, but to all appearances, she's lucky to be alive and the guy in the trench coat is still buried under all that rock. She has Malone's letter. So the guy can stay buried.
Finally, DRACON arrives with the Ski-Mask guy from Matt's apartment and the old man from Mace's old office. Ski-Mask got to the old man before he could call Chavez, so there's no help on the way. (And Elisa realizes that the few minutes it would have cost her to call Chavez herself would have been well worth it.)
Dracon's fairly annoyed that Glasses hasn't finished digging through to the vault yet. Glasses explains the delay and produces the letter. But Dracon, shakes his head. We don't have to worry about someone else getting the letter, if we already have the loot. Dig out that vault!!
Loot? Vault? Dracon? What's going on? Matt fills Elisa in. Malone's letter didn't refer to the Illuminati at all, but to a bank robbing syndicate that included both Malone and Dracon's grandfather, Dominic Dracon (aka D.D.). Malone disappeared before he got around to telling Dominic where the loot from all their heists was. But the letter suggests that it might be here at the speakeasy. It wasn't found when the place was demolished decades ago, so Tony is convinced that there must have been an underground vault.
But how did Matt get involved? Matt had found the letter, among the younger Dracon's papers when Dracon was arrested months ago for grand theft. (Dracon's case is still pending. He's out on bail.) Matt investigated on his own, thinking he was on the trail of the Illuminati, and accidentally stumbled on this. Dracon kept him alive, because they wanted to make sure the letter was out of circulation. They didn't want anyone else stumbling on their little operation, before they had the loot. Matt apologizes for not keeping his partner up to speed. He really screwed up by acting alone.
Finally, Glasses hits pay dirt. There is a vault. Soon, they're burning through that. They break through. And inside... nothing. Nothing but a note:
Sorry, D.D.
Guess again.
Mace
Dracon is furious. But Elisa's not surprised. If the loot had been there, Dominic would have found it when he first received the letter seventy years ago. He must have been pretty confident it was here, or he wouldn't have gotten rid of Mace the day he received the letter. Dracon's a bit embarrassed by Elisa's superior powers of deductive reasoning. Embarrassed enough to tell Glasses to "take care of" the three hostages. But Elisa stays their hands by telling them she's figured out where the loot is hidden. Dracon demands to know where. But Elisa's not dumb. If she tells now, then she, Matt and the Old Man are wormfood. She's willing to take Dracon there. But it's pretty public, they'll have to wait until after dark, and we push in on the mound of dirt where Broadway is buried.
12. Let's indicate some passage of time here. The sun sets. Then we return to the underground chamber. No one's there at all. Broadway bursts from the cave in. He's panicked about Elisa. He finds Mace's second note and reads it with great difficulty. Will he figure everything out?
13. In a helicopter above the city, Dracon, Glasses and Ski-Mask are escorting Elisa, Matt and the old man to the roof of the building opposite Malone's old office. Matt whispers a warning: "They'll kill us as soon as you show them where the loot is." But Elisa says, "Don't worry, I've called for back-up. I think."
The building's too old to be equipped with a heli-pad, but Glasses manages to get close enough to allow Dracon and Elisa to jump onto the roof. Once on the roof, Elisa explains that from Malone's desk across the street, you can see these black bird-heads. And sure enough when she wipes the grime of seventy years away, she reveals the silver-like chrome beneath. Dracon probably has to check a couple heads, before finding the little bag of precious jewels that Mace had the bank loot converted to.
Now all Dracon has to do is get rid of his trio of hostages. He invites Elisa to step off the side of the building. And to his surprise she does.
Of course, she did it because she had already spotted Broadway, who catches her. (He didn't know anything about the loot or Dominic Dracon. But Mace's 2nd note invited "D.D." to guess again. The falcons on this building were the only other place Broadway could think of to check out. He's just glad he guessed right and that he was in time.)
Ultimately, Broadway takes out the chopper, without revealing himself to Matt or the old man. With Matt's help, Glasses, Ski-Mask and Dracon are all taken down. (This can all play largely as you had it.)
Matt thanks his partner Elisa for pulling his fat out of the fire.
14. And in the TAG at the clock tower, Elisa thanks her partner Broadway for doing the same.
That's it. Call me if you have any questions.
Chapter XVIII: "The Mirror"
Story Editor: Brynne Chandler Reaves
Writer: Lydia C. Marano
Arguably the best single episode of the series. The animation is fluid, dynamic and very strong. The writing is sharp, even quite funny over and over. And yet, dramatically the story is still potent. It really advances the Goliath & Elisa romance arc. Changes Demona permanently. And introduces Puck -- and by extension, the entire third race: The Children of Oberon. All in a mere 22 minutes.
It's also very gratifying for me. A bit of a vindication. As you may have seen from the memos I wrote to Brynne & Lydia, there was some considerable resistance to the notion that none of the characters would notice their own personal change from one species to another. Most of my collaborators thought the idea was way too complicated to pull off. I argued that it might seem complex, but in fact it would play cleaner on screen -- and funnier and more directly to theme. In my mind, another title for this episode could have been -- had we already not been using it for our Werefox episode -- "Eye of the Beholder", because all the transformed characters really noticed was when someone else was "OTHER". Being a monster or being "normal" was based on their point of view, not any objective look in the mirror. [As it is, the title is the kind I like. Simple, objective and yet metaphoric. At one point, it was titled: "Mirror, Mirror". But we simplified it even more.]
But anyway, when the human Brooklyn, Lex and Broadway are confronted by "Gargoyles", the scene is an intentional mirror of the scene from AWAKENING, PART ONE where Brooklyn says, "If they think we're beasts and monsters..." Again, this is playing with the idea of "beasts and monsters" being merely in the eye of the beholder. The species have reversed, but the situation is exactly the same simply because the Trio remain in the minority. I suppose that's one thing that X-Men's mutants have in common with the Gargs. Both are a metaphor for being part of a minority. Feared almost automatically.
On the other hand, when Elisa is transformed, she believes that Goliath & Co. have been transformed into something like her. I think her immediate reaction is very telling about how she ALREADY felt about Goliath at that point. She's thrilled. She throws her arms about him. Now they're the same species. There's no impediment to their love. What's interesting is that if you stopped and asked Elisa under normal circumstances whether she would wish for Goliath to be transformed into a human, the answer would most certainly be "No." She knows that being a Gargoyle is fundamental to who he is. You can't change that without changing him -- and yet in that instant, in that unguarded moment, her desire to be with him overwhelms that rational knowledge. She's just happy.
At the museum, Elisa looks at herself in the mirror. She then moves, but the reflection holds. That was the idea of one of our board artists. A little clue that the mirror is magic. (It's not an animation error.)
Family Reactions #1
During that museum chase, my wife wanted to know why no alarms were going off. I figure Demona or the thieves just shut them off.
Erin didn't realize that that was Elisa dressed as a security guard at first. We were trying to withhold that information for a bit.
"Titania's Mirror", "The Children of Oberon", "Oberon sent me." We were laying groundwork to expand the entire series' base. But I don't know if back then I knew that much about what if anything I had planned specifically for Titania & Oberon.
Anymore than I knew then what I'd do with the "Dracula's Daughter" reference. But we try not to waste anything.
Coming up with that "Children of Oberon" name was a struggle. And so many people have asked me since whether or not Oberon is literally everyone's father, I almost regret landing on that choice. Our thought process is largely present in the episode when Goliath et al, go through various noms: Fair Folk, Dark Elves, Changelings, Shape-Shifters. Of course, at the time we were misusing the term Changeling. I think that was Odo's influence frankly, but I should have known better. I suggested "The Oberati". But the Reaves didn't care for that. I think they thought it sounded too much like an Italian sports car.
I do love the moment when Brooklyn cites Shakespeare's play as a sort of reference work on the Children. I hope we sent a few people to the library with that line. Did we?
I also love Hudson's line in response to Elisa's question: Are they real?
Hudson: "As real as I am, if the stories be true." It's full of delicious dramatic irony. If you can suspend belief on a bunch of gargoyles, then this shouldn't be a problem for you. I love things that work on multiple levels.
I also love Hudson's "Be careful what you wish for" line.
We were trying to show a bit here how Demona had managed to operate in the modern world up to this point. One of the thieves has clearly worked for Demona before without ever having laid eyes on her. Of course, showing Demona's M.O. here, was like giving it a swan song. Because after this episode, though she clearly doesn't realize it yet, her life is going to get MUCH easier. Being a human during the day is a great boon to all her scheming. I'm very curious about everyone's reaction to that? Shock? Amusement? I also tried to work very hard so that in that last two minutes of epilogue, everyone would get that she only was human during the day. I was very afraid that the audience would think she was permanently transformed into a human. Was anyone confused? Or was anyone surprised that Puck's revenge/gift STUCK? We wouldn't really explore the change until HIGH NOON. Had you forgotten about it by then?
Family Reactions #2
As Demona's casting the spell that will summon Puck. (Which I always thought was very cool, with the feather and all.)
Benny: "That's a magic mirror. Is Demona going in there?"
Erin: "Puck's gonna come out."
As I've mentioned before, during the writing of this story we figured out that Owen was Puck. So to play fair we dropped a hint here. Demona (who knows) says to Puck: "You serve the human. You can serve me." Puck changes the subject, replying "Humans [note the plural] have a sense of humor, you have none." This was done intentionally to distract the audience away from the hint we had just dropped. But obviously, in hindsight, it's a clear reference to Owen serving Xanatos. Anyone get it right off the bat? Anyone even take note of the line the first time? Originally, the line read, "You serve him, now you can serve me." With the "him" referring to Xanatos. But our S&P executive was afraid the "him" could be taken to mean Satan. I know that seems silly now. But keep in mind, we were very paranoid back then about the show being attacked for promoting devil worship. So we made the change.
Sensitive Broadway: "Maybe even love." It's a nice moment. Wistful.
Puck reminds Demona that the mirror isn't "Aladdin's lamp". At the time, the Aladdin series was still in production at Disney. So that's a bit of an in-joke.
And how about that: Demona is still carrying a torch for Goliath. On some level, she wants him more than almost anything. Yet she continually allows her hatred to get in the way. And the irony is, that at this point, pre-Vows it isn't yet too late for them. But her actions further serve to cement the Goliath/Elisa relationship. More now than ever before.
Puck/Brent Spiner is just fantastic. I love that "charming personality" line. And "You don't know what you're asking, believe me." And "I'll do EXACTLY as you asked." And "My mistake." And "A very long nap." He's just so rich.
Plus the boarding and animation on Puck is just great. As is the sound work that accompanies him zipping around.
I always wanted Puck to be the one character who could break the fourth wall and talk directly to the audience. Every time he appeared, we'd put a line or two in the script that was addressed to the audience. And every time, Frank or Dennis Woodyard would cut it out of the board. They didn't like breaking the fourth wall. (A lot of guys don't. I tried to do that with Max on Max Steel, but Richard Raynis and Jeff Kline wouldn't allow that either.) Oh, well....
Puck also establishes that Oberon's Children generally use rhyming spells instead of Latin or Hebrew or whatever. (Thus making life slightly -- but ONLY slightly -- easier on me and the writers.) But Puck isn't too formal: "Human's love a battle hearty, so does Puck, come on, let's Party!" Fun. (And I like Brooklyn's line, "Party's over." too.)
Family Reactions #3
When Elisa's transformed into a gargoyle.
Erin: "She looks cute." [I very much agree. Though I always wonder where her red jacket goes.]
Ben then asked why she was transformed.
Beth explained that Demona didn't want Elisa to be human anymore.
Erin then corrects my wife and explains that Puck is tricking Demona.
KIDS GET IT! Adults need to pay closer attention!
Goliath suddenly has lust in his heart:
G: "I never realized when you were human just how beautiful you were."
E (with a smile): "You mean you thought I was ugly?"
G: "Uh... careful! Updraft!!"
Man, that guy is smooth.
Anyway, that's one of my all-time favorite exchanges. I think it reveals so much. Somewhere underneath, Goliath has been attracted to who Elisa IS deep-down -- at least since AWAKENING, PART THREE. But he never thought of her as a potential love interest. He wasn't brought up liberally enough to think that way. After all, she has no wings, no tail. And those human shaped feet!
But suddenly, she's revealed as a FEMALE. Now, even when she goes back to being human, his perspective is permanently altered. Hers, however, is not. She's already consciously had those thoughts. Consciously rejected them. So at the end of the episode, he wants to discuss these (for him) new feelings -- but she does not. And the sun helps shut him up.
G: "That's not what I meant."
E: "But that's the way it is."
Another of my all-time favorite exchanges. (I'm really partial to things involving the G/E relationship. I know, I know, I'm a romantic sap.]
I also like the ongoing confusion. Elisa: "Everyone in Manhattan has been turned into... HUMANS!" Goliath: "No, no, no, no, no." And when the Gargoyles are changed into humans, Brooklyn is so sure that they've always been humans, it's funny. Like that moment in CITY OF STONE, when he's convinced that the "statue of Elisa" is a bad likeness of her: "They got the nose wrong."
FYI, there was an honest attempt, within the logical parameters of what our gargs looked like, to make their human versions resemble the actors who played them. Thus Goliath has darker skin than the others, because Keith David is African-American. (Though otherwise Goliath really looks like Conan to me.) The bald Lex has brown hair and the bald Broadway has blond like Thom Adcox and Bill Fagerbakke respectively. Brooklyn resembles Jeff Bennett but with Brooklyn's white hair instead of Jeff's blond. And Hudson looks like Ed Asner with a beard. More or less. Thom Adcox is the one who most looked like the human version of his character.
Cool little touches:
Demona nudges an unconscious Puck with her tail.
She continues to call Hudson, "Old Soldier". Her tenth century "name" for him.
Her line about the "gift of being a gargoyle". I love that superior attitude.
Lexington's "Fun, but weird" line.
Hudson wrapping the sheet over the mirror.
Elisa and Demona have a brief "cat-fight" as Gargoyles. Not quite as diverting as the one they'll have as humans in High Noon. But it was nice to put them on equal physical footing for a change. Let them have it out.
Demona mentions that Puck isn't too tired to make himself "invisible to the crowd". This was us trying to plug a hole in our story. We felt it would undercut the mob's reactions to our newly human heroes if they had the same reaction to seeing Puck. And yet Puck clearly looks more human than Gargoyle. More "other". So we slid that line in to avoid the whole problem.
FAMILY REACTION #4
Beth laughed at Hudson's very Scots reading of "No doubt about it." Which is pronounced more like: "No doot aboot it."
More sappy stuff (which I love):
Goliath's line: "I'll always be there to catch you."
Elisa completely forgetting her fear of flying in order to save the MAN she loves.
That brief moment when both Elisa and Goliath are humans at the same time.
Hudson's wistful line about seeing the sun, just once.
Although it had little to do with the metaphor, we couldn't really resist the notion of showing Bronx transformed into a dog. We picked the biggest dog we could think of, a Wolfhound type, though a bulldog might have been more reminiscent.
In the script, Demona smashes the mirror upon seeing her human reflection in the glass. But somehow the scene never got animated. So we added the sound of the mirror being smashed to the exterior shot at the end. This was important in order to give the story full closure. The initial point of the episode was to prevent Demona from getting Titania's Mirror. Structurally, therefore, I couldn't allow her to keep it.
But no fear, later we introduced Oberon's Mirror (clearly part of a matching set) in THE GATHERING, PART ONE.
I wonder what all those Manhattanites thought when suddenly they realized they were all barefoot.
APOLOGIES
My Apologies to John Peacock of Chico, CA. I misread one of your questions. I thought you were saying you were from New York and couldn't afford to come to a Gathering in California. Obviously, I reversed it. So maybe I'll see you next year when the Gathering is in L.A. Sorry, for any confusion.
[And thanks to Omar for pointing out my error.]
GATHERING UPDATE
GOT SOME GOOD NEWS & BAD NEWS...
Bad news first, due to a family health crisis, storyboard artist Brad Rader will not be able to attend the Gathering next week.
But, the Good News: Storyboard Artist Victor Cook has stepped up to take his place. Vic worked on a good quarter of the series' second season including:
The Silver Falcon
Eye of the Beholder
Outfoxed
The Price
Avalon, Part Two
Golem
Sanctuary
Mark of the Panther
Bushido
Ill Met By Moonlight
The Reckoning
Possession
Hunter's Moon, Part Three
Specifically -- and among other things -- Vic designed the unique "Tale of the Panther Queen" Sequence in MARK OF THE PANTHER.
I'm sorry Brad won't be able to make it (we'll get him next year in L.A.), but I'm very pleased to announce that Vic Cook will be joining Character Designer Greg Guler, Voice Actor Thom "Lexington" Adcox and myself at the Gathering. Attending the San Diego ComicCon only wet my appetite for "the real thing". I can't wait.
CORRECTION
It just occured to me that I made a stupid mistake when answering the following question here at ASK GREG:
Lee writes...
For the upcomeing live action movie of GARGOYLES who would you chose as director? I would say Steven Spielberg or George Lucas.
________
I responded with...
I definitely would NOT chose either of those talented men. Personally, I would pick Jonathan Frakes. I thought STAR TREK: GENERATIONS was very well made. And I'd love to have someone directing the movie who actually gave a damn about where the thing came from. Just my opinion.
recorded on 07-10-00
Of course, I meant to say STAR TREK: FIRST CONTACT. GENERATIONS didn't do much for me at all. (I enjoyed it in a nostalgic vein, but not really as a movie.) But I liked FIRST CONTACT, and thought Jonathan did a great job on it.
Sorry for any confusion.
A Gargoyles Live-Action Movie
In light of the release of the X-MEN movie I thought it would be appropriate to discuss a possible Gargoyles Live-Action Movie.
As most of you know, Disney/Touchstone has literally been developing this for years. So far with no success. But they're still plugging away at it and have hired a new screenwriter recently. I think the success of X-Men may help light a fire under them too.
But let me tell you a story. It was 1995. A Touchstone Executive named Todd Garner wanted to develop the Gargoyles series as a live-action feature. He was told he'd have to deal with Gary Krisel who, as President of Walt Disney TV Animation, had the property under his domain. Gary, in turn, strongly suggested that Todd develop the property with a couple of writers who were familiar with it: Greg Weisman & Michael Reaves. So Touchstone made a deal with Michael and I. We would be "co-producers" of the film. And they gave us a shot at writing the treatment, i.e. the outline for the story. We did that, more or less. Our approach was rejected, more or less, by Todd's bosses at Touchstone. Todd started us on a new approach. Then Gary Krisel announced he was leaving Disney. Very quickly, Michael and I were moved off the project. We're still "co-producers". But that means next-to-nothing. Todd's no longer at Touchstone. In fact, the projects gone through at least five executives I can think of and six writers that I know of. But I'm not exactly in the loop. Still I have a pleasant enough relationship with Jim Wedaa, who's working with the movie's attached producer. So I call him for updates periodically. He promises that if they ever get a script they like, they'll send it to me. I'm not holding my breath. But you never know.
Anyway, I thought it might be an interesting subject of discussion to reveal what Michael & I had planned for the movie. I feel safe revealing this, since I know it's not going to be used.
Keep in mind, we all felt that we needed to start the continuity over from scratch. The series (which was still in production at the time) would have it's own continuity. The movie continuity would exist in a kind of parallel universe. Hopefully, it would all be emotionally the same. But details would differ. We wanted to simplify the complex plotting a bit. (Not make it unintelligent, just clean it up a bit.) We wanted to leave room open for sequels. But we wanted to tell one GREAT story, as if we'd only ever get one shot.
That story would, more or less, be AWAKENING.
But we made some changes.
For starters, we put Macbeth in charge of Castle Wyvern. In one version he had the Magus by his side. In another, the Archmage. In yet a third, we made Macbeth himself a bit of a sorceror king. At any rate, Katharine became his daughter. I know this sounds treasonous. But doing this allowed us to simplify all sorts of backstory, and allowed us (at least in the nefarious backs of our minds) to plan for a Macbeth sequel. And an Avalon sequel with Katharine and the eggs.
We also were forced to ditch the notion of the Gargoyles not having names. There wasn't time to explore it unfortunately, and it is a complicated idea. Goliath remained Goliath. Demona was Angel. Lexington became Alexander (but still Lex for short). Hudson became "Mentor" in one draft. "Soldier" in another. And a fifth prominent character was Othello. Brooklyn, Bronx and Broadway had cameos in the eleventh century flashback that more-or-less opened the film.
Once we got to the present, we had Xanatos, Sevarius and Owen. They awaken three gargoyles: Goliath, Lex and Othello. They tell them that as far as they know these three are the only three that survived. Elisa is introduced, but she doesn't meet Goliath right away. She investigates a number of strange incidents and mysterious reports (with Matt's help and under Chavez's command). She discovers the secret of the Gargoyles over time. Then Elisa and Goliath both take time to learn to trust each other. The whole Cyberbiotics plot is there but simplified. Demona resurfaces and basically becomes the main villain in the movie. (In an earlier draft, we saved her to be a main villain in a sequel.) Othello doesn't fair too well in the present. (Thus setting up a possible Coldstone sequel.) Xanatos runs a whole series of tests on Goliath, (setting up a Thailog sequel). Goliath, Elisa and Lex manage to triumph over their opponents (which included Steel Clan Robots and Xanatos in his Gargoyle-Armor). In the epilogue, they find a cache of additional undestroyed gargoyles: Hudson/Mentor/Soldier, Brooklyn, Broadway and Bronx (and in one draft, Angel/Demona). The movie ends on a hopeful note as these new Gargs are awakened.
Obviously, I'm not attempting to tell a coherent story above, but to show you what our strategy was. We were going to start over. Use a clean, straightforward story. Focus on the KEY Goliath/Elisa relationship. Intro elements that could be used for sequels but didn't require you to already know history. And didn't distract from the single big story we were trying to tell in THIS movie. There'd be a lot of tasty tidbits for diehard fans of the show. But we'd still have a brand new story that a new audience could follow.
That was the plan.
Of course, I have no idea what Touchstone's current plan is. But no matter what they do, I'm rooting for the movie. Because that movie is the surest way for us to get the series back on the air.
THE HYENA CONTEST RESULTS
We have a winner:
Adam writes...
THE HYENA CONTEST
Hyena smiles because she's amused by Elisa's values. Elisa is clearly playing by the "good guy" rules, which
say that you don't shoot someone when you could arrest them, you don't drop Xanatos off the building, etc.
Hyena believes that when it's in your best interests for someone to be dead, you kill them. It's funny to
Hyena that Elisa could be so deluded by ideas of "right" and "wrong" that she would let someone as
dangerous as Hyena live to fight another day when it would be so easy just to kill her and solve the problem
permanently.
Adam's entry came in first. And I kept waiting for someone to top it, but it never happened. Good work.
I'd like to thank Aaron, Jackal's Love, The Christine Morgan, Derek!, E.J. Kalafarski and Duncan Devlin for entering.
Adam, contact either Gore or Todd Jensen with your e-mail address so that we can arrange to give you your prize. Congratulations.
X-MEN
I saw the X-Men movie last Saturday night. Thought I'd indulge a ramble.
SPOILERS. RUTHLESS SPOILERS.
But first, I think anyone who critiques this movie should open by acknowledging potential biases. Here are mine:
For starters, when someone says "X-Men", here's the team I IMMEDIATELY think of: Cyclops, Angel, Beast, Iceman and Marvel Girl. (Yeah, you heard me, Marvel Girl. Calling her Jean Gray in the context of codenames is very strange to me.) I guess that shows my age.
So when I first heard about this movie, I was sure it would suck, because I was sure it would include characters like Wolverine, Gambit, Rogue, etc. That is, characters that came MUCH LATER in the contintuity. I was sure they'd attempt, as the T.V. animated series attempted (as most tv animated series based on comic books attempt) to have it both ways. To attempt to intro a series as a new concept and yet simultaneously try to slather decades worth of continuity at the audience. The pilot to the X-Men animated series did this. And I thought it was god awful. Later episodes were much better, and for a while I was really enjoying the show. Then it began to suffer from all the things that had made me STOP reading the comic book. So I dropped it.
Contrast that with the Batman animated series. Batman, a single character with a MUCH cleaner, clearer origin, is introduced as a guy already on the job. (The folks at Warner Bros. had a HUGE, if flawed, movie to use as a jumping off point.) He exists. Joker exists. Most everyone else is introduced either through flashback or right there before our eyes. In essence, they started the continuity over -- nearly from scratch. And WHAT A DIFFERENCE that makes. TV, comics, movies. They're all different mediums. They have overlapping audiences, but not duplicate audiences. They also have differing strengths and weaknesses regarding how continuity is handled. Comics are largely a serialized medium. TV is largely episodic. Movies are single stand alone events. In a movie, you have one shot and only one shot to tell your story. Even if it becomes a franchise, all that means is that maybe, once a year or so, you get one MORE shot to tell one BIG story. You don't get to do change of pace "episodes" in movie series. Each one has to go great guns.
Mindsets need to alter when dealing with these different mediums, or the work will wind-up sub-par. The makers of Batman TAS realized this and capitalized on tv's unique strengths and needs. They created a viable and dynamic interpretation of the Batman Universe that wasn't dependent on continuity, but utilized the best of what that continuity had to offer. [They did the same thing when creating MASK OF THE PHANTASM as a movie. Talented guys.] One might question individual choices made here and there, but overall, I thought it was a smashingly successful show creatively, and it was without doubt a smashing success series commercially.
But back to X-Men. Don't want to make it sound like I gave up the book when Lee and Kirby went their separate ways. In fact, I think I was reading X-Men in its real HEYDAY. Post Len Wein/Dave Cockrum: The Claremont/Byrne years, followed by the Claremont/HotArtist of the moment years. This was the days of Cyclops, Wolverine, Storm, Collosus and Nightcrawler. The death of Phoenix. The introduction of Sprite. VERY POWERFUL STUFF. That one time travel Sentinel story was chilling indeed. I thought the time travel theory presented in it was gobbledy-gook, but the story was so powerful, I didn't care. This was great comics. (And yes, I think "Future Tense" was influenced by that story.)
And then, I believe X-Men became a victim of its own success. Let's start with the multiple books. New Mutants, X-Factor, X-Men, Uncanny X-Men, X-Calibur, Generation X, X-Treme, X-Lax, whatever. It was impossible for me as a reader to keep it all straight. ME. The comic book geek who worked for DC Comics and got ALL his books -- back then -- for FREE. I've got the whole Gargoyle Universe more or less locked in my head, and I couldn't keep the X-portion of the Marvel Universe straight even with the books right in front of me. No Big surprise as the creators pretty much couldn't either.
But the number of books wasn't the only problem. The stories seemed out of control. What was legitimately a mutant power was stretched way beyond my ability to suspend belief. That future storyline that I praised so much above seemed to spawn an entire universe of alternate characters that rendered anything that followed moot. Jean Gray came back to life, undercutting her sacrifice and horrible death. Hell, everyone seemed to die at one point or another. Two characters I really hated were Rogue and Sabretooth.
Rogue is intro'd like Athena, fully grown. She's been a villain for years. Or so we're told. But in fact, her first appearance is in that awful comic when she permanently steals Ms. Marvel's powers. Ms. Marvel?! An admittedly mediocre character with vague mini-Supergirl abilities. Rogue now has these same vague but potent abilities. They have nothing to do with being a mutant. But they make her very powerful. And one story later, she's joined the X-Men. WHAT?! There's a convoluted backstory with Mystique, who's like a mother to her? But why? Why not do that with Nightcrawler? Well, because Mystique was an afterthought, relatively speaking. It was too late to do THAT story with the Mystique and Nightcrawler. So we get Rogue. I never got the appeal at all. Just maybe, she might have been great if it had been intro'd over time. Actually been a young villainess for a couple years. But instead it's force-fed to us like -- well -- like it's an animated series that has to forcefeed us continuity. And on top of all that she just seemed obnoxious to me, with her exagerated dialect.
Sabretooth just bugged me for a different reason. He seemed unstoppable and I could never understand why. Eventually, they seemed to be heading toward the notion that he was Logan's father. That seemed kinda interesting -- and it would explain a lot, but they never would get around to culminating all those heavy-handed hints. I gave up before ever finding out whether or not that was the case.
And that was often a problem. Like early seasons of X-Files, answers in X-Men never seemed forthcoming. EVER. Wolverine is a terrific character, and we kept learning more about his interum history without ever really answering any real questions about his origins. (Admittedly, I gave up reading the X-Books over a decade ago, years before I gave up comics cold turkey in 1996 -- so maybe some of my questions have been answered since. But not in the TEN YEARS I was reading the characters.)
And finally, I got tired of the basic X-Theme. As timeless and true as it was and is, one begins to ask how many times do these characters have to publicly SAVE the world before someone in the Marvel Universe would acknowledge that mutants didn't suck. I'm not talking about an end to prejudice, just an end to near-monolithic prejudice. Finally, when all was said and done, I got bored and I got exhausted. So I gave up. Gambit. Jubilee. I've heard of them, but I don't know who they are. Don't much care either.
And so the movie approaches. As I said above, I'm so sure I'm not gonna like it that I have ZERO intention of seeing it. That's not an idle statement either. Never saw Godzilla though I loved Godzilla movies as a kid. Never saw Phantom Empire, though I loved STAR WARS. Never saw Titanic. Never saw a lot of movies these days. And what I have seen, I've mostly disliked. The first Batman movie is horribly flawed but fun. Every Live Action Batman movie that follows is unwatchable. (Except possibly this last one with Clooney, which I didn't bother to see.) Loved Star Wars and Empire Strikes Back. But Return of the Jedi -- HATED IT. E.T. -- Hated it. Loved the original "CLOSE ENCOUNTERS". Hated Spielberg's Director's Cut. Independence Day - Hated it. Made me angry. Jurassic Park - Hated it. Made me VERY ANGRY. Lost World - Had to see it for work. Had very low expectations, which were basically met. I think it's awful, but at least it didn't make me angry. Gladiator - Was enjoying it as a kind of guilty pleasure - until the last ten minutes which were SO STUPID that they ruined the movie for me. TITAN A.E. really pissed me off, because it will indirectly have an adverse effect on my career.
Okay, I did enjoy Matrix. It was flawed. But I liked it. So I guess I don't hate everything.
So why would I go see X-Men? How could I possibly like it? Why should I torture myself. O.K., sure it's got Ian McKellan and Patrick Stewart as Magneto and Professor X. They're both great, and that's perfect casting, but it's not like great people don't appear in bad movies. That's not enough of a reason. Okay, sure I liked USUAL SUSPECTS, so the director has ability. But I've seen bad movies by great directors before too. And yet... And yet...
I think the marketing was great. Not overwhelming. Smart. That helped. Pictures of the various characters in magazines helped too. Finally, however the general good buzz got to me. And when Kenneth Turan of the L.A. Times gave it a positive review (even if the review did read like he was slightly afraid to give it a negative review for fear that X-fans would attack him), I was hooked. Turan is pretty tough generally. I'd give it a try.
So I went with my wife. (Who has NO comic book or X-background of any kind.) We also went with another couple. The husband Mike is an ex-comic book geek like myself. The wife Rosie is like my wife.
And drum roll. I liked it. I feel like the guy in GREEN EGGS AND HAM, but I like it, Sam I Am. No, it's not perfect, but it avoided a TON of pitfalls. Low expectations may seem to be influencing my stance. But that's not really fair. I don't LIKE Lost World. I simply wasn't angered by it because I knew it would be awful in advance. I actually like X-MEN.
And the MAIN REASON without a doubt is that they started their continuity clean and from scratch. Yes, there's some backstory, but it's a VERY CLEAN backstory. And what mysteries do exist are clear. No, we don't know Wolverine's "origin". But at least we know what questions to ask. And what we do know TIES RIGHT IN with the theme of the movie. Ties in so well, in fact, that my wife thought, based on the comment that they couldn't assess Wolverine's true age, that perhaps the Nazis gave Logan his adamantium skeleton during WWII. (When I explained that in the comic it was <oh my> the Canadian Government, she was extremely non-plussed and I felt quite silly.)
Charles and Eric are old friends, now at odds. Charles has his school. And Cyclops, Jean and Storm are SOME of his first students. (I like to think Angel and Beast were a couple of the other guys in that first class. They graduated and unlike the other three, chose to move on. But time will or won't tell.) Now, I could see how this would immediately put some diehard X-fans on edge. It makes Scott, Jean and Ororo contemporaries. And all three much younger than their comic book counterparts. But this worked for me. Captured the spirit of the early Lee-Kirby stuff and the early Claremont stuff. And still allowed the film-makers to make the movie that the majority of their audience wanted to see. I.e. one with Wolverine in it. Face it, he's cooler than Angel and Iceman.
But the real cool thing is that when the movie begins, Scott, Ororo and Jean are not the X-Men yet. Not really. They don't have heavy combat experience. They've had some training. And maybe a skirmish or two. But this isn't a super-hero team -- except by necessity. And we're seeing that necessity here for the first time at the Statue of Liberty, by which time they're joined by Logan. Now for the first time, they aren't Scott, Ororo, Jean and Logan. They are truly Cyclops, Storm, "Jean Gray" and Wolverine.
[The only flaw in that thinking is that Scott and Ororo already have silly super-hero names when the movie begins. And Jean doesn't. Either they're prepared for the coming combat, in which case they should ALL have codenames (in order, I assume, to be able to communicate with each other quickly while still maintaining some ability not to blow their secret i.d.s.) or none of them should have it yet. The only in continuity excuse I can think of for Jean not having a codename is that Jean wasn't supposed to ever go out and do battle. That she was only at the school as a teacher and openly mutant mutant-expert. Jean only ends up going into battle because of what is legitimately a HUGE crisis. But I wish that idea had been spelled out a bit.]
{FYI - The codenames for Sabretooth, Toad and Mystique don't bother me at all. But -- in movie -- Magneto's does. What does he need a codename for? And such a silly one at that? And no, I NEVER found it silly in the comics, but that's a different medium. Not better or worse, just different. In live-action, Magneto is a silly enough name that when it's first mentioned in the movie you can hear the silly twitters from the non-initiated audience. And the resulting mass cringe from those of us "who know".}
Then there's the youngest generation. I got a kick out of Kitty Pride. A real kick out of Bobby/Iceman. I didn't mind at all, that just as Cyclops was youthified, so to was Bobby -- even more. Because Bobby was conceieved by Lee and Kirby as a kid. Placing him in that younger generation was true to his original dynamic. (I'm told Jubilee and Pyro were in there too. Of course, I don't know anything about Jubilee or Pyro. I guess Pyro was that guy who created the little fireball, but don't ask me who Jubilee was. Don't know. Don't much care.) And of course, Rogue. Now, as I mentioned above, I never much cared for Rogue, but the character became VERY compelling to me absent those dopey, dopey vague Ms. Marvel powers. And younger. Making her part of that younger generation was brilliant. Yes, it could be argued she was filling a Kitty Pride roll. But her power suited the roll better than Kitty's power. So to me, it seems like the best of both worlds. Hell, they even gave her that bit of gray hair at the end. Nice touch.
Of course, it's an ensemble piece, so not every character has a lot of space or time to shine, but I think they did a good job of introducing THREE Major characters, EIGHT supporting characters, and a couple of nice cameos. So perhaps it might help if I went through it character by character:
THE LEADS
MAGNETO - NAME - Well, as I've mentioned, I don't think they did a very good job of integrating his name into the show. COSTUME - I think they did a great job of integrating the helmet however. I mean why would he wear that silly helmet? I thought that would be embarrassing. (And no, in comics, I never thought that great Kirby-designed helmet was silly. Again, different medium.) But hey, it protects him from Charles. Cool. I didn't miss the rest of his costume at all. INTERPRETATION - I thought the prologue was nice. Some critics have argued that using the Holocaust in a super-hero movie is insulting. But I think it went right to theme. Worked for me. CASTING - I thought McKellan was great. I loved his interaction with Patrick Stewart. Loved his mature villain read. It was refreshing to have someone older be this crucial to story. CONTINUITY - As to how true he was to the Magneto of the comics, well, sorry folks, but that's gonna depend on WHICH Magneto of the comics we're talking about. Magneto's been characterized so many different ways (just in the years I was reading alone) that choices for how to portray him run the gammut. So as choices go, I liked this. Smart. Semi-noble. But an ends justify the means kind of guy, who, as Logan points out, when push comes to shove isn't prepared to sacrifice himself over a young mutant girl that he theoretically should want to protect at all costs.
WOLVERINE - COSTUME Let's get this out of the way up front. I didn't miss the costume (and after all which costume) one bit. Don't give me Superman, Batman and Flash. Batman didn't even use the Batman costume. Not really. Just enough of it to make it recognizable. Flash's costume wasn't exactly the cojmic version either. Sure it was closer, but, frankly, it looked silly, icon or no icon -- I could have done without it. (Give me the lightning bolt emblem. That would have been enough.) Superman pulled it off. But that was mighty powerful ICONIC writing and directing in service of one of the most powerful icons in pop culture. So Wolverine's costume? Hey, from my point of view it WAS there. Because seriously, what you really remember about him ICONICALLY is the hair, the sideburns and the claws. And they nailed all three. I never thought that hair would work, but they pulled that off. NAME - The Wolverine name sort of worked. Mysterious dogtags with one word that he uses as a stage name for cagefighting. Hey, in this era of pro wrestling, I'll buy it. CASTING - Well, I thought Jackman was terrific. But I'll admit to being wistful about his height. Yes, I was glad he was still shorter than Cyclops and Jean. But one of the truly archetypal qualities that Len Wein built into Wolverine was his height -- or lack there of. It was so "kid-relatable" (a phrase I usually despise). The short guy (and almost all kids are short relative to someone) who when pushed, kicked ass better than anyone. So yeah, I missed that he was average height and not flat out short. But I've cast a fair amount of shows. Even in voice, when you don't have to worry about what the actor looks like, you still make compromises. So in live-action... Well, yes, if you search the globe I'm sure you can find some guy who looks EXACTLY like Wolverine. But what makes you think that guy can act? Jackman looked eighty plus percent of the part. And he could REALLY act. INTERPRETATION - I did miss the berserker rages a bit. I didn't mind that we were seeing the kinder gentler side of the Wolverine character. That was always there. It be idiotic not to feature it. And we saw the sly bastard who was also part of the package. And we saw the guy who nine times out of ten exercises strict control over himself -- cause if he doesn't watch out. But there's that one time out of ten left, when he should just go nuts. Animalistic with rage. We never saw that. And I missed that. Still overall, he's an incredibly engaging character here. No real complaints. CONTINUITY - Suitably clean. We know very little. But we know what we're missing. An event fifteen years ago where he was cut opened and rebuilt. Very cool.
ROGUE - COSTUME - This worked fine for me, I guess. NAME - A real stretch, but I guess you can buy this kid trying to sound tough and cool. If having a one-word name is really tough and cool? CONTINUITY & INTERPRETATION - See above. Since I wasn't a big fan of the comic character, I didn't mind any of the changes they made. So CASTING - She was great for the part she played.
SUPPORTING
PROFESSOR X - CASTING - O.K., Patrick Stewart has been playing Charles for years, even if he didn't know it. So you couldn't cast this one better, in my opinion. COSTUMING - Fine. Duh. NAME - Did anyone ever actually call him Professor X? If so, it was so casual and easy and natural that I didn't notice. Good. INTERPRETATION & CONTINUITY - This is the Prof. X I know.
CYCLOPS - NAME - See above. COSTUME - Okay, all those black battle suits were a little cheezy, but I can live with them. If the alternative was some (even non-spandex) version of one of the upteenth variations on their comic book costumes, I can live with what they did. Again, I didn't miss the blue and yellow thing at all. Frankly, I would have preferred no hokey costumes at all. CONTINUITY, CASTING & INTERPRETATION - Of all the characters, Cyclops (probably the one I know the best) was the most disappointing to me. I didn't mind his youth at all. That fit with their general reconfiguration of the continuity, which I admired. But I still don't think that that particular actor captured Cyclops enough. He was a bit callow for my tastes through most of the movie. He didn't seem quietly worthy of Jean's love. And I almost would have preferred a guy who was almost entirely HUMORLESS, except for the occasional very dry "Did Scott just actually tell a joke?" moments. Less of a pretty boy, I think. Still, by the time we got to the Statue of Liberty those things didn't bother me as much. Still, he was the weakest link for me in the entire movie. I've heard people speak badly of Storm, Rogue, even Wolverine. But I had no problem with them. But I would have liked a Cyclops who had that tragic, I MUST STAY IN CONTROL quality. That near military officer's edge. Less of a punk. I think that also would have boosted the Scott-Jean-Logan-Marie-Bobby love pentagon too.
JEAN - NAME & COSTUME - See above. CONTINUITY & INTERPRETATION - I liked the roll she had here. The public face. Perfect. CASTING - Famke didn't wow me. She never really has. But she was fine. No complaints, except maybe did I hear a slight touch of accent in there? (TRIVIA: Incidentally, Famke is currently renting Brigitte Bako's house while Brigitte is shooting a movie in Canada. And I once briefly met Famke in 1995. She was exiting Todd Garner's office as I was coming in. Todd was, at the time, the Touchstone executive in charge of -- among other things -- the Gargoyles Live Action Feature.)
STORM - NAME - See above. COSTUME - The cape seemed a little silly. I guess you could pretend to justify it based on the need to catch the wind or whatever, but.... CONTINUITY - See above. I had no problem with moving a fundamentally mature/responsible character like Storm into Cyclops & Jean's generation. CASTING & INTERPRETATION - Well, Storm was the hero who got the least screen time. (Unless you count Iceman.) That's inevitable with a cast this big. But I thought Halley Berry was fine playing a young, inexperienced but fundamentally mature/responsible Ororo. She isn't too great in battle at first, but when she cuts loose... Toads fly. All that worked for me. It was her first real fight.
MYSTIQUE - NAME - See above. "COSTUME" - we were supposed to think she was naked, right? CASTING - She looked great and kicked ass. Not much else for her to do AS Mystique. CONTINUITY AND INTERPRETAITON - We learn almost nothing about her. But I thought she was effective, and I think they left the door open for some interesting stuff. Nightcrawler for example could take the roll that Rogue had in the comics. (Since Rogue isn't using it.) It would suit both Mystique and Nightcrawler better. Cleaner, less confusing.
SABERTOOTH - NAME - See above. COSTUME - Yeah, whatever. CASTING - Great. Fine. CONTINUITY & INTERPRETATION - I think they made a clear connection between Logan and this guy. Not one that Logan remembers in this continuity. He clearly DID NOT remember Toothy, assuming they have ever met before. But the film-makers still made the connection. Start with the dog-tags. But even if you asssume that Tooth just took those as souvenirs or trophies, there's still another connection. Tooth was unstoppable. Wolverine kept stabbing him to ZERO effect. Wolverine stabbed himself and it hurt. Sabretooth never slowed down. That suggested to me a healing factor that creates another connection to Wolverine. As for Sabre's "death", c'mon. We never saw the body of either him or Toad. There's no reason to assume either is dead. In pop culture you must see the body, and even then....
TOAD - NAME - See above. COSTUME - Fine. CASTING - Good. Never saw Darth Maul, so any in-jokes there were lost on me. CONTINUITY & INTERPRETATION - Well, they certainly made him a more effective henchman. Maybe down the line there may be time to see the tortured side of him. No room for it here. But that didn't bother me.
SENATOR KELLY - All fine. I was a bit surprised they killed him off. But it all worked. And Mystique can do interesting things with Kelly if they chose to bring "him" back.
CAMEOS:
BOBBY - See above. This worked for me.
KITTY - Nice little touches with her.
GYRICH - Well, he's dead. I'm fine with that actually. But I can see both sides of this argument. If you're gonna kill off a minor character than why use someone you may have real use for later. OR We've got a minor character. Let's give him a name that will make the fans smile. (I fell into the latter category, I guess.)
PYRO & JUBILEE - See above. (Who are these two?)
STAN LEE - Him, I recognized immediately on the beach when mutant Kelly comes ashore. How could you miss him? (And yet, I never noticed he was a hot dog vendor. I just thought it was Stan Lee.) Was Claremont in there anywhere? Len Wein? Roz Kirby (in lieu of Jack)? Dave Cockrum? Byrne?
DIALOGUE: O.k. This wasn't stellar. A few nice touches, but it wasn't sharp, and Storm's line to Toad was pathetic. I'd have loved the dialogue to be sharper. But it served.
PLOT: Rogue as Magneto's true target was telegraphed a bit heavy-handedly for me. At one point Xavier even suggests that Logan might not be the target, yet doesn't make the obvious connection to Rogue that follows. Not until after it's too late. But overall, I was pleased. The story held up. It wasn't an "idiot plot". The motivations all made sense. In fact, they were compelling to me.
ACTION - Worked for me. I don't need to see the White House blown up in every movie. The action seemed appropriate to the story. Some of the choreography in the final battle (which may be editing as much as writing or directing) was problematic for me, but not very.
CHARACTER DYNAMICS - Largely great. Loved the interaction between Logan and just about everyone. Loved the interaction between Magneto and just about everyone. Loved the interaction between Xavier and just about everyone. Cyclops' overall weakness weakened his dynamics. And again, we didn't really get enough screen time with Storm to judge one way or the other, but overall I give high marks.
LENGTH - the movie was mercifully short. No one trying to squeeze three hours of angst and bad plotting and padding in. It moved at a nice tight pace. (And even then, the couple we saw it with thought it moved a bit slow.) Makes me nervous about a director's cut though. Sometimes those are great. (BLADE RUNNER.) Sometimes not. (CLOSE ENCOUNTERS).
So overall, and after all the above exercise in me being a wind-bag, I'd recommend it. It's not a great film. But it's a fun movie. And I had fun rambling about it.
In my next ramble, I'll talk a bit about the Gargoyle's Live Action movie in light of X-Men.
GREG GULER to appear!!
Great news about the Gathering 2000.
Sara and I have managed to add TWO more terrific guests (in addition to myself and Thom Adcox). One, who I
first mentioned last week, is Brad Rader, a Disney and Gargoyles Storyboard Artist. The other is GREG
GULER, a former comic book artist (DC's HAWK & DOVE), who is now a character designer for Disney. He
basically designed Goliath, Demona and Elisa when we were in development on the show. And he was the lead
character designer for the entire second season.
Both Brad & Greg will be participating in Q&A's, judging art and costume contests and leading art seminars.
Now with a writer (me), an actor (Thom) and two artists (Brad & Greg), the Gathering really does cover all
your Gargoyle bases. Don't miss it!
Another "Mirror" Memo...
Though I think it's one of our most rewarding episodes, it was a tough one to make come together. So after I received the first draft script on "The Mirror", I sent a second memo to Brynne. Here it is, UNEDITED:
WEISMAN 11-13-94
Notes on "The Mirror" Script...
O.k. The problems here seems to be mostly my fault. I haven't been able to make clear to you guys how I want our characters to react when they've been changed. It's been clear in my head. And for me the logic flows backwards from a scene I want to see where an average-human-pedestrian-who-has-been-turned-into-a-gargoyle sees one of our transformed-into-human-heroes and screams: "Look at that monster!! It's like some kind of horrible... HUMAN!!" The key is that the bystander actually uses the word "HUMAN", and that he says it with the same kind of fear and revulsion that we would normally hear (in a more typical episode) being used for the word "GARGOYLE".
In order to get both the revulsion into the word "Human" and a strongly negative reaction to our heroes' new human appearance, the bystander needs to believe that being a gargoyle is the way it's supposed to be. Therefore when the bystander's appearance was changed his mind-set must have been changed as well.
Working backwards from that goal, how would our main characters react to being changed?
THEIR MINDSET WOULD CHANGE SIMULTANEOUSLY WITH THEIR APPEARANCE:
Elisa is the first to be transformed. Thus, ELISA'S REACTION to being changed into A GARGOYLE is the surprising statement:
"Goliath, You've been changed into a gargoyle!"
Reasoning: Goliath &co. were always "the other" to Elisa. But when she was transformed, her mindset changed with her appearance. So she now believes that being a gargoyle is normal. Since, Goliath &co. now look "normal" to her, she figures that they must have been magically changed from being "the other" into being "normal"--i.e. they have been transformed into gargoyles.
[I realize this seems byzantine, but ultimately it'll be the most straightforward reaction on screen, short of having everyone entirely self-aware from the moment they change, (which just isn't as much fun to me). See how it plays out in beat #11. (Also #9, 13, 14 and 21.) If you're still not clear, please don't hesitate to call me.]
TENSION
Despite absurdist moments in this story, we must keep the tension and suspense running high, throughout.
--Don't reveal Elisa's presence at the museum until last possible second. Same with Goliath.
--Don't let Gargoyle's lose track of their objective for more than a line of dialogue here or there.
--Don't let the battle meander from place to place. Keep battle and chase scenes focused and specific.
WHAT THEY'VE BEEN WISHING FOR:
DEMONA'S WISHES
1. Get rid of humans, particularly Elisa.
2. Get rid of Goliath and Co.
3. Stop turning to stone during the day.
GOLIATH & ELISA'S WISH - To be together. (Elisa is slightly more self-aware than Goliath, but neither should specifically wish in dialogue to become the race of the other. It's too on the head.)
TRIO'S WISH - To assimilate.
CLARITY IN SCRIPT
O.K. TO USE: ELISA/GARGOYLE
HUMAN/"GARGOYLES"
GOLIATH/HUMAN
HUDSON/HUMAN
BROOKLYN/HUMAN
BROADWAY/HUMAN
LEXINGTON/HUMAN
OUR HEROES
DON'T USE: HUMAN/GARGOYLES
GARGOYLES/HUMANS
TRIO/HUMANS
Even for me, these were too confusing.
In group scenes, LIST ALL CHARACTERS IF NECESSARY.
BEAT SHEET
ACT ONE
1. Museum.
--Establish two security guards - but don't reveal that one of them is Elisa (or that Goliath is there).
--Demona breaks in and takes out the first guard.
--Second guard turns out to be Elisa, ready and waiting w/Goliath.
--Establish how much Demona hates humans in general, and Elisa specifically.
--Demona never gets as far as laser-grid around mirror.
2. Chase.
--Demona Escapes.
--And while Goliath and Elisa are chasing her...
Maybe inter-cut w/...
3. Museum.
--Thieves get past laser-grid to steal mirror.
4. Ext. Demona's house.
--The two thieves deliver mirror.
5. Int. Demona's house.
--Demona summons Puck.
6. Clock tower.
--Elisa arrives. They were duped. Mirror was stolen.
--Elisa's: So how bad is this? What can D do with that mirror?
--No one knows for sure, but it leads to the discussion of Oberon's Children.
--Refer here to Midsummer Night's Dream.
--Scotsmen called them "Fair Folk".
--Vikings called them "Dark Elves".
--Shape-shifters.
--Trio: Imagine what it would be like to shape-change. Fit in anywhere.
--Hint subtly at Elisa and Goliath's desires.
7. Demona's house.
--Make sure we know Puck's name here.
