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How does Shimmer's power work? I mean... does she melt stuff, or does she disintegrate stuff? (I suspect it is the former, but if it is the latter that makes her very dangerous, doesn't it?)
Neither. She turns elements to gas. And, yes, she's potentially very dangerous.
1) Has animation begun on Outsiders?
2) Will you wait until all of the scripts are finalized before starting animation?
3) After all of the scripts are finalized, what will your involvement with the series be? What do you personally have left to do on season 3?
1. Animation is completed on Outsiders.
2. We did not.
3. Nothing, now. We're 100% done with Season Three. I've been involved from beginning to end, right up to the very last HDR session.
How do you pronounce Ra's name?
I was taught - by Denny O'Neil, who created the character - to pronounce it the way we pronounce it in Young Justice, i.e. as Raysh-ahl-gool.
Thank you for answering several of my questions now, it's really great to have my curiosity rewarded!
Can Beast Boy turn into an extinct animal? If so, would he need to see/study an accurate and detailed reconstruction of it first?
2. He'd need to connect with an actual living inidividual of the species. If somehow one were cloned or something, that would make it possible. But a fossil or computer simulation wouldn't cut it.
Was Marie Logan's death reported on the news?
Yep. As a car accident.
What is the League and the team's stance on killing?
I'm sure they have a rule about not deliberately taking a life, but how rigid is it? I'm not necessarily thinking about M'gann brain-frying someone because in her mind he had it coming. I'm talking about stuff that accidentally and inevitably happens in large scale battles. For example, let's say in that battle with the Light and the Reach in Summit, one of the League's young proteges accidentally hits a foot-soldier too hard and he dies. Is he or she going to be automatically expelled from the team? Or, what if the only way to protect innocent life is to take a life?
I guess what I'm asking is do league and team members have the same discretion of using lethal force that a police officer has?
They are granted LESS discretion than a police officer because they have powers and abilities beyond those of mortal men. They hold themselves to stricter standards. The League's U.N. charter gives them authority to act, in essence, as an international SWAT/Search & Rescue Team. But the Team has no such authority.
Still, as I hope you saw in Season Three, accidental deaths - particularly those that occurred during moments of self-defense and/or while protecting others can happen. Those deaths are reviewed internally, and a decision on expulsion or other penalties will be made by the entire League. It's all on a case by case basis. Nothing's etched in stone.
Big fan and looking forward to season 3. I was just wondering why Tim in the revel has a hood. A look synonymous with a different Robin and his league background.
I'm just very curious as a huge Robin fan it was a huge surprise. Also very confusing as the Robins usually are interchangeable but you could always tell Damian because of his hood.
Thank you and hope you find the time to reply
In the comics right now, Damian is hoodless. Basically, we've made independent decisions about costuming for all our characters - including three Robins - from day one. It has to work for Earth-16 and feel iconic.
Hi Greg! The SDCC panel looks like it was a lot of fun, I wish I could've been there. Just to clear something up - the internet seems split over whether or not 13 is a new character, original to the Young Justice cartoon (like the Terror Twins or B'arzz O'oomm) or whether she's an adaptation of someone from the comics. Could you settle that one way or another?
(also, I love all the new character designs - Arrowette using Artemis' arrowhead logo is really cool, and I'm very excited to see what the core team has been up to in the last few years.)
Thirteen is our YJ twist on the character of Traci-13, which by now, I assume, the folks at home have realized.
I was rewatching Young Justice the other day and I was wondering how long it took for the Bioship to fly places. Is it faster than a commercial plane? It can enter space, so it's capable of accelerating fast enough to leave the atmosphere, so does M'gann slow it down while just flying around Earth or is the Team constantly flying at that kind of speed?
As we revealed in episode 313, if the Bio-Ship is traveling long distances on Earth it will fly almost straight up and straight down along the Earth's rotation, allowing it to get almost anywhere on the planet in a couple hours or less. Obviously, it doesn't travel that fast if it's going horizontally. And how it accelerates and decelerates is very important.
As of your answering of this question (presumably a few months after I've asked, or so I'm counting on), do you know how close we are to a YJ trailer? If so, how close? Unless there already is a trailer by then (unlikely), in which case never mind.
