A Station Eight Fan Web Site
: « First : « 100 : « 10 : Displaying #942 - #951 of 2415 records. : 10 » : 100 » : 1000 » : Last » :
Posts Per Page: 1 : 10 : 25 : 50 : 100 : All :
In an interview that happened relativity close to when the last episode aired, you posted the designations of the entire league and team. At the end of the league, presumably because they were in the gathered heroes. Were either of the two blue devil?
I'm sorry, is there something missing from your post? Either of what two?
Anyway, if I had to guess, most likely my answer would be SPOILER REQUEST. NO COMMENT.
What is the name of the team that consisted of
Asami "Sam" Koizumi, Eduardo Dorado Jr., Virgil Ovid Hawkins, Tye Longshadow, & later Arsenal (Roy Harper)?
There's no name, per se. It's not like they're an official team like, say, the Team. But around the office we took to referring to them as the Runaways. (But again, let me stress that this was merely a moniker of convenience. Not an official in-universe designation.)
How much of Impulse's silly talkative personality is actually genuine? When we first see him he is a lot different and then mentions getting into character. And even after revealing why he's really there he still seems kinda spunky. So does that mean all of that hyperness wasnt completely an act? I went and chcked to see if you had been asked this yet and I didn't see it so here I am haha
It's not all an act. The frivolousness was, but the high energy - most of the time - is completely legit. And even the goofiness comes naturally when he isn't stressing over, you know, the Apocalypse.
If Troia, Jason Todd, Lt. Marvel, and Sgt. Marvel, had appeared in the show, who would you have had voice them?
Never went through that process, so there's no way to know.
Hi greg! First off , Young justice and W.I.T.C.H are some of my favorite tv shows ever. While watching young justice i couldn't help but notice that Rocket had the same voice as taranee! my questions are:
1. Was Asami's concept at all inspired by Hay Lin?
2. Was the Tye/Asami pairing inspired by Eric/hay lin?
3. How old is Rumaan Harjavti?
4. How old is Sumaan Harjavti?
And I wanted to say thanks for having this forum where fans can ask questions, Happy holidays!
1. Nope.
2. Nope.
3. At the end of Team Year Zero, Rumaan Harjavti is 52.
4. At the end of Team Year Zero, Sumaan Harjavti is 50.
The ending of "Young Justice: Legacy" shows that Aqualad took a leave of absence from the Team in February 2015 to go on a personal quest to find some answers about his own origins. But then, we also have the flashback scene from "Before the Dawn" that shows Nightwing and Aqualad shaking hands sometime prior to the start of Aqualad's undercover assignment.
a. This would clearly suggest that Aqualad came back sometime after he finished his personal quest, but when exactly did this flashback take place in the 2015 timeline?
b. Would the flashback scene also indicate that this took place during a time when Nightwing was in Mount Justice by himself and thus would explain the private meeting between himself and Aqualad in the Grotto?
c. If the meeting between Nightwing and Aqualad was private, then by the time Aqualad started his undercover mission, when was the first time he officially revealed himself to the other members of the Team as a "traitor"? (assuming the revelation took place during 2015)
a. Well, it would suggest that he physically came back and had a conversation. Not that he rejoined the Team.
b. I'm not going to get into details of the meeting, at this time. For now, use your imagination.
c. The first time most of the Team confirmed for themselves that he was a "Traitor" was in episode 203. Of course, most of them believed Nightwing - even if they didn't want to.
Really enjoyed second season! I think Aqualad's arc was great, and loved M'gann's. The usual twists and turns were fun as always!
Gotta confess I was a little surprise that Conner's role in the sad events was glossed over on the show. Dick kept secrets to protect two people's lives that he thought were doing the RIGHT thing , but Conner was keeping a secret to protect a girl who he THOUGHT/KNEW was doing the WRONG thing, and I'm not really sure what he was protecting her from. A reprimand? Being taken off the team until she got the help she needed from J'onn? Doesn't seem like the Team would banish her forever, even if she wasn't also one of the most powerful and valuable members.
Dick wouldn't let the rest of the team help because not keeping the secret threatened lives -imagine if those kids had had that info tortured out of them even the second time they were kidnapped (which showed they could be kidnapped at ANY time, even though the first was his fault, which sucked). Luckily they weren't, but the Reach wasn't above torture for sure. Either way, it saved Artemis and Kaldur's LIVES, if not Kaldur's mind.
But Conner wouldn't let the rest of the Team give M'gann the extra guidance and support she needed, either, to help her understand that what she was doing was WRONG, even if she was just doing it "to the bad guys."
Maybe he THOUGHT he was doing the right thing by letting M'gann figure that out herself, but Dick also THOUGHT he was doing the right thing, but only HE got yelled at/scolded twice for it, and protecting the world seems a little more important than protecting a girfriend doing the wrong thing.
I also don't think there was any obvious reason that we saw for Dick to suspect her -- Batman and J'onn missed it and they were right there -- and I think it would be bad for morale for him to investigate her for no reason at all or to assume she was doing the wrong thing)
I don't have a problem with the fact that he did it, he's "only" human haha, but that the show only had Dick and M'gann apologize seemed surprisingly over-simplistic.
Well, what's more over-simplistic? Everyone who was supposed to apologizing, or some people not even getting their heads around the fact that they screwed up?
You make it sound as if Conner's story is over. It's not.
And some threads were intentionally left loose.
Are Roy (Red Arrow) and Jade (Cheshire) back together be the end of season 2?
ASKED AND ANSWERED: They're trying.
I see from a 10/10 reply that Bart had changed the future averting the Reach Apocalypse but Nate had thought they had failed since Mount Justice was still in ruins. I cannot resist a little self congratulatory quoting of my posting 9/12/12: "Is there a town shown to the bottom left of the wreck of Mount Justice ? And does that town have more color after the time change?'