--Our Demona and Puck wish scene.
--Puck uses a rhyming spell.
--Puck's arms are pinned by chains, so magic energy comes out of his eyes.
8. Clock Tower.
--Elisa: All we can do is wait til Demona makes her move.
--Elisa transforms into a gargoyle.
ACT TWO
9. Clock Tower.
--Everyone including Bronx is pretty stunned by Elisa's change.
--She seems happy though.
-- Elisa: "This is wonderful. Goliath, you've been transformed into a gargoyle!"
--Goliath: "What?!"
10. Demona's House.
--Puck tells her the deed is done.
--Demona wants to escalate. Every human in Manhattan.
--Puck again stresses difficulty of "big wishes".
--Demona yanks chain: "Answer truthfully. Can it be done?"
--Puck: Yes, but not from here.
11. Clock Tower.
--Bronx sniffs at Elisa.
--Goliath: "We've always been gargoyles. You're the one who's been changed."
--Elisa: "I've always been a gargoyle. I think I'd know it if I wasn't."
--Goliath: "How did we first meet?"
--Elisa: "I fell off a skyscraper; you glided down and caught me."
--Goliath: "If you always had wings, why would you need me to catch you."
--Elisa: "I can't glide with these."
--Goliath: "Yes, you can."
--AND OFF THEY GO.
--Hudson and Trio stare at each other for a beat and then follow.
--Bronx is left behind.
12. WORLD TRADE CENTER
--Puck and Demona materialize w/mirror.
--P: This is gonna take a while.
--He begins visually gathering magical energy. Just a little at first.
13. Flight over the city.
--Goliath NEVER LETS GO OF HER HAND, even after it's clear that she's gliding under her own "power", because she's afraid. She doesn't want to lose that contact.
--Goliath can't help staring at her: "I never realized when you were human just how beautiful you are."
--Elisa: "You mean you used to think I was ugly?"
--He doesn't have a good answer to this.
--Fortunately for him, she segues to: "This is so confusing. Have I always been able to glide like this?"
--[She's still hasn't quite grasped the situation.]
--Goliath: "No. No. Try to understand. You've been changed into a gargoyle. Follow me, I'll show you."
--They glides in low over the streets. Elisa sees the humans and freaks!! (Her freaking needs to be ambiguous. Goliath thinks she understands now. She doesn't really.)
--Goliath: "Maybe we should land somewhere and talk."
14. Rooftop.
--Goliath, Elisa, Hudson and Trio come in for a landing.
--(Establish clothes line. Someone has left their laundry, including bedsheets, to dry in the warm night air.)
--Elisa: "Did you see? Everyone in Manhattan's been turned into a HUMAN?!!!"
--G: "...no, no, no..."
--HUDSON: "LOOK!"
--He points at light show that seems to be gathering around one of the towers of the WTC.
15. World Trade Center.
--BIG LIGHT SHOW as Puck glows with magical energy.
--P: "This is really going to wear me out."
--D: "Quit complaining and do it already."
--Puck casts rhyming spell.
--Magical energy shoots from entire body to hit mirror.
--Spell reflects off mirror and hits giant hyperbolic sattelite dish. --Sattelite dish fires magic off across the whole city.
--Puck collapses.
16. Rooftop.
--Goliath & Co. have seen light show from WTC, (but not result).
--Goliath &Co. leave Elisa on the roof and head toward WTC.
--Elisa's not happy about it, but they don't give her a choice.
--And she's still phobic about flying alone, so she can't follow.
17. WTC
--Now that the light show has subsided, Demona wants to see her "empty city", but Puck is out of it.
--Goliath and co. attack. She's forced to flee with Puck, but without mirror.
--(Somewhere in here, Demona has to mention Puck's name.)
--To save herself, she tosses it. Hudson saves it.
--Goliath and Trio pursue Demona.
18. Downtown streets/subway/ whatever
--Even though she's being chased and is hampered by the unconscious Puck, Demona still comes in for a landing to see the results of her wish.
--She's furious as she sees the human/"gargoyles" going about their business.
--Use this chase (and this scene) to reveal the extent and absurdity of the change that hasn't really changed anything but the appearance of the people. Take us down into the subway, maybe.
--Demona ultimately uses the situation to get lost in a crowd.
--For the pursuers, Goliath and trio, it's like finding a needle in a haystack.
--Throughout scene, Trio may get wistful and a little distracted about being able to fit in.
--There are female "Gargoyles" walking by, catching trio's eyes.
--They have to remind themselves that this is wrong. And they're not entirely convinced that it is.
--But other "gargoyles" still shy away from trio because of how they are dressed. (Or how little they are dressed.)
--At any rate, the trio don't totally lose track of their objective: Demona.
--But Demona's gone.
--Goliath: Let's go get Elisa and plan our next move.
19. A deserted alley.
--Demona confronts a very worn-out Puck.
--D: I wanted you to destroy the humans, not give them the gift of being a gargoyle!!
--D: "Change the gargoyles back to humans."
--Puck: "O.K., o.k., give me a chance to catch my breath."
--He leans to look at his reflection in the side-view mirror of a car.
--The image in the mirror wavers.
20. Rooftop.
--Goliath, Hudson, Trio and Elisa confer.
--They have the mirror.
--That was definitely one of Oberon's Children with Demona.
--Demona called him Puck.
--Elisa: In Shakespeare, Puck was a harmless trickster.
--Goliath: What's happened below isn't harmless. Come, we must continue to search for Demona and Puck.
--Elisa: "I'll never get the hang of leaping off rooftops."
--Goliath: "I will always be there to catch you."
--She hesitates. He takes off to set an example.
--A bolt of Magic shoots out of the mirror catching Goliath, Hudson and the trio.
--Goliath changes to human and falls.
ACT THREE
21. Rooftop.
--Elisa dives and catches Goliath. Overcoming her fear without thinking about it.
--Meanwhile, Hudson grabs a sheet off the clothesline and covers the mirror: "Don't want anything else jumping out at us from this thing!"
--Goliath doesn't understand why he fell.
--Suddenly he stares at her: "Elisa...You've changed back to normal!!"
--E: No. I haven't changed. You have. You're a human. You fell because, you don't have wings.
--Brooklyn: "We've always been humans."
--Hudson: "And we've never needed wings to glide before."
--Lex (the engineer of the group): "Wait a minute, we must have used wings. How else could we do it?"
--Goliath, sinking in: "Elisa's right. We're supposed to be gargoyles. And we're not. Everyone else should be human. But thanks to Demona and Puck, they're not."
22. Alley & Street.
--Puck is very weary.
--Demona asks if it's done.
--Puck says yes.
--Demona and Puck cautiously exit alley.
--Obviously, all the humans are still "Gargoyles".
--Demona turns on Puck. I told you to turn the gargoyles to humans.
--Puck: "Oh, you meant these gargoyles! I thought you meant Goliath and the gang. My mistake. Sorry."
--Demona: "You turned Goliath into a human?!!"
--She's ready to murdilate Puck. She pulls the chain tighter, crushing him.
--Puck: "Hey, hey, hey, You're missing the big picture, here. This is your big chance to get rid of Goliath. Now, while he's weak as any human."
--She stops, smiles.
--Dissolve.
23. Rockefeller Center. Some time later.
--Bronx runs into shot. [He has not been transformed yet.]
--A human/ "gargoyle" pedestrian bends over to pet the nice doggie and then runs away screaming when he sees the doggie's masters.
--Our "human" heroes now fully clothed (and looking cool) walk with determination right up to the center of Rockefeller Center. Hudson still has the mirror, covered in the bed sheet.
--(Elisa is not in sight.)
--Everywhere, pedestrian/"gargoyles" run screaming: "Ahhh, humans!! Run!!" "Oh, they're so ugly." "Keep away, you...you monster human, you."
--Hudson to Goliath: Are you sure this is a good idea?
--G: Demona must have done all this for a purpose. What else could it be except to leave us vulnerable to her attack. So we'll let her come to us, but we'll pick the place of battle. Here on the ground and in the open where her wings won't help her much.
--They take their stand. Not all the pedestrians have run. Some stop and stare, but they all keep their distance from these human monsters.
--Goliath instructs Hudson to unwrap the mirror.
--The instant he does, Puck and Demona fly out of it.
--BATTLE ROYALE (Needs real choreography.)
--Demona's armed with her plasma rifle.
--Gargoyle's are armed with medieval weapons.
--Battle is largely land bound.
--Puck's having a good time and helps Demona.
--His stunts can be darkly funny, i.e. they can be absurd, as long as they increase the danger to our heroes.
--Puck turns Bronx into a Russian Wolf-hound, just for fun.
--Some brave bystanders see Demona being attacked by all these monsters and run in to help.
--Trio are forced to battle them.
--These human/ "gargoyles" don't know their own strength, so fighting them isn't easy.
--Obviously at some crucial moment, Elisa (their secret weapon) flies in and takes on D.
--Demona should not instantly recognize Elisa.
--But when Demona does, she goes nuts. Elisa's presence (both the fact that she is alive and a gargoyle) is a double-edged sword. The best (psychological) weapon the good guys have, it throws Demona into a rage, which makes her doubly dangerous, but careless.
--Goliath and Elisa stand together to defeat D.
--Trio take on and scare off the "gargoyle" good samaritans.
--With Bronx's help, Hudson bags Puck with metal-mesh trashcan.
24. WTC
--Goliath promises to free Puck if he changes things back to normal.
--Puck complies. He'll start with the biggest job -- getting all the humans back to normal. (Fortunately, changing something back to its normal state is easier for him than the reverse.)
--Using rhyming spell, mirror and sattelite dish, Puck lets the magic fly.
--Elisa is human again.
--Puck needs a moment to recover.
--Elisa and Goliath have a brief moment.
--Elisa (self-depricating): "Well, I guess I'm back to my old ugly human self."
--G: "Never, to these eyes. But I'm curious. Am I handsome to you like this?"
--E: "You've always been handsome to me."
--PUCK: "Allright, enough of the mushy stuff!"
--He zaps Goliath, Hud, Bronx and Trio back into Gargoyles. (Note: he doesn't need the mirror, since they're all standing right in front of him.)
--Goliath frees Puck.
--Puck takes off with Demona through Mirror, taking mirror with.
25. Demona's house.
--Puck's grateful for a good time, enjoyed by all.
--He'll grant Demona her original wish: She won't turn to stone during the day.
--She's suspicious, for obvious reasons.
--He must SPELL OUT that she will still be her normal GARGOYLE self at night. But during the day, she won't have to sleep as stone.
--One last little rhyme spell.
--And he disappears through mirror.
26. Clock Tower.
--Final scene with Bronx, Hud, Trio, Goliath and Elisa. (This was really nice, as written.)
27. Demona's House.
--The sun is rising.
--We can only see Demona in sillouette.
--Until she turns to look at herself in the mirror.
--Which she smashes.
PAGE NOTES
(The script I received had some odd page numbering. The title page was numbered as page one, some pages were skipped and had no numbers, and the last page was numbered 33. So I just renumbered it from the first page of script on through the last [39]. The following notes therefore refer to my numbers. Call me if you have any questions.)
P.2
If Demona never gets the opportunity to destroy or turn off the laser-grid around the mirror, than we can leave it for the thieves to deal with and ditch all this dialogue and action revolving around alarms. Demona's meant to be a diversion.
Please don't refer to the Security Guard as Sarge or Old Soldier. I know it's just character stuff, but we don't have the space to give it context. It winds up confusing us as to who the guard really is.
Remember: Male gargoyle eyes glow white. Only female gargoyle eyes glow red.
Throughout script we use both "rooklings" and "hatchlings". I prefer "hatchlings". That way audience members who have missed the one or two references to the rookery, will still understand.
P.5
Goliath's getting wounded is problematic. We don't deal with it in the story. It's quickly forgotten. We don't want to play fast and loose with something like that.
P.9
Don't forget to give us some description of Puck. (He definitely should have pointed ears, for example. I added pointed ears to the description of the Weird Sisters in their true form.)
P.10
I don't know that we want to refer to all of Oberon's Children as "real mean". Seems blatantly racist.
When Demona summoned Puck earlier, she did it in Latin. So please make sure we name him here in this scene.
P.12
DEMONA
If you cannot rid me of all humans,
then at least rid me of that human --
Elisa Maza!
We need the double entendre of Demona asking Puck to get rid of that
human-Elisa. ("Oh," Puck weasles to himself, "get rid of the human-Elisa. Make her a gargoyle-Elisa instead.")
P.21
Our Gargoyles shouldn't notice that anything has changed among the pedestrians below, until they get close enough to see. (From a practical standpoint, the idea of each person suddenly taking up more room, might be tough to get across in animation.)
Let's show at least one of the Human/"Gargoyles" looking at his or her reflection (in a store window or something) and preening. Totally unaware of the change.
Goliath says, "What sorcery is this?" twice in the episode. Let's skip both. He said this exact line in "Awakening".
P.23
Keep focus and imperative of THIS story. No one has time to stop for hot dogs or to deal with vandals. (So skip both incidents.)
P.25
Puck doesn't have to pretend that he did "exactly" as Demona commanded. He can have more attitude. "Hey, close enough." or "If you're going to split hairs..."
Again, let's not make Hudson an expert on Puck as an individual. We don't need him to identify Puck from tapestries. (And I doubt if his education has progressed to the point where he's read Shakespeare.) Plus, I'm not sure we have to label Puck as the "worst" of Oberon's children, either.
P.34
Gargoyles including Elisa/gargoyle CANNOT hover.
Also don't forget...
--Cast List.
--Latin version of Demona's spell from Grimorum. (It doesn't have to rhyme.)
--Rhyming spell in English for what Puck does to everyone. (Needs to be vague enough so that Demona isn't immediately tipped off.) Doesn't need to be same spell each time.
--Somewhere in here, we need to justify why none of the human/"gargoyle" crowd reacts to Puck. Do they see him as a gargoyle, ala the Weird Sisters? Or is he invisible to them? Or can we get away with them just walking by and ignoring him?
--Make sure final page count will be within our page range (pp. 35-39) after Denise has conformed it.
THANKS. DON'T HESITATE TO CALL WITH ANY QUESTIONS.
"THE MIRROR" Outline memo...
Next up for my Ramblings is "The Mirror". What follows is the UNEDITED memo I sent to story editor Brynne Chandler Reaves regarding the first draft outline for that episode.
This is one I had very specific ideas on, so I may have been even tougher than usual. Oh, well...
WEISMAN 10-30-94
Notes on "The Mirror" Outline...
Brynne, I hope you consider this flattering: I'm gonna be very tough on you here, because I think you can handle it. It's not just because of this outline, but because in general, I want you to be handing me cleaner, more finished pieces. Although the story is full of great ideas, there are logical and structural problems here that need fixing. As I've discussed, I want to be less "hands-on" so that the schedule keeps flowing and we all stay sane, but that means I need you to catch much more of this sort of thing before I ever see it.
One particular concern of mine (and not so incidentally of Gary Krisel's) is padded first acts, where nothing of substance happens until the cliffhanger. Each story dictates its own structure, so I don't want to make any hard and fast rules, but this is one thing you should be thinking about on every episode you edit or write. We can have a prologue scene or two. But we don't want to turn the whole first act into a prologue to events that only begin seconds before the commercial break.
Scene One is a nice prologue. So is Two, if it's brief. Three, Four and Five are padding. Six is good prologue, but by this time it feels like padding. Seven is problematic from a character/logic standpoint. Finally, we get going at Eight.
And opening acts aside, we need to beware of scenes that serve no function in the structure of the story. A real good character moment is worth a detour on occasion. But our stories have to be coming out of character anyway, so nine times out of ten, the detour shouldn't be necessary.
Ever since "Reawakening" we've tried to make the Gargoyles much more pro-active. But even by first season "survival-mode" standards they seem downright slow to act here. In scene Three, they suspect magical bad news is on the way. In scene Six, they confirm Demona's involvement. Yet in scene Ten, they go to the play in the park like nothing was wrong. Worse, in scene Sixteen, when the humans are transformed, the younger gargoyles actually think that the transformation is part of the play? They're more sophisticated than that. And instead of reacting like it's a problem, they just want "contact with their kind". I wouldn't mind a wistful line that summoned up their feelings about how this reminds them of their old lives when there were many gargoyles and/or that it's nice to be able to walk out in the open without everyone running away screaming, but they have to realize that this transformation is bad news. Then in scene TWENTY-TWO (that's the beginning of ACT THREE and a full fourteen scenes after Goliath battled Demona in the museum) they "are certain now that Demona is behind this". Who did they think was behind it for the last act and a half? This is a good sign that we're either short on structure, heavy on padding or both.
THEME
We must have a clear theme that involves at least one of the "good" gargoyles in every episode. We shouldn't have to dig deep for it. It's what focuses the events that dictate our structure. Today's theme is "Be careful what you wish for, you just might get it." It applies to Demona, obviously. But it applies to subconscious desires on the part of Goliath. And wistful, but conscious desires on the part of Elisa. And even (to a small extent) the desire of our young trio to assimilate. Emphasize the theme as much as possible.
GARGOYLES AND MAGIC
Please remember that the gargoyles are largely ignorant of the workings of magic. They have an advantage over humans in that they know magic exists. That's about it. Demona and Macbeth have had centuries to study it. Guys like the Magus and the Archmage dedicated their lives to studying it. Brooklyn, on the other hand, is no expert. I doubt he can even read Latin. And the GRIMORUM is not a textbook that would provide easy answers even if he could read it. It is, in essence, a cookbook. If a recipe is torn out, there's no way to infer very much about it from the remaining pages. Remember, the Magus had the sleep spell he used on the gargoyles, and even with that and all his training, he couldn't wake them up without the specific page that held the counterspell. HOW could Brooklyn find a list (scene 5) that matches Demona's list? WHY would the Grimorum list the items for one specific spell twice? HOW could he know the name (Scene Eight) of the entity being summoned?
Could the Grimorum tell them that Puck's spells must be reversed before dawn? Or how Puck frees himself? Unlikely. (Would Julia Child's cookbook feature recipes by the Frugal Gourmet?) But (if we assume Goliath reads Latin, and could make heads or tails of the Grimorum, without having to sit down and spend an entire week reading the thing cover-to-cover to find a helpful passage in a book which, as you noted, has no index) -- it is possible. We always skate by a few things in every script. But the more we have to skate, the thinner the ice in general. Something that normally would fit neatly beneath our audiences suspension of disbelief, becomes one more contrivance in a story that's got a few too many.
DEMONA'S MOTIVATIONS
First off, she's not looking for an equal partner or ally. She's made that clear enough. That's exactly her problem with Xanatos. He always wants to know what's in it for him. He can't be easily controlled. He's fine if they have a mutual interest (resurrecting Goliath or Coldstone), fine if she can con him into helping her (as she does in "City of Stone"), but the latter isn't easy. Otherwise, they can't work together. They're goals are too diverse.
As for Macbeth, don't even bring him up. This story airs before CITY OF STONE. She hasn't seen Macbeth for decades probably. And it's been centuries since they worked together on anything.
None of this changes the story, but it's important to get her mind-set clear. She isn't summoning Puck as an ally. But as a slave.
And what does she want her slave to do? Basically, this episode is going to underline Demona's truly short-term thinking. She knows she wants humanity eradicated. But not what she'd do if she ever accomplished that goal. She's closed her heart to anything that doesn't serve her immediate short-term plans. (She's really, really screwed up.) At one point, Puck should offer her Goliath. He can make Goliath love her again. But she's so distracted by her hatred for Elisa in particular and humans in general, that she can't keep a positive thought in her head. Her monolithic and myopic fanaticism allow Puck to make a primate out of her, literally and figuratively.
PUCK
First big note from Adrienne and ME: we cannot play this character like he's a demon. His summoning in particular came off as very satanic. Let's try to make it more fanciful and magical. One thing that would help avoid this problem, is to be clear about what Puck is. If we aren't clear, people might think demon or devil. If we are clear, they'll believe us. We've got to establish, not only Puck, but his entire magical race. They are the third sentient group that once populated our planet in addition to humans and gargoyles. We need a name for this race that we can be comfortable with. (We can say at some point that the Scots called them the Fair Folk; the Vikings called them Dark Elves. But neither name is great. There must be something that could work for us. "The Oberati" perhaps, after their king?)
Then we need to set some rules and limits. Particularly given what we know about the Weird Sisters (and about Puck's secret identity). Obviously, not all of these rules need to be spelled out in this script. But let's make sure we know them. Let's begin by saying that the Oberati can all shape-shift. But when they morph into a form, they're stuck with that form's limitations. No magic happening if they pose as human.
In their true forms, they have a lot of magic power, but a rule against the direct use of it in the world of man (witness the Weird Sisters more indirect manipulations). Maybe this is a command from Oberon which they are afraid, but not unable, to break.
An obvious exception to the rule occurs when they are enslaved by someone else who commands them to use their magic. They are off the hook responsibility-wise, so they can go to town. Thus, most cultures have wish-granting legends about Leprechauns or Djinn or whatever.
Conveniently, the Oberati are creatures of pure magical energy. When they cast a spell, the spell doesn't have the limitations imposed on the studied magic of human or gargoyle sorcerers. The subjects of their spells don't have to see and hear them to be affected. It's a more fluid, less structured form of magic. Magic to the Archmage is an art, craft or science to master. Magic to Puck is as natural (or super-natural) as breathing.
But even Puck must have his limits. Even magical energy should be finite. We MUST establish this fact, at least. If Demona asks to get rid of all the humans on the planet, Puck will have to admit that it's too much for him. Would she settle for all the humans on the island?
Did the Gargoyles meet or hear of Puck specifically, back in the tenth century? I doubt it. They lived fairly isolated lives out at Wyvern. And Puck didn't get famous until Shakespeare made him famous quite a few centuries later. Maybe they've heard stories about the Fair Folk, but again, let's resist the temptation to make Goliath or Brooklyn or Hudson experts on the subject. They seem pretty perplexed by the Weird Sisters in "City of Stone". That should define their reaction to Puck, whom they're meeting here prior to that story.
Why does Puck help Goliath turn stuff back to normal at the end? Well, for this episode's purposes, it'll probably work that Goliath holds the chain and issues a command. But Demona held the chain, and Puck always found a way to circumvent her commands. So why doesn't he do the same to Goliath? Two reasons, probably. First, it further annoys Demona, who he's peeved at for enslaving him in the first place. Second, once Puck is free, he can return to his secret identity, where he's been having such a good time. He wants things back to normal himself. Still in future appearances, we need to be sure that Puck doesn't turn into a personification of Deus ex machina.
Use it sparingly, but it's o.k. with me if Puck breaks the third wall and addresses the audience on occasion.
Finally, Puck's name. The Disney execs are of two minds on this. Bruce prefers Goodfellow. His main concern is the constant policing we'd have to do to make sure Puck doesn't ever come out Fuck. Ellen feels that Goodfellow has more association with Satan than Puck does and that Puck is safer on that level. I'm really torn. I tend to agree that Puck is a slightly more recognizable Shakespearean reference than Goodfellow, and thus stonger and safer. I also think the name suits the character. On the other hand, I think Goodfellow is an effectively ironic name for a character who is, for all intents and purposes, a villain. Part of me really wants to use both. Could the spell that enslaves Puck to Demona have something to do with her knowing his true name, Robin Goodfellow? Adrienne, I think, is on the fence with me. But I'm not sure. We should probably discuss this one last time before you go to script.
THE MIRROR
Think of the Wicked Queen's Magic Mirror times ten. It is a window, a doorway, a Peeping Tom.
HUMANS AS "GARGOYLES"
As we discussed, I don't think the humans notice they've been transformed. Some of the ridiculous fun of this episode should be to see them, walking around, going about their normal business, briefcases and subway tokens in hand, with no indication that anything is different. If they looked in a mirror, they'd preen as usual. They wouldn't freak out or recognize the change.
Although they have wings, I don't think it occurs to any of them to start gliding around the city. And if they see (the soon-to-be more self-aware) Elisa flying, it would be shocking: "Look, Mommy, that lady is flying!!" It's not that they'd see her suddenly as a gargoyle. (It'd be like seeing Superman. A normal enough looking person. He just happens to be leaping tall buildings with a single bound, which is, of course, unusual enough.)
When Goliath and clan walk among them as gargoyles, I don't think they see them as unusual. For once, looking like a gargoyle is normal. Like Halloween, in "Eye of the Beholder", it's another rare moment for our guys when they can be out in the open. (This may have been what you had in mind in scene 18. I wasn't clear.)
However, when Goliath and company enter their midst as "Humans", it should scare them. Once again, ugliness is in the eye of the beholder, and the "human" Goliath is still the monster. We should not skip this beat (as you planned to in scene 24). We should play it. It can be bitter, poignant and, yes, funny. (Appealing to Puck's dark sense of humor (and mine too, for that matter).)
ELISA AS A "GARGOYLE"
Like the other transformed humans, Elisa doesn't immediately realize she's been transformed. And looking in the mirror won't clue her in either. (And in any case, Elisa isn't the type to faint dead away.) In fact, she might turn to Goliath and suddenly ask, "Could you remind me why you guys are hiding up here in the clock tower?" Suddenly, they don't look so strange to her. Goliath is going to have to sit her down and talk her through the differences between humans and gargoyles. Her realization should play like a fog lifting.
And we probably should play out Goliath and Elisa both as gargoyles for an act. Maybe he teaches her how to fly. Maybe they're just about to get close enough to do the gargoyle equivalent of an embrace, when he's transformed to human. Get it so that we can all almost taste it. Then yank it away. (I know, I'm a cruel bastard.)
I also want to contrast Goliath's reaction to "gargoyle" Elisa with Elisa's reaction to "human" Goliath. He may say, "Elisa, I never realized how beautiful you are," because he always liked her for her inner beauty but, frankly, never found her physically attractive (no wings, no tail--shudder). And he's always made that mental distinction between the surface and what lies beneath.
Elisa never did. She recognized his inner beauty in episode three or four and ALWAYS thought he was handsome. Even before this episode, I think she's thought about the two of them and come to the inescapable conclusion that romance is impractical. Better keep it platonic. I think he's had those feelings, but has never connected to them mentally. (Look, no matter what the species, or how evolved the individual, he's still a guy. And guys are fundamentally stupid about this stuff.) Until this episode, it never crossed his mind that Elisa could replace Demona in his heart. The fact is she already has. But he never thought about it before now.
OUR GARGOYLES AS "HUMANS"
To be consistent, they shouldn't recognize the change until Elisa points it out to them. Maybe they were about to leap from the clock tower, and Elisa has to stop them and say: "Look, guys, you don't have wings anymore!"
But let's keep in mind that these guys are still heroes. NO WAY are they going to agree to step back because a gargoyle Demona is too tough for them now. Did Elisa ever step back when she was human? For that matter, there have been plenty of humans willing to go toe-to-toe with the gargoyles. Certainly Goliath is as brave as Macbeth or Wolf or Commando #3.
Also, I got confused in scene 29. Goliath has been transformed to human. That means human proportions. Sure, he'd be a big guy, but not as big as he was as a gargoyle. I don't know why armor would fit, say Broadway, and not him.
TONE
In contrast to our typical episodes, I think this one can have a more absurdist tone. Puck should both further the tone with his actions and undercut it with wry asides. Plus there'll be romantic stuff, also undercut, this time by Goliath's reaction to Elisa and the genuine frustration that comes from the situation's mutability.
GOLIATH BLAMES XANATOS...
For everything, it seems. In "Lighthouse" and to a lesser extent in "Leader", we've played the beat of Goliath mistakenly going to the castle to confront Xanatos for something that the latter had nothing to do with. I think by now, Goliath has learned his lesson. Particularly since the going's on here smack much more of Demona or Macbeth than Xanatos.
DEMONA'S HOME BASE
Let's get a clear sense of what this place is like. Particularly, how it is distinct from Macbeth's mansion: we've played his place like Wayne Manor. Dracon has the penthouse at the Park Manor Hotel. And Xanatos has this incredibly cool castle-on-a-skyscraper H.Q. Demona's home needs to be different from all of these and special in its own right. Also give us an at least approximate idea of where this thing is located. Gramercy Park, maybe?
SHAKESPEARE IN THE PARK
This was a great way to ground our Puck in Shakespeare, as opposed to Satan. No doubt about it. And no fault of yours, but I want to save this setting for a story that Michael and I have discussed involving Macbeth and an adaptation of Shakespeare's Macbeth. Plus, in this story, I want to play with Manhattan life going on, business as usual, despite the fact that everyone's been turned into a gargoyle. We can't do that if we limit ourselves to the Park and the closed Museum. I want to get this story out in the open. Have the "gargoyle" humans reacting in panic to the "human" Goliath and clan, the way they'd normally react to them as gargoyles. That's an opportunity we won't get in another story. We must take advantage of it. But having taken the story out of the park, we should work other Midsummer references into the script. Name the mirror after Oberon or Titania, perhaps.
BEAT SHEET
ACT ONE
1. A warm Midsummer's Night. Demona arrives at the museum with grand theft in mind. She's come to steal the Mirror of Oberon (or whatever we ultimately call it) which has just arrived from Ireland (or Italy or wherever). The first museum security guard is no problem. But the second security guard turns out to be Elisa -- undercover, prepared and not without back-up, i.e. Goliath. They suspected that the mirror would be a prize too tempting for Demona to resist. Demona seems particularly furious over Goliath's continued "partnership" with Elisa. SHE HATES HUMANS AND SHE REALLY HATES ELISA!! (Demona knows how Goliath feels about Elisa, even if the big lug hasn't admitted it to himself yet.)
2. Anyway, we get a big action sequence in the museum which leads to a chase outside. Demona gets away from them, but without the mirror. And because our heroes are so thoroughly engaged in these activities...
3. ...They are absent when two high-tech but very human cat burglars show up at the museum, seconds later, to crate up and steal the mirror. (The real security guard is still unconscious and thus unable to do anything about them.)
4. The two thieves arrive at Demona's townhouse (or whatever) with the crated mirror. Otherwise, the scene plays pretty much as you had it with the delivery men.
5. Inside her home, Demona wraps thick iron chains across the glass of the stolen Mirror. She summons Puck. He comes flying out through the glass and thus winds up wrapped in the iron chains. He spends almost the entire episode with the chains pinning his arms across his chest.
6. Back at the clock tower, Goliath and Elisa are feeling like grade-A dorks. Elisa's just back from investigating the museum crime scene. It's now clear that Demona's job was to take out security and, if necessary, act as a diversion for the real thieves. Now the big questions are, what can she do with this mirror and how bad is this going to get? Perhaps this is a place to discuss the Oberati. Hudson tells what little he knows about them.
7. Our Demona and Puck scene. If he ever wants his freedom he must serve her. He tries to discourage her: he'd make a lousy servant. She doesn't buy that. Puck works for "him". He can work for her, etc. (That whole exchange.) O.K., okay, what does she want? Freedom from her one great vulnerability -- turning to stone during the day. What good is that, he wonders. You think you're gonna be able to walk down 5th Avenue in broad daylight? I can if you obliterate all humans, everywhere. What am I, the Genie of the lamp? There are limits, kiddo. C'mon, what do you really want? She pauses, and an image appears in the mirror. It is Goliath (in the clock tower, but we're tight on him, so we aren't tipping the location). Puck: "How quaint, after all these centuries, you're still carrying a torch. Well, if that's what you want, I can make him love you again. Although it will be really hard, because you're not exactly Miss Lovable." And then, in the mirror, Elisa steps into the shot, and puts a hand on Goliath's shoulder. Demona goes ballistic. She knows her heart's true desire. Get rid of the human -- Elisa Maza. Puck: "That I can do." He fires a magical bolt into the mirror at the image of Elisa.
8. Back at the tower, Elisa has a hand on Goliath's shoulder, reassuring him that they'll stop Demona's scheme, whatever it is. Suddenly, she is surrounded by a magical energy that rips her away from Goliath. The gargoyles try to help her, but they can't get close. We should think for a moment that this is the end of Rico... uh, Elisa. And then there is a blinding flash of light that whites out the whole screen. Followed by pitch black darkness. Elisa is still there. We see her silhouette as our eyes adjust and the light returns slowly to normal. She says she's o.k. And then she steps into the light. Transformed into a gargoyle version of herself.
END OF ACT ONE
Now I have to apologize. I know I promised you this for Monday. It's two a.m. Sunday and this is as far as I got. There's a reason (an excuse). Monday is Corporate Seminar. And my last act as an executive (before becoming a full-time producer on Tuesday) is to pitch all our new development to Michael Eisner and Rich Frank. This is a twice yearly event that requires a lot of preparation, and I just ran out of time to get these notes done. Normally, I'd pull an all-nighter, but I need some sleep to face these guys tomorrow.
You gotta admit, that was a pretty good excuse.
So I have to leave this to you. You're mission, if you chose to accept it, (AND YOU REALLY HAVE NO CHOICE IF YOU EVER WANT TO GET TO SCRIPT) is to write up a quick beat outline of acts two and three for me based on the sketchy notes below. It doesn't have to be long. Two to four pages is fine. The amount of detail that I gave you for Act One is all I'm looking for.
Act Two should have Goliath filling Elisa in about the change she's undergone. Maybe take her flying. Maybe this is where we get the line about him never realizing how beautiful she was.
Demona should be temporarily fooled into thinking Elisa's dead, and flushed with success, she asks Puck to rid all of Manhattan of its humans. Bing, bang, boom. Everyone's a gargoyle. People on the subway in from Queens, change into gargoyles as soon as the E-train hits the first Manhattan stop. "Gargoyles" on the way home to Jersey change back to human as they cross the bridge in their cars. NO ONE NOTICES AT ALL.
But Demona doesn't know any of this yet. She wants a tour of what she expects to be an empty city. Puck is secretly eager to see his handiwork, so they step into the mirror, which transports them to the heart of the city. Times Square, maybe? 5th Avenue?
Meanwhile, Hudson, Goliath, Elisa and the trio are all hunting for Demona. They quickly notice the change in the populace. (Maybe the shock of this wide-spread change interrupts what might have been the only chance Elisa and Goliath had for a same-species clinch.) They all know it's bad news, but the trio can't help enjoying the ability to walk among gargoyles again. Even if they are gargoyles in business suits: New Yorkers who still won't give them the time of day. Still, would it be so bad if this didn't get fixed? Yeah. Probably.
When Demona figures out she's been duped, she demands that the gargoyles be changed back to humans. Bing Bang Boom. Goliath, Hudson and the Trio are human. (I'm torn about Bronx. I guess the big dog is o.k. It just seems outside the terms of Demona's request, even by Puck's loose standards.)
Was Goliath flying at the time or is this another interrupted clinch between him and Elisa?
Act Three opens with Elisa saving Goliath from plummeting to his death perhaps. Then she has to make him understand that he has been transformed as well.
We wind up with a very public battle featuring Elisa and our Newly Human heroes against Demona and Puck. It's complicated by the fact that the general populace (who are all now Gargoyles) perceive the human Goliath, Hudson and Trio (and Bronx?) as monsters attacking what to them seems to be a very normal-looking Demona.
Still in the end, good triumphs. Puck makes everything right at Goliath's command, (but let's make it clear that at least in part, he's doing this to spite Demona and/or to suit his own agenda). Elisa is changed to human, before Goliath is changed back, and we have another near-clinch, that Puck interrupts with good-humored spite by changing Goliath back into a gargoyle.
Goliath frees Puck and he vanishes with Demona, rescuing her from Goliath.
Turns out Puck had more fun than he thought he would so he feels like he owes Demona a favor. He'll give her her original wish. No turning to stone during the day. (BUT WE NEED TO MAKE IT PAINFULLY CLEAR THAT SHE WILL STILL BE HER NORMAL GARGOYLE SELF AT NIGHT.) He takes his leave via the mirror.
Cut back to Elisa and Goliath for emotional wrap up. Just before the sunrise which, as usual, separates them.
And back to Demona. Silhouetted against the rising sun. It's up, and she's not stone. Puck kept his word, she can't believe it. Then she sees her human self in the mirror, which she smashes, yelling NOOOOOOOOOO!!!!!!! And fade to black.
IMPORTANT ANNOUNCEMENT!!
I have some really GREAT NEWS! Please help me spread the word! Brad Rader, one of Disney's best storyboard artists will be attending the Gathering in Orlando next month along with Thom "Voice of Lexington" Adcox and myself.
Brad worked on multiple episodes of GARGOYLES, including:
"Legion"
"The Mirror"
"City of Stone, Part One"
"City of Stone, Part Four"
"Revelations"
"Upgrade"
"Protection"
"Kingdom"
"Monsters"
"The Hound of Ulster"
"The New Olympians"
"The Gathering, Part One"
"The Gathering, Part Two"
"Hunter's Moon, Part Two"
Now GATHERING 2000 is truly a can't miss event. Hope to see you there.
ComicCon & Shakespeare
Looks like I'll be going down to San Diego for the ComicCon. I'll be appearing Sunday Morning the 23rd of July at a Starship Troopers panel, along with a lot of other people who worked on the show, particularly Producer Audu Paden and the voice of Johnny Rico, Rino Romano.
I'm also thinking about attending the performance of HENRY V at San Diego's Old Globe Theatre on Saturday night the 22nd.
If you see me at either event, say hi.
Chapter XVII: "A Lighthouse in the Sea of Time"
Written by Brynne Chandler Reaves & Lydia C. Marano
Story Edited by Michael Reaves
Well, I watched "Lighthouse" again last night with my family. First thing I noticed was the bad "Previously" recap. This is all my fault. The recap features Macbeth, because I wanted to make sure the audience knew who he was. But that blows out the first act surprise reveal that he's behind it all. Up to that point in the story, you'd be thinking Xanatos. But because of the dopey recap, you know it MUST be Mac. Later in the season, after I got hammered over these recaps by the folks on the Disney Afternoon e-Mailing list, I learned never to put anything into the recap that wasn't revealed in the first five minutes of the show to follow. But here's a perfect example of me screwing up my own mystery.
We introduce archeologists Lydia Duane and Arthur Morwood-Smythe. Dr. Duane was named after writers Lydia Marano and Diane Duane. Professor Morwood-Smythe was named after writers Arthur Byron Cover and Peter Morwood. Arthur is Lydia's husband. Peter is Diane's husband. I don't know anyone named Smythe.
Macbeth episodes, at least up to this point, seem to be cursed with mediocre animation. (Of course, everything's relative. Mediocre on Gargs was still better than most series got. But relative to our expectations, this ep is pretty weak.) I bet Elisa would have really looked cute in that red baseball hat if the animation had been even slightly better.
I don't know how clear it is in the prologue. The idea there, was that the wind was blowing through the lyre. The haunting sound drew the archeologists further into the cave. They read the warning which indicates that the seeker of knowledge has nothing to fear, the destroyer everything. They are supposed to hesitate, look at each other, decide that they are seekers not destroyers and then open the chest. Merlin's clearly put a safety spell of some kind on the chest. An image of the old man appears and basically checks to confirm whether the archeologists are in fact seekers or destroyers. Satisfied, the spell disipates. But you can imagine what would have happened if a Hakon type had stumbled in.
Anyway, it never felt like all that came across. Did it?
Brooklyn (re: Broadway): "Ignorance is bliss." In High School, I had a classmate named Howard Bliss. We had chemistry together with Mr. Miller. Mr. Miller once asked the class a question that we all should have known. No one knew the answer, and our own idiocy generated laughter among Miller's students. He just shook his head and said: "Ignorance is bliss." He forgot that he had a student named Bliss. It generated more laughter. I don't know why I told you that. But it's what I thought about when Brooklyn read that line.
There's a semi-heavy-handed "Read More About It" feel to the clock tower conversation regarding Merlin. Goliath practically quotes those public service announcements, saying there are many books about him in the library. I don't mind. I had wanted to cite a few actual books -- like Mary Stewart's THE CRYSTAL CAVE -- but our legal department wouldn't give us clearance for that. Very short-sighted.
A connection is made between Merlin and the Magus. This was not an accident, as at that time, I had planned to have the Magus journey with Arthur on his Pendragon quests to find Excalibur and Merlin. I later changed my mind. But the Magus does at least play a Merlin-esque roll in the Avalon three parter.
I always wonder who was playing in "Celebrity Hockey" that night.
Macbeth's standard Electro-Magnetic weapon was my idea. I didn't design it exactly, but I did make crude little drawings of something that looked vaguely like a staple gun, with two electrodes that generated the charge. I was always proud of that weapon. It was uniquely Macbeth's (and Banquo and Fleances'). Set him apart from all the concussion, laser and particle beam weapons we used elsewhere. (I did the same kind of thing on the Quarymen's hammers.)
It's fun to listen to B.J. Ward voice both sides of the confrontation between Fleance and Duane.
Banquo's model sheet showed him squinting out of one eye. Some episodes, not so much this one, but some took that to mean he only had one eye. So he walks around looking like Popeye for the entire episode. (His big lantern jaw helps accentuate that.) There are a couple of Popeye moments in this ep. But more in his next appearance I think.
It was my idea to just have Mac's mansion rebuilt without explanation. I don't exactly regret it, but it's kinda cheap. We burned it way down. He has it rebuilt. It makes sense. But we usually dealt with consequences more than that.
When he rebuilds it, he installs those cannons. They were supposed to be giant-sized versions of the hand-held E-M guns. But they don't come off that way. Instead they fire at the gargoyles. And mostly seem to destroy the various turrets of Macbeth's own place. Ugghh.
As in "Leader" we get another scene of Goliath and friends confronting Owen at the castle. Looking for Xanatos, when in fact Xanatos isn't the threat. It made sense in both episodes. And it's always nice to showcase Owen a bit. But after two of those in four episodes, I wasn't gonna do that again. (At least not until KINGDOM.)
I love the "Macbeth Theme" that Carl Johnson created for the villain, which is featured at the end of ACT ONE.
Macbeth opens the "second scroll" and starts to read Merlin's seal. This caused tons of fan confusion, as he read "Sealed by my own [i.e. Merlin's] hand". No one seemed to get that he was reading that. They thought Mac was saying that he [i.e. Macbeth] had sealed the scroll. Of course that notion renders the whole thing confusing as hell. But it never occured to us that anyone would take it that way.
We also introduce Jeffrey Robbins and Gilly in this episode. Gilly is of course short for Gilgamesh, one of the legendary characters that Robbins once wrote about. It's just a bit odd, because Gilly is a female.
Robbins is a very cool character. Wish we had had the opportunity to use him more.
I like how when Robbins and Hudson are introducing themselves, Robbins gives his first and last name. Hudson says, I'm Hudson, "like the river". An echo of how he got the name. And a reminder that names aren't natural to him. Even if they are addictive.
John Rhys-Davies is just fantastic as Macbeth. I love his speech to Broadway. It accomplishes everything we needed it too. That line about the "human heart" by the way is a reference to the Arthur/Lance/Gwen triangle.
I also love his line: "I'm Old, but not THAT Old." This was a little hint to what we'd reveal in CITY OF STONE. Sure Macbeth's from the eleventh century, but not the fifth or sixth. It's like someone saying to someone my age, "So what did you do during World War II?"
Lennox Macduff. That was a cool touch. Also a hint as to how Macbeth feels about Shakespeare.
I like the Phone Book scene too. Hudson says "Hmm. Magic Book." Robbins replies: "Aren't they all." Great stuff.
By the way, as Robbins goes through the phone book, scanning names, he passes "Macduff, Cameron". One of my college roommates was Cameron Douglas, who was really interested in his Scotish heritage. That was a mini-tribute to him.
My daughter Erin reacts to the fact that Macbeth threatens to use Merlin's spells on Broadway. She points out that Macbeth had promised to let Broadway go after he had the scrolls. She's surprised he hasn't kept his word. My wife at that point reminds Erin that Macbeth is the villain. Erin gets that. But you can tell it isn't quite sitting right with her.
Later when Macbeth DOES let everyone go without a struggle, Erin is clearly not sure what to make of him.
And on one level, that's exactly as we wanted it. Macbeth is a troubled guy -- a hero who's devolved into a villain. A suicidal villain on top of that, though we hadn't revealed that yet. But he is a villain. Later, it's debatable, but here he's taken to being an ends-justify-the-means kinda guy. And even his ends are hazy at best.
I love Broadway's "precious magic" speech. It's so wierd hearing poetry from the big galoot. But that's so Broadway. The soul of a poet. Bill Faggerbakke was a huge help.
And I love Robbins "They are lighthouses in the dark sea of time..." speech. I love that it's not exactly the title. Brynne and Lydia did fine work on this one.
I wonder what happened to that lyre?
"A WINTER'S TALE" this summer...
Keith David, the voice of "Goliath", is currently appearing at the Delacourt Theatre in Manhattan's Central Park (the one right below Belvedere Castle) in William Shakespeare's A WINTER'S TALE. He's playing the lead Male role of LEONTES, the jealous king. It's a great part. A great play. A great theater. And a great actor. Plus it's FREE. I wish I could get to NYC and see it. PLEASE, someone go see the show, and report back how it was. PLEASE. This really is a DON'T MISS Opportunity.
Lighthouse Outline Memo
I haven't re-watched "A Lighthouse in the Sea of Time" yet. But we all know that's next, so I thought I'd go ahead and post the memo I sent to Michael Reaves, Brynne Chandler Reaves and Lydia C. Marano, based on the first draft outline they gave me on this story. Here it is, unedited:
WEISMAN 9-15-94
Notes on "A Lighthouse in the Sea of Time" Outline...
O.K. I'm gonna suggest some major changes here, though not without purpose. Brynne, they come right out of the phone conversation that led us to trade Xanatos & Demona for Macbeth. I don't think we've adjusted enough from the premise to meet our objectives.
THE MAIN OBJECTIVE
Remember, our primary objective is NOT to teach Hudson and Broadway to read. It is to ENGAGE them in the wonder of reading, to convince them it is a worthwhile, rewarding and magical endeavor. To make them WANT to learn how to read.
We discussed that Hudson and Broadway had two very different reasons for not wanting to learn. Broadway thinks it's a waste of time. He's got television, video, movies and a very exciting life. (The latter is the most important. I'm not going to preach the evils of the visual media, which are other legitimate windows into "other worlds", but which cannot and should not substitute for reading.) At any rate, Broadway doesn't see the relevance of reading to his life. This is a major cause of illiteracy among teen-agers.
Hudson doesn't learn for a very different reason. He's ashamed that he hasn't learned already. This is the main cause of continued illiteracy among adults.
I'm not getting a clear distinction between the two characters -- partially, because we're not getting much screen time for Broadway at all. We've got a lot to fit in here, but we still need to have enough time to explore both Hudson and Broadway's very different arcs. I think there's a relatively simple solution. Cut Elisa from the story, (at least for the most part). She's a great character, but she doesn't have a lot to learn from this adventure. We're wasting screen time on her. Make Broadway the V.T.O.L. stow-away instead of Elisa.
ROBBINS
We also discussed toning Robbins' role down. I know some of that has been done, but the guy is still coming across as St. Jeffrey to me. He's an integral, not incidental part of the plot. Now normally, I'd cheer about this, but here it's not convincing. Hudson happens to be injured near the house of the one author that Goliath loves and Elisa mentioned, who also happens to be an Arthurian expert, who if not for his blindness, would be the only person who Macbeth could get to translate the scrolls. It's just too much.
I do not believe that after nine centuries, Macbeth needs any mere mortal to translate a book for him. It's not like he has only just now started searching for magic books. If he needed to know a language he didn't know, he has had plenty of time to learn it. If no one could translate the spells, that would be another thing. But the notion that some mortal knows a Celtic language that's a mystery to the immortal Celtic Macbeth doesn't play for me.
Again, I think the solution here is simple. Macbeth doesn't get the scrolls until near the end of the play. After Macbeth's men steal the scrolls, we have Hudson and Broadway steal them back before Macbeth can get his hands on them. Hudson's injured and washes up and into Robbins' lap. Mac's men return without Hudson's scrolls. Mac and his men have to go after them. They track Hudson to Robbins' nest. Now with this change, we don't need Robbins to be the only guy who can translate these spells. He doesn't have to be the foremost authority on all things Arthurian.
In fact, he doesn't have to be the foremost anything. Frankly, he doesn't even have to be Goliath's favorite author. He doesn't have to be famous or collectable. In a way, I think it works against us if he is. What if he's just a relatively average guy. He writes novels that take myth, legend and/or history and try to render them believable and "true". Think Mary Stewart or Mary Renault. He's had some success. Enough to make him comfortable. But he's no Stephen King. He's just a writer operating in relative obscurity. (We can all relate.) I feel strongly that this makes him a better messenger for our purposes. The guy just loves his job. It hasn't made him rich or famous, but he loves it. He gets to do all this research, all this reading, on the period he's going to write on. He writes. (He loves words, and his dialogue should show it -- no easy task, because simply giving him a big, latinate vocabulary won't cut it.) And then he gets a tremendous kick out of knowing that people read what he wrote. It's immortality. And a better kind of immortality than Macbeth's. (I mean, hell, that's why I'm in the business -- fame and wealth would be nice, but what I really need is to live forever.) Maybe he's never even written about Merlin or Arthur before. Maybe this adventure inspires him to. It would be a lot less contrived if all this were true.
THE VILLAGE
Another thing that I think we should cut is Macbeth's little village. I don't know why it's been created. It seems to thematically fit our idea of visiting other places and times through books, but in fact it works against that theme. (As Broadway would say, "Why do I need to read about this stuff, when I can spend an hour at this glorified museum and see it? Not that I like museums.")
PHONE BOOKS, ETC.
Unfortunately, some of my changes are going to force adjustments to all the truly wonderful incidental references and uses that we put "reading" to in this outline, but we need to make sure the tail doesn't wag the dog. Let's get the structure squared away, and then work to fit as many of these as possible back into the show. Or come up with new ones. (Sure, easy for me to say.)
THE SCROLLS OF MERLIN
Let's refer to them as the SCROLLS OF MERLIN, not MERLIN'S JOURNALS. The former is neutral. The latter implies that they are exactly what they turn out to be: a narrative. We want everyone thinking that this is a book of spells. And that's everyone, not just Macbeth. We're tipping our hand otherwise. The treasure is the narrative, but it's a secret treasure. The notion of our gargoyles and all of New York getting hyped for narrative early on, makes the revelation less special. Plus, I don't want to be flagging to our audience from moment one that this is an episode about "LITERACY". Let the audience believe what Macbeth believes: we're hunting a magical macguffin. We'll sneak up on them with our true purpose (and Lord knows we're not being that subtle, so there won't be any doubt about it by the end). That way when Hudson meets Robbins, our audience won't say, "How convenient? Story about reading, and Hudson meets a writer!" They won't know the story's about reading when this happens.
FADS
With all of the above in mind, I think we need to be careful about dressing Elisa like Guinevere. It comes across as a fad here, and she doesn't seem the type to go in for a fad. It's not like this is gonna suddenly become standard attire in NYC. Let's not oversell our point, or I'm afraid we won't make the sale at all.