Uh... it took me longer than a few months. There have been multiple trailers by now, a new comic (split up in two parts) and 13 episodes. Thirteen more episodes are due this summer, 2019.
Hi, Greg! There's been a lot of confusion about something you guys showed at the SDCC panel on July 21st. Is the black man pictured with Artemis, Dick, and Conner supposed to be Kaldur or Black Lightning? I ask this because we all kinda assumed it was Kaldur despite the change in appearance, but comicbook.com is claiming that 'an artist on the show' told them after the panel that its Black Lightning.
I hope this doesn't count as a spoiler request--based on the fact that the identities of the other three was really clear, I figured any confusion about Mystery Man's ID wasn't actually intentional. Thank you!
It was never supposed to be confusing. No one ASKED us at the panel. Anyway, by now I'm sure you know it was Black Lightning. After all, Kaldur's a blond.
The following needs saying, so I'm taking time out from my very packed weekend - not to procrastinate, which would not be unusual - but to write up something that I think is important.
But first, some backstory...
I'm not particularly smart about very many things. I am in many ways a bear of very little brain. Ask anyone. I use an iPhone 4.0 because I literally believe that I don't have the brain space to deal with upgrading. I'm a slow reader. My dyslexia makes math difficult as I am constantly transposing numbers. I'm afraid of change. Etc., etc., etc.
But one thing - maybe the ONLY thing - I am smart about is STORY. Now, I've studied story for decades and decades in small ways and large. I also believe I have an innate gift for story. Like a great pianist, the gift itself would have been wasted without years of study and practice. I've had and done both.
What that means is that - when it comes to story - I have often (not always, but quite often) considered myself - with no modesty and tremendous arrogance - to be the smartest person in the room. In any room where this is a topic of conversation, but especially in any room where story was being professionally discussed. (You can see why - with an attitude like that - I'm so popular with animation executives and the like, and why I've been fired from so many jobs.)
Even on the many, many occasions when I have felt that I am among peers who understand story as well as I do, I never felt like they understood it better than I. As good, yes. Differently, sure. Stylistically, of course. But not better. I never felt anyone knew story better.
Oh, I've made mistakes, missed opportunities, slipped up, ad nauseam. I'm human and have never claimed perfection. I've collaborated with some brilliant and wonderful people. The list is nearly endless. But none of that ever shook my basic feeling that when it came to story, I was as smart or smarter than anyone in the room.
All that changed with YOUNG JUSTICE.
So let me state it for the record: when it comes to story, BRANDON VIETTI is the Smartest Human Being in the Room.
I'd love to tell you - BELIEVE ME, I'd love to tell you - that he learned all this at my ancient knee, and that if the student has surpassed the master, the master can at least take some satisfaction in that. But that, dear readers, would simply be a load of crap.
From Day One of YJ, as witness Kevin Hopps could attest, Brandon Vietti knew story, understood it deep, the way I do. And he was smarter about it than I.
The ultimate example of this dropped this past Friday.
Episode 307 of Young Justice: Outsiders, entitled "Evolution."
SPOILERS coming, so if you haven't seen the episode then please go watch it first before reading any further.
Like all YJ episodes this season, Brandon and I broke this story together. A pretty even 50-50 collaboration. There were certain things I wanted specifically to see, like the Cave Bear. Certain things I had researched such as that in (actual documented non-DC Comics) mythology, Nabu was the son of Marduk. And there were certain things that BV wanted in there, like the meta-human kid that Kalibak sacrifices. Certain things he had researched like The Art of War by Sun Tzu (a.k.a. Vandal Savage, a.k.a. Genghis Khan, a.k.a. Marduk, a.k.a. etc.)
And together, we created a pretty kick-ass story for the episode. I don't actually remember the day of the week, but for the sake of simplifying the story, let's say we finished breaking/building the story with index cards all neatly pushpinned into my office bulletin board on a Monday. Monday evening. We both felt pretty good about it, or at least I did, and we left for the day.
Tuesday morning, he comes in and says, "Something's missing."
I tell him he's crazy. There's nothing missing from 307. Nothing. It's a great damn episode. Maybe one of our best.