Consider yourself congratulated!
Now that I've posted all my episode thoughts...(in theory I still plan on doing the same on the comics, but...) I want to say thank you for the series in general. (I'd go into details, but it seems redundant after posting all those responses.) I've thoroughly enjoyed it in all its parts. Well, by the time you read this the video game will be out. [Yep!] I probably will have to sit it out. Pathetic as it is, I have to admit to some motion sickness from a lot of video games. I'm assuming I'll be able to get some pretty detailed descriptions from the good folks here. I hope that there will be other continuations as well. (Also good luck on your new Star Wars series.)
I have to admit to more than a little annoyance that another show I enjoy is canceled, but also some confusion. If I understand correctly one of the major factors, if not the major factor in the cancellation is that the merchandise didn't sell as well as they companies had hoped. Good viewership numbers are almost inconsequential. If this is true, (big if, I admit), I don't understand the business model. Why continue making cartoons targeting the older demographic at all? I know the show aimed for a broad audience, but it aimed for each part directly. A lot of cartoons aim themselves at kids directly, and place bonus references and jokes for the older viewers. I've loved many shows like that. But the complexity of characters and plots in shows like Young Justice is not a bonus for older viewers, it is integral. (IMHO) A relationship like, for example, Guardian and Bumblebee is more relateable to a college or adult viewer than a kid. (I would have gone to Babs and Dick, but that was mainly expanded upon in the comics.) A kid would gravitate to the first season romances, or the M'gan/L'gan/Conner triangle. All the relationships were interesting and important to the show, and none were simple, it's just different parts resonant (from experience or at least plot type familiarity) better to different age sets. (Or for out of YJ examples- In Green Lantern- the complexity of Razor and Ia's relationship- given his past lost love, her resemblance, his survivor guilt and rage issues and her ultimate sacrifice is not something that targets the younger viewers of the show. They'll just accept the two are a couple and enjoy the fight scenes. It was perhaps more integral to the show than any Hal based plot. In Tron the entire looks of the show was aimed older, high teens and 20s would be my guess, and not particularly conducive to action figures to my eye.)
Older fans are less likely to buy toys, (or have toys bought for them), but they also have control over their own finances to buy what is actually advertised during broadcast. Between the 24 hour cable tv cycle and dvrs, grown ups will be watching when kids can't, allowing for targeted ads of the none happy meal/stompies/pillow pet variety. (For the record, my 4.5 year old adores her stompies. ~she's 5 now~) I get that a franchise like DC or Marvel or Star Wars can expect some cross product sales, and even a show not squarely aimed at a small kid can have a cool iconic action figure that sells well. But no one expects Smallville or Arrow to survive on toy and apparel sales, they stays on air based on the number and demographics of viewers, just like Birds of Prey did not last for the same reason. Have cartoons, or at least the beautifully animated ones, become loss leaders for merchandise like comics have become loss leaders for movies? And is that a reasonable burden to place on a show that does not squarely target the audience that will buy those toys? Is a high level video game an attempt to tap into an action figure equivalent of older viewers?
I don't want to turn this into a rant about how annoyed I am that YJ was canceled....er, not renewed. I will admit to being mightily confused why DC Nation isn't aiming to expand into more than an hour of programming. I just assumed it was planned to become a 2 or 3 hour block like the old Disney Afternoon, with perhaps a rotating stable of shows. But I am interested on your more insider insight on what the none creative aims are when a new cartoon is unleashed upon the world nowadays and whether they are reasonable. Thanks,
I think one thing to keep in mind is ratings these days are NOT what they used to be.
Ducktales was a ratings smash. It made it's money by itself. Any merchandising was gravy.
Our numbers on Gargoyles, back in the day, puts the ratings of many of today's quote-unquote top-rated animated series to shame. (And Gargoyles was a hit, but never a home run, ratings-wise. Just a single or double.)
So with lower numbers overall, that means less income is coming in from advertising. Meanwhile, the costs of production have either held steady or gone up. That's pretty simple math, isn't it?
So to pay for the production of these shows, you're counting on other streams of revenue to balance the books - and for an action show that mostly means TOYS.
So if the toys don't sell - for whatever reason - how do you pay for the series?
Whether that's reasonable or not is somewhat immaterial. It's just the cold, hard truth of the situation.
So EVERY show I've ever been asked to produce has a core target that it's trying to reach, and usually that's BOYS 6-11, because the belief is (whether you agree or not) that Boys 6-11 drive toy sales for action figures. Doesn't mean the networks object to other demographics (girls or younger kids or older kids, tweens, teens and adults) ALSO watching. But you still have to hit the target.
Picture it like a bullseye. Concentric circles. You MUST hit the center. But hopefully in hitting that sweet spot, you are also reaching the other demos. Back on Gargoyles, I was farely successful at hitting that target audience AND reaching other demos too. And that has always been my goal on these shows. We didn't quite manage it on W.I.T.C.H. We did on Spectacular Spider-Man. And our success was mixed on Young Justice. Ratings were decent overall (by today's standards though not by any absolute standard at all), but our ratings in our target demo were inconsistent at best. (We could go on forever about why, but it doesn't change the FACT of the numbers.)
Throw in Mattel's decision to abandon their YJ line (again, without going into the reasons behind it), and frankly it's no surprise we weren't renewed.
Because how could Warner Bros afford to make it?
After experimenting for two seasons and 46 episodes of YJ, why wouldn't they take the chance on something new that might bring in more money? Or at least pay its own way?
Frankly, we need a new business model. But the studios haven't landed on one that works yet. So they still chase hits.
: « First : « 100 : « 10 : Displaying #942 - #951 of 2415 records. : 10 » : 100 » : 1000 » : Last » :