MORGAN THE DOG
Sorry. We already have Morgan the Cop. You need a new name. (Again, I wouldn't chose an Arthurian reference. Let this episode pique Robbin's interest in Arthurana. Up to now he's been writing novels about Beowulf or Gilgamesh.)
MACBETH'S MEN
Instead of making them mercenaries, let's just give him two specific henchman. Tough and very well-trained. Maybe not geniuses, but definitely not stupid. (Why do intelligent villains always employ such dumb henchmen?) Maybe their real names are Mel and Steve, but Macbeth calls them BANQUO and FLEANCE. A private joke that maybe they don't even get. (When I got to page 10 of the outline I was gonna suggest Banquo and Macduff, until I saw the Lennox Macduff thing on page 11. So I switched Macduff to Fleance. We can still use the Lennox Macduff alias.)
MACBETH'S CODE
Macbeth has a code of honor. It's flexible, but it exists. He's clearly willing to take prisoners. Hostages and ransom were an established and legitimate part of medieval warfare. But I don't know if he'd hold a knife to someone's head to facilitate his own escape. This isn't a hard and firm note, just keep it in mind. Also, I don't think his men have made a habit of stealing statues for him. After 900+ years, I doubt he'd be that much into material possessions. That's more Xanatos' gig. Macbeth keeps a fine house, but it's easier to buy than steal, and he's very wealthy.
MATT'S INJURY
Don't really see any purpose to it anymore.
BEAT SHEET
ACT ONE
1. Open with a prologue that shows us the British archeologists discovering the two large scrolls. More exciting than watching a report about it on television. Maybe the underground chamber was sealed magically. (A red herring to get us thinking spell book, instead of narrative.)
2. But now we segue to the clock tower. Lex is reading a newspaper article about the scrolls out loud to the rest of the gang. It seems the Scrolls are coming to NYC for authentification or whatever. Elisa says she and Matt volunteered to guard the shipment of the scrolls, and they got the nod. She admits that it's silly for her to be so excited, after all, she won't get to read them, but the whole thing really intrigues her.
Brooklyn wants to know more about Merlin. He had heard of him even back in the 10th century. He knows Merlin was some kind of 5th century magician, but that's about it. Goliath recommends some books.
(Adrienne, can we recommend a real book? Mary Stewart's THE CRYSTAL CAVE is a wonderful novel about Merlin. I read it for the first time in eighth grade. I'm rereading it now to Erin. I know we usually don't want to appear to be endorsing anything, but given this episode's subject matter, shouldn't we make an exception? Wouldn't this be a public service? We could slip in the titles of a number of good books throughout this episode. They do it on CBS with those "Read More About It" segments. Anyway, let me know.)
Broadway doesn't get it. He doesn't know how to read, and he doesn't see why he should bother to learn. Let's rent the video. They argue a bit. Hudson pointedly refuses to give his opinion, but we don't reveal his illiteracy here. (Let's make a small point of showing Hudson's rapport with Bronx here though.)
Goliath wants to know what the scrolls contain? Elisa says the seals won't be broken until they are authenticated, but the rumor is they might be Merlin's magic spells. Goliath looks concerned.
3. Dark, stormy night. Low visibility. Harbor attack by two VTOLs. Elisa and Matt are guarding the two scroll containers. But Banquo and Fleance outgun them by a mile. They each take one container into their VTOLs. Thank goodness the gargoyles were gliding nearby. (Goliath was worried that the magic scrolls might be a prime target for Demona or Xanatos.) The gargoyles attack the VTOL's. (Maybe Broadway makes a crack: "When your life is this exciting, who needs books?")
In the confusion, Hudson manages to rip open the hatch of Banquo's VTOL. He grabs the container from the shocked Banquo, but Banquo manages to get off a concussion blast that severly wounds Hudson. He's blown out of the VTOL and into the bay, still clutching the water-proof container. None of the other gargoyles see this happen.
Fleance and Banquo hit their turbo buttons and go shooting off into the night. Goliath, Lex and Brooklyn can't keep up, but a flash of lightning reveals that Broadway has managed to dig in and hitch a ride on the underside of Fleance's VTOL. They don't see Hudson, but they assume/hope that maybe he's done the same. They retreat as police helicopters approach the scene.
But Hudson (still clutching the container) is in the water, maybe going down for the last time.
4. Banquo & Fleance land their VTOL's at their boss's compound. (It might as well be Macbeth' mansion from episode -008, rebuilt since the fire.) Banq tells Fleance that he lost his container. "WHAT?! The boss is gonna kill us!" Well, big shot, where's yours? Safe in the hold of my VTOL where it belongs. Well, one scroll is better than none. Let's bring it to him. They go to get it, but the hull's been torn open and the scroll is missing.
5. Down by the docks, Elisa confers quietly with Goliath, Lex and Brooklyn. They are all worried about Broadway and Hudson. Plus this whole theft smells like Xanatos to Elisa. But no proof. So no warrant. Goliath doesn't have that problem.
6. Still raining. Hudson sees the sillouettes of a bunch of gargoyles and heads for them. He just barely makes it to shore. He's hurting bad, and is wildly disappointed when he realizes that the sillouette's weren't Goliath and the trio, but "phonies". He collapses.
7. Goliath, Brooklyn and Lex arrive at Xanatos' castle. Owen's there alone. Goliath insists on searching the place... top to bottom. (At this point in story, we should not feel that Goliath is wasting time. Owen should be ambiguous enough so that the audience WILL think that this is a Xanatos plan.)
8. Back at the Compound's hangar, we find Broadway in hiding, clutching the second container. (And feeling like this "old book" definitely isn't worth it.) Well, Banquo and Fleance are going nuts looking for the stupid thing. Now seems like a good time to bolt for the exit. He goes for it. Catches B&F off-guard and bulls his way past them. Only to be taken down by... the boss. Macbeth.
ACT TWO
9. Broadway recovers and attacks. But Macbeth makes short work of him. By now B&F have him totally covered (by high-tech futuristic non-imitatable weapons of course). Macbeth opens the container and carefully removes the scroll. He examines the seal and confirms that the scroll is authentic Merlin and that it is the second of the two scrolls. He doesn't break the seal, because he believes the scrolls contain magic. It's dangerous to get things out of order. Where's the first scroll?
10. Still raining. Robbins and his dog find Hudson, who. is regaining consciousness. Robbins surmises that Hudson was mugged, and Hudson lets him think so. The dog likes Hudson. Hudson says he's good with animals. Robbins appreciates that and is solicitous. Hudson sees that Robbins is blind. He gets an idea. He just needs a safe place to rest 'til morning. Then he'll cease to be any trouble. Robbins invites him inside, offers to help. But Hudson won't let him get too close. They go in.
11. Mac, Fleance and Banquo are in a VTOL, heading back to the harbor. Broadway is there too, in VERY heavy chains. Macbeth's keeping him around until he gets hold of the other scroll. Banquo protests: he blew that old gargoyle away, the other scroll is probably lying on the floor of the bay. Macbeth says it better not be, or Banquo will join it.
12. It's still storming outside. Breathing heavily, Hudson lowers himself into an easy chair and looks around Robbins' home. It's wall-to-wall bookshelves. Hudson doesn't like being here, but he's a bit of a captive audience. There's an uncomfortable silence. On a table near his chair, Hudson picks a medal off a display case. Also on the display case, is a plaque of some kind that clearly reads something like: "ROBBINS RECEIVES PURPLE HEART", but Hudson still asks what it is. Eventually, we get the idea that Robbins lost his sight in the war. (Vietnam? Korea? How old do we want Robbins to be? If we want him to be the same (biological) age as Hudson, we should go with Korea.) Hudson points to his one blind eye, which was also injured in battle. (Against the Archmage in episode #11, but Hudson won't go into details.) The two old warriors have made a connection. Now they can become friends. Robbins asks Hudson what he does. Hudson says he's...still a soldier. Robbins is a novelist. Or he used to be, before he ran out of ideas. He did have a few minor successes. Maybe Hudson's heard of them. Hudson doesn't read much, but he's shocked that the blind Robbins can read and write. Robbins is borderline insulted. Hasn't Hudson heard of braille? Hudson hasn't. Robbins is surprised. He hands Hudson a braille book (one that he wrote). Hudson runs his fingers over the bumps. Robbins then hands him the same book in standard English. Hudson lets slip that the bumps mean as much to him as the chicken scrawl. Robbins puts two and two together. And we find out that Hudson can't read.
13. In the harbor, near dawn, The VTOL searches for some clue. Broadway asks Macbeth what all the fuss is about. Who was this Merlin guy? Just another stupid magician. Macbeth tells him who Merlin was. Tells him about what he, Arthur and Guinevere created. Maybe he quotes Tennyson or Muir. But he's eloquent and evocative, and Broadway listens with rapt attention, perhaps (do we dare?) even visualizing Macbeth's words with hazy images. When Macbeth finishes Broadway says with awe: "You describe it like you were there..." Macbeth tosses off his reply (he doesn't realize the effect he's had on Broadway): "I'm old, but not THAT old. Obviously, I read about it in books." But Broadway can't help repeating to himself: "But you describe it like you were there..."
14. Back at the castle, Goliath and co. have obviously, found nothing of value. It won't be long til sunrise and they dare not stay much longer. Owen enters with the early morning edition under his arm. He's deduced what they're after from the news story. Suggests that the VTOL described in the article has more in common with the kind of vehicle that Macbeth is wont to drive. (Goliath feels like big dumb jerk. But there's no time to fight about it.) Goliath, Brook and Lex leave.
15. Hudson: "I'm too old to learn to read now." Robbins: It's never too late. I had to learn to read all over again, learn to read braille after I was blinded. Hudson: Who would teach me? He's ashamed to tell his friends he doesn't know how. Robbins offers to teach him, but makes the point that Hudson should only be ashamed to continue his illiteracy. There's no shame in learning -- ever. Hudson doesn't respond.
The storm is breaking and dawn approaches. Hudson, still hurt, gets up to leave. Robbins is afraid he's gotten too preachy. But Hudson insists he must go. He goes to the terrace. Takes his place among the gargoyles. Turns to stone, still clutching the scroll container. The dog barks. Robbins calls out to his new friend. But there's no sound, no movement. He doesn't know how Hudson got away so fast, but he did.
16. On the VTOL, Broadway, still in chains, has turned to stone. Macbeth spots the gargoyles of Robbins' terrace. He orders Banquo to head that way.
ACT III
17. Robbins and his dog hear a noise on the terrace. He calls out "Hudson?", but the dog is growling and he knows Hudson isn't there. It's a man named Lennox Macduff, who claims to be a friend of Hudson's; he's looking for him. Robbins is suspicious. But Macduff is very polite and leaves without incident. What Robbins doesn't see is that Macduff slips the container out of Hudson's stone hand.
Dissolve to:
18. Sunset. Hudson bursts free. But the scroll container is gone. The noise has again brought Robbins to his terrace. Hudson claims that when he left in such a hurry this morning, he must have left something here accidentally. Has Robbins "seen" it? No, but you're friend Lennox Macduff was here, maybe he took it. Hudson knows no Macduff. Robbins isn't too surprised. He thought the name was odd. The two characters who found the dead king in Shakespeare's MACBETH. Hudson: "Macbeth?!!"
And maybe here is where we get the looking up of "Lennox Macduff's" address in the phone book. (Hudson never saw Macbeth's mansion in Episode 8. Goliath, Brook and Lex did.)
19. Inside Macbeth's compound Macbeth is preparing for some magic ceremony thing. There's a flame pit and other magical acoutrements. Broadway's flesh again, but still bound by heavy chains now anchored to the floors. He'll be Macbeth's guinea pig for trying out Merlin's spells. He starts to open the first scroll.
20. Outside the compound, Hudson is reunited with Goliath, Brook and Lex. They briefly exchange info. Then they attack. But Banquo and Fleance are ready. They're on turret mounted laser cannons that turn and twist like the ones on the Milennium Falcon (or something like that).
21. Macbeth tries to open the first scroll. It has been magically sealed, but a simple spell can break it open.
22. Goliath, Hudson, Brooklyn and Lex defeat Banquo and Fleance. They head inside.
23. Macbeth begins to read aloud from the first scroll. (I'm tempted to say he translates from Latin, but I don't know if that serves our aim. We could ignore the translation question. He reads it to us in English. Which may mean he's translating it for us automatically without bothering to mention that fact. Or we just do what we always have in this series which is ignore the differences between Old, Middle and Modern English, extending it to whatever Celtic dialect Merlin might have written in.) As he reads aloud, it soon becomes clear that it is not a spellbook but an autobiography, a narrative. A history. You get the idea. He's furious. All that trouble for a stupid book.
Hudson, Goliath, Brook and Lex storm in. Macbeth is unprepared, so he flips a release on Broadway's floor chains, but then uses him as a hostage for his escape. (Now I know I said to watch out for this. And we still need to. Macbeth needs to rationalize this. Probably outloud.) Goliath threatens to drop the scrolls into the fire if Macbeth doesn't release Broadway unharmed. (Goliath still believes that this is a book of magic, i.e. a dangerous human weapon.) Macbeth is about to laugh at this threat, when Broadway protests. "Goliath, you can't." Broadway now believes that the scrolls are infinitely precious. Goliath is surprised to hear this from Broadway. Where'd he get this from? From Macbeth. Those scrolls are magic. They can transport us back...all that good stuff. Even Macbeth is impressed. Cautiously, he releases Broadway. He tells the gargoyles they are tresspassing on his property. Take the scrolls and go.
24. The gargoyles wing their way back towards the clock tower. They plan on giving the scrolls back to Elisa, so that she can return them to the museum. Goliath's sure that after the museum has authenticated them, they will be transcribed and published. But if the others want, he can read the scrolls aloud to them, before he gives them to Elisa. But Hudson says no. For a moment, everyone is a bit taken aback. Then Hudson says that he wants to read them himself. As soon as his friends help teach him how. They glide off across the city.
25. Dissolve to Robbins at his house with his dog. He's reading a braille newspaper about the recovery of the Scrolls of Merlin. "Hmmm.... Scrolls of Merlin.... I think I've found my next novel."
And we get our Tuchman quote, probably read by Robbins (Ray Charles?).
O.K. That's it. Let me know if you have any questions or problems.
The typical and the SHOCKING!!!
Again, I gave myself hours to try and get through April. And I failed. Now, I'm beat. I'll try and finish off that month soon.
And now the big SHOCKING announcement. I've been giving a lot of thought lately to GARGOYLES 2158. And I may be doing a significant reworking of the idea. For starters, I'm no longer sure I want to set the events I have in mind for the series in 2158. So the first thing that may change is the title. More info to come, once I nail some thoughts down. (And since I don't have any kind of deadline, it could take me a while.)
Chapter XVI: "Legion"
Story Editor: Michael Reaves
Written by Marty Isenberg & Robert N. Skir
I just watched "Legion" again. Time to Ramble.
From the memo I posted earlier this week, you'll see that the never used on screen names of Othello, Desdemona and Iago were my idea. But I've always wondered if that's the case. The outline that Marty and Bob wrote immediately prior to that memo had all the Othello elements very, very present in the story. All they didn't do was NAME the characters. I always wondered whether they and/or Michael had the Othello story specifically in mind, consciously or un-, and I just capitalized on it.
The Goldencup Bakery Building, which semi-secretly houses a defense department hi-tech research and development installation is modeled after the Silver Cup Bakery Building -- which actually exists in Brooklyn (as I recall). That Building was trashed in the original HIGHLANDER movie in the final battle between Connor and the Kragen (who was played by a pretty damned horrific Clancy Brown). Small world.
I was always worried that the whole Othello, Desdemona, Iago, Cassio (whoops, I mean Goliath) backstory was a bit vague in this episode. Did anyone have problems getting it?
I don't think I'd like to be one of those Goldencup Guards. Coldstone punches one of them out. That's gotta hoit. He just seems fairly unstoppable in that Xanatos-program controlled sequence. I like how that plays.
Matt says to Elisa: "You never let me drive." My wife's reaction: "Was that in homage to me?" My wife, you see, almost always drives when we're together. She gets carsick when anyone else drives. And I don't much care.
Speaking of Matt, we've got that line about him spending six months reading RECAP manuals to justify why a normal detective would be in charge of RECAP in the first place. Just trying to avoid either adding a superfluous character and/or making the situation seem artificial.
Another appearance of the Scarab Corp. Logo, even though Scarab is never mentioned by name. Oh, well...
Coldstone flees the Goldencup. Goliath and Lex pursue, and Coldstone attacks them. Then he immediately stops, when he sees it's Goliath. The problem I always had with that scene is that the lighting made it obvious that it was Goliath from moment one. (Not just to us, but to Coldstone.) If Goliath had been in shadows, it would have played better.
Minutes later Lex asks Goliath if it's wise to take Coldstone into their home: "He hasn't always been your friend." This was, theoretically, a reference not simply to the most recent attack, nor even only to the events of "Reawakening", but also a reference to the pre-Massacre backstory of the actually non-existent love triangle (or square or pentagram if you include Demona) that caused Goliath and Othello to fight way back when. Lex remembers those days too. Othello was always a bit of a hot-head.
I love Goliath's response: "Without trust there can be no clan." And I love that this is part of a Lex/Goliath exchange. It fits in perfectly with the message they taught each other in "Thrill of the Hunt". Gotta take some chances on occasion. Or else you'll always be alone. It's an anti-Demona mentality. Or rather a mentality that is strikingly un-Demona-esque.
From the moment Coldstone premiered in "Reawakening" I knew (that if we survived to a second season) we'd discover that he was created from three Gargoyles. Tried to work that conceptually into the design more, but we never quite achieved it. So basically that becomes something that the audience has to take on trust.
Which brings me to the title "Legion". It's a one-word title which usually is a tip-off that it's one of mine. I know it's a biblical reference. Some possessed guy with a demon/devil inside who goes by the name "Legion". But that's not actually where I got it. When I was a kid, I saw this tv movie based on Mary Shelley's FRANKENSTEIN. It starred Michael Sarazan or Chris Sarandon. (I always used to mix those two guys up.) It was trying to present a more realistic believable version of the Frankenstein story. I was pretty young. And I don't remember too much about it. I do remember that I was supposed to be asleep -- past my bedtime in the days before my parents gave up and I began going to bed long after they were asleep. But instead of being asleep, I was watching it, in the dark, with the volume turned as far down as possible, me sitting right by the set, so I could flip it off if I heard my parents' door opening. (This was long before remote controls were common.) Anyway, the one scene that I really remember is a scene where they put the Monster under hypnosis. The voices of all the people who "donated" body parts begin to speak. And one of them quotes the "Legion" thing from the bible. But I didn't know that. That is I didn't know back then that he was quoting anyone or anything. It just seemed like a very powerful, poetic and humanly true statement. So it wasn't until college that I read that passage in the bible and realized where it was from. Can anyone cite the actual quote? I can't remember where exactly it's from, and I don't feel like searching right now.
Anyway, all this is relevant because Coldstone was ALWAYS our Frankenstein character from the "IT'S ALIVE!" moment to the "Legion" stuff here.
Coldstone calls Hudson "Mentor". That's a "name" I've been long considering for Hudson's "designation" in the DARK AGES prequel spin-off.
Coldstone shoots Goliath at point blank range. Goliath gets up unharmed. A far cry from what happened to G in "Long Way to Morning." Now in the outline and script, it says that Coldstone uses his "concussion cannon" as opposed to his laser cannon. But nothing in the as-aired episode makes that distinction. And so it just looks irresponsible to me. Like suddenly we're saying violence has no repercussions. Did that bother anyone else?
I love the dark comedy of Coldstone going bonkers at Ellis Island. Fighting with himself. I think Michael Dorn did a terrific job playing all four aspects of CS's personality. Which of you figured out what when? I'd like to know.
The Trio has the Recap visor. Now all they have to do is find Goliath, Hudson and Coldstone. How will they do that? "Three guesses?" A very elegant way to explain how in a huge city, they're able to locate three gargoyles.
Kenner's Coldstone toy is a lot of fun. With it's window into Coldstone's soul. And the spinner that allows any of the four personas to take over at random.
Xanatos doesn't even appear until the VERY END of Act Two. And it's not even really Xanatos, just a program designed by him. Normally, I'd say that wasn't playing fair. But I feel like his presence was obvious all-along. (And did David personally design that program. Or did he just put his stamp on it, management-style?)
There's a moment when Goliath, thrilled to see his rookery sister again, hugs Desdemona. She is immediately annoyed, because she knows that hug is prone to misinterpretation. It's a nice little touch in the animation.
I always wondered what if anything Demona thought about that ancient conflict way back when. Was Iago playing her as well? Trying to make her jealous of Desdemona? I think maybe he did try. But wouldn't it be cool if she didn't credit it for a second. If she just knew intuitively that Desdemona didn't present any threat at all to her relationship with G? Because, I feel the opposite is true. That Demona knew intuitively that Elisa DID present a threat. Say what you want for Demona, but her subconscious knows her man.
I love that moment where BOTH Iago and Xanatos are whispering in Othello's ears. Poor slob never stood a chance.
We've got a nice little Xanatos tag in this one too. Certainly not a doozy as in "Leader" or "Metamorphosis", but it's got a nice little kick to it, I think. And that's THREE episodes in a row. X had been busy.
And then I love the last beat back at the clock tower. Goliath has confiscated Coldstone's body, to keep it safe and "among friends" should he/she ever wake up again. I wanted to keep it in the corner from that point until "High Noon". Always present and visible. We didn't for two reasons. First, we figured it would be a bit confusing. The Batcave can get away with the giant penny and other souvenirs from Batman's cases, because there ARE multiple souvenirs. But just having one immobile gargoyle in the background, as cool and creepy as that is, would be horribly distracting for any audience member who missed this one particular episode. And second, we had our tier system. What if "Legion" wasn't ready as scheduled. We couldn't have Coldstone sitting around the clock tower in later episodes that we'd be forced to air first. Talk about disconcerting. So we invented a back room. Where Coldstone, the Grimorum, the Gate and eventually the eye could be stored.
Comments welcome, as usual...
FINALLY...
March has bitten the dust. We're into April questions now. (Just over three months behind... <sigh>)
Memo on "Legion" outline...
I re-watched "Legion" the other night. I'll post my Rambling on it sometime this week, but first here's a memo from September, '94, written by me to Michael Reaves in response to Bob Skir & Marty Isenberg's first draft outline on the episode [reprinted here unedited]:
WEISMAN 9-1-94
Notes on "LEGION" Outline...
Lots of great stuff in here. I just want to make sure that (1) we're clear on the theme and we milk it for all it's worth; (2) we're not skipping beats that will keep things mysterious and interesting for our audience; (3) we clarify the relationships (and names) a bit, and (4) we divorce it all from the 994 Viking attack.
General notes, in no particular order:
NAMES
O.K. I'm as well versed in our series as anyone is going to get, and even I found myself confused by (and backtracking because of) our name problem. Coldstone... Pre-Coldstone... Coldstone's Love... Coldstone's Foe... Coldstone's Dyslexia could cause Coldstone's Ulcer. So let's give our "internal characters" names. I would suggest carrying these names into the script for use in character descriptions and stage directions. Use the names to indicate who is controlling the Coldstone creature at any given moment. And when we are in the inner world of Coldstone's psyche they can also be used as headings for the dialogue. The only place where we should not use these names is in the actual spoken dialogue. They are for our designation only, since, as we all know, gargoyles had no names in the tenth century.
COLDSTONE = The cyborg/gargoyle creature currently known as Coldstone and voiced by Michael Dorn. Use this name only when referring to him in the present. Or in stage directions when referring to the external creature. And obviously, this is the one name we can use in spoken dialogue.
OTHELLO = (Hey, we've already done Macbeth.) The situation you described naturally brought Othello to mind. Othello will refer to Pre-Coldstone (also voiced by Michael Dorn) when he is internally depicted as he was in the tenth century.
DESDEMONA = Will obviously refer to Othello's female gargoyle lover. (Please remember that Desdemona was a warrior in her own right. She can justifiably be confused by this new and bizarre situation, but she shouldn't be weak, clingy or changeable.)
IAGO = Will refer to Othello's male gargoyle foe.
THE BACKSTORY
The main problem I had with this backstory was its tough-to-swallow interweaving with the Viking massacre. I sense you were trying to explain how all their gargoyle parts got mixed up together. This isn't necessary. I think it's safe to assume that when Demona and Xanatos were gathering parts to create Coldstone, they couldn't find enough usable parts from any single gargoyle. We don't know the magical and scientific details that were necessary to revivify this creature, but I think we can safely assume that neither Demona or Xanatos simply wanted to graft Othello's head onto a robot body. Demona especially would have wanted the creature to be as much a gargoyle as possible. So she found a large chunk of Othello's head and a few other usable pieces. She chose him because the Viking who shattered him was lazy and left some chunks intact, but also because she may have had reason to believe that Othello had shared her negative views of humanity. Unfortunately, there wasn't enough of him to build Coldstone. So she turned around and found a nice unbroken piece of Desdemona. And over here, a piece or two from Iago. Toss in Xanatos' computer parts and you've got yourself a creature. She didn't have to be mixing them together by accident. We can posit that she did it out of necessity.
That gives us the freedom to remove this event from the Viking attack. We don't need to imply that Goliath is distracted by an impending Viking attack (which frankly I don't think he was expecting). And we don't need to sandwich in Othello's pursuit of Goliath on the fateful night. And we don't have to toss Demona into this particular story at all. (It's crowded enough as it is.) In fact, the incidents of this story's flashback could have happened months or years before they were all destroyed by Hakon's men. Let's give ourselves this breathing room.
COLDSTONE'S VOICE
I think Coldstone only has one voice-box: Othello's. No matter who controls the creature from the inside, from the outside he sounds like Michael Dorn. I'm not simply suggesting this for logic and/or economy (we'll still cast a different actress and actor for Desdemona and Iago in the mind-world sequences), but because I think we'd be missing a bet by not keeping our audience guessing until the third act as to what's causing the odd behavior of Coldstone. When Othello is in control, he will remember the events of "Reawakening". Neither Desdemona or Iago will, and they will react very differently to being awakened in the 20th century. When the computer is in control (i.e. when Xanatos is issuing simple and direct commands), Coldstone will respond like an automaton. But in every case, he will speak with Dorn's voice. This does more than present an interesting challenge for Dorn. It keeps our audience guessing as to what is going on.
However, we have no desire to keep our storyboard artists and animators guessing. Please resist the temptation to write the script as a mystery that only reveals things to the reader when the audience discovers the same truth. We need this teleplay to be a blueprint: as clear and straightforward as possible. We need to track who is in control of Coldstone at all times. (And if the above paragraph goes without saying, accept my apologies in advance.)
THEME
The theme of today's adventure is TRUST. And I really want to emphasize it as much as possible. Misplaced trust. Lack of trust. The need for trust. Betrayed trust. All those good trust beats. Goliath puts his trust in Coldstone, who seems to betray it. Othello trusts Iago instead of Desdemona and Goliath. Iago puts his trust in Xanatos. Etc. Etc. Etc. Just at the point where you've put the trust brick through the plate glass window of our audience's attention is the point where we've hit the mark. Anything short of that is liable to get lost in the shuffle of such a complex story. Playing this theme in action and dialogue will help keep us focused.
GOLIATH'S GOAL
Goliath's goal is to restore Coldstone to the clan. Goliath misses his rookery brother. Remember, there are so few gargoyles left, that Goliath would value every one.
THE POLICE TICKING CLOCK
Rather than create a whole new character in charge of the police probe robot, I'd like to use Matt Bluestone. It's a bit of a stretch, I know, but there've been episodes of Hill Street where normal everyday cops were given the opportunity to test and evaluate new hi-tech material to see how it performed in real life situations. I think we can buy into it here as well. Particularly given Matt's personality. He's the kind of guy who would study the manuals and learn how to use this stuff. He's seen Goliath and Coldstone battle in Times Square. And he's an odd combination of compassionate idealist and minor paranoid. He might feel that it's better to know how this stuff works than be at the mercy of it. He could get into it.
And once the VR hook-up was "borrowed", he'd be pretty intent on finding out what was going on. He knows weird shit has been happening in Manhattan, but we've kept him an outsider to the world of the gargoyles. Though he's a decent guy, his ignorance makes him a viable threat to our heroes.
SCIENCE, SORCERY & CYBERSCAPE
In the beat sheet that follows, I've tracked the story in the most basic terms. [The science mostly.] But as you noted in your outline, Coldstone was created from both science and sorcery. So feel free to embellish the basics which I describe here. Particularly in the cyberscape scenes. Here, I've laid out only the bare bones to make sure the story tracks. The cyberspace reality should be fluid and changing, easily influenced by the thoughts, emotions and memories of the players involved. (Particularly Othello, but also Desdemona, Iago and even Xanatos and Goliath if appropriate.)
BEAT SHEET:
ACT ONE - (The idea in this act is to depict Coldstone under the control of each of his four masters (Xanatos, Othello, Desdemona and Iago) in turn, without revealing to the audience or our characters what exactly is happening.)
1. The George Washington Bridge, just before sunset. Coldstone's red robotic eye burns awake in the muck beneath the bridge. Automatic repair work begins. (Remember, the last time we saw him, Demona blew him away with a cannon.)
Intercut between these repairs and brief flashbacks to 10th century Scotland. Fleeting images of Othello and Desdemona in love. Of Iago sewing seeds of jealousy in Othello while Desdemona confides with Goliath. Of Othello attacking Goliath. Of Desdemona coming between them.
Then repairs complete, Coldstone rockets into the night sky. The creature speaks with Coldstone's voice (Michael Dorn) but in a modulated automaton-like fashion. "Repairs complete. New programming downloaded. Initiating Prime Directives."
[Basically Xanatos has broadcast a new binary code and reactivated the creature. It is Xanatos' computer programming which is now in control. Othello is still dormant.]
2. Goldencup Bakery Building, dusk. (Since this is a fictionalized location anyway, let's relocate it to Manhattan, so that we can pretend that it is located within Elisa and Goliath's "beat".) Coldstone [still under complete computer control] raids the government installation. His approach is anything but subtle. Alarms sound.
3. Clock Tower, just after sunset. Elisa's tosses Lex a headset receiver/transmitter. She tells him that she and Matt had been put on alert and now they got the call. Something's going down and they're going to test "the thing". It's clear from dialogue that they've discussed this already, as Lex is very excited to see how and if "the thing" works. Goliath is curious. What are they talking about? A new police robot probe for dealing with high-risk situations. The cops control it by using a virtual reality hook-up. Goliath: "Virtual... Reality?" This he has to see. He and Lex will follow her by air. They promise to stay out of sight.
4. Back at Goldencup, Coldstone moves like a juggernaut towards the computer room. He does not fight against the building's security forces, he simply ignores all opposition. Finally, he plugs into the computer. Suddenly Coldstone seems to have no idea where he is, what he was up to or why everyone is shooting at him.
[Although we shouldn't reveal what's going wrong yet, the computer virus has begun its attack on Coldstone's programming. It causes the creature to freeze up for a moment, and then Othello wakes up within his own body.]
Not knowing how he came into the windowless room, Coldstone doesn't even know the way out of the building. Well, he may not have the answers, but he can do something about his attackers. He begins to fight back. The humans are driven out.
5. Outside, Morgan tells Elisa & Matt that some kind of semi-robotic creature is pinned down inside. Matt is putting on the VR interface visor. Elisa asks him if he's sure he knows what he's doing. Matt says "Trust me, I didn't study all those manuals for nothing." The probe robot moves in. (Obviously, this thing shouldn't come close to being on a par with any of Xanatos' robots, but let's not make it a push-over either.) Lex and Goliath watch from building-tops, despite Elisa's warnings that they could be mistaken for the "creature". Lex is fascinated with the probe. Goliath is more interested in seeing what kind of creature the probe flushes out.
6. Meanwhile, Matt is getting the hang of the probe robot. At first it doesn't seem to be responding well. It freezes up by a computer bank and the visor goes dark for a few seconds, but then it kicks into gear. The robot approaches Coldstone. Matt tries to get Coldstone to surrender, via his connection to the Probe. But Coldstone's still a 10th century warrior at heart. He won't surrender to some Iron Tree stump (or whatever it looks like). So now it's Coldstone vs. the Probe. The Probe gets in a couple good shots, but soon it's on the ropes. Matt whips the visor off, just before the probe is destroyed. The feedback could be dangerous. (But note, the robot should not be blown to bits, just wrecked.) At any rate, the battle has led Coldstone to an exit (or at least to a small window, which he cannons into an exit). He takes off. Spotted by Lex and Goliath who pursue.
7. Goliath, Lex and Coldstone are reunited. (Maybe Coldstone is defensive and antagonistic until he gets a clear look.) They pause on a building top to talk. Goliath is thrilled that Coldstone is still alive. Coldstone is mightily relieved to see a friendly face. Lex is a bit dissatisfied with Coldstone's non-answers to his questions about what he was doing at Goldencup. But Goliath happily invites Coldstone to join the clan at their new home. They take off. Lex glides up close to Goliath and quietly questions the wisdom of taking a former enemy (and a guy who's acting pretty strange) into their home. But Goliath TRUSTS his rookery brother.
8. They arrive at the clock tower. Coldstone is especially thrilled to see his "Old Mentor", Hudson. Coldstone didn't see Hudson in "REAWAKENING" and is thrilled that Hudson survived the centuries. Nearly overcome with emotion Coldstone says there's only one other that he would be happier to see alive. And suddenly, he begins acting very odd. "Where am I? Goliath is that you? What's wrong with my voice?" That kind of stuff.
[The virus has had a systemic effect on Coldstone. It broke Xanatos' pre-programmed control, allowing Othello to regain control of his body. But as the system continues to break down, other voices are coming to the surface. You could call them ghosts, if you want. But they are the personas "haunting" the pieces of Coldstone that were neither Othello nor electronic. The first to surface is Desdemona, summoned to some degree by Othello's intense emotional memory of her. She has not been briefed on her circumstances and is legitimately confused.]
Somewhere in here, Coldstone catches sight of its own reflection, freaks out and takes off. Goliath and Hudson pursue. Brooklyn and Broadway are about to follow, when Lex stops them. Something's wrong inside Coldstone's head. And he thinks he knows how to find out what.
9. Goliath and Hudson catch up to Coldstone (after a chase?) at Ellis Island. As they approach, Coldstone stands very still, out of breath. Stunned by the huge city of Manhattan.
(Note: somewhere in here, Brooklyn glides toward them, spots them and then instead of landing, doubles back.)
Goliath asks "What's wrong?" Coldstone's whole demeanor changes: "What's wrong? Why, nothing. Nothing at all."
[The enormity of events has weakened Desdemona's hold over Coldstone. Iago has stepped in. The difference is that Iago arrives prepared. He has been briefed by the Xanatos programming. More on this later.]
Goliath hesitates for a moment, but in for a penny, in for a pound. He trusts Coldstone, approaches him openly. And Coldstone takes the opportunity to blow Goliath away.
ACT TWO - (In this act, Coldstone's deterioration continues. The personality shifts come quicker and ultimately don't wait for Othello to vacate control.)
10. Hudson moves quickly to Goliath's side. Good news. Coldstone used his concussion cannon, so Goliath is still alive. Of course, that could change. Goliath and Hudson barely avoid a blast from Coldstone's other cannon. The one that could kill them. Goliath can't understand what's going on, but Hudson points out that he's not going to have a chance to figure it out if they don't start fighting back. So it's a fight.
11. Meanwhile at Goldencup, Elisa and Matt are tying up loose ends. Lex arrives, and via his headset hook-up and her hidden microphone and ear piece, he tells her that the creature was Coldstone and that he's acting really weird. She's not surprised. Coldstone had plugged into a computer usually loaded with military defense secrets. But Goldencup had received a tip that there might be trouble. (That's why the Police had the Probe Robot ready.) But Goldencup took extra precautions, the defense computer was loaded with a new computer virus. It's probably destroying Coldstone's internal programming.
Lex takes this all in and then makes his request. He needs Matt's VR visor and the interface off the wrecked Probe Robot.
12. Back to Goliath and Hudson vs. Coldstone. Just as the tables might be turning, Coldstone's demeanor changes again. Why is Goliath attacking him?
[Iago was afraid of losing. During that moment of doubt, Othello regained control. As yet, Othello is unaware of the changes Coldstone's been going through.]
Now at this point, both Goliath and Coldstone [Othello] are pretty suspicious of each other. Goliath doesn't want to be fooled again. Coldstone says he blacked out at the clock tower. Now he's here and fighting with his rookery brother? He's confused and his head hurts....
And now Coldstone goes through some major mood swings.
[Rapid fire changes from Othello to Desdemona to Iago, etc.]
And now things get really strange. Coldstone can't seem to control some of his body parts. He's arguing with himself -- out loud. (Note: all these voices are still Michael Dorn.)
[Though Othello retains partial control, the other personas are bubbling to the surface as the whole system continues to break down. Now for the first time, Othello can hear the other voices, but it is a cacophony that is driving him nuts. I don't think he yet recognizes them specifically as Desdemona or Iago.]
Some of the voices tell him to trust Goliath. Some say destroy him. Some reiterate the events we saw in the flashback.
The "argument" gets more violent. Coldstone holds his head. He demands silence. He begins to fire blindly in all directions as if he could silence the voices that way. He's losing it. Goliath and Hudson dive for cover.
Suddenly Lex dive-bombs in, smashing into Coldstone and, not-so-incidentally, installing the VR interface hook-up. Coldstone collapses to his knees, begging for quiet.
Brooklyn and Broadway come in for a landing behind Lex. (While Lex was getting the equipment from Elisa, they had been scouting for Goliath, Hudson and Coldstone. When Brooklyn spotted them, he doubled back to tell Lex where to find them.)
Goliath tells them that Coldstone is being destroyed from the inside out.
Lex agrees and holds up the visor. If they want to save him, someone's going to have to go inside to do it.
13. Back at Goldencup, Matt tells Elisa that the VR visor and the hook-up have been stolen. Since secretly she took them and gave them to Lex, she shrugs and says they'll turn up. He's sure they will. This was expensive equipment with built-in homing beacons. He shows her a tracking device. They'll find them, all right. And when they do, he won't be half surprised if they find their creature as well.
14. Back on the Island, Lex is not at all thrilled about Goliath's decision to put on the visor himself. Lex feels that he's the best qualified to handle the technology, which is exactly why Goliath needs him on the outside in case something goes wrong. Goliath puts on the visor. An aura of Electricity and Magic surround him and Coldstone.
15. Goliath finds himself in cyber-sorcer-limbo-space . In front of him is a bridge leading over a swirling vortex [the virus] . There's nowhere to go but across. So he goes. There are already holes in the drawbridge. And the holes are getting bigger.
[The virus is now eating away at the VR interface.]
Goliath realizes that he's going to have to fix this problem, and get back across the bridge/interface before there's nothing left of it. On the other side of the bridge rising out of the cyber-mist is a dreamscape version of the 10th century Castle Wyvern. There are three gargoyles (Othello, Desdemona & Iago) frozen in cyber-stone. And half-hidden in the shadows is another familiar face -- Xanatos. He welcomes a shocked Goliath as we fade to black.
ACT THREE - (Revelation and conflict inside the deteriorating mind of Coldstone.)
16. The vortex is everywhere, and the castle is slowly sinking into it. Goliath demands an explanation from Xanatos, who steps out of the shadows and reveals that his body is full of cyber-holes, and is partially gone. Like the bridge, he is being eaten away by the virus. Xanatos explains that he is not in fact Xanatos, but a computer program with a primary objective to enslave Coldstone to Xanatos' grand design. Goliath is determined to stop him.
Suddenly the three gargoyles explode free of their stone shells. Othello again drops to his knees. Still traumatized. Desdemona runs to Goliath. (She was his rookery-sister, and he would remember her and greet her as such.) Now she fills in the blanks. Xanatos used more than one gargoyle to build his creature. They all live on inside it. But Iago is trying to wrest control of the creature from Othello. He's made some kind of deal with the human (i.e. Xanatos). But she won't let it happen. She loves Othello. Goliath must help her save him.
But meanwhile, Iago and Xanatos haven't been wasting any time. They whisper in Othello's ear. "See how Goliath steals your love away? It was the same 1000 years ago and now, once again, they have betrayed your trust."
Othello turns on Goliath. Knocks him back. Basically, tries to drop-kick him into the vortex.
17. On the outside, a catatonic Goliath and Coldstone seem to reel from the blows of invisible foes. Lex doesn't know what to make of the glowing aura that surrounds them. But Hudson recognizes sorcery when he sees it. Coldstone was created by science and sorcery. It was something Lex hadn't counted on. Then, via headset, Elisa alerts Lex that Matt is determined to get to the bottom of this mystery and that he and the authorities are closing in on them by SWAT helicopter and police boat. They better make tracks. Lex tries to take the visor off Goliath but the aura throws him back. It ain't gonna be that easy.
18. Inside, Desdemona tries to separate Goliath and Othello. Othello: "Again, you come to his defense." But she protests. He is forgetting what happened. 1000 years ago he was jealous of Goliath, but needlessly. Her love for him is eternal and true. And Goliath was not and is not his enemy but rather his brother and true friend. He has been tricked again by Iago. It's a crucial moment. Who will Othello trust? Desdemona & Goliath or Iago & the human Xanatos? Othello will trust his heart. He turns to face his true enemies.
But it's too late. The partial Xanatos is already merging with Iago. Together they are transformed into a Cyborg version of Iago, but giant-sized. The giant Cyborg-Iago smashes Goliath and Othello and prepares to throw them over the ramparts and into the vortex. With his other hand, Iago lifts Desdemona to eye level and invites her to merge with him as well. Then they can finally be together as Iago always knew they should be.
19. Outside, Lex stands watch over Coldstone and Goliath, while Hudson, Brooklyn and Broadway try to sabotage Matt's attack force without hurting anyone or being seen. They cut fuel lines on the choppers. Overturn the boats or whatever.
20. Inside, Desdemona tries to hand Cyborg-Iago his head. She's a warrior and will choose her own love. This gives Othello and Goliath the chance to recover. Now it's the three gargoyle heroes against the giant cyborg-monster. Maybe the castle landscape itself begins to change and mutate into a hollow vision of Coldstone. (They are battling for the soul of this creature-amalgam.) Ultimately, (surprise, surprise) it is the giant-cyborg-Iago that is tossed into the vortex.
But time is running out. Othello and Desdemona insist that Goliath return to his own body before the vortex swallows everything. But what about them? They are finally together. If they can halt the vortex, so be it. If they fall to it, so be that. At least they will be together. The bridge appears. Goliath crosses it, just as it collapses into the vortex.
21. Outside, the magical aura fades away just as Broadway, Brooklyn and Hudson return. Authorities are still coming. Couldn't do anymore without revealing themselves. Goliath removes the visor. Lex removes the interface from Coldstone. For the first time since scene one, Coldstone's red robotic eye dims and fades.
22. Matt and Elisa finally arrive on the island. Matt uses his tracking devise to lead them to the equipment. They find the visor and interface on the ground. The area is otherwise deserted. Not a creature in sight.
23. At Xanatos' castle, Xanatos asks Owen if there were any problems. Besides the minor setback of losing Coldstone, no. Xanatos' Scarab Corp. Robotics Division confiscated the remains of the Probe Robot (including the interface and visor) which they had supplied to the police in the first place. Coldstone was the perfect cover for the Probe Robot to get what Xanatos really wanted: the virus. Forget defense secrets, the virus is the deadliest weapon he knows of. It even defeated the mighty Coldstone.
24. Inside the clock tower, Goliath has installed the dormant Coldstone in the corner. Someday, he trusts, his rookery brother and sister may fight their way to the surface. He wants them among friends when they do.
So close...
I was really hoping to kill off March tonight. But it's 3:11 am and I'm just beat. I'm close too. On March 29th. But I have no idea if that means there are a handful of questions left or a ton.
Well, at least we've made some progress.
Chapter XV: "Metamorphosis"
STORY EDITOR: Michael Reaves
WRITERS: Brynne Chandler Reaves & Lydia Marano
The first appearance of Anton Sevarius and the MUTATES: Maggie the Cat, Fang and Claw. Derek had appeared before, but this was TALON's "first appearance" as well.
In our original development, the Talon character was called CATSCAN. He wasn't Elisa's brother. In fact, he was sorta Sevarius. That is, he was the scientist who created the mutagenic formula. At first he works for Xavier (Xanatos), but later -- when he realizes that Xavier was responsible for the "accident" that turned him into Catscan -- he tries to hunt Xanatos down, forcing Goliath to actually protect Xanatos in order to save Catscan's soul. This version of Catscan was basically the inspiration of my good friend Fred Schaefer, who was a Disney Development Associate at the time. Part of the team. Oh, and Catscan was a solo act, there were no other Mutates. And he didn't have wings either. He fired some kind of radiation bolt from his eyes.
Later, we began to prep Derek for the Catscan/Talon role. I don't remember if we knew Derek's fate way back in "Deadly Force", when he was introduced, but we definitely knew by "Her Brother's Keeper". One of the reasons we made him a pilot was to give him some flight background to justify how quickly we needed him to learn to fly. This was emphasized HERE by putting him in a glider.
Anton Sevarius became a separate character obviously. Michael Reaves, I believe, came up with his name. At first, I didn't like it. I thought it was too cartoony. Now I think it suits him.
Rereading my memo, it seems I was thinking of Brent Spiner to play Sevarius. I hadn't remembered that. Of course, no one else could be Sevarius except Tim Curry. And Brent was a perfect Puck for us too. So all's well that ends well. (But can you imagine if somehow the rolls had been switched?) Tim has some great lines here: "...Or has that changed?" is one of my favorites. He's so hungry.
FYI - That's Jonathan Frakes voicing Fang's one-liner in this episode. We couldn't afford to hire a separate actor for one line. So Jonathan stepped in. Of course, later Fang was taken over by Jim Belushi. But I don't think anyone noticed.
Gotta love the Snidely Whiplash reference.
As I mentioned in my last Ramble on "Leader", Xanatos' plans were getting more and more sophisticated. Here we had two humdingers in a row. The one in "Leader" is just a lot of fun. This one is cruel. Throughout the story, we (I think) tend to believe in Xanatos' mea culpa and his outrage regarding the Mutates ("They'll crucify you. And if they don't, I WILL!!"). Why? Because he's so darn likable we want to think well of him. (Who was fooled? I'd like to know.) Also his story rings true. When he tells Sevarius, "I've been in prison before." We know he has. We believe he could take it again. It's that touch of truth amid the lies that makes him so sharp.
And Owen was complicit. On one level, that shouldn't be surprising, yet there's something of the Mr. Spock about Owen. As faithful as you know he is, you don't actually expect him to lie.
And frankly, the plan is SO complex. I hope it's believable when all is said and done. We made a real effort to make sure that it could have worked, that if it hadn't gone EXACTLY as depicted it would feel like there would have been alternative scenarios that would have generated the same result. Of course the master-stroke is Sevarius' death. Our S&P executive raised an eyebrow over that, as she finished reading Act Two. Fortunately, she was the type who finished the script before knee-jerking us with an objection. We got away with depicting a violent death on-screen -- because it was fake. (But who was fooled?)
We tried to play fair with a number of clues throughout. We used Xanatos' own security team as the "hired mercenaries" that Sevarius was using. Only Xanatos checks Sevarius' pulse. When Matt and Elisa are later investigating the scene, there's no body and NO CHALK OUTLINE either. They have no idea that anyone even theoretically was supposed to have DIED there. And Sevarius is SO OVER THE TOP. That should have been a stylistic clue. It was way fun to do -- and it took great acting on Tim's part to act that badly and still make it play.
For once the script came in a tad short. So the board artist added the bit where the gargoyles break out of stone and we see the debris rain down on the people below. Pigeons fly off into the night. (Just a little touch of realism.) Very nice.
I was never too fond of Elisa's Zen Master joke. Still, in the comic book story I wrote before the Marvel comic book was cancelled, I created a Zen Master character. (Just compulsive I guess.)
My original plan for Gen-U-Tech was to abreviate its name as G.U.T.S. As in the company that twists yours up. (The full name is Genetic Undiscovered Technical Systems.) Instead it became Gen-U-Tech, which is probably better. But I can't remember who made the change. The script has plenty of GUTS references in the descriptions. But it may have escaped my notice that it has none in the dialogue. And the logos designed all read Gen-U-Tech, not guts. I wonder if Frank & Michael were slyly protecting me from a mis-step?
I like the conflict between Brooklyn & Broadway here. All the interplay with the trio is very well handled, I think. Were people really rooting for Brooklyn & Maggie to wind up together?
Not our best animated episode. Both the modeling and the animation leave a bit to be desired. Derek's ears look mid-transformation long before he's hit with that dart. Makes me cringe, but I guess if the audience isn't expecting him to get changed, they don't notice the subtle pointyness to the ears, until after the contents of the dart are revealed. But on a second viewing...?
Maggie Reed: "I'm from Ohio." As if that should explain EVERYTHING. I love that line.
"Morgan Reed", by the way, was one of our may early names for what eventually became Elisa Chavez, Elisa Bluestone and finally Elisa Maza. (I never waste anything.)
Observations from my daughter Erin:
1. "I like the click of their boots." [Erin complimenting the foley during the recapture of Maggie in the alley.]
2. "His hands ARE tied!" [My clever Erin catching the irony. Elisa says "My hands are tied." Brooklyn responds, "Well mine aren't." But then he turns to stone, prompting Erin's observation.]
3. "Hudson and Bronx always stay home." [Erin commenting on our proclivity for leaving Hudson & Bronx behind at the castle or clock tower when Goliath and the Trio go off. It is kind of a rip.]
Another great series of endings and false endings.
Xanatos tells Owen to bring him the "best geneticist on the planet."
The gargs arrive and fight the Mutates. Elisa arrives. Xanatos asks her to "stop this senseless violence". [Ahh, what a lovely bastard he is.]
Maggie makes the accurate observation that Brooklyn wants her to stay a monster. And yet despite that incite, she clearly still believes that both she and Brooklyn ARE monsters. She's as bound up in appearances as he is.
Talon names himself. It's kinda odd. But I think it works.
Elisa declares war on Xanatos. And for a split-second it registers on his face. Something has actually given him pause.
And then Owen brings in the best geneticist. I still wonder if it's immediately clear that this "new guy" IS Sevarius. He looks SO different. And Tim wasn't using the hoky accent anymore. Was anyone else confused, even momentarily? But anyway, it's another stunner Xanatos Tag. Did your eyes bug out? Or did you know by this time?
And finally, back to the Tower. Brooklyn is in a funk. But Elisa...