BV says no. Something's missing.
I say, "What? What's missing?!"
BV says, "I don't know yet. Something. Give me a day."
I roll my eyes in as pronounced a fashion as I possibly can and say, fine.
Wednesday morning he comes in and says, "I want to add a character."
I'm resistant. "It'll mess up the works, I tell him."
But he explains, and of course, he's right. Because Brandon Vietti is the Smartest Person in the Room.
The character he wants to add is Olympia. Olympia Savage. (I take credit for the first name only.) That's right. In our first version of this story, Olympia simply did not exist.
Try to picture "Evolution" without Olympia. Be honest. It's still a solid story. A few of the actual things Olympia does, we had Cassandra doing. But otherwise the plot remains almost completely unchanged.
But not the ending.
With Olympia in the story, the episode isn't merely a solid YJ episode. It's not merely a great YJ episode. To my mind, "Evolution" transcends YJ. It is a phenomenal, even revolutionary twenty-plus minutes of television.
And I tried to talk the guy out of it.
Of course, BV's contributions don't end there. He wrote the script, too, which is fantastic. And if you knew how much he contributed to every facet of production it would humble you. It humbles me, and as you can see above, I'm NOT a humble guy.
But screw all that. I'm not talking about pretty pictures, or color, or sound, or music or even dialogue.
This post is ONLY about STORY. And when it comes to STORY... BRANDON VIETTI will always be the SMARTEST HUMAN BEING IN THE ROOM.
I bow to his greatness. And trust me, I do not do that lightly.
To be honest, he's so good, it's pretty damn annoying.
But it's an honor to be his partner.
Hi, Greg. Warner Bros. have given us a 2018 premiere date for Young Justice: Outsiders. However, as I'm sure you remember, there were some production delays on season one, and sometimes long intervals between new episodes because sh*t happens. Is it possible that the series may be pushed back to 2019?
Very. But the first three episodes dropped in VERY early 2019, i.e. January 4th. And the next three drop this week, i.e. January 11th, 2019.
At what point will Outsider be considered to be in-production? The writing is considered to be pre-production, right? I know you are now recording the voices. Is that part of the production phase?
It depends how you're defining your terms. Broadly speaking, Young Justice: Outsiders is in production and has been for over a year.
But if you're going to divide the broad term "Producton" into it's three main components, i.e. Pre-Production, Production and Post-Production, then:
Writing, voice recording, storyboard, design, direction are all elements of pre-production, and are all done here in Burbank.
Overseas animation is the actual production, done in Seoul, South Korea.
Editing, retakes, music, sound effects, visual effects, foley, sound mixing and on-lining are all elements of Post, which is also done here in Burbank.
Young Justice: Outsiders is very deep into Pre-Production, and pretty darn deep into Production, and beyond the shallow end in Post-Production, as well.
In any case, we're still right on schedule.
Hey! Young Justice is my life. As of the time I'm sending this, Pride Month is almost over. I read over lots of the asks and replies you get on here and a fair amount are about something LGBT related, whether its about something thats akin to Fanfiction or borderline homophobic. I'm sure you might have come to dread those types of questions, but mines is a bit different.
I don't want you to think that I'm requesting this, i guess at the end of the day i am, but i mean so in the most respectful way possible. Please... If there's ever a time when you might include LGBT content or anything like it in YJ, please don't let it be queerbaiting. Its such a horrible thing to do to us. I don't think I'd be able to handle it from my favorite show. I don't think you'd ever let that happen, and i don't even think we'd get LGBT relationships in the show, but i just had to say it. For myself, just in case.
I had to look up queerbaiting: https://en.wikipedia.org/wiki/Queerbaiting
Some of the examples given on the wikipedia page seem unfair to me. (Though I'm happy to grant that as a straight male, I'm coming at this from a very different point of view.) For example, calling Holmes and Watson queerbaiting actually seems outrageous to me. Creators need to be able to present two male or two female best friends in a close but non-sexual relationship without being accused of trying to "bait" anyone.
I'm not going to address anything related to YJ, since that would involve spoilers, but I will bring up some Gargoyles stuff, as an example.