This entire episode is obviously a direct sequel to "Brother's Keeper". Right down to the end. In the end of that one, Elisa can do nothing but stare sadly out at the snow. But we're past that now. Now she cries. Xanatos doesn't wind up with the Mutates, though he correctly predicts there eventual return, but this is his clearest victory yet. The Mutates blame the gargs. Talon still believes X is his best chance at a cure. And he has an emotional and physical weapon against Elisa and the gargs. I was proud of us for ending a "cartoon" on such a relatively down note. Can't always have happy endings. How many people were surprised we ended it that way?
That's it. Comments welcome...
"Metamorphosis" Memo
I recently re-viewed "Metamorphosis". Before typing up my ramble on the subject, here's an unedited look at the memo I wrote to story editor Michael Reaves in July, 1994 regarding Brynne & Lydia's first draft of their outline for the episode....
________
WEISMAN 7-27-94
Notes on "Metamorphosis" Outline...
O.K. I made a few changes, as usual. Here's a bit of the reasoning, so they don't seem arbitrary. (I may be a pain to work with, but I try not to be arbitrary.)
THEME
The theme of today's adventure is SELF-DECEPTION. (We played the family theme in "Her Brother's Keeper". And since this is such a direct sequel to that one, I don't want to be playing the same emotional beats. That's not to say that "Family" isn't a secondary or tertiary theme running through this episode as well as our entire series, but we don't need to go out of our way to emphasize it here.) Derek is DECEIVED by Xanatos and Sevarius. But the deception would not have worked without Derek's own cooperation and SELF-DECEPTION. That's the tragedy. He's a victim, but he's helped to victimize himself, by fooling himself into believing that Xanatos was either a right guy or someone he could handle. But you can't play with fire without getting burned.
We'll reemphasize the theme with Xanatos himself, who will say that Sevarius fooled him and then admit that he really fooled himself, because he wanted to believe Sevarius. Of course this whole thing is an act on Xanatos' part, but it'll still reinforce the theme.
But as well as the above works, it unfortunately leaves our gargoyles as real fifth wheels to the story. So I've tossed in a little self-deception sub-plot for Brooklyn, as well.
ELISA & DEREK'S PARENTS
I've cut them. Partially out of economics. But mostly because they didn't seem to have much to say or do here. So I decided to keep our focus on Elisa & Derek.
ELISA & DEREK'S ARGUMENT
I'd rather not simply reiterate the conflict of "Her Brother's Keeper". In fact, I don't want to have to summon up the specific details of that episode. I think we should assume that in between the two seasons, Derek listened to Fox's taped "revelation" and that he and Elisa have already argued about it specifically. Now they are past that and in a mode of uneasy truce. He's talked himself into believing that Xanatos can't be that bad... or that if he is Derek'll find out for himself from the inside. Either way he can handle it. (Again: massive self-deception here.) Elisa has retreated to a "it's-your-life-but-don't-expect-me-to-approve" mode. They've agreed to disagree.
DEREK'S JOB
I think soliciting the homeless with a promise of money and food in exchange for being part of a scientific experiment is too slimy for even the self-deceiving Derek to swallow. Besides, it's not what he was hired to do. He's Xanatos' pilot and bodyguard. For these reasons, I've altered the set-up some.
THE HOMELESS
Michael, this story really seemed to dovetail with what you suggested for a future story on the Homeless underground. MAGGIE and the homeless men seemed like great potential characters. So I've increased their role here. (Particularly Maggie's.) In some episode down the road, Derek can lead his "people" underground.
CYBERBIOTICS
I don't want Xanatos to own Cyberbiotics. I don't have a specific idea in mind, but we might need a corporate opponent someday and I'd rather not have to create a new one. I've switched it to Genetic Undiscovered Technical Systems, also known as Gen-U-Tech or G.U.T.S., which I stuck into the bible a long time back. We never used it last season, so when it's first mentioned here, neither Elisa or Goliath will know that Xanatos owns it. I think it'll serve the same purpose.
POLICE PROCEDURES
Some of the actions that Matt and Elisa take seemed odd to me. Elisa allows Goliath to stop her from confronting Derek outside the building, but is intent on confronting him inside the building and is willing to bend the law to do it. I don't mind the bending so much as the inconsistency. Matt and Elisa talk their way by the guard, but then someone manning the cameras activates the security doors and gas. Who's manning the cameras? A different guard? Someone who wants Elisa to get through, but not Matt? The cameras must have seen that they got Matt but not her. I may be missing something, but I've made some changes to streamline this stuff.
THE PINKIE SWEAR
I don't think Derek would reveal his condition to his sister. Deep down, he must know that his self-deception has gotten him into this mess. He'd be ashamed of that and his monstrous appearance. He wouldn't initiate the pinkie swear at the end. Then again, neither would she with a monster she doesn't know. I love the pinkie swear, but I don't know if it can work here. What if in scene 2, Elisa's gesture is a more standard cross-my-heart thing, which Derek usually follows with some unique response like cross-my-eyes. Something silly that they've been doing since they were kids. Then at the end, she tries to talk to the monster; tries to inspire its trust with the standard cross-my-heart gesture. And before Derek can think about it, he automatically responds with his unique response.
THE MONSTER'S MIND
I don't think Xanatos ever wanted to destroy Derek's mind or make him amnesiatic, weak or easily controllable. That's more Demona's style. Xanatos has set up this whole con to manipulate Derek into serving him, as he did with Goliath in the pilot. He doesn't need Derek to be an automaton. He's already got robots. They haven't worked so great. He prefers having independent thinkers working for him. Like Owen, for example.
BEAT SHEET
ACT ONE
1. Open at NIGHT, with a shadowed DOCTOR SEVARIUS (Brent Spiner?) soliciting MAGGIE, the young homeless woman in the alley. Emphasize his limp. [No Derek involved.] Maybe give her a bit of dialogue. She's down on her luck. Lost her job, her apartment. It's a temporary set-back. (A bit of self deception here too.) She goes with him.
2. The next day at a small air field, ELISA is watching her brother DEREK land the new glider he just bought with the high salary that Xanatos pays him. They eat lunch at a hot dog stand. It's a bit awkward. But it's not Elisa's problem. It's Derek who clearly has a chip on his shoulder.
Derek: You're still mad I'm working for Xanatos. But he's not as bad as you think. And if he is, then I'll be right there on the inside to nail him.
Elisa: I think you're kidding yourself. But it's your life. Just don't expect me to agree with your decision.
They agree to disagree and do some equivalent to the pinkie swear thing. Something where she initiates the exchange with something more generic and he does something unique as an almost automatic response.
3. That night at the clock tower, the gargoyles split up to patrol the city they protect. BROOKLYN and BROADWAY are one team. They spot a shadowy creature on the ground. (It has wings, but it doesn't fly. Maybe the wings aren't fully developed yet.) For a second, the gargoyles think that it may be another gargoyle (perhaps Demona) and pursue it. The thing is clearly afraid of them and flees.
They finally catch up to it. We get a quick partial view. It's female! Maybe by the hair color and voice the audience guesses that it's Maggie. She is wearing a special bracelet, with a small light that blinks on and off and beeps quietly. Brooklyn is instantly smitten. (Maybe he thinks she's a gargoyle at first, maybe her shapely wings turn him on or something.) He says they aren't trying to hurt her but help.
Suddenly, they are surrounded by private "ambulances", out of which pour private "orderlies" (i.e. armed troops). (All of the above bare the GUTS logo.) The bracelet was a tracking device. Maggie is still more afraid of the gargoyles than the humans trying to take her back into custody. The troops are clearly surprised to see three creatures instead of one. The head guy says take them all. They pull out tranquilizer rifles and start shooting. Maggie tries to surrender. Brooklyn tries to stop her and accidentally pulls the bracelet off her wrist. He is shot by the tranq darts. It's all Broadway can do to get him safely out of there. The troops get away with Maggie.
4. At the Castle, Derek lands Xanatos' chopper and the two men disembark to find OWEN waiting for them. Owen's gotten some interesting expense reports from Gen-U-Tech Systems, one of Xanatos' subsidiaries. XANATOS isn't surprised. He gave Doctor Sevarius, the head of R & D there an interesting assignment. Would that assignment require armed mercenaries? No... it would not. Xanatos says he better check this out personally. Derek insists on coming along. (As a good bodyguard should.)
5. Back at the clock tower, Brooklyn is just coming out of it. Broadway has already filled Elisa and the other gargoyles in on what happened. But Brooklyn's version is slightly different. He's convinced himself (self-deception) that he made a real connection with the she-thing. She needs and wants his help. (Broadway's dubious. She was clearly more scared of them than of the goons.) Brooklyn shows Elisa the bracelet. (We know it's not tracking anymore because the light is busted and it no longer beeps.) She sees the G.U.T.S. logo. Brooklyn & Broadway remember the same logo being on the "ambulances". It means nothing to her, but she promises to check.
6. At Gen-U-Tech, Xanatos and Derek are greeted by Sevarius. Emphasize Sevarius' limp. He seems over-anxious, slightly paranoid. A bit of a mad scientist. Xanatos is playing it cool. He wants an update. Sevarius sits them down for a Jurassic Park style slide-show presentation. Xanatos had asked Sevarius to genetically create Gargoyles from scratch. (Derek is stunned. But keeps his cool and says nothing.)
As Sevarius explains his thought processes, we watch footage of Goliath battling a Steel Clan robot or Macbeth from the first season...
A. The logical decision would be to clone gargoyles from a gargoyle specimen.
1. But he was told that there was no specimen available. a. Sevarius, greedily: "Or has that changed?"
b. Xanatos says, no, it hasn't changed.
B. S: Well, then, in lieu of a direct clone he would have to build his gargoyle from scratch using available genetic material.
1. It would require the strength, speed and agility of a jungle cat (or maybe a bear? are there other options? Talk to Frank about what he wants to do? No wolf or other canines though.)
2. The wings of a bat.
a. Mutated to giant size.
3. Xanatos: "And the intelligence of a human being."
a. S: "Exactly."
C. But according to his calculations it still wouldn't work.
1. Animals are no different from machines.
a. They still require fuel to operate.
b. We get fuel by eating.
2. To keep its strength and stamina this thing would have to eat the equivalent of three cows a day.
3. X: Well then how do the gargoyles survive?
4. S: By hibernating as stone for 12 hours a day.
a. This allows them to store up energy and thus work at peak efficiency for the entire night.
b. The stone hibernation process is unknown in the animal kingdom. Sevarius had to find a substitute.
5. He presses a button revealing a glass case full of electric eels. The electric eels store and utilize myo-electric (bio-electric?) energy which could fuel the new creation.
Derek finally cuts in. This is all great theory (he's still deceiving himself into believing that these are two guys discussing hypotheticals), but why is Sevarius hiring armed mercenaries?
Sevarius seems sincerely embarrassed. He had to hire them. One of his test subjects escaped.
Xanatos and Derek simultaneously: WHAT?!! (Meaning: "You have test subjects?!!"
Sevarius misses point of their concern and says don't worry we caught her again. Look... And he presses a button that slides a panel revealing a glass wall revealing Maggie and two males now fully morphed into winged cat creatures. (Or whatever. Perhaps one looks Tiger-esque, one looks lionesque, etc., saving the coolest look for Derek. Again, ask Frank how he wants to go.)
On the reveal... we fade to black.
ACT TWO
7. Pick up where we left off. Xanatos is stunned. Derek is horrified. Sevarius is giddy. (He seems like a border-line nut case throughout acts one and two.) Xanatos is astounded that Sevarius grew these things from scratch in such a short time.
Sevarius admits proudly that he took a shortcut. He injected bums with a mutagenic formula. Now Xanatos is horrified. And furious. Derek starts to turn on him, but Xanatos never intended for this to happen. "Sevarius deceived me. No. That's not entirely true. I deceived myself." He'd been warned about Sevarius' "unethical" practices, but he wanted to believe in the man, because he wanted to achieve his own goals. Xanatos is deeply ashamed of himself. But he's determined to make it better, cure these people.
Sevarius is astonished. He has no idea what he's done wrong. They were just bums. No friends. No family. He's made them into something better. He won't let Xanatos destroy all the progress he's made. He reaches for one of the tranquilizer guns that his troops used earlier, he takes aim at Xanatos and fires. Derek pushes Xanatos out of the way and takes the dart in the shoulder. He then quickly disarms Sevarius.
Derek and Xanatos examine the dart. A tranquilizer? Derek doesn't feel sleepy. Sevarius crumpled in the corner starts to laugh. The dart wasn't loaded with tranqs. It was loaded with the mutagenic formula.
8. Back at the precinct, Matt has tracked the GUTS logo to Gen-U-Tech. But he won't tell Elisa until he finds out why she needs to know. Elisa says she got an anonymous tip on a kidnapping. The bracelet was their only clue. She and Matt leave to investigate.
9. Back at Gen-U-Tech, Derek's still in shock. Xanatos demands to know if there's an antidote. Sevarius says there is one. Inside his head. He could create one, but why should he? Just then, a Gen-u-Tech guard comes in with word that the police are here. Xanatos gets very threatening: "By all means invite them in. Let's give them the slide show. Introduce them to the finished product.."
S: "You bankrolled all my experiments. You wouldn't dare."
X: "I'll take my chances. I've been in prison before. But you... The police, the press, the public... they're going to crucify you. And if they don't -- I will."
(The audience should believe that Xanatos was prepared to do anything to help Derek.)
Sevarius is very frightened and agrees to manufacture the antidote if Xanatos will agree not to turn him in. X agrees for now. But one more step out of line and it's over.
10. Downstairs, a very nervous and hinky Sevarius agrees to take Matt and Elisa on a brief tour of the facility to allay their preposterous suspicions of a kidnapping. At one point, Xanatos and Derek watch them from behind a one way mirror. Xanatos tells Derek that if he wants to step out and tell his sister everything, Xanatos would support that decision, even if it meant he had to go back to prison. But Derek decides not to. He'll give Sevarius a chance to come up with a cure first. But he tells Xanatos that if Sevarius can't cure him... If he turns into a freak like one of those others... Well, if that happens, he doesn't ever want Elisa to know.
11. Back at the clock tower, Elisa fills the gargoyles in. Sevarius was one hinky individual. She thinks Brooklyn may be right. But there's nothing she can do without evidence for a warrant. But Brooklyn's a private "citizen". He doesn't need a warrant. He's determined to help that she-thing and nothing's gonna stop him. Except the dawn. They turn to stone.
12. Back at Sevarius' lab, he's hard at work on the antidote serum. (He grouses about having Xanatos looking over his shoulder all the time.) In a shadowed corner, Derek cries out in pain. The transformation is beginning. (Though we don't see him clearly.) Sevarius suggests putting Derek in the glass prison with the other specimens. Xanatos just tells him to shut up and keep working.
13. Sunset at the clock tower. Brooklyn and the others explode out of their stone cocoons. Brooklyn's fire hasn't died out during their sleep. He's determined to go. Goliath agrees. But they'll do it his way.
14. At Gen-U-Tech, we find out what Goliath had in mind. Not a massive raid, but a surgical strike. Just himself, Brooklyn and Lex. (He needs Lex to work the security systems. He would have left Brook at home if he thought Brooklyn would have stayed put.) They get in all right, they even discover Maggie in her glass cage. But again she is more afraid of them, than of her captors. Brooklyn is determined to "save" her, and the ruckus they cause soon alerts Sevarius' guards. She is shot with a tranq dart. Brooklyn scoops her up and the gargoyles attempt to fight their way out. A battle through the complex begins, the guards switching to heavier weapons.
15. Meanwhile Sevarius has finished the serum and is about to inoculate a shadowed Derek. Unfortunately, the battle has moved in their direction. Derek is forced to battle the gargoyles to protect his chance at a cure. We reveal Derek as 50% mutated and already unrecognizable to Goliath and the others. In the struggle, the air-hypo with the serum falls and shatters. And then there is an explosion. Sevarius is thrown against the tank of electric eels and is electrocuted. He falls to the ground. Xanatos approaches. Checks for a pulse. He turns to Derek. Sevarius is dead.
ACT THREE
16. Brooklyn, Lex and Goliath escape with the unconscious Maggie. Derek curses them, blaming them for ruining his chance at a cure. Then he collapses to the floor. Xanatos tries to snap him out of it. They have to get out of here before the police show up. Or does he want his sister to see him like this? Derek agrees to leave with Xanatos. But what about the other creatures? We'll bring them, poor souls. Somehow, some way we'll find a cure for all of you.
17. Back at the clock tower, Maggie awakens to find herself surrounded by six monsters...the gargoyles. Brooklyn tries to reassure her. She's safe now. But she's terrified. She unconsciously sparks off electrical energy that keeps Brook at a distance. Maggie doesn't want to be a monster, she just wants to be human again. Can they make her human again? Brooklyn doesn't know what to say. The sun is about to come up. The gargoyles will soon turn to stone. They tell Maggie to rest. (Hudson offers her the use of his t.v.) Goliath promises they will start searching for some kind of cure tomorrow night, even if it means confronting Xanatos in his castle.
18. Gen-U-Tech, daytime, but very foggy. Matt and Elisa are racking up the overtime, as they investigate last night's ruckus. No signs of the kidnapping victims. No signs of Sevarius. A lot of mangled high-tech equipment and weapons. And cages full of jungle cats, bats and eels. And the not-so-shocking discovery that Xanatos owns Gen-U-Tech.
19. Just after sunset at the clock tower. Brooklyn is bumming because Maggie has vanished. He's still not ready to admit that she doesn't want his help. She probably took off immediately after sunrise, when the fog-shrouded streets were still pretty empty. But where would she go? Xanatos' castle. That's where Goliath said they'd start their search for a cure. Hudson and Bronx will stay at the clock tower on the off chance she returns. Goliath and the trio will head to the castle.
20. At the castle, we find Xanatos telling Owen to find him the best geneticist on the planet, and fast. Outside in the wards, above the layer of fog, we find Derek, now fully transformed. He is teaching Maggie and the other two to glide. (They don't have a bat's natural instinct or the training that he has.) He's a natural if reluctant leader. Figures that until they find a cure they might as well learn to use their new abilities. (One of the guys should probably really enjoy flying. He's the only one not in a hurry to be cured. The other guy is mute, but with a saner more normal response.) Even Maggie seems a bit more at ease. She's now with people facing the same predicament, who are actively looking for a cure. Derek seems like a pillar of strength to lean on.
The Gargoyles arrive. Derek requires no prompting to lead his flying tigers on the attack. He beelines for Goliath. The other two males go after Lex and Broadway. But Brooklyn targets Maggie. He's determined to reach her. Air battle, complete with electricity. Somewhere in here Elisa arrives. Xanatos lets her in, hoping that somehow she can stop this pointless fighting.
Maggie battles Brooklyn, who doesn't really fight back. He tries again to tell her that he cares about her. You don't even know me, she says. The only thing they have in common is that they're both monsters. She doesn't want to be a monster. She hates monsters!! She gives him one massive zap to drive the message home.
Although Lex and Broadway are more than holding their own, Goliath isn't doing as well against Derek and is zapped into unconsciousness, falling across one of the outer battlements. Derek comes in for the kill. But Elisa is there. She doesn't recognize Derek, and for obvious reasons it never occurs to her that this is her brother. But she's never been one to judge by appearances, so she tries to talk to the creature, calmly. She asks its name. Derek laughs for a moment. Then looking at his own hands, he coins the name TALON. She tries to tell Talon that Goliath is her friend. Talon says that "her friend" is the reason Talon's been turned into a monster. Elisa says that if that's true, it must have been an accident. Goliath would never intentionally hurt anyone. She swears, cross-her-heart. And without thinking, he does the follow up gesture. She's stunned. (He's horrified.) It takes a moment to compute, but when it does... "Derek? Is that you?!" Derek denies it, but she knows now. "Xanatos. Somehow he did this to you?!" "No, he's my only chance at a cure." "Derek, how long are you going to grasp at that straw?! Deep down you must know who's to blame for this. Derek, let me help you!!" She moves towards him, but he can't face her. Because deep down he knows that he's to blame for his predicament. He goes screaming off into the night.
The other "cats" including Maggie don't know where Talon's going, but he's their leader. They follow. Broadway and Lex help Goliath and Brooklyn to their feet. Should they pursue the cats? But Brooklyn says no. He'd been kidding himself. He can't help her, particularly if she doesn't want his help.
Elisa faces off against Xanatos. He says he's been trying to help. But there's no way she's buying it. IT'S WAR NOW. Somehow, she's going to nail him. Count on it. Elisa and the gargoyles leave.
Owen enters. He's found the best geneticist on the planet that Xanatos was asking for. A man enters wearing a slouch hat and trench coat. With a flourish, he reveals himself as Sevarius. (Minus the cane, the limp, and the manic, paranoid, mad scientist demeanor. It was all a put on.) He's very proud of his performance, particularly his death scene, though Xanatos thought he hammed it up a bit. Still Sevarius is amazed they pulled it off. It took months of forcing the early subjects to "escape" until one of them was spotted by the gargoyles. For a while there he thought they'd never find each other. Yes, Xanatos agrees, but once the gargoyles did find the test subject things couldn't have proceeded more predictably. And Xanatos was right that Derek's particular abilities were well-suited to his new form. Sevarius is worried that they've lost Derek and the others. But Xanatos knows they'll be back. Talon has convinced himself that I'm his only chance at a cure. It's a delusion he can't afford to give up. Not without giving up all his hope as well.
21. Back at the castle, Brooklyn nurses his own wounds in bitter silence. But Goliath is more concerned about Elisa, who is also quiet, but crying bitter tears in spite of herself. It's not over, he tells her. No, she agrees, wiping her eyes. It's definitley not over.
Chapter XIV: "Leader of the Pack"
I've already dealt with the changes between the first and second seasons of GARGOYLES. (See a previous ramble on that subject.) And hopefully you've all read the serialized postings of the memo I wrote to Michael Reaves in July of 94. Note the date. I was writing that memo to Michael a good three months before the first season of the series would actually premiere. Meaning, Michael, myself, all of us, were just guessing.
Now, finally, I have the time to sit down and ramble about my recent re-viewing of "Leader"...
STORY EDITOR: Michael Reaves.
WRITER: Steven Perry.
Some things were coming to fruition in this episode. A CY.O.T.I. robot had been part of the original development of the show and the Pack. Six characters seemed like a bit much, but the main reason we left CY.O.T.I. out of "Thrill of the Hunt" was because of the way we wound up intro-ing the Pack, that is as a group of T.V. super-heroes. Giving them a realistic robot in that context didn't seem to fit. By the time we got around to introducing the show's version of the Coyote robot (note the NORMAL spelling) much had changed in how we conceived the thing. And yet many of the original elements were still present, if altered. The orignal CY.O.T.I. (CYber-Operational Technical Individual -- or something like that) was a hovering robotic head. But not a Xanatos head. It was a dog-faced head. The head could attach to multiple different robotic bodies, as well as lock into various vehicles as a kind-of autoMATED pilot. One of the robotic bodies was four-legged, dog-shaped. Another was bipedal. But in either case there was never any question that the robot was a robot.
But by the time, we got to "Leader" we had learned so much more about our characters, that our whole conception of CY.O.T.I. changed into the Coyote you know. Part of the change came right out of how sophisticated Xanatos himself was. David constantly made Michael and I jump through hoops to come up with trickier and trickier plots. Plots that would allow the Gargoyles to generally triumph, and yet allow Xanatos to snatch some real victory out of seeming total defeat in what had become our trademark Xanatos Tag sequences. The one in "Leader" is one of the best, which brings up another thing that came to fruition in this episode. When we first created the Pack, I had NO IDEA that Fox and Xanatos were an item. That was a complete discovery, a revelation that came to us during the making of "Her Brother's Keeper": akin to, "Ohmigod, Fox is in love with David!!!" I don't know if it shocked you guys, but it sure came as a surprise to me, their so-called creator. Another instance when I think of myself less as a writer, and more as simply the guy who was tapping into what was really going on in the GARGOYLES UNIVERSE. When did you guys figure it out? During "Brother's Keeper"? During "Leader"? Or not until the end of "Leader" when it was objectively revealed? (Obviously, any of you who saw later episodes first are disqualified from voting on this one.)
Anyway, since we knew they were destined for each other, and we had this semi-top secret plan for them to marry and extremely top-secret plan for them to procreate, we knew we had to get Fox out of jail. And not break her out. But have her out more-or-less scott free. So that would be Xanatos' plan. All the subterfuge would lead to that. Having the robot pose as Xanatos in armor, allowed us for the kind of multiple surprise onion-peeling kind of story that I just live for. Plus it would leave us with a more wieldy five-man Pack again. Fox would graduate. Coyote would take her place.
One tricky thing was electronically futzing Jonathan Frakes' voice when Coyote was wearing his helmet. We wanted to alter it enough so that no one would know it was "Xanatos" until after he took off the helmet. But we didn't want to alter it SO much that you couldn't register Jonathan's standardly and casually wonderful acting AS Xanatos inside the armor. I think we succeeded. (Credit for that goes to the guys at Advantage Audio, who mixed the show. Real unsung heroes.)
We also gave Jamie Thomason, our voice director, and Jonathan the key note that would differentiate the true Xanatos from Coyote. And that was Coyote's fairly primitive desire for vengeance. If I do say so myself, I thought this was a terrific clue, a great moment of fair play, planted in the story. I wanted people to be a little surprised that Xanatos would care about vengeance. But I also figured most would buy into it, because we're all so trained to think of villains in a certain way. But then when Xanatos calls revenge a "sucker's game" at the end, the audience would feel "Oh, of course. That's OUR Xanatos. The other guy was just a cheap imitation." Who was fooled? Who wasn't? I'm curious to know.
When Coyote first took off his helmet at the end of Act One, my three year old son Ben yelled out "Xanatos!" He was truly and wonderfully surprised at that moment. It was fun.
Random observation: Wolf's not doing real push-ups. Not fully extending, either up or down.
Another thing we did do for the NEW SEASON start up was feature the gargs EXPLODING out of stone. Another of our series' trademarks that we wanted to be sure to get into the first episode of the new season.
Coyote clearly has a "quip chip" installed. He's got some great very Xanatosian lines. "Exact change". "Wanna see what I can do with both hands." Etc.
In fact lots of characters have great cutting lines in this one. Owen is wonderfully officious, even a tad smarmy in this one. You can almost see Puck smiling through, and this is before I knew Owen was Puck. But his, "Shouldn't you... be there." is just great.
Or Brooklyn's line: "Yeah, why should we stay up here... where it's safe." Great.
And Hyena: "I love a man who brings me weapons..." and "A robot?! Even better." Classic. And that was another discovery. Hyena would have the hots for Coyote. It wouldn't necessarily be reciprocated, but the mere fact that he was a robot wouldn't bug her. (I'm guessing she's used to using technology to satisfy her desires.) On some level, I think this was us (and Hyena) just being perverse for the sake of perverseness. But I also think it created an interesting parallel to Goliath and Elisa's relationship, if that doesn't sound to preposterous.
______
Another random observation: Hyena mentions Santa Claus. :) Ho ho ho.
______
CHARACTER CONTINUITY:
I think there was a semi-conscious desire to give every character something that new and returning viewers could use to hang their hats on, so-to-speak.
Lex is still so angry at the Pack for events in "Thrill of the Hunt" that he's literally HOPPING mad. Actually, that bit of hopping bugged me. Made Lex look silly and young at a point when I was hoping to present him as truly dangerous. Oh, well...
Brooklyn still feels the same way about Demona. And he's self-aware enough to know it. Though not mature enough to get passed it. (That'll come -- sometime in 2158.)
Broadway still hates guns and smashes them at every opportunity. (Lex obviously doesn't share his rookery-brother's opinion. Lex looks real tough holding that launcher. And I think it's a fairly shocking moment when that hole gets blown in Coyote's torso, and Lex is revealed -- through the hole, no less -- as the shooter. Even though we know by this time that Coyote is a robot, I still think it's one of the most violent images that ever appeared in our show. And it's all about context and attitude. You get the sense that Lex might just do the exact same thing to any of the human members of the Pack too.)
Hudson is still the observant guy who deduces events from what remains behind. "There's been a struggle here..." is right in keeping with his tracking skills and the way he examined that tampered-with bow back in "Awakening, Part Two".
Bronx is still a good judge of character. And he hates robots with fearful abandon. We decided he could literally smell when something isn't human. If it talks like a duck and walks like a duck, we naturally assume that it's a duck. But for Bronx it better smell like a duck or he's going to rip its face off, eh? That was another great shocking moment, I think. There's a little bit of WESTWORLD homage going on. Or FEMBOT homage, depending on how old you are. (I'm old enough to remember both.) It's pretty cool. And I love Coyote's head rocketing off at the end. It's so cool and sick. I fell in love with that head, and decided to use it in all future Coyote's -- one way or another.
Nietzche, Sartre, Kafka. That exchange was pure Perry-Reaves. And people tell me _I_ write to old for the demographic. Geez.
I love that moment when the phone rings at PackMedia Studios. (Also have I mentioned I love the name PackMedia. It's so perfect.) Anyway, Broadway's tentative response, before picking it up. And Owen knowing someone WOULD just pick up. It kills me.
As most of you know I favor one word titles. But "Leader of the Pack" WAS in fact one of mine. It was just irresistible.
The fight between the Gargs and the Pack aboard the oil tanker was very well-choreographed in script. But this was an instance where, in my opinion, our board artists lost the forest for the trees. The fight in storyboard went off on some wonderful tangents -- that wound up creating problems for those interested in keeping track of our combatants. Who was where and when just became a mess. We basically were able to fix those problems in film editing. But that's accomplished by keeping the fight well-paced. In the script, I actually think it's well-choreographed. In particular, Broadway freeing Lex, Brook and Bronx made a bit more sense in the script.
Coyote's perception-warping weapon is very cool. We probably didn't use it enough. Mainly because it was too effective. Too hard to stop.
I wanted the gargs to have to swim back to shore from the sinking tanker. But no one else agreed with me.
The head of Fox's parole board is voiced by Jim Cummings (aka Dingo, Darkwing Duck, Bonkers, etc.), doing his best Orson Wells imitation. Which is damned good by the way. Jim Cummings and Jeff Bennett in the same show. Man, were we blessed or what?
And coming full circle, we have our great Xanatos Tag. The villains kiss passionately. You don't see that too often in cartoons, I think. I love Xanatos' great line "That was merely the icing, you're the cake." And also his "true love is so much harder to come by." But here's my question for you guys. At the time, did you really think Xanatos was truly in love with Fox, or did you think he was merely being glib? I knew by that time, but even David didn't. Wasn't until "Eye of the Beholder" that HE realized how deep his feelings were for Fox.
So, comments?
"Leader" memo concluded...
Finally, the last section of the 7/94 "Leader of the Pack" memo. Act Three of the Beat Sheet. I'll try to type up my new ramble on the episode soon...
ACT THREE
8. Goliath, Hudson and Broadway arrive at the Packmedia Studio. It's quiet. Inside, they see the damage. But no sign of the missing gargoyles. The phone rings. Broadway answers it tentatively. It's Owen. He was wondering if he could schedule an appointment for the Gargoyles to have a big fight with the Pack at the Oil Tanker Whatever-Maru in the harbor. Is Midnight convenient?
9. On the Tanker. In a carvernous empty oil tank, Lex, Brook and Bronx sit inside, effectively imprisoned. Lex swears even more vengence [sic]. Brooklyn can't get through to him. (Maybe Brook makes some sarcastic reference to the three of them always getting captured. First Macbeth nets them, now the Pack.) [Note: This story just structured out that way. So this tidbit was me acknowledging the coincidence, so that the viewer wouldn't think we -- the writers -- were oblivious to it. Greg 2000] Eventually, the other three gargoyles show up for the fight. Broadway is sent to find the others while Goliath and Hudson run interference. At one point, Goliath digs his claws into Coyote's helmet and rips it off, revealing "Xanatos". Goliath isn't too surprised. But eventually after the others are freed, he is surprised. Bronx again beelines for "Xanatos"/Coyote. He smells robot and claws off half of the rubber Xanatos mask to reveal the Coyote robot beneath. [Do you know, I was half afraid that some people would take this to mean that Xanatos had been a robot all along. Greg 2000] Even the Pack is shocked and the tide of battle begins to turn for good, especially after Lex picks up one of Dingo's fallen weapons and blows a hole in Coyote's chest. The robot really malfunctions now. The head "evacuates" and rockets into the sky to escape. The Pack decides to retreat in their Attack Vehicle, but opt to blow up the tanker to cover their escape. Lex in the end has to choose between saving Brooklyn and preventing the Pack's escape. Obviously, he saves Brooklyn and the Pack gets away, though with their doggy tails firmly between their legs. The ship goes down. The Gargoyles tread water. Brooklyn thanks Lex, but Lex is grateful that Brooklyn reminded him what was really important to him. And the gargoyles have a long swim back to shore.
10. Parole board. Fox is released. (Let's not mention Xanatos here.)
11. Fox steps out of prison to be greeted by (surprise, surprise) Xanatos in his Limo. They kiss. She's grateful to be out, but she's sorry his vengeance plan against the gargoyles didn't work. But Xanatos never wanted vengeance. (He's no mook.) He has his priorities straight. He just wanted to stage scene [sic] to get her out. (I love the line about icing and Fox being the cake.) But, she asks, aren't you anry that Coyote was destroyed. Xanatos holds up Coyote's head and admires it like Yorick. Half of it is still recognizable as Xanatos. Half reveals the robot skull underneath. My dear Fox, robots are easily destroyed and rebuilt. But they'll never destroy the true Coyote. Because the true coyote is Xanatos. Or some such. [Interesting. We seemed to save this idea for "Cloud Fathers". Went with the "true love" line instead.] Go out on the robot head, half smiling a typical Xanatos smile.
And that's all folks....
CORRECTION
CORRECTION:
I'll be at ANIME EXPO on SATURDAY, JULY 1ST! At 1pm. Talking about 3x3 Eyes, among other things. Sorry for any confusion.
Anime Expo
Attention anime lovers...
I will be at Anime Expo on Saturday, July 2nd in Anaheim, California. I'll be on the New Generation Pictures panel at 1pm, where I'll largely be discussing 3X3 EYES. Other topics of discussion include NAZCA and NURSE NANAKO. (I'm not involved with the last one at all, so I hope I got the title right.) Stop by and say hi.
3X3 is a really fun series that I just finished voice directing into English. It stars Christian "Max Steel" Campbell and Brigitte "Angela" Bako, and features many former GARGOYLES actors including Goliath, Thailog, Morgan, Broadway, Hollywood, Lexington, Brentwood, Obsidiana, Coyote Trickster, Natsilane, Hudson, Jack Danforth and Burbank. It's the story of a three-eyed three hundred year old demon girl with multiple personality disorder and the teen-age zombie bodyguard who loves her.
Hope to see you there.
More of the "Leader" memo...
Here we have Act Two from the Beat Sheet I gave Michael Reaves in my 7/94 memo on "Leader of the Pack":
ACT TWO
4. Hyena and Jackal are ready to kill Xanatos/Coyote for revenge. X/C puts them down hard. He reminds them that it was Fox who told them to go after him. She's out of the picture now. Besides, it was the gargoyles who really sent you down. They put him away once too. They've destroyed enough of his plans. He wants them bad. He's [sic] works the Pack up into a revenge-fest frenzy. They want the gargoyles. But how do they find them? As X/C puts on his helmet, he says, we let them find us.
5. Goliath, Broadway and Hudson arrive at the castle. Owen is there, but not Xanatos. Goliath is confrontational but cautious. Woen has the Pack's social calender and says they should be at PackMedia studios shortly. Goliath is immediately concerned about the others. They take off.
6. From a nearby shadowed rooftop, Brooklyn, Bronx and Lex watch the police (Elisa, Matt, maybe Morgan) check out the Studios. It gives Brooklyn time to talk to Lex. He knows how Lex feels. Everytime Demona's name get's [sic] mentioned Brooklyn feels the same way. But you can't let it take you over. You need to remember what's really important, etc. Lex isn't listening. The police leave. Lex insists on going in. Brook & Bronx follow.
7. Inside, the place is deserted -- UNTIL SUDDENLY the floor begins to open up beneath them. The PACK Assault vehicle, rises up from a secret entrance beneath. Brokklyn suggests retreat, at least until they can get reinforcements from Goliath, et al. Lex ignores him and wades right in. The battle is on. Lex (followed by Brooklyn) goes after the four pack members they recognize. Lex is a holy terror and they're doing all right, at first. His shocking ferocity making up for any deficiencies. Bronx for some reason beelines for Coyote. (Basically, he smells robot.) It's a good fight, but soon all three gargoyles are out cold and at the Pack's mercy.
ACT THREE
(To be completed next time... Finally.)
More of the "Leader Memo"...
Sorry, everyone, I know this is going very slowly. But transcribing is really boring. So I can't stand to do too much at a time. Anyway, here's another chunk of my 7-2-94 memo to Michael Reaves regarding "Leader of the Pack":
Beat sheet:
ACT ONE
1. Sundown. Open w/prison break. Let's make it much more fast and furious. It can start quier, but almost immediately should go to explosions, alarms, etc. The guards become aware of the break IMMEDIATELY. A big action set-piece. No time for a lot of talk. Also, let's have Dingo bust out the boys, and Coyote bust out the girls. It's a more practical plan. They'll all meet up in the NEW all-terrain PACK ATTACK vehicle. (And no, Kenner isn't asking for this, I am. Xanatos has the resources. After he saw Macbeth's hover-thing, he'd start his people on R&D. This is the result. The Pack should not be hand-to-mouth. This thing should be a flying submarine multi-purpose thing. Real cool.)
2. Just after sundown at the clock tower, Elisa informs the argoyles that there's a prison break and the Pack's involved. Lex goes bananas. WE'VE GOT TO BRING THEM DOWN. Goliath agrees with the sentiment, if not he intensity. Manhattan is their castle to protect. But Broadway wants to know, how do they find the Pack? Lex is sure they'll return to Packmedia Studios. Elisa disagrees, that's the first place the cops are going to look. Lex is positive. They're like animals. They'll eventually return to their cave to hide. He's going there to wait and watch. Goliath figures on being more pro-active. He knows Xanatos is behind the Pack from Elisa's talk with Fox in "Brother's Keeper". He's going to the castle. Broadway & Hudson are going with him. Brooklyn is concerned about Lex. He insists on going with Lex to the studio. He also insists on taking Bronx.
3. Aboard the Pack's vehicle, Coyote and Wolf fight for the right to lead. (Let Wolf make the first challenge, so that we aren't forced to make Hyena politely step aside.) Coyote wins, but Hyena and Jackal insist on seeing his face. Coyote vouluntarily removes his helmet, revealing that he is "Xanatos".
ACT TWO
(to be continued...)
Me and my daughter Erin
My daughter Erin is here with me, and together we will answer some ASK GREG questions for you.
More of the "Leader of the Pack" memo...
This continues my transcription of the memo I wrote to Michael Reaves on 7-2-94 regarding Steve Perry's original outline on "Leader of the Pack"...
Specific Notes & Questions...
Some of these will be rendered moot by other changes, but for future reference...
--No YoYo's for Brooklyn. He's too old to be playing with that. (Not that I don't enjoy a well-balanced yo-yo myself, but it's embematic [sic] of being really young. Like having him play jacks. Remember, this is a guy who likes motorcycles.)
--I liked the Hudson game show scenelet. Maybe slip that in right before Elisa tells the gargs about the prison break. If it no longer fits, save it for another episode.
--I think Wolf is a descendant of Hakon's. [It's interesting to me now that I put this comment in this memo. It's absolutely apropos of nothing. I must have just wanted to write it down somewhere so that I'd remember. Greg 2000]
--The gargoyles exo-sheathe remnants don't dissolve into vapor.
--Is a smoking jacket really Xanatos' style?
--Suddenly, on the bottom of page 3, Goliath has spider-sense. Maybe not.
--Goliath seems to be brooding about things he's already come to terms with. "...enemy one day, friend the next." He learned that lesson from the Captain in episodes 1 & 2.
Beat sheet:
ACT ONE
(to be continued soon...)
SEASON TWO
Well, my plan had been to finished transcribing the "Leader of the Pack" outline memo. Then start on my new ramble on seeing the episode last week. However, I'm at home today and the only copy of the memo is still at the office. So I'll finish the memo soon. Meantime, here's a ramble that "Leader" inspired with a little background info on the transition to Season Two...
So the second season begins. And we had a new system in place. Tiers and tentpoles. As you may recall from a previous ramble we had run into huge scheduling difficulties with "Enter Macbeth". The animation had come back very problematic and the nature of the story was such that we couldn't air it out of order. I received a mandate to make sure in Season Two's fifty-two episode killer schedule that we do everything possible not to run into that kind of problem again.
Trouble was, I liked the sequential nature of the series. If all the episodes could air in any order with no effect on each other then how could the characters grow, evolve, change? How could the situations?
My solution was tiers and tentpoles. We would create tiers of episodes that could air in any order as long as they aired BETWEEN their tentpole multi-parters. We'd pay special attention to the Tentpole episodes to make sure THEY didn't get into production trouble that would derail the entire airing schedule. But if an individual episode within a tier ran late, we could skootch another one forward without causing any harm.
Tentpole One was retroactively set as the "Awakening" five-parter. Tier One was retroactively everything between that and "Reawakening", which became Tentpole Two by default. (Now obviously the Season One airing order was very important, but they had aired already, so I didn't have to worry about them anymore.)
Tentpole Three would be the "City of Stone" four parter. Tier Two would include eight episodes: "Leader of the Pack", "Metamorphosis", "Legion", "A Lighthouse in the Sea of Time", "The Silver Falcon", "The Mirror", "Eye of the Beholder" and "Vows". In theory, I was supposed to make sure that these eight could air in any given order.
In practice, it never turned out to be that simple. For example, how could I air "Vows", the episode where Xanatos & Fox wed before "Eye of the Beholder" the episode where they get engaged? I wound up having a strong order preference for ALL 65 episodes. Tiers and Tentpoles be damned. But the truth is, the system served us well. It did tend to keep us on track. Creatively, it allowed us to build to strong multi-parters. And we rarely ever HAD to air episodes out of my preferred order. We only screwed up twice. "The Price" aired too soon. "Kingdom" aired too late. But only someone paying VERY careful attention would notice that. (Of course, anyone fanatical enough to be reading this was probably one of those people paying VERY careful attention.)
So anyway, "Leader" was my choice to open the new season. Lots of action. Some really great twists and turns. Some great character moments. It all seemed like a great way to intro potential new viewers to the series. BTWE, is there anyone out there for whom "Leader" was their first GARGOYLES episode? I'd love to hear from you here at ASK GREG.
We made other changes off the first season, as well. We had rebuilt the opening titles sequence to include some new footage. Keith David/Goliath's narration was added as well. This was written by Gary Sperling and myself. And hotly debated around our offices. Hotly debated inside my own brain as well. Frank Paur and I both felt that the titles were more powerful, more dramatic WITHOUT the narration. But we wanted to make sure that the series was still accessible to new viewers. The narration would serve the same function as the GILLIGAN'S ISLAND theme song. If you missed our pilot, you could still get the set up. Frank & I could see the wisdom of both positions. Even our boss, Gary Krisel, could. He left it up to me. I finally decided to err (and air) on the side of caution. I needn't have worried about "drama". Keith's voice, as usual, was so dramatic, that the opening narration became a classic -- reprinted on nearly every garg website I've ever seen. My kids love to shout out "WE LIVE AGAIN!" in chorus with Keith.
Another thing we did was to permanently install those "Previously on Gargoyles..." recaps at the head of EVERY episode. This was done for three reasons. One, see above, we wanted new viewers to have a chance to get what was going on without requiring them to see every episode that had come before. So the salient points could and would be summed up in those recaps. Two, since at some future time there was the possibility that the episodes WOULD air out of order, the recaps would help ground a viewer in when this particular episode was falling. And most important, three, it helped us in editing.
You see, footage would come back from overseas. And sometimes it would be great. And sometimes not. But no matter how good it was there wasn't a single episode that couldn't be improved by trimming a few frames here, a few frames there. No scenes were cut wholesale, but timing was improved and sped up. Mistakes were edited out. The recap gave us thirty extra seconds per episode of editing flexibility.
Now, on some level, the recaps may have backfired. Though they provided useful information, they may have given new viewers the IMPRESSION that there was too much to learn. I'm not sure it's true, but I've heard that argument. Also, I started hearing from the Disney Afternoon mailing list that everyone hated the recaps, because what they included tended to give away too much in the episode that was about to air. We fixed that problem midway through the season. Me, I still have no regrets. As I've mentioned before, HILL STREET BLUES was a major influence. The "Previously on..." format (which everyone uses today) came right out of Hill Street, so I was comfortable with it. And that 30 seconds of editing flexibility absolutely helped the shows play better.
NEXT TIME ON GREG'S RAMBLES...
More from my original memo to Michael Reaves and my specific responses to reviewing "Leader of the Pack"...
I'm shocked...
There's nothing in the queue. I've got another hour and twenty minutes to kill and there's nothing left in the queue. ARGGGHHH!!!
Gore, Todd, help!!!!!
Greg Weisman Update
As promised, here's a little update on what's been going on in my professional life...
The first season (all thirteen episodes) of MAX STEEL have been completed. I've lost track of how many have aired. I think they turned out pretty good. At any rate, the show is a success and will be back for a second season. Unfortunately, I won't be. The WB didn't invite me to produce/edit/write season two. So you can forget about any long term plans/arcs I had for the series. Still, I wish the show well. (After all, it'll still carry my "Developed By" credit.)
In other news, today I finished recording all of the two volume (seven episode) video anime series 3X3 EYES. I think we assembled a terrific cast for the English dub. Here's a complete list:
LEADS
Christian Cambell* as Yakumo Fujii
Brigitte Bako^ as Pai/Sanjiyan/Pabo Ayanokoji/Parvati/Howasho
SUPPORTING
Thom Adcox^* as Monkey
Edward Asner^* as Grandpa Ayanokoji
Earl Boen as Benares
Leslie Boone as Ken-Ken
Susan Chesler as Lee Ling-Ling
Bill Faggerbakke^ as Steve Long
Elisa Gabrielli^ as the Doll Demon
Jean Gilpin* as Mrs. Wong/Xunquai
Taliesin Jaffe as the Frog Demon and Feihong
William Katt as Tinzin
Mia Korf* as Natsuko
Ralph Lister as Choukai
Erin Matthews as Mei-Shin Long
Yuji Okumoto* as Chou and Naparva
Gregg Rainwater^* as Jake MacDonald
Dina Sherman as Dawn and Ran-Pao-Pao
Rick Simone as Tatsuya
Keith Szaribajka* as Professor Fujii and Ryouko
Rosie Taravella as Grandma Ayanokoji
Greg Weisman^ as Hide
and Keith David^ in a roll so rocking, I can't reveal it here. :)
* indicates a Voice Actor I worked with on MAX STEEL.
^ indicates a Voice Actor I worked with on GARGOYLES.
Anyway, the voices are all recorded. I've got three mix sessions left to do. I should be done in a week or so, at which point -- I'm unemployed.
Or nearly. I'm still teaching the animation writing course through UCLA extension. That's been a lot of fun and it keeps me pretty busy. Plus I'm working on writing a spec screenplay with my brother. And I go on the occasional job interview.
All this means is that it looks like I'll soon have plenty of time to dive back into ASK GREG. At one point we were closing in on completely catching up. Now we're over three months behind. But I'll try to make some fast progress. We've now got Todd Jensen helping Gorebash out to keep the site current, so that should help us avoid the "Nothing in queue" problems that were slowing us up before.
And I hope to see most of you at Gathering 2000 this August. It should be a GREAT con this year. I'll be there with Thom Adcox plus my wife and kids. We'll have new and special treats from Gargoyles, 3x3 Eyes and another EXCLUSIVE radio play event -- something that I guarantee you won't want to miss. Plus Disneyworld is a shuttle ride away. Make your reservations now.
"Leader of the Pack" Background memo...
ASK GREG is back up and running. (Thank you, Gorebash.)
Unfortunately, Murphy's Law in in effect, and I'm now swamped with work. (More on that tomorrow.) I'll try to get to your questions and comments A.S.A.P. In the meantime, I've watched another episode "Leader of the Pack". I've taken notes to write a ramble but I don't have time to compose it tonight. But I also wanted to post my July, '94 memo to Michael Reaves regarding his first draft outline on this episode. (Like the one I posted for "Reawakening".) I have a hard copy of this memo, but unfortunately -- there's that Murphy's Law again -- I don't seem to have a computer file for it. (Which, frankly, is truly bizarre.) Still, retyping this is faster than composing something original. But I don't know if I'll have time to retype the entire five page memo tonight. So bear with me. This could take a while... (I'll try to keep all the typos intact. And I'll add a few new comments in [brackets].)
Greg Weisman 7-2-94
NOTES ON OUTLINE for "Leader of the Pack"
Michael, I think we can focus the story a little more. And I think there's quite a bit of padding that we can trim down, but on the whole, a good start.
General Notes...
--Let's focus this by making it Lexington's story. A real companion piece to "Thrill of the Hunt". In that story, Lex was too trusting. In this he'll be hell-bent on REVENGE. That's today's theme. And today's lesson is about setting priorities -- and how revenge ain't a great one. Lex comes close to letting his lust for revenge take priority over his concern for his life and his friends. Same with the Pack. They break prison; they could head for Rio. But they want revenge on the gargoyles more. It gets them in trouble. Ironically, only Xanatos has his priorities straight. He didn't give a damn about revenge on the gargoyles. He just cared about his "friend" Fox and getting her released from her unfortunate incarceration. [A DESIGNING WOMEN reference -- Greg 2000]
--Given the above. Let's see Lex as the true monster he can be. As frightening as possible, as often as possible.
--The stuff w/Dingo's change of heart was nice. It gave me a great idea for a story about him trying to go straight, set in Australia during the WORLD TOUR. But I think it's out of place here. It's distracting to the main story. I don't want Dingo to start to turn yet. He didn't have to come back from Europe to help the others. Let's keep him gung-ho for now. (When we do the Pack Upgrade Story, in which Wolf will submit to Doc Sevarius' genetic treatment ala Talon, and Hyena and Jackal will undergo cyborgizing ala Coldstone, we'll plant the seed there that Dingo thinks things are getting carried away. He'll choose removable robot-armor, and we'll play some of these beats then.) [When you're working on 65 episodes you try not to waste anything. And the characters begin to define their own destinies. But you need to pace them. -- Greg 2000]
--Coyote's abilities need some clarification. Let's start by thinking this is a stranger wearing some kind of power-armor. Jet black, anubis-headed armor. We'll modify or harmonize Jonathan's voice. Then when he removes the dog-faced armored head, we reveal that it's Xanatos inside the armor. The audience will buy this because of "The Edge" story. When COYOTE has the "helmet" off, we'll use Jonathan's voice un-harmonized. But obviously for battle scenes he'll put the helmet back on. A slight clue that Coyote isn't the real Xanatos will be that Coyote seems more determined to get revenge than we'd normally expect from the rational Xanatos we've come to know and love. Then at the end, we'll reveal the robot beneath the Xanatos face. We also need to make a bigger deal of this reveal. I think it would be cool, if after the body is damaged beyond repair, the semi-damaged head, takes off, shooting into the sky like a comet, abandoning the Pack. At any rate, we can now have Coyote be very powerful throughout the episode, without our audience suspecting the truth. What can the Coyote "armor" (i.e. the Coyote/Xanaots robot) do? Does it have built-in jet-boots and weapons systems? Let's make it real tough and cool.