In our minds, Lexington is gay. But in those mid-nineties days when the series was originally on the air, there was absolutely no way Disney would let us objectively show this. Nevertheless, we strove to write the character to be consistent with his orientation. We thought we were doing the best possible alternative. So were we queerbaiting? And what would the alternative have been? Not depicting any LGBTQ characters at all?
I, personally, don't have the clout to make (successful) ultimatums to my employers. I could, of course, have insisted on being allowed to show Lexington kiss a guy. But if I had insisted that it's the kiss or I walk, Disney would have shrugged and waved goodbye to me. And my replacement would likely - if only to reassure his or her bosses - have made Lex objectively STRAIGHT. Is that better for anyone?
This kind of thing is simply a reality of the industry. It is getting better. There are plenty of series we can point to that demonstrate that. And I like to think I'm trying to help make things better still. But I'm going to - for my own mental health - reject the notion of queerbaiting almost entirely.
Maybe I'm not yet 'woke' enough. That's certainly possible. But I'm going to consistently push to depict what I can, to suggest what I cannot and to not for one second shy away from depicting two same sex characters having a close but platonic relationship, because (for example) one or both might be heterosexual. Because I write characters. I don't write agendas-masquerading-as-characters. I have agendas, but I don't write characters who are nothing but. I try to keep my characters consistent and true to themselves. But I'm not baiting anyone. And I'm certainly not trying to trick anyone with this sort of thing. Quite the reverse. I'm simply trying to do the best I can under occasionally hostile conditions.
Sorry if that's disappointing. But it's the best 2018 Greg Weisman can give you.
What is a normal day working on YJ3 like?
from morning to evening (Details please)
There's really no such thing as a "normal" day. There are tons of (I suppose) normal tasks that need getting done, but it's not like I consistently write in the morning, record voices over lunch and review animatics in the afternoon on a daily basis.
If you're asking what ALL needs to get done, well, there's a TON that needs to get done. Keep in mind that we're on a sliding schedule, where multiple episodes are being worked on in various stages, all at one time.
So, for example, TODAY, as I write this, I had a meeting first thing in the morning to look at color backgrounds for episode 317. This was followed by Brandon and I reviewing the storyboard for episode 323. We were interrupted, so Brandon could give notes on an animation test for 310. Next we're going over to the WB Ranch to meet with our bosses (something we do every other Thursday), then we'll come back and try to finish reviewing the 323 storyboard.
Contrast that with yesterday and tomorrow...
Yesterday, Brandon and I spent most of the day locking the animatic for episode 320. But in the middle of the day, we spent about an hour on the first pass picture edit of episode 307. We got through less than half of the episode.
Tomorrow, which could change, we're scheduled to review Ink & Paint on episode 316, then finish editing 307. I have lunch plans with a young writer. Then Brandon and I come back and call retakes on 307. Then we'll give storyboard notes on 323 to the episode's director.
At the moment we have exactly ZERO episodes in the can, i.e. completely finished and ready for air. ZERO.
All the writing is done, however, and nearly all the recording. (We have three straggler actors we need to pick up who were out of town when we last recorded the cast.) About eleven episodes are still in some stage of preproduction, and seven are in post-production. The remaining (middle) eight are in the process of being animated in Seoul.
Hope that more or less answers your question.
Hey Greg, i have a question which hopefully won't be misconstrued as a spoiler request. You mention way back when that Cartoon Network wasn't ready to display openly LGBT characters in cartoons. However with Legend of Korra and later Star vs. the forces of Evil, Gravity Falls, Steven Universe and whatnot being more open with LGBT elements in series with a young demographic:
1. Do you think that Cartoon Network would be more open to having openly LGBT characters on Young Justice.
2. And in your opinion will cartoons in general start displaying more LGBT characters/themes?
Thanks in advance..
1. I honestly don't know. It's kind of a moot point vis-a-vis Young Justice, as season three won't be on Cartoon Network.
2. I think so. I hope so.
Just wanted everyone to know that it's the 20th June 2017 right now as I'm writing this, and even tho the final episode of Invasion came out back in 2013, technically the date of the final episode was set on 20th June 2016. We all know what happened one year ago today.
Thanks for bringing back my favourite show Greg, I hope you enjoy working on it as much as I enjoyed watching it. Thanks
The A+WW club would like you to read the following and please note you do not have to respond but a responce will be welcomed if brought forth: My name is Mikk president of the A+WW club. This is a club devoted to Artemis's and Wally's love life together. My girls have voted to write this to you and to keep Wally and Artemis together. My girls are from more than ten different schools and different grades. All we're asking is that you keep Wally and Artemis together. Please email the responce to firstname.lastname@example.org and follow us on twitter @ParisisAandW. Thank you for reading.
The A+WW club thanks you,
I don't respond by email to Ask Greg questions or requests. If I started doing it for one person, I'd have to do it for everyone - and I'd soon be overwhelmed.
Beyond that, I didn't see a question. So I'm not sure how to answer.
Did you always planed to name young justice season 3 as Outsiders?
Always? I guess not. When we started, we didn't even know that subsequent seasons would have subtitles like Invasion and Outsiders.
1)How irritating does it get for both you and Brandon when people don't give him the credit he deserves for YJ?
2)I can't wait to see what you both have in store for us in season 3! And so excited for it!
1. It annoys me quite a bit, and I try to always correct any impression that it isn't a team effort. I can only imagine that it must grate on him even more.
2. Thanks. Can't wait for everyone to see it.
Hi, I was wondering if Beast Boy was 13 at the start of Team Year Six or if he was in the same boat as Bart with the whole assuming he lives to the end of Year Six, that he will have turned 13 during it?
I think it's safe to say now, given what we revealed at SDCC this past summer, that Garfield survived to age 14 by the end of Team Year Six.
Are there members of the young justice team you had plan to be on the team in season 3 that you can not no longer be on the team in season 3 of young justice?
There are - to date - no restrictions on what DC characters we can use. Our plans have not changed substantially from what they were, though details here and there have (of course) been nailed down, and - occasionally for our own purposes - altered.
As to who's on the Team and whether any of those specifics have changed - NO SPOILERS.
Ohhhh... this is not looking good. I visited the DC Updates page you linked to in a response. In order to sign up to receive updates, you have to certify that you are a resident of the United States.
Does this mean that this new platform will only be available in the U.S. and not in Canada? Or, am I reading too much into this? Do you have any info you can share? I really want to support the show through legal means. I am even willing to cancel my Netflix membership to pay for the new subscription.
I'm afraid I really don't know at this point. Sorry. If/when I learn more, I'll post it here.
I wanted to tell you how much I've enjoyed Young Justice, Spectacular Spider-Man and the first two books of the Rain of the Ghosts series. Your writing helped inspire me to try my hand at fiction writing and, after a couple of years, I now have my first novel published. So I wanted to thank you for being one of those people who inspired me to try my hand at it.
Looking forward to Young Justice 3 and best of luck with it!
Thank you. And thanks for posting this. It's very gratifying!
A little curious, I remember you saying that zatanna can speak Italian. I was wondering, can she speak (and maybe say her spells) backwards in Italian?
here's hoping for more zatanna goodness in season 3! I love YJ, and you guys are awesome!
I'd think so.
Hello good day
I have a question
The animated films Justice League: Doom and Justice League: Crisis on Two Earths
Happen in the universe of Young Justice ie are they canon for young justice? That's all greetings and sorry for my english is not my first language
Here's a list of the complete YJ Canon:
YOUNG JUSTICE (Season One) - 26 episodes (101-126)
YOUNG JUSTICE: INVASION (Season Two) - 20 episodes (201-220)
YOUNG JUSTICE LEGACY video game - including Red Arrow's journal
YOUNG JUSTICE compantion comic book series - 27 issues (0-25 plus a free comic book day story)
--All of those issues (except for the free comic book day issue) have been collected in four trade paperbacks:
--*YOUNG JUSTICE, VOLUME ONE (collects 0-6)
--*YOUNG JUSTICE, VOLUME TWO: TRAINING DAY (collects 7-13)
--*YOUNG JUSTICE, VOLUME THREE: CREATURE FEATURES (collects 14-19)
--*YOUNG JUSTICE, VOLUME FOUR: INVASION (collects 20-25)
That's it. Period. Nothing else is canon to our series until Season Three (i.e. YOUNG JUSTICE: OUTSIDERS) hits the air (or until we get more comics).