--In general, we need to be really careful not to let the Pack seem weak or incompetent. I doubt Elisa can outshoot them. They've been defeated twice already. If we don't up the ante, we've lost these characters as effective adversaries.
--The huge emphasis on updrafts can be dumped. We've already shown the gargoyles glide to and from Liberty Island in "The Edge". How far out in the water is this tanker? Better not to go into too much detail.
--Same with the Pack's search for the gargoyles. Why raise the issue about how easy it is to find the gargoyles? Besides, the method used here could take weeks, if not months. Let the gargoyles find the Pack. We can dump the CD-ROM disk.
--The mirrored shields was a good idea. But it pre-supposes a Lexington who is rational enough to use his head and come up with it. Not this story. But remember it for later use. [O.K. I guess some things did get wasted. --Greg 2000]
--We definitely don't need or want Derek in this story. If it comes before "Metamorphosis" than we don't want to mess with his loyalty to Xanatos. If it comes after, then obviously he's not Derek anymore, but Talon. Anyway, we won't need him. The way I figure it, Elisa's role in this story is fairly minimal. I didn't like her as victim/hostage, so I largely dumped her. So we can leave Derek out, as well.
--Fox should protect he guard first, then refuse to go. When she refuses Hyena's inclined to kill her too. Coyote prevents it by indicating there's no time. Also, I've cut the middle Fox scene 14. Better that the audience forget about her until the end.
Specific Notes & Questions....
[to follow tomorrow, hopefully...]
Reprinting a ramble...
Just reprinting my response to an AIRWALKER post in the comment room. (Like to save this stuff for posterity. I don't mean to pick on Airwalker.)
AIRWALKER - I don't know if you're already en route to Israel (have fun by the way) and I hate to defend my own stuff (after all if it doesn't speak for itself then I'm doomed anyway). But I have to heartily disagree with the following statement you made:
(I know the reasons that were given by Greg as to why this edited version was used for the video release but
still it stands out as a not particularly good edit. There were so many other, better ways to do an editing - the
version that is usually shown on Halloween on UPN is a hundred times better than the AWAKENINGS that's
out on video, mainly because they spliced the episodes together while leaving in as much material as possible...)
To the contrary, AIRWALKER, I believe the version that wound up on video is a VERY GOOD EDIT. If what we're talking about is the edit itself. You don't like it because so much was cut. You prefer the episodes -- and so do I -- because they are more complete. You even prefer the version BVTV edited together without any input from the producers (me & Frank). Also because it's more complete. But I'd argue that's an objectively WORSE edit. If what we mean is the editing itself. I wouldn't go so far as to call it sloppy, but it is choppy. This is mostly a lesson in semantics. You like to have more material. So do I. The five parter is 110 minutes long (total give-or-take). The recut movie version is 90+ minutes long (give-or-take) enough to fill a two hour tv timeslot. The version we did for the Orlando Big Screen premiere screening (which wound up -- against my advice -- going on the home video) is under 80 minutes. That's all the time we were allowed. Plus we were given an absolute mandate that the thing stand alone. The egg references, for example, HAD TO GO. That wasn't a choice, that was an order. Given those parameters, I think we did the best possible job we could. And I think the work that the editor did is terrific.
Basically, all I'm saying is that you shouldn't confuse the editing with the assignment the editor was given. Feel free to have a preference in terms of which cut you like. But if you're going to criticize the editing itself... Look very carefully at that work, before you disparage...
Batman vs. Gargoyles...
As I believe I've mentioned before, there was once some fear at Buena Vista (our distribution arm) that GARGOYLES would be perceived as a rip off of BATMAN: THE ANIMATED SERIES. Now, that seems all but laughable, but then it was a sincere concern at BVTV. (The fact that we had Frank & Michael on our show, both of them major contributors to B:TAS, probably didn't help.) So they asked me to write up a memo showing the differences. That memo follows, unedited. Note the date.
(6-14-94)
Random thoughts on the differences between Gargoyles and Batman:
--Batman was traumatized as a child, by witnessing the death of his parents, which left him totally alone and psychologically scarred for life.
--Goliath had a major tragedy occur in his life, but it happened when he was an adult. He was not left totally alone. He is mature enough to realize that bad things can happen to good gargoyles and he is creating a positive life for himself and his clan.
--Batman fights criminals because of a deep-psychological need to stop their evil.
--Goliath and the gargoyles protect the innocent because they are protective by nature. It is a very primal instinct to them. They are not taking eternal vengeance.
--Batman is one man in a suit. (Two men if you count Robin.) He wears a mask to protect his secret identity.
--There are six gargoyles, each with unique personalities. And they are a different species -- monsters. Nothing put on. No secret identies. No posing as normal. Very little technology.
--Gotham City is New York at it's worst. Dark, ugly, cynical.
--Goliath's Manhattan is a dangerous but beautiful place, w/a rich colorful palate. A place of Hope.
--Batman faces a colorful array of villains, all with their own separate backstories.
--The Gargoyles face a colorful array of villains, whose backstories intertwine with the gargoyle's own rich history in ancient Scotland and modern Manhattan.
--Batman is reality based w/a few exaggerations and sci-fi elements thrown in.
--Gargoyles is more fantastic. Magic is quantifiable, but it exists. Immortals and sorcerers walk the earth.
--Batman is a man for his time.
--The gargoyles are creatures who are displaced in time trying to adjust to the modern world.
--Batman has no regular female character (unless you count villains like Poison Ivy or the occasional use of Batgirl.)
--The gargoyles are supported by Elisa Maza, a strong, capable but tender, female New York Police detective.
--Batman wears a cape.
--The gargoyles have wings which can fold over like a cape, but can also be used to glide through the air, simulating true flight.
--Batman wears a utility belt with gadgets included.
--Gargoyles don't. Hudson wears a sword though.
--Batman wears boots.
--Gargoyles are barefoot.
--Batman doesn't have super-human strength or powerful claws or a tail.
--The gargoyles do.
--Batman doesn't turn to stone every morning and then explode out of stone every night.
--Gargoyles do.
--Batman doesn't have a dog.
--Gargoyles have Bronx.
--Bruce Wayne has nearly unlimited wealth to subsidize his heroics with technology.
--Xanatos has nearly unlimited wealth to subsidize his villainy with technology. The gargoyles have a medium-sized t.v. set and a used barca-lounger.
--The Batcave is a high-tech top secret location located underneath stately Wayne Manor.
--The clock tower is a low-tech place to hide above the police precint in Manhattan.
--Batman has a butler.
--The gargoyles don't.
I hope this is helpful. Though I don't know why it would be.
As you can see, I didn't take the assignment too seriously. The only real key point for me is the first one. The differences between the tragedies and the heroes' reactions to those tragedies. Also that Xanatos is the anti-Bruce Wayne. But c'mon... "Batman has a butler. The Gargoyles don't". Was I stretching or what?
Scientific Addendum to Wind Ceremony
Even in peaceful times, Gargoyles -- even very old gargoyles -- all but never died in their sleep. Sleep for gargoyles is borderline suspended animation. If an old, weary Gargoyle actually made it to daylight and stone, that bit of sleep would tend to freeze the aging process, the deterioration if you will. Rejuvenate the gargoyle even just a little bit. They'd be much more likely to die after the sun went down, after transforming back into flesh. Even before the iron age, when Gargoyles had little to fear from most any species, when turning to stone was an excellent daytime defense and not a liability, most ancient Gargoyles died just before sunrise, after an exhausting night, rather than after the sun had risen.
So again, the disturbing notion of surviving gargoyle mourners having to pulverize a perfectly preserved stone corpse is a veritable non-issue. The practice of reducing stone remains to dust was a result of gargoyles having to come to terms with stone-sleep having become a vulnerability. If you're loved one is already rubble, there isn't much reason to keep the rubble intact. That doesn't mean the process isn't emotionally painful. But not much more painful, I would think, then cremating a corpse of flesh. (Though of course it's more immediate. You are doing the damage, not the Fire.) At any rate, that was the custom that evolved.
The Wind Ceremony
When a gargoyle dies, the disposition of his or her body depends only slightly on whether the gargoyle died during the day or at night.
If at night, the corpse is cremated.
If during the day, the rubble is pulverized.
(The notion of pulverizing the undamaged stone corpse of a gargoyle who has died peacefully in his sleep is disturbing. But in fact, gargoyles so rarely die peacefully in their sleep as to make this a non-issue.)
In either case, the cremated or pulverized remains are taken by the gargoyle mourners to the highest point on the local map. A memorial is held. Everyone who wishes to speak of the departed, may. No one, not even the departed's enemies, may be denied a voice. In the end, the mourners spread the remains upon the wind, saying, "Ashes to ashes OR dust to dust. All is one with the wind." (Over time, humans began to use a variation of the same at their funerals.)
The gargoyles then spread their wings, soaring amid the ashes or dust in the hope that part of the departed will stay with them forever.
[Note: There was no one to perform the wind ceremony for Coldstone, Coldfire or Coldsteel. That, and the location's ambient magicks coupled with the trio's own passions, may explain their accessability to Demona's ressurection spell.]
Chapter XIII: "Reawakening" (The new ramble...)
As promised, I'll now attempt to recreate the lost ramble on this episode, which I recently watched again with my family.
For those of you who haven't seen it, I refer you to my recently posted "Memo" on this episode dated back in April of 1994. One thing you might have noticed was that the title of the episode was "The Awakening". In the memo, I suggested what I thought was the more appropriate title "Reawakening". Michael liked that idea but had a suggestion that did it one better. He suggested renaming our pilot five-parter "Awakening". I jumped at the idea. At the time, the five-parter was simply titled "Gargoyles, Part One", "Gargoyles, Part Two", etc. I've never liked that sort of cop out where the pilot's title is simply the series' title. Among other things, it lacks imagination. And it's dishonest. By that standard, "The Journey"'s real title should have been "Gargoyles, Part Sixty-Six". So giving our pilot its own title seemed like a very good idea to me.
But there was another reason why I liked Michael's plan. We were working on our last episode of the first season. It was April of 1994, nearly a year before that episode would air. And a good six months before our premiere. There was no way of knowing whether or not there would ever be a SECOND season. And so to protect myself (emotionally) I had to operate on the assumption that their might not be. Obviously, I wasn't going to do anything apocalyptic. I wanted there to be a second season, so I wanted to leave the doorway open for it. So Michael, Frank, Brynne and I discussed the idea of open-ended closure. If there never was a second season, we'd go out with a bang. We'd give some small amount of closure to our characters. Let them reach a turning point. If this was to be it, we'd have created a little 13 episode novel that brought the Gargoyles from the past to the present and renewed (reawakened) their sense of purpose.
Nice. We'd done the open-ended closure thing (to a lesser degree) at the end of what would eventually be called "Awakening, Part Five" and we'd eventually do it again at the end of "Hunter's Moon, Part Three". And I'd do it for myself in my script for "The Journey".
But there are tricks to achieving a sense of closure. And one of the tricks is to create parallels with the episodes that launched your story.
So by retro-titling our pilot "Awakening" and naming our last ep "RE-Awakening" you can see how we gave ourselves a headstart.
But there were other parallels. The flashback to the past, (which we intentionally built so that it could theoretically be edited into the pilot if necessary) included the Magus at his most pre-Avalon obnoxious. Obviously, that flashback also intro'd pre-Coldstone, but it served the purpose of calling those first couple of flashback episodes clearly into the viewers' minds. (The only problem with that scene, is that Hudson has his sword in a couple of the shots. This is a mistake, as any good Garg fan knows that Hudson first acquired his sword in the battle with the Vikings that took place the following night.)
We also did the big event VILLAIN TEAM-UP thing, bringing Xanatos and Demona back together for the first time since "Awakening, Part Five". (I love the exquisite tension that plays between them. They are both SO using each other. When Demona tells Coldstone that X is her servant, you know that she's partly doing that to circumvent Coldstone's questions, but that she also partly believes that it's true.)
We also used Morgan in Times Square in a very similar way to how he was used in "Awakening, Part One" (reiterated in "Awakening, Part Two").
And then there's that moment near the end where Elisa asks Goliath if there's anything he needs. He answers "A Detective" verbally echoing a key moment from their first meeting in "Awakening, Part Three". That still tickles me.
HOMAGE
Obviously, Frank and I both worked overtime to pay homage to the classic Universal "FRANKENSTEIN" movie. I can say "pay homage" with a straight face (as opposed to rip off) because we so clearly acknowledged the source. Frank's art direction of the lab. X's line: "It's alive! Alive!" (Wonderfully undercut by Jonathan Frakes' reading of the follow-up "I've always wanted to say that.") And the whole idea behind Coldstone. (More on this when I eventually ramble on "Legion".)
Coldstone would be our Frankenstein's monster. Pieced together. Gargoyle & Machine. Reanimated (reawakened). I even love the Coldstone name. And wasn't Michael Dorn's sepulchral tones just perfect for the role?
And Goliath's reaction is so multi-faceted, so Dr. Frankenstein... [You know Goliath's response to his brother here, would be echoed later in his response to his "son" Thailog in "Double Jeopardy". Initially, Goliath's simply repulsed by what he sees, calling Coldstone "an abomination". But given a bit of time, Goliath quickly sees past appearances and attempts whole-heartedly to save his brother. He'll go through the same changes with Thailog. Well... at least we (and Goliath) were consistent.]
CONTINUITY
Snow. It started snowing in "Her Brother's Keeper" and now the city is blanketed in the stuff. (And doesn't Elisa look cute in her scarf and gloves.)
Brooklyn's still pissed off at Demona, specifically and sarcastically asking if she has anymore "spells to save you now". In fact, we wanted to make clear that the spell used to resurrect (reawaken) Coldstone was one of the spells she tore out of the Grimorum in "Temptation". Instead, we cheated a bit. By having her tell Xanatos that the "Cantrips have already been spoken" it saved us the trouble of getting another spell translated into Latin. We were either lazy or short on time or -- most likely -- both.
Following out of "The Edge", and until the helmet comes off at the bridge, the gargs assume that Xanatos in his armor is simply another Steel Clan Robot. The next upgrade. The red model. They have no idea it's actually Xanatos himself in armor.
Small observation: Mirrors don't fare too well in the Gargoyles Universe.
Emotionally, I think the story is very successful at taking the audience through Goliath's spiritual reawakening. I love how he starts out pensive and brooding, listening to that great exchange between the trio and Hudson, realizing that all of them have lost track of their true purpose. Hudson recites the Gargoyle credo merely as an excuse not to go out in the cold. (And I love Thom's reading on Lex's "We don't even live in a castle anymore" response.) The trio are clearly missing the point, but methodical thinker Goliath isn't sure he remembers what the point is either.
And that dovetails SO nicely with Elisa revealing the Police motto "Protect and Serve". The police motto/gargoyle credo connection is so perfect, it struck me even at the time as further proof that we were tapping into something very true in our little fictions. (And don't cops -- for better and sometimes for worse -- act just like a clan?)
From there, Goliath moves past the notion of simply being a reactive character, struggling only to SURVIVE one crisis after another. Now he will strive to be proactive. To rededicate (reawaken) the clan toward their original life purpose. Extending the term "castle" to Manhattan island was always our plan. Even that was intentionally primitive in our view. Goliath doesn't protect New York City. Not all five burroughs anyway. That's beyond his medieval scope at this still-early stage. He can get his head around protecting an island surrounded by water. Not the whole world. But eventually, the plan would include expanding the clan's definition until Castle Earth was the only thing that made sense. Of course, that might not have been fully realized until 2158. But we'd have gotten there. And the World Tour was part of that process too.
PROBLEMS
(Besides Hudson's sword...)
--One line in the ep. that for some reason still makes me cringe is Elisa's "My car's big." It just seems awkward to me. Not sure why.
X & D watch Coldstone's progress from the castle. Almost instantaneously they're at Times Square. We always knew we were just skating by on that.
Goliath & Coldstone go into the water at the bridge TWICE within the span of a couple of minutes or so. The first time, Goliath nearly drowns. The second time he's completely uneffected (physically) by the experience. We get away with it because the second time he's diving in on purpose. But just the fact that we had to dunk them both twice is an awkward construction (and my fault). At least, Goliath looks good with wet hair.
Some really graceful animation here. Goliath has some great moves, and I love that moment when Matt and especially Elisa are diving into the snow, out of the way of the car that Coldstone has just thrown... And speaking of that scene...
TIMES SQUARE SEQUENCE
There's some very interesting, fun stuff here besides what I've already mentioned about it above. A sampling:
Explosions in Bambi. :)
Demona's Clan: Herself, Coldstone, a Steel Clan Robot and Xanatos in Gargoyle Battle Armor. It's so twisted. I love it.
Goliath's very smart here. He doesn't want the fight to take place in public and basically convinces Xanatos to take his side on the issue by flattering him. Goliath refers to Manhattan as "your city" (i.e. Xanatos' city), this despite the obvious fact that Goliath does NOT regard Manhattan as Xanatos' personal property. And Xanatos, usually immune to such stuff, falls for it -- maybe BECAUSE it comes from the ultra-sincere Goliath.
I also am very fond of the Mr. Jaffe book-ends. I think they're a lot of fun. And I love how Matt talks about Mr. Jaffe. It gives us insight into Matt's character, his background, his youth. His empathy for Jaffe really helps humanize him. Matt was always eminently human.
Signing off now...
"Because six monsters just told me to..."
Chapter XIII: "Reawakening" (background rambling)
I'm trying something different with this ramble. And because of recent difficulties, I'm going to break the Ramble into two parts. My thoughts on reviewing the episode last Friday night will need to be recreated from scratch. And I'll get to that as soon as I can.
But first I thought you guys might appreciate a little background. What follows is a long memo that I wrote to Story Editor Michael Reaves after receiving the first draft of writer Brynne Chandler Reaves' outline on our thirteenth and final episode of the first season. Pay careful attention to the date of the memo and the title of the episode. I'll comment on both sometime in the next few days...
THE MEMO (unedited):
To: Michael Reaves Date: 4-10-94
From: Greg Weisman Ext: 7436
Re: Notes on "The Awakening" / Outline for 4319-013 of GARGOYLES
GENERAL NOTES
This is a tough one, because in this episode, we have a very specific mission, which is to remind Goliath of his. In order to accomplish this, I'd like to focus both our efforts and Goliath's soul-searching. These aren't simple concepts but I'm gonna try and go through them in baby steps. This is less for our benefit than for the benefit of our audience & Goliath. (Remember, Goliath is a determined thinker if not a quick one.)
Goliath spends the episode searching for the true meaning behind the gargoyle motto, "A gargoyle can no more stop protecting the castle than breathing the air."
We begin by defining our terms. Goliath first needs to understand the following equation: "Castle = Home = Family = Community". He more or less learned the Castle through Family section in "ENTER MACBETH", but we'll need to reiterate the lesson in some way for our audience. Then we need to take him the final step from Family to Community.
After that (or perhaps simultaneously), he needs to decide on what is meant by "protect". Protect what? The physical structure he lives in? No. Again, Home leads into Family which leads into Community.
Protect why? To survive in a hostile environment? Ultimately and by the end of the episode Goliath decides/remembers that to survive is not enough. Coldstone and Demona provide cautionary proof; both of them are abominations of a sort, created in the name of "Survival". Survival ("breathing the air") is important, but clearly survival isn't enough. Goliath and his clan need purpose. They need to return to the mission: Protect the castle (i.e. protect the community).
This dovetails nicely w/Elisa's mission as a cop: "To protect and serve." And leaves us, at the end of our first season, with a more pro-active group of heroes.
SPECIFIC NOTES
Just a few specifics that aren't covered in the beat outline that follows.
Page 1.
--The trio saw snow last episode. Let's make the winter weather the backdrop to the action. Not part of the story.
--I don't think we want to light any fires in the clock tower.
Page 2.
--We no longer need Madame Serena in this story. Plus she adds another new element to a pretty full plate.
--Remember this is one of the spells that Demona ripped from the Grimorum back in "Temptation".
Page 3.
--Coldstone wouldn't name himself. It's not gargoylean thing to do. And he hasn't been awake long enough to know he needs a name. Let Demona do it.
Page 7
--I think we can fit the action of this story into one night, so this is kind of a moot point, but I don't think Demona would risk sleeping as stone in Xanatos' castle. She doesn't trust anyone that much.
--Let's not overplay Matt's conspiracy fettish. It's o.k., but we don't want him to come off as a "babbling".
Page 11
--Remember, unless we're getting biblical here, Gargoyles weren't "created". They have very strong territorial and protective instincts. These instincts are as strong as their survival instinct. But I want to make sure we don't imply that they were magically created by someone or something who gave them a mission.
Finally, if I could recommend a title change... how about "Re-Awakening" instead of "The Awakening". I think it's a bit more appropriate all the way around.
ACT ONE
1. Prologue #1 - Present Day Manhattan - All-Nite Grocery - Winter Night
--It's snowing in Manhattan and will continue to snow until the last scene.
--A lone thief holds up the owner of a small and otherwise empty All-Nite grocery store.
--Thief tells the owner: "I guess we just live in dangerous times.
2. Prologue#2 - Flashback to 994 A.D. Scotland - Castle Wyvern - Night
(Note this scene happened off-camera during part one of the five-parter, somewhere around page 24 of script #4319-001.)
--Goliath informs Hudson that they must leave to harry the vikings far away.
--He'll need Hudson's tracking skills.
--Demona and "pre-Coldstone" gargoyle (Goliath's rookery brother) are also present.
--Magus comes thru and says or does something obnoxious.
--Demona, secretly desperate for Goliath to bring them all along, asks why they bother protecting the human's castle at all?
--Pre-Coldstone agrees: "Let them keep the castle, we can survive anywhere."
--(We see he is of a semi-simlar mind-set to Demona, which explains why she uses him 1000 years later for Coldstone.)
--Hudson firmly states the gargoyle mission statement: "A gargoyle can no more stop protecting the castle than breathing the air..."
--Goliath instructs his rookery brother to stay w/Demona and protect.
3. Present Day - Winter - Clock Tower - Night
--Goliath's been daydreaming (at night) about old memories.
--Trio are going to a movie; they invite Hudson along.
--Hudson's a couch potato. He'll wait to see it on cable. Besides he's got to guard their home.
--Trio: We live over a police station. What could happen? We don't have to guard the place every night.
--Hudson tosses off gargoyle truism: "A gargoyle can no more stop protecting the castle than breathing the air..." (But that's just an excuse to be left alone.)
--Goliath reacts silently, realizing their mission has lost meaning for the gargoyles, even Hudson. Maybe even himself.
--Trio leaves ("We don't even live in a castle anymore...")
--As Elisa enters.
--She wants to know how gargoyles are "surviving" the cold weather.
--G says they're fairly immune... to the elements.
--Elisa starts to leave for her shift w/offhand remark: "Time to do a little of the old 'Protect and Serve'."
--G stops her to find out what she means.
--Police motto.
--But what does it mean? Protect who?
--(Maybe Elisa can get us from Castle to Family here.)
--Goliath decides to accompany Elisa on the night shift.
--Which is a bit problematic now that she has a partner.
4. Castle
--Demona has talked a reluctant Xanatos into another attempt to destroy Goliath.
--Xanatos & Demona use science & sorcery to revive creature made from cybernetics and mismatched gargoyle parts. (The head is that of Goliath's rookery brother, our pre-Coldstone, augmented by cybernetic-eye & etc.)
--Demona names him Coldstone.
(--Perhaps she represents Xanatos as her servant. Perhaps he allows it.)
(--Note: in this episode, I think we want to sense a tension between X & D, but I don't think we want to bust them up here. It's distracting and we have enough to deal with.)
--Coldstone's confused. Last thing he remembers is Goliath & Hudson leaving the castle. Then came sunrise and oblivion.
--Demona: "Goliath abandoned us to the mercy of humans."
--He has been seduced by their beliefs.
--It is because of him that you look like this....
--It's mirror time.
--Does audience see him or do we save that revelation?
5. Manhattan Streets / All-Nite Grocery / Rooftop across the street.
--Elisa & Matt are driving in her car.
--Goliath is following them from above. (She's given him a walkie-talkie or headset or something. She's basically wearing a wire so that he can be on her shift with her.)
--They investigate All-Nite grocery store robbery from scene 1. (Not a crime in progress. Remember, they are detectives, not beat cops.)
--While Matt questions the owner...
--Goliath, watching from above, is able to talk quietly w/Elisa.
--We get from Family to Community.
--Elisa: No one wants to live a prisoner of their own castle anymore. We live in a community. The whole community needs to work together...
--G: "To survive." (He still hasn't gotten it yet.)
--Radio call: "All available units."
6. Times Square.
--That tortured soul, Coldstone, is going bonkers.
--(He hated "Cats". No, wait... he hates humans.)
--(Physical strength only. No robotic weaponry yet.)
--Morgan and other cops are just securing the perimeter, keeping people clear.
--From a distance, Goliath surmises another Xanatos robot ploy. (He sees the occasional metallic glint. The rest is in shadow.) He won't be dragged into another of Xanatos' schemes.
--Elisa & Matt don't have that luxury. They approach the thing. Tell it to cease and desist, etc.
--Coldstone prepares to throw a small car at them or something.
--As Goliath reacts, we fade out.
ACT TWO
7. Times Square.
--With Elisa endangered, Goliath doesn't hesitate to intervene and save her and a flabergasted Matt.
--Now Coldstone really goes ballistic. Literally. Barrel rises from robotic arm and fires.
--Goliath dodges or maybe he is hit, but Coldstone is too shocked to notice. --He didn't know he could do that.
--(Xanatos had a pre-programmed battle mode built-into his circuitry.)
--While C is figuring this out, Goliath comes in and smashes him.
--It's only in close that Goliath realizes he's not fighting a robot.
--(Is this the audience's first full look at Coldstone too??)
--And it's only now that Coldstone recognizes G.
--But all this convinces Coldstone that Demona was telling the truth.
--Goliath is attacking his own rookery brother to defend a human.
--But Goliath is out-matched, and soon losing.
8. Inside Orpheum Theatre (Times Square).
--Trio are watching movie from balcony.
--(As Broadway did in "Deadly Force").
-- "There sure are an awful lot of explosions in this movie."
--But are those explosions coming from outside?
--Suddenly movie stops. House lights come up.
--On ground level, Morgan is ushering people out the back entrance, calmly and for their own safety.
--Trio exit to see what's going on.
9. Times Square.
--Trio arrive in time to save Goliath from Coldstone.
--Coldstone surrounded by all four gargoyles.
--Looks like the tide of battle might have shifted.
--We see gargoyles thru Coldstone's robot POV.
10. Castle.
--Matchcut to Xanatos office monitor.
--Seems he gets a direct feed on whatever Coldstone sees or hears.
--X to D: Looks like sonny-boy's having trouble making friends.
--(No indication that they're going to help yet.)
11. Times Square.
--Goliath does not attack; he's still trying to put everything together.
--Could this abomination really be his rookery brother?
--At first, Goliath doesn't talk to Coldstone, rather he speaks about "it".
--Which of course doesn't endear him to Coldy one bit.
--G tries a kinder, gentler approach.
--Might even be starting to reach him.
--G: What happened to you, pal?
--From off-screen Demona says: "We did."
--Goliath, trio and Coldstone turn to see Demona, Xanatos in Gargoyle armor and a Steel Clan Robot. Fade to black.
ACT THREE
12. Times Square.
--Stand-off.
--Demona: If you're going to bring your whole clan, you can't expect me not to bring mine.
--G: You call that a clan?
--Coldstone is torn, confused. What should he do?
--Demona: "Destroy Goliath. Destroy him, and we survive."
--Coldstone looks down at his cobbled-together form: "Is this survival?"
--Demona tells him not to be fooled by appearance.
--Goliath and the others have been corrupted by humans.
--"We are the only real gargoyles left."
--Travis Marshall pulls up in newsvan.
--While cameraman is setting up, Elisa uses "wire" to warn Goliath.
--Goliath appeals to Xanatos
--(Probably doesn't yet know that Xanatos IS one of the robots.)
--(G thinks he's talking by radio-link via the robots.)
--G: It's your city, X, shouldn't we reconvene someplace less fragile.
--Demona doesn't like the idea, but Xanatos insists.
--(She's not ready to sever their partnership yet).
--Xanatos quietly names a spot that only Goliath (and Elisa via their wire) can hear.
--The eight combatants fly off, severally.
--Marshall only gets the tail end on camera.
13. Clock Tower.
--Hudson sees Marshall's report on t.v.
--Discusses dilemma (theoretically w/Bronx, but he's really talking to himself).
--Goliath told them to stay and guard the tower.
--What should he do?
14. George Washington Bridge.
(Or whatever bridge is closest to Times Square.)
--Your basic battle royale...on the bridge, in the air. Among other things...
--Brooklyn goes after Demona.
--He's still mad at her from "Temptation."
--Which allows Goliath and Coldstone to continue their face-off.
--The Steel Clan robot is destroyed.
--Xanatos is forced to unmask.
--But generally, the bad guys are winning, if barely.
--Coldstone & Goliath plunge into the icy river.
15. The River.
--Coldstone's got a built-in breathing apparatus that extends over his mouth and nose automatically.
--As they struggle underwater, Goliath's losing air and consciousness.
--G. hears Hudson's voice: "A gargoyle can no more stop protecting the castle than breathing the air."
--Suddenly, Goliath is pulled out of the water... by Coldstone.
16. An Ice flow.
--As G. gasps for breath he sees that a battered Demona and Xan have the drop on an even more battered Trio. The fight is over; the good guys lost.
--Demona's glad Coldstone saved G. for her to finish off.
--But Coldstone wants some answers first.
--Coldstone: "You said if Goliath dies. We would survive."
--Again, he indicates himself: "Is that all there is... surviving?"
--Demona's almost tender with him, but what she says is something like: "That's all that counts."
--But Goliath has finally figured it out. Surviving is not enough. To merely survive at all costs is not the gargoyle way. Gargoyles protect the way gargoyles breathe. To forget that leads to true corruption. Not the corruption of humans, or even Coldstone's metallic corruption. But the bitter fanaticism of Demona's corrupt soul. Or something like that.
--Of course, Demona's not just gonna sit there and let Goliath speechify forever.
--She takes aim.
--Coldstone leaps between them, takes the blast and is blown off the ice into the water. He does not resurface.
--Goliath immediately dives in after his brother.
--Demona fires into the water at both of them.
--She is furious at Coldstone's betrayal.
--Trio try to take some advantage of situation, but Xanatos won't allow it.
--Suddenly, the ice seems to be hit from above by a cannonball that sends everyone reeling.
--That was no cannonball that was Bronx. Hudson dropped him from on high.
--Again, the tide has turned. And it's all Xanatos can do to grab Demona and rocket her out of there.
--Goliath comes up for air. There's no sign of Coldstone.
--Goliath has lost his only surviving brother.
17. Epilogue #1 - Bridge.
--The six gargoyles are climbing back up the bridge. (They'll need some height to glide home.)
--Hudson apologizes for abandoning their home, the clock tower.
--Goliath points toward Manhattan and says something like: "The clock tower is where we sleep. But our home is that island. Our castle is Manhattan. And gargoyles always protect their castle... and anyone, human or gargoyle who resides within."
--Elisa pulls up in her car. It took her awhile to get clear of Matt.
--Are they o.k.? Do they need anything?
--Goliath: "I need a detective."
18. Epilogue #2 - All-Nite Grocery - Dawn.
--The thief from scene 1 comes in again.
--The owner is scared at first but the thief is very contrite.
--He gives back all the money and asks the owner to call the police so that he can turn himself in.
--When the flabbergasted owner asks why, the frightened thief replies: "Six monsters and a cop told me to."
19. Rooftop across the street from the All-Nite Grocery - Morning.
--In the cold early morning wind amid hazy sunlight, Elisa stands on the roof across the street from the grocery store amid six horrific stone gargoyles.
--Elisa watches, as Morgan (at the end of his shift) takes the thief away in his squad car.
--Elisa: "Well, it's a start. Xanatos, Demona, you two are next."
--The sun breaks through the clouds, shining brightly on a beautiful winter's day in Manhattan.
--E: "You know, guys, the city feels safer already."
--She leaves them there to sleep and heads home after a long night.
--FADE.
End of memo. My real Ramble should come soon.
Now my own test...
Unfortunately, just about the time the server crashed, I had just finished posting a mega-ramble, now lost, on "Reawakening". (The thought of trying to recreate it is fairly intimidating.) Also lost was the answer to a Todd Jensen question about iron. (Sorry, Todd you'll have to repost.) Since then I haven't been able to post anything. Hopefully, things are working today. (But the queue is empty again.)
Test
Simple test ramble. Appears that things aren't working.
*sigh*
-Eric
Bad news...
Because of the server crash the SUPER-LONG ramble on "Reawakening" which I posted last night was lost. The thought of recreating it is miserable and intimidating. But I'll get to it eventually. Maybe tomorrow.
Also lost was an answer to a Todd Jensen question about iron. Sorry Todd, but you'll have to repost the question.
ANd meanwhile, the queue is once again empty, which may also be a result of the crash or may be because Gore doesn't have time to fill it up right now.
More Max
For some reason the WB chose to air a Max Steel rerun last week instead of the already completed episode 7. This week (i.e. Saturday 4/21) they're skipping 7 again to air episode 10 (I think).
Episode 10 was written by former Garg writer/story editor Gary Sperling. Its title is "Sphinxes".
Max Update...
Queue is still empty...
Meanwhile, Max Steel episode #7 airs this Saturday. It's called "Snow-Blind" and was written by Mike Ryan. This continues Sony/WB's current tradition of airing the durn things in REVERSE order.
For those keeping track, the following episodes have aired in the following bizarre order:
#1 - "Strangers"
#3 - "Shadows"
#2 - "Sacrifices"
#4 - "Sportsmen"
#9 - "Sabres"
#8 - "Sharks"
#7 - "Snow-Blind"
#10 should follow shortly. It features the villain Dragonelle. After that #5 will air, which INTRODUCES Dragonelle.
This is how my life is running these days.
Maybe someday the WB will air them all in order.
But I wouldn't count on it.
3x3 Update
Hello gang,
Well, my queue is still empty and I haven't watched Re-Awakening yet, so I thought I'd give you guys a 3X3 EYES update...
Today, we finished recording all the actors for the first volume. Here's the current cast list (and you can expect more familiar names in Volume Two).
Again, our two leads are...
Brigitte "Angela" Bako as Pai/Sanjiyan &
Christian "Max Steel" Campbell as Yakumo Fujii
Other Volume One cast members include...
Thom Adcox
Earl Boen
Susan Chesler
Mitch Cohen
Keith David
Bill Faggerbakke
Scott Forno
Jean Gilpin
Taliesin Jaffe
Jonathan Klein
Mia Korf
Erin Matthews
Yuji Okumoto
Rick Simone
Keith Szaribajka
Greg Weisman
Kelly Wilson
Of course, I worked with Brigitte, Thom, Keith D. and Bill on GARGOYLES.
And Christian, Thom, Jean, Mia, Yuji and Keith S. on MAX STEEL.
And I worked with Earl way back on BONKERS.
It's really a terrific cast. We've mixed 3/4 of the volume and it should be available from Pioneer this summer. (We'll be previewing it, or so I'm told, at Anime Expo in early July.)
Questions welcome...
Poor Gorebash...
He's working so hard -- probably much harder than me these days -- and I just keep answering ASK GREG questions.
The Queue is empty again...
Thank you Blaise
Blaise wrote:
In the end, two things above all others IMHO should be remembered in ANY debate of Goliath vs. Brooklyn:
1) Brooklyn admires and looks up to Goliath, despite any disagreements.
2) Goliath made Brooklyn Second-in-command because he felt Brooklyn was best suited for the job.
To put down one is actually indirectly putting down the other.
That bears repeating:
TO PUT DOWN ONE IS ACTUALLY INDIRECTLY PUTTING DOWN THE OTHER.
You guys can do what you want, of course.
And I certainly don't mind in depth discussions of either character. I thought Toku Kaioto's essay on Brooklyn was fantastic.
And I don't mind a fun poll like: "Ladies, which garg-hunk do you prefer?"
But I don't really see what you get by putting the characters' natures in opposition debate, as if they were or are in some competition with each other.
Now I promise, that was my last word on the subject.
Pet Peeves
More a rant, than a ramble...
One thing I'm less than fond of is people who seem to think that the only way to praise someone or something is to attack someone or something else in order to make the quote-unquote praiseworthy object more praiseworthy by comparison.
Look, if a thing is worth praising, then praise it. It doesn't matter how good, better or awful something else is.
I hear this all the time with movies and tv shows, music, etc.
Worse, in the business I'm in, I hear it all the time with people.
And I've heard my share of it regarding the characters of Gargoyles.
FOR EXAMPLE:
Someone's a huge Brooklyn fan. Can't figure out why Angela chose Broadway or whey "the clan puts up with Goliath". It's not enough to praise Brooklyn, the Brook-fan feels the need to attack BW or Goliath -- slinging mud on them so that Brooklyn's light shines brighter.
Or the reverse. People determined to defend Goliath or. Outraged by the tactic outlined above, praise Goliath not with actual praise for Goliath, but by attacking Brooklyn, i.e. by utilizing the same tactic. It just makes me nuts.
Now, I'm not saying that you have to like every character equally. (I pretty much do, but I'm daddy.) You're all welcome to have your favorites. And it's even fine with me if there are some characters you just HATE. Either because you think they're ill-conceived, or because you think they're unpleasant or whatever.
But what's the fortune in comparisons? It's all subjective anyway. In High School, in my AP English class (days of yore) I remember a long debate about Othello vs. Iago. Most of the class seemed determined to prove that Iago was a great villain by arguing that Othello was a feeble hero. But I didn't buy it. (Well, I did for about five minutes, but the mind rebelled.) If Othello is feeble, than Iago's villainy achieved nothing. A triumph over a feeble leader. Big Deal.
End of rant.
Theseus Addendum
One more thing, Aris,
About the Helen thing. I'm not trying to defend it, but I think the motivation wasn't any desire to possess a barely-pubescent Helen. I can't believe a guy who loved Antiope, wanting that. I think he was trying to stick it to all those young heroes of the new generation. I don't approve of his methods, and he wasn't able to pull it off even. But it was an act of rebellion. An act of societal perversion (as opposed to sexual perversion).
Anyway, that's my take.
Belated warning...
For those of you following MAX STEEL on the WB...
This past Saturday, episode nine "Sabres" aired. (This is the one largely set on a space station.) It was written by Cary Bates.
And yes, it was supposed to be the ninth episode. But instead it aired fifth.
So far we've aired...
#1 "Strangers"
#3 "Shadows"
#2 "Sacrifices"
#4 "Sportsmen"
#9 "Sabres"
And, yes.... ARGGHHHHH!!!!
Anyway, next up this coming Saturday (4/8) is episode #8, "Sharks", written by Katherine Fugate.
Me and Erin
I'm here with my daughter, Erin, and we're gonna answer a few questions together.
Enjoy.
A NEW CONTEST
Ladies & Gentlemen, I invite you all to enter our latest ASK GREG contest:
Why is that Villainess Smiling?
At the end of "Her Brother's Keeper", Elisa has a gun on Hyena, forcing the Packmember to surrender. Cut to a close-up of Hyena... who SMILES!!
In one hundred words or less, tell me why she's smiling.
RULES:
--All answers must begin with the following heading:
"THE HYENA CONTEST"
--ANSWERS MUST BE THOROUGHLY PROOFREAD! Spelling and punctuation count! Remember I'm a former and current teacher.
--Answers that run longer than 100 words will be disqualified.
--Answers without the correct heading will be disqualified.
--Answers must be posted to ASK GREG by the end of April. Answers posted in May will be disqualified.
Once I've read all the April answers (hopefully in May) I will choose a winner based entirely on my own subjective preferences. That winner will receive a prize of zero actual value but hopefully of some real fan interest.
Good luck.
Chapter XII: "Her Brother's Keeper"
I think Michael Reaves came up with this title. I wanted to shorten it to "Brother's Keeper" so that it would implicitly include the Trio, Goliath and his late rookery-brothers, Jackal & Hyena. But Michael talked me out of it. He was right.
This was the second out of three episodes where we attempted to do Kenner a solid by inserting a toy into the series. The Helicopter was a much more awkward fit than Brooklyn's motorcycle had been. But we all agreed to make it work. Originally, Lex was going to repair Derek's police chopper, but someone suggested using the Pack 'copter instead. So we tried to make it all play as organic as possible. Lex and the Simulator, to set up his ability to pilot the thing. Broadway bringing up the obvious question as to why winged gargs would need a chopper, so that the audience didn't think we were ignoring those points. Etc. And in the end, it still plays artificial. But fortunately it's in an episode that is othewise filled with tremendous emotional honesty. So maybe it all balances out.
Of course, the irony was that Kenner never made a gargoyle helicopter. Without telling us, they switched to a sky sled sorta thing, because they couldn't figure out how to do a helicopter that successfully interacted with the garg-toys' wings. No good deed goes unpunished.
Broadway: "If cops were meant to fly they'd have wings." I love that line.
Derek - This was part of our plan to turn Derek into Catscan. Of course, the Catscan name was eventually dropped for Talon. The original plan for Catscan had him being a scientist that worked for and was duped by Xanatos. Picture us trying to combine Derek and Anton. (I know it's a mind-bender. It was more like Derek's personality and Anton's expertise.) But the Garg Universe told me otherwise once we created Derek for "Deadly Force". He'd be the cursed one. And this was just step one. Step only, if we never got a second season. So we left it open ended. And I think it's a pretty stunning bittersweat ending. The snow starts to fall (all very symbolic) and we don't know if Derek will listen to Elisa's tape of Fox or not. And we leave Elisa, standing, wondering, thinking, as the snow falls. It's not your typical Saturday morning cartoon conclusion -- not even for a drama. What did you all think at the end of that after your first viewing?
The snow became a very important visual metaphor for me. I exchanged a few faxes with Japan to make sure (that contrary to the script) there was NO SNOW on the ground at Xanadu, no snow at all, until it starts falling during Elisa's last conversation with Derek.
CONTINUITY:
Sure, Jackal and Hyena were at large, but we establish here that Wolf and Fox are in prison. Anyone looking back at "Thrill" would know that this makes sense. Lex and Goliath take Dingo, J & H out on the roof. No human witnesses to their evil. And they didn't do anything against anyone but the gargs. But Wolf and Fox were photographed taking human (well, fashion model) hostages. So they go to prison. Dingo goes to Europe. J&H are still around to do mischief. But meanwhile, most normal humans still regard them as celebrities, until Hyena pulls a knife. (We had planned once-upon-a-time to make knives a bigger element/part of their arsenal. But it was a bit problematic S&P-wise, and it became moot after "Upgrade".)
Broadway, ever Elisa's biggest fan, thinks Derek should just trust her.
Brooklyn, still scarred from trusting Demona, points out that trust doesn't mean much without honesty.
Lex, still pissed at the Pack, just wants to catch them.
And it's nice to see Morgan and Matt again. If you like guys in towels.
Xanatos, as usual, is so cool.
"Never a gargoyle around when you need one."
"Detective. Always a pleasure."
"My life is anything but dull."
And that's just his dialogue. His plan is audacious. He has Owen call the Police, counts on Elisa and the gargs to rescue him from Jackal & Hyena. (We loved playing that irony.) And instructs Fox to tell Elisa everything. He's so confident, he even has no qualms about leaving Elisa and Derek alone to talk at the end.
And you gotta love a guy named Xanatos naming his retreat Xanadu.
I love the Hannibal Lechter inspired scene between Elisa & Fox. This of course was the moment when we all figured out what the garg universe already knew: "My god, Fox is in love with Xanatos." I hadn't known that back when Fox was created in the development days of yore. Hadn't known it when we did "Thrill". Hadn't known it until we were way into script on this. But there it was. And nothing would ever be the same. (Did you guys realize it there? And how far did you think we'd take it?)
Suddenly, the events of "Leader of the Pack", "Eye of the Beholder" and "Vows" seemed to spread out before me. And Alexander became a glimmer in my eye (if not Xanatos').
Elisa acts true to form here. What we'd spell out later in "Revelations" is already implied here. Elisa is extremely (if subconsciously) reluctant to share her gargoyles secret with anyone. Three times Goliath tells her to share her secret with her brother. Three times she finds an excuse not to. (Frank Paur found this repetitive. He tried to take one of the scenes and make it play more subjective. Like Elisa imagining a conversation with Goliath, while the actual Goliath was sleeping in stone. It was a sweet idea, but it didn't make any logical sense in terms of story flow and forced us to make storyboard changes and call retakes in order to get the version we've all seen.)
We loved playing irony. Elisa and Peter are right about Xanatos, but dead wrong about the way they're trying to control Derek's life. Diane and Derek are absolutely right about Derek needing to control his own destiny, but make the tragic choice of trusting that destiny to Xanatos. Those two scenes are terrific. (Helped immensely by vocal performances. And I also love Nichelle Nichols as the diamond exchange saleslady.)
Derek thinks Elisa thinks Xanatos is the "Prince of Darkness". "He practically is!" she responds. <SIGH> Tricksters are always being confused with Satan.
But that was more irony. It's not the demonic-looking gargoyles who are being compared to Satan. It's the handsome, rich Bruce Wayne-esque playboy. I guess the goatee helps.
My daughter's reactions:
As you may have gathered, it's become fascinating to me to see how Erin is reacting differently seeing all these episodes for the second time at age 5 1/2.
She was stunned at the end of Act One and following when Derek told Elisa that he was accepting Xanatos' offer. "That's not supposed to happen," she kept saying.
And all the trio stuff made her laugh. She especially liked Goliath's admonitions to the Trio: "Try to get along."
Brooklyn sure knows his pop-culture: Star Wars and Star Trek references within a few minutes of each other.
It was important to us to show that even guys as close as the Trio could get tired of each other. Sure they're all Rookery brothers and best friends. But if they had stayed at Wyvern (i.e. if there had been no massacre) they wouldn't have had to spend ALL their time together. At the very least, females would have provided a distraction. But here in the 20th century they're all they've got. So of course, there'd be good days and bad days. Like any siblings.
And of course, the sibling theme was central to the episode, including the Jackal & Hyena's relationship. The irony there being that they were getting along better than the Trio or the Mazas.
I loved Goliath's outrage at the lack of appreciation that the Mazas and Trio have for their siblings. It's very moving to me. (And helps us set up Coldstone for next episode.)
When Lex comments that if Broadway had his way, the garg-copter would be covered with food, I knew that we were pushing Broadway's eating habits into the dull one-joke tired category. I hate that line. And we tried to back off the eating jokes after that.
Anyone notice our tribute to Launchpad McQuack when Lex says "Any landing you can walk away from..."
Some gorgeous animation in this one. I loved what they did with the lighting when Lex gets Jackal and Hyena in the chopper's spot.
S&P
--The trio toss Jackal & Hyena out of their chopper. It's o.k. They're wearing parachutes. But did the Trio know that? Maybe with Jackal, since Hyena's chute had already opened. But was Hyena tossed to her presumptive death.
Yes. After all they're still thinking (first season) like tenth century warriors, not like twentieth century super-heros.
--One of the advantages to Syndication over Network is a more liberal S&P. We could show Broadway's fist heading into camera. We couldn't actually show him punching Jackal in the head, but we could show Jackal's POV of that fist heading toward him. A couple frames of black, and then we cut wide to Jackal on the ground, and we know what happened. But on Network, in "The Journey" or, say, "Max Steel", we are NEVER allowed to even imply a head blow. And we can't show a fist or gun or whatever pointed directly at camera (i.e. at the audience). Too disturbing, I'm told.
And finally, at the end, when Elisa arrests Hyena, I've got to ask, what do you think Hyena's smiling about?
Maybe that's the next contest...
Hmmm....
ATTENTION ANIMATION WRITERS-IN-TRAINING
Writer-Producer Kevin Hopps and I will be teaching a class through UCLA EXTENSION at Universal CityWalk
starting next week. There are still seven spaces available for "From Script to Cel: A Complete Writer's Guide to the
World of Television Animation" The class meets Wednesday nights, through early September (with a few weeks off in
the middle). In addition to Kevin and myself, we'll be having numerous guest speakers from every discipline of
producing an Animated series. And students will come out of the course with a completed spec script. I'd recommend this
class to anyone living in the Greater Los Angeles area who is truly interested in writing for TV Animation. If you're
interested contact Brandon Gannon or Kathy Pomerantz at UCLA Extension's Writer's Program. 310-206-1542.
Queue is empty again.
Sorry. I've informed Gorebash.
Nothing is in the queue...
I've passed Gore again.
Chapter XI: "Long Way To Morning"
"Long Way To Morning" This was my title, based on an idea I'd had from way early in the development of the series. It was always obvious to me that the fact that the gargs turned to vulnerable stone at sunrise, gave the series a built-in ticking clock that added tension. But given the gargoyles' healing factor (to borrow a Wolverine term) it occured to me early on that there might come a time when sunrise couldn't come fast enough. That was the origin of this episode and the title. (I think I may have even mentioned the scenario in the Series' Writers' Bible.)
The other obvious purpose of the episode was to give Hudson a showcase episode to equal the Trio tryptich. As I've mentioned before, Gargoyles was originally developed as a comic series, and one of the funny little gargoyles in that show was "Ralph", a very domestic couch potato Gargoyle who loved to stay at home and watch T.V. Hudson developed out of Ralph, but he spent much of the first few episodes "Guarding the castle" (or the clock tower). We'd given him some great action in AWAKENING. But we still felt a major need to UN-RALPH him.
I wanted to deal with his age as realistically as possible. To have him doubt himself, maybe even be aware of his limitations, but then have him prove to himself that he still had something to contribute. I think we basically succeed in that here.
But this ep afforded us other opportunities as well. Opportunities to explore Wyvern backstory in our parallel flashback story:
--We find out definitively that Hudson WAS the leader of the clan and that Goliath was his second. We also get to see the baton get passed.
--We learn how Hudson was blinded in one eye.