Hey Greg I saw you mentioned in to different occasions that how strong Captain Marvel was depended on whether or not we were talking about season 1 or 2. I especulate that he might have shared his powers with Mary Bromfield and/or Freddy Freeman. The fact those two have powers is something you've confirmed.
So my questions are:
1.-What made Captain Marvel stronger or weaker in those two seasons?
2.- Was he stronger/faster in season 1 or season 2.
3.-How strong and fast is he compared to superman during season 2?
4.-Is Captain Marvel more resistant to magic than Superman? I ask because traditionally he has been more resistant while superman has been more vulnerable to magic . I wonder if this applies to earth 16 too.
Thank you Greg and congrats for getting young justice back.
1. No spoilers.
2. No spoilers.
3. "See, now, the Hulk is more powerful because the madder he gets, the stronger he gets. But the Thing can still beat him if he keeps his wits about him."
4. Cap aside, I've never understood this Superman is more vulnerable to magic thing. The point is that Superman isn't INvulnerable to magic. But he's no more vulnerable than you or I.
I noticed someone else asked a question about doing YJ stories that require a more mature rating. In this case, the poster wanted more brutal fight scenes. I don't have much sympathy with his desire for more violence, but it did make me wonder about something else: are there specific instances in which you would have liked to have told on YJ but couldn't because of the limitations of the target audience?
For example, I thought it was rather clever what you did in "Disordered." Personally, as a 49 year old, I wouldn't have minded an entire episode of them talking to Black Canary in therapy, but the reality is that your target audience wouldn't have much patience for that, and you probably couldn't have sold the idea to Cartoon Network either. You came up with an intelligent compromise of having the team's therapy sessions inter-cut with Superboy's adventures with the Forever People.
1) Are there other instances in which you had to come up with creative solutions to making an otherwise unpalatable story palatable to your intended audience? Can you think of some examples and what the work-arounds might have been?
2) And, are there still other stories that you wanted to tell but couldn't at all because of the network or because they wouldn't have interested your audience? For example, you probably couldn't produce an episode that was entirely a slice-of-life episode without an action element because that's your audience tunes in for. Have you ever wanted to do an episode like that on YJ?
3) Will the third season have the same content restrictions placed upon it as previous seasons? Or, will you have more liberty with your creative choices?
I wouldn't say the "limitations of the target audience" but I would say the limitations of those who are nervous in seats of power.
But your example doesn't hold water for me. "Disordered" was told the way Brandon and I wanted to tell it. There was no compromise for our audience.
1. Your question is based on a faulty premise. I'm not really sure how to address it.
I suppose we hinted at Red Arrow's heroin addiction, as opposed to depicting it. Added in a metaphorical layer about his addiction to searching for the Original Roy, without negating the possibility that over that time he had also slipped into substance abuse.
On another completely different topic, we were aware that we could not depict LGBTQ relationships either. But that doesn't mean we don't have LGBTQ characters. You strive to write with consistency even toward those elements that you're not allowed to discuss.
2. 100% slice of life? No. I like the mix and the counterpoint.
3. I'm not commenting on the third season at all.
Jason Spisak recently teased: "A tiny taste of Wally from the new #TTJudasContract movie for those who can't wait for #YJSeason3!"
I just wanted to say that even if this is reliable, I'm not taking anything for granted. This could mean anything, right? It doesn't mean you're resurrecting Wally. For all we know, Wally could just appear in a flashback.
I not only won't confirm or deny that Wally is coming back, I won't even confirm or deny that he's appearing in flashback, or confirm or deny that Jason Spisak is in any way involved with Season Three.
Dear Greg Weisman
I just want to say thank you, Young Justice is a very special show for me personally, it means more to me then anyone will ever know. You must get a lot of people asking you to incorporate their ideas into YJS3 but i just want to say, don't listen to them. i know that sounds weird, but it was you and your team that made YJ so special. Please don't give into the fans demands even if you think it might boost YJ popularity or you think it's what the people want. Go with your instincts, that's what makes YJ so unique.