--We meet Prince Malcolm and get a sense of how Princess Katharine became the bitch she was at the start of "Awakening". I think this was very important in paving the way for her role in the "Avalon" tryptich. By the end of "Awakening", she's remorseful and has seen the error of her ways, but it doesn't change how badly she acted. But this episode reveals how and why her antipathy toward Gargoyles was created. It doesn't excuse her behaviour, but it helps to explain it enough so that we can buy her as a heroine when we next see her. Malcolm doesn't come off as well. I wanted to present how easily casual thoughtless words could be hurtful, and even lead to tragic consequences. My daughter Erin (age 5 1/2) had seen this episode at least once before. But this time, that aspect of Malcolm's inadvertent damage and Katharine's mistaken blame really grabbed her attention. The injustice of it really troubled her. Which is exactly the response I was looking for. (My kids are so cool. She also noticed Hudson's eye getting injured, and commented on how smart Hudson was to jump off into the waterfall.)
--I love the subtle changes that Jeff, Keith and Marina made in their voices when playing the young Magus, Goliath and Demona. It's interesting to see Demona's progression in hindsight from "Vows" to "Long Way" to "Awakening, Part One" to "City of Stone" to the present day. She really is a fascinating character, if I do say so myself. Here, you see her ambition. But no villainy. Of course, it made for a nice counterpoint with her vicious murderous tendencies in the present day story.
--Throughout production of this episode, I had to keep pointing out to the artists, etc., that the flashbacks all had a point of view, i.e. Hudson's. That Demona and Goliath's "private conversations" could NOT be as private as they thought. Hudson had to know what they were saying about him. Both because it further eroded his confidence in both the past and present (the true demon he had to overcome) and because if he didn't hear those conversations it would be cheating to include them in HIS dreams and flashbacks.
--We also intro'd the ARCHMAGE. A one-shot villain if I ever saw one, except that David Warner was so amazing, I knew I had to bring the character back. When he falls into the chasm, you can just here the Phoenix Gate exploding open down there. (Of course, to some people that sounded like him hitting bottom. Their mistake.)
Continuity:
Brooklyn still has it in for D. Broadway is now Ultra-Protective of Elisa. Hudson has superior tracking skills in the past and the present.
And Demona has clearly focused her hatred on Elisa. (Who, by the way, loses her second gun of the series.) It was important for these early episodes that we fool Demona into thinking that Elisa was dead. Otherwise, how else do we explain why she doesn't just kill her.
Demona at the end, uses her cannon as a club. This was designed to be ambiguous. Did Hudson's sword damage the weapon? Or was Demona just so furious that she wanted the satisfaction of cudgeling the old guy to death? Yeah, it was designed to be ambiguous, but no one ever EVER thought that the gun was damaged. They all assumed Demona just lost it. Which is probably true.
Speaking of that Waterfall thing, that image was important retro-pipe for Hunter's Moon, Part Three. (More on that in 54 chapters.)
Animation-wise, I just wish Demona hadn't come off as such a lousy shot.
I love Hudson and Goliath's last exchange. Goliath assures Hudson that he still has "Years of fighting left". Hudson, glad to be of use, is still less than thrilled at the prospect. It's a great wry beat, but it was also important to me to point out that no rational person would wish to fight like that forever. The gargs, including Hudson, fight the good fight because they have to, because it is their duty, part of their natural protective instincts. But none of them WANT to fight.
As usual, I'd like to encourage responses to this episode here at ASK GREG, particularly how you responded to viewing this for the first time.
MAX STEEL 104: "Sportsmen"
The fourth episode of Max Steel airs tomorrow morning on the WB (in order for a rare change).
It's called "Sportsmen" and was written by Jon Weisman.
It features a few guest voice actors that might be familiar to you guys.
Cam Clark for starters, the voice of Erik Sturluson and Young Gillecomgain.
And oh, yeah, a couple of guys named Adcox and Bennett. (Tried to get Faggerbakke, but he was unavailable.)
January RIP
God, I thought January would kill me. But it bit the dust.
February's next.
But I gotta recuperate.
MY LATEST PROJECT: 3X3 EYES
I think it's now safe to announce my latest project.
I'm voice directing the English dub of a two volume direct-to-video Japanese Anime series for New Generation Pictures and Pioneer. It's called 3X3 EYES, and it's the story, more-or-less, of a 3-eyed girl with multiple personality disorder and her teen-age zombie bodyguard. :)
The project isn't completely cast, but it stars
Christian "Max Steel" Campbell as Yakumo Fujii
and
Brigitte "Angela" Bako as Pai/Sanjiyan
There are a few other familiar names among the cast (many from either GARGOYLES or MAX STEEL or NAZCA).
So far the cast includes...
Thom "Lexington" Adcox
Keith "Goliath/Thailog" David
Bill "Broadway" Faggerbakke
Scott Forno
Jean "Yevshenko/Keita" Gilpin
Taliesin Jaffe
Erin Matthews
Yuji "Chang" Okumoto
Rick "Dan" Simone
Keith "Psycho/Mairot" Szaribajka
Greg "Nice Mask" Weisman
Kelly Wilson
I'm having a great time. I'll keep you posted on our progress.
Chapter X: "The Edge"
By the end of this episode, everyone is happy.
Both Goliath and Xanatos are afraid they've lost their edge. Both are convinced by the end that they've regained it. Both are at least partially deceiving themselves. [One of the little ambiguities that I love about the Xanatos tags is that one way to interpret them is that David is just full of it. He loses, but claims victory anyway.]
But David is just so lovable in this episode. You gotta love the villain who does NOT penalize his subordinate for beating him in a judo match. And he has such great audacious dialogue (kudos to Michael Reaves and Jonathan Frakes). A few approximate samples:
--"I'm the best friend you have."
--"If you're going to be picky, we won't get anywhere."
--"You're taking this much too personally."
And those were all in one scene. A scene where he's just standing out there awaiting their arrival. I mean, a guy as busy as he is... Is that confidence/arrogance or what?
And he's not afraid to get his hands dirty. Giving X the armor was essential. Up to this point, David had been only the brains. But to be a true reverse-hero, he had to be a warrior as well. Here we showed he had what it takes to mix it up. But always without being stupid. Question: How many of you knew the "red robot" was Xanatos in armor before the tag? Of course, now it seems obvious, but what about the first time you saw this ep?
And yet Elisa "Wouldn't want his karma." What goes around comes around. All that arrogance, had to receive some commeuppance. (Can anyone say Oberon?)
One thing that I thought was TOO OBVIOUS was the Steel Clan theft of the EYE OF ODIN. I would have preferred if that scene had been more ambiguous in Act One. Preferred that the audience maybe think that the Robot WAS Goliath, so that when Matt takes aim at the cliffhanger, we think he's going to shoot Goliath. The cliffhanger doesn't really play as is. Only Elisa is fooled, not the audience.
Everyone wonders why Xanatos donated the Eye to the Museum of MODERN Art. (Maybe because it had mediocre security, but adequate security cameras.) But what I want to know is whether or not Edvard Munch's "The Scream" is really at that museum?
Speaking of THE EYE, I may have mentioned that this was actually the idea of the Disney interactive video game people. We wanted to be synergistic, and I kinda liked the whole idea, so we put it into the show. It was another of our step-by-step additions to the continuity. Intro it as a minor maguffin. A dewdad for Xanatos. And build from there, with the eventual plan to actually make it Odin's eye. At some point in all this, we completely forgot that the idea came from the interactive people. We went back to see them months and months later and were reminded. Luckily the concepts hadn't gotten too far away from each other. But the design did. Unfortunately, our design wound up looking a bit Egyptian for my tastes. The Interactive design had a great Raven motif. (Oh, well.)
New characters (more or less):
A cameo by Derek.
The first mention of the Emir.
The first appearance of Travis Marshall. Michael and I worked this guy out together. He wouldn't be one of those fluff journalists. He'd be old school. He wouldn't whitewash David, just because the guy was a rich man. We always made sure to give Travis that edge. And still, I always felt we underused him. In this episode, Matt gives him a lift in Derek's chopper. Matt says, "You owe me one." Eventually, I'd like to see Matt collect on that favor in a story focusing on the two of them.
And speaking of Matt...
The first real appearance of Matt Bluestone. This guy was largely Michael Reaves' creation. (Although the "Bluestone" name was one of our earlier choices for Elisa's last name. After Chavez, Reed and Chavez, but before Maza.) At first, I admit I was dubious about him being a conspiracy nut. But it so worked. And this was the first time I ever worked with Tom Wilson. He's just so great. And so damn funny to have in the booth. (I love him in FREAKS & GEEKS.)
Matt & Elisa discuss the Illuminati, UFO's and Loch Ness. I love how dubious she is, with her inside joke: "Believe me, the world's strange enough as it is." Little does she know.
But my favorite thing about Matt is that ultimately he's a healthy influence on Elisa... "Maybe that's when you need one [a partner] the most." He's just a really good guy.
As usual, characters keep their promises. Matt vows to find out what those creatures (the gargs) are. And by God, eventually he does.
More on continuity...
Elisa's only JUST coming back to work. In cartoon terms, the fact that we waited this long after her gunshot wound, was a relative eternity. The height of cartoon realism. It doesn't seem like very long, but months passed between the original airings of DEADLY FORCE and THE EDGE.
And Chavez won't let her go back on the job without a partner. Michael conceptualized Matt -- after I mandated the creation of Elisa's partner. Cops have partners. It is one of the defining things about cops. When cop-shows show cops working solo, it always bugs me. I felt we got away with it for a bit. But it was time to make Elisa a more real cop. And that meant a partner. Not a bad guy. But someone who could potentially cause her trouble. And yet still really be her partner.
Broadway is still very solicitous toward Elisa. Taking the tv from her. It's sweet.
Random stuff:
The show is gorgeous to look at. (Thanks Roy, et al.)
I love Lexington's line when he regains consciousness: "We're still alive. How come?"
Watching the show this time, my daughter was very nervous that the Statue of Liberty would be damaged in the battle between our gargs and the Steel Clan. But when Broadway nailed one robot by impaling him with a metal claw from the other robot, Erin said, "Nice one."
Goliath is reading Dostoevsky. Are you?
Max update
The "second" episode of Max Steel, "Sacrifices", should air this Saturday morning on the WB (check local listings).
For those hopeless few attempting to keep track continuity-wise, this one was designed to fit between the two you've already seen, i.e. after the pilot episode (set in Berlin) and before the origin/flashback episode (set largely in Paris).
Chapter IX: "Enter Macbeth"
Another episode by episode ramble. Feedback encouraged.
So here's where all that great continuity got us in major trouble.
The episodes were all designed to play in a certain order. But I didn't tell my bosses that in advance. I know it sounds sneaky, but it wasn't really. We wrote the darn things and sent them off in order. It never occured to me they wouldn't be able to come back and air in order. I mean, how could a newer episode get the jump on an older one? How could an older episode not be ready before a newer one? Then the footage came back on "Enter Macbeth".
This was the first episode not animated in Japan. And immediately we knew we were in trouble. I'm not talking about the version you all have seen. The one that aired. I'm talking about stuff you never saw. Much of the original footage we got was unusable. This wasn't about just calling retakes. This wasn't about us bitching how "Thrill" wasn't as well animated as "Awakening". This was a major disaster. So my bosses said: "Air the next one." And I responded, "We can't."
And not just because they were all designed to air in order. It was a horrible coincidence, but this episode, this episode that was unairable, was a tentpole. Yeah, if Thrill or Temptation had been reordered it would have been sad. Same with "The Edge" and "Long Way To Morning". But big deal, right? Better to get a new episode out and not make the audience deal with repeats this early in the season. (Remember, we had aired our first five episodes in one week. This was only week five. In those days, week five was considered way too early in the year for reruns.)
But this was the follow-up to Elisa's injury. It was important to us that we continue our policy of "repercussions". We put her on crutches to show that a gunshot wasn't something that was solved in twenty-two minutes. This was an ongoing recovery. If you pulled the crutches out by airing Edge next, you blew out the sense of repercussions.
But that wasn't the clincher. Of course, the clincher was the Clock Tower. This was the episode where the Gargs were "banished" from the castle and moved to the Clock Tower. That was a major shift. If we cut straight to Edge, the audience would be lost. Fortunately, Gary was convinced. In a way, I was lucky that our first crisis of order came on such a pivotal "tentpole" episode. We couldn't reorder these. So we went with reruns. But it was a lesson learned. And it would effect the way we approached the second season.
But meanwhile, we had the problem at hand. We couldn't reanimate the entire show. So we picked shots to redo judiciously. There are still some awful looking scenes. When Goliath says, "How Dare You?!" to Elisa, he looks like an Animaniacs parody of Goliath. And that sarcophogus/iron maiden thing that Goliath follows Macbeth through looks like a prop out of CHIP N DALE'S RESCUE RANGERS. (Another perfectly good series, but with a slightly different art style, if you know what I mean.) Or how about the GIANT remote that Macbeth pulls from his duster in order to summon his ship? "Enter Macbeth" is still, as aired, the worst looking episode of the first season. And that really killed Frank and I, because we both really loved this story. We were sure that the bad animation would kill any interest in Macbeth. The fact that generally, the character did catch hold of fandom's collective imagination is a true testament to the work of Steve Perry, Michael Reaves, John Rhys-Davies and Jamie Thomason. And, oh, yes... William Shakespeare.
The weak picture forced us to use a lot of little tricks to get a final cut. One thing we did, which I regret, is reuse dialogue. Elisa says "You aren't safe here" like three times. And it isn't three different takes. It's just the exact same take reprinted and reused. Lex & Brooklyn also reuse lines to get Bronx to find Goliath. That sort of thing drives me nuts.
There is one really nice moment in the animation. When Macbeth chooses his sword off the wall, the reflection effect is quite sweet. And I also like the down shot of Bronx running right down the middle of Broadway (the street not the gargoyle). I also love how Goliath makes no attempt to hide. That really spoke to the Gargoyles attitude about living among humans. They wouldn't hold press conferences, but they would not cower.
Anyway, we ran reruns. Awakenings. And obviously all five episodes on five consecutive weeks. That might have been a good thing for people who had heard about the show by word of mouth in week two or later and needed to catch up. But for anyone who had been following the show from its premiere, it was a long time to wait for new episodes. By the time we came back, so much time had passed since "Deadly Force" that we felt the need to put a "Previously on Gargoyles" at the head of the episode. Another trick I cribbed from HILL STREET BLUES. Cartoons rarely did that sort of thing. Sure multi-parters had to. But single episodes... For some reason, it made me feel very grown up. (Which only proves how immature I really am.) The "Previously" also allowed us to cut 30 more seconds of bad looking footage out of the episode. That little bonus was something I'd remember for season two as well.
HOME
As we pushed guns in the previous episode, this one is laced with the imagery and language of home. What is it? What makes it? What price is one willing to pay to keep or secure it? There are four homes depicted. Well, really five. The Gargoyles' castle. Xanatos' prison. Macbeth's mansion. The Clock Tower. And the Castle again, once it is reclaimed by Xanatos and thus becomes a very, very different place.
I tried to make sure, as much as possible, that every episode had that kind of underlying theme. (I recently tried with very limited success to do the same thing in MAX STEEL. Someone asked me once, why the one-word S-Titles for all the Max Steel episodes. They were my attempt to make me and the writers focus on the theme of each story.)
And how do all these homes turn out? Macbeth is so obsessed that he loses his home to a fire. Xanatos finally gets out of prison. (Not on Halloween by the way, or that would make the dates depicted in Double Jeopardy innacurate. Obviously, Halloween was circled on his calendar because the guy just loves Halloween. And after all, Owen specifically says in a LATER scene that Xanatos has one week left before he gets out. The wall calendar had shown only a few days.) The Gargoyles lose the castle, gain the clock tower, but realize that home is literally where the heart is. And Xanatos... well all other concerns of Grimorum and gargoyle of destruction and competition pale next to the simple pleasure of being back home.
And how many of you were suprised that the Gargoyles lost the castle? That was supposed to be another pretty shocking development. I mean, sure, Batman might lose the Batcave for an episode, but for 56 episodes? When Goliath said "We'll be back to claim that which is ours" at the end, did most of you think he'd be back next week? Next month? By the time, the gang finally did return in chapter 65, did anyone still remember Goliath's vow?
MACBETH
I've discussed this before, but Macbeth's origins (at least in terms of our series) were (ironically) an early attempt to play the notion of THE HUNTER. I was looking for someone human who could physically take on the Gargoyles as prey. Someone smart, with an agenda. We actually started with the notion of trying to create our own KRAVEN THE HUNTER type character. But it quickly moved in its own direction. Frankly, away from Kraven and more toward BATMAN. In those days, we were constantly being told that we would be accused of ripping off Batman. So Frank, Michael and I decided to create a villain who, at least in M.O. would be our Batman.
I had a semi-separate idea to add a human to the cast who was from Goliath's time. Thus creating a good thematic nemesis or opposite for him. (The key to creating a good villain, in my opinion.) But this villain would have lived through the centuries. So that he was familiar with the very latest in technology. This dove-tailed with our anti-Batman, and was also exactly how we viewed Demona. So it soon became clear to Michael and I that the two characters must be connected in some way. That suggested that he shouldn't merely be 1000 years old. He should be Scottish as well. All that was left was a name. And given my love of Shakespeare, I'm surprised it took me so long to figure it out. Our nemesis was Macbeth himself. An immortal Scottish King. What Scottish King was more immortal than Macbeth? More mortal too for that matter.
This was the beginning of countless Shakespearian references that I would either slide (or force) into the show, or that the writers would stick in knowing I was a sucker for them. And I love the little exchange between Lex & Brooklyn...
[dialogue approximate]
LEX: "Wasn't "Macbeth" the name of that play by that new writer Shakespeare that Goliath was talking about?"
BROOKLYN: "Have you read it?"
LEX: "No. Have you?"
BROOKLYN: "No. But maybe we should."
This was my little way of trying to encourage our viewers to read or at least learn about the play. If they wanted to know who Macbeth was, it wouldn't hurt to go to the primary source.
And at the time, Shakespeare was my primary source for Macbeth. This was long before Tuppence Macintyre and Monique Beatty did all their research for me for "City of Stone". Back then, the only Macbeth I knew about was Shakespeare's.
We gave him a sense of honor, but a twisted one. And we gave him a very interesting motivation. I didn't yet know the particulars, but this guy was after Demona in a major way. He had stained glass windows in his home depicting the two of them. He was the man who named her. It was all pretty intriguing stuff to me. I love the exchange between him and Goliath. Goliath is a pawn. Mac wants the queen and believes that endangering Goliath is the surest way to ensnare Demona. And how does Goliath respond? By gum, if he doesn't laugh -- MANIACALLY!! And watch how the tables turn. Macbeth is not infallible and suddenly Goliath has him on the defensive. Goliath even uses a MACE!! Great stuff.
Incidentally, we had in the script described Macbeth as wearing a thin layer of exo-armor. And Goliath was supposed to dig his claws into it. Macbeth would escape by detaching from the armor. Instead, the artists did the bit with the duster coat. But I remembered the claws in armor thing and eventually found a place for it... in HUNTER'S MOON, PART THREE.
Finally, watching the episode tonight, my five year old daughter said she spotted the Mona Lisa on Macbeth's wall. I didn't see it. But I believe her. And I wouldn't be at all surprised if that was the original. Too bad about that fire.
Chapter VIII: "Deadly Force"
Another ramble as I review the entire series. Comments welcome.
"Deadly Force". I have to admit. I never liked the title. It always sounded too generic to me. Michael Reaves pointed out how appropriate it was, but "Temptation" had already given me a taste for one word titles. I came to prefer those, unless I was given a damn good reason not to.
The third episode of our trio tryptich. Broadway. Broadway and Goliath. Broadway, Elisa and Goliath. But this episode represents so much more.
If you were watching the series in '94 during it's original run, and you didn't already think, "Hey, this is different." Then by the end of Act One of "Deadly Force" you knew. I don't know if there's ever been a cartoon like "Deadly Force". A mainstream media production. We had had up to that point a few fairly shocking cliffhangers, a few fairly shocking events, but what equals Broadway pulling that trigger, the suddenly "empty" kitchen and Elisa lying in a pool of her own blood as we fade to black and cut to a commercial?
Where do I start? With pride, I guess. I am extremely proud of this one.
Guns. My personal stance on gun control isn't an issue. Not in this episode. This is about something that I think every even vaguely intelligent person can agree on. Guns aren't toys. Guns aren't "cool", no matter how they're depicted in the media. Guns demand respect. Elisa is at fault. Broadway's massively at fault. Because neither held enough respect for the weapon. (Now one might argue that Elisa lived -- nominally -- alone. It didn't occur to her that she needed to be more careful with her weapon. But it should have. She's a cop. She should know better.) As I write this, as I watched the episode tonight, my head is of course filled with thoughts of the six year old boy who yesterday took his uncle's gun to school and shot a six year old girl, killing her. And I don't want to sound arrogant. But I am angry. And I feel like this episode could really help people. That parents should HAVE to watch this with their kids. Required viewing. And the fact that Toon Disney won't even air it...! I'm furious. Simply furious.
Guns are the least of it. We wanted to send a message about repercussions. Real world repercussions. I wanted our series to be ABOUT repercussions. Demona and the Captain betray Wyvern. There are repercussions. You can't fix things. You can't go back and change it. That's why time travel in the Gargoyles' Universe has such STRICT laws. Without those laws, you remove the dramatic law of repercussions. The real world law that actions have repercussions. This episode was our ode to repercussions. The guns were just our means to an end.
Still, guns would be our medium and the episode is laced with them. With gun imagery. With gun language (e.g. Chavez referring to Dracon's alibi: "He's bulletproof.", etc.). I don't think the episode is too pedantic. I hope it's honest. Probably the most dishonest thing in the story was that Elisa DIDN'T die. Forgive me for that. But I couldn't let her go just then. Still, I think we gave our audience a bigger scare in this one then in most of the other episodes combined. Maybe she would die. There's a sense of scary (again real world) vulnerability in this. And we tried to make her injuries and suffering as realistic as possible. We weren't doing E.R. (or St. Elsewhere, since E.R. didn't exist back then), but we did try to make the medical stuff play true.
All this makes me proud. Proud of what's on the screen.
But there's a whole other side to the making of this show that makes me proud. For what isn't visible on screen. For teamwork. This is a story that seemed to need to be told. Most of the springboards for the 66 chapters came from me, but this one was waiting for us. My bosses Gary Krisel and Bruce Cranston were behind the story from the start. Michael Reaves wrote an amazing script, and my God the thing is beautifully made. No one balked. Not our S&P executive. Not our bosses. No one. Think about how amazing that is? We had one of our young heroes pick up a very REAL gun and shoot our female lead in her own kitchen. That's pretty intense.
And fairly rewarding. Even our publicity department saw the value in this one. They got advance copies and sent them out. We had (always had) phenomenally good reviews. But this episode brought us praise from the kind of parents groups that most action cartoon shows usually fear. People got it. They got it. Dr. Madeline Levine wrote a book called "Viewing Violence". It's a fairly sobering study of the effect of modern media on impressionable minds. Disabused me of a few notions, I'll tell you. But she praises GARGOYLES, specifically this episode, in her book. People got it. But not TOON DISNEY people, I guess. They show a huge lack of respect for everyone who worked on that show. Everyone who did or might benefit from it.
(Re: The pool of blood. When it first came back from Japan, the pool of blood was much larger. We pulled it back by calling a retake. This wasn't cowardice on anyone's part. This was us trying to get our message across. We didn't want kids goofing on the pool of blood. Interested in the pool for the pool's sake, so to speak. We wanted enough blood there to make it real. To scare everyone. But we didn't want the pool to be distracting. And also we didn't want to imply that Elisa had already bled out.)
CHARACTERS
Broadway - First and foremost, this was still designed to showcase Broadway. All our nobler aspirations wouldn't matter if you walked out of this episode still thinking of the big guy as an eating machine and nothing else. So let's start by praising Bill Faggerbakke and voice director Jamie Thomason. Bill's performance is wonderfully poignant without falling into bathos.
And man, who is the scariest gargoyle when angered? Goliath? Demona? How about a vote for old Broadway? Guilt and anger tear him apart, and no one's safe. He PALMS Glasses for God's sake. He's young but maturing fast. I only had vague notions of Angela at this time. And I sure didn't know they were destined for each other. But I can see it here. The child who's done something so bad he's afraid to go home, ultimately taking responsibility for actions too horrible for most of us to face. Amazing strength of character.
Elisa - A secondary purpose (tertiary?) was to demonstrate that Elisa was a real human being, with real connections. A real life. She has a boss (introducing Maria Chavez), an apartment (introducing the loft), a cat (introducing Cagney). And she wasn't born a twenty-something police detective. She has a family. A father (introducing Sgt. Peter Maza), a mother (introducing Diane Maza), a brother (introducing Derek Maza) and a sister who's away at college (we even get a photo peak at Beth Maza). This wasn't some cypher who existed only to facilitate things for the Gargoyles. This was a woman whose life extended beyond their reach. A woman who now lived in TWO worlds. With two sets of hospital visitors.
Elisa's ethnic/racial make-up parallels actress Salli Richardson's, who has both African American and Native American ancestry. This is where serendipidy played a roll. We'd later get stories out of her multi-racial background. And it paralleled the inter-species romance we were preparing to build slowly. Sometimes, everything just goes your way.
Goliath - He says he'll find the man who shot Elisa and "Make him Pay". We didn't have to say "kill" there. Again, because this early in the series, we could all easily believe that Goliath could kill. And in fact, when Broadway tells Goliath that he "can't" kill Dracon, Goliath's response is: "You think not?" All the gargoyles had an edge of danger. We may have lost some of that along the way. It's natural. You get to know characters, you stop feeling tense around them. But here, both Goliath and Broadway go a little berserk. And we don't know how they'll act.
And Goliath already loves Elisa. It's so clear to me. The way he touches her hair. The way he reacts to her being shot. He loves her. He doesn't know it yet. But it is SO there. That moment when Goliath tells Broadway that they should go see Elisa, and Broadway is thrilled because he thinks that means that Elisa survived. And then Goliath stops. Because he realizes he isn't sure if Elisa is still alive. It slays me.
And meanwhile, Goliath is adapting fairly fast to the modern world. He clearly got his head around the idea that Xanatos was put away for possessing "stolen property", so he leaves the busted gun in Dracon's lap to make sure Dracon goes away too. He says as much. Not bad for a medieval gargoyle.
And this whole episode is a character-fest. Besides the above mentioned Family Maza, etc. We bring back Bruno, head of Xanatos' security. This was intentional. Establishing that the commandos from episode 2 were just Xanatos' security team being given an unusual assignment.
There's Dracon (pre-stripe) with Glasses and even Pal Joey. Rocky Caroll really brought Glasses to life. I like him. And Dracon, well, I just love his old-fashioned "noive". Calling Elisa "Honey" and "Sugar". Sending Glasses off to sell guns right in front of her. He's pretty fun in this episode.
Owen is incredibly cool. You can really see the Mr. Smithers influence in this one. Times ten. He fights, he negotiates. He manipulates. He's a phenomenal proxy for Xanatos. A true trickster with a low burning flame.
We also introduced Doctor Sato. I always planned on using him more. We just never found the story. Too bad. I liked him a lot.
And we cameo Matt. Originally, Chavez's driver was going to be Morgan. But we had already started work on "The Edge". We knew Matt was coming. So we decided to preview him here. Just a nice little touch for anyone paying attention.
MISCELLANEOUS STUFF
I'd love to know a little bit more about the movie "Showdown", a black and white western that was premiering in 1994. A score by Ennio Morricone (channeled through Carl Johnson -- a guy who doesn't get enough praise for the stunning work he did on the show). And the movie seemed to be a hit. Go figure.
And what about that movie theater. The balcony is closed. But they're storing bags of pre-popped popcorn. How old was that stuff?
Finally, Owen is very specific about the 37 missing weapons. Early on, I tried to keep count. To allow Broadway to eventually account for every one of those guns. But that was one detail that got away from me.
Chapter VII: "Temptation"
[More rambles on individual episodes. As usual, I encourage you to post your responses here.]
Part two of our trio tryptich. Brooklyn looks pretty cool in this one. I have to admit, I didn't realize what a break-out star Brooklyn was back then. I mean I liked him, but I didn't yet realize how much he would really capture a huge chunk of fandom's imagination. (Of course, back then the show hadn't aired yet, so there wasn't any fandom.) But seeing this episode in hindsight, you can sure see how cool this guy was. Good-looking with the hair and the muscles and everything. Even the snout adds to the look.
And he's so sympathetic too. Yes, he gets "turned" by Demona. But he immediately realizes that what she's doing is wrong. He admits his mistake and tries to correct it. He's such a good guy. Later, of course, I'd recognize the star power and attempt to give him his own series: TIMEDANCER.
Back then, of course, I had really modeled the ensemble nature of the show on HILL STREET BLUES. Goliath was my Frank Furillo. Everyone would get their own stories, but Goliath carried the weight. So, although the tryptich was designed to deepen the characters of the trio, you can see that each episode also prominently features Goliath. THRILL: Lex & Goliath. TEMPTATION: Brooklyn & Goliath. DEADLY FORCE: Broadway & Goliath. (And later, LONG WAY TO MORNING: Hudson & Goliath.) Don't get me wrong, I don't regret this at all. I think those are all great stories, and without Goliath they would not have worked as written. But I think the design of them betrays a bit of insecurity. We weren't sure if the other characters could carry their own episodes alone. The nice thing about the tryptich (and LONG WAY) was that it proved to us what a strong ensemble of characters we had built.
Lex has some real attitude here: "You rode a horse once, does that mean you could build one from scratch."
The motorcycle is interesting. It was one of three toy driven elements we consciously put into the show. (The others were in "Her Brother's Keeper" and "Eye of the Storm".) It was a rare moment of Kenner and Disney being in semi-synch. And the toy actually looks like the motorcycle. But of course, what the hell were we going to do with a motorcycle? How could we make that an on-going element in the show. Sure Batman has a batmobile, but the garg-cycle just sounds silly. So we put it in, but Michael, Brynne, Frank and I are so subversive that we blow the thing up before the end of Act One. Kenner never said anything. I'm not sure if they ever saw the episode. (But we weren't being very good partners.) But what goes around comes around. I'll tell the flip side of this when I ramble on Keeper and Storm.
S&P required that Brooklyn wear a helmet when riding. That was fine with me, but I wanted to make an effort to make it organic. Brooklyn puts it on because it's "All part of the look." Helmets make it cooler. Thus helmets are cool. Thus kids will wear their helmets. Aren't we sneaky?
Also, Brooklyn loses yet another pair of sunglasses.
Morgan's back. But he litters. That always bugged me. Talk about setting a bad example.
And is that Margot Yale's actress sister on the television sitcom saying, "Who do you think you are... Elvis?" [Add laugh track here.]
CONTINUITY
"Kindred Spirits" - Brooklyn quotes Lex from Thrill and attempts to make the same kind of connection with the bikers that Lex attempted with the Pack. With similar results. Later, Demona refers to Lex's little adventure with the Pack. This was the moment when Michael Reaves and I decided to attempt to treat the series as episodic but sequential. The order of the episodes would matter. Yes, you should be able to enjoy any individual story... but viewing is enhanced when you see the shows in order. This was not an obvious decision. Most shows REQUIRE that episodes are airable in ANY ORDER. We had that requirement too, up to a point. But we wanted to add something more. To play with continuity. With evolving lives. This wasn't an issue in the pilot five parter. Of course, that had to air in order. And then there was Thrill. Just the first one we made after Awakening. That aired next. But we didn't think about it. But here, we had to decide. So we opted for an episodic but sequential series. (My favorite kind.) We referred to previous conversations. (Elisa's still pestering Goliath about the Xanatos-ticking clock.) And we laid pipe for future episodes, by having Demona rip a few spells out of the Grimorum. (At the time, I didn't even know what those spells were for. But I knew she had them. I knew we'd use them.) We had Demona admit she had lied about how she had survived to the present. Etc. Anyway, all this continuity would later bite us on the ass a bit. (I'll talk more about this when we get to "ENTER MACBETH", which forced us to slightly change our M.O. for season two.) But again, I have no regrets; I think it's one of the things that makes the show special.
Meanwhile, how did Demona know about the Pack & Lex? Although the pact with Xanatos clearly hasn't been broken yet (not till CITY OF STONE, obviously), she also doesn't exactly have free run of the castle. She has Brooklyn steal the book. Of course, she wants Brooklyn complicit. And it's hard to sneak around the castle, when the Gargoyles (at least think that they) are the proprieters. I just always wondered whether Demona might not have been following Lex & Goliath around throughout that entire Pack battle. Or whether, Xanatos just phoned her and told her. Obviously, the former is much more interesting.
ANIMATION
Another great looking episode that we didn't fully appreciate at the time. Lots of great little touches. I love when Demona casts her spell, and then closes the Grimorum with one last flash of magic. So cool. And, as I said, Brooklyn really looks great throughout.
But there are a couple things...
The bikers approach Brooklyn. They get very close, and he's not in shadow. But they don't notice he's a "monster" until he takes off his helmet. What?! The snout didn't give it away?! That scene continues to drive me nuts. I just hate how it was staged.
And when Elisa's lecturing Goliath she is wagging her index finger in his face. That's annoying enough. But worse, the finger seems to get longer (like Pinocchio's nose) the more she wags (or nags). It's sorta mesmerizing. In that scene, I can't see anything else.
CHARACTER
I love how Marina Sirtis' voice bristles when Brooklyn mentions Elisa to Demona. Demona/Marina forces herself to say that the Detective may be "The exception [to human evil] that proves the rule." It seems sincere, but I really hear the hatred underneath.
Elisa tries to talk Goliath into leaving again. This time, she's got an idea where he can go. (So although that seems to be a repeat of their conversation from THRILL, we actually advanced that plot too. Weren't we smart?)
[And yes, I realize that all these rambles sound incredibly arrogant and immodest. I'm sitting here praising me and my team's own work. But what can I tell you? I do really like it. And I figure you guys might still be interested in my -- totally biased -- observations.]
Anyway, I love how what Elisa's saying to a very close-minded Goliath plays right into what Brooklyn heard from Demona. Brooklyn tries to argue Elisa's point. Putting Elisa and Demona, ironically, on the same side. Kudos to Brynne and Michael. It's a great little scene. Of course it ends with Brooklyn and Goliath turning to stone mid-argument. Just like Lex & Goliath did in the previous episode. Frank came to me and warned me not to do that again. Twice in two episodes was enough. At least for a while.
I also love Goliath's lines about "half-truths that [Demona] has thoroughly embraced."
LITTLE TOUCHES
Goliath just loves saying "Joy-Ride". It seems so pleasant.
Lex's double take reactions to finding out the motorcycle was blown up.
Elisa's "Thanks, I think." reaction to Brooklyn saying that he knew that she at least was a worthwhile member of the human race. Brooklyn still isn't quite free of prejudice. A work in progress.
The DEAD BODY. I held my breath on that one. We've got a chalk outline. And a corpse in a body bag. I was sure S&P would balk. But Adrienne was great. She saw that it was important to the story. And since we didn't dwell on it or explain it, she figured little kids wouldn't get it and/or be traumatized. As you can see we had a great working relationship with S&P. I mean, a DEAD BODY! It still shocks me.
Did Demona pay that family to perform their little scene for Brooklyn? I didn't think so at the time. But now I'm suspicious.
Brooklyn has a perfectly innocent line about the Cloisters being a place like the "world we came from" or something like that. Meaning of course, the medieval time that they came from. Once this aired, I immediately start seeing e-mails claiming this as evidence that Gargoyles are from another planet. This misapprehension may be one of the reasons I so quickly got involved with fandom.
Did we cheat? Elisa solves Goliath's slave-spell problem by using the spell to unhex him. I love that little bit. But Michael Reaves and I had a long back & forth discussion where we debated whether we were cheating the audience. (I seem to recall that at different times he and I both came down on both sides of the argument.) We finally decided to go for it. And again, no regrets. I do think it worked. And we sort of both promised each other that we wouldn't pull that kind of thing again. (Airwalker, I think there's a mention of this in the City of Stone memo I sent you.)
A quick Max Steel update...
Last Friday and Saturday, the Max Steel pilot, episode #1: "Strangers" aired on the WB... twice.
Unfortunately, the rest won't be airing in order. For a change, this isn't being caused by some bizarre scheduling perversion. The truth is that episode #2 isn't ready yet. Almost. But not quite.
So instead, this coming Saturday (March 4) the WB will present episode #3: "Shadows", written by Lydia Marano.
As the writer of episode #1, I do want to point out that I do know that the Berlin Wall was torn down over a decade ago. After Max says, "I can see the Berlin Wall from here." He was supposed to listen to 'Berto and say, "Oh, right. Some other wall then." I haven't been participating in the post-production on this series, so I'm not entirely sure why the second line was cut. And normally, I wouldn't mention it. But I think it makes me look like an idiot. So I'm gonna be petty and set the record straight.
I will say that the "Developed by" credit I get on the opening titles is without a doubt the COOLEST-LOOKING credit I've ever had.
CHAPTER VI: THE THRILL OF THE HUNT
More musings on individual GARGOYLES EPISODES. As usual I welcome reactions and responses posted here based on both your original impressions from when you first saw the episode and later thoughts from repeated or recent viewings.
After the semi-epic "Awakening" multi-parter, Michael Reaves and I consciously set about creating a tryptich to develop each member of the Trio. Lex up first.
In hindsight, we probably didn't do enough Lex episodes. (I think this is Thom Adcox's favorite. He said "Leader of the Pack" at the pro-chat the other day, but the more I think about it, the more I think he was describing "Thrill".) We tried to give each member of the Trio equal coverage, but down the road, Lex might have been cheated a bit. But not here.
I love the fact that Lex is RIGHT. Sure, he's wrong about the Pack, but he was so right about taking chances on people. And I love that as stubborn as Goliath is, he's capable of admitting his mistakes, giving Lex full credit for, uh, rightness. Practically quoting back to Lex everything Lex had said to him.
You may notice that starting with this episode and running through the end of the first season, the writer's got their credit at the beginning with the title of the episode. This was a function of the Disney Afternoon. Michael Reaves rightly objected to the "gang credits" at the end of the two hour block. It had never been an issue before, because annually each new series, i.e. the one with original episodes, had always aired last with its credits immediately following. But in Gargoyles' first season, we aired on Fridays at 4pm, a half-hour before the last show. That meant that the writers' credits didn't appear until a half hour after the show ended. Gary Krisel agreed to make an exception and display writer's credits at the head of the episode for that one season. I wish I had fought to make that rule permanent. I didn't. Mea culpa.
I think Thrill is important right off because it established a few things which today we take for granted, but which I think were, at the time, fairly unusual for a cartoon series.
CONTINUITY.
--Xanatos was still in prison. He hadn't just "somehow" gotten sprung between the end of Episode 5 and the beginning of 6.
REAL RAMIFICATIONS.
--The Gargoyles won the Awakening war. And the castle still wasn't theirs to keep. At every turn, Michael and I just tried to make things play in a slow, steady logical progression. I wasn't trying to change the world in every episode. Not because I'm against world changing, but because each new situation was fascinating to explore. But we wouldn't let the world stand still either.
Early on, you can still see signs that to the creators, the audience AND the other characters, the Gargoyles themselves were still a wonderfully alien species. (And I don't mean that literally. Geez.) We tried to maintain the perspective of creatures out of their time. Goliath is stubborn, even dense and condescending toward Elisa, when she tries to convince him to leave the castle. But I think from his POV, his responses were perfectly natural. Xanatos was banished. The castle was theirs. The concept of ownership was sketchy for the Gargoyles at best, but if they did understand it, they understood it in the "Possession = Ownership" sense. The notion that Xanatos could still "own" the castle after an embarrassing defeat was completely ALIEN to Goliath.
Likewise, look at Fox's actions at the end of the episode. Can you imagine Fox in any later episode crudely taking a hostage? It seems like she checked her brain at the door. But it works for me because at that time, she (and we) didn't truly know what an angry gargoyle was capable of. Maybe Goliath would dismember her. Our boys got so borderline cuddly as the series progressed that I had to remind everyone just how dangerous they could be in HUNTER'S MOON. But Hunter's Moon wouldn't have worked back in Season One. Because in Season One, no one would have been shocked by Goliath's desire for Demonaesque vengeance. Maintaining that edge was always very important.
But if Fox wasn't acting her brightest here, I think Wolf was. That scene with Susie and Billy, where he pretends the Gargoyles were monsters sent by the evil ninjas, is about as smart a move as we ever see Wolf make. When you think about it, it's pretty darn clever. For him anyway. In later episodes, I think I got too big a kick out of making him dumb. I could justify it after UPGRADE. But if I got back, I think I'd give him a bit more of a mental edge.
And speaking of Wolf and Fox, how about that Pack? Their first appearance. The thing I was most struck by in viewing it here is how great they were cast. Clancy Brown, Laura San Giacomo, Matt Frewer, Cree Summer and Jim Cummings. Man, what a great ensemble. Hats off to casting and voice director Jamie Thomason. Time and again, he assembled great, great people for us.
There are a lot of little touches that make me smile. Jim Cummings "narration" during the appearance at Madison Square Gardens is priceless. We were consciously trying to do a professional wrestling meets (the hated) Power Rangers thing, and it amuses me to no end. There's that very anime shot of the Pack standing absolutely still (a held cell) while spotlights pass over them. It's very cool.
I even like that we got the notion of the Daily Tattler into the episode. That was something I wanted to expand on more. The Gargoyles never made any real attempt to keep themselves very hidden. Oh sure, they weren't holding New Olympian style press conferences, but they didn't sweat it if they were spotted. But we figured that the more of an urban myth they became, the less the majority of the population would believe in them. And once stories about Gargoyles started regularly appearing in the Tattler, people would be sure the whole thing was faked. I'm not sure we mentioned the Tattler again until Hunter's Moon, which is too bad. Though it does show how consciously Michael and I were echoing first season concerns and contrasts in that final mini-series.
Fox and Lex. Their relationship is established in that one moment when she strokes him under his chin. Even I didn't know that down the road they'd become flat-out allies thanks to Alex. Hell, back then I didn't know Alex was on the way. Didn't even know that Fox and David were an item. The characters were just beginning to teach me who they were and what they wanted.
Action-wise this thing is taut. The Pack just keeps coming and coming. The Gargs never have a chance to catch their breath. And, then, suddenly, they do. And the tables turn fiercely. And the Point of View, as well. We are ALWAYS on the side of the hunted. When it's Goliath and Lex, we get very little of the Pack. Just snatches of them attacking. The gargs struggling to stay alive. But up on that roof, we abruptly switch POV. Suddenly, we're following the Pack. Even, dare I say, sympathising with them. Not that we want them to win. But we begin to identify with them as they battle these strange creatures. I love that.
It's hard to believe, but when Frank Paur and I first saw the animation on this episode we were crushed. I look at it now and think its gorgeous. But we were so spoiled by the Awakening animation, we thought this was a debacle. Later we'd get some truly mediocre animation and learn to appreciate the good stuff more. But back then... we were idiots.
Those tv lines were my idea. I love television. I mean I really, really love it. And I hate when people attack it. I think on a percentile basis, there's more good work being done in television than any other medium. Doesn't mean there isn't a lot of crap being done. But that's true in everything. But still it's fun to poke fun. To bite the hand that's feeding you every once in awhile. One of the trio says: "The Pack is just like us. They fight evil. And they do it on television." (I just saw the episode half an hour ago, and I can't be sure who said it. That's pathetic.) Of course, whoever said that didn't mean to say that the Gargoyles were also on television. That was an afterthought. But it's a bit of an in-joke for us and our audience, because the Gargoyles are just like the Pack. I just like to think they had a better show.
But my favorite is Hudson's line: "Maybe we shouldn't believe everything we see on the television..." A lesson we all should live by.
And finally, "Thrill" contained the first of what would soon be a Gargoyles Trademark. The Xanatos Tag. Our favorite manipulator snatching partial victory from seemingly overwhelming defeat. Again, something vaguely revolutionary for a cartoon. You gotta love the guy.
Kiss 1999 good-bye...
Ladies & Gentlemen,
I have just completed the last of the 1999 ASK GREG backlog. <Woooh!>
I'll start on January, 2000 very soon. And hopefully, we'll soon get to a point where I'm answering questions within a week or so of when they're being asked.
Get a real dialogue going...
More on the term paper...
Elizabeth Izzo wrote:
>
> Hey Greg,
>
> I was just wondering what you think I should do. I
> came to a part in my report where I was mentioning the
> cancelation of gargs and the attempt at TGC. I wrote
> up some stuff, but I felt that this was a touchy
> topic. I wanted to write it truthfully, and I know
> that meny ppl like to chalk it up to, "they trashed
> our show and then did a bad re-make". I know that a
> lot of things happened, ppl left, new ppl came in,
> mistakes were made here and there, and some things
> just couldnt be helped, ratings this and that. So I
> wanted to know how you think I should say this. The
> first part would be something like, "Sadly Gargs got
> cancelled for..(fill in various reasons) or should I
> just say It was canceled and leave it at that? To
> me..that seems to breif. Like I should explain what
> happened to the best of my ability. How do you think I
> should explain it?
>
> The other part would be something like, "and then soon
> after TGC arrived but.." Should I say that ABC just
> didnt have the same ppl, funding? Gargoyles just was
> lucky in that it had a bunch of wonderful ppl with a
> lot of the same ideas and TGC just didnt have that?
> Should I mention that you would have stayed but didnt
> like how they 'demoted' you? *shrugs* this to me is
> just..a touchy subject. I want to write it as
> truthfully as I can. I know I KNOW this is in Ask
> Greg!! I just wanted to know the best way (you think)
> to explain this.
>
> thanks;)
>
> Lexy
Saying GARGOYLES was cancelled and then GOLIATH CHRONICLES came after isn't accurate. GOLIATH CHRONICLES was made as the third season of GARGOYLES. It was just going to be on ABC instead of in syndication. Like how the show JAG switched from NBC to CBS (or was it the other way around?). We didn't even know they were changing the title until way into the process.
So you should start by saying that changes took place between the second and third season. (Changes also took place between the first and second season and during all seasons, but obviously there was a real sea change after season two.) Then enumerate in as much detail as you please. Obviously, you should try to be as accurate as possible. Try to check your facts. And keep in mind that largely, I'm not giving you facts, but rather my take on things. If you're being honest, you should try to interview other people and get their takes. At the very least, you should attribute information provided by me TO ME, so that your reader (i.e. your teacher) knows that YOU understand that this is one man's perspective.
And now a word from...
Seth asked for more words from Benny. He's napping, but my five year old daughter Erin wanted a chance to communicate directly with all of you. Here she is...
"My best friend likes the gargoyles. In fact, I like them too. My name is Erin Weisman."
That's all she had to say right now. Maybe more later.
AWAKENING: PART FIVE
More tidbits and observations...
The first appearance of the Steel Clan. It's a silly little thing, but at the time I was ridiculously pleased by the name "The Steel Clan". It just seemed so right. Cool sounding, tough. And yet original and appropriate to the series. It was one of those early moments that made me feel like I was really tapping into the Gargoyles Universe.
Also the first appearance of the Eyrie Building Lobby Security Guard. The one that Oberon will later do his Obi-wan number on. I never forget a minor character.
One reason some of the editing is different between the video version and the tv episodic version has to do with when the two separate products were due. (I'm not referring to the TV movie version that's been appearing recently. I have no idea who edited that one. Or when. Or why.) As I've mentioned before, the video version was not originally created for video. It was created for our world premiere on two big screens at the movie theater multiplex on Pleasure Island at Walt Disneyworld. That premiere was in September of 1994. But the series premiere was almost a full month later. While I was supervising the editing of the movie version, Frank was (relatively speaking) taking his time on the five episodes. In my editing bay, we didn't have the luxury of waiting for all the retakes to come back before we had to complete OUR edit and lock picture for sound design. In fact, sometimes we were editing to pencil test animation. That's animated pencils without background paintings or ink or paint. It can sometimes be very hard to read at all. But we had to make decisions based not soley on "ART" but also on what we likely thought we'd get back in time to get the two prints made for the Florida premiere. Sometimes we cut little pieces that wound up turning out fine and making it into the episode.
Generally, I think the animation in this episode is just stunning. A few examples.
--Hudson lifting Bronx off that train.
--The whole scene with Xanatos, Demona and Owen standing beside the Steel Clan robots while they are covered with sheets. Some incredible shadow work. And the character stuff is so sweet.
--Some gorgeous battle stuff with those robots.
--The castle tower blowing up, crashing and falling apart.
This and more can still take my breath away.
I love all the Demona-Goliath-Elisa triangle stuff. It's all spelled out in the confrontation when Goliath wants to go keep his appointment with Elisa, and Demona's trying to stop him. If Demona hadn't been so bloodthirsty aboard FORTRESS-1, would Goliath have even remembered his appointment with Elisa? Or would he be off cuddling with his long-lost love?
Anyway, that whole conversation is just full of delicious irony -- all working against Demona. Goliath says, "I cannot make war on an entire world," completely unaware that that's exactly what Demona wants to do. He says, "Doesn't Xanatos prove that some humans can be trusted?" But of course, Demona knows that Xanatos absolutely cannot be trusted. Every statement Goliath makes pushes Demona toward further extremism. And he isn't even trying. Finally, after Demona reminds him of the Wyvern betrayal and Massacre, he says that the ones responsible for that "have been dead for 1000 years." Now putting aside that the Captain and Hakon aren't quite as dead-dead as Goliath thinks, this has got to push Demona over the edge. Deep down she knows her own responsibility. Again Goliath is wrong, because the traitor is standing right in front of him. My hats off to Michael Reaves. What a great scene! "So be it." she says. Goliath won't know it until VOWS. But they are DONE. Right there.
Cultural Differences 101: Elisa is trying to convince Goliath not to trust Xanatos. I don't remember the exact line, but she says something with the word "three" in it. (Maybe refering to the three disks or the three Cyberbiotics installations...?) Anyway, to indicate three she holds up her index finger, her middle finger and ... her thumb. It still looks totally goofy to me. I don't know anyone who wouldn't use their ring finger with the other two, using the thumb to hold the pinky down. Does anyone know if in Japan the thumb is preferred?
When Demona's destroying FORTRESS-1, Goliath is standing around stunned. She tries to get him to leave, but he refuses. Finally, she pulls him out. What was supposed to happen was that the tilting ship was supposed to dump him out the hatch at the same time Demona was pulling. So that he was more unwilling to abandon the crew of the ship. But it never animated with the tilt going the right way.
In our original development we planned on making a lot bigger deal of all the various Xanatos Enterprises sub-divisions. You got a taste of that with PackMedia Studios and Gen-U-Tech (a.k.a. Gen-U-Tech Systems or G.U.T.S.). But we were also going to make a bigger deal of his robotics division, which was going to be called the Scarab Corporation. (Thus the scarab design that appears on the transmitter.) But Xanatos wound up being even more hands-on then I anticipated. Less Lex Luthor. More his own glorious self. So Scarab never got much of a spotlight because Xanatos handled those kinds of adventures himself and/or the robots handled things themselves (cf. Coyote in Leader of the Pack). For those of you who have been to one of the Gatherings and seen the original Gargoyles Pitch, you might recall a giant chrome cockroach climbing up the side of a building to attack Goliath. That was going to be a Scarab Corp. creation.