I wish you the best of luck, be well and thank you again.
Thanks. But I never listen to outside ideas. For starters, I'm not allowed to, legally. And Brandon and I have to always go with our gut, anyway.
It is a little early to ask this question, but I'm going to ask it anyways. It was you who recommended that fans re-watch YJ on Netflix over and over again to bring it back. There has been no word yet as to where YJ season 3 will be broadcast, but if it is Netflix or some other streaming service, does the same principle hold for getting a season 4? That is, the more we watch and re-watch season 3 the better our chances will be of getting a season 4?
It's since been announced that we will be on a DC streaming service -with more details to come. But, yes, obviously, if folks want a season four, they need to watch the hell out of Season Three (Young Justice: Outsiders) and help spread the word so that as many people as possible watch as many times as possible. Thanks for asking!
Congratulations and big relief on Season 3 of Young Justice, Greg!
It's not really a question, but it's still important to me so I'm sending this anyway...
I'm a fresh new fan and wouldn't even know about the series if it wasn't for so many favorable opinions on the internet. When approaching the series, I must admit I was VERY sceptical since I wasn't really fond of DC as a child. And really quickly I got proven wrong, and got hooked on. The characters (and God I cherish all their designs and diversity! Plus you rarely get to see so many freckled characters in cartoons, kudos) are so lovable and charming I got legit pissed that sometimes 'threat of the day' got in the way of 'regular life' struggles.
There's just to wish for more of slice of life moments and heroes just casually hanging out, that'd be cool. Looking forward to seeing what else you got in store, good luck
We'll do our best. Thanks!
Hi Greg. Just wanted to let you know how happy I am about season 3. Every time I feel down nowadays the thought that YJ season 3 is a thing that is actually happening always cheers me up.
Are you able to give any type of production update on YJ season 3 like you did back in the day? I saw that Phil has been doing designs for the season on IG.
I don't know what "IG" is...
And, no. WB has imposed an info-embargo for the time being. All I can say is that we are all happily plugging along. We've assembled a stellar team of folks from Seasons One and Two and folks who are new to the series. I'm tremendously excited about the stories we're breaking, etc. Really, it's all good. I'm so thrilled to be back working on YJ again.
So thrilled Young Justice is finally being revived. Hopefully, this season will be a bigger success than Season One and Two combined and be renewed for a fourth season.
1. When Young Justice was still airing on Cartoon Network, you said that you got along with the people there. But why on earth did they give the show random hiatuses in both seasons with no explanation given? Were they purposely trying to kill the show? Did Warner Bros. play a role in this?
2. Khary Payton stated in an interview that the box-office bombing of the Green Lantern movie eventually led to the cancellation of Young Justice. Can you confirm this?
3. Is there going to be a trailer for Season 3 this year?
1. I honestly don't know. Those were all decisions made far above my pay grade.
2. Well. No. I can't. I think it caused some problems. Green Lantern toys languished on the shelf. That effected Mattel's decisions about toys for their entire DC license. And that hurt us, certainly. But I don't want to simplify to the extent you're implying.
3. I dunno.
1. If clone Roy is a stay at home dad, does Jade have a job to provide income for them? 2.Have clone Roy and Jade ever both started to wear glasses (not shades) at any point after the real Roy found?
Can you really believe young justice has been revived? Sometimes it feels like when you've woken up from an awesome dream and you're happy because of how awesome it was and how good it felt, but deep down you know it was a dream so you wanna hit the snooze button and get back to it because you're afraid that feeling will go away if you get up... but in this case it is really real!!!!! And that's what makes it so unbelievable! Three months later and I'm still so happy!
It's May 22nd, as I write this, and it's still fairly surreal. Everytime we start a new part of the process or bring in an actor who worked on the show in prior seasons, it hits us all over again. It's amazingly cool, and we're having a blast.
Regarding season 3... This is a very broad question so I hope you don't consider it a spoiler. You once said that season 2 was going to be much more plot oriented and less character oriented than season 1. (Or words to that effect.) How would you describe the breakdown between character and plot in season 3? Is even a vague question like this considered a spoiler?