Isn't Xanatos just too cool:
"Let's let them play out there little drama, shall we?" He's so amused. He can't resist watching the confrontation. And for once I don't feel like it's cause he's a villain stupidly giving the hero time to turn the tables. He's sincerely entertained by the show.
"Without me you'd still be gathering moss." Nuff said.
There's another great little dialogue editing moment. Real subtle. When Demona says: "The plan was perfect." Goliath whispers "Plan?" She says something else and then he completes his thought "What Plan?" That little overlap wasn't scripted. It was another product of me having the luxury to really nurse those dialogue edits on those early scripts.
There is good and evil in all of us. Human and Gargoyle alike. Hey, Lexy, there's another major theme of the series. No one group has a monopoly on either attribute.
One thing that never quite worked for me, was the reveal of Demona's name. She makes such a big deal of it. But the name (at this point in the series) just doesn't have enough resonance for me yet. Later, sure. "Demona". We all sit up and take notice. But there. "Demona". Yeah, so? Did that moment play for you guys?
Goliath is about to toss Xanatos off the building. Elisa begs him not to. That'll make you just like Demona she says. Then Hudson pipes in and says, "She's right, lad. Is that what you want?" I intentionally instructed our voice director Jamie Thomason to direct Ed Asner to read that line with ambiguity. Hudson DOESN'T care whether Goliath tosses David or not. He simply wants Goliath to make an informed choice.
And yeah, yeah, David & Goliath. Perfect opposites.
Elisa: "Maybe, we'll catch a Giants' game."
Goliath: "Giants?"
Were any of you surprised when a Giant Oberon attacked the castle?
As usual, I encourage responses posted here, on either your original feelings when seeing the episode for the first time and/or newer more recent observations from repeat or recent viewings.
Some vindication...
I have some good news to report.
As many of you know, a man has been suing Disney claiming he created Gargoyles and that we (myself and my bosses) stole it from him. It was infuriating. He claimed that another man he employed as an agent had shown the idea to one of us at Toy Fair in 1992. His own agent denies this, but the plaintiff believes his own agent is lying. When it was pointed out that we first began developing GARGOYLES in 1991, he turned around and claimed he had created his version in the late eighties and simply hadn't copywritten it until '91 or '92.
Needless to say, his claims are without any merit. My great fear was that Disney would regard it as a nuisance suit and pay him off with something, just to get rid of him, thus seemingly giving his claim some merit.
All this was tremendously frustrating and insulting to me personally. I realize that being on Disney's side hardly made me the underdog, but I felt something very medieval about this guy besmirching my honor, and attempting to take claim of something I was very proud of.
I had been deposed ages ago, and had heard nothing until today.
Today, I received a fax copy of U.S. District Judge Sidney H. Stein's Order and Opinion regarding the suit. On Valentine's Day, he granted Disney's motion for a summary judgment dismissing the complaint "with prejudice." He basically found that the plaintiff had never offered even a smidgen of proof that we had ever had any access to his ideas or designs.
I'd like to thank Alec Lipkind, Disney's council for his hard work in settling this case.
It may be petty on my part, but I do feel vindicated.
IN SUPPORT OF EDUCATION
I don't normally approve of letting people take "cuts". Or of breaking rules I've set myself, like the one about separate topics requiring separate posts.
But Lexy is writing a paper on GARGOYLES for her HONOR'S ENGLISH CLASS, and she needed some questions answered. I'm a big fan or Honor's English classes, so I couldn't resist. But I figured you all might be interested in the answers as well. So with Lexy's permission, I'm answering them here.
Dear Greg,
Thanks SO much for helping me with my paper. I hope
to do you,and the rest of the fandom,proud:) Here are
some questions I whipped up for an interview. But If
you have anything you think would be helpful to add or
to subtract from them, please feel free to do so.
1) What do you think are some reasons ppl find
mythological creatures, such as gargoyles, intriguing
GREG'S RESPONSE: I think people like to let their imaginations run. And why limit those imaginations to what we know exists. If a concept has its own internal logic, something real in its emotions and relationships for an audience to grab a solid hold too, then there's little limit to how far-fetched the fantasy can get.
2) What started your personal fascination with
Gargoyles?
GREG'S RESPONSE: A high school trip to Europe and hearing the tidbit that Gargoyles were placed on castles and cathedrals to scare away evil spirits. The notion that monsters were used against evil was very intriguing. And this was years before we developed the series.
3) Name some of your favorite books or stories you
enjoyed when growing up.
GREG'S RESPONSE: Wow. Um. How far back to you want to go? GO, DOG, GO was an early favorite. Later, I liked the Hobbit. I liked reading about myths of all kinds. I had the D'Aulaire's GREEK MYTHS and NORSE GODS & GIANTS books and I reread those over and over. I also was always a big fan of detective fiction. I liked Nancy Drew and the Hardy Boys. Later, Conan Doyle, some Christie, but my favorites were Hammett, Chandler and ROSS MacDonald. I loved the LEW ARCHER novels. I liked Heinlein in Science Fiction. "Requiem" is a heartbreakingly beautiful little story. I liked Mary Stewart and especially Mary Renault. I read a lot. I liked a lot of diverse stuff. I could go on for hours.
4) Did anything in particular inspire you to create
'Gargoyles'?
GREG'S RESPONSE: I've spoken to this before. Gummi Bears was an inspiration, as was Hill Street Blues (my all-time favorite tv show). My on-going fascination with stone gargoyles. And the pragmatic need to be constantly feeding the Dragon that was the Disney Afternoon.
5) Do you believe that gargoyles and other statuary
such as grotesques are rooted in evil traditions? Or
are they there for the common good through harsh
example? (explain)
GREG'S RESPONSE: Neither. I think they are symbolic (or rather emblematic) of something primitive and primal. They scare away evil. Not all monsters are against us. We need our dreams and nightmares.
6) (circa) When did you start work on the television
show 'Gargoyles'?
GREG'S RESPONSE: 1991.
7) When and why (circa) were you (and others) forced
to cancel 'Gargoyles'?
GREG'S RESPONSE: The question is phrased in such a way that it's difficult to answer directly. We never planned to do more than 65 episodes. That was a standard run for any show. Now in huge success, a show (like DuckTales for example) made additional episodes, and I won't deny I had hopes that we would to. But the answer came back no. Our ratings were strong. But we were a consistent second place to Power Rangers. So we weren't cancelled. But new episodes would not be made. Then ABC and Disney merged, and ABC wanted some Gargoyles. All my bosses at Disney had left and the new management wanted their own people on the show. So they made me an offer to continue that was designed to make me say no. In hindsight, I should have said yes anyway, but that's spilt milk. I left and they made additional episodes for ABC under the Goliath Chronicles banner. The ratings were not good. Neither, in my opinion, were the episodes. So it wasn't renewed.
8) What did the television show 'Gargoyles'mean to you
as it's creator?
GREG'S RESPONSE: It was and continues to be the highlight of my professional career. Nothing I've done, before or since, let me bring my vision so intact to the screen. It was very collaborative, not every idea was mine, but I still feel like that was the one show that achieved what I hoped it would achieved. I'm ridiculously proud of it, beyond all reason, really.
9) What was the central theme or message of the show ?
GREG'S RESPONSE: There wasn't just one. Among the messages was the obvious DON'T JUDGE A BOOK BY ITS COVER moral. Plus plenty about the preciousness of life and hope. Themes of redemption are very important to me. Guilt, fear, love, trust, loyalty. You name it, at some point we through it in. Often episode titles were designed to remind both audience and writer of what the major theme in that story was.
10) How many Gatherings have you attended?
GREG'S RESPONSE: All three. Two in NYC. One in Dallas. And I hope to continue to go as long as you folks want me.
11) What is your opinion of the Gatherings?
GREG'S RESPONSE: It is always one of the true highlights of my year. How could it not be? I'm basically treated like royalty for 72 straight hours. Since that doesn't happen to a guy like me much in real life, it's pretty damn cool.
12) What do you hope ppl who watch 'Gargoyles'will
come away with?
GREG'S RESPONSE: First and foremost, I hope they were entertained. Not a little, but a lot, and on multiple levels. I hope we got the adrenaline going. I hope we touched their hearts. I hope we gave them something to think about. I hope we educated them a bit, or more likely gave them reason to want to be educated about, say SHAKESPEARE or Scottish History or King Arthur or Native American customs or whatever. I'm greedy. I want all of this.
13) What did you like most about the show 'Gargoyles'?
GREG'S RESPONSE: I'm not objective enough to answer this one.
14) What did you like most about working on the show
'Gargoyles'?
GREG'S RESPONSE: Honestly, the autonomy. The freedom. I also had some incredibly talented collaborators and when we were in gear, we really hummed. But for sheer fun, it's hard to beat those voice recording sessions. That was the part of the job that generally was the least like work. It's where all the potentials of the show come to life and few of the problems are revealed. Just fun.
15) Why incorporate so many classic dramas and other
time honored themes within 'Gargoyles'?
GREG'S RESPONSE: Purely for my own amusement. And with the hope that some people will either also be amused or will come to be amused as they discover these things. Plus it made my job easier. The story of Macbeth is so good, that adapting it practically wrote itself.
Thanks so much for all your help:)!
Lexy;)
GREG'S RESPONSE: You are welcome. Let me know if I can be of any more help.
AWAKENING: PART FOUR
More random observations...
Jogger's first appearance.
Cyberbiotics first true appearance.
Bruno (aka the Commando Leader) gets a bit of character development. I remember when voice director Jamie Thomason asked Jeff Bennett to do that voice. Jeff asked what Jamie wanted and Jamie said something like: "Do a George C. Scott/Patton thing." I don't know if that's what I'm hearing, but I like the end result.
We see Vinnie for the second time. Of course, we still didn't know that was Vinnie yet. His nose is HUGE. He must have had a little work done between this show and Metamorphosis. (Not the smartest way to spend money when you're out of work.) One of my favorite bits in "Vendettas" is the reveal of how exactly Vinnie was knocked out by Goliath aboard the airship. In Awakening IV, Goliath lifts Vinnie out of the shot. We hear a loud <SMACK> and Vinnie falls unconscious. The implication being that G knocked him out. But in Vendettas, Cary and I showed what was previously off-screen. You see that the <SMACK> came from G hitting his fist against the wall. Vinnie wasn't knocked out. He fainted.
Elisa looks damn good with her jacket off. I wish we had had more opportunities for costume changes with her. They always work so well.
I always thought that the tranq the Commandos used on Goliath in parts III and IV was pretty unreliable. It seems to knock him down. Then he's up again. Then he's staggering. All very story convenient. You could look at it as a flaw in the episodes. Or you could justify it by saying that they had never had the opportunity to test the stuff on Gargoyles before. It had strange effects.
Owen has one line in the whole episode: A very effective clearing of his throat. You gotta love a character who can be so memorable with so little.
The Commandos seem to be pretty bad shots, until you realize in episode V that killing Goliath isn't really what they're after. In my head, they were told NOT to kill him if they could effectively put a scare into him. Elisa was probably much more expendable. Bruno's discretion.
This seemed like the first episode to use the "CLAW WIPES"... but I'm not sure. A Wipe is one means of moving from one scene to another. Other methods are straight CUTS or DISSOLVES, etc. But Japan started doing these very dramatic CLAW WIPES, where a Gargoyle hand seems to be tearing the old scene away with his or her claws. It wasn't called for in early scripts, but after we had seen it a few times, we started to call it out.
Elisa puts the transmitter on a dog she calls Rover, a dog that's scrounging through garbage in the park. In the very next scene, Hudson is watching TV and a dog that could easily have been Rover as a pup is seen starring in a dogfood commercial. How the mighty have fallen.
There's a few great moments with the trio in this show. Maybe not the obvious ones. I love their exchange of dialogue to Hudson when they come back from their night on the town. We had the opportunity to really edit the dialogue with multiple overlaps and rhythms before it went to Japan. The scene really snaps. In later episodes, we wouldn't always have that luxury.
The scenelet where they fly away from the castle on their way to the Cyberbiotics Tower is also very cool. A combination of animation, editing and sound, that really gives SNAP to their departure. I love it.
Of course, the naming scene is great. Names are so addictive.
And I still like the character development in our love triangle here. Goliath doesn't trust Elisa even yet. Hasn't told her about his daytime vulnerability. And he might not have, if he hadn't been caught outside. But her loyalty and steadfastness really impresses him. I feel the connection very strongly. And I think she does too, when she asks if she can see him again later tonight. It's not just curiosity about a new life-form.
And Demona. I love that wing hug when she and Goliath are reunited. But you have to wonder about that reunion from her point of view. Yes, she's scheming here. But she must be thrilled to see him and the other gargs awake and alive. THRILLED. All those years of lonliness and now her true love is awake. But she never hesitates to prioritize her scheming. All those years of bitterness have stunted her emotions even more.
Finally, lots of people keep telling me that Elisa says "Damn" in the boathouse in at least one version of this thing. But it's not true. We never even recorded her saying Damn. Why would I? No way it would get by S&P, so why bother. Didn't even occur to me. She does grunt right before she says "Empty". And I suppose that grunt might sound a bit like the word "Damn." I mean, I don't think so, but it's the only explanation for this myth that I can come up with.
Sorry....
We've got that "Nothing in Queue" glitch again. (I just alerted Gore.) I had planned on answering a bunch of new questions, not just a few, and I would never have cleared the Latest Response Page, had I known.
But I'm sure we'll be up and running soon.
AWAKENING, PART THREE
Watched this with the family half an hour ago...
More random observations...
RE: Our supporting cast...
Who knew that Brendan & Margot would wind up being so important? Credit Marina Sirtis, for making Margot so gloriously bitchy.
And then there's Vinnie's first appearance on that motorcycle. Of course, no one knew Vinnie existed back then, which is thoroughly appropriate to his character.
And credit Keith David with breathing real life into Morgan the cop. Morgan didn't even have a name then. He was just a place holder, someone for Elisa to respond to. But Keith made me interested in him.
Little things still bug me. Xanatos' floating ponytail in the scene where he and Elisa first meet.
In the Kitchen, the Freezer door was supposed to have one of those easy to open latches on the inside. The irony being that Broadway could easily extricate himself, if he just knew how to operate the latch (or even what it was). Something a kid could do, assuming the kid was born in the 20th century. But BW has to bust down the door.
In the original script and the recording of that script, it's Brooklyn who says "So many wonders..." and it's Broadway who says "Goliath said not to let anybody see us." But in those early days, lots of people in L.A. and in Tokyo kept confusing their names (and Bronx's) so the animation came back as you see it. And it was easier to re-record the voices then to reanimate. (Or am I getting all this totally backwards? I just saw the show again half an hour ago, and already, I'm confused.)
(CAVEAT: In all these little things, I'll probably be pointing out animation errors here and there. But please understand, I think most of the animation we got, particularly from Walt Disney TV Animation - Japan, was brilliant. I think those guys did a great job and don't get enough credit. But anecdotes generally come out of when things go wrong, not when they go right, so it may seem like I'm talking about mistakes more often than not. Sorry, in advance to Roy Sato or anyone else who might take offense.)
When Elisa is first being checked out by the Trio, there was a scene in the original animation where Brooklyn seems inordinantly interested in her behind. We had to call a retake, cuz the guy was practically drooling. I wonder if that's where I got the idea that Brooklyn would fall for anyone in a skirt (or with a tail).
Also, after Goliath saves Elisa from falling off the building we have a point of view shot from her. It begins at Goliath's feet and pans up to his face, as she takes him in. In the original animation, the pan started at his head and panned down. That seemed less effective, so we had our editors reverse the pan, without calling for a retake.
At the end of Act Two, the door slides open revealing Demona in silhouette, clearly plotting something with Xanatos. That always really bugged me. I didn't want to give away that she was alive in this episode. I didn't want to know who Xanatos was talking to. How did you guys react to this? Did that spill everything? Did any of you not know that Demona was alive? Did any of you, by this point, not know that she and Xanatos were the bad guys?
Elisa says something like "This is where Dracula shows up." when she's walking through the corridors of the castle. If you take that literally (and you might as well), then you gotta figure that someday, Dracula will be roaming that very hallway.
Elisa loses the first in her series of guns, when Goliath crushes it near the end of Act One.
Goliath tells a joke: "And please, don't fall off the building this time." Goliath tells a joke. Can you believe it? It wasn't bad either. We should have let him tell jokes more often.
Elisa's surprise that Goliath can talk is indicative of what I thought a 20th (or 21st) century initial response to the gargs would be. That's why Goliath Chronicles' trial episode bugged me so much. I don't think humans would take for granted sentience. And I think most humans, those less open than Elisa, wouldn't even buy talking as enough evidence that the gargs weren't just beasts. (Cf. Margot Yale.)
Goliath is a pretty begruding hero. That's somewhat unique for cartoons. Elisa asks if there are more gargs, and Goliath responds: "Barely." He cuts her very little slack. But already you can see their relationship developing. I still think Hudson's expression after Goliath sweeps Elisa up into his arms is just priceless.
In that same scene, Hudson gets named for the river. I love that scene, as I loved the scene where Tom, Brook and Lex are talking about names. Of course, the desire not to name most of the gargoyles until we got to NYC '94, was mostly pragmatic. It allowed us to use those fun, cool NY names for most of the characters. But once we came up with the rationale for it, and once I managed to explain it to everyone, I really fell in love with the concept. Hudson's lament, here, that humans don't think something is real until they've put there stamp on it, is, to me at least, so damn true. And Elisa's response is so feeble and circular. "Things need names." Pathetic. But I'm no different. <SIGH> I'm such a human. But I aspire to gargoylosity. Anyway, after Hudson points to the river, and Elisa basically tricks him into taking that name, she used to have a line, as I may have mentioned before, where she said (under her breath) "Good thing we weren't facing Queens" -- implication being that Hudson nearly ended up being called Queen, I guess. It was always funny, but S&P didn't care for it, and I couldn't really defend it. So out it went. We tried another version, where she just says, "Good thing we weren't facing East." But it didn't play. So out it went too.
The thing that struck me most, however, was the almost thorough lack of action in this episode. After all that Viking stuff in Part One, and Vikings and a full act of commandos in Part Two, Part Three is a mood and character piece. Sure Elisa falls off a building, but that was a problem easily solved. Until the commandos' Central Park attack in the last seconds of Act Three, nothing else happens that could genuinely qualify as action. That was mostly a result of what was once a four-parter being turned into a five-parter. The reason we made that change is because Michael Reaves wrote a brillaint four-part script. It was amazing. But it was WAY too long. I was faced with either having to make drastic cuts (as I would later have to do in Avalon and Hunter's Moon) or expand it. Fortunately, Gary Krisel and Bruce Cranston saw the wisdom of expansion. For one thing, it would save us money. But also, it made sense because we could run the five parts across a whole week of the Disney Afternoon like a mini-series special event. It wouldn't require us to re-program one day of that first week. So we were all agreed, the four parter would become a five parter.
But that meant adding act breaks, and redividing everything. The episode that most benefited was Part One. In the orignal version, Part One covered all of what is currently part one, plus the first act of what's currently part two, i.e. ALL the Scotland stuff. The episode ended with Goliath's "suicide". A great ending, but we would have obviously had to cut a TON out of the flashback. This way we were able to expand into part two and preserve almost all of the story.
So Part Three winds up being nearly action-free. And by the way, I love that. I still think the episode works great, and it proved to me that the charcters themselves could really hold the audience's attention. (I'm such a proud papa. Unashamedly so. It must be pretty obnoxious.) I wish we had always had the luxury to be so... well, luxurious. To expand and play character. But generally a half-hour format makes it tough. I'm very sick of writing half hours, actually. But the powers that be in Animation believe that kids can't or won't sit through an hour long show.
As usual, I welcome posts here responding to this episode. Both your original reaction to seeing it for the first time, and your current reaction if you've seen it again recently.
AWAKENING, PART TWO
Watched the episode again last night.
Little things....
My two year old son is fascinated with Tom. And misses him in the second act after he's gone. Misses him in other episodes too. Kinda puts the lie to the strongly held belief I've always had that contrary to Network Executive Dogma, kids don't need animated shows to be about kids. Of course, my son is just two. My five year old has no problem with their being no "little girl" in the show.
Goliath says "What sorcery is this?" for the first time. We wound up using it over and over in the series, til it became something of an in-joke. But the truth is, we could never come up with a better line that said the same thing.
Goliath's "suicide" at the end of Act One, is still one of the most startling things I've ever seen in a cartoon. That was Gary Krisel's idea (my boss Bruce Cranston's boss). And I've always admired him for it. It's also the reminder I use to keep me humble when I'm listening to notes from the higher ups. Michael Reaves and I were just going to have the Magus offer to cast his spell on Goliath as something of a consolation prize. "Best I can do" kinda thing.
Love that Chernabog moment where Goliath says "I've been denied everything, even my revenge!" Man, Keith David is great.
The way it's edited you'd never know the problem the last fight in the Viking's camp caused me vis-a-vis Broadway. As you may recall from Part One, during the Viking's initial attack, Broadway stopped for a snack, and then opportunistically used the turkey leg to bonk a Viking. A nice little comedic beat. Well, in Part Two, we wanted to contrast that by having Broadway land in front of the roasting spit by the fire -- so that the audience again thinks he's just thinking about his stomach. But that after the massacre, the much more serious Broadway immediatlely starts using it as a weapon. That's pretty much what you see. But that's not what we received in Animation. What we got was a virtual replay of the scene from Part One. Broadway lands with a big grin and starts to eat. Then he gets attacked and uses the spit as a weapon. It took judicious editing to keep Broadway from feeling too one-dimensional. And even then as the series progressed, we started to downplay Broadway's appetite (another good Gary Krisel suggestion). We brought it up again in Hunter's Moon, Part Three to show how far the character had come. Yeah, great kitchen, but an even better library. That kind of thing.
We had a similar problem with Hudson's sword. We were supposed to make a big deal of him using it for the first time in the battle at the Viking camp. But some of the animation in both Parts One and Part Two showed him using the sword and/or having it by his side before that. That's what retakes are for, I guess.
Xanatos' first appearance... I'm really curious to know how many people, seeing this for the first time knew that Xanatos was the bad guy. I thought it was a little too obvious myself. There's a look he gives Goliath when he's taking the gargs' questions in the Great Hall that I thought absolutely tipped his hand to the audience. But we did try to create a guy who looked like he should be the hero of the show. Handsome athletic Bruce Wayne type up against scary monsters. And Jonathan Frakes is terrific.
(There was a while when Gary Krisel thought maybe we should have Xanatos -- or another rich guy, a pre-Renard if you will -- actually be the gargoyles modern benefactor. I'm glad that's one bit of advice I didn't take from Gary.)
We also get the first look at Owen. Jeff Bennett. Man. What a great cast we had. Wasn't Owen just fascinating from moment one? I didn't know he was Puck way back then, but I sure did know there was a story behind him.
Love that moment when they all Shatter out of stone near the top of Act Two. The sky spinning behind Goliath. The rotating camera for the others. Bronx leaning into the foreground. Still gives me a little thrill. Don't disappoint me Xanatos said. Well, it worked for me.
The first time we got the animation back on that sequence, their stone skins didn't really EXPLODE off them. In fact the first version of the footage had no stone at all. Those of you who have been to the GATHERING have seen that footage. We really had to push to make that concept of them exploding to life every night play visually.
There's an intentional this-ain't-Batman moment during the fight with the Commandos. Goliath gets tossed off the building. He's falling and he grabs for a flagpole, just like Batman would. But Goliath is so heavy, he rips the flagpole right off the building, and he has to use his claws to save himself. Back in those days, everyone was terrified that GARGOYLES was going to be perceived as a BATMAN rip-off. I actually had to write up a memo for the Marketing Department, listing all the significant ways the shows were different. This flagpole bit was our (me, Frank, Michael's) conscious reaction to the constant comparisons.
There's a moment during the fight where Goliath is facing a Commando, and from off-stage Xanatos rescues Goliath by firing his laser at the wall and dumping the masonry on the commando. But that scene gave us nightmares, because it looked like the laser beam was coming from Goliath's eyes. Like he was Cyclops of the X-Men. This made us nervous, because the concept was so new, we were afraid that the audience would think that maybe Gargoyles have all sorts of "cool" super-powers like that.
One line got cut from Part One that would have helped a bit in understanding Lex's character. In Part One, during the initial battle with the Vikings, we had Lex investigating a catapult, fascinated with how it works. That little scenelet got cut from the script for time. But I still miss it.
Anyway, please feel free to post your own responses here on the episode. Both how you felt when you first saw it, and what strikes you now looking at it again.
More on Theseus...
Apropos of nothing, I've been thinking some more about Theseus. So you guys are the victims of this off-topic Ramble.
I really like the guy.
Here's a kid with a tough upbringing. He's a bastard, and a royal one to boot. That's always hard. Then he pulls his father's sword from UNDER the stone (sound familiar?) and sets off on a quest. Lots of adventure, dealing with bandits and rogue kings. Gets to Athens. And immediately has to deal with an assassination attempt perpetrated by his step-mother (the always interesting Medea). Then he promptly volunteers for hazardous duty and goes to Crete where he's a big hero (at least from the Athenian point of view -- obviously the Cretans and the Minotaur wouldn't agree.)
On the way home, he does abandon Ariadne, but I still think he had no choice because the lady had caught Dyonisus' eye.
He then screws up and is indirectly responsible for his father's suicide. Mary Renault tries to explain this in THE KING MUST DIE. Everyone can decide for themselves whether her explanation is convincing.
Anyway, I'm coming to what I think is the key to his character. The transition point that changed his life, largely for the worse -- ultimately.
He fell in love. With Antiope, Queen of the Amazons. (Hyppolyta's younger sister.) I think this was a great love. A love of equals, in battle, in governance, in life, in bed, etc. This was the love of his life.
And then she dies. It all might have turned out differently if she had lived. I think they were a good influence on each other. But she died in battle, saving his life. And nothing would ever be the same.
After that, he makes one bad decision after another. (Though he does manage to set up the first semi-constitutional monarchy, which is something of an achievement, even if his motivation was selfish -- he didn't want to be tied down to dealing with day-to-day governance.) But basically, he just can't deal. His marriage to Phaedra is clearly a political alliance. And that's a disaster, resulting in her vengeful suicide and the death of Hyppolytus, his son by Antiope. The fact that Theseus is largely to blame for Hyppolytus' death (as he was for his father Aegeus') I think drives him past caring about much of anything.
Now he's just looking for something to kill the pain. He kidnaps Helen, not cause he wants her but because she's a prize. He becomes buddy to that idiot Perithoos. He abandons Athens and winds up stuck in Hades for seven years. And finally, he's killed by a king who was trying (in a very old west fashion) to build his rep by being the man who killed Theseus. It's not a great Arthurian way to go, of course.
But it feels honest to me.
I'm not trying to excuse all of Theseus' mistakes (some of them were fairly horrendous). But I do think there's an explanation.
And if you look at Antiope as the fulcrum of his life. With the Teeter-Totter heading uphill until he met her, holding steady while they were together, but swinging sharply down after her death, I think it ranks up there as one of the great tragedies. And yet still very human.
"Awakening, Part One"
My kids and I have started watching the 66 chapters of Gargoyles from start to finish, so I thought I'd give a shot at rambling on each episode as we view them.
So starting at the beginning...
Random thoughts:
In the original script, there was a bit that came right after Princess Katharine reprimands the Captain for inviting the Gargoyles into the Great Hall. She says something to the effect of: "To allow beasts in the dining hall..." Right then, we were supposed to cut to a shot of one of those hounds that you can see milling about in the initial establing shot. The hound was supposed to grab a chunk of meat off of one of the nobles' plates. This would further establish Katharine's hypocracy, but also embarrass her further, lending believability to the things she says and does thereafter. I recall that the scenelet got animated, but not well. Frank refused to include it in the final cut. He may have been right, given what we had to work with. But I still miss the moment I envisioned in my head.
Katharine and the Magus are so nasty in this episode. Boy, did they go through some changes.
I'm also struck by just how much the Trio grew from this first appearance. They're kinda medieval ninja turtles here. But they show potential. I still love their exchange with Tom as he tries to get names out of them and they are baffled as to why names would be important.
I do wish we could have seen more Gargoyles flying around. (It really would have been nice to catch a glimpse of the Coldtrio, but frankly, they hadn't been designed yet. We knew they were coming, but we didn't have time to design them before they were necessary.) But it would have been great to see more beasts, more females. More young and old. But I guess we did all right.
The cliffhangers are interesting too. In both, the threat is the Gargoyles themselves. Princess Katharine says something nasty about gargoyles, just as Goliath enters the Hall. He growls, clearly having heard her statement. And we go to commercial... I could never have gotten away with that by even episode 2. But this early on, we didn't know the gargs well enough to know how they'd react. Clearly they had our sympathy. But would Goliath go berserk? Obviously, not. But that was the tension in that beat. Same thing happens between Acts II & III. The threat seems to be from Brooklyn, Lex and Bronx. Of course, they're bluffing. Annoyed with the humans, they are simply trying to put a scare into them. But the audience doesn't know that yet, so I can get away with the second cliffhanger being a Garg threat as well. Of course, by the end of the episode, we know just how noble they are. And that's a great cliffhanger I think. Goliath roaring to the heavens filled with grief over the death of his "Angel of the Night". 'SCool. (But how many of you really thought she was dead?)
There are also moments that are fairly mundane to us now. Elisa pulling up in her car. Goliath first breaking out of stone. Demona stepping out of the shadows. I'd be curious how all those moments made you guys feel the very first time you saw them, particularly those of you for whom this was in fact the first episode you ever saw.
I invite you to post your comments here on Awakening, Part One.
Congratulate me!
I got through all the October questions in one day. I'll leave them up for about a week and move on to November soon.
"ALONE": The Demona Contest Results
First of all, I'd like to thank everyone who entered: Shauntell, Airwalker, Derek!, Aris Katsaris, Jon and Bud-Clare. I'd like to state for the record that none of you gave a "wrong" answer. But this was, of course, a contest, and I had to choose a winner. My choice is quite subjective, but the winner by a hair is Airwalker with the following entry:
"ALONE: The Demona Contest Answer"
Demona consciously chose the word ALONE for a password because in her perspective she is alone. Only she seems to see that humanity is a threat and that what she is doing has to be done. Her birth clan remains blind to that fact. Only she alone can see it.
Subconsciously Demona chose ALONE as a password because inside Demona lurks Angel, the sane innocent she once was. Angel is alone, trapped inside a villain, unable to stop being alone until Demona can accept a millennia of guilt, forgive herself, and allow Angel to be free once more.
A close runner-up was Derek! who gave another very interesting answer:
ALONE: The Demona Contest
A city of humans had been turned to stone and their only hope was about to be eliminated. And Demona had done it alone. She alone had survived while others didn't and she alone had eluded the Hunters for centuries. But why would the word ALONE suddenly enter her mind?
Subconsciously, the word had been with her since she kissed Goliath on the forehead in 994 AD. She covered up her pain with the mask of a mightly warrior. She made a mistake 1000 years ago and couldn't deal with the consequences, which caused her to forever be alone.
These are both great entries. I particularly liked Derek!'s first paragraph and Airwalker's second. Which is not to say I didn't like the reverse.
Anyway, Airwalker, I'm not at my office right now, so I haven't yet chosen the prize, but I will contact you via e-mail early next week and arrange its delivery to you. As stated, it will be worthless, but it should hopefully be of interest.
Congratulations and thanks for playing.
The nominees are in...
Praise the Dragon,
I finally got through all the September posts.
That means the next entry you see will be a Ramble that declares a winner to "ALONE: THE DEMONA CONTEST ANSWER".
Sometime next week.
Then, I'm taking on October.
caveat
I feel like a came down to hard on Alaxk, and I didn't mean to. Again, I have no trouble with people not liking aspects of the show (or the entire show for that matter). And I think this (ASK GREG) is a legitimate forum to express those opinions. I welcome, even encourage criticism. I'm happy to respond.
The only thing that sorta bugged me about Alaxk's approach was that he didn't state his opinions as his own. He put them in the form of questions meant to imply that by now I must realize what a mistake I had made. Since I don't feel that way, it procluded any clear discussion of ideas. It felt a bit precious to me, and I'll admit, it bugged me a bit.
But that's not to say that Alaxk isn't 100% entitled to his opinions about the World Tour -- or anything. And those opinions are perfectly legitimate. Next time just state them.
Sure we're called "ASK GREG" but this isn't JEOPARDY, and your posts don't HAVE to be in the form of a question.
Sorry...
This hasn't been a great batch of answers so far. I suppose I might be in a mood, but the questions haven't been too helpful. I'll try to do better later in the week.
More Theseus...
Hey Aris,
Stopped by the comment room and saw some of your comments on Theseus.
I have a slightly different take on the guy. I do think he's heavily flawed, but I think (or like to think) that some of the stories about him reflect bias. He's still more of a hero to me than a villain. (By the way, have you read the Mary Renault books THE KING MUST DIE and THE BULL FROM THE SEA. I'd recommend them.)
For example, in the Persephone story, I've always gone with the version that Theseus swore an oath of loyalty to Perithoos. Perithoos then insisted on going to Hades to take Persephone. Theseus is then stuck. He either has to break his oath to his friend or go to hell, so to speak. He tries to talk Perithoos out of this fool's gambit, but the guy won't listen. (And I wonder if Perithoos hadn't pissed off Eros and gotten shafted.) So Theseus goes. And is severly punished. Thus Athens is abandoned by him for years, and they don't forgive him. Thus you get some bias...
As for his history with women...
Ariadne - I always read that Theseus was FORCED to abandon her by Dionysus, who had taken a shine to the lady. (And this fits with Renault's more realistic interpretation too.)
ANTIOPE - I always thought that Theseus only ever really fell in love once. With Antiope the Amazon. (Sister to Hyppolyta, though Renault and others often confuse her with Hyppolyta herself. It may be that Hyppolyta was more of a title than a name. When Herakles' Hypolyta was killed, her sister Antiope ascended to the throne and took the name/title Hypolyta. That might explain the confusion.) When Antiope died, I think it killed something inside him.
I don't want to whitewash the guy, and maybe my problem is that too many of my early exposures to the character did just that. I do think he's a Bastard. With all that that implies. But I like to think there's more good in him than evil.
I could go on -- and some day I probably will -- but that should do for now.
Shameless self-praise...
One thing (one of many things) I admire about Joss Whedon's tv version of BUFFY THE VAMPIRE SLAYER and his ANGEL is his fearlessness as a creator. His willingness to let things evolve, change.
Characters find out the truth about other characters. They fall in and out of love. Things aren't drawn out forever and ever. He's unafraid to GO for it.
And frankly, I think that's one of the things I'm proudest of about GARGOYLES.
Not everyone loved the World Tour, but how many of you ever thought we'd have the guts to do it. To take our two leads and send them away from their "franchise" location not just for an episode or two but for what amounted to a season's worth of episodes?
And, honestly, how many of you thought -- even at the very end of "Hunter's Moon, Part Two" -- that we'd REALLY blow up the clock tower? Did you anticipate that the Gargs would wind up back at the castle with Xanatos or was that a surprise? For that matter, in season one, how many of you would have thought we'd have moved them out of the castle in the first place? "Enter Macbeth" represented a defeat of sort for our heroes. Did you see that coming?
(NOTE: These are not rhetorical questions. I'd really like to know the answers, so don't hesitate to let me know with a post here.)
Anyway, if these things were shocking, I think it's because they were somewhat brave. A risk. But not a risk for the sake of risk, but a risk in the name of being true to the characters. We made the various franchise shifts because nothing else made sense. I think it paid off for us, at the very least in loyalty from all of you. What do you think?
Miscellaneous...
My DC Comics editor finally sent me a few copies of that Justice League comic with the Captain Atom/Gargoyles story. I had forgotten just how many Gargoyle in-jokes I put in that story. There's much more there for a Gargoyle fan then for a Captain Atom fan. Though I think the scenes of Cap kissing Bette (and the mention of Las Vegas) would make a couple people (Simon Del Monte, Melissa Page, for example) a bit nostalgic. I think the story turned out pretty well. Anyway, I'm happy. My editor made a couple small changes. He removed the two references to the year the story took place (1991). And he changed the title. It was called something like: "An Exercise in Self-Indulgence". Now it's called "The Flashback of Notre Dame". Both are accurate, but his is much more clever.
Lately, I've been giving away a lot of ASK GREG tidbits for some reason. Not sure why. I'm just in the mood, I guess. But it suddenly occured to me to register this caveat.
There's canon and there's canon.
As far as I'm concerned the only true canon is the 66 episodes of the series running from "Awakening, Part One" through "The Journey". As many of you know, I don't like to consider the other twelve episodes of Goliath Chronicles to be canon, let alone whatever other stories got published by Marvel or Disney Adventures Digest or whatever.
But to be honest, even some of my ASK GREG answers cannot truly be considered canon. They're closer. But I won't be held to them in any absolute sense. Part of the wonder of producing the first two seasons of Gargoyles involved things discovered along the way. I won't etch things in stone (pun intended) just for the sake of making these ramblings and off-the-cuff answers sacrosanct. If I got the chance to produce the show (or one of its spin-offs) again, I'd ABSOLUTELY incorporate much of what's here. But I'd be a fool not to hold everything up to a microscope and decide with consideration what would and wouldn't be best for the new series.
Having said that, I've been giving some particular thought to G2158 recently, studying timelines for example. And I've changed a few things in my head. Nothing major. But certain things have changed that would in turn effect things in TimeDancer and present-day Gargoyles. Maybe even New Olympians and Pendragon. (So far nothing that would alter Bad Guys or Dark Ages.)
The good news is that none of these changes effect our three current contests. (Wouldn't that be an ASK GREG disaster?)
And all this thought has gotten me thinking about how I might handle a couple of thorny problems in any revival of the original series, specifically the time gap between 1996 and whenever the new show hit the air, and/or the existence of those 12 non-canon Chronicle episodes.
And frankly, I think the internet is the answer.
Goliath Chronicles exists. I can't change that. But I think I can ignore it. For example, if I wanted to do my version of the trial of Goliath -- the one where the question before the court is his very sentience -- couldn't I just do it?
New fans wouldn't know about the Chronicles trial and thus wouldn't be upset about it. Old fans could check here and find out why it was being ignored.
That only leaves a small percentage of people, who, for example, see the Chronicles episode on Toon Disney and wonder about it, but don't have the resources or whatever to find a site like this and learn the rationale. Would they be very put off? Is that too selfish an approach for me to take?
Likewise, the time gap. What if in the fist season, I did that Halloween story I've mentioned before. I wouldn't mention what year it was. For a new audience, they'd just assume that the story took place in say, October 2002. No harm done. But I could post here and tell people it took place in 1996. Then, by the end of the first season, I could have the series caught up to 2002, but still have gotten to do the stories that would have depended (continuity-wise) on proximity to the events in Hunter's Moon and The Journey.
What about that?
I'm very interested in all of your opinions on these notions. Please post them here.
Technical difficulties...
My ASK GREG answering/rambling system is telling me that there are no more questions in the Queue. We all know that's not the case, but I can't answer anymore questions until Gore finds the problem. Bare with us...
Thailog, you Bastard.
Yeah, Todd, the archetype of the Bastard (particularly the more villainous Edmund version) was definitely running around my head when Cary and I created Thailog.
I recall that Cary was thinking of Thailog in more evil twin mode. As Goliath's brother (after a fashion). This was a legitimate approach, but I guided him toward making Goliath and Thailog into father/son figures. And by throwing in Xanatos and Sevarius as father-figures as well, I was hitting the Bastard idea head on.
After all, who is Theseus' father? Aegeus or Poseidon? Both had "intercourse" with Theseus' mother. Both claimed Theseus as his son. And Theseus was smart enough not to disagree with either.
(Though in his heart, I think Theseus' true "father-figure" was his maternal Grandfather.)
Jonathan Frakes
Last night, my wife and I went to the WB's fifth anniversary party.
I talked with Alan Burnette and Rich Fogel. Two guys who I used to work with at Disney, but who are now on BATMAN BEYOND.
I also saw a number of celebs, including the actors who play the title roles in ANGEL and FELICITY. Plus Diedrich Bader, (Oswald on DREW CAREY and Jason Canmore of "Hunter's Moon"). I also literally bumped into Shiri Appleby who's "Liz" the female lead on ROSWELL. And she was very nice about me being a clutz.
And, best of all, I ran into Jonathan Frakes, who's an exec producer on ROSWELL. He was terrifically charming as always to both myself and Beth. (Beth and Jonathan's wife Genie Francis were once in MOMMY & ME classes together after we both had our respective first kids.)
Without any prompting from me, he bemoaned the fact that Disney stopped making GARGOYLES. He's still a big fan of the show. We started to talk some more but he was approached by Ray Wise, the actor who played Laura Palmer's father on TWIN PEAKS. I left them to talk, and we didn't get to hook up again before Beth and I had to leave. (Babysitters, school nights, plus as glamorous as it may sound, I feel very out of place at this kind of party. Very uncomfortable.)
Anyway, I realize it's not much of an anectdote, but I thought you'd like to know.
Shakespeare ramblings...
Seeing TITUS and having some professional free time to dedicate to a more long term project finds me re-emersing myself in the Works of Will (WoW). At least, after a fashion.
Since this ramble will knock my comments on TITUS off the "LATEST RESPONSES" page, so may want to check those comments out by visiting the "Shakespeare" section of the ASK GREG archive.
But recently, I've also been reading Harold Bloom's book, "Shakespeare: The Invention of the Human". It's really an amazing work. I've been reading it while viewing various takes on ROMEO AND JULIET and HAMLET. It's really helped me to appreciate HAMLET more. In the past, I've always admired the play, but it never reached me as deeply as LEAR or R&J or MIDSUMMER or MUCH ADO or WINTER'S TALE, etc. I'm gaining a new, deeper understanding and appreciation of HAMLET now. In part from Bloom's book.
And in part, from Kenneth Brannaugh's four hour movie version, which I saw and liked in the movie theater a few years ago. Still, I'm gaining a new appreciation for it on video. So many little things to love. Such a scope. And I think I'm finally "getting" Hamlet himself.
But frankly, one of the big helps has been revisiting a film that Brannaugh directed (but did not star in) just before he took on HAMLET. In America, it's called "A MIDWINTER'S TALE". (Elsewhere, I think it's known as "IN THE BLEAK MIDWINTER".) It's a little black & white film about a company of seven actors (and two support people) who put together a local production of HAMLET in order to raise money to save the church they're performining in. This is another movie I saw and liked in the theater. But seeing it again on video has been wonderful. Ophelia's song of madness has never been more poignant, then in the "rehersal" scene in this film. I can't help feeling, that this little movie was an important act of mental preparation before Brannaugh took on his big HAMLET film. Among other points of interest, the actors who play Hamlet, Claudius and Laertes in A MIDWINTER'S TALE, went on to play Laertes, Polonius and Horatio (respectively) in HAMLET.
I've also been revisiting ROMEO & JULIET. Bloom's book has some really interesting stuff about that play as well. (Though I'm convinced he gets one thing dead wrong. It's trivial, but he takes for granted that Susan is Juliet's late twin sister. His brain must be short-circuiting there. It seems beyond obvious to me that Susan was the Nurse's daughter. Born at the same time as Juliet, an infant who died shortly thereafter, making the Nurse a good candidate to be Juliet's wetnurse -- and surrogate mother.)
I've also watched the video of Baz Luhrman's version of R&J, starring Leonardo & Claire. I like it. This one suffers a bit off the big screen, but it has some great moments.
SPOILER WARNING
Romeo actually getting to see Juliet come back to life just AFTER he's taken the poison for example.
Next up, SHAKESPEARE IN LOVE on video and then the ZEFIRELLI R&J. The movie that first opened the door to Shakespeare to me. (I'm still in love with Olivia Hussey.)
BTW, I realize that a lot of Gargoyles fans won't really know what I'm talking about here. ("Who the heck is Susan?") But, you are an exceedingly bright group. Maybe all this cryptic rambling will get you to check all of this stuff out. I recommend it.
Progress
Well, I just answered the last question from August. September, you are next. I'm determined to catch up so that questions are answered within a week of being asked.
TITUS
I saw TITUS on Saturday with my wife Beth and three people who worked on GARGOYLES.
1. Fred Schaefer, who was a development associate who helped develop the show. (I think it's safe to say that Talon was sort of Fred's idea in a very early pre-Derek form. We called the character Catscan then.) Fred is currently a producer/executive/story editor at Porchlight Entertainment.
2. Monique Beatty was my assistant during the Gargoyles years. She did a lot of research for me. She's now a producer at Kinofilms.
3. Tuppence Macintyre is an old friend of mine. She also did a lot of Scotish research for Gargoyles, just as a personal favor and because it interested her. She's a Deputy District Attorney in Los Angeles.
Anyway, the five of us went to see TITUS in Santa Monica. The film is based on one of Shakespeare's early tragedies, TITUS ANDRONICUS. It was adapted and directed by Julie Taymor, who adapted and directed THE LION KING for the Broadway stage. So it's not surprise that the film is visually stunning. Monique didn't like the anachronistic style of the film (depicting chariots and motorcycles side-by-side for example), but it's not the first time I've seen that kind of interpretation, so it didn't bother me.
And the acting is fantastic. Anthony Hopkins (who I've loved forever -- does anyone remember the movie MAGIC?) plays Titus. He's brilliant. His lament to the stones is heartbreaking. Jessica Lange is good as "Tamara, Queen of the Goths" (now tell me that isn't a Gargoyles' character in the making). And Alan Cumming (who voiced John Castaway in "The Journey") is a nice, twisted villain as Saturninus, the Roman Emperor. But the revelation is Harry Lennix as Aaron the Moor. Amazing.
The story of Titus is not for the squeemish or for children. It's a real pot-boiler. Something just this side of a horror movie with a hard R rating for violence and nudity, though thankfully a minimum of on-screen gore.
The play was a big hit for Shakespeare in his day. But it's been dismissed as a critical flop. And I can see why. I've read it a couple times and thought it awful. Which coming from a bardolitor like myself is pretty harsh. It seemed like none of the characters were sympathetic or interesting.
But I'd never seen it performed, so I was looking forward to the movie. As usual, Shakespeare plays tens times better than he reads. In the movie, I had -- at moments -- plenty of sympathy for nearly all the characters. And the wonderful thing is that my sympathies are constantly shifting. No one is without sin. All share the blame except for Aaron's son. And Aaron himself is amazing.
Although, I can't help agreeing that Shakespeare wrote TITUS at least in part as parody of the tragic genre -- the way SCREAM was designed to be both parody and exemplar of the horror film -- I can also see flashes of KING LEAR, HAMLET and CORIOLANUS in Titus' character.
But Aaron prefigures Othello, Iago, Edmund and Shylock at least. He's a remarkably progressive character for the time. A villain, who is the only character to succeed in preserving a sliver of innocence within the world of the play.
Anyway, I really enjoyed it. And I recommend it to any Gargoyle Fan over the age of 17.
Galaxy Quest
I saw Galaxy Quest this past Saturday. Not a perfect film by any means, but I enjoyed it.
But mostly it got me thinking. The Star Trek parallels were obvious, and it's hard to apply the same kind of scenario to, say, a Gathering.
But I wondered how I'd respond this summer in Orlando if Thom Adcox and I (for example) were confronted by a woman who looked sort of like Salli Richardson but with blue jeans, black shirt and a red jacket. She tells us she really's Elisa Maza and she need our help.
I wound up coming up with this whole scenario in my head about Alexander accidentally using his magic to send Elisa, Fox and Lexington to our universe. I finally find out definitively what I've suspected all along, which is that I'm not inventing these stories, I'm simply tapping into another universe. Turns out I got a lot right and a little bit wrong here and there. (See previous comments about how I missed beats on "Hero of Ulster" and "Grief" as examples.)
Trapped in our universe, the unlikely trio happen to see an episode of the show. They get on the net and find out about me. And with no other idea how to get home they track me down at the Gathering, hoping I'd know how they are SUPPOSED TO GET HOME.
Then I got stuck. The whole idea got very messy. (This story is really up Cary Bates' alley. I still have that old issue of JUSTICE LEAGUE where Cary travels to EARTH-TWO, turns evil and tricks the JLA into killing the JSA. In that story, the Spectre personally intercedes with God to fix things.)
Anyway, I think this is what Todd calls a 'creativity demon'. I've been trying to "crack" open this story since Saturday night, with little success. But I'll keep working on it, and if I come up with anything good, I'll ramble further.
ANOTHER UPDATE
Well, there's a good chunk of August done.
See you guys after the new year. Have a safe and great holiday.
Greg
Only Five Months Behind...
July is done. Finally. Watch your back, August.
I'm back...
And July is going down today!
Progress
I was hoping I'd get through July today. But man, no dice. I'll try again tomorrow.
UPDATE
Hi Gang,
I'm back. And determined to pour through these questions. I can't believe I'm still backlogged until JULY!!!
But first, let me give you a quick update on what I've been up to recently.
STARSHIP TROOPERS
Post-Production has been completed on my first arc of stories. They are all set on the jungle moon TESCA NEMEROSA. I think they turned out wonderfully. I'm still very proud of the writing, but I'm wildly impressed with the CGI. (And yes, there are a few small things that bother me, but...) Overall, I think it's a very powerful set of stories.
MAX STEEL
We've completed writing and recording all 13 episodes for the first season. Post-production should begin after the first of the year. The CGI series should premeire in February on the WB's Saturday Morning. And now that the heavy lifting is done, I'm all but unemployed, which means I should have plenty of time for ASK GREG.
NAZCA
A good friend of mine did the English dub for this Japanese Anime series. Thom Adcox does the voice for one of the leads, and I do a few incidental voices here and there. (Yes, the man who brought you "Nice Mask!" and "Father, the rockets aren't working!" is back behind the microphone. God help us all.) It's available on home video in stores starting mid-January.
JUSTICE LEAGUE GIANT
As many of you already know, I did a CAPTAIN ATOM/JLE/GARGOYLES parody team-up for this comic book. I wrote it a year ago and I still haven't seen the final result, but I'm told it turned out all right. And every copy you buy puts about a tenth of a penny into my pocket... Seriously, it wouldn't hurt if this issue sold out and was followed by a letter writing campaign asking DC to do an actual Gargoyles comic. Don't know if it would work, but it wouldn't hurt.
UCLA EXTENSION
For those of you living in the L.A. Area, Kevin Hopps and I are teaching a twenty week course on writing for Television Animation through UCLA Extension's Writer's Program at Universal CityWalk starting this Spring and running through the Summer. Hope to see some of you there.
Now, back to your questions...
Captain Atom & the Gargoyles
Reprinting (for posterity) what I just posted in the comment room:
Just a quick response/explanation to Alex (aka Simon).
I couldn't really do a full-on Captain Atom story. I was limited to 10 pages (and it takes a lot of time to write that short) and it was a JLA GIANT, so I was obligated to include the JLE from that era. Those were my marching orders.
So Dan Raspler (my editor) and I decided to do something fun. Something with Captain Atom elements, but something more in the tone of the JLE of that era -- admittedly, a sillier mag than the CAPTAIN ATOM book I used to write back then. But even in those days, when I put the JLE into Cap's book, I tried to split the difference on the tone, so that the transition wasn't too jarring.
I suggested making it a real exercise in self-indulgence by including a bit of a GARGOYLES parody. He went for it.
Now, in my first draft, I did open the story by showing the Funeral-At-Sea of Heinrich Megala. But my editor felt that it was too serious. That it clashed with the tone of the rest of the story. I didn't disagree. (I just didn't care.) But he didn't like it. So we went with what you saw.
Or so I assume. I haven't seen it yet. I called Dan yesterday, and he promised to send me a copy. Originally, Pat Broderick was supposed to do the pencilling -- a reunion of sorts. I don't know exactly what happened, but Pat didn't end up doing the story. So I can't even imagine what it looks like. And I don't know how much or how little I was edited. I hope it plays.
And I hope that clears things up.
By the way, I'm almost done with the writing and editing of Max Steel. I promise that after the first of the year, I'm going to try to MUSCLE through the backlog here at ASK GREG.
Sorry for the delays.
Where have I been...
I can't believe I'm still answering questions from back in July.
Please have patience with me. I have been completely swamped working on a new series for SONY (makers of MIB & Starship Troopers) and the WB (the network of BATMAN BEYOND). It's called "MX1: MAX STEEL", and if I survive the production process it should be a pretty cool show.
Here's a little info:
I'm the story editor and one of the producers.
It's not the same job/responsibility/freedom that I had on Gargoyles, but it is the closest I've come to it since way back then.
The Executive Producers are Richard Raynis and Jeff Kline.
The other Producer (on the art side) is Bob Richardson.
Sue Blue is our voice director.
We've got an order for 13 episodes. Each stands alone, hopefully, but as usual with my stuff they'll play better in sequence. I hope they air in order someday.
As of today, the writing breaks down as follows:
1. "Strangers" by Greg Weisman.
2. "Sacrifices" by Greg Weisman.
3. "Shadows" by Lydia Marano.
4. "Sportsmen" by Jon Weisman.
5. "Seraphim" by Michael Reaves.
6. "Spear-Carriers" by Kevin Hopps.
7. "Snow-Blind" by Mike Ryan.
8. "Sharks" by Katherine Fugate.
9. "Sabres" by Cary Bates.
10. "Sphinxes" by Gary Sperling.
11. "Swashbucklers" by Jon Weisman.
12. "Scions" by Cary Bates.
13. "Shattered" by Kevin Hopps.
The voice cast is pretty impressive to, with quite a few names familiar to Gargoyles fandom...
Our five regulars...
Christian Campbell
Jacob Vargas
Shannon Kenny
Chi McBride
Lauren Tom
Recurring & Guest Cast includes (in order of appearance):
John de Lancie
Keith Szarabajka
Jean Gilpin
Martin Jarvis
Thomas Wilson (aka Matt Bluestone)
Edward Asner (aka Hudson)
Jason Marsden
Jeff Bennett (aka Brooklyn, Owen, etc.)
Julia Kato
Obba Babbatunde
Cam Clarke (aka Young Gillecomgain & Eric Sturlesson)
Thom Adcox Hernandez (aka Lexington)
Greg Rainwater (aka Natsilane & Coyote Trickster)
August Paro
Robert Cait
And that's just after having recorded five episodes.
The show is 100% CGI. We have high hopes.
In other news, I just attended what could be called my first GARGOYLE wedding. Marc Perlman (our music editor) and Laurel Whitcomb (our publicist) met at the Gargoyle Premiere Party in 1994. They've been an item ever since, and finally made it official yesterday. The wedding was great fun, and I was singled out as being responsible for bringing them together.
Geez, talk about pressure.
I loved it.
I will get back to answering questions as soon as I can. Hope this little update tides you over a bit.
CORRECTION
I can't believe I said I "wrote" ten episodes of Starship Troopers. That's flat out untrue.
I meant to say I story edited ten episodes of Starship Troopers:
16 - "No Substitute" by Jon Weisman
17 - "And Then There Were Two..." by Cary Bates
18 - "Marauder" by Michael Reaves
19 - "Liquid Dreams" by Greg Weisman
20 - "Heart" by Lydia Marano
36 - "Funeral for a Friend" by Greg Weisman
37 - "Spirits of the Departed" by Jon Weisman
38 - "Gates of Hell" by Lydia Marano
39 - "Circle of the Damned" by Cary Bates
40 - "Final Inferno" by Michael Reaves
As you can see I wrote two episodes and story edited ten. My apologies to Cary, Michael, Lydia and Jon.
Episodes 37 - 40 were the ones yanked out of production. And of course, the numbers listed above reflect their ideal airing order. There's little chance that they'll actually air in that order. At least not the first time through. And of course, SONY doesn't show the titles on SCREEN. So the best you can do is look out for the above five writers names. These are all scripts I'm VERY proud of. Hopefully, the episodes will turn out as good.
Greg
P.S. Now, watch -- I've probably made some new dopey error.
Where's Greg....?
Greg is up to his neck in work right now. Sorry.
Here's what's been going on.
As many of you know, I wrote ten episodes of the forty episode order of STARSHIP TROOPERS (now dubbed ROUGHNECKS: THE STARSHIP TROOPERS CHRONICLES (or something like that)).
My episodes were orignally slated to be #16-20 and #36-40.
My first arc (16-20) were set on a jungle planet. My last arc was set on Earth (36 in Colorado & 37-40 on Hawaii specifically).
Then all hell broke loose.
Two CGI companies were originally doing the CGI for the show. One of these companies bailed -- as I understand it they declared bankruptcy -- still holding onto five episodes worth of SONY's money. But Sony still had to deliver 40 episodes. And they didn't want to pay for 45. So now they've added three clip shows. And taken a couple of single episodes and made them two-parters. In the process they chose (at least for now) not to make my Hawaii episodes. Hopefully, they'll be made later for Home Video or a second season or something.
I've been watching the shows on my local channel. Missed the premiere episode. Then saw the next five. The first one I saw, (the second to air in syndication) was an episode from the third week arc (had to be 16, 17 or 18 in the original airing order) set on the planet Tophet. They followed that with the first four episodes set on Pluto in order. Then yesterday they aired the first episode for at least the second time in two weeks.
Obviously, we're having some delivery problems.
And all of the above, completely out of my control.
The good news is that the five episodes I saw kicked some major ass visually. And the stories were pretty great too. (And I had nothing to do with them.) Maybe that bodes well for the six episodes of mine that should get made soon.
Meanwhile, I've been swamped working on a CGI show for Sony that should air on the WB in January. It's on an inhuman schedule that's literally killing me, but hopefully you'll like the finished product.
Sorry if I haven't had much time for ASK GREG recently. But I love doing it, so I will get back to it as soon as I can.
I swear.
Greg
My son Ben wanted to ramble. He's two years old.
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ben
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ALONE: The Demona Contest.
It's a great dramatic moment. The Weird Sisters, Macbeth and Goliath have successfully (if temporarily) BROKEN Demona.
She gives them the code word: "ALONE".
Perfect.
But why would Demona choose that as a code word in the first place.
Here's the latest contest. (And this one will definitely have a winner.)
Write two paragraphs. Each one no more than fifty words.
In the first paragraph, explain the reason Demona consciously gave herself for choosing that word.
In the second paragraph, explain how that conscious decision interacted with her subconscious mind.
PROOFREAD. Grammar, spelling, even punctuation counts. Please remember that I'm a former Composition teacher and current editor. Nothing annoys me more than sloppy work.
You have the entire month of September to enter your two paragraphs at ASK GREG.
It may take me a while to get around to reading them all, but I will eventually choose the entry that I SUBJECTIVELY JUDGE to be the best. That winner will get some kind of prize. It won't actually be worth anything, but hopefully he or she will think it's cool.
All entries should begin with:
"ALONE: The Demona Contest Answer"
If not, they will be disqualified. I'm prepared to be merciless.
Good Luck.
I'm so dedicated...
I'm on vacation in Nantucket at my in-laws.
They have Web-TV, and I am struggling with it at 2:45am because I love you people. Actually, I'm done struggling with it for the night/morning. But I'll try to log on a couple more times and answer a few more times and answer a few more questions here and there.
NEW RULES
WELCOME BACK TO ASK GREG,
Thanks Gore for getting us back up and running.
Unfortunately, as some of you know, I'm leaving today on vacation, and I don't know if I'll have net access while I'm gone.
So we'll try to get the ball rolling for real in late August.
But I will try to answer a couple questions today.
HOWEVER....
I'm now going to get TOUGH with you guys.
Although I welcome you to post as often as you like, PLEASE remember to only ask one, two or three questions PER POST. Multiple questions are only acceptable if they are on the exact same topic as the first question.
From here on out, if I receive a post with multiple questions, I will answer the first one and then only answer the following questions if they are on the same topic. Otherwise, I will advise the poster to try again.
O.K.?
(Better be okay, grumble, grumble.)
Greg
ARRGGGHHH...
Update: Answered Questions aren't posting at all.
My rambles are posting both to the "Greg's Latest Responses" page and to the "Ramblings" library. But the last two rambles did not post to the "Behind the Scenes" library that I also assigned it to. So we've got a major library problem going on now.
Sorry.
Auditions addendum
The posting answers function is still not working. So I'm still rambling.
Today, we held auditions for five smaller parts in this new show. Frankly I was surprised my bosses insisted on auditioning these rolls. Normally, we'd just cast them. We had no pre-written audition sides prepared. So we just lifted some dialogue from an old draft of the pilot. Three of the characters only have three lines each in the pilot, and one of those three characters had the following three lines:
"He has failed."
"Yes."
"Yes, Sir."
So we just had people auditioning for this character read another character's lines while using the mindset that we described for the guy he was auditioning for.
Needless to say, it was messy. Not the way I like to work.
But the day actually went fairly well. We got a bunch of good people. There were four male parts and one female. And unlike the leads, there was the potential for doubling up rolls among these guys. So a lot of guys came in and read for multiple parts.
I saw Morgan "Petros/Kenneth" Sheppard and Victor "Rabbi Loew" Brandt today. Victor put that Hebrew incantation on his clip reel. Which was nice. Also Emma "Gruoch" Samms and Sara "Una" Douglas each sent in tapes all the way from Europe to audition for one of the two lead female rolls we read for last week. That was nice too.
I met Rene Auberjonous and John de Lancie and Jeffrey Jones. All very nice guys.
Like I said... fun.
What I've been up to recently...
Well, as of right now, the Rambles work, but I can't seem to answer any questions.
So I'll ramble.
Last week, we held auditions for a new series I'm working on as Story Editor/Writer/Producer at Sony for the WB and Mattel.
It's too early to give you any details on the show, but I think I can talk about the audition process in general terms.
Auditions took place under the watchful eye of our voice director Sue Blue and her engineer Pat Torres. Sue's directed a ton of shows, including MEN IN BLACK and the upcoming STARSHIP TROOPERS. I was there for most of the auditions, and Sue, Pat and I had a really great time.
We had five lead rolls to cast (three male, two female), and the nature of the rolls were such that we largely had five distinct groups of people coming in to read for each part. But all mixed up and in no particular order.
The actors had each received audition "sides". These were monologues that I had written up for each character that would demonstrate the characters personality and range. Give the actor the opportunity to prove (or fail to prove) that he or she was right for the part. The side I wrote for the lead character was just too darn long. So we cut that one down, which threw off a couple of actors at first, but in the long run made it easier on them -- and us.
The actors would wait in the waiting room (hence the name) and we would take them into the booth one at a time. We three jokers were out in the control room, so they couldn't hear us unless we wanted them to or unless we forgot and left the button on. (No major faux pas this time, but over the years, I've had a few embarrassing moments with that button.)
We'd usually ask the actor if he or she had any questions about the character. We'd do our best to answer them, and then let the actor read the side through once without much input from us. Then we'd generally do a second or third pass, where we gave them direction. Sometimes people who did lousy first reads, did great with direction. That's a good sign. Sometimes people who did decent first reads, didn't improve much with direction. That's not as good a sign. Sometimes people were so good, we wouldn't do a second take. Maybe just pick up a single line or two that we felt could be improved on. Sometimes people were so obviously wrong for the part, we wouldn't do a second take, and just pick up a line to be polite -- or deceitful, it depends on your point of view.
Basically, you're looking for good acting instincts. Do they notice and pick up the various acting beats? After you point them out, do they hit them nicely or force them? Etc.
And just as important, you're listening simply for vocal quality. Do they sound like the character you have in your head? Sometimes they don't, but you like it anyway. They redefine what the character SHOULD sound like. Keith David was like that for Goliath. So was Thom Adcox Hernandez and Bill Faggerbakke.
At these auditions, at most auditions I've ever been to, the actor has no way of knowning how well he or she did. Cause we're equally polite to everyone. It's selfish, basically. Ever try rejecting ten or so people per hour? It's tough on each of them of course, but they only have to go through it once. It would be brutal on us. And everyone reacts differently. Some rejectees would get pissed. Others would beg for another chance, etc. Nightmare. So we smile and tell everyone they did great. It sucks, but I can't fathom an alternative.
Even if we like someone, we don't want to be too effusive, because, we don't know who we still have left to see. We might like the next guy even better, and so you don't want to make promises.
LESSON: Don't become an actor unless there's just nothing else you can see yourself doing. BRUTAL PROFESSION. Writing's not much kinder, by the way.
Anyhow, we lucked out this time. Saw a ton of great people. Now, unlike Gargoyles, I'm not the top dog on this show. I'm a Producer -- the guy on the line, but Sony has two Executive Producers on the show, who are my bosses. Plus Sony has a development executive assigned to the show. And the WB and Mattel have (at least) veto power over the final casting choices.
So what Sue and I did (with help from Pat and Cynthia, Sue's assistant) was put together a voice CD, with about seven actors per character on it. We eliminated all the people we hated, and by consensus put our best choices on the CD. I felt very good about the CD. I liked most everyone on it, and feel confident we'll have a GREAT voice cast, even if my personal first choices aren't chosen.
I did rank my picks (on a separate memo) for the Exec Producers. We'll just have to see how it all turns out.
A side benefit of all this is that I got to see a bunch of people that I hadn't seen for awhile.
Thom Adcox Hernandez auditioned. Of course, I have seen him recently, at the Gathering and at a few movies that we attended together with our respective mates, (RUN LOLA RUN and AN IDEAL HUSBAND). But it's always great to see Thom.
Marina Sirtis, Brigitte Bako and Sheena Easton all gave great audtions, and it was terrific to see them again. (Of course, it doesn't hurt that they're all knock-outs.) They all have fond memories of Gargoyles. Marina said that at Star Trek conventions, she signs more Demona dolls than Troi dolls everytime.
I also saw Gregg Rainwater (Coyote Trickster, Natsilane/Nick, Young Peter Maza). James Avery (Shaman). And a few others too. (I'm blanking out. It's late.) They were all terrific. I wish we could cast them all.
Unfortunately, I couldn't be there for every audition (seven hours a day for four days), so I missed seeing Kath Soucie, Tress MacNeil and Rocky Carroll. Bummer.
But I did get to meet Ben Vereen, Lauren Tom, Rosalyn Chao, James Marsters (who plays Spike on Buffy) and a bunch of other people that I really admire.
Frankly, the voice stuff is the most fun part of my job.
7-21-99
Just a test.
Sorry, but for the second time since this latest server crisis began, an answer I took some time on didn't post and was lost. Before I go in and start answering questions again, I'm just going to see if things are posting properly with this latest test ramble.
7-21-99
Gathering Diary, Part Last
SUNDAY (or what was left of it)
Got up. Showered. I was major damaged goods by this time, but I had had such fun. Went downstairs. Said some goodbyes. Dominick interviewed me for his German magazine. Had an interesting conversation with Steve Jackson and Christine Morgan. Talked with the G2000 folk some more. Said good-bye to Thom. He told me about his and Jen's plan to tattoo themselves. I told them both if you don't have the guts to get a tatto in your hometown, you're better off skipping it.
(Side note -- Saw Thom today [7/12]. He showed me his new tattoo. Sorry, Jen, looks like he stood you up.)
Jen cabbed me to the airport and kept me company until my plane left, which was incredibly nice.
Flew home. Got home. Hugged my kids and wife. Told them what an amazing time I had, and suggested that next year may be the perfect time for them to come along.
And that's it.
But again, thanks everyone. I had an amazing time.
You guys are the best.
Gathering Diary, Part III
SATURDAY - (a.k.a. THE BIG ONE)
Well...
I dragged myself out of bed just in time for the room service I dopily ordered the night before. The food was fine, but now I was running late. Showered, etc. And ran downstairs.
Took us a little while to get our acts together, but finally Thom, Jen and I sat down to hold auditions. I gave everyone the same shpiel. LOUDER AND SLOWER.
All of you who auditioned were great. I hope the experience, whether or not you got a part, was fun (and maybe educational). We had a huge turn-out and auditions ran at least an hour longer than we had anticipated. (Causing a cascade of lateness that continued throughout the day.)
When we were finally done, we set about casting over KFC brought to us by Van & Sara. Just for the record, the cast was:
Chris Marti
Jade Griffin
Thom Adcox
Stephen Sobotka
Regina McClendon
Lanny Fields
Sara Hutchinson
Robby Bevard
Loren McLaughlin
Don Martinez
Kara Metzger
Aaron Wheeler
Charles E. Calvert
Jennifer Anderson
Kythera Arevern
Dominick Fahrni
Anthony Zucconi
Matt Cooper
Stephen Zeber
Jimi Robinson
Heather Rice
Vanessa Wright
Abby Johnson
Thanks, gang. And thanks to everyone who auditioned.
Lanny & Sara are becoming regulars at this. ("The Greg Weisman Players" Hmmm. I like the sound of that.)
We took a quick break and then went almost immediately into rehearsal. Suddenly people who had given very loud auditions were whispering. It made me a bit nervous. Mr. Punctual, Thom Adcox, locked himself out of his room, and was late to the rehearsal. Which gave me a lot of opportunities to rag on him. Thankfully, he's a good sport.
We finished up and then brought people in for the performance. I can't say much about the show, but it's a pilot that I wrote for a new series. My pilot was rejected, and they hired a new writer to do the version that will air in the fall. It was a messy business with both sides hiring lawyers, and though I still feel ripped off, it's over. But I'm glad someone at least got to see the version I did.
I think the performance went pretty well. My cast was great. I'm not sure the script was as much of a crowd pleaser as ROTG was last year, but I have no complaints. When it was over, I answered a few quick questions for people who couldn't be at the dinner, then I went upstairs to make a phone call and relax for a bit while Dinner was being set up. (That actually took quite a while. So again, I wound up bouncing upstairs and downstairs a few times.)
Finally, we went in. Dinner was very good. And it helped being the guest of honor as I got my food first. We (the guests) all ate while everyone else got their food, and then I moderated the Q&A while the audience ate. The Q&A was the most fun of all. Some really good questions, and I admit that I really got on a roll there with my answers. People tried to stump me, but I was just unstumpable that night. Very fun.
After dinner, Thom and I went back to my room to chill out a bit. He and I really had a great time. Didn't realize how much I missed the guy.
We came back downstairs for the costume parade. Becca and Jack as Lex and Goliath stole the show, but there were a bunch of great costumes. Was that AJaye as Angela? And that Graeme guy? (Whoever graeme is.) Wow. Anthony shaved off his beard between the radio play performance and the ball to play Tony Dracon. (Shows almost as much dedication as Aaron.) Skippy the Klingon won Ms. Congeniality. Vannessa as Lady of the Lake and Sara as Hyena, plus Jen as Saloon Girl Demona. Bluebonnet, Lexy... The list goes on. Again, wow.
Thom and I needed ice cream and some air, so it was back to 7-11. Thom revealed that during his AM/PM commercial he had to consume 100 bigsticks. He can't go near them anymore.
We returned to the ball. Vanessa dragged me onto the dance floor. I attempted some swing moves that must have seemed so convincing that I was later complimented for my line dancing ability. (Go figure.) Anyway, it was very fun.
Tim Morgan had missed the Starship video friday night, and Thom wanted to show us his reel, so we started off on a VCR hunt. We wound up in the Morgan's room watching Battle of the Gargantua. Then made our way up to the con suite. About 20 of us at first, watching tapes and talking. As the hours past (and as I got punchier) the numbers dwindled. Thom called it a night around 3am. But I stayed up until 7am with Christine, Tim, Stephen, Flint, Heather, Jen and... ARGGGH... Who am I forgetting? So sorry.
Anyway, I think I was literally drunk on the adulation you all fed me all week end. I started pontificating to poor Stephen. In my memory, it was all very pompous, though both Stephen and Christine have been very gracious about how helpful I was.
Anyway, I was just having a fantastic time. Too great to go to bed. And no, I'm not going to discuss "the game" in print. You nuts?
Finally, at seven I made myself stand up. Flint had snuck away and Stephen was asleep on the couch. It was time to try and sneak a few hours of sleep.
But I was too wired. I rested in bed. That's the best I could do. I think I finally dozed off around 10am but Thom called me at 10:30 to see if I wanted to grab some coffee. Thom's dead now. (Just kidding...)
Anyway, that was Saturday (with a good chunk of Sunday). Part IV of the diary will be pretty pathetic but I'll get to it eventually.
A clarification...
I DO NOT mind tons and tons of questions. I love that.
I do mind tons and tons of questions within the same post. That makes it difficult for me to fit in a quick answer between doing other things. It bogs down the process.
I know it's a bit of a pain, but please ask multiple questions (particularly questions on different topics) in multiple separate posts.
Thanks.
I'm already reeling...
I know we're all excited to have ASK GREG back.
But those of you posing multiple, multiple questions in one post are killing me and not getting your money's worth. I can't just sit down and answer them quickly. So I wind up giving very brief responses (or non-responses) to most or all of the questions that come packaged together in mega-posts.
I understand that if you're asking multiple questions on the same very specific topic why you'd want them all together. So I'm not going to set any absolute rules. But use common sense. I know it's slightly more time consuming to have to submit individual questions one (or say two) at a time. But I promise you, you'll tend (more often then not) to get more worthwhile answers for your trouble.
Gathering Diary, Part II
FRIDAY
As I said, I went to bed way too late, so I got up very late too.
I was wearing my grey gargoyles t-shirt, so even people who didn't recognize me personally knew I was there for the con. Lots of people said hi. A Fan, who I've met three years running, complimented me on the shirt like three times.
Found Jen, met Stephen in there somewhere, and Ogre, got my box of radio-play scripts which I had shipped ahead to Thomas.
I had missed breakfast, and things were just getting organized, so I decided to walk to Taco Bell for some lunch. It was raining as I walked along the expressway, and all I'm thinking is that I'm gonna get Stephen Kinged for a Taco. But I make it back without dying. (Last time I was in Dallas I was in a very bad car accident, so I have a reason to feel paranoid.)
My cousin Debbie picked me up at the hotel. She doesn't know anything about Gargoyles beyond the fact that I worked on the show. When I came downstairs, the first thing she said to me was that there was a guy flashing a huge gargoyle that was tatooed on his chest. I got to see it much later. (Aaron that was you, right?) But I thought it was hilarious that he was flashing Demona to perfect strangers.
Debbie gave me a quick driving tour of Dallas. Then we stopped by her house in "The Bubble", which isn't too far from the hotel. Then it was back to the hotel to change and get ready for the opening ceremonies. Things were running a bit behind schedule, so I kept bopping up and down from my room to the con. Saw Pogo, Kanthara, Lanny. (It's so great to see people who have been to all three cons. And I'm finally learning the names. Though I mispronounced Lanny for like the eighteenth time. Sorry.) Then we got going. Thomas got us started. Everyone seemed very happy to be there. I know I was.
I got up and started my presentation. I showed the same old stuff again. Told the same old anecdotes. (Only slightly abbreviated.) The original Garg pitch. The original Garg promo. The New Olympians Pitch. The Bad Guys Reel. Also added the Dark Ages pitch to my repetoir and showed a promo for Starship Troopers. It all seemed to go over very well.
Then I took off to have dinner with Debbie and her husband Larry... But...
When I got to my room to drop off the tapes, I had phone messages from Thom Adcox (calling from Dallas-Fort Worth) and Frank Paur (calling from LAX). They couldn't reach Jen of Thomas and so were leaving messages for me. I had to keep going downstairs and interrupt the Clan Feud game to talk to Jen and then race back upstairs to talk to the guys. But we finally told Thom to get in a cab and Frank to take a later flight. (Neither thing happened.)
I went out to Dinner with Debbie and Larry, then back to their house to look at some pictures of their kids (who were away at summer camp, so I didn't get to see them). Then back to the hotel. By this time Thom Adcox had arrived. (He and Thomas eventually found each other.) So we hooked up. Took a quick trip to the con suite, but we had already missed the G2000 party. And Thom was hungry. So we hooked up with Sara, Vanessa and Garfield (the guy with many names) and went on a hike across Dallas. Burger King and Taco Bell were drive through only. So we headed for 7-11. Next door was a pizza place. And while we were waiting for the pie, Vanessa and I went next door to get root beer float fixings. Believe it or not 7-11 had NO root beer at all. So I went back to the pizza place to get the root beer there, leaving Vanessa alone in the less than safe 7-11. (It's not that I'm unchivalrous, it's just that I'm an idiot.) I went back to get Vanessa and the ice cream. Then we all returned to the hotel to eat in the lobby. Met Wanderer. By this time, we were beat, so we called it a night.
Went back to the room. Watched CRUEL INTENTIONS which was o.k. And eventually went to bed.
To be continued...
(And as usual, if I've forgotten anyone or anything, forgive me...)
The Clan Contest...
Contest #2 (This one's all but impossible)....
At the time of "The Journey" there were ten clans extant in the Gargoyles Universe. Some were flourishing, some barely surviving.
By the year 2158, all ten would be in much better shape and two more clans would have already have been launched.
In the century that followed, two more, for a total of FOURTEEN clans, would also be launched.
Name the location of all 14 clans.
Same rules apply as in the Arthurian contest. Name all 14 correctly if you want a response. No hints for partial or partially correct answers. Guess as often as you like, but always on a separate "question" post to ASK GREG.
There will be a prize of some kind.
Good luck...
The Arthurian Contest...
Officially restarting the contest...
In the Gargoyles Universe, there are eight survivors from the days of King Arthur. (I know I once said seven, but I forgot someone. Which isn't like me.)
Here are the rules. You have to name all eight correctly. Partially correct answers will receive no partial credit. I won't say you got three right and five wrong or whatever. I won't provide any hints at all beyond the following two names:
1. King Arthur
2. The Lady of the Lake
You have six more to guess. Remember, I'm looking for their Arthurian names. Yes, I've mentioned that Duval is one of the survivors, but listing him doesn't count, i.e. it doesn't count as a guess as to who Duval is, who the survivor is.
The winner will get a prize, I think. Nothing of any worth, but something. (Maybe a xerox of my recording script for Pendragon, complete with all my scribblings. That sort of thing seems to go over fairly well.)
You can guess as many times as you like. But always post it as a separate "question" to ASK GREG. Don't lump it in with other questions. And don't make multiple guesses on the same post. Just eight names. First to give me all eight correct in one post, wins.
Ladies & Gentlemen...
WE'RE BACK!!
And better than ever, don't you think. Sure it took awhile, but how about a standing O for Gorebash. The new ASK GREG digs look great.
As promised, as my first ramble...
A GATHERING '99 DIARY (of sorts)
I had such a damn good time. So let me start with an apology. I'm gonna forget some stuff. I met so many people. Some for the 2nd or 3rd time. I tried very hard to remember names, faces, etc. But I'm bound to screw some of it up. Just forgive me.
THURSDAY
My back is killing me. I get up, I can barely move. Barely lean over the sink to brush my teeth. I don't know how I'm going to endure a three hour flight to Dallas. So I make an emergency call to my chiropractor. He can fit me in. But now I have to shower, pack and drive over there for an adjustment on my way to the airport. Nothing like starting a trip with pain and stress.
By the end of the weekend, I'll have forgotten about both. (You guys. So great.)
Anyway, "SHAKESPEARE IN LOVE" is playing on the flight, which strikes me as a VERY good omen. I promised Christine I would start her book on the way to Dallas. And I do. But I can't resist this movie, even with goof airline edits on my fourth viewing, so I get less reading done than I had hoped. (Sorry. Christine. I'm still reading a chapter a night (give or take). I just finished the "castle" section. The "Curse" to follow.)
Spike and her boys pick me up at the airport. We have fairly light traffic and get to the hotel pretty easy. My hotel room is ready. I see Jen. Unpack. Call home. And go out to dinner at the Spaghetti Warehouse with Thomas, Jen, Christine, Tim, Becca, Sara and Patrick. The Spaghetti Warehouse is a dead-ringer for L.A.'s Spaghetti Factory, right down to the cable car in the middle of the restaurant. I can't help wondering who ripped off whom. Dinner is fun, but I'm still feeling shy. And I know everyone's still acting way too impressed with me. (That'll change. Yes, yes, you may still be impressed with me, but you got better at hiding it.)
We go back to the temporary con-suite, and video tape the DARK AGES & NEW OLYMPIAN pitches. I meet Demona May and Anthony and someone else (sorry). My back, though better, is still killing me, and I had promised my wife I'd phone her before she went to bed, so I call it a night. I'm actually way too excited to sleep much. I wind up staying up way too late. But I can sleep late Friday.
To be continued...
RAMBLE, RAMBLE, RAMBLE
GARGOYLES, SEX and ROMANCE
Did that get your attention?
I've seen a lot of discussion as to whether or not it's appropriate for
FanFiction to depict the characters from Gargoyles having sex (graphic or
otherwise). I thought I'd weigh in with my opinion. BUT IT'S JUST MY
OPINION.
Let me start with my standard disclaimer. I don't read fanfiction. I feel
I can't take the legal risk. I don't want to get sued by a disgruntled
fanauthor who at some point down the road thinks I stole an idea from him or
her. I also have very mixed feelings about fanfiction in general. Part of
me is very gratified. Part of me feels territorial. I've talked about all
of this in greater detail elsewhere.
But should fanfiction based on or in the "Gargoyles Universe" include sex?
Yeah, sure. I don't see a problem with it... at least not in theory. In
practice, might be another matter.
But let's talk about theory first. Many relationships in the Gargoyles
series pack a pretty hefty erotic charge. (At least I think so.) Fox &
Xanatos and Goliath & Elisa are obvious. If we're talking flashbacks, then
I'd also say Goliath & Demona is pretty obvious as well. And you don't have
to look hard to find less obvious choices. So why not explore that? I
wouldn't put graphic depictions of sex on broadcast tv for an afternoon
audience of children, but this is a different medium. I think Gargoyles
should be able to expand into whatever medium it encounters. I hope I built
the show strong enough to survive that. I think there needs to be some
safeguarding for children, but beyond that, if sex stories don't interest
you... DON'T READ 'EM. And no harm done.
Personally, I've had a few fairly graphic fantasies about Gargoyle Mating
Habits, about Goliath and Demona's first time. About Goliath and Elisa's
burgeoning relationship. I don't know where I'd ever write those up, but I
won't deny that the idea fascinates me. (If that makes me a pervert, well,
I can live with that label, I suppose. Though frankly, I don't buy into
that.)
Where it doesn't work for me is in that old "in practice" arena. First off,
gargoyles aside, there's a lot of very bad writing being done in the
so-called adult corners of the net. (Frankly, there's a lot of bad writing
everywhere.) Bad writing is bad writing is bad writing. Gratuitous
Gargoyle sex doesn't interest me. (Alright, well maybe a little, but it
doesn't make for good story-telling. And GARGOYLES was always about telling
great tales, not getting some tail.)
But more importantly, (and this is what I really wanted to RAMBLE about) I
have a sense that fanauthors are letting my characters "get some" a lot more
often than I think I'd believe. That's where ROMANCE comes in. (Thought
I'd forgotten about romance, didn't you?) I think collectively, Gargoyles
Fans lean toward the romantic. And I'll include myself. There's a desire
to find Brooklyn a mate. To find Lex a mate. To find Hudson a mate. To
find Owen a mate. To find... Well, you get the idea. Again, I'm as guilty
of this as anyone. We weren't halfway through writing "Her Brother's
Keeper" when I realized that Fox was in love with Xanatos, thus creating a
relationship that I couldn't resist exploring. If I had done BAD GUYS you
would have seen a difficult but intense chemistry between Harry and Robyn
(Dingo and Hunter to the uninitiated). New Olympians would have had a Romeo
& Juliet relationship as one of its core dynamics. Plus there's the
Tom-Katharine-Magus triangle. Coldstone and Coldfire. Oberon and Titania.
Macbeth and Gruoch. The list is pretty darn endless. But there are a
couple things that put the breaks on actual SEX.
One is that TRAGEDY is a built in factor in the dramatic truth of the
Gargoyles Universe. I'm not... I can't make life easy on these characters.
Oh, every once and awhile sure. And Gargoyles is basically a series
grounded in HOPE for a better tomorrow. But if I'm going to be a good
dramatic storyteller, I can't make things too easy. So when are Goliath and
Elisa going to have sex? No time soon, as far as I'm concerned. It took
them 65 episodes to kiss, for heaven's sake. There are a lot of roadblocks.
Elisa can no longer deny her love for Goliath, but that's not the same as
committing to him. And frankly, I don't think she's there even yet. They
haven't even talked about their feelings. Elisa has studiously refused to
talk about hers, beyond finally acknowledging that they exist. When they do
talk, as I've noted before, I think they'll mutually come to the conclusion
to break up before they ever really get together. In theory, Elisa still
wants a normal life. They're going to have to learn that they're love is
inevitable. It'll be awhile before they get to attempting any kind of
sexual fulfillment. And actual intercourse is a LONG WAY away, assuming it
EVER HAPPENS.
What about the others? Well, I've no doubt that Fox and David go at each
other like rabbits. No doubt that they're quite adventurous, even kinky.
But don't expect much from any of the others.
I gather that in fanfiction, Brooklyn was mating more than Hugh Hefner. But
that brings us back to the tragedy factor. If I were still writing this
thing, I wouldn't make it easy for him to find a mate. Heck, he has to time
travel back to Feudal Japan to do it. One of the tragedies of the Gargoyles
is that their race has been so decimated, that it's a good question as to
whether the species can survive at all. AT ALL. So I'm not, or I should
say, I wouldn't start introducing a number of new gargoyles (female or male)
that would allow Brooklyn or Lex to suddenly and easily find a companion.
It CAN'T be that easy, no matter how much we'd like it to be.
This isn't arbitrary. I think it's really HARD to find a lifemate. REALLY
HARD. I'd be lying through story, if I made that seem easy.
And I'm NOT going to be handing out human mates to Gargoyles on a regular
basis either. Elisa and Goliath HAVE to be special. The problems they're
facing MUST be unique. Or else, all their angst is reduced to just a lot of
whining and indecision. So don't expect to see a lot of human/gargoyle
pairings. Either in flashback, the present or the future. I'd tend to be
extremely stingy with that.
And Hudson. Well, I've made a big deal about Gargoyles mating for life.
Then in the key relationship of the series... I blow that myth away.
Goliath mates with Demona. They, in essence, divorce, and Goliath begins a
new relationship with Elisa. So someone has to carry the dramatic weight of
that mate for life thing. So Hudson gets the nod. Sure in Dark Ages, I bet
he and his mate were getting it on regularly. But now that she's gone, I
think he's going to carry a torch for her forever. Forever. I know it's
sad. But nothing else makes sense to me. I can't live in a universe
without sadness. I can't create one either.
And talk about tragedy, how about Coldstone and Coldfire. I suppose someone
could write a story about built-in robotic sex organs, but dramatically,
that changes everything about their relationship. Yes, finally, they are
together. But
MORE RAMBLINGS ON TIME TRAVEL AND FREE WILL:
Hey, Gary (and everyone)... You asked me further questions about time. The
answers all come down to Point of View. You didn't comment on the
"religious" aspects of my comments, but frankly, they seem unavoidable.
PoV. To Goliath, in the 1990s, the past seems fixed. The present and
future, not. To Goliath in 1940, the past and present seem fixed, and the
future seems fixed for a few decades, and then past the mid-nineties, not.
To Greg Weisman, in his capacity as god of the Gargoyle Universe, the past,
present and future seem fixed.
But what does this mean? It means we are bound by what we know and nothing
more. What does "fixed" mean? Goliath realizes that Griff can't return to
his clan in the forties, because he didn't return in the forties. But that
doesn't mean Goliath cannot affect their mutual futures, by bopping Griff
forward to the nineties.
Greg Weisman knows that something big happens in the year 2158. But he
doesn't yet know all the results of that. For that matter, Greg has a lot of
knowledge about what happened in 984. But what exactly happened between 984
and 994? I've got a basic idea, but there's room for movement. There are
facts I can't dodge, therefore facts that my characters can't dodge. But
that doesn't remove their free will.
Pre-destination does not NEGATE free will, unless the character abdicates
free will in the mistaken belief that he or she has none. And even then, the
"act" of abdication is a choice, an act of free will.
One other note: the Gettysburgh Address in my previous example could be
called a "time circle". Unbroken. No beginning or end. The Archmage is not
a circle, but a loop in a straight line. Think of a roller coaster. It goes
along straight for 100 yards. Then it begins a loop-de-loop. We travel up
and backwards and around and then the track flattens out again at the eighty
yard mark. For twenty yards the tracks run side by side, or put another
way, since the track is unbroken, lengths of the ONE track run side by side.
Then one length, "the younger length," heads back into the loop, while the
other "mature" length continues forward on the straight flat track.
Hope this helps. (GDW/1-27-98)
Here's a rambling:
There's been a little debate in the comment room, regarding the Archmage
time travel loop, time travel in general, and the subject of free will in
the Gargoyles universe. I posted my two cents, but thought I should include
it here too, in case anyone missed it:
Oh, I'm probably going to regret this, but...
Gary, Gary, Gary> Yep. There is a loop. And you're comparison to the
classic "Kill your own grandfather" chestnut doesn't parallel.
I could show you this pretty easy on a diagram, but it's a little more
complicated in type. But let me give it a shot.
The grandfather thing is a "non-working" paradox. The timestream short
circuits. [No cheating, now. No "Well, it turns out the man I always
thought of as my grandfather wasn't really my biological grandfather" and no
"He had sex with my grandmother just before I killed him." None of that.] I
go back in time to kill my grandfather. He dies. My father's never born.
I'm never born, therefore I don't exist to go back in time to kill my
grandfather. Since I don't exist, my grandfather never dies. So my father
is born, and, subsequently, so am I, allowing me to go back in time to kill
my grandfather. And so on, and so on, and so on... It iterates without
fusing. Again, short circuit.
Compare another chestnut that I made up a few years ago. I am a historian.
My specialty is Abraham Lincoln. I travel back in time and meet him just
before he's scheduled to give the Gettysburgh Address. To my horror, I
discover that he's got writer's block. The most famous speech a president
ever gave, and Abe can't think of what to write. I panic. And "write" the
speech for him. Of course I didn't compose it. I simply write down the
Gettysburgh Address from memory. Abe loves it. Gives the speech. Reporters
transcribe it. Historians put it in history books. I study it and go back
in time. Time flows unbroken. It is a "working" paradox. A paradox that
doesn't short circuit the time stream. Now it raises a HUGE question? Who
composed the Address? Not Abe, he got it from me. Not me, I got if from a
history book. Not the historians or the reporters, they got it from Abe.
The answer is it was born with the timestream, created by God or the Big Bang
or whatever. It is mysterious. But it works.
The best example of a working paradox story I've ever read is Robert
Heinlein's "All You Zombies". It's a brilliant, subversive little piece of
work.
The Archmage (and/or the M.I.A.) loop has much more in common with the
Gettysburgh chestnut than the Grandfather chestnut. It is a working
paradox. Simpler even than Gettysburgh. You are the Archmage. Once upon a
time, you were a kid. Then you grew up to be a man, and you wind up falling
into a chasm. You're rescued by a "STRANGER" who looks something like you,
but not quite. The "Stranger" mentors you and gives you power and actually
changes you so that you look more like the stranger than like your old self.
Then the "stranger" sends you back in time to that point where you rescue
your old self. Now to that old immature version of you, you seem like "the
stranger". You mentor the old you, you give him power. Then you send him
back to effect the rescue. It's a loop, because you don't go back again.
You continue forward until Goliath does you in. There's a beginning and an
end and a loop in the middle. It IS a paradox. But it's a working paradox.
There's no short circuit. Time flows. THERE IS A BIG QUESTION! Where did
the Archmage get the idea to save himself. Well, he knows to do it because
his old self was a "witness" to the rescue. His old self was the rescuee.
But where did the IDEA come from? Again, a quirk of the timestream.
Many people have asked me why I made this the time travel rule in Gargoyles.
It's a very conservative approach. You can't change history. Period. Sure
we may not know the whole story. But what happened, happened. We can't
change it. That's the rule as I established it in "Vows," and as we stuck
with throughout the series. Why? Time travel is all theoretical. I could
have chosen any rule I wanted. I could have chosen no rules. Why did I
chose this rigid approach? Basically, cuz I thought it was MORE fun. I hate
feeling cheated at the end of stories. Time travel stories are easily
subject to this abuse. So many great Star Trek episodes full of time travel,
wind up wimping out in the end. Cheating. Using non-working paradoxes or
breaking any semblence of rules they've already established. I always felt
ripped off. I didn't want that for Gargoyles. Also it presents our
characters with a greater challenge. Griff vanished in WWII. Goliath goes
back in time to change it. AND HE CAN'T!!!!!! So he has to find another way
to solve the problem. It also explains why our guys just don't go back and
fix things so that the Wyvern Massacre never happened. Once you open a a can
of worms, you're stuck with a lot of worms (or worse, you pretend they aren't
there). That seemed lousy to me, so I made it clear that once an event is
absolutely known, you can't dodge it. Only work within it's frame. It's all
a matter of opinion, but that seemed like MORE fun to me.
And now...DAH DAH DAH. Predestination vs. Free will. This is an ancient
argument. God is omniscient. He knows what Eve is going to do. So she had
no free will, right? Well, most theologians would say she does. Eve is
created with free will by God. She doesn't have to take that apple. Cain
doesn't have to kill Abel. Sure, God knows that Eve is gonna take it, that
Cain is going to kill, but he doesn't impose that knowledge or his authority
on either Eve or Cain. (He's God. He can make those subtle distinctions in
his creations.) The fact that Mom tells you not to eat the cookies and
nevertheless knows you're going to, doesn't mean that you have no free will.
You could surprise Mom and skip 'em. Now you can't surprise God. He's God.
So he knows ahead of time what you're going to do. But it's still your
choice. Nothing touched your free will.
Now, I'll admit, that at times in Gargoyles, that distinction seems less
clear. I'm the main (though not the only) god of the Gargoyles Universe.
(At least I used to be.) But, obviously, I'm not GOD, and I don't have his
subtle powers of creation. But I tried. I suppose it's tough to figure how
the Archmage could choose not to save himself. But I think the key is that
he wouldn't want to choose anything other than what he did. So his free will
isn't touched. Griff chooses to fight in the Battle of Britain. He chooses
to risk his life. He doesn't know about Phoenix Gates or time travel. But
he knows the risks of war. He doesn't make it home for forty years. Maybe
that's a consequence he couldn't predict, but it's better than dieing. His
free will isn't missing from the equation just because the time stream (or
God or whatever you believe in) knows that he's not coming back even before
he departs. In GONE WITH THE WIND, Rhett Butler doesn't join the Confederate
Army until he knows the Confederacy is doomed. HE KNOWS. But that doesn't
effect his free will. We all make decisions. Maybe someone out there knows
the results. God. Or a psychic palm reader living in Petaluma. Or your
Uncle Ralph, who did the exact same thing when he was your age. But the fact
that someone else know, whether we know they know or not, does not effect our
free will.
Anyway, that's my two cents. (GDW/1-26-98)
Here's another tidbit you've never seen. A cut scenelet from "Hunter's Moon,
Part Two". It takes place during Act Two. Goliath, Brooklyn and Lex have
spotted the Huntership. Goliath glides in and latches onto the craft,
digging his talons into the metal hatch. He rips it free and lets it fall...
EXT. STREET - NIGHT
VINNIE is out for a stroll. Suddenly, the steel hatch SMASHES to the
sidewalk in front of him, digging a big chunk out of the sidewalk. Vinnie
takes, looks up. Shakes his head.
VINNIE: (gasp, then) Can you believe it?
CUT TO:
And we're back inside the Huntership with Goliath, Lex and Brooklyn. That
little touch of Vinnie in the night was scripted and I think boarded, but it
was cut before the show was shipped because we were too long. It's a silly
moment, but it does help motivate Vinnie a little more for his role in "The
Journey," and anyway, I thought you all might get a kick out of it. (GDW / 12-5-97)
RANDOM THOUGHTS
I did have Ed Asner/Lou Grant in mind when I was writing the character description for Hudson. The last line of the description was "Hudson hates spunk."
Jason Canmore has a younger sister Robyn and a younger brother Jon.
So do I. But my siblings don't have much else in common with his.
I knew I didn't want the show to be filled exclusively with gargoyles and white male humans. So we intentionally tried to present a more honest, inclusive version of America (and the world).
Xanatos is the kind of villain I like to write. Anyone interested in seeing his precursor (and Owen's) should check out General Eiling (and Captain Allard) in back issues of the DC comic book CAPTAIN ATOM which I used to write with Cary Bates.
Goliath is the kind of hero I like to write. Noble and flawed. Not a guy who's as bad as or worse than the bad guys he fights.
As to whether I was disappointed...
The short answer is honestly, NO. Not a bit. I'm very proud of all 66 episodes and our entire ensemble of characters.
The longer answer is that there are plenty of little things that I wish I could fix. Most of them are ticky-tack things, many I'm sure you wouldn't even notice. There are even two story things (one each in "Grief" and "The Hound of Ulster") where I feel like I missed a peace of the "true" story.
There's also material that got cut for time that I wish I had been able to include, particularly in "Avalon, Part II" and "Hunter's Moon, Part III".
There was a great scene in the clock tower between Elisa and Jason the morning after the Hunters blew the place up. It was really gorgeous stuff. But the script was way too long.
The only other regret I have is that I opted not to write and/or edit the GOLIATH CHRONICLES. I had good, sound reasons at the time, but in retrospect it was a mistake.
GARGOYLES: THE LOST MOMENTS
(First in a series.)
The following is a scene from "Hunter's Moon, Part Three" that was cut because the script was way, way too long. It was written by Michael Reaves, who was also the story editor. As usual, I did the final pass on it. We did record the scene with Salli Richarson and Deidrich Bader as Elisa and Jason, but I can't remember if we did storyboards for it. I know we never shipped it for animation. There isn't any lost footage. But I thought you all might get a kick out of reading it. Imagine Jason speaking in his true Scotish accent, not in the phony American one he generally used with Elisa. (Also note: I'm just typing this in without bothering with teleplay formatting.)
This scene would probably play better in context. So if you taped "Hunter's Moon, Part Three", then watch it right through "Robyn Correy's" video-phone conversation with "Dominique Destine". Dominique tells Robyn to enjoy life because it's so fleeting. The screen goes dark. Robyn nervously holds up the disk. Now pause the tape. Imagine one of our trademark "Claw Wipes" and read...
EXT. CLOCK TOWER RUINS - DAY
Elisa picks sadly through wreckage, occasionally placing something in a cardboard box. She bends to pick up a charred photograph.
TIGHT ON PHOTO
It is a snap-shot from last Halloween: Elisa in her "Belle" gown arm in arm with Goliath. Both very happy.
ON ELISA
A tear rolls down her cheek. A shadow falls over her. Elisa turns.
ANGLE INCLUDES JASON
behind her on his sky-sled, in Hunter garb except the mask, aiming a tranq gun at her. Elisa drops the box and reaches for her holstered gun.
JASON: "Please don't. I'd just have to tranq you again, and I came here to talk."
FAVOR ELISA
She lowers her hand slowly. But she's still on guard.
ELISA: "Okay. Let's talk about what a monster you are."
JASON: "I never meant to hurt you --"
ELISA: "You really are a piece of work. Using me to get to the gargoyles."
JASON: "No! I admit I infiltrated the twenty-third because there were so many gargoyle sightings here. But I never planned--"
ELISA: "Lies. Everything was part of your plan. That phony accent... even that phony kiss..."
ON JASON
He looks desperate and vulnerable, despite the gun in his hand.
JASON: "That kiss was real. And I never planned on falling in love with you."
FAVOR ELISA
This hits her hard.
JASON (CONT'D): "The hunt's been my whole life -- I never realized how lonely I was...
ELISA: "But why are you hunting them?"
ANOTHER ANGLE
We see a flash of Jason's fiery determination. Elisa responds in kind.
JASON: "Those monsters killed my father!"
ELISA: "Those 'monsters' are my friends!"
FAVOR JASON
He looks shocked and disgusted. This, he was not expecting.
JASON: "What?!!"
ELISA: "And they couldn't have killed your father. When he died, they were in Scotland, frozen in stone by a magic spell."
JASON: "So they weren't personally responsible. They're still evil! All gargoyles are! My family has been hunting them for generations!"
FAVOR ELISA
Trying desperately to reach him.
ELISA: "BUT WHY? What started this blood feud?"
FAVOR JASON
He's stumped. His fury won't help him on this one.
JASON: "I -- I don't know. It doesn't matter."
Elisa senses his uncertainty, presses her attack.
ELISA: "Of course it matters. You hate an entire race and you don't know why! Listen, Jason. You've been lucky so far. No one's been killed. Give up the feud. Turn yourself in. It's not too late to walk away from this."
TIGHT ON JASON
He hesitates, then shakes his head.
JASON: "Yes, it is."
WIDE
He revs up the skysled and takes off fast. Elisa draws her gun, but she does not fire -- it's ambiguous whether that's because he's already too far away or because she feels too much for him to shoot him in the back. Her arm drops to her side. PULL BACK to show her forlorn and surrounded by rubble.
DISSOLVE TO:
Now restart your VCR and pick up back at Elisa's apartment, where Elisa is trying to stop Goliath from playing vigilante. As she failed with Jason, she fails with Goliath, which leads to events at the dam, which propels things to their tragic (if semi-hopeful) conclusion.
Please don't hesitate to post comments on this scene at "ASK GREG", I'd be curious to read what you thought of it. It was always one of my favorite moments, and it broke my heart to cut it. Yet, ultimately we felt it wasn't crucial, and since we had to cut something, this seemed like the thing to go.