And I don't believe that Season Two was less character oriented. I just think Season Two was more plot-DRIVEN.
Are all of the premises for individual scripts generated by you and Brandon? Or, does your team of writers pitch some story ideas to you? Can you give a specific examples in regards to Young Justice how this collaboration works?
On seasons one and two, all the springboards were generated by Brandon, myself and Kevin Hopps, working together to break the stories. That is, we didn't go off separately and come up with premises and then pitch them to each other. We sat in a room and worked it all out together. I then wrote all the premises, and those were handed to the writers, who wrote the outlines and the scripts.
Season three has been similar, except it's just been Brandon and myself generating the springboards and breaking the stories. I then go off and write all the beat outlines. And those are handed off to the writers to go straight to script.
When can we expect updates with Young Justice in terms of release or which platform it will be released on?
EXPECTING things is problematic. Smacks of entitlement. ;)
But you can sign up for updates at www.DCFanUpdates.com.
Meanwhile, this was announced on April 25th:
Warner Bros. Television and DC Entertainment Announce All-New Live-Action Series "Titans," from Executive Producers Akiva Goldsman, Geoff Johns, Greg Berlanti and Sarah Schechter, To Debut In 2018
"Young Justice: Outsiders," The Highly Anticipated Third Season Of Warner Bros. Animation's "Young Justice," Also To Bow Next Year
Series Will Air Exclusively on Upcoming DC-Branded Direct-to-Consumer Digital Service
Warner Bros. Television and DC Entertainment today announced that executive producers Akiva Goldsman, Geoff Johns, Greg Berlanti and Sarah Schechter are teaming up for the all-new live-action drama series "Titans," which will debut in 2018. Additionally, Warner Bros. Animation's "Young Justice: Outsiders," the highly anticipated third season of the popular "Young Justice" series, is also ramping up for its first mission next year.
Both fan-driven series are in early stages of production and will air exclusively on a DC-branded direct-to-consumer digital service in 2018. Operated by Warner Bros. Digital Networks Group, the new digital service will deliver an immersive experience designed just for DC fans.
"Titans" follows a group of young soon-to-be Super Heroes recruited from every corner of the DC Universe. In this action-packed series, Dick Grayson emerges from the shadows to become the leader of a fearless band of new heroes, including Starfire, Raven and many others. "Titans" is a dramatic, live-action adventure series that will explore and celebrate one of the most popular comic book teams ever.
"Titans" will be written by Akiva Goldsman ("Star Trek: Discovery," "Underground"), Geoff Johns (President & Chief Creative Officer, DC Entertainment; "The Flash," "Arrow") and Greg Berlanti ("Arrow," "DC's Legends of Tomorrow," "The Flash," "Supergirl"). Goldsman, Johns, Berlanti and Sarah Schechter ("Arrow," "DC's Legends of Tomorrow," "The Flash," "Supergirl") are executive producers of the series from Weed Road Pictures and Berlanti Productions in association with Warner Bros. Television.
In "Young Justice: Outsiders," the teenage Super Heroes of the DC Universe come of age in an animated world of super-powers, Super-Villains and super secrets. In the highly anticipated new season, the team faces its greatest challenge yet as it takes on meta-human trafficking and the terrifying threat it creates for a society caught in the crossfire of a genetic arms race spanning the globe and the galaxy. Equally praised by critics and viewers for its impressive visuals and rich storytelling, "Young Justice" reached more than 25 million unique viewers in each of its two seasons on Cartoon Network. This passionate fan support set the stage for the new third season.
Sam Register ("Teen Titans Go!," "Justice League Action") is executive producer of "Young Justice." Brandon Vietti ("Batman: Under the Red Hood," "Superman Doomsday") and Greg Weisman ("Star Wars Rebels," "Gargoyles") are producers of the series, produced by Warner Bros. Animation. Emmy Award winner Phil Bourassa ("Young Justice," "Justice League Dark," "Teen Titans: The Judas Contract") serves as the series' art director.
For updates on these exciting new series and the upcoming DC digital service, visit www.DCFanUpdates.